Pixel Scroll 3/10/17 Anachronism of Green Gables

(1) SKULL SESSION. NPR doesn’t think much of King Kong: Skull Island, but compensates by adding interesting movie trivia to their review:

A noble beast gets shackled, ape-napped from his island home and dragged to America in:

  • Minute 84 of 1933’s landmark King Kong,
  • Minute 90 of 1976’s Jeff Bridge/Charles Grodin/”and introducing Jessica Lange”-starring King Kong, and
  • Minute 135 of Peter Jackson’s 2005 prestige pic King Kong — which, at three hours and change, qualifies as the most Kong-sized of the bunch.

In the new, comparatively unambitious Kong: Skull Island, the big guy finally claims a perk of his eight decades of stardom: He gets to do the entire picture from home.

Indeed, this new colon-ized, name-and-address-formatted Kong is at its mediocre best when it pretends to be a nature documentary about Skull Island’s bizarro flora and fauna. One of its most captivating scenes has the big ape bathing himself in a river — at last, computer animators have learned to make convincing water! But every time the movie threatens to get interesting, one of its hordes of ersatz, non-animated characters shows up and starts talking again.

There’s plenty of top-flight talent — Tom Hiddleston, Brie Larson, the Johns Goodman and C. Reilly, and the Jacksons Samuel T. and Marc Evan — so it’s no chore to sit through. But good luck being able to remember in two months whether you saw this thing or not.

By comparison, the Boston Globe thought it was fun and gave it 3 stars out of 4:

“Kong: Skull Island” isn’t a remake or a reboot or a re-anything. It’s just a Saturday matinee creature feature with a smart, unpretentious script, a handful of solid supporting players, and a digital Kong who feels big enough and real enough to provoke the necessary awe. This is all to the movie’s credit.

Better yet (and unlike [Peter Jackson’s 2005] film), the new movie understands the line between thrilling an audience and scaring it silly — between action-adventure awe and horror-movie gross-outs. The movie feels as if it has been made for a 10-year-old kid, either the one living in your house or the one living in your heart.

(2) COMIC SECTION. And Dan Thompson’s Brevity welcomes the movie with a punny cartoon.

(3) NAVIGATING THE AMAZON. Why did Amazon build a brick-and-mortar bookstore in the first place? Why is it now about to open number 10?

People were surprised when Amazon announced its first brick-and-mortar bookstore in November 2015. Then came No. 2, 3 and 4.

Sixteen months later, Amazon just confirmed to Recode that it is now working on store No. 10 — a location at the Bellevue Square shopping center across Lake Washington from Seattle. Plans for this new location were found in building permits flagged by the building contractor site BuildZoom.

“We are excited to be bringing Amazon Books to Bellevue Square in 2017, and we are currently hiring store managers and associates,” an Amazon spokesperson said.

If it wasn’t clear before, it is now: Amazon really likes the traction it has seen in the four stores that have opened so far and is committed to becoming a physical retailer at scale. New locations are opening in places like Chicago, New York City and the suburbs of New Jersey later this year.

That doesn’t mean the stores still aren’t puzzling. Why does Amazon — bookstore killer — want to become a physical book purveyor? One smart take has been that the stores are as much about selling Amazon devices like the Echo and Kindle as they are about selling books.

(4) NEW STOPS ON THE INFORMATION SUPERHIGHWAY. China’s Internet may be showing the way. British anthropologist Tom McDonald, who moved to Anshan, a small rural town between Beijing and Shanghai, has written a book about the Chinese internet, about which he is apparently very protective, and is the source of information for this BBC article.

Most writing about China’s internet had explored metropolitan elites living in the country’s huge cities – and had tended to focus on the issues of censorship and government control, painting a joyless place straight out of George Orwell’s 1984. Yet here in Anshan, McDonald was surprised to find a vibrant and innovative online world. “It is easy for us to assume that ‘the Chinese Internet’ ought to be a very drab and boring and constraining place, whereas actually, Chinese internet users are incredibly creative and the internet is incredibly lively,” he tells me. “It was more like an online carnival.”

….One of the core differences, from British social media use, was the fact that the people of Anshan tended to shy away from political pronouncements on their profile pages – “not because of censorship, but just because all the people around them would ask why are you posting that on here,” says McDonald. Instead, their updates tended to be centred on the family and relationships with somewhat saccharine images and messages – perhaps as a way of upholding some of the values at the heart of their rural community.

Chip Hitchcock sent this comment along with the link: “The writer seems especially taken with the way everything works together, which suggests the (possibly-mythical) computer scientist’s praise of cyberpunk (~’Sure, everybody’s doing terrible things to each other — but their computers all work together!’)”

(5) TODAY IN HISTORY

  • March 10, 1972 — Killer-creature flick Frogs hops into theaters.
  • March 10, 1972 Silent Running premieres.
  • March 10, 1997 Buffy the Vampire Slayer premieres on television.

(6) THE BUFFYVERSARY. “20 Years Ago ‘Buffy’ Welcomed Us All To The Hellmouth (aka High School)” NPR reminds us.

Twenty years ago, on March 10, 1997, TV audiences were introduced to Buffy Summers, a pint-sized blonde who could hold her own against the undead. Buffy the Vampire Slayer ran for seven seasons from 1997 to 2003. It had witty dialogue and used monsters as a metaphor for everyday high school problems like bullies, catfishing and feeling invisible.

If that wasn’t enough to make high school seem hellish, the characters went to school on top of a literal Hellmouth. “So many people at the time sent us letters saying, ‘I’m only getting through high school because of Buffy,‘ ” says Buffy writer and producer Jane Espenson.

The BBC also cites Buffy’s influence on pop culture:

Without Buffy’s brilliant musical episode Once More, With Feeling would Ryan Gosling and Emma Stone’s movie ever have been green-lit?

Actually, yes, it would have been. But if you enjoyed the singing dancing love letter to LA which didn’t win best film at this year’s Oscars, you could do worse than to check out Buffy’s musical extravaganza.

It’s exactly like La La Land, but with added demons.

It also set a trend for other TV shows to unexpectedly feature a musical episode halfway through a series, including medical comedy Scrubs and medical drama Grey’s Anatomy – and an upcoming Supergirl/The Flash crossover.

(7) TODAY’S DAYS. You get your choice.

  • Mario Day

Mario Day came about when it was noticed that when one marks the day Mar.10, it spells Mario. From then it just took off. Mario was first introduced in Nintendo’s game Donkey Kong. When he appeared in this game in the early 1980’s he was not the well-named plumber that would be recognized today. His name was Mr. Jumpman and he was a carpenter.

  • International Bagpipe Day.

The Bagpipe Society has been sponsoring the celebration of International Bagpipe Day since 2012. They have helped to bring the bagpipe to new players since 1986. It is important to them that the history and playing of the bagpipes is not lost. Putting this day together was with the hope of bringing awareness of the over 130 different types of bagpipe throughout the world.

(8) JEDI JOCULARITY. Mark Hamill tweeting as Trump —

(9) DANDELION WINE KICKSTARTER FAILS. Filmmakers ambitious to produce a movie of Ray Bradbury’s “Dandelion Wine” attempted to crowdfund production with a Kickstarter campaign but they had received only $4,791 of the hoped-for $350K when the campaign ended in January.

In December, the Utah Independent profiled the men behind the effort.

RGI Productions filmmaker Rodion Nahapetov and producer Natasha Shliapnikoff, long-time friends and colleagues of Ray Bradbury, have launched their Kickstarter campaign for the “Dandelion Wine” movie.

“The Kickstarter campaign is so important to us because by receiving the support of Ray’s fans and friends, we will be able to make the movie the way Ray would have wanted it made independently, true to his vision and with love!” said Shliapnikoff.

(10) ELIGIBILITY POST. Adam Rakunas keeps voters informed —

(11) NATIONAL TREASURE. Maybe the original art for the cover of Action Comics #1, which introduced Superman to the world in June 1938, no longer exists, but in late 1938 or ’39, Joe Shuster re-drew that cover for use as a puzzle from the Saalfield Company of Cleveland, Ohio, which was manufactured in 1940. “I wonder what this piece of original art might be worth today?” asks John King Tarpinian. The search is on!

(12) OOPS! Meanwhile, we know what happened to these treasures — “Pulped fiction: Blundering artist destroys rare first edition of The Avengers and other valuable comics worth £20,000 to make papier-mache scultpture”. The Daily Mail has the story.

An artist made a papier-mâché sculpture from comics only to discover that the books were in fact first editions worth about £20,000.

The piece of artwork, called Paperboy, was created by Andrew Vickers, 49, from Sheffield, who found the comics for the man-sized statue in a skip.

However, after handing the sculpture over to an exhibition he was told the comics, which included a first edition of The Avengers, would have been worth a small fortune.

(13) THE NOT-SO-DREAD PIRATE GAME. The Digital Antiquarian remembers when Ron Gilbert made an adventure game that didn’t suck – Monkey Island.

The game casts you in the role of Guybrush Threepwood, a lovable loser who wants to become a pirate. Arriving on Mêlée Island, a den of piratey scum and villainy, he has to complete a set of trials to win the status of Official Pirate. Along the way, he falls in love with the island’s beautiful governor Elaine — her name sets the game up for a gleeful The Graduate homage — and soon has to rescue her from the villain of the story, the evil ghost pirate LeChuck.

The Disnefied piracy wasn’t hard to do, especially after Gilbert discovered a charming little historical-fantasy novel by Tim Powers called On Stranger Tides.

(15) SF IN LIVE THEATER. Alastair Reynolds tells about seeing Diamond Dogs in Chicago, a stage play based on his story.

The House Theatre team did a remarkable job with this undoubtedly challenging material, working with inventive stage and prop design to nonetheless evoke a series of settings many light years away, and hundreds of years in the future. All the cast are in the above photo, along with the crew behind the production, and it was a pleasure and privilege to see so much skill and imagination come together on stage.

My story takes place in a range of locales, from the bowels of Chasm City, to a starship, to the ravaged surface of an alien world, and ultimately the many-roomed interior of the enigmatic alien structure named Blood Spire, an enormous tower floating just off the surface of the planet Golgotha. Depicting all this in film would be a feat in itself, and quite beyond any reasonable notions of practical theatrical staging. The solution adopted by the House Theatre was to use artful minimalism and suggestion, trusting in the audience to employ their imaginations given the narrative cues provided the actors and the sound and lighting effects. I thought it worked tremendously well, and the later stages of the story – involving the passing through of the puzzle rooms in the Spire – achieved a strange, stark beauty, all with little on stage but the illuminated, moving doorways and the actors in their spacesuits. Later, as the story progressed to its grim conclusion, extremely effective use was made of the ingenious puppet designs of Mary Robinette Kowal, allowing us to follow the actors as they became something other than human. These latter scenes, aided by an unsettling score, had a truly surreal power.

[Thanks to Chip Hitchcock, JJ, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/14/17 Whoops! Forgot To Pull The Handle!

(1) CLARKE AWARD-ELIGIBLE BOOKS. The director of the Arthur C. Clarke Award has released the complete submissions list of eligible books received.

…I need to be clear, this is not a long list. Rather this is a list of every eligible title officially submitted to us by its publisher or creator for consideration for this year’s award.

…Ten or so years ago, when I first started doing this, it had become apparent that some of the ‘why the heck has that been shortlisted?’ reaction we tended to enjoy on releasing a new shortlist stemmed from the fact that many of the books put forward to our judges might not have been part of the general SF books conversation.

As such, their sudden arrival on a science fiction award list might have taken even some of the keenest award watchers somewhat by surprise, and we all know how much critics love having someone else discover something first…

Solution: put the full submissions list out there in advance of any official shortlist announcement so its there for everyone to see and discuss and even attempt some amateur prognostication on what the actual, official, top six list would look like….

This year we received 86 books from 39 publishing imprints and independent creators.

This is down somewhat from last year’s total of books, where we received 113 titles, and is the first drop below the 100 mark for several years….

(2) SHADOW CLARKE. Members of the Clarke Shadow Jury have begun posting at the official site.

Until relatively recently, the only SFF awards I knew were those mentioned on book covers: the Hugo, the Nebula, and the Clarke. The first Clarke winner I ever read was probably either The Handmaid’s Tale or Take Back Plenty, but those were older editions that didn’t mention it on the covers, so at that time I didn’t know. So the first time I realized there was such a thing as a Clarke Award was when I saw it on the cover of Paul McAuley’s Fairyland, the 1996 mass market paperback with the big blue face on the cover, with “Winner of the Arthur C. Clarke Award” on its forehead.

It’s almost funny that I hadn’t heard of the award by that time, given that Clarke was a local celebrity. If there were ever any local announcements of the original 1987 grant or of any of the subsequent winners, I missed it. I don’t think there were any, though. Things were a lot more disconnected in those days, and the award was firmly rooted somewhere else. And anyway, Clarke lived in a different version of Colombo than I did. A few years before I was born (and not long after Elizabeth II finally stopped being our head of state, nearly a quarter-century after independence from the Empire) the Sri Lankan government brought into law an entire new immigration status, the non-citizen Resident Guest, to accommodate Clarke personally. Apparently even as late as 1982 this was still being called “the Arthur Clarke Law,” which we might call that a fourth law on top of the better-known three already named for him (and the only one which is actual law.)

I have written about the Clarke Award in Foundation and I was also part of the panel which discussed ’30 Years of the Arthur C. Clarke Award’ at the 2016 Eastercon (an edited transcript of which is due to appear in Vector this year). I see participation in this shadow jury as offering the possibility of connecting such kinds of critical activity with my typical informal  approach to the Clarke of inaccurately predicting the shortlist, reading it, arguing about it, guessing the winner and attending the ceremony to find out how wrong I was. All in all, this is an unmissable opportunity to expose simultaneously the idiosyncrasies of my personal taste and the foundations of my critical thought.

And Maureen Kincaid Speller comments on her own blog in “Shagreen, or chagrin: the shadows begin to gather”.

…I’ve been a Clarke judge myself and it is no picnic. I’m sure a lot of people imagine it’s all ‘wow, free books’, but a look at the submissions list will tell you that the jewels are accompanied by a lot of dross – and yes, let’s be blunt about this, dross. This is not unique to the Clarke Award, by any means. I’ve been a Tiptree judge, and witnessed a Campbell Award judge at work; it goes with the territory. But while it’s worth being mindful of the fact that one woman’s dross is another man’s treasure, some dross is just dross …

If there is a problem, with the Clarke and other juried awards, it’s that … actually, there are two problems. One is that the jury’s deliberation is private, and indeed it should be, but as a result we have no access to the debate and can never know what prompted them to make certain decisions. There is probably horse-trading some years, and publishers are not always willing to have their titles submitted if they’re trying to market a book a certain way that is emphatically not science fiction. We don’t know, we can only guess, and it makes things difficult when a book doesn’t appear on a shortlist, and we ask ‘why didn’t they put that on?’ not knowing that the publisher couldn’t or wouldn’t submit. Judges can ask for books but that doesn’t mean they’ll arrive.

But the other problem is that when the shortlists roll out, ‘what were they thinking?’ is a quick and easy response, because it’s really hard to come up with anything else, in the absence of prior debate. And too often this becomes a veiled attack on the competence of the judges, which is not fair on them. They were asked to judge and they did their best in the circumstances. The one thing I will say is that it has seemed to me in recent years that the organisations who nominate judges have tended not to nominate practising critics, which means that one particular approach to sf has been neglected. And that may look like special pleading, but critics have their place in the ecosystem too, alongside the readers….

(3) APEX APOLOGY. Apex Magazine editor Jason Sizemore has revised his “Intersectional SFF – Response” piece from the version excerpted in yesterday’s Scroll.  The main part now reads –

Editor’s note: In my rush to take down the “Intersectional SFF Round Table” and to immediately assure our readers that they were being heard, I shared a hastily-written non-apology that was defensive when I didn’t meant it to be, and shut down the very conversation I wanted to have. I am sorry for that. My revised explanation of the decision to remove the round table is below. – Jason Sizemore

Dear Readers,

On Friday, we posted an “Intersectional SFF Round Table” in support of the Problem Daughters campaign and anthology. Though the post was put together by the Problem Daughters staff without input from us, we made the editorial decision to share the post exactly as it was delivered, without considering the implications of who was (and who wasn’t) included in that discussion. Almost immediately, we were made aware of multiple issues with that post, and removed it.

It was our hope that the original post would help bring awareness to the Problem Daughters project, and spark a discussion about intersectional SFF with our readers. Frankly, by virtue of their lived experiences, the authors and editors working on that anthology have a greater wisdom on what is and is not intersectionality than I will ever possess, and I appreciated their contribution.

However, that doesn’t absolve our editorial team of the responsibility of vetting the content that appears on Apex Magazine, and no conversation like this should be presented as a complete picture of intersectionality or even SFF in general. Going forward, we will make a greater effort to listen to the voices of our community, to learn, and include….

(4) YOUTUBE STAR EMBARASSES THE FRANCHISE. Disney’s Maker Studios and YouTube have axed some of their projects with superstar PewDiePie after he posted an anti-Semitic video reports CBS News.

The content creator, whose real name is Felix Kjellberg, posted a now-deleted video on Jan. 11 that showed him laughing while two men held up a sign that said “death to all Jews.” Kjellberg hired the two men on Fiverr, a site where users can hire people to complete tasks for $5.

It’s not the first time the YouTube star posted a video with anti-Semitic remarks. Since August 2016, he had posted nine videos with anti-Semitic jokes or iconography, reports the Wall Street Journal.

Kjellberg has a record-breaking 53 million subscribers on YouTube, and makes millions off of his videos. Last year, he was YouTube’s highest paid star, raking in $15 million in 2016, reports Forbes.

Though Kjellberg’s signature style has been to shock fans with silly and sometimes crude humor, Disney’s Maker Studios, the division who partnered with the creator, says his latest stunts are unacceptable.

Wired specifies the affected projects:

YouTube’s response was tepid at first: It reportedly pulled ads from only one of the videos in question. But this morning the company said it was cancelling the second season of PewDiePie’s show and dropping ads from all of the offending videos, as well as pulling PewDiePie’s channel from a premium advertising program called Google Preferred.

(5) DISCOVERY ADDS BRASS. Star Trek: Discovery has cast three new Starfleet membersSciFiNow.uk has the story.

Joining Michelle Yeoh’s Captain Georgious aboard the starship Shenzhou are Terry Serpico, Maulik Pancholy and Sam Vartholomeos. In an update on the official CBS page, the network also revealed details about the characters the three actors will be playing.

Serpico, who is best known for his role in Army Wives, is set to play Admiral Anderson, a high-ranking official of Star Fleet. Pancholy, who recurred as Jonathan in 30 Rock and Sanjay in Weeds, is Dr Nambue, the Shenzhou’s Chief Medical Officer. Vartholomeos will play Ensign Connor, a Junior Officer in Starfleet Academy who was assigned to serve on the Shenzhou.

Joining Michelle Yeoh and the new additions on the Star Trek: Discovery are Sonequa Martin-Green as Lieutenant Commander Rainsford, James Frain as Sarek, Doug Jones as Lieutenant Saru, Anthony Rapp as Lieutenant Stamets, Chris Obi as T’Kuvma, Shazad Latif as Kol and Mary Chieffo as L’Rell.

Star Trek: Discovery will be a semi-prequel to The Original Series, set ten years before the start of James T Kirk’s five-year mission.

(6) SPEAKING OF TRUNK MANUSCRIPTS. Heritage Auctions is offering a Stagecoach Trunk once owned by Samuel L. Clemens. To own it will cost you at least $25,000 plus a hefty buyer’s fee, but you can read about it for free.

[Mark Twain]. Stagecoach Trunk once owned by Samuel L. Clemens. St. Louis, Missouri: J. Barwick Trunk Manufacturer, circa 1865. Dome-top, single compartment stagecoach trunk, likely purchased by Clemens in 1867 while he was in St. Louis, with “Property of / Samuel L. Clemens” painted in black on the outside of the lid. Approximately 9500 cubic inches, measuring roughly 18 x 18 x 30 inches. Original leather covering, geometric patterns tooled in black, with six wooden slats and two center-bands and matching binding, four edge clamps, lock, hinges, handle caps; interior lined with patterned paper, original tray fitting, later woven strap affixed to right side of interior to prevent further over-opening. General wear, as expected, lacking original handles, latches and interior tray; large portion of paper lining removed from interior of lid, dampstain to the bottom interior. An astounding artifact from arguably the most important author in American literature.

This trunk served Twain during the sweet spot of his career, those prolific years from when he published his first major work, The Celebrated Jumping Frog of Calaveras County, and Other Sketches in the same year that this trunk was acquired, and right through Tom Sawyer in 1876 and Huckleberry Finn in 1885. One can’t help but think that such important manuscripts were likely housed in this trunk during his travels.

Though remembered today primarily for his literary efforts and association with the Mississippi River, some of the best-loved books of Twain’s career were his travel writings, including his first two book-length works, The Innocents Abroad, about his journey on the steamship Quaker City to Europe and the Holy Land, published in 1869, and his 1872 follow up, Roughing It, about his adventures in the American West. Alan Gribben inspected a similar trunk owned by Twain, also with the paper scraped away from the interior of the lid, and argued that he opened it to its fullest position and used it as a provisional writing desk, writing notes on the wood (“Mark Twain’s Travel Trunk: An Impromptu Notebook” with Gretchen Sharlow, published in Mark Twain Journal). Conceivably, this trunk similarly functioned as a desk, potentially during the composition of his early travel works. It appears the interior paper lining was deliberately removed at an early date with roughly ninety-degree angles and is approximately the size of notebook paper (before further wear extended the right edge).

(7) FOREIGN EXCHANGE. Deadbeat roommate Thor is back. In fact, you get a whole suite of scenes with — “Rogers & Barnes. Stark & Rhodes. Thor & Darryl.” – when you plunk down real money (not Asgardian buttons) for Marvel Studios’ Doctor Strange on Digital HD. A bargain at twice the Asgardian price!

(8) HOLMES OBIT. Midlands (UK) artist and bookseller Dave Holmes died February 13. Many knew him from his days working at Andromeda, Birmingham’s main SF bookstore, or at The Magic Labyrinth in Leicester.

He is one of the people David Gemmell’s Last Sword of Power (1988) is dedicated to, and at least two writers, Mark Morris and Ian Edginton, credit Holmes’ influence on their careers.

He was a character, which had its good and bad sides. As Edginton says:

He lived life on his own terms and never apologised for it. He hurt people in his life but I can’t sit in judgement. I have done questionable things in my time, things I regret and would do over again differently if I could. None of us are angels. I’m not perfect and I don’t expect my friends to be either.

Incidentally, Holmes was the fellow Iain Banks asked to hold his glass before Banks set out – as legend tells it — to climb the exterior of the Metropole Hotel during the 1987 Worldcon. (As legend tells it is not necessarily what happened, although Banks was pleased to repeat the tale as the introduction to an autobiographical account of his real urban climbing exploits.)

(9) TODAY IN HISTORY

  • February 14, 278 — Valentine, a holy priest in Rome in the days of Emperor Claudius II, was executed. Allegedly.
  • February 14, 1940 — Clayton “Bud” Collyer first portrayed the Man of Steel in this second episode of the Adventures of Superman radio series, broadcast on February 14, 1940. The episode (“Clark Kent, Reporter”) was the first of a serial involving a villain known as “The Wolf.”

(10) DAYS OF THE DAY. Being sf/f fans, you can easily kill these two birds with one stone —

  • International Book Giving Day

Devoted to instilling a lifelong love of reading in children and providing access to books for children in need, Book Giving Day calls on volunteers to share their favorite book with a young reader. Although the holiday originated in the UK, book lovers around the world now join in the celebrations every year.

  • Extraterrestrial Culture Day

An officially acknowledged day in New Mexico (Roswell), Extraterrestrial Culture Day celebrates extraterrestrial cultures, and our past, present and future relationships with extraterrestrial visitors.

(11) TODAY’S BIRTHDAY BOYS

  • Born February 14, 1859 — George W. G. Ferris, Jr. (inventor of the ferris wheel).
  • Born February 14, 1919 – Dave Kyle
  • Born February 14, 1970 Simon Pegg

(12) TEA. Ann Leckie recommends a technological solution to a writerly dilemma in “On Tea”.

So! The first, most common pitfall in making tea: You heat the water, throw the bag (or the infuser full of leaves) into the cup, pour the water, set it on the desk beside you and…promptly forget about it as you dive into your work. Hours later you remember that tea, now cold– and bitter enough to strip paint.

Friends, there is a simple solution to this, provided you remember to implement it: a timer. This could be a voice assistant on your computer or your phone, an app made purposely for timing the steeping of tea, or a dollar store kitchen timer shaped like a strawberry. Really, it doesn’t matter, but this is a tea-hack that can cost very little and vastly improve your tea-drinking experiences.

(13) SOUND AND FURY. NPR Music interviews Game of Thrones composer Ramin Djawadi about writing music for the screen.

So you have these early conversations, you come up with a general feel for the score, and then you start fine-tuning as you see the images and get to know the characters. Is that what you’re saying?

Correct. In the case of Game Of Thrones, before I started writing I sat down with [David Beinoff and D.B. Weiss]. We talked about the tone of the show, and I just listened to what their vision was. … They’ll say, “We really like this instrument, do you think you can make this work? We like the violin, we don’t like this.” All that information helps me, and then I go in and actually turn that into music and go from there.

What’s an example of something they might have said as you were collaborating?

One thing we always laughed about was that they said, “We don’t want any flutes.”

(14) ON THE AIR. A substitute for jetpacks? Passenger drones in Dubai.

A drone that can carry people will begin “regular operations” in Dubai from July, the head of the city’s Roads and Transportation Agency has announced at the World Government Summit.

The Chinese model eHang 184 has already had test flights, said Matt al-Tayer.

The drone can carry one passenger weighing up to 100 kg (220 pounds) and has a 30 minute flight time.

The passenger uses a touch screen to select a destination. There are no other controls inside the craft.

It is “auto-piloted” by a command centre, according to a video released by the government agency.

(15) IN THE BEGINNING. Andrew Porter draws our attention to his favorite scene in Gentlemen Broncos, the only part he likes —

Just saw the opening credits for this forgettable 2009 film on HBO. The opening credits are done as covers of SF paperbacks, using actual artwork from numerous SF magazine and paperback covers, including a lot of works by Kelly Freas.

Click through to watch a video of the credits, and read the interview with director Jared Hess.

Tell us about your initial ideas for this sequence.

JH: We had the idea when we wrote the screenplay that we wanted the opening credits sequence to be a bunch of science fiction book covers where the credits were embedded in place of the book titles. While we were shooting the film, my production designer, Richard Wright, and people on the production side were going through existing artwork to see what was available. The idea was to scan and tweak them and then print up new book covers and shoot them at the end of production.

We were first looking for stuff that looked right and helped set the tone but we quickly learned that it was going to be difficult to clear the rights since a lot were part of family estates. Luckily the artwork that I liked the most was from a guy named Kelly Freas and they were able to contact his wife — he had passed away — so most of the artwork in the title sequence is stuff he had drawn for different science fiction journals as well as books. What was weird was that a couple of the characters he’d drawn looked liked the people in our film, like Jemaine’s book. The one we have for Sam Rockwell (a piece by David Lee Anderson) also bears a striking resemblance. It was kind of uncanny.

(16) FREDDY’S FEELING BETTER. The Hollywood Reporter says Robert Englund is returning as his iconic horror movie character Freddy Krueger one final time for a documentary “focused on the special effects makeup that crafted his dream-invading youth murderer in the Nightmare on Elm Street series.”

Nightmares in the Makeup Chair will highlight the importance of practical makeup — with the help of special makeup effects artist Robert Kurtzman — in addition to Englund paying tribute to late director Wes Craven and sharing some stories from his time working on the slasher films.

(17) THE UNREDISCOVERED COUNTRY. Breaking news – London After Midnight is still lost! (You can always count on File 770 for these dramatic updates…)

Earlier today Dread Central reported rumors that a print of the long-lost 1927 movie had been discovered.  People got excited for a couple of hours. Why? John Squires explains in his post at Bloody Disgusting:

A few years before directing Dracula and Freaks, Tod Browning made a silent horror film titled London After Midnight. Starring Lon Chaney as “The Hypnotist,” the 65-minute film was distributed by MGM in December of 1927; though audiences saw it upon release, it’s likely that everyone who did is no longer with us. Sadly, the last known copy was destroyed in the infamous MGM vault fire of 1967, which tragically resulted in the loss of many silent and early sound films.

But then Dread Central had to quash its own report —

UPDATE 2: 3:40 PM PT – More info from Carey:

A film archive in The Canary Islands received what look to be nitrate frames from London After Midnight around 1995. They got these from a private collector.

In 2012, the archive opened a Flickr account and posted this image among others it was posted for about five years and nobody seemed to notice it until last month.

Then this image was posted shortly thereafter…”

These were both posted on the Facebook page Universal Monsters & More. I’ve contacted them and they have said they have more stills and that they will share them with us.

The school of thought seems to be that these were cut out of trailers for London After Midnight by a projectionist in the Canary Islands. But nobody is sure.

For now at least, it seems that LONDON AFTER MIDNIGHT remains lost….

The hunt continues.

(18) GREEN SCREEN. Avengers: Infinity War has started production.

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Andrew Porter, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day, the unsuspecting Kip W.]

Pixel Scroll 11/21/16 Pon Far. Squa Tront.

(1) FOR LONG DISCUSSIONS ABOUT SHORT STORIES. Standback and Levana Taylor have launched the Short Story Squee & Snark website. It began as a Facebook group and all of the 50+ discussions from the existing group have been imported to the new site.

But it’s safe to assume the real action will be around the newest, most recent story selections. For our first few weeks, we’ve got story suggestions from Chinelo Onwualu, from Charles Payseur, and Abigail Nussbaum. Our first discussion begins tomorrow.

After that, we’ll be pressing on with selections from your humble hosts, Standback and Levana – and suggestions from you. You can follow us on RSS or on Twitter to join along.

(2) OCCASIONAL TIRADER. Julie Phillips profiles “The Fantastic Ursula Le Guin” ini The New Yorker.

To talk to Le Guin is to encounter alternatives. At her house, the writer is present, but so is Le Guin the mother of three, the faculty wife: the woman writing fantasy in tandem with her daily life. I asked her recently about a particularly violent story that she wrote in her early thirties, in two days, while organizing a fifth-birthday party for her elder daughter. “It’s funny how you can live on several planes, isn’t it?” she said. She resists attempts to separate her more mainstream work from her science fiction. She is a genre author who is also a literary author, not one or the other but indivisibly both.

Le Guin can be polemical, prone to what one close friend calls “tirades” on questions she feels strongly about. I once watched her participate in a panel discussion on gender and literature at WisCon, an annual gathering of feminist science-fiction writers, readers, and academics in Madison, Wisconsin. Scowling like a snapping turtle, she sat waiting for illogical remarks, which she then gently but firmly tore to bits. Yet a conversation with Le Guin is often full of comic asides, laughter, and—a particularly Le Guin trait—good-natured snorts. Humor seems to be her way of taking the edge off the polemic, as well as an introvert’s channel of communication. Behind even the lightest remarks, one is aware of a keen intelligence and a lifetime of thought, held back for the purposes of casual conversation.

(3) DEMON WITH A BRASS BAND. Omni’s Joshua Sky interviewed Jason Davis, editor of many Harlan Ellison collections, about the project to digitize and preserve all of Ellison’s writings, in “To Preserve A Demon”.

Writer/editor Jason Davis has a special ambition — to catalog, digitize, edit, correct, annotate and re-publish (or publish for the first time, in some cases) all of Harlan Ellison’s writings. Twenty-six four-foot-wide drawers of typescripts, over 100 feet of paper if stacked, the lifework of a man who is easily one of the most influential and cantankerous authors of the 20th century. Jason is spearheading the Harlan Ellison Books Preservation Project, a grand undertaking “To create definitive versions of all Harlan Ellison’s writings, fiction and non-fiction, to preserve in print for posterity.”…

JS: How did this project come about?

JD: I took over HarlanEllisonBooks.com in 2012. For the most part, I’ve been limited to publishing the previously uncollected, and un-reprinted stuff. His other works were with other publishers. I could do a new collection, like Harlan 101, which contains stories that you’ll find spread across many other Ellison collections. I can do that as a unique volume, and it did very well.

Certain economic factors were built into the original business model before I took over, and — as previously noted — the rights to most of the iconic collections are tied up elsewhere, so because of the need to sell X copies of a given book to make a return, I’ve concentrated on material that wasn’t available in any form elsewhere, with a few exceptions — like Harlan 101 or 8 in 80 by Ellison — where there was some unique aspect to the book that made it worth releasing.

For the Preservation Project, I’m working at the story/essay level, so I’m not stepping on anyone else’s toes. The entirety of Harlan’s work will be digitized and corrected to make sure it’s as the author intends it. In the future, if a publisher comes to him and says, “I want to put out a new edition of Shatterday in hardback,” it will be a simple matter of pushing a button, and a complete text of that collection goes off to the publisher in electronic form after the contract is signed. As it currently stands, that publisher would receive a large box of photocopied typescripts which would have to be scanned or typed into a computer for publication, which leads to inputting errors and a lot of back-and-forth between the publisher’s employees and Harlan’s office via phone, fax and e-mail. One of the goals of this project is to make republishing Harlan’s writings more appealing to publishers — who have their own economic pressures to deal with — by front-loading a lot of the editorial work.

To date the Kickstarter has raised $78,375 of the $100,000 goal.

(4) THE CALCULUS OF ONLINE BOOK SHOPPING. After Max Florschutz sells you the book, he’ll try to sell you on reviewing that book on Amazon.

Now, there’s some truth to why we think this way, after all. I’m not saying that those that pass over a book with only three reviews are being subconsciously manipulated. Rather that the reasoning for such is so valid and ingrained that we as consumers tend to let it subconsciously spill into all sorts of areas.

So, getting back to that review number, it turns out that it’s really important, because people recognize that a higher number of reviews is a good thing. It means a wider variety of readers purchased the product and then left their opinion. And if the book was poor, even with a few outliers that enjoyed it immensely and gave it high reviews, the average rating would reflect that. In this manner, a book that has five stars at ten reviews is, to many, less trustworthy and less likely to be a truly good read than a book that has three stars but three hundred reviews.

And this compounds. The higher the number of reviews, the greater the variety among those leaving them, and the greater chance that the average rating is, the way a prospective reader sees it, accurate. Which therefore increases the chance that they will then seriously consider purchasing the book.

(5) NO TWO SNOWFLAKES ARE ALIKE. Camestros Felapton reviews the reviewer: “MetaReview: Dave Truesdale Reviews Diabolical Plots #21”.

That the reviewer frames his review around a comment by the author—the “unjust violent death of Michael Brown”—and then gives the reader of Truesdale review a totally different narrative that is nothing short of intellectual dishonesty. Truesdale’s review fails on literary grounds (the shift of focus from a fictional story about emotional pain in the face of perceived injustice and violence to Truesdale’s evaluation of whether the author is justified in feeling angry about a real-world event), and from an error in judgment by Truesdale in attempting to justify a judicial killing, which not only reveal the weakness in the review itself, but which highlights how the reviewer’s own strong prejudice in the matter clouded his thinking, and obstructed his capacity to give a professional review.

(6) TREVOR OBIT. Irish novelist, playwright and short story writer Sir William Trevor (1928-2016) died November 20 reports The Bookseller. He won the O. Henry Prize four times and the Whitbread Award three times; he was also nominated for the Booker Prize five times.

The Internet Science Fiction Database lists his genre work as:

Novels

The Children of Dynmouth (1976)

Shortfiction

Miss Smith (1967)
The Only Story (1971)
The Love of a Good Woman (1972)
George and Alice and Isabel (1973)
Visions of Hell (1974)
Mrs. Acland’s Ghosts (1975)
The Death of Peggy Morrissey (1975)
Broken Homes (1977)
The Raising of Elvira Tremlett (1977)
Autumn Sunshine (1980)

(7) CLOWES OBIT. Jonathan Clowes, Doris Lessing’s agent, has died at the age of 86. The Bookseller published a tribute:

After founding Jonathan Clowes Ltd. in 1960, Clowes assembled a select and high-powered client list including international bestseller Len Deighton, novelist, poet and playwright Maureen Duffy, Nobel Prize winner Doris Lessing, novelists Sir Kingsley Amis, Elizabeth Jane Howard and Brian Freemantle.

His clients also included television writers David Nobbs, Carla Lane and Dr David Bellamy.

Clowes took an unlikely path to become one of London’s most renowned and respected literary agents, having left grammar school aged 15 and worked in a number of different trades, from gardener to decorator, even going on to serve time in prison for his stance as a conscientious objector.

(8) TODAY IN HISTORY

  • November 21, 1942: “Tweety Bird” debuted

(9) TODAY’S BIRTHDAY BOYS

  • Born November 21, 1924 – Christopher Tolkien
  • Born November 21, 1944 – Harold Ramis

(10) BEASTLY CAPITALISM. ScienceFiction.com has a question: “Weekend Box Office (11/18-11/20): ‘Fantastic Beasts’ Did Fantastically… But Fantastically Enough?”

It’s no surprise that ‘Fantastic Beasts and Where to Find Them’ topped the box office charts this weekend, with $75M in the US and $218.3M globally.  This film kicks off a series of five projected movies– with the first sequel already scheduled to arrive on November 16, 2018– all penned by J.K. Rowling, the creator of ‘Harry Potter’, but did studio Warner Brothers bite off more than they could chew?  That’s what some insiders are wondering, as this movie’s opening is below that of other franchise players like ‘Doctor Strange’ ($85M opening weekend) and WB’s own ‘Suicide Squad’ ($133.6M… and that was considered a disappointment).

(11) ATTENTION BAKER STREET REGULARS. Sherlock Season 4 is almost upon us. Reportedly, for the first time shows in the UK and the US will be broadcast on the same dates.

Sherlock will return in “The Six Thatchers” on January 1, 2017 on MASTERPIECE on PBS.

Coming in 2017, Sherlock will return with three brand-new episodes that promise laughter, tears, shocks, surprises and extraordinary adventures.

Season four begins with the mercurial Sherlock Holmes (Benedict Cumberbatch), back once more on British soil as Doctor Watson (Martin Freeman) and his wife Mary (Amanda Abbington) prepare for their biggest challenge yet: becoming parents.

(12) ANOTHER ITEM FOR THE WISH LIST. Dread Central is making a list and getting it wet.

Leave it to Mondo to tug on our nostalgic heartstrings just before Christmas. They’re releasing a vinyl version of the soundtrack to Joe Dante’s Gremlins, and the packaging literally changes when exposed to water and sunlight… just like the titular creatures.

gremlins_front%20cover_uv%20lightgremlins_sleeve%201gizmo_dry

(13) THREE STOOGES AT THE ALEX. Glendale’s Alex Theatre hosts the 19th Annual The Three Stooges® Big Screen Event this Saturday at 2:00 & 8:00 p.m.. Order tix online here.

The LA Weekly has named The Affordable Curly Care Act: Poking Medicine in the Eye Since 1933 their “Pick of the Week.” What more can we say? How about, “Buy your tickets early to avoid the lines at the box office.”

A special surprise bonus will be shown in addition to this lineup of five classic Stooges shorts:

  • FROM NURSE TO WORSE (1940 – Jules White)
  • CASH & CARRY (1937 – Del Lord)
  • SOME MORE SAMOA (1941 – Del Lord)
  • SCRAMBLED BRAINS (1951 – Jules White)
  • ALL THE WORLD’S A STOOGE (1941 – Del Lord)

(14) WHAT TOOLS THESE MORTALS BE. Mark-kitteh writes: “A performance of The Tempest with a live motion-capture Ariel on stage? I’m sure some will say the Bard will be spinning in his grave, but I suspect he’d just be updating his list of stage directions to include ‘exeunt stage upwards’,” — The Tempest review: Real-time digital avatar brews storm in a teacup” at ArsTechnica.

(15) ANYTHING YOU CAN DO. ScreenRant knows “Everything Supergirl Can Do That Superman Can’t”.

Supergirl is more than a chip off the ol’ Krypton block. While her younger cousin gets all the credit for bench-pressing the earth and saving the universe, Supergirl’s individual strengths have been sorely undervalued….

  1. She Can Shapeshift

Superman is dead. This is the reality of the post-Crisis “pocket universe” where Lex Luthor was a good guy who bet the ranch on recreating his long lost love, Lana Lang. Lex’s advanced form of AI was called the “protoplasmic matrix,” or just “Matrix” for short. Indeed, Luthor’s weird science led to the recreation of his lady love, now called Matrix– an unholy hodgepodge containing the memory of Lana with the Kryptonian specs of Superman (whom he knew about thanks to his otherworldly technology).

In addition to being almost as strong as Kal-El, this new creation had the powers of invisibility, telekinesis, and shapeshifting, which she took full advantage of by morphing into Supergirl 2.0. In a battle against General Zod, Faora, and Quex-UI, Matrix/Supergirl held her own but ultimately had to call on the support of Superman to take down the triumvirate. Though the pair defeated the Krypton criminals, the pocket universe was basically destroyed, and the new shapeshifting Matrix was taken back to the mainline DC Universe where she became the first post-Crisis Supergirl.

(16) ANOTHER MILLION BRICKS IN THE WALL. How many LEGO bricks does it take to build these various science fictional structures?  This infographic from earlier in the year has the theoretical answers.

How Many Lego Would It Take To Build Sci-Fi Megastructures
How Many Lego Would It Take To Build Sci-Fi Megastructures Created By: Ebates

[Thanks to Mark-kitteh, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Pixel Scroll 7/4/16 Pixeled On The Fourth of July

The three actual LEGO minifigures of Jupiter, Juno and Galileo on the Juno probe as seen before launch. (NASA/JPL-Caltech/LEGO)

The three actual LEGO minifigures of Jupiter, Juno and Galileo on the Juno probe as seen before launch. (NASA/JPL-Caltech/LEGO)

(1) LEGO AND JUNO. CollectorSpace tells about three hitchhikers aboard the Juno mission to Jupiter.

The Juno minifigure holds a magnifying glass to signify her search for the truth and her husband holds a lightning bolt. Galileo, who is credited with several important discoveries about Jupiter, including identifying its four largest moons, holds both a model of the planet and his telescope.

The three figures stand along a ledge on the spacecraft’s hexagonal two-deck body, which also houses Juno’s eight primary science instruments, 29 sensors and a first-of-its-kind shielded vault to protect the probe’s electronics from Jupiter’s heavy radiation environment.

“We put these LEGO minifigures on board Juno in order to inspire and motivate and engage children, to have them share in the excitement of space exploration and reaching for the best goals that you can,” Bolton said.

To that end, NASA and LEGO have partnered on “Mission to Space,” a new design challenge that invites children to use the toy building bricks to imagine the future of space exploration.

(2) FIFTIES MOVIE TRIVIA. HowStuffWorks offers “The 1950s Sci-Fi Movie Quiz”

Even though I scored 24 out of 30, Tarpinian will be disgusted that I got the Ray Bradbury question wrong. So am I!

(3) AUSSIE SF SCREENWRITING COMPETITION. Australia Writers Guild members (only) have until August 22 to enter: “Call for Entries: John Hinde Awards for Excellence in Science Fiction”.

The award was established to encourage, reward and foster creativity in the development and showcasing of science fiction writing for feature film, short film, television, radio and interactive media. It also provides an avenue for unproduced works to enter.

Jesse O’Brien, the 2015 winner in the Produced category for his screenplay Arrowhead, says, “We’re only a few movies away from a significant genre resurgence and if Arrowhead can inspire the imaginations of other writers, then it has done the very best thing movies can do,” he says. “Thank you to John Hinde for leaving this treasure for us to find, and to the AWG for presenting it.”

The Prizes

The competition will be split up into two separate categories – produced and unproduced. Each category will have its own specific prize.

Produced:

  • $10,000 cash prize

Unproduced:

  • The winning script will be read by an experienced genre producer and the writer will be set up with a meeting with an industry professional hand-selected for your specific piece of work. Associated travel expenses will be covered by the AWG/John Hinde Bequest.
  • The winner and all shortlisted applicants will be provided with entry into the AWG Pathways Program – an initiative that provides networking opportunities for writers and the chance to showcase their ideas to industry professionals thereby giving those industry professionals access to quality scripts.

(4) NEILL OBIT. Known for playing Lois Lane in The Adventures of Superman, actress Noel Neill died July 3 at the age of 95. She was a popular guest at media cons, where many fans got to meet her over the years.

Noel Neill and Kirk Alyn (another screen Superman) at Equicon II in 1974. Photo by Dik Daniels.

Noel Neill and Kirk Alyn (another screen Superman) at Equicon II in 1974. Photo by Dik Daniels.

SF Site News adds:

She retired from acting when the show went off the air, but appeared as Lois Lane’s mother in the film Superman, as well as bit roles in the television series Superboy and the film Superman Returns. She also played Aunt Lois in Surge of Power.

Bleeding Cool’s obit includes other details of her entertainment career.

With the help of Bing Crosby, Noel signed a seven-year contract with Paramount Pictures in 1941. She initially made several short films, then appeared in mostly non-speaking roles, gradually gaining leading lady status beginning with 1944’s Are These Our Parents?

In total, Noel made close to 100 films in her long and incredible career, and surprisingly, most were Western films made in the 1940s and 1950s. She worked with many noted directors such Cecil B. DeMille, Vincent Minnelli, and Hal Roach, and starred with actors Bob Hope, Crosby, Gene Kelley, Clayton Moore, Johnny Mack Brown and William Holden.

(5) TODAY IN HISTORY

  • July 4, 1862 — Lewis Caroll first told Alice Liddell the story of Alice in Wonderland.

(6) TODAY’S TRIVIA QUESTION

  • Donald F. Glut asks, “Did Forry say, ‘Harpy Fearth of Ghoul Eye’?”

(7) FOURTH WITH. Damien G. Walter wishes us a jolly holiday:

(8) HUGO NOM COVERAGE. Lisa Goldstein sent a note that she has reviewed “And You Shall Know Her by the Trail of Dead” at inferior4+1, and wishes everyone, “Happy Fourth! And Fifth!”

(9) GAME OF THRONES. Via ScienceFiction.com “Cersei Lannister Lets It Go In ‘Game of Thrones’/‘Frozen’ Mash-Up”. How ill!

BEWARE SPOILERS

(10) METAL MEN. Jennifer Ouelette at Gizmodo says a “New Study Busts the Myth That Knights Couldn’t Move Well in Armor”.

Daniel Jaquet of the University of Geneva and several colleagues aim to bust that myth with a new study examining the range of motion and energy cost while fighting in medieval armor. They published their findings in a recent paper in Historical Methods: A Journal of Quantitative and Interdisciplinary History.

Medieval scholars have long known that armor worn by knights of that era allowed for far more mobility than most people realize. There’s even a 1924 educational film created by the Metropolitan Museum of New York to address the popular misconception. But until quite recently, little quantitative data was available to support that stance.

(11) JAPANESE CULTURE CON. NatsuCon runs July 22-24 in St. Louis:

NatsuCon is a Saint Louis metro-area based anime convention possessing the sole desire of expanding the appreciation, understanding, and acceptance of Japanese pop-culture in America. By the use of media ranging from art, to music, to visual screenings, NatsuCon strives to present attendees with an accepting, friendly environment allowing guests of all ages to meet and express similar interests. The staff and volunteers of NatsuCon all share the common wish of providing attendees with a fun and welcoming atmosphere. Through educational panels and interactive presentations and events based around precepts of Japanese culture, NatsuCon will offer its guests with an opportunity to empower themselves by increasing knowledge, diversity, and strength of character.

(12) SPOCKUMENTARY SCREENS IN BOSTON. Adam Nimoy’s tribute to his father was shown to Kickstarter donors in Boston last week.

“Star Trek” fans like the character of Mr. Spock because he’s low-key and emotionally detached. But it turns out Leonard Nimoy, the actor who played the Vulcan with the pointy ears, was the same way in real life, which wasn’t so great for his son. That’s the sense one gets watching Adam Nimoy’s documentary about his dad, “For the Love of Spock,” which screened at the Revere Hotel this week. (The movie, which debuted at the Tribeca Film Festival in April, comes out Sept. 9.)

Monday’s invite-only screening was for Trekkies who contributed to the filmmaker’s Kickstarter campaign, an effort that raised a whopping $660,000. (That ranks as one of the crowd-funding platform’s most successful campaigns ever.)

Introducing “For the Love of Spock,” Adam Nimoy said it was a special treat to screen the film in Boston, where his dad grew up. (The elder Nimoy was raised in the West End and hawked newspapers in Boston Common as a kid.)

(13) YABBA DABBA DUDE. Michael Cavna, who writes “Comic Riffs” for the Washington Post, brings word of a Flintstones comics reboot.

DC COMICS reached out with a mission for Mark Russell. How would he like to write a reboot of “The Flintstones”?

His prompt reply: “I kind of hate ‘The Flintstones.’ ”

The DC editors’ response: They liked his humorous take for his award-winning comic “Prez,” so his distaste for the old animated Hanna-Barbera TV show was not a dealbreaker.

“So I knew from the beginning,” Russell tells The Post’s Comic Riffs, “that it would be a satiric, edgy response to ‘The Flintstones.’ ”

Next month, DC will debut “The Flintstones” No. 1, which slyly unfurls Russell’s sardonic take on the “modern Stone Age family” from the town of Bedrock.

[Thanks to David K.M. Klaus, Hampus Eckerman, Lisa Goldstein, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John King Tarpinian.]

Pixel Scroll 6/29/16 Owner Of A Lonely Pixel

(1) CASUALTY OF INTOLERANCE. Al Davison’s writeup about being harassed on the street in his hometown of Coventry comes recommended by James Bacon with the note: “New Britain — bigots empowered — comic artist and martial arts expert Al Davison racially abused. His view and experience must be read. A decent man doesn’t want to live here anymore and fears for those who are kind to him. It’s not good.”

WHY I DON’T WANT TO LIVE HERE: Sunday night I’m almost home, it’s started raining, I’m rushing because my immune system sucks, I only have to smell rain and I get ill. Two men on the other side of the road shout ‘Fu**in’ islamist cripple! One adds, ‘takin our fu**in’ benefits’, while the other shouts, ‘What happened, didn’t your fu**in’ suicide vest do the job properly?’

They get a bit ahead walking backwards so they can keep looking at me, the older of the two, puts his hand two his mouth and laughs ‘Sorry mate, thought you were a P*ki, Sorry, ‘And what if I was’, I shout’, still looking ahead, and not at them. The other responds with, ‘why you sayin’ sorry, he’s still a fu**in’ scroungin’ cripple.” They start chanting ‘scrounger’, and and literally dance off down the road, like a couple of teenagers, the youngest was in his thirties, the other around fifty. Morons. I have a beard and wear a hat, that makes me an islamist! I know I am more than capable of defending myself, I’ve survived numerous physical attacks, but many aren’t equiped to defend themselves the way I am. ‘WE SHOULDN’T FU**KING HAVE TOO! …

(2) PRIME TIME. The CBC has the story: “Justin Trudeau joins Canadian superheroes for Marvel Comics cover”.

trudeau-comic-cover-20160628

Make way, Liberal cabinet: Prime Minister Justin Trudeau will have another all-Canadian crew in his corner as he suits up for his latest feature role — comic book character.

Trudeau will grace the variant cover of issue No. 5 of Marvel’s “Civil War II: Choosing Sides,” due out Aug. 31.

Trudeau is depicted smiling, sitting relaxed in the boxing ring sporting a Maple Leaf-emblazoned tank, black shorts and red boxing gloves. Standing behind him are Puck, Sasquatch and Aurora, who are members of Canadian superhero squad Alpha Flight. In the left corner, Iron Man is seen with his arms crossed.

“I didn’t want to do a stuffy cover — just like a suit and tie — put his likeness on the cover and call it a day,” said award-winning Toronto-based cartoonist Ramon Perez.

“I wanted to kind of evoke a little bit of what’s different about him than other people in power right now. You don’t see (U.S. President Barack) Obama strutting around in boxing gear, doing push-ups in commercials or whatnot. Just throwing him in his gear and making him almost like an everyday person was kind of fun.”

The variant cover featuring Trudeau will be an alternative to the main cover in circulation showcasing Aurora, Puck, Sasquatch and Nick Fury.

Trudeau follows in the prime ministerial footsteps of his late father, Pierre, who graced the pages of “Uncanny X-Men” in 1979. [Volume 120]

(3) VICE VERSA SQUAD. Camestros Felapton reviews “Batman versus Superman: Or Is it Vice Versa”.

I finally watched Batman versus Superman: Dawn of Justice. This was the Extended Cut and at least one review I’ve read suggest that the extra 30 minutes makes the film substantially better. Ah. Hmm. I didn’t see the theatrical version but either that was a huge mess of a film or the extra 30 minutes made the central problem far worse. This was a film that needed editing or some sort of substantial re-jigging. Perhaps what hit the theatres was a failed attempt at that?

Beyond this point there are spoilers aplenty – so don’t read on if you don’t want to discover who the alter-ego of Superman is or what house Batman lives in [HINT: its an anagram of Mayne Wanor].

(4) GAIMAN’S NEXT. “Neil Gaiman Delves Deep Into Norse Myths for New Book” announced the New York Times.

Mr. Gaiman’s forthcoming book “Norse Mythology,” which Norton will publish next February, is an almost novelistic retelling of famous myths about the gods of Asgard. The book will explore the nine Norse worlds, which are populated by elves, fire demons, the Vanir gods, humans, dwarves, giants and the dead. There are ice giants and elves, familiar deities like Thor, Odin (the wise and occasionally vengeful highest god) and Loki (the giant trickster), and a frightening doomsday scenario, Ragnarok, where the gods fight a fire giant with a flaming sword in an apocalyptic, world-ending battle.

Gaiman joked about his posed photo accompanying the article.

(5) THE FIRST. Petréa Mitchell noted in comments that The Atlantic has an article on the adoption of word processors by writers which includes anecdotes about Jerry Pournelle and Isaac Asimov, and some general comments on the effect of word processors on sf writing.

Robinson Meyer: “Who was the first author to write a novel on a word processor?” You cast that question as what drove you to write this book. Is there something close to a definitive answer for it?

Matthew Kirschenbaum: We can’t know with absolute certainty, I don’t think, but there are a couple of different answers.

If we think of a word processor or a computer as something close to what we understand today—essentially a typewriter connected to a TV set—there are a couple of contenders from the mid- to late-1970s. Notably Jerry Pournelle, who was a science fiction author. He is probably the first person to sit and compose at a “typewriter” connected to a “TV screen”—to compose there, to edit, and revise there, and then to send copy to his publisher. That was probably a novella called Spirals.

If we move back a little bit further, there’s an interesting story about a writer named John Hersey, the novelist and journalist. He did the famous book Hiroshima. He was at Yale in the early 1970s, so maybe about five years before Pournelle, and he worked on one of the mainframe systems there. He didn’t compose the draft of the novel he was working on at the keyboard, but he did edit it, and use the computer to typeset camera-ready copy.

So those are two candidates.

And yet neither of them is Kirschenbaum’s choice…

(6) MEANWHILE, BACK IN THE 21ST CENTURY. Tobias Buckell has a post on “How to collaborate on fiction in 2016 using pair programming, Skype, and Google Docs”.

I just finished a new collaboration. It’s a short story of nearly 10,000 words that will be in Bridging Infinity (you can pre-order here), edited by Johnathan Strahan “The latest volume in the Hugo award-winning Infinity Project series, showcasing all-original hard science fiction stories from the leading voices in genre fiction.”

The writer I collaborated with was Karen Lord, who currently lives in Barbados (author of Galaxy Games, Redemption in Indigo, you’re reading her, right?).

(7) NO POWER. Kim Lao argues “Why You Should Aim for 100 Rejections a Year” at Lithub.

I asked her what her secret was, and she said something that would change my professional life as a writer: “Collect rejections. Set rejection goals. I know someone who shoots for one hundred rejections in a year, because if you work that hard to get so many rejections, you’re sure to get a few acceptances, too.”

This small piece of advice struck a deep chord in my fragile creative ego. My vulnerable ego only wants to be loved and accepted, to have my words ring out from a loudspeaker in Times Square while a neon ticker scrolls the text across a skyscraper, but it’s a big old coward….

(8) LOST SERIES AND VANISHED VISUALIZATIONS. Suvudu will make you nostalgic for a TV show you likely have never heard of before: “’Out of the Unknown’: The BBC Sci-Fi Series Americans Should Have Seen”.

The Guardian’s Phelim O’Neill just published a rather nice review of the long gone BBC science-fiction and horror anthology program “Out of the Unknown”. While I’ve never seen it myself, from what O’Neill wrote, it sounds like it was a real doozy. Consisting of four seasons aired on BBC 2 from 1965 to 1971, “Out of the Unknown” adapted literary works by the likes of Isaac Asimov, Ray Bradbury, and J.G. Ballard.

Out of the 49 episodes filmed, only around 20 or so remain. As “Doctor Who” fans are already aware, it was standard procedure for the BBC to delete old episodes of what was at one time deemed disposable entertainment. Coincidentally, one of the lost episodes of “Out of the Uknown” actually featured Doctor Who’s arch nemeses: The Daleks.

(9) ISHER IN AMERICA. Jeb Kinnison, who thinks File 770 readers will be intrigued by the sf aspects of this post, is honestly not optimistic very many will agree with his political comments — “The Justice is Too Damn High! – Gawker, The High Cost of Litigation, and The Weapons Shops of Isher”.

Gawker filed for Chapter 11 bankruptcy to avoid paying the bond which would otherwise be necessary to appeal the $140 million judgment against them in the Hulk Hogan sex tape lawsuit. (It’s a good thing I don’t have to explain that sentence to a time traveler from the last century — would take a long time.) There have been plenty of stories and hot takes on it, so I’ll reach back to discuss what the real problem is — the cost of justice is too damn high. ….

Today’s United States resembles the Empire of Isher more than a little — a relatively prosperous population, but with layer upon layer of accreted law, regulation, and bureaucracy, with ideals of justice corrupted in practice so that only the wealthiest can afford government-sanctioned courts…. The impunity with which Gawker operated for years while stepping on the privacy rights of people for profit is just one symptom of the inability to get justice at a reasonable price. The simmering resentments of citizens made unknowing scofflaws while going about their lives and the increasing regulatory overhead to start and run a small business are slowing growth and damaging the careers of young people who have been trained to ask permission before trying anything new….

(10) KELLY OBIT. Peter David took note of the passing of a behind-the-scenes figure: Lorna Kelley, RIP.

The chances are spectacular that you have not heard of Lorna Kelly. For the vast majority of you, there is no reason that you would have. Lorna was an auctioneer who worked for Sotheby’s for a time–one of the first female fine arts auctioneers in the world–and she recently died of a stroke at the age of 70.

The reason that the David family knew her was because every year for over a decade, she was the auctioneer at the Broadway Bears charity auction sponsored by Broadway Cares/Equity Fights AIDS. Every year she would coax and cajole individuals into bidding ridiculous amounts of money for bears that had been lovingly costumed in exact replicas of Broadway character outfits. But that was hardly the extent of her life. She treated AIDS patients in Calcutta working with Mother Teresa. According to the NY Times, “She also traveled to Senegal, where she vaccinated thousands of children. In Cairo, she ministered to impoverished residents of a vast garbage dump; she likewise served the poor in Jordan, Gaza and the Bronx.” To say she led a well-rounded life is to understate it, and we were privileged to have met her and spent time with her.

(11) TODAY’S BIRTHDAY BOYS

  • Born June 29, 1911 – Bernard Hermann
  • Born June 29, 1920 – Ray Harryhausen

And did they ever work together? I’m glad you asked – Internet Movie Database shows Hermann did the music for Mysterious Island and Jason and the Argonauts, two films for which Harryhausen created the special visual effects.

harryhausen

(12) GUILLERMO DEL TORO. Another film available to fans and collectors.

Slashfilm covers the news: “Pan’s Labyrinth Criterion Collection Release Announced”.

The 2006 film is often looked at as the filmmaker’s best work, and understandably so. Most of del Toro’s films have plenty of heart, horror, and beauty, but Pan’s Labyrinth, narratively and dramatically speaking, it is his most satisfying work. Good luck trying not to tear up during Ofelia’s (Ivana Baquero) heartbreaking journey.

(13) STRUGATSKY ADAPTATION. In the film of Roadside Picnic, Matthew Goode takes top billing.

The Good Wife and Downton Abbey alum Matthew Goode is set as the lead in WGN America’s alien saga pilot Roadside Picnicbased on the famous novel by top Soviet/Russian science fiction writers Arkady and Boris Strugatsky.

Written by Transcendence scribe Jack Paglen, with Terminator Genisys and Game Of Thrones helmer Alan Taylor attached to direct and Neal Moritz producing, Roadside Picnic explores a near-future world where aliens have come and gone, leaving humankind to explore the wondrous and dangerous mysteries left behind. The story also explores the social ramifications of their visit, as seen through the eyes of Red (Goode), a veteran “stalker” who has made it his mission to illegally venture into the once inhabited zone and scavenge the abandoned remains of the alien culture.

(14) MST3K. Ceridwen Christensen may leave you green with envy: “I Attended the MST3K Reunion Show, and It Was Everything I Wanted It to Be” (B&N Sci-Fi & Fantasy Blog.)

Last night at the State Theatre in Minneapolis, I had the absolute pleasure to experience the Mystery Science Theater 3000 reunion show, hosted by Rifftrax, purveyors of downloadable movie-mocking commentary tracks, a company founded by several alums of the show. It also featured members of Cinematic Titanic, likewise the brainchild of ex-MST3K cast members. Last night, they got the band back together, uniting writers and actors from several eras of the show, both past and future. It was a celebration of the fact that Joel Hodgson, the original creator, recently wrapped the most successful film and video Kickstarter of all time: a successful bid to revive the show after more than 16 years off the air; squee. Hodgson riffed on a short with the new lead, Jonah Ray. I think I actually hurt my throat laughing….

(15) DAVID D. LEVINE COMING TO LA. Shades & Shadows 17 will be at Bearded Lady’s Mystic Museum in Burbank, CA on July 16. Doors at 7:30 p.m. Readings begin at 8:00 p.m. $10.

It’s summer. Everything is on fire, melting, or exploding. Everybody is one power outage away from convincing themselves we’ve entered the world of Mad Max.

Which, hey, isn’t far off from what we’re offering. Leave reality behind for a while. Come see what we have on tap as we bring in our mix of award winning authors and emerging voices in the literary scene! It’s a genre experience like no other!

Featuring: PAUL TREMBLAY, STEPHEN GRAHAM JONES, VESTA VAINGLORIA, DAVID D. LEVINE, GLEN HIRSHBERG, +1 TBA!

(16) HELP FRAN EVANS. Karen Willson alerted me that contributions are requested to the Fran Evans Assistance Fund (on GoFundMe) to help a longtime LASFSian.

This fundraiser is for a friend of mine, Fran Evans.  Fran just had brain surgery and can’t work.

She says that “the money would be used to “pay my bills/rent for the next couple of months while I recovery from having holes drilled in my head.  Whatever moneys I normally get go to my rent, this would help pay the difference and other bills.  Not many, I’m pretty frugal.   I have no credit cards.  If I can’t pay by check or debit – it doesn’t happen.  Water, for the moment, is free.

“I don’t smoke or drink or go shopping.  My idea of a big splurge is a used paperback on Amazon.  I just want  couple of months to heal without any worries about money.  The doctors said about two months before my balance begins to come back online.  I seem to spend a lot of time resting or sleeping.  Gee, wonder why.

“I’d like to get $2,000. to $2,500.  But whatever I can get would be nice.”

Fran has worked many years in the film industry and the Bob Burns Halloween show. Folks at conventions will remember her for her backstage help at many events.

Your assistance will mean a lot to Fran.  Thank you for thinking about it!

(17) PROFESSIONAL PREFERENCES. Sarah A. Hoyt advocates for writing in “First Person, Singular”.

1- The main reason I like first person singular is that for a moment it tricks you into that space behind the eyes of another person, relieving the loneliness of that narrative voice that can only ever describe your own life.

This is a universal and enduring quality.  I’ve had teachers tell me — and to an extent they’re right — that first person is “less believable” because you KNOW you haven’t done those things.

To which I counter that WELL done, with the right balance of external activity and internal dialogue, with just enough of a “touch of nature makes the whole world kin” i.e. of physical sensation that the readers, too, have experienced, it can make you feel it is happening/happened to you.

(18) TIME IN A BOTTLE. At Examined Worlds, Ethan Mills discusses the philosophical questions within the classic sf novel: “At War with Time: The Forever War by Joe Haldeman”.

In addition to the emotional scars of returning soldiers, the time dilation speaks to the feeling of aging while the world moves on around you.  This is something I feel acutely as an aging college professor constantly encountering fresh crops of young whipper-snappers with their new fangled cultural references and ways of being!  The time dilation reminds us that we are all at war with time, which is of course relative to the observer’s position.  It’s also by far the most interesting aspect of the book and allows Haldeman to write the history of the next 1,000 years.

Suffice to say there are some ruminations on this war and war in general.  Why are they fighting?  Why can’t they learn more about the alien Taurans?  How is the war the cornerstone of the economy?  Does the war make it possible for the government to control most aspects of society?

The philosophical questions are more implied than pedantically presented.  You don’t get anything quite like the classroom scenes of Starship Troopers.  I honestly would have liked a little more explicit philosophy to chew on.

(19) YOUTH REACT. James Davis Nicoll tells me his second post on Young People Read Old SF goes live 9:00 a.m. Thursday.

(20) HUGO CONTENDER. Lisa Goldstein reviews “Short Story: ‘Space Raptor Butt Invasion’” for inferior4+1. The last line is the most surprising part of her post:

I have no idea why this story was on the Rabid Puppies’ slate.

I believe a lot of readers here could explain it.

(21) SUCCESSFUL COUP IN BRITAIN. The Evening Harold has scooped the mainstream media with its report “Lord Vetinari takes control of the UK” (via Ansible Links.):

The UK is under new leadership this morning following a coup by the Patrician of Ankh-Morpork, Lord Havelock Vetinari…..

[Thanks to Karen Willson, Petréa Mitchell, John King Tarpinian, Taral Wayne, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Baugh.]

Pixel Scroll 6/27/16 770 Sunset Scroll

(1) BREAKING IT DOWN. Damien G. Walter contemplates “Systems fiction: a novel way to think about the present” in The Guardian.

Weirdly enough, science fiction is not the best lens through which to examine science fiction. In the 80s, critic Tom LeClair came up with an alternative category for all the weird literary novels that veered into speculative territory: the systems novel. These books pick apart how the systems that keep society chugging along work: politics, economics, sex and gender dynamics, science, ideologies – all can be explored through fiction, especially experimental fiction. LeClair applied this tag specifically to Don DeLillo, but it can be expanded more widely: think Thomas Pynchon, Margaret Atwood, David Foster Wallace, Jonathan Franzen, Jennifer Egan and Umberto Eco, among others….

“The future is here,” William Gibson famously said. “It’s just not evenly distributed.” And in these difficult times, the visionary possibilities of the systems novel can be comforting. When we’re in the capable hands of guides like Atwood, DeLillo and Robinson, these novels can be a profound reminder of human progress and potential. In the wake of the EU result, and ahead of the US elections, if you are feeling at all unsettled about the future – go read these books today.

(2) POST-BREXIT FASHION. Jim Mowatt’s FB page displayed a “Don’t Blame Me, I Voted Remain” t-shirt, and I made an idle joke that the marathon runner should really be wearing a different slogan – which Alison Scott immediately made available (or that’s the impression I got).

i voted rhino

(3) WHAT’S UP WITH SFWA. Episode 3 of the SFWA Chat Hour features SFWA Board Members Jennifer Brozek and Matthew Johnson, CFO Bud Sparhawk, and President Cat Rambo.

Includes discussion of what the criteria for game writers will be like and when they’ll go out (hint: soon!). Also the usual books we like, writing advice, reports on the Locus Weekend, Stokercon and Origins, and ice cream vs. sherbet, in which we unanimously vote for ice cream.

 

(4) CAMESTROS FELAPTON. When not busily engaged arm-wrestling with Vox Day about their IQs, Camestros turns his talents to the visual arts.

(5) HORROR PODCAST. The Horror Writers Association recommends the Scary Out There podcast. The latest installment offers a dialog with Kaitlin Ward, the author of Bleeding Earth (Adaptive Books, February 2016). Listen to the episode here.

Hello Horror Fanatics! Today Scary Out There is sitting down with Kaitlin Ward, the author of Bleeding Earth (Adaptive Books, February 2016). Listen as Kaitlin discusses how she came up with the idea for Bleeding Earth, why it’s important for children and teens to read horror, what scary books she recommends, and more.

Kaitlin Ward grew up on a dairy farm in Monroe, New Hampshire, the same town where she lives today with her husband and son. Before settling back in her hometown, Kaitlin studied animal science at Cornell University. She co-founded the well-known blog, YA Highway, and by day she works at a company that sells coins. Bleeding Earth is her debut novel. Kaitlin’s new book, The Farm, will be released by Scholastic in 2017. Keep up with Kaitlin at kaitlin-ward.com and follow her on Twitter @Kaitlin_Ward.

Kaitlin recommends the following horror titles: Women in the Walls by Amy Lukavics (Harlequin Teen, September 2016); Relic by Gretchen McNeil (HarperCollins/EpicReads Impulse, March 2016)

(6) FANS WHO SNORT. In the July/August Fantasy & Science Fiction, David Gerrold has a novelette called “The Thing on the Shelf” that begins as a report on the 2013 World Horror Convention, which hands out the Bram Stoker Award.

“The World Horror Convention was one of the better conventions I attended. Horror fans are clean, well-dressed, intelligent, polite, and enthusiastic. I have no idea why this is so. (Although I have to admit I was a little put off by the beautiful woman who came up to me and said she wanted to lick my Stoker. I wasn’t sure what she meant by that, and I’m not up on this year’s crop of new slang terms.)”

He adds the following:

“At one con, a young fan saw my badge had the ‘Pro’ ribbon attached, so he leaned forward and read my name.  ‘I never heard of you,’ he said. ‘What did you write?’

I replied, “I wrote the novelization of Battle of the Planet of the Apes. I said it with deadpan pride.

He snorted and walked off, his way of showing how unimportant I was.”

(7) DININ’ GAIJIN. Liz Braswell tells the readers of Eating Authors about a memorable meal in Japan. The best part follows this excerpt.

My husband, my crazy-blond toddler, my sister Sabrina and I were in Japan for work and fun — the vacation of a lifetime. One night Scott took the baby and a colleague of his took Sabrina and me for a night out on the town. Mutsumi asked us where we wanted to go and of course we answered someplace super obscure no Americans have been to Japanese only please we’ll behave.

She very nicely obliged and led us through the labyrinth of streets, around and around and deeper and deeper into Tokyo. Most of the city doesn’t follow a grid system and buildings are addressed by age rather than specific location; were my sister and I by ourselves we never would have found our way in or out of the tiny neighborhood we eventually wound up in. And forget about stumbling upon the tiny, unmarked, second-floor restaurant where we were, indeed, the only gaijin.

Everything about the place was perfect: from the rustic tables and wooden shutters to the little button one presses to ring for a waiter—otherwise diners are left in perfect privacy. The sake came in hand-thrown cups, Mutsumi ordered for us, we behaved.

We wanted to stop drinking at one point, but apparently that would not have been behaving, so we continued….

(8) EXIT POLL. Nicholas Whyte ranks his Retro and regular Hugo picks in “My Hugo and #RetroHugos1941 votes: Best Dramatic Presentation (Short Form)”. In second place on his Retro Hugo ballot —

2) The Adventures of Superman: “The Baby from Krypton”

The only radio play in the mix (as opposed to two years ago, when we had four radio plays and a TV play than nobody had seen), it’s the origin story of Superman, and does what it says on the tin perfectly competently. Lara, Kal-El’s mother, is played by Agnes Moorehead, later Endora in Bewitched.

(9) TODAY’S BIRTHDAY BOYS

  • June 27, 1927 — “Captain Kangaroo” Bob Keeshan
  • June 27, 1966 — J.J. Abrams

(10) SKIFFY AND FANTY. I tend not to cover podcasts — even with hearing aids I’m not able to listen to them effectively. I will say the blurb for this episode of The Skiffy and Fanty Show makes it sound pretty irresistible: 298. Sphere (1998) — A Torture Cinema “Adventure”.

Eggs, squid, and bad dreams, oh my!  Our latest listener-directed Torture Cinema episode has finally arrived.  This time, we discuss the infamous adaptation of Michael Crichton’s Sphere starring Dustin Hoffman, Sharon Stone, Samuel L. Jackson, and more!  At least two of us have a bit of a rant about this movie, so you should expect some pure, unadulterated Skiffy and Fanty rage in this episode!

(11) AND SOMETHING BUT THE TRUTH. Alexandra Erin is right on the money about “Sad Boner Confessionals”.

You can tell you’re reading a Sad Boner Confessional when the language suggests a high wire act where the author is trying to achieve some delicate balance between “I’m a sensitive man” and “BUT I’M A MAN” and wants you to sympathize with the contortions he puts himself through as  a result. You can tell you’re reading a Sad Boner Confessional when a man is describing the worst trauma of a woman’s life purely in terms of what it means about him. You can tell you’re reading a Sad Boner Confessional when a man is telling you everything he’s learned from the mistakes he’s made but none of those things are accountability or personal responsibility. You can tell you’re reading a Sad Boner Confessional when all admissions of past sins have a sheen of humblebragging about them.

(12) LABYRINTH. The BBC article “Why Labyrinth is so memorable” talks about the advantages of real-time puppetry over computer animation. Chip Hitchcock comments, “They don’t discuss how/if the gap has been narrowed by motion capture; would be interesting to see discussion of this — or any input by Mary Robinette Kowal, who has done fascinating convention talks about the practice of puppetry and the theory behind it.”

Jim Henson’s beloved 1986 movie musical Labyrinth, one of only two non-Muppets films the legendary puppeteer directed, is famous for several reasons.

Fans of David Bowie will recall visions of the late musician wearing extremely tight trousers that fail to obscure an enormously large codpiece. Bowie wrote and performed all the songs, including the iconic Dance Magic Dance. He plays a nefarious, all-singing, all-dancing king of a fantasy world of goblins, castles and all manner of strange colourful creatures.

One of Labyrinth’s best-known scenes is a sensational finale that takes place on a set modelled on Escher staircases. It is also the production that brought a then-unknown, then-15-year-old Jennifer Connelly to the public’s attention.

… One of the first creatures she encounters in the Goblin King’s fantastical world is a dwarf named Hoggle: a morally dubious, Sméagol-esque character whose motives and allegiances are unclear. With a huge lumpy nose, spurts of shoulder-length white hair and a crinkled, finely detailed face, Hoggle is an amazing puppet, at once both magical and realistic.

His seemingly effortless facial and body movements required the collaboration of six people working in real time. The character’s large face contained 18 motors, which were manipulated off-frame by four crew members using remote controls. Diminutive actor Shari Weiser controlled Hoggle’s body and Brian Henson, Jim’s son, provided his voice.

(13) STOPWATCH. Are you worried about how long Suicide Squad will run? ScreenRant is going to tell you anyway.

Collider has heard from their sources that Suicide Squad runs approximately 130 minutes with credits. Its DCEU predecessors were both in the range of 2.5 hours, meaning Suicide Squad will be about 20 minutes shorter than either Man of Steel or Dawn of Justice. Considering the sheer amount of characters Ayer is working with, some may be concerned that Squad is actually too short, but a shade over two hours gives him plenty of time to flesh everything out. After all, Star Wars: The Force Awakens had a lot on its plate and accomplished it all in 136 minutes.

(14) A DIFFERENT DICTIONARY. John G. Hartness, in Magical Words’ “Making Money Mondays” post, uses a commercial definition of “Fans v. True Fans”.

Now on to our main topic – fans. Now I’m not ever going to bash fans, because I love my fans. Hell, I love everybody’s fans, because I’m a fan myself. But what we want to talk about today is the concept of the True Fan, what they are, how best to interact with them, how to find them, how to keep them. Looking at that, it’s going to take more than one post, so this week we’ll talk about what a True Fan is, then later on ee’ll look at how to cultivate them, how to deal with them, and how to convert a Lesser Fan into a True Fan.

For the record, exactly ZERO of this material is anything I came up with. The concept of 1,000 True Fans was first put forth by Kevin Kelly in 2008 on his blog post here. He later references a couple of other folks who had similar ideas a little earlier, unbeknownst to him, but his site, with a tip of the hat to Seth Godin, who wrote the blog post that first turned me on to Kevin’s work.

Kelly postulates that any independent artist, that is any artist outside the big machine of superstar entertainment, needs to cultivate only 1,000 True Fans to survive. BTW, this whole blog post came out of a late-night conversation with AJ Hartley, where I claimed the number was 100. I’m bad at math. He defines a True Fan as someone who spends $100 per year on your work, and those thousand people then contribute to a $100,000 annual income, which is a pretty comfortable living in most places. At least that’s the rumor. I’m a writer, I don’t make anywhere near that kind of money.

So what’s a True Fan, and how do I get their hundred bucks? I assume that’s what you’re all asking. In this case, it’s usually a lot easier to show you than tell you….

(15) DON’T BE ALARMED. George R.R. Martin expressed gratitude about winning a Locus Award together with Gardner Dozois, and he couldn’t resist adding a punchline.

All kidding aside, I am very proud of OLD VENUS, and I know Gardner is as well. There are some terrific stories in there, and one that in any normal year would have been a surefire Hugo finalist. This is the third year in a row that one of the original anthologies that I’ve done with Gardner has won the Locus Award, and I can’t tell you how gratifying that is. Gardner and I both began our careers (a long time ago) with short fiction, and it pleases me no end to be able to provide a showcase for some of the extraordinary short stories, novelettes, and novellas still being written in this age of the series and the meganovel. If you don’t read anthologies, friends, you are missing out on some great stuff.

Oh, and before the crazy internet rumors start flying, I had better say that I was only kidding about OLD URANUS….

[Thanks to Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]

Pixel Scroll 6/17/16 The Second Fifth Season

(1) RAISE YOUR HAND IF YOU’RE A GREAT WRITER. Photos from George R.R. Martin’s sit-down with Stephen King last night in Albuquerque, in “The King and I” at Not a Blog.

(2) NON-ENGLISH SCHOLARSHIP AWARD. Through September 1, the International Association for the Fantastic in the Arts is taking entries for the 10th annual Jamie Bishop Memorial Award for a critical essay on the fantastic written in a language other than English.

The IAFA defines the fantastic to include science fiction, folklore, and related genres in literature, drama, film, art and graphic design, and related disciplines.

The prize is $250 U.S. and one year’s free membership in the IAFA.

(3) FUTURE IAFA. In 2017, “Fantastic Epics” will be the theme of the 38th International Conference on the Fantastic in the Arts, to be held March 22-26 in Orlando, Florida. Guests of Honor: Steven Erikson and N.K. Jemisin; Guest Scholar: Edward James; and Special Guest Emeritus: Brian Aldiss.

(4) INVENTIVE SF WRITER. Mike Chomko salutes “120 Years of Murray Leinster” at the Pulpfest website.

Although magazines have been around since the seventeenth century, it wasn’t until the last month of 1896 that the pulp magazine was born. It was left to Frank A. Munsey – a man about whom it has been suggested, “contributed to the journalism of his day the talent of a meat packer, the morals of a money changer and the manner of an undertaker” – to deliver the first American periodical specifically intended for the common man — THE ARGOSY. In his own words, Munsey decided to create “a magazine of the people and for the people, with pictures and art and good cheer and human interest throughout.”

That same year, on June 16, a child was born who would become one of THE ARGOSY’s regular writers for nearly four decades — William Fitzgerald Jenkins. Best known and remembered under his pseudonym of Murray Leinster, Jenkins wrote and published more than 1,500 short stories and articles, fourteen movie scripts, and hundreds of radio scripts and television plays. Active as a writer for nearly seven decades, Jenkins’ writing career began in early 1916 when his work began to be featured in H. L. Mencken’s and George Jean Nathan’s THE SMART SET.

(5) JEMISIN INTERVIEWED BY WIRED. “Wired Book Club: Fantasy Writer N.K. Jemisin on the Weird Dreams That Fuel Her Stories”.

We asked readers to submit questions. Here’s one: “I love how this storyline seemed to play with the idea that a person is fluid rather than static, especially when discussing the concept of mothering. Women tend to be judged very harshly on whether or not they want a family, and on the decisions they make when they do have a family. To see one person travel along all different points of the mother spectrum was very interesting. Am I reading too much into this?”

No! I’m glad that reader saw that. I tend to like writing characters that are not typical heroes. I have seen mothers as heroes in fiction lots of time, but they tend to be one-note. You don’t often see that they weren’t always that interested in having kids. They weren’t always great moms. You don’t often see that they are people beyond being mothers, that motherhood is just one aspect of their life and not the totality of their being. I had some concern about the fact that I am not a mother. It’s entirely possible that I made some mistakes in the way that I chose to render that complexity. But it’s something I wanted to explore.

(6) YOU CAN SAY THAT AGAIN. In fact, they have.

(7) JUDGING A BOOK BY ITS COVER. Joe Zieja, gaining fame as a genre humorist, proves his mettle in “Five Books I Haven’t Read But Want To and Am Going to Summarize Anyway Based on Their Titles and Covers” at Tor.com.

The Grace of Kings—Ken Liu

The year is 2256. The Earth is a barren wasteland of oatmeal raisin cookies and hyper-intelligent cockroaches Everything is pretty much firmly settled in a dystopian, post-apocalpytic mess, and nobody can grow any plants. Except one girl: Grace King. This is the story of one girl’s attempt to grow a dandelion out of a really fancy upside-down ladle. As she struggles to find the courage inside herself—and maybe some water or fertilizer, or something—we recognize that her quest for the ladle is not unlike our own, deeply personal quest for soup.

This game sounds tailor made for Filers…

(8) FATHERS DAY READS. The B&N Sci-Fi & Fantasy Blog comes up with “5 Great Dad Moments in Science Fiction & Fantasy History”.

Aral Vorkosigan Saves His Son (The Warrior’s Apprentice, by Lois McMaster Bujold) Aral Vorkosigan is not a man who easily bends his principles or behaves counter to his beliefs; you can probably count the number of times he’s actually used his power and influence for personal gain on one hand—remarkable considering how much power he wields at various times in his career. At the end of the second book in Bujold’s Vorkosigan Saga, his son Miles stands accused of raising a private army and is poised to be drummed out of the military and executed, but Aral influences the proceedings so that Miles is charged instead with the equally serious crime of treason. Why is having your son accused of treason a grand Dad Moment? Because Aral knew treason could never be proved—while it was pretty clear that Miles had indeed raised a private army (even if he had a really good reason). It’s a neat way for Aral to demonstrate his loyalty to his son without, technically, violating his own moral code.

(9) NOW WE HAVE FACES. Yahoo! News brings word that Supergirl has cast its Superman.

For Season 2, though, the Last Son of Krypton will finally have a face, and he’ll look a lot like Tyler Hoechlin. The Teen Wolf star takes flight in a role previously played on The CW by Smallville’s Tom Welling, who portrayed a pre-Superman Clark Kent for 10 seasons.

Hoechlin actually has comic book roots that pre-date his Supergirl assignment. At the age of 14, he won the coveted role of Tom Hanks’s son in Road to Perdition, the Sam Mendes-directed adaptation of an acclaimed graphic novel. In addition to his role as Derek Hale on Teen Wolf, the actor will also appear in the upcoming Fifty Shades of Grey sequels, Fifty Shades Darker and Fifty Shades Freed.

(10) QUALITY EMERGENT. At Amazing Stories, MD Jackson continues the series: “Why Was Early Comic Book Art so Crude? (Part Two)”.

His talents did not go unnoticed. Everett M. “Busy” Arnold, publisher of Quality Comics, wanted to integrate the comic book format into the more prestigious world of the Sunday Funnies. He lured Eisner away from the studio to create a weekly comic book that would be distributed by a newspaper syndicate. Eisner agreed and came up with his most famous creation, The Spirit, which would continue to break new ground artistically, but also in the comic book business. Eisner insisted on owning the copyright to his new creation, a situation almost without parallel in comics at that time and almost without parallel on any popular basis for several decades to come. “Since I knew I would be in comics for life, I felt I had every right to own what I created. It was my future, my product and my property, and by God, I was going to fight to own it.” Eisner said. That was a watershed moment in terms of the artist being acknowledged as a creator of comics rather than just part of an assembly line.

(11) A LOONEY IDEA. A BBC video explains why Earth probably has more than one moon a lot of the time.

Or, as JPL explains it:

As it orbits the sun, this new asteroid, designated 2016 HO3, appears to circle around Earth as well. It is too distant to be considered a true satellite of our planet, but it is the best and most stable example to date of a near-Earth companion, or “quasi-satellite.”

“Since 2016 HO3 loops around our planet, but never ventures very far away as we both go around the sun, we refer to it as a quasi-satellite of Earth,” said Paul Chodas, manager of NASA’s Center for Near-Earth Object (NEO) Studies at the Jet Propulsion Laboratory in Pasadena, California. “One other asteroid — 2003 YN107 — followed a similar orbital pattern for a while over 10 years ago, but it has since departed our vicinity. This new asteroid is much more locked onto us. Our calculations indicate 2016 HO3 has been a stable quasi-satellite of Earth for almost a century, and it will continue to follow this pattern as Earth’s companion for centuries to come.”

(12) IT’S A THEORY.

(13) A DOCTOR ON DYING. Rudy Rucker Podcast #95 shares with listeners an essay/memoir by Michael Blumlein called “Unrestrained and Indiscreet” originally read at the SF in SF series in San Francisco.

And then all at once Blumlein … tells about learning that he himself has lung cancer, about having large sections of his lungs removed, and about learning that the treatments have failed and that he’s approaching death. Blumlein is a doctor as well as as science-fiction author, and he ends with a profound meditation on the process and experience of death…

(14) SCALES AND TALES. William Wu has released the final cover for Scales and Tales, the anthology created to benefit three different animal adoption programs in the LA area.

Wu’s small press is printing 500 copies. An e-version will follow.

There will be a signing at the San Diego Comic-Con in July, and another at Dark Delicacies bookstore in Burbank on August 28 at 2 p.m.

Scales-and-Tales-cover COMP

(15) SIXTIES HUGO WINNER. Nawfalaq at AQ’s Reviews is not the least blown away by Clifford D. Simak’s Way Station, a book that was at the very top of my list of favorite sf novels for a number of years.

Way Station by Clifford D. Simak (1904 – 1988) is the third novel by the author that I have read. It was published in 1963 and won the 1964 Hugo Award for best novel.  Off the bat, I have to say that this is the most polished of the three novels by Simak that I have read. Nevertheless, I admit that this was not an easy read for me to get through. The setting and the tone really caused the big slowdown with my reading of this novel.

The review makes me want to “revenge read” Way Station to prove to myself it is as wonderful as I remember. But what if it’s not…?

(16) SECURITY THEATRE? JJ calls this a “replicant check.”

(17) IT PAYS TO BE A GENIUS OF COURSE. In this installment of Whatever’s “The Big Idea” series, Yoon Ha Lee reveals the thinking behind Ninefox Gambit.

Not so fast. Both of them were also supposed to be geniuses: Jedao at tactics and psychological warfare, Cheris at math. It’s possible that writing geniuses is easy when one is a genius oneself; I wouldn’t know, because I’m definitely not a genius. (I have since sworn that maybe the next thing I should do is write slapstick comedy about stupid-ass generals, not brilliant tacticians.)

So I cheated.  A lot. One of the first things I did was to reread James Dunnigan & Albert A. Nofi’s Victory and Deceit: Dirty Tricks at War. I wrote down all the stratagems I liked, then tried to shove all of them into the rough draft. (And then there was too much plot so I had to take some of them out.)  And of course, their opponent also had to be smart. I’d learned this from reading Gordon R. Dickson’s Tactics of Mistake, a novel I found infuriating because the “tactical genius” mainly geniused by virtue of the opponent being stupid, which I’m sure happens all the time in real life but makes for unsatisfying narrative. Besides all the military reading I did, I also hit up social engineering and security engineering.

(18) TODAY IN HISTORY

  • June 17, 1955 — Bert I. Gordon’s King Dinosaur premieres in theaters.

ws_Vintage_Cinema__King_Dinosaur!_1440x900 COMP

(19) MONSTERKID. Rondo Award emcee David Colton presents Steve Vertlieb with the Lifetime Achievement, Rondo Award “Hall Of Fame” plaque at the Wonderfest film conference on June 4.

Vertlieb receives rondoRondo Hall of Fame

(20) STAR WARS 8 FINISHES SHOOTING IN IRELAND. Post-Star Wars filming in Ireland, the studio put an ad in a local Kerry newspaper complete with Gaelic translation of may the force be with you. The commenters tried to make it look like the translation was wrong. All I can say is Google Translate made nonsense of it.

Then local Credit Union decided to capitalize on the zeitgeist with Darth Vader as Gaeilgoir (Irish speaker).

(21) FURNISHING THE FUTURE. Stelios Mousarris is a designer with a fantastic imagination.

A Glass Coffee Table propelled by a team of rockets makes a nice Father’s Day gift.

table-1

Ever since I was a little boy, I loved playing with action figures and spent my weekend mornings watching cartoons on the TV. I have been collecting toys and action figures and anything nostalgic from my childhood until this day.

Every time I take a look at my collectibles I remember my childhood, when I used to play for hours on end without a care in the world.

I wanted to recreate that feeling of carefreeness and nostalgia with the Rocket Coffee Table. The design is visually playful bringing cartoon-like clouds and aerial rockets from a personal toy collection to life, in the form of a table.

Combining various techniques from lathe to 3d printing, resin casting and traditional hand curved pieces, this table is fashioned to draw a smile on the face of nostalgic adults, children, and children trapped in adult bodies.

The rockets are not attached to the glass giving the opportunity to each owner to form their own desired structure of the table.

Price: €5000

Or look at the Wave City Coffee Table:

another table 2 COMP.jpg

 

Inspired by a film this table is a well balanced mixture of wood, steel and 3D printed technology.

Price: €8500

[Thanks to Nigel, JJ, Andrew Porter, Chip Hitchcock, John King Tarpinian, and robinareid for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]

Pixel Scroll 6/14/16 The Scroll Above The Port Was The Color of a Pixel, Encoded in a Dead Website

(1) BIG CON BUSINESS. At ICv2 Rob Salkowitz analyzes “Three Convention Trends We Could Do Without”, art scammers, pay to (cos)play and –

Indifference to fan experience. The rising prominence of cons means more and more families and individuals plan vacations and big-ticket trips around these experiences. The expectations are higher, and more at stake for the business in delivering great experiences.

Naturally, each year, there are always a few bad cons, and bad moments at good cons. These are complex events to organize, and well-meaning folks can get in over their heads. I find it’s best to never attribute to malevolence what can adequately be explained by incompetence.

But as the industry becomes more competitive and conventions become more templated, it’s easy to see how organizers can get so focused on the “best practices” for separating fans from their money that they lose sight of the big picture: that this whole business is built on fun and passion.

The more shows become dependent on tightly-booked celebrities, the more likely that some fans will get the runaround. It’s already astounding to me how much some fans will put up with – and spend – to get a few seconds and a photo with a famous media personality. But when cons lose control of this process, either because they are not following through on little details like whether the photos actually came out properly, or because they are having a behind-the-scenes business dispute with their talent, as happened at Houston’s Space City Comic Con a few weeks ago, it’s the fans who suffer.

(2) THREE BODY. Carl Slaughter delivers another awesome interview: “Liu Cixin, The 3 Body Problem, and the Growth of SF in China”. Where? Here!

CARL SLAUGHTER: Why was science fiction not taken seriously in China until several years ago?

LIU CIXIN: Actually, the 80s was a peak period for Chinese science fiction.  Some books during that period sold as many as 4 million copies.  When public officials deemed parts of science fiction socially unhealthy, publishers went through a slump.  In the 21st century, science fiction in China made a comeback.  This might be related to China’s modernization.  Modernization focuses people’s attention on the future.  They see the future as full of opportunities, as well as crisis and challenges.  This set the stage for the development of science fiction and an interest in this literary form.

(3) GAMER. In “Guest Post: Better Sci-Fi Through Gaming, by Yoon Ha Lee”, the author talks about growing up gaming, for the B&N Sci-Fi & Fantasy Blog.

Not that I needed writing a novel an excuse to play games, mind you. But it made for useful background. One of the major characters in the novel basically is a game designer; he comes  from the Shuos faction, which likes using games and game design in its pedagogy. It’s something I can trace back to my excellent 8th grade teacher Mr. Capin, who taught social studies and made use of simulations. I’ll never forget the Middle East sim, in which the class was divided up into different nations. I was assigned to “Israel.” Mr. Capin also played the role of the USA, and from time to time, the “USA” would drop “foreign aid” on us. The other groups hated us instantly. Another time, we did the “Roman Senate,” with Mr. Capin playing the role of “Julius Caesar.” He gave me the opportunity to try to stop him, so long as I didn’t spoil what was to come. I was insufficiently persuasive, and he assassinated me. (I have never been prouder to have a teacher announce, “Senator Yoon is dead.” God knows, that’s the closest I’ll ever come to a government position!) It was very visceral, and I’ve never forgotten how vivid the lessons became in that format.

(4) GHOSTBUSTED. “Doc” Geressey, a fixture at cons in NC, SC, and VA for several years, known for having a very exact Ghostbusters replica vehicle and dressing up as a Ghostbuster with friends, has been charged with soliciting a child on social media.

The Gaston Gazette reports:

Michael “Doc” Robert Geressy, 36, of South New Hope Road, has been charged with soliciting a child for sex act by a computer and appearing to meet a child.

Detectives with the Lincolnton Police Department conducted an undercover sting operation involving Geressy. An officer posed as a 14-year-old child on social media. Geressy reportedly discussed meeting to engage in sexual activity.

When Geressy arrived at the predetermined location and was arrested, he was wearing a black suit, tie and sunglasses, police said, like characters in the movie, “Men in Black.” Geressy showed up driving a 1987 Ford Crown Victoria that is a replica of the car used in the movie, according to reports. The vehicle had emergency light equipment as well as after-market toggle switches to replicate the car seen in the movie, police say.

Another member of The Carolina Ghostbusters told the reporter that the group disbanded a year ago, however, they were advertised as appearing at XCON World in Myrtle Beach last month.

carolina_ghostbusters

(5) MESZAROS OBIT. Michu Meszaros, an actor who brought the titular alien in ’80s sitcom “Alf” to life, has died reports Variety. He was 76.

I had no idea – I thought Alf was a puppet….

(6) TEMERAIRE. Kate Nepveu reviews the series finale: “The Temeraire Series Sticks the Landing: Non-Spoiler Review of League of Dragons”, at Tor.com.

Let me put the conclusion up front: League of Dragons sticks the landing, and if you like the series overall, you should read it. It handles gracefully the general challenges of concluding a long series, and it has lots of the best parts of the series to date, and not that much of the worst.

The general challenges are, by this point, fairly well known. The final book of a long series has to address long-standing problems, without being boringly obvious; surprise the reader, without being unfair; maintain continuity, without letting past decisions unduly constrict the story; and give the reader a satisfying sense of where the important characters wind up, without overstaying its welcome.

I think League of Dragons does well on all these fronts.

(7) A PG-RATED DRAGON. Disney dropped the official trailer for Pete’s Dragon today.

(8) TODAY IN HISTORY

  • June 14, 1938 — The first Superman comic book — Action Comic No. 1 — was published

(9) TODAY’S BIRTHDAY BOYS

  • June 14, 1909 – Burl Ives, the voice of Gepetto in a Pinocchio TV movie, and Sam the Snowman in Rudolf the Red Nose Reindeer, who also had a role in an episode of Night Gallery.
  • June 14, 1949 – Harry Turtledove

(10) WHY WAIT FOR THE MOVIE? Based on viewing the trailer, BBC popular culture writer Nicholas Barber gives the Ghostbusters remake a thumb’s-down, but only for the “right” reasons: “Why the sexists get Ghostbusters wrong”.

Fast-forward 32 years, and it doesn’t look as if much of that innovation and counter-cultural grubbiness has made it into the new film. From what we have seen of it so far, Feig’s version will be a slavish copy of Reitman’s – right down to the cameos by Slimer and the Stay-Puft Marshmallow Man – except with bright and shiny CGI replacing practical effects, and all-for-one togetherness replacing cynical opportunism. But the one thing it has got right is its casting. After all, the Ghostbusters were always meant to be unconventional underdogs. They were meant to be the last people you would expect to save the world from demonic forces – just as the film as a whole was meant to challenge your preconceptions of what a summer blockbuster could be. And one ingenious way to give both the new film and its protagonists that pioneering freshness is to have women in the lead roles.

(11) RADIANCE. Speculiction hosts Jesse Hudson’s “Review of Radiance by Catherynne M. Valente”.

Working with the art of filmmaking, the relationship between the fictional and the real, and Hollywood of old, Radiance is a novel that possesses every ounce of Valente’s literary awareness and fervor for language. Paul Di Filippo calls it “uncategorizable fantastika,” which is, in fact, a shortcut from Valente’s own more complex but accurate description: “a decopunk pulp SF alt-history space opera mystery.” Dynamic to say the least, the milieu is never allowed to desiccate into simple retro-pulp homage, going further to tell a rich, multi-faceted tale of one woman’s life and legacy in Hollywood’s Golden Age—or what it would have been were the solar system alive with humanity.

(12) MONEY IN HAND. Buy a first edition of Logan’s Run, signed and decorated by Bill Nolan, from Captain Ahab’s Rare Books.

  1. Nolan, William F. and George Clayton Johnson. LOGAN’S RUN – INSCRIBED TO HERB YELLIN. New York: The Dial Press, 1967. First American Edition. First Printing. Octavo (23cm); red pebbled paper-covered boards, with titles stamped in black on spine; dustjacket; [10], 134pp. Inscribed by the author to his long-time friend and publisher on the half-title page: “A GEN-U-INE LOGAN 1ST!! / To Herb, with hand, and with friendship, Bill Nolan / June 4, ’80.” At the center of the page Nolan has drawn an open hand with crystal disc in red, blue, and black ink; he has also tipped a typed 41-line bio of himself (measuring 2.75″ x 3.5″) onto the opposite page. Pinpoint wear to spine ends and corners, with upper rear board corner gently tapped (though still sharp); very Near Fine. Dustjacket is unclipped (priced $3.95), lightly shelfworn, with a few short tears, shallow loss at crown, with a few small chips along edges of front panel; an unrestored, Very Good+ example.

Nolan’s best-known work, a novel which takes place “after a strange act of nuclear terrorism, forcing the remaining population into underground keeps; a youth culture takes over, instituting the dystopian rule that all those over twenty-one must be killed to combat overpopulation” (Encyclopedia of Science Fiction). Basis for Michael Anderson’s Oscar-nominated 1976 film, starring Michael York and Farrah Fawcett. Sargent, p.144.             $1,750.00

Logans Run nolan auto

(13) SIMAK FAN. The Traveler at Galactic Journey is excited about this recently-completed serial: “[June 14, 1961] Time is the simplest thing… (The Fisherman, by Clifford Simak)”.

If you’re a fan of Cliff’s, you know that he excels at writing these intensely personal stories, particularly when they have (as this one does) a rural tinge.  The former Fisherman’s transformation into something more than human is fascinating.  Blaine’s voyage of self-discovery and self-preservation is an intimate one, a slow journey with a growing and satisfying pay-off.  The pace drags a little at times, and Simak adopts this strange habit of beginning a good many of his sentences with the auxiliary words “for” and “and,” which lends an inexorable, detached tone to the proceedings.

Still, it’s an unique book, one that I suspect will contend for a Hugo this year.  It single-handedly kept Analog in three-star territory despite the relative poor quality of its short stories and science articles.

I won’t spoil things for The Traveler by blabbing about what else came out in 1961 if you won’t….

(14) THE SPY WHO SLAGGED ME. James Bond vs Austin Powers – Epic Rap Battles of History – Season 5.

[Thanks to Laura Haywood-Cory, Chip Hitchcock, Hampus Eckerman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 6/3/16 Second Pixelscroll To The Right

(1) LATEST MOWATT RHINO RUN CUT SHORT BY INJURY. Jim Mowatt tried to follow his London Marathon triumph by running the Edinburgh Marathon but midway through his knee gave out.

At around 15 miles Steve asked me for his Lucozade bottle. I dig around in his back pack and hand it to him. My leg is hurting so I cadged some ibuprofen gel from him. His tendons were hurting and he asked me to rub some gel on his knee also.

Steve ran on, I stepped out to try and catch up and found the knee pain had increased dramatically. I gritted my teeth and tried to carry on and then suddenly discovered that I could no longer put any weight on my left leg without it buckling from the pain. I staggered over to the side of the road and found a tree to prop myself upon with one leg held in the air. A marshall came to help, asked if I needed medical assistance and I said yes.

While we were waiting I heard various exchanges on his radio. Not everyone was as willing to stop and receive assistance. Someone else apparently was weaving all over the road in considerable distress, bumping into other runners. Marshalls had asked him to stop but he didn’t seem to hear them and carried on. Someone was shouting over the radio, “stand in front of him, it’s the only way to stop them when they are like this.” I had no such problems stopping myself running. Putting any weight on that leg at all sent huge rolling waves of agony flashing out sharply from my knee. I wasn’t keen on the notion of letting that foot touch the ground anytime soon.

….Carrie pointed me at the train station and we began our long slow walk up the hill. A very tall man appeared from nowhere and asked if we wanted a lift up to the train station. “Yes, absolutely!” yells I, “that would be brilliant”. He vanishes for several minutes and then reappears in a car and drives us to the train station. I think he must have seen us from his living room window and made the decision to help. Just a downright wonderful thing to do. Thank you tall man from Longniddry. You are a damn fine chap.

(2) TIE UP YOUR BOAT TO IDAHO. Steve Fahnestalk recalls his “Moscon Memories” at Amazing Stories.

As I mentioned we asked Robert A. Heinlein to be our GOH, but he demurred at first, saying his health would not allow him to commit to any convention (Figure 5); he later said he would commit to coming as long as his health would allow. Later, closer to the con, he suggested Verna Smith Trestrail as a GOH instead, because her father, E. E. “Doc” Smith, had attended the University of Idaho in Moscow. None of us, of course, had known this. (And if you don’t know who Doc Smith was, your reading is sadly behind the times. Check out the Wikipedia article.) I corresponded with Verna, and she gave us an enthusiastic “yes!” Figure 6, the Kelly Freas convention badge, is a portrait of Verna leaning out of the back of a train—don’t ask me why; I’ve forgotten—and holding out her arms to Worsel of Velantia, one of Doc’s non-human Lensmen. Verna and Al, her husband, trekked out to Moscow from the wilds of Leesburg, Indiana, and we were all hooked. Verna on us, and we on Verna. (Al wasn’t into all this stuff, being more of a Western kind o’ guy, but he bore up really well.) Verna bustled around MosCon, buttonholing anyone who stood still for five minutes, and gave them the lowdown on Doc; she also gave a talk on Doc at the con. Because Heinlein couldn’t attend, he wrote a short article about Doc, which I put in the program book; being a thrifty sort, Heinlein recycled it and reprinted it in Expanded Universe; we PESFANs, of course, are proud of printing it first.

(3) BUSBY RITES. The Memorial Service for James M. Busby will be held on Tuesday, June 14 at The Church of Latter Day Saints 2000 Artesia Blvd., Torrance. Service begins at 11a.m.

The family requests no flowers instead please make a donation in Jim’s memory to continue his life’s passion to educate and preserve space to the Aerospace Legacy Foundation.

(4) THE WINNER. Black Gate’s John O’Neill’s choice as “The Most Successful Anthology of 2015 [is] Meeting Infinity, edited by Jonathan Strahan”. Why?

It’s beginning to look as if Jonathan Strahan’s Meeting Infinity is the most successful SF anthology of 2015… at least if you use story reprints as your yardstick (which I kinda do).

Nine of the anthology’s stories were picked for year’s best collections by Horton, Clarke and Dozois.

(5) ROOMMATE NEEDED. A female reader has just had their MidAmeriCon roommate withdraw, and if there’s a female reader who’d be interested in sharing, e-mail a message to mikeglyer (at) cs (dot) com and I will forward it. (Or if you prefer to work it this way, communicate to me and I will have the person write a message to be forwarded via email to you.)

(6) SPEAR OF LIGHT AUTHOR. SFFWorld interviews Brenda Cooper.

Are strong female characters important for you?

Thanks for the lovely leading question! Of course they are. And even more important, strong female characters that are complete with brilliance and challenges.  I’m not impressed when “strong female characters” translates to “women who act like men.”  I also like balance – I have strong men and strong women, and sometimes weak men and weak women.  Not so much in this book as Lym and the Glittering are placed that reward strength rather deeply. But still, characters should be complex, interesting, and they should grow. Women should be at least as strong as men, and just like in our current world, sometimes they need to be a little stronger.

(7) FIRST PITCH. Patrick Redford asks “What the Hell, Japan?” at Deadspin.

All sorts of people throw out first pitches before baseball games. Old guys, dinosaurs, washed rappers—you name it, they’ve done it. But this week, Nippon Professional Baseball—ever the innovators—went and put every quirky MLB first pitch into the toilet with this bizarre, unsettling play-within-a-play first pitch faceoff between Sadako from The Ring and Kayako from The Grudge.

The post has lots of GIFs of the action.

(8) PORTALS. Jonathan Thornton reviews Every Heart a Doorway by Seanan McGuire at Fantasy-Faction.

The story is set in Eleanor West’s Home for Wayward Children. It is set up by Eleanor West after she returned from her own magical world to help other children who’ve been through the same thing as her adapt. The novella follows Nancy, a girl who’s just returned from the Halls of the Dead, where she has spent decades pretending to be a statue and is promised to the Lord of the Dead, as she joins the school and begins to adapt to her new life. Nancy’s parents are thrilled to have her back and just want to give her their love and help her, but they are unable to understand her experience, or what she’s going through now. This has obvious parallels with the experiences of those who suffer from mental health problems or victims of trauma – indeed, Eleanor tells the parents of the afflicted children that her school is a sanitarium.

The children’s experiences also have parallels with those whose sexual orientation or gender identity comes between them and their family. Nancy is asexual, and her parents are having difficulty understanding this aspect of her life. Kade is a trans man who is living as an intelligent and productive young man at the school while his parents still want their little girl back. More generally still the children’s condition could also be read as a metaphor for the transition from childhood to being a young adult, the point when you grow away from being your parents’ child into your own identity as an individual member of society. McGuire explores all these themes and ideas in the novella, and throughout it all treats her characters with respect and sensitivity, whatever aspect of their pain or personal history she is exploring.

(9) FOOTAGE FROM THE CULTURE WARS. Jason Ahlquist’s About Tomorrow is a feature-length documentary in progress “about the intersection of science fiction and politics told through the 2015 Hugo Award balloting controversy.” He plans to launch a crowdfunding campaign in July.

Also known as “Puppygate,” the controversy revolved around the efforts of two right-wing groups and their use of coordinated voting blocs to influence the outcomes of one of science fiction’s most prestigious awards…..

“I want this film to be a vehicle for exploration of the larger depths of sci-fi’s role,” said Ahlquist, “not only in how we see our future, but how we’ll act on our hopes and fears.” Ahlquist went on to say that production on the film is nearly complete, and that, “production will wrap at the 74th World Science Fiction Convention in Kansas City before we move into post-production.”

 

(10) X-MEN. “Meet the Underappreciated Woman Who Invented X-Men’s Apocalypse” – a profile at Vulture.

Her name is Louise Simonson, and she co-created Apocalypse (his look came courtesy of artist Jackson Guice) in the pages of Marvel Comics’ X-Factor, in 1986. Simonson — “Weezie” to her friends — is one of the better superhero-comics writers of the past 40 years, a person who crafted beloved stories about the X-Men and DC Comics’ Superman, just to name a pair of the more famous properties she has worked on. The 69-year-old was also a pioneer: She did much of her most famous work when women writers were a rarity in the comics industry. Despite all that, she’s never gotten her due in mainstream media outlets. But within the comics world, her name reverberates.

(11) NEWS, WEATHER AND SUPERMAN’S DEATH ON THE TEN. From Gamespot I learn “Superman Is Dead Again – What That Now Means”.

Back in 1993, Superman died while fighting Doomsday. In the comics, the world mourned the death of the Man of Steel, and soon saw other Supermen rise to take his place. The real Superman eventually returned to life, and his adventures continued. That was in the previous comic continuity. In the current continuity, which started in 2011, Superman is dying again. This time, his death and return is something different.

Yeah, sure it is. Excuse me while I don’t give a damn. Superman’s life status has become as routine as the weather report.

(12) APPERTAINING YOUR OWN CON. Alexandra Erin explains in considerable detail that just because a Helsinki Worldcon co-chair hopes Erin will be at next year’s con it doesn’t mean they’re paying her way. Apparently not everyone immediately understands that.

This is probably the last time I’ll bother qualifying something neat like “a WorldCon head personally told me she’d be jazzed if I were there” by explaining the real world to dedicated denizens of a carefully constructed artificial reality, for the simple reason that I know it doesn’t work. It’s more my fascination with the disconnect between actual reality on the ground and the stories that swirl based on a few glimmers of that reality and much speculation that prompts this post.

What a different world we live in than the one that is ascribed to us.

[Thanks to Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 4/21/16 Pixel Like It’s 1999

(1) NEW DOCTOR WHO COMPANION. ScreenRant reports the “Doctor Who Season 10 Companion To Be Revealed This Weekend” – in the middle of the BBC One Match of the Day Live soccer broadcast.

[A] new companion has now been cast, the big reveal of exactly who that companion is, will be made this Saturday, April 23rd, on BBC1.

The announcement will be made during half-time of the soccer match between Everton and Manchester United, at approximately 6pm GMT. The news will be posted on all Doctor Who social media sites as it’s announced, enabling viewers across the world to all find out who has been cast at the same time.

 

(2) VIRTUOUS SIGNALING. Rob Boffard at Medium says “You can talk to the International Space Station right now. Here’s how to do it”.  Do you have what it takes?

Of all the things that shouldn’t be possible but are, talking to the International Space Station ranks right up there with Steph Curry’s basketball skills and the existence of Donald Trump.

Think about it. How weird is it that NASA can put a $150bn space station into orbit, which can then be contacted by anybody on Earth? Even you? It’s one of those things that gives you pause?—?the kind of thing you’re vaguely certain is against the law, somewhere.

It’s not something you’re going to be doing tonight?—?not unless you have the relevant equipment already to hand. It takes a little bit of work. But it’s entirely possible, even for those of us who aren’t geeks….

(3) BLOWN AWAY. James Bacon highly recommends The Great British Graphic Novel Comic art exhibition at the Cartoon Museum on the Forbidden Planet blog.

This is a phenomenal experience, it exceeded my expectations and I was blown away by the calibre of the artwork on display. The Cartoon Museum has amassed the finest examples of comic art, an incredible mix of exemplary work, providing a beautiful tapestry of the history and breadth of the greatest works from Britain for public consideration….

Soon I was looking at lovely pieces, starting with Hogarths ‘A Harlots Progress’ from 1732, ‘The Bottle’ from 1847 by George Cruikshank, ‘Ally Sopers; A Moral Lesson’ from 1873, Ronald Searle’s Capsulyssese from 1955, written by Richard Osborne. All giving one a real sense of history, showing that illustrated stories are nothing new in Britain.

Then as I rounded a corner I saw a grouping of Commando Comics placed next to a full colour cover of Charley’s War, and four pages of this seminal work of the First World War. Undoubtedly Pat Mills and Joe Colquhoun’s masterpiece is indeed a crucial addition here, but I had a feeling of true appreciation of the comic form when I saw this colour cover and four original pages lined up. Juxtaposed with this was My Life in Pieces, The Falklands War by Will Kevans from 2014. Original art, cover and concept sketch made for a great grouping….

(4) CHABON AND HASBRO? Birth.Movies.Death almost cannot be believed this time — “Michael Chabon And Brian K. Vaughan To Make Hasbro Cinematic Universe Worth Taking Seriously”. Is there a way to get G.I. Joe taken seriously?

Last December, word came out that Hasbro was going to try their hand a making a cinematic universe based on their various toy properties, namely G.I. Joe, Micronauts, Visionaries, M.A.S.K. and ROM. I was a little flip about it.

But now Hasbro, lead by Akiva Goldsman, has assembled its writers room and it’s no laughing matter. The big stars of the list are The Amazing Adventures of Kavalier & Clay’s Michael Chabon (who also worked on Spider-Man 2), Brian K. Vaughan, who you should know from comics like Y: The Last Man, Ex Machina, Saga, Runaways and a bunch of other impressive titles, and Nicole Perlman, co-writer of Guardians of the Galaxy and Captain Marvel.

(5) SPACE MARINES. If you remember Space: Above and Beyond, you may be ready for the Space: Above and Beyond 20th Anniversary celebration on Saturday, August 6 at the Marriott Burbank Airport Hotel.

In 1996, Fox Studios produced the TV series: Space: Above And Beyond (aka S:AAB). The show had Drama, action, mystery and followed the lives of a diverse group of U.S. Marine Space Aviators while fighting against a powerful alien force on the ground, in the air and in outer space. It was part Top Gun, part James Cameron’s Aliens, and all exciting!

This short lived show (1995 to 1996), which fell victim to scheduling conflicts like Joss Whedon’s Firefly, is considered one of the best of Military Science Fiction series to air and is deserving of a convention of its own….

VIP tickets and Premium tickets are both on sale NOW at early-bird prices, and general admission tickets will go on sale starting May 1st.

(6) BEFORE THEY WERE BOTTLED. Syfy may order a pilot for David S. Goyer’s Superman prequel series Krypton.

The series, set two generations before the destruction of Superman’s titular home planet, would tell the story of the man of steel’s grandfather as he fights to restore the family honor of the House of El after it has been shamed.

The pilot will be produced by Warner Horizon Television. Goyer — who penned the screenplays for “Batman Begins,” “Man of Steel” and “Batman v Superman: Dawn of Justice” — will write the pilot with Ian Goldberg. He will executive produce through his company Phantom Four with Damian Kindler, who will serve as showrunner. Colm McCarthy is set to direct the pilot.

(7) KIT WEST OBIT. British special effects artist Kit West (1936 – 17 April 2016), known for his work in Raiders of the Lost Ark and Return of the Jedi, died April 17.

(8) BOND FILM EDITOR HAMILTON OBIT. From the BBC:

Guy Hamilton, who directed four James Bond films, has died aged 93.

Former 007 actor Sir Roger Moore tweeted that he was “incredibly, incredibly saddened to hear the wonderful director Guy Hamilton has gone to the great cutting room in the sky. 2016 is horrid”.

Hamilton directed Sir Roger in Live and Let Die and The Man with the Golden Gun.

He also directed Sir Sean Connery in Goldfinger and Diamonds are Forever.

…Speaking about his style of directing he said he wanted value for money.

“In the making of Bond films we are some of the meanest toughest film makers. If we spend a million dollars it had better be up there on the screen.”

(9) TODAY IN HISTORY.

  • April 21, 1997 — Ashes of  Star Trek creator, Gene Roddenberry, journeyed into space.

(10) CAN YOU SAY “CANONICALIZATION”? Will Frank discusses “The Duties of the Hugo Administrative Team” in a MidAmeriCon II blog post.

Once nominations close at the end of March, we go through the data and process it. There are a few steps to this, the biggest one being canonicalization. We review the data to make sure that votes for, for example, “The Three-Body Problem” and “The 3-Body Problem” and “Three Body Problem” and “ The There Body Problem ” —which would all appear separately in our database—are all set up to be recognized as nominations for the same book. And if you think that’s bad, imagine what it’s like when episodes of television get nominated in Best Dramatic Presentation, where there are series title, episode title, and season and episode number, and a thousand different ways to put those together…

Once that’s done, we have our preliminary finalists. That’s when we start reaching out to nominees, letting them know they’ve been nominated, and a bit about the awards. That can be surprisingly difficult if we don’t know people’s email addresses. Sometimes, they’re public…but fairly often they’re not. There’s a certain amount of Googling, guessing, or asking people with impressive Rolodexes just to figure out a valid email address sometimes.

(11) SELECTIVE QUOTE OF THE DAY. Kate Paulk says Sad Puppies have a future, in “Miscellany” at Mad Genius Club.

In other news, this of the Puppy-related kind, I’ve heard rumors from several sources (but nothing official, alas) that more than 4000 Hugo nomination ballots were cast. I’ve also heard there are some saying that Sad Puppies 4 is a nonentity, that it’s run out of steam, it’s dead, pining for the fjords, gone to a better place… (erm, sorry?). Well, no.

Sad Puppies 4 is waiting to hear who the nominees (*ahem*. The Hugo Site says they aren’t being called nominees any more. They’re ‘finalists’ from a shortlist. Whatever) are before congratulating them for their recognition, whoever they are, and starting the next round of campaigning to boost involvement in the Hugos process.

(12) CAT PITCHER. He’s mad as a wet you-know-what! “Timothy Under Attack by SJW Warrior Feminist Filers” at Camestros Felapton.

A certain “website” which I shall not name because I shall not provide it with anymore publicity because I am sure nobody but a tiny number of far left Bernie Sanders supporters in a gated community ever read, as they sip champagne frappucinos in their la-di-da literati bookclub but whose name rhymes with smileearnestbevinbeventy, has SELECTIVELY QUOTED ME in a truly monstrous way to suggest that I am nothing but a poo-poo head! The calumny! The outrage!

(13) A MULTIPLE-CHUS PANEL. This program idea was dropped in the MidAmeriCon II suggestion box….

https://twitter.com/kyliu99/status/722967958054666241

(14) IN FACT IT’S COLD AS HELL. Science Alert reports “An abandoned probe just discovered something weird about the atmosphere of Venus”.

The European Space Agency’s (ESA) Venus Express probe spent eight years collecting information on Venus before plunging down to the surface and out of range back in November 2014. But now we finally have the last batch of data it transmitted back to Earth before going offline, and there are some big surprises in all those recordings.

Turns out, the polar atmosphere of Venus is a whole lot colder and a lot less dense than we previously thought, and these regions are dominated by strong atmospheric waves that have never been measured on Venus before.

Maddie Stone from Gizmodo reports that the Venus Express probe found polar areas of Venus to have an average temperature of -157 degrees Celsius, which is colder than any spot on Earth, and about 70 degrees lower than was previously thought.

This is rather surprising, considering Venus’s position as the hottest planet in the Solar System overall.

Not only is Venus much closer to the Sun than we are, it also has a thick, dense cloud layer that traps heat. However, Venus Express also found that the planet’s atmosphere was 22 to 40 percent less dense than expected at the polar regions.

(15) FAMOUS FURNITURE. Heritage Auctions now calls it “The Chair Heard ‘Round the World”.

The online and print publicity pieces for J. K. Rowling’s chair reached over 90 countries, plus all 50 states and all news aggregator sites. It saw total media coverage nationwide, with special interest in New York, Silicon Valley, and major cities in the Midwest, as well as the nation’s capital. The chair also garnered attention with 4,428 mainstream media hits, a number that is still rapidly growing. Print media circulated to 291.7+ million, while 15.6+ billion unique viewers visited websites carrying the article.

(16) THE TRUTH MAY NOT BE OUT THERE. Rachel Swirsky conducts a “Silly Interview with Effie Seiberg, Liar”. (Effie needs an introduction Camestros Felapton’s cat.)

4) Wait, how do I know you aren’t sneakily telling the truth?

The answer to question 3 is a lie.

5) All right, I’ll let it go. Just know that I’m aware that at any point you could be LYING. So. You studied philosophy and logic. Do you use that in your fiction?

Absolutely! There’s a long tradition of slipping philosophy into speculative fiction, especially since they’re both about exploring ideas and taking them to their logical conclusions. Some of my favorites are Italo Calvino’s “All at One Point” and Asimov’s “The Last Question” for metaphysical cosmology, Ken Liu’s “Mono No Aware” for ethics, and Roald Dahl’s “William and Mary” for epistemology, and the movies Labyrinth and Monty Python’s Holy Grail for classic logic. Also the entire Discworld series for all the philosophy ever.

(17) FARE LADY. Ann Leckie wrote about her GoH stint at Japan’s Hal-Con, including a special souvenir —

I don’t tend to take a lot of pictures, unless I’m explicitly doing research on something and think I need pics for future reference, but I did take one or two of the view out my hotel window in Numazu:… And one of some lovely fish-shaped cakes a reader gave me as a gift:…

Okay, those aren’t really cakes. The two in the middle are pancakes with bean paste inside, and the top and bottom ones are a kind of wafer-cookie sandwich, also filled with bean paste. Still. Close enough….

And I learned from her post that when cooked a coelacanth, like every other exotic creature, reportedly “tastes like chicken.”

(18) RUN A LINE THROUGH IT. “SFWA Contracts Committee Alert” at the SFWA Blog.

The SFWA Contracts Committee believes there are serious problems for writers with the non-compete and option clauses in many science fiction and fantasy publishers’ contracts. The non-compete language in these contracts often overreaches and limits authors’ career options in unacceptable ways. Writers may choose to bring out a range of books from different publishers — science fiction from one publisher and fantasy from another publisher, for example — and may have to do so in order to earn anything like a living wage.  The problem becomes even worse for hybrid authors who self-publish works in parallel with their traditional publications. Several contracts that we have seen include overlapping restrictions that could keep the author from publishing another book for more than a year….

Our recommendations:

Any limitation on the author’s ability to write new works at any time is unacceptable and should be deleted.

“Competing work” should be defined in the contract as clearly and narrowly as possible, and preferably limited to a work in the same series (whether one is planned or not). The burden should be on the publisher to prove that another work published elsewhere by the author would reduce their sales.

(19) THRONES RETROSPECTIVE. BBC devoted a long post to Game of Thrones at 20: How the saga became a TV hit”.

Still, HBO wavered over whether to make a fantasy show that would be so drastically different from their trademark series, which tended toward the grittily realistic. And even after HBO tentatively signed on, Benioff and Weiss’s original pilot episode had to be completely reshot before the show finally debuted in 2011 – another six years after the producers had first acquired the rights from Martin. But there was hope from another perspective: the rise of prestige television had paralleled the rise of cult fandoms. The passionate online exchanges among fans of books like Martin’s made them desirable targets for marketing. Suddenly, HBO had proof that a Game of Thrones series would have an intensely engaged audience from the start, and the network’s marketers knew exactly how to reach those fans – right on those websites and message boards where they gathered to discuss the minutiae of the books. If the network got particularly lucky, those fans would become ambassadors to a wider audience.

Chip Hitchcock sent the link together with these comments, “They do mention the proper title at one point, although it seems a lost cause generally. OTOH, the night before my cruise got to Dubrovnik two weeks ago, the tour manager specifically called out A Song of Ice and Fire — so some people actually know the original collective.”

(20) HEAD OF THE CLASS. Entertainment Weekly explains what went down.

On Wednesday’s episode of The Late Late Show With James Corden, host James Corden and some high-wattage Game of Thrones cast members spoofed House of Black and White’s Hall of Faces (a prominent part of the show’s season 6 marketing campaign), with a segment imagining what an obnoxious disembodied head might do to the larger group.

The sketch featured recent guests Lena Headey, Emilia Clarke, Alfie Allen, and Iwan Rheon…

 

 [Thanks to John King Tarpinian, Rachel Swirsky, Will R., Chip Hitchcock, Andrew Porter, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day, the Top Level Poster. On his head be it!]