Tag Archives: Spider-Man

Pixel Scroll 6/2/23 I Thought Muddy Waters Scrolled That Pixel

Posted on by
29

(1) JMS RETURNS TO MARVEL IN CAPTAIN AMERICA #1. Marvel Comics has announced that writer and filmmaker J. Michael Stracyznski will return this September in Captain America #1. Marvel previously shared the news with io9.

Stracyznski has written fan-favorite stories including AMAZING SPIDER-MAN and THOR, and now he’s ready to embark on a new adventure with Marvel’s star-spangled hero! Alongside superstar artist Jesús Saiz (PUNISHER, DOCTOR STRANGE), the talented duo is ready to take Steve Rogers on an exhilarating new adventure.

Decades ago, Steve Rogers changed the world forever. Now powerful and insidious forces are assembling to ensure he never does it again. Past, present and future collide as the man out of time reckons with an existential threat determined to set the world on a darker path at any cost…

 Speaking with io9, Straczynski says, “Overall, the goal is to do some really challenging stories, some really fun stories, and get inside Steve’s head to see who he really is in ways that may not have been fully explored before. If folks like what I did with Peter in AMAZING SPIDER-MAN, and Thor in, well… THOR, then they should give this a shot, because I’m really swinging for the bleachers in this one!”

 See the cover by Jesús Saiz below.

(2) ARTIFACTS OF AFROFUTURISM. The National Museum of African American History and Culture in Washington, DC is displaying “Afrofuturism: A History of Black Futures” through March 24, 2024. An online version of the exhibit is here.

Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturism’s historic and poignant engagement with African American history and popular culture. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk and more, this exhibition covers the broad and impactful spectrum of Afrofuturism.

A highlight of the exhibition is the Black Panther hero costume worn by the late Chadwick Boseman. The Black Panther is the first superhero of African descent to appear in mainstream American comics, and the film itself is the first major cinematic production based on the character.

The exhibition also utilizes select objects to elevate stories that speak to Black liberation and social equality, such as Trayvon Martin’s flight suit from Experience Aviation, and his childhood dream of being an astronaut.

Companion book: Afrofuturism: A History of Black Futures, National Museum of African American History and Culture, Kevin Strait, and Kinshasha Holman Conwill

(3) SOMETIMES THEY DO GET WEARY. Mark Roth-Whitworth says, “I’m so tired of hearing how ‘character-driven’ stories are somehow ‘better’ than plot-driven, and I’ve written a rant, er, sorry, criticism.” “Character- or Plot-Driven – A False Dichotomy?”

As I’ve been developing as a writer, and submitting stories, I read and hear a lot about character-driven stories vs. plot-driven these days. Most novels seem to me to still are “plot-driven”, while a lot of shorter fiction that gets published in magazines is character-driven, or primarily thus, and I have issues with this.

Many years ago, in a long letter to my just-teenage children, speaking of people and relationships, I said that barring some life-changing event, whoever someone is at eighteen is who they will remain, only growing to be more of that. The result of that is that thinking someone is perfect, except for one little thing that you can fix… well, you can’t. In a story, the same is necessarily true….

(4) HAPPY WINNERS. Frank Wu and Jay Werkheiser are ecstatic to have won Analog’s AnLab Award for their novella “Communion” in the Jan 2022 issue as you can see in this photo taken by Brianna Wu. The winning cover was Eldar Zakirov’s artwork for the same story. Frank’s elevator pitch for the story is –

 A space ship is about to crash and a 50-km-long mag wire is an essential part of the drive. During the crash, the robot saves the wire – and the mission and his human captain – by wrapping the wire around his arm and using his own body as a heatfield!

Frank Wu and Jay Werkheiser with their certificates recognizing their Anlab-winning novella “Communion” in the Jan 2022 issue. Photo by Brianna Wu.

(5) THIS JOB IS NOT THAT EASY. “How to be a Regency Lady Sleuth” by Alison Goodman at CrimeReads.

…For instance, the Regency era – officially from 1811 to 1820—was well before England had a police force. So where does a lady sleuth get her official back up and assistance?

What’s more, record keeping was patchy at best and, if it did exist, was not centralised or easy to access. This was particularly the case for women because a vast majority of them could not read. Education, my dear fellow, is wasted on women—or at least that was the majority opinion of the time. How then, does a lady sleuth track down the information she needs to solve her mysteries?

So, when it came to written information, my lady sleuths had to be the kind of women of that era who would be feasibly taught to read, and secondly have access to the various places these records were kept. That is why I decided to make Lady Augusta (aka Gus), and Lady Julia part of the highest rank in Regency society, the aristocracy. At this rank, they would have a chance of some education, as well as having access to private libraries (public libraries as we know them were not yet in existence). They would also have the social clout and contacts to obtain information from other sources. At that time, most of the government officials were men from the gentry class or the aristocracy and since Gus and Julia move in those circles, they literally have friends in high place: excellent sources of information….

(6) BANNED IN 2023. The Los Angeles Times discusses each of “The 15 most banned books in America this school year” before moving on to a list of challenged classics which include these genre works:

“Brave New World” by Aldous Huxley. Modern Library’s editorial board ranked “Brave New World,” the 1932 novel about the discontents of a technologically-advanced future society, as the fifth most important novel of the 20th century. Nevertheless, the book was challenged as required reading in the Corona-Norco Unified School District in 1993 because it is “centered around negative activity.” The novel also was removed from a high school library in Foley, Ala., in 2000 after a parent complained that it showed contempt for religion, marriage and family.

“Animal Farm” by George Orwell. The 1945 allegorical novella has been a target of complaints for decades, according to the ALA. In 1987, “Animal Farm” was one of dozens of books banned in schools in Bay County, Fla. Then 44 parents, students and teachers filed a federal lawsuit, and the school board reversed the decision. ‘’The only thing we have succeeded in doing is making sure every child in Bay County reads the books we banned,’’ a board member told the Associated Press.

(7) BEAGLE Q&A. Shelf Awareness is “Reading with… Peter S. Beagle”

Book you’re an evangelist for:

The Time Traveler’s Guide to Medieval England by Ian Mortimer. If you’re going to write a historical novel, you’ve got to start with that one. It’s a fascinating book about the way that medieval England actually was, as opposed to the novels about it. It’s still a book that I go back to if I’m setting a story in anything like medieval England.

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to dip into durian ice cream with William Shunn in Episode 199 of the Eating the Fantastic podcast.

William Shunn

It’s time to head to Anaheim, California to take a seat at the table with William Shunn, the first of five guests I managed to chat and chew with for Eating the Fantastic during last month’s Nebula Awards conference. I first met Bill in 1993 though his words alone, when I bought his short story “Colin and Ishmael in the Dark” for publication in Science Fiction Age magazine. We met in the flesh later that same year at the San Francisco Worldcon, and he’s been part of my life for the past 30 years.

Bill attended the Clarion Science Fiction Writers Workshop in 1985, when he was only 17. (A class which included Mary Turzillo, Geoffrey Landis, Kristine Kathryn Rusch, Resa Nelson, and other writers with whom you might be familiar.) In addition to being published in Science Fiction Age, he’s also appeared in Asimov’s, Analog, F&SF, Realms of Fantasy, and other magazines. In 2002, he was nominated for a Nebula in the category of novelette for “Dance of the Yellow-Breasted Luddites,” and a few years later hit the nomination trifecta when he was up for a Nebula, Hugo, and Sturgeon Award for his novella “Inclination,” which had been published in Asimov’s in 2006.

In addition, if you’re a writer, you might be familiar with what’s come to be called the “Shunn format,” a guide to proper manuscript preparation which first appeared online in 1995 and has since become the gold standard for numerous publications. His widely acclaimed memoir, The Accidental Terrorist: Confessions of a Reluctant Missionary, was published in 2015, and in addition to detailing the youthful indiscretion which prevents him from ever returning to Canada, explains how Clarion changed his life and helped him become the writer he is today.

We discussed what he hoped would happen when he arrived at the Clarion Science Fiction and Fantasy Writing Workshop when he was 17 vs. what actually did happen, how his post-Clarion homelife was haunted by Ray Bradbury, the time Kate Wilhelm critiqued his critiquers, how an early rejection from Playboy got him in big trouble, the way a tragedy scuttled the sale of his memoir to a major publisher, how he and Derryl Murphy collaborated on a novella without killing each other, and so much more.

(9) RAJNAR VAJRA-LOEB (1947-2023). Rajnar Vajra-Loeb, known to the sff field as author Rajnar Vajra, died May 16 at the age of 75. Memorial comments are being gathered on his funeral information webpage.

He twice won the Analog Readers Poll, in 2002 for the short story “Jake, Me, and the Zipper” , and in 2005 for his novella “Layna’s Mirror”.

His 2015 Hugo-nominated story “The Triple Sun: A Golden Age Tale” was on both the Sad Puppies and Rabid Puppies slates, however, as reported by Chris Barkley at the time “he has vehemently disassociated himself from them. When other nominees dropped out of the Hugo Awards race, he bravely stayed in, because he believed in his story and vacating the nomination slot may have given the ballot yet another puppy candidate.”

He lived long enough to celebrate the “book birthday” of his latest novel Opening Wonders released on May 2.

(10) MEMORY LANE.

2019 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Silvia Moreno-Garcia is a fantastic writer. Mexican born and raised, she moved to Canada in her twenties. Her debut novel, Signal to Noise, is a superb first novel. 

She’s the publisher of Innsmouth Free Press, a press devoted to weird fiction. With Lavie Tidhar, she edits The Jewish Mexican Literary Review. 

Gods of Jade and Shadow, the source of our Beginning, a historical fantasy, was published by Del Rey four years ago.  Gods of Jade and Shadow was nominated for a Nebula Award for Best Novel.

And now let’s go into our Beginning….

But what the lords wished was that they should not discover their names.—Popol Vuh, translated into English by Delia Goetz and Sylvanus Griswold Morley from the work by Adrian Recino

Some people are born under a lucky star, while others have their misfortune telegraphed by the eposition of the planets. Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams. She was reasonable enough to recognize that many other young women lived in equally drab, equally small towns. However, she doubted that many other young women had to endure the living hell that was her daily life in grandfather Cirilo Leyva’s house. 

Cirilo was a bitter man, with more poison in his shriveled body than was in the stinger of a white scorpion. Casiopea tended to him. She served his meals, ironed his clothes, and combed his sparse hair. When the old brute, who still had enough strength to beat her over the head with his cane when it pleased him, was not yelling for his grandchild to fetch him a glass of water or his slippers, her aunts and cousins were telling Casiopea to do the laundry, scrub the floors, and dust the living room.

Casiopea, who had prayed at the age of ten for her cousin Martín to go off and live in another town, far from her, understood by now that God, if he existed, did not give a damn about her. What had God done for Casiopea, aside from taking her father from her? That quiet, patient clerk with a love for poetry, a fascination with Mayan and Greek mythology, a knack for bedtime stories. A man whose heart gave up one morning, like a poorly wound clock. His death sent Casiopea and her mother packing back to Grandfather’s house. Mother’s family had been charitable, if one’s definition of charity is that they were put immediately to work while their idle relatives twiddled their thumbs. 

Had Casiopea possessed her father’s pronounced romantic leanings, perhaps she might have seen herself as a Cinderella-like figure. But although she treasured his old books, the skeletal remains of his collection—especially the sonnets by Quevedo, wells of sentiment for a young heart—she had decided it would be nonsense to configure herself into a tragic heroine. Instead, she chose to focus on more pragmatic issues, mainly that her horrible grandfather, despite his constant yelling, had promised that upon his passing Casiopea would be the beneficiary of a modest sum of money, enough that it might allow her to move to Mérida.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 2, 1915 — Lester Del Rey. Editor at Del Rey Books, the fantasy and science fiction imprint of Ballantine Books, along with his fourth wife Judy-Lynn del Rey. As regard his fiction, I’m fond of Rocket Journey and Police Your Own Planet, early works of his. His Jim Stanley series has much to say for it. And he got nominated for four Retro Hugos. (Died 1993.)
  • Born June 2, 1929 — Norton Juster. Author of the much beloved Phantom Tollbooth and its less known variant, The Annotated Phantom Tollbooth. Adapted in 1970 into a quirky film, now stuck in development hell being remade again. He also wrote The Dot and the Line: A Romance in Lower Mathematics, a story he says was inspired by Flatland: A Romance of Many Dimensions. (Died 2021.)
  • Born June 2, 1937 — Sally Kellerman. She makes the list for being Dr. Elizabeth Dehner in the superb episode of Trek “Where No Man Has Gone Before”. She also had one-offs on the Alfred Hitchcock Hour, The Twilight Zone, The Outer Limits, The Invaders, and The Ray Bradbury Theater. She played Natasha Fatale in Boris and Natasha: The Movie. (Died 2022.)
  • Born June 2, 1941 — Stacy Keach, 82. Though best known for playing hard-boiled Detective Mike Hammer, he’s got a long association with our genre starting with being The Mountain of the Cannibal God, an Italian horror film. Next up for him was Class of 1999 followed by voicing both Carl Beaumont / Voice of Phantasm in Batman: Mask of the Phantasm, a film I really, really like. More horror, and a really silly title, await him in Children of the Corn 666: Isaac’s Return where The Hollow has a tasteful title which the Man with the Screaming Brain does not provide him. Storm War, also known as Weather Wars, is SF. And then there is Sin City: A Dame to Kill For which is a rather nice piece of film making. And yes, he’s been in a televised version of Macbeth playing Banquo. 
  • Born June 2, 1920 — Bob Madle. Helped start his local sf club in 1934, went to what he considered to be the first-ever sf convention in 1936, and attended the first Worldcon (Nycon I) in 1939. Bob Madle and named the Hugo Awards. He was the first North American TAFF (Trans-Atlantic Fan Fund) delegate to an overseas con (Loncon, 1957). Twenty years later he was Fan Guest of Honor at the 1977 Worldcon (listen to his GoH speech here.) First Fandom has inducted him to their Hall of Fame, and given him the Moskowitz Award for collecting. He’s a winner of the Big Heart Award). This post about his centennial birthday in 2020 includes photos and a summary of his fannish life in his own words. (Died 2022.)
  • Born June 2, 1979 — Morena Baccarin, 44. Very long genre history starting with portraying Inara Serra in Firefly and  Serenity; Adria in the Stargate SG-1 series and the Stargate: The Ark of Truth; Anna in the 2009 version of the series V; Vanessa in Deadpool and Deadpool 2; and Dr. Leslie Thompkins in Gotham.
  • Born June 2, 1982 — Jewel Staite, 41. Best known as the engineer Kaylee Frye in the Firefly verse. She was Jennifer Keller in Stargate Atlantis, Catalina in the Canadian series Space Cases, Tiara VanHorn in Honey, I Shrunk the Kids: The TV Show and “Becca” Fisher in Flash Forward. Genre one-offs? Oh yes: The Odyssey (twice), Are You Afraid of The Dark (again twice), The X-Files, So Weird, Sabrina: The Animated Series, The Immortal, Seven Days, Stargate Atlantis, Supernatural, Legends of Tomorrow, The Order and The Magicians.

(12) A DOCKET FOR DEMETRIOUS. “J.R.R. Tolkien’s Trust Sues Author For Selling ‘Derivative’ Sequel To ‘Lord of the Rings’ As $250 Million Battle Heats Up” – Radar Online has the story. “The legal moves comes weeks after Demetrious Polychron filed his own $250 million lawsuit against the Trust, Amazon and Jeff Bezos.”

J.R.R. Tolkien’s estate has filed a bombshell lawsuit accusing a writer of ripping off the late author’s iconic Lord of The Rings series and is demanding his books be taken out of stores, RadarOnline.com has learned.

According to court documents obtained by RadarOnline.com, The Tolkien Trust, which is responsible for managing the intellectual property of the late Professor J. R.R. Tolkien, is suing a man named Demetrious Polychron.

In the suit, the Trust said the lawsuit was brought due to Polychron’s “willful and blatant violation” of its copyright interests in the Lord of the Rings franchise.

The Trust said despite the author being aware of its rights in Tolkien’s work, he decided to “write, publish, market and sell a blatantly infringing derivative sequel to the Tolkien Trilogy entitled The Fellowship of the King (the “Infringing Work”). In addition to clearly mimicking the title of the first book in the Tolkien Trilogy, the Infringing Work constitutes a blatant, wide-ranging and comprehensive misappropriation of Professor Tolkien’s creative opus.”

The Trust said its aware that Polychron plans to release up to six additional books — all based on Tolkien’s characters.

“The Infringing Work is currently being offered for sale on various online platforms in the United States for $17.99 – $26.99 a copy,” the suit read.

The suit explained, “Neither Professor Tolkien nor the Tolkien Estate has ever authorized any written sequels to the Tolkien Trilogy. Not only was the Infringing Work unauthorized, but the Tolkien Estate had already expressly refused the [Polychron’s] request to publish any work of this nature, in keeping with its longstanding policy.”

(13) PAYING THOSE STORY IOUs. Charlie Jane Anders demonstrates with her own novel that “Revision is the Process of Going from General to Specific” at Happy Dancing.

I feel as if a big part of revision is going from the general to the specific. My first drafts, at least, always include a lot of details that are kind of fuzzy. Sometimes, a piece of information changes every time it comes up, because I haven’t made up my mind yet what the actual real version is, and I’m just hedging my bets. Sometimes there’s a highly specific piece of backstory, front story or side story, but it’s just really a placeholder — a supporting character is a stock character, or someone’s job is merely a sitcom job that doesn’t feel like a real employment situation. And sometimes, things are just left so vague that they could be anything, or there’s no information whatsoever.

So when I revise, I try to nail things down more. On one level, this is just a process of deciding on stuff. Where did this character grow up? Who were their parents? What kind of job do they have, and what specifically does the job ask of them? And so on….

(14) AWARD-WORTHY VISIT TO THE SPIDER-VERSE. Variety’s Clayton Davis makes the case why “’Spider-Man: Across The Spider-Verse’ Should Be a Best Picture Oscar Contender”.

Don’t tell me “Spider-Man: Across the Spider-Verse” is merely a cartoon. It’s a visionary work that redefines what the animation medium can achieve, sitting alongside the handful of sequels such as “The Dark Knight” and “The Empire Strikes Back” that elevate their franchises by pushing them in surprising new directions.

On a personal level, this animated second installment of the web-slinging superhero is the closest I’ve ever come to seeing an accurate depiction of my life and culture on a movie screen – well, with a few fantastic elements added into the mix. That’s invaluable.

“Across the Spider-Verse” takes place a year after the events of the previous film with Miles Morales (a.k.a. Spider-Man) facing a new threat. Unfortunately, it’s one that causes him to interact with a new group of Spider-People from across the multiverse.

So why did I respond so deeply to this superhero story? Like Miles, I’m made up of an exciting ethnic mix of Puerto Rican and Black parents brought together in the melting pot that is New York City. Neither of us possesses the acceptable amount of Spanish fluency that our fellow Boricuas require. Nonetheless, we have a weakness for fried platanos, as well as an appreciation for our heritage. Just hearing the word “bendición,” a standard greeting and farewell term used in Latino culture, used in “Across the Spider-Verse, ” filled my eyes with tears and pride….

(15) COMMUNICAT. Salon reports “A ‘talking’ cat is giving scientists insight into how felines think”. And if you think only a hungry plant will say “Feed me”, stick around, it won’t be long until this cat does it.

…Considering Billi’s feline status, Baker was naturally a bit skeptical at first.

“I was concerned because they [the buttons] were quite large for a little tiny kitty, and I was not sure that she was actually going to be heavy enough to press them,” Baker said. “So I started with a word that I’d really not recommend that you start with, which is ‘food,’ because it becomes very motivating for them. And Billi loves food.”

Baker’s concerns quickly washed away once it became clear that Billi was able to press the button “food” — which she appeared to enjoy doing perhaps a little too much.

“She was definitely heavy enough for it,” Baker said. “And then I later regretted starting with food because it kind of backfired on me, but it definitely got the ball rolling.”

Today, Billi has 50 words on her board, and — like Bunny — is part of the ongoing research project called TheyCanTalk, whose goal is to understand if animals can communicate with humans through AAC devices. While the study is mostly made up of dogs, about 5 percent of the animals using AAC devices are now felines. It turns out that many cats have been successful at using the device.

“They have this reputation of just doing what they want and not really caring what the humans are doing, and I think this is a great opportunity to see that they actually are paying attention,” Smith said. “Seeing that they can be engaged, that they’re not just cat automatons, that aren’t driven by instinct 24/7 can function a great deal positively for their role in other studies.”

(16) PAYING DIVIDENDS ON BORROWED TIME.  Ingenuity, NASA’s record-breaking Mars helicopter, continues to fly two years after scientists expected it to fail. “NASA plays hide-and-seek with unrelenting Mars helicopter Ingenuity” in the Washington Post.

…On April 2, Ingenuity soared 52 feet up into the Martian sky — a record height for the drone — to take a suborbital photo of Mars’s landscape.

After landing, it disappeared. When scientists attempted to upload instructions for a subsequent flight, Ingenuity’s radio sign was gone.

Scientists eventually located Ingenuity after six days of searching as the helicopter’s companion on Mars, the Perseverance rover, crested a ridge and drove closer to where the helicopter had landed.

Ingenuity, controlled via radio signals relayed from Perseverance, completed its five-flight mission — a simple series to prove that the helicopter’s design would work in the thin Martian atmosphere — in May 2021. Then, Tzanetos’s team received approval to keep flying.

“At that point, we’re on borrowed time,” Tzanetos said. “None of the mechanisms were designed to survive longer than that.”

Somehow, they did — for months and months, and dozens more flights. By May 2022, it seemed as if Ingenuity’s miraculous story would finally plummet down to (Martian) earth. Winter was setting in, and NASA feared the lower temperatures would cause Ingenuity’s solar-charged batteries to fail, or even freeze overnight.

The helicopter entered a low-power state after its 28th flight in late April of that year, and scientists told The Post they weren’t sure if it would fly again.

Incredibly, Ingenuity’s delicate parts stood up to the Martian cold. But NASA still faced the challenge of reconnecting with the helicopter every time its components froze, Tzanetos said. The Ingenuity team adjusted by using data on Martian sunrises to calculate when the helicopter would thaw out each morning and regain enough charge to power on….

(17) CAN WE MOVE EARTH ACROSS SPACE? [Item by SF Concatenation’s Jonathan Cowie.] Shades of Stephen Baxter in this week’s PBS Space Time when Matt O’Dowd asks can we move planet Earth across the Universe?

Interstellar travel is horrible-what with the cramped quarters of your spaceship and only the thin hull separating you from deathly cold and deadly cosmic rays. Much safer to stay on here Earth with our gloriously habitable biosphere, protective magnetic field, and endless energy from the Sun. But what if we could have the best of all worlds? No pun intended. What if we could turn our entire solar system into a spaceship and drive the Sun itself around the galaxy? Well, I don’t know if we definitely can, but we might not not be able to.

(18) TALES FROM THE ZONE – ROADSIDE PICNIC. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Media Death Cult Moid Moidelhoff considers Roadside Picnic. Roadside Picnic is in the Goldilocks zone, it is a perfect balance of a straight narrative that requires nothing more than standard plot and characters to make sense. But the sub-text is as thick as porridge… “Tales From The Zone – Roadside Picnic”.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Steven H Silver, Rich Lynch, Jennifer Hawthorne, Scott Edelman, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter. John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 5/6/23 My God, It’s Full Of Pixels

Posted on by
12

(1) LAW ENFORCEMENT ACTIVITY. [Item by SF Concatenation’s Jonathan Cowie.] Well Mike, I had to pass through London last night on my way to and from Mars (“Public Lecture: Extra-terrestrial Fieldwork; the adventures of an Earth-bound Astronaut”; got to hold a piece of Moon rock — long story) anyway we were going for a drink after and there were police everywhere, armed ones too (not just longbows but these newfangled gun things) and loads of black Diamlers escorted by police. Then I went to the library today and I was the only person there.  This has never happened before!  Something’s up I tell you….

To business.  Today’s science trawl….

The Fermi Paradox: Searching For Dyson Spheres. I have to say I am rather skeptical that a long-lived, advanced technological civilisation will end up constructing a big dumb object even if they are great fun concepts to explore in SF. Loved Bob’s Orbitsville and Niven’s Ringworld. Long-lived alien civilisations thinking big will also think long-term because the structures are a huge, long-term investment (as well as because their civilisation is… er… long-lived). Here, there are better and more effective strategies to ensure a civilisation’s thriving long-term. Yet some scientists do take big dumb objects with seriousness (cf. the recent grabby aliens discussion – check out the video link within the afore link).  Given that, how would we set about detecting, say, something like a Dyson sphere? This week, Isaac Arthur takes a deep dive into spotting these objects as part of a SETI strategy and goes on to ponder as to whether it would be possible for an advanced civilisation to hide their Dyson sphere from us…

Many believe civilisations which survive the challenges of technology will inevitability build Dyson Spheres encompassing their entire sun. So how do we find these megastructures if they exist?

(2) AT THE FRONT. The Hollywood Reporter visited the picket line on May 4 to hear reaction to the AMPTP’s a point-by-point document reacting to the WGA’s version of events, in particular, the writers’ furor over not actively working to regulate artificial intelligence. “Writers Strike: How the Studios’ Retort Went Over at the Picket Lines”.

… Outside the Warner Bros. Discovery lot in Burbank — which, alongside Netflix, has been among the most trafficked picketing spots — THR caught up with WGA negotiating committee co-chair David Goodman to get an instant reaction to the AMPTP missive.

“I took a quick glance,” said Goodman, who did mention seeing the part about AI in which the studio statement claimed “writers want to be able to use this technology as part of their creative process, without changing how credits are determined, which is complicated given AI material can’t be copyrighted.”

“That’s a very telling comment,” Goodman added, the audio of his interview just barely discernible over the insistent roar of car horns beeping their support for picketers. “We need a guarantee from them that literary material will be written by a human being. It’s a very easy ask. For them to make that commitment doesn’t hurt their bottom line at all. … They say they are our partners. Make that commitment and say, ‘We are only going to work with writers who are human beings.’ It’s crazy that I have to say it.”…

(3) BLADE SHEATHED. Obviously, a lot of productions are being affected – here’s one specific example: “Marvel’s ‘Blade’ Delayed Due to Writers Strike” reports Variety.

Marvel Studios’ “Blade” is going back into hibernation.

Due to the ongoing writers strike, Marvel has shut down pre-production on the superhero reboot, which is set to star Mahershala Ali as the titular vampire hunter alongside Aaron Pierre, Delroy Lindo and Mia Goth. Production was expected to start in Atlanta within the month for an anticipated Sept. 6, 2024 release. Marvel Studios first announced it was reviving “Blade” — after Wesley Snipes originated the character on screen in a feature film trilogy from 1998 to 2004 — at San Diego Comic-Con in 2019.

This isn’t the first time Disney has had to delay production on the film. Last October, Disney pushed “Blade” from a 2023 release to 2024 after the original director, Bassam Tariq (“Mogul Mowgli”), left the project two months before filming was set to begin.

(4) TINGLE SHOWS LOVE FOR STRIKERS. Chuck Tingle has put up a new Tingler, free, on his Patreon, in support of the writers’ strike: “Not Pounded By The Physical Manifestation Of My Own Screenwriting Because I’m On Strike And I Deserve To Be Fairly Compensated For My Labor While Studio CEOs Take Record Salaries”.

AUTHORS NOTE: greeting buckaroos. this tingler is given to all FOR FREE in solidarity with writers guild buds who are currently making their voices heard and striking with incredibly reasonable demands.

the wga is asking that any donations go to the ENTERTAINMENT COMMUNITY FUND which is used to directly help those in the entertainment industry in need and who will feel the financial burden of not working during a strike. 

as i said this tingler is free HOWEVER if you have the means you can donate the amount a tingler usually costs (three dollars or MORE if you would like) to the charity fund and support. just click the link and when it says ‘gift designation’ select ‘film and television’

DONATE HERE 

if you would like to know other ways you can support those currently on the picket line click here 

LOVE IS REAL – chuck

(5) NOT AN ENDORSEMENT OF THE PATRIARCHY. Camestros Felapton has been to the movies: “Review: Guardians of the Galaxy Volume 3 (some spoilers)”.

The third and apparently final of James Gunn’s Marvel series reveals the underlying question of the series: what (or who) makes a good dad? The daddy issues of the series have never been subtle with Volume 1 featuring the truly appalling dad of both Gamora and Nebula in the form of Thanos. The purple Titan did not meet his ultimate fate until the Marvel Endgame crossover but in between time, we met Peter Quill’s dad, Ego the Living Planet. Given that ego took the physical form of veteran space-dad Kurt Russell, he looked like a better proposition than genocidal Thanos. Alas, Ego was also a mass murderer. A surprise last minute contender for best dad came in the form of Yondu, the Ravager who kidnapped/adopted Peter but while vastly better than either Thanos or Ego, he’s still not a great dad.

So volume 3 takes on to the next Guardian’s dad issues. In this case not Rocket Racoon’s literal dad but rather his creator…. 

(6) NETWORKING. The Spider-Man Saturday morning cartoon show has arrived! (In 1968…) Jason Sacks is a big fan of the theme song. The stories? Not so much. “[May 6, 1968] Does Whatever A Spider Can! (Spider-Man Cartoon)” at Galactic Journey.

Most every weekend since September (football pre-emptions notwithstanding), we’ve been granted the pleasure of watching a certain web-head soar through the concrete towers of New York, stalking a never-ending crew of slightly inept criminals while evading the slings and barbs of the editor of the Daily Bugle, J. Jonah Jameson.

Every weekend I perk up when I hear this fun theme song. Seriously, you should pop out to see if your local Korvettes sells the 45 of this song because it (pardon the pun) swings!…

(7) TOBIAS BUCKELL VIRTUAL EVENT. Space Cowboy Books will host an “Online Reading & Interview with Tobias S. Buckell” on Tuesday May 16 at 6:00 p.m. Pacific. Register for free here.

Zen and the Art of Starship Maintenance and Other Stories is Tobias S. Buckell’s seventh short fiction collection and is comprised of 15 stories, several of which are original to the collection or were previously only available through his Patreon. This collection ranges from galactic adventures to intimate explorations of humanity—sometimes in the same story—rich with a sense of wonder and deft storytelling.

Get your copy of Zen and the Art of Starship Maintenance here.

(8) MEMORY LANE.

1989 – [Compiled by Cat Eldridge.]

Suzy McKee Charnas was one of our most amazing writers. She would win a Hugo at ConFiction for her “Boobs” short story and more than a handful of other awards. 

Our Beginning this Scroll is that of her “Beauty and the Opéra or the Phantom Beast”, a story first published in Isaac Asimov’s Science Fiction magazine in their July 1989 issue. 

If you’re looking to read it now, it’s in her Stagestruck Vampires & Other Phantasms collection published by Tachyon. It’s got eleven of her eighteen short fiction works. And yes, it’s available from the usual suspects. 

And now get ready for a most metafictional Beginning. I really mean that…

As of this writing, I have not had the pleasure of meeting Suzy McKee Charnas face to face. She lives in the sunny desert paradise of Albuquerque (or, as Homer Simpson once charmingly and perhaps fittingly referred to it, “I’ll be quirky”), while I inhabit the benighted non-Euclidean warrens of Providence. I suspect that one day sooner or later we will meet, given the melting-pot allure of the science-fiction and fantasy convention circuit, and I fully expect that encounter to be a pleasant one, with its share of mutual surprises and confirmations. But right now, despite a lack of non-virtual time together, I still feel I can describe Ms. Charnas to you well enough that you’ll be able to recognize her, should you chance to bump into her. 

Suzy McKee Charnas is a human-sized sentient female lizard named Walter Drake who boasts a human lover. 

She is a lonely tarot-card expert named Edie, charged with shepherding a child messiah through peril. She is a nervous housewife named Fran who is obsessed with a strange circle of mushrooms on her lawn.

She is a young girl nicknamed “Boobs” Bornstein who finds herself transformed into a vengeful supernatural entity. 

She is a misshapen recluse living beneath the Paris Opéra house with an abducted child bride. She is a middle-aged psychiatrist named Floria who finds herself forming a fatal identification with a patient named Dr. Weyland, a man who believes he is a vampire. 

And perhaps most vividly, she is Dr. Weyland himself, immortal, anguished, jaded, violent, a curse to humanity and his own peace of mind.

But wait, I hear you protest: these are only Charnas’s characters, not her true self. Charnas is the historically locatable woman who debuted in the SF world some thirty years ago, with her excellent post-apocalypse novel Walk to the End of the World (later followed by three sequels). She’s the writer who’s won a Hugo and a Nebula and a Mythopoeic Society Award, the one who has had successes in the theater. That’s the gal we need you, as introducer, to describe.

Well, I reply, if your interest is that shallow, I imagine you can find pictures of Charnas easily enough, on her various dustjackets or with the help of Google. But those photos won’t help you identify what’s really unique and important, the inner essence of Charnas, the soul-glow that will allow you to spot her amidst a mob much more readily than by knowing mere tilt of head or jut of jaw, curve of lip or wrinkle of brow. No, those inner qualities are only apprehendable by diving into her stories and getting acquainted with her characters. For what is an author if not the composite of those she chooses to write about?

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 6, 1914 — Randall Jarrell. Author of the ever-so-charming The Animal Family which is illustrated by Maurice Sendak. Go read it – you’ll be smiling afterwards. The Anchor Book of Stories has more of his genre friendly stories. He was the 11th Consultant in Poetry to the Library of Congress—a position that now bears the title Poet Laureate of the United States. (Died 1965.)
  • Born May 6, 1915 — Orson Welles. Certainly the broadcast of “The War of the Worlds” in 1938 was his pinnacle of genre success but for the Federal Theatre Project he also did a 1936 adaptation of Macbeth with an entirely African American cast. That is was known as the Voodoo Macbeth might give you an idea of what he did to it. He would later do a more straightforward film of Macbeth. (Died 1985.)
  • Born May 6, 1931 — Jack Sharkey. Author of several humorous SF novels, It’s Magic, You Dope! and The Secret Martians. He also wrote an Addams Family franchise novel, The Addams Family. His two novels are in print at the usual suspects. (Died 1994.)
  • Born May 6, 1946 — Nancy Kilpatrick, 77. Fangoria called her “Canada’s answer to Anne Rice”. I know that I’ve read something of her fiction but I’ll be damned if I remember what it was. I do strongly recommend the anthology she edited Danse Macabre: Close Encounters with the Reaper as it’s a most excellent horror collection. 
  • Born May 6, 1952 — Michael O’Hare. He was best known for playing Commander Jeffrey Sinclair on Babylon 5, a role he left after the first season.  Other genre appearances were limited — he played Fuller in the 1984 film C.H.U.D, was Jimmy in the “Heretic” episode of Tales from the Darkside and appeared as a thug on the subway train in The Trial of the Incredible Hulk. And yes he’s one of many Babylon 5 actors who died well before they should’ve. (Died 2012.)
  • Born May 6, 1961 — Carlos Lauchu, 62. Anubis, the captain of Ra’s personal guard, in the original Stargate film which I watched recently and the Suck Fairy enjoyed the curried popcorn we had while we watched it and said that it was still most excellent. His only other genre acting was Slice in Spy Hard and two appearances in the Monsters anthology series. 
  • Born May 6, 1961 — George Clooney, 62. In From Dusk till Dawn, he was Seth Gecko.  His first genre film was Return of the Killer Tomatoes where he was Matt Stevens. Of course, he was Batman in Batman & Robin, a grand mess of a film. Later, he’s Devlin in Spy Kids 3-D: Game Over, and voices the lead role in Fantastic Mr. Fox. He’s Lieutenant Matt Kowalski in Gravity, and in Tomorrowland he’s Frank Walker, an inventor who breaches other dimensions. His last genre film to date is The Midnight Sky, where he races to a crew of astronauts from returning home to a mysterious global catastrophe set in a post-apocalyptic world.

(10) DEEP MYSTERY. “’Silo’ review: Apple’s sci-fi slow burn is a dystopia lover’s dream” says Mashable.

…Silo welcomes us into the mile-deep home of Earth’s last 10,000 inhabitants. Made up of hundreds of levels, the titular silo is an incredible feat of engineering — and of TV production. Like Apple’s 2021 sci-fi series Foundation, Silo is exceptionally polished, boasting everything from lush indoor farms to hulking mining machines. Each of these environments is rendered with an enormous amount of care. The end result is a futuristic world that looks and feels lived-in, right from the moment you lay eyes on it.

Whether through visuals or through dialogue, Silo‘s world-building doesn’t let up. As we learn, no one knows who built the silo, or why. A rebellion from more than a century ago led to the destruction of the silo’s history, so now citizens use retro technology, if they use any at all. Anything from the “before times” is considered a forbidden relic, to be immediately turned over to the frightening judges in Judicial. If you ever try to discover anything about the silo’s origin, you are sent outside. It’s a death sentence, as Earth is now a toxic wasteland… or is it?

Despite Judicial’s orders, there are those in the silo who firmly believe they are being lied to, and wish to uncover the truth. Among them are IT worker Allison (Rashida Jones), her husband Sherriff Holston (David Oyelowo), and mechanic Juliette Nichols (Rebecca Ferguson)….

(11) KULSKI Q&A. HWA continues its series: “Asian Heritage in Horror: Interview with K.P. Kulski”.

What was it about the horror genre that drew you to it?

Ok, time to talk about horrible secrets—no just kidding, but in all openness, I was not the horror aficionado that many in the community are (and love them for). I remember in 5th grade feeling triumphant because I forced myself to watch Nightmare on Elm Street and I could finally talk about it with the kids at school. Subsequently, I lived my own version of Nightmare on Elm Street, absolutely terrified by the thought I’d meet Freddy when I fell asleep. I have always had a strong imagination and deep love for stories and could freak myself out without any help.

But I was rather obsessed with ghosts and mysterious supernatural occurrences. Remember Unsolved Mysteries? Oh god, I watched so much of that show. Any mention of a haunting I was there. I went to a little Catholic school for middle school and we had this basement library and it always had plenty of books on what was claimed to be real hauntings. Photos of apparitions and all that…I checked out every single book in that little dank place. And scared myself out of my mind, I might add.

Ultimately, horror chose me and I’m so glad it did.

(12) RIVERDALE SPOILER. A viewer reports that a recent episode of Riverdale “had Jughead discover that the comic book company he was working for had plagiarized stories from his favorite author, Brad Raybury. They had the editor named All Fieldstone saying that they never heard back from the author, so they thought he had passed away.  Lots of fun for those who remember the EC comics and how Ray got his credit. And payment.” Comicon confirms in this recap post.

Jughead (Cole Sprouse), however, only has himself to blame if Brad Rayberry (Riverdale‘s answer to Ray Bradbury, played by Christopher Shyer) doesn’t want to be his mentor anymore, because stealing his manuscript? In what universe was that going to be well-received? It was interesting, though, to see Jughead’s reaction to Rayberry suggesting he use his own experiences for story fodder. Jughead has never had any problem cribbing other people’s lives for inspiration but his own? Why, the mere suggestion…

(13) SCIENCEY FICTION. NPR recommendations: “3 works in translation tell science-driven tales”. For example –

Ten Planets

Yuri Herrera can make anything seem more than real. Signs Preceding the End of the World (2015), the first of his novels to appear in English, turns a young Mexican girl’s voyage across the U.S. border into a mythological epic. The Transmigration of Bodies (2016) and Kingdom Cons (2017) mix contemporary Mexican criminal culture with that of medieval European courts. All three books, translated by Lisa Dillman, bend and reinvent language, adding an element of hyperrealism to his writing even on the sentence level. In Ten Planets, Herrera’s first story collection and his first foray into science fiction, he relies on what the narrator of one of his stories calls “the illusion of precision” to make the unreal — or, at least, the unknowable — seem just as oversaturated as the real worlds he writes so uniquely and well.

(14) SOLID WOOD. “Watch a Traditional Japanese Carpenter Make 190+ Different Joints, All Without Nails, Screws, or Glue” – Open Culture makes it easy by rounding up three YouTube videos in this post.

Before the internet, it would have been hard to imagine that people around the world would one day be unable to get enough of traditional Japanese carpentry, and specifically traditional Japanese joinery. And before Youtube, who could have predicted that videos showing each and every step of a woodworking project — without narration, or indeed explanation of any kind — would find an enthusiastic viewership? At the intersection of these two surprising phenomena stands that channel H Carpenter, whose unadorned, methodical, and detailed portrayals of wooden joint-making have racked up millions upon millions of views….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Danny SIchel, John A Arkansawyer, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Free Comic Book Day 2023 Arrives May 6

Posted on by
Reply

FREE COMIC BOOK DAY DRAWS NEAR. May 6 is Free Comic Book Day, a single day when participating comic book specialty shops across North America and around the world give away comic books to anyone who comes in. Check out the Free Comic Book Day Catalog and see what’s available. Different shops have policies on how many free comics you can receive, but you will receive at least one free comic if you enter a participating shop location. Use the Store Locator tool to find the shop near you.

MARVEL’S FREE COMIC BOOK DAY TITLES. Marvel’s contribution to this year’s Free Comic Book Day is packed with new beginnings including a prelude to the X-Men’s next era, Fall of X; an introduction to Jonathan Hickman’s bold upcoming projects, G.O.D.S. with Valerio Schiti and Ultimate Invasion with Bryan Hitch; the debut of a new Venom villain, and so much more.

Marvel Comics will also spotlight creators and characters from different cultures and communities in a special installment of the Marvel’s Voices program, Free Comic Book Day: Marvel’s Voices, and deliver all-ages Spider-Man adventures in Free Comic Book Day 2023: Spidey & His Amazing Friends #1 so that even the youngest readers won’t go home empty handed! 

FREE COMIC BOOK DAY 2023: AVENGERS/X-MEN #1

Be the first to arrive at this year’s game-changing Hellfire Gala in a story by the current X-Men creative team: writer Gerry Duggan and artist Joshua Cassara. This year’s HELLFIRE GALA will be more dramatic than ever, and the tragic events of the night will lead mutantkind directly into FALL OF X.

Then join Duggan and superstar artist Javier Garrón as they reassemble the Avengers Unity Squad to navigate the dangers of FALL OF X and solve the mystery of the new Captain Krakoa in a prelude story to their upcoming run of UNCANNY AVENGERS. This action-packed story will also feature the debut of the STARK SENTINELS, a new line of mutant hunters who cause major havoc on the night of the Gala and in the pages of Duggan’s INVINCIBLE IRON MAN.

And score a sneak peek at one of the most talked about launches of the year, Jonathan Hickman and Valerio Schiti’s G.O.D.S., an extraordinary epic at the crossroads of magic and science where Marvel’s cosmic pantheon will be boldly reimagined.

FREE COMIC BOOK DAY 2023: SPIDER-MAN/VENOM #1

Dive into the next story arc of Zeb Wells’ run of AMAZING SPIDER-MAN with a story that sees the return of two classic Spidey villains! Featuring incredible art by Patrick Gleason, this thrilling story also unleashes the full potential Spider-Man’s new suit!

Then, web-swing over to the symbiote side of things with current VENOM masterminds, Al Ewing and Cafu! The pair will pull back the curtain on a secret chapter in symbiote history where an experiment went horribly wrong…. Say hello to new Venom villain, FLEXO!

And get a glimpse into Jonathan Hickman and Bryan Hitch’s ULTIMATE INVASION, a saga that begins with a daring mission to revive the Ultimate Universe but ends with the promise of something all-new and vastly different than anything that’s come before…

FREE COMIC BOOK DAY 2023: MARVEL’S VOICES #1

Spotlighting creators and characters across Marvel’s diverse and ever-evolving universe, this book will include a range of stories from previous Marvel’s Voices issues that star Ms. Marvel, Luke Cage, Wave, and more! Plus a brand-new Ironheart adventure by writer John Jennings and Paris Alleyne that debuts her deadly new nemesis, KHEM!

FREE COMIC BOOK DAY 2023: SPIDEY & HIS AMAZING FRIENDS #1

Swing into adventure with Spidey, Ghost-Spider, and Miles as they face off against Green Goblin, Doc Ock and more in this spectacular special. Filled with easy-to-read comic stories based on the hit Disney Junior show, this book is perfect for the youngest readers aged 5-7. Young fans will even be able to test their wall-crawling skills with thrilling interactive activity pages! Kids will love this not-to-be-missed comic: the perfect primer for the newest generation of Spider-Fans!

 Check out the covers now. For more information, visit Marvel.com.

[Based on a press release.]

Peter Parker and MJ’s Past and Present Collide in Amazing Spider-Man #25

Posted on by
1

Since the start of Zeb Wells and John Romita Jr.’s hit run of Amazing Spider-Man, fans have waited anxiously to find out the answer to the haunting question, “WHAT DID PETER DO?” That mystery is finally being unraveled in current issues, but the full scope of the story will be revealed in Amazing Spider-Man #25 on May 10. In this monumental issue, readers will discover what occurred to Mary Jane Watson in the alternate dimension she was trapped in for years. The issue will pack a heavy emotional punch and directly lead into Amazing Spider-Man #26, the most shocking issue of Amazing Spider-Man in 50 years.

Fans can get a first look at the secrets behind MJ’s journey in new interior artwork by superstar artist Kaare Andrews. Andrews comes on board for this double-sized issue to take readers through MJ’s dramatic last few years, while John Romita Jr. picks up where things left off as Spidey deals with the consequences of his actions.

To celebrate this landmark, Amazing Spider-Man #25 will have a host of variant covers to choose from including a pair by John Romita Jr. spotlighting Peter Parker’s two great loves, a stunning pinup of MJ by Greg Land, an homage to MJ’s first appearance by Ed McGuiness that showcases her new “jackpot” powers, and more.

Following the jump, check out the covers and pages now and find out what MJ was up to in Amazing Spider-Man #25. For more information, visit Marvel.com.

[Based on a press release.]

Continue reading →

Pixel Scroll 3/16/23 Who Knows What Lurks In The Heart Of A Pixel? Only The Scroll Knows

Posted on by
32

(1) HELL(P) WANTED. Brian Keene is bringing back “Jobs In Hell”, the 2001 Bram Stoker Award for Non-Fiction-winning monthly industry newsletter for writers, artists, editors, and other professionals specializing in horror and other speculative and weird fiction genres.  Paid subscriptions are being taken at the link.

Jobs In Hell will cost $5 per month to subscribe to. You can sign up for it here. The first issue will go out later this month.

To begin, it will run on a monthly schedule, rather than the weekly schedule of the old Jobs In Hell. I will revisit that schedule regularly, however, and I’m almost certain that at some point we’ll increase frequency.

If you are looking for submissions for your magazine, website, publishing company, etc. please email the details to [email protected]. Your email should contain the following information: Name of publication, name of editor overseeing submissions, guidelines as to what you are looking for, details on how to submit, deadline (if any), and payment (if any).

(2) ONLINE SFF COURSE IN NOVEMBER. Aliette de Bodard and Alastair Reynolds will be teaching an online course in writing SF & Fantasy at the end of the year: ”Teaching SF and F with Aliette” at Approaching Pavonis Mons by Balloon.

This course, “Sci-Fi & Fantasy”, offered through the Canolfan Ysgrifennu Tŷ Newydd Writing Centre, will be held over four online sessions on the following dates: Tuesday 14 November, Tuesday 21 November, Tuesday 28 November & Tuesday 12 December 2023 from 7.00 – 8.30 pm. Register here.

Over four online sessions, Aliette and Alastair will address the peculiar challenges and opportunities open to anyone wishing to write science fiction, fantasy or their related sub-genres. Drawing on their own experiences across a range of literary styles and formats, from short stories to novels and extended series, they’ll cover the mechanics of crafting a story, from planning and plotting, to the use of voice and viewpoint, setting and mood. They’ll address the unique challenges of worldbuilding within the literatures of the fantastic, from the use of language to evoke a time and a place to the invention of social systems and far-future technologies, and how to make those creations seem real to the reader. They’ll talk about the different stages of writing; from initial drafts to polishing, how to prepare work for submission and how to make the most of the literary marketplace, from traditional venues to the online world and self-publishing. They’ll bring invaluable experience in problem-solving: how to come up with ideas, how to work around creative blocks, how to make a good story better – and, always, how to find fun and fulfilment in your craft, wherever it takes you. The future is wide open!

(3) ZELAZNY AND MORE. Today at Galactic Journey Cora Buhlert reviews the 1968 Hugo winner Lord of Light by Roger Zelazny and the 1968 heist novel Easy Go by John Lange a.k.a. Michael Crichton amongst other reviews. According to Cora, the largely forgotten heist novel got a better review than the Hugo winner: “[March 16, 1968] In Distant Lands (March Galactoscope)”.

Buddha is a Spaceman: Lord of Light by Roger Zelazny

Roger Zelazny, of Polish origin himself, is one of the most exciting young authors in our genre and has already won two Nebulas and one Hugo Award, which is remarkable, considering he has only been writing professionally for not quite six years.

My own response to Zelazny’s works has been mixed. I enjoyed some of them very much (the Dilvish the Damned stories from Fantastic or last year’s novella “Damnation Alley” from Galaxy) and could not connect to others at all (the highly lauded “A Rose for Ecclesiastes”). So I opened Zelazny’s latest novel Lord of Light with trepidation, for what would I find within, the Zelazny who wrote the Dilvish the Damned stories or the one who wrote “A Rose for Ecclesiastes”?

The answer is “a little bit of both” and “neither”….

(4) OCTOTHORPE. In episode 79 of Octothorpe, “You Get To Be A Little Cat” —

John Coxon wants new gloves, Alison Scott is foreshadowing, and Liz Batty scrolls past spiders. We discuss a plethora of awards – Hugo Awards, Nebula Awards, BSFA Awards – while also chatting about hot dog finger gloves and Adrian “Spiders” Tchaikovsky. Listen here! 

(5) ONE OF OUR CAPTAINS IS MISSING. [Item by Dann.] Chris Gore of Film Threat magazine recently pointed out that the new Paramount graphic being used to promote all of Star Trek has omitted one of the key characters in Star Trek history; the original and one-and-only James Tiberius Kirk (ignore that inconvenient headstone).

The TrekNews Twitter feed was one of the first to note the omission.

William Shatner noted that he didn’t find it surprising.

Various users responded with reimagined graphics that place a greater emphasis on Captain Kirk.

(6) MEMORY LANE.

2001 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll isn’t the start of this series. That would be Revelation Space, published a year prior to Alastair Reynolds’ Chasm City, which came out on Gollancz twenty-two years ago. 

Reynolds uniquely wrote Chasm City as a stand-alone novel so you needn’t be familiar with any of the five Revelation Space Universe that precede it, including the two (and soon to be three) most fascinating Prefect Dreyfus Emergencies. (There’s a seventh novel, Inhibitor Phase, which came out several years back.)

Chasm City appeals to me because to it is the rare SF novel set within a larger universe that, as I said, is intended to allow the reader who hasn’t encountered this series to be introduced to it.

It won the British Science Fiction Association Award.

It’s got great characters, an awesome setting and multiple stories that weave into each other most satisfactorily. It is certainly one of the best SF novels that I’ve ever read. 

I’m sure I spotted one character here who shows up in the Prefect Dreyfus Emergencies series which I think was a very impressive piece of writing by him some years on.

And now its Beginning…

Dear Newcomer, 

Welcome to the Epsilon Eridani system. 

Despite all that has happened, we hope your stay here will be a pleasant one. For your information we have compiled this document to explain some of the key events in our recent history. It is intended that this information will ease your transition into a culture which may be markedly different from the one you were expecting to find when you embarked at your point of origin. It is important that you realise that others have come before you. Their experiences have helped us shape this document in a manner designed to minimise the shock of cultural adjustment. We have found that attempts to gloss over or understate the truth of what happened—of what continues to happen—are ultimately harmful; that the best approach—based on a statistical study of cases such as yours—is to present the facts in as open and honest manner as possible. 

We are fully aware that your initial response is likely disbelief, quickly followed by anger and then a state of protracted denial. 

It is important to grasp that these are normal reactions.

It is equally important to grasp—even at this early stage—that there will come a time when you will adjust to and accept the truth. It might be days from now; it might even be weeks or months, but in all but a minority of cases it will happen. You might even look back upon this time and wish that you could have willed yourself to make the transition to acceptance quicker than you did. You will know that it is only when that process is accomplished that anything resembling happiness becomes possible. 

Let us therefore begin the process of adjustment. 

Due to the fundamental lightspeed limit for communication within the sphere of colonised space, news from other solar systems is inevitably out of date; often by decades or more. Your perceptions of our system’s main world, Yellowstone, are almost certainly based on outdated information. 

It is certainly the case that for more than two centuries—until, in fact, the very recent past—Yellowstone was in thrall to what most contemporary observers chose to term the Belle Epoque. It was an unprecedented social and technological golden age; our ideological template seen by all to be an almost perfect system of governance.

Numerous successful ventures were launched from Yellowstone, including daughter colonies in other solar systems, as well as ambitious scientific expeditions to the edge of human space. Visionary social experiments were conducted within Yellowstone and its Glitter Band, including the controversial but pioneering work of Calvin Sylveste and his disciples. Great artists, philosophers and scientists flourished in Yellowstone’s atmosphere of hothouse innovation. Techniques of neural augmentation were pursued fearlessly. Other human cultures chose to treat the Conjoiners with suspicion, but we Demarchists—unafraid of the positive aspects of mind enhancement methods—established lines of rapport with the Conjoiners which enabled us to exploit their technologies to the full. Their starship drives allowed us to settle many more systems than cultures subscribing to inferior social models. 

In truth, it was a glorious time. It was also the likely state of affairs which you were expecting upon your arrival. 

This is unfortunately not the case. 

Seven years ago something happened to our system. The exact transmission vector remains unclear even now, but it is almost certain that the plague arrived aboard a ship, perhaps in dormant form and unknown to the crew who carried it. It might even have arrived years earlier. It seems unlikely now that the truth will ever be known; too much has been destroyed or forgotten. Vast swathes of our digitally stored planetary history were erased or corrupted by the plague. In many cases only human memory remains intact… and human memory is not without its fallibilities. 

The Melding Plague attacked our society at the core.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 16, 1883 — Sonia Greene. Pulp writer and amateur press publisher who underwrote several fanzines in the early twentieth century. She was a president of the United Amateur Press Association. And she was married to H.P. Lovecraft, though often living apart, until eventually they agreed to divorce. (Died 1972.)
  • Born March 16, 1900 — Cyril Hume. He was an amazingly prolific screenplay writer with twenty-nine credits from 1924 to 1966 including The Wife of the Centaur (a lost film which has but has but a few scraps left), Tarzan Escapes, Tarzan the Ape Man, The Invisible Boy and Forbidden Planet. (Died 1966.)
  • Born March 16, 1929 — Ehren M. Ehly. This was the alias of Egyptian-American author Moreen Le Fleming Ehly. Her first novel, Obelisk, was followed shortly by Totem. Her primary influence was H. Rider Haggard, telling an interviewer that Haggard’s novel She impressed her at an early age. If you like horror written in a decided pulp style, I think you’ll appreciate. (Died 2012.)
  • Born March 16, 1929 — A. K. Ramanujan. I’m going to recommend his Folktales from India, Oral Tales from Twenty Indian Languages as essential reading if you’re interested in the rich tradition of the Indian subcontinent. Two of his stories show up in genre anthologies, “The Magician and His Disciple” in Jack Zipes’ The Sorcerer’s Apprentice: An Anthology of Magical Tales and “Sukhu and Dukhu“ in Heidi Stemple and Jane Yolen’s Mirror, Mirror. (Died 1993.)
  • Born March 16, 1951 — P. C. Hodgell, 72. Her best known work is the God Stalker Chronicles series with Deathless Gods being the current novel. She dabbled in the Holmesian metaverse with “A Ballad of the White Plague”, first published in The Confidential Casebook of Sherlock Holmes as edited by Marvin Kaye. All of the God Stalker Chronicles series are available from the usual suspects
  • Born March 16, 1952 — Alice Hoffman, 71 . Best known for Practical Magic which was made into a rather good film. I’d also recommend The Story Sisters, a Gateway story, The Ice Queen, an intense riff off of that myth, and Aquamarine, a fascinating retelling of the mermaid legend. The Rules of Magic was nominated for Mythopoeic Fantasy Award for Adult Literature Award. 
  • Born March 16, 1966 — David Liss, 57. Writer of Spider-Man: Hostile Takeover, novelization of Marvel’s Spider-Man whichis a 2018 action-adventure game. Comics writer, Black Panther: The Man Without Fear and Sherlock Holmes: Moriarty Lives series. Not at all genre but his trilogy of novels starting with A Conspiracy of Paper and featuring Benjamin Weaver, a retired bare-knuckle boxer, now a thief-taker, a cross between a PI and bounty hunter, are highly recommended by me. 

(8) SPIDER-REX. Marvel brings us “The All-New Spider-Killer Curses the Spider-Verse in Josemaria Casanovas’ ‘Edge of Spider-Verse’ #1 Variant Cover”.

On May 3, the hit comic book series EDGE OF SPIDER-VERSE returns for another wild trip through the Spider-Verse, complete with revolutionary new Spider-heroes and further adventures for the series’ biggest breakout stars, all brought to you from an all-star lineup of talent!

 …EDGE OF SPIDER-VERSE #1 will also feature the roaring return of SPIDER-REX and the daring debut of VENOMSAURUS in a story by writer Karla Pacheco and Pere Pérez. 

(9) SCIENTIST FICTION. Several sff books are part of Martin MacInnes’ list of “Top 10 visionary books about scientists: searching for an answer” in the Guardian.

Science, as much as art, is an act of imagination, the pursuit of something new. While novels about scientists often play with this likeness, there are also scientists who write with the ambition and empathy of novelists. Scientists in literature appear in all sorts of guises: as megalomaniacs, heroes, obsessives. It is this last figure – the obsessive – the character who will not stop – that interests me most….

First on the list is Jeff VanderMeer’s Annihlation.

The four women who enter Area X are named only by their profession: biologist; anthropologist; psychologist; surveyor. It is the biologist who is closest to VanderMeer’s heart, clear in the gorgeous accounts of the living world they walk through and in the novel’s concern with ecstatic dissolution and eroded borders, an awful commonality linking all things. The novel is suffused in beauty and grief, as the biologist goes on, determined to find out what it all means.

(10) WATNEYCRETE. [Item by Mike Kennedy.]They tried urine. They tried blood. But it turned out that potato starch worked better.

The University of Manchester has come up with a extraterrestrial concrete mix that uses Mars (or Moon) dust, potato starch, and a pinch of salt (magnesium chloride). Plus, the “StarCrete” is said to have at least twice the compressive strength of standard concrete. “Engineers Built a New Kind of Concrete 2x Stronger Than the Real Thing” at Popular Mechanics.

The University of Manchester’s new “StarCrete” is twice as strong as traditional concrete, making it a potential solution as a building material for Mars. Add in some extraterrestrial dust and potato starch, and you have a potentially revolutionary new material.

In an article published in the journal Open Engineering, the research team showed that potato starch can act as a binder when mixed with simulated Mars dust to produce a concrete-like material reaching a compressive strength of 72 megapascals (MPa), over twice as strong as the 32 MPa seen in ordinary concrete. Of course, mix in moon dust instead and you can get StarCrete to 91 MPa.

This strength makes it a possible solution, according to the researchers, for a building solution on Mars as astronauts mix Martian soil with potato starch—and a pinch of salt, no joke—to give extra-terrestrial-suited concrete.

Earlier recipes from the team didn’t use potato starch, instead offering blood and urine as a binding agent to reach 40 MPa. Not every astronaut would be excited about continually draining their blood to build in space, though….

(11) DRESSED FOR SUCCESS. “Spacesuit for return to the Moon unveiled” at BBC News.

A new generation of spacesuit for humanity’s return trip to the Moon has been unveiled by Nasa.

The novel design comes with specialist features to support astronauts as they conduct scientific experiments on the lunar surface.

The prototype is said to be a better fit for female space travellers.

Nasa hopes to have the updated suit ready for the Artemis III mission to the Moon in 2025….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Steven French, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Dann, John Coxon, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/13/23 Pixelators Are A Set Of Interfering, Meddling People, Who Scroll Down To Some Perfectly Contented Fans And Sow The Seeds Of Discontent Amongst Them. That Is The Reason Why Pixelators Are So Absolutely Necessary

Posted on by
25

(1) VISIONS AND REVISIONS. At the Australian Book Designers Assn., W. H. Chong tells “How to Deconstruct a Science Fiction Cover” using some historic examples.

…Among the golden names I picked: Clarke, Asimov, Dick, Gibson, a pair of books stuck out – Ursula Le Guin’s brilliant double: The Left Hand of Darkness and her following novel, The Dispossessed:

Looking at these now they are my idea of perfect science fiction covers.…The Dispossessed is a story of rivalry between two planets, one of which claims to be run on socialist grounds but is actually quite authoritarian, the other is capitalist and more overtly totalitarian. [Note: not totalitarian, but patriarchal] The image is a very simple, iconic, memorable image. There is this very neat thing, where the hero, who looks very heroic, is looking at a world. But you can break it down. The figure is very much the same as the man in the famous 1818 painting by Caspar David Friederich, ‘Wanderer Above the Sea of Fog’….

All that rambling was to say how clearly the cover image captured the book for me, then as now. It’s a narrative illustration that faithfully serves and dramatises the story. (The typography is understated.) I think it’s a strength that the image is literal rather than subtly allusive. The crude, kitschy style and diagrammatic, trope-mongering composition ticks all the boxes for that period of SF, not only representing the story but also operating as a high impact signifier of SFness….

(2) F&SF. Thanks to Gordon Van Gelder, here is The Magazine of Fantasy and Science Fiction’s March-April 2023 cover art by Jill Bauman.

(3) TAFF BALLOT CONCERN. North American TAFF Administrator Michael J. “Orange Mike” Lowrey drew attention to a mail delivery issue that affected one person he knows about – were there any others? 

I got an e-mail asking if we’d moved, because a TAFF ballot had been returned as “Moved/Left No Forwarding”!

I just talked to our post office branch. Our regular letter carrier is out on medical leave, and apparently whoever has been filling in for him thought that because the house we have lived in since 1979 is not as expensively maintained as some of the other homes in our gentrified neighborhood, we must have moved out. The PO branch says they will be addressing this.

The official ballot for the 2023 Trans-Atlantic Fan Fund race [PDF file] is at the link. Fans have until April 11, 2023 at 23:59 Pacific / -7 UTC to vote.

(4) USEFUL PLAGUES FOR WRITERS. Steven Popkes has a fasincating, detail-filled set of “Notes on the Plagues in SF Arisia Panel” at Book View Café.

Includes a bonus set of comments about the “10 scariest plagues from sci-fi and fantasy” ranked at Fansided.

(5) NYC FANDOM FIFTY YEARS AGO. Fanac.org has made available a video of yesterday’s fanhistorical Zoom discussion “New York Fandom in the 70s (Pt 1)- Moshe Feder, Jerry Kaufman, Andy Porter, and Steve Rosenstein”.

The story of New York fandom is fascinating, from its Worldcon in the 60s to fragmentation and multiple fannish groups in the 70s. In this 2023 Zoom recording, ably moderated by FANAC chair Joe Siclari, our panelists provide a fond and anecdotal recounting of their decades of experience in New York fandom. In this part 1 (of 2) you’ll hear how they came into fandom (including the value of having a big name pro last name), the true meaning of Kratophany, and what the Avocado Pit really was. There’s background on the many NY clubs of the era from Fanoclasts to Fistfa to Lunarians and SFFSAQC (this last founded by one of our speakers). There are personal anecdotes of Isaac Asimov, and the lengths that Jack Chalker went to in order to attend Lunarians while living in Baltimore. 

This video has plenty more – from the questionable respectability of the NYU club to why Moshe was cautioned not to sing along to “The Music Man” on Broadway to the first live fanzine, Spanish Inquisition and Stu Shiffman’s exquisite mastery of on-stencil art. These are stories that really convey what it was like to be a fan in the 70s.

(6) SUPER BOWL TRAILER RELEASES. These movie trailers were tailored for airing during yesterday’s Super Bowl broadcast.

The Flash: Opens in North America on June 16.

Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

Marvel Studios’ Guardians of the Galaxy Vol. 3, written and directed by James Gunn, comes to theaters May 5.

Dungeons & Dragons: Honor Among Thieves “Big Game Spot”

I know a thing or two about games that last many hours… Watch the #DnDMovie Big Game spot ahead of Sunday! Only in theatres March 31. A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Dungeons & Dragons: Honor Among Thieves brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure.

Transformers: Rise of the Beasts x Porsche “Big Game Spot”

The name’s Mirage. A new Autobot makes his debut as a legendary Porsche 911 Carrera RS 3.8 in #Transformers: #RiseOfTheBeasts, in theatres June 9. Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure and introduce the Maximals, Predacons, and Terrorcons to the existing battle on earth between Autobots and Decepticons. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film arrives in theatres June 9, 2023.

65

65 million years ago, BIG GAME meant something very different. 65 hours before kickoff, get an exclusive early look at the #65movie Big Game spot. Exclusively in movie theaters March 10.

Indiana Jones and the Dial of Destiny

This Summer, a legend will face his destiny. Harrison Ford returns in #IndianaJones and the Dial of Destiny in theaters June 30.

(7) MEMORY LANE.

1952 – [Compiled by Cat Eldridge.]

Clifford Simak’s City is by far my favorite work by him. It was published in 1952 by Gnome Press with the cover art with the cover art by Frank Kelly Freas.

It would win one of seven Awards given out by the groups that did the International Fantasy Award. 

Why this patch up novel? Because he centered it on canines given speech by human who departed to the stars so long that they became just history and then became legend and that turned myth. The uplifted dogs now tell stories of the humans who they’re not sure were actually real. 

See no spoilers really. If there’s a few souls here who’ve not read it, go forth and get a copy now. 

This novel started out as separate stories in Astounding Science Fiction, May 1944 issue, has much to recommend itself. I won’t say it is all sweetness as it’s not, Simak goes fairly dark at times as he’s interested in the nature of violence here 

And now our Beginning… 

EDITOR’S PREFACE

These are the stories that the Dogs tell when the fires burn high and the wind is from the north. Then each family circle gathers at the hearthstone and the pups sit silently and listen and when the story’s done they ask many questions: 

“What is Man?” they’ll ask. 

Or perhaps: “What is a city?” 

Or: “What is a war?” 

There is no positive answer to any of these questions.

There are suppositions and there are theories and there are many educated guesses, but there are no answers. 

In a family circle, many a storyteller has been forced to fall back on the ancient explanation that it is nothing but a story, there is no such thing as a Man or city, that one does not search for truth in a simple tale, but takes it for its pleasure and lets it go at that. 

Explanations such as these, while they may do to answer pups, are no explanations. One does search for truth in such simple tales as these.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 13, 1908 — Patrick Barr. He appeared in Doctor Who as Hobson in the Second Doctor story, “The Moonbase”, in the Seventies Randall & Hopkirk (Deceased) “You Can Always Find a Fall Guy” episode, and appeared once in The Avengers as Stonehouse in the “Take me to Your Leader” episode. His last genre role was as the British Ambassador in Octopussy. (Died 1985.)
  • Born February 13, 1932 — Susan Oliver. She shows up in the original Trek pilot, “The Cage” as Vina, the Orion slave girl. She had a number of one-offs in genre television including Wild Wild West, Twilight Zone, Alfred Hitchcock Hour, The Man from U.N.C.L.E., Tarzan, The Invaders, Night Gallery and Freddy’s Nightmares. (Died 1990.)
  • Born February 13, 1933 — Patrick Godfrey, 90. His very first acting was as Tor in a First Doctor story, “The Savages. He’d be in a Third Doctor story, “Mind of Evil”, as Major Cotsworth. His last two acting roles have both been genre — one being the voice of a Wolf Elder in Mowgli: Legend of the Jungle; the other Butler in His Dark Materials.
  • Born February 13, 1938 — Oliver Reed. He first shows up in a genre film uncredited in The Two Faces of Dr. Jekyll with his first credited role being Leon in The Curse of the Werewolf. He was King in The Damned, an SF despite its title, and Z.P.G. saw him cast as Russ McNeil. Next up was him as Athos in the very charming Three Musketeers, a role he reprised in Four Musketeers and Return of the Musketeers. Does Royal Flash count as genre? Kage Baker loved that rogue. Kage also loved The Adventures of Baron Munchausen in which he played Vulcan. Orpheus & Eurydice has him as Narrator, his final film role. (Died 1999.)
  • Born February 13, 1959 — Maureen F. McHugh, 64. Her first novel, China Mountain Zhang was nominated for both the Hugo and the Nebula Award, and won the James Tiptree, Jr. Award. Her other novels are Half the Day Is Night, Mission Child and Nekropolis. She has an impressive array of short stories.  “The Lincoln Train” won a Hugo for Best Story at L.A. Con III.
  • Born February 13, 1960 — Matt Salinger, 63. Captain America in the 1990 Yugoslavian film of that name which was directed by Albert Pyun as written by Stephen Tolkin and Lawrence J. Block, the well known mystery writer. It’s got a 16% rating among reviewers at Rotten Tomatoes which matches what critics thought of it. As near as I can tell this is only genre role.
  • Born February 13, 1961 — Henry Rollins, 62. Musician and actor of interest to me for his repeated use in the DC Universe as a voice actor, first on Batman Beyond as Mad Stan the bomber, also as Benjamin Knox / Bonk in Batman Beyond: Return of the Joker, then on Teen Titans as Johnny Rancid and finally, or least to date, voicing Robot Man in the “The Last Patrol!” of Batman: The Brave and the Bold.  I’d be remiss not to note he’s Spider in Johnny Mnemonic, and in Green Lantern: Emerald Knights as the voice of Kilowog.

(9) A HALF CENTURY OF SPIDER-MAN. Marvel promises it will be “The Most Shocking Issue of Amazing Spider-Man In 50 Years”. Will part of the shock will come from it actually being two issues?

This May, Zeb Wells and John Romita Jr.’s run of AMAZING SPIDER-MAN reaches a startling unexpected climax and conclusion of its first year! Don’t miss two over-sized, monumental AMAZING SPIDER-MAN issues with #25 and the heartbreaking #26!

Number 25 releases on May 10, with number 26 following on May 31.

(10) HAVE MORE FAITH IN ALIENS. [Item by Chris Barkley.] Here’s the thing; an sf fan will tell you that aliens are too smart and too fast to be shot down. C’mon Man!!!!! “US general refuses to rule out aliens after third suspicious flying object is shot down by the military over its airspace” at MSN.com.

A top US Air Force general said that he was not ruling out the possibility that flying objects shot down over North America could have been aliens. 

General Glen VanHerck, the commander who oversees North American airspace, told reporters at a Pentagon briefing Sunday that he wasn’t ruling out extra terrestrials or any other explanation for the objects, and was deferring to US intelligence. …

At moments like this you wonder if there is any US intelligence.

(11) WHEN 2 IS A PRIME NUMBER. The Wrap signal boosts news that “’The Peripheral’ Scores Season 2 Renewal at Prime Video”.

“The Peripheral,” the sci-fi drama starring Chloë Grace Moretz, has been renewed for a second season at Prime Video.

Based on the best-selling novel of the same name by William Gibson, the series hails from “Westworld” creators Lisa Joy and Jonathan Nolan’s Kilter Films banner, which is under an overall deal at Amazon Studios….

(12) THE IMPORTANCE OF BEING PURPLE. “Barney franchise getting relaunched with film, animated series, and more” reports Yahoo! It’s fascinating that Yahoo! finds a way to draw a connecting line between Barney and Nope.

Get ready to have “I love you, you love me” stuck in your head all over again.

The iconic purple dinosaur Barney, who rose to prominence in the ’90s with the hit television show Barney & Friends — which famously encouraged kids to be kind and optimistic while simultaneously haunting their parents’ dreams — is officially getting relaunched later this year.

… Further details about the film plans weren’t immediately available, but in 2019 it was announced that Mattel had a live-action Barney movie in the works with Nope star Daniel Kaluuya set to produce. It remains to be seen how those plans might factor in with this relaunch…

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day by Jayn.]

Pixel Scroll 12/13/22 The Megatherium Weighed The Pterodactyl Down

Posted on by

(1) COVER ART. [Item by Bruce D. Arthurs.]Literary Hub featured a long list of “Best Book Covers of 2022” which included several of genre interest. But the most surprising to see was the final selection, Chuck Tingle’s Bisexually Stuffed by an Orgy of Sentient Thanksgiving Foods. “The 103 Best Book Covers of 2022”.

(2) PRESS THE BUTTON FOR SIXTY-TWO. Phil Nichols commences “The Second Annual Time Travel Expedition” in episode 24 of the SF 101 podcast.

It’s December, and so according to the tradition we invented this time last year, we go back into the past and review an old science fiction magazine – to see how the field has changed over time, and to see if those old stories still hold up. This year, we tackle the December 1962 issue of The Magazine of Fantasy and Science Fiction. If you’d like to skim the pages with us, you can find the entire issue online here.

We also have a science fiction cat quiz, believe it or not….

(3) MEDICAL UPDATE. Adam-Troy Castro tweeted about his surgery:

(4) NEXT VERSE. The next Spider-Man movie is coming to theaters June 2023: Spider-Man: Across The Spider-Verse.

(5) AXED BY HBO MAX. “‘Westworld’ & ‘The Nevers‘ Pulled Off HBO Max, Marking Victorian Drama’s Formal End” reports Deadline. But they’re expected to resurface elsewhere.

…Two other original scripted series, Westworld and The Nevers, are coming off HBO Max. Unlike others that we have reported on, Lionsgate TV’s Minx and Love Life and Sony TV’s Gordita Chronicles — all comedies — Westworld and The Nevers are high-end Warner Bros. Discovery drama productions for HBO proper, and I hear they are likely to resurface on other company platforms.

WBD CEO David Zaslav has spoken about his plan to enter the burgeoning FAST channel space, so Westworld and The Nevers would likely be offered in that form, I hear.

The removal of Westworld is a surprise as it remains one of the most recognizable HBO dramas of the last decade. The sci-fi series was recently canceled after four seasons so some of its fans may not have caught up on all episodes before it’s removed.

This marks the formal cancellation for the Joss Whedon-created The Nevers, whose six-episode Season 1A aired back in 2021, with the second part of the season yet to be scheduled. It will now end up in the show’s new home whatever that is. The storyline has been crafted in a way that it concludes with Season 1B, sources said….

(6) FOR A SPLIT-SECOND IT WAS CAMELOT. “Scientists Achieve Nuclear Fusion Breakthrough With Blast of 192 Lasers” and the New York Times offers an overview of how it was done.

…There was always a nagging caveat, however. In all of the efforts by scientists to control the unruly power of fusion, their experiments consumed more energy than the fusion reactions generated.

That changed on the morning of Dec. 5, just over a week ago, when 192 giant lasers at the laboratory’s National Ignition Facility blasted a small cylinder about the size of a pencil eraser that contained a frozen nubbin of hydrogen encased in diamond.

The laser beams entered at the top and bottom of the cylinder, vaporizing it. That generated an inward onslaught of X-rays that compresses a BB-size fuel pellet of deuterium and tritium, the heavier forms of hydrogen.

In a brief moment lasting less than 100 trillionths of a second, 2.05 megajoules of energy — roughly the equivalent of a pound of TNT — bombarded the hydrogen pellet. Out flowed a flood of neutron particles — the product of fusion — which carried the energy equivalent of about 1.5 pounds of TNT, or an energy gain of about 1.5.

This crossed the threshold that laser fusion scientists call ignition, the dividing line where the energy generated by fusion equals the energy of the incoming lasers that start the reaction….

(7) MEMORY LANE.

2000 — [By Cat Eldridge.] Paddington Bear

One of the cutest bears in literature, alongside Winnie the Pooh is Paddington Bear. I hereby submit nominations for other extremely cute bears in fiction. 

Michael Bond first unveiled him to the world in 1958. He came up with him after he purchased a teddy bear as a Christmas present for his wife, and named the bear Paddington as the couple was living near Paddington Station, so he imagined the arrival of a real bear at the station in his first novel, A Bear Called Paddington. 

The sculpture was created by Marcus Cornish in 2000. Cast in bronze, the statue stands on Platform 1 under the station clock and was unveiled by Michael Bond on February 24, 2000. Interestingly the statue is owned by the Paddington Bear shop at the station.

Its present location is the second within the station, the statue having been moved from its original position at the foot of the escalators due to renovation work. He had been unceremoniously… oh let’s let journalist Marin Roberts tell the tale, “To my horror, a few months ago I discovered the Paddington Bear statue had been moved to a really dark, dingy corner on the other side of the station.” 

He enlisted the help of a lot of people including Hugh Bonneville, who played Mr Brown in the Paddington Bear films, and that’s he got moved to where he is. He’s supposed to have (eventually) a place in center court. 

Bond’s obituary in The Guardian described the statue as “one of the few memorials in London to inspire real affect.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 13, 1925 — Dick Van Dyke, 97. Seriously you think I wouldn’t write him up? Bert/Mr. Dawes Sr. in Mary Poppins followed shortly by being Caractacus Pott in the film adaptation in Ian Fleming’s novel Chitty-Chitty-Bang-Bang. (No it’s not the same character as he is in the book.)  He voices the lead character in the animated Tubby the Tuba film and plays D.A. Fletcher in Dick Tracy.  He narrates Walt: The Man Behind the Myth whose subject matter you can guess. Played Commissioner Gordon in Batman: New Times as well. Shows up in both of the Night at the Museum films which sort of interest me. And yes he has a role as Mr.Dawes Jr. in Mary Poppins Returns.
  • Born December 13, 1929 — Christopher Plummer. Let’s see… Does Rudyard Kipling in The Man Who Would Be King count? If not, The Return of the Pink Panther does. That was followed by Starcrash, a space opera I suspect hardly anyone saw which was also the case with Somewhere in Time. Now Dreamscape was fun and well received. Skipping to General Chang in Star Trek VI: The Undiscovered Country. Opinions everyone? I know I’ve mixed feelings on Chang. I saw he’s was in Twelve Monkeys but I think I’ve deliberately forgotten that film and I’ve not seen The Imaginarium of Doctor Parnassus yet. (Died 2021.)
  • Born December 13, 1949 — R. A. MacAvoy, 73. Winner of the Astounding Award for Best New Writer. I’m very, very fond of her Black Dragon series, Tea with the Black Dragon and Twisting the Rope.  (Tea with the Black Dragon was nominated for a Hugo at L.A. Con II, the year David Brin’s Startide Rising won.) The only other thing I’ve read of hers is The Book of Kells, so do tell me about her other works. (OGH begins: there’s “R. A. MacAvoy’s Bear Stories”, half-a-dozen true life nature encounters collected here at File 770 in 2017.)
  • Born December 13, 1954 — Emma Bull, 68. Writer of three of the best genre novels ever, Bone Dance: A Fantasy for Technophiles, Finder: A Novel of The Borderlands and War for The Oaks. Yes, I’ve personally acquired signed copies of each. Will Shetterly, her husband and author of a lot of really cool genre works, decided to make a trailer which you can download if you want here.   She’s also been in a number of neat bands, one that has genre significance that being Cats Laughing which has Stephen Brust, Adam Stemple, son of Jane Yolen, and John M. Ford either as musicians or lyricists. They came back together after a long hiatus at MiniCon 50. Again just ask me and I’ll make this music available along with that of Flash Girls which she was also in. And she’s on the dark chocolate gifting list. 
  • Born December 13, 1954 — Tamora Pierce, 68. Her first book series, The Song of the Lioness, about her character Alanna going through the trials of training as a knight, sold very well and was well received by readers. That series is set in Tortall, a world akin to the European Middle Ages. What I’ve read of it I like a lot. She won the Edward E. Smith Memorial Award for Imaginative Fiction in 2005, a rare honor indeed. 
  • Born December 13, 1984 — Amal El-Mohtar, 38. Canadian editor and writer. She won Hugo Awards for Best Short Story for “Seasons of Glass and Iron” at WorldCon 75 and Best Novella for “This Is How You Lose the Time War” at CoNZealand (with Max Gladstone). (The latter got a BSFA, an Aurora and a Nebula as well.) She’s also garnered a Nebula Award  for “Madeleine“, a World Fantasy Award for “Pockets” and a World Fantasy Award for “Seasons of Glass and Iron”. Very impressive. She has edited the fantastic poetry quarterly Goblin Fruit magazine for the past five years. 

(9) I CAN’T BE SURE, BUT I DON’T THINK THEY LIKED IT. [Item by Mike Kennedy.] “Avatar: The Way of Water review – a soggy, twee, trillion-dollar screensaver” in the Guardian.

Drenching us with a disappointment that can hardly be admitted out loud, James Cameron’s soggy new digitised film has beached like a massive, pointless whale. The story, which might fill a 30-minute cartoon, is stretched as if by some AI program into a three-hour movie of epic tweeness….

(10) THE VERDICT. And the New York Times isn’t fond of the new Butler adaptation: “‘Kindred’ Review: Octavia Butler Comes to the Screen”.

…“Kindred” is finally coming to the screen, 43 years after its publication, not as a movie or a mini-series but as an eight-episode season meant to be the first in a series. (Made for FX, it premieres Tuesday on Hulu.) The ingenious premise is still there: Dana James (Mallori Johnson), now an aspiring television writer in 2016 Los Angeles, finds herself being zapped to 1815 Maryland whenever Rufus Weylin (David Alexander Kaplan), the young son of a plantation owner, feels his life is in danger and he needs saving. Only minutes or hours have elapsed in the present when she returns home, sometimes after perilous weeks or months in the past. Like other involuntary-time-travel stories, it is inherently suspenseful, generating cliffhangers at regular intervals, and the show takes full advantage.

The other side of Butler’s storytelling equation has gone missing, however. It is hard to believe much of anything that happens in FX’s “Kindred,” in either the skimpy, cardboard depiction of plantation life or in the clichéd presentation of modern city life. (The present-day plot has, unfortunately, been significantly expanded.) Butler grounded her speculation in historical and, crucially, psychological reality; the series takes her story elements and slices, dices and pads them in a way that keeps us from believing or becoming invested in the characters Butler worked so hard to build….

(11) REMEMBERING CARRIE FISHER. [Item by Dann.] Carrie Fisher is well known for her acting career.  Hello Star Wars!  She is somewhat less known as a Hollywood script doctor.  Her editing/writing skills were frequently employed in improving the character development and dialog of female characters.

She is also a songwriter.  Perhaps “co-songwriter” is more accurate as she co-wrote songs with Sean Lennon (John Lennon’s son), Harper Simon (Paul Simon’s son), and Jimmy Buffet. “3 Songs You Didn’t Know the Late Actress Carrie Fisher Co-Wrote” at American Songwriter.

Ms. Fisher edited scripts for a wide variety of films including Sister Act and Lethal Weapon 3.  Her work on one script in particular resulted in a very brief cameo.  The movie was Hook.  In the cameo, she is one of a couple enjoying a romantic kiss on the bridge as Tinkerbell flies by carrying Peter Banning/Pan.  After being sprinkled with a bit of pixie dust, the couple gently floats in the air above the bridge.  The other half of the snogging pair?  George Lucas. “George Lucas & Carrie Fisher’s Cameos In Hook Explained” at ScreenRant.

(12) ALL ABOARD. Nerdist has compiled a docket of evidence showing that “Some of the Best Sci-Fi ‘Ships’ Are Actually Living Beings”. Beware spoilers.

Space-faring ships that turn out to be alive are nothing new in science fiction. There’s more entries every year, but the leviathans often have similarities to previous versions. Many of them are whale-like, with interior corridors that look like the belly of the beast. Some even sing like whales. But while there’s plenty of overdone tropes in science fiction, what exactly constitutes life and sentience is one that is still interesting. As humanity’s understanding of non-human sentient life deepens over time, we continue to explore this concept in our entertainment as well. Here’s some of our favorite living “ships” from TV and film.

First example —

Jean Jacket (Nope)

Nope is the latest sci-fi movie to introduce a living ship. The flying saucer turns out to be an animal rather than a typical UFO. Technically it does carry passengers, for a little while at least. Then it eats them. If only we humans weren’t so delicious and nutritious. The real animals that inspired Jean Jacket’s design—urchins, cuttlefish, squid, and other ocean life— are not really a threat to us. But when a large alien shows those same unfamiliar behaviors, it’s a lot more scary.

Jordan Peele consulted scientists to make his predator more realistic and comment on the dangers of trying to control nature. That’s a tale many of the sentient ship stories that came before tell, and will likely remain a sci-fi theme for years to come since humanity hasn’t yet taken it to heart.

(13) TECH FOR GEEZERS. Admit it – you didn’t know all of these gadgets were obsolete! And neither do these folks who were interviewed by the Guardian: “‘My friends call me the BlackBerry queen!’ Meet the people clinging on to old tech – from faxes to VCRs”.

More than 40 years since the fax machine became an office mainstay, it seems the party is finally over. With telecom providers no longer required to offer fax services, these machines may soon be consigned to the dusty attic of bygone tech. But for the TikTok generation, who’ve never known life without wifi, concepts such as fax, dial-up internet and Friday night trips to Blockbuster Video aren’t just outdated, they’re completely alien. Even so, not everyone has forgotten about the charms of older technology. From the clattering keys of an old typewriter to the nostalgic joy of a chunky Walkman, some people have never left their favourite tech behind….

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Bruce D. Arthurs, Danny Sichel, Rick Moen, Dann, Steven French, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern (offered with apologies to Peter S Beagle’s opening sentence in his A Fine And Private Place.)]

Pixel Scroll 10/7/22 Hey Hey We’re The Kzinti!

Posted on by

(1) COMICS: THE INSIDE STORY. Scott Edelman invites listeners to come to Chicago for lunch with Carol Tilley in episode 182 of the Eating the Fantastic podcast.

Carol Tilley

This episode’s guest is Carol Tilley, a professor in the School of Information Sciences at the University of Illinois who teaches and writes about comics, libraries, reading, and censorship. We first met six years ago when she was in D.C. to deliver a presentation at the National Archives titled “Dear Sirs: I Believe You’re Wasting Your Time,” during which she shared what she learned about comics readers of the ‘50s while researching the records of the Senate Judiciary Committee’s Subcommittee on Juvenile Delinquency. In her role as a comics historian, she’s made numerous visits to D.C. over the years to research at the Library of Congress and National Archives for a biography of Fredric Wertham, whose attacks on sex and violence in comics, and particularly his infamous book Seduction the Innocent, helped bring about the Comics Code.

She was interested not just in the inner workings of Wertham — who comics fans, when I first entered fandom, considered a bigger villain than Doctor Octopus and Lex Luthor rolled into one — but also in the experiences of those who read, drew, and engaged with comics in the US during the ’30s-’50s. She came to Worldcon to share what’s she’s learned, and was also going to speak on a panel about the renewed attack on books and curriculum in schools across the U.S.

We discussed how we each first learned about the Comics Code, the mostly forgotten rich kid origins of Blondie‘s Dagwood Bumstead, the unsettling inconsistencies she discovered while going through 200 boxes of Fredric Wertham’s papers, what those documents reveal about how he came to believe what he came to believe, what it means to research with the brain of an historian, the proper pronunciations of Potrzebie and Mxyzptlk, her efforts to track down those who wrote letters to the Senate protesting comic book censorship during the ’50s (including one of the founders of the Firesign Theater), the enduring power of EC’s “Judgment Day,” why she believed comic book censorship would have occurred even without Wertham’s input, what she thinks he’d make of today’s comics, how Wertham felt about the way comic book fans felt about him, and much more.

(2) MAYBE EVEN HOPE ESCAPED THIS TIME. Victoria Strauss of Writer Beware gets the word out about “The Implosion of BBB Publishings: A Peek Into the Sometimes Dysfunctional World of Paid Anthology / Boxed Set Publishing”.

… But no one had any inkling the company was in real trouble, or that Nichol was sick. With Nichol incommunicado, and many buy-ins and service purchases much older than PayPal’s 180-day claim window, how would authors get their money back? Who were Haney Hayes Promotions? What was this new publisher all about? Why hadn’t Nichol herself made any announcements? Why was Sosha Ann, whose name appeared alongside Nichol Smith’s on BBB’s contracts, and in multiple other contexts to indicate that she was co-owner of the company, now claiming to be just a helpless employee who’d been in the dark about BBB’s problems and had no access to its finances? And if she was just an employee, what gave her the authority to transfer BBB’s anthology projects to a new publishing company?

Furious not just at the sudden transition and unanswered questions, but at the callous offloading of financial responsibility and the demand that they essentially pay twice for inclusion in the same anthologies, writers poured out their anger, confusion, and hurt on Facebook and in the new SIR Facebook group. Also unleashed: a flood of complaints and reports to me, which in addition to the problems mentioned above, exposed the extreme unprofessionalism of BBB’s operations….

(3) TWELVE TOUGH TRIVIA QUESTIONS. [Item by Brick Barrientos.] There is a Seanan McGuire quiz on the Learned League site. It was written by a couple 
of fans with the last name Dempsey. It seems pretty difficult, only for avid fans, but File 770 readers might be interested. “LL One-Day Special: Seanan McGuire”.

(4) SEE BONESTELL ART AGAIN. In the Washington Post, Michael E. Ruane discusses the renovation of the National Air and Space Museum which will display Chesley Bonestell’s 1957 painting “Lunar Landscape,” which has not been shown in public since 1970.  Bonestell’s painting reflected the science of his time but research shows that micrometeorites have made the Moon more worn and less craggy than what Bonestell painted. “Smithsonian Air and Space Museum to reopen after renovations”.

… The Apollo 11 moon capsule sits at an angle in the eerie light of its display case, its heat shield still gouged from its 25,000 mph plunge through the atmosphere in 1969.

Nearby, the 1909 Wright brothers flier — the world’s first military airplane — still has oil stains on its fabric wings near the engine and the big bicycle chains that turned the propellers….

(5) WHITTAKER COMING TO DOCTOR WHO CON IN LA. Gallifrey One has confirmed Jodie Whittaker, who has played the most recent incarnation of the Doctor since 2017, as their headliner guest for Gallifrey One 33 1/3: Long Live the Revolution, taking place on February 17-19, 2023 at the Marriott Los Angeles Airport Hotel.

Ms. Whittaker, whose appearance is sponsored by Showmasters Events, will be joining us both Saturday & Sunday at the convention, for two interview panels, autographs & photo ops both days, and participating in our evening guest receptions. She joins previously confirmed guests Colin Baker, Janet Fielding, Sophie Aldred, Wendy Padbury, Frazer Hines, and a stellar lineup of guests including many still to be confirmed.

For more details about Ms. Whittaker’s appearance at her very first dedicated Doctor Who convention, or to purchase tickets to the event, visit our website at www.gallifreyone.com.

(6) JOHN WILLIAMS, JERRY GOLDSMITH & OTHERS. LA classical music radio station KUSC polled listeners about their favorite pieces of classical music. The station ran a blog post with part of the list – “Your 20 Favorite Movie Scores”. Over half are from genre films.

Music from the silver screen made quite a splash once again on this year’s Classical California Ultimate Playlist. Check out ths playlist of your favorite 20 favorite pieces from the movies, as voted by you for the 2022 Classical California Ultimate Playlist. Enjoy!

drive in movie theater sign with palm trees

(7) SPIDER-MAN LIBRARY CARD. Spider-Senses will be tingling across New York City as The New York Public Library (NYPL) and Marvel Entertainment join forces to release a special, limited-edition Spider-Man library card on October 11 to inspire new and existing patrons to explore a multitude of free books, resources, and programs at the Library, including Marvel graphic novels.

This dynamic collaboration—which debuts just in time for New York Comic Con—marks the 60th anniversary of Spider-Man’s first comic book appearance in Amazing Fantasy #15 and emphasizes the importance of reading, knowledge, and libraries to Peter Parker’s crime-fighting comic book adventures. Images of Spider-Man—alongside Miles Morales and Gwen Stacy, two other iconic web-slingers—will be featured on the card, as well as on upcoming banners outside the Stephen A. Schwarzman Building and the windows of the Stavros Niarchos Foundation Library (SNFL), exciting patrons of all ages to tap into the unique power of reading, comics, and libraries to discover their inner super hero. Details about the card and related activities are available online: nypl.org/beyondamazing

The Spider-Man card follows in the footsteps of previous library cards issued for the beloved children’s book The Snowy Day and the Library’s “Knowledge Is Power” card; aiming to help New Yorkers discover their full potential by tapping into the power of everything NYPL has to offer—millions of books to help readers scale new heights, a web of information via free computers and internet access, and a super-team of library staff—all available at your friendly neighborhood library.

The release of the Spider-Man card also marks the one-year anniversary of the Library’s decision to eliminate fines as a way to remove barriers to accessing the Library for all New Yorkers. This historic move was even a plot point in Marvel Comics’ Amazing Spider-Man #900, released on July 27. In a special story written by Daniel Kibblesmith, drawn by David Lopez, and colored by Nathan Fairbairn, Peter Parker returns a large stack of overdue books to the Library after learning of the elimination of late fines. Readers can check out Amazing Spider-Man #900 in a special bonus release on Marvel Unlimited, Marvel’s premier digital comics subscription service.

The launch of the special-edition card also marks the start of the Library’s Open House week, which begins October 11. The card will be available to new and current patrons free on a first-come, first-serve basis at all NYPL branches, located throughout the Bronx, Manhattan, and Staten Island. Libraries will be hosting a variety of programs and events throughout the week, as well as featuring book displays and reading recommendations from a special reading list curated by NYPL staff.

(8) UNHEARD SCREAMING. Do you remember this clue? “Jessica Fletcher. With a Robot. In Space.” by Mur Lafferty at CrimeReads.

…Also, I realized that subconsciously I put a little bit of my Grandma Lafferty into a lot of my stories. They seem to frequently include a tough old woman I like to call a “murder granny.” (While tough, the murder granny may or may not be an actual murderer. Also, to my knowledge, my Grandma was not a murderer.) In this book, there’s a little bit of my maternal grandmother as well, who was not tough as nails, but screamed during televised golf for the rolling ball to do her bidding, and really liked radio contests…

(9) MEMORY LANE.  

1993 – [By Cat Eldridge.] So what’s Sylvester Stallone’s perfect film? Without any doubt at all, that’d be Demolition Man which came out twenty-nine years this evening. (In my universe, all films came out in the evening.) It is a film that I saw first at the cinema on a proper full screen and I think have watched at least a half dozen times since. 

It’s that ever so rare screenplay written by committee that I like, as it had three hands in the writing of it — Daniel Waters, Robert Reneau and Peter M. Lenkov. Waters had just written Batman Returns and had earlier received an Edgar for Heathers, Reneau had for genre just an episode of Tales from the Crypt, and Lenkov hadn’t done anything notable yet though much later he make his mark as a rebooter of, well everything — McGyver, Hawaii 5-0 and even Magnum PI got so done by him.

It was, weirdly, directed by Marco Brambilla, an Italian-born Canadian contemporary artist and film director, known for re-contextualizations of popular and found imagery. Huh? 

Now for the film itself.

Stallone played a cop thawed out (shades of Niven) to capture an escaped criminal who originally had been frozen when he was. They both wind up in what is considered a utopia, the city of San Angeles. Like all utopian undertakings, it really isn’t. 

I loved the absolute deadpan way Stallone deals with everything odd there from the lack of toilet paper to discovering sex has been replaced by virtual experiences. He would have made an absolute spot-on Dredd. (Oh, wait!)

Let’s not forget the other casting here. Wesley Snipes gives one of the best performances of his career as Simon Phoenix, and I completely adore Sandra Bullock as Lieutenant Lenina Huxley. 

Her character was named after Aldous Huxley, the author of Brave New World, and Lenina Crowne, a character in the novel.

The studio refused to say how much it cost but estimates say somewhere between fifty and seventy-five million. It did exceedingly well at the box office making at least one hundred and seventy million.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 7, 1938 — Jane Gallion (Ellern). Writer, Poet, and Fan who was one of the members of the Los Angeles Science Fiction Society subgroup The Blackguards, which hosted many parties and tournaments. She edited the fanzines Karuna, and Topaze (etc.) and contributed to many other fanzines over the years. Wrote a great deal of erotica for Essex House, including the post-apocalyptic novels Biker and Going Down. (Died 2003.)
  • Born October 7, 1942 — Lee Gold, 80. She’s a member of LAFA, the Los Angeles organization for filkers, and a writer and editor in the role-playing game and filk music communities. She’s published Xenofilkia, a bi-monthly compilation of filk songs since 1988, four issues of the Filker Up anthology; and has published for forty-seven years, Alarums and Excursions, a monthly gaming zine, and edited many other fanzines. She is a member of the Filk Hall of Fame along with Barry Gold, her husband. 
  • Born October 7, 1945 — Hal Colebatch. Lawyer, Journalist, Editor, and Writer from Australia who has written, singly or in collaboration, two novels and at least two dozen shorter pieces set in Larry Niven’s The Man-Kzin Wars series. However, his main body of work is non-genre, including six books of poetry, short stories, and radio dramas and adaptations. His non-fiction books include social commentary, biography and history, and he has published many hundreds of articles and reviews in various news and critical venues. (Died 2019.)
  • Born October 7, 1947 — John Brosnan. Australian writer who died way too young of acute pancreatitis. He used at least seven pseudonyms, and wrote scripts for a number of what I’ll generously call horror films including one I know that somehow I saw — Carnosaur.  If you like your SF with a larger dose of pulp, his Sky Lords trilogy (The Sky Lords, The War of the Sky Lords and The Fall of the Sky Lords) is damn good. Airships, airships! (Died 2005.)
  • Born October 7, 1950 — Howard Chaykin, born 1950, 72. Comic book artist and writer. His first major work was for DC Comics drawing “The Price of Pain Ease” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but a few series) but I think his best genre work was his own American Flagg! series which I’ve enjoyed more than a few times. It’s available from the usual digital suspects.
  • Born October 7, 1958 — Rosalyn Landor, 64. She played Guinevere in Arthur the King, and Helen Stoner in “The Speckled Band” of Jeremy Brett’s Sherlock Holmes. She was the red-headed colleen Brenna Odell in the “Up the Long Ladder” episode of Next Generation. 
  • Born October 7, 1977 — Meighan Desmond, 45. One of the beauties of the Xena-Hercules Universe is that they shared secondary characters betwixt them. So was the case with one played by Meighan Desmond — the Greek goddess Discord. She also showed up on the Young Hercules series as well. She stopped acting after these series and has done some, but not much, behind the scenes work since.

(11) COMICS SECTION.

  • Eek! shows an actor who only wants to do it if it’s artistic.

(12) HUMOR LITMUS TEST. Humorist Rex Huppke declares to USA Today readers “I don’t care if Herschel Walker paid for an abortion or if he blew up the planet Alderaan”. If you read a lot of social media it may take a few paragraphs to convince you he’s kidding.

… Like the many Republicans who’ve rushed in to stick up for Walker in the wake of the abortion news, I don’t care if the former football star is an ancient, trans-dimensional, shape-shifting entity of pure evil that takes the form of a clown named Pennywise and terrorizes a small town in Maine. I want control of the Senate, and I’m sure Walker regrets any past desire to feed on humans….

(13) NECROPERSONCY. Camestros Felapton reviews Tamsyn Muir’s third Locked Tomb book: “Review: Nona the Ninth by Tamsyn Muir”.

… The big advantage Nona has over Gideon and Harrow is that Nona herself is just a lot more likeable. That’s a shallow criterion for judging a book but part of Muir’s writing genius with the Locked Tomb has been to pitch the style and structure of each volume to the titular character. Gideon was a brash, swashbuckling story with a protagonist who was fun to be with but who never really paid attention to the complex puzzle she was entangled with. Harrow was paranoid, secretive and actively leading the reader astray so as to hide their own vulnerability. Nona also doesn’t know what is going on but the central character is both innocent and curious and not afraid to ask questions….

(14) TUNE UP FOR HALLOWEEN. Not sure how the LA Opera got involved with Frankenstein, but they are! Tickets here.

The immortal horror classic is back onscreen with a live orchestra

This 1931 masterpiece of horror was originally released without a musical score, which inspired composer Michael Shapiro to fill in the void by creating an original new soundtrack. As the classic film plays on the big screen, he’ll conduct his gorgeous and atmospheric score, performed live by the LA Opera Orchestra, making this the ultimate audience experience for a truly iconic film.

Surround yourself with Old Hollywood glam at the beautifully-restored Theatre at Ace Hotel as the movie that made horror history returns to the big screen. Frankenstein with Live Orchestra is in town October 28 and 29 only, so click below to get your tickets before they’re gone!

(15) A TUMBLING TUMBLEWEED NO MORE. [Item by Mike Kennedy.] The pathfinding CAPSTONE mission had been in trouble for weeks with NASA unable to control the tumbling spacecraft. The trouble was finally located and the fix uploaded. This puts the mission back on track to try out the NRHO orbit planned for Gateway, the lunar space station portion of the Artemis program. “Engineers Regain Control of Moon-Bound Probe After a Frightening 4 Weeks” – Gizmodo has the story.

…The recovery team traced the problem to a partially opened valve on one of CAPSTONE’s eight thrusters, according to an Advanced Space press release. The requisite fix was transmitted to the spacecraft yesterday and executed this morning to positive results. The probe remains on track as it heads to its operational orbit around the Moon.

CAPSTONE, short for Cislunar Autonomous Positioning System Technology Operations and Navigation Experiment, ran into difficulties following its third course correction maneuver on September 8. The 55-pound (25-kilogram) satellite lost full three-axis control and entered into a troubling tumble. A recovery team led by Advanced Space, which owns and operates CAPSTONE on behalf of NASA, scrambled to regain control of the $33 million cubesat.…

(16) ASTEROIDS IMPACTING EARTH. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Nature news of the asteroid re-direction test (previously covered by File 770) but also an editorial calling for NASA to do a complete survey of asteroids that are 140m across
or more. NASA has already completed a survey of asteroids over 1km across likely to hit the Earth. These are of dinosaur global extinction level type asteroids. However, smaller asteroids over a few 100 meters across will cause regional devastation if they hit the Earth. The Near Earth Object (NEO) surveyor began its preparations in 2019 but has had its annual budget cut by over 75% from US$170 million. This will delay NEO’s launch from 2026 to after 2028.

(17) VIDEO OF THE DAY. “’Vegetarian Vampire’ Toby Helps Heinz Promote Tomato Blood Ketchup” – Adweek explains the campaign.

…Heinz teamed up with “280 year-old vegetarian vampire, influencer and Tomato Blood activist” Toby, portrayed by viral TikTok star E.J. Marcus, on a “public-service-announcement film” to back the release of its Heinz Tomato Blood ketchup in its “spooky, Halloween-themed, limited-edition bottle.”…

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Anne Marble, Brick Barrientos, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/16/22 Scroll Down, You Click Too Fast, You’ve Got To Make The Pixels Last

Posted on by

(1) AI IS NOT AN EXCUSE FOR CONTENT THEFT. Malcolm F. Cross wryly begins his email with this link, “I’m sooooort of pleased to announce that discovering another theft of my work inspired me to do a little art project. The theft in question was having some of my work added to the training data for a commercially used AI, and the result was this twitter thread.” The 26-tweet thread starts here. Excerpts follow:

(2) “PEOPLE’S JOKER” NEWS. Variety updated to its report about “’People’s Joker,’ Queer Movie Set in Batman Universe, Pulled From TIFF” with a statement by the filmmaker Vera Drew.

…In a statement shared with Variety on Wednesday evening, Drew promised that “everyone is going to get the chance to see this film.”

“I don’t respond well to bullying or pressure from faceless institutions,” said Drew. “It only emboldens me and what I was saying with this film. We’re looking for buyers and distribution partners who will protect us and make this film accessible to trans people and their families everywhere.”

Drew hinted at potential discord around the movie on Tuesday, ahead of her world premiere, posting a cryptic tweet: “I have no clue how today goes and my team wants me to say nothing of course so I’ll stay vague…but whatever happens in the next few hours, I want you to know…if you’ve been waiting and aching to watch our movie, ur going to get to soon. Stay tuned and stay with me. Need ur help.”…

Just before the movie rolled, The Globe and Mail reported that a title card was displayed stating that the film was protected under “fair use” laws.

“This film is a parody and is at present time completely unauthorized by DC Comics, Warner Brothers or anyone claiming ownership of the trademarks therein (eg. ‘Joker,’ ‘Batman, etc.),” read the title card. “Aside from licensed stock, all video and graphics featured in the film are original materials, often recreations of iconic comic book movie set pieces created by Vera Drew and a team of over 100 independent artists and filmmakers on three separate continents during the COVID-19 pandemic.”

“Any copyright or trademark infringement was not done intentionally. After consulting with counsel, the director believes in good faith that use of these names and characters in a autobiographical context of her personal coming-out story is protected by Section 107 of the U.S. Copyright Act of 1976, which allows ‘fair use’ for purposes such as a relevant criticism, social commentary or education.”

(3) NBA LONGLISTS. The 2022 National Book Awards Longlist for Fiction announced today by the National Book Foundation includes two works of genre interest, a novel and a story collection.

Also announced were the Longlist for Nonfiction and the Longlist for Poetry.

(4) GROAN ABOUT. Dave Hook takes us inside another panel he participated in at the Worldcon in “Titus Groan and Chicon 8”.

…I found out that Chicon 8 (the 80th World Science Fiction Convention) would have a “Titus Groan” panel for their 1946 Project. The 1946 Project was their plan to celebrate 1946 and all things speculative fiction with panel discussions instead of doing a 1947 Retro Hugo.

I applied to be on the panel, telling the Programming Team with substantial fannish enthusiasm how great “Titus Groan” was, how I was prepared to answer the question of whether it was genre or not, and what I was prepared to do to get ready for a panel.

For unknown reasons, they selected me for the panel and made me the moderator. I did not have a problem with this; I thought I could do a great job. I had never been on any SF convention panels before. I thought I could do all of that, but I redoubled my preparations….

(5) RECALLING CHRISTOPHER TOLKIEN. “The Worlds of Middle-Earth: The Millions Interviews Richard Ovenden and Catherine McIlwaine”. Their book includes essays by Maxime H. Pascal; Priscilla Tolkien; Vincent Ferré; Verlyn Flieger; John Garth; Wayne G. Hammond and Christina Scull; Carl F. Hostetter; Stuart D. Lee; Tom Shippey; and Brian Sibley.

In The Great Tales Never End: Essays in Memory of Christopher Tolkien, Richard Ovenden, who serves as Bodley’s Librarian, the senior Executive position of the Bodleian Libraries at the University of Oxford, and Catherine McIlwaine, the Tolkien Archivist at the Bodleian Libraries, have assembled a remarkable anthology about Christopher, who died in 2020…. 

Lenny Picker: What personal memories of Christopher Tolkien are your most vivid?

Richard Ovenden: I had the good fortune of visiting him at least once a year for about 10 years. Staying in the house, having long conversations. He looked quite like his father. I never knew J.R.R. Tolkien, but Christopher’s memory of Oxford really was quite profound. He was born there, grew up there, and lived there for many decades. But his memory of it is really kind of frozen in about the middle of the 1970s, when the family moved to France. And so having a conversation with Christopher about Oxford was like having one about the Oxford of when J.R.R. Tolkien was still alive. So it seemed to me almost like you were talking to J.R.R. Tolkien. And because he had this immense knowledge of his father’s work and his mentality, there was that sort of connection. Christopher also had a very great sense of humor—a very, very dry sense of humor. And he was a very funny human being. He also was a great reader; he loved reading fiction, Victorian fiction, in particular, Dickens, Trollope, were a great source of pleasure for him. So he was a very literary person, not just in his own field of scholarship.

(6) WHO SHOULD WIN FAN HUGOS? In the Hugo Book Club Blog’s post “The Gordian Knot of Fan Vs. Pro” they’re inclined to think the knot is just fine the way it is and that the current WSFS rules get the balance right. 

…Just three years [sic] after the Scithers constitution was introduced [in 1963], Jack Gaughan showed just how unclear the existing language could be, winning both the fan artist and professional artist Hugo Awards in a single [1967] evening. There was an outcry over this — why have two separate categories if the same body of work could win both? A clause was quickly added to the constitution to prevent this from happening again, but the language did not seek to clarify what was Fan and what was Pro, rather stating that “Anyone whose name appears on the final ballot for a given year under the professional artist category will not be eligible for the fan artist award for that year.”

Over the years, this question has resurfaced fairly regularly. Questions were raised over John Scalzi winning best fan writer in the same year that his novel The Last Colony was on the ballot. Two years later there was some slight grumbling about Fred Pohl — at that time one of only 25 authors to have won three professional prose Hugos — winning for best fan writer.

So in this context, a well-intentioned but problematic proposal (“An Aristotelian Solution to Fan vs Pro”) brought forward to this year’s business meeting provided an attempt to parse out this question….

(7) BROOKLYN SFFF. The Brooklyn SciFi Film Festival returns for its third season October 3-9 presenting 200 independent SciFi films from around the world. 

This year’s festival will feature online and in-person events including an evening of Japanese SciFi hosted at Stuart Cinema Cafe on Tuesday October 4th from 7:00 to 9:00 and selected screenings and recognition on Saturday October 8th from 6:00 to 9:00 at the Alamo Drafthouse Cinema in Downtown Brooklyn.  All films streaming online at BrooklynSciFiFilmFest.com starting October 3rd.  Official Selections.

(8) SMOKE ‘EM IF YOU GOT ‘EM. Literary Hub introduces viewers to a 1982 BBC video about a writer at work: “Roald Dahl’s writing routine involved a shed, a sleeping bag, and cigarettes.”

In 1982, Frank Delaney of the BBC visited Roald Dahl at home for a long conversation that meandered from children’s literature to 18th-century furniture and making orange marmalade. During that visit, Dahl gave Delaney a glimpse at his writing routine, which consisted, at the time, of four hours a day spent in a writing shed on his property.

(9) MEDIA BIRTHDAY.  

1963 – [By Cat Eldridge.]

There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur, or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to… The Outer Limits. — opening narration. 

Fifty-nine years ago this evening on ABC, The Outer Limits series premiered, created and executive produced by Leslie Stevens who had done nothing of a genre nature before. It was directed by far too many to note here. Steven’s would later do Buck Rogers in the 25th Century. 

In the unaired pilot, it was called Please Stand By, but ABC rejected that title, so the producers renamed it.

Two episodes, “Demon with a Glass Hand” and “Soldier”, were written by Harlan Ellison. Clifford Simak wrote “The Duplicate Man” episode. David Duncan penned “The Human Factor”. Eando Binder gets credit for the “I, Robot” episode.  

“Demon with a Glass Hand” won a Writers’ Guild Award. Later, Ellison’s “Soldier” script would allow him to sue Cameron over his Terminator script and win rather nicely. 

Season One combined science fiction and horror, while Season two was shifted focus to being more about what they called hard science fiction stories, dropping the “scary monster” theme of Season One. The network thought the monster were the villains of the week.

The original series lasted a mere forty-nine episodes. The second iteration, which started in 1995, would last much longer, going an amazing one hundred and fifty-two episodes.

It was very popular in the ratings the first season but was competing against Jackie Gleason in the second season and that got it cancelled halfway through. As I noted, it had a second life thirty years on which was quite successful. Variety reported last year that an Outer Limits reboot was in development at a premium cable network though they declined to say which network.

Neat piece of trivia: The “ion storm” from “The Mutant” episode here which was a projector beam shining through a container containing glitter in liquid suspension became the transporter effect in the Trek series. Also, the process used to make pointed ears for David McCallum in “The Sixth Finger” episode here was used to make Spock’s ears, and The black mask from “The Duplicate Man” episode here was used by Dr. Leighton in “The Conscience of the King”. 

It’s streaming on Pluto. Pluto? Huh? 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 16, 1914 — William Bernard Ready. Can I include an individual for just one work? Well given it’s my Birthday list, of course. It’s the 1968 work, The Tolkien Relation: A Personal Inquiry, Ready foresaw the cultural value of Tolkien’s writings and, while at Marquette University, he managed to purchase a large selection of original literary manuscripts by Tolkien in 1956-57, including manuscripts of The Hobbit and The Lord of the Rings. (Died 1981.)
  • Born September 16, 1927 — Peter Falk. His best remembered genre role is in The Princess Bride as the Grandfather who narrates the story. (The person who replaced the late Falk in the full cast reading of The Princess Bride for the Wisconsin Democratic fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role.) He also plays Ramos Clemente in “The Mirror,” an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.)
  • Born September 16, 1930 — Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E., and played several roles on Fantasy Island as well. (Died 2011.)
  • Born September 16, 1932 — Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 16, 1952 — Lisa Tuttle, 70. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute,” which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Lovers collection.Her latest novel is The Curious Affair of the Witch at Wayside Cross. Her collection, The Dead Hours of the Night was nominated for a Stoker last year — impressive! 
  • Born September 16, 1954 — Howard Weinstein, 68. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.”
  • Born September 16, 1955 — Amanda Hemingway, 67. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are.
  • Born September 16, 1960 — Mike Mignola, 62. The Hellboy stories, of course, are definitely worth reading, particularly the early on ones. His Batman: Gotham by Gaslight is an amazing “What If” story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) HEAR ABOUT “HUMAN EXCEPTIONALISM”. “Dean Koontz on His Vocation as an Author, Art and Meaning in Life, and Human Exceptionalism” in a downloadable interview at Humanize. (Note: I haven’t listened to it.)

In episode one of the second season of Humanize, Wesley J. Smith’s guest is the internationally famous novelist Dean Koontz. Dean and Wesley discuss how he came to be an author, how life is filled with meaning, his art, the importance of human exceptionalism, the problem with transhumanism, and how Dean uses humor to further his plots and character development. Dean recalls his upbringing in an impoverished household that did not have running water until he was 11, how a high school English teacher changed his life, and his love for the use of the English language. He and Wesley also discuss the beauty of the human/dog relationship and his philanthropic support for Canine Companions for Independence, a school that trains service dogs to help people with disabilities lead independent lives. Any reader of Dean Koontz and supporter of human exceptionalism will want to listen to this fascinating interview with one of America’s most successful and prolific authors…

(12) READY FOR MY CLOSE-UP. The Atlantic wants to know “Why Do So Many Kids Need Glasses Now?”

…In the U.S., 42 percent of 12-to-54-year-olds were nearsighted in the early 2000s—the last time a national survey of myopia was conducted—up from a quarter in the 1970s. Though more recent large-scale surveys are not available, when I asked eye doctors around the U.S. if they were seeing more nearsighted kids, the answers were: “Absolutely.” “Yes.” “No question about it.”

In Europe as well, young adults are more likely to need glasses for distance vision than their parents or grandparents are now. Some of the lowest rates of myopia are in developing countries in Africa and South America. But where Asia was once seen as an outlier, it’s now considered a harbinger. If current trends continue, one study estimates, half of the world’s population will be myopic by 2050.

The consequences of this trend are more dire than a surge in bespectacled kids. Nearsighted eyes become prone to serious problems like glaucoma and retinal detachment in middle age, conditions that can in turn cause permanent blindness. The risks start small but rise exponentially with higher prescriptions. The younger myopia starts, the worse the outlook. In 2019, the American Academy of Ophthalmology convened a task force to recognize myopia as an urgent global-health problem. As Michael Repka, an ophthalmology professor at Johns Hopkins University and the AAO’s medical director for government affairs, told me, “You’re trying to head off an epidemic of blindness that’s decades down the road.”

The cause of this remarkable deterioration in our vision may seem obvious: You need only look around to see countless kids absorbed in phones and tablets and laptops. And you wouldn’t be the first to conclude that staring at something inches from your face is bad for distance vision. Four centuries ago, the German astronomer Johannes Kepler blamed his own poor eyesight, in part, on all the hours he spent studying. Historically, British doctors have found myopia to be much more common among Oxford students than among military recruits, and in “more rigorous” town schools than in rural ones. A late-19th-century ophthalmology handbook even suggested treating myopia with a change of air and avoidance of all work with the eyes—“a sea voyage if possible.”

(13) “IT FLOATS.” Ivory Soap floats on its own. Limestone blocks need a little help. “A Long-Lost Branch of the Nile Helped in Building Egypt’s Pyramids” according to the New York Times.

For 4,500 years, the pyramids of Giza have loomed over the western bank of the Nile River as a geometric mountain chain. The Great Pyramid, built to commemorate the reign of Pharaoh Khufu, the second king of Egypt’s fourth dynasty, covers 13 acres and stood more than 480 feet upon its completion around 2560 B.C. Remarkably, ancient architects somehow transported 2.3 million limestone and granite blocks, each weighing an average of more than two tons, across miles of desert from the banks of the Nile to the pyramid site on the Giza Plateau.

Hauling these stones over land would have been grueling. Scientists have long believed that utilizing a river or channel made the process possible, but today the Nile is miles away from the pyramids. On Monday, however, a team of researchers reported evidence that a lost arm of the Nile once cut through this stretch of desert, and would have greatly simplified transporting the giant slabs to the pyramid complex….

(14) EVOLVING ANIMATION. [Item by Martin Morse Wooster.] Edward Vega of VOX looks at how the success of Spider Man: Into The Spider-Verse has shown animators an alternative to the photo-realistic animation of Pixar: “How ‘Spider-Verse’ forced animation to evolve”.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Malcolm F. Cross, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/9/22 The Risk of Repeating Scroll Titles is Real

Posted on by

(1) YOU’RE NOT FOOLING ANYONE EXCEPT YOURSELF. Cat Rambo tells SFWA Blog readers to “Stop Multitasking”.

I am here to say: Stop multitasking. Yes, I understand its appeal. Like many writers, I love the idea of multitasking, the notion that one can be doing two things at once, such as driving to work while dictating one’s novel, or answering e-mails while dialed into a Zoom call and listening to a meeting.

How could we not embrace that notion? It holds the promise of getting more done, with a little edge of “easier.” That’s a seductive promise. Particularly if you suffer from a particular and common form of writer’s guilt: the awareness that even when you are working on one piece, you are not working on some other piece of writing. And like many seductive promises, it is a false one. Humans consistently overestimate their ability to multitask, and you are probably not the exception to that. It’s okay. I’m not either.

Multitasking, for the overwhelming majority of people, is not compatible with writing….

… Multitasking may be more obvious than you realize. I was on a podcast recently while my mother was texting me, and while the host was speaking, I took a second to read those and make sure everything was okay. The host stopped and said, “I feel like I lost you there,” and I realized at that moment that yes, my focus and energy had lessened, and that was pretty uncool. Since then, I try to give podcasts and other recordings 100 percent of my attention….

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to meet Max Gladstone for a Mexican meal in episode 180 of the Eating the Fantastic podcast.

Max Gladstone

I’d like you have lunch with Max Gladstone. Max is perhaps best-known for his Craft Sequence of fantasy novels which began in 2012 with Three Parts Dead, continued in 2013 with Two Serpents Rise, and so far consists of six volumes, which considered as a whole were nominated for a Best Series Hugo Award. His interactive projects include the Choice of the Deathless and Deathless: The City’s Thirst, which both take place in the world of the Craft Sequence. With previous guest of the podcast Amal El-Mohtar, he wrote the internationally bestselling This is How You Lose the Time War, which was published in 2020 and won the Hugo, Nebula, and Ignyte Awards. Gladstone also created the Serial Box series Bookburners, and the interactive television series Wizard School Dropout. His most recent novel, Last Exit, was published in March.

We discussed what a Godzilla movie has to tell us about the way future art will likely deal with the pandemic, our differing ideas over what we mean when we say we’ve written another draft of a story, how we’d be willing to dispense with the art inspired by tragedy if we could only skip the tragedy as well, the differences between his early and final drafts of Last Exit, how to make us care equally when writing from multiple points of view (and how doing so could cause the reader to trust the writer even more), what it is about science fiction that attracts dystopias, how our dreams have changed due to COVID-19, what we get wrong when we write about civilizations lasting thousands of years, and much more.

(3) REAL NUMBER$. Dorothy Grant shares a lot of publishing industry sales data while countering the recent “most books only sell 12 copies” meme in “Lies, Damn lies, and Statistics” at Mad Genius Club.

… Now data is a funny thing. It can be sliced and diced to create different types of views. For instance we could run the same analysis on ALL of those 487K new books published in the last 52 weeks, which includes many small press and independetly published titles, and we would find that about 98% of them sold less that 5,000 copies in the “trade bookstore market” that NPD BookScan covers. (I know this IS a true statistic because that data was produced by us for The New York Times.)

But that data does not include direct sales from publishers. It does not include sales by authors at events, or through their websites. It does not include eBook sales which we track in a separate tool, and it doesn’t include any of the amazing reading going on through platforms like Substack, Wattpad, Webtoons, Kindle Direct, or library lending platforms like OverDrive or Hoopla.

BUT, it does represent the general reality of the ECONOMICS of the publishing market. In general, most of the revenue that keeps publishers in business comes from the very narrow band of publishing successes in the top 8-10% of new books, along with the 70% of overall sales that come from BACKLIST books in the current market….

(4) INTERNET ARCHIVE AND CDL. “Publishers, Internet Archive Trade Reply Briefs in Book Scanning Case” and Publishers Weekly offers analysis.

In a reply filing last week, four major publishers further detailed their claims that the Internet Archive’s long-running program to scan and lend physical library books based is blatant copyright infringement that “ignores established law and undisputed facts.” And in a reply filing of their own, lawyers for the Internet Archive further insisted that the publishers are improperly conflating the market for licensed e-book lending with the IA’s efforts to facilitate traditional library lending.

The briefs come after the parties filed dueling motions for summary judgment on July 7, and more than two years after the publishers (Hachette, HarperCollins, Wiley, and Penguin Random House, organized by the Association of American Publishers) first filed its copyright infringement lawsuit in the Southern District of New York, alleging that the Internet Archive’s controversial program to scan and lend books under an untested legal theory known as “controlled digital lending” is a massive piracy operation “masquerading as a not-for-profit library.”

In their 41-page reply to the IA’s motion for summary judgment, filed on September 2, lawyers for the publishers attack the Internet Archive’s claims that its scanning and lending of physical library books is merely an extension of traditional library lending, contending that that argument ignores clearly established law—most recently a high profile decision in Capitol Records vs. ReDigi, in which the federal courts forcefully rejected an upstart program to expand the doctrine of first sale (also known as exhaustion) to create a resale market for digital music files.

“IA argues that CDL ‘is fundamentally the same as traditional library lending’ and should be treated as a fair use since it ‘furthers the ends of copyright’s exhaustion doctrine,’” the publisher’s brief states. “This position is a study in blind denial that ignores established law and undisputed facts. Perhaps most astonishing, IA essentially disregards ReDigi, in which the Second Circuit held that (1) unauthorized reproduction is ‘not protected by [First Sale]’”; (2) the fair use doctrine cannot be used to expand the statutory scope of [first sale]; and (3) ReDigi’s actions were unlawful even though it used technology to avoid increasing the number of music files in circulation, a practice akin to CDL’s central principle.”

Under CDL, the Internet Archive and other libraries make and lend out digital scans of physical books in their collection under rules that mimic traditional lending: only one person can borrow a scanned copy at a time; the scans are DRM-protected; and the corresponding print book the scan is derived from is taken out of circulation while the scan is on loan to maintain a one-to-one “own-to-loan” basis.

But not only is CDL a fatally flawed, invented legal theory, the publishers argue, the IA doesn’t even follow the rules of CDL…

(5) AFTER ACTION REPORTS. Dave Hook takes us inside a couple of panels he participated in at the Worldcon.

Epistolary fiction has a long tradition in speculative fiction, starting with “Gulliver’s Travels” (1726) and “Frankenstein” (1818, originally published anonymously!) among others. As was noted on the panel description, some think it is undergoing a resurgence. One aspect of this is clearly the new modes of communication which were envisioned in some ways and which are now actual, such as email, text messages, twitter, etc. We could have equally argued that epistolary fiction never went away.

…The other factor which I observed for the 1944 and 1945 Retro Hugo nomination and voting was a substantial amount of voting based solely on the name of the author and not on the specific work on the ballot. Especially when I looked at the nominations in some categories, the only response I could offer was something like “WTF? I don’t believe they read this.” The 1944 and 1945 Retro Hugo Awards avoided major debacles in the works receiving awards, in my humble opinion, but this aspect of it was not confidence building. I get that we’ll always have some “Wow. I love that author, so I’m voting for them regardless of what they wrote here.”, but this is much more of an issue for the Retro Hugos….

(6) MEMORY LANE.  

1966 – [By Cat Eldridge.] The Time Tunnel. Ahhh, Irwin Allen. A man responsible for a number of interesting genre undertakings, this being one of them. Fifty-six years ago, the same year that Star Trek premiered, The Time Tunnel series launched on ABC.

It was the third of Allen’s genre series, having earlier done Voyage to the Bottom of the Sea and Lost in Space. His last one would be Land of the Giants.

It starred James Darren, Robert Colbert, Whit Bissell, John Zaremba and Lee Meriwether. I’m convinced that every one of these genre series has to have a beautiful female on them.

It lasted one season of thirty episodes.

Please don’t ask how it stands up nearly sixty years on. Really don’t. I’m a Seven Days devotee.

Like of so many series including Star Trek, it was filmed in and around Southern California so scenes set elsewhere had that hilly landscape desert scrubby look where filming obviously occurred. Didn’t Galaxy Quest deliberately parody this look in several scenes?

The series was dropped because of network politics, as it was doing well in the ratings, in favor of The Legend of Custer. That series bombed in the ratings and only lasted seventeen episodes. 

Time Tunnel is apparently not streaming anywhere, however, episodes can be rented for viewing on Amazon Prime. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 9, 1922 — Pauline Baynes. She was the first illustrator of some of J. R. R. Tolkien’s lesser known works such as Farmer Giles of Ham and Smith of Wootton Major and of C. S. Lewis’s Chronicles of Narnia. With the help of cartographers from the Bordon military camp in Hampshire, Baynes created a map that Allen & Unwin published as a poster in 1970. Tolkien was generally pleased with it, though he didn’t particularly like her creatures, especially her spider. (Let the disagreements begin…) (Died 2008.)
  • Born September 9, 1929 — Joseph Wrzos, 93. He edited Amazing Stories and Fantastic under the name Joseph Ross from August 1965 through early 1967. He was responsible for their move to mostly reprints and a bimonthly schedule while the publisher refused to pay authors for the reprints saying he held the rights to them without needing pay additional renumeration and leading to severe conflict with SFWA. With Hannes Bok, he edited in 2012, Hannes Bok: A Life in Illustration.
  • Born September 9, 1952 — Angela Cartwright, 70. Fondly remembered as Penny Robinson on the original Lost in Space. She, like several of her fellow cast members, made an appearance in the Lost in Space film. She appeared in the Logan’s Run series in “The Collectors” episode as Karen, and in Airwolf as Mrs. Cranovich in the “Eruption” episode. 
  • Born September 9, 1954 — Jeffrey Combs, 68. No doubt his best known genre role was as Weyoun, a Vorta, on Deep Space Nine. However, his genre portfolio is really, really long. it starts with Frightmare, a horror film in the early Eighties and encompasses some forty films, twenty-six series and ten genre games. He’s appeared on Babylon 5, plus three Trek series, Voyager and Enterprise being the other two, the Enterprise appearance being the only time an actor played two distinct roles in the same episode.  He’s played H.P. Lovecraft and Herbert West, a character by that author. Each multiple times. 
  • Born September 9, 1954 — Graham Joyce. Let’s talk about him. The Tooth Fairy which won a British Fantasy Award is one damn scary novel as is Some Kind of Fairy Tale which garnered the Robert Holdstock Award for Best Fantasy Novel. I’m sure the latter kept me up several nights. His short stories are quite delicious which is why I’m recommending his 25 Years in the Word Mines: The Best Short Fiction of Graham Joyce. He stopped genre fiction writing well before his death. (Died 2014.)
  • Born September 9, 1953 — Janet Fielding, 69. Tegan Jovanka, companion to the Fifth Doctor. The actress had a rather short performing career starting with the Hammer House of Horror series in 1980 where she was Secretary Mandy on the “Charlie Boy” episode” before landing the the Doctor Who gig through 1984 before her career ending in the early Nineties. She was part of the 2013 50th Anniversary The Five(ish) Doctors Reboot.
  • Born September 9, 1960 — Hugh Grant, 62. He appeared in The Lair of the White Worm as Lord James D’Ampton and in the remake of The Man from U.N.C.L.E as Mr. Waverly. (I have not seen it. So how is it?) And he was the Handsome Doctor in Doctor Who: The Curse of Fatal Death, the 1999 Doctor Who special made for the Red Nose Day charity telethon. I know I’m missing some important genre wise about him, but what is it? 
  • Born September 9, 1971 — Henry Thomas, 51. Elliot in E.T. the Extra-Terrestrial. Let’s just say that he’s had a busy if mostly undistinguished post-E.T. acting career, though I will single him out for his rather good work in Nightmares & Dreamscapes: From the Stories of Stephen King and The Haunting of Hill House series. He’s playing Doctor Mid-Nite in the Stargirl series on the DCU streaming service. 

(8) COMICS SECTION.

  • Eek! has a crude but effective award joke.

(9) D23 SPIDER-MAN HIGHLIGHT. Marvel celebrates Spider-Man’s 60th anniversary at D23 Expo 2022 with a very special comic giveaway.  Two variants for Amazing Fantasy #1000 will be given to attendees of the “Marvel Comics: Celebrating 60 Years of the Amazing Spider-Man panel.” 

(10) SUBSCRIPTION CANCELED. “Amazon Cancels ‘Paper Girls’ After One Season” says The Hollywood Reporter.

Amazon’s Prime Video streaming service has canceled the series, based on a comic by Brian K. Vaughan and Cliff Chiang, after a single season. The decision comes six weeks after the eight-episode season debuted in its entirety.

The show received positive reviews from critics and solid audience scores on review aggregators, but it did not break out with viewers, based on what little data is available. Paper Girls didn’t make Nielsen’s top 10 original streaming rankings for any of the three weeks after its July 29 premiere….

(11) LAST WILL AND TESTAMENTS. However, Handmaid’s Tale will have a sixth season to wind up, and a spinoff. “The Handmaid’s Tale renewed for sixth and final season”.

Since premiering in 2017, The Handmaid’s Tale has received critical praise for its portrayal of Margarett Atwood’s dystopian novel, earning multiple Emmy Awards throughout its run. Now, Elisabeth Moss’ journey as June looks to have an end date. Ahead of the Hulu Original’s fifth season return on September 14, the show has been renewed for a sixth season, which will also be its last.

While this determines the end for the once-never-ending, dark narrative that we’ve gone on with June and other characters throughout the series, there are already spin-offs in the mix. Under the tutelage of The Handmaid’s Tale creator, showrunner, and executive producer Bruce Miller will come the sequel series The Testaments, based on Atwood’s 2019 sequel novel. Set 15 years after the events of The Handmaid’s Tale, the book is narrated by three women, including the villainous Aunt Lydia (played by Ann Dowd in the Hulu series).

(12) A LAST MISSION. “Another Star Trek Legend Honored With A Final Space Voyage” and MSN.com has the story.

Last month we learned that a portion of the ashes of Nichelle Nichols–who passed away at the end of July–would be joining the DNA of Star Trek creator Gene Roddenberry, Roddenberry’s wife as well as a Trek alum of multiple projects Majel Barrett, actor James Doohan, and visual effects master Douglas Trumbull on United Launch Alliance’s Vulcan Centaur mission. Today we learned another name has been added to those whose remains will soon start a fitting journey into deep space. The DNA of Star Trek: The Original Series star DeForest Kelley–who played Doctor Leonard “Bones” McCoy on the show and in many subsequent projects such as the first six Trek films–will be joining those of his late colleagues.

(13) WHEN COUSINS AREN’T TWO OF A KIND. “Gene-Edited Organoids Explore Neanderthal Brain Function” at The Scientist Magazine.

A gene called NOVA1, which plays a role in regulating the formation of synapses between neurons, could hold the key to understanding how we differ from our Neanderthal cousins. Researchers created human brain organoids with a Neanderthal and Denisovan variant of the gene, resulting in neurons that matured faster than neurons with a modern sequence did, developing synapses that fired at a higher rate, according to a study published yesterday (February 11) in Science.

“This is amongst the first studies of its kind to investigate how specific changes in the DNA of modern humans influences brain development,” Duke University’s Debra Silver, a developmental neurobiologist who did not participate in the research, tells Science. 

“It’s an extraordinary paper with some extraordinary claims,” developmental biologist Gray Camp of the University of Basel in Switzerland notes to Nature. Camp was also not involved in the current study but reported with colleagues last year an analysis of Neanderthal gene variants, which modern humans still carry, in human stem cell–derived brain organoids.

In human pluripotent stem cells, University of California, San Diego, neuroscientist Alysson Muotri and his colleagues used the CRISPR-Cas9 gene editing system to change a single base pair in NOVA1, effectively converting the modern gene into an archaic version. The researchers then grew the cells in culture conditions to induce the growth of brain-like organoids up to 5 millimeters in diameter. Comparing them with organoids containing all modern DNA, Muotri tells Nature, the difference was obvious, with the CRISPR’d organoids being smaller with convoluted, rather than smooth, surfaces. “As soon as we saw the shape of the organoids, we knew that we were on to something.”

Muotri and his colleagues chose NOVA1 because they found that it is one of just 61 genes with modern sequences not found in the Neanderthal genome—nor in the genome of Denisovans, another archaic group of hominins—and because it has a prominent regulatory role in neurodevelopment. Dysfunction in the gene and its associated pathways has been linked with neurological conditions such as schizophrenia and autism.

In addition to the structural differences in the organoids, the team found that the archaic gene induced significant changes in the expression of 277 genes, including those involved in neurodevelopment. These differences translated into varying levels of synapse proteins and, ultimately, differences in firing patterns. In addition to firing more quickly, the neurons with the archaic variant of NOVA1 had less-orderly patterns of action potentials….

(14) A VERY EXOPLANET. Good old James couldn’t be expected to waste any time discovering boring ordinary planets! “James Webb Telescope Discovers Strange Alien Planet” at MSN.com.

… The alien planet known as VHS 1256 b is what is referred to as a “brown dwarf.” This is given to planets that are not big enough to ignite into the stars but are far too big to be considered a normal planet. In fact, this planet happens to be 20 times the size of Jupiter. Brown dwarfs don’t burn hydrogen like most other planets, but they do produce their own light and heat by burning deuterium. Astronomers believed that the reddish glow of the planet was because of the atmosphere, which has now been determined to be wild and turbulent, as various gases change on the planet. Astronomers have discovered water, methane, carbon monoxide, carbon dioxide, sodium, and potassium all on the planet’s atmosphere….

(15) MEANWHILE, IN ORBIT AROUND RED DWARFS. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Science journal reports, “Precise densities of red dwarf exoplanets help distinguish potential ‘water worlds’:  “Three types of planets orbit red dwarfs”.

Small planets orbiting faint red stars less than half the size of the Sun are numerous and could be the best places to search for signatures of life…

Luque and Pallé  present refined compositions of small planets orbiting around red dwarf stars. They find evidence that the planets fall into three main types: rocky, watery (including icy), and gassy. This result differs from most previous studies of small planets that have suggested only rocky and gassy types. Although the presence of watery small exoplanets is particularly enticing, all three types of planets around red dwarfs could present potentially habitable conditions for life.

Primary research paper here: “Density, not radius, separates rocky and water-rich small planets orbiting M dwarf stars”.

(16) BLACK ADAM. DC dropped this trailer for Black Adam. Only in theaters October 21.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Daniel Dern, SF Concatenation’s Jonathan Cowie, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jamoche.]