Pixel Scroll 1/7/Year of the Goat *** (I’ll Never Be Your) Star Beast of Burden

(1) DECORATOR COLOR. A petition at Change.org to designate element 117 as “Octarine” — a name taken from Terry Pratchett’s Discworld books has received over 5,500 signatures at this writing. (Via Steven H Silver and Ansible Links.)

This petition is to name element 117, recently confirmed by the International Union of Applied Chemistry, as ‘Octarine’, with the proposed symbol Oc (pronounced ‘ook’), in honour of the late Terry Pratchett and his Discworld series of books….

Octarine, in the Discworld books, is known as ‘the colour of magic’, which forms the title of Pratchett’s first ever Discworld book. According to Disc mythology, octarine is visible only to wizards and cats, and is generally described as a sort of greenish-yellow purple colour, which seems perfect for what will probably be the final halogen in the periodic table. Octarine is also a particularly pleasing choice because, not only would it honour a world-famous and much-loved author, but it also has an ‘ine’ ending, consistent with the other elements in period 17.

(2) NTA TIME. Voting for Britain’s National Television Awards is open. In the Drama category, David Tennant’s non-sf series Broadchurch is up against Peter Capaldi’s Doctor Who, as well as Downton Abbey and Casualty.

Neither Peter Capaldi or Jenna Coleman is a finalist for best actor/actress, but Tennant is.

In New Drama, sf series Humans is a nominee. Game of Thrones is a nominee in the International category.

(3) WITCH WORLD. The Andre Norton Books site announced that the Estate has entered into a deal to turn the first two Witch World novels into a movie.

The following is a statement from The Producers as of 01/05/16.

The Producers of Andre Norton’s WITCH WORLD franchise are surprised, delighted and encouraged by the interest from Andre Norton fans. The Producers are happy to announce that they have developed a new Witch World script that they are very excited about, written by award-winning screenwriters Judith and Garfield Reeves-Stevens (Janissaries, Star Trek: Enterprise). This script forms the basis of the first movie in a new film trilogy based on the classic Witch World book series by Andre. The Producers’ primary goal in working closely with the Andre Norton Estate, is to ensure that the spirit of Andre Norton is retained in its full integrity within a new, contemporary vision of a classic epic story. The process towards creating a motion picture franchise is lengthy and, in keeping with the Producers’ desire to honor Andre’s creation properly, it will be some time before a release date is announced. Nevertheless, the Producers will keep fans updated on new developments. The Andre Norton Estate thanks Andre’s fans for their incredibly positive response and is in close consultation with the Producers to ensure that Witch World will come to the big screen soon.

(4) HOW WRITERS GET PAID, PART 57. “How novelists are monetizing their short fiction through Patreon” at Medium.

If this model becomes more widespread, then it could significantly alter the cost-benefit analysis that any author applies to writing short fiction. Kameron Hurley, a speculative fiction writer who has published five novels and won two Hugo awards, is constantly inundated with requests from her fans for new short stories. “There is no money in short fiction,” she told me in a phone interview. “You’ll spend 30 or 40 hours on a short story, and you’ll get paid $200. It’s just not worth your while. People would ask me, ‘Hey Kameron, why don’t you write more short fiction?’ Well, short stories were a nice way to get my name out there in the early 2000s, but then I realized I’m getting $200 for an incredible amount of work. I started doing a lot of copywriting work, and I charge $90 an hour for copywriting. If you look at the costs and benefits, you realize writing short stories doesn’t have any financial benefit and it doesn’t make sense.”

So when Hurley launched her Patreon page in 2015, she had one goal: “My bare minimum was $500,” she said. “If I could get that much for a story, and if I could resell it as a reprint or as an original to the short fiction markets, you’re starting to make something that resembles a fair wage.”

(5) KEEP YOUR FUNNY SCIDE UP. At Amazing Stories, David Kilman completes “Scide Splitters’” look at humorous stories eligible for the 1941 Retro Hugos with the third of three installments. He provides short reviews of 23 stories (beware spoilers!) and, at the end, lists what he feels are the top contenders for a Retro Hugo.

(6) TODAY IN HISTORY

  • January 7, 1934Flash Gordon debuts as a Sunday page. Alex Raymond is the initial writer and artist. Within the years that follow Don Moore will assist in the writing chores. Jim Keefe, who was the comic’s writer/artist for years, has a great blog post with lots of art.

(7) YESTERDAY’S BIRTHDAY BOY. Is File 770 in bad odor for overlooking Pepe Le Pew’s cartoon debut on January 6, 1945?

(8) BESTSELLING ROOKIE. Seth Breidbart’s “Ludicrous fact of the year (non-politics division)”: John Sandford is eligible for the John W. Campbell Award for Best New Writer.

(9) MANETTI RECOMMENDED. Sue Granquist has Goth Chick News Reviews: The Box Jumper by Stoker Award Winner Lisa Mannetti, a lively entry at Black Gate.

‘Magic’ is the operative word for this moody novella. The magic of Harry Houdini serves as an overriding backdrop here, but another kind of magic permeates these pages — the magic of fine writing. Don’t expect the usual linear plot, because there is no direct narrative. Vivid dreams, surreal images, hypnotic memories, all serve to flesh out an unsettling tale that sweeps us into a new fictional dimension. — William F. Nolan, author of Logan’s Run

If those words from one of my favorite authors weren’t reason enough for me to immediately seek out The Box Jumper, then the prospect of Harry Houdini and Sir Arthur Conan Doyle together again in the golden age of 1920’s séances would certainly have done the trick.

I am surprised I didn’t hurt myself in the dash.

In her latest, engagingly disturbing novella, Bram Stoker Award Winner Lisa Mannetti transports us to the post-WW I-era where Spiritualism was one of the fastest growing religions, and tricksters knew no bounds when it came to roping in the willing, the gullible and the curious.

(10) PAT HARRINGTON OBIT. Best known as One Day at a Time’s lecherous Schneider, Pat Harrington, Jr., who died January 6, also had some genre roles.

He appeared in three episodes of The Man from U.N.C.L.E. (once as his stand-up comedy character, faux Italian immigrant Guido Panzini), and in episodes of Captain Nice, Kolchak: The Night Stalker, The Invisible Man, and The Ray Bradbury TV Theatre. He was in demand as a voice actor on Saturday morning cartoons like Journey to the Center of the Earth, and Aquaman.

He also played the narrator in the last production of Ray Bradbury’s stage play Falling Upward. Harrington was 86.

(11) SHANNARA. MTV has already aired four episodes of The Shannara Chronicles, based on the fantasy novels by Terry Brooks. I’m a wee bit behind in posting the trailer….

Coming to MTV in January 2016, ‘The Shannara Chronicles’ is a new TV series based on the best-selling fantasy novels by Terry Brooks. Set thousands of years after the destruction of our civilization, the story follows an Elven Princess, Amberle, a half-human half-elf, Wil, and a human, Eretria, as they embark on a quest to stop a Demon army from destroying the Four Lands. ‘The Shannara Chronicles’ stars Poppy Drayton, Austin Butler, Ivana Baquero, Manu Bennett and John Rhys-Davies. The series is executive produced by Jon Favreau, Al Gough, Miles Millar, Dan Farah, Jonathan Liebesman and author Terry Brooks.

 

(12) BUT THIS IS NEWS. NBC has ordered a pilot for Powerless, the first comedy from DC Entertainment according to The Hollywood Reporter.

The single-camera entry is set in the DC Comics universe that’s full of superheroes, villains and people just like us. It’s described as an office comedy about the exceedingly average employees at an insurance company and their quest to find their own power. Like all DC fare, it hails from Warner Bros. Television and will be written by Ben Queen (A to Z), with Michael Patrick Jann set to exec produce and direct the pilot.

As described by File 770 last October, the focus of the series is on the ordinary, “power-less” folk working at the insurance company who often envy the men and women outside their window who make headlines with their supernatural powers.

(13) SUMMER GLAU. Another Firefly reunion is in the works on Castle.

Summer Glau has signed on to guest-star opposite her onetime Serenity captain Nathan Fillion in a spring episode of the ABC drama, TVLine has learned exclusively.

(14) EXPISCATE! With a little imagination, the linked news video of LA trash bins being swept down the street by El Nino rainstorm looks like an invading robot army.

[Thanks to Will R., James H. Burns, Steven H Silver, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

The Power of Both

Two former Hillary Clinton staffers started Vote Both.com after the primaries, a site advocating a unity ticket of Clinton and Obama. Key backers of the “dream ticket” include Sen. Dianne Feinstein of California, Pennsylvania Gov. Ed Rendell and Sen. Charles Schumer of New York.

I mention this because Westercon begins this week in Las Vegas, one of the rare conventions that changes sites each year as voted by the members, and I’m reminded that somebody once had the bright idea that “Both” would be the perfect solution for a pair of Westercon bids. Let me tell you how well “Both” worked for us. Then you may consider yourselves warned.

From File 770 #35, August 1982:

Even on the morning of its last day, [the 1982] Westercon had not exhausted its bag of tricks. Prelude: When Portland and Phoenix announced their 1984 Westercon bids, fans noted they were not bidding for the same days – one would have started before July 4, the other after. Certain pundits, who shall remain namelex*, conceived a campaign for BOTH. Let them both win. Let them both put on a Westercon. Let’s go to both. Witty, computer-typed flyers advocated, “If you are a Phoenix local or a Portland local, this is a great opportunity to get more con for your money: You can attend the portion nearest you if you’re on a budget; You can attend both cons for little more than if you were going to the con farther away; LA locals can check on their cats on their way to the other con.”

After a weekend of people running about asking each other whether they voted for “Both,” the bidders agreed to count the ballots after Site Selection closed 7 PM Sunday, and not release the results until the next morning’s Business Meeting. Randy Rau (Phoenix), Craig Miller, Ben Yalow, Pam Davis (Portland) and Bryce Walden (Portland) were the counters. After the counting session, Rau, who was also chair of the ’82 Westercon and therefore custodian of the ballots, walked from the room down the fire stairs to the con level (the most efficient way of getting around, given the elevators). By the time he got to the bottom, somebody came up to him with a rumor that a bid had won by one vote.

Seeing as one of the bids had, indeed, won by one vote, Rau was infuriated. Other Phoenix fans, figuring they had lost by one vote, mobbed the Business Meeting Monday morning demanding to exercise their right to vote at the Business Meeting (which seemed unclearly provided for in the bylaws). Now it was the second year in a row that a breakdown in the site selection process forced the Business Meeting to get involved in who won. (The Los Angeles Science Fantasy Society Board of Directors is the last-resort custodian of Westercon, who had actually been forced to take a role in the ’81 meeting. Since many members of the Board were also bidding for this little thing called the Worldcon, the last thing they wanted was to have to arbitrate this emotional mess.)

“Bullets, not ballots,” suggested Seth Breidbart. After extended private huddling between the bidders and parliamentarian Fred Patten, a decision finally came forth. Rather than risk having to let the meeting vote whether to reopen balloting (which it easily would have done, considering the pack of irate Phoenix fen), Randy Rau announced that the Phoenix bid withdrew. Portland was proclaimed winner. Chairman of the meeting, Bruce Dane, revealed 374 votes were cast; now being rushed to the shredder. There was much applause. Westercon rules actually mandated the release of the voting info, but everybody pretended to forget that in the interests of peace. What had really happened? Milt Stevens’ analysis of the situation led him to believe that the “Both” bid had won. If Portland had won by one vote, the matter could have been resolved by merely sticking to the agreement that balloting was closed the night before. If Phoenix had won by one vote then they wouldn’t have had to pack the Business Meeting. They wouldn’t have had to withdraw their bid to resolve the crisis. (“Both” ceased to exist when one bidder folded.) Nor would there have been such haste to destroy the ballots.

As she was preparing to leave the con, Genny Dazzo loudly announced that she was going back to New York and start a Phoenix in ’84 Worldcon bid, to repay the “Both” bidders for their hubris.

[* A reference to Lex Nakashima, the alleged mastermind.]

The Moral of the Story: “Both” seemed a clever idea to just enough Westercon voters to make the election three times as controversial as it otherwise would have been, and to leave the winner just about as unhappy as the loser. The saving grace in 2008 is that party delegates are much less likely to try and force “Both” on unwilling candidates.