HBO, Disney, DC and Marvel Royalty

Curated by Carl Slaughter: (1) Using Machiavelli’s leadership grading system, Cracked gives Daenerys Targaryen an average of B- for leadership skills.

(2) Tyrion’s genius. Tyrion survives by reading people and giving them what they want.

(3) Batman director Matt Reeves scraps Ben Affleck’s script

(4) Entertainment Weekly delves into the background of the Black Panther movie director.

(5) New Rockstars delves deep into Game of Thrones.

(6) New Rockstars delves deep into Wonder Woman.

(7) HBO does documentary on Spielberg’s career

(8) Stan Lee receives Disney Legends Award

(9) Disney honors Jack Kirby

(10)  Benedict Cumberbatch does Doctor Who, Anakin Skywalker, Mario Brothers, Willie Wonka

Pixel Scroll 7/5/17 I’m A Yankee Doodle Pixel…Scrolled On The Fifth Of July

(1) PROTECT YOUR BRAND. At the SFWA Blog Shanna Swenson advises “Don’t Tweet Your Rejections”.

Rejection is one of the worst parts of writing. When you get a story or novel rejected by an editor or agent, it stings. Your first instinct may be to go online and seek comfort and commiseration by letting your followers know what you’re going through. But stop and think before you spread the news of your rejection all over social media.

You never know who might be reading what you post. An author’s social media platform can be a selling point, so people considering representing or buying a novel are likely to look you up to see what you post and what your audience is like. Even if they aren’t seeking information on you, publishing is a small world, and you never know what someone might see because someone else liked, shared, commented on, replied to, or retweeted it. It’s safest to assume that anyone you might submit to may see everything you post.

Anything you say in a public forum becomes a part of your image, and do you want to associate rejection with your personal “brand”? But it’s not just about image. It’s about strategy. When you inform potential buyers that someone else doesn’t want something you’ve produced, you make it less valuable. It’s human nature to value things more when they’re in demand and less when others don’t want it.

(2) ALTERNATIVE HISTORY THINGIE. Jo Lindsay Walton asks us to “Imagine if one day I actually finished this novel”.

What if Beyonce Knowles had not been tragically taken from us at the age of only twenty-four? Would she have continued to grow and flourish as an artist? Or would she have reposed comfortably into a middle-of-the-road R&B career trajectory? What kind of world might we live in today? This story is not about that.

As seasons have given way to seasons, my belly has grown less of liability. There is still something hidden beyond its curvature. There is still some genital structure ever beyond the horizon, whose properties I can only infer from the beliefs of the girlfriends who mount its numinous ink. But the belly which I once dragged around with me shamefully crashes before me gloriously. My belly announces me, tugs me laughingly by my hand along by white-flowered hedgerows. It is as if my whole life often is no more than a small pretty pink ribbon flapping in the wake of the one boulder that finally manages to mows into Indiana Jones.

I would like to nominate as the title of such a novel The Leftover Pre-incarnation Lives of Mycroft Canner. Just a thought.

(3) SPEAKING OF MYCROFT. Standback hopes you will read his essay about the themes and social dynamics in Too Like The Lightning which, like all Gaul, is divided into three parts:

Too Like The Lightning constructs a utopian society?—?but not one it thinks can survive. It plots the course of that society’s collapse?—?but not because they did anything wrong.

Consolidation, here, is when a system starts out with a bunch of different agents, competing and cooperating and interacting between them, and gradually evolves into a system with only a few major actors, each stronger and more solid than before.

Though it is seldom directly in focus, much of the underlying structure of Too Like The Lightning portrays this process of consolidation. Terra Ignota’s society began with a near-infinite assortment of options and identities….

In our previous parts, we discussed the thought experiment of a pluralistic utopia?—?and Too Like The Lightning’s conclusion that peaceful coexistence is an inherently unstable social structure.

And yet, while it can be doleful, it is not bleak. An invigorating current of optimism runs through Too Like The Lightning, and completes its theme.

(4) CROC OF THE WALK. Madagascar was a tough neighborhood in the Jurassic.

A giant ancient crocodile which measured 24 feet in length and possessed razor sharp T-Rex teeth was once the top predator in Jurassic Madagascar, a new study has found.

But unlike modern crocodiles, this killer beast walked on its hind feet as it hunted prey or scavenged for food….

(5) GENTLE GIANT. On the other hand, Atlas Obscura says the dinosaurs of the Cenozoic period can be very cute: “Fall in Love With the World’s First Animated Dinosaur”.

In February 1914, [Winsor] McCay debuted “Gertie the Dinosaur” on the vaudeville circuit. Created from over 10,000 drawings, “Gertie” became an instant hit. It is often credited as being the first animation to feature a character with a distinct personality and as the first work of key frame animation.

In his vaudeville act, McCay would walk onto the stage with a whip, calling out for Gertie. The cartoon started playing. McCay gave Gertie a series of commands, which she then performed in-screen.

 

(5) LOADS OF QUESTIONS. Podcaster Shaun Duke will be a very busy fellow when the NASFiC starts in Puerto Rico tomorrow: “My NASFiC / San Juan 2017 Schedule and Podcast Interviews”.  This is just part of his schedule:

  • TH 18:00 – San Geronimo   Social Justice and SFF: It’s been there from the beginning.
    • Social Justice Warriors are destroying SFF with these new-fangled ideas! Um, no. SFF has always been used as a tool to examine social and political issues. Come discuss how works like 1984, Brave New World, Animal Farm, and the Handmaid’s Tale explore oppressive regimes, and what, if any hope SFF can give us. (bilingual)
    • Panelists:  Shaun Duke, Marie Guthrie (m), Isabel Schechter, Javier Grillo-Marxuach
  • FR 11:00 – San Geronimo   A Chat with Tobias Buckell
    • Shaun Duke interviews GoH Tobias Buckell
    • Panelists:  Tobias S. Buckell, Shaun Duke
  • FR 13:00 – San Cristobal   Whitewashing and White Savior Fail: How did Benedict, Tilda, and ScarJo become people of color?
    • Avatar, the James Cameron version and the Last Airbender one. The new Star Trek 2nd movie. Doctor Strange. Ghost in the Shell. Iron Fist. These and more feature POC characters, yet when they are made into movies and tv, the actors cast are always white. Let’s discuss why this is and why representation matters. (bilingual)
    • Panelists:  Shaun Duke, Isabel Schechter (m), Javier Grillo-Marxuach, Pablo Vazquez

(6) TRIVIAL TRIVIA

Dr. Seuss wrote the book Green Eggs and Ham after his publisher bet him $50 that couldn’t write a book using only 50 words. (Source: Wikipedia)

(7) ONE THOUSAND AND ONE. When John W. Campbell started Unknown, L. Ron Hubbard asked him for exclusive rights to submit stories written in the world of the Arabian Nights. Are today’s readers that aware of Islamic fantasy traditions? Muhammad Aurangzeb Ahmad thinks not — “This is the Muslim tradition of sci-fi and speculative fiction”.

Think invisible men, time travel, flying machines and journeys to other planets are the product of the European or ‘Western’ imagination? Open One Thousand and One Nights – a collection of folk tales compiled during the Islamic Golden Age, from the 8th to the 13th centuries CE – and you will find it stuffed full of these narratives, and more.

Western readers often overlook the Muslim world’s speculative fiction. I use the term quite broadly, to capture any story that imagines the implications of real or imagined cultural or scientific advances. Some of the first forays into the genre were the utopias dreamt up during the cultural flowering of the Golden Age. As the Islamic empire expanded from the Arabian peninsula to capture territories spanning from Spain to India, literature addressed the problem of how to integrate such a vast array of cultures and people. The Virtuous City (al-Madina al-fadila), written in the 9th century by the scholar Al-Farabi, was one of the earliest great texts produced by the nascent Muslim civilisation. It was written under the influence of Plato’s Republic, and envisioned a perfect society ruled by Muslim philosophers – a template for governance in the Islamic world.

As well as political philosophy, debates about the value of reason were a hallmark of Muslim writing at this time. The first Arabic novel, The Self-Taught Philosopher (Hayy ibn Yaqzan, literally Alive, Son of Awake), was composed by Ibn Tufail, a Muslim physician from 12th-century Spain. The plot is a kind of Arabic Robinson Crusoe, and can be read as a thought experiment in how a rational being might learn about the universe with no outside influence. It concerns a lone child, raised by a gazelle on a remote island, who has no access to human culture or religion until he meets a human castaway. Many of the themes in the book – human nature, empiricism, the meaning of life, the role of the individual in society – echo the preoccupations of later Enlightenment-era philosophers, including John Locke and Immanuel Kant.

(8) LIVING OUT STORIES. A group believes live-action role playing can be used to break stereotypes about Palestine, and as a means of social and cultural exchange — “LARP in Palestine: let’s challenge the reality with fiction”.

…Over the past 6 years, a group of volunteers have been coming together to build a Larp community in Palestine with support from Nordic Larpers. “Birth of Larp in the Arab World” is a book summarizing our projects both in Arabic and English.

Using Larp, We played many stories : Finland was occupied (check out Halat Hisar). Hundred of kids were pretending to be animals, and fighting oppressive lions with magical water balloons. A wedding between a Palestinian girl and a Norwegian man (see here). A man was killed by his sister because he had a relationship with another girl. Children with superhero’s powers are attending a boarding school. A tribe that lived in Jericho 3,000 years ago and used dancing battles as a mean to solve conflicts. And many other stories…

Learn more about us in this feature in This Week in Palestine here.

Larp is a tool for participatory storytelling that allows us to be whatever we want. We believe in using Larp as an effective tool to promote dialogue and participatory art.

Our Larp community took the decision to institutionalize itself in a non-profit organization called Bait Byout. Bait Byout is the Arabic name for the role-playing kids play pretending to be adults. Bait Byout aims at contributing to a free society through creating positive impact in the lives of individuals using creative and critical tools within an entertaining, loving and safe space for everyone….

(9) LEGO ADS WIN AWARDS. Adweek has “The Story Behind Lego’s Brilliant Print Ads From the Cannes Festival”.

Lego makes some of the most delightful advertising around, and this series of print ads from Ogilvy Bangkok are just about perfect, from concept to execution.

The work, which won three silver Lions (in Print & Publishing and Outdoor) and a bronze (in Design) at the Cannes festival last month, shows kids literally envisioning their future careers by building them from the inside with Legos.

The tagline: “Build the future.”

 

(10) HE’S NOT CHICKEN. Gina Ippolito, in a Yahoo piece called “Hodor Can’t Hold Off The Lunch Crowd In New KFC Commercial Inspired by ‘Game of Thrones'”, says that all sorts of advertisers, including KFC and a weird Icelandic vodka, are eager to hire Game of Thrones actors to hawk their products.

A new KFC commercial starring Kristian Nairn, aka Hodor from Game of Thrones, has the actor reenacting a scene from the famous “Hold the Door” episode of the show.

In the commercial, Nairn fretfully looks at the clock because lunchtime is coming and he knows there will be crowds. As hungry people file in, all shouting that they want “chicken and fries,” it all becomes too much for Nairn, who repeats “chicken and fries” over and over with a faraway look in his eyes, eventually turning the phrase into “chicken and rice.” The spot is a play on the heartbreaking revelation on Game of Thrones about how Hodor came to be known as Hodor — and why it’s the only word he seems to be able to speak.

(11) ANOTHER SUPERHERO COMMERCIAL. When they’re clever, they’re a lot of fun.

(12) SPIELBERG REVIVAL. Director Steven Spielberg’s “Close Encounters of the Third Kind to celebrate 40th anniversary in theaters” says SyFy.

What is not clear is which version of the movie will be re-released. There are three: the original 135-minute theatrical version, a 132-minute “Special Edition” and a 137-minute “Collector’s Edition” cut, which Spielberg says is his preferred version.

The director is not a huge fan of either the original cut or the Special Edition, so it seems likely that the Collector’s Edition, which he calls his definitive version, is the one that would get reissued (I would take either the original or the Collector’s Edition; the Special Edition — for which Columbia Pictures wrongly insisted that Spielberg include a look inside the alien mothership — I could do without).

The Collector’s Edition was created primarily for home video release and given only a very limited theatrical run in 1999, so now would be a chance for it to reach a wider audience (and probably promote sales of a new Blu-ray reissue as well).

For fans of this masterpiece — one of Spielberg’s best films, and regularly listed as one of the top sci-fi movies of all time — seeing a fresh new theatrical print on the big screen will be a terrific way to celebrate the movie’s 40th anniversary.

(13) COMIC CON BOOSTS READING. Denver Business Journal’s Monica Mendoza, in “Denver Comic Con draws 115,000, packs a $10 million economic punch”,  notes that Denver Comic Con, held on June 30-July 2, is a subsidiary of a nonprofit, Pop Culture Classroom, which encourages literacy among Denver residents.

Pop Culture Classroom had an idea of hosting a comic convention to raise money for its organization and get children interested in reading. In its first year, there were 30,000 attendees to the convention that features comic book, science fiction and fantasy writers and artists. There are comic cons around the world and more than 20 in cities across the U.S.

(14) PUSH-BACK. It’s a good thing Denver’s local Comic Con is doing so well, because Mile Hi Comics (which calls itself “America’s Largest Comics dealer” and had space at the Denver con held a week ago) has given up on San Diego Comic-Con after 44 years of involvement.

To explain a bit more, my first little one-table booth in 1973 cost $40 to rent for the weekend. When we received our booth renewal for last year, our costs for our 70′ of space had been raised to over $18,000. While quite costly, that one factor alone would not have precluded us from returning, as we had paid $16,500 in rent the previous year.

What made the situation nearly impossible, however, was that foot traffic in the exhibit hall declined dramatically last year. Even at its peak on Saturday afternoon, our end of the building (which was primarily comics) was uncrowded. The San Diego Fire Marshals were partially to blame, as they put much stricter controls on the number of badge holders allowed in the building at any given time. That might not have been such a bad idea, except that it amplified the harm already being caused by the incredible proliferation of off-site events that are now being set up for upwards of eight blocks all around the convention center. When you can see GAME OF THRONES, POKEMON, and hundreds of other exhibits across from the convention hall for free, why bother going in to the hall? Many fans did not.

(15) A WRITER’S DEDUCTIONS. Tax planning pro tip:

He also gets to deduct all his purchases of faster-than-light spacecraft and red velour shirts

(16) WHITEFAIL. Not sure how I only scored 31 points Buzzfeed’s 100-question quiz: “How Stereotypically White Are You?” Maybe I need to drink more, because I could not truthfully say I ever drunkenly sang the lyrics to an Elton John song, though I’ve done that plenty of times cold sober.

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Standback, Cat Eldridge, and mlex for some of these stories. Title credit goes to File 770 contributing editor of the day Arie Quinn.]

Pixel Scroll 6/3/17 Hello Pixel My Old Friend, I’ve Come To Scroll With You Again

(1) SCORING WONDER WOMAN. Vox explains that Wonder Woman’s score/rating is 93% or 76%, depending on how you look at it, in “Why people are freaking out over Wonder Woman’s stellar Rotten Tomatoes score”

To be clear, a 97 percent Rotten Tomatoes rating doesn’t mean that critics scored the movie at 97 on a scale of 1 to 100, or that Wonder Woman is a perfect movie — rather, it signifies that an overwhelming majority of critics have given the movie a positive review. The average critical rating for the movie is around a 7.6 out of 10 according to Rotten Tomatoes, and a 76 according to Metacritic, both of which take into account any actual score, like a star rating or a letter grade, that a critic gave the movie.

(2) WORD PROBLEM. Or, for those of you who find a verbal response more helpful that a number, Gary Westfahl offers “A Working Model for Superhero Films: A Review of Wonder Woman” at Locus Online.

One important lesson to learn seems obvious enough: since the DC superheroes first became popular because of their appearances in comic books, filmmakers should generally remain faithful to the contents and spirit of their original adventures. One of the irksome aspects of Zack Snyder’s Man of Steel and Batman v Superman: Dawn of Justice was his willingness to tinker with Superman’s and Batman’s back stories and ignore facets of their established characters, so that one watches these films regularly thinking, “Superman would never do that,” or “Batman would never do that.” In contrast, though Snyder is co-credited with Wonder Woman‘s story, its other writers — Allan Heinberg and Jason Fuchs — must be primarily credited with a film that, with minor changes to be noted, is remarkably faithful to the longstanding traditions of Wonder Woman (even though she is never called Wonder Woman in the film), projecting a strong awareness and respect for the three aspects of the heroine that make her almost unique (and her gender, though relevant, is not the most significant issue).

(3) OMNI FOR SALE — BUT SHOULD IT BE? The entire run of Omni magazine is available for purchase from Amazon for $2.99/issue (or free if you have Kindle Unlimited.) — see Omni archive.

But SFWA President Cat Rambo points out there are unanswered questions about the rights to market the fiction in these issues:

Be aware that there’s some questions about those runs of Omni. While the nonfiction seems to have been often work for hire, I don’t believe that’s true of the fiction, and I also don’t think they’re paying the writers of that fiction. At least, they have not replied to repeated and increasingly pointed queries on my part about it. I’ve asked affected fiction writers to mail me if they know their work has been stolen by these folk.

(4) GET OUT THE KLEENEX. The New York Times debuted its feature New York Stories by getting some artists (including Tom Gauld) to draw header illustrations for selected articles.

First one I read was the lost dog story — “World (or at Least Brooklyn) Stops for Lost Dog” by reporter Andy Newman. Big tearjerker.

Bailey, a 2½-year-old goldendoodle, lived a placid, largely uneventful life on a block of handsome brownstones in Carroll Gardens, Brooklyn, until 7:15 on the morning of Oct. 24.

That was when her owner leashed her to a metal chair outside Henry’s Local, a coffee shop on Henry Street, and went in for an iced latte.

Another customer entered the cafe. Bailey, startled, jumped to the side. The chair crashed to the sidewalk. The noise spooked Bailey further.

She bolted — down Henry Street, dragging the clattering chair behind her, with her owner, Orna Le Pape, in pursuit, yelling: “Bailey, stop! No! No!”

The NYT allows ten free articles before you a paywall. But there are ways around that, as you probably know.

(5) HARRY POTTER FAN FILM. ScienceFiction.com interestingly reports, “Warner Bros. Okays ‘Harry Potter’ Fan Film ‘Voldemort: Origins Of The Heir’”. The spectacular-looking trailer was linked in the Scroll the other day — now it looks like the makers will be allowed to do their feature.

But considering that this borders on copyright infringement, this trend has caused studios much alarm and has even caused some to call in the lawyers. For example, CBS and Paramount went after a ’Star Trek’ fan film titled ‘Axanar’ and tied that production in litigation for over a year. Eventually, things settled down and the filmmakers were allowed to proceed with their project with certain conditions, but it set a precedent for studios and future fan films that have recently played out with Warner Bros. and a ‘Harry Potter’ fan film titled ‘Voldemort: Origins of the Heir’. Luckily, just as with the ‘Star Trek’ production, it would seem that the studio has given the fans their blessing to move forward with their labor of love.

While speaking with Polygon, ‘Origins of the Heir’ co-director Gianmaria Pezzato of Tryangle Films revealed that after WB had their Kickstarter campaign shut down in July 2016, the two parties came to some kind of agreement that would allow Pezzato, co-director Stefano Prestia, and the whole crew to continue their work. However, there were some conditions:

“We had a private and confidential discussion with Warner Bros who contacted us during the period of the crowdfunding campaign. The only thing we can say is that they let us proceed with the film, in a non profit way, obviously.”

With WB’s blessing, Tyrangle is back in business. It’s a good thing too because their film looks really awesome. I mean, when fans can create a House Elf as well as some of the best animators in the business, it would be a crime for a cease and desist to keep the movie from coming to fruition.

(6) TODAY IN HISTORY

  • June 3, 1965 — Astronaut Edward H. White II was the first American to perform a “spacewalk” when he stepped outside of his spacecraft

(7) YESTERDAY IN HISTORY

  • June 2, 1950 Influential sci-fi film Rocketship X-M opens in theaters.
  • June 2, 1989 Nicolas Cage stars in horror comedy Vampire’s Kiss.

(8) YESTERDAY’S BIRTHDAY BOY

  • Born June 2, 1915 — Lester del Rey

(9) WATCH FOR THE BLINK. Offering more participation than SETI@home: “Citizen Scientists Comb Images To Find An ‘Overexcited Planet'”.

“Maybe Mesklin is out there just waiting to be discovered,” comments Chip Hitchcock.

Professional astronomers have been turning to the public for help with their research. So far, these “citizen scientists” have helped characterize distant galaxies and discovered gravitation lenses.

Now you can add finding brown dwarfs to the list. An article just published in Astrophysical Journal Letters describes a brown dwarf discovered with the help of four volunteers through an online crowdsourced search.

The project is called Backyard Worlds: Planet 9. When NPR reported on it in February, the focus was on finding the planet that astronomers predict exists at the farthest reaches of the solar system.

(10) EARTH, THE FINAL FRONTIER. “This is exactly what Captain Kirk was portrayed as trying to do in the beginning scenes of Star Trek V: The Final Frontier,” David Klaus points out. “I didn’t think it actually was physically possible to do, and the ability to make such a climb was part of the fictional Star Trek future.” — “‘Free solo’ climber conquers El Capitan without rope, safety gear”

Alex Honnold, a celebrated 31-year-old rock climber, on Saturday became the first person to scale Yosemite’s El Capitan, a nearly 3,000-foot granite wall, without using ropes or other safety gear, according to National Geographic

(11) DUFF DOINGS. Down Under Fan Fund delegate Paul Weimer tweets more highlights from the New Zealand leg of his trip.

(12) WISCON. In “That was Wiscon!”, Sigrid Ellis has both favorable things to say about the con, and some other specific observations bracketed by the following excerpts.

Wiscon still has room for improvement in areas of social justice, but this year was certainly better than five years ago. I think it helps that a number of people No Longer Feel Welcome at Wiscon and have decided to go to OddCon instead. Which, is sad for people who liked OddCon, but good for Wiscon.€¦

(A note on Not Feeling Welcome at Wiscon: If you no longer feel welcome at Wiscon because people criticize you and tell you you are saying and doing bigoted things, perhaps you should examine that in your heart. Listen. Read up on the topic. Challenge your views. Think on it a while. Perhaps, apologize. Perhaps grow as a person. Or, you know, clutch your bigotry to your chest and flounce away on a cloud of hurt privilege and drama. That’s a choice you can make, sure, why not.)

(12) TO SEE THE UNSEEN. The Washington Post’s Julie Zauzmer discusses how children’s book author Marissa Moss decided to make her memoir of her husband’s death, Last Things, a graphic novel in order to best convey her emotions about her husband’s death: “In graphic memoir, children’s author aims to show adults what they don’t see about death”.

…Part of the problem, Moss said, is that American culture isolates death from everyday life, cordoning off the messy experiences of illness and grief in hospital rooms and nursing homes. Most people don’t see the ill or bereaved until they become the mourner themselves.

With her memoir “Last Things,” published last month, Moss becomes one of a growing group of writers attempting to expose these hidden yet universal processes. From tell-all bloggers posting about every stage of sickness and death, to Facebook executive Sheryl Sandberg’s “Option B” published after her husband’s untimely death, Moss joins in to illustrate grief — in her case, quite literally.

A prolific children’s book writer best known for her popular “Amelia’s Notebook” series, Moss has been telling stories through a mix of words and pictures for decades. But when she first sat down to create a memoir of Harvey’s illness, she only wrote prose.

Publishers balked. …

(13) CLUB MEETING. The Hugo Award Book Club takes up a popular sequel in “A Closed And Common Orbit — Book Club Review”.

Generic Space Setting

Becky Chambers’ strength is not world building. Both of her books so far feature fungible aliens from central casting, off-the-shelf worlds, and a feel-good interstellar society not dissimilar from the United Federation of Planets.

But this is actually not a bad thing, since digging into the world doesn’t detract from what’s important in the book: the relationships and the characters. Numerous novels in recent years have been marred by too much focus on the universe, and not enough focus on the characters.

(14) WE’RE HERE. At The Bearded Trio Paul Gibbs studies the only Name of the Game episode anybody still cares about: “L.A. 2017: A look back at Steven Spielberg’s Early Sci-Fi Time Travel Movie”.

When I first [heard] two years ago that Steven Spielberg had directed a science fiction TV movie called L.A. 2017, I was puzzled. How could I not know about this? I pride myself on my extensive knowledge of Spielberg’s work, and even on the relative completeness of my personal collection (when people try to catch me by asking if the collection includes Duel, I smirk and reply it even includes the far lesser known Something Evil.). How could i not be aware of this one?

(15) TOY TIME. Forbes writer Ollie Barder is excited: “Bandai Unveils Its Perfect Grade Millennium Falcon Model Kit And It Is No Hunk Of Junk”.

For Star Wars fans, Bandai is now the go to resource for the best toys and model kits for the entire franchise. Its latest offering though is all kinds of epic; a massive 1/72 scale Perfect Grade Millennium Falcon kit.

If you are not familiar with the term “Perfect Grade“ that comes from Bandai’s Gundam model kit, or gunpla, line. It’s the highest grade in terms of complexity, gimmicks, detailing, scale and price. The results are usually incredibly though and I have availed myself of a few of these kits over the years, so I speak from experience here.

In this instance, the Millennium Falcon matches the same 1/72 scale as its X-Wing and TIE Fighter kits, so you can totally do a huge nerdy diorama if you so wish.

The size thing is a big point here, as this kit is massive. It’s also gimmick ridden and full of lights and a removable cockpit cover.

 

[Thanks to David K.M. Klaus, Chip Hitchcock, Joe H., Cat Rambo, Carl Slaughter, Martin Morse Wooster, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 2/18/17 The Fifth Scroll Is The Deepest

(1) THE HAT MAKES THE MAN. From Bored Panda, “Photographer Travels Across New Zealand With Gandalf Costume, And His Photos Are Epic”.

Who can be a better guide of New Zealand (Middle Earth) than Tolkien’s Gandalf himself? The guy has been traveling around that place for more than 2,000 years, so he probably knows his way around. That was the idea behind photographer Akhil Suhas’s 6-month trip across the country with a Gandalf costume.

Suhas called his 9,000-mile adventure #GandalfTheGuide and documented it using photos. “I wanted a recurring subject in my photos and with so many photographers visiting the country, I figured that I needed to do something to set me apart!” he said. “I was watching the LOTR for the 5th time when I figured New Zealand is famous for 2 things: its landscapes and the LOTR + Hobbit Trilogies. So why not combine the two by having Gandalf in the landscapes?”

At first, he tried self-portraits: “I tried the camera on a tripod with a timer shot, didn’t work for me,” Suhas said. “So, I started asking the people I met along the way if they wanted to put on the outfit.” Surprisingly, people agreed, and Suhas created an amazing small-person-big-landscape photo tour of New Zealand.

 

(2) A HEFTY PRICE. L. W. Currey is offering The David Rajchel Arkham House Archive for sale. Kim Huett writes: “Those of you interested in small-press fantasy publishing might want to have a look at this collection of Arkham House paperwork that’s being offered for sale even if the price being asked is out of our collective range.”

The Arkham House Archive contains over 4000 letters and documents related to publications issued by Arkham House, Mycroft & Moran and Stanton & Lee between 1939 and 1971, as well as correspondence and business papers related to Derleth’s activities as writer and editor for other publishers, including his editorial work as an anthologist in the 1940s and 1950s, and as a TV scriptwriter in the 1950s.

The David Rajchel Arkham House Archive is a highly important collection of letters and documents that compliment the papers held by the Wisconsin Historical Society. These papers and those held by WHS are essentially all the Arkham House papers that survive.

…One of the most important twentieth century small publisher’s archives offered for sale in the last several decades. The collection, $415,000.00

(3) KEEPING SCORE., A lot of movie music on the bill at the Hollywood Bowl this summer —

Harry Potter and the Chamber of Secrets – 2017-07-06

The Harry Potter™ film series is a once-in-a-lifetime cultural phenomenon that continues to delight millions around the world. Experience the second film in the series in high definition on our big screen while John Williams’ unforgettable music is performed live-to-picture.

Harry Potter and the Prisoner of Azkaban – 2017-07-07

The Harry Potter™ phenomenon continues with the third film of the series. The Los Angeles Philharmonic will perform every note from John Williams’ sensational score while audiences relive the magic of the film projected in high definition on the big screen.

Raiders of the Lost Ark – 2017-08-04

The film that gave the world one of its most iconic movie heroes, Indiana Jones (Harrison Ford), is back and better than ever! Relive the magic of this swashbuckling adventure as one of John Williams’ best-loved film scores is performed live, while the thrilling film is shown in HD on the Bowl’s big screen

John Williams: Maestro of the Movies – 2017-09-01

Continuing a beloved Bowl tradition, legendary composer John Williams returns to conduct many of his greatest moments of movie music magic. David Newman kicks off the evening with more of the best in film music. A selection of clips will be featured on the big screen.

Fireworks Finale: The Muppets Take the Bowl – 2017-09-08

It’s time to get things started, to light the lights… the iconic and beloved Muppets will perform a sensational, inspirational live show you’ll never forget! Join Kermit the Frog, Miss Piggy, Fozzie Bear, The Great Gonzo and the rest of the zany Muppet gang, including – fresh off their triumphant festival performance – Dr. Teeth and The Electric Mayhem, with legendary rock drummer Animal, for this once-in-a-lifetime experience. All this, plus special surprise guests and fireworks!

(4) SETTING A RECORD. And, by the way, “John Williams and Steven Spielberg’s Work Together Is Getting an ‘Ultimate Collection’”.

John Williams & Steven Spielberg: The Ultimate Collection is a three-disc retrospective due out March 17 from Sony Classical and includes new recording of Williams’ scores. Listen to a new recording and reworking of “Marion’s Theme” from Raiders of the Lost Ark and watch a behind-the-scenes video at the bottom of this story.

It’s an update of a previous collection, which over two discs included music for Spielberg films that Williams recorded with the Boston Pops Orchestra for 1991’s Sony Classical: The Spielberg/Williams Collaboration and 1995’s Williams on Williams: The Classic Spielberg Scores. Those collections featured music spanning 1974’s Sugarland Express through 1993’s Jurassic Park and Schindler’s List.

The update was recorded in 2016 with the Recording Arts Orchestra of Los Angeles and includes work from Indiana Jones and the Kingdom of the Crystal Skull, Amistad, The BFG, Lincoln, The Adventures of Tintin, Minority Report, Catch Me If You Can, Raiders of the Lost Ark, Saving Private Ryan, War Horse, The Terminal, Munich and the 1999 documentary The Unfinished Journey.

(5) DUAL TO THE DEATH. At Break, Urbanski chronicles the feud between Alan Moore and Grant Morrison — “Two Of The Greatest Comic Book Writers Have Been In An Occult War For 25 Years”.

…By the early 90s, it was already obvious Moore had issues with Morrison. He claimed to have helped give Morrison a leg up in his career (Morrison later pointed out he was making comics, though much less famous ones, before Moore had become known at all), and that Morrison in return just ripped-off all of Moore’s work.

Morrison, on the other hand, claimed that Moore’s own work was derivative of a 1977 novel called Superfolks, and that “Watchmen” was not as great as everyone thought, and that Moore wants to take credit for everything great in comics while slagging anyone he sees as competition.

Moore has continued to insinuate throughout the years that Morrison has kept ripping off his ideas, once notably saying, “I’ve read Morrison’s work twice: first when I wrote it, then when he wrote it.”

…But it’s too easy to try to write the conflict off by painting Moore as some kind of grumpy old traditionalist, and Morrison as the bold in-your-face counter-culture rebel.

Remember, it was Moore who argued his way out of mainstream comics forever. On the other hand, Morrison plays the rebel but has become an icon of Mainstream Comics (though anyone reasonable would agree he’s transformed that mainstream and helped enormously to raise the quality of mainstream comics writing).

Morrison even got an MBE from the Queen, which Moore saw as the ultimate proof of Morrison’s fake rebel act being exposed as conformity. For it, he called Morrison a “Tory” (which, from Moore, is like the dirtiest word imaginable).

Morrison once claimed that Moore only had one “Watchmen”, while he does “one Watchmen a week”; which frankly is complete bullcrap. And you could laugh at Morrison’s arrogance for saying something like that, except that then he went on to launch a magical attack directly at Watchmen just to prove his point, with his comic “Pax Americana.”

“Watchmen” had started out as an idea Moore had using a certain group of DC-owned characters (Captain Atom, Peacemaker, The Question, Nightshade, the Blue Beetle, Thunderbolt) which DC wasn’t really using. Luckily for us all, DC didn’t let him use them, so he reinvented them as the Watchmen characters (Dr.Manhattan, Comedian, Rorschach, Silk Spectre, Nite Owl, Ozymandias) and created a masterpiece.

But in “Pax Americana,” Morrison reversed the situation. First, he did get to use the DC characters; but he wrote them in a style that imitated (almost but not quite to the point of mockery) the style of Moore’s “Watchmen” characters. Then he makes a complete story in just one issue, that is just as much a work of genius as Moore’s 12 issues of “Watchmen.” This too is a magical technique, once again, Morrison has turned a comic book into a spell. “Pax Americana” itself even deals with the nature of time, and the keys to the universe in the number 8; he even magically over-rides “Watchmen”’s base-3 (9 panel) format with a base-4 (8 or 16 panel) format. It’s like a wizard crafting a more powerful magical square-talisman than his rival…

(6) 404 OF THE DAY. The editors of the Problem Daughters, Djibril al-Ayad, Rivqa Rafael, and Nicolette Barischoff packaged the “Intersectional SFF Roundtable” for Apex Magazine that was taken down after Likhain’s open letter to the editor protesting the involvement of Benjanun Sriduangkaew. Apex Magazine editor Jason Sizemore answered with an apology earlier this week.

Beginning February 14 – at least for awhile – an apology signed the three editors also appeared on The Future Fire site. It’s gone now (although for as long as it lasts the text can be read in the Google cache file). The gist of the apology was that they were sorry for not including a black woman in a panel about intersectionality. The controversy about Sriduangkaew’s participation was not addressed.

(7) DUFFY OBIT. Jonny Duffy, a LASFS member since 1990, has passed away from complications due to a removal of a growth in his neck reports Selena Phanara.

Duffy had five sf stories published in the 1990s, one in collaboration with G. David Nordley appeared in Analog.

(8) TODAY IN HISTORY

  • February 18, 1930 — Planet Pluto discovered by Clyde W. Tombaugh at Lowell Observatory in Flagstaff, Arizona.

(9) YESTERDAY IN HISTORY

  • February 17, 1959  William Castle’s House On Haunted Hill opens in theaters

(10) MORE NEVERWHERE. Tor.com knows what Neil Gaiman is going to write next.

Now that Neil Gaiman’s Norse Mythology has hit shelves, the author has announced his next upcoming work–the long-awaited sequel to Neverwhere, titled The Seven Sisters.

Gaiman had already planned to write a sequel to Neverwhere, and the FAQ on his website had given the title of the sequel out some time ago. An event at London’s Southbank Centre this week ended with an announcement from Gaiman confirming that he had written the first three chapters, and that The Seven Sisters would be his next book.

The title of the book comes form an area of north London where seven elm trees are planted in a circle, denoting possible pagan worship at the site, stretching back to Roman times. There are legends and myths attached to the area that make it a perfect setting or launch point for a Neverwhere story.

(11) COUNTING JEDS. Danielle Bitette, in an article in the New York Daily News called “Mystery Surrounding Next Star Wars Title is Solved”, says that speculation is rife whether the subtitle of Star Wars VIII: The Last Jedi refers to one Jedi or a lot of Jedis. After looking at the French and Spanish translations of this title she concluded that the subtitle refers to many Jedi.

Ah, remember, “Jedi” is both singular and plural.

Therefore, “Episode VIII” could very well be an uprising, of sorts, for the previously erased Jedi. That’s not to say the Council will reconvene — and that Luke will dispense justice across the galaxy from his ivory tower, the Temple retreat on Ahch-To. Just that “Episode VIII” could be a step toward “resurrection,” perhaps with the help of longtime enabler Maz Kanata, former Stormtrooper Finn (aka FN-2187), everyone’s favorite Wookiee, Chewbacca, and others.

In George Lucas’ prequels, fans of the franchise witnessed a galactic purge of the Jedi Order, in Emperor Palpatine’s infamous Order 66.

From that point on, Jedis were drastically reduced in number and were forced into hiding. Even Yoda, the grand master of the Jedi Order, does not survive to see Darth Vader deposed (but that’s only because he dies of natural causes on the planet Dagobah; he sees the victory in ghost form).

(12) UFO LORE. John Crowley reviews Jack Womack’s Flying Saucers Are Real! (and Tom Gauld’s Mooncop) in The Boston Review.

The ability to stand stock-still in the sky and then vanish away at impossibly high speed has long been a hallmark of saucer sightings, explained by believers with fantasy physics or appeals to cosmic forces. Flying saucers, so named as a sort of dismissive joke, first entered public awareness in 1947 when pilot Kenneth Arnold reported seeing nine flying past his plane near Mt. Rainier. The public’s obsession with UFOs reached fever pitch during the height of the Cold War, and had already lost much of their psychic force by the time I saw mine. I had not yet begun writing what could only be called science fiction novels (they were rather non-standard ones) but I had noticed that the issues and hopes and fears that animated science fiction since its beginnings—faster-than-light spaceships, telepathy, time travel, people-shaped robots, etc.—hadn’t come much closer to reality.

Flying saucers, though, were special: they inhabited a realm neither plainly actual nor wholly fantastic, explored in fiction but also by real-life investigators with extremely varied credentials, who published reams of exposés and personal accounts. And they persisted, as threat or promise, without ever actually appearing in any ascertainable way.

Flying Saucers Are Real is Jack Womack’s wondrous compilation of flying-saucer materials…

(13) LOOK, UP IN THE SKY. Stephanie Buck says, in contrast to Paris, on this night in 1994 LA was more like the City of Too Much Light.

In 1994, a 6.7-magnitude earthquake rumbled through Los Angeles at 4:30 a.m. The shaking woke residents, who discovered the power had gone out citywide.

Some left their houses or peered outside to check on the neighborhood. It was eerily dark—no streetlights and few cars at that late hour.

They looked up at the sky. It was flush with cosmic bodies that had been invisible up to that point?—?twinkling stars, clustered galaxies, distant planets, even a satellite or two. Then some people became nervous. What was that large silvery cloud that trailed over the city? It looked so sinister they called 911.

That cloud was the Milky Way. They had never seen it before.

I remember the earthquake but I didn’t get a look at the sky – I stayed in bed til sunrise because I expected to have to climb over piles of books to get to the door….

(14) MEET CUTE. John King Tarpinian says, “A buddy who collects movie scripts just bought this. The working title is different than the final title, Abbott and Costello Meet Frankenstein. Notice who the copy belonged to…”

[Thanks to Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 10/25/16 Bears Discover File 770

clarke-center-arrivalcarouseli

(1) ARRIVAL PREMIERE BENEFIT FOR CLARION. The Arthur C. Clarke Center for Human Imagination will host the San Diego premiere of the film Arrival, starring Amy Adams, Jeremy Renner, and Forest Whitaker. After the film, there will be a conversation and Q&A with Ted Chiang, whose novella “Story of Your Life” provided the basis of the screenplay.

All proceeds from the screening benefit the Clarion Foundation, which supports the Clarion Science Fiction and Fantasy Writers’ Workshop at UC San Diego. Click on the link to buy tickets.

Arrival is the the story of what happens when mysterious spacecraft touch down across the globe. An elite team, led by expert linguist Louise Banks (Amy Adams), is brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers-and to find them, she will take a chance that could threaten her life, and, quite possibly, humanity.

Ted Chiang is a graduate and, later, instructor in the renowned Clarion Science Fiction and Fantasy Writers’ Workshop, organized at UCSD by the Arthur C. Clarke Center for Human Imagination. Known for his exacting craftsmanship in writing profound and psychologically rich science fiction, Chiang this year alone has the honor of having a story (“The Great Silence”) in both the Best American Short Stories 2016 and Best Science Fiction and Fantasy 2016, after it was originally written for a collaboration with the visual artists Allora & Calzadilla.

(2) NEW CLARKE CENTER PODCAST. Into the Impossible: A Clarke Center Podcast launches November 1.

clarke-podcast-logoInto the Impossible is a podcast of stories, ideas, and speculations from the Arthur C. Clarke Center for Human Imagination. Early episodes will take listeners through exciting, ranging conversations with and between scientists, artists, writers, and thinkers of different stripes, on the nature of imagination and how, through speculative culture, we create our future. The first episode includes Freeman Dyson (physicist and writer), David Kaiser (physicist, MIT), Rae Armantrout (Pulitzer Prize-winning poet, UCSD professor emeritus), and Brian Keating (astrophysicist, UCSD).

Later episodes will feature actors like Herbert Siguenza (Culture Clash), futurists like Bruce Sterling (writer, design theorist, WIRED columnist), and science fiction authors like Vernor Vinge (novelist, mathematician, computer scientist), as well as looks into Clarke Center activities like Dr. Allyson Muotri’s lab growing Neanderthal brain neurons and the new Speculative Design major. We will also premiere an audio performance created in collaboration between artist Marina Abramovic and science fiction author Kim Stanley Robinson, created in workshop here at the Clarke Center with Adam Tinkle and local and student volunteers.

(3) LEARNING AND RELEARNING. Cat Rambo’s speech is now online — “Into the Abyss: Surrey International Writers Conference, Morning Keynote for October 23, 2016”.

I try to write, every day, 2000 words, because that’s what Stephen King does and I think he’s a pretty good role model. Note that I say try, because I don’t always hit it. But you must write. Every day you write is a victory.

Figure out your personal writing process and what works for you. And then do it, lots. I realized that my most productive time is the mornings. So if my mother calls in the mornings, she knows I will answer “Is this an emergency?” and if she says no, I will hang up. (I did warn her before implementing this policy.) Find the times and places you are productive and defend them from the world. You will have gotten a lot of writing advice here and the thing about writing advice is this. All of it is both right and wrong, because people’s process differs and moreover, it can and will differ over the course of time. Find what works for you and do it.

Be kind to yourself. We are delicate, complex machines both physically and mentally. Writers are so good at beating themselves up, at feeling guilty, at imagining terrible futures. You are the person with the most to gain from being kind to yourself; do it. Don’t punish yourself for not hitting a writing goal; reward yourself when you do.

(4) ZOMBIE PROM REVIEW. Martin Morse Wooster personally eyeballed the production and returned with a verdict:

I saw Zombie Prom on Friday, and I think Nelson Pressley’s review was unfair.  Unexpected Stage Company, which did the production, is a minor-league company.  I doubt any member of the cast was over 25 and no one was a member of Equity.  That being said, everyone hit their marks and remembered their lines and most of the cast had pretty good voices.  I thought the production was pleasant.

The title of the musical is misleading, because there’s only one zombie in the cast. (I guess they couldn’t call it One Zombie at a Prom.) It’s the 1950s, and we’re at Enrico Fermi High.  Jonny Warner gets jilted by his girlfriend and leaps into a vat of nuclear waste, which turns him into a zombie.  Will anyone accept him–including his former girlfriend?

I have never heard of Dean P. Rowe, who did the music, and John Dempsey, author of the book and lyrics, but they have talent and my guess is in five years we will hear a lot from them.  There are some mildly deep references to ’50s pop culture, including what I thought was a reference to The Milton Berle Show.  The two best performers were Dallas Milholland, who for some reason decided to play semi-villainous Principal Delilah Strict in a pseudo-British accent, and Will Hawkins, who played Jonny Warner with a great deal of gusto.

Their website is Unexpected Stage Company.

(5) LONG LISTENER ANTHOLOGY. David Steffen says there will be an audiobook of the Long List Anthology Volume 2 after all, using a modified table of contents.

I have been talking with Skyboat Media and we have decided to go ahead with the audiobook, with some alterations to the table of contents from the original stretch goal to get it to just the right length for the resources available.  So there will be an audiobook again this year, this time with 6 stories.

The table of contents is:

  • Our Lady of the Open Road by Sarah Pinsker
  • Today I Am Paul by Martin L. Shoemaker
  • Madeleine by Amal El-Mohtar
  • Pocosin by Ursula Vernon
  • Damage by David D. Levine
  • Grandmother-nai-Leylit’s Cloth of Winds by Rose Lemberg

The title will also be different to reflect the different table of contents from the book/ebook:

OUR LADY OF THE OPEN ROAD & OTHER STORIES FROM THE LONG LIST ANTHOLOGY, volume 2

(6) TEPPER OBIT. The SFWA Blog posted an obituary for Sheri S. Tepper.

Cat Rambo says, “If I had to name one series by her I adore more than any other of the many excellent choices, it’s the Marianne series, and I highly recommend them to the File 770 readers.”

(7) TODAY’S BIRTHDAY BOYS

  • Born October 25, 1892 — Leo G. Carroll in 1892  (played Topper, and Alexander Waverly in The Man from U.N.C.L.E.)
  • Born October 25, 1924 — Billy Barty. His sf/f resume includes the animated The Lord of the Rings (1978, rotoscope footage) Snow White (1987), Masters of the Universe (1987) and Lobster Man from Mars (1989).

(8) CHAT WITH THREE-BODY AUTHOR. An excellent interview at SF Crowsnest: “Cixin Liu: interviewed by Gareth D Jones”.

GDJ: My favourite character in the books is Da Shi, especially in the second volume, ‘The Dark Forest’. Do you have a favourite character out of the ones you wrote about?

CL: In terms of Da Shi, he’s one of the most liked characters amongst Europeans and American readers. I think it’s because he’s like a caricature of a Chinese person of Beijing police, real well-connected, good with people. But this kind of people are actually really common in China, so we all know someone like that. But for non-Chinese readers, he immediately captures the attention. In terms of favourite character, I don’t think I have a favourite character really because they’re just there to propel the story forward. So it’s where the story is taking them that affects them, so I don’t have a favourite.

(9) ET, PHONE US. “Either the stars are strange, or there are 234 aliens trying to contact us” says Phys.org news. Obviously, these guys haven’t read the Three-Body Trilogy.

What we’re talking about here is a new study from E.F. Borra and E. Trottier, two astronomers at Laval University in Canada. Their study, titled “Discovery of peculiar periodic spectral modulations in a small fraction of solar type stars” was just published at arXiv.org. ArXiv.org is a pre-print website, so the paper itself hasn’t been peer reviewed yet. But it is generating interest.

The two astronomers used data from the Sloan Digital Sky Survey, and analyzed the spectra of 2.5 million stars. Of all those stars, they found 234 stars that are producing a puzzling signal. That’s only a tiny percentage. And, they say, these signals “have exactly the shape of an ETI signal” that was predicted in a previous study by Borra.

Prediction is a key part of the scientific method. If you develop a theory, your theory looks better and better the more you can use it to correctly predict some future events based on it. Look how many times Einstein’s predictions based on Relativity have been proven correct.

The 234 stars in Borra and Trottier’s study aren’t random. They’re “overwhelmingly in the F2 to K1 spectral range” according to the abstract. That’s significant because this is a small range centred around the spectrum of our own Sun. And our own Sun is the only one we know of that has an intelligent species living near it. If ours does, maybe others do too?

(10) THE HULK V. THE THING. CinemaBlend reports Stan Lee’s definitive answer to America’s most asked question. (And no, it’s not “Does your chewing gum lose its flavor in the bedpost overnight?”)

It’s a question that has dogged comic book fans for decades: who would win in a fight between The Hulk and The Thing? Of course, there’s only one man who has the definitive answer to this quandary: Marvel icon Stan Lee himself. So when it was finally posed to the comic book legend, the world waited with bated breath to hear the answer, which, as it turns out, is The Hulk.

Stan Lee made this admission during his chat with The Tomorrow Show. But there were a few caveats to Stan Lee’s answer, who predicted that The Thing/Ben Grimm would definitely give The Hulk/Bruce Banner a run for his money, as he’s a little smarter than his counterpart. But that didn’t stop Stan Lee from picking The Hulk as the winner, as he explained:

“Oh, The Hulk would win. The Thing is faster and smarter, so he would probably find a way to turn it into a draw or save himself. He’d trap or trick the Hulk. But, in a fair fight, there’s no way the Hulk [would lose]. He’d win.”

(11) FIFTH OF INDIANA. ScreenRant says a fifth Indiana Jones movie will be out in 2019, starring Harrison Ford and directed by Steven Spielberg. But what about George Lucas? “Indiana Jones 5: George Lucas Is Not Involved With Story”.

In an interview with Collider, the screenwriter mentioned that Lucas does not have a hand in crafting the Indiana Jones 5 story, saying, “I haven’t had any contact with him.” Spielberg’s earlier claims that Lucas would be an executive producer could still be true, but it’s difficult to envision a scenario in which Lucas is attached to an Indiana Jones film and isn’t helping design the narrative. It would appear that Lucas would rather enjoy his retirement than jump into the Hollywood machine again, which isn’t all that surprising considering his comments about Disney in the lead-up to Star Wars: The Force Awakens. For many fans, this is a bittersweet revelation; like Star Wars, Lucas is an integral part of the Indiana Jones property, but he was responsible for some of the more unfavorable elements in Crystal Skull, such as his insistence aliens be in the film. Some viewers would prefer Lucas stay away.

(12) SFWA MARKET REPORT. SFWA President Cat Rambo says, “The latest market report went out a little late this month and I wanted to make sure people were aware of it. Dave Steffen is doing a terrific job assembling it.” Find it here: http://www.sfwa.org/2016/10/sfwa-market-report-october/.

(13) OPENINGS IN RAMBO/SWIRSKY CLASS. There are still slots open in “Re-Telling and Re-Taleing: Old Stories Into New”, the Cat Rambo/Rachel Swirsky live online class happening Saturday, October 29.

Authors constantly draw on the stories that have preceded them, particularly folklore, mythology, and fables. What are the best methods for approaching such material and what are the possible pitfall? How does one achieve originality when working with such familiar stories? Lecture, in-class exercise, and discussion will build your proficiency when working with such stories. Co-taught with Nebula-award winning writer Rachel Swirsky.

(14) ARCHEOTELEVISION. Echo Ishii has a new post about another antique sff TV show – “SF Obscure: Children of the Stones”.

Children of the Stones is a 1977 television drama for children produced by ITV network. I know of this show mainly because of the late Gareth Thomas. So, I decided to watch it because I had heard good things about it.

Astrophysicist Adam Brake and his son Matthew go to a village called Millbury which has a megalithic circle of stones in the middle of it. (It’s filmed on the prehistoric monument of Avebury) Things get strange as soon as they arrive. First of all, the housekeeper and neighbors all seem abnormally happy. Matthew has strange feelings of evil and is immediately hostile towards the new neighbor. His father chides him, but Matthew can’t help but feel something is wrong. We later learn that Matthew has some psychic abilities and this is why he reacts the way he does….

(15) DISSECTING THE FALL TV PREMIERES. Asking the Wrong Questions’ Abigail Nussbaum continues “Thoughts on the New TV Season, 2016 Edition, Part 2”.

Westworld – Easily the most-anticipated new series of the fall, the consensus that has already formed around HBO’s latest foray into genre is that it represents the channel’s attempts to grapple with its own reputation for prurient violence, particularly violence against women (see Emily Nussbaum in The New Yorker, and Aaron Bady in The Los Angeles Review of Books).  You can see how that consensus has formed–Westworld builds on the 1973 movie to imagine a lush and impeccably-detailed theme park in which customers pay lavishly to indulge their every fantasy, which almost inevitably seem to involve murder, mayhem, and of course rape.  The metaphor for how HBO’s pretensions to highbrow entertainment ultimately rest on the sumptuously-filmed and -costumed violence of Game of Thrones, True Detective, and The Night Of pretty much writes itself.  For myself, I’d like to believe that there’s more to Westworld than this glib reading, first because I simply do not believe that anyone at HBO possesses this level of self-awareness–this is, after all, the channel whose executives were genuinely taken aback, in the year 2016, by the idea that their shows had become synonymous with violence against women–and second because it’s by far the least interesting avenue of story the show could take.

(16) WOMEN INVISIBLE AGAIN. Juliet McKenna takes to task “Andrew Marr’s Paperback Heroes – a masculine view of epic fantasy entrenching bias”.

Two things happened on Monday 24th October. News of Sheri S Tepper’s death spread – and a lot of people on social media wondered why isn’t her brilliant, innovative and challenging science fiction and fantasy writing better known?

Then the BBC broadcast the second episode of Andrew Marr’s series on popular fiction, looking at epic fantasy.

The programme featured discussion of the work of seven, perhaps eight, major writers – six men and one, perhaps two women if you include the very passing reference to J K Rowling .

Four male writers were interviewed and one woman. Please note that the woman was interviewed solely in the context of fantasy written for children.

If you total up all the writers included, adding in cover shots or single-sentence name checks, eleven men get a look-in, compared to six women. Of those women, three got no more than a name check and one got no more than a screenshot of a single book.

It was an interesting programme, if simplistic in its view, to my mind. There’s a lot of fantasy written nowadays that goes beyond the old Hero’s Journey template. There’s a great deal to the genre today that isn’t the male-dominated grimdarkery which this programme implied is currently the be-all and end-all of the genre….

(17) MASQUERADE VIDEOS. The International Costumers Guild has posted the final version of the “MidAmeriCon 1 masquerade Look Back”.

This episode features highlights from the MidAmeriCon 1 masquerade held in Kansas City, MO. Having discovered another version of this masquerade after the initial upload, we’ve replaced it with this one because the color is more vivid. There is also one additional costume entry that has been added to the video. Note: This video, while not the sharpest in detail, could still be considered slightly NSFW.

 

They have also just released a quick memorial to author and costumer Adrienne Martine-Barnes.

[Thanks to John King Tarpinian, Cat Rambo, Nora and Bruce Mai, JJ, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/11/16 The Incredibly Strange Scrolls That Stopped Living And Became Crazy Mixed-Up Pixels

(1) NEW HWA ENDOWMENT PROMOTES YA WRITERS. The Horror Writers Association (HWA) has launched a “Young Adults ‘Write Now’ Endowment Program”  to fund teen-oriented writing programs at libraries.

The Young Adults Write Now fund will provide up to five endowments of $500 each per year for selected libraries to establish new, or support ongoing, writing programs. The program is currently open to United States libraries, but will be expanded in the future to include other countries, as part of the HWA’s global presence. Membership in the HWA is not a requirement.

HWA’s Library & Literacy team will select up to five recipients from the applications.

Applicants must fill in and submit the Application Form designed for that purpose; the Application Form will be published at http://horror.org/librarians.htm but will also be made available by contacting libraries@horror.org.

Eligibility: Public and community libraries will be eligible. The Applicant must outline how the endowment would be used (a ‘Plan’) and describe the goals and history (if applicable) of the writing program. In selecting the recipients, the team shall focus primarily (but not exclusively) on advancing the writing of fiction, poetry, and non-fiction (essays). An emphasis on genre fiction (horror, science fiction, fantasy) in the plan is desired but not required. The Applicant shall demonstrate that the writing program will be regular and on-going.

Recipients receiving funding will be able to use the monies for anything relating to the proposed/active writing program, including but not limited to supplies, special events, publishing costs, guest speakers/instructors, and operating expense. Monies may not be used to fund other programs or expenses for the library.

(2) EARTHSEA ARTIST. In a comment on Terri Windling’s blog, Charles Vess said:

For the last two years I’ve been slowly approaching the daunting task of illustrating all six of Ursula’s Earthsea books (collected for the first time under one cover). Through sometimes almost daily correspondence with her I’ve been attempting to mentally & aesthetically look through her eyes at the world she’s spent so long writing about. It has been a privilege to say the least. Carefully reading and re-reading those books and seeing how masterfully she’s developed her themes is amazing. And now, to my great delight (and sometimes her’s as well) the drawings are falling off my fingertips. To be sure, there will never be many ‘jobs’ as fulfilling as this one is.”

(3) OBE FOR PRINCE VULTAN. “Queen’s Birthday Honours: Charitable actor Brian Blessed made an OBE”. Perhaps better known to the public for playing Augustus Caesar or various Shakespearean roles, to fans Brian Blessed is synonymous with the Flash Gordon movie, or as Mark of Cornwall in a King Arthur TV series.

Chobham-based bellowing actor Brian Blessed has been appointed OBE for services to the arts and charity in the Queen’s Birthday Honours.

The star, famed for taking to the screen and stage as Shakespearian leads, said the appointment came as a ‘complete surprise’.

“I am absolutely delighted,” he said.

“It is marvellous that the son of a Yorkshire coal miner should be given such an honour.

“A huge thank you to all of the people that nominated me.“

Mr Blessed has continued to pick up pace since his days as Prince Vultan in cult film Flash Gordon.

Astronaut Tim Peake is also on the list

The UK’s first official astronaut, Major Peake is due to return to Earth this month after a six-month mission and said he was “honoured to receive the first appointment to the Most Distinguished Order of St Michael and St George for extraordinary service beyond our planet”.

The honour is usually given for “serving the UK abroad”.

(4) HARRY POTTER OPENS. Twitter loved it. “The first reviews for ‘Harry Potter and the Cursed Child’ are in and everyone is spellbound”. For example…

(5) AFI VIDEO. ”Spielberg, Lucas and Abrams honor John Williams” who received a lifetime achievement award at last night’s American Film Institute event.

Steven Spielberg reveals his favorite Williams scores, while Richard Dreyfuss, Kobe Bryant and Peter Fonda discuss the legendary composer’s work.

 

(6) OF COURSE YOU RECOGNIZE THESE. Those of us who bombed the elves/drugs quiz the other day need a softball challenge like this to regain our confidence… “Only a true Star Trek fan can spot every reference in this awsome poster” says ME TV.

The pop culture world is celebrating the 50th anniversary of Star Trek. This has given us loads of cool collectibles, from Canadian currency shaped like Starfleet insignias to Captain Kirk Barbie dolls.

Add this wonderful poster to the heap of new Trek treasures, which comes to our attention via /Film and AICN. The work was created by artist Dusty Abell, whose resume includes character design on everything from Batman: Under the Red Hood to The Mike Tyson Mysteries.

Abell illustrated 123 items and characters seen in the three seasons of Star Trek: Original Series. Try and spot them all. Thankfully, he provided the answers, which we posted below.

(7) SUICIDE SQUAD. If Ben Affleck’s Batman appears in Suicide Squad (and the actor was spotted on the movie set), then there’s a glimpse of his character in this 30-second TV spot. Don’t blink.

(8) DID YOU SAVE YOURS? At Car and Driver, “12 Vintage Car Toys Now Worth Big Bucks”. This talking K.I.T.T. is worth $900….

From 1982 to 1986, car-loving kids around the country tuned in to the TV show Knight Rider on Friday nights. It featured a computerized, semi-autonomous, crime-fighting and talking Pontiac Trans Am known as K.I.T.T. (Knight Industries Two Thousand). The premise sounds ridiculous today, but that all-new Trans Am was freshly styled for the 1980s—just like its co-star, The Hoff. The show was a huge hit, and toys flooded the market. One of the coolest was the Voice Car by Kenner. Push down on the cool vintage blue California license plate, and the Voice Car would say six different phrases. It came with a Michael Knight action figure, too.

(9) SALDANA’S SF CAREER. At Yahoo! TV, “Zoe Saldana Says Without Sci-Fi Movies, Filmmakers Would Cast Her as the ‘Girlfriend or Sexy Woman of Color’”.

“If I wasn’t doing these sci-fi movies, I would be at the mercy of filmmakers that would just look my way if they need a girlfriend or sexy woman of color in their movie,” the 37-year-old actress tells the publication. “Space is different…but we can still do better. We can still give women more weight to carry in their roles.”

(10) IX PREVIEW WEEKEND. The rest of you may not even know there’s a Wilmington, Delaware, but my mother grew up there and that makes me twice as glad to find some genre news coming out of the place, about a major exhibit: “Delaware Art Museum hosts famous fantasy, science fiction artists”. 

Imaginative Realism combines classical painting techniques with narrative subjects, focusing on the unreal, the unseen, and the impossible. The Delaware Art Museum is partnering with IX Arts organizers to host the first IX Preview Weekend September 23 – 25, 2016 at the Museum, celebrating Imaginative Realism and to kick off IX9–the annual groundbreaking art show, symposium, and celebration dedicated solely to the genre. Imaginative Realism is the cutting edge of contemporary painting and illustration and often includes themes related to science fiction and fantasy movies, games, and books. A pop-up exhibition and the weekend of events will feature over 16 contemporary artists internationally recognized for their contributions to Star Wars, The Lord of the Rings, Avatar, Marvel, DC Comics, Blizzard Entertainment, and Wizards of the Coast, among others.

The weekend will also include after-hours events, performances, exclusive workshops with artists, talks, film screenings, artist signings, live demos, and games. The artists represented include Greg Hildebrandt, illustrator of the original Star Wars poster; Boris Vallejo, who is famous for his illustrations of Tarzan and Conan the Barbarian; Charles Vess, whose award-winning work graced the covers of Marvel and DC Comics; and Donato Giancola, known for his paintings for Lucasfilm, DC Comics, Playboy Magazine, and the Syfy Channel.

Other featured artists include Julie Bell, Bob Eggleton, Rebecca Leveille-Guay, Ruth Sanderson, Jordu Schell, Matthew Stewart, William O’Connor, David Palumbo, Dorian Vallejo, Michael Whelan, and Mark Zug. Each artist will present original work in the pop-up show, covering the gamut from illustration through personal/gallery work in a wide range of mediums. All artists represented will be present at the Museum over the course of the weekend.

Ticket and registration information will be available this summer. Visit delart.org for details and updates.

(11) TODAY IN HISTORY

  • June 11, 1982 E.T. The Extra-Terrestrial released

(12) SAY IT AIN’T SO. “Roddenberry’s Star Trek was ‘above all, a critique of Robert Heinlein” says Man Saadia at BoingBoing.

According to Roddenberry himself, no author has had more influence on The Original Series than Robert Heinlein, and more specifically his juvenile novel Space Cadet. The book, published in 1948, is considered a classic. It is a bildungsroman, retelling the education of young Matt Dodson from Iowa, who joins the Space Patrol and becomes a man. There is a reason why Star Trek’s Captain Kirk is from Iowa. The Space Patrol is a prototype of Starfleet: it is a multiracial, multinational institution, entrusted with keeping the peace in the solar system.

Where it gets a little weird is that Heinlein’s Space Patrol controls nuclear warheads in orbit around Earth, and its mission is to nuke any country that has been tempted to go to war with its neighbors. This supranational body in charge of deterrence, enforcing peace and democracy on the home planet by the threat of annihilation, was an extrapolation of what could potentially be achieved if you combined the UN charter with mutually assured destruction. And all this in a book aimed at kids.

Such was the optimism Heinlein could muster at the time, and compared to his later works, Space Cadet is relatively happy and idealistic, if a bit sociopathic.

(13) ECOLOGICAL NICHERY. John Scalzi observes “How Blogs Work Today” at Whatever.

I don’t think blogs are dead per se — WordPress, which I will note hosts my blog, seems to be doing just fine in terms of new sites being created and people joining its network. But I think the role of the blog is different than it was even just a couple of years ago. It’s not the sole outpost of an online life, although it can be an anchor, holding it in place. What a blog is today is part of an overall presence, with a specific role that complements other online outposts (which in turn complement the blog). I do it myself — longer pieces here, which I will point to from other places. Shortform smartassery on Twitter. Personal Facebook account to keep up with friends; public Facebook and Google Plus pages to keep fans up on news — news which is often announced here and linked to from there.

(14) MY OBSERVATION ABOUT HOW BLOGS WORK TODAY. Same as he said. Just look at how I’m getting my traffic. 🙂

(15) HISTORIC SNARK. News, but not from this timeline.

(16) DIGITAL COMICS. David Brin presents “A look at some of the best Science Fiction Webcomics”, an engaging précis of 20 current or favorites from recent years, with sample graphics. (Ursula Vernon’s Digger is on the list.)

This time let’s follow-up with a selection of yet-more truly creative online comics, some serious space dramas, others satires or comedies. Many offer humorous insights as they delve into science, space, the future… and human nature. You’ll find star-spanning voyages, vividly portrayed aliens, frequent use of faster-than-light travel (FTL), but …. no superheroes here! …

Outsider, by Jim Francis, is a full-color, beautifully illustrated “starship combat space opera.” Set in the 2100s, humanity has ventured out to the stars, only to encounter alien refugees fleeing war between the galactic superpowers Loroi and Umiak. With little information at hand to base their decision upon, humanity must decide: which side should earth ally with? When the starship Bellarmine finds itself caught in enemy crossfire, a hull breach sends Ensign Alexander Jardin drifting in space — where he is picked up by a Loroi ship. As the outsider aboard the alien ship, he slowly begins to understand this telepathic, formidable, all-female crew — and gain insight into earth’s place in the cosmos. Then he finds himself in a unique position to save humanity….

Quantum Vibe, by Scott Bieser. This sequential science fiction webcomic offers some real substance. The story begins five hundred plus years into the Space Age on the orbiting city, L-5. After a doomed relationship falls apart, our fierce heroine, Nicole Oresme, becomes technical assistant and pilot to Dr. Seamus O’Murchadha, inventor of electro-gravity, who needs help with his plan to delve into “quantum vibremonics.” Their adventures through the solar system include escaping assassins, diving into the sun’s corona, visits to Luna, Venus (terraforming underway), Mars, Europa and Titan. Earth is ruled by large corporations and genetically divided into rigid social castes – and even branched into genetic subspecies, multi-armed Spyders and Belt-apes. Libertarian references abound. A bit of a libertarian drumbeat but not inapropos for the setting and future.  I’m impressed with the spec-science in the series, as well as tongue-in-cheek references to SF stories, including… Sundiver and Heinlein.

Freefall, by Mark Stanley, a science fictional comedy which incorporates a fair amount of hard science; it has been running since 1998. The serialized strips follow the comic antics of the crew of the salvaged and somewhat-repaired starship Savage Chicken, with its not-too-responsible squid-like alien captain Sam Starfall, a not-too-intelligent robot named Helix, along with a genetically uplifted wolf for an engineer — Florence Ambrose. Their adventures begin on a planet aswarm with terraforming robots and incoming comets. The light-hearted comic touches on deeper issues of ethics and morals, sapience and philosophy, orbital mechanics and artificial intelligence.

(17) HEALTH WARNING. Twitter user threatens Tingle tantrum. Film at 11.

(18) CAN PRO ART HUGO BE IMPROVED? George R.R. Martin and Kevin Standlee have been debating the merits of Martin’s preference to have a Best Cover instead of Best Pro Artist Hugo. Standlee notes the failure of the Best Original Artwork Hugo in the early 1990s, while Martin ripostes —

It didn’t work because we did it wrong.

The new category should have replaced “Best Professional Artist” instead of simply being added as an additional Hugo. Keeping the old category just encouraged the voters to keep on nominating as they had before, while ignoring the new category.

Also, it should have been “Best Cover” instead of “Best Original Artwork.” I understand the desire to be inclusive and allow people to nominate interior illustrations, gallery art, and whatever, but the truth is, covers have always been what the artist Hugo is all about. Let’s stop pretending it’s not. Freas, Emshwiller, Whelan, Eggleton, Donato, Picacio and all the rest won their rockets on the strength of their cover work. No artist who does not do covers has ever won a Hugo.

Making it “Best Cover” makes it about the art, not the artist. Writers have a big advantage over artists in that their names are emblazoned on the covers of their books. With artists, we can see a spectacular piece of work without knowing who did it… like, for instance, the incredible cover for Vic Milan’s novel, mentioned above. People nominate the same artists year after year because those are the only artists whose names they know. It’s very hard for someone new to break through and get their name known.

It would be easier if the voters could just nominate say, “the cover of DINOSAUR LORDS,” without having to know the artist’s name.

(19) IMITATION IS THE SINCEREST FORM OF BEING RIPPED OFF. We take you back to Turkey and those thrilling days of yesteryear when Ömer the Tourist in Star Trek debuted. The 1973 cult comedy science-fiction starred film Sadri Alisik as a Turkish hobo who is beamed aboard the Starship Enterprise.

The film, which is the eighth and final in a series of films featuring Alisik as Ömer the Tourist, is commonly known as Turkish Star Trek because of plot and stylistic elements parodied from Star Trek: The Original Series episode The Man Trap (1966) as well as the unauthorized use of footage from the series. Although unofficial and part of another franchise, it is the first movie taking place in Star Trek universe, filmed 6 years before the official motion picture.

This movie gained fame in Turkey for the phrase “Mr. Spock has donkey’s ears,” which Ömer repeatedly says to Mr.Spock in the movie.

The film is available on YouTube – here is the first segment.

(20) THE REAL REASON THEY’RE RESHOOTING ROGUE ONE. I strongly suspect Omer the Wanderer’s screenwriter has moved on to late night TV and is working for Stephen Colbert… “The Trailer for ‘Rogue One: A Star Wars Story’ Reveals a New Character”.

[Thanks to John King Tarpinian, Cat Eldridge, Will R., and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Pixel Scroll 4/5/16 If You Pixel Us, Do We Not Recommend? If You Scroll Us, Do We Not Read?

(1) NO MCKELLEN AUTOBIO AFTER ALL. In The Hollywood Reporter, “Ian McKellen Explains Why he Returned $1.4M Memoir Advance”.

“It was a bit painful — I didn’t want to go back into my life and imagine things that I hadn’t understood so far.”

The world isn’t going to get to read Sir Ian McKellen’s autobiography.

Last year it emerged that the celebrated and Oscar-nominated thespian would be penning his own memoir in a deal with publishers Hodder & Stoughton reported to be worth £1 million ($1.4 million). But earlier this month the 76-year-old stage and screen icon revealed that he’d pulled the plug on the contract.

(2) OVERFLOWING WITH VERSE. Poems that Make Grown Women Cry edited by Anthony and Ben Holden gets a plug at Book View Café . One of the contributors, Ursula K. Le Guin, explains her choice of a poem in the collection:

I chose Robinson Jeffers’ “Hurt Hawks” because it always makes me cry. I’ve never yet got through the last lines without choking up. Jeffers is an uneven poet, and this is an uneven pair of poems, intemperate and unreasonable. Jeffers casts off humanity too easily. But he was himself a kind of maimed, hurt hawk, and his identification with the birds is true compassion. He builds pain unendurably so that we can know release.

(3) KUZNIA MOVES UP. ”Job Moves” at Publishers Weekly reports “Yanni Kuznia, previously director of production, is being promoted to managing editor and COO at Subterranean Press.” SF Signal did an interview with Kuznia last year when she was still Director of Production.

AJ:  Subterranean Press has a pretty small staff, so everyone wears multiple hats. Can you tell us a little about what you do at Subterranean? What is a typical work week like for you?

YK: As Director of Production, it’s my job to keep titles moving through the production machine. I need to make sure every book is proofed, art is commissioned, signature sheets are designed and signed, ARCs are ordered and sent out, authors receive and return page proofs, and that everything is reviewed one last time before we go to press. Of course, I have help doing all of this. I have two wonderful people, Geralyn Lance and Kyle Brandon, who work under me in Production, overseeing the day-to-day of several titles each. We talk continuously throughout the process to make sure every milestone is hit on time.

(4) FAITH. Deborah J. Ross at Book View Café finds three ways out for writers forced to deal with their “Original Vision vs. Compromising With the Market”. Number two is – go indie.

If you believe in your work, how can you be sure but this is not infatuation with your own words but that your work truly is of high quality? Every writer I know goes through spasms of self-doubt. Writing requires a bizarre combination of megalomania and crushing self-doubt. We need the confidence to follow our flights of fancy, and at the same time, we need to regard our creations with a critical eye. Trusted readers, including workshops like Clarion and Clarion West, critique groups, fearless peers, and freelance editors can give us invaluable feedback on whether our work really is as good as we think it might be. Of course, they can be wrong. It may be that what we are trying to do falls so far outside conventional parameters that only we can judge its value. It may also be that we see on the page not what is actually there but what we imagined and hoped.

Assuming that we are writing from our hearts and that the product of our creative labors is indeed extraordinary, what are we to do when faced with closed doors and regretful rejection letters? As discouraging as this situation seems, we do have choices. We writers are no longer solely dependent upon traditional publishers. We live in an era where writers can become publishers, and can produce excellent quality books, both in digital form and Print On Demand.

However, not all of us are cut out to format, publish, and market our work. All of these activities require time in which to acquire skills and time to actually perform them. That’s time we have lost for writing. While becoming your own publisher is a valid choice, it is not right for everyone. Some of us would much rather write in the next book.

(5) YURI’S NIGHT WORLD SPACE PARTY IN SAN DIEGO. Down in San Diego on April 9, Yuri’s Night celebrations will include a movie will include an sf movie showing. They’ll show Contact free at 7:00 p.m. in Studio 106 (San Diego Reader Building, 2323 Broadway, 92102).

Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway, who passed away when she was nine years old leaving her then orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (NSF) was pulled on her work, which is referred to some, including her NSF superior David Drumlin, as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders and other scientists such as Drumlin, try to take over her work.

Although it is free, please RSVP as seating is limited.

(6) GUESS WHO? The website for Innominate (“The Con with no name!”) is up.

Innominate is the 2017 Eastercon, the British National Science Fiction Convention. Eastercon’s have been held over the Easter weekend every year since 1955 and is a regular gathering place for science fiction fans from around the UK and elsewhere to celebrate the genre in all of its formats.

Eastercons stand in a long tradition which we intend to celebrate, while aiming to bring in new elements too. The convention will cover books, film, television, art and costume and the programme will include talks, discussions, exhibits, workshops and other entertainment.

(7) FIREFLY LESSONS. Tom Knighton points out what businesses can learn from his favorite TV series in “Loyalty, Firefly, and Captain Mal”.

From a management perspective, Mal may be an ideal leader to emulate.  Oh sure, there are others out there.  Real life examples exist.  I’ve been blessed to work with someone like that myself, but not everyone is exposed to that.  However, anyone can pop in a DVD and watch Mal and learn.

So why is Mal so ideal?

First, he is a hands-on leader.  In the pilot episode, Mal and Jayne are moving crates of their ill-gotten gains, stashing them where prying eyes won’t see.  He doesn’t relegate the task to anyone else, but instead works just as hard as his crew does.  When they don’t eat, he doesn’t eat.  When they work, he works.

This firmly establishes his belief that he’s not better than anyone, despite being captain.  Yes, he issues orders, but because he’s shown that he’ll do anything he asks others to do, his orders are followed.

Second, his top-down loyalty.  Mal doesn’t have to like a member of his crew to be loyal.  He doesn’t care for Simon, not in the least.  It’s obvious to everyone, especially Simon. However, he refused to leave a member of his crew behind, regardless of his personal feelings about the man.

(8) OTTO BINDER BIO. Bill Schelly’s Otto Binder, The Life and Work of a Comic Book and Science Fiction Visionary is coming back into print June 7 from North Atlantic Books (paperback, 320 pages, $19.95.) It has 28 new images, of which 14 are new photographs.

Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary chronicles the career of Otto Binder, from pulp magazine author to writer of Supergirl, Captain Marvel, and Superman comics. As the originator of the first sentient robot in literature (“I, Robot,” published in Amazing Stories in 1939 and predating Isaac Asimov’s collection of the same name), Binder’s effect on science fiction was profound. Within the world of comic books, he created or co-created much of the Superman universe, including Smallville; Krypto, Superboy’s dog; Supergirl; and the villain Braniac. Binder is also credited with writing many of the first “Bizarro” storylines for DC Comics, as well as for being the main writer for the Captain Marvel comics. In later years, Binder expanded from comic books into pure science writing, publishing dozens of books and articles on the subject of satellites and space travel as well as UFOs and extraterrestrial life. Comic book historian Bill Schelly tells the tale of Otto Binder through comic panels, personal letters, and interviews with Binder’s own family and friends. Schelly weaves together Binder’s professional successes and personal tragedies, including the death of Binder’s only daughter and his wife’s struggle with mental illness. A touching and human story, Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary is a biography that is both meticulously researched and beautifully told, keeping alive Binder’s spirit of scientific curiosity and whimsy.

(9) PENNED BY C. S. LEWIS. There are a couple dozen entries on Brenton Dickieson’s list of “Photographic Plates of C.S. Lewis’ Manuscripts and Letters”, and several illustrate the post.

A reader suggested I add to my collection of previously unpublished C.S. Lewis manuscripts (“The Lost-But-Found Works of C.S. Lewis“) by providing a list of manuscripts that show up in photographic plates in books and journals. I know that most of these are published by now, but this list is valuable for people who want to get to know C.S. Lewis’ handwriting.

(10) RACHEL SWIRSKY INTERVIEWS FRAN WILDE. Rachel Swirsky conducts a “Silly Interview with Fran Wilde, expert on man-made wings”.

3. Have you ever done skydiving or hang gliding or anything similar?

I haven’t! I’m a sailor. I have relatives who hang-glide, and I spent a lot of my childhood watching storms roll in on the cliffs of the Chesapeake Bay (it gets really windy), but in order to do the research for UPDRAFT, I wanted to feel the physics of being in a wind tunnel, and I wanted to make sure I was writing a flying book, not a sailing book turned sideways. So I went indoor skydiving, which was a hoot. And very spinny.

The wings in the book aren’t hang-gliding wings, they’re more like a cross between furlable wings and wing-suit wings, so I also watched a lot of wingsuit fliers on long-flights and also doing particularly dangerous things like flying through canyons. I researched about 2,000 years of man-made wings in history, and talked a lot with engineers who understand the physics of foils – aka: wings.

(11) YA REVIEWS YA. My favorite YA reader, Sierra Glyer, added a review of Throne of Glass by Sarah J. Maas to her blog.

…It is about a 18 year old assassin named Celaena Sardothien. She is the most feared assassin on the continent but one day she gets caught. After she gets caught she is sent to a slave camp and this is where the book starts….

(12) WEIST ESTATE AUCTION. The catalog for this year’s Jerry Weist estate auction (to be held at the Windy City Pulp and Paper Convention April 22-24, 2016) is now available. Over 4,000 pulps, dime novels, men’s adventure magazines and other magazines. Here’s a link to the catalog  (19 pages).

(13) TODAY’S BIRTHDAY GIRL

  • Born April 5, 1908 – Bette Davis

Bette David fountain

(14) TODAY’S BIRTHDAY BOYS

  • Born April 5, 1916 — Gregory Peck. Among his many roles: Ahab in John Huston’s Moby Dick, scripted by Ray Bradbury.

Gregory Peck Moby Dick

  • Born April 5, 1933 — Frank Gorshin, who played The Riddler on Batman and the bigoted half-whiteface, half-blackface alien Bele on an episode of Star Trek.

(15) THREE-BODY. Ethan Mills tackles the “Wobbly Relations of Past, Present, and Future: The Three-Body problem by Liu Cixin (Translated by Ken Liu) at Examined Worlds.

The Philosophy Report: Is Nature Uniform?  What to Expect from ETs?

Philosophy is mentioned several times, including the Chinese philosopher, Mozi, and the German philosopher, Leibniz, who are both characters in the game.  Aside from such small connections, two major issues are the uniformity of nature and the reaction to extraterrestrial intelligence.

In philosophy of science (and regular life for that matter) we all rely on what some philosophers have called the principle of the uniformity of nature.  This is usually discussed in (constant) conjunction with David Hume’s problem of induction.  Could we live as successfully in the world as we do, could we do science, if the laws of nature were not in some sense uniform across time and space?  If the laws of nature varied over time or between countries or planets, could we really get around?  Could we do science?  Or — closer to Hume’s point — whether this principle is really true or not, should we believe it?  Could we stop believing it even if it turned out to be unjustified?

But what if we had lived on a planet where as far as we could tell the laws of nature do sometimes change, where things are never the same over time, could we have evolved as we did and could we have developed science?  Those are some of the intriguing questions raised in The Three-Body Problem.

(16) HEARING MCCARTHY. TC McCarthy is not alone in his opinion:

(17) GETTING THE CAMEL’S NOSE UNDER THE TENT. A list of “11 sci-fi and fantasy books for people who don’t like sci-fi and fantasy” at Minnesota Public Radio News.

Sci-fi picks for people who don’t like sci-fi

So, you think you don’t like sci-fi. What turned you off?

Long descriptions of space ships and their alternative fuels? Too many alien names to keep straight? Just not into “nerd” stuff? Send your stereotypes packing to Planet Zurlong for a minute, and try one of these books that may offer you a new perspective on the genre.

For the record, most of these fall into the category of “soft” science fiction. “Hard” science fiction revels in technical details, whereas soft is not as focused on the specificity of its futuristic elements. Consider this a “soft landing” on your genre dive.

(But yes, sometimes descriptions of space ships can be fascinating.)

1) “The Wool Omnibus” by Hugh Howey

When Howey’s work first caught critics’ eyes in 2012, it was dubbed the “sci-fi version of ‘Fifty Shades of Grey.'” That comparison is purely about how the book was published, not about the quantity of whips or handcuffs in it. Like “Shades,” it took off as a self-published Internet phenomenon.

Howey posted the first 60 pages of “The Wool Omnibus” online as a standalone short story in 2011, but within a year, that turned into a 500-plus page project that topped bestseller lists. The books take place in the Silo, a post-apocalyptic city built more than a hundred stories underground.

(18) DANIEL RADCLIFFE RETURNS. Swiss Army Man will be in theaters June 17.

There are 7 billion people on the planet. You might be lucky enough to bump into the one person you want to spend the rest of your life with. CAST: Daniel Radcliffe, Paul Dano and Mary Elizabeth Winstead

 

(19) BFG OFFICIAL UK TRAILER 2.

From Director Steven Spielberg, “The BFG” is the exciting tale of a young London girl and the mysterious Giant who introduces her to the wonders and perils of Giant Country. Based on the beloved novel by Roald Dahl, “The BFG” (Big Friendly Giant) was published in 1982 and has been enchanting readers of all ages ever since.

 

[Thanks to John King Tarpinian, Andrew Porter, Will R., and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor ULTRAGOTHA.]

Pixel Scroll 3/15/16 At The Age of 37, She Realized She’d Never Scroll Through Paris With The Warm Pixels In Her Hair

(1) THE MAN WHO WOULD BE WHO. An actor who’s already accumulated a lot of experience traveling in time one day in front of the next has his eye on the prize. Metro News says “Brian Blessed wants to be the next Doctor Who after Peter Capaldi”

The actor, who is fast approaching the ripe old age of 80, has been speaking to Calibre magazine about his desire to be the next Time Lord after Peter Capaldi; he said:

‘I would love to play the Doctor, absolutely!’

Doctor Who fans may remember Blessed as King Ycarnos in 1986’s The Trial Of A Time Lord, where his character went on to marry the Sixth Doctor’s companion, Peri.

If Blessed were to become the next Doctor, he would be the oldest actor to do so, with some twenty years on current TARDIS pilot Capaldi.

(2) BEANS IN SPACE. Whereas the poster for the Australian competition referenced Mad Max: Fury Road, the “2016 Hungarian Aeropress Championship” post goes with a Star Wars icon.

Hungarian aeropress championship COMP

Fast circulating rumours, perhaps with the assistance of a HyperDrive, are suggesting the coffee has been sourced by coffee’s home planet of Alderaan. Unfortunately these rumours have been denied by Ewoks on the forrest moon of Endor who have hand-picked all the rainforest alliance coffee. The variety of the coffee is mostly heirloom, sometimes also know as Degu(bah) and is famous for having very high midi-chorian levels, but low caffeine.  The coffee was fermented and de-pulped in the now re-purposed garbage disposal units on the detention level of the Death Star. That’s enough lame Star Wars references for now i think…

(3) HPL ON THE AUCTION BLOCK. FineBooks & Collections reports “Found: Lovecraft-Houdini Manuscript”.

Whispered about by hopeful collectors and scholars for decades, the manuscript of H.P. Lovecraft’s The Cancer of Superstition, commisssioned and co-written by magician Harry Houdini, has finally come to light. It was rather incredibly “discovered by a private collector among the records of a now-defunct magic shop,” according to Chicago’s Potter & Potter Auctions, which will auction the 31-page typewritten story on April 9.

A brief description of the manuscript is provided in the Potter & Potter auction catalog available for download here [PDF file]. The bidding will open at lucky $13,000….

(4) OCTAVIA BUTLER. From Southern California Public Radio, “The life and legacy of Octavia Butler – and 5 stories you should read”.

It’s been a decade since science fiction writer Octavia Butler passed away.

The California native fell in love with storytelling as a kid at the Pasadena Library, and later grew up to be the only sci-fi writer to receive a MacArthur Genius Fellowship. She was also the first African American woman in the genre to achieve international fame.

According to her friend and fellow writer Steven Barnes, Butler anticipated the challenges of presenting black characters in her stories.

“In her early novels, they would put green people or aliens on the covers of her books,” Barnes said.

“Or blond, white women,” added Tananarive Due, also a friend of Butler’s.

As a teacher and another African American female author, Due knows firsthand how influential Butler’s work is.

“I wish I had discovered Octavia’s work when I was a learning writer,” Due said. “When I wrote my first novel, I had no idea whether or not there would be an audience for speculative fiction — speculative fiction being science fiction, fantasy or horror novel — with black characters, you know, not necessarily intended for black readers.”

(5) JONESING. Everyone who’s still alive in 2019 can see if the iconic star of the Indiana Jones movies can claim the same. The Walt Disney Company announces, “Spielberg and Ford Reunite as Indiana Jones Returns to Theaters July 19, 2019”.

Indiana Jones will return to the big screen on July 19, 2019, for a fifth epic adventure in the blockbuster series. Steven Spielberg, who directed all four previous films, will helm the as-yet-untitled project with star Harrison Ford reprising his iconic role. Franchise veterans Kathleen Kennedy and Frank Marshall will produce.

“Indiana Jones is one of the greatest heroes in cinematic history, and we can’t wait to bring him back to the screen in 2019,” said Alan Horn, Chairman, The Walt Disney Studios. “It’s rare to have such a perfect combination of director, producers, actor and role, and we couldn’t be more excited to embark on this adventure with Harrison and Steven.”

(6) GAVEL RAPPER. Kevin Standlee says a Business Meeting chair has “No Magic Bullets”. Nor any other kind, to be sure.

A couple of days ago, I got into a conversation on billroper‘s LJ about the “Heckler’s Veto” and that led to me thinking about something that had worried me about running the WSFS Business Meeting. After all, the entire meeting process, and parliamentary procedure itself, assumes that the people gathering actually are willing to play by the rules. If a significant number of the people showing up won’t play by the rules, the meeting will dissolve. It would be like a bunch of football players deciding during a match that they don’t like the rule book and that they can ignore the officials and do anything they want. There’s not a lot the officials can do in that case, other than leave.

I did give a lot of thought to this approaching the 2015 WSFS Business Meeting, what with doomsday scenarios of thousands of people overrunning the meeting and refusing to obey any rules and shouting down anything they didn’t like and generally causing chaos. I concluded that a meeting whose members refuse to follow their own rules is not a meeting, but a mob, and I’m not chairing a mob. Had such a thing happened, I would have ordered the meeting adjourned “at the call of the chair” and turned to the convention for help. The convention would then in turn have had to ask the convention security to clear the area, and potentially even call the police if non-members (including any people who had their memberships revoked) refused to leave on their own accord.

(7) TO HAL WITH IT. 2001 A Space Odyssey: A Look Behind the Future is a 1960s promotional film. The 10-minute color documentary includes production of props, revolving spaceship set, etc.

(8) CURRENT EVENTS. A much more recent sf film will also be the subject of a documentary: Secrets of The Force Awakens: A Cinematic Journey.  It will be a bonus on the movie’s Blu-Ray disc, to be released April 5.

(9) GROWING UP AI. At The Way Finder, Hugh C. Howey says he has observed “The Birth of Artificial Intelligence”.

…This was not the week, however, that AI was born. This was the week that I realized that AI was born quite some time ago…..

It’s in the early years of human development where I think we can see the current state of AI being somewhere post-birth and yet pre-awareness. But the development of strong AI will have incredible advantages over the human acquisition of general intelligence. This arise from the modular nature of intelligence.

Our brains are not one big thinking engine; they are collections of hundreds of individual engines, each of which develop at different rates. What’s amazing about AI is that the learning does not need to be done twice for every module. When we build a chess-playing module, and a Go-playing module, and a Jeopardy-playing module, all of these can be “plugged in” to our general AI. Our baby girl is growing every day, and thousands of people are pouring billions of dollars of research into her education. We, the general public, are contributing with petabytes of data. It is already happening, and we won’t even recognize when our first daughter graduates into strong AI. Every day will be — as parents know — one small miracle added to the last, a succession of amazing little first steps that result in them going off to college and being their own person.

Each headline you read is us — as collective parents — gasping to our spouse at what our baby girl just did for the first time.

Google has already taught our daughter to drive a car. Amazon is doing amazing things with their Alexa device, creating the beginnings of the virtual assistant seen in Her. IBM is building the best medical mind the field has ever known. In the last five years, AI has taken strides that even the optimistic find startling. The next five years will see similar advances. And this progress will only accelerate, because we’re operating in the realm of Moore’s Law. We are building the tools that help us build faster tools, which help us build faster tools.

(10) IRENE LARSEN OBIT. Magic Castle co-founder Irene Larsen died February 25 reports Variety.

Irene Larsen, co-founder of the Academy of Magical Arts and the private clubhouse the Magic Castle, died unexpectedly on Thursday morning at her Los Angeles home. She was 79.

After she assisted her late husband William “Bill” Larsen Jr. in his various magic acts for years, the two launched the Magic Castle together in 1963. Larsen’s dedication to the role of ambassador of magic helped elevate the AMA to an internationally renowned and respected organization within the art’s community.

(11) WRITING WHILE WAITING FOR THE EMERGENCY. Amanda S. Green’s “Putting things into perspective” at Mad Genius Club demonstrates how a professional writer honors her real-life priorities — a friend’s health and her writing commitments .

…One of my oldest and dearest friends is facing a challenge the vast majority of us will only ever read about. She is going to need me with her as she faces this challenge. Even if she hadn’t asked, I would be there for her. Why? Because she has always been there for me and mine.

That’s what friends and family do. You rally around those you care about.

But, when you do, work is impacted.

I know that the next few weeks and months will see us waiting for the shoe to drop. In some ways, it will be like those last weeks of pregnancy. A bag will be packed, the gas tank filled and we will all be waiting for the phone to ring to tell us it is time to leave. No, not a bug-out, at least not in a Ringo-esque sort of way. This is the call to get to the hospital within a certain amount of time. The clock is ticking and it is very loud….

It has also meant changing what I have with me at any time. I’ve always had my phone and a small notepad squirreled away in my purse in case I needed to make a note about something. Smart phones are great for being able to use for dictation and look up things, etc. Now, however, the small purse — my preference — has been traded for a larger one. The smartphone and pad have been joined by my Surface Pro 3, stylus and charger. Why? Because the SP3 gives me everything my laptop does but at a fraction of the weight. The screen, while small, is still larger than my Android tablet and the keyboard is much better than the virtual keyboard on the Android. Add in the thumb drive with all my working files and I have my office on the go….

The result has been that I can and have been getting the job done despite the worry that is constantly there right now. I am working hard to not only meet the schedule I set for myself at the beginning of the year but to get ahead. I want that cushion for the day when we get the call telling us it is time to meet my friends at the hospital. I want to be able to be there for them and not worry about falling behind on “work”. I need to know that I am keeping with my schedule so the money can and will keep coming in. I need to know that, no matter what the time of day or day of the week, I am able to continue working without worry about where I happen to be….

(12) COMIC-CON HQ TO LAUNCH. San Diego’s Comic-Con International will brand a video-on-demand service.

The Hollywood Reporter: “Lionsgate, Comic-Con Set Launch Date for Streaming Service”

Lionsgate and Comic-Con International will launch Comic-Con HQ, their newly-named fanboy streamer, on May 7, ahead of an official launch in June. The subscription video-on-demand service will have a soft launch in May, with an official bow to follow in June in the lead up to Comic-Con International: San Diego in July.

Deadline: “Lionsgate & Comic-Con’s SVOD Channel Comic-Con HQ Sets Launch Date”

The ad-free streaming service will feature “an evolving slate of programming including original scripted and unscripted series, recurring daily and weekly entertainment commentary, plus unique access to a growing library of live and archival programming from their world-class events, a highly-curated selection of film and TV genre titles, and behind-the-scenes access and bonus features from genre titles that defy and define pop culture,” per the announcement.

Variety: “Lionsgate to Launch Comic-Con Channel in May”

Monday’s announcement disclosed that gaming personality Adam Sessler, former host of G4’s X-Play, will executive produce programs on comics, science and gaming, along with hosting his own interview series. Other formats being developed include a general pop culture news show, a late-night talk show, a weekly movie talk in partnership with Complex’s Collider and an all-female panel on pop culture from women’s perspectives.

(13) ONCE AROUND THE BLOCK. Mr. Sci-Fi has something to say about the Paramount/CBS suit against the maker of Axanar.

Sci-Fi Writer-Producer Marc Zicree discusses Paramount’s lawsuit against Star Trek Axanar and puts it in context with the long history of science fiction fan fiction and fan films — and suggests several possible win-win strategies for a successful outcome.

 

[Thanks to Will R., Steven Johnson, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 2/22/16 Through Pathless Realms Of Space, Scroll On

(1) NUKED THE FRIDGE. Yahoo! News says there may be a good reason why Indy survived the atomic blast, in “Fan Theory Explains That Much-Maligned Indiana Jones Scene”.

Much like ‘jumping the shark’ from ‘Happy Days’, the Indiana Jones movie series has a similar phrase to encompass the moment it all went a little bit too far.

And it’s ‘nuked the fridge’.

Many ardent fans of Harrison Ford’s swashbuckling archeologist very much drew the line at the moment in ‘Indiana Jones and the Kingdom of the Crystal Skull’ where Indy jumps into a conveniently situated fridge to protect himself from a nuclear blast.

Walking away unscathed, it did seem a trifle unfeasible….

(2) POWERLESS LEAD ACTRESS. The name of the show, Powerless, makes punning inevitable. “Vanessa Hudgens Is Far From ‘Powerless’ – ‘Grease’ Star Will Headline NBC’s New DC Comics Sitcom” reports ScienceFiction.com.

Vanessa Hudgens is on a roll after starring in FOX’s smash hit version of ‘Grease Live!’  She’s just landed the lead role in NBC’s upcoming DC Comics-inspired sitcom ‘Powerless’.  Hudgens will play Emily Locke, an insurance claims adjuster, working for “the worst insurance company in the DC Universe” which covers victims caught in the crossfire of super hero/villain battles.  This workplace comedy has been compared to ‘The Office’ but set within the DC Universe.

(3) DECLAN FINN’S FELINE FAN. At Camestros Felapton’s blog, a hilarious faux interview “Timothy the Talking Cat Reads Honor at Stake”.

[Camestros] Noted. So what book do you have today?
[Timothy] Well, today I have with me Honor at Stake by Declan Finn. A tale of love and vampires in modern New York.

[Camestros] And why this book in particular?
[Timothy] Well I was reading twitter and there was this tweet with a graph that showed it was really doing well in the Sad Puppy 4 lists.
[Camestros] The graph from my blog?
[Timothy] Your blog? I don’t think so, this was some sort of SadPuppy4 twitter account.
[Camestros] They tweeted my graph. Do you not even read this blog?
[Timothy] Good grief, no. I mean your very name offends me.…

[Camestros] So the sexy love interest vampire – she is conflicted about this? A bit of a Romeo & Vamp-Juliet thing going on?
[Timothy] No, no. She is a good vampire and a good Catholic girl. She goes to mass and everything.
[Camestros] So crucifix don’t work on vampires then?
[Timothy] No, you see the book has this all worked out. Vampires can be good or bad and the more good you are the nicer you look and the less things like holy water and sunlight affect you. The more bad you are the more hideous you become and the more holy water hurts,
[Camestros] OK so the bad vampires are like regular vampires.
[Timothy] Yup – a bit like the ones in Buffy.
[Camestros] Let me guess – the author explains this by comparing them to the vampires in Buffy?
[Timothy] Exactly! Quality writing – explains things up front so you know what is going on.

(4) MEMORIAL CUISINE. Frequent File 770 contributor James H. Burns has found yet another way to time travel… See “Recipe For the Dead” at Brooklyn Discovery.

Perhaps this is unusual. I have no way of knowing. But when I’m missing a loved one who has passed, or wishing to commemorate someone who is no longer with us… Sometimes, I’ll cook a meal that they loved. Not that I necessarily ever cooked for the departed. But sharing a repast that they favored, having those aromas in the air as the food is cooking, seems a very real way of honoring a memory.

(5) OSHIRO STORY FOLLOWUP. Here are some items of interest related to the Mark Oshiro story.

  • K. Tempest Bradford on Robin Wayne Bailey

3) I am and remain a big fan of Ms. Rosen. I’ve only read one of her novels, but I fell in love with her personality from the two times I’ve been to ConQuesT. She is lively, articulate on her strong opinions, and she is a strong woman. No, I do not always agree with her. In fact, I often greatly disagree with her and her methods of dealing with situations. It in no way changes my respect for her. She doesn’t need me to agree with her for her to be comfortable in her skin. We can disagree, and it in no way takes away from her person. That’s the biggest reason I like the woman. So, in my opinion, she can pull her pants down whenever she wants. Her white legged exposure at ConQuesT 45 was in no way indecent, and no one was assaulted by anything more than her wit, charm, and strong opinions. And honestly, if that’s not what you’re looking for, then you probably shouldn’t go to a convention filled with writers. If the writers at a convention are going to be overtly nice and congenial, I’m not going to pay a hefty entry fee to go listen to their polite little opinions. I go to conventions because of the lively discussion of various opinions from very opinionate writers. If I leave feeling strongly about something, even if that feeling is offense, then in my opinion, the panelists have done their jobs and done them well.

4) I was not present at ConQuesT 46 and cannot speak to the events that happened there.

(6) THE LEVERAGE CONCEPT. Elizabeth Bear offers help in “We provide…Leverage”.

If I am a guest at a convention you are attending, or simply a fellow attendee, and you feel that you have been harassed, intimidated, or that your boundaries have been trampled or ignored, please feel free to ask me for support, help, intervention, or just an escort to a safer area or backup on the way to talk to convention or hotel security.

If you do not feel that you can stick up for yourself, I will help. I will be a buffer or a bulwark if necessary or requested.

Just walk up to me and ask for Leverage, and I promise that I will take you seriously and I’ll try to make things better.

(This is not an exhaustive list.)

(7) BOSKONE COMPLETE. Steve Davidson finishes his Boskone report at Amazing Stories.

Final thoughts?  There were lots of smiles walking out the door on Sunday.  The David Hartwell memorial was touching, much-needed and well-handled.  From what I was able to see, everything went very smoothly (except for perhaps a few hiccups with pre-registration that I understand are already being addressed).

(8) SLOCOMBE OBIT. Cinematographer Douglas Slocombe has died at the age of 103 reports the BBC.

Slocombe shot 80 films, from classic Ealing comedies such as The Lavender Hill Mob and Kind Hearts and Coronets, to three Indiana Jones adventures.

In 1939 he filmed some of the earliest fighting of World War Two in Poland.

Indiana Jones director Steven Spielberg said Slocombe – who won Baftas for the Great Gatsby, The Servant, and Julia – “loved the action of filmmaking”.

(9) NOW YOU KNOW. Some believe Carrie Fisher revealed the working title of Star Wars: Episode VIII when she tweeted this photo of her dog. It’s on the sweatshirt back of the director’s chair.

(10) TODAY IN HISTORY

  • February 22, 1957 — When Scott Carey begins to shrink because of exposure to a combination of radiation and insecticide, medical science is powerless to help him in The Incredible Shrinking Man, seen for the first time on this day in 1957. Did you know: special effects technicians were able to create giant drops of water by filling up condoms and dropping them.

Incredible Shrinking Man Poster

(11) TODAY’S BIRTHDAY GIRLS

  • Born February 22, 1968 – Jeri Ryan
  • Born February 22, 1975 – Drew Barrymore

(12) CORREIA ISN’T LEAVING TWITTER. Well, what else do you say when somebody announces “I’ll leave the account open to post blog links back to here and book ads, but other than that I’m not going to use it for any sort of conversation,” as Larry Correia did on Monster Hunter Nation today?

Recently they created a Trust and Safety Council, to protect people from being triggered with hurtful dissenting ideas. Of course the council is made up of people like Anita Sarkesian, so you know how it is going to swing.

They’ve been unverifying conservatives, and outright banning conservative journalists. Then there were rumors of “shadow banning” where people would post, but their followers wouldn’t see it in their timelines. So it’s like you’re talking to a room that you think has 9,000 people in it, but when the lights come on you’ve been wasting time talking to an empty room.

For the record, I don’t know if that’s what happened to me or not. Some of my posts have just disappeared from my timeline entirely. Other tweets seem to show up for some followers, but not others, and it wasn’t just replies. Beats me. Either something weird was going on and I’ve violated the unwritten rules of the Ministry of Public Truth, or their technical interface is just getting worse (never attribute to malice what could just be stupidity). Either way it is enough of a pain that it was getting to be not worth the hassle.

Then today they disappeared all of my friend Adam Baldwin’s tweets. Ironically, his only visible post (out of 8,000) was a link to an article about how Twitter is banning conservatives. That was the last straw.

(13) THAT DARNED JOURNALISM THING. Actually, Adam Baldwin deleted himself.

….Baldwin, who has nearly a quarter of a million followers, deleted his entire Twitter history Monday morning, leaving only one tweet asking for the CEO of Twitter to be fired and the abolishment of the platforms new Trust and Safety Council….

“This group-think, Orwellian, so-called Safety Council is really killing the wild west of ideas that Twitter was,” Baldwin laments:

“That’s what made Twitter fun. You could run across all sorts of differing viewpoints. That is what free speech is all about. As long as you’re not threatening people with violence, have at it.”

Baldwin cites the banning of prominent conservative tweeter Robert Stacy McCain as a major reason for leaving …

(14) REASON’S INTERPRETATION. Reason.com’s “Hit & Run” blog asks “Did Twitter’s Orwellian ‘Trust and Safety’ Council Get Robert Stacy McCain Banned?”

Twitter is a private company, of course, and if it wants to outlaw strong language, it can. In fact, it’s well within its rights to have one set of rules for Robert Stacy McCain, and another set of rules for everyone else. It’s allowed to ban McCain for no reason other than its bosses don’t like him. If Twitter wants to take a side in the online culture war, it can. It can confiscate Milo Yiannopoulos’s blue checkmark. This is not about the First Amendment.

But if that’s what Twitter is doing, it’s certainly not being honest about it—and its many, many customers who value the ethos of free speech would certainly object. In constructing its Trust and Safety Council, the social media platform explicitly claimed it was trying to strike a balance between allowing free speech and prohibiting harassment and abuse. But its selections for this committee were entirely one-sided—there’s not a single uncompromising anti-censorship figure or group on the list. It looks like Twitter gave control of its harassment policy to a bunch of ideologues, and now their enemies are being excluded from the platform.

(15) BRIANNA WU DEFENDS TWITTER. Brianna Wu commented on Facebook about Correia’s Twitter statement. (File 770 received permission to quote from it; the post is set to be visible to “friends” only.)

He and other conservative figures like Adam Baldwin are claiming that Twitter is breaking down on “free speech” and capitulating to the “SJWs,” which I guess means people like me. I have spent much of the last year asking Twitter and other tech companies to improve their harassment policies. There is one problem with Mr. Correria’s claim.

There is no evidence whatsoever for it.

None, zilch, zero. It’s a fantasy. A similar lie is going around that Twitter has put Anita Sarkeesian in charge of their Trust and Safety council, which is similarly baseless. I’ve spoken with a lot of tech companies in the last year and I have never heard anyone propose shadowbanning.

The only “proof” that Twitter is shadowbanning people comes from a disreputable conservative blog, that is so disreputable it cannot even be used as sourcing on Wikipedia. That blog used anonymous sourcing, and was written by someone with a personal axe to grind against Twitter.

The truth is, companies like Twitter are finally enforcing their own TOS if you threaten someone, dox someone, or set up an account specifically created to harass someone. That has led to some people being banned, and some accounts that perpetually break Twitter harassment rules to become deverified.

The backlash against Twitter is by people that prefer these system to remain as they are – a place where the women in your life will get rape threats, where anyone can have their private information posted, and where swarms of vicious mobs are destroying people’s reputation with slander.

The last I checked, almost 100 people have spread Mr. Correria’s baseless claim – and even more with Adam Baldwin. This is an important thing to fact check, and I hope you’ll share this to set the record straight.

(16) ELSEWHERE ON THE INTERNET. Bailey Lemon at Medium writes “Why This Radical Leftist is Disillusioned by Leftist Culture”.

…And yet I witness so many “activists” who claim to care about those at the bottom of society ignoring the realities of oppression, as if being offended by a person’s speech or worldview is equal to prison time or living on the streets. They talk about listening, being humble, questioning one’s preconceived notions about other people and hearing their lived experiences…and yet ignore the lived experiences of those who don’t speak or think properly in the view of university-educated social justice warriors, regardless of how much worse off they really are. That is not to say that we should accept bigotry in any form?—?far from it. But I would go as far as saying that the politically correct mafia on the left perpetuates a form of bigotry on its own because it alienates and “otherizes” those who do not share their ways of thinking and speaking about the world.

I’m tired of the cliques, the hierarchies, the policing of others, and the power imbalances that exist between people who claim to be friends and comrades. I am exhausted and saddened by the fact that any type of disagreement or difference of opinion in an activist circle will lead to a fight, which sometimes includes abandonment of certain people, deeming them “unsafe” as well as public shaming and slander.

(17) YES, THIS IS A SELECTED QUOTE: Dave Freer makes his feelings clear as the summer sun:

I couldn’t give a toss how I ‘come over’ to File 770 and its occupants, (there is no point in trying to please a miniscule market at the expense of my existing readers) but it’s a useful jumping off point:…

Is Freer simply unable to generate his own column ideas? He proves his indifference by spending most of today’s 2,500-word post teeing off about half-a-dozen imagined slights he thinks self-published writers suffered here.

(18) PROVERBIAL WISDOM. Mark Lawrence declines to reap the dividends of political blogging.

When you declare a political preference (especially at either end of the spectrum) you’re immediately plumbed into an extensive support network. It’s rather like a church. Complete strangers will shout “Amen, brother!”.

Yes, you may well alienate half the political spectrum but you’ll still have half left, and half of ‘everything’ looks pretty attractive when all you’ve got is all of nothing.

Plus, the business of blogging becomes easy. You don’t have to think up something new and original to write, you can just turn the handle on the outrage machine and content drops onto the page.

“SJWs ate my baby!”

“This group of two is insufficiently diverse, you BIGOT.”

If you don’t ‘get’ either of those headlines from opposing political extremes then I’m rather jealous of you.

Anyway, the fact is that joining a side in the culture war can seem like a no-brainer to an aspiring author who needs backup. I’m entirely sure that the motivations for many authors taking to political blogging are 100% genuine, born of deep convictions. I’m also sure that many jump on board, dial up their mild convictions to 11 and enjoy the ride, blog-traffic, retweets, prime spots on the ‘right on’ genre sites of their particular affiliation, oh my.

It’s a step I’ve never been able to take. I do have moderately strong political convictions, but they’re moderate ones, and moderation doesn’t sell, doesn’t generate traffic, doesn’t get retweeted.

(19) CASE IN POINT. io9 reports “The BBC Is Bringing Back The Twilight Zone As a Radio Drama”

Ten classic episodes of The Twilight Zone will be broadcast in the UK for the first time—but, much like the show’s trademark, there’s a twist. The episodes will be reinvented as radio plays taken from Rod Serling’s original TV scripts, thanks to BBC Radio 4 Extra.

According to the Independent, veteran actor Stacy Keach will step in to perform the late Serling’s iconic monologues; other cast members throughout the series will include Jane Seymour, Jim Caviezel, Michael York, Malcolm McDowell, and Don Johnson. Producer Carl Amari has owned the rights since 2002, which he obtained in part by promising to do the episodes justice in terms of production values and casting.

(20) TECH TUNES UP FOR TREK. The Daily News profiled cast members of the Star Trek musical parody being performed this weekend at CalTech.

It’s not unusual for the cast and crew to open up text books, work on papers and discuss theoretical physics in their downtime. It provides an opportunity to network too, with students acting beside people who work in the fields they’re studying, Wong said.

“To be able to stand on stage with all of these people and sing about ‘Star Trek’ that’s just crazy,” he said.

“Boldly Go!” started out with the cast meeting on weekends, before amping up to twice a week and nearly every day in the past month.

Marie Blatnik, who studies experimental nuclear physics and plays a fierce Klingon named Maltof, described the scheduling as hectic. She originally auditioned — in half a Starfleet uniform — for a different role, but the brothers recast a male Klingon when they saw her energy.

“It kind of feels like a cult where they lure you in with ‘it’s only 15 bucks’ then jump to ‘I want your life savings,” Blatnik joked about the time invested in the show.

(21) YOUR GAME OF THRONES NEIGHBORS. Seth Meyers has had two Late Show skits where Game of Thrones characters are featured in everyday situations:

  • Melisandre at the Meyers’ baby shower:

  • Jon Snow at a dinner party:

[Thanks to John King Tarpinian, Cat Eldridge, Frank Wu, Rob Thornton, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus (you know who you are!).]

Pixel Scroll 2/17/16 Grandstand on Zanzibar

(1) THAT’S WHO. Paul Cornell has a few paragraphs about Gallifrey One, the Doctor Who convention he attended in LA last weekend.

An edition of The Cornell Collective recorded there will be going live in a few days, but in the meantime, you can find me guesting on another podcast from the convention, Doctor Who: The Writers’ Room, where myself, Graeme Burk, Stephen Schapansky and regular host Kyle talk about the career of Robert Holmes.

I also appear in this edition of Doctor Who: The Fan Show, recorded on the convention floor, and providing a wonderful snapshot of everything that makes ‘gally’ special.

 

Conrunner Shaun Lyon, Fifth Doctor Peter Davison, Paul Cornell, Laura Sirikul (Nerd Reactor), Sarah Dollard, and Steven Schapansky (Radio Free Skaro), all appear.

(2) GWEN COOPER R.I.P. ScienceFiction.com says it’s over: “’Torchwood’: Eve Myles Lays Gwen Cooper To Rest”.

The actress took to Twitter to respond to fan inquiries regarding the nebulous status of ‘Torchwood’ which aired its last episode in 2011, after the show was picked up by Starz and relocated to the U.S.  Fans have held out hope that the show would revert back exclusively to the BBC, but Captain Jack, Gwen and whoever was still alive haven’t materialized on ‘Doctor Who’ or anywhere else.  It’s been five years and at least Myles has given up hope and said goodbye to Gwen.

(3) YOUR WRITE. Joseph Bentz has an outstanding post about writing – “Don’t Let Them Squash Your Creativity”.

Growing up, I always felt vaguely embarrassed about wanting to be a writer. I feared that if I said too much about it, I was simply opening myself up to mockery. It felt so pretentious to want to write a novel. Who was I?

So I hid it. I wrote my first novel almost secretly. When I would go off to write, I would be vague with family and friends about what I was doing, telling them simply that I had work to do. In college, I was so paranoid about my roommates reading over my shoulder that I developed a secret coded language in which I could write when others were around, which I then had to decode later.

Today I am still tempted to let my creativity be squashed, not so much by naysayers, but by other enemies such as procrastination, the pressures of life, fear of rejection, weariness.

Yet the words, the ideas, keep bubbling up. When the ideas come, I think, I have to write this. Why is no one else saying this? I find myself writing as fast as I can, letting the momentum carry me. In those great moments, the creativity blasts right through the doubts, tiredness, discouragement, and second-guessing. I write. I create.

(4) TOCK OF THE WALK. From UPI: “Harry Potter fan builds working GPS replica of Weasley clock”

Tbornottb used a gutted broken clock that he purchased from an antique store as the base and had a friend illustrate the new face of the clock, which featured locations such as on the way, home, work, holiday, forest and mortal peril.

He then used a Particle Photon that would communicate with an application known as “If This Then That” that would move the clock’s hand depending on each family members GPS location.

Each family member then set the parameters for what each geographical location would be represented by on the clock.

“Most of the rules are location-based (setting me to WORK if I enter my university library, HOME if I enter my dorm), but you can set other triggers too (set me to HOLIDAY if the forecast calls for snow, set me to MORTAL PERIL if the stock of the company I’ll be working for next year drops too low),” tbornottb wrote.

 

View post on imgur.com

(5) VR. Steven Spielberg tries The VOID and declares, “Woah, that was a great adventure!”

Steve Spielberg headed into The VOID’s unique brand of free-roaming, mixed-reality VR experience at TED 2016, and it seems he was pleasantly surprised.

“Woah, that was a great adventure!”, was Steven Spielberg’s exclamation after stepping out of the bespoke, made-for-TED mixed-reality, VR experience constructed by the team behind the VOID.

Spielberg, who recently co-founded the immersive production startup The Virtual Reality Company, stepped through the specially constructed, Raiders of the Lost Ark-style VR experience, which has players exploring ancient ruins, avoiding traps and snakes and, we understand, some clever heart-quickening physical stage manipulation to coincide with some worrying virtual events.

David Doering says, “The Void’s scenarios will come from the pen of master storyteller Tracy Hickman, our own hometown hero of fantasy fame.”

(6) MORE VR. The New York Times has its own VR story — “Virtual Reality Companies Look to Science Fiction for Their Next Play”. Ready Player One’s Ernest Cline gets more ink, and so does Neal Stephenson –

Magic Leap, based in Dania Beach, Fla., and which counts Google as one of its big investors, has gone even further than most companies by hiring three science fiction and fantasy writers on staff. Its most famous sci-fi recruit is Neal Stephenson, who depicted the virtual world of the Metaverse in his seminal 1992 novel “Snow Crash.”

In an interview, Mr. Stephenson — whose title is chief futurist — declined to say what he was working on at Magic Leap, describing it as one of several “content projects” underway at the company.

More broadly, Mr. Stephenson said science fiction books and movies are often useful within tech companies for rallying employees around a shared vision.

“My theory is that science fiction can actually have some value in that it gets everyone on the same page without the kind of expensive and tedious process of PowerPoint,” he said. But the influence of the genre within tech companies is “surprising and mysterious to me as well,” he added.

(7) A MIGHTY OATH. George R.R. Martin pledged to a Not A Blog commenter yesterday:

I am not writing anything until I deliver WINDS OF WINTER. Teleplays, screenplays, short stories, introductions, forewords, nothing.

And I’ve dropped all my editing projects but Wild Cards.

(8) CON OR BUST DONATION. Crystal Huff, Worldcon 75 Co-Chair, announced —

Worldcon 75 [the 2017 World Science Fiction Convention, to be held in Helsinki, Finland] has donated 25 memberships and hotel room nights to Con or Bust to help People of Color attend our convention. We appreciate any assistance in spreading the news to interested fans. More details can be found at the Con or Bust website, including their application process: http://con-or-bust.org/2016/02/con-or-bust-now-accepting-requests-for-assistance-9/

(9) CREATIVITY DOESN’T WORK LIKE THAT. Jim C. Hines has a good post “My Mental Illness is Not Your Inspirational Post-it Note”  that doesn’t lend itself to out-of-context excerpts… so just go read it anyway.

(10) LAUNCHING MADE SIMPLE. How To Go To Space (with XKCD!) was posted last November but I don’t recall linking to it, and in any event, these things are always news to somebody!

(11) MARK JUSTICE OBIT. Horror author and radio host Mark Justice (1959-2016) passed away February 10 from a heart attack. Brian Keene discussed his writing in a memorial post.

Mark’s books included Looking at the World with Broken Glass in My Eye and (with David Wilbanks) the Dead Earth series. He also ran one of the first — and best — horror fiction-centric podcasts, Pod of Horror [with Nancy Kalanta].

He was also a long-time morning show disc jockey in Ashland, Kentucky. He occasionally used that morning show to promote horror fiction, featuring friends and peers like Richard Laymon, Jack Ketchum, F. Paul Wilson, Joe R. Lansdale, J.F. Gonzalez, and myself. I’ve signed in Ashland numerous times throughout the last twenty years, and Mark was always happy to have me on the show anytime…

He was generous and genuine, and very, very funny. He knew this genre’s history like few others. He will be missed.

(12) HELP BY BUYING BUD’S BOOKS. ReAnimus Press has a plan to benefit the late Bud Webster’s wife, Mary:

To help Mary with the financial burden, I wanted to announce that ReAnimus Press will be donating our publisher’s share of sales from all sales of Bud’s book back to Mary, so sales of those titles will be entirely to help Mary. We’ve published the ebook editions of Bud’s ANTHOPOLOGY 101 (http://reanimus.com/store/?i=1256 ) and THE JOY OF BOOKING ( www.reanimus.com/1409 ). We have PAST MASTERS in process.

I would also note that, if you can, purchasing through those links is of almost 50% more benefit to Mary, since there’s no chunk being paid to Amazon. (FYI this is for the ebook editions only; another publisher, Merry Blacksmith, has the print editions.)

Also, anyone know who I can contact who’s handling the Marscon donations? I’d like to offer copies of the ebooks to donors to sweeten the pot, say, one ebook for a $25 donation, all three for $50, and all three plus any three other ebooks from the ReAnimus store for $100+. (Retroactive to anyone who’s already donated, so don’t wait to donate.)

(13) TODAY IN HISTORY

  • February 17, 1922 — Terrified audiences gaze upon FW Murnau’s Nosferatu for the very first time.

(14) TODAY’S BIRTHDAY GIRL

  • Born February 17, 1912 — Andre Norton

(15) THEY SWEAR THESE ARE GOOD IDEAS. In Comic Riffs at the Washington Post, Michael Cavna and David Betancourt attribute Deadpool’s huge success to its attracting both superhero fans and people who enjoy R-rated snark such as is found in Judd Apatow films. Then they say — “These are the ‘R-rated’ comics that Hollywood should put on the screen next”.

MICHAEL CAVNA: So you and I knew that “Deadpool” would do reasonably well, but these monster box-office numbers that practically rival “The Dark Knight’s” debut certainly speak to a thirst for R-rated comics adaptations that don’t feel like the same old tales of origin reboots and capes-vs.-urban apocalypses. So if you were a Hollywood executive, what’s the first “mature content” comic you’d now try to option and adapt?

DAVID BETANCOURT: The top two that come to my mind are American Vampire and Y: The Last Man. Last Man [which was adapted in 2011 in short form] has been in movie limbo for a while now, and I’m surprised someone hasn’t scooped up American Vampire. Fox has somewhat of a fun dilemma on their hands. “Deadpool” literally made twice what most folks were thinking it would for its opening weekend. So if you can spawn X-Force out of “Deadpool,” given Deadpool’s connection with Cable, do you continue the “R” momentum and make an X-Force movie rated R as well? If X-Force was in development [prior to “Deadpool’s” release], Fox must have been thinking PG-13 — just like the X-Men films. But now, seeing the success of “Deadpool,: maybe Fox executives have more than one R-rated franchise. They have to at least be thinking about it. And because of “Deadpool’s” success, if that character [now] appears in an X-film, does he [himself[ seem diluted if he’s in a PG-13 movie?

(16) HE WAS THERE. Matthew Surridge looks back on “The Great Hugo Wars of 2015”, and devotes many paragraphs to how he decided to decline his Hugo nomination.

Then the next night I opened my email to find a message from the Worldcon administrators congratulating me for being nominated for a Hugo. If I wouldn’t be at Worldcon, could I please select someone who’d be able to pick up the award for me if I won?

I emailed Black Gate editor John O’Neill, and asked him if he’d be in Spokane. He said he wouldn’t, and also mentioned that Black Gate had been nominated for a Fanzine Hugo. That meant I’d now heard of three Puppy picks who’d gotten nominations. I poked around some message boards and found speculation from various people plugged into the field guessing that the Puppies would do spectacularly well when the full list of nominees was made public. One (non-Puppy) editor said that he’d heard that the Puppies had three of the nominations for Best Novel—the most prestigious category. I began to wonder if I wanted to be nominated for an award that was being shaped by the Puppy tactics. If nothing else, what kind of backlash would this create?

Over the next few days I did more research on the Puppy program. Beyond politics, it was clear I didn’t share the Sad Puppy sense of what was good and bad in fiction. Beale only spoke about “the science fiction right,” but Torgersen was putting forward an aesthetic argument about the value of adventure writing over “message fiction.” I like good pulp fiction, but prefer experimental writing. More: it became clear to me that Torgersen and Beale knew that what they were doing was a slap in the face of the SF community—the people who attended events like Worldcon and administered the Hugos. As far as they were concerned, many of the existing institutions of science fiction fandom were not only dominated by liberals, but corrupt, and therefore had to be either reformed or burned down. The Puppies were looking for a fight.

Black Gate put up a link to the post as well, which led to an exchange of comments between Surridge and his former admirer, Wild Ape.

(17) GRAPHIC ARTS. Camestros Felapton in “SP4 Book Families” proves Hugo voters and Sad Puppies 4 recommenders are equally innocent. Or equally guilty. Never mind, look at the pretty graph.

Another stray observation from SP4 Best Novel data partly inspired by an odd claim at Mad Genius that ‘weak correlations’ in Hugo2015 nomination data was evidence of secret-slate/cabals/whatever (um, nope it is what you’d expect).

I looked at which books had nominators in common and how many nominators in common they had. I then tabulated those books with more than 2 in common and drew a pretty picture.

(18) NEBULA PREDICTION. Chaos Horizon looked at the SFWA Recommended Reading List data from 2011-2014.

3/4 times, the top vote getter from the Recommended List went on to win the Nebula. Schoen must be dancing right now for Barsk, which topped the 2015 list with 35 votes (Gannon did get 33, and Wilde 29, so Schoen shouldn’t start celebrating yet). The only exception to this rule was Kim Stanley Robinson in 2012. Maybe KSR, who had 11 prior Nebula nominations and 2 prior wins, was just so much better known to the voting audience than his fellow nominees, although that’s just speculation. That KSR win from the #4 spot does stand out as a real outlier to the other years.

The Top 6 recommended works got nominated 19/24 times, for a staggering 79.1% nomination rate. If you’re predicting the Nebulas, are you going to find any better correlation than this? Just pick the top 6, and bask in your 80% success rate.

(19) LEGO. This year Lego will release 25 Star Wars-themed sets. The “Assault on Hoth” set, coming May 1, has 2,144 pieces and costs $250.

the-assault-on-hoth-set-will-be-available-may-1

(20) MONOPOLY UPDATE. No paper money in Hasbro’s “Ultimate Banking” version of the Monopoly game – bank cards only, fortunes are tracked electronically, and that’s not all —

The latest version of Monopoly adds a new spin to the debate over who gets to be the banker. The decades-old board game, a Hasbro Inc. brand, is getting a modern upgrade this fall with an “Ultimate Banking” version that does away with the game’s iconic paper money in favor of bank cards.

Transactions, including purchasing property and paying rent, will be handled as they are in modern-day real life, with the tap of a card on the “ultimate banking unit.”

And for the real-estate mogul in the making, the bank cards also track wealth and property values, which can rise and fall. Rents for properties on the board also fluctuate, according to Jonathan Berkowitz, senior vice president of the gaming division of Hasbro

(21) OVER THE TRANSOM. Alan Baumler sent this in email – a bit long to use as a Scroll title, so I’ll quote it here:

In place of a pixel, you would have a scroll!

Not dark, but beautiful and terrible as the dawn!

Treacherous as the sea!

Stronger than the foundations of the earth!

All shall love me, and despair!

(22) KYLO REN’S TEEN ANGST. Mamalaz has a whole series of ridiculous “Modern Solo Adventures”.

[Thanks to John King Tarpinian, Andrew Porter, Martin Morse Wooster, Mark-kitteh, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]