Pixel Scroll 6/17/17 Fiery The Pixels Fell. Deep Thunder Scrolled Around Their Shoulders

(1) DOUBLE YOUR PLEASURE. Decided this weekend, the 2019 Eurocon will be hosted by TitanCon 2019 in Belfast, NI. The con is scheduled to complement the dates of the expected Dublin Worldcon.

Our proposed dates are Thursday 22 to Saturday 24 August 2019. That is the weekend after the proposed WorldCon (currently being bid for and running unopposed) to be held in Dublin, Ireland on Thursday 15 to Monday 19 August 2019.

We will also be running our traditional TitanCon Coach Tour on Sunday 25 August visiting beautiful locations around Northern Ireland that have been used as filming locations in HBO’s Game of Thrones.

(2) PHONE CALL FROM THE PAST. Today Galactic Journey had its inaugural video conference call from 1962. Sartorially splendid in his white dress shirt and narrow black tie, The Traveler, Gideon Marcus, shared the split screen with Janice Marcus (his editor), and Professor Elliott (whose blog promises to “Document the obscure”).

He started with a recap of significant genre news, including the new issue of F&SF with Truman Capote and Zenna Henderson on the cover, and developments in film, music, and gaming, like Avalon Hill’s recently released Waterloo.

The Traveler masterfully rolled clips like the technical director in those control booth scenes from My Favorite Year, showing us a performance by the band The Shadows (some of them smoking onscreen) and the trailer for Journey to the Seventh Planet (which surprisingly did not end John Agar’s movie career on the spot).

The trio also took questions from the audience — there were about 18 of us on the call — and gave us 1962’s perspective on dogs in space and something called the Radar Range.

If you’d like to take your own trip 55 years back in time, the session was recorded — here’s the link.

(3) FAUX DINO. The Nerdist admires Neil deGrasse Tyson despite his earnestness about certain topics. “GODZILLA Gets Debunked by Neil deGrasse Tyson”.

But, let’s face it, sometimes the good Dr. Tyson is kind of a killjoy. Especially when it comes to debunking the scientific possibility of your favorite science-fiction franchises. He loves to be that guy, the one to tell you how Superman couldn’t really exist, or how this or that sci-fi movie got it wrong, etc. He loves to be Captain Buzzkill sometimes.

The latest example of Neil deGrasse Tyson telling us how one of our favorite science fiction icons simply could never be real happened on his Star Talk radio podcast. According to Tyson, beloved kaiju Godzilla simply could not exist in the real world, because the laws of physics could not allow for it to happen. A giant creature the size of Godzilla would be way too heavy for his limbs, and would therefore collapse under his own weight. Tyson kills your dreams of Godzilla ever emerging from the oceans in this clip from his Star Talk Radio podcast, which you can watch down below….

(4) MIND IN A VACUUM. Or maybe we would find a little of Tyson’s earnestness useful here — “Is the Universe Conscious?”

For centuries, modern science has been shrinking the gap between humans and the rest of the universe, from Isaac Newton showing that one set of laws applies equally to falling apples and orbiting moons to Carl Sagan intoning that “we are made of star stuff” — that the atoms of our bodies were literally forged in the nuclear furnaces of other stars.

Even in that context, Gregory Matloff’s ideas are shocking. The veteran physicist at New York City College of Technology recently published a paper arguing that humans may be like the rest of the universe in substance and in spirit. A “proto-consciousness field” could extend through all of space, he argues. Stars may be thinking entities that deliberately control their paths. Put more bluntly, the entire cosmos may be self-aware.

The notion of a conscious universe sounds more like the stuff of late night TV than academic journals. Called by its formal academic name, though, “panpsychism” turns out to have prominent supporters in a variety of fields

(5) WTF? That was my first thought upon reading in Variety that YouTube personality Lilly Singh has been cast in HBO’s adaptation of Fahrenheit 451.

Based on Ray Bradbury’s classic novel of the same name, the show depicts a future where media is an opiate, history is outlawed, and “firemen” burn books — Montag, a young fireman, forsakes his world, battles his mentor, and struggles to regain his humanity.

Singh will play Raven, a tabloid vlogger who works with the fire department to spread the ministry’s propaganda by broadcasting their book-burning raids to fans. She joins an A-list cast that includes Michael B. Jordan, Michael Shannon, and “The Mummy” star Sofia Boutella.

I’ve watched a lot of her comedy videos — my daughter is a fan — and she’s talented and funny. This sounds like she’s being given a dramatic role, so we’ll have to see how well that works. I don’t automatically assume Ray Bradbury would be unhappy with the choice — after all, he seemed to like Rachel Bloom’s YouTube act well enough.

Ray watching “F*** Me Ray Bradbury” for the first time. Photo by John King Tarpinian.

(6) MORE RAY TO SHARE. BBC’s Radio 3 program The Essay ends a five-part series with “Ray Bradbury’s The Wonderful Ice Cream Suit”.

Five writers recall clothes and accessories that resonate vividly in works of art: The series started with a white dress and ends with a pristine white suit …

Author and journalist John Walsh describes the transformative powers of a ‘two-piece’, worn in turn by a motley bunch of blokes in Los Angeles and celebrated in Ray Bradbury’s story ‘The Wonderful Ice Cream Suit’.

(7) TOUPONCE OBIT. Ray Bradbury scholar William F. Touponce (1948-2017) died of a heart attack on June 15, His colleague at the Center for Ray Bradbury Studies, Jonathan Eller, has posted a thorough and heartfelt appreciation.

Our good colleague, steadfast friend, and long-time Ray Bradbury scholar William F. Touponce passed away from a sudden heart attack on 15 June 2017. Bill joined the faculty of the Indiana University School of Liberal Arts in Indianapolis (IUPUI) in 1985, and attained the academic rank of Professor of English and adjunct Professor of American Studies during his twenty-seven years with the school. In 2007 Bill co-founded the Center for Ray Bradbury Studies and became the Center’s first director. During his four-year tenure as director, he established The Collected Stories of Ray Bradbury and a scholarly annual, The New Ray Bradbury Review. He retired from the faculty in 2012, but continued to pursue his scholarly interests as Professor Emeritus right up until his passing.

…During the first decade of the new century Bill wrote introductions and volume essays for seven special limited press editions of Bradbury’s works; these included an edition of the pre-production text of Ray Bradbury’s screenplay for the 1956 Warner Brothers production of Moby Dick (2008). In 2007, we co-founded the Center for Ray Bradbury Studies within the Institute for American Thought, and Bill agreed to take on the direction of this new and exciting enterprise. During his four-year tenure as director, he established The Collected Stories of Ray Bradbury multi-volume series, and a scholarly journal, The New Ray Bradbury Review.

(8) FURST OBIT. Stephen Furst, best known to fans as Vir Cotto on Babylon 5 has passed away. The LA Times obituary sums up his career.

Furst’s breakout role was as Dorfman in the 1978 film “Animal House,” which also marked the film debut of “Saturday Night Live” star John Belushi.

…He was later a regular on “Babylon 5” and “St. Elsewhere.”

In addition to his acting career, Furst directed several low-budget films, and was a producer on the 2009 drama “My Sister’s Keeper,” starring Cameron Diaz.

(9) TODAY’S FANNISH ANNIVERSARY

(10) TODAY’S BIRTHDAYS

  • Born June 17, 1931 — Dean Ing
  • Born June 17, 1953 — Phyllis Weinberg

(11) CARRIE FISHER REPORT. An Associated Press story by Anthony McCartney, “Coroner Releases Results of Carrie Fisher Death Inquiry”, says the coroner determined that Fisher died from a variety of causes, one of which was sleep apnea, “but investigators haven’t been able to pinpoint an exact cause.”

Carrie Fisher died from sleep apnea and a combination of other factors, but investigators were not able to pinpoint an exact cause, coroner’s officials said Friday.

Among the factors that contributed to Fisher’s death was buildup of fatty tissue in the walls of her arteries, the Los Angeles County coroner’s office said in a news release late Friday. The release states that the “Star Wars” actress showed signs of having taken multiple drugs, but investigators could not determine whether they contributed to her death in December.

Her manner of death would be listed as undetermined, the agency said.

(12) FOLLOW THE MONEY. Kara Dennison returns with “CONVENTIONS: Where Does Your Money Go?”

The Alley

Artists and vendors, this is for you. This is a whole other concept of paying for cons.

I’ve worked both as a seller in Artist Alley and an AA head, so I’ve seen a lot of sides of this. Tables at events can go for anywhere from $40 to (apparently now) $300, all for a six-foot table with a hotel tablecloth and two chairs. And seriously what the heck.

Here’s what the heck.

For starters, renting those tables actually costs the cons money. Yeah. To take them out of storage and use them for three days, the con has to pay the hotel. That’s a part of the contract. Each hotel chain will have their own version of pricing for that, but that fits into your fee.

Beyond that, the price is reflective of the fee to rent the space the Alley is in, as well as the sort of business the con believes you can expect to do. Not a guarantee, but an estimate. If you shell out $100 for a table, that’s in essence the con saying “A good vendor doing their part can expect to take home at least $100 this weekend.”

To be fair, some cons out there really overestimate themselves. The best way to make sure a price is fair is to talk to regular vendors at the event (in your medium, if possible) and see if it evens out. I’m describing to you how a scrupulous Artist Alley works — if something seems off, do your homework.

That said, there are some cons that know they are too small to bring the goods and will actually cut their prices or waive the table rental fee. If a table is extremely low-priced at an event, it’s not because all tables should be that cheap — it’s because the staff is aware of their attendance size and trying to be fair to artists. Artist Alley fees should be judged against their con, not against each other.

(13) THE X-PERSON FRANCHISE. The word from Vanity Fair ” Sophie Turner Is Now Officially the Future of the X-Men Franchise”.

Fox today confirmed a number of suspicions that had been swirling around the next installment of the central X-Men franchise. For the foreseeable future, just like Cyclops, the mutants will be seeing red as Jessica Chastain joins Sophie Turner at the center of X-Men: Dark Phoenix.

Doubling down on the investment the studio made in Turner as head of the new class of mutants in X-Men: Apocalypse, the sequel is now, Deadline reports, officially subtitled Dark Phoenix–a reference to a famous comic storyline involving her powerful character, Jean Grey, breaking bad. It’s the same storyline X-Men explored with Famke Janssen as Jean Grey in the weakest installment of the franchise: The Last Stand. To lean in on a storyline from the least-loved X-Men film and draft Turner, whose debut in the franchise certainly didn’t make Apocalypse any better, is a risky choice. But Fox is full of gambles that pay off these days (see: Deadpool, Logan) and will shore up this foray into bold, new (yet familiar) territory with a trio of returning stars.

(14) SECURITY. China launches a quantum comsat.

The term “spy satellite” has taken on a new meaning with the successful test of a novel Chinese spacecraft.

The mission can provide unbreakable secret communications channels, in principle, using the laws of quantum science.

Called Micius, the satellite is the first of its kind and was launched from the Gobi desert last August.

It is all part of a push towards a new kind of internet that would be far more secure than the one we use now.

The experimental Micius, with its delicate optical equipment, continues to circle the Earth, transmitting to two mountain-top Earth bases separated by 1,200km.

(15) GLOWBOT. Swimming robot to investigate Fukushima: “‘Little sunfish’ robot to swim in to Fukushima reactor”.

It’ll be a tough journey – previous robots sent in to the ruined nuclear reactor didn’t make it back.

(16) A PIXAR FRANCHISE KEEPS ROLLING. NPR likes Cars 3: “‘Cars 3’ Comes Roaring Back With A Swapped-Out (Story) Engine”

The multi-billion-dollar success of Pixar’s Cars series can be chalked up to a great many things, but don’t discount the little vroom-vroom frowns the cars make with their dashboard eyes when they want to go fast. When Lightning McQueen, the Owen Wilson-voiced stock car with the bright flames decal, guns for pole position, he squints so much that any human who might be driving him wouldn’t be able to see the road. But of course there are no humans in this world, unless you count the invisible giant kids who must be steering the racers with their hands and making the motor sounds themselves.

That enduring childhood (typically but by no means exclusively boyhood) fascination with moving vehicles has propped up this franchise for the backseat set, seeing it through three feature-length films, a spin-off Planes series, and countless toy tie-ins.

(17) IAMBIC TWO-AND-A-HALF-METER. The Science Fiction Poetry Association is having a half-price sale on their t-shirts.

(18) FEWER NAUGHTY BITS. Row over cleaned-up movies: “Sony sanitising films row – the story so far”.

If you’ve been on a long-haul flight recently, you might have noticed the films being shown were a bit different from their cinematic release.

They’re usually a bit shorter as they’ve been made family-friendly for any young eyes who can see your screen.

Earlier this month Sony decided to make these sanitised versions available to download at home, choosing 24 titles including Ghostbusters and Easy A.

But now they’ve had to backtrack after filmmakers complained about the move.

(19) SUBCONTINENTAL SUBCREATOR. “India’s Tolkien”: “Amish Tripathi: ‘India’s Tolkien’ of Hindu mythology”. I wonder, has he been introduced to “America’s Tolkien”?

Meet best-selling Indian author Amish Tripathi who has just released his much anticipated fifth book, Sita: Warrior of Mithila, that re-imagines the life of the Hindu goddess from the epic Ramayan.

With four million copies in print, the former banker, who has successfully turned centuries-old mythological tales into bestselling works of fiction, is one of the highest selling Indian authors writing in English.

Chip Hitchcock says “India has snobs just like the west: ‘Although critics say his books lack any literary merit, they admire him for his ability to “create completely new stories from old ones”.’“

(20) PIONEERING. Oregon breaks new legal ground in personal identification — “Male, female or X? Oregon adds third option to driver’s licenses”.

Oregon on Thursday became the first U.S. state to allow residents to identify as neither male nor female on state driver’s licenses, a decision that transgender advocates called a victory for civil rights.

Under a policy unanimously adopted by the Oregon Transportation Commission, residents can choose to have an “X,” for non-specified, displayed on their driver’s license or identification cards rather than an “M” for male or “F” for female.

The policy change was cheered by supporters as a major step in expanding legal recognition and civil rights for people who do not identify as male or female. This includes individuals with both male and female anatomies, people without a gender identity and those who identify as a different gender than listed on their birth certificate.

(21) BRONZE AGE. Is this the style of armor Patroclus wore? “Dendra panoply, the oldest body Armour from the Mycenaean era”.

The earliest sample of a full body armor in Greece was found at the Dendra archeological site, located in the Argolis area. Discovered in May 1960 by Swedish archaeologists, the discovered breastplate, and backplate made of bronze, date to the 15th century BC. These pieces are part of the Dendra full-body armor, composed of fifteen pieces, including leg protectors, arm-guards, helmet and the parts mentioned above. The pieces were held together with leather lacing, covering the entire body of the soldier.

The breastplate and backplate are linked on the left side by a hinge, and together with the large shoulder protectors, these pieces consisted the upper body armor. Two triangular-shaped plates are attached to the shoulder protectors, providing protection for the armpits. The armor also includes a neck protection plate. Three pairs of curved shields hang from the waist, giving protection to the groin and the thighs. This artifact is unique for its armguard, and as for the leg protectors, it is assumed that they were made of linen and are a standard piece of armor seen in illustrations from the Mycenaean age.

(22) EMISSION IMPOSSIBLE. Speaking of Homeric — what about Our Wombat!

[Thanks to Joe H., Cat Eldridge, Chip Hitchcock, Rich Lynch, John King Tarpinian, Martin Morse Wooster, and rcade for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

2017 Elgin Award Finalists

Nominations for the Science Fiction and Fantasy Poetry Association’s Elgin Award closed May 15, and Josh Brown, the 2017 Elgin Award Chair reports the final list of nominees has been posted to the SFPA website.

The award is named for SFPA founder Suzette Haden Elgin, and is presented in two categories, Chapbook and Book.

Chapbooks
Apocalypse • John C. Mannone (Alban Lake, 2015)
An Assortment of Sky Things • Christina Sng (Allegra Press, 2016)
Corona Obscura • Michael R. Collings (CreateSpace, 2016)
Energy (or the Art of Keeping it Together) • Susan Gray (Burning Eye Books, 2016)
Ghost Skin by Wren Hanks • (Porkbelly Press, 2016)
Ghost Tongue by Nicole Rollender • (Porkbelly Press, 2016)
hiku [pull] by James A. H. White • (Porkbelly Press, 2016)
In Favor of Pain • Angel Yuriko Smith (CreateSpace, 2016)
Jackalope-Girl Learns to Speak • Stacey Balkun (dancing girl press, 2016)
Leviathan • Neil Aitken (Hyacinth Girl Press, 2016)
Lost City Museum • Stacey Balkun (ELJ Publications, 2016)
The Mole People by Heather Cox (Bat Cat Press, 2016)
Moon Facts • Bob Schofield (Nostrovia! Press, 2015)
Notes on the End of the World • Meghan Privitello (Black Lawrence Press, 2016)
Prophet Fever • Wren Hanks (Hyacinth Girl Press, 2016)
Quick Bright Things: poems of fantasy & myth • P.S. Cottier (Ginninderra Press, 2016)
Shipwreck Smiles • Lauren Andrei (Cozy Muse, 2016)
Shopping After the Apocalypse • Jessie Carty (Dancing Girl Press, 2016)
Southern Cryptozoology • Allie Marini (Hyacinth Girl Press, 2015)
Radio Heart, or; How Robots Fall Out of Love • Margaret Rhee (Finishing Line Press, 2016)
Violet Hours • Jeanie Tomasko (Taraxia Press, 2016)
What Stranger Miracles • James Brush (White Knuckle Press, 2016)
spacer
Full-length Books
The Acolyte • Nancy Hightower (Port Yonder Press, 2015)
request .pdf from nhightow@gmail.com
Apocalypse • Frederick Turner (Ilium Press, 2016)
Bone Confetti • Muriel Leung (Noemi Press, 2016)
The Book of Robot • Ken Poyner (Barking Moose Press, 2016)
Brief Encounters with My Third Eye: Selected Short Poems 1975-2016 • Bruce Boston (Crystal Lake Publishing, 2016)
Chemical Letters • Octavia Cade (Popcorn Press, 2015)
.pdf available as “Pay What You Want” on DriveThruFiction: http://bit.ly/ChemicalLettersDTF
The Crimson Tome • K. A. Opperman (Hippocampus Press, 2015)
Dark Parchments • Michael H. Hanson (MoonDream Press, 2015)
Dead Starships • Wendy Rathbone (Eye Scry Publications, 2016)
Field Guide to the End of the World • Jeannine Hall Gailey (Moon City Press, 2016)
The Galaxy Is a Dance Floor by Bianca Lynne Spriggs (Argos Books, 2016)
Ghosts Still Walking • Do Nguyen Mai (Platypus Press, 2016)
A History of the Cetacean American Diaspora • Jenna Le (Anchor & Plume, 2016)
House of Mystery by Courtney Bates-Hardy (ChiZine Publications, 2016)
I Am Not A War • Sophia Terazawa (Essay Press, 2016)
free online
In the Crocodile Gardens • Saba Razvi (Agape Editions, 2016)
Lost Gardens of the Hakudo Maru • Ryu Ando (a€¦p press, 2016)
Marginalia to Stone Bird • Rose Lemberg (Aqueduct Press, 2016)
On that one-way trip to Mars • Marlena Chertock (Bottlecap Press, 2016)
Poems of My Night • Cynthia Pelayo (Raw Dog Screaming Press, 2016)
Poor Anima • Khaty Xiong, (Apogee Press, 2015)
The Primitive Observatory • Gregory Kimbrell (Southern Illinois University Press, 2016)
PseudoPsalms: Saints v. Sinners • Peter Adam Salomon (Journalstone, 2016)
The Role of Lightning in Evolution • David Clink (Kelp Queen Press, 2016)
Sacrificial Nights • Bruce Boston & Alessandro Manzetti (Kipple Officina Libraria, 2016)
The Seven Yards of Sorrow • David E. Cowen (Weasel Press, 2016)
Small Spirits: Dark Dolls • Marge Simon (Midnight Town Media, 2016)
Staying Alive • Laura Sims (Ugly Duckling Presse, 2016)
Turn Left at November: Poems • Wendy Rathbone (Eye Scry Publications, 2015)
Underwater Fistfight • Matt Betts (Raw Dog Screaming Press, 2016)

[Thanks to John Brown for the story.]

Pixel Scroll 3/27/17 On The Gripping Hand Of Darkness

(1) SPACE, THE INITIAL FRONTIER. In a profile published in the October 17 New Yorker, Julie Phillips reveals why Ursula Le Guin’s name has a space in it.

Her husband’s birth name was Charles LeGuin.  They were married in France, and “when they applied for a marriage license, a ‘triumphant bureaucrat’ told Charles his Breton name was ‘spelled wrong’ without a space, so when they married they both took the name Le Guin.”

(2) JUST MISSPELL MY NAME CORRECTLY. By a vote of the members, the Science Fiction Poetry Association has renamed itself the Science Fiction & Fantasy Poetry Association. Although its name has changed, the organization will keep using the initials SFPA.

And nearly every time the poets talk about SFPA in the hearing of old-time fanzine fans you can depend on someone dropping a heavy hint that they’re at risk being mixed up with a pre-existing fan group that uses the same abbreviation. Today it was Andrew Porter chirping in a comment on the announcement —

Not to be confused with the Southern Fandom Press Association, which has been around for more than 40 years…

Unfortunately it’s Porter who is confused, as he seems to have forgotten the apa’s name is the Southern Fandom Press Alliance.

(3) SAMOVAR LAUNCHES. A new sff magazine, Samovar, launched today, featuring “the best of speculative fiction in translation including original stories, reprints, poetry, reviews and more material, as well as printing translations alongside the stories in their original language.” Samovar will be produced as a quarterly, special imprint of Strange Horizons.

“Stories tell us who we are, and let us see who other people are. We already have access to an enormous wealth of speculative fiction in English, but we want to know more” – The Samovar editorial team.

What wondrous fantastical tales are being conjured in Finnish? Who writes the best Nigerian space odysseys? Is Mongolia hiding an epic fantasy author waiting to be discovered? We want to know, and we aim to find out.

For Samovar, writers and translators are of equal importance, and we do our best to shine a spotlight on the talented individuals who pen both the original and the translated version of a story. We hope that in this way we can boost the profile of speculative fiction in translation so that everyone involved receives the recognition they deserve and so we can all continue to enjoy the strange, mind-bending and fantastical fiction of all cultures.

In issue one: two sisters create an imagined world where things that are lost can be found. A despot is forced to see the truth he’s tried to hide from. An academic finds poetry, science fiction and reality beginning to merge. And the Curiosity Rover turns its own sardonic gaze on Mars.

The Samovar editorial team is Laura Friis, Greg West and Sarah Dodd. Their advisory board includes Helen MarshallRachel Cordasco and Marian Via Rivera-Womack.

(4) TENSION, APPREHENSION, AND DISSENSION. The Atlantic’s Megan Garber asks: What’s the opposite of a “cliffhanger”?

Extended cliffhangers (cliffstayers? cliffhaaaaaaaaaaaaaaaangers?) have animated some of the most narratively powerful works of television of recent years; they have helped to heighten the tension in shows like Breaking Bad (how low will Walt go?) and Serial (did he do it?) and Quantico (did she do it?) and True Detective (who did it?) and Lost (who are they? where are they?) and, in general, pretty much any sitcom that has ever featured, simmering just below its surface, some will-they-or-won’t-they sexual tension.

What’s especially notable about the recent shows that are employing the device, though, is that they’re locating the tension in one (unanswered) question. They’re operating in direct opposition to the way traditional cliffhangers were primarily used: between installments, between episodes, between seasons, in the interstitial spaces that might otherwise find a story’s momentum stalling. Big Little Lies and Riverdale and This Is Us and all the rest are taking the specific narrative logic of “Who shot J.R.?” and flipping it: The tension here exists not necessarily to capture audience interest over a show’s hiatus (although, certainly, there’s a little of that, too), but much more to infuse the content of the show at large with a lurking mystery. Things simmer rather than boil. The cliffhanger is less about one shocking event with one central question, and more about a central mystery that insinuates itself over an entire season (and, sometimes, an entire series).

(5) SLOWER THAN LIGHT COMMUNICATION. This is how social media works: I never heard of Harry Potter & the Methods of Rationality until somebody complained about it.

The appeal for a 2016 Hugo nomination was posted by the author in 2015.

First, the following request: I would like any readers who think that HPMOR deserves it sufficiently, and who are attending or supporting the 2015, 2016, or 2017 Worldcon, to next year, nominate Harry Potter and the Methods of Rationality for Best Novel in the 2016 Hugos. Whether you then actually vote for HPMOR as Best Novel is something I won’t request outright, since I don’t know what other novels will be competing in 2016. After all the nominees are announced, look over what’s there and vote for what you think is best.

I don’t know how many votes he ended up getting but it wasn’t enough to rank among the top 15 works reported by MidAmeriCon II.

(6) FINALLY A GOOD WORD ABOUT THE MOVIES. Book View Café’s Diana Pharoah Francis was both nostalgic and thoughtful after hosting a Lord of the Rings marathon at home.

…Among the SF/F communities, it was this extraordinary vision come to life in a way we had never experienced before. It was not cheesy or all about the CGI. It was about strength, honor, choices, and hope. It was real characters in dreadful situations. The watching of heroes being made and broken beneath weights no one should have to bear. And Aragorn — a king in the making. A soul of strength and doubt and humility.

The movies were inspiring on a lot of fronts. I think it’s appropriate to watch it now in a world that is struggling so hard against itself. With so much fear, and worry and such dire enemies. Who are those enemies? Too many are ourselves. Our fears that turn us into monsters or traitors. Denethor, Gollum, Boromir, the Nazgul — absolute power corrupts. There are those who give up. Those who refuse to fight. Those who lose themselves.

The stories, the movies and the books, are a view into ourselves and what we can hope to be and what we may become — good and bad. It’s a reminder that it’s never a good time to quit in the battle against darkness — in whatever shape it takes….

(7) MAKE ROOM! MAKE ROOM! ON YOUR SHELVES. James Davis Nicoll names “Twenty Core Space Operas Every True SF Fan Should Have On Their Shelves”.

“Chosen entirely on the basis of merit,” says James, “with a side-order of not repeating titles that were on the first list.”

(8) TWEETS OF THE DAY ABOUT TWO WEEKS AGO. I felt a disturbance in the force. Just not right away.

(9) FIVE PLUS TWO. John Scalzi offers “7 Tips for Writing a Bestselling Science Fiction Novel” at Female First. This is my favorite:

Make your universe two questions deep. By which I mean, make it so when someone asks you a question about why/how you created or portrayed the universe, character etc the way you did, you have a smart, cogent answer for it, consistent with the construction of the book. And then when they have a follow-up question, be able to answer that effectively, too. That will make 95% of your readers happy with your worldbuilding (the other 5% are SUPER nerds. Which is fine! For them, say “Oh, I’m glad you asked that. I’m totally going to address that in the sequel.” Try it! It works!).

Strangely enough, none of his seven tips is “Start a fuss with somebody in social media.”

(10) SECOND FIFTH. But as we just witnessed last week, that is part of the Castalia House playbook – which is evidently followed by Rule #2, “Stalk real bestselling writers on their book tours.”

Here’s a video of a jackass asking John Scalzi to sign Vox Day’s SJWs Always Lie, and posing an insulting question about John’s Tor book deal. You’ll note the book in John’s hand has not been autographed by Vox Day. When is his book tour?

(11) HOT OFF THE PRESS. Liz Colter (writing as L. D. Colter) has a new book out this week – A Borrowed Hell.

Facing a sad, empty life, July always persevered by looking forward. An unhappy childhood, a litany of failed relationships, and even losing his job–none of it could stop him. But then the foreclosure notice arrives, and July is facing losing the one thing that keeps him grounded–his home.

With pain in his past and now in his future, July gives up and starts down the same road of self-destruction that the rest of his family had followed. It is only when he awakens in a hospital after a violent car accident that things change.

He starts to experience blackouts, which leave him in an alternate reality of empty desert and strange residents. It is a nightmarish world that somehow makes the real world seem that much better. Then he meets a woman that becomes a beacon of light, and his life starts to turn around.

But the blackouts continue, sending him to the alternate reality more often and for longer periods of time. Realizing that he may never escape, July asks the question he’d always been afraid to ask: How can he finally be free? The answer is one he’s not sure he can face.

I can’t resist a droll bio:

Due to a varied work background, Liz can boast a modest degree of knowledge about harnessing, hitching, and working draft horses, canoe expeditioning, and medicine. She’s also worked as a rollerskating waitress and knows more about concrete than you might suspect.

(12) HISTORY MINUS FDR. The LA Times says a bestselling author has a new trilogy on the way.

Charlaine Harris, whose Sookie Stackhouse books inspired the television series “True Blood,” will release the first book in a new trilogy next year.

Harris’ novel “Texoma” will be published in fall 2018 by Saga Press, a science fiction and fantasy imprint of Simon & Schuster, the publisher announced in a news release.

“Texoma” will be a work of speculative fiction that takes place in “an alternate history of a broken America weakened by the Great Depression and the assassination of Franklin Delano Roosevelt.”

(13) DAMP YANKEES. In New York Magazine’s author interview “Kim Stanley Robinson’s New York 2140: To Save the City, We Had to Drown It”, Robinson discusses why the book is surprisingly optimistic, how his thoughts on the global economy influenced 2140, and how he came up with the time frame for the book.

…[T]here were two goals going on that forced me to choose the date 2140, and those two goals cut against each other. I needed to put it far enough out in the future that I could claim a little bit of physical probability to the height of the sea-level rise of 50 feet, which is quite extreme. A lot of models have it at 15 feet, though some do say 50 feet. So I did have to go out like a 120 years from now.

Cutting against that future scenario, I wanted to talk about the financial situation we’re in, this moment of late capitalism where we can’t afford the changes we need to make in order to survive because it isn’t cost effective. These economic measures need to be revised so that we pay ourselves to do the work to survive as a civilization facing climate change.

I wanted a finance novel that was heavily based on what lessons we learned — or did not learn — from the crash of 2008 and 2009. All science-fiction novels are about the future and about the present at the same time.

(14) WEBCAST. Another Spider-Man trailer will be out tomorrow – here’s a seven-second teaser for it.

[Thanks to Rob Thornton, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Chris Gregory, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

A Speculative Kerfuffle

The Science Fiction Poetry Association is taking nominations from members for the Rhysling Awards until February 15. A.J. Odasso, Strange Horizons Senior Poetry Editor, nominated two poems published by Strange Horizons (which is within the rules) but originally one of them was rejected as insufficiently speculative. The nomination was soon restored – amid charges of racism against Rhysling Award decision makers,  and raking up the personal history of another SFPA volulnteer. And debate continues over the elusive definition of “speculative poetry.”

A.J. Odasso protested against the original decision in a January 14 tweet and followed up on January 17 with a blog post “Concern re: removal of a 2017 Rhysling Award nomination”.

Since nominations are currently open until February 15th for this year’s Rhysling Awards, I did what I usually do: nominate one short poem and one long poem, both of which happened to be poems that I and one of my co-editors had published in Strange Horizons during the course of 2016.  In addition to meeting the line-count requirements, both poems were published in the correct year, in a magazine of speculative literature.  There are rules against nominating your own work, but there are no rules against nominating work you’ve had a hand in publishing.  And it’s a good thing there aren’t, because reading submissions guarantees you’re at the front lines of reading the most exciting new work your community has to offer.

[The poem was selected for Strange Horizons by another poetry editor. Strange Horizons has four.] 

… While I was at Arisia this past weekend dashing from panel to panel, I received an upsetting message from the current Rhysling Anthology Chair [previous SFPA president David Kopaska-Merkel].  My nomination for the Short Poem category, Layla Al-Bedawi’s “Propagation,” had been accepted, but my Long Poem nomination, Tlotlo Tsamaase’s “I Will Be Your Grave,” had been rejected.  I was being asked to find a different long poem to nominate because Tlotlo’s piece was apparently not speculative enough.  First of all, I’d never heard of nominations being rejected; second of all, the nomination had already been made public on the website.  Poets had already been engaged in excitedly congratulating each other on their nominations for more than a week.  I was instantly outraged on Tlotlo’s behalf, as I can’t think of any universe in which publicly announcing a nomination and then deciding to revoke it after the fact isn’t bad form.  I spent a number of hours on email urging the [award] Chair to reconsider this decision in light of the fact that it would be deeply, deeply hurtful to the poet after they’d already seen their nomination, but Tlotlo’s piece was removed before the day was over.

… Mistake or not, this action is problematic for more reasons than I can reasonably delineate in one blog post.  At worst, it’s exclusionary and, yes, even racist to claim that a poem by a writer of color, published in a speculative magazine, is not speculative enough by white/Western standards to be worthy of nomination.  At best, it really is just a mistake, but even at that juncture, it had been publicly posted before being revoked.  It’s flat-out bad form to essentially tell someone, hey, congrats, you’ve earned this honor, and then say, oh, oops, sorry, our bad, it just didn’t conform to standards, we’ve got to pull it.  No matter which way you consider it (and, frankly, I consider it in both), Tlotlo’s owed an apology.

SFPA President Bryan Thao Worra responded the same day as the first tweet —

The same day that Odasso’s post was published, Lev Mirov took up the racial issue.

Elizabeth Barrette, in “Rhysling Award discrimination”, vigorously prosecuted the charges of racism and cultural insensitivity, beginning with an explanation of the African literary context of the poem, then launching into populist arguments against SFPA leadership.

…These perspectives are routinely excluded from white society and, especially, recognition such as awards. Often there’s no representation at all; when black people win awards, it tends to make the news because it doesn’t happen much. It’s usually not because the people rejecting them are the kind of racists who think black people are inferior. It’s because they think black ideas are uninteresting and irrelevant — in this case, “not speculative enough.” Not “good enough.” Not “really” speculative poetry. Not “worthy” of being permitted to compete at all. The awards typically go to things closer to the middle of the bell curve. Usually it’s because people don’t vote for black literature; the perspective shown by the award chairs and officers of the SFPA is common, though by no means universal. But sometimes it’s enforced from the top down, like this case when an African poem shows up to the literary lunch counter and is thrown out the door by organizational fiat. The member who nominated it is not permitted to have a voice regarding what speculative poetry “is,” the poem is not permitted to compete in the award despite meeting the technical standards, its author is excluded from the privileged circle of nominees, and the general membership is prevented from voicing our opinion about what is or is not “speculative enough” and “good enough” through our votes for the Rhysling Award. At the same time, this high-handed move directly blocks everyone else’s mindful efforts to promote diversity in speculative poetry by forcibly removing the option of voting for this poem. Our opinions and work don’t matter; we don’t get a choice. Someone else gets to decide that. Someone with more power. Someone more important. Someone who gets to say which poems and poets can sit at the literary lunch counter, or not. Institutionalized racism is difficult to fix precisely because of examples like this where someone in power can directly thwart other people’s hard work in solving the problem.

The Twitter exchange continued on January 17 –

Then, on January 18, this bluntly-worded tweet came out from the SFPA Twitter account.

And A.J. Odasso, in a comment added to the orignal post, asserted —

The SFPA is populated by a handful of people who really are as exclusionary as they appear to be, and they’ll go to any lengths to insist that they aren’t. And they don’t even seem to understand that a thing can still be racist even if they don’t intend it to be. Like we haven’t covered that enough?

In a further exchange of comments, Odasso laid the blame for the SFPA tweet at the feet of F.J. Bergmann, because SFPA’s webmaster had earlier tweeted an unsympathetic response from her personal account, and immediately dragged Bergmann’s WisCon controversies into the discussion.

However, Bergmann proved not to be the author of the SFPA tweet, that was SFPA officer Diane Severson:

I am Diane Severson, membership and communications chair of the SFPA, who tweets from @sfpoetry . It was not FJ Bergmann who made those blunders on Twitter, but me. I feel sick about this whole situation. I find it very difficult to respond to accusations such as had been made within the context of a tweet.

… We put our collective foot in it with Tlotlo Tsamaase’s poem. I hate that this sort of thing keeps happening to us. We are not evil. An unfortunate few (6 people) are tasked with running the organization. It is the desire of ALL of us to increase inclusivity and diversity within the organization and in our publications. I know that many feel it is not our job to police what is SpecPo. It has never been our intention to do so. With regard to early nominations, we had an unfortunate misunderstanding among those of us determining a nominated poem’s eligibility, which is not just whether it is Spec or not, since there are actual mistakes nominators make in regards to eligibility (year of publication, length, nominators membership, etc.). It was always our intention to ask the nominator for an “explanation” in the event the chair thought it didn’t seem speculative. It’s unclear to me whether that happened, AJ. Barring that we had intended that if only one of the officers thought it was “spec enough” it should be included. In this case, they were split in their impressions and the chair mistakenly thought we’d agreed it should be unanimous.

Odasso responded with an apology to Severson:

I’d like to apologize for my less tactful moments in all of this, too, up to and including assuming the identity of who made the tweets.

Severson continued:

It’s so hard to navigate these issues. No one gets the benefit of the doubt that missteps are unintentional and therefore one is always put in a defensive position. Instead of being informed of one’s errors and given a chance to rectify things, accusation and yes, intolerance is very often what’s led with. Like I said, I’m sick that this keeps happening, but I also have a hard time understanding why people don’t talk to us before tearing us a new one.

Severson also told Odasso that she actually owed the apology to Bergmann, but Odasso replied that Bergmann was deserving of her comments.

SFPA President Bryan Thao Worra made a public statement on January 19, to which he appended this unofficial comment showing he favored the restored nomination:

I always hope that we respect the premise that even if we don’t think of a particular poem as speculative by our personal definitions, at least one of our other members esteemed that poem enough to nominate for consideration. It stands, then, that we recognize those works as a professional courtesy, within reason. Or unreason, if that’s your thing.

The next day, on January 20, SFPA Secretary Shannon Connor Winward, gave her perspective in “Arbitrating Spec”.

….I’d like to share my thoughts, as both a writer and fan of speculative poetry as well as an SFPA officer with firsthand knowledge of the events that transpired.  I believe that, although it may be at times uncomfortable, this is one of those difficult conversations that needs to be had.

WHAT IS SPECULATIVE POETRY?

One of the first issues to appear on my radar as an elected officer of the SFPA was the fact that, even within an organization dedicated to speculative poetry, not everyone agrees on what “speculative” means.  While this may seem like a philosophical or semantic question, it’s also a practical one.  The SFPA exists to foster community among people who read and write speculative poetry.  Each year the SFPA publishes two award anthologies (the Rhysling and the Dwarf Stars) of speculative poetry, bestows the Elgin Award for chapbook and book-length speculative poetry manuscripts, and hosts a speculative poetry contest with cash prizes, with the express purpose of highlighting the very best speculative poetry being written today.  Without a clear, working consensus of what speculative poetry is, what’s the fucking point?

…And yet.  As an officer of the SFPA, it is my responsibility to help recruit, vet, and assist those people we appoint as Editors and Chairs of our organization’s endeavors.  This year’s Rhysling Chair, David Kopaska-Merkel, is a notable member of the SFPA and the wider speculative poetry community – a person with a breadth of experience and demonstrated ability.  We were thrilled to have him take the helm for this project, and to vest him with the responsibilities as well as the discretion required for the role.

I am deeply troubled by the accusations on social media that David acted irresponsibly in deeming certain poems ineligible, or that his actions were done with malice, with the intent of purposely excluding some voices.  As Rhysling Chair, it is David’s job to ensure that all nominated poems meet the criteria for eligibility, which by extension includes determining whether the poems count as speculative, even though there is not – as yet – any clear policy to guide him in this.  David’s solution was to bring each poem that he found questionable to the attention of the executive committee, seeking our input, before making his final determination.  His was a measured, conscientious approach.  And while I did not personally agree with each decision that he made, I was willing to support them.

Members of the SFPA and in the greater community have questioned the right of one person to decide what counts as speculative – and given that as a community we’ve yet to land on a universal definition, it’s a valid question.  It has been argued that the fact the nominated poem first appeared in one of the most celebrated speculative markets in the field should automatically qualify the poem as speculative, which is also an excellent point—I even suggested as much myself at one point during one of the many discussions in our list-serv, saying that any poem published in a speculative journal had already been vetted by an editor and should get an automatic pass.

But on the other hand, a point that I haven’t seen vocalized is the fact that magazine editors, too, exercise personal discretion.  They make decisions based on the same personally or culturally defined and often arbitrary standards and preferences and biases that we, as readers, exercise—and they have the right to do so, because of the task that has been entrusted to them.  Similarly, the Rhysling Chair is tasked with interpreting the organization’s guidelines to the best of his or her ability, which also implies a degree of individual, even arbitrary discretion—and that is what happened.  Without any clear guidance in the form of official policy, and with only the less-than-unanimous opinions of the executive committee (a microcosm of the larger spec community), he made a judgment call.

Personally, I am glad that “I Will Be Your Grave” was reinstated.  I believe that surrealism has a place in the speculative genre, and that poems like this are doing interesting things with language and imagery and genre tropes that should be recognized.  But as an officer, I believe the takeaway from this issue has less to do with righting a perceived injustice, and more to do with improving the Rhysling process.

I think, as a community, we need to look at the central issue –how do we define speculative, and, more importantly, who/how do we empower to apply that definition when it comes to featuring poems in our annual award programs—including our anthologies, which we hold up to the world as the best representatives of what speculative poetry is?

To accomplish this, we need to move away from the merry-go-round of debate (and name-calling) that is endemic in our social media and forums.  We need to work together to define clear and equitable guidelines for both the nomination process and the vetting system—assuming a vetting system for “speculative” should even exist….

It so happened that Winward had already opened a poll on her website asking people what is and isn’t “speculative.” Now the results are in — establishing that, much like the definition of “science fiction,” few can agree on what it is.

[Thanks to Robin A. Reid for the story.]

Pixel Scroll 1/29/17 Have Space Suit, Would Travel, But Ain’t Got No Visa

(1) SLOWER THAN EMPIRES AND HALF VAST. It all seems to obvious now. CheatSheet explains: “’Star Wars’: Why Delaying ‘Episode VIII: The Last Jedi’ Was the Right Call”.

From there, the plan was to release Episode VIII  (now officially titled The Last Jedi) a quick five months later, with each subsequent sequel and spinoff releasing in May of their respective years. Recent events though have put that schedule in jeopardy, culminating in a massive seven-month delayOur first hint at this possibility came courtesy of Meet the Movie Press, with host Jeff Sneider reporting on rewrites for Rian Johnson’s script that pushed the beginning of production out to February (initial plans had production scheduled to begin in September 2015). Already under the gun with the minuscule five-month gap between Rogue One and Episode VIII, the call was made official by Lucasfilm: The sequel to The Force Awakens will now release December 17, 2017.

…More than anything, the May release of Episode VIII would have been a nightmare from the marketing side. The Force Awakens released its first teaser almost exactly a year before its premiere. To follow a similar plan, Episode VIII would need a teaser by May of this year, all while Rogue One tries to get itself heard above the din of the main trilogy ahead of its own December release. The end result would have drowned out Rogue One and kept everyone’s eyes fixed on May 2017. With a year of spacing now between the two films, Lucasfilm no longer runs the risk of making people feel inundated by a revived franchise that’s already permeating every facet of our pop culture.

(2) KICKSTARTER SUCCESSS. Matt Godwin’s crowdfunded Latin@ Rising gets favorable notice from a San Antonio news outlet — “Anthology gathers best Latino sci-fi stories” in MySA.com.

Matt Goodwin compares “Latin@ Rising,” the new anthology of science fiction from San Antonio’s Wings Press, to an eclectic literary mix tape or playlist “in which there is an ebb and flow as you move through the loud and the brash, the quiet and the thoughtful.”

The latter might be Carmen Maria Machado’s “Difficult at Parties,” a first-person, present-tense story told as if through a camera lens about a woman struggling to return to some semblance of normal life after a sexual assault. As tension builds, she discovers she has developed a disturbing new psychic power.

On the other hand, Giannina Braschi’s “Death of a Businessman” is the cacophonous opening to a novel titled “The United States of Banana,” which is the author’s response to 9/11: “I saw the wife of the businessman enter the shop of Stanley, the cobbler, with a pink ticket in her hand. The wife had come to claim the shoes of the businessman. After all, they had found the feet, and she wanted to bury the feet with the shoes.”

(3) BOYCOTT WHEN CONVENIENT. Charles Stross says he’s canceling GoH appearance at Fencon XIV and won’t be making any other US appearances after that — “Policy change: future US visits”. However, he’s not cancelling a business trip to New York or attendance at Boskone because that would cost him money.

…Consequently I’m revising my plans for future visits to the United States.

I’ll be in New York and Boston for business meetings and Boskone in mid-February (I unwisely booked non-refundable flights and hotel nights before the election), but I am cancelling all subsequent visits for now. In particular, this means that I will no longer be appearing as guest of honor at Fencon XIV in Texas in September.

…As for why I’m cancelling this appearance … I have two fears.

Firstly, at this point it is clear that things are going to get worse. The Muslim ban is only the start; in view of the Administration’s actions on Holocaust Memorial Day and the anti-semitism of his base, I think it highly likely that Jews and Lefists will be in his sights as well. (As a foreign national of Jewish extraction and a member of a left wing political party, that’s me in that corner.)

Secondly, I don’t want to do anything that might be appear to be an endorsement of any actions the Trump administration might take between now and September. While it’s possible that there won’t be any more bad things between now and then (in which case I will apologize again to the Fencon committee), I find that hard to believe; equally possibly, there might well be a fresh outrage of even larger dimensions right before my trip, in which case my presence would be seen by onlookers as tacit acceptance or even collaboration.

As for my worst case nightmare scenario? Given the reshuffle on the National Security Council and the prominence of white supremacists and neo-nazis in this Administration I can’t help wondering if the ground isn’t being laid for a Reichstag Fire by way of something like Operation Northwoods. In which case, for me to continue to plan to travel to the United States in eight months time would be as unwise as it would have been to plan in February 1933 to travel to Germany in September of that year: it might be survivable, but it would nevertheless be hazardous….

(4) DICKINSON OBIT. Andrew Porter reports —

Originally from Leeds, England, fan Mike Dickinson, 69, died from cancer on January 20th. He had been in poor health for a year since being hit by a car, and then was diagnosed with lung cancer.

With David Pringle, he co-chaired Yorcon, the 1979 Eastercon, in Leeds, and was toastmaster of Yorcon II in 1981..

Among fanzines he published were the one-off fanzine Adsum in 1978; with Alan Dorey the one-off Sirius; three issues of Bar Trek with Lee Montgomerie; in 1979, the 95-97th issue of Vector for the British SF Association; and, in 1984, Spaghetti Junction.

David Pringle writes, “He was a mainstay of the Leeds SF group which met every Friday evening from some time in 1974 onwards, initially in a pub called The Victoria and later in one called the West Riding. That petered out in the 1980s — after I’d left Leeds in 1982, and after Mike and his partner Jackie went abroad for a couple of years, teaching English as a foreign language in Italy.”

(5) TODAY IN HISTORY

  • January 29, 1845 — Edgar Allan Poe’s famous poem “The Raven,” beginning “Once upon a midnight dreary,” is published on this day in the New York Evening Mirror.
  • January 29, 1924 — Carl Taylor’s ice cream cone-rolling machine patented.
  • January 29, 1964 Stanley Kubrck’s timeless Dr. Strangelove opens simultaneously in the UK and USA. It was James Earl Jones’ first movie role.

(6) QUOTE OF THE DAY

“The party told you to reject the evidence of your eyes and ears. It was their final, most essential command.” ~ George Orwell

(7) ALL THE ROAD RAGE. My daughter liked playing on Wii, but I drove off the road so many times in one of those Mario Bros. games I would never be the kind of customer for this platform that this collector is — “Guy completes entire Wii library, and it’s massive”

Your stack of old Wii games pales in comparison to this guy’s collection. Nintendo Age forum user Aaron Norton, who goes by Nintendo Twizer, has posted pictures of his entire Wii library collection, and it’s ridiculous.

According to Norton, the Wii had 1,262 game releases in North America. His collection doesn’t include variants, like different cover arts, collector’s editions, or Nintendo Selects, which were discounted re-releases of popular games. It also doesn’t include demo discs or games that were released in two-packs later on, like the Wheel of Fortune/Jeopardy bundle.

(8) JUST DROPPING IN. What would it be like to actually land on Pluto? NASA’s video “A Colorful ‘Landing’ on Pluto” simulates the ride down.

This movie was made from more than 100 images taken by NASA’s New Horizons spacecraft over six weeks of approach and close flyby in the summer of 2015. The video offers a trip down onto the surface of Pluto — starting with a distant view of Pluto and its largest moon, Charon — and leading up to an eventual ride in for a “landing” on the shoreline of Pluto’s informally named Sputnik Planitia.

To create a movie that makes viewers feel as if they’re diving into Pluto, mission scientists had to interpolate some of the panchromatic (black and white) frames based on what they know Pluto looks like to make it as smooth and seamless as possible. Low-resolution color from the Ralph color camera aboard New Horizons was then draped over the frames to give the best available, actual color simulation of what it would look like to descend from high altitude to Pluto’s surface.

After a 9.5-year voyage covering more than three billion miles, New Horizons flew through the Pluto system on July 14, 2015, coming within 7,800 miles (12,500 kilometers) of Pluto. Carrying powerful telescopic cameras that could spot features smaller than a football field, New Horizons sent back hundreds of images of Pluto and its moons that show how dynamic and fascinating their surfaces are.

 

(9) RHYME AND REASON. The Science Fiction Poetry Association has started a blog, SPECPO, with a flurry of interesting posts. SFPA President Bryan Thao Worra introduced it on Facebook:

Some of you may have noticed we had a soft-launch of the new blog for the Science Fiction Poetry Association, SPECPO. This will be where we hope to share and archive more member news, interviews, reviews, readings, announcements, and shareable items with one another in a more timely and entertaining way.

To keep it clear: From an organization standpoint, SPECPO does NOT replace Star*Line as the official newsletter of the SFPA for more formal matters that require members atte…ntion, such as voting or other issues outlined in our bylaws and constitution. But SPECPO can serve as a space to post reminders and clarifying commentary and frequently unofficial viewpoints, particularly from guest posters (which will be clearly marked as such when appropriate).

The hope is that this will facilitate conversations on speculative poetry for those who aren’t actively on Facebook, Twitter, or other social media, and to provide diverse content that’s reasonably easy to search back for, given the often overwhelming flurry of items that can come up on our list-serv and other forums. This is a work in progress, but I hope you enjoy what we’re putting together and that many of you will volunteer to be guest contributors! 🙂

Keep inspired and keep creating!

(10) DEFINE SPECULATIVE. Just like defining science fiction gives rise to controversies, so does the effort to define speculative poetry. SFPA’s Shannon Connor Winward asked people what is and isn’t “speculative” in a poll on her website. Now the results are in.

In November 2016, the SFPA officers published an informal online survey entitled “What Is Speculative Poetry”. The main purpose of this survey was to determine whether there is an overall consensus among the membership regarding what genres or sub-genres of poetry belong under the heading “speculative”, assuming no other genre elements are present. The results are posted below.

Survey Results

As indicated in the graph and table below, the results of the “What Is Speculative Poetry” survey represent a wide spectrum of opinion regarding what counts as “speculative”.  On the upper end of consensus, we find categories that are understood across the literary landscape as falling within the speculative umbrella, including Science Fiction, Space science & exploration, Fantasy, Magic, Supernatural Horror, Myth and Folklore, Fairy Tales, Alternative History, SF&F pop culture, Superheroes, Surrealism, Slipstream, Fabulism, and Weird and “What If”.

Genres that fell more towards the middle of the spectrum—that is, those receiving support by 40-65%  of responders, included Science (physics, chemistry, biology, etc), Domestic Fabulism, Dinosaurs, “Interstitial” works, biographies of speculative poets, and poems in which traditional SF&F tropes as literary device (analogy, simile).

On the lower end of the spectrum—those genres that are most controversial, according to responders—we find Bizzaro, SF&F tropes as metaphor (bit of inconsistency there), biographies of scientists and (non-speculative) poets, Mundane Horror, Nature, Religion, Gender, Real history, Cowboy & Western, and Romance.

… Based on the results, the answer to that question is clear as mud–yes, there is consensus, and no, there really isn’t.  Are we surprised? Not really!

Nevertheless, it is the consensus of the SFPA executive committee that this survey was, at least, an interesting experiment.  We feel that you, our members and colleagues, will also find it interesting, and that, in regards to eligibility for our awards and publications, this survey can also be a useful tool to future SFPA editors and award Chairs, who are tasked with answering the practical question, “What is speculative poetry?

(11) HOUSE DIVIDED. Shannon Connor Winward has also released the results of a poll about a more specific question – “SFPA ‘Rhysling Maximum Length’ Survey Report” . Despite the narrower question, there was even sharper division.

One such discussion pertained to the Rhysling award “Long Poem” category – specifically, what, if anything, should be done with especially long poems that are nominated for the award.  Several members voiced concerns that poems above a certain length might strain the budget for the Rhysling anthology by adding in extra pages and printing costs.  Others expressed the idea that particularly long poems might be better considered as a distinct genre, rather than competing against poems of a more easily-consumed length.

In response to these concerns, the SFPA officers published an online survey entitled “Rhysling Maximum Length”, in November 2016.

Question #1: Should there be an upper line limit to long length Rhysling nominated poems?

While not every participant responded to all six questions; this fundamental question received exactly 100 responses, revealing a pure 50/50 split in member opinion:

No – 50 (50%)

Yes – 50 (50%)

Question #2: If yes, what should the upper limit be?

Assuming the membership voted in favor of an upper line limit for poems in the “Long Poem” Rhysling category, it would be necessary to define said limit.

The first option, “9 pages / 5K words / 500 lines” was designed to dovetail upper length limit for Rhysling “Long Poems” with the minimum length requirements for the SFPA’s Elgin Award for book-length works.  Out of 51 responses, this option received a majority vote.

9 pages / 5K words / 500 lines – 30 (59%)

Other – 21 (41%)

(12) TRADING PRICES. If you already ordered this Gauntlet Press at the original $150 price you saved $50. Maybe more

When we priced the lettered edition of John Russo’s Night of the Living Dead we were told that George Romero would not be signing the lettered edition (even though we had a preface he wrote). Now Romero has agreed to sign that edition. His signing makes this an event book, therefore we are increasing the price of the lettered edition to $200. The only reason we would increase the price of a book is if we had someone sign our lettered edition we hadn’t expected; someone truly collectible. The good news is that anyone who has already purchased the lettered edition for $150 won’t have to pay a penny more. We don’t believe we should make those who pre-ordered a book pay more if we increase its price. Those who pre-ordered get the same lettered edition, signed by Russo and Romero, as anyone who orders now. And, a word to the wise…we are trying to get other major names to sign the book so the price might increase again. Order now and you get the book for $200 regardless whomever else we get to sign.

(13) MARTIAN CHRONICLER. In 2009, Ray Bradbury made his last visit to JPL to celebrate the success of the Mars rovers Spirit and Opportunity.

[Thanks to John King Tarpinian, Andew Porter, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

May 15 Deadline for Elgin Awards Nominations

The Science Fiction Poetry Association is taking nominations from members for the Elgin Awards. Named for founder Suzette Haden Elgin, the awards are given for Chapbook and Book.

To be considered, chapbooks must contain 10-39 pages of poetry and books must contain 40 or more pages of poetry. The books must have been published in 2014 or 2015.

E-books are eligible, but self-published books are not. Single-author and collaborative books are eligible; anthologies are not. Books containing fiction as well as poetry are not eligible. Books must be in English, but translations are eligible. In the case of translations that also contain the poems in the original language, those pages will not count toward the total page count.

Any works that have already won 1st-3rd place in the preceding year are ineligible.

A cumulative list of nominated books is posted on the SFPA website. The deadline to nominate is May 15.

Specpo profiled the Elgin Awards chair, Josh Brown:

This year’s chair is Josh Brown, who is a writer of fiction, non-fiction, and poetry. A graduate of the University of Minnesota–Duluth with a degree in English Literature, he has spent the past fifteen years in the publishing industry working for and with award-winning publishers and best-selling authors.

An active member of SFPA, Josh Brown’s work can be found in numerous anthologies as well as in Star*Line, Scifaikuest, Mithila Review, Fantasy Scroll Magazine, and more. His essay, “Poems and Songs of The Hobbit” was recently featured in Critical Insights: The Hobbit (Salem Press, 2016). He served as editor for issue 20 of Eye to the Telescope, the official online journal of the SFPA. He currently lives in Minneapolis with his wife and two sons.

Call For 2017 Rhysling Award Nominations

The Science Fiction Poetry Association members have until February 15 to nominate eligible poems for addition to the Rhysling Award longlist.

Poems already recommended are listed here.

As of this writing, Strange Horizons, Eternal Haunted Summer, and Dreams and Nightmares are tied as the publications with the most nominees, at 4.

2016 Dwarf Stars Candidates

Dwarf stars 16 coverThe 2016 Dwarf Stars Anthology contents have been finalized, which constitutes the shortlist for the Dwarf Stars award given by the Science Fiction Poetry Association.

The award recognizes the best speculative poem of 1–10 lines published in the previous year, and is designed to honor excellent scifaiku, tanka, cinquains, and other types of short poems that tend to be overshadowed in SFPA’s Rhysling Award competition.

The poems in the 2016 Dwarf Stars anthology were selected by editors Jeannine Hall Gailey & Lesley Wheeler. SFPA members have until August 31 to vote their favorite short-short poem from the anthology and determine who will receive the Dwarf Stars Award.

TABLE OF CONTENTS

  • Accident-Prone • Susan Rooke • inkscrawl 8
  • Alice was chasing white rabbits out of a black hole • John C. Mannone • Abbreviate Journal, July/August 2015
  • Anomaly • F.J. Bergmann • 2015 SFPA poetry contest
  • “at the barre” • Julie Bloss Kelsey • Rattle 51
  • “awake after surgery” • Sandra Lindow • Scifaikuest print, February 2015
  • “back on earth” • Robert Piotrowski • Scifaikuest print, February 2015
  • Bees Fell Asleep • Grzegorz Wróblewski, translated from the Polish by Piotr Gwiazda • The Los Angeles Review 18
  • Black Hull, Greenheart • Susan Grimm • Cherry Tree 1
  • Boston to Providence • Carrie Etter • Molly Bloom 7
  • Classified II • Robert Borski • Asimov’s Science Fiction, October/November 2015
  • “Comicon” • Susan Burch • Grievous Angel, February 2015
  • Creation Myth (1981) • Iliana Rocha • Karankawa (University of Pittsburgh Press, 2015)
  • “crumbling castle” • Greer Woodward • Star*Line 38:1
  • “daybreak” • Helen Buckingham • Noon 10
  • The Donnellys • Martin Dyar • Poetry, September 2015 (permission refused)
  • The Doorman • F.J. Bergmann • Grievous Angel, May 2015
  • Driving 80 MPH at Night • William Cullen Jr. • Star*Line 38:2
  • “the economy of a solar system …” • Ralf Bröker • Frogpond 38:2
  • A Field • Amelia Martens • Hampden-Sydney Poetry Review 41, Winter 2015, and The Spoons in the Grass are There to Dig a Moat (Sarabande Books, 2016).
  • Gretel • Robert Borski • Ghostlight, The Magazine of Terror, Summer 2015
  • “hell-bent” • Susan Burch • Grievous Angel, February 2015
  • How We Sing • Katharine Coles • Crazyhorse, Spring 2015
  • jellyfish • Beth Langford • inkscrawl 8
  • “late winter” • Kristen Deming • Frogpond 38:1
  • The Man with Red Eyes • Christina Sng • Scifaikuest 50, print
  • “methane rain” • Joshua Gage • Scifaikuest 50, print
  • “night sky” • Susan Antolin • Modern Haiku 46:2
  • Notes for Next Week’s Sermon • David C. Kopaska-Merkel • Star*Line 38:1
  • November rain • LeRoy Gorman • Scifaikuest online, August 2015
  • Placebo Effect • Roberta Beary • Modern Haiku 46:2
  • Scissors Series • Arielle Greenberg • Crazyhorse, Spring 2015
  • “shapeshifter” • John Reinhart • Scifaikuest 50, print
  • “she said” • dl mattila • Frogpond 38:1
  • “steam rises” • David McKee • Modern Haiku 46:2
  • “tail in Winnipeg” • Sandra Lindow • Tales of the Talisman X:3
  • “they claimed our star” • C.R. Harper • Star*Line 38:2
  • Thor and Saturn’s Tête-á-tête • Maceo J. Whitaker • Poetry, October 2015
  • “time portal wedding” • LeRoy Gorman • Star*Line 38:3
  • “upturned faces” • Deborah P. Kolodji • Star*Line 38:2
  • “warm the blur …” • Michelle Tennison • Frogpond 38:2
  • We Begin This Way • Stacey Balkun • Gingerbread House 16
  • Weathering • Sandi Leibowitz • Silver Blade 25
  • What Dolls Eat • Karen Bovenmyer • The Were-Traveler, 28 June 2015
  • “when hell freezes over” • Deborah P. Kolodji • Star*Line 38:2
  • “the window cleaner’s ladder” • Mark Holloway • Bones 6
  • Wish • Rebecca Buchanan • Gingerbread House 11

2016 Elgin Award Candidates

The Science Fiction Poetry Association’s Elgin Award, named for SFPA founder Suzette Haden Elgin, is presented in two categories, Chapbook and Book.

Nominations for the Elgin Award closed June 15. The SFPA website shows these poems as the candidates for the award.

Chapbooks

  • Be Closer for My Burn • Robin Wyatt Dunn (Crisis Chronicles Press, 2015)
  • The Book of Answers • Herb Kauderer (Written Image, 2014)
  • A Guide for the Practical Abductee • E. Kristin Anderson (Red Bird Chapbooks, 2014)
  • Southern Cryptozoology • Allie Marini (Hyacinth Girl Press, 2015)
  • Stairs Appear in a Hole Outside of Town • John Philip Johnson (Graphic Poetry, 2014)
  • Undoing Winter • Shannon Connor Winward (Finishing Line Press, 2014)

Full-length Books

  • The Acolyte • Nancy Hightower (Port Yonder Press, 2015)
  • Chemical Letters • Octavia Cade (Popcorn Press, 2015)
  • The Crimson Tome • K. A. Opperman (Hippocampus Press, 2015)
  • Crowned: The Sign Of The Dragon Book 1 • Mary Soon Lee (Dark Renaissance Books, 2015)
  • Dark Energies • Ann K. Schwader (P’rea Press, 2015)
  • Dawn of the Algorithm • Yann Rousselot (Inkshares, 2015)
  • The Dishonesty of Dreams • A.J. Odasso (Flipped Eye Publishing, 2014)
  • Dreams from a Black Nebula • Wade German (Hippocampus Press, 2014)
  • An Exorcism of Angels • Stephanie Wytovich (Raw Dog Screaming Press, 2015)
  • Gravedigger’s Dance • G.O. Clark (Dark Renaissance Books, 2014)
  • Eden Underground • Alessandro Manzetti (Crystal Lake Publishing, 2015)
  • The Endless Machine • Max Ingram (Bone Forge Books, 2015)
  • If the Tabloids Are True What Are You? • Matthea Harvey (Graywolf Press, 2014)
  • An Inheritance of Stone • Leslie J. Anderson (Alliteration Ink, 2014)
  • Lilith’s Demons • Julie r. Enszer (A Midsummer Night’s Press, 2015)
  • The Madness of Empty Spaces • David E. Cowen (Weasel Press, 2014)
  • The Manufacturer of Sorrow • Michelle Scalise (Eldritch Press, 2014)
  • Naughty Ladies • Marge Simon (Eldritch Press, 2015)
  • Resonance Dark and Light • Bruce Boston (Eldritch Press, 2015)
  • The Robot Scientist’s Daughter • Jeannine Hall Gailey (Mayapple Press, 2015)
  • Solar Maximum • Sueyeun Juliette Lee (Futurepoem Books, 2015)
  • Some Fatal Effects of Curiosity and Disobedience • Laura Madeline Wiseman (Lavender Ink, 2014)
  • Space Traveler • Benjamin S. Grossberg (University of Tampa Press, 2014)
  • To Love As Aswang • Barbara Jane Reyes (PAWA, 2015)
  • Turn Left at November: Poems • Wendy Rathbone (Eye Scry Publications, 2015)
  • Visitations into Sídhe and Tír na nÓg • Alex Ness (Uffda Press, 2015)

To be considered, chapbooks must contain 10-39 pages of poetry and books must contain 40 or more pages of poetry. The books must have been published in 2014 or 2015.

E-books are eligible, but self-published books are not. Single-author and collaborative books are eligible; anthologies are not. Books containing fiction as well as poetry are not eligible. Books must be in English, but translations are eligible. In the case of translations that also contain the poems in the original language, those pages will not count toward the total page count.

Any works that have already won 1st-3rd place in the preceding year are ineligible.

2016 Rhysling Award Winners

2016 Rhysling

The 2016 Rhysling Award nominees have been assembled in this anthology edited by Charles Christian.

The Science Fiction Poetry Association announced the winners of the 2016 Rhysling Awards on June 20.

Short Poem

Winner

  • “Time Travel Vocabulary Problems” (Dreams and Nightmares), by Ruth Berman

2nd place

  • “Tech Support for the Apocalypse” (Dreams and Nightmares) by F. J. Bergmann

3rd Place

  • “An Introduction to Alternate Universes: Theory and Practice” (Gyroscope Review) Sandra J. Lindow

Long Poem

Winner (tie)

  • “It Begins with a Haunting” (Dance Among Elephants – Sahtu Press), by Krysada Panusith Phounsiri

AND

  • “Keziah” (Dark Energies – P’rea Press), by Ann K. Schwader

2nd Place

  • “Chronopatetic” (Dreams and Nightmares 100), by F.J. Bergmann

3rd place (tie)

  • “from “Sunspots”” (Poetry, December 2015), by Simon Barraclough

AND

  • “The White Planet” (Boulevard 31:1), by Albert Goldbarth

The Rhysling Award will be presented at DiversiCon (July 29-31) in St. Paul by SFPA Vice President, Sandra J. Lindow.