(0) My brother, his wife, and I unexpectedly spent the day binge-watching The Lincoln Lawyer on Netflix, so I am staying over another night. Therefore this will be a short-short Scroll assembled on his Mac tablet. Looks like I have figured out what I need to do despite the unfamiliar software. (He uses the Brave browser – tell me, does my text always look so bleached out to you?)
The exclusion of popular authors of Chinese descent led to speculation that the awards’ administrators had weeded out those whose political views might prove controversial in China. Those suspicions were confirmed recently, when emails leaked by Diane Lacey, a member of last year’s Hugo administration team, were published in a report by Chris M. Barkley, a science fiction fan and journalist, and Jason Sanford, a journalist and science fiction writer.
The email correspondence published in the report showed that Dave McCarty, one of the Hugo administrators, had advised other members to vet the finalists and “highlight anything of a sensitive political nature” in China, including works that focused “on China, Taiwan, Tibet or other topics that may be an issue in China.” Such works, he added, might not be safe to put on the ballot.
“This really just cut to the core of the awards,” Sanford said. “For a genre that believes so deeply in free speech to willingly take part in doing research on political issues of awards finalists, knowing that it’s going to be used to eliminate some of those finalists, it’s outrageous.”…
The Hill – Chris Barkley tells me, “The Hill is a conservative news site that’s KNOWN for its lightweight coverage on cultural issues. And here’s a prime example. I would not even bother posting this piece of fluff…” I disobeyed: “Neil Gaiman, Paul Weimer among writers excluded from Hugo Awards over fear of offending China”. (Besides, I’ll bet Paul likes the idea of being named in a headline along with Neil Gaiman, even though he said it annoys him that his name is misspelled in the URL)
(2) HOW HE MET MRS. WEIRD AL. [Item by Dann] Craig Ferguson recently hosted “Weird Al” Yankovic on his JOY podcast. (There’s also a full transcript at the link.) Within the wide-ranging discussion, Al revealed that he was introduced to his wife by Art Barnes.
Al was on the Doctor Demento Show when he met Art. They got on pretty well and Art invited Al to his place in the Hollywood hills.
Looking around the place, Al sees a ton of Lost in Space memorability. He thinks to himself that Art is really into Lost in Space. And there was a ton of Will Robinson/Billy Mumy collectibles. Art must have been a superfan!
Sort of.
Art Barnes was half of the musical team known as Barnes & Barnes. One of their most known songs was “Fish Heads”.
Of course, Art Barnes was actually Billy Mumy himself. That should make the whole superfan of Will Robinson thing a bit less creepy.
Billy set Al up on several blind dates. But one time, he told Al that he had to date this woman from 20th Century Fox. Billy told Al that Al had to marry her.
And that’s how things worked out.
The rest of the podcast was pretty good.
(3) MEMORY LANE.
February 17,1912 — Andre Norton. (Died 2005.) I always think of Andre Norton with some fondness. She always write things that as an individual that I just liked. Warning: this is not complete listing by any stretch of the imagination.
The title of her first novel, The Prince Commands, being sundry adventures of Michael Karl, sometime crown prince & pretender to the throne of Morvania, could have easily been that of a fantasy novel or a mainstream swashbuckler novel. Well, it’s the latter — ninety years old this year, it’s still quite readable.
She was twice nominated for the Hugo Award, at Pacificon II for Witch World, a favorite of mind, and then again at NyCon 3 for her “Wizard’s World” novelette which appeared in the June 1967 issue of If.
Andre Norton
Her first fantasy novel, Huon of The Horn, the 13th-century story of Huon, Duke of Bordeaux, and adds in Oberon, to create one delightful tale.
Her first SF novel, Star Man’s Son, 2250 A.D, was published at the same time over seventy-five years ago. I’ve not read it, so opinions please. Star Rangers which followed I’ve read and I did like that novel.
After Gary Gygax inviting her to play Dungeons & Dragons in his Greyhawk world, she wrote two novels based in two setting, Quag Keep and Return to Quag Keep. They’re fun, not very serious, but definitely fun.
And than there Catseye in which a man finds work in a pet shop where there’s ex-spacer owner, and xeno-animals who might be stranger than he knows.
Her final novel that she actually wrote was the rather excellent Three Hands for Scorpio. Tor, which never passed after a chance to make another a dollar or two, or even a lot more, had Jean Rabe write two more crediting her as co-author, Dragon Mage and Taste of Magic.
No, I’ve not forgotten her Awards. She won an Ohioan, given for lterature by writers from Ohio and about Ohio, for Sword in Sheath, a Gandalf, Grandmaster of Fantasy; an Edward E. Smith Memorial Award for Imaginative Fiction; a Nebula, a Grand Master Award; a World Fantasy Award, Special Convention Award; First Fandom Hall of Fame Award; a Workd Fantasy Award Award Award for Lifetime Achievement; and three Sir Julius Vogels with Lyn McConchie — Beast Master’s Circus, Beast Master’s Ark and The Duke’s Ballad.
I take my leave now. I need to see Catseye was ever made into audiobook as it’d make a delightful listening experience.
For the past three years a small but hardy bunch of fans have tried to revitalise conventions in New Zealand in the wake of the pandemic and CoNZealand. The former has made conventions difficult to host, and the latter made those who’d run events want to hide in a corner going wibble.
Sadly, that’s meant that a very small number of people, who are also members of the SFFANZ board, have been left holding the baby that is Continuity 2024. We’ve asked for assistance from fandom at large, and whilst a few volunteers put their hands up, they suddenly lost interest or ability to help when we had our first meeting. Now we who are left are running out of steam, and wondering if we have the spirit and time to continue. We want conventions in New Zealand to continue as we see value in them. We want to gather with friends to discuss our passion for the genre. But we can’t do it alone.
For the past three years we’ve hosted a revitalising fandom discussion, which has been robust, but every year the same thing happens. People want, want, want, but there’s no give, give, give.
At a recent fannish gathering, a number of fen asked what plans were for Continuity 2024, when bookings could be made etc. Not one person offered to put their hand up to help or run anything. It seemed to that people wanted to be entertained rather than to participate. Oh, and we have to make the event as long as possible (meaning we need to find more information/panels/events to entertain people) so that it makes it worthwhile to attend, otherwise they won’t. And, not unnaturally given the times, everyone expects that events will be both in person and online making the effort involved greater again.
There are many conflicting issues going on here, we realise. Fandom, as a group, is not getting any younger. We all have lives, and things we want to do, but unless more of us put in an effort to keep momentum in conventions alive, then SF cons in New Zealand will go the way of the dodo.
We do have some ideas, such as holding a SMOFcon South, a con-running event, alongside a day where we celebrate fandom in New Zealand, but this idea is in its infancy. We’ve got a date, a venue, ideas for guests, events, and of course the Sir Julius Vogel Awards to host. But we need ideas, fresh ones, to assist us to get this plan across the line. And we need more people to volunteer to make that happen.
We will be hosting a meeting on February 25 at 10am to discuss where we go from here with Continuity 2024. I invite you to register here for the zoho meeting. If we don’t get sufficient interest, we will be turning Continuity 2024 into a one-day event again, and that will be it. We won’t try again.
Fandom is what you put into it. It requires active engagement and participation to make it thrive and grow. This is where you come in, yes YOU.
We hope to see you on the 25th.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Elusis, JJ, Paul Weimer, Dann, Susan, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]
The 2023 Sir Julius Vogel Award winners have been announced. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents.
The 2023 Sir Julius Vogel Award finalists have been announced. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents.
The 2022 Sir Julius Vogel Awards winners have been announced. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents.
(1) DOES THE GENRE HAVE A CORE? Charles Payseur, whose reviews of short sff fiction now appear in a column for Locus, questions what is the “core” of the genre in the context of noting that he doesn’t cover Clarkesworld, Asimov’s or Analog. “Quick Sips 06/24/2022”.
…I do always encourage people to just find venues that you like and then otherwise read what you feel like. The field of short SFF is too big to take on comprehensively, and even trying can quickly lead to burnout and frustration (just ask…most short SFF reviewers who try). As a reviewer and now as an editor, though, does there arise some sort of obligation to try? It’s a decent question, and one that I’m not sure anyone can answer because…what would trying look like, if not doing exactly what I’m doing now? Could I fit Clarkesworld into my reading? I’m actually unsure. Probably if I could I would have. It’s not like I have suddenly opened up a bunch of free time in my life. And yet I feel that some would think this omission a failing, as some have found my lack of coverage of Asimov’s and Analog a failing. And…I don’t have much to offer to that. All of those are very large publications and take a big commitment to get through every month. Were they smaller I’d probably be more tempted. As is…
There are some arguments one could make about how to determine where the “core” should be. By what pays best, maybe? Or by what has a long tradition of award nominations. By the prestige of the editor. However the lines of the “core” are drawn, though, many will feel excluded for being on the outside of it. It’s a problem that really can only be overcome by engagement. If more people were engaged in drawing their personal cores, then what gets engaged with critically might greatly expand. If reviewers all are moved not by proximity to some sort of “required reading” but rather are pulled in the direction of their personal taste, then as long as the field of reviewers were diverse and acting in good faith, then the largest possible coverage would be achieved….
Brenda W. Clough and her husband moved from Reston, Va., to Portland, Ore., early in 2020. Brenda, a novelist, shared their experience and what they love about their new home in an email. The following was edited for length and clarity.
“My husband and I sold our big house in Reston, Va., when we retired in early 2020. What good timing we had, because both of our offices closed down later that year. We moved to his hometown, Portland, Ore., where we bought a condo downtown.
… I also wanted modern architecture. The D.C. suburbs are almost purely Colonial in style, a Mid-Atlantic thing. Now I have become a fan of poured concrete and Brutalism. My current home has plate-glass windows that go from floor to ceiling. There are no steps at all. I can’t hear my neighbors, and I don’t have screens on the windows. There aren’t many bugs downtown.
Because I am a novelist, I also needed a place that could accommodate our 10 tall bookcases full of books. I dragged the ones in the picture all the way from the East Coast to the West, the tools of my trade: a science fiction and fantasy collection that spans 70 years and historical volumes focusing on Antarctica or Victorian England. And these are only the survivors of a major cull. I weeded out half of the books and gave them to Reston’s Used Book Shop in Lake Anne, which has been enabling my book shopping for decades. It costs roughly a dollar a pound to move stuff coast to coast, a price that powerfully focuses the mind. Moving like this is the opportunity to prune all the possessions back. It has been liberating to get rid of stuff from the basement, garage and attic….
Gwendolyn Clare’s debut novel, Ink, Iron, and Glass, and its sequel, Mist, Metal, and Ash, compose a duology published in 2018 and 2019 about a young mad scientist with the ability to write new worlds into existence. Coming up in November is In the City of Time, the first book in a duology about three science prodigies on a time-traveling adventure to save the Earth. Her short stories have appeared in Clarkesworld, Asimov’s, Analog, and Beneath Ceaseless Skies, among others, and her poetry has been nominated for the Rhysling Award.
Her short story “Tasting Notes on the Varietals of the Southern Coast” was reprinted in The Best American Science Fiction and Fantasy 2018. She holds a BA in Ecology, a BS in Geophysics, and a PhD in Mycology — the last of those making me wish I got around to asking her to assuage my fears about a relative of mine who picks and eats wild mushrooms … but hey, that will have to be dealt with at a future meal during a different con.
We discussed the important lesson COVID taught her about her career, whether her most famous short story reads differently during these pandemic times, the identity of the science fiction writer I was startled to learn had been her high school geometry teacher, what the novels of Elizabeth Bear taught her about writing, the short story concept she decided to instead turn into what became her first published novel, how she gets into the mindset to write in the Young Adult genre, the amazing cleanliness of her first drafts, the pantsing fingerprints she sees on Stephen King, the many iterations recent writers have made to John W. Campbell’s “Who Goes There?,” and much more.
(4) WJW AND THE THREE R’S. The Speculative Literature Foundation’s Portolan Project conducted “An Interview with Walter Jon Williams” about the three R’s of writing craft: Raising the stakes, Reveals, and Reversals.
“Reveals keep the narrative from plodding directly from one point to another, and often sends it off in another direction entirely. This comes from theater in which there’s a curtain, you don’t know what’s behind the curtain. Action goes on, the curtain is pulled back and suddenly you’re in another place that is very different from where you were before.”
Watch or read our interview with Walter Jon Williams on the three R’s of writing craft and how they could make our stories more engaging.
Incidentally, the Portolan Writing Project: Phase 1 recently completed a successful Kickstarter that raised over $5,000. The initiative seeks “to provide a wealth of exceptional creative writing courses and resources, free to the public.”
(5) BETWEEN WORLDS. Barbara Graham searches for the dividing line in “Paranormal Or Normal?” at Mystery Fanfare.
My debut mystery, What Jonah Knew, has been described many different ways: Magical. Mystical. Paranormal. Supernatural. And though in one way the labels fit, in another way they raise questions about where the otherworldly stops and reality begins.
Some background. I was working as a journalist when I was assigned to write a magazine article on past-life regression therapy. As part of my research, I scheduled an appointment with a well-known Jungian analyst who specialized in this work and had published books on the subject. To be honest, I didn’t expect anything to happen. I knew these sessions involved hypnotic suggestion and I—an admitted control freak—believed myself to be immune to trance-induced states. What’s more, the whole business struck me as unreliable at best, fraudulent at worst. Nearly everyone I’d read about who claimed to recall a past life under hypnosis seemed to remember being someone famous—Napoleon, Nefertiti, Abraham Lincoln—never your average serf or working stiff….
Do you make a conscious effort to include LGBTQ material in your writing and if so, what do you want to portray?
Being part of a marginalized group creates a hyperawareness of how members are represented in the media, including in fiction. To paraphrase an apocryphal quote: First they ignore you, then they scorn you, then they laugh at you, etc. When LGBTQ writers tell stories, there can be pressure to create “good representation” and to avoid portrayals that are complicated or nuanced especially if they touch on stereotypes. Writing horror is doubly tricky because we have to navigate creating characters and plots based on real fears and injustices, which can blur into inflicting pain on readers and calling up their trauma.
In my writing, I aim to include shades of dark and light, to explore the complications, inconsistencies, and dilemmas that shape every character, and to reach a queer audience with stories that expand the boundaries of queer pop culture.
How do you feel the LGBTQ community has been represented thus far in the genre and what hopes do you have for representation in the genre going forward?
I must admit I am fascinated with essays utilizing queer theory to explore works of horror that most readers would consider “very straight” classic works of horror. A number of academics have applied this to Robert Louis Stevenson’s Jekyll and Hyde as well as Stoker’s Dracula. I feel that such examinations are perfectly valid as I bring my own perspective (a very gay one) to everything I read or watch or hear.
While the number of queer-themed contemporary horror fiction has grown over the years so it is very possible to fill several bookshelves with just new releases, I do wish more LGBTQ readers would familiarize themselves with older works—I’m frustrated with tweets and posts that present and celebrate queer horror as a twenty-first-century phenomenon, ignoring the great efforts of of many authors. Before there was Clive Barker and Poppy Z. Brite, horror fans could delve into the Gothic storytelling of Francis Lathom or Forrest Reid, the Southern macabre of Michael McDowell, or the vampires of Jewelle Gomez and Jeffrey McMahan. To deny their existence is wrong.
Since the dissolution of the Motion Picture Production Code, also known as the Hays Code, in the late 1960s, film censorship has been relatively uncommon in the United States. However, several other countries still actively ban films. Though science fiction is less of a target than other genres, there are still many notable examples of sci-fi films that ran afoul of censors, and behind each case lies a deeper story. Ironically, these bans end up revealing more about the perpetrators and their politics than any sci-fi film ever could.
First on the list:
The Matrix: Reloaded
“The Matrix” sparked backlash when it was first released in Egypt. As the Israeli newspaper Haaretz reports, several Islamic publications interpreted the film as supporting Zionism. Naturally, Egypt promptly banned its follow-up, “The Matrix: Reloaded,” as well, but the reasoning behind that decision is somewhat murkier.
According to Variety, the country’s Department of Monitoring Artistic Products partially attributed the ban to “scenes of excessive violence,” which is a common red flag in Middle Eastern countries. However, the larger reason requires more digging. The committee also noted that the film “deals explicitly with issues of creation and existence,” including “the Creator and the created, the origins of creation, [and] free will and predestination.”
(9) MEDIA BIRTHDAY.
1950 – [By Cat Eldridge.] Seventy-two years ago on this day, the radio version of Robert Heinlein’s Destination Moon aired on the Dimension X radio show. It was episode twelve of the series.
Despite common belief that it based off the film version of Heinlein’s novel, it was not. It was instead based on Heinlein’s final draft of the film’s shooting script. During the broadcast on June 24, 1950, the program was interrupted by a news bulletin announcing that North Korea had declared war on South Korea, marking the beginning of the Korean War.
A shortened version of this Destination Moon radio program was adapted by Charles Palmer and was released by Capitol Records for children.
Born June 24, 1842 — Ambrose Bierce. The Devil’s Dictionary is certainly worth reading but it’s not genre. For his best genre work, I’d say it’s “An Occurrence at Owl Creek Bridge” which along with his “The Tail of the Sphinx” gives you range of his talents. Both iBooks and Kindle offer up everything (as near as I can tell) he’s written, much of it free. (Died circa 1914.)
Born June 24, 1925 — Fred Hoyle. Astronomer of course, but also author of a number of SF works including October the First Is Too Late which I think is among the best genre novels done. I’m also fond of Ossian’s Ride which keeps its SF elements hidden until late in the story. Though he won no genre Awards, he won a lot of other Awards, to wit the Mayhew Prize, Smith’s Prize, FRS, Kalinga Prize, RAS Gold Medal, Bruce Medal, Royal Medal, Klumpke-Roberts Award and Crafoord Prize. (Died 2001.)
Born June 24, 1937 — Charles N. Brown. Founder and editor of Locus. I’m going to stop here and turn this over to those of you who knew him far better than I did as my only connection to him is as a reader of Locus for some decades now. Locus won far too many Hugos to list under his time there. He also was nominated at Conspiracy ‘87 for a Hugo for his Science Fiction in Print: 1985 that was co-written by William G. Contento. (Died 2009.)
Born June 24, 1947 — Peter Weller, 75. Robocop, obviously, which was nominated for a Hugo at Nolacon II, with my favorite scene being him pulling out and smashing Cain’s brain in the second film, but let’s see what else he’s done. Well, there’s The Adventures of Buckaroo Banzai Across the 8th Dimension, a film I adore. And then there’s Leviathan which I’m guessing a lot of you never heard of. Or I hope you haven’t. Well, Screamers based on Philip K. Dick’s short story “Second Variety”. And Star Trek Into Darkness certainly qualifies. Hey he even showed up in Star Trek: Enterprise!
Born June 24, 1950 — Nancy Allen, 72. Officer Anne Lewis in the Robocop franchise. (I like all three films for various reasons.) Her first genre role was not in Carrie as Chris Hargensen, but in a best forgotten a film year earlier (Forced Entry) as an unnamed hitchhiker. She shows up in fan favorite The Philadelphia Experiment as Allison Hayes and I see her in Poltergeist III as Patricia Wilson-Gardner (seriously — a third film in this franchise? Oh why?). She’s in the direct to video Children of the Corn 666: Isaac’s Return as Rachel Colby. And she was in an Outer Limits episode, “Valerie 23”, as Rachel Rose.
Born June 24, 1950 — Mercedes Lackey, 72. There’s a line on a wiki page that says she writes nearly six books a year. Very, very impressive. She’s certainly got a lot of really good series out there including the vast number that are set in the Valdemar universe. I like her Bedlam’s Bard series better. She wrote the first few in this series with Ellen Guon and the latter in the series with Rosemary Edghill. The SERRAted Edge series, Elves with race cars, is quite fun too. Larry Dixon, her husband, and Mark Shepherd were co-writers of these.
Born June 24, 1982 — Lotte Verbeek, 40. You most likely know her as Ana Jarvis, the wife of Edwin Jarvis, who befriends Carter on Agent Carter. She’s got an interesting genre history including Geillis Duncan on the Outlander series, Helena in The Last Witch Hunter, Aisha in the dystopian political thriller Division 19 film and a deliberately undefined role in the cross-world Counterpart series.
Born June 24, 1988 — Kasey Lansdale, 34. Daughter of Joe Lansdale. Publicist at Tachyon Books and a really nice person. Really she is. And yes, she’s one of us having written The Cases of Dana Roberts series, and edited two anthologies, Fresh Blood & Old Bones and Impossible Monsters. In her father’s Hap and Leonard collection Of Mice and Minestrone, she has “Good Eats: The Recipes of Hap and Leonard”.
Born June 24, 1994 — Nicole Muñoz, 28. You’ll perhaps best remember her for role as Christie Tarr (née McCawley) in the Defiance series. Her first role was playing a Little Girl in Fantastic Four. Likewise she was A Kid with Braces in The Last Mimzy, and yes, Another Girl, in Hardwired. The latter was written by Michael Hurst, and has apparently nothing to with the Walter Jon Williams novel of the same name.
(11) COMICS SECTION.
The Far Side suggests superheroes are not immune to the problems of aging.
1./ We’ve been combing through your feedback, and continue to be grateful for all the comics lovers out there. We understand that the current experience needs improvements, and want you to know that we’re working hard to get those out the door as quickly as possible.
Daniel P. Dern sent the link with a note: “Among other things, as in, (says DPD, based on other comments I’ve seen in past months along with some of my own experience) to un-‘deprove’ recent changes which made by Amazon.
“To be fair (still DPD opining), IMHO, both Marvel and DC have made similar ‘deprovements’ to their streaming digital comic services over the past year. They’re still great deals, money for reading wise, but the UI/UX has gotten unnecessarily more ornery.”
“We’re back! And after thirty years away it is both thrilling and terrifying,” Buckingham said. “Neil and I have had these stories in our heads since 1989 so it is amazing to finally be on the verge of sharing them with our readers.”
The two visionary comic talents will complete their unfinished Miracleman storyline “The Silver Age,” including remastered editions of the first two published issues, complete with new artwork and bonus material. The series will follow the previously announced Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB, the new collection containing Gaiman and Buckingham’s first Miracleman series. After 30 years, fans will finally see the full incredible story of Young Miracleman with more to come!
Young Miracleman — the lost member of the Miracleman Family — is back! His last memories were of a 1963 world of joy and innocence. Now, he’s been thrust into the 21st century, where his best friends have become gods and monsters. Where can a hero from a simpler time call home in this brave new world?
(14) CAN CONFIRM. George R.R. Martin responds to reports about “SNOW… and Other Stuff” at Not A Blog.
…Yes, there is a Jon Snow show in development. The HOLLYWOOD REPORTER story was largely correct. And I would expect no less from James Hibberd. I have dealt with a lot of reporters over the past few years, and Hibberd is one of the very best, an actual journalist who does all the things journalists are supposed to do (getting the facts right, talking to sources, respecting requests for “background only” and “off the record,” etc) that most of the clickbait sites never bother with….
But, yes, it is true. This was not an official announcement from HBO, so it seems there was another leak. I did a long interview with James Hibberd last week, for the big HOUSE OF THE DRAGON story that HOLLYWOOD REPORTER is planning. At the end of the call, he asked a few questions about the spinoffs. “Is it possible one of the spinoffs is a sequel rather than a prequel?” he asked. I answered “No comment.” Then he asked “Is it possible a member of the original cast is attached?” And again I answered “No comment.” And that was all. But plainly he found someone more forthcoming than me. Who? I don’t know, and suspect I never will. A good journalist protects his sources.
There’s not much more I can tell you, not until HBO gives me a green light….
Two rubbish bins on Davidshallsbron bridge in Sweden’s southern city of Malmö have been equipped by city authorities with loudspeakers, blaring out sexual phrases like “ooooh, right there yeah” when the lid is opened to encourage passers-by to use the bins to get rid of their rubbish.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Dead By Daylight,” Fandom Games says this multi-player vampire slaughterfest “makes you a little more misanthropic just playing it.” The narrator suggests that after fighting various licensed monsters, the next series should feature Jared Leto. “No. not Morbius, Jared Leto. That would be truly terrifying!
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Daniel Dern, Michael J. Walsh, Scott Edelman, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Contrarius.]
The 2022 Sir Julius Vogel Award finalists have been announced. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents.
The Sir Julius Vogel Awards are administered by SFFANZ, the Science Fiction and Fantasy Association of New Zealand Inc. Voting will open to members of SFFANZ on May 1 and close on May 31. As there is no national convention this year, arrangements for the presentation ceremony are to be determined.
PROFESSIONAL CATEGORIES
Best Novel
A Force of Nature, by Janna Ruth
Silent Sorrow, by Russell Kirkpatrick, IFWG Publishing
Foxhunt, by Rem Wigmore, Queen of Swords Press
Gateway to Dark Stars, by Kate Haley
Butcherbird, by Cassie Hart, Huia Publishers
The King of Faerie, by A.J. Lancaster, Camberion Press
Youth Novel
A Lair of Bones, by Helen Scheuerer, Alchemy
Spark Hunter, by Sonya Wilson, Ahoy! / The Cuba Press
The Thaumagician’s Revenge, by Gareth Ward, Walker Books
Fire’s Caress, Lani Wendt Young, One Tree House
Welcome to the Inbetween, by Kate Haley
Novella/Novelette
Against the Grain, Melanie Harding-Shaw
Scales, Tails, and Hagfish, by Octavia Cade, Te Herenga Waka University Press
Heart and Hearth, by Anna Klein, Bonnetpunk Press
Monsters and Manuscripts, by Jamie Sands, Grey Kelpie Studios
Raven’s Haven for Women of Magic, by Anna Kirtlan
The Impossible Resurrection of Grief, by Octavia Cade, Stelliform Press
Short Story
“Breath,” by S.A. McKenzie, All Worlds Wayfarer issue XI
“I WIll Teach You Magic,” by Andi C. Buchanan, Cossmass Infinities, Issue 4
“Clutch. Stick. Shift,” by Tehnuka, Mermaids Monthly, July 2021
“Data Migration,” by Melanie Harding-Shaw, Strange Horizons, July 2021
“Worm Blood,” by Octavia Cade, The Dark Magazine
Collected Work
Alt-ernate, by Melanie Harding-Shaw
Ten Acceptable Acts of Arson, and Other Stories, by Jack Remiel Cottrell, Canterbury University Press
SEEDS, by Tabatha Wood, Wild Wood Books
Year’s Best Aotearoa New Zealand Science Fiction & Fantasy Vol 3, edited by Marie Hodgkinson Paper Road Press
Middle Distance: Long Stories of Aotearoa New Zealand, Te Herenga Waka University Press
Best Artwork
Cover of Foxhunt, created by Laya Rose
Cover of Year’s Best Aotearoa New Zealand Science Fiction & Fantasy Vol 3, created by Rebekah Tisch
Cover and illustrations of The Memory Thief, created by Kieran Rynhart, Penguin NZ
Cover of The Last Fallen Star, by Vivienne To
Cover for The Firebird Song, by Vivienne To
Best Production/Publication
Project Tempest podcast, presented by C.J. Halbard
What You Need Right Now is a Nice Soothing Horror Story, by Tabatha Wood, The Spinoff
Ritual Cast episodes 23-35, by Rycon Roleplays
Lore Olympus, chapters 138-190, by Rachel Smythe
Best Dramatic Presentation
Creamerie, by Flat 3 Productions
Wellington Paranormal (series 3) — Jemaine Clement (director); Tim van Dammen (director); New Zealand Documentary Board (production company)
FAN CATEGORIES
Best Fan Artwork
Deva, created by Michelle Kan
Toanga, created by Michelle Kan
Jinx, by Jules
Best Fan Production/Publication
Phoenixine, produced by John Toon for Phoenix Science Fiction Society Inc.
Best Fan Writing
This Book’s About What? By Tabatha Wood, Divination Hollow Reviews
“SITREP,” by Alex Lindsay, column in Phoenixine
“Pass the Rules,” by Jo Toon, column in Phoenixine
“Bibliophiles report,” by John Toon and Simon Litten, column in Phoenixine
Review of Philip Pullman’s Serpentine, written by Stephen Litten
Triumvirate, by Jo Toon, script for radio play
Wormholes and Workers, by Andi C. Buchanan, Vector Magazine, issue 294, Autumn 2021
The 2021 Sir Julius Vogel Award winners have been announced. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents.
(1) HUGO VOTING AND PACKET UPDATE. DisCon III addressed Facebook readers’ questions about when online Hugo voting will be available.
Some of you have been asking about the Hugo voting links so, here’s what’s happening: Hugo voting links won’t appear on your DC3 membership page until voting opens. We’ll let our members and the public know when that happens via email, social media, website, press releases, etc. We’re also working hard to get the Hugo packet of nominated works Worldcon members have come to expect out later this spring.
(2) BEYOND AFROFUTURISM. Clarion West and the Seattle Public Library have two more Beyond Afrofuturism virtual panels happening in May. Register here.
Come talk publishers on Sunday, May 16th, 1 p.m. Pacific with Bill Campbell (Rosarium), Milton Davis (MVmedia), Zelda Knight (AURELIA LEO), and Nicole Givens Kurtz (Mocha Memoirs) for Power in Publishing: Publishers Roundtable.
With major publishers stuck in a cycle of selling the same mainstream stories or tightening their belts when it comes to the work of marginalized communities, how are Black publishers shaping opportunities for BIPOC writers to have their voices heard?
Featuring: Bill Campbell (Rosarium), Zelda Knight (AURELIA LEO), Milton Davis (MVmedia), and Nicole Givens Kurtz (Mocha Memoirs)
Moderated by Clinton R. Fluker, Ph.D. Curator of African American collections at Emory University’s Stuart A. Rose Library
The event is presented in partnership with the Seattle Public Library and is supported by The Seattle Public Library Foundation.
And on Monday, May 17th, 7 p.m. Pacific, join editors Eboni Dunbar and Brent Lambert of FIYAH Magazine, Craig Laurance Gidney of Baffling Magazine, Chinelo Onwualu of Omenana and Anathema, and LaShawn Wanak of Giganotosaurus for Zines and Magazines: Expanding Worlds in Speculative Fiction.
(3) U.S. BOOK SHOW. The U.S. Book Show is a new book fair created by Publishers Weekly. The three-day show debuts virtually May 25 – 27. Publishers Weekly says they are focusing “on crafting a meeting place for publishing professionals and book buyers, with an emphasis on serving the interests of librarians and booksellers.”It’s a successor to BookExpo America/
…While at its height ABA and BookExpo America attendance never reached the draw of European book shows such as the Frankfurt Book Fair (286,000 attendees in 2017, according to Wikipedia), BookExpo saw global acceptance from the publishing community. In its 2002 iteration at the Javits Center in New York, BEA saw more than 30,000 attendees, including approximately 7,000 booksellers and librarians. By 2018, BookExpo in the same venue saw 7,800 total attendees.
The demise of the show provided an opening for Publishers Weekly to step in. The U.S. Book Show will be held virtually in 2021 and assessed after the fact for future possibilities.
David Bradley has praised original Doctor Who star William Hartnell as he returns to the role of the First Doctor in much anticipated live event Time Fracture.
The renowned actor first played the role in 2013’s An Adventure in Space and Time, which explored the creation of the long-running series, in which he portrayed both Hartnell and the late actor’s incarnation of the Doctor.
Bradley made such a strong impression on fans that he was invited back by writer Steven Moffat to play the First Doctor in two episodes of Doctor Who, both of which aired as part of Peter Capaldi’s stint on the show.
As he prepares to return to the role once again for Time Fracture, Bradley has hailed Hartnell’s “total dedication” to Doctor Who in an interview on the show’s official YouTube channel.
“He laid the template,” Bradley said. “All of the other subsequent doctors, they all owe a lot to William Hartnell. As it was, it started this phenomenon.”
…Bradley will co-star opposite John Barrowman in upcoming live event Time Fracture, billed as an “immersive experience”, which he believes could convert even non-believers.
…For over 35 years, Clarion West has held strictly to the Milford peer workshop model, assuming it to be the superior workshop method for all writers.
This belief was shaken a year ago, when we had to postpone the Summer Workshop for the first time in our history. In discussions with our instructors, we heard something new. A quiet criticism of the unchanging. A gentle push to consider that not every writer has been involved in the conversations around — and represented in — the design of our workshops.
Over the course of the last year, Clarion West has begun the process of exploring where our assumptions about key components of the workshop, including critiquing methods and social interactions, have limited the experiences of writers from a broad range of underrepresented communities. Communities whose voices are still emerging in prominent speculative fiction outlets.
And as we started looking for answers, we have found that a serious examination of traditional peer critique methods has been happening in the broader writing and workshopping field. See below for a recommended reading list.
As a result of this self reflection, Clarion West recognizes that changes need to be made within the workshop model. Our staff, alumni, faculty, and participants will help evolve our workshop culture and create protocols towards equity, empowerment, and innovation.
Clarion West seeks to make the structural changes needed to ensure that our workshops and classes are places where all participants will feel welcome and safe….
(6) HARRYHAUSEN EXHIBITION. The Ray Harryhausen, Titan of Cinema Exhibition just opened at National Galleries Scotland in Edinburgh and continues through February 2022. Quite a bit of material at the link — video, images, articles.
An online counterpart is also available: Ray Harryhausen: Titan of Cinema Virtual Exhibition Experience, “a carefully curated package which includes a series of films, never-seen-before interviews, exhibition footage, film clips and specially created animation sequences which demonstrate Harryhausen’s innovative processes. Book now.”
Film special effects superstar Ray Harryhausen helped elevate stop motion animation to an art. His innovative and inspiring films, from the 1950s onwards, changed the face of modern movie making forever.?This is the largest and widest-ranging exhibition of Ray Harryhausen’s work ever seen, with newly restored and previously unseen material from his incredible archive.
Ray Harryhausen’s work included the films Jason and the Argonauts, the Sinbad films of the 1950s and 1970s, One Million Years B.C. and Mighty Joe Young. He inspired a generation of filmmakers such as Peter Jackson, Aardman Animations, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day.
Titan of Cinema traces Harryhausen’s career as a special effects guru, whose only limits was his boundless imagination. Titan of Cinema shows his creative processes: from embryonic preparatory sketches, through to model making and bringing characters to life who went onto terrorise and delight audiences in equal measure on the cinema screen.
Two years after aliens land on Earth, survivors from Sydney, Aus., fight in a desperate war as the number of casualties continue to grow. It’s described as “Avatar meets Star Wars meets Independence Day,”
(8) DUKAKIS OBIT. Actress Olympia Dukakis died May 1 reports NPR. She was 89. An Oscar-winner, she was famous for non-genre roles in Moonstruck and Steel Magnolias. Her claims to genre fame are a role in the TV movie The Librarian: Return to King Solomon’s Mines and, if movies with talking dogs count as genre, Look Who’s Talking and its sequels Look Who’s Talking Too and Look Who’s Talking Now.
(9) MEDIA BIRTHDAY.
May 1, 1981 –On this day in 1981 in Canada, Outland premiered. Directed by Peter Hyams and produced by Richard A. Roth and Stanley O’Toole, it starred Sean Connery, Peter Boyle, Frances Sternhagen, James B. Sikking and Kika Markham. It made the final list of nominees for a Hugo at Chicon IV the next year. Most critics liked its high noon in space plot but the audience reviewers at Rotten Tomatoes gave it a mediocre fifty percent rating. The box office barely beat out the cost of making the film.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 1, 1905 – E. Mayne Hull. One novel, a dozen shorter stories. Some when re-issued also bore the name of her husband A.E. Van Vogt; for attempts to give credit where due, see here. (Died 1975) [JH]
Born May 1, 1924 — Terry Southern. Screenwriter and author of greatest interest for the screenplay from Peter George’s original novel, Two Hours to Doom (as by Peter Bryant) of Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb directed (and in part written) by Stanley Kubrick. He was also involved in scripting Barbarella. Though uncredited, he did work on the script of Casino Royale as well. (Died 1995.) (CE)
Born May 1, 1937 – Suzanne Vick. Two fanzines credited to both her and her husband Shelby Vick, one of our greats; much activity names him, careful fanhistory may discover her part more explicitly. Three daughters, of whom I have learned little. (Died 2002) [JH]
Born May 1, 1946 — Joanna Lumley, 75. No, she was no Emma Peel, but she was definitely more than a bit appealing (pun fully intended) in the New Avengers as Purdey. All twenty-six episodes are out on DVD. Her next genre outing was In Sapphire & Steel whichstarred David McCallum as Steel and her as Sapphire. If you skip forward nearly near twenty years, you’ll find her playing The Thirteenth Doctor in The Curse of Fatal Death in a Comic Relief special. Yes, she played the first version of a female Thirteenth Doctor.
Born May 1, 1952 — Andy Sawyer, 69. Member of fandom who managed the Science Fiction Foundation library in Liverpool for 25 years up to last year. For his work and commitment to the SF community, the Science Fiction Research Association awarded him their Thomas D. Clareson Award for Distinguished Service. The paper he wrote that I want to get and read is “The Shadows out of Time: H. P. Lovecraftian Echoes in Babylon 5” as I’ve always thought The Shadows were Lovecraftian! And his fanpublication list is impressive, editing some or all issues of &, Another Earth Matrix, Paperback Inferno and Acnestis. (CE)
Born May 1, 1954 – Joel Rosenberg. A score of novels, as many shorter stories. Correspondent of Asimov’s, the Patchin Review, SF Chronicle, SF Review. Interviewed in Thrust. Early author of gamers-transported-into-the-gameworld-which-may-not-be-what-they-thought fiction. (Died 2011) [JH]
Born May 1, 1956 – Phil Foglio, age 65. Colorful, comical graphic artist. Illustrated R. Asprin’s MythAdventures, drew comic books from them, worked for DC, Marvel. Magic: the Gathering cards. Some of this, and more particularly Buck Godot and Agatha Heterodyne, Girl Genius, with wife Kaja Foglio (who coined gaslamp fantasy: “we have no punk, and we have more than just steam”). Two Hugos for P as Best Fanartist; three for K & P with Girl Genius as Best Graphic Story. Website. [JH]
Born May 1, 1955 — J. R. Pournelle, 66. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter, Jennifer. And that’s how I came to find out there was a third Motie novel called Outies. It’s much better than The Gripping Hand. (CE)
Born May 1, 1957 — Steve Meretzky, 64. He co-designed the early Eighties version of The Hitchhiker’s Guide to the Galaxy video game with the full participation of Douglas Adams. ESF also says that he did also a space opera themed game, Planetfall and its sequel A Mind Forever Voyaging in the Eighties as well. He also did the definitely more erotic Leather Goddesses of Phobos as well. CE)
Born May 1, 1984 – Lindsay Smith, age 37. Six novels, a dozen shorter stories; also comics, serials. She & Max Gladstone created, and she is showrunner & lead writer for, The Witch Who Came in From the Cold. [JH]
Born May 1, 1985 – Catherine Cheek, age 36. Three novels, as many shorter stories. Interviewed in Fantasy. Clarion San Diego graduate. Brown belts in two martial arts. Taught English two years in Japan. Throws pots, binds books, plays with molten glass. Has read Moby-Dick, Lolita, The Grand Sophy, Watership Down. [JH]
…Officials announced the flight extension Friday, following three short flights in under two weeks for the $85 million tech demo. Soon afterward, there was more good news: Ingenuity — the first powered aircraft to soar at another planet — had aced its fourth flight at Mars.
For Friday’s trip, Ingenuity traveled 872 feet (266 meters) at a height of 16 feet (5 meters) for two minutes — considerably farther and longer than before. An attempt Thursday had failed because of a known software error.
On its fifth flight in another week or so, the 4-pound (1.8-kilogram) chopper will move to a new airfield on Mars, allowing the rover to finally start focusing on its own rock-sampling mission. The rover is seeking signs of ancient life at Jezero Crater, home to a lush lakebed and river delta billions of years ago….
It’s a balancing act that has to do with the individual person’s talents. I happened to have this already in place, and have the right layering to find something useful. Other writers are different in finding their way in. I’m always trying to write something that hopefully applies to the current moment, but if you read it down the line, it has something that’s meaningful, too.
In the press notes, you said this novel was the result of realizing that “we were living in a dystopia for some time.” Are you a pessimist? Are we getting out of this dystopia any time soon?
The pessimism/optimism thing boils down to me being pessimistic when we’re not dealing with the full issue and full facts in front of us. When we try to deflect. In Florida, we have these solar farms coming in, but which are destroying natural habitats. Green tech is being delinked from environmental issues in distressing ways. That’s the kind of thing that worries me more than, say, a climate-change denier, who isn’t going to help in the first place.
(14) YOU DON’T SAY. Jason Sanford, in “Genre Grapevine for 4/30/2021” (a free Patreon article), starts his comments about a post here with these words:
He later continues, “The Worldcon code of conduct should not be used to shut down a legitimate critique of a genre issue,” leaving untouched the issue actually raised here of whether the Worldcon should adhere to its own Code of Conduct and not broadcast the insulting title. A title Sanford himself is strangely reluctant to repeat, changing the “u” in “Fuck” to an asterisk.
(15) VIVO. Netflix dropped a trailer for Vivo, an animated musical with Lin-Manuel Miranda.
An animated musical adventure that follows VIVO, a one-of-kind kinkajou (aka a rainforest “honey bear,” voiced by Miranda), who must find his way from Havana to Miami in order to deliver a song on behalf of his beloved owner and mentor Andres (Buena Vista Social Club’s Juan de Marcos Gonzáles). The film features original songs by Miranda, a score by Alex Lacamoire, and a screenplay by Quiara Alegría Hudes and director Kirk DeMicco (The Croods)….
Voice talent includes three-time Grammy-winning Latin pop legend Gloria Estefan as Marta, the love of Andres’ life, newcomer Ynairaly Simo as Gabi, Andres’ grand-niece, Zoe Saldana as Rosa, Gabi’s mother, Michael Rooker as Lutador, a villainous Everglades python, Brian Tyree Henry and Nicole Byer as a pair of star-crossed spoonbills, Leslie David Baker as a Florida bus driver, and Katie Lowes, Olivia Trujillo, and Lidya Jewett as a trio of well-meaning but overzealous scout troopers. VIVO is an exhilarating story about gathering your courage, finding family in unlikely friends, and the belief that music can open you to new worlds.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Bizarre World of Fan Edits and Restorations” on YouTube, the Royal Ocean Film Society begins with fan edits we’ve all heard about (the mostly Jar Jar Binks-free version of The Phantom Menace) goes on to very strange edits (Planet Of The Apes reduced to a Twilight Zone episode, or Star Wars turned into silent films) and the historically important, such as a fan edit that presents a version of Richard Williams’s unfinished masterpiece The Thief And The Cobbler. As a bonus, you can find out which fan edit of a Brian De Palma film was so good that De Palma turned it into the director’s cut!
[Thanks to Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, Michael Toman, John King Tarpinian, Mike Kennedy, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
The 2021 Sir Julius Vogel Award finalists have been announced. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents.
Best Novel
Gad’s Army by Drew Bryenton (Sci Fi Cafe)
The Stone Weta by Octavia Cade (Paper Road Press)
Transference by B.T. Keaton (Ingleside Avenue Press)
The Court of Mortals by A.J. Lancaster (Camberion Press)
Blood of the Sun by Dan Rabarts and Lee Murray (Raw Dog Screaming Press)
Gad’s Army by Drew Bryenton
The Stone Weta by Octavia Cade, art by Emma Weakley
Transference by B.T. Keaton, art by Damon Za
Blood of the Sun by Dan Rabarts and Lee Murray, art by Daniele Serra
The Court of Mortals by A.J. Lancaster, art by Jennifer Zemanek
Best Youth Novel
Earthcore Book 4: HIgh Tide by Grace Bridges (Splashdown Books)
These Violent Delights by Chloe Gong (Margaret K. McElderry Books)
Golden City by S.R. Manssen (Manssen Publishing House)
Follow Me In by Terri Sinclair
Brasswitch and Bot by Gareth Ward (Walker Books Australia)
Best Novella/Novelette
“Hexes and Vexes” by Nova Blake (Witchy Fiction NZ)
“How to Get a Girlfriend (When you’re a Terrifying Monster)” by Marie Cardno
“No Man’s Land” by A.J. Fitzwater (Paper Road Press)
“Marbles” by Sean Monaghan (Asimov’s Science Fiction, July/August 2020)
“Riverwitch” by Rem Wigmore
Best Short Story
“Salt Water, Rose Red”, E. Celeste (Dually Noted F(r)iction Log)
“Synaesthete” by Melanie Harding-Shaw (Things in the Well)
“For Want of Human Parts” by Casey Lucas (Diabolical Plots)
“The Good Wife” by Lee Murray (Weird Tales, issue 364)
“Arachne’s Web” by James Rowland (Aurealis issue #132)
Best Collected Work
The Voyages of Cinrak the Dapper by A.J. Fitzwater (Queen of Swords Press)
Year’s Best Aotearoa New Zealand Science Fiction & Fantasy Volume 2 edited by Marie Hodgkinson (Paper Road Press)
Ghost Bus – Tales from Wellington’s Dark Side by Anna Kirtlan
The Better Sister and Other Stories by Piper Mejia (Breach)
Grotesque: Monster Stories by Lee Murray (Things in the Well)
Best Professional Artwork
Cover art by Laya Rose for No Man’s Land by A.J. Fitzwater (Paper Road Press)
Cover art by Laya Rose for Year’s Best Aotearoa New Zealand Science Fiction and Fantasy Volume 2 edited by Marie Hodgkinson (Paper Road Press)
Cover art by Vivienne To for The Chaos Curse by Sayantani DasGupta (Scholastic)
Cover art by Emma Weakley for The Stone Weta by Octavia Cade (Paper Road Press)
No Man’s Land by A.J. Fitzwater, art by Laya Rose Mutton-Rogers
Year’s Best Aotearoa New Zealand Science Fiction and Fantasy: Volume II edited by Marie Hodgkinson, art by Laya Rose Mutton-Rogers
The Chaos Curse by Sayantani DasGupta, art by Vivienne To
The Stone Weta by Octavia Cade, art by Emma Weakley
Best Professional Production/Publication
This is Not the End by Deanna Gunn, chapters 1.5-2.10
Masterpiece (Or Artful Dodgers) by Michelle Kan
Fantastical Worlds and Futures at the World’s Edge: A History of New Zealand Science Fiction and Fantasy by Simon Litten and Sean McMullen
“How New Zealand’s Best Fantasy and Science Fiction Authors got Shafted on a Global Stage” by Casey Lucas (The Spinoff)
Wonderland Nights: White Rabbit’s Diary by Sky Bear Games (Steam)
“Aotearoa is Not Middle Earth” by Alexander Stronach (The Spinoff)
Best Fan Artwork
Ministry for Public Artfan art by Shaun Garea (Estrata Productions)
Oriental Bay Piranhas by Shaun Garea (Estrata Productions)
Destiny & dead people tea by Michelle Kan
Faerie Ring (critical role) by Michelle Kan
Blue and Red (This is How You Lose the Time War) by Laya Rose
Gyre from The Luminous Dead, by Laya Rose
Best Fan Production/Publication
Codex by Stephen Brough (Lost Arcana)
FIYAHCON Guest of Honour Speech by Cassie Hart
Mollymauk Tealeaf – Court of Jesters (showcase) by Michelle Kan
Phoenixine edited by John and Jo Toon
“Dramatic Chairing of the 2020 WSFS Business Meeting” by Darusha Wehm
CoNZealand Souvenir Book created by Darusha Wehm and Amber Carter
Best Fan Writing
“Alone Together at the Edge of the World” by Andi C. Buchanan (CoNZealand Souvenir Book)
“Queer Speculative Aotearoa New Zealand” by A.J. Fitzwater (LGBTQ Reads)
“Review of Hello Strange, by Dylan Howell” (My Opinion on Books)
“SITREP” by Alex Lindsay (Phoenixine)
“What If” by Kyra Saywell (Poetry Box)
“An exploration of menstruation in horror and dark fiction” by Tabatha Wood (horrortree.com)
If you missed out on the Sir Julius Vogel Award voting packet the first time, we are pleased to announce that it is now available again. This time you can access it from the CoNZealand Members' website. It is available until mid September. Access it here: https://t.co/8S8Z27BEKQpic.twitter.com/RDXFPBh6GR
If you missed out on the Sir Julius Vogel Award voting packet the first time, we are pleased to announce that it is now available again. This time you can access it from the CoNZealand Members’ website. It is available until mid September. Access it here.
A list of the 2020 Sir Julius Vogel Award nominees can be seen here.
Access to the SJV Voter Packet will be limited to those with Supporting or Attending memberships to CoNZealand. Members who have issues accessing the voter packet should contact [email protected].
