Pixel Scroll 4/12/17 Blah, Blah, Blah, Pixels, Blah, Blah, Scroll

(1) FOR THE RECORD. Odyssey Con co-chair Alex Merrill published an official response to the departure of GoH Monica Valentinelli yesterday – filling the void left by Richard S. Russell’s retracted statement with something more socially acceptable.

We, the Convention Committee of Odyssey Con, deeply regret losing Monica as a Guest of Honor, especially in the way the last twenty-four hours have unfolded. Odyssey Con strives to be a warm and welcoming place for all people to express themselves and engage in fandoms. We took a long and hard look at the issue of having Jim Frenkel continue to be a member of our convention committee when he was banned from WisCon in 2012. Our position at that time was to look at our policy on harassment and ensure that any situation that may take place at our convention would be dealt with professionally. We now have an ombudsman, anonymous reporting procedures, and a very detailed policy. There have been no complaints filed against Mr. Frenkel from attendees of Odyssey Con. However, in light of Monica’s email, the following changes have been made: Mr. Frenkel is no longer a member of our ConCom in any capacity, he has no position of authority in the convention proper, and he is not a panelist or lecturer. He has the right to purchase a badge and attend the convention, but as of this writing, I do not know if he is planning to do that.

I personally wish to apologize for the mishandling of our response to Monica’s concerns. It has never been our intent to minimize any guest’s complaints. Odyssey Con is an all volunteer organization staffed by people who have many strengths, but not all of us are great communicators.

I have already reached out to Monica to personally apologize for the email response she received from one of our ConCom members and for the subsequent posting of email chains publicly. This exchange was not an example of Odyssey Con as a whole, which is run by fans, for fans. I hope to have a continued dialogue with you all.

However, the first comment left on the post identified a number of questions that remained unanswered by the statement.

And after K. Tempest Bradford looked over the new response, she shared her reaction in the comments of her blog.

…No matter how much the Internet is mad at your organization, that does not excuse any implication that the person reporting feeling unsafe because a harasser is involved in running the con is at fault here. That’s immature. That’s not professional. That’s yet another indication that guests would not have been treated professionally by OddCon as an organization.

Also an indication that attendees will not be treated in a professional manner.

And being a volunteer run con is not an excuse for that. Yeah, you’re all volunteers, but you’re running an event. People attending said event as fans or guests have the right to expect a certain level of safety and respectful treatment from those running the event. That was not what happened. Now they’re sorry. Yet I still do not see that behavior addressed in a meaningful way in this Sorry….

(2) MARVEL FIRES SYAF. Marvel pencil artist Ardian Syaf, who inserted anti-Semitic and anti-Christian political references into his work on X-Men Gold has now been officially terminated.

Over the weekend, Marvel released a statement that it had been unaware of the references, and they would remove the artwork from all upcoming versions of the issue.

The company’s follow-up statement, quoted in Paste Magazine, says:

Marvel has terminated Ardian Syaf’s contract effective immediately. X-Men: Gold #2 and #3 featuring his work have already been sent to the printer and will continue to ship bi-weekly.

Issues #4, #5, and #6 will be drawn by R. B. Silva and issues #7, #8, and #9 will be drawn by Ken Lashley. A permanent replacement artist will be assigned to X-Men: Gold in the coming weeks.

Syaf wrote on his Facebook page:

Hello, Worlds…

My career is over now.

It’s the consequence what I did, and I take it.

Please no more mockery, debat, no more hate. I hope all in peace.

In this last chance, I want to tell you the true meaning of the numbers, 212 and QS 5:51. It is number of JUSTICE. It is number of LOVE. My love to Holy Qur’an…my love to the last prophet, the Messenger…my love to ALLAH, The One God.

My apologize for all the noise. Good bye, May God bless you all. I love all of you.

Ardian Syaf

However, Coconuts warns that statement should not be confused with Syaf actually regretting his actions.

…In an interview about the controversy with local newspaper Jawa Pos published today, Ardian explained why he thought that Marvel could not accept his explanation for including the references.

’But Marvel is owned by Disney. When Jews are offended, there is no mercy,” he was quoted as saying.

After making the anti-Semitic remark, Ardian reiterated to the interviewer that he was not anti-Semitic or anti-Christian because, if he was, he wouldn’t have worked for a foreign publisher.

(3) WHITE AWARD DELAYED. The British Science Fiction Association has postponed the date for revealing the winner of the James White Award:

With apologies to those who have entered this year’s competition, we are sorry to announce that the announcement of this year’s James White Award winner has been delayed.

The longlist will announced shortly after Easter and the shortlist shortly after that. We are working to complete the judging as quickly as possible.

We intend to announce the winner by Friday, 19 May at the latest.

(4) SFWA STORYBUNDLE. Cat Rambo has unveiled The SFWA Science Fiction Storybundle.

The SFWA Science Fiction Bundle is a very special collection full of great sci-fi books that benefit a great cause! If you’re unfamiliar with the Science Fiction and Fantasy Writers of America, it’s over 50 years old, and has a membership of professional writers and publishing professionals from around the globe. It administers the Nebula Awards each year. This bundle is filled with talented SFWA members and their wonderful works, such as Tech Heaven by Locus-award-winning Linda Nagata and Factoring Humanity by Hugo, Nebula and John W. Campbell Memorial Award winning Robert J. Sawyer, plus 10 more tremendous reads. You can easily choose to donate part of your purchase to the Science Fiction Fantasy Writers of America to support these fantastic authors. Don’t forget to click here to read much more about the bundle, and make sure to click on each cover for reviews, a preview and a personal note from our curator!

It has another 22 days to run.

(5) DISTRACTIONS. With so much happening in 1962, Galactic Journey’s Victoria Silverwolf finds it hard to concentrate on her reading — “[April 12, 1962] Don’t Bug Me (May 1962 Fantastic).

Maybe it’s because it’s almost time to mail in those tax forms to Uncle Sam, or maybe it’s because of the tension between President Kennedy and the steel companies, or maybe it’s because Jack Parr left his television series (which will now be known by the boring, generic title The Tonight Show), or maybe it’s because the constant radio play of the smash hit Johnny Angel by actress Shelley Fabares of The Donna Reed Show is driving me out of my mind, or maybe it’s because of George Schelling’s B movie cover art for the May 1962 issue of Fantastic; but for whatever reason your faithful correspondent approached the contents of the magazine with a leery eye….

(6) TIPTREE. There will be a Tiptree Auction at WisCon 41 on Saturday, May 27.

Can’t get enough Tiptree fun on Facebook? Are you curious about Tiptree auctions? Fan of Sumana Harihareswara? Want to support science fiction that explores and expands gender? Want to roar with laughter? There are dozens of possible reasons to go to the Tiptree Auction at WisCon 41.

(7) APEX REPRINTS EDITOR. Apex Magazine is bringing aboard Maurice Broaddus as reprints editor. The magazine publishes one reprint in each issue, and he will be responsible for finding those reprints beginning with issue 98, July 2017.

Maurice Broaddus and Apex Publications have a long history together going back 10 years. He has been published in several of our anthologies, including most recently in Upside Down: Inverted Tropes in Storytelling edited by Monica Vallentinelli and Jaym Gates. He has also had several books published through Apex, including Orgy of Souls (co-written by Wrath James White), I Can Transform You, and the anthologies Dark Faith and Dark Faith: Invocations which he co-edited with Jerry Gordon. Most recently, Maurice Broaddus guest edited an issue of Apex Magazine—issue 95 (http://www.apex-magazine.com/issue-95-april-2017/) , which included original fiction by Walter Mosley, Chesya Burke, Sheree Renee Thomas, and Kendra Fortmeyer, poetry by Linda D. Addison and LH Moore, and nonfiction by Tanya C. DePass.

(8) NEW COLUMNIST. Galaxy’s Edge magazine has a new columnist, Robert J. Sawyer. He’ll replace Barry N. Malzberg starting with issue 27.

Robert J. Sawyer, author of the bestselling novel Quantum Night, has agreed to write a regular column for Galaxy’s Edge magazine. Robert is currently one of the foremost science fiction authors in the field and one of Canada’s top writers. He was admitted into The Order of Canada (one of the country’s highest civilian honors) in 2016. His novels have won more awards than any other person in the history of the genre (as per the Locus index for science fiction awards) from countries around the world.

(9) SINISALO. At Europa SF, Cristin Tamas conducts a lengthy interview with 2017 Worldcon GoH Johanna Sinisalo.

Cristian Tamas : Johanna Sinisalo seems to have emerged, along with Leena Krohn and Pasi Ilmari Jääskeläinen, as a central figure in the ‘‘Finnish Weird’’, which like many such movements may be a coincidence, a plot, or even, as Sinisalo herself said in her introduction to last year’s Finnish Weird anthology, simply a ‘‘brand.’’ In any case, it seems to carry with it a celebratory feeling of having just rediscovered the possibilities of nonrealistic fiction, even as some of its major works come with pretty grim premises.” – Gary K.Wolfe ; Please comment !

Johanna Sinisalo : Finnish Weird is basically a term invented for commercial uses, based on the fact that most of the Finnish Weird writers do not want to be pigeonholed as fantasy or sf or horror writers. Words like “nonrealistic” or “speculative fiction” are relatively strange to the wider audiences, so we came up with this kind of definition that could perhaps be compared to the commercial term “Nordic Noir”. Analogically, the Scandinavian crime writers have not “rediscovered the possibilities of crime fiction”, but the term Nordic Noir tells the reader that those books are a part of a certain literary tradition (and in many cases it is also considered as a sign of high quality).

Cristian Tamas : Isn’it weird that the oldest (beginning of the 13th century) known document in any Finnic language, the Birch Bark Letter no.292 is written in Cyrillic alphabet in the Karelian dialect of the archaic Finnish (or Finnic language) and it was found in 1957 by a Soviet expedition led by Artemiy Artsikhovsky in the Nerevsky excavation on the left coast side of Novgorod, Russia ? Is this an avant-la-lettre sample of Finnish Weird ?

Johanna Sinisalo: It is an interesting document. As far as I know the only words in that letter that the scholars totally agree upon are “God” and “arrow”, and the most popular theory is that the the text is a spell or prayer protecting from lightnings, saying “Jumaliennuoli on nimezhi”, roughly ”You are / will be called as the Arrow of Gods”. Perhaps it forecasts that we Finnish Weird writers are lightnings of the literary gods?

(10) TODAY’S DAY

Bookmobile Day

Bookmobile Day is an opportunity to celebrate one of the many services offered through public libraries. Originating in the nineteenth century, the earliest bookmobiles were horse-drawn wagons filled with boxes of books. In the 1920s, Sarah Byrd Askew, a New Jersey librarian, thought reading and literacy so important that she delivered books to rural readers in her own Ford Model T. And today, Kenya still uses camels to deliver materials to fans of reading in rural areas.

(11) TODAY IN HISTORY

  • April 12, 1981 — Space shuttle Columbia first launched.

(12) COMIC SECTION. A horrible pun and a funny gag – John King Tarpinian recommends today’s Brevity.

(13) HATERS. John Scalzi, the midst of his annual Reader Request Week, takes up the subject of “Haters and How I Deal With Them”. This section of his post is from a list of “things I know about haters, and how they relate to me.”

Fourth, I’ve come to realize that some people are using hating me primarily as a transactional enterprise; they see some personal business advantage to holding me up as someone to be hated, and doing so allows them to, say, peddle to the gullible and strident wares that they might not otherwise be able to profitably market. To this respect the hating isn’t actually about me — if I didn’t exist, they’d just pick someone else who suited their needs. That being the case, why get worked up about it? Especially if it’s not having any noticeable effect on my own personal or professional fortunes.

(14) MEANWHILE BACK AT THE RANCH. Quite coincidentally, Vox Day put up a post titled “This is what ‘Zero Fucks’ looks like” that’s all about….would you like to guess?

(15) LIBRARIANS LIKE IT. Library Journal gives its take on the 2017 Hugo ballot in “Quality and Diversity”

After a contentious two years owing to the Sad/Rapid Puppies dispute, last week’s announcement of the 2017 Hugo Award nominees was received with acclaim. Library Journal sf columnist Megan McArdle, noting that the puppies appeared to have lost their fangs, was thrilled by the lists. “The fact that so many women are represented (and trans women! and women of color!), just shows that diversity is actually valued by the majority of SFF fans, which is great to see after so much drama in past years.” She was also excited to see a couple of her favorites—Charlie Jane Anders’s All the Birds in the Sky and Becky Chambers’s A Closed and Common Orbit—make the list.

Co-columnist Kristi Chadwick was equally excited by the nominations, which are voted on by attendees of the World Science Fiction Convention (Worldcon) and paying members of the World Science Fiction Society. “I am a big squeeing girlfan of Seanan McGuire, and I think Every Heart a Doorway has given fantastical tropes a way to bend sideways. Then I see N.K. Jesmin, Charlie Jane Anders, and [Lois McMaster] Bujold? Amazing stories that never cross our desks? The editors, movies and everything else that makes this genre amazing? I am so thrilled with the wealth of knowledge and imagination available to readers today.”

(16) A VISIT TO DYSTOPIA. Nerds of a Feather continues its series on Dystopian Visions. Here are excerpts from two of the major critical essays. And the link will also lead you to innumerable posts about individual books and films with dystopian themes.

What marked Utopia out from these fantasies of plenty was that it could be reached, and reached in two ways. Reached physically: there was a long, arduous but supposedly practicable journey that could get you from here to there. It was a journey beyond the abilities and wishes of most people, but the idea was established that perfection did not exist only in dreams or upon death, but here in the everyday world we all inhabited. And it could be reached structurally: this perfection was not the province of god or of fairies or some supernatural inversion of the natural world, this perfection was achieved by rational men. If a safe, secure, happy existence could be achieved by sensible human organisation in Utopia, then sensible, rational men could achieve the same here.

No, I don’t think science fiction’s exploration of dystopian presents and futures has been instrumental in bringing on twenty-first century dystopia, but the genre as a whole does bear some small responsibility for our comfort with what we should be deeply uncomfortable with…

Three science fiction novels spring to mind as examples, published in 2011, 2013 and 2014. One was by a highly-regarded genre writer, who has spent the last twenty years writing fiction not actually published as science fiction. Another was written by a successful British author of space operas. The earliest of the three is also a space opera, the first in a series of, to date, six novels, which was adapted for television in 2014.

…The three books are: The Peripheral by William Gibson, published in 2014, Leviathan Wakes by James SA Corey, published in 2011, and Marauder by Gary Gibson, published in 2013.

Since its beginnings, science fiction has exhibited a blithe disregard for the characters who people its stories, outside those of the central cast of heroes, anti-heroes, villains, love interests, etc. Frank Herbert’s Dune from 1965, for instance, describes how Paul Muad’Dib launches a jihad across the galaxy which kills billions. EE ‘Doc’ Smith’s Second Stage Lensman, originally serialised in 1941, opens with a space battle between a fleet of over one million giant warships and an equal number of “mobile planets”… Manipulating scale to evoke sense of wonder is one thing, but the lack of affect with which science fiction stories and novels massacre vast numbers of people, for whatever narrative reason, is more astonishing.

(17) DO YOU? I had to answer “No.”

(18) EXOTIC GAME. Review of Simon Stålenhags RPG Tales from The Loop at Geek & Sundry — “Tales from the Loop Invites You to Roleplay in the ‘80s That Never Was”.

Tales from the Loop takes place in a retro-futuristic version of the 80’s where Cold War Era science brought us hover-vehicles, robots, and other advancements that pepper this light sci-fi landscape. It’s an idyllic time. Kids are free to roam after dark. The same children who have grown up around robots and Magnetrine Vehicles geek out over Dungeons & Dragons and Atari systems. There are problems, but the future is hopeful.

If this whole setting sounds like a sci-fi version of Stranger Things you wouldn’t be far off. If that’s what it takes to get you to crack into this portal into a future past then by all means: it’s a sci-fi version of Stranger Things. But in reality it captures more of the feeling of E.T. or The Goonies. Mike, Dustin, and Lucas were able to get help from Joyce and Sheriff Hopper. In Tales from the Loop the focus is squarely on the trials, challenges, and successes of the kids. One of the 6 Principles of the game right in the book is that “Adults Are Out of Reach and Out of Touch”, and if your character ever turns 16 years old, they age out of the campaign

[Thanks to John King Tarpinian, Hampus Eckerman, Cat Eldridge, JJ, and Marc Criley for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W, who will be awarded a Nobel Prize for his discovery of the basic Scroll title DNA.]

Pixel Scroll 2/22/17 Scroll Me A Pixel And I Reply, Cottleston, Cottleston, Cottleston Pie

(1) EARTH ][. Or maybe Seveneves for Seven Brothers. “NASA Telescope Reveal Largest Batch of Earth-Size, Habitable-Zone Planets Around Single Star”

NASA’s Spitzer Space Telescope has revealed the first known system of seven Earth-size planets around a single star. Three of these planets are firmly located in the habitable zone, the area around the parent star where a rocky planet is most likely to have liquid water.

The discovery sets a new record for greatest number of habitable-zone planets found around a single star outside our solar system. All of these seven planets could have liquid water – key to life as we know it – under the right atmospheric conditions, but the chances are highest with the three in the habitable zone.

“This discovery could be a significant piece in the puzzle of finding habitable environments, places that are conducive to life,” said Thomas Zurbuchen, associate administrator of the agency’s Science Mission Directorate in Washington. “Answering the question ‘are we alone’ is a top science priority and finding so many planets like these for the first time in the habitable zone is a remarkable step forward toward that goal.”

 

(2) COMMON SENSES. Mary Robinette Kowal did a Reddit “Ask Me Anything” today where someone asked her opinion of this writing advice —

“Include all five senses on every single page of your manuscript. That’s every 250 words.”

This is stupid. Yes, you should include all five senses, but at that pace, it becomes muddy. Plus your main character probably isn’t running around licking the walls.

When you’re there, check the schedule of upcoming AMA’s on the right-hand side of the page. An almost-relentless list of heavy hitters, including Yoon Ha Lee on March 30, Aliette de Bodard on April 25, and Gregory Benford on May 16.

(3) SF HALL OF FAME IS BACK. “Prepare to party like it’s 3001” may not scan very closely with Prince’s lyrics, but that’s how MoPOP is inviting people to attend the new Science Fiction and Fantasy Hall of Fame which opens March 4 in Seattle.

Join MoPOP for the Science Fiction and Fantasy Celebration honoring the Hall of Fame’s 20th anniversary.

  • Featuring guests of honor: Aaron Douglas (Battlestar Galactica, Dirk Gently’s Holistic Detective Agency); Wende Doohan, wife of the late James Doohan (Star Trek); Robyn Miller (Myst co-creator); and more
  • Live performances by Roladex, DJ Kate (False Prophet), and the all-female Wonder Woman-loving marching band, Filthy FemCorps
  • Trek Talk panel exploring Star Trek’s 50-year impact on pop culture, fandom, and geekery
  • Hall of Fame spotlights on the mammoth Sky Church screen
  • Costume parade, MovieCat trivia, gaming, and activities
  • Stellar photo ops, themed food and drink specials, and beyond

Tickets include admission into MoPOP’s Infinite Worlds of Science FictionFantasy: Worlds of Myth & Magic, Star Trek: Exploring New Worlds, and the new Science Fiction and Fantasy Hall of Fame gallery.

(4) TECHNOLOGY SHOULD NOT BE MUSHED UP. The future is not yet: UPS drone has glitches.

The delivery firm UPS has unveiled a drone-launching truck – but the event did not go completely to plan.

One aircraft failed to launch properly and was then nearly destroyed….

The Horsefly octacopter involved was made by Ohio-based Workhorse Group.

The initial test went well, with the aircraft launching from a platform built into the truck’s slide-open roof.

But a second attempt was more problematic.

The drone tipped over when it tried to take off, rocked back and was then nearly crushed when the truck’s roof began to close over the launch pad where the machine was still sitting.

(5) BUGS MR. RICO! This Saturday is the annual Insect Fear Film Festival at the University of Illinois here in Champaign-Urbanana (typo intentional). Jim Meadows explains:

The festival is put on by the university’s entomology department, using cheesy insect sf movies with bad science, to educate the public through reverse example.

This weekend, their guest is University of Illinois alumnus Paul Hertzberg, executive producer of the two movies being shown:  “Caved In” (2006) (with nasty beetles, I think) and 2016’s “2 Lava 2 Lantua” (nasty tarantulas — a sequel to “Lavalantula” which was shown at the festival last year).

The SyFy cable channel and its commissioning of cheap TV movies, often involving bugs, has been a godsend to the Insect Fear Film Festival, giving it a fresh supply of insect sf movies to draw from.

(6) BRYANT’S WILD CARDS INTERVIEW. George R.R. Martin has online the video recorded at MidAmeriCon II of Ed Bryant talking about the Wild Cards series.

After we heard about Ed’s death, I contacted Tor to ask them if Ed had been one of the writers they had talked with in Kansas City. I am pleased to say he was, and we can now present his interview to you complete and uninterrupted.

All those who knew and loved him will, I hope, appreciate the opportunity to see and hear from Ed one last time… but I should warn you, there is a bittersweet quality to this tape, in light of what was coming. Sad to say, Ed never did finish that last Wild Cards story he was working on, nor any of the other tales that he hoped to write.

Sooner or later, all of us have to see The Jolson Story. Be that as it may, for one last time, I am honored to present my friend Edward Bryant…

 

(7) TODAY IN HISTORY

  • February 22, 1630 — Popcorn was first introduced to English colonists by Native Americans.

(8) SPAM OF THE DAY. Daniel Dern tells the story —

I got this PR email (not unreasonably, since I’m a tech journo):

Subject: Feb. 2017: Marketing Tech Secrets Powering Unicorns

To which I replied: Why do I feel this is a Peter S Beagle / Cory Doctorow mashup novel?

(9) EXTRA CREDIT READING. Yes, I should mention The Escapist Bundle again.

You see, the eleven fantastic books in this bundle come from authors tied together by, among other accolades, their inclusion in a single volume of Fiction River, in this case a volume called Recycled Pulp. For those of you unfamiliar with Fiction River, it’s an original anthology series that Adventures Fantastic calls “one of the best and most exciting publications in the field today.”

With 22 volumes published so far, Recycled Pulp proves one of the most creative volumes. Inspired by the fantastic, escapist pulp fiction of the last century, the amazing authors in this volume were tasked with creating modern escapist fiction from nothing but a pulp-inspired title. The results were fantastic, indeed.

The initial titles in the Escapist Bundle (minimum $5 to purchase) are:

  • Waking the Witch by Dayle A. Dermatis
  • Hot Waters by Erica Lyon
  • Recycled Pulp by Fiction River
  • The Pale Waters by Kelly Washington
  • Isabel’s Tears by Lisa Silverthorne

If you pay more than the bonus price of just $15, you get all five of the regular titles, plus SIX more!

  • A Death in Cumberland by Annie Reed
  • Neither Here Nor There by Cat Rambo
  • The Slots of Saturn by Dean Wesley Smith
  • The War and After by Kristine Kathryn Rusch
  • Revolutionary Magic by Thomas K. Carpenter
  • Tales of Possibilities by Rebecca M. Senese

This bundle is available for the next 22 days only.

(10) VIRGIN FIELD EPIDEMIC. Steven Brust thinks con crud has been around for awhile.

Yes – that’s practically the Curse of King Tut’s Tomb.

(11) OH THE HUMANITY. “Two Huge Sci-Fi Novels Were Snubbed by the Nebula Awards” and Inverse contributor Ryan Britt is overwrought:

On Tuesday, the Science Fiction and Fantasy Writers of America released its nominees for the 2016 Nebula Awards and there were two glaring omissions in the category for Best Novel. Cixin Liu’s Death’s End and Babylon’s Ashes by James S.A. Corey. Does the nominating committee of the Nebulas have something against science fiction that everyone loves?

(12) STICK YOUR FINGERS IN YOUR EARS AND GO ‘LA LA LA’. Can Arrival win? Inverse skeptically takes “A Historical Look at Why Science Fiction Always Gets Screwed at the Oscars”.

1969’s 41st Academy Awards is a kind of patient zero for how respectable science fiction movies would be treated at the Oscars for the rest of time. The Academy had to acknowledge some good special effects and makeup, and at least give a shout-out to original writing. Science fiction received a pat on the head in 1969, but 2001: A Space Odyssey — maybe the best sci-fi movie ever made — didn’t even get nominated for Best Picture. And, like 1969, 2017’s intelligent sci-fi movie, Arrival, is pitted against an Oscar-bait favorite: the musical La La Land. In 1969, the musical Oliver! won Best Picture, Best Director, Best Score, Best Sound Mixing, and Best Art Direction. Clearly, the Academy prefers singing and dancing to thoughtful reflection on the meaning of existence.

Although when you put it in those terms, who doesn’t?

(13) NO COUNTRY FOR OLD SPACEMEN. Woody Harrelson has had a pretty good career, and will soon add to his resume an appearance in a spinoff from Star Wars. The first picture of the Han Solo film team was released the other day. (Westworld star Thandie Newton will also have a role in the film, though she is not in the photo.)

L to R: Woody Harrelson, Chris Miller, Phoebe Waller-Bridge, Alden Ehrenreich, Emilia Clarke, Joonas Suotamo (as Chewbacca), Phil Lord and Donald Glover

(14) BRUNCH. Not to be outdone, Twentieth Century Fox issued a photo of the Alien: Covenant cast. Unfortunately, they didn’t furnish a handy key telling who’s who. Maybe that’s less important because so many of these characters will probably get killed before the end of the movie? That’s what we expect to happen in an Alien movie, anyway.

(15) STAR CLICKIN’. ScreenRant found it easy to remember “17 WTF Things Captain Kirk Did”. Here are some of the subheads from the middle of the list. How many of them can you associate with the right episode or movie even before you look?

  1. Threatened To Spank a Planetary Leader
  1. Took Scotty To A Bordello To Cure His “Total Resentment Towards Women”
  1. Created the Khan Problem in the First Place
  1. Didn’t Tell Anyone Else He Knew They Weren’t Really “Marooned For All Eternity”
  1. Cheated on a Test — And Made It Really Obvious
  1. Pissed Off “God”

(16) PROPOSED WORLDCON 75 PANEL. It isn’t the joke, it’s how you tell it.

The Rosetta Stone for deciphering this cryptic exchange is Ursula Vernon’s 2012 blog post “In Which I Win A Hugo And Fight Neil Gaiman For Free Nachos”.

…Pretty much the minute I handed the Hugo to Kevin and sat down, the fact that I was running on a mango smoothie and crabcakes hit me, and I wanted a cheeseburger or a steak or something RIGHT NOW. The Loser’s party had a small free nacho bar. It was very tight quarters, and I had to squeeze past a curly-haired man in a dark suit who was….ah.

Yes.

“I shall dine out for years,” I said, “on the story of how I shoved Neil Gaiman aside to get to the free nachos.”

He grinned. “When you tell the story, in two or three years, as you’ve added to it, please have me on the floor weeping, covered in guacamole.”

“I think I can promise that,” I said.

(17) MEANWHILE, BACK IN 1992. Tom Hanks frames a clip of Ray Harryhausen receiving the Gordon E. Sawyer Award from Ray Bradbury at the Academy’s Scientific & Technical Awards.

[Thanks to Jim Meadows, JJ, Cat Eldridge, Carl Slaughter, John King Tarpinian, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 2/15/17 Do These Protocol Breeches Make My Throne Look Fat?

(1) RETURN OF INCOME. Jim C. Hines has posted the first results from his annual survey of novelist income.

Gross Income

Let’s start by looking at how much our authors made in 2016 before taxes or expenses. The total ranged from a few dollars to almost five million. Eight novelists made more than a million dollars (before taxes) in 2016.

  • I admit, I was a little surprised by this, and wondered if maybe people were exaggerating or hit an extra zero. Fortunately, the survey also asked for an identifier (name or other) and an email address for anyone who wanted to be informed of the survey results. Looking at who was reporting these numbers, I believe they’re accurate.

Average Income: $114,124

Median Income: $17,000

(I think the median is more useful than the average, here. The average is pulled up significantly by those very successful outliers.)

Much more data, sliced and diced various ways, at the post.

(2) NEW AWARD FOR PAKISTANI SF. The inaugural Salam Award for Imaginative Fiction will be given this year. The new short story award, intended to “promote science fiction and related genres of writing in Pakistan,” is named for Dr. Albus Salam, one of the pioneers of science in Pakistan.

The website’s administrator says some Pakistanis may see pirated copies of sf movies, when it comes to written sf there’s little awareness

I don’t know if science fiction as a genre even exist for Pakistani readers. When you go to book stores, you don’t find any books other than religous ones or text books needed for school curriculum. How can an average reader than get exposure to different genres of writing and specially fiction?

Eligible for the award are original, previously unpublished English-language stories of 10,000 words or less by persons residing in Pakistan, or of Pakistani birth/descent. (The complete guidelines are here.) Entries must be received by July 31.

The winner will receive a cash prize of Rs 50,000, a review by an established literary agent, a review from a professional editor, with the potential for publication by Tor.com.

The award judges for 2017 are sf writers and critics: Jeff VanderMeer, Usman Malik, and Mahvesh Murad.

(3) I LOST ON… Jeopardy! devoted a category to “Sci-Fi Books” on February 14. I only knew the $1,000 question – you’re bound to do better. (The correct reply will display if you scroll over the dollar amount.)

I didn’t get this one despite having read the damn book!

Thomas in this James Dashner sci-fi book awakens being “jerked upward like an old lift in a mine shaft”

(4) NANOWRIMO’S POLITICAL CONSCIOUSNESS. Tom Knighton, in an article for PJ Media headlined “Supposedly Nonpolitical Writers Group Goes Hard Left”, criticizes a message he received from NaNoWriMo .

Unfortunately, the minds behind NaNoWriMo don’t seem to appreciate what that word “apolitical” really means. How do I know?  Because of this email the Internet-based creative writing project sent to its mailing list late last week.

Dear [Name],

As a creative writing nonprofit, we’re not a political organization. We don’t endorse candidates or support any particular party. In an ideal world, we would focus only on empowering people to write.

Yet we find ourselves in a time where people’s ability to tell their stories—and even to safely exist—is at stake….

So while we are not a political organization, we feel moved to take action.

In response to the executive order, as well as any future government efforts that threaten people’s basic freedoms, we will:

Celebrate creativity over apathy, diversity over fear, and productivity over despair.

Welcome all stories and continue to make NaNoWriMo a safe space for all writers.

Advocate for the transformative power of storytelling to connect people and build a better world.

If you have concrete ideas for how we can work toward these goals (or if you have feedback about anything in this message), please share your thoughts.

That wasn’t all. Oh, no, not by any means.  They also took issue with President Trump’s desire to end the National Endowment for the Arts and the National Endowment for the Humanities.

There are a few things about NaNoWriMo that one must consider before truly understanding the context of the above email.  First, there are no prizes for NaNoWriMo.  “Winners” are basically all who complete a book, and the prize is…well, you wrote a book.  Not insignificant considering how few people who talk about books ever finish one, but that’s about it.

Further, since it is basically an internet writers group/contest, President Trump’s executive order will have precisely zero impact on it.  None.

In short, there’s absolutely no reason for Grant Faulkner to put his name on an email about a piece of political hay that impacts his operation in no way, shape, or form.

The email is more about virtue signaling, a way to tell progressives that NaNoWriMo is with them — and screw the right-leaning members of the email list!  Of course, it’s also possible they couldn’t imagine that anyone on their list actually leans right politically.

(5) THE MEANS OF PRODUCTION. The Shimmer Program has posted Sanfeng’s “Science Fiction in China: 2016 in Review”. I found it an interesting contrast with U.S. society – people generally were happy to hear about President Obama’s tastes as an sf fan, but what if he had announced a plan to co-opt science fiction to further his policies?

SF as National Agenda

Historically, the trajectory of Chinese SF was heavily influenced by top-down political forces at times. Recently it begins to receive continuous and influential support from the governments at all levels. On the one hand, following the tradition of focusing on ‘science’ in science fiction, the government re-emphasizes SF as a useful instrument for popularizing science and improving citizen’s scientific literacy. On the other hand, due to the high popularity and penetration rate of SF media, it is conceivable that the so-called ‘SF industry’ is often adopted in governmental agenda for creative and cultural industry development.

In a central government’s paper regarding promoting citizens’ science literacy issued by State Council in February 2016, it is explicitly stipulated that the government shall support science fiction writing as part of popular science writing. More details were revealed in a later talk given by Han Qide, president of China Association for Science and Technology (CAST), announcing that CAST will set up a national award for SF and host international SF festivals. The story reached the climax when Vice Chairman Li Yuanchao attended 2016 National SF Convention held in September 2016 and gave a speech at the opening ceremony warmly encouraging SF writing.

The post also tells about the 30th anniversary Galaxy Awards, and the inaugural winners of a new set of Chinese sf awards.

At its 30th anniversary, Galaxy Awards were presented on the evening of September 8th. Best Novel was awarded to Dooms Year by He Xi. Three days later, the ceremony of 7th Chinese Nebula Awards was held in National Library of China. The top award Best Novel was awarded to Jiang Bo for Chasing the Shadows and the Lights, which is the final installment of his epic Heart of Galaxy trilogy.

A couple of new SF awards are noteworthy. First ‘Droplet Awards’, named after a powerful and terrifying alien weapon in TBP, were organized by Tecent to call for submission of SF screenplays, comics and short videos. Best Screenplay was awarded to Day after Day by Feng Zhigang and Best Comics to The Innocent City by Yuzhou Muchang. Besides, First ‘Nebula Awards for Chinese SF Films’ were presented at a ceremony held in Chengdu in August 2016. Best SF Movie was given to a 2008 children SF movie CJ7 directed by Stephen Chow. Best SF Short Film was awarded to Waterdrop, a highly praised fan film of TBP, directed and produced by Wang Ren.

The Shimmer Program has also compiled a list of works from China eligible for 2017 Hugo nominations.

(7) TAKE YOUR SHOES OFF, SET A SPELL. Co-Geeking’s Erik Jensen is an American married to a Finn (Eppu) and living in the U.S. He has written a column of advice to fans going to the Worldcon this summer: “How to Helsinki: Concerning Finns”. There are quite a few do’s and don’ts, for example —

DO give people space – Finns expect a lot of it and they will give you a lot of it in return. If you’re talking to a Finn and they back away, don’t chase them. They’re probably not trying to get away from you, they’re just resetting comfortable boundaries. (See previous points.)

DO take your shoes off if you visit a private residence – so you don’t track in dirt that your host then has to clean up. Most Finnish homes have places for taking off and putting on shoes right by the front door….

…DON’T suggest getting together unless you want to make concrete plans – “We should do lunch some time” is just a casual pleasantry in the US. It’s an expression of general good will with no commitment attached. In Finland it is a commitment to future plans and Finns will expect you to follow through.

DON’T make small talk – if you’re in conversation with a Finn and feel like there’s an awkward silence, don’t try to fill it. For most Finns, silence is not awkward at all, but comfortable. The conversation will start again when someone has something to say.

And Eppu has put together an index to cultural resources published by Worldcon 75.

  • “Finland: A Very Short Guide For Your First Trip” (Facebook)
  • “Finland: An Assortment of Notes and Information” (in Progress Report 1)
  • “Finnish Fandom: Some Unique Characteristics” (in Progress Report 1)
  • “Finnish Foods and Where to Find Them” (in Progress Report 3)
  • “Hotels: Understanding the Differences between Countries” (in Progress Report 3)
  • “Non-Fandom Things to Do in Helsinki, If You Have the Time” (in Progress Report 2)
  • “Älä hätäile! Don’t Panic! A Short Guide for Pronouncing Finnish” (in Progress Report 2)

(8) TODAY IN HISTORY

  • February 15, 1903  — The first Teddy bear goes on sale.

Toy store owner and inventor Morris Michtom places two stuffed bears in his shop window, advertising them as Teddy bears. Michtom had earlier petitioned President Theodore Roosevelt for permission to use his nickname, Teddy. The president agreed and, before long, other toy manufacturers began turning out copies of Michtom’s stuffed bears, which soon became a national childhood institution

  • February 15, 1950 — Walt Disney’s animated feature Cinderella opens in theaters across the United States.

(9) TODAY’S BIRTHDAY BOY

  • Born February 15, 1950 — Matt Groening, cartoonist; creator of The Simpsons.

(10) FORD’S IN HIS FLIVVER. Stephen Baxter has an op-ed in the February 11 Financial Times, “Dude, where’s my flying car?” He looks at flying cars, based on Uber’s announcement that they are launching a flying car development project.  Examining the way flying cars are portrayed in movies from Metropolis through Back To the Future and Thunderbirds Are Go, he concludes that it’s more likely that monorails and electric cabs will be the future’s preferred form of transportation and “flying cars will remain a plaything of the super-rich–and a dream (perhaps in virtual reality) for the rest of us.”

Note – you will probably hit a paywall using the direct link. I was able to access and read the article through a Google search.

(11) LITTLE BUNDLES OF JOY. And maybe not all that little, when you pop for the maximum sized bundle.

Both are limited-time offers.

(12) NEW BIMBO VERSE. Maya Kaathryn Bohnhoff continues her Book View Café series with “There’s a Bimbo on the Cover Verse 8: Who Reads Reviews, Anyway?” and a story of the Analog Mafia.

They reviewed my book in Locus magazine.

They reviewed my book in Locus magazine.

The way Mark Kelly synopsized it,

I barely recognized it,

but they reviewed my book in Locus magazine.

True story. In fact, it happened repeatedly with my Analog stories….

(13) ETHICS BEYOND THE STRATOSPHERE. At Dreaming About Other Worlds, Aaron has reviewed Nobody Owns the Moon: The Ethics of Space Exploitation by Tony Milligan.

In Nobody Owns the Moon, Milligan begins his inquiry from the ground up, so to speak, starting with the fundamental question of whether space exploration itself can be ethically justified at all, specifically focusing on whether manned space exploration is justifiable. By starting at such a fundamental level, Milligan indicates that he is going to tackle the questions at hand without presuming that anything is justified. Instead, Milligan works through each issue with as few preconceptions as possible, examining both the arguments for and against the proposition being examined. This can seem frustratingly indecisive at times, because with most questions there is no clear cut answer one way or the other, because there are pros and cons to every position. The end result is that for most such questions, the answer lies in choosing which is the best of a flawed collection of alternatives, not in choosing the one that is clearly correct.

Milligan is also concerned with only dealing with questions that result from actions that are within the realm of possibility. To this end, he spends a fair amount of time examining the question of whether terraforming a planet to be more Earth-like is possible before he gets into the question of whether it is ethical. As he points out, examining a question that could never possibly come to pass is simply idle speculation. To a certain extent, almost all of the questions Milligan addresses in the book are somewhat hypothetical – no one is currently actually mining asteroids or terraforming Mars, but as he outlines in the book, they are all within the realm of reasonable possibility, and thus it is worthwhile to consider their the ethical implications.

(14) FIXING THE SCIENCE IN SCIENCE FICTION. Joe Stech, of Compelling SF, asks you to help him decide which of his guidelines to work on first.

Every so often I receive engaging story submissions that have wonderful writing and great human elements, but contain clearly implausible science. This can pull readers out of the story and potentially mar an otherwise excellent work.

I’ve been thinking about working with scientists to create a series of writer’s guides to help with this pain point, and I was hoping you could help me out by letting me know which subjects you’d find most useful in such a series. The idea is that we’d provide a general overview of the topic and then give some specific tips regarding common misconceptions that we’ve seen. If you have a moment please let me know what you think via the following survey:

A Survey About Science Fiction Writer’s Guides

https://docs.google.com/forms/d/e/1FAIpQLSfoME88hE2nuDpuX9JZKsl9GSL-8lRYbBux2phjdwsSDtxMVg/viewform?c=0&w=1

Feel free to share the survey link with others that might have an interest.

(15) CHURCHILL’S LOST ESSAY ABOUT ALIENS. An unpublished essay by Winston Churchill about the possibility of life on other worlds is the subject of an article by Mario Livio in the latest issue of Nature. According to the BBC:

The document was uncovered in the National Churchill Museum in Fulton, Missouri, by the institution’s new director Timothy Riley….

Churchill was a prolific writer: in the 1920s and 30s, he penned popular science essays on topics as diverse as evolution and fusion power. Mr Riley, director of the Churchill Museum, believes the essay on alien life was written at the former prime minister’s home in Chartwell in 1939, before World War II broke out.

It may have been informed by conversations with the wartime leader’s friend, Lindemann, who was a physicist, and might have been intended for publication in the News of the World newspaper.

It was also written soon after the 1938 US radio broadcast by Orson Welles dramatising The War of the Worlds by HG Wells. The radio programme sparked a panic when it was mistaken by some listeners for a real news report about the invasion of Earth by Martians.

Dr Livio told BBC News that there were no firm plans to publish the article because of issues surrounding the copyright. However, he said the Churchill Museum was working to resolve these.

(16) SAME BAT CHANNEL, NOT SAME BAT. Carl Slaughter sent a link to “The Evolution of Batman in Television and Film, 1943 – 2016.”

(17) THE GOOD STUFF. Aliette de Bodard has put up her awards eligibility and recommendations post.

I feel like I should start with the usual call to action/disclaimer: if you’re eligible to vote for any of the awards (Nebulas/Hugos/etc.), then please do so, even if you felt you haven’t read enough. It’s a big field and few people can claim to have read everything that came out last year–and generally the people who recuse themselves from voting tend to be marginalised folks, which skews ballots. So please please vote?

Here is an excerpt from her recommendations.

Novelettes

I enjoyed Fran Wilde’s JEWEL AND HER LAPIDARY: set in a universe where gems hold magic but can drive people mad, JEWEL concerns itself with the fall of that kingdom, and the desperate straits in which it leaves its princess and her companion. This is a heart wrenching tale of power, friendship, and two women’s struggle to survive.

Marjorie Liu’s “The Briar and the Rose” (which I suspect is a novelette, from Navah Wolfe’s and Dominik Parisien’s The Starlit Wood) is a retelling of Sleeping Beauty with a twist: a swordswoman falls in love with Rose–but Rose is only herself one day of the week, when the witch who occupies her body has to rest… I loved the characters and their relationship, and the quest undertaken by the swordswoman to free Rose.

Alyssa Wong’s “You’ll Surely Drown Here if You Stay”: a weird Western with a lovely friendship at its core, a tale of the desert, magic, belonging, and the weight of the dead. Definitely sticks in the mind.

Christopher Kastensmidt’s Elephant and Macaw Banner is sword and muskets set in colonial Brazil, following the adventures of Gerard van Oost and Oludara in a land filled with strange creatures. It’s a series of linked novelettes (with gorgeous cover art), and it’s great fun. Two volumes came out last year: A Torrential Complication and A Tumultuous Convergence.

(18) SIRI. In “The Voice (Siri)–a 48 hr film” on Vimeo, Yonatan Tal imagines what Siri would do if confronted with too many inane questions, including knock-knock jokes and “Where can I get some drugs?”

[Thanks to Martin Morse Wooster, Andrew Porter, Steven H Silver, JJ, Mark-kitteh, Joe H., Peter J, John M. Cowan, John King Tarpinian, Aaron, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Dawn Incognito.]

Pixel Scroll 5/18/16 Griefer Madness

(1) GENRE RECAPITULATES ONTOLOGY. Damien Walter divides the audience into “The 8 Tribes of Sci-Fi”.

Calling sci-fi a genre in 2016 is about as accurate as calling the United States one nation. In principle it’s true, but in practice things don’t work that way. While crime, romance and thrillers all remain as coherent genres of fiction, it’s been decades since sci-fi could be comfortably understood by any shared generic criteria. What do Neal Stephenson’s Seveneves, Joe Abercrombie’s Shattered Seas trilogy, the fiction of Silva Moreno Garcia and the erotic sci-fi of Chuck Tingle actually have in common, beyond being nominated for major sci-fi book awards this year?

The answer is they all belong to one of the eight tribes of sci-fi…..

The Weirds Most writers at some point play around with the effects that can be induced by engineering stories with internal inconsistencies, mashing together disparate metaphors, or simply being weird for weirds sake. The weirds take this as an end in itself. With China Mieville as their reigning king they were riding high for a while. However, with newer voices like Molly Tanzer’s Vermillion coming through, the American ‘bizarro fiction’ movement, and with authors including Joe Hill and Josh Mallerman rejuvenating the traditional horror genre, the Weirds are still among the most creatively interesting of the eight tribes.

(2) SILENT THING. According to Digiday, “85 percent of Facebook video is watched without sound”.

Facebook might be hosting upwards of 8 billion views per day on its platform, but a wide majority of that viewership is happening in silence.

As much as 85 percent of video views happen with the sound off, according to multiple publishers. Take, for instance, feel-good site LittleThings, which is averaging 150 million monthly views on Facebook so far this year. Eighty-five percent of its viewership is occurring without users turning the sound on. Similarly, millennial news site Mic, which is also averaging 150 million monthly Facebook views, said 85 percent of its 30-second views are without sound. PopSugar said its silent video views range between 50 and 80 percent.

(3) YAKKITY CAT. Steve Davidson says an interview with Timothy the Talking Cat will appear on Amazing Stories this Thursday. I’m running neck and neck with Steve in pursuit of interviews with the hottest new talents in the field — he won this round!

(4) JENCEVICE OBIT. SF Site News carries word that Chicago conrunner and club fan Mike Jencevice died May 16.

Chicago fan Mike Jencevice (b.1955) died on May 16. Jencevice entered fandom in 1978, publishing the fanzine Trilevel and serving as the long-time president of Queen to Queen’s Three, a media fan club. He ran the dealers room at Windycon for more than 30 years and served on the ISFiC Board for much of that time. He was one of two associate chairs for Chicon 2000.

(5) VR. BBC News explores “How will virtual reality change our lives?”

Four experts, including Mark Bolas – former tutor of Palmer Luckey, who recently hand-delivered the first VR handset made by his company Oculus Rift – talked to the BBC World Service Inquiry programme about the future of VR.

Mark Bolas: Out of the lab

Mark Bolas is a professor at USC School of Cinematic Arts and a researcher at the Institute for Creative Technologies. He has been working in virtual reality since 1988.

VR hits on so many levels. It’s a real out-of-body experience, and yet completely grounded in your body. …

To find a way to make it low cost and still retain that field of view, we harnessed the power of mobile phones – the screens, tracking and processing – and we figured out a lens design that was extremely inexpensive.

It’s been really fun playing all these years, but there’s something more important now, which is making it a space that allows us to harness our emotions, our desire to connect with people.

I’m worried by our current computer interfaces. I watch people walking around like zombies with cell phones in their hands, and I have to manoeuvre a mouse to fill out little boxes on web forms in a horribly frustrating way. I think VR will allow us to transcend this.

I don’t worry so much about where VR is going, I worry about where we currently are.

(6) SHEER WEIR. By the Washington Post’s Joel Achenbach: “Andy Weir, author of ‘The Martian,’ aims his pen at the moon”

Lots of people who are interested in going to Mars have been gathering this week at George Washington University for the annual Humans to Mars Summit, and the star attraction this morning was Andy Weir. He’s the author of the novel “The Martian,” which has sold 3 million copies, been translated into something like 45 languages and served as the basis of the blockbuster movie by the same name, directed by the legendary Ridley Scott and starring Matt Damon. So, yes, that book did well — remarkably so given that he originally published it in chapters on his website and later as an electronic book that could be downloaded for free.

Weir, whom I interviewed on stage in the summit’s opening session (you can probably find the video here), was scheduled to pop by The Post for today’s “Transformers” event and then visit Capitol Hill to testify before the House subcommittee on space. Busy day! He said he was going to talk about how an interplanetary spacecraft, such as one going from Earth to Mars, can be designed to spin to create artificial gravity. That’s a potential way to moderate the severe physical effects of weightlessness on the human body. Without artificial gravity, the first astronauts on Mars would likely spend many days just trying to recover from all those months in zero-g conditions.

But he’s also working on another novel, this one about a city on the Earth’s moon that features a female protagonist who is something of a criminal but still lovable, according to Weir.

(7) TODAY’S BIRTHDAY BOYS

  • Born May 18, 1931 — Mad magazine cartoonist Don Martin
  • Born May 18, 1930 — Fred Saberhagen

(8) THE REAL-LIFE GRINGOTT’S. The BBC tells where the gold is kept.

The largest by far lies in the Bank of England. It holds three-quarters of the gold in London, or 5,134 tonnes. Most of the gold is stored as standard bars weighing 400 troy ounces (12.4 kg or 438.9 ounces) – there are about 500,000 of them, each worth in the region of £350,000.

But the official reserves of the UK Treasury account for less than a tenth of this.

“Just 310 tonnes of the gold in the Bank of England is from the UK Treasury, the rest is mostly commercial,” says Adrian Ash of BullionVault.com.

The gold is held in a system of eight vaults over two floors under Threadneedle Street in the City. This is to spread the weight and prevent the vaults from sinking into the London clay beneath the bank.

“So no maze of caves bored into rock,” says Chip Hitchcock, sounding a little disappointed.

(9) MARCON HARASSMENT, PART ONE. Steven Saus relays “Reports of Harassment at MarCon 2016, including ‘The Chainmail Guy’ who harassed people at CONTEXT” at Ideatrash. (To refresh your memory, see File 770’s post about Context.)

Sadly, I’m hearing from friends who attended MarCon this year that the stance about Chainmail Guy’s harassment – the one that some members of the board decided to destroy the con over rather than censure a buddy who was harassing people – was completely justified.

According to multiple accounts, he was very visible in the main corridor, apparently with a table displaying some chain mail. (Which is exactly the setup that spawned problems at Context.) Sure, he wasn’t a volunteer, but had a very prominent bit of real estate. And, much like the complaints at Context, kept inserting himself into private conversations, just as he did before.

Unlike Context, he was in the main hall – and therefore much harder to avoid.

As one person put it, “if you heard about the stuff about Context, you’d get the very clear opinion that MarCon was okay with all that.”

Sadly, this might just be the case.

There were reports (and these were forwarded to the con chair) of another guy suggesting he should “frisk” a young woman after earlier reaching out to touch her without consent.

A corset vendor walked the line between creepy and harassment by insisting their corset fit perfectly, and any impression otherwise was due to the person’s “body issues”. He told another person that “he needed to see me try on one of the corsets and not in a friendly way…in front of my kids.”

And this is just what’s managed to cross my awareness.

(10) MARCON HARASSMENT, PART TWO. Saus also published “A (Good) Response From One of the Security Team From MarCon about Harassment”. It is signed by JP Withers.

As a fan I really hate it when our community is damaged by harassing behavior. Inclusion is kind of the point of our thing to me.

Our security and operations folks need help making our space better for everyone, and that help is reporting stuff when it happens. I know there can be a lot of reasons someone might not report behavior, but if one of those reasons is a feeling we won’t take it seriously I can tell you that isn’t the case for anyone on my team….

(11) MARCON HARASSMENT, PART THREE. Ferrett Steinmetz, immediately after Marcon, published these generalized comments calling into question how some apply the principle that “A Person Is Innocent Until Proven Guilty By Law”.

…And all the complexity comes to a boil when we’re discussing how to handle missing stairs in a community – potentially dangerous people who have gossip swirling about them, but no definitive proof. (Because most consent violators are smart enough not to do terrible stuff in public with witnesses.) And what do you do to keep your parties free of dangerous players when the only proof you have is the equivalent of “She said Phil didn’t pay her back”? Do you ban people on someone’s word?

Maybe you think the court’s standards are worthy for any institution, which is a noble goal. There is a strong case to be made for “I will hold the people who would spread rumors to the highest of standards,” because yeah, the ugly truth is that there are corrupt cops and there are people who’ll trash folks they don’t like. Having standards for evidence is good, and though there’s no single True goal, having high standards when the penalty is “Banning someone from a party” is not necessarily a bad thing.

But stop extending that to the idiotic argument of “If something someone says has not been proven in a court of law, it is automatically untrue.” No. If that happens, you are adopting the court’s standard of, “We would rather have someone guilty attending our parties than risk ejecting an innocent person.”…

(12) MARCON HARASSMENT, PART FOUR. Reddit ran its own recap of the latest episode, the essence of which is —

But now a different Ohio convention, MarCon, has had a problem with a harasser… and it’s the SAME GUY:

It’s the same stuff different day syndrome at its worst. There is no way for cons in general to keep these people out since conventions don’t have any kind of shared governance… so even when “missing stairs” are dealt with at one con, they aren’t at another. 🙁

(13) UNPAID MINIONS. The Seattlish has screencaps of the legal papers — “Someone Is Suing Emerald City Comicon for Not paying Volunteers”.

A class action lawsuit has been filed by a former Emerald City Comicon volunteer—the organization calls them “minions”—alleging that the convention violates labor laws by treating their volunteers like employees, but failing to pay them.

The suit, filed in King County Superior Court on May 16 by plaintiff Jerry Brooks and naming ECCC and three members of the Demonakos family as defendants, alleges that as many as 250 people may be among the class.

According to the suit, the volunteers are expected to work essentially as paid workers would—performing functions necessary to the operation of the convention—but aren’t required to be paid for their labor or their overtime due to their volunteer status.

This suit could be hard to prove; the volunteers not only willingly enter into an agreement stating that they’ll work for free, but the culture of the convention fosters a competitiveness for the volunteer positions. A lot of people really like volunteering. In a blog post from 2013, a minion wrote that it “isn’t the  kind of thing you do for money.”

(14) STORYBUNDLE. The Story Collection StoryBundle is available for another 15 days. Readers can choose to donate part of each purchase to SFWA. Curator Lisa Mason tells how the bundle was assembled here.

As always at StoryBundle, you the reader name your price—whatever you feel the books are worth. You may designate a portion of the proceeds to go to a charity. For the Story Collection StoryBundle, that’s Science Fiction and Fantasy Writers of America (“SFWA”). SFWA champions writers’ rights, sponsors the Nebula Award for excellence in science fiction, and promotes numerous literacy groups.

The initial titles in the Story Collection StoryBundle (minimum $5 to purchase) are:

  • The Green Leopard Plague by Walter Jon Williams. Two stories in this collection won the Nebula Award.
  • Collected Stories by Lewis Shiner. This extensive and multi-genre collection was prepared as an ebook for StoryBundle.
  • Errantry: Strange Stories by Elizabeth Hand.

Those who pay more than the bonus price of $12 get all three regular titles, plus five more:

  • Women Up to No Good by Pat Murphy. Two stories in the collection were nominated for the Nebula Award.
  • Strange Ladies: 7 Stories by Lisa Mason Six Stories by Kathe Koja. The collection was created by the author for StoryBundle.
  • What I Didn’t See: Stories by Karen Fowler. The collection won the World Fantasy Award and the title story won the Nebula.
  • Wild Things by C.C. Finlay. The collection was prepared as an ebook for StoryBundle and has a brand-new Afterword. Finlay is the editor of F&SF.

(15) NEBULA CONFERENCE. SFWA President Cat Rambo has vivid memories of “Nebula Conference 2016, Chicago”.

For me, so much of the weekend was a reaffirmation of joy in our genre and the worlds that we love, worlds created by some of the best and brightest. Opportunity to talk with so many talented, kind, and outstanding members of the industry. A chance to stand by one of my heroes, someone whose work I’ve read most of my life and who has been one of my role models, and see her body of work recognized. A chance to be in a place where people treated each other with respect as peers and took pride in each other’s accomplishments, where there weren’t the sort of pettinesses that belong on the playground rather than among fellow professionals. A chance to tell people some of what SFWA’s been working hard at in the past year, and some of what’s coming down the pike.

And Liz Argall is still buzzing about Henry Lien’s Radio SFWA.

(16) CONVERT MADE. Say what you like about Seveneves, Bill Gates wrote on his website that it’s got him back reading sf.

“What Bill Gates says: “I hadn’t read any science fiction for a decade when a friend recommended this novel. I’m glad she did. The plot gets going in the first sentence, when the moon blows up. People figure out that in two years a cataclysmic meteor shower will wipe out all life on Earth, so the world unites on a plan to keep humanity going by launching as many spacecraft as possible into orbit.

“You might lose patience with all the information you’ll get about space flight—Stephenson, who lives in Seattle, has clearly done his research—but I loved the technical details. Seveneves inspired me to rekindle my sci-fi habit.””

(17) STAY INVESTED IN THE FUTURE. Helen Sharman speaks out — “First UK Astronaut calls for more Brits in space”.

Britain’s first astronaut has said the UK risks becoming a “backward nation” if the government does not pay to send more people into space.

Helen Sharman believes the country would lose many of the benefits of Tim Peake’s mission if a commitment to more flights is not made very soon.

Ms Sharman said that this was the UK’s “last chance” to be involved “in the future of the human race”.

She spoke to BBC News on the eve of the 25th anniversary of her spaceflight.

The government has effectively paid for one spaceflight, Tim Peake’s, according to Ms Sharman. After he returns to Earth in June, it is unlikely there will be more UK astronauts in space unless the nation makes a further commitment of funds at a ministerial meeting of European Space Agency (Esa) member states later this year.

(18) MR. ROBOT SEASON 2 TRAILER. The Hollywood Reporter summarized the preview video.

“This is what revolution looks like,” the text of the trailer reads. “Control is an illusion.”

Although they were successful in their hack, fsociety will face more obstacles in season two. “They need to know we haven’t given up,” Darlene (Carly Chaiken) says. “That we meant what we said about changing the world.”

However, the most worrisome image in the clip is Mr. Robot himself (Slater) as he puts a gun to Elliot’s head. “Our revolution needs a leader,” he tells Elliot.

 

(19) NEWS FOR HITCHHIKERS. “Towel Day” is coming on May 25, and Nerdist reports a candy store is readying its supply of babelfish.

The fandom of Douglas Adams and his writing is intense, to say the least, and has even resulted in a holiday to honor the late author. Every May 25th, fans around the world celebrate “Towel Day” which itself is a reference to what Adams thought to be the most important item you could have with you through your galactic travels.

As a way of showing their love of everything Hitchhiker’s, a candy shop in Florida that specializes in nerdy confections decided to celebrate by creating some Babel fish of their very own. Using an antique 19th-century drop candy roller, the folks at Public Displays Of Confection rolled out a serendipitous 42 bags of these fish shaped candies just in time for Towel Day, and we can only assume that they went with piña colada flavor because it’s just too hard to perfect the essence of a Pan Galactic Gargle Blaster.

[Thanks to Hampus Eckerman, Cat Rambo, Chip Hitchcock, Steve Davidson, Tracy Benton, Darren Garrison, Steven Saus, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]