Pixel Scroll 12/19/16 Rock-Paper-Pixel!

(1) THESE AREN’T THE PRACTITIONERS WE’RE LOOKING FOR. A Jedi group was unable to convince the UK’s Charity Commission that they are a religion reports The Guardian — “Jedi order fails in attempt to register as religious group”.

A Star Wars-inspired organisation has failed to use the force of its arguments to convince the charity watchdog that it should be considered a religious organisation.

The Temple of the Jedi Order, members of which follow the tenets of the faith central to the Star Wars films, sought charitable status this year, but the Charity Commission has ruled that it does not meet the criteria for a religion under UK charity law.

The commission wrote that Jediism “lacks the necessary spiritual or non-secular element” it was looking for in a religion.

The Temple of the Jedi Order was an “entirely web-based organisation and the Jedi are predominantly, if not exclusively, an online community,” the commission noted. There was “insufficient evidence that moral improvement is central to the beliefs and practices of [the group].”

(2) A SWING STATE’S VIEW OF ROGUE ONE. John Scalzi shares his reactions to the new movie and its marketing strategy in “Rogue One, or, the Disneyfication of Star Wars is Complete (and This is a Good Thing)”. There are no spoilers in the review, however beware the comments where spoilers are allowed.

And this random dude in Piqua, Ohio was absolutely correct: Disney yet again did not fuck up Star Wars. In fact, for two films running the folks at Disney have produced two really top-notch Star Wars films, a feat that has not been managed in thirty-five years — or possibly ever, depending on whether you believe the original Star Wars, as epochal as it undeniably was, is actually good, which given its pastiche-heavy, merely-serviceable plot and script, and leaden acting and direction, is debatable. The Disneyfication of the Star Wars universe is now complete, and this is a good thing. As I’ve noted before, Disney, for all its sins, consistently drives to entertain, and drives to entertain intelligently, meaning that it doesn’t see its audience as a mark but as a partner. Disney gives us thrills and fun, and we give them money, and wait for the cycle to repeat, as it does, consistently.

Yes, fine, Scalzi, but how is the film itself? Well, Rogue One is different from the other Star Wars films, consistently darker and more adult than any since Empire and really the first where I, at least, didn’t feel like the potential additions to the merchandising lines were a key driver of story (hello, BB-8, adorable as you are).

(3) HE’S NOT ACTUALLY FEELING BETTER. Washington Post writer Michael Cavna, in “One of the best performances in ‘Rogue One’ is by an actor who died in 1994”, looks at how Peter Cushing is “acting” in Rogue One despite being dead for decades and how this could lead the way for other dead actors to make posthumous comebacks.

This all feels like an organic continuation of what some of the sharpest minds at Lucasfilm/ILM/Disney-Pixar et al. (including effects veteran/ILM executive John Knoll) have been pushing toward since at least the dawn of the ’80s, as the digital milestones began to come fast and furious. The power to manipulate the pixel forever beckons the imagination now, and 2016 has put the state of that long, Jedi-like journey on distinct display.

After all, Disney even gave us a scene this year in which Robert Downey Jr., looking like his ’80s-era self, registers as mostly real in “Captain America: Civil War,” even if the CGI tweaks of a motion-capture performance can still be distracting when involving a too-human countenance.

(4) COMPARATIVE IMPORTANCE. Some people review the story, some the marketing, some the effects, some the film’s rank in the hierarchy of quality. Here’s what John C. Wright reviews, in “Rogue One (Spoiler Free Review)”.

I freely confess I had precisely zero interest in seeing this film, but a friend who was visiting for the evening came by, and we talked each other into going to see it.

I was very pleasantly surprised. This was a good film.

As with many a film of late, my main reluctance was fear of some Leftwing sucker punch. Far too many shows I used to watch had the habit of pausing the action for a Two Minute Hate against all I hold dear, like a satanic version of a Public Service Announcement.

I had heard from several sources that the cast starred no white males except as villains, and I had even heard that the writer did this deliberate as a message to express hatred for America in general and for all Conservatives in particular. His vision was to portray the Empire as Trump-supporting, Make the Galaxy Great Again, White Supremacist Patriarchs, and the rebellion as the multi-culti proletarians rising up against their oppressors. Therefore this film had all the earmarks of being just one more  bit of Lefteroo Hate-Whitey bigot-prop, like Disney’s POCAHONTAS.

My misgivings turned out to be entirely unfounded.

I was a little surprised that the main male protagonist was Caucasian, and for a while I wondered what the writer’s comment that there were no Caucasians among the protagonists. The actor is named Deigo Luna.  I had not remembered (because I am not a psychiatrist) that in the delusional world-system of the Left, Spaniards are not considered to be from Europe hence are not considered Caucasians. Spaniards are considered by the Left to be oppressed by Whites, and are not considered, for some reason, to be responsible for the introduction of black slaves to the New World. Go figure.

So, there is no pro-Left nor anti-White nor Anti-West message in this film. If the film makers meant there to be one, they failed miserably.

(5) MEASURING AUTHOR POPULARITY. Today, John Ringo posted a “Redshirt call” on Facebook.

To explain for people who haven’t seen this before, I just need a name. Just post “Me” in the comments. If you’ve been named before please don’t post. One of the first comments wins. I may go back to it for subsequent names. No guarantees of how much ‘screen’ time you get. May or may not die. (Right now, probably falls into ‘won’t’.) I’m the final judge and there is no appeal.

Go.

One hour later 496 volunteers had left comments.

(6) PUT ANOTHER CANDLE ON THE INTERNET. Congratulations to Ethan Mills whose Examined Worlds is celebrating its second blog-iversary.  

I started this blog primarily as a place to post philosophically-enriched reviews of all the science fiction books I was reading.  I figured I spent so much time reviewing books on Goodreads (check out my Goodreads profile!) that I might as well make a blog out of them.  While I primarily blog on science fiction and philosophy, I have strayed into other territories, especially politics both within and without science fiction fandom and academia.  See My Favorite Posts for some of the posts I’ve found particularly enjoying or fulfilling to write.

(7) THEN IT’S NOT MY PROBLEM. Annalee Newitz deconstructs the Blade Runner 2049 teaser trailer for Ars Technica.

Then the scene shifts to a glowing red landscape, perhaps in a heavily polluted desert outside LA. We get to see Ryan Gosling’s Officer K, looking tough and cool in his knee-length leather jacket, because global warming shouldn’t stop the fashion train. There’s a haunting image of a giant (replicant?) head on the ground, which seems like it might be a reference to some of the images from the famously trippy 1973 sci-fi movie Fantastic Planet.

Officer K is trying to solve a mystery that takes him right to the mysterious lair of Deckard, who has apparently been missing for decades. It almost looks like Deckard is living in a spiffed-up version of Sebastian’s home for broken replicants in the first film.

Mark-kitteh says of the trailer, “I think there needs to be a mashup where Harrison Ford says ‘Chewie, we’re home.’”

(8) PARAGRAVITY COMICS. Stephen Haffner of the Haffner Press is now shipping the comic strip collection Beyond Mars, written by Jack Williamson, artwork by Lee Elias, edited and designed by Dean Mullaney, with an introduction by Bruce Canwell. The 160-page full-color hardcover is $55

Drawn from the same setting of Jack Williamson’s novels SEETEE SHIP and SEETEE SHOCK, BEYOND MARS takes place 200 years in the future, when a new force—paragravity—has enabled men to live and breathe on the asteroids. The strip stars Mike Flint, a spatial engineer who lives on Brooklyn Rock, an asteroid “beyond Mars.” With Sam, his green-skinned metallic partner from Venus, Flint gets involved in a series of lighthearted adventures, battling space pirates, teaming up with beautiful and strong-minded women, and dealing with addicts of the mysterious drug called “star dust.” The restored color is outstanding and the artwork is creative and imaginative. Bruce Canwell contributes a wonderful introduction, putting this in the context of early 1950s science fiction. The book also includes original art by Lee Elias on other features like Black Cat, Terry & the Pirates and Tommy Tomorrow.

(9) DARMOK AND JELAD AT THE MANGA. Brigid Alverson of B&N Sci-Fi & Fantasy Blog calls out “The Best New Manga Series of 2016”.

Whatever you say about the balance of 2016, it was a good year for manga. Publishers expanded their lines in all different directions, bringing us new titles from popular creators as well as interesting debuts from newcomers. The category has grown richer than ever before, with more manga for more tastes. Here’s a look at 15 of the best series that launched in the past year.

Princess Jellyfish, by Akiko Higashimura The women who live in the Amamizu-kan boardinghouse are fans (otaku) of very specific things: Trains, jellyfish, kimonos, The Records of the Three Kingdoms. They’re happily nerdy together, but they freeze whenever they run up against someone stylish, and members of the opposite sex are out of the question—in fact, they call themselves the “amars” (nuns). So it’s a huge shock to Tsukimi, the jellyfish fanatic, when a stylish girl helps her rescue a jellyfish—and an even bigger shock when the girl turns out to be a boy. Not just any boy, though: Kuranosuke is the younger son of a wealthy, politically connected family, and although he dresses as a woman to dodge any notion that he would go into politics himself, he understands how things work. When a developer announces plans to buy and raze Amamizu-kan, Kuranosuke helps the amars glam up to do battle. Meanwhile, Tsukimi has caught the eye of Kuranosuke’s nerdy older brother, and the attraction is mutual—but he doesn’t realize the beautiful girl he encountered at the jellyfish tank in the aquarium and the dowdy amar in sweats are the same person. Princess Jellyfish puts a uniquely manga spin on some classic rom-com tropes, and the result is a refreshingly funny story about fashion, politics, and extreme nerdiness….

(10) DARNED NEAR THE BEST. Pornokitsch’s array of contributors have assembled an eclectic and far-reaching list of things they liked or nearly liked — “Pornokitsch’s Absolute and Definitive Guide To The Best of Everything in 2016”. Here’s one example —

Erin

The Dead Rabbit Drinks Manual. From the founders of one of New York’s most celebrated cocktail meccas, this book is part mixologist’s handbook, part all-American tale of two Irish boys making it in the Big Apple (complete with Gangs of New York reference). Be warned: the list of ingredients sometimes read more like a scavenger’s hunt than a recipe, but if you’re prepared to put in the work, you’ll be rewarded.

Hibernacula. My favourite thing about NYCC this year was visiting this jewelry shop on a tip from Seanan McGuire. I was lucky to come away only a few hundred dollars lighter in the wallet, not because the fantasy-inspired designs are so expensive, but because there are just so damn many of them I want to buy. I settled for a silver ring inspired by Castiel of Supernatural, plus this Cthulhu-friendly pendant. I’m still dreaming about commissioning a piece based on the Bloodbound novels, because garnet studded jewelry would be the best.

Ticket to Ride: Rails and Sails. If you’re a fan of Ticket to Ride – and really, who isn’t – you should definitely check out the latest release in the franchise. Not only is it two games in one, with a world side of the board and a Great Lakes side, it’s got enough twists and extra layers of strategy to keep even the most hardened T2R veterans on their toes.

Read what villains Erin liked (and didn’t) in 2016. Or, better yet, read The Bloodsworn, the awesome conclusion to her epic fantasy trilogy

[Thanks to John King Tarpinian, Andrew Porter, Martin Morse Wooster, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 10/26/16 The Tick Against the Box

(1) CAN’T STOP LOOKING. CinemaBlend’s Gregory Wakeman waited to finish his post about this Jar Jar Binks movie poster before gouging out his eyes…

(2) ADD THIS WORLDCON BID TO YOUR SCORECARD. Kevin Standlee reports that, at the request of this bid, he has added UK in 2024 to the Worldcon.org list of bids. The link is a Facebook page. Kevin notes, “They did say to me when they contacted worldcon.org that they plan to have an actual web site eventually as well, not just a Facebook page.”

(3) PREDICTING THE PRESENT. In “The Celebrity Campaign” on National Review Online, Kevin D. Williamson summarizes William Gibson’s Idoru and explains why Gibson’s work is important for understanding the vapid, celebrity-driven campaign we have this year.

(4) OCTOCON. Forbidden Planet bookstore’s correspondent James Bacon easily mixes dance with journalism: “Science Fiction in Ireland: James Reports from Octocon”.

Even though I finished work at 5.30AM in London on a mild autumnal Saturday morning, within a few hours I was in the Camden Court Hotel in Dublin’s city centre, amongst friends and fans at Octocon. The enthusiasm and excitement then carried me through until I hit the sheets at 4.30AM on Sunday morning, fed by the energy of the convention, dancing well past midnight and imbibing great cheer.

This year’s committee is youthful, bucking a trend with similar conventions in the UK, and possess a dynamism that brought together a nice programme, good fun social elements and of course overall a very enjoyable convention. The Guests of Honour, Diane Duaine and Peter Morward and Rhianna Pratchett, allowed much ground to be covered and attracted great audiences. With over two hundred people in attendance, the five-stream programme was busy.

(5) SETTING THE STUPID AFLAME. This Bradbury-related tweet went viral.

Here’s the text:

I love this letter! What a wonderful way to introduce students to the theme of Fahrenheit 451 that books are so dangerous that the institutions of society — schools and parents — might be willing to team up against children to prevent them from reading one. It’s easy enough to read the book and say, ‘This is crazy. It could never really happen,’ but pretending to present students at the start with what seems like a totally reasonable ‘first step’ is a really immersive way to teach them how insidious censorship can be I’m sure that when the book club is over and the students realize the true intent of this letter they’ll be shocked at how many of them accepted it as an actual permission slip. In addition, Milo’s concern that allowing me to add this note will make him stand out as a troublemaker really brings home why most of the characters find it easier to accept the world they live in rather than challenge it. I assured him that his teacher would have his back.

(6) REMAINS OF THAT DAY. The demolition of Ray Bradbury’s house inspired Joshua Sky’s Omni story “The House Had Eyes”.

The exterior was yellow with a brown triangle thatched roof and a thin brick chimney. The windows had been destroyed—the frames, like the living room, were gutted. Their remains tossed into a large blue dumpster resting on a hillside covered in dying grass. All that was left were two large cragged square shaped holes that bore inward yet outward all at once. Inward, laid the wisps of soot polished ruin. Hardwood floors, a mantle, masonry, some shelves and dust. Outward—the structure telepathically transmuted its emotions of loss and sorrow. She knew she was dying.

I was transfixed, my eyeballs locked with the house’s. It was like something straight out of a Bradbury story! My hands tightly gripped the fence, chain-links dug into my finger tendons. Focused on the yellow lawn, my mind pictured a phantom montage of Bradbury, time-lapsed: Watering the grass. Reading on the steps. Puttering about. Stalking the sidewalks. Talking to the neighbors. Talking to himself. Writing. Staring at the sky. Staring at the stars. Staring beyond. Marveling in awe. Downright dreaming—of rockets and Martians and technicolored time travelers.

It all felt so cosmically unfair. Why’d they have to tear it down? Why’d they have to piss on a legacy? It felt like we were all losing something—even if we didn’t know it. That our country—the people—the vanishing literate—were losing not only a landmark, but a sense of our collective wonderment. That we were continuing a bad trend that had no hint of ending—swapping our heritage for a buck. That’s the American way some would say. Some—maybe—but not all.

(7) FROM VELOUR TO MONSTER MAROON. With Halloween just around the corner, Atlas Obscura offers guidance to cosplayers: “How to Read The Secret Language of Starfleet Uniforms”.

It’s Halloween time again, and as it has been for the past 50 years, a Star Trek costume is a safe bet for anyone looking to dress up. But do you want to be a Starfleet captain in 2268? A ship’s doctor in 2368? For the uninitiated, deciphering the language of colors and symbols that place you in the show’s universe is a crapshoot.

Luckily, Atlas Obscura is here to help, with a bit of cosplay codebreaking….

The most recent Star Trek television series, 2001’s Enterprise, was actually a prequel, taking place in the mid-2100s, and strangely, their uniforms take cues from every era of the Star Trek franchise. Taking place prior to the formation of the Federation Starfleet seen in later incarnations, the uniforms of the very first space-faring Enterprise, were once again standardized into a purple workman’s jumpsuit (echoing the red-washed uniforms of the later Original Series films). Position on the ship could be determined by the color of a seam that ran along the shoulder of the jumpsuit, with the colors corresponding to the original command gold, science blue-green, and operations red.

And then rank was indicated by the number of silver bars over the right breast, just like the pips used in The Next Generation. While not everyone’s favorite, this suit kind of had it all.

(8) NEXT AT KGB. The Fantastic Fiction at KGB reading series will present John Langan and Matthew Kressel, on Wednesday, November 16, beginning at 7p.m. in New York’s KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs.)

John Langan

John Langan is author of two novels, The Fisherman and House of Windows.  He’s also published two collections, The Wide Carnivorous Sky and Other Monstrous Geographies and Mr. Gaunt and Other Uneasy Encounters.  With Paul Tremblay, he co-edited Creatures:  Thirty Years of Monsters.  He is one of the founders of the Shirley Jackson Awards and he currently reviews horror and dark fantasy for Locus magazine.

New and forthcoming are stories in Children of Lovecraft, The Madness of Dr. Caligari, The Mammoth Book of Cthulhu, Swords v. Cthulhu, and Children of Gla’aki.  In February of 2017, his third collection of stories, Sefira and Other Betrayals, will be published by Hippocampus Press.

John Langan lives in New York’s Hudson Valley and teaches classes in creative writing and Gothic literature at SUNY New Paltz.  With his younger son, he’s studying for his black belt in Tang Soo Do.

Matthew Kressel

Matthew Kressel is the author of the novels King of Shards and the forthcoming Queen of Static. His short fiction has been twice nominated for a Nebula Award and has or will soon appear in such markets as Lightspeed, Nightmare, Tor.com, Clarkesworld, Beneath Ceaseless Skies, io9.com, Apex Magazine, Interzone, and the anthologies Cyber World, After, Naked City, The People of the Book.

From 2003-2010 he published and edited Sybil’s Garage, an acclaimed SF magazine. He also published the World Fantasy Award-winning anthology Paper Cities and for his publishing work, received a World Fantasy Award nomination for Special Award Non-Professional. He co-hosts the Fantastic Fiction at KGB reading series alongside Ellen Datlow. When not writing fiction he codes software for companies large and small, studies Yiddish (Nu?), and recites Blade Runner in its entirety from memory.

(9) NEW SF BOARD GAMES. In a piece on arstechnica.com called “Essen 2016: Best board games from the biggest board game convention”, Tom Mendlesohn reports from the International Spieltage convention in Germany, where most of the new board games have sf/fantasy content.

terraforming-mars

Terraforming Mars

FryxGames, 1-5 players, 90-120 mins, 12+

One of the most buzzworthy releases of the whole show, this title sold out by 3pm on the first day—a whole hour before Ars even arrived. The one table that FryxGames ran with a playable copy was booked every day. Fortunately, Ars US staffers already got their grubby little hands on the title and gave it a thorough—and hugely positive—review.

You’re playing as a futuristic global megacorp attempting, as the title suggests, to terraform Mars. Your tools are lots of plastic cubes, which track your resources and which are traded to in for asset cards, which get you more cubes. (The game is a total engine-builder.) Though the art isn’t terribly exciting, this is a terrific thinky Eurogame of interlocking systems and finding the most efficient ways to exchange one set of numbers for a higher set of numbers. 

(10) HE MADE IT SO. In a piece in the San Francisco Chronicle by Mike Moffitt called “The Real James T. Kirk Built the Bridge of the Enterprise – In the Sunset District” profiles a guy named James Theodore Kirk, who was born a month before Star Trek went on the air and who built a replica of the Enterprise in his house.  He also is a Trekker who once won a chance to meet William Shatner, but he was dressed as the villianous reptile Gorn and wouldn’t tell Shatner his name really was James T. Kirk.

Captain’s log, Stardate 21153.7: After straying into a wormhole, the Enterprise has somehow crash-landed on Earth in early 21st-century San Francisco. We are attempting to effect repairs from a location in the city’s Sunset District.

James T. Kirk commands the Starship Enterprise from the captain’s chair of the ship’s bridge, conveniently located in the back of his house in San Francisco’s Outer Sunset.

The bridge is equipped with a wall of computers blinking with colorful lights, a transporter room and the main viewer, which would toggle to show flickering stars, sensor data or the occasional Romulan or Klingon message demanding the Enterprise’s immediate withdrawal from the Neutral Zone.

There is even an “elevator” in the back that makes a “whoosh” just like the one on the classic 1960s show “Star Trek.” Of course, the bridge is not an exact duplicate of the show’s — it’s a smaller area, so the key fixtures are a bit crammed and the helmsmen seats are missing altogether. But the overall impression is clearly Mid-century Modern Starship.

(11) KUTTNER. You can find Stephen Haffner hawking his wares this weekend at World Fantasy Con. Or you can order online today!

Haffner Press does it again! In 2012 we included a newly discovered Henry Kuttner story—”The Interplanetary Limited”—in THUNDER IN THE VOID. Now, with the upcoming release of THE WATCHER AT THE DOOR: THE EARLY KUTTNER, VOLUME TWO, we are pleased as pandas (!) to announce we have discovered ANOTHER unpublished Henry Kuttner story!

MAN’S CONQUEST OF SPACE or UPSIDE-DOWN IN TIME is an early gag-story (featuring pandas) supposedly written for the fanzines of the 1930s. It likely predates Kuttner’s first professional sale in 1936. “And how can I get a copy?” you ask? Well, we made it simple. So simple that it’s FREE* if you place (or have already placed!) a PAID preorder for THE WATCHER AT THE DOOR: THE EARLY KUTTNER, VOLUME TWO. We’re printing a limited quantity of this new Kuttner story, so Do. Not. Delay.

(12) KEEP WATCHING. Martin Morse Wooster recommends an animated short, Borrowed Time.

A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.

“Borrowed Time” is an animated short film, directed by Andrew Coats & Lou Hamou-Lhadj, and produced by Amanda Deering Jones. Music by Academy Award winner Gustavo Santaolalla.

 

[Thanks to Hampus Eckerman, John King Tarpinian, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Haffner Press Will Commemorate Brackett Centennial

The 100th birthday of Leigh Brackett arrives December 7, 2015 and publisher Stephen Haffner says that the Haffner Press plans something special to observe the occasion – though you’ll have to wait to find out what.

Behind the scenes we’ve been preparing for every contingency to celebrate the Centennial of one of America’s unique literary voices.

As of this writing, it’s too soon to share our final plans, but rest assured that we will spare no expense or care in designing a finished product that honors the First Lady of Space Opera as well as a hallowed addition to your personal library.

Meantime Haffner drew his Facebook readers’ attention to this blurb from Startling Stories, April 1952 for Brackett’s “The Last Days of Shandakor,” a story collected in the Haffner Press edition Shannach – The Last: Farewells To Mars:

Master Painter Brackett Haffner

Today’s Birthday Boy 4/7

Henry Kuttner

Henry Kuttner

By Stephen Haffner: [Reprinted with permission.] One hundred years ago today (April 7, 1915) Henry Kuttner was born in Los Angeles, the youngest
of thee sons of Henry Kuttner, Sr. and Annie Levy. Kuttner was five years old when his father died and he relocated to San Francisco.

A reader of the early fantasy magazines, he had letters published in issues of  Air Wonder Stories and Weird Tales. Prior to completing high school, he returned to Los Angeles and eventually worked as a reader for the literary agency of his uncle Laurence D’Orsay.

During his correspondence with H.P.Lovecraft, he sold his first story, “The Graveyard Rats”, to Weird Tales in early 1936 (preceded in print by the poem “Ballad of the Gods” in WT, Feb. ’36). Kuttner continued to sell prolifically to the pulp magazines, appearing in Thrilling Mystery, Weird Tales, Marvel Science Stories, Strange Stories and more under a plethora of pseudonyms. Before moving to New York in 1939, he mentored two future giants: Leigh Brackett and Ray Bradbury.

Following brief visits—and a lengthy correspondence—with Indianapolis-based Catherine L. Moore, the two were married in New York on June 7, 1940. Singly, and in collaboration with Moore, this marks the beginning of Kuttner’s longest sustained output of high-quality work with: “The Twonky,” “Mimsy Were the Borogoves,” “Nothing But Gingerbread Left,” “Housing Problem,” “Call Him Demon,”; the “Gallagher series,” the “Baldy” series, the “Hogbens” series, and novel-length works such as Fury, Earth’s Last Citadel and The Dark World.     

When World War II saw Robert A. Heinlein depart for Philadelphia, the Kuttners rented the Heinlein’s Hollywood home. In 1942, Kuttner entered the Army Medical Corp (serving at Fort Monmouth, NJ until 1945) and Catherine lived in nearby Red Bank, NJ. After Kuttner’s discharge, they lived in Hastings-on-Hudson, NY until moving to Laguna Beach, CA in 1948.

Feeling burned-out with their prolific fiction output for the pulps, they branched out into novels starting with The Brass Ring (Duell, Sloan and Pearce, 1946). In 1950, Kuttner & Moore curtailed their fiction writing to focus on their new academic efforts at the University of Southern California. Kuttner earned his bachelor’s degree in 3½ years and Moore completed hers in 1956 (she earned her master’s in 1963). Kuttner was working on his master’s thesis on the works of H. Rider Haggard at the time of his death from heart failure on February 4, 1958.

It was while working on their degrees that Kuttner & Moore added teaching at USC to their resumés, as well as their first screenplay work at Warner Bros. on Rappaccini’s Daughter. Following Kuttner’ death, Moore took over Kuttner’s teaching duties, as well as handling screenwriting jobs for Maverick, Sugarfoot and 77 Sunset Strip. Some of this under the eye of former Amazing Stories editor, Howard Browne.

[Editor’s Note: And now that you’re thinking about Henry Kuttner, here’s a great opportunity to read a batch of Kuttner stories. Quoting from the press release….]

Haffner Press is very pleased and proud to be able to collect and re-present the work of Henry Kuttner (DETOUR TO OTHERNESS, TERROR IN THE HOUSE, THUNDER IN THE VOID) and we hope to have you with us we continue to publish the work of this excellent writer: THE MICHAEL GRAY MYSTERIES, HOLLYWOOD ON THE MOON/MAN ABOUT TIME and  . . .

watcher-300x453

Coming later this year is the long-awaited follow-up to TERROR IN THE HOUSE: THE EARLY KUTTNER, VOLUME ONE is the second volume of early Kuttner: THE WATCHER AT THE DOOR.

Legendary fan Robert A. Madle handles the foreword to this 700-page collection of 30 (count ’em!) Kuttner Koncoctions from the pages of Weird Tales, Thrilling Mystery, Strange Stories, Fantastic Adventures, Science Fiction, Startling Stories, and more.

We are taking preorders now for this title. Even better for those of you that missed on getting a copy of Volume One: for a limited time, we are offering the out-of-print TERROR IN THE HOUSE as a combo with preorders of THE WATCHER AT THE DOOR. It won’t be cheap, but it will be easy. See the homepage for the combo offer at www.haffnerpress.com.

2015 Jack Williamson
Lecture Schedule

jwlec2015Highlights of events planned for the 2015 Jack Williamson Lectureship at Eastern New Mexico University in Portales (April 7-10) have been summarized in an e-mail from Williamson publisher Stephen Haffner.

Readings from the Words of Jack Williamson
Tuesday, April 7th, 6 p.m. ENMU, Jack Williamson Liberal Arts Building 112

Reading with Visiting Authors
Thursday, April 9th, 6 p.m. ENMU, Jack Williamson Liberal Arts Building 112

Reading by Guest of Honor, Paolo Bacigalupi
Friday, April 10th, 9:30 – 11 a.m. ENMU, Jack Williamson Liberal Arts Building 112

Lectureship Luncheon
Friday, April 10th, 11:45 a.m. ENMU, Campus Union Ballroom (lunch tickets are $10). Reservations for the lectureship luncheon can be made by calling 575.562.2315 or emailing Patrice.Caldwell@enmu.edu. The price is $10, payable at the door.  Reservations must be received by Monday, April 6th.

science-fiction-libraryWilliamson Lectureship Panels
Friday, April 10th, 3 – 6 p.m. ENMU Golden Library Special Collections. Everyone is welcome to attend the panels at Special Collections in Golden Library from 3-6 p.m. where writers, guests, and audience will discuss and debate topics in science fiction and fantasy.

Young Writers Workshop
Saturday, April 11th, 10 a.m. Noon Portales Public Library (reservations required). For aspiring young writers, a special workshop will be offered by authors Connie Willis and Steven Gould at the Portales Public Library on Saturday morning from 10 a.m. to Noon. Participants are encouraged to reserve a space by contacting the Portales Library, 218 S Avenue B, in Portales, at (575) 356-3940.

 

Haffner also sent out links to the recording of a 1977 interview with Jack Williamson and Frederik Pohl and to this video of Dr. Christopher Stasheff’s 2003 video interview with Jack Williamson, introduced by John Pomeranz of Fast Forward.

And thanks to the Haffner Press a great deal of good material by and about Jack Williamson is available to add to your collection:

At The Human Limit, The Collected Stories of Jack Williamson, Volume Eight: With a foreword by award-winning author and long-time friend of Williamson, Connie Willis, At the Human Limit represents the changing state of mid-20th Century American Science Fiction and concludes the documentation of Williamson’s unparalleled career.

Seventy-Five: The Diamond Anniversary of a Science Fiction Pioneer celebrates the first seventy-five years of Jack Williamson’s career in Science Fiction. From “The Metal Man” in 1928 to his recent Hugo and Nebula Award-winning novella “The Ultimate Earth,” inside are some of the best of Williamson’s stories, including excerpts of such classic novels as The Legion of Space, Golden Blood and The Legion of Time.

The Worlds of Jack Williamson: A Centennial Tribute (1908-2008) celebrates the 100th birthday of one of the Grand Masters of science fiction. While Jack Williamson passed away in 2006 at the age of 98, his incredible body of work continues to be enjoyed by legions of fans and admirers.

In Memory of Wonder’s Child honors the career of Grand Master Jack Williamson with memorial appreciations from friends, family and some of the most prominent members of the science fiction field.  Also included are Williamson’s 1939 pulp story “Nonstop to Mars,” his last work “The Mists of Time” from 2006, a facsimile reproduction of his 1928 editorial “Scientifiction, Searchlight of Science,” and pages from his 1950s newspaper comic strip, Beyond Mars.

35 Years of the Williamson Lectureship: This book collects transcripts of speeches and presentations from a variety of Lectureship guests from its first 35 years.

2015 Jack Williamson Lectureship

Paolo Bacigalupi

Paolo Bacigalupi

Paolo Bacigalupi will be Guest of Honor at the 39th Annual Jack Williamson Lectureship this spring at Eastern New Mexico University. Williamson publisher Stephen Haffner broke the news in his December newsletter.

Bacigalupi is the bestselling author of  The Windup Girl, Shipbreaker and The Drowned Cities. His newest book is The Doubt Factory.

Jack Williamson Liberal Arts Building

Jack Williamson Liberal Arts Building

Fans will also be pleased to hear that the Jack Williamson Liberal Arts Building on the ENMU campus in Portales has been renovated and faculty and staff were expected to resume using it this month.  Work began in summer 2013.

According to the Portales News-Tribune, the classroom facilities have been upgraded:

[Bradbury Stamm Superintendent David Burks] said the facility now has new classrooms with power and data ports available at every desk and table for students and teachers to utilize. He said many of the rooms have been outfitted with new projectors and automatic projector screens as well as dry erase boards.

…Other notable additions to the facility include a separate area for the Sodexo cafe that is larger and contains seting inside and out. Skylights have also been added to the hallways to increase the lighting in the building.

“The skylights have really brightened up in here; before this building was like a dungeon,” Burks said.

The exterior of the Jack Williamson Liberal Arts building seen as workers pour concrete and lay bricks outside the facility’s west entrance.

The exterior of the Jack Williamson
Liberal Arts building seen as workers pour concrete and lay bricks outside the facility’s west entrance.

[Thanks to Stephen Haffner for the story.]

Haffner Press Makes Splash

Stephen Haffner evidently kept things well-balanced at the Windy City Pulp and Paper Convention in April. He moved so many copies of Haffner Press editions of Williamson, Hamilton and Captain Future that he “had to sneak away for 8 hours in the middle of the night to the Secret Moon Base to get more inventory.” But he also snagged a lot of old pulps with tales by Henry Kuttner whose stories will be used in future projects.

Many more details in the full press release, which follows the jump.

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Super-Science Tales Selected

The Haffner Press collection Tales of Super-Science Fiction, edited by Grand Master Robert Silverberg, is rounding into a shape. Stephen Haffner’s latest press release announces some of the authors whose stories will appear:

  • Don Berry
  • Robert Bloch
  • J. F. Bone
  • A. Bertram Chandler (as George Whitely)
  • Daniel F. Galouye
  • Tom Godwin 
  • James E. Gunn 
  • Alan E. Nourse
  • Charles W. Runyon
  • Robert Silverberg
  • Jack Vance
  • Robert Moore Williams

The cover art will be by Frank Kelly Freas. Silverberg and Haffner are still securing rights to additional texts.

There are details of several other projects in the full press release, which appears after the jump.

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Super-Science Fiction Coming from Haffner Press

Robert Silverberg is assembling a collection of 14 stories from Super-Science Fiction for Haffner Press. SSF launched during the sf boom of the mid-1950s. Paying a princely rate of 2 cents a word the magazine attracted fiction by Isaac Asimov, Robert Bloch, Harlan Ellison. James Gunn, Jack Vance, and Donald Westlake, and featured cover art by Frank Kelly Freas and Ed Emshwiller.

Running for 18 bi-monthly issues (Dec ’55 to Oct ’59), the magazine eventually devolved into a publication capitalizing on the then-current craze of “monster” stories. Editor Silverberg traces the genesis of Super-Science Fiction from it’s beginnings as an outlet for numerous colonization/expedition stories to its conclusion with such stories as “Creatures of the Green Slime,” “Beasts of Nightmare Horror” and “Vampires from Outer Space.” It’s fun, it’s cheesy, and we’re really looking forward to it!

Stephen Haffner plans to bring out the collection in 2011.

The full press release appears after the jump.

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Pulpcon 38 Cancelled

Evidently Pulpcon did not survive to hold number 38, which had been scheduled for August 14-16. Stephen Haffner’s site lists the event as having been cancelled.

File 770 has followed the story of two rival pulp conventions since hearing about the schism in the Pulpcon committee last year. A breakaway group launched a new con, Pulpfest, which took place in Columbus, OH the last weekend in July.