(1) DROPPING THE PILOT. The Horror Writers Association said goodbye to HWA Admistrator Brad C. Hodson today.
Message from the HWA Board of Trustees
The HWA and its administrator, Brad C. Hodson, have officially parted ways. Brad has served the HWA for many years and, in addition to performing his numerous administrative duties, he has helped to shepherd some wonderful initiatives, such as Horror University and health insurance for our members. We appreciate his hard work and dedication, and we wish him nothing but the best in his future endeavors.
As President John Edward Lawson stated at the General Meeting at StokerCon 2023, we are terminating the administrator position and instituting a new role: Executive Director. Our Treasurer, Max Gold, will be the interim Executive Director. We are grateful he has accepted this responsibility and are looking forward to working with him in this capacity.
We will begin to phase out the [email protected] email address, but Max will still be receiving emails through it. You can also email him at [email protected].
When Warner Bros. Discovery CEO David Zaslav anointed the newly-merged company with its slogan “the stuff that dreams are made of,” he paid homage to the classic film noir, The Maltese Falcon. Since then, he’s often touted his appreciation for cinema—rescuing Jack L. Warner’s old desk from storage so he could work from it, moving into Robert Evans’s former Beverly Hills home, and declaring Turner Classic Movies “the history of our country” at the network’s film festival in April.
As TCM general manager Pola Changnontold IndieWire earlier this year, Zaslav’s assistant ensured that “he had TCM on in his office all the time.” On Tuesday, after 25 years with the company, Changnon parted ways with TCM—the first in a string of top brass exits that now include TCM’s senior vice president of programming and content strategy Charles Tabesh, vice president of studio production Anne Wilson, vice president of marketing and creative Dexter Fedor, and TCM Enterprises vice president Genevieve McGillicuddy, a TCM representative confirmed to Vanity Fair. Michael Ouweleen, president of Adult Swim, Cartoon Network, Discovery Family, and Boomerang, and TCM alum, will take charge, per a company memo. According to the outlet’s sources, layoffs in TCM’s public relations department are expected to follow.
The gutting of TCM’s top creatives comes in the days after a major flop for Warner Bros. The Flash,a superhero blockbuster meant to linkZack Snyder’s regime at DC Studios with James Gunn’s new era, made just $55 million at the North American box office over the weekend. That’s after both the studio poured hundreds of millions into production and advertising and Zaslav himself labeled it the best superhero movie he’s ever seen.
There’s no definitive correlation between the flattening of TCM and the failure of The Flash, but it’s hard not to see it as one of a brand’s entities paying for the sins of another….
(3) HEAR FROM MANON STEFFAN ROS. [Item by SF Concatenation’s Jonathan Cowie.] Yesterday’s B. Beeb Ceeb Radio 4 arts programme Front Row had an interview with yesterday’s winner of the Yoto Carnegie Medal for Writing, Manon Steffan Ros, author and translator of The Blue Book of Nebo, which is juvenile SF and rather good. It first came out in 2018 in Welsh as Llyfr Glas Nebo but then was republished in English last year hence eligible for this year’s Carnegie.
It concerns the notes of a young woman who looks after her son who was only six when the world ended…
I note that McCormac, who recently passed, most famous post-apocalyptic, The Road, concerned a father looking after his son and this year’s The Last of Us TV series had a boy being looked after in a post-apocalyptic setting (gosh, I enjoy the end of the world as long as it is firmly in SF). So it’s good to see a mum come to the fore.
(4) ABOUT SFWA SELLING T-SHIRTS… [Item by Bruce D. Arthurs.] In the File 770 comment section a few days ago, I mentioned there might have been a SFWA t-shirt long before the current offerings on the SFWA merch page.
Was able to find mine way at the back of a drawer today, so here’s a photo. I misremembered it as being based on a SFWA Bulletin cover; the original illustration was for SFWA FORUM, the members-only pub where writers clashed heads and competed to see who had the ugliest letterhead. (Members’s letters were xeroxed and pasted up for the Forum letter pages back then, including the letterheads.) I think the t-shirt dates from the late 1990s or early 2000s.
A Thunder of Stars by Dan Morgan and John Kippax (1970)
The first volume in the Venturer 12 series begins as all interstellar patrol series should, with extensive Commissioning Board hearings to determine the best candidate for the position of captain of the Venturer. Commander Tom Bruce is clearly that man. However, certain elements want someone else and will cheerfully accept any pretext for rejecting Bruce.
When Bruce orders the destruction of an out-of-control spacecraft, Bruce’s opponents seem to have the ammunition they need. True, the ship was headed for Earth and Bruce saved millions by having it destroyed. However, this is not the first time Bruce has ordered the deaths of innocents. Now his enemies have pretext for getting the Minos IV incident on record.
This is the sort of narrative universe in which tough men are often forced to make hard decisions, so it should be no surprise Bruce had a good reason to kill the Minos IV colonists. What should raise eyebrows but doesn’t is that Bruce’s executive officer is an ex-lover who plans to use her position to police which crewmembers sleep with Bruce. I can see no way in which that could go horribly wrong.
(6) FUNDRAISER. Michael A. Banks died June 19 (see item #10 in the June 20 Scroll). His daughter, Susan, has launched a GoFundMe to cover end-of-life expenses in “Funeral for Mike Banks”.
Hi, my name is Susan and I’m trying to raise enough to cover basic expenses related to the death of my dad, Mike Banks. My dad was a lot of things, he was a talented writer, a raconteur, and a storyteller. He loved sci fi , history, and Hawaiian shirts. He loved dogs. While he was great at using words to bring people like Ruth Lyons and Powell Crosley to life on the page, like a lot of writers, he lived a freelance life and wasn’t great at planning for the future or what would happen after he was gone.
At the end of February, Dad was diagnosed with end stage cancer that had started in his lungs and spread to his bones, liver, and spine. Within a few weeks, we learned it had also spread to his brain.
He remained upbeat and positive, even as his cognition declined. His dogged determination to soldier on to make one last trip to Kroger or the hardware store led to a fall, a broken hip, and then a series of falls that kept him in the hospital and too weak to receive radiation and chemotherapy. His decline accelerated and he passed on June 19th, less than four months from his diagnosis.
His positivity was so enduring and infectious, we were unable to get him to make a will or to do a lot of things people do for end of life.
My goal is to give him the send off he deserves and to be able to settle his estate without having to incur a large amount of debt.
(7) MEMORY LANE.
1975 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Now let’s talk about Katherine MacLean. Short fiction was her strength which is perhaps why her only Hugo nomination was at Detention for her “Second Game” novelette. She wrote some fifty short pieces of genre fiction but only five such novels.
Our beginning comes from one of them, Missing Man, which was published by Berkley/Putnam in 1975. The novel is a fix-up of MacLean’s three Rescue Squad stories including the Nebula Award winning novella of the same name. It would also be a Nebula-nominated novella.
The novel is a Meredith Moment at the usual suspects.
Now go read our Beginning….
I was heading uptown to the employment office. The sidewalk was soft and green and dappled with tree shadows; the wind was warm.
I stopped by a snack machine, looked at the pictures of breakfast, and watched a man put in his credit card and get out a cup of coffee. He was a young guy, a little older than me. I could smell the coffee. I’d had hot water for lunch and dinner yesterday and hot water for breakfast. It felt good in my stomach but my legs felt weak.
The vibes of morning are always good. People walked by, giving out a kind of cheerfulness. I was blotting up that feeling until suddenly it seemed right that the snack machine should give out some free food just to be friendly.
I shoved my credit card into the slot and pushed levers for a cup of coffee with two creams and two sugars and some hot buttered scrambled eggs. My hands started shaking. My mouth watered. I could smell from people’s windows the perfume of bacon and toasted plankton and hot butter on hot toast.
The machine blinked a red sign, “000.00 balance,” and my credit card rolled out of the slot. I reached for it and dropped it. The man drinking coffee looked at my shaking.
The machine blinked a red sign, “000.00 balance,” and my credit card rolled out of the slot. I reached for it and dropped it.
The man drinking coffee looked at my shaking hands and then at my face. Hunger doesn’t show on the outside. I’d lost a hundred pounds already and I wasn’t even skinny yet. He couldn’t feel my vibes. I have a kind of round, cheerful face, like a kid, but I’m big.
I picked up the card and grinned at him. He grinned back.
“Hard night?” he asked sympathetically, meaning had I spent a night with a girlfriend?
I made an “okay” sign with one hand and he whistled and went away grinning, giving out happy vibes of remembering great long sex nights when he’d had the shakes in the morning.
I tried two more snack machines in the next three blocks. No food. The best food machines in lower New York City are in the artists’ and sculptors’ commune.
Artists don’t like to cook when they’re working on something.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 22, 1894 — George Fielding Eliot. ISFDB has scant listings from him and Wiki is not much better but shows “The Copper Bowl” in Weird Tales in the December 1928 issue and notes that thirty years later he had “The Peacemakers” in the Fantastic Universe in January 1960 edition. Stitching this together using the EofSF, I’ll note he wrote Purple Legion: A G-Man Thriller, a really pulpish affair. As Robert Wallace, he wrote “The Death Skull Murders”, one of the Phantom Detective stories, a series that came out after The Shadow and ran for a generation. (Died 1971.)
Born June 22, 1947 — Octavia E. Butler. Let’s note that she’s a multiple recipient of both the Hugo and Nebula awards, and she became in 1995 the first genre writer to receive a MacArthur Fellowship. As regards her fiction, I’d suggest the Xenogenesis series shows her at her very best but anything by her is both good and challenging. I’m pleased to note that iBooks and Kindle have everything of hers available. (Died 2006.)
Born June 22, 1949 — Edward M Lerner, 74. I’m here today to praise the Ringworld prequels that he co-wrote with Niven, collectively known as Fleet of Worlds which ran to five volumes. Unlike the Ringworld sequels which were terribly uneven, these were well written and great to read. I’ve not read anything else by him
Born June 22, 1949 — Meryl Streep, 74. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that is it.
Born June 22, 1953 — Cyndi Lauper, 70. Ok I’m officially old as I’m thinking of her as always young. Genre-wise, she played a psychic, Avalon Harmonia, on the Bones series. She also has one-offs in series as diverse as The Super Mario Bros. Super Show!, Shelley Duvall’s Mother Goose Rock ‘n’ Rhyme and Happily Ever After: Fairy Tales for Every Child. She also has a dramatic acting credit, Jenny (Ginny Jenny/Low-Dive Jenny) in Bertolt Brecht’s The Threepenny Opera.
Born June 22, 1958 — Bruce Campbell, 65. Where to start? Well let’s note that Kage loved him so I’ve linked to her review of Jack of All Trades. I personally like just as much The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and godawful, often in the same film. The series spawned off of it is rather good. Oh and for popcorn reading, check out IfChins Could Kill: Confessions of a B Movie Actor, his autobiography.
Born June 22, 1973 — Ian Tregillis, 50. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a rather good serial fiction narrative (if that’s the proper term), and he’s got another series, The Alchemy Wars, I haven’t checked out. He’s also a contributor to George R. R. Martin’s Wild Cards series which I’m beginning to suspect everyone has been involved in.
John Coxon can do one, Alison Scott don’t like cricket, and Liz Batty will never get to bed. We discuss Chengdu and the Hugo Awards, new COVID ventilation advice, Seattle in 2025, Pemmi-Con, Glasgow 2024, the Clarke Award, the UK Games Expo, Ben Aaronovitch and cricket. Phew!
The U.S.S. Enterprise has a new face in “Star Trek: Strange New Worlds” season 2, but the actor who plays her is pretty familiar to film and TV fans. Carol Kane has starred in everything from “The Princess Bride” to “The Unbreakable Kimmy Schmidt,” but one of her earliest roles seems to have found its way into the DNA of her “Star Trek” character, Chief Engineer Pelia.
…At the end of the first season, Chief Engineer Hemmer (Bruce Horak) died heroically while fighting the Gorn, and now Pelia is going to step into his shoes. The mysterious Pelia is a Lanthanite, a member of an alien species new to “Star Trek” lore that seems to bear some similarities with the El-Aurians. (The most well-known El-Aurian is Guinan (Whoopi Goldberg) from “Star Trek: The Next Generation.”) Both appear to look just like humans and are extremely long-lived, though whether or not the Lanthanites have psychic abilities is yet to be seen. If Pelia’s actions in the premiere are any indication, they just might be. She’s either psychic or incredibly observant, because she’s on the ball. In the season 2 premiere of “Star Trek: Strange New Worlds,” we get to learn a little bit about her, and she reminds me of Simka Dahblitz-Gravas, Kane’s character from the 1980’s sitcom series, “Taxi.”…
BRADBURY, RAY. Dark Carnival. Sauk City, WI: Arkham House, 1947. First Edition of the Author’s First Book. Signed and inscribed by Ray Bradbury. The inscription reads (in upper case): “For Bob Hoffman, With fond remembrances of many pleasant evenings of Prokofieff, Gliere, Rozsa and others – and the old days of record making – With all my best from your friend, Ray Bradbury May 29, 1947.” The book is in near fine condition with the barest hint of edge wear, a trace of rubbing to the gilt stamping at the spine with all letters legible and present, and with faint dusting at page edges in a very good bright dust jacket some light soiling to rear panel, thin lines of foxing to the tops and folds of the flaps, and the usual light wear to the edges as this jacket was too large for the book, and some minor wear to the top and bottom edges of the spine. Enclosed in a custom black clamshell box. Presentation copies contemporary with publication and to personal friends are very rare. R.A. Hoffman was the “Art editor” and one of the founders of the magazine – ‘The Acolyte’. He was a member of the Clifton’s Cafe where the LASFAS group would gather (Ray Bradbury, Ray Harryhausen, Roy Squires, Robert Heinlein, and ‘the other RAH as Rah liked to quip). Although not scarce signed, a true presentation copy [at the time of publication] is indeed scarce! William F. Nolan – author of ‘The Bradbury Companion’ has noted that the book was released “October, 1947.” Perhaps to the general public it was; this copy is one of the earliest known inscriptions dated by the author, “May 29, 1947.” An attractive copy.
(12) DCEU IMMURED? [Item by Mike Kennedy.] The Hollywood Reporter has what seems to be a scathing story about the DC Extended Universe movies in its latest digital issue. The article is firmly entrenched behind a paywall, though you can read a small excerpt at the link. It’s unclear, of course, if the story itself is as negative as the headline, but said headline is pretty darn negative
…When Boston Dynamics finally started selling Spot, it’s four-legged robot, it came with one stipulation: users couldn’t use it to harm people. But while the creators of the Thermonator aren’t actively promoting it as a weapon, you don’t want to be within 30 feet of a flamethrower strapped to the back of a robodog….
(14) MIXED UNBLESSING. [Item by SF Concatenation’s Jonathan Cowie.] God, I simply enjoy the end of the world… but only if it is firmly SF. As an environmental scientist, I’ve seen the writing on the wall for over half a century… So this week’s Nature editorial is something of a curate’s egg.
The world’s plan to make humanity sustainable is failing. Science can do more to save it
There is no planet B, and the UN’s Sustainable Development Goals are heading for the rocks. Researchers around the world must do their bit to change that….
The key, bottom line message is…
Implicit — and to a degree explicit — in all this is changing how science itself is done. The report [from UN science advisors] argues that the actions that steer the world towards a sustainable path must be rooted in science that is multidisciplinary, equitable and inclusive, openly shared and widely trusted, and “socially robust” — in short, responsive to social context and social needs. As the authors acknowledge, for that to happen, global science needs to evolve. Knowledge needs to be more accessible than it is at present, and the production of that knowledge needs to be more open, too, recognizing, for example, the value of Indigenous and local knowledge to sustainable innovation.
Hard to argue with that… but with war-mongering and partisan political leaders wanting to put their country first, good science may not be enough. (Just saying.)
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Bruce D. Arthurs, John Coxon, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]
(1) MEDICAL UPDATE. Ursula Vernon told Filers the latest in a comment today:
Thanks, all! Just catching up—it’s been quite a week, but at least there’s now a treatment plan in place. I’m gonna live, just gonna be a gnarly few months. (I will be a bald wombat soon, but my husband points out that he watched Star Trek: The Motion Picture repeatedly in his youth, and not because of the acting.)
She went into more detail on Twitter. Thread starts here.
The doc looked at me and said “Some tumors are Golden retrievers. Yours is a Rottweiler. We’re going in guns blazing.”
So, we start with twenty weeks of aggressive chemo and meds. Then they go in with the melon baller, then I get radiation. Then, in theory, I should be good somewhere around New Years.
Long term survival is better than 85%, and I really did catch it early.
(2) APPEAL TO SUPPORT STRIKING WGA WRITERS. At Daily Kos, Jean-Marc & Randy Lofficier ask readers to “Help a writer in need” – them! (Familiar names because years ago they used to participate in Loscon programming.)
The Writers’ Guild’s strike is entering its 50th day. My wife and I are members, and this is starting to hurt in the pocketbook. Right now, for example, a major studio owes us $150,000 but because of the standard “Act of God”-type clause, payment will be deferred until after the strike is over. Fortunately, like most older writers, we have learned not to rely entirely of the largesses of Hollywood. We have our own small press, BLACK COAT PRESS, established in 2003 — coincidentally the year I joined Daily Kos.
Black Coat Press publishes English-language translations of French science fiction, fantasy and mysteries (dare I add, award-winning translations), as well as a line of translated French comics. If you buy 5 books, you get a 40% “bookstore” discount. Most of our books are priced around $20, and most are also available as ebooks (specify if you prefer EPUB or PDF files) for around $5.
Needless to say, we support the strike, but I fear this may well be one of toughest fight we ever faced as a Guild. (I’ll be happy to discuss why I think so in the comments.) So purchasing book(s) from us would come as a great help at this time. And frankly, we have published many truly ground-breaking books in the fields of SF and fantasy. (See this article published in The Fantasy Hive for example.)
Visit our website. If you can afford it (and only if!, please consider buying some books from us. Thank you very, very much in advance.
(3) GOFUNDME BRINGS NEEDED HELP. David Gerrold has thanked contributors to his GoFundMe (“Help Move David Gerrold’s Family To Vermont”) which has raised over $31,000 in a week. He says, “We’re still a little short of the target, but two of the bigger problems can now be handled. If the universe doesn’t throw any more crap at us, we’re going to be okay.”
Small events can be some of the most rewarding experiences for an author. Signings, readings, classes, and panels offer an opportunity to connect directly with readers. They also offer some unique challenges when planning for safety….
Planning
Think about safety. Is safety a pressing concern? Are you experiencing harassment, or is another attending author the target of harassment? If you have experienced harassment, are there indicators that someone will attend one of your events? Have they made direct threats?
Are there other aspects of the venue, like location or time, that increase the need to think about safety?
The ICFA virtual conference coordinator position I occupied has been made a board position, & I’m now officially a member of the board of the International Association for the Fantastic in the Arts (IAFA)
At the link you can read the letter ICFA sent him.
(6) PUNCH, BROTHERS, PUNCH WITH CARE. From last October, but it’s news to me! “The Lensman Cometh” by Steve J. Wright. It begins —
(To the tune of “The Gasman Cometh” by Michael Flanders and Donald Swann, to whom I apologize unreservedly.)
‘Twas on a Monday morning that the Lensman came to call, Boskonians had dropped a bunch of Eich all round the hall. He pulled out his DeLameter and swiftly saved the day, But then there came Imperials dressed in tones of white and gray.
(Oh, and they all have mooks for the hero guy to punch…)
(7) CLARION INSTRUCTOR READING SERIES. Each summer the Clarion Workshop’s visiting instructors give public readings at Mysterious Galaxy Bookstore in San Diego. Here is the 2023 schedule of events:
Andy Duncan – June 28th, 7pm
ANDY DUNCAN returns this summer for his third stint as a Clarion Workshop instructor! His honors include a Nebula Award, a Theodore Sturgeon Memorial Award, three World Fantasy Awards, and awards from the Maryland State Arts Council and the Science Fiction Research Association. His latest collection is AN AGENT OF UTOPIA, from Small Beer Press; he narrates nine stories on the Recorded Books audio edition. His non-fiction project WEIRD WESTERN MARYLAND is ongoing. A former board member of the Science Fiction and Fantasy Writers Association, he tweets @Beluthahatchie and lives in Maryland’s mountains, where he’s a tenured English professor at Frostburg State University.
Alaya Dawn Johnson – July 5th, 7pm
ALAYA DAWN JOHNSON is the author of RACING THE DARK, THE SUMMER PRINCE, which was long listed for the National Book Award for Young People’s Literature, and LOVE IS THE DRUG, which won the prestigious Nebula (Andre Norton) Award for YA Science Fiction and Fantasy. In a return to adult fiction, TROUBLE THE SAINTS, was published by Tor in 2020 and won the World Fantasy Award. In the past decade, her award-winning short stories have appeared in many magazines and anthologies, including BEST AMERICAN SCIENCE FICTION AND FANTASY 2015, FERAL YOUTH, THREE SIDES OF A HEART and ZOMBIES VS. UNICORNS. In Mexico, where she has made her home since 2014, Johnson has recently received her master’s degree with honors in Mesoamerican Studies from the Universidad Nacional Autónoma de México.
Tochi Onyebuchi — July 12th, 7pm
TOCHI ONYEBUCHI is the author of GOLIATH. His previous fiction includes RIOT BABY, a finalist for the Hugo, Nebula, Locus, and NAACP Image Awards and winner of the New England Book Award for Fiction, the Ignyte Award for Best Novella, and the World Fantasy Award; the Beasts Made of Night series; and the War Girls series. His short fiction has appeared in THE BEST AMERICAN SCIENCE FICTION AND FANTASY, THE YEAR’S BEST SCIENCE FICTION, and elsewhere. His non-fiction includes the book (S)KINFOLK and has appeared in THE NEW YORK TIMES, NPR, and the HARVARD JOURNAL OF AFRICAN AMERICAN PUBLIC POLICY, among other places. He has earned degrees from Yale University, New York University’s Tisch School of the Arts, Columbia Law School, and the Paris Institute of Political Studies.
Anjali Sachdeva — July 19th, 7pm
ANJALI SACHDEVA’s short story collection, ALL THE NAMES THEY USED FOR GOD, was the winner of the 2019 Chautauqua Prize. It was named a Best Book of 2018 by NPR, Refinery 29, and BookRiot, longlisted for the Story Prize, and chosen as the 2018 Fiction Book of the Year by the Reading Women podcast. Her fiction has been published in MCSWEENEY’S, LIGHTSPEED, and THE BEST AMERICAN NONREQUIRED READING, among other publications, and featured on the LeVar Burton Reads podcast. Sachdeva worked for six years at the Creative Nonfiction Foundation, where she was Director of Educational Programs. She is the recipient of a Creative Writing Fellowship from the National Endowment for the Arts, and an Investing in Professional Artists grant from the Heinz Endowments and the Pittsburgh Foundation. She currently teaches at the University of Pittsburgh, and in the low-residency MFA program at Randolph College.
Rae Carson & C.C. Finlay — July 26th, 7pm
In January 2015, CHARLES COLEMAN FINLAY (C.C. Finlay) became the ninth editor of THE MAGAZINE OF FANTASY & SCIENCE FICTION. He is also the author of the Traitor to the Crown historical fantasy trilogy, which began with THE PATRIOT WITCH, and a stand-alone fantasy novel, THE PRODIGAL TROLL. He’s published more than forty stories since 2001, many of which have been reprinted in volumes of the YEAR’S BEST FANTASY, YEAR’S BEST SCIENCE FICTION, BEST NEW HORROR, and other anthologies. Some of his short stories have been finalists for the Hugo, Nebula, Sidewise, and Sturgeon awards, and have been translated into more than a dozen languages. In addition to Clarion, he has instructed at the Clarion Young Authors workshop, the Alpha Writers Workshop, and the Odyssey Online Workshop.
RAE CARSON’s debut novel, THE GIRL OF FIRE AND THORNS, was published in 2011, and was a finalist for the William C. Morris YA Award and the Andre Norton Award, and it was the winner of the Ohioana Book Award for Young Adult Literature. It was also selected as 2012 Top Ten Best Fiction for Young Adults by Young Adult Library Services Association. The Fire and Thorns Trilogy was a NEW YORK TIMES bestseller, as was her Gold Seer Trilogy. Beginning in 2017, she has written several tie-in stories for the Star Wars universe, including the novelization of STAR WARS: THE RISE OF SKYWALKER. In 2021, she released her most recent novel, Any Sign of Life. In addition to her novels, her short fiction has been nominated for Hugo, Nebula, and Locus awards.
… Yet even should the convention be held in a fantastic gothic cathedral it would be bad without the people. And in this regard Konflikt presented itself from the best angle. I was very happy for how the socializing worked. Everything started the day before with a precon party in Williams Pub. The pub also became the palce to visit on every subsequent evening. It was not very big but every day I managed to find a place to sit. In most occasions I was starting at a “Polish table” which later was turning into more international one. Thanks to that I not only enjoyed the company of well known friends but also met some new people.
I was also very glad for the interactions I had at the con itself. I talked with friends who helped me to run the Glasgow 2024 table and with those who were around. The con was also occasion to refresh some of the friendships with people I met before at Swecon in 2016 (and a few times later). Obviously I also had the chance to talk to complete strangers who are not strangers any more….
(9) GRANT CONAN MCCORMICK (1955-2023). Kentucky fan and past publisher of FOSFAX Grant McCormick died June 19 Joseph T. Major told Facebook readers. Major also quoted this tribute to Grant from Carolyn Clowes:
“I’ve never known anyone like Grant. He was a huge intellect and a gentle spirit. I never heard him feel sorry for himself or be angry or rude to anyone. He was generous and sweet and smart as a whip. He always tried to make the best of his circumstances, and he had a wonderfully wicked sense of humor. I am so glad I knew him. We all loved Grant, and we’ll miss him forever.”
(10) MEMORY LANE.
1958 – [Written by Cat Eldridge from a choice by Mike Glyer.]
I really, really love Robert Sheckley. There was of Bill, the Galactic Hero on the Planet of Bottled Brains written with Harry Harrison, along with The Bring Me the Head of Prince Charming series with Roger Zelazny. Yes he liked writing with others. Though he did write The Tenth Victim by himself, a fine novel indeed.
His only Hugo nomination was at Detention for Immortality, Inc., the source of our Beginning this time. No, Retros don’t count here. It was published as Immortality Delivered by Aviation Books sixty-five years ago with cover art by Ric Binkley, and serialized by Galaxy Magazine the same year as “Time Killer”.
Now our Beginning…
Afterwards, Thomas Blaine thought about the manner of his dying and wished it had been more interesting. Why couldn’t his death have come while he was battling a typhoon, meeting a tiger’s charge, or climbing a windswept mountain? Why had his death been so tame, so commonplace, so ordinary?
But an enterprising death, he realized, would have been out of character for him. Undoubtedly he was meant to die in just the quick, common, messy, painless way he did. And all his life must have gone into the forming and shaping of that death—a vague indication in childhood, a fair promise in his college years, an implacable certainty at the age of thirty-two.
Still, no matter how commonplace, one’s death is the most interesting event of one’s life. Blaine thought about his with intense curiosity. He had to know about those minutes, those last precious seconds when his own particular death lay waiting for him on a dark New Jersey highway. Had there been some warning sign, some portent? What had he done, or not done? What had he been thinking? Those final seconds were crucial to him. How, exactly, had he died.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 21, 1932 — Lalo Schifrin, 91. Argentina-American pianist and composer of the music for the original Mission: Impossible series along with The Four Musketeers (1974 version), The Amityville Horror, The Mask of Sheba, The Hellstrom Chronicle, THX 1138, The Cat from Outer Space and The Man from U.N.C.L.E. to select some of his work.
Born June 21, 1938 — Ron Ely, 85. Doc Savage in Doc Savage: The Man of Bronze, a film I saw a long time ago and remember little about. He was also, fittingly enough, Tarzan in that NBC late Sixties series. Somewhere Philip Jose Farmer is linking the two characters… Other notable genre roles included being a retired Superman from an alternate reality in a two-part episode “The Road to Hell” of the Superboy series, and playing five different characters on the original Fantasy Island which may or may not be a record.
Born June 21, 1947 — Michael Gross, 76. Ok, I’ll admit that I’ve a fondness for the Tremors franchise in which he plays the extremely well-armed graboid hunter Burt Gummer. Other than the Tremors franchise, he hasn’t done a lot of genre work as I see just an episode of The Outer Limits where he was Professor Stan Hurst in “Inconstant Moon” (a Niven story) and voicing a few Batman Beyond and Batman: The Animated Series characters.
Born June 21, 1940 — Mariette Hartley, 83. She’s remembered by us for the classic Trek episode “All Our Yesterdays”, though, as OGH noted in an earlier Scroll, probably best known to the public for her Polaroid commercials with James Garner. She also had a role as psychologist Dr. Carolyn Fields in “Married”, an episode of The Incredible Hulk.
Born June 21, 1964 — David Morrissey, 59. His most well-known role is playing The Governor on The Walking Dead (which is a series that I’ve not seen and have no interest of seeing as I don’t do zombies) but I saw his brilliant performance as Jackson Lake, the man who believed he was The Doctor in “The Next Doctor”, a Tenth Doctor adventure which was an amazing story. He was also Theseus in Jim Henson’s The Storyteller: Greek Myths, and played Tyador Borlú in the BBC adaption of China Mieville’s The City & The City. I’ll admit that I’m not at all ambivalent about seeing it as I’ve listened to the novel at least a half dozen times and have my own mental image of what it should be. He has also shows up in Good Omens as Captain Vincent.
Born June 21, 1965 — Steve Niles, 58. Writer best- known for works such as 30 Days of Night, Criminal Macabre, Simon Dark and Batman: Gotham County Line. I’ve read his Criminal Macabre: The Complete Cal McDonald Stories and the graphic novel — great bit of horror! Sam Raimi adapted 30 Days of Night into a film.
Born June 21, 1969 — Christa Faust, 54. It does not appear that she’s written any original fiction save one novel with Poppy Z. Brite called Triads but she’s certainly had a lot of media tie-in work including novels set in the Final Destination, Friday the Thirteenth, Fringe, Gabriel Hunt, Nightmare on Elm Street, Supernatural and Twilight Zone universes. Did you know there’s an entire ecology of novels, fan fiction, a game, comics, even an encyclopedia guide, September’s Notebook — The Bishop Paradox made around Fringe? I hadn’t until I was researching her. One of the perks of doing this.
(12) COMICS SECTION.
Thatababy’s joke “reminded me of one of Our Wombat’s books” says Kathy Sullivan.
Marvel’s Secret Invasionis already causing a commotion on social media, though not for reasons that the studio may have hoped.
The series, which debuted on Wednesday with just one episode, has touched a sore spot after director Ali Selim confirmed to Polygon that the opening credits were generated by artificial intelligence. Designed by Method Studios, Selim said he thought that the idea of using AI for the opening credits fit into the themes of the show.
“When we reached out to the AI vendors, that was part of it — it just came right out of the shape-shifting, Skrull world identity, you know? Who did this? Who is this?” he said, adding that he doesn’t “really understand” how the artificial intelligence works, though it piqued his interest.
… What has emerged is a buoyant and good-humoured LGBTQ+ parable, set in a kind of retro-futurist kingdom, super-modern and hi-tech in every way but with a medieval-style queen and a court of knights who have competed hard for the honour of the title “sir”. One of these is Ballister Boldheart (voiced by Riz Ahmed), a lowborn person of colour in love with fellow knight Sir Ambrosius Goldenloin (Eugene Lee Yang), and Ballister is about to be officially dubbed in a gigantic stadium ceremony halfway between the Hunger Games and the Super Bowl….
… Looking at synchrony between bands of brain waves is one way of understanding what’s going on between interacting brains. Another is to look at the activity of specific neurons. “Ultimately our brains are not a soup of averages. They consist of individual neurons that do different things, and they may do opposite things,” U.C.L.A.’s Hong says. Hong and his colleagues were among the first to go looking for this level of detail and study interacting brains neuron by neuron. What they found revealed even more complexity.
Like Yartsev, Hong first doubted that the interbrain synchrony he and his team observed in animals—in their case, mice—was real. He hadn’t yet read the literature on synchrony in humans and told Lyle Kingsbury—at the time a student of Hong’s and the lead scientist on the research and now a postdoctoral fellow at Harvard University—that there must be something wrong. There wasn’t. Using a technology called microendoscopic calcium imaging, which measures changes in induced fluorescence in individual neurons, they looked at hundreds of neurons at the same time. In pairs of interacting mice, they established that synchrony appeared during an ongoing social interaction. Further, synchrony in mouse brains arose from separate populations of cells in the prefrontal cortex, which Hong calls “self cells” and “other cells.” The former encodes one’s own behavior, the latter the behavior of another individual. “The sum of activity of both self and other cells is similar to or correlated with the sum of activity in the other brain,” Hong says.
What they are seeing goes well beyond previous research on so-called mirror neurons, which represent both the self and another. (When I watch you throw a ball, it activates a set of mirror neurons in my brain that would also be activated if I were doing the same thing myself.) In contrast, the self and other cells Hong and Kingsbury discovered encode only the behavior of one individual or the other. All three kinds of cells—mirror, self and other—were present and aligning in the mouse brains….
(16) VIDEO OF THE DAY. Brutal! “Talent Shows Need One Mean Judge” and Ryan George is that judge. (Hasn’t the same guy left comments here, too?)
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Mark, Danny Sichel, Kathy Sullivan, Steven French, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) SETI CONNECTION TO MISSING SUBMERSIBLE. An international effort has been launched to find a submersible with five people on board that went missing Sunday on a trip to view the wreckage of the Titanic. According to CNN, a prominent Pakistani father and son are on board the missing sub, which turns out to be of genre interest.
…While the names of those on board have not been released by the authorities, British businessman Hamish Harding, Pakistani billionaire Shahzada Dawood and his son Sulaiman Dawood, and French diver Paul-Henri Nargeolet have been confirmed to be on board the craft.
The fifth person on board is Stockton Rush, the CEO and founder of the company leading the voyage, Ocean Gate, according to a source with knowledge of the mission plan. Ocean Gate did not respond to CNN’s request for comment…
Shahzada Dawood is on the Board of Trustees of the SETI Institute, an organization whose scientists “are looking for proof – not merely of life elsewhere – but of intelligent beings in other star systems.”
July 12, 2023, marks the start of James E. Gunn’s centenary. He died December 23, 2020 – one week after finishing his final story, which sold his final day.
Jim was a Damon Knight Memorial Grand Master, SF Hall of Fame inductee, first (with Jack Williamson) to offer SF courses in academia, former President of SFWA and SFRA, and “Science Fiction’s Dad” to the generations of authors, editors, and educators he mentored. Jim’s devotion to “Saving the world through science fiction” inspired us to reach higher, grow deeper, and become ever-more humane. His tireless dedication to what SF does was the essence of his magic, and why so many called him Dad. Our world is richer because of him.
For auction is a collection of Jim’s works, unread NOS.
Hardcovers of Transcendental, Transformation, and Transgalactic – his only trilogy, and his final books; two Easton Press leather editions: Gift from the Stars (signed first edition), and Kampus; his Hugo-winning illustrated SF history, Alternate Worlds (new, updated edition); volumes 1-4 of his essential anthologies-as-history, The Road to Science Fiction, with teaching guide; hardcovers collections Human Voices and Some Dreams Are Nightmares; new trade paper and early paperback of Jim’s classic collab with Jack Williamson, Star Bridge; hardcover and early paperback of The Dreamers; new trade paper of his best-selling The Listeners, which inspired Carl Sagan to write Contact and others to form SETI; plus a 1983 business card for his (first of its kind) Center for the Study of SF, SFWA Grand Masters trading card, and Transcendental bookmark.
(3) TRIVIA CONNECTIONS. [Item by Nickpheas.] Given the regular notes of Jeopardy! questions, here’s one from the long running BBC radio 4 show Round Britain Quiz.
Q8 (from Nigel Choyce) Which of these is the leader and how many are missing: A cosmetic company that might come calling; a Victorian actress who travelled in the Tardis; a school of Buddhism emphasising the value of meditation; the Baker Street detective aided by a Tinker?
The question can be heard at about 22.30 through the episode.
Phil and Colin dig into “Star Wars Sequel”, the unfilmed 1978 script by science fiction legend Leigh Brackett which became Star Wars: The Empire Strikes Back. We look at what made it into the finished film and what got junked, and consider whether Star Wars creator George Lucas was keeping his screenwriter in the dark!
If you’ve never read Brackett’s script, you can find two versions of it online. There’s a PDF scan of the original typescript, which shows all of her hand-corrections and notes – fascinating for its details, if you can make them out. Or there’s this transcript, which is a lot easier to read but loses some of the fun.
For a fascinating, in-depth discussion of how “Star Wars Sequel” developed into The Empire Strikes Back, sit back and watch this interview with screenwriter Larry Kasdan, who wrote the final draft of the film’s script.
On March 16, 2023, the United States Copyright Office issued a publication: Copyright Registration Guidance: Works Containing Material Generated by Artificial Intelligence. The full text can be found here.
The Copyright Office’s Guidance does not have the force of law and will change as the situation evolves, especially as legal precedents are created under US law, but, as of the time of this post, it is effectively the policy in force in the United States.
The main takeaway from the Guidance can be summarized thus: the only parts of a work that are copyrightable are the human-contributed ones, and the work is not copyrightable if an AI technology determines the expressive elements of the work and the creativity is not the product of human authorship. In cases where there are both AI-generated and human-authored elements, copyright will only protect the human-authored aspects of the work, which are “independent of ” and do “not affect” the copyright status of the AI-generated material…..
Recently I reread C.S. Lewis’s 1945 novel, “That Hideous Strength,” the last book in his Space Trilogy, and since I wrote about aliens last weekend it seems like a good week to talk a little bit about the novel’s contemporary relevance….
…The story introduces a near-future Britain falling under the sway of a scientistic technocracy, the National Institute of Coordinated Experiments (N.I.C.E.), which looks like the World State from Huxley’s “Brave New World” in embryo. But as one of the characters is drawn closer to N.I.C.E.’s inner ring, he discovers that the most powerful technocrats are supernaturalists, endeavoring to raise the dead, to contact dark supernatural entities and even to revive a slumbering Merlin to aid them in their plans.
I’ll say no more about the plot mechanics except to observe that they boldly operate in the risky zone between the sublime and the ridiculous. But just from that sketch I’ll draw out a couple of points about the book’s interest for our own times.
First, the idea that technological ambition and occult magic can have a closer-than-expected relationship feels quite relevant to the strange era we’ve entered recently — where Silicon Valley rationalists are turning “postrationalist,” where hallucinogen-mediated spiritual experiences are being touted as self-care for the cognoscenti, where U.F.O. sightings and alien encounters are back on the cultural menu, where people talk about innovations in A.I. the way they might talk about a golem or a djinn.
The idea that deep in the core of, say, some important digital-age enterprise there might be a group of people trying to commune with the spirit world doesn’t seem particularly fanciful at this point. (For a small example of what I mean, just read this 2021 account of life inside one of the stranger tech-associated research institutes.) Although like some of the characters in “That Hideous Strength,” these spiritualists would probably be telling themselves that they’re just doing high-level science, maybe puncturing an alternate dimension or unlocking the hidden potential of the human mind.
Then, too, the book’s totalitarian dystopia is interesting for being incomplete, contested and plagued by inner rivalries and contradictions. Unlike in “Brave New World” and “1984,” we don’t see a one-party regime holding absolute sway; in Lewis’s story, we see a still-disguised tyranny taking shape but still falling prey to various all-too-human problems, blunders and failures that contrast with the smooth dominance of Orwell’s O’Brien or Huxley’s Mustapha Mond….
The novel’s emphasis on the limitations of any attempted secret government, finally, connects specifically to our peculiar U.F.O. discourse, where we suddenly have a government whistle-blower claiming knowledge of a 90-year conspiracy and, apparently, a chorus of anonymous sources encouraging belief.
I wrote a Twitter thread after my column, explaining why even independent of the likelihood of alien visitors or interdimensional encounters, I find it hard to imagine the kind of long conspiracy depicted by the whistle-blower: The secrets involved would be too big not to tempt would-be heroes of disclosure, the breadth of infrastructure would be too hard to hide, the political complexity and turmoil of the world would create too many opportunities for revelations (because you would need China, Russia and other powers to be in on it as well) and so on.
If there were an alien cover-up, though, I would imagine it would look more like the secrets held by N.I.C.E. in “That Hideous Strength.” …
(8) TAX-EXEMPT AT LAST. The Science Fiction Poetry Association informed members today that they have received the official confirmation from the IRS of SFPA’s 501(c)(3) status, which secures the organization’s federal tax exempt standing.
The board of the Peace Prize of the German Book Trade has announced today (June 19) that Salman Rushdie is the winner of this year’s honor, “for his indomitable spirit, for his affirmation of life, and for enriching our world with his love of storytelling.”
…As is this award’s tradition, the honor will be conferred in a ceremony on the closing day of Frankfurter Buchmesse (October 18 to 22), at the Paulskirche, a program to be broadcast live on German public television (SDF) at 11 a.m. The award carries a purse of €25,000 (US$27,302).
(10) MICHAEL A. BANKS (1951-2023). Writer and editor Michael A. Banks (Alan Gould), a longtime member of the Cincinnati Fantasy Group, died June 19 of cancer. He was 72.
In the SF field, he is perhaps best known for nonfiction works about the genre (including Understanding Science Fiction, 1980) and his collaborations with Mack Reynolds. His first published story was “Lost and Found” (1978) with George Wagner. Banks wrote several novels to his credit, including The Odysseus Solution, with Dean R. Lambe. He also worked as an acquisitions editor for publishers, including Baen Books and Harlequin. He wrote dozens of nonfiction books.
(11) MEMORY LANE.
2016 – [Written by Cat Eldridge from a choice by Mike Glyer.]
So the Beginning this Scroll is from Claudia Casper’s The Mercy Journals.
She’s a Canadian writer who’s best known for The Reconstruction, about a woman who constructs a life-sized model of the hominid Lucy for a museum.
And now for our Beginning…
On October 15, 2072, two Moleskine journals were found wrapped in shredded plastic inside a yellow dry box in a clearing on the east coast of Vancouver Island near Desolation Sound. They were watermarked, mildewed, and ragged but legible, though the script was wildly erratic. Human remains of an adult male were unearthed nearby along with a shovel and a 9mm pistol. Also found with the human remains were those of a cougar. The journals are reproduced in their entirety here, with only minor copy-editing changes for ease of reading.
March 9, 2047 | My name is Allen Levy Quincy. Age 58. Born May 6, 1989. Resident of Canton Number 3, formerly Seattle, Administrative Department of Cascadia. This document, which may replace any will and testament I have made in the past, is the only intentional act of memory I have committed since the year 2029. I do not write because I am ill or because I leave much behind. I own a hot plate, three goldfish, my mobile, my Callebaut light, my Beretta M9, the furniture in this apartment, and a small library of eleven books.
March 10 | I sit at my kitchenette island in this quasi-medieval, wired-by-ration, post nation-state world, my Beretta on my left, bottle of R & R whiskey on my right, speaking to the transcription program on my mobile.
I was sober for so long. Eighteen years. I was sober through what seems to have been the worst of the die-off. Three and a half to four billion people, dead of starvation, thirst, illness, and war, all because of a change in the weather. The military called it a “threat multiplier.
You break it, you own it—the old shopkeeper’s rule. We broke our planet, so now we owned it, but the manual was only half written and way too complicated for anyone to understand. The winds, the floods, the droughts, the fires, the rising oceans, food shortages, new viruses, tanking economies, shrinking resources, wars, genocide—each problem spawned a hundred new ones. We finally managed to get an international agreement with stringent carbon emissions rules and a coordinated plan to implement carbon capture technologies, but right from the beginning the technologies either weren’t effective enough or caused new problems, each of which led to a network of others. Within a year, the signatories to the agreement, already under intense economic and political pressure, were disputing who was following the rules, who wasn’t, and who had the ultimate authority to determine non-compliance and enforcement.
Despite disagreements, the international body made headway controlling the big things—coal generators, fossil fuel extraction, airplane emissions, reforestation, ocean acidification—but the small things got away from them—plankton, bacteria, viruses, soil nutrients, minute bio-chemical processes in the food chain. Banks and insurance companies failed almost daily, countries went bankrupt, treaties and trade agreements broke down, refugees flooded borders, war and genocide increased. Violent conflict broke out inside borders, yet most military forces refused to kill civilians. Nation-states collapsed almost as fast as species became extinct. Eventually the international agreement on climate change collapsed completely, and the superpowers retreated behind their borders and bunkered down. The situation was way past ten fingers, eleven holes; it was the chaos that ensues after people miss three meals and realize there’s no promise of a meal in the future.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 20, 1947 — Candy Clark, 76. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-D, Stephen King’s Cat’s Eye and The Blob in the role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon which makes absolutely no sense, does it?
Born June 20, 1951 — Tress MacNeille, 72. Voice artist extraordinaire. Favorite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain.
Born June 20, 1952 — John Goodman, 71. Some may know him as the TV husband of a certain obnoxious comedienne but I’ve never watched that show. So I picture him as Fred Flintstone in The Flintstones, a role perfect for him. Mind you he’s had a lot of genre roles: voicing James P. “Sulley” Sullivan in the Monsters franchise, a cop in the diner in C.H.U.D., and he’ll even be the voice of Spike in the Tom and Jerry due out two years hence. And he’s in Argo, which is a thriller, but one in which the development of a fake sf movie is crucial.
Born June 20, 1956 — Ed Lynskey, 67. Mainly a mystery writer with five series comprising forty novels underway but he has written one genre novel, The Quetzal Motel, a handful of genre short fiction (uncollected) that appeared in Full Unit Hookup, Aoife’s Kiss, Maelstrom, and Three-Lobed Burning Eyed (fascinating titles, eh?) and somewhat more genre poetry.
Born June 20, 1967 — Nicole Kidman, 56. Batman Forever was her first foray into the genre but she has done a number of genre films down the years: Practical Magic, The Stepford Wives, Bewitched (I liked it), The Invasion (never heard of it), The Golden Compass (not nearly as good as the novel was), Paddington, and as Queen Atlanna in the rather good Aquaman.
Born June 20, 1968 — Robert Rodriguez, 55. I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll.
(14) STAN LEE WILL RING THE BELL. An animated Stan Lee will ring the opening bell of the NYSE on June 26. The event will stream live on Kartoon Channel. “Genius Brands Moves to NYSE, Renames as Kartoon Studios” at Animation World Network.
Genius Brands International, Inc. announced a name change to Kartoon Studios and plans to transfer its listing from the Nasdaq Capital Market (Nasdaq) to the NYSE American exchange (NYSE American). Under its new name, the company expects to start trading on the NYSE American exchange when markets open on Monday, June 26, 2023. That day the company’s common stock will begin trading under a new trading symbol, “TOON,” and a new CUSIP number, 37229T 509. It will continue to trade on Nasdaq under its current trading symbol, “GNUS” until the close of market on Friday, June 23, 2023.
An animated Stan Lee will ring the opening bell of the NYSE on June 26, an indication of the company’s plans to expand on its Stan Lee IP under its new moniker. The event will stream live on Kartoon Channel!
The company controls the post-Marvel IP of Stan Lee, which was initially brought to market with a 20-year license to Marvel and the Walt Disney Company, and brand initiative commemorating Stan’s 100th anniversary at San Diego Comic-Con in July 2023….
On June 6, 2008 the flag flying over the U.S. Capitol commemorated the 75th birthday of a distinctive slice of Americana: the drive-in movie theater.
It was on that day in 1933 that Richard Hollingshead opened the first theater for the auto-bound in Camden, N.J. People paid 25 cents per car as well as per person to see the British comedy Wives Beware under the stars.
…He first conceived the drive-in as the answer to a problem. “His mother was—how shall I say it?—rather large for indoor theater seats,” said Jim Kopp of the United Drive-in Theatre Owners Association. “So he stuck her in a car and put a 1928 projector on the hood of the car, and tied two sheets to trees in his yard.”…
(16) UKRAINE/STAR WARS AGAIN. [Item by Susan de Guardiola.] Continuing the Star Wars spotting in the war: check out the chest patch General Valerii Zaluzhnyi, the Ukrainian Commander-in-Chief, is sporting here:
Observations from the James Webb Space Telescope suggest that a second world in a seven-planet system lacks an atmosphere.
For the second time, the James Webb Space Telescope (JWST) has looked for and failed to find a thick atmosphere on an exoplanet in on one of the most exciting planetary systems known. Astronomers report1 today that there is probably no tantalising atmosphere on the planet TRAPPIST-1 c, just as they reported months ago for its neighbour TRAPPIST-1 b.
SF2 Concatenationpreviously reported on the innermost planet not having an atmosphere.
(18) VIDEO OF THE DAY. “Not strictly TV as it was never broadcast but here’s Jon Pertwee as Doctor Who in a corporate film circa 1981. There’s a surprising … err … twist at the end.”
[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Jason Sanford, Nickpheas, Susan de Guardiola, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]
(2) KGB. Ellen Datlow has shared her photos from the Fantastic Fiction at KGB reading on June 14 where “Nathan Ballingrud read from his novel The Strange and Dale Bailey read from his story ‘I Married a Monster from Outer Space’ and both made the crowd very happy.”
(3) COVER ART UNCOVERED. Alex Shvartsman has revealed the cover for The Digital Aesthete. See preorder information at the link.
We now have a cover for the anthology of stories about artificial minds interacting with art. The stories and the art are created by humans (the cover is drawn and designed by the spectacular K.A. Teryna!)
(4) NO, NO, IT WOULD BE A LITERARY SOCIETY. Norman Spinrad’s first attempt to explain his idea was completely successful. Everybody knew exactly what he meant. Now he tries to remedy that with a cagier post, “SFS and SFWA”.
I think I should this make this clear. SFWA means Science Fiction and Fantasy Writers Association. SFS means Speculative Fiction Society. SFWA has existed for a long time and I was elected its president three times. Speculative Fiction Society is something that does not yet exist, it is something that may or may not exist in a possible future, it is, well, speculative fiction.
SFS is not an enemy of SFWA nor would it be mean to replace it. SFS is not a new invention. SFWA was born as society of speculative fiction writers. Damon Knight and Kate Wilhelm invited writers of their choice to their large house in Milford annually to meet each other and bring stories of theirs to read his small society. Stories of which they were proud, stories they felt had literary problems, and to some extent, stories that they had trouble finding proper publication.
Although we all well knew that the price of liberty was taking care of business, this was primerily a literary society. The core was to help each other create better literature. But business being what it was, Damon said that we should create something that could also help writers take care of business. Not quite a union like the Screen Writers of America, but something that could act like one when called to, a Science Fiction Writers of America.
The SFWA.
The SFWA, now calls itself the Science Fiction and Fantacy Writers Association. As such, it sometimes does act like a union when it comes to the rights and economic problems of its members. But it no longer functions as a literary society devoted to the literary health and evolution of speculative fiction.
Indeed it has now become a legally non-profit corporation, whose bottom line is not literature, but the bottom line, dedicated to maximum numbers of various levels of memberships, selling various fandom goods like baseball or soccer teams, behaving more like the Science Fiction and Fantasy Fandom Association.
An SFS, a Speculative Fiction Society, could never take the place of this Science Fiction and Fantasy Fandom Associaton. It could not do it, it would not want to do it, it would not want to destroy it. It would not be a corporation, not-profit or not.
The literary concept of speculative fiction is at least as ancient as Plato’s REPUBLIC and it was captured as “science fiction,” “sci-fi,” and yes, SF, by publishing fluke, and the purpose of a Speculative Fiction Society would be to rescue what should be a central literature of any dynamic society.
A famous and almost you might say snotty French publisher that calls itself “Less Belles Lettres” wanted to publish a book celebrating its hundredth birthday. They wanted to publish a book called “Les Futures des Belles Lettres,” a double meaning in French, the future of the publisher and the future of serious literature.
They asked me to write whatever I wanted to as long as the story I did that. I wrote a story called BELLES LETTRES AD ASTRA. A hundred years in the future the central literature would have to be be speculative fiction
…Centered on Francie, a young woman traveling to New Mexico to stop her college roommate’s UFO-themed wedding, Roswell is a kind of self-learning punchline algorithm. A skeptic regarding all things flying saucer, Francie is of course abducted. From there on out, the novel’s escalation through repetition is unceasing. The way Monument Valley has been mislocated in old western films, the way playing solitaire invites unsolicited advice, the way language empties itself semiotically if explained for too many hours to a cute, terrifying little alien: all turn the plot forward like fine teeth in a gearbox.
Francie eventually helps her captor, a pretty decent non-humanoid fellow, learn English thanks to the aforementioned western films. “I AINT NEVER GULLED A PARDNER,” the alien initially repeats without understanding; astute readers will hear another turn of the machine. The idea of “PARDNERS” becomes vital not only for surviving Las Vegas hotels and an Elvis-themed wedding, but essential to Francie saving her friends and at least one planet….
I mentioned Tochi Onyebuchi’s Goliath in my Hugo ballot post, and reviewed it on my blog. But the further I get away from it, the more convinced I become that this is one of the major science fiction novels of 2022, and that neither I nor the fandom as a whole have done enough to promote or discuss it. I was therefore thrilled when Strange Horizons reviews editor Dan Hartland proposed a roundtable discussion of the novel. Along with A.S. Lewis, Archita Mittra, and Jonah Sutton-Morse, it was a thrill to go deep into this remarkable, challenging book….
… Jonah Sutton-Morse: Thanks for gathering us—I’m really looking forward to this.
I have, I think, an answer to what the book is “about,” and moreso to “where did your focus wind up landing,” but I’m not sure they’re particularly satisfying, so I’m looking forward to reading other answers to this.
My focus in Goliath wound up landing on the moments and edges outside the stories that the book tells. There’s a way that Goliath is straightforwardly a story about ecological collapse, capitalism scavenging on leftover fragments, and the destructive impulses of gentrification and racism that we can see in national US news stories every day. But it struck me that, while the book was aware of that story, and expected the reader to be able to follow it (and this is a book that I found hard to follow), my focus kept falling on the pieces outside that story. The impulse to scavenge the remnants of a city is less interesting than the people who do the basic manual work of hammering the bricks. The people who leave ecological collapse are less interesting than those who remain—and even among those who left, the most interesting are those at the margins who eventually return. The mechanics of living in climate collapse, and enduring the policing that comes with the intrusion of wealth, are acknowledged but less interesting than an adventure collecting wild horses, or a group of people playing Spades and talking trash.
I don’t really like saying that this novel is “about” the lives and details around the edge of the destructive forces that regularly lead my national headlines (and I realize that the “Winter” section that Dan puts at the heart of the book at least partly complicates my reading), but it is those lives and details that my focus landed on….
(7) MEMORY LANE.
2011 – [Written by Cat Eldridge from a choice by Mike Glyer.]
The author of tonight’s Beginning, Saladin Ahmed is an Eisner Award-winning comic book writer for the debut of the Black Bolt series. He also wrote the Miles Morales: Spider-Man series. He is currently writing Miles Morales: Spider-Man and Exiles. Finally in this vein, I want to note his work on The Magnificent Ms. Marvel series.
His only novel, Throne of the Crescent Moon, where our Beginning is from, was nominated for a Hugo at Chicon 7. Dublin 2019 saw him pick up a Best Graphic Story nomination for Abbot.
He’s written but a double handful of short fiction sff stories, six of which are collected in Engraved on the Eye: Short Fantasy & Science Fiction.
And now his Beginning…
NINE DAYS.
Beneficent God, I beg you, let this be the day I die!
The guardsman’s spine and neck were warped and bent but still he lived.
He’d been locked in the red lacquered box for nine days.
He’d seen the days’ light come and go through the lid-crack. Nine days. He held them close as a handful of dinars. Counted them over and over. Nine days. Nine days. Nine days. If he could remember this until he died he could keep his soul whole for God’s sheltering embrace.
He had given up on remembering his name.
The guardsman heard soft footsteps approach, and he began to cry. Every day for nine days the gaunt, black-bearded man in the dirty white kaftan had appeared. Every day he cut the guardsman, or burned him. But worst was when the guardsman was made to taste the others’ pain.
The gaunt man had flayed a young marsh girl, pinning the guardsman’s eyes open so he had to see the girl’s skin curl out under the knife. He’d burned a Badawi boy alive and held back the guardsman’s head so the choking smoke would enter his nostrils. The guardsman had been forced to watch the broken and burned bodies being ripped apart as the gaunt man’s ghuls fed on heart-flesh. He’d watched as the gaunt man’s servant-creature, that thing made of shadows and jackal skin, had sucked something shimmering from those freshly dead corpses, leaving them with their hearts torn out and their empty eyes glowing red.
These things had almost shaken the guardsman’s mind loose. Almost. But he would remember. Nine days. Nine…. All-Merciful God, take me from this world!
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 19, 1915 — Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as Bradbury, Bester, Bloch, Weinbaum, and Lovecraft which included some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
Born June 19, 1921 — Louis Jourdan. Fear No Evil and Ritual of Evil, two TV horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then came the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
Born June 19, 1926 — Josef Nesvadba. A Czech writer, best known for his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd. : Stories of Science and Fantasy. Neither’s available in digital format. (Died 2005.)
Born June 19, 1947 — Salman Rushdie, 78. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her Feet, Grimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
Born June 19, 1952 — Virginia Hey, 71. Best known for her role as Pa’u Zotoh Zhaan in the fabulous Farscape, series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film.
Born June 19, 1954 — Kathleen Turner, 69. One of her earliest roles was in The Man with Two Brains as Dolores Benedict. Somewhat of a Fifties retro feel with that title. Of course, she voiced sultry Jessica Rabbit in Who Framed Roger Rabbit, one of my favorite all time films. I still haven’t seen all of the Roger Rabbit short films that were done. She voiced Constance in Monster House a few years later, and was in Cinderella, a television film where she was the lead of the Wicked Stepmother Claudette.
Born June 19, 1957 — Jean Rabe, 66. She’s a genre author and editor who has worked on the Dragonlance, Forgotten Realms, Rogue Angel and BattleTech series, as well as many others. Ok, I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer.
Born June 19, 1978 — Zoe Saldana, 45. She was born with the lovely birth name of Zoë Yadira Saldaña Nazario. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the new Trek series and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film. I’ll confess that I’ve not yet seen the other Guardians of the Galaxy films. Should I?
(9) THEY’RE NOT LOSING AN X-MAN, THEY’RE GAINING AN AVENGER. This September, Tony Stark and Emma Frost tie the knot in the X-Men #26 and Invincible Iron Man #10 crossover event.
Today IGN exclusively revealed the upcoming connecting covers for X-MEN #26 and INVINCIBLE IRON MAN #10, which feature the long awaited wedding between Emma Frost and Tony Stark. Debuting in September, both issues are written by Gerry Duggan with art by Stefano Caselli (X-MEN #26), Juan Frigeri (INVINCIBLE IRON MAN #10), and stunning covers by Lucas Werneck.
First, in X-MEN #26, the moment we swore would never happen—heck, the moment EMMA FROST swore would never happen—is here at last! As the Frost/Stark knot is tied, Emma’s mutant family reacts to this surprise news! Then, readers are cordially invited to the wedding of Anthony Edward Stark and Emma Grace Frost in INVINCIBLE IRON MAN #10. Come join the lucky couple as they exchange vows. Attire is Hellfire formal. Orchis raid to follow. Plus some exclusive wedding extras!
To many of our listeners, your dad was an artist who created and designed characters at both Marvel and DC. He’s best known for drawing Spider-Man in the ’60s and ’70s. He had a hand in creating Wolverine, the Punisher and Luke Cage, among others. But who was he to you?
He’s the guy who taught me how to hit a curve ball, and that was almost as [important] to me as learning how to draw Spider-Man’s eyes properly. It was so much more than just the art. I was talking to my brother about the fact that when it rained on the weekends in the summertime, we would watch old movies together and he would tell us what was about to happen. And the scenes in “On the Waterfront” have stuck with me forever since. That’s the part I remember, is how much time he spent with us.
And then he taught us so many things. It was more than just the art mentor to me – and yet he never forced anything on me, as far as art went. He told me, “I’m not gonna tell you what to do. You come to me and ask me a question. If you do something wrong, I’ll proactively act that way.” So the man just did everything right with my brother and me. It was fantastic.
Like I said, as much as he helped with my art-world life, he was that way with all aspects of our lives. He was a brilliant man….
(11) IN ANOTHER FATHER’S DAY. [Item by Cora Buhlert.] Here’s an interesting video about the cargo vessel MS München, which vanished in December 1978 and is believed to have been sunk by a rogue wave: I remember this case very well, though I was only five when it happened. But my Dad worked for Hapag Lloyd, the shipping company which owned the München, at the time and so the search for the missing vessel was a big topic in our home. I’m not sure if my Dad helped to design the München — he was a naval architect for Hapag Lloyd — but he definitely knew some of those who were lost and attended the memorial service for the crew and passengers.The loss of the München also overshadowed the launch celebration for the new Hapag Lloyd cruise liner MS Europa only 8 days after the München vanished. My Mom and many other women opted to wear black evening gowns for the launch banquet.
(12) COMING ATTRACTION. [Item by SF Concatenation’s Jonathan Cowie.] I had only just alerted Filers as to Matt O’Dowd’s safe distance from a supernova (see (16) in the June 15 Scroll) in his PBS Space-Time video when new research indicates that the Red Giant Betelgeuse is in the late stage of core carbon burning, and a good candidate for the next Galactic supernova. It had been thought it might be many centuries away but it could be as close as a few decades. Fortunately Betelgeuse is hundreds of light years away. Nonetheless it should be visible in the day time and maybe some Filers who are on the young side might just witness it. In fact it may have already exploded just that the light has not reached us…! (See the pre-print Saio, H. et al (2023) “The evolutionary stage of Betelgeuse inferred from its pulsation periods”. Monthly Notices of the Royal Astronomical Society.)
(13) DOUBLE YOUR PLEASURE. The Smithsonian Magazine says “Cats May Have Been Domesticated Twice”. You know, given the independent nature of cats that just sounds so likely. However, the headline meant something different than what I first assumed.
Whether they were being worshipped as gods or transformed into memes, the relationship between cats and humans goes back a long ways. There are more than 500 million domestic house cats around the world, all of which are descended from a single subspecies of wildcat. But according to new research, there might have been a second, more recent (and unrelated) instance of cats becoming domesticated in China.
Most archaeologists believe that cats probably domesticated themselves more than 10,000 years ago when the fluffy little murderbeasts realized they could get an easy meal by staking out Neolithic storerooms and farms for the rats and mice that were attracted to human settlements. More cats meant fewer rodents, which meant more crops for the hard-working humans. Over time, our ancestors started taking care of the felines, leading to the modern house cat, Grennan Milliken writes for Popular Science.
But this story of a second line began a few years ago, when researchers uncovered several cat bones near Quanhucun, an early farming village in central China. The bones were about 5,300 years old and analysis of their chemistry showed these felines likely survived on a diet of grain-fed rodents, suggesting they at least hunted for dinner near the town’s millet stores.
The scientists found a few indications of domestication, according to the study recently published the journal PLOS One. First, based on the wear of its teeth, the remains of one of the cats seemed much older than the others, perhaps suggesting that someone took care of the cat as it got older, writes David Grimm for Science. These cats also were all slightly smaller than their wild counterparts, and one was even buried as a complete skeleton.
“That’s evidence of special treatment,” study author Jean-Denis Vigne tells Grimm. “Even if what we’re seeing here is not full domestication, it’s an intensification of the relationship between cats and humans.”
Further analysis showed that these cats did not descend from the same subspecies as the modern house cat, but actually belonged to a species known as “leopard cats,” Grimm reports. This means that the leopard cat lineage is genetically distinct from our modern fuzz balls….
Without getting too technical, 70mm is regarded as the best possible projection for films. Frames are more than three times larger than a typical celluloid, allowing for a much richer and fuller picture than is typically found in modern theaters….
The film about J. Robert Oppenheimer, the theoretical physicist who oversaw the development of first atomic bomb during World War II, drops on July 21. The pristine film formats will be especially pivotal in viewing the Trinity Test, the first detonation of a nuclear weapon.
“We knew that this had to be the showstopper. We’re able to do things with picture now that before we were really only able to do with sound in terms of an oversize impact for the audience, an almost physical sense of response to the film,” said Nolan in a recent interview.
(15) VIDEOS OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s Moid Moidelhoff has just made three mini-documentaries on science fiction. There is nothing really new here for the seasoned SF fan but some of these were shot on location. The first video looks at SF’s origins and includes a trip to Mary Shelly’s grave and Woking’s Martian tripod.
The second video examines SF’s Golden Era with the rise of the classic pulp magazines and the big three – Asimov, Clarke and Heinlein – before moving on to Wyndham.
He ends with the interest in dystopias, autocratic dictatorships and mutually assured destruction. Could Bradbury’s Fahrenheit 451 dumbed-down world ever come about? In part, shot on location at the Jodrell Bank radio telescope and an English village that could be Midwich… The final video ponders on SF’s present-day state. There was the rise of the new wave with Moorcock and then in the US with Ellison. And we also got Dick and cyberpunk before cyberpunk, and Gibson. Could we be about to embark on the most exciting period of science fiction?
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Alan Baumler, Cora Buhlert, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The Science Fiction and Fantasy Writers Association (SFWA), a 501(c)(3) nonprofit, is holding its third annual online auction to support its advocacy for and professional development of creators working in the speculative fiction genres. This silent auction opened today and will close June 26 at 3:00pm PT. The auction website is here.
The first 20 people to place bids in the auction will receive a free copy of the Sept./Oct. 2021 edition of Asimov’s, signed by auction coordinator Jason Sanford, who has a cover story in the issue. Every winning bidder for a physical item will also receive a free copy of Asimov’s Science Fiction or Analog: Science Fiction and Fact courtesy of Penny Press.
SFWA says to better serve their expanding membership of 2,500+ writers and advance the genres at large, they must broaden their outreach, and that takes funding. SFWA invites members of the science fiction and fantasy community to contribute through placing their bids on the unique items and virtual offerings of this year’s auction:
Signed books from authors including Annalee Newitz, Cherie Priest, Chuck Wendig, Diana Rowland, Jack McDevitt, Fonda Lee, George R. R. Martin, Jim Hines, Kate Heartfield, Ken Liu, Mary Robinette Kowal, Maurice Broaddus, Michael Swanwick, Peng Shepherd, Sarah Gailey, SB Divya, Victor Manibo, Zig Zag Claybourne, and many more
Manuscript critiques from A.C. Wise, Alaya Dawn Johnson, E.D.E. Bell, Eugen Bacon, Holly Schofield, and many more
Virtual career advising sessions with Cecilia Tan, Mary Robinette Kowal, Julie E. Czerneda, Premee Mohamed, and many more
Online video hangouts with Alma Alexander, Cecilia Tan, David Mack, Eileen Gunn, Gary Phillips, Lydia M. Hawke, Nicole Glover, Wole Talabi, and many more
That’s a veritable treasure trove of amazing opportunities and brag-worthy wins for fans, collectors, and writers alike! If you are unable to bid this year, SFWA welcomes your contribution through sharing the auction website with others who may wish to take advantage of all the great items and opportunities on offer.
SFWA has partnered once again with Worldbuilders, an organization of “geeks doing good” that supports humanitarian efforts worldwide, to host this auction. A few examples of the work SFWA has undertaken to address the needs and challenges that speculative fiction storytellers face today, and that your bids will support:
SFWA again awarded over 200 scholarships to creator populations in need for this year’s Nebula Conference, for those attending in-person and online.
Writer Beware, the Estates-Legacy program, and the SFWA Blog are just a few of the highly regarded resources for authors, established and starting out, that SFWA hosts and promotes. In the last year, new resources like the Indie Pub 101 and Safety guidance for authors and event planners also debuted.
SFWA’s Independent Authors Committee is continuing work on launching the HARP project to aid older and disabled authors in self-publishing their out-of-print oeuvres, and our Short Fiction Committee is making progress on the short fiction matrix that will provide a more thorough measurement of how markets may provide writers with a more professional experience.
And SFWA’s benevolent funds—including the Legal Fund, the Emergency Medical Fund, and the Givers Fund Grants—continue to provide targeted, essential support for many creators and organizations in the field.
If you would like to support SFWA monetarily, direct donations are also welcome. For questions, contact the SFWA Fundraising Committee at [email protected].
The Science Fiction and Fantasy Writers Association (SFWA) has issued a statement on artificial intelligence and machine learning use. Excerpts of their statement follow. The complete text is here: “Current Statement on AI/ML Use”.
Current Statement on AI/ML Use
The Board of Directors of the Science Fiction and Fantasy Writers Association (SFWA) has been monitoring the rapidly evolving technological and legal landscape as it pertains to machine-generated works….
The Board recognizes there is much to learn, and is cautious to offer advice or warnings in this area for two reasons: one, the rate of adaptation and technological evolution is accelerating at unprecedented speeds; and two, foundational legal principles pertaining to copyright and fair use have yet to be definitively established.
Despite this, SFWA feels that there are relevant time-honored principles that can help guide our community through understanding and reacting to the evolving technological and legal landscape….
1. Creators must be compensated for the use of their work.
While the degree and scope of data collection involving published work is still unclear, all indications are that the popular machine learning products have incorporated substantial amounts of creative work without regard to the rights of the authors and artists whose work makes those technologies possible. To whatever extent these machines appear to generate works of art, it is because they incorporate the work of creative people. To date we have seen no real recognition of this debt, even as these software tools are increasingly used by opportunists to flood our markets with trash….
SFWA therefore calls on legislators, regulators, and technologists to ensure that creative workers are adequately compensated when their work is used to train these systems, or else to ensure that their work is not used in the first place.
2. Creators’ contributions to a work must be credited.
One of the difficulties for our community in grappling with these technologies is the lack of transparency we’ve encountered from the companies developing them. Any complex technology has barriers to understanding, but hiding the inputs into a complex system only compounds its problems. SFWA again calls upon legislators, regulators, and technologists to make sure that training sets are clearly disclosed, so that creators may satisfy themselves that their rights have been protected…
3. Creators’ privacy must be protected, especially for unpublished work.
… online communities, including SFWA’s forums and Discord server, often have strict policies against sharing what other authors post with third parties and thus violating their privacy.
SFWA has become aware of several incidents and trends that threaten these online communities. We wish to be clear that any distribution of material copied from our own online communities to any third party, regardless of purpose, is a violation of that privacy….
4. Writing and publishing genre fiction is a business with important norms.
Several fiction markets have recently made clear that they will not consider works generated wholly or in part from AI tools. SFWA reminds writers to check submission guidelines every time they submit work to stay current on what that market is considering. Markets may bar work that is AI-written, -developed, or -assisted; unfortunately, there are no widely accepted definitions for these terms. In the absence of such consensus, SFWA urges transparency from all parties: for markets to articulate their terms as clearly as possible and to be forgiving of good-faith corner cases and mistakes, and for writers to be candid about technologies used…
In light of the concerns discussed in this statement and elsewhere, SFWA’s Board of Directors has instructed its staff and volunteers to avoid seeking out and intentionally using generative AI/ML tools for any internal or publicly published material for SFWA, except for the purpose of discussing these technologies as part of our educational mission…. We pledge to our peers in the creative world that we are doing our best not to profit by the misappropriation of their work, and to forgive honest missteps as they return that courtesy to us.
The Science Fiction & Fantasy Writers Association (SFWA) has published the outcome of their recent Board election and Referendum.
Effective July 1, 2023, the SFWA Board of Directors will be made up of the following members:
Jeffe Kennedy, President
John Murphy, Vice President
Jasmine Gower, Secretary
Erin Hartshorn, Chief Financial Officer
Directors-at-Large Monica Valentinelli, Jordan Kurella, Christine Taylor-Butler, Chelsea Mueller, and Phoebe Barton
Oghenechovwe Donald Ekpeki, who ran as a write-in for SFWA Director-at-Large, was not elected.
Departing the SFWA Board on June 30 will be directors Remy Nakamura and José Pablo Iriarte.
REFERENDUMS. Previously, genre writers of poetry and translators of fiction could not use those portions of their paid work as part of their catalog when applying to join SFWA or to upgrade their membership classification. But SFWA members have just voted to approve two resolutions to accept those qualifications:
(I) Paid SFF and related genre poetry sales shall be considered for the purposes of determining eligibility for membership in SFWA.
(II) Payment for SFF and related genre translation work shall be considered for the purposes of determining eligibility for membership in SFWA by the translator.
The SFWA Board says, “We’ll publicly announce when the organization is ready to begin taking applications that include poetry and translated works.”
The Grants Committee of the Science Fiction and Fantasy Writers Association (SFWA) has awarded 29 organizations, activities, and public interest programs with Givers Fund Grants. These micro-grants ranged from $165 to $4,235 each, for use for projects taking place in 2023.
Givers Fund Grants are intended to aid projects that align with SFWA’s mission to promote, advance, and support science fiction and fantasy writing around the world. This fund is made possible with the generosity of donors from SFWA’s community and partnerships within the publishing landscape. If you’d like to donate to this endeavor or another SFWA charitable fund, please do so at www.sfwa.org/donate.
The recipients of the 2023 SFWA Givers Fund Grants are as follows:
All Types of Media Arts Convention (ATOMACON), for a convention
Alpha Workshop for Young Writers Inc., for a workshop
Arisia, Inc., for a convention
Association of Nigerian Authors, for a youth workshop
Baja Arizona Science Fiction Association for TusCon, a convention
Black Science Fiction Society, for an online community
Bubonicon Inc., for a convention
Cal State Fullerton Library Archives & Special Collections, for a state college library
Carl Brandon Society, for free books at a juvenile book fair
Cascade Writers, for a workshop
Clarion West, for a workshop
Daniel Marcus, for Story Hour, an online reading series
Dream Foundry, for an online community
If This Goes On (Don’t Panic), for a podcast
L.O.K.I.e.V. zur Forderung der Phantastik, for a convention
Multiverse Events LLC, for a convention
Narrate Conferences for Sirens Conference, a convention
Odyssey Charitable Trust, for a workshop
Red Ogre Review, for a small press
Sheridan High School Oregon, for a public school library
Society for the Furtherance & Study of Fantasy & Science Fiction, for WisCon, a convention
Space Cowboy Books, for a podcast
Speculative Literature Foundation, for the Portolan Project, an open-source creative writing and literature resource
The Clarion Foundation, for the Clarion San Diego workshop
The DC Center for the LGBT Community, for a convention
Trustees of Dartmouth College, for the Dartmouth Speculative Fiction Project
University of Kansas Center for Research, for the Ad Astra Institute for Science Fiction & the Speculative Imagination, for a workshop
University City Public Library, for a public library
University of Wyoming, for LaunchPad, a workshop
Lou Berger, chair of the SFWA Grants Committee, said, “The Committee was pleased to receive so many grant requests for 2023 projects and programs. Special thanks to Jessica Reisman and Nancy Shrock for serving on the volunteer committee with me, and thanks to the always amazing Oz Drummond and Erin Hartshorn, SFWA’s comptroller and chief financial officer, respectively, for their Herculean efforts to give the Committee the insights they needed to most efficiently distribute the monies.”
Many of the 2023 grant recipients have already put their 2023 grants to good use. Sharang Biswas, co-organizer and co-editor of the Dartmouth Speculative Fiction Project, remarked, “Our team is delighted and grateful to SFWA for helping our vision—to bring together writers and multidisciplinary professors to imagine humanity’s future through fiction—to fruition. We geared up in April at the Dartmouth campus to welcome a phenomenal group of authors to spend a weekend exploring their partner professors’ research and employ design methodologies to brainstorm short-story ideas.”
Clarion West recently released a new report on their Evolving Workshop Culture Project. Jae Steinbacher, Clarion West Residential Workshop Coordinator, said, “SFWA’s Giver Fund Grants have helped provide scholarships to students of Clarion West’s Six-Week Workshop. These days, as our classes are more international and writers from all walks of life are able to attend, more students than ever are seeking scholarship support. As part of our commitment to providing a world-class, inclusive workshop experience, we’ve undergone a process of studying and reworking our curriculum. We are happy to share the full review of our workshop critique methods, the alternate methods we reviewed, how we assessed them, and our conclusions.” The report can be read here.
Chris McKitterick, director of the Ad Astra Institute for Science Fiction & the Speculative Imagination that has become a not-for-profit independent of the University of Kansas, shared, “We are thrilled and honored to receive a Givers Fund Grant from SFWA to be able to offer scholarships for our ‘Science into Fiction’ and residential summer speculative-fiction writing workshops for writers who might otherwise not be able to attend such educational opportunities. Associate Director Kij Johnson and I just recently launched the Ad Astra Institute to host both new and long-running workshops and masterclasses, so receiving this grant is so helpful in reaching out to under-served writers.”
Applications are always open for Givers Fund Grants, and previous recipients are welcome to reapply. The deadline to apply for SFWA’s 2024 awards is October 1, 2023.
To learn more about all of SFWA’s benevolent funds, head here.
The Science Fiction and Fantasy Writers Association (SFWA) today announced the winners of the 58th Annual Nebula Awards® given in recognition of excellent works published in 2022.
“If You Find Yourself Speaking to God, Address God with the Informal You”, John Chu (Uncanny 7–8/22)
John Chu
NEBULA AWARD FOR SHORT STORY
“Rabbit Test”, Samantha Mills (Uncanny 11–12/22)
Samantha Mills
ANDRE NORTON NEBULA AWARD FOR MIDDLE GRADE AND YOUNG ADULT FICTION
Ruby Finley vs. the Interstellar Invasion, K. Tempest Bradford (Farrar, Straus, Giroux)
K. Tempest Bradford
RAY BRADBURY NEBULA AWARD FOR OUTSTANDING DRAMATIC PRESENTATION
Everything Everywhere All at Once, Dan Kwan, Daniel Scheinert (A24, AGBO, IAC Films)
Dan KwanDaniel Scheinert
NEBULA AWARD FOR GAME WRITING
Elden Ring, Hidetaka Miyazaki, George R.R. Martin (FromSoftware, Bandai Namco)
Hidetaka MiyazakiGeorge R.R. Martin circa 2012, Photo by Nick Briggs/HBO
The previously announced honorees were also presented with their awards:
SFWA DAMON KNIGHT MEMORIAL GRAND MASTER
Robin McKinley
INFINITY AWARD
Octavia E. Butler (posthumously)
KEVIN O’ DONNELL, JR. SERVICE TO SFWA AWARD
Mishell Baker
KATE WILHELM SOLSTICE AWARD
Cerece Rennie Murphy
Greg Bear (posthumously)
Award presenters joined in-person and virtually from across the galaxy, including past Nebula Award winners, SFWA Board members, and other notable members of the science fiction and fantasy (SFF) industry: Jeffe Kennedy, Matthew Mercer, Gay Haldeman, Chinaka Hodge, Christine Taylor-Butler, Mur Lafferty, Michael Capobianco, Aydrea Walden, José Pablo Iriarte, Leigh Bardugo, and Anthony Rapp.
[Based on a press release.]
Octavia E. ButlerMishell BakerGreg BearCerece Rennie Murphy
The Science Fiction and Fantasy Writers Association (SFWA) invites speculative fiction fans and creators to the 58th Annual Nebula Awards® Ceremony. The ceremony will stream live on Sunday, May 14, at 8:00 p.m. Pacific from Anaheim, CA.
Cheryl Platz will act as Toastmaster for the ceremony. Award presenters will join in-person and virtually from across the galaxy, including past Nebula Award winners, SFWA Board members, and other notable members of the science fiction and fantasy (SFF) industry: Jeffe Kennedy, Matthew Mercer, Gay Haldeman, Chinaka Hodge, Christine Taylor-Butler, Mur Lafferty, Michael Capobianco, Aydrea Walden, José Pablo Iriarte, and Leigh Bardugo. The ceremony will conclude with a surprise presenter for the Nebula Award for Best Novel.
The 58th Nebula Awards Ceremony takes place as part of the 2023 Nebula Conference, the premier professional development conference for aspiring and established members of the SFF industries. Its schedule of 50+ programming topics can be viewed here. Content is geared toward creators working in games, comics, prose, poetry, and other mediums of storytelling. Registrations for in-person or virtual attendance are available here, and they also include a year of access to the panel archive, opportunities to network throughout the year, and a standing invitation to SFWA’s Weekly Writing Dates, Romancing SFF, Connecting Flights, and Narrative Worlds programming.
[Based on a press release.]
Octavia E. ButlerMishell BakerCerece Rennie Murphy. Photo by Imagine PhotographyGreg Bear. Photo by Bill Wadman.
