Pixel Scroll 2/1/24 Scroll Pixel Like Fritos, Scroll Pixel Like Tab And Mountain Dew

(1) 2024 HUGO VOTING STALLED. The Glasgow 2024 Worldcon paused Hugo nomination voting on January 28, announcing in social media, “We are aware of an issue with nominations. We have taken that system offline as a precaution.” Their January 30 update said, “We committed to update you on the temporary pause of Hugo Award nominations. Our UK software provider is still working on a solution. We will provide you with our next status update no later than the 6th February.” At this time they do not expect to extend the nomination voting deadline.

(2) NEW STAR IN THE FIRMAMENT. Margaret Atwood appears as a guest star on the CBC series Murdoch Mysteries this coming Monday, February 5. She plays Loren Quinnell, Amateur Ornithologist. “Her and her feathered friends help crack the case…”

(3) NEW CLARION WEST SCHOLARSHIPS. The Salam Award and Clarion West Week One Instructor Usman T. Malik (CW ‘14) have offered two new scholarships for 2024 Students: “The Salam Award and the Malik Family Sponsor Scholarships for Pakistani and Palestinian Students”.

The Salam Award Scholarship: For the year 2024, The Salam Award has agreed to sponsor a student of Pakistani origin, whether a Pakistani resident of any ethnicity, or a Pakistani-origin student anywhere in the world up to USD $1,000. 

The Malik Sharif-Fehmida Anwar Scholarship: Usman T. Malik and his parents Malik Tanveer Ali and Shabnam Tanveer Malik have offered an annual travel scholarship to help fund travel up to USD $2,500 for a student of Palestinian-origin. The applicant should be Palestinian Arab-Muslim or Arab-Christian from Gaza, West Bank, or Golan Heights, or may be Palestinian diaspora located anywhere in the world. 

Through the generosity of our donors, Clarion West provides a number of scholarships for writers every year. Approximately 60-90% of our Six-Week Workshop participants receive full and partial-tuition scholarships. You must indicate your need for financial aid when you apply to the six-week workshop. Your application is reviewed without regard to your financial aid request.

You can learn more about scholarships for the Six-Week Workshop here

(4) WHAT WE DON’T TALK ABOUT. RedWombat took inspiration from the continuing Hugo controversy to pen these lyrics, shared in ha comment on File 770 today.

This only works if you pronounce it “Wisfuss,” but…

We don’t talk about WSFS, no no no
We don’t talk about WSFS

But!

It was Hugo nom day
(It was Hugo nom day)
We were running numbers
and there wasn’t much good to be found
Standlee stops by with a glint in his eye
(Trademark!)
You filking this thing or am I?
(Sorry, sorry, please go on)

Standlee says, “we can’t enforce…”
(Why did he say it?)
The lawyers are aghast, of course
(That’s not how you play it)
And MPC did not endorse
(Had to resign but nevermind…)

We don’t talk about WSFS, no no no
We don’t talk about WSFS

Hey, grew to live in fear of what the lawyers might find next
Feeling like the whole organization’s been hexed
I associate it with the sight of scathing posts
(Tsk tsk tsk)
It’s a heavy job sieving through this murk
Implicit contract no longer seems to work
Can’t rely on the Old SMOFs Network
Who’s gonna do the work?

M-P-C, taken aback
People still mad about the AO3 attack
How can you enforce this implicit contract?
Yeah, the lawyers scream and break into teams
(Hey)
We don’t talk about WSFS, no no no
We don’t talk about WSFS

We never should have asked about WSFS, no no no
Why did we talk about WSFS?

(I put that song in my head for the next year doing this, so if you’re going to complain, believe me, I have already been punished.)

(5) WRITERS AT GEN CON. The 2024 Gen Con Writers’ Symposium guests will include Linda D. Addison, Mikki Kendall, and quite a few featured speakers who are sff authors. Gen Con 2024 will be held August 1-4 in Indianapolis, Indiana.

The Gen Con Writers’ Symposium is a semi-independent event hosted by Gen Con and intended for both new and experienced writers of speculative fiction. All registration is handled through the Gen Con website.

(6) WHO ELSE HAD A STAKE IN DRACULA? Bobby Derie tells readers that H. P. Lovecraft claimed his friend Edith Miniter was offered the chance to revise Bram Stoker’s Dracula. What do we know about this claim? Find out! “Lovecraft, Miniter, Stoker: the Dracula Revision” at Deep Cuts in a Lovecraftian Vein.

In The Essential Dracula (1979), Bram Stoker scholars Raymond T. McNally and Radu Florescu revealed a letter (H. P. Lovecraft to R. H. Barlow, 10 Dec 1932) that had been drawn to their attention by horror anthologist and scholar Les Daniels, where H. P. Lovecraft claimed that an old woman he knew had turned down the chance to revise Stoker’s Dracula. The letter had not been published before this. Although Lovecraft’s claim had been made in print as early as 1938, and a letter with the anecdote was published in the first volume of Lovecraft’s Selected Letters from Arkham House in 1965, this seems to be the first time the Stoker scholar community became generally aware of the claim. The authors were intrigued by the possibilities…

(7) LDV NEWS. J. Michael Straczynski shared that Blackstone Indie has unveiled a webpage for The Last Dangerous Visions. It does not take preorders yet.

In 1973, celebrated writer and editor Harlan Ellison announced the third and final volume of his unprecedented anthology series, which began with Dangerous Visions and continued with Again Dangerous Visions. But for reasons undisclosed, The Last Dangerous Visions was never completed.

Now, six years after Ellison’s passing, science fiction’s most famous unpublished book is here. And with it, the heartbreaking true story of the troubled genius behind it.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, representing voices both well-known and entirely new, including: David Brin, Max Brooks, James S. A. Corey, Dan Simmons, Cory Doctorow, and Adrian Tchaikovsky, among others.

With an introduction and exegesis by J. Michael Straczynski, and a story introduction by Ellison himself, The Last Dangerous Visions is an extraordinary addition to an incredible literary legacy.

(8) ANOTHER ENTRY FOR THE CAPTAIN’S LOG. The Visual Effects Society will honor Actor-Producer-Director William Shatner as the recipient of the VES Award for Creative Excellence in recognition of his valuable contributions to visual arts and filmed entertainment at its annual ceremony on February 21. “William Shatner Named as Recipient of the VES Award for Creative Excellence”.

(9) ST:TNG GETTING SATURN HONORS. “The Cast Of ‘Star Trek: The Next Generation’ To Receive Special Lifetime Achievement Saturn Award” at TrekMovie.com.

…The cast of Star Trek: The Next Generation will receive The Lifetime Achievement Award at the 51st Annual Saturn Awards, being held in Los Angeles this Sunday. For 2024 the Academy is doing something different for the TNG cast with this award. A statement from the Academy to TrekMovie explains:

“The Lifetime Achievement Award is usually presented to an individual for their contributions to genre entertainment. Top luminaries like Stan Lee and Leonard Nimoy, Mr. Spock himself, have received this top honor. It’s not new, but we extended this award to cover the entire cast of Star Trek: The Next Generation, due to its continued influence on the face of general television. It was originally doomed to failure since it was following in the footsteps of the original Star Trek, yet it carved its own identity, and its diverse cast was light years ahead of its time!”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 1, 1954 Bill Mumy, 70. Bill Mumy is best remembered of course for being on Lost in Space for three seasons (“Danger, Will Robinson, Danger!”) though he has a much more extensive performance resume.

At the rather tender age of seven, he makes his genre acting debut on The Twilight Zone as Billy Bayles in “Long Distance Call”.  He’d appear in two Twilight Zone episodes, “It’s A Good Life” as Anthony Fremont, a child with godlike powers and finally as the young Pip Phillips in “In Praise of Pip”.

He’d show up much later on in Twilight Zone: The Movie in one of the segments, not unsurprisingly a remake of “It’s A Good Life” which here is listed as being from a screenplay by Richard Matheson. Here he’s Tim. Whoever that is. 

He’d be on the reboot of the Twilight Zone in “It’s Still A Good Life” as the Adult Anthony Fremont.

Photo of Billy Mumy in 2013
Billy Mumy in 2013. Photo by Gage Skidmore.

He next had three appearances on Alfred Hitchcock Presents, none genre. His next genre outing would be playing two different characters on BewitchedI Dream of Jeannie and the Munsters followed.

Then of course was the eighty-three episode, three season run on Lost in Space. He’d be eleven years old when it started. I know I’ve seen all of it at least once. No idea how the Suck Fairy would treat it nearly this long on, but I really liked it when I saw it at the time. 

Remember the 1990 Captain America? If you don’t, you’re not alone. In this WW II version, he plays a young boy, Tom Kimball, who photographs Captain America over the Capital building kicking a missile off after batting Red Skull so crashes in Alaska, burying itself and Steve Rogers under the ice. 12%, repeat 12%, is the rating audience reviewers gave it on Rotten Tomatoes. 

He showed up once in the first iteration of a Flash series, and then has three appearances as Tommy Puck in the Nineties Superboy series. The first I saw and quite like, the latter not a single episode have I encountered. 

The next thing that is quite worthy of note is his stellar role on Babylon 5 as Mimbari warrior monk, I think that’s the proper term,  Lennier. Of one hundred and ten episodes, he was in all but two. That’s right, just two. Or at least credited as being so. What an amazing role that was. I’ve watch this series including the six films at least twice straight through. No Suck Fairy dares comes near it. 

The last thing of note, and I’m not seen the series, was him playing Dr. Zachary Smith on the reboot of the Lost in Space series that came out just a few years ago for two episodes. Please, please don’t ask who he’s playing as my continuous headache got even worse when I tried to figure out who he really was. Really I did. What they with that series was a crime. 

(11) PUTTING THE BITE ON TOURISTS. [Item by Steven French.] If you’re ever in Doylestown, Pennsylvania, Atlas Obscura recommends a visit to “Vampa: Vampire & Paranormal Museum”.

TUCKED AWAY IN THE SAME building as an antiques store in a small Pensylvania town lies a shockingly large collection of antique vampire-killing sets.

Covering the walls are the standard tools of the vampire hunter: the stake, the crucifix, the holy water bottle. But the stakes are far more than pointy, wooden sticks. Believed to date back centuries, all the weapons have been beautifully decorated with a variety of religious and allegorical carvings. They are spectacular objets d’art from every corner of the world, including several personal collections from actors who played Dracula in films. One wooden “traveling vampire hunter kit,” from around 1870 was owned by actor Carlos Villarias, who portrayed the famous count in a Spanish language Dracula….

(12) EARTH FARTS? Space reports that the “Mystery of Siberia’s giant exploding craters may finally be solved”.

The craters are unique to Russia’s northern Yamal and Gydan peninsulas and are not known to exist elsewhere in the Arctic, suggesting the key to this puzzle lies in the landscape, according to a preprint paper published Jan. 12 to the EarthArXiv database.

Researchers have proposed several explanations for the gaping holes over the years, ranging from meteor impacts to natural-gas explosions. One theory suggests the craters formed in the place of historic lakes that once bubbled with natural gas rising from the permafrost below. These lakes may have dried up, exposing the ground beneath to freezing temperatures that sealed the vents through which gas escaped. The resulting buildup of gas in the permafrost may eventually have been released through explosions that created the giant craters.

… But the historic-lake model fails to account for the fact that these “giant escape craters” (GECs) are found in a variety of geological settings across the peninsulas, not all of which were once covered by lakes, according to the new preprint, which has not been peer reviewed….

… Permafrost on the Yamal and Gydan peninsulas varies widely in its thickness, ranging from a few hundred feet to 1,600 feet (500 m). The soil likely froze solid more than 40,000 years ago, imprisoning ancient marine sediments rich in methane that gradually transformed into vast natural gas reserves. These reserves produce heat that melts the permafrost from below, leaving pockets of gas at its base.

Permafrost in Russia and elsewhere is also thawing at the surface due to climate change. In places where it is already thin on the Yamal and Gydan peninsulas, melting from both ends and the pressure from the gas may eventually cause the remaining permafrost to collapse, triggering an explosion.

This “champagne effect” would explain the presence of smaller craters around the eight giant craters, as huge chunks of ice propelled out by the explosions may have severely dented the ground, according to the preprint….

(13) HUNT TO EXTINCTION. The stories you hear from Brian Keene.

(14) NEW HEADSHOT. Scott Lynch introduced his new photo with a wry comment.

(15) COMING ATTRACTIONS. The “Next on Netflix 2024: The Series & Films Preview” sizzle reel includes clips from Bridgerton, Squid Game, Umbrella Academy and Rebel Moon.

(16) OCTOTHORPE. John Coxon, Alison Scott and Liz Batty respond to a letter of comment from Tobes Valois in episode 102 of the Octothorpe podcast, “I fully comprehend the mysteries”.  

Octothorpe 102 is here! We discuss the Hugo Awards debacle in some depth and SOLVE ALL THE ISSUES (no, really) but we book-end it with letters of comment and picks for those who need a bit of respite. Artwork by Alison Scott. Listen here!  

Alt text: Scooby, Velma and Daphne unmask the panda from last week’s cover art, and the person wearing the panda suit looks a lot like Dave McCarty. They say “It was old Mister McCarty all along!” and he says “And I would have gotten away with it too if it hadn’t been for you meddling Hugo finalists!” He is tied up with rope. The words “Octothorpe! 102” appear at the top of the image.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 3/1/23 A Fifth! Dinner In Memison

(1) WISCON 2024 HIATUS. There will be a WisCon in May 2023, but the signs point to there not being one next year: “WisCon on break in 2024 – A chance to recover and plan” at the WisCon Blog.

The Board of WisCon’s parent non-profit, SF3, and the WisCon ConCom have come to a consensus that we won’t be planning to run a WisCon as usual in 2024: our leadership bench is very thin, and with the ongoing pandemic and challenging political situation in the US, folks are getting worn out. We need some time to rest and figure out how we can continue WisCon in a sustainable way.  If you want to be involved paving a path to the next WisCon, join us for a planning session this Memorial Day Weekend and make sure you’re subscribed to our newsletter, where we’ll be posting updates.

We’re still absolutely putting on a con this May, and we’re going to do our very best given the people and resources we have available! We know this is scary and a big change, but we believe it gives WisCon the best chance to continue in the long run. Huge thanks to everyone who has volunteered their time and donated funds to enable us to host WisCon both last year and this year!

If you haven’t registered for WisCon yet, now is a great time! Both of our amazing Guests of Honor, Martha Wells (she/her) and Rivers Solomon (fae/faer), are planning to attend in person, and so far we’ve sold about 200 in-person memberships out of our 600 person cap on in-person attendance. Register to attend WisCon online or in person and complete our Panel Interest Survey by 3/10 to tell us what kind of programming you want to attend at WisCon.

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Scott Lynch and Elizabeth Bear on March 8 at the KGB Bar.

Scott Lynch

Scott Lynch’s debut novel The Lies of Locke Lamora was nominated for a World Fantasy Award and is now in its 36th US printing, sixteen years later. His shorter work has appeared in multiple anthologies, and he recently provided an introduction for the Tor Books reissue of John M. Ford’s The Dragon Waiting. His next works in the Gentleman Bastard milieu will be More Than Fools Fill Graves (novella) and The Thorn of Emberlain (novel). Scott lives in Massachusetts with his wife, SF/F legend Elizabeth Bear, plus four cats and a horse.

Elizabeth Bear

Elizabeth Bear is the Hugo, Sturgeon, Astounding, and Locus Award-winning author of more novels, articles, and short fiction than she likes to think about. Her most recent books are Machine and The Origin of Storms. She lives in Massachusetts with her husband, SF/F legend Scott Lynch, plus four cats and a very small horse.

  • Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)
  • When: March 8, 2023, 7:00 p.m. Eastern.

(3) SHORT FICTION SPECIALTY. The Speculative Literature Foundation is taking registrations for “Writing the SFF Novelette” with instructor Alec Nevala-Lee, a Zoom class being held March 25 from 10:00 a.m.-12:30 p.m. Central. Max 30 students. Cost $60.  

The novelette (between 7,500 and 17,500 words long) can be a challenging but rewarding form for SFF writers. As a novel in miniature, it requires authors to think about narrative structure in ways that differ from the specific requirements of the short story, with a more complex plot that frequently falls into distinct acts. Because a novelette can be written in a shorter timeframe than a full novel, it allows writers to develop and refine skills that will be useful for longer projects, while also providing a form that is deeply rewarding in itself. This workshop will focus on idea generation, structure, and editing with an emphasis on the novelette, as well as elements of craft that can be applied to fiction of any length.

(4) DOTSON READING. Space Cowboy Books hosts an online reading and interview with J. Dianne Dotson author of The Shadow Galaxy on Tuesday March 21 at 6:00 p.m. Pacific. Get your copy here. Register for the reading free here.

A mesmerizing first collection, THE SHADOW GALAXY features short stories and poetry spanning magical realism, science fiction, fantasy, horror, and Appalachian tales. With stories and poetry spanning three decades of work, the author taps into journeys both fantastical and deeply personal. Categories include Shadow Shores: Tales from the Sea; Other Futures: Tales of the Galaxy and a Place Called Earth; Into the Darkest Hollow: Tales of Horror; Love and Other Moments: Traces of the Heart; Far Appalachia: Tales from the Ancient Mountains; and Resonant Thoughts: Some Poetry.

(5) OLIVIER AWARDS. Genre leads the field this year: “‘My Neighbour Totoro’ Dominates Olivier Award Nominations” reports the New York Times.

A stage adaptation of “My Neighbour Totoro,” an animated Japanese children’s movie filled with fantastical creatures, emerged on Tuesday as the front-runner for this year’s Olivier Awards, Britain’s equivalent of the Tonys.

The show, which ran at the Barbican Theater in London and included numerous giant puppets, secured nine nominations for the awards — more than any other play. Those included nods for best comedy, best director for Phelim McDermott and best actress for Mei Mac as a girl who discovers a magical world near her home….

(6) COMING ATTRACTIONS. Mrs. Davis is a Peacock original that will begin streaming April 20.

“Mrs. Davis” is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got?

(7) CONTROVERSY OVER ATTEMPTED REVIEW OF HOGWARTS LEGACY. [Item by Dann.] Girlfriend Reviews is a YouTube channel that provides reviews based on the perspective of a girlfriend watching her boyfriend playing various games.  Shelby and Matt received a free evaluation copy of Hogwarts Legacy which they used.  When they attempted to review the game on their Twitch channel, activists brigaded the comments section.  Additionally, they were reported to various platforms for promoting “hate”.  In their video below, they state that they lost their Reddit group/subReddit.  It looks as if that access has been restored since then.

The Girlfriend Reviews review of Hogwarts Legacy is really more about their experience with activists swarming their media streams with insults and false claims to get their accounts closed by the social media hosts.  Shelby states that she has other concerns about Hogwarts Legacy related to anti-Semitism and that she should be free to interrogate those concerns without running afoul of other activists with other concerns.

A quote from the video:

…Nobody wants to be labeled pro-child labor for tweeting from their iPhone any more than they want to be labeled transphobic for downloading Hogwarts Legacy, especially if how they vote on Election Day says something different than how they vote on the PlayStation store. And then there’s me and Matt, two video game critics who received a review copy of Hogwarts Legacy for free. It is our job to appraise video games while providing commentary on any controversies surrounding them and if you’ve ever watched our show you should know that we don’t hold any punches when it comes to calling out injustice. This channel has always been committed to creating a safer space for women in The Gaming Community…

(8) MEMORY LANE.

1935[Compiled by Cat Eldridge.]

John Dickson Carr’s The Hollow Man is a locked room mystery narrated by his investigator Gideon Fell.  First published in 1935 by Hamish Hamilton in the U.K., it has the much reprinted locked room lecture in which Fell addresses the reader. He sets out the various ways in which murder can be committed in what appears to be a locked room or otherwise seemingly impossible situation.

Fell was the protagonist of twenty-three rather good novels. Carr was said to have modeled him upon G. K. Chesterton who wrote the Father Brown stories as his physical appearance and personality were similar to those of Doctor Fell.

All of the Fell mysteries are intensely descriptive of Thirties London with sharply drawn characters and fascinating stories. They were considered cozy crimes novels, a description I’m not quite sure I agree with.

Highly recommended.

Among our usual suspects, Kindle and Kobo have it, but not Apple Books. Seven have been made into audiobooks but alas not The Hollow Man.

And now the rather startling Beginning to The Hollow Man

THE THREAT 

To the murder of Professor Grimaud, and later the equally incredible crime in Cagliostro Street, many fantastic terms could be applied-with reason. Those of Dr Fell’s friends who like impossible situations will not find in his case-book any puzzle more baffling or more terrifying. Thus: two murders were committed, in such fashion that the murderer must have been not only invisible, but lighter than air. According to the evidence, this person killed his first victim and literally disappeared. Again according to the evidence, he killed his second victim in the middle of an empty street, with watchers at either end; yet not a soul saw him, and no footprint appeared in the snow. 

Naturally, Superintendent Hadley never for a moment believed in goblins or wizardry. And he was quite right – unless you believe in a magic that will be explained naturally in this narrative at the proper time. But several people began to wonder whether the figure which stalked through the case might not be a hollow shell. They began to wonder whether, if you took away the cap and the black coat and the child’s false-face, you might not reveal nothing inside, like the man in a certain famous romance by Mr H. G. Wells. The figure was grisly enough anyhow. 

The words ‘according to the evidence’ have been used. We must be very careful about the evidence when it is not given at first hand. And in this case the reader must be told at the outset, to avoid useless confusion, on whose evidence he can absolutely rely. That is to say, it must be assumed that somebody is telling the truth-else, there is no legitimate mystery and, in fact, no story at all. 

Therefore it must be stated that Mr Stuart Mills at Professor Grimaud’s house was not lying, was not omitting or adding anything, but telling the whole business exactly as he saw it in every case. Also it must be stated that the three independent witnesses of Cagliostro Street (Messrs Short and Blackwin, and Police-constable Withers) were telling the exact truth. 

Under these circumstances, one of the events which led up to the crime must be outlined more fully than is possible in retrospect. It was the key-note, the whip-lash, the challenge. And it is retold-from Dr Fell’s notes, in essential details exactly as Stuart Mills later told it to Dr Fell and Superintendent Hadley. It occurred on the night of Wednesday, February 6th, three days before the murder, in the back parlour of the Warwick Tavern in Museum Street.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 1, 1915 Wyman Guin. Ok, occasionally doing these Birthdays results in me being puzzled and this is one of those times. In 2013, he was named as recipient for the Cordwainer Smith Rediscovery Award at ReaderCon 24. When I look him up, I find that he wrote a single novel and seven stories according to the folks at ISFDB. I’ve not read him. So, was he that good? Should I seek out his novel, The Standing Joy, and add it to my reading list? His short stories are available at the usual digital publishers, but the novel still isn’t. (Died 1989.)
  • Born March 1, 1923 Andrew Faulds. He’s best remembered as Phalerus in Jason and the Argonauts in which he was in the skeleton fight scene that featured model work by Ray Harryhausen. He appeared in a number of other genre films including The Trollenberg TerrorThe Flesh and the Fiends and Blood of the Vampire. He had one-offs on Danger Man and One Step Beyond. Oh, and his first acting gig was as Lysander in A Midsummer’s Night Dream. (Died 2000.)
  • Born March 1, 1930 Eddie Hice. One of the original Red Shirts on Star Trek. He appeared in two episodes, first as a Red Shirt in “The Day of The Dove” and then having the same role in “Wink of an Eye”. I don’t recall either episode well enough to remember his fate in those stories. He had an extensive genre history showing in Batman twice, including once playing The Riddler, he was in Get Smart nine times, six as an actor and three as stunt double (his career as a stunt double was much longer and extensive than his acting career), The Beastmaster and voice work on the animated Lord of The Rings. (Died 2015.)
  • Born March 1, 1938 Michael Kurland, 85. His The Unicorn Girl was the middle volume of the Greenwich Village trilogy by three different authors, the other two being Chester Anderson and T.A. Waters. (And yes, they’re available from the usual suspects.) Kurland has also written genre novels including Ten Little Wizards and A Study in Sorcery, set in the world of Garrett’s Lord Darcy. His other genre novels are Ten Years to Doomsday (written with Chester Anderson), Tomorrow KnightPluribus and Perchance.
  • Born March 1, 1946 Lana Wood, 77. She’s best remembered as Plenty O’Toole in Diamonds Are Forever. She was in The Wild Wild West as Vixen O’Shaughnessy in “The Night of the Firebrand” and Averi Trent in “The Night of the Plague” episodes. She was in both up the CBS televised Captain America films playing Yolanda, and she was still active in the genre as little three years ago playing a character named Implicit in Subconscious Reality.
  • Born March 1, 1950 David Pringle, 73. Pringle served as the editor of Foundation during the Eighties and helped found Interzone durning that time. The Glasgow Worldcon committee gave Pringle a Special Award for his work on Interzone.  With Malcolm Edwards and Ian Watson, he also edited Foundation: The Review of Science Fiction from the late Seventies through the mid Eighties. Besides his various guides to the genre such as The Ultimate Encyclopedia of Fantasy, I see early on that he did a lot of work on J.G. Ballard such as Earth Is the Alien Planet: J. G. Ballard’s Four-Dimensional Nightmare  and J. G. Ballard: A Primary and Secondary Bibliography. I also note that he’s not published anything listed on ISFDB in the field of late. Any idea why?  
  • Born March 1, 1952 Steven Barnes, 71. Co-writer with Niven of the Dream Park series. I read the first two when they came over forty years ago, not bad at all. Their Heorot series is quite good too. I’ve not read him on his own so cannot say how he is as a solo writer. For TV, he’s done work for The Outer LimitsAndromeda and Stargate SG-1. His “A Stitch In Time” episode of The Outer Limits won an Emmy Award.

(10) COMICS SECTION.

  • The most recent xkcd  mentions fandom and fan service…just not in the traditional manner.

(11) THERE ARE THUNDERCATS IN OUR FUTURE. [Item by Dann.] A trailer has dropped for the Thundercats movie that is supposed to be released in 2023.  Henry Cavill is one of those actors that I could watch warm soup on a stove and be entertained.  The trailer doesn’t reveal much about the plot of the movie but the graphics are good.

(12) IS THERE ENOUGH SCIENCE IN THE UNIVERSE TO MAKE THIS HAPPEN? “Back to the father: the scientist who lost his dad – and resolved to travel to 1955 to save him” – a science article in the Guardian.

Prof Ronald Mallett thinks he has cracked time travel. The secret, he says, is in twisting the fabric of space-time with a ring of rotating lasers to make a loop of time that would allow you to travel backwards. It will take a lot more explaining and experiments, but after a half century of work, the 77-year-old astrophysicist has got that down pat.

His claim is not as ridiculous as it might seem. Entire academic departments, such as the Centre for Time at the University of Sydney, are dedicated to studying the possibility of time travel. Massachusetts Institute of Technology (MIT) is working on a “time-reversal machine” to detect dark matter. Of course there are still lots of physicists who believe time travel, or at least travelling to the past, is impossible, but it is not quite the sci-fi pipe dream it once was.

However, the story of how Mallett, now emeritus professor at the University of Connecticut, reached this point could have been lifted straight from a comic book. A year after losing his father, Boyd, at the age of 10, Mallett picked up a copy of HG Wells’s The Time Machine and had an epiphany: he was going to build his own time machine, travel back to 1955 and save his father’s life.

Mallett still idolises his dad, and thinks about him every day. He had been exceptionally close to Boyd, whom he describes as a handsome, erudite and funny “renaissance man” who would try to inspire curiosity in Mallett and his two brothers and sister. “When he passed away, it was like this light went out. I was in shock,” Mallett says down the line from his study in Connecticut….

(13) INSPIRATION POINTS. Will Higginbotham takes New York Times readers on a tour of “Where the Lion and the Witch Met the Hobbit” – Oxford.

…Is this where Lewis found inspiration for Narnia? “No one knows for sure, but the timeline makes sense,” Mr. Walters said. In the early 1940s, Lewis was a lay theologian, and he occasionally gave sermons in St. Mary’s, just a few feet away. “Perhaps he left one evening through the side door and walked straight out onto this,” Mr. Walters said, gesturing to what’s become known as the Narnia Door….

(14) VIDEO OF THE DAY. Peter Pan & Wendy trailer.

“Peter Pan & Wendy,” a live-action reimagining of the J.M. Barrie novel and the 1953 animated classic, will begin streaming April 28, 2023, exclusively on Disney+. Check out the teaser trailer and key art for the original movie directed by David Lowery (“The Green Knight,” “Pete’s Dragon”), and get ready to experience the timeless adventure featuring the beloved characters like never before. “Peter Pan & Wendy” introduces Wendy Darling, a young girl afraid to leave her childhood home behind, who meets Peter Pan, a boy who refuses to grow up. Alongside her brothers and a tiny fairy, Tinker Bell, she travels with Peter to the magical world of Neverland. There, she encounters an evil pirate captain, Captain Hook, and embarks on a thrilling and dangerous adventure that will change her life forever.

[Thanks to John King Tarpinian, Chris Barkley, Dann, Rich Lynch, Steven French, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/10/22 All Have Scrolled And All Must Have Pixels

(1) HIPY PAPY BTHUTHDTH THUTHDA CTHULHU. Scott Lynch noticed that Pooh entered the public domain on New Year’s Day. Thread starts here.

He’s not the only creator to hit the ground running: “’Winnie-the-Pooh’ just entered the public domain. Here’s what that means for fans” in the Washington Post.

Luke McGarry began drawing a nude Pooh Bear as soon as he heard the news. The original, nearly 100-year-old “bear of very little brain” from the Hundred Acre Wood had rung in this new year by entering the public domain. Now quite humbly, McGarry’s creative appetite felt rumbly.

The Los Angeles-based artist sat and penned his Winnie-the-Pooh idea in four panels, announcing the 1926 character’s free-for-all status as of Jan. 1, with a winking if satirically speculative interpretation: “Disney still owns their version of me. … But as long as I don’t put a little red shirt on, I can do as I like” — a reference to how the character’s attire regularly began to be depicted beginning in the 1930s.McGarry waited a day to post his colorful cartoon on social media. Later he checked his accounts: “I didn’t think it was going to blow up like it did.” On Twitter alone, the illustration received nearly 40,000 likes. The artist realized his Pooh toon could bring some cash flow. “Had I anticipated there being any demand, I would’ve probably had prints done in advance.”…

(2) SPIDER-MAN CRUSHING IT. Spider-Man: No Way Home is still breaking box office records. Having grossed $1.53 billion worldwide, it’s now the eighth-highest grossing movie ever globally (not adjusted for inflation) reports Variety.

In the U.S. the film sits in sixth place, having just passed James Cameron’s Titanic, and Deadline estimates it is around $10 million away from overtaking Avengers: Infinity War ($678.8 million) as the fifth-highest grossing movie ever stateside.

(3) BUTLER ADAPTATION SERIES ORDERED. “FX Picks Up ‘Kindred’ Series Based on Octavia E. Butler Novel”The Hollywood Reporter has details.

FX is moving ahead with its adaptation of Octavia E. Butler’s Kindred.

The Disney-owned outlet has given a series order to Kindred, which comes from FX Productions and writer and showrunner Branden Jacobs-Jenkins (Watchmen). It’s based on the influential 1979 novel by Hugo Award winner and MacArthur Fellow Butler, following a young Black woman in Los Angeles who finds herself pulled back and forth in time.

FX ordered a pilot for Kindred in March 2021. Janicza Bravo (Zola) directed the pilot episode. The series stars newcomer Mallori Johnson, Micah Stock, Ryan Kwanten, Gayle Rankin, Austin Smith, Antoinette Crowe-Legacy and David Alexander Kaplan.

(4) DAW: THE FIRST TEN YEARS. At Dark Worlds Quarterly, G.W. Thomas begins a series on Donald A. Wollheim: “Donald A. Wollheim Part 1: 1934-1945”.

When you say the name “Donald A. Wollheim” you have to say which one you are referring to. Is it the force behind ACE Books or the creator and publisher of DAW Books? Or the Avon editor who tried to combine comics and Pulps? Or the editor of The Avon Fantasy Reader?  Is it the editor who published the unauthorized edition of The Lord of the Rings and created the modern fantasy boom? Is it the fanzine editor who published H. P. Lovecraft, C. L. Moore, Robert E. Howard, A. Merritt and Frank Belknap Long? Is it the editor without any budget who cobbled together Pulps with the help of the Futurians? Or is it the writer who so often appeared under a pseudonym like Martin Pearson, Millard Verne Gordon or Lawrence Woods? Donald A. Wollheim was all of them in his career spanning over fifty years….

(5) THE JAWS THAT CATCH. G.W. Thomas would also like to tell you about big bugs, zillions of ‘em! “Giant Ants of the Pulps” at Dark Worlds Quarterly.

Giant Ants of the Pulps seems like a no-brainer, right? Of course the Pulps were crawling with mad scientists creating giant bugs, or ones that comes from other planets, or are encountered when we arrive on jungle planets. A fascination with the formic race goes back to writers like H. G. Wells, who despite the film versions, never actually did giant ants. What he did do was write the first giant monster novel in The Food of the Gods (Pearson’s, December 1903-June 1904) but he chose giant bees over ants. Later he wrote “The Empire of the Ants” (The Strand, December 1905), in which he supposed an intelligent race of army ants that begin to take over the world. These critters have weapons but are not gigantic in size. Hollywood combined the two along with Joan Collins.

(6) OPEN SESAME. [Item by Daniel Dern.] Watch The Door into Summer on Netflix:

A pioneering roboticist awakens in 2025 after decades in cryosleep. To change the past and reunite with his adopted sister, he seeks a way back to 1995.

I saw somebody’s Facebook post out this earlier today (and I see that sundry more are posting/commenting. We just finished watching it. This was one of the Heinlein sf novels I grew up reading/re-reading (when they’re short and one-offs, and not competing with a Borges-level Mount Can’t-Read-Em-All, it’s easier), and they dun good. (I could drop a cheap shot at Starship Troopers here, but I’ll refrain.) There are sundry differences in details, but the core plot remains intact (including Petronius The Arbiter, aka Pete, our protagonist’s credential).

The dialogue is all in Japanese, with subtitles available (often harder-to-read than I would have liked when the background was mostly white). (If there was a change subtitle settings, we didn’t see it.)

We didn’t see Heinlein’s name in the credits — although, it might have been lurking in the untranslated credits… but the Netflix listing includes:

Kento Yamazaki (“Alice in Borderland”) stars in this science fiction tale adapted from the novel by Robert A. Heinlein.

(7) GIZZARD-FI. The Odyssey Writing Workshop Blog has posted an interview with graduate Larry Hodges.

You’re a 2006 graduate of the Odyssey Writing Workshop. What made you decide to attend? What insights did you gain into your own work?

I did some research and asked around, and Odyssey seemed the most recommended workshop. (Having Robert J. Sawyer as a “Writer in Residence” that year greatly helped!) Probably the biggest insight I learned about my own work was that I’m an “idea” and “humor/satire” writer who needs to focus on character and other aspects equally. I also went in knowing that I had little feel for description, and so have spent years working to overcome that. One thing that helped: Robert and Odyssey Director Jeanne Cavelos suggested writing a story that was all about description, and so I wrote and sold “In the Belly of the Beast,” where the whole story takes place in the belly of a dragon that has swallowed a bunch of people, including a wizard who creates a field to protect them in the dragon’s stomach—and much of the story revolved around vivid descriptions of the “venue.” It also became a character story about the wizard….

(8) THE INFLUENTIAL LE GUIN. Tor.com’s Vanessa Armstrong has a recommendation: “New Crafting with Ursula Podcast Has Writers Like Becky Chambers Delving Into Ursula K. Le Guin’s Work”.

… This series, called Crafting with Ursula, stems from David Naimon’s long-running Between the Covers podcast. In each episode, Naimon will talk with an author about how specific works of Le Guin have influenced aspects of their own creative process.

The first episode, which is available now, has Becky Chambers (Wayfarers series, A Psalm for the Wild-Built) discussing the craft of creating aliens and alien cultures, something Chambers has beautifully done in her own stories. …

(9) MEDIA BIRTHDAY.

1969 [Item by Cat Eldridge.] Fifty-three years ago this evening, Star Trek’s “Let That Be Your Last Battlefield” first aired on NBC. It was the fifteenth episode of the third season. It written by Oliver Crawford who also penned “The Galileo Seven” as based on a story by Gene L. Coon who was writing under his pen name “Lee Cronin” due to contractual reasons. Coon was the showrunner for the series through most of the second season and was responsible for such major elements as the Klingons and the naming of the United Federation of Planets and Starfleet Command. 

The cast stars here were Frank Gorshin as Commissioner Bele and Lou Antonio as Lokai. Gorshin would be known in this period for his recurring role on Batman as The Riddler. Lou Antonio did a few genre one-offs. 

The episode has since been rated as one of the best of the Trek series with ColliderHollywood ReporterPopMatters, SciFi and ScreenRant all rating it among the best episodes produced. 

Spock’s comment that “Change is the essential process of all existence” which remains one of the most memorable lines of dialogue ever said on Trek comes from this episode.

The original version when Beale and Lokai run through the Enterprise shows the burning cities of World War II Europe. The remastered version shows the Cheron cities still burning from space. (That scene was done because the episode was running short.) 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 10, 1904 Ray Bolger. Best remembered obviously as The Scarecrow In The Wizard of Oz. He also showed as the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and as Vector In “Greetings from Earth” on the classic version of Battlestar Galactica.  He narrated a version of Peter and The Wolf which certainly is genre. (Died 1987.)
  • Born January 10, 1924 Mike Butterworth. In 1965, he became the primary script writer at Ranger magazine where he was responsible for scripting the space opera The Rise and Fall of the Trigan Empire, which remains to this day one of the most popular boys’ adventure strips ever published in the UK. Between Ranger and later Look and Learn, it would have a run of 854 issues in total, divided between the two magazines. (Died 1986.)
  • Born January 10, 1937 Elizabeth Anne Hull. She has served as the President of the Science Fiction Research Association and editor of its newsletter. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She is also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”. (Died 2021.)
  • Born January 10, 1944 Jeffrey Catherine Jones. She was an artist providing more than a hundred and fifty covers for many different types of genre books through the mid-Seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the Conan Saga for Marvel Comics in the late Eighties. (Died 2011.)
  • Born January 10, 1944 William Sanderson, 78. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner. but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood
  • Born January 10, 1947 George Alec Effinger. I’ve read his Marîd Audran series at least three times  as it’s an amazing series in both the characters and the setting. I never read the short stories in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review and they were quite excellent as well.  I really should listen to the stories soon to see how they work that way. (Died 2002.)
  • Born January 10, 1959 Fran Walsh, 63. Partner of Peter Jackson, she has contributed to all of his films since the late Eighties when she started out as co-writer of Meet the Feebles, and as producer since The Fellowship of the Ring which won a Hugo. Need I note the next two films won Hugos as well? Huh The Hobbit films did not win Hugos.  
  • Born January 10, 1958 Jeff Kaake, 64. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons but really isn’t genre. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a SJW Cred) as well which is genre. 

(11) MARK YOUR BALLOT “X”. The polls are open! Marvel is asking fans to help select the newest X-Men team once again. As with last year’s X-Men election, the second annual event to choose the newest protectors of Krakoa will run until 11:59 p.m. EST on Thursday, January 13. Participants can vote at marvel.com/xmenvote.

In 2021, True Believers everywhere voted in the first-ever X-Men election. They shaped X-Men history by choosing Polaris to star in Gerry Duggan and Pepe Larraz’s X-Men. Throughout the election, fans campaigned for their favorite candidates resulting in “X-MEN VOTE” trending worldwide on Twitter and ultimately changed the future of all mutantkind!

Several nominations have been accepted to determine the final member of one of the most iconic teams in the Marvel Universe. Now, the last member of this new X-Men team is in YOUR hands! Each person can only cast one vote, so read about each nominee below and make your decision carefully!

X-Men Ballot Nominations:

  • ARMOR: Hisako Ichiki can create a powerful psionic force field around herself, giving her superhuman strength and durability. She planted the first Krakoan flower on Mars, and as a member of the New Mutants aided her brethren across the globe.
  • AVALANCHE: A long-standing member of the Brotherhood, Dominikos Petrakis used his seismokinetic powers against the X-Men. Though he was killed by the Red Skull, he was one of countless mutants to be resurrected on Krakoa, where he became an agent of S.W.O.R.D.
  • BLING!: A former member of Gambit’s Chevaliers squad at the Xavier school, Bling! has more recently teamed up with Psylocke and her team to defend Krakoa despite still questioning the new mutant nation’s motives. She possesses a diamond-hard body, superhuman strength and the ability to fire crystalline projectiles.
  • FIRESTAR: Angelica Jones is a veteran super hero, boasting former memberships in the Avengers, New Warriors, Young Allies, and the X-Men themselves – in addition to being one of Spider-Man’s most amazing friends. Despite her codename, her powers are microwave-based, allowing her to ignite, melt, or otherwise superheat whatever she targets. She has yet to claim Krakoan citizenship…
  • GENTLE: The first X-Man to hail from the nation of Wakanda, Nezhno Abidemi now calls Krakoa his home. His mutant power allows him to exponentially increase his musculature, giving him almost limitless strength and invulnerability.
  • GORGON: Like the mythical creature of his namesake, Tomi Shishido’s gaze can turn anyone who meets it into stone. Although he possesses many other superpowers, Gorgon’s proficiency with swords is his greatest strength. Due to his skill with a blade, he was able to turn the tide at a crucial moment during the Contest of Swords in Otherworld. Unfortunately, he died doing so and came back… different.
  • MICROMAX: A British mutant, Scott Wright has served as an agent of various agencies of the Crown including MI13 and F.I.6. In the past, he was also briefly a member of Excalibur – and controversially O*N*E* – when he came into conflict with many of his fellow mutants.
  • PENANCE: Monet St. Croix touts herself as a near-perfect mutant specimen, with a wide range of powers and talents. Also, though she once considered it a burden, Monet is now capable of shifting to and from her deadly Penance form at will. She currently is the co-CXO of X-Corp.
  • SIRYN: The daughter of lauded X-Man Banshee, Theresa Cassidy made a name for herself as a member of X-Factor, making use of the same sonic powers as her father. The current X-Factor team was finally able to free her from the influence of the divine being known as Morrigan, to whom she’d sacrificed to save a fellow mutant.
  • SURGE: One of the most powerful electrokinetics on Krakoa, Noriko Ashida can produce devastating blasts of lightning and move at incredible speeds. She’s poised to team-up with her fellow New X-Men alums to protect the next generation of mutantdom.

Election results, along with the full X-Men team, will be unveiled during the Hellfire Gala in Marvel comics this June.

(12) SUPERMAN IS FEELING BETTER. Kevin Smith chats with Yahoo! Entertainment about his efforts to write a Superman movie in the 1990s. “Kevin Smith’s Superman movie that never was: Filmmaker revisits bonkers ’90s project that nearly starred Sean Penn”.

…Smith’s unfiltered critique and suggestions for for a different direction ultimately landed him an audience with then-studio boss Lorenzo di Bonaventura, who in turn hired Smith to write a new screenplay. Based on DC’s 1992-93 crossover comic event The Death of Superman, the film would be revamped with the title Superman Lives.

But Smith would have to collaborate on the project with producer Jon Peters — and that’s where things got really interesting. Peters had quite a Hollywood trajectory, starting as Barbra Streisand’s hairdresser then becoming her lover and then producing her films, eventually becoming a veritable power player (he’s currently portrayed by Bradley Cooper via a madcap performance in Paul Thomas Anderson’s Licorice Pizza, to give you one perspective on him). In the early ’90s, Peters acquired the film rights to Superman from Warner Bros. and he would have the final say on the new movie.

Smith recalled various visits to Peters’s “gigantic f**king house” where the eccentric producer told Smith they’d make a great Superman movie together because they were “from the streets” (as Smith points out, neither Superman nor Peters nor Smith was from the streets) and insisted Smith read aloud his entire script drafts to Peters while the producer parked himself on a nearby couch….

(13) JEOPARDY! Andrew Porter tuned into tonight’s Jeopardy! where an entire category was devoted to a familiar subject.

Category: Hugo Awards

$1000 clue

This author, Hugo nominated in his 20s for “Babel-17,” has the middle initial “R” for “Ray.” He won a few years later.

Photo shows Delany in whitest photo I’ve ever seen of him.

No one could ask, “Who is Samuel R. Delany?”

(14) AS LONG AS WE’RE IN THE NEIGHBORHOOD. James Davis Nicoll ponders “Five Hypothetical Reasons Aliens Would Bother Visiting Earth”.

…A question that may well occur to our hypothetical aliens: “If humans are willing to use nuclear weapons on each other, what will they do to beings who are not related to them at all?” The worst-case scenario is that the aliens will conclude it’s safest not to find out. That possibility is explored in works like Greg Bear’s The Forge of God, in which what initially appears to be benign first contact very rapidly is revealed as an effort to expunge humans and all our works from the universe before we become a menace to other species….

(15) RUTLAND WEEKEND TELEVISION. “Ichthyosaur: Huge fossilised ‘sea dragon’ found in Rutland reservoir”BBC News has the story.

Rutland is more than thirty miles from the coast, but 200 million years ago higher sea levels meant it was covered by a shallow ocean.

When water levels at the Rutland reservoir were lowered again in the late summer of 2021, a team of palaeontologists came in to excavate the remains. Special attention was paid to the removal of the huge skull.

A large block of clay containing the ichthyosaur’s head was carefully dug out before being covered in plaster and placed on wooden splints.

The block, weighing almost a tonne, was raised out of the mud and will now be examined further.

“It’s not often you are responsible for safely lifting a very important but very fragile fossil weighing that much,” said Nigel Larkin, palaeontological conservator and Visiting Research Fellow at Reading University. “It is a responsibility, but I love a challenge.”

(16) VIDEO OF THE DAY. Marvel is ready for its closeup: “All of the Trick Arrows in Marvel Studios’ Hawkeye!”

All of the trick arrows up close and personal! Greg Steele, VFX Supervisor of Marvel Studios’ Hawkeye talks to Lorraine Cink about how they created all of the arrows in the show, and how they work with the Stunt and Special Effects department to make the show come together.

[Thanks to John King Tarpinian, Andrew Porter, P J Evans, Chris Barkley, Bill, Elektra Hammond, Jon F. Zeigler, Danny Sichel, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 8/2/21 Don’t Talk About Scrolldays! You Kidding Me? Scrolldays? I Just Hope We Can Scroll!

(1) SWEET AND SOUR NOTES. Kameron Hurley shares her answer to a professional challenge: “When Should You Compromise? How to Evaluate Editorial Feedback” at Locus Online.

…There is also a huge variance in the quality of editorial and stakeholder feedback. Some­times you get notes that make it clear that the person making them was reading (or wants to read) an entirely different book than the one you’ve written.

So how do you determine which notes to take to heart, and which to ignore?

For me, it all comes back to understanding my novel and the story I want to tell. The feedback I get that gets me closer to refining and communicating that story is the feedback I take. The notes I get that that are clearly moving off into a direction that takes me away from the story I want to tell are the ones I toss….

(2) TRUE PRO TRUTH. John Scalzi announced “Dispatcher 3: Finished!” Soon after he tweeted —

(3) STAND BY. Vanity Fair says the LOTR for television is coming out in 2022. “Amazon’s ‘Lord of the Rings’ Unveils a First Image and Release Date”. Someone – not the Vanity Fair writer — pointed out the September 2 release date coincides with the anniversary of Tolkien’s death in 1973. (Actually, the Vanity Fair article names two different September release dates, but the second presumably is a typo.)

Ever since 2017 when Amazon first announced the massively expensive deal that would send TV audiences back into the world of J.R.R. Tolkien’s Lord of the Rings, fans have been eagerly wondering when their journey might begin. The folks behind the as-yet unnamed series have picked a very auspicious date indeed. Break out the Longbottom Leaf and mark your calendars for September 2, 2022 so you can see what Amazon has had cooking over in New Zealand these last few years.

The date announcement comes with a first image of the series to celebrate the wrap of filming in New Zealand, and fans will be sure to eagerly pore over every pixel. We can confirm that the image is from the first episode though sources close to the production are declining to confirm the identity of the figure seen there. This could be an image of a city in Valinor. The trees in the background, at least, are very interesting. …

(3) DREAMS. Read Aaron Starr’s amazing parable “Feathers or Stones” at Black Gate. Today!

Once, long ago, there was a poor writer who lived in the depths of a forest with his wife. He would spend his evenings putting words to page while his wife rested by the fire. As she did so she would read those stories which were complete, and yet not yet ready for market. Using a special red pencil, she would note occasional errors and put to him questions the writing had left unresolved, in order that his next version of the story might be improved.

During the day she would walk out into the forest and spend her time hewing mighty trees, for she was a woodcutter by trade. He, meanwhile, would tend to the small garden, and every few days journey into the nearby town, riding down the river on a mighty raft formed of entire tree trunks she had stripped, all lashed together, and he would walk back home before sundown. Thus they had a modest supply of silver, and the wife was content they be together every evening.

But the writer was not content….

(4) INTERRUPTED DEBUT. Galactic Journey reviews the latest (in 1966) issue of If, including this story by a brand new author: “[August 2, 1966] Mirages (September 1966 IF)”.

The Empty Man, by Gardner Dozois

Jhon Charlton is a weapon created by the Terran Empire. Nearly invulnerable, incredibly strong and fast, he can even summon tremendous energies. Unfortunately for him, for the last three years, he has shared his mind with a sarcastic entity called Moros, which has appointed itself as his conscience. Now, Jhon has been sent to the planet Apollon to help the local rebels overthrow the dictatorial government.

Gardner Dozois is this month’s new author, and this is quite a debut. It’s a long piece for a novice, but he seems up to it. There’s room for some cuts, but not much. The mix of science fiction and almost fantasy elements is interesting and works. The only place I’d say a lack of experience and polish shows it at the very end. The point is a bit facile and could have been delivered a touch more smoothly, but it’s a fine start to a new career. Mr. Dozois has entered the Army, though, so it may be a while before we see anything else from him.

(5) FROM MASHUPS TO SMASHUPS. [Item by Martin Morse Wooster, Designated Reader, Financial Times.] In the July 28 Financial Times, Tom Faber discusses video game crossovers.

Most crossovers are like this:  Brawlers created solely to let fans collide fictional DNA of their favourite characters against each other,  Their storylines are little more than a set dressing,usually involving a convenient tear in the space-time continuum. Kingdom Hearts, a collaboration between Disney and Final Fantasy developer Square-Enix, took narrative more seriously to offer a role-playing game with original characters and complex lore.  Sending plucky anime heroes out adventuring with Donald Duck to learn the true meaning of friendship may sound like a painfully trite exercise, but the games proved a runaway success. Kingdom Hearts developed into a stranger, darker story than anyone expected.

Today we are at peak crossover. There is The Little Prince- in -Sky:  Children of the Light, Assassin’s Creed in Final Fantasy, DC Comics heroes in Mortal Kombat and dozens of franchises distilled into costumes for party game Fall Guys.  Sometimes these make sense:  Yes, ace attorney Phoenix Wright and kindly Professor Layton could plausibly solve crimes together while Pirates of the Caribbean nestles neatly into the nautical fiction of Den of Thieves.  Others are plain wrongheaded: Sonic & Sega All-Stars Racing pits the blue hedgehog against other Sega characters in go-karts, blithely ignoring his defining trait–Sonic doesn’t need a vehicle to go anywhere fast. 

(6) MIDSOUTHCON HONORS. Nominations are being taken for the 2022 Darrell Awards through December 1. See complete guidelines at the link.

In order to qualify, the work must either be written by an author who is living in the greater Memphis area (as defined below) when the work is published OR have at least one significant scene set within that area. Broadly defined, the area is west Tennessee, north Mississippi and northeast Arkansas.

(7) MEMORY LANE.

  • 1991 – Thirty years ago, Charles de Lint’s The Little Country novel wins a HOMer Award. The HOMer Awards were given by the members of the Science Fiction and Fantasy Literature Forum on CompuServe. Locus notes that the winning authors were active there. (The novel was set in Cornwall though the music in it is influenced by Northumberland bagpiper Billy Pigg as the principal character is smallpiper Janey Little.) It was also nominated for the Aurora, Locus, Mythopoeic Fantasy Award for Adult Literature and World Fantasy Awards as well. It’s just been released as an audiobook, and it is available from the usual suspects. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 2, 1917 Wah Chang. Of interest to us are the props he designed for the original Star Trek seriesincluding the tricorder and communicator. He did a number of other things for the series — the Rabbit you see on the “Shore Leave” episode, the Tribbles,  the Vulcan harp first seen in “Charlie X“ and the Romulan Bird of Prey. Other work included building the title object from The Time Machine, and the dinosaurs in Land of the Lost. (Died 2003.)
  • Born August 2, 1920 Theodore Marcuse. He was Korob in “Catspaw”, a second season Trek episode that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time TunnelVoyage to the Bottom of the SeaWild Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair,”  “The Minus-X Affair,”  and “The Pieces of Fate Affair.” (Died 1967.)
  • Born August 2, 1932 Peter O’Toole. I’m tempted to say his first genre role was playing King Henry in A Lion in Winter as it is alternate history. Neat film. Actually before that he’s got an uncredited role in Casino Royale as a Scottish piper. Really he does. His first genre role without dispute is as Zaltar in Supergirl followed by being Dr. Harry Wolverine in Creator. He’s Peter Plunkett in the superb High Spirits, he’s in FairyTale: A True Story as Arthur Conan Doyle, and Stardust as King of Stormhold. Not surprisingly, he played Lysander in A Midsummer Night’s Dream. (Died 2013.)
  • Born August 2, 1948 Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. Tor, which has the rights to him in the States, has been slow to bring him to the usual suspects. (Died 2009.)
  • Born August 2, 1949 Wes Craven. Swamp Thing comes to mind first plus of course the Nightmare on Elm Street franchiseof nine films for which he created Freddy Krueger. Let’s not forget The Serpent and the Rainbow. (Died 2015.)
  • Born August 2, 1954 Ken MacLeod, 67. Sometimes I don’t realize until I do a Birthday note just how much I’ve read of a certain author. And so it was of this author. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, just the first two of the Corporation Wars but I’ve got it in my to be finished queue,and every one of his one-off novels save Descent. His Restoration Game is quite chilling. I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available from the usual suspects!
  • Born August 2, 1955 Caleb Carr, 66. Ok, I’ll admit that this is another author that ISFDB lists as genre that I don’t think of as being as genre. ISFDB list all four of his novels as being genre including The Alienist and The Angel of Darkness which are not even genre adjacent by my reading. So is there something in those novels that I missed? 
  • Born August 2, 1976 Emma Newman, 45. Author of quite a few SF novels and and a collection of short fiction. Of interest to us is that she is co-creator along with her husband Peter, of the Worldcon 75 Hugo Award winning podcast Tea and Jeopardy which centers around her hosting another creator for a nice cup of tea and cake, while her scheming butler Latimer (played by Peter) attempts to send them to their deaths at the end of the episode. Her Planetfall series was nominated for a Hugo at CoNZealand.

(9) COMICS SECTION.

  • Off the Mark shows even an animated celebrity’s prosthetics can’t get past TSA.

(10) SOMETIMES THEY DO GROW WEARY. R.H. Lossin revisits “William Morris, Romantic Revolutionary” at the New York Review of Books.

At the end of William Morris’s News from Nowhere, or, An Epoch of Rest (Being Some Chapters from a Utopian Romance), a woman named Ellen explains to the visitor, William Guest, that he cannot stay in this perfect place of clean air, meaningful work, and satisfying leisure. Not because of any fictional science of time travel, nor because he poses a threat to this particular future’s social harmony, but because his very being has been so thoroughly deformed by the social conditions of nineteenth-century industrial capitalism that he is incapable of experiencing the pleasures and desires of a world freed of competition, exploitation, and suffering. “You belong,” explains Ellen, “so entirely to the unhappiness of the past that our happiness even would weary you.”

…Many aspects of News from Nowhere set it apart from other utopian fiction of the time—it is decidedly socialist, conscious of the environmental costs of industrialization, backward-looking rather than futuristic, and free of prescriptiveness about any particular social arrangements—but Ellen’s melancholy observation on the psychic life of the capitalist subject is singularly important. If no other argument for revolutionary change made within the novel seems persuasive, this line, appearing late in the narrative, should give us reason to consider the insufficiency, even the costs, of a pragmatic reformist mindset. At a moment in history when social reform and conservationist policy have appeared on the political horizon, William Morris offers a reminder of the constitutive limits of our imaginations. He urges us to wish harder, not plan better….

(11) INSIDE HIS STRUGGLE. SFF Book Reviews’ “The State of SFF – August 2021” roundup has an excellent lead-in to Scott Lynch’s recently-made-public newsletter update.

…Scott Lynch has always been transparent about his battle with depression and the resulting delay in publishing further books in the Gentleman Bastard series. When The Republic of Thieves came out years after the previous volume, me and the other Locke Lamora fans were happy and excited and hopeful that the series would continue soon. In 2019, Lynch mentioned that the next instalment, The Thorn of Emberlain, was as good as finished. It had a cover and everything. But as of 2021, the book hasn’t been published yet.

Scott has recently posted an update about his struggle with anxiety and his difficulties letting go of his work (handing it in to the publisher, making posts public, etc.). I found the post both brave and educating. I am no stranger to anxiety but it can take so many shapes and forms and not all of them are well-known. Scott is now taking medication to help him and as far as comments on the internet go, I think we all agree that we wish him the best! Whether the next book comes out soon or not isn’t even a point of discussion. We just want Scott to be okay.

(12) WATCH ALONG WITH JMS. J. Michael Straczynski has made public another Synced Straczynski Commentary for Babylon 5 for the “And the Sky, Full of Stars” episode.

Originally created for Patrons of my page at: https://www.patreon.com/syntheticworlds This is an original full-length commentary/reaction for And the Sky, Full of Stars, one of our most important season one episodes. Sync up at the start of the commentary, and hit play.

(13) UNBREAKABLE. SYFY Wire is astonished: “Coulson (Still) Lives?! Marvel Confirms Clark Gregg Is Back For ‘What If…?’ Series”.

Phil Coulson just can’t be killed! Thanks to a production brief for Marvel’s What If…? (debuting next week), we now have it confirmed that Clark Gregg officially recorded dialogue for the animated anthology series. While the document doesn’t go into specifics about the episode Gregg’s featured in, we’d say it’s not too far-fetched to assume that he’ll reprise the role of the Corvette-loving S.H.I.E.L.D. agent who has a rather impressive talent for sticking around the Marvel Cinematic Universe.

Coulson, whose MCU tenure can be traced back to the very beginning in 2008’s Iron Man, was a regular recurring character across the movies until he was murdered by Loki (Tom Hiddleston) in 2012’s The Avengers. As Mobius (Owen Wilson) was kind enough to remind us in the season premiere of Loki, the agent’s death was the catalyst for bringing together Earth’s Mightiest Heroes.

(14) WHY PROVO IS FANNISH PT. 64. [Item by David Doering.] Here at the Provo City Cemetery is another reason why our city is suitably fannish–even Daleks come here to die… 

A Dalek Named Thomas… kids’ book maybe?

(15) REANIMATION. The Huntington knows our day won’t be complete without a timelapse video of the blooming of one of its famous Corpse Flowers.

(16) VIDEO OF THE DAY. The How It Should Have Ended gang takes on Loki in this episode with spoilers. “Villain Pub – Into the Loki-Verse”.

[Thanks to JJ, Michael Toman, John King Tarpinian, David Doering, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Richard Horton.]

Kathryn Davis Says RWA Encouraged Her To File Ethics Complaint Against Courtney Milan

[This is the fourth update in a series which includes Courtney Milan Suspended by RWA, Banned from Leadership, Courtney Milan Controversy Decimates RWA Leadership and As Criticism Snowballs, RWA Keeps Trying to Justify Treatment of Courtney Milan.]

Kathryn Davis, who along with Suzan Tisdale filed the ethics complaints that triggered RWA’s penalties against Courtney Milan, has told The Guardian that she was “encouraged” by the administration of Romance Writers of America (RWA), to make a formal complaint against Milan: “White romance novelist in racism row says she was used”.

“They encouraged us. They wanted us very badly to file these complaints,” Davis said.

…Davis now says that she never wanted Milan to be punished by the RWA. She declined to say who precisely within RWA had encouraged her to file a complaint against Milan, but said it was “the administration at RWA” and that it was “not the membership” and “not the members of the board”.

“I do feel that the Romance Writers of America perhaps used Suzan Tisdale and I to accomplish something they wanted to accomplish and I was stunned when I saw the penalties. I didn’t ever expect that, and I did not want that,” Davis said.

“We were used in order to make the eventual penalties happen,” she said.

Although Davis is paraphrased by Guardian reporter Lois Beckett as having claimed that “she never wanted Milan to be punished by the RWA,” Davis’  formal ethics complaint urged in its conclusion that “She [Milan] cannot be allowed to hold a position of authority, or to use her voice to urge others to follow her lead.”

Davis’ statements to The Guardian also conflict with – and undercut – a claim in the formal complaint that “Because Ms. Milan attacked me in what can only be described as cyber-bullying, I lost a three-book contract that has been promised to me.”

On Thursday, Davis, 64, clarified her discussions with the publisher, which she has declined to name. She told the Guardian that after the allegations in her original complaint to RWA were quoted in news reports, “the publisher in question is very upset”.

Davis clarified that she did not have and lose a written book contract, but that a publisher had delayed further discussion of a potential contract in the wake of the controversy.

In the complaint, Davis also seemed to imply that the publisher told her they were afraid of being publicly linked with Milan, but in fact the publisher “never said anything” to that effect, Davis said.

Two or three days after Milan tweeted about her book, Davis said, an editor at the publishing house in question advised her that the situation would probably get worse. “I was told to apologize to Courtney [Milan] and to remove myself from the controversy, and in that way to save both my reputation and that of anyone connected to me.

“I didn’t understand what I would be apologizing for unless it were for my 24-year-old book,” she said. “I did not agree with what [Milan] was saying and to apologize for something I did not agree with didn’t make sense to me.”

The editor was “not happy” with this response, Davis said, but the end of the call was not angry. In a subsequent conversation with the same editor about a week later, “it was offhandedly mentioned that discussion of the [new book] contract would have to wait until spring”, Davis said. The editor did not explicitly state there was any link between Milan’s tweets and the delay in the discussion of the contract, Davis said.

Davis said she still believed it was fair to say that she lost a three-book contract because of Milan’s tweets. “I am certain the discussions would have progressed into a contract had this Twitter explosion not occurred,” she said.

And although Davis devoted several pages of her complaint to defending the novel Milan had derided as a “fucking racist mess,” she told The Guardian the ebook has been republished with changes —

Meanwhile, Davis said she had decided to make some changes to the novel Milan had criticized, Somewhere Lies the Moon, and that she has republished edited ebook versions.

“Some people have contacted me and have told me calmly what it was that offended them, and it was very few things, and I have corrected those things,” she said.

Alyssa Cole responded to Davis’ statements in The Guardian. Thread starts here.

Courtney Milan’s commentary thread starts here.

RWA APPOINTS NEW DIRECTORS. The RWA announced President Damon Suede has filled some of the vacancies created by resignations: “New Directors Appointed to RWA Board”, posted December 31.

In accordance with our Bylaws and policies, the President of RWA nominated, and the Board of Directors (Board) approved, the appointment of four new members to fill the vacant Board seats. 
 
Former Board Advisors Maria Powers (PRO), Mellanie Szereto (Chapter), and Barbara Wallace (PAN) will now move into vacant Director-at-Large positions. We thank them for their previous service to their constituencies and welcome them in their new roles as voting Board members. We also welcome new Board member Eliana West, filling a vacant Director-at-Large seat. All four will serve the remainder of the 2019-2020 term, which ends on August 31. Please find their bios below. 
 
We are in the process of recruiting and nominating strong, diverse candidates for the remaining five Director-at-Large positions and the three open Advisor positions. 

SUEDE DISINVITED BY CONFERENCE. RWA President Damon Suede has been ousted as a conference speaker at the Emerald City Writers’ Conference. The Greater Seattle RWA chapter tweeted a long explanation of the process followed in making that decision. Thread starts here.

OTHER DEVELOPMENTS.

Courtney Milan’s decision tree, in response to allegations there is more evidence that hasn’t been made public.

https://twitter.com/courtneymilan/status/1212501927151296512
https://twitter.com/courtneymilan/status/1212504995473477632

Alyssa Day, who has also been vocal on Twitter, gave a status report to her Facebook followers on January 2:  

…I resigned my membership in protest at RWA’s actions against Courtney Milan but then withdrew my resignation when the time came that my voice would be important as part of a recall petition to force current leadership to step down. I am a signatory, with several past presidents and past board members, to a letter calling for a full forensic accounting and answers to the questions that must be addressed before RWA can move forward.

We can do better. We MUST do better. Love is love is love. The romance genre is about hope, and I must continue to believe and be hopeful, especially now, at the beginning of a new year and a new decade, that we can build a professional organization for romance writers that is inclusive and welcoming to all who agree with and live this belief.

Avery Flynn reports a RWA board conference call is scheduled for January 12, but there’s an issue in that the program has not been sent out even though it has to be posted ten days beforehand. Thread starts here.

RWA AUDIT. On January 1, Courtney Milan called for forensic audit. Thread starts here.

https://twitter.com/courtneymilan/status/1212565929915121665

The RWA website announced on January 3: “RWA Hires Law Firm to Conduct Independent Audit”.

Damon Suede, President of  Romance Writers of America, recently asked the RWA Board of Directors to authorize a review of the Member Code of Ethics and related enforcement procedures to ensure that these RWA policies support the organization’s mission to advance and protect the interests of all romance authors.

Today, RWA announced the hiring of the Pillsbury Winthrop Shaw Pittman LLP law firm to conduct an independent audit of the recent matter involving its code of ethics and to make recommendations on appropriate adjustments moving forward on ethics policy and procedures.

Courtney Milan responded skeptically in a thread that starts here.

MAINSTREAM MEDIA.

National Public Radio took a stab at telling the story in “Racism Scandal In The Romance Writing Industry” — January 4

BATES: Well, the membership didn’t know about it for a long time because, as I said, this happened at the end of August. RWA initiated, which people are still kind of freaking out about, a subcommittee of its ethics committee. I guess they appointed some people kind of like a grand jury – impaneled them. So this committee met in secret and decided that most of what they said about Milan wasn’t accurate but that they did think that because of the tweets, she should be sanctioned. And so they suspended her for a year. And they said she’d never again be allowed in any leadership positions. And this was a woman who had just received a service award the year before for her leadership in the organization.

Someone leaked it, and a lot of writers of color were like, oh, no, no, no, no, no, no, no, no, no, no, no. A lot of allies who were white women said this is ridiculous. A lot of people – and publishing is like, girls, you need to get yourselves together. And within a week, because this was blowback that RWA leadership had not expected, they changed their minds and said on the 30 of December, we’ve rescinded our decision about Courtney for right now because we need to have a fuller investigation, so she can keep doing what she’s doing for the moment, to which Milan said, as you can imagine, yeah, no. Bye….

Mikki Kendall did a breakdown for NBC News: “The Romance Writers of America racism row matters because the gatekeepers are watching” — January 2

…Let’s talk about the power of romance. There’s power in the written word, even in a genre that we tend to consider — because of sexism — less intellectual than some others. And it isn’t just about hearts and flowers and candy; this is cold hard cash: Romance as a literary genre represents a quarter of all fiction sales and more than half of all paperback sales, and it brings in over a billion dollars in sales annually.

The impact of romance books on the culture is outsize because everyone is interested in romance, whether they admit it publicly or not.

…But there’s inevitably a small contingent of writers who simply can’t handle being criticized, whether directly or indirectly. Vitriolic responses to critics are hardly limited to well-known writers; those who aspire to become household names are equally prone to them. Having your work dissected, discussed and sometimes even demeaned, however, is part of putting it out into the world. All writers know this — or at least they should — and writing romance novels is no exception.

COMIC RELIEF. There is now a bingo card for this debacle:

https://twitter.com/diygeochemist/status/1213517305927192576

Scott Lynch provided the Reader’s Digest version of the RWA’s explanations.

And Chuck Tingle has written a book.

Gorblin Crimble is an aspiring romance author with a brand new novel that could be his first breakthrough hit. Of course, Gorblin is going to need some help getting his work out there, and starts by seeking likeminded creatives.

After attending a local writer’s group, Gorblin makes a new friend, Amber, who points him towards Romance Wranglers Of America. It sounds like this community is exactly the helpful, loving, supportive group that Gorblin is looking for, but when him and Amber arrive at the Romance Wranglers Of America headquarters, they quickly realize something is wrong. This once loving group has been taken over by a dark and mysterious force; lead by a man named Demon and his chanting coven of board members in jet-black robes.

Something horrible from the depths of the cosmic Void has taken hold, but is it too late to prove that romance is about love, not hate?

This important no-sex tale is 4,300 words of reasonable writers looking for a kind and supportive romance community that respects its members and treats them fairly.

[Thanks to Hampus Eckerman, Rick Moen, John King Tarpinian, Kendall, johnstick, and Cliff Ramshaw for some of these items.]

Readercon 29 Photos

Daniel Dern shares his pictures of guests, panelists and vendors who participated in Readercon 29 over the July 12-15 weekend.

GoH Nisi Shawl


More photos follow the jump.

Continue reading

Pixel Scroll 1/31/18 There’s Thirteen Hundred And Fifty-Two Pixel Scrollers In Fileville

(1) PLAYING IT STRAIGHT? Rowling’s retrospective characterization of Dumbledore will not be in evidence in the next Fantastic Beasts movie — “‘Fantastic Beasts’ Sequel Will Avoid Dumbledore’s Gay Sexuality, Director David Yates Confirms”.

Any “Fantastic Beasts” fans hoping the “Harry Potter” universe would finally be ready to explore Dumbledore’s sexuality in the upcoming “The Crimes of Grindelwald” will surely be disappointed, as director David Yates has confirmed that J.K. Rowling’s screenplay mostly avoids the topic. Speaking to Entertainment Weekly, Yates said the movie does not explicitly include any reference to Dumbledore being gay, despite the fact that Rowling has spoken in the past about the wizard’s sexuality and his romance with the titular Grindelwald.

“Not explicitly,” Yates said when asked if the film makes it clear that Dumbledore is gay. “But I think all the fans are aware of that. He had a very intense relationship with Grindelwald when they were young men. They fell in love with each other’s ideas, and ideology and each other.”

(2) RIDGE RUNNER. From Yahoo! — “Curiosity’s sweeping Mars panorama shows how far it’s come”.

NASA annotated Curiosity’s entire trip showing how it went from its initial landing site to Yellowknife Bay, then on to Darwin, Cooperstown and the Kimberly. From there, it hit Namid Dune, ducked and weaved through Murray Buttes, checked out Ireson Hill, crossed the Bagnold Dunes and landed at Vera Rubin Ridge. The image background shows mountains that form Gale Crater’s ridge, and the foreground lower portions of Mount Sharp, which sits in the middle of the 96-mile wide crater.

The rover had used its nuclear-powered motor to climb 1,073 feet when it took the shot on the northwestern ridge of lower Mount Sharp.

(3) IN AN INTERNET FAR, FAR AWAY. Scott Lynch adds realism to Star Wars.

(4) KGB. The Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Cassandra Khaw and Peternelle van Arsdale on Wednesday, February 21, 2018, 7 p.m. at the KGB Bar (85 East 4th Street — just off 2nd Ave, upstairs – New York.)

Cassandra Khaw

Cassandra Khaw is the author of the Persons Non Grata series, the Rupert Wong books, and spends a lot of time worrying about those who buy her backlist because they enjoyed Bearly a Lady, her frothy paranormal rom-com. She writes video games for a living, and won an award for doing so. Her short fiction can be found in places like Tor.com, Clarkesworld, Lightspeed, and more.

Peternelle van Arsdale

Peternelle van Arsdale is the author of the young adult novel, The Beast Is an Animal, a dark fairy tale, it’s been described as “a swift and compelling read” and “a psychologically intense fantasy” and is being developed by Amazon Studios for a feature film produced by Ridley Scott’s Scott Free. Her essays have been published by LitHub, Hypable.com, and Culturefly. She’s currently at work on her second novel, also a dark fairy tale, which will be published in March 2019. A former executive editor in the book industry, she is now an independent editorial consultant.

(5) SABRINA RETURNING. Another comic-based series is getting rebooted: “Sabrina the Teenage Witch Netflix release date, cast, trailer: When will the show air?”

Netflix confirmed in September of last year that a remake of the classic 90s sitcom Sabrina the Teenage Witch was in the works.

The streaming company has now confirmed the title of the forthcoming show will be Chilling Adventures of Sabrina.

Riverdale showrunner Roberto Aguirre Sacasa, who is also leading the Sabrina reboot, posted on Twitter: “Gotta catch up to #Riverdale… A long way to go, but the PATH OF NIGHT begins here…”

His words now confirm the name of the first episode of the new TV show, which is based on the Archie Comics series The Chilling Adventures of Sabrina.

The story of half-witch half-mortal Sabrina Spellman (played by Melissa Joan Hart in the sitcom) is originally from the Archie Comics, like the Netflix original show Riverdale.

The popularity of Riverdale prompted Netflix bosses to consider creating another show from the Archie Comics and so this dark coming-of-age story that traffics in horror, the occult and, of course, witchcraft exclusive to the streaming site was born.

The new version of the fondly remembered character will be played by Mad Men actress Kiernan Shipka.

…Netflix has not yet announced a release date. Filming is set to begin in February and wrap up in October, meaning that we could be looking at a release date some time in 2019.

(6) SWEDISH BNF HOSPITALIZED. SF Journalen reports 2005 Worldcon fan GoH Lars Olov Strandberg suffered a stroke:

Sverifandom’s Grand Old Man, Lars-Olov Strandberg, HOSPITALISED AFTER STROKE. Lars-Olov, now 89 years, was fan GoH of the 2005 Worldcon. A pillar of Swedish fandom since mid-1950’s. Sadly, reports are bad: he’s half-paralysed, can’t communicate.

See Strandberg’s online photo archive at Fanac.org.

Lars-Olov Strandberg was born in 1929 and became active in fandom in 1956, when he attended the first Swedish convention, the Luncon. Lars-Olov was one of the founders of the Scandinavian SF Association (SFSF), and served on the organization’s board of directors for decades afterward. He also served as chairman of the Alvar Appeltofft Memorial Foundation after it came into being in the late 1970s.

A very active convention fan, Lars-Olov served as treasurer for most Stockholm conventions, starting with the 1965 Stockon, and continuing throughout the decades of the 1970s and 1980s. He became known internationally from his travels to Worldcons, British Eastercons, and continental European SF conventions. This was facilitated by his profession, as head of life insurance investment training with Sweden’s largest insurance corporation.

According to John-Henri Holmberg, Strandberg was “Sweden’s combination of E. E. Evans, Howard DeVore, and Forry Ackerman: a soft-spoken, self-effacing man whose devotion without any doubt guaranteed the survival of the SFSF.”

(7) RICK RIORDAN PRESENTS. The cover of Yoon Ha Lee’s upcoming middle-grade book has been revealed.

(8) BALLARD CONSIDERED. John Dodds previews what you’ll learn from a study of an opaque SFF author — “Book Review: J. G. Ballard (Modern Masters of Science Fiction) by D. Harlan Wilson” at Amazing Stories.

The popular idea is that “Empire of the Sun” (the Spielberg film that brought Ballard’s work to a wider audience) is an autobiography is false. It is, as Wilson explains, a fictionalised autobiography. And neither are the Ballardian protagonists in some of the novels purely autobiographical. They serve a purpose in the complex machinery of the author’s unique, mainly strange, often deeply obscure and incomprehensible books.

I found the section about his most experimental novel, “The Atrocity Exhibition”, both fascinating and reassuring. Reassuring, in that I felt I did not understand the novel at all when I read in in my early 20s and because Wilson affirms that it more or less defies explanation, though he is very clear about the themes therein. I still remember being completely hooked by the cut-up technique (also beloved of William Burroughs, though Ballard’s approach is very different). I came away from that chapter in this book feeling that it was okay not to understand completely, but also enriched by the author’s commentary on its themes, ideas and exposition.

(9) HINDS OBIT. Author Kathryn Hinds died on January 30:

Kathryn Hinds is a prolific author whose short stories and poetry have appeared in a number of journals and anthologies. Her most recent works are The Healer’s Choice,  a feminist fantasy novel  published by Dark Oak Press, and The Forty, a collaboration with photographer Fox Gradin and author James Palmer that re-envisions the tale of Ali Baba and the Forty Thieves. Kathryn’s first poetry collection, Candle, Thread, and Flute, came out from Luna Station Press in 2013. That year also saw the release of her six-book series Creatures of Fantasy (Cavendish Square), which brought her total number of nonfiction books for children and young adults to fifty. Her current works in progress include a sequel to The Healer’s Choice along with a novel in verse and a collection of steampunk short stories. Kathryn did graduate work in comparative literature and medieval studies at the City University of New York and is now a lecturer in the English Department of the University of North Georgia. She has lived in Dahlonega, Georgia, since 1995.

(10) TODAY IN HISTORY

  • January 31, 1971 — Apollo 14 departs for the moon.

(11) COMICS SECTION.

  • John King Tarpinian enjoyed the horrible literary pun in Brevity.

(12) TODAY’S THING TO WORRY ABOUT. Newsweek says get ready — “Earth’s Magnetic Poles Show Signs They’re About to Flip—Exposing Humans to Radiation and Planet-Wide Blackouts”.

Historically, Earth’s North and South magnetic poles have flipped every 200,000 or 300,000 years—except right now, they haven’t flipped successfully for about 780,000 years. But the planet’s magnetic field is at long last showing signs of shifting. Although there’s no way to know yet for sure, it could be gearing up to flip once more, according to Undark Magazine. And that possibility is raising new speculation about what that means for planetary life.

Our planet’s magnetic field protects us from lethal levels of radiation from phenomena like solar rays. The dangerous particles never hit us directly, because upon entering the Earth’s atmosphere the magnetic field deflects them and forces them to move around, according to NASA. So the prospect of that field weakening, which it does when it’s getting ready to flip, is worrisome: It would leave us without sufficient protection.

(13) COLD FACTS. The Planetary Society’s monthly video – “Space Robots in Antarctica” – The Planetary Post with Robert Picardo.

While Picardo speaks to Astronauts and fans on a Star Trek cruise ship, one of our other board members, Dr. Britney Schmidt toughs it out at the South Pole to research how one day robots could work underwater on ice moons.

 

(14) OFF WITH HER HEAD. Here’s a freaky story —

Guests at Disney‘s California Adventure reported getting an unexpected scare when Ursula the sea witch’s head fell off — and she kept singing.

 

(15) SCREENWRITING. Withoutabox has opened the 4th annual ScreenCraft Sci-Fi and Fantasy Screenplay Contest. Full details at the link:

We’re thrilled to announce our 2018 Sci-Fi & Fantasy Screenplay Contest! Whether you’re writing a contained science fiction drama or an epic fantasy saga, we want to read your feature film script. The jury is out of this world — with judges who love sci-fi movies — from top companies including 20th Century Fox, Sony and Lionsgate! Don’t miss the industry’s #1 sci-fi & fantasy feature screenplay contest.

…ScreenCraft runs a suite of screenwriting competitions that have a long history of getting writers repped and working. The secret is that ScreenCraft actually determines the winners with judges who work in the particular genre or space – real industry executives (not just readers). The winners get actual meetings with actual executives, so that a relationship forms beyond just a great script.

Judges
Hollywood’s #1 Sci-fi & Fantasy Screenplay Contest jury includes executives from Sony, 20th Century Fox and Lionsgate:

Jonathan Wu
Development Executive at 20th Century Fox, the studio behind AVATAR, X-MEN, ANOTHER EARTH, RISE OF THE PLANET OF THE APES, PROMETHEUS, PREDATORS and more!

Steven Douglas-Craig
Executive Assistant at Sony Pictures, the studio behind PASSENGERS, GHOSTBUSTERS, MEN IN BLACK, RESIDENT EVIL and SPIDER-MAN.

Meredith Wieck
Development Executive at Lionsgate, the studio behind TWILIGHT, HUNGER GAMES and DIVERGENT.

(16) IN THE MARKET. Unsung Stories is open for submissions from January 29 to February 26.

Speculative fiction. That means anything not mundane: fantasy; science fiction; horror; weird fiction; magical realism; etc. Complete novels of 40K + words to be considered for print publication.

We are also interested in exploring the potential of shorter fictions that challenge the definition of the traditional novel; sets of novellas or novelettes, interlinked short fictions and the like.

Full details at the link. This is the publisher of The Arrival of Missives, the novella by Aliya Whiteley.

(17) CALL FOR PAPERS. The organisers of the (Un)Ethical Futures conference, held in Melbourne last December, invite contributions for a special themed issue of Colloquy: Text, Theory, Critique and an edited essay collection, provisionally titled (Un)Ethical Futures: Utopia, Dystopia and Science Fiction. — “CfP: (Un)Ethical Futures: Utopia, Dystopia and Science Fiction”

Deadline for submissions: 30 April 2018.

We are interested in submissions that explore the ethical dimensions of utopia, dystopia and science fiction (sf). This focus on ethics allows for a range of topics, including environmental ethics and climate change, human bioethics, animal ethics, the ethical use of technology, ethics of alterity and otherness, as well as related issues of social justice. We welcome submissions that bring these ethical considerations into dialogue with speculative fiction across different genres and modes, from sf about the near or distant future, to alternative histories about better or worse presents, to stories about utopian or dystopian societies. Possible areas of engagement include, but are not limited to:

  • Environmental ethics in speculative climate fiction (“cli-fi”)
  • The treatment or representation of animals, artificial intelligence, aliens or other posthuman or non-human entities in utopia, dystopia and sf
  • Utopian and dystopian dimensions of Indigenous literatures and traditions
  • Postcolonial and critical race theory studies of utopia, dystopia and sf
  • The ethics of alterity and ethical responses to otherness in speculative fiction
  • Politics, activism, social justice and ethics in sf and its fan communities
  • Bioethical issues in sf, including biopunk and cyberpunk subgenres
  • Feminist and queer theory engagement with utopia, dystopia and sf
  • Philosophy, ethics and the utopian impulse

Colloquy is an open access, peer-reviewed journal published by the Literary and Cultural Studies Graduate Research Program at Monash University. We publish scholarly work and creative writing from emerging and established researchers in literary and cultural studies, critical theory, continental philosophy, film and television studies, communications and media studies, and performance studies.

(18) CANNED ANYWAY. An investigation found that the “Worker Who Sent Hawaii False Alert Thought Missile Attack Was Imminent”:

A false ballistic missile alert in Hawaii was sent on Jan. 13 because an emergency worker believed there really was a missile threat, according to a preliminary investigation by the Federal Communications Commission.

The report finds that the false alert was not the result of a worker choosing the wrong alert by accident from a drop-down menu, but rather because the worker misunderstood a drill as a true emergency. The drill incorrectly included the language “This is not a drill.”

The top two civilian officials at Hawaii Emergency Management Agency announced their resignations Wednesday, Reuters reports, and the employee who issued the alert was fired. In addition, the agency’s military director told the wire service, a midlevel manager is being suspended.

(19) THE VERDICT. The BBC says “Black Panther reaction is in… and it’s good news”:

It’s not out until 13 February but reviewers got to see the film at its premiere on Monday night.

Here’s a taster of the reaction so far (and we’ll try to avoid any spoilers):

The LA Times’ Trevell Anderson described it as “a love letter about blackness”.

Freelance film writer Rebecca Theodore-Vachon said Black Panther “was everything I wanted and more”.

Fandango’s managing editor, Erik Davis, agreed.

(20) ALMOST BLACK PANTHER. Wesley Snipes started out as a dancer and fully intended to play Black Panther wearing nothing but a leotard. Maybe with some little cat ears on it. The project was never made: “Wesley Snipes Reveals Untold Story Behind His ‘Black Panther’ Film” in The Hollywood Reporter.

“I think Black Panther spoke to me because he was noble, and he was the antithesis of the stereotypes presented and portrayed about Africans, African history and the great kingdoms of Africa,” Snipes tells THR. “It had cultural significance, social significance. It was something that the black community and the white community hadn’t seen before.”

Created in 1966 by Stan Lee and Jack Kirby, Black Panther was revolutionary as the first African superhero in mainstream comics. The king and kick-butt protector of Wakanda had it all: brawn, brains, wealth and advanced technologies.

Snipes was hooked in an instant when he and his then manager, Doug Robertson, were approached by Marvel for the project. Feeling that Africa, save for the unique animal population, was too commonly shown in film as a depressing, desolate land, Snipes yearned to show its beauty and lush history.

…Recalling the costume idea leaves Snipes in hysterics.

“Actually, I figured it would be a leotard,” he says. “A leotard with maybe some little cat ears on it. I would have to be in shape and just be straight bodied up. I never imagined anything more than a leotard at the time, which I didn’t have a problem with because I started out as a dancer.”

(21) LEGOVERSARY. Lego celebrated its birthday is the most appropriate way —

Building toy giant Lego marked its 60th anniversary by constructing a 10-foot-tall version of a Lego brick from 133,000 smaller Lego bricks.

The company posted a time-lapse video to YouTube showing “Master Builders” at Lego’s U.S. headquarters in Enfield, Conn., using 133,000 Lego bricks to build a massive version of its classic “2×4” Lego brick.

The brick, which weighs 1,200 pounds, took about 350 hours to build, Lego said.

 

[Thanks to John King Tarpinian, Nancy Sauer, Cat Eldridge, JJ, ULTRAGOTHA, Standback, Martin Morse Wooster, Chip Hitchcock, Brian Z., Carl Slaughter, Francis Hamit, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Pixel Scroll 1/27/18 Vaster Than Pixels And More Scroll

(1) GOOD NEWS FOR A CLARION WEST STUDENT. George R.R. Martin is funding another scholarship at a writing workshop, as he explains in “Worldbuilding in Seattle”.

Every great story requires interesting characters, an engrossing plot, evocative prose, an important theme… but epic fantasy also requires a memorable setting. A “secondary universe,” as J.R.R. Tolkien termed it, a world both like and unlike our own, with its own rich history and geography and customs, its own beauties and terrors….

These days, the world is more need of wonder than ever before. To that end, I am pleased to announce that I am sponsoring a new annual scholarship at the Clarion West Writers Workshop in Seattle. https://www.clarionwest.org/ An intensive six-week course for aspiring authors of science fiction and fantasy, Clarion West is one of the longest-running and most successful workshops in the world. Its instructors and graduates make up an honor roll of the best and the brightest in science fiction and fantasy. This summer the instructors will be Daniel Abraham, Ken MacLeod, Karen Lord, Yoon Ha Lee, Karen Joy Fowler, and Ellen Datlow. The deadline for applying is March 1.

Our new WORLDBUILDER SCHOLARSHIP will cover tuition, fees, and lodging for one student each year. The award will not be limited by age, race, sex, religion, skin color, place of origin, or field of study. The winner will be selected each year in a blind judging to an applicant who demonstrates both financial need and a talent for worldbuilding and the creation of secondary universes. For further details, query Clarion West at [email protected]

(2) DWINDLING. Larque Press has compiled the “2017 Total Paid Distribution” statistics from the publisher’s statement of ownership for Asimov’s, Analog, and F&SF, among others. Print circulation diminished slightly over the past year, except for F&SF. See the numbers at the link.

Dell and F&SF sell far more issues via subscriptions than newsstands. For the most part, combining the two gives you the total paid circulation. However, it’s important to note these numbers don’t include digital sales, which are likely on the rise. Below is the “total paid distribution” from Jan/Feb 2017 and 2018 of the print editions…

…Except for F&SF, the year-over-year numbers show declines of ~500–1000. Is this due to thicker, less frequent issues, general magazine publishing trends, distribution challenges, or something else?

(3) EVERMORE. If you want to see a fantastic sculpture being created for Evermore Park in Utah, click this Facebook link:

Here’s Cory Clawson sculpting while our shop dog, Woody, supervises. Have a little sneak peek at some of the talent behind Evermore’s Creative Studio.

(4) ADD TWO. John Picacio says Christopher Brown has contributed two Worldcon memberships for Mexicanx creators/fans.

UPDATE!!! VERY GOOD NEWS: Our sponsorship team is GROWING. John and I are now officially joined by ace photographer Ctein (hooray for you, man!!) who is sponsoring two more Worldcon memberships for Mexicanx. We are also now joined by Ty Franck — one-half of the James S.A. Corey writing juggernaut. He’s sponsoring one Worldcon membership for a deserving Mexicanx. Right on, Ty!! And this just in — Christopher Brown, author of TROPIC OF KANSAS, is sponsoring two more Mexicanx for attending Worldcon memberships. Too good. And this crazy train is going to keep rolling because I’m confirming more sponsorships right now, to be announced soon. This has become A THING. ‘Keep you posted.

(5) EUROCON UPDATE. The committee for Eurocon Nemo 2018, to be held in Amiens, France, has had to arrange another meeting place in the city after finding its planned facilities aren’t ready. The committee has updated its website to show the new location, and posted an explanation on Facebook. The con takes place July 19-22.

Hello everyone
It was a real commotion for the Nemo 2018 team for the past ten days. So, we had to play radio silence. We must apologise.
Indeed, last week, the news suddenly fell that, finally, because of various delays on the building site, we could not have the visa of the committee of security to organize as planned the convention on the site of the Citadel.
It was therefore urgent to find a plan B. It is now done, thanks to the University of Amiens, and in particular to its cultural service and library. Thanks to Anne-Sophie, Justin and Jennifer.
The Convention will take place as planned, with an unchanged program, but it will be at the Pôle Universitaire Cathedral, in the center of Amiens, at the foot of the cathedral, in the middle of a lively district, filled with restaurants, cafes , with exhibition halls, meeting rooms, amphitheatres, a cafeteria, theaters and cinemas all around!
And as a bonus, we will still have the right to visit the site Citadel, to admire the architectural creation of the cabinet Renzo Piano.
Finally, here is a setback that results in even more facilities and animations …

(6) FROM MOLTEN GLASS. “One Meredith goblet coming up,” says Hampus.

https://twitter.com/PhysicsVideo/status/954351449676292096

(7) PETER S. BEAGLE ON LE GUIN. SFWA’s newest Grandmaster says farewell to another: “In memoriam, Ursula K. LeGuin” at Support Peter S. Beagle.

…I didn’t know her well. She lived in Portland, and I’ve been all over northern California in the last half-century, with six years out for the Seattle area. We hadn’t yet met when I followed her by a week into the Clarion West workshop (1972, was it?), to be greeted by a note saying, “Welcome, Unicorn! Make the little kobolds work their tails off!) Mostly we ran into each other at various conventions, grabbing coffee where we could. I do like to recall a serious conversation, initiated by me in increasing alarm at having become known more and more, in the intervening years, as the Unicorn Guy. Meanwhile, Ursula’s recently-published Earthsea novels had, as far as I was concerned, put paid to dragons as literary figures: I felt – and still feel – that dragons should be off-limits to all other writers, no matter how gifted or inventive they might be. But I was younger then, and had the chutzpah to offer to trade my unicorns even-up for her dragons. “Unicorns are really easy to housebreak. They always ask to go outside.” I remember that I was even willing to throw in a utility infielder, if she insisted.

Ursula’s response: “Do you know how impossible it is to keep dragons off the curtains? And they’re absolute hell on carpets!” We never did make the deal, but not for my lack of trying. As I say, I was younger then….

(8) MORE ON LE GUIN.

A few years later, I entered an MFA program populated by folks whose idea of engaging with speculative fiction was trying to comprehend Harry Potter. I was also newly married, and my husband had six or seven of Le Guin’s books. Discouraged, again, about writing science fiction and fantasy, I started reading The Left Hand of Darkness, which shattered what I thought a science fiction novel could be, how gender could be portrayed, how an invented world could shape my worldview. More importantly, it changed how I encountered gender on a daily basis—one of the most empathy-producing moments in my life to date. As I closed the covers and promptly fell into a book hangover, I couldn’t understand why none of my professors had taught Le Guin or pushed one of her books into my hands. Yes, folks had suggested her, but one book deep into her work, and I’d found a complex thinker, writer, reader, teacher all rolled into one.

The Golden Age of Science Fiction is usually reckoned to have been the Campbell Era at ASTOUNDING, and its Big Three were Heinlein, Asimov, and Van Vogt. Yet as important as that era was, for me the true Golden Age will always be the late 60s and early 70s, when the Big Three were Roger Zelazny, Samuel R. Delany, and Ursula K. Le Guin. We shall never see their like again.

(9) PLAUDITS. Book View Café proudly reports Le Guin’s  No Time to Spare Is Finalist for Essay Prize”.

Ursula K. Le Guin’s 2017 collection of essays, No Time to Spare: Thinking About What Matters, is one of the five finalists for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay.

This prize, one of the PEN America Literary Awards, is “[f]or a book of essays published in 2017 that exemplifies the dignity and esteem that the essay form imparts to literature.”

Many of the essays in this collection began as blog posts, some of which were published here on the Book View Cafe blog.

Winners will be announced at a February 20 ceremony in New York.

(10) HONOR ROLL. Steven H Silver’s “2017 In Memoriam” list is posted at Amazing Stories.

(Editor’s Note: Every year, Steven H Silver compiles the obituaries of those we have lost.  This information is published in various locales and is incorporated into the honor roll displayed during the Hugo Awards presentations.

It’s an unenviable task, though a necessary one.  Our community and our genres are built upon a foundation of people and it is fitting that we remember them.)

(11) IHINGER OBIT. Minneapolis fan Rob Ihinger (1955-2018) died of leukemia on January 27 his wife, Peg Kerr, announced at CaringBridge (more medical details at the link).

We waited for his mother and other family members who flew in from around the country, and family and friends gathered in his ICU room, sharing laughter, telling stories, and giving Rob his last tastes of Coca Cola Classic and ice cream. Rob was able to recognize and greet with pleasure the visitors who came to say goodbye. Then around midnight, we withdrew the tubes and monitors and simply stopped the medication which was keeping his blood pressure stable. Shortly thereafter, Rob slipped into sleep.

My beloved husband Rob Ihinger passed away peacefully this morning at 9:15 a.m. in the presence of his family.

(12) WALKER OBIT. Cartoonist Mort Walker (1923-2018), creator of Beetle Bailey and other strips, died January 27.

The character that was to become Beetle Bailey made his debut as Spider in Walker’s cartoons published by the Saturday Evening Post in the late 1940s. Walker changed Spider’s name and launched “Beetle Bailey” as a college humor strip in 1950.

At first the strip failed to attract readers and King Features Syndicate considered dropping it after just six months, Walker said in a 2000 interview with The Associated Press. The syndicate suggested Beetle join the Army after the start of the Korean War, Walker said.

“I was kind of against it because after World War II, Bill Mauldin and Sad Sack were fading away,” he said. But his misgivings were overcome and Beetle “enlisted” in 1951.

Walker attributed the success of the strip to Beetle’s indolence and reluctance to follow authority.

(13) COMICS SECTION.

  • John King Tarpinian found the Star Wars translation for a contemporary faux pas in Off the Mark.
  • Will R. enjoyed the Laugh out Loud Cats sending up the title of a popular movie.

(14) A PORG TWEETS. David Gerrold knows how he feels….

(15) STOKERCON 2018 NEWS. At the StokerCon 2018 Website you can find the complete program for The Second Annual Ann Radcliffe Academic Conference

The Ann Radcliffe Academic Conference is part of the Horror Writers Association’s Outreach Program. Membership to the Horror Writers Association is not required to submit or present, however registration to StokerCon 2018 is required to present.

And the full program for Librarians’ Day

Join Stoker Con for a special day-long program of panels and presentations for librarians! Becky Spratford, author of The Readers’ Advisory Guide to Horror, 2nd edition (ALA, Editions) and horror reviewer for Booklist and IndiePicks Magazine and Kristi Chadwick, Consultant, Massachusetts Library System and Library Journal’s Science Fiction Fantasy and Horror columnist are coordinating the event.

(16) GRAMMAR POSSE. The latest Horror Writers Association newsletter includes Anthony Ambrogio’s feature, “The Grumpy Grammarian: Ms. Speaking Speaks about Misspeaking (and Gives Me a Chance to Wax Pedantic)”.

Poet and HWA Proofer Supreme Marge Simon offered a couple of additions to those frequently misspoken phrases I talked about in my January column. I hope I do justice to her comments here.

“Hope your cold is better now.”

Marge writes, “Everyone says it that way, but, in truth, if your cold is better, then it is doing well—flourishing—and you are not! … So, to be correct, one should say, ‘I hope your cold has gone away/is over/has let up, etc., and you are feeling better now.’” However, she concedes, “That one is beyond reasonable criticism.” Doesn’t hurt to point it out, though.

(17) MONTH OF JOY. Where have I been? I just found out about the Skiify and Fanty “Month of Joy.” The latest installment is “Cooking and a Recipe by Cora Buhlert”. Learn how to make “Grandma Buhlert’s Herring Salad.”

During the trashfire of a year that was 2017, I’ve found that no matter how upset I am, sitting down in the kitchen to prepare a meal inevitably makes me feel better. To me, there is something incredibly soothing about assembling ingredients and spices, chopping vegetables, meat or fish and finally stirring the pot or pan, waiting for it all to come together.

So what sort of food do I make? For starters – and I know that may surprise some – very little traditional German food. German cuisine is too greasy and too meat and salt heavy for my tastes. And here in North Germany, traditional food quite often means “throw everything into a big pot and boil it, until it turns to mush”. There are some German dishes I like and make on occasion – herring salad, North Sea shrimp salad, pea soup, venison stew with red cabbage, sailor’s curry (which is a North German take on South/South East Asian food), apple puree, several cakes and cookies. And I suspect I could make most of the traditional dishes of my region, if necessary.

(18) THE LID IS OFF. Civilization-wide mind control is here!  Bloomberg video: “Tristan Harris Says Tech Companies Have Opened Pandora’s Box”. Tristan Harris, former Google design ethicist, discusses changing Silicon Valley’s culture and the fight against online extremism with Bloomberg’s Emily Chang on “Bloomberg Technology.” Says Harris:

[These social media companies] have unleashed this civilization-scale mind-control machine, and they don’t even know what thoughts it’s pushing into 2 billion people’s minds…. Two billion people use Facebook; that’s more than the number of followers of Christianity. One-point-five billion people use YouTube; that’s more than the number of followers of Islam. These products have that much daily influence over people’s thoughts.

(19) DOWN THE TUBES. The Mother Nature Network asks “Is this housing solution just a pipe dream?”

As Hong Kong continues to grapple with an affordable housing crisis of epic proportions, no potential solution, no matter how unconventional or quixotic, is overlooked. And this includes single-occupancy dwellings fashioned out of concrete water pipes.

 

(20) SHARP GUESSES. Author of the bestselling Outlander time-travel novels Diana Gabaldon says: “Note that this is NOT a confirmation–but it’s a pretty good bit of speculation.” — “Outlander Seasons 5 and 6 Are Almost Definitely Happening”.

”There are ten books, and we are having very productive conversations about the future of the show.

“We have joined the legions of fans of Outlander around the world. Our biggest concern is making sure that we don’t kill Caitriona [Balfe] and Sam [Heughan] along the way,” [Starz CEO Chris] Albrecht [said], noting how incredibly hard both stars work on the show.'”

(21) POTTERDIVERSE. Emeraldbirdcollector authored a delightful short fanfic on what would have happened “If Harry had gotten a less conventional, but more loving adoptive family”

Dear Minerva,

Thank you so much for your kind letter of the 17th. It is always a pleasure to hear from you. I do appreciate your waiving the rules about familiars to allow Wednesday to bring little Homer – she dotes on that spider, and I don’t think she could consider Hogwarts home without his company.

We were delighted but completely unsurprised by the children’s Sorting. Of course Wednesday is a Ravenclaw – she has always had a brilliant mind, and it is rather traditional for the women in our family….

(22) TIME PASSAGES. In 1963, Galactic Journey has received the very latest issue of New Worlds: “[February. 03, 1963] The Freeze Continues (New Worlds, February 1963)”

I Like It Here, by Mr. James White

This month’s guest editorial is from a New Worlds regular, who I know you will recognise in the US for his Sector General stories. With characteristic humour he adeptly summarises the contradiction in the current argument in s-f, between writers who don’t care what they write (as long as it sells) and writers who do not produce the sort of s-f that readers want. In typically droll manner, the many trials and tribulations of the modern writer is recognised in this editorial, determined to amuse. For a slightly less amusing consequence of this we also have Mr. John Carnell’s ‘View from the Hill’ at the end of this issue, of which more later….

(23) ARISTOTLE. Always three movements ahead!

https://twitter.com/ScribesShade/status/957213750704054272

Novice jughead?

(24) A POSITED FUTURE. Via the Welcome to you’re “DOOM!”  site.

https://welcometoyouredoom.tumblr.com/post/160735741191

(25) STAND BY TO FIRE HEADCANON. Scott Lynch fills in some missing pieces of Star Wars. Jump on the thread here —

[Thanks to Dave Doering, JJ, John King Tarpinian, Carl Slaughter, Cat Eldridge, Laura Resnick, Martin Morse Wooster, Will R., Lenore Jones, James Davis Nicoll, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/6/17 Surely You’re Scrolling, Mr. Fileman

(1) ANOTHER MASTERPIECE OF CONRUNNING. Mothership says Akiba Town, held this weekend in Singapore and which markets itself as a “Japanese culture event bringing in official anime merchandise along with fan artists and guest cosplayers” — was a mess: “S’pore-organised cosplay event riddled with multiple problems, slammed by cosplay community”. It changed venues a week before the event, allowed stolen artwork to be sold as official merchandise, oversold vendor space, and the list goes on….

https://twitter.com/cattnib/status/893351180402794496

(2) A STELLAR GATHERING IN SCANDINAVIA. Sff authors and editors outside The English Bookshop, Uppsala, Sweden:

Front: Teresa Nielsen Hayden, Amal el-Mohtar, Likhain, Ann Leckie, Jo Walton, Fran Wilde, Vivian Shaw, Arkady Martine (Dr. AnnaLinden Weller), Patrick Nielsen Hayden.

Back: Amanda Downum, Max Gladstone, Ada Palmer, Elizabeth Bear, Scott Lynch.

(3) CANADA’S BIRTHDAY PARTY BUGS SOME PEOPLE. It’s one thing to have bats in your belfry – quite another to have a giant spider: “Ottawa archbishop surprised by negative reaction to robotic spider on cathedral”.

The spider, named Kumo, is one of two giant robots created by a street theater company of artists, technicians and performers based in Nantes, France. The company, La Machine, was in Ottawa July 27-30 as part of celebrations marking Canada’s 150th birthday.

The spectacle of robots, music and other special effects drew tens of thousands to Ottawa’s downtown.

The show opened July 27 in the evening, with Kumo “waking up” to organ music from inside the cathedral. As the spider, suspended from cranes, climbed off its perch between the towers, “snow” fell from above as part of the event’s special effects.

“I don’t understand how allowing a mechanical spider to stand on the cathedral is anything but disturbing, disappointing and even shameful,” wrote Diane Bartlett on the archbishop’s Facebook wall.

…Archbishop Terrence Prendergast said he was surprised by the negative reaction to an artistic initiative after critics called the spider’s placement “sacrilegious,” “demonic,” and “disrespectful” of a sacred space.

“My cathedral staff and I anticipated that some … might object, but thought it would be minimal, as nothing demeaning was intended in the spider being near the church,” said the archbishop in an email interview with Canadian Catholic News.

“I regret that we had not sufficiently understood that others would see this event so differently. I say to those who were shocked that I understand that this would have been upsetting for them and that I regret that a well-intentioned effort to cooperate in a celebration was anything but that for them.”

https://twitter.com/CathRoboSpider/status/892824056160026625

(4) MY NAME IS…JACK. A nine-year-old “guardian of the galaxy” has applied to NASA for the Planetary Protection Officer job which was discussed here the other day.

(5) SUMMERTIME. At Galactic Journey, The Traveler says a Fritz Leiber story is the saving grace in a stinker issue of IF — “[August 6, 1962] Bookkends (September 1962 IF Worlds of Science Fiction)”.

So in this languorous time, about the only consistent pasttime I can enjoy, aside from my records, is the ever-growing pile of stf (scientifiction, natch) magazines.  One of the ones I look forward to is IF, which, if it is not always stellar, usually has a few items of interest.  This month, the September 1962 issue has a lot of lousy stories, and editor Pohl cunningly placed the best one in front so as to dull the impact of the sub-par stuff that follows.  But the last tale is a fine reprise of the first, quality-wise.  See if you agree:

A famous author and actor, Leiber’s works often approach sublimity.  This is one of them, combining both beautiful prose and cutting edge science fiction….

(6) A TO Z. When yesterday’s Scroll said a website had picked an sf author for every letter of the alphabet – all male — Karl-Johan Norén immediately set about balancing the books with his own alphabetical list of 26 influential sf authors – all women:

A Eleanor Arnason

B Leigh Brackett

C C. J. Cherryh

D Pamela Dean

E Carol Emshwiller

F C.S. Friedman

G Mary Gentle

H Nalo Hopkinson

I Jean Ingelow

J Shirley Jackson

K Katharine Kerr

L Megan Lindholm

M Judith Merrill

N Andre Norton

O Octavia Butler

P Meredith Ann Pierce

Q Chelsea Quinn Yarbro

R Joanna Russ

S Mary Shelley

T James Tiptree, jr.

U Ursula K Le Guin

V Joan Vinge

W Kate Wilhelm

X Xia Jia

Y Jane Yolen

Z Marion Zimmer Bradley

(7) DISABLED HAVE GRIEVANCE WITH A LONDON COMICON. The Guardian reports “Young adult literature convention under fire over disabled facilities”.

Authors who appeared at the YALC young adult literature convention over the weekend, including Alex Wheatle and Joanne Harris, have spoken out about what they feel was a lack of disabled facilities at the event. Their complaints centre on the sequestering of one of two disabled toilets for the use of celebrities attending the associated Comicon festival on a lower floor.

Organisers of the event, tied to the London Film and Comic Convention (Comicon) at Olympia in London, were accused by one visitor of “ablism” after wheelchair users ended up squeezing into busy lifts and negotiating crowds to reach accessible toilets on the Comicon floor.

Actor and playwright Athena Stevens, who has cerebral palsy, described organiser Showmasters’ decision to rope off one of the facilities for famous figures attending Comicon – including Benedict Cumberbatch – as “ablist”….

Disabled charity Scope said that defining “reasonable” provision of toilet facilities was a grey area under the Disability Discrimination Act, but it did seem that Showmasters had shown a disregard for their disabled attendees over access to them.

Showmasters, however, denied claims that accessible facilities were unavailable on the same floor as the literary festival, which attracted 40,000 visitors, but acknowledged problems on Saturday. “There were two disabled toilets on that floor, and one was behind the green room wall,” he said. Overcrowding at lunchtime on Saturday had meant that wheelchair users were forced to use facilities on another floor, a spokesman conceded, but not for the whole weekend. Showrunners will consult disabled people to ensure there was no repetition of the problem, he added.

(8) TODAY IN HISTORY

  • August 6, 1996 A Game of Thrones by George R.R. Martin is released.
  • August 6, 2003 — Asteroids renamed to honor final Shuttle Columbia crew

(9) TODAY’S BIRTHDAY BOYS

  • Born August 6, 1934 — Piers Anthony
  • Born August 6, 1970 – Filmmaker M. Night Shyamalan

(10) OH, SWEET SUMMER CHILD. Where’s the prestige in writing cheap books? The Guardian listens as “Philip Pullman leads writers condemning ‘pernicious’ book discounts”.

With more than two months to go before Philip Pullman’s long-awaited new novel from the world of His Dark Materials is published, pre-orders have sent La Belle Sauvage flying up bestseller lists. But with booksellers already slashing the cover price in half, the award-winning author has spoken out about how cheap books devalue the experience of reading, and called for an end to the “pernicious” doctrine of “market fundamentalism” if literary culture is to survive.

Pullman is president of the Society of Authors, which is launching a campaign for publishers to stop damaging authors’ earnings by discounting bulk sales to book clubs and supermarkets, and has slammed the cut-price culture in his trade.

“I don’t like it when I see my books sold cheaply,” Pullman said. “But I’d like to think I’m speaking on behalf of all authors who are caught in this trap. It’s easy to think that readers gain a great deal by being able to buy books cheaply. But if a price is unrealistically cheap, it can damage the author’s reputation (or brand, as we say now), and lead to the impression that books are a cheap commodity and reading is an experience that’s not worth very much.”

(11) A MISS IS AS GOOD AS A MILE. “That’s one small step for Tallinn…”: driverless bus service gets through first three days with “no major incidents”: “‘No major incidents’ as driverless buses launch in Estonia”

A pair of vehicles are operating on a route through the city as part of the Baltic state’s presidency of the European Union, and have so far managed not to collide with any other road users, national broadcaster ERR reports.

But there have been a number of near misses since the launch on Saturday, ERR says. An eyewitness reports that one of the buses failed to give way to a police car with its lights flashing on Monday; while an ERR photographer saw a bus ignore a red light at a pedestrian crossing, ploughing on regardless of the “surprise” it had provoked.

Despite no-one driving, local traffic law means that there still has to be a responsible person on board, meaning that all passengers are greeted by a host. They’ve been tasked with explaining the technology to passengers new to the world of autonomous vehicles, ERR says.

(12) AVOID BEING A STARVING ARTIST. Brad R. Torgersen’s seven items of writing advice in “Random crumbly bits of author stuff” end with —

7) So don’t quit your damned day job. Seriously. Do. Not. Quit. Your. Day. Job. It sucks trying to write full-time and work full-time. It sucks more not paying bills and being forced out of your house or your apartment. It sucks even more depending on the good will of your relatives, or your church, or government programs. If I had $10 for every embarrassed pauper author who proudly proclaimed, “I am a full-time writer, so fuck you,” and then (s)he went back to begging for lunch money, I wouldn’t have to work anymore. Starving artistry is not a holy calling. Really, it’s not. I know I am gonna get burned at the stake for saying it. But seriously, do not check out of the “mundane” work force. Not unless you’ve got a metric ton of dough in the bank, or you’ve got a spouse who eagerly volunteers to carry the mundane load — while you labor at the desk in the attic. But if you’ve got responsibilities to meet, and mouths to feed, please, meet them and feed them. As Steven Barnes said at Norwescon ’07, suffering for your art may be noble, but making your family suffer for your art, just means you’re an asshole.

(13) INHUMANS. In this“Marvel’s Inhumans” clip, Maximus and Medusa face off.

(14) YOUTUBE ARCHEOLOGY. Today I discovered there’s a whole subgenre of YouTube videos which take the musical intros to famous TV series and swap in visuals from Star Trek. I admire the effort, although they’re rarely funny. I found this one from 2008 to be somewhat amusing — it starts with the advantage that the original A-Team intro included a lot of self-referential humor.

[Thanks to Hampus Eckerman. John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Steven Brust’s Fourth Street Fantasy Remarks Generate Heat

Steve Brust opened last weekend’s Fourth Street Fantasy convention in Minneapolis with a short speech that used the term “safe space” to make an impact – and succeeded, for better or worse. He upset a number of hearers and ignited a controversy that has played out on Facebook and several blogs in the past two days.

Steven Brust posted his text: “My opening remarks at Fourth Street Fantasy Convention”

Fourth Street Fantasy Convention is not a safe space. On the contrary, it is a very unsafe space. Of course, it ought to be safe in the sense of everyone feeling physically safe, and in the sense that there should be no unwanted harassment, and it should be free of personal attacks of any kind. But other than that, it is not safe.

Your beliefs about writing, and my beliefs about writing, and what is good, and how to make it good, should be sufficiently challenged to make us uncomfortable.

The interaction of art and politics is getting more and more in our faces. Whether this is good or bad is beside the point (although I think it’s good); it reflects changing social conditions, intensification of conflicts. Anyone who thinks art is independent of social conditions is as hopelessly muddled as someone who thinks there is a direct, simplistic 1:1 correspondence between them.

The result of this is that political understanding, unexamined assumptions, agendas, are very much present in the art we create and thus in the discussions of that art.

If no one feels unsafe, or unthreatened during these discussions, we’re doing them wrong. The same is true in discussing technique, because technique, content, form, attitude toward the creation and role of art, and understanding of society, are all interconnected, and in challenging one, we are liable to find ourselves challenging another….

Scott Lynch delivered the Fourth Street Fantasy board’s closing statement, which was perceived to be, in part, a response to Brust:

We, the board of the 4th Street Fantasy Convention exist to facilitate energetic and even challenging conversation. We want to provide spaces to do so, in both a moderated and unmoderated fashion. At 4th Street, the conversation is intended to spread from our shared spaces to more private spaces where attendees may consent to discuss, discourse, blather or argue about anything on any terms they desire.

We do not prescribe a mindset or an approach for attending 4th Street. We do not demand that anyone be made to endure anything against their will. We want to provide a space in which everyone feels welcome, and everyone respects the welcome we desire to extend. What we do here can be hard, it can be frightening, it can be exhausting. We want to support you in doing it. We want you to know that we take your needs, your comfort, and your sense of safety very seriously. As a friend of the convention said this weekend, “It is difficult to be bold in front of strangers when you don’t feel fundamentally welcome.” We are here to listen to you, we are here to have your backs, and we are doing our damnedest to kindle that fundamental sense of welcome, to sustain it, and to make it grow, in this year and every year to come.

Lydy Nickerson articulated her negative response to Brust’s opening speech in “The Rules: A Memo for Every Man in My Life”. (Click to see the complete post. There are substantial comments there, too.)

At Fourth Street Fantasy Convention, this year, Steven Brust, from the dais, delivered a speech about safety and free speech that made me so angry I had to leave the room. Since then, various people have talked about the issues of safety, harassment, and free speech, often as a response to that situation, but sometimes as a continuation of other conversations. I have some very specific issues with the things Steven said, but I don’t want to write about them at this moment. Instead, I want to address something that comes up over and over in these conversations, and always from men. “What are the rules?” “How can I know how to behave if you won’t clarify what you want?”

Dear men, please do not ask me to provide to you something that I have never had. I cannot provide you the rules. I do not know what they are, and I never have. I have spent my entire life, my personal, professional, educational, social, and romantic life, navigating the complexities of human interaction without rules. There has never been a point at which my exact decibel level was approved, the exact number of square inches of skin I can expose has been acceptable, a precise hairstyle I could wear that would clearly communicate who and what I was. I have spent my entire life being judged by a set of shifting rules.

I have spent my entire life being lied to about what those rules were. If I talk too softly, no one listens, but if I speak more loudly, I am bitchy and dismissed. If I am clear and logical, I am mocked for inadequately mimicking maleness, but if I am emotional, I am mocked for being too feminine and not worth paying attention to. There is no level of dress that does not open me up to either being a prude or a slut.

The penalties for transgressing these ever-shifting “rules” vary. Sometimes, it’s just being unpersoned. Sometimes it is getting a bad job-performance review. Sometimes, it’s unwanted and uncomfortable conversations. Always, at the back of my mind, has been the knowledge that if I girl wrong at the wrong guy, I might be physically assaulted. And if that were to happen, my entire girl-ness would then be on trial. What was I wearing? What did I say? How did I say it? Was it my fault? Oh, yes, some percentage of the population will assert, it was totally my fault. Because I didn’t follow a rule that, you know, doesn’t actually apply all the time, isn’t written down, is entirely contextual, and nobody every told me in the first place.

Rules are a luxury that I have never had. The only way rules have ever applied to me is as a stick to beat me with. They are a shifting landscape of horror. I don’t know if all-male spaces have clear, comfortable rules that everybody knows and the penalties are clear. I rather doubt it, but I don’t know. What I do know is that to be a woman in this culture is to be constantly moving through a space where expectations are variable, and are rigidly enforced on a whim, and can dramatically affect my life.

When we talk about harassment, safety, and safe spaces, stop asking me for rules. You never gave me any, and so I have none to give you. All I can offer you is this shifting, difficult, dangerous, ambiguous space that I live in. If you want to be an ally, if, indeed, you want to be my friend, you must learn to inhabit this uncomfortable space with me. You must accept that there aren’t clear rules where you can know that you are right….

Will Shetterly defended Brust’s use of language: “Ideology makes you confuse the literal and the metaphorical–a bit about the 4th Street Kerfuffle”.

The people who’re upset by Steve’s talk are unable to see that his opening lines are metaphorical:

Fourth Street Fantasy Convention is not a safe space. On the contrary, it is a very unsafe space.

And they’re unable to see that his third line is literal:

Of course, it ought to be safe in the sense of everyone feeling physically safe, and in the sense that there should be no unwanted harassment, and it should be free of personal attacks of any kind.

If you think about his statement logically, there’s no reason to interpret the first two lines as saying he wants 4th Street to be a place that’s physically unsafe, and there’s every reason to think his third line means exactly what it says. But humans aren’t logical. To people who think of safe spaces as sacred spaces, any questioning of the idea is taboo. At least one of Steve’s critics insists they do understand metaphor. But if that’s true, why are they upset?

Steve Brust wrote a follow-up on his blog, the end of which reads:

Evidently I was wrong. And, while one can always blame the reader for failing to understand, when enough readers get it wrong, one begins to side-eye the writer.

So let me state clearly and for the record I do not support that kind of atmosphere, I do not want that kind of convention, and I deeply apologize for any pain or fear that was caused by anyone thinking I did mean that.  My fault, not yours.

ETA: It’s worth pointing out that it isn’t just a matter of reading, but that this was a speech, not presented as text, and a speech that, moreover, I deliberately opened with a shocker.  This makes more reasonable the number of people who went past the “physically safe” and “no harassment” parts.  Again, my bad.