Pixel Scroll 4/19/17 I Am The Very Model Of A Modern Pixel Scroller

(1) VALENTINELLI CONSIDERS ANTIHARASSMENT PROJECTS. Monica Valentinelli has issued a “Tentative Plan for Con Safety Discussion and Call for Feedback”.

…I want to stress, however, that I am no expert on the subject of con safety. There are several people (4) who are already doing the work to make cons/events safer, and I feel that any forthcoming materials needs to emphasis those efforts and individuals. As I mentioned in the previous post, the discussion about con safety is far bigger than what happened at one con, and there can definitely be more than one solution (5) and multiple books.

What I Can Offer

Besides offering support, words of encouragement, or signal boosting where I can (6), I’ve had a few volunteers saying they’d be willing to help put together a book (7) on con safety. Doing so is complex, because a) it collates invaluable knowledge from existing volunteers b) people need to be paid fairly for their time c) it needs to be inclusive to address “what’s missing” from underrepresented groups d) it requires a publisher and ample distribution and e) possibly a Kickstarter….

(2) NERD CON SAYS GOODBYE. Nerd Con, an Escondido, CA event, sent its fans into mourning when they announced on March 31 that the con is kaput.

Nerd Con Announcement:

These past years have been so much fun and we’ve had such a blast meeting so many awesome people. Its been really exiting bringing people together through our events (Nerd Con, Nerdy New Year) and creating memories that will surely last a lifetime.

We would like to thank the multitude of really great people who spent countless hours of time and dedicated their energy into making Nerd Con and Nerdy New Year special events for everyone.

At this time we no longer have the necessary resources to continue producing these events. We realize that this may come as a shock to many of you and we would like to thank you in advance for your patience and understanding….

It may have been a touch overdramatic to say “These past years have been so much fun…” The con’s only been around for two years — the first was in 2015.

But that’s been long enough to energize a few critics. Some wag put up a webpage with the message “Nerd-Con 2017 in Escondido IS CANCELLED for non-payment for services” and filled it with complaints about his experiences at last year’s con.

(3) BACK TO KRYPTON. Might as well start covering this now, I’m sure we’ll be hearing a lot more about the series as time goes on — “Syfy’s Krypton: In Leaked Pilot Trailer, Grandpa Has a Message for Superman”.

The story of your family isn’t how we died, but how we lived.”

That’s the message being left by Kal-El’s grandfather in a leaked (and since-deleted, sorry!) trailer for Syfy’s upcoming Superman prequel pilot, Krypton.

Penned by David S. Goyer (Man of Steel) and Ian Goldberg (Once Upon a Time), Krypton is set two generations before the destruction of Superman’s home planet and follows the future Man of Steel’s forefather — Seg-El (played by The Halcyon‘s Cameron Cuffe), whose House of El was ostracized and shamed — as he fights to redeem his family’s honor and save his beloved world from chaos.

The cast also includes Georgina Campbell (Broadchurch) as Lyta Zod, a military cadet and Seg-El’s romantic interest; Ian McElhinney (Game of Thrones) as Seg-El’s own grandpa, a genius fascinated by space exploration; Rasmus Hardiker (Black Mirror) as Seg-El’s best friend; Elliot Cowen (Da Vinci’s Demons) as chief magistrate Daron Vex; and Wallis Day (The Royals) as Daron’s daughter Nyssa.

(4) MAJOR BLABBAGE. DenofGeek brings “Doctor Who: huge Christmas special rumors” – coverage that comes with a big fat warning sign —

Huge rumours could become huge spoilers, so only read this article about the Doctor Who Christmas special if you’re okay with that…

The Mirror is reporting that David Bradley will portray William Hartnell’s first Doctor in the 2017 Christmas special, (sort of) reprising his role from the 2013 making-of drama, An Adventure In Space And Time.

“In the plot, the 1st Doctor has to help the 12th [Peter Capaldi] play out his last mission in the TARDIS. The pair must work together to save [their] home planet Gallifrey by moving it to another dimension”, The Mirror claims.

The tabloid’s report continues: “Fans will discover the close-up shot of Capaldi’s eyes from the 50th [anniversary] special The Day Of The Doctor, was actually the start of his own regeneration.”

(5) VERSATILE AUTHOR LAUNCHES PATREON. Since we last heard from Malcolm Cross (“Malcolm Cross, MilSF, and Piracy”), the author of Dog Country, Dangerous Jade, and Extinction Biome:  Invasion, Dog Country has been nominated for the Ursa Major and Coyotl Awards, which are the equivalent of a Hugo and Nebula for furry writers.  Cross has started a Patreon to reignite his career.

(6) HAPPY NEW YEAR! Standback’s Short Story Squee & Snark online short story club is starting on stories from 2017.

With a whole Internet constantly supplying us with excellent short fiction, SSS&S is devoted to reading short stories often, and widely. Every week we read a story – hopping between magazines, authors, styles and subgenres. Then, we meet up back here and discuss – love it or loathe it, being able to talk stories over is often half the fun!

We’re kicking off discussing Sarah Pinsker’s “And Then There Were (N-One)” – the story of SarahCon, the exciting new convention for Sarah Pinskers from across the multiverse.

And, entering a new year of short fiction, we’re very eager for story recommendations – tell us what stories from 2017 you’d love to see discussed, because we’d love to discuss ’em!

(7) 70TH EASTERCON. Last weekend the bid for Ytterbium was chosen to host the 2019 British Eastercon over the Easter weekend, April 19-22 at the Park Inn, Heathrow.

The Guests of Honour will be Frances Hardinge, Sydney Padua, John Scalzi, and DC.

Follow them here on Facebook.

And if someone is willing to alleviate my ignorance of who DC is, please do!

(8) KAYMAR. Congratulations to long-time fan John Thiel on winning the N3F’s Kaymar Award for 2017.

The Kaymar Award is given in April every year, supposedly because the [National Fantasy Fan Federation] was organized in the month of April. The award, unlike other awards in fandom, can only be awarded once to a single person. It is not given for talent or for popularity, but for work — work for the benefit of the club and its members. The award is a memorial to K. Martin Carlson [1904-1986], who originated, maintained, and financed it for 25 years. Carlson was a long-time N3F member who held many positions in the club, including club historian. He went by the fan name of Kaymar

(9) LOST LOSS LEADER. For a mere $29,000 you can own a Lost In Space B-9 Robot 3rd Season Ultimate Prop Replica. (Though wouldn’t you think you could get the original for that much money?)

This B9 Robot was given the privilege to appear at the “50th Anniversary of Lost in Space” at the Hollywood show in Los Angeles. It also held a private exclusive photo shoot with the cast along with their signatures. Photo’s and video will be made available as part of this sale.

3rd season version (paint & finish as seen in the final season)

Functioning Components:

– Lots of Sound FX and Dialogue from the series!
– This Robot has a 6 channel remote control that works 5 motors.
– The Robot will come to life at your control and you can impress family and friends.
– It has dual arm & claw extensions that will open and close, move forward and back.
– The Robot has a rotating torso, entire functions may be used at same time to bring the Robot to life.

(10) TANGLED UP IN BLUE. Some say they were creeped out by the commercial for ”Pandora: The World of Avatar”, which opens May 27 at Walt Disney World in Florida.

To others, Avatar feels like a distant memory now, but according to Polygon

It may seem strange for an Avatar-themed park to be opening in 2017, but the Avatar franchise is far from over. Last April, Fox confirmed Cameron would direct Avatar 2, Avatar 3, Avatar 4 and Avatar 5 over the course of the next six years, with the final movie expected to be released around Christmas 2023. Avatar 2, the sequel to Cameron’s box office-breaking 2009 film, will be released around Christmas 2018.

(11) TODAY IN HISTORY

The object in the water was not a form of marine life. It was a toy submarine outfitted with a sea-serpent head. This was revealed in 1994 when Christian Spurling, before his death at the age of 90, confessed to his involvement in a plot to create the famous Surgeon’s Photo, a plot that involved both Marmaduke Wetherell and Colonel Wilson.

  • April 19, 1987 — The first television appearance of The Simpsons — Homer, Marge, Bart, Lisa, and Maggie — aired during the third episode of The Tracey Ullman Show.

(12) RESONANCE IMAGERY. Justira at Lady Business undertakes a deep. politically-based critique of two works in “Flawed Protagonists, Reader Discomfort, and the Semiotics of the Self: ‘Borderline’ & ‘White Tears’”.

…So let’s return to Millie before we move on to Seth and White Tears. One of Millie’s defining traits as a protagonist, when it comes to my reading experience, is that she made me uncomfortable, brought me discomfort. Sometimes this was the simple discomfort of a protagonist doing an obviously bad thing. That’s relatively was easy to deal with. But sometimes it was the book making a point. Let’s take Millie’s self-consciousness about her racism — that made me uncomfortable, too. Millie will form some negative impression of a character and then wonder, it’s not because he’s a POC, is it? Or, conversely, Millie will desire a POC in a pretty… shall we say, colour-coded way. This, she was less self-conscious about, but juxtaposed with the flip side of her racism, it seemed obvious to me. To me, Millie’s experience of this in her own head — am I thinking this because of X-ism? — ran perfectly parallel to my experience as a reader in regards to Millie: am I finding her unlikable in this moment because I’m ableist? This book uses reader discomfort as a tool to achieve a sociopolitical goal, to achieve a certain kind of consciousness, self-consciousness….

(13) SUBMISSION. Elizabeth Nolan Brown’s analysis and opinion, in “Drupal Developer Larry Garfield Ostracized Over Involvement in Sci-Fi Based Kink Community” on Reason’s “Hit and Run” blog, turns out to be about the consequences to an industry leader of being part of a community of “Goreans,” who are devotees of the novels of John Norman. (Amazing to find Gor novels in the news 40 years later.) A lot of the arguments about the interplay of personal rights and membership in communities are familiar from comments on various topics here.

Inc points out that “the deeper question about how much tolerance should be afforded to controversial views is one that has popped up multiple times in open-source communities” in recent years, from Brendan Eich’s removal as CEO of Mozilla over his opinion on same-sex marriage to the drama surrounding LambdaConf’s inclusion of programmer Curtis Yarvin (who runs a neoreactionary blog in his non-professional life).

Buytaert was at first quite explicit on his answer to this question. In a section of his blog post that’s now been deleted, the Drupal head opined that “someone’s belief system inherently influences their actions, in both explicit and subtle ways,” and wrote that he is “unwilling to take this risk going forward” with regard to Garfield’s potential beliefs about sex and gender potentially spilling over into his professional life. And here’s the real rub of it:

Larry’s continued representation of the Drupal project could harm the reputation of the project and cause harm to the Drupal ecosystem. Any further participation in a leadership role implies our community is complicit with and/or endorses these views, which we do not.

Whether Buytaert himself believes that Garfield is a sexist pervert is irrelevant—he’s clearly worried that other people will perceive Garfield as a sexist pervert, and afraid that this will create bad public-relations for Drupal. Rather than practice what he preaches about tolerance, respect, and creating “a culture of open-mindedness toward difference,” Buytaert offered up Garfield for social-justice sacrifice in order to appease prudes and busybodies. Here’s hoping the tech community continues to reject this sort of phony promise of diversity and attempts at inclusiveness through exclusion.

(14) FIRST NATIONS. Take Us to Your Chief and Other Stories: Classic Science Fiction with a Contemporary First Nations Outlook, edited by Drew Hayden Taylor, was released April 11.

A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs.

Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective.

The nine stories in this collection span all traditional topics of science fiction–from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor’s First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a “good Native” in such an unnatural situation as a space mission.

Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.

(15) SENSE OF WONDER. John Joseph Adams’ Cosmic Powers anthology was released April 18 – cover by Chris Foss.

“Inspired by movies like The Guardians of the Galaxy and Star Wars, this anthology features brand-new epic stories from some of science fiction’s best authors.  For fans who want a little less science and a lot more action.”

Table of Contents

A Temporary Embarrassment in Spacetime  —  Charlie Jane Anders
Zen and the Art of Starship Maintenance  —  Tobias S. Buckell
The Deckhand, the Nova Blade, and the Thrice-Sung Texts  —  Becky Chambers
The Sighted Watchmaker  —  Vylar Kaftan
Infinite Love Engine  —  Joseph Allen Hill
Unfamiliar Gods  —  Adam-Troy Castro, with Judi B. Castro
Seven Wonders of a Once and Future World  —  Caroline M. Yoachim
Our Specialty is Xenogeology  —  Alan Dean Foster
Golden Ring  —  Karl Schroeder
Tomorrow When We See the Sun  —  A. Merc Rustad
Bring the Kids and Revisit the Past at the Traveling Retro Funfair  !—  Seanan McGuire
The Dragon that Flew Out of the Sun  —  Aliette De Bodard
Diamond and the World Breaker  —  Linda Nagata
The Chameleon’s Gloves  —  Yoon Ha Lee
The Universe, Sung in Stars  —  Kat Howard
Wakening Ouroboros  —  Jack Campbell
Warped Passages  —  Kameron Hurley
The Frost Giant’s Data  —  Dan Abnett

(16) VERNE DISCOVERY. Mysterious Universe says a Jules Verne time capsule has been found after researchers analyzed hints about its location on his tomb.

So far, the box has only been examined with X-rays and, unfortunately, it and the materials inside show deterioration from being buried since the late 1800s – Verne died on March 24, 1905. According to Paris Descartes University Field Archaeologist Elouan Beauséjour, the papers appear damp and crumbling and the engravings on the inside of the box are nearly illegible. Other things that can be identified include books and metal objects. Beauséjour says the examination has moved to a more detailed phase that may involve opening the box in a sterile and preservative environment. He plans to issue a statement as this progresses.

(17) CAPITAL INFUSION. Not quite another The Leaky Establishment reference, but some unexpected people are getting into nuclear power: “British reality star building a fusion reactor”.

Although it would be easy to dismiss Dinan as a dreamer, his startup Applied Fusion Systems is one of a growing number of firms investing in the promise of fusion. In the UK alone, there are at least two other companies trying to produce commercial nuclear fusion power stations. And as BBC Future reported last year, in the US, several projects have received the backing of wealthy technology billionaires including Amazon’s Jeff Bezos, Microsoft co-founder Paul Allen, Paypal co-founder Peter Thiel and former Google vice president Mike Cassidy.

(18) COOL BEANS. And a lab demo of “negative mass”.

Prof Peter Engels, from Washington State University (WSU), and colleagues cooled rubidium atoms to just above the temperature of absolute zero (close to -273C), creating what’s known as a Bose-Einstein condensate.

In this state, particles move extremely slowly, and following behaviour predicted by quantum mechanics, acting like waves.

They also synchronise and move together in what’s known as a superfluid, which flows without losing energy.

To create the conditions for negative mass, the researchers used lasers to trap the rubidium atoms and to kick them back and forth, changing the way they spin.

When the atoms were released from the laser trap, they expanded, with some displaying negative mass.

“With negative mass, if you push something, it accelerates toward you,” said co-author Michael Forbes, assistant professor of physics at WSU.

He added: “It looks like the rubidium hits an invisible wall.”

(19) SHIRLEY YOU JEST. When John Hertz cast his eye on the new Shirley Jackson bio Shirley Jackson: A Rather Haunted Life by Ruth Franklin (a Stoker nominee) this is what he discovered –

I turned to the index and found no entry for “One Ordinary Day, with Peanuts”. Various other works of hers were listed.

I haven’t read the book so can’t say if the story is included in the text and merely omitted from the index, or left out entirely.

Opinions differ as to whether it’s a horror story. I don’t think it is, but I do think it wonderful.

(20) FIRST PAST THE POST. Camestros Felapton rates “Hugo 2017: Best Dramatic Presentation Short”. Did that nominee we have already read Camestros raving about come in number one on his ballot? Well, yes!

(21) FURTHER DELIBERATIONS. More reviews from the Shadow Clarke jury – the hardest-working critics on the planet! Superb writers, too.

Empire V is about vampires, which is probably guaranteed to turn away many readers who could happily go the rest of their lives without seeing another vampire. The figure of the vampire has by this point been made to stand in for so many disparate things—the sexual predator, the romantic outsider, the lonely immortal, the feral beast, whatever—that the image feels quite emptied of meaning in itself. Merely knowing that there are vampires in a story no longer tells us anything useful about it. At best, one might make two safe guesses: one, that the story is not going to be about vampirism as such; two, that the vampires will be in some way a fringe element to society.

The first three books on my Sharke shortlist were an unabashed joy to me. Valente, Tidhar and Jemisin all delivered to my personal tastes in terms of prose, character and moral tone. I picked those books because I thought they would push my buttons and they did. I felt minimal friction while reading them or writing about them. Ninefox Gambit by Yoon Ha Lee was and is a different animal altogether; a book that I found challenging, elusive, tantalising and frustratingly obtuse by turns. This is unsurprising. I’m a historian and a medievalist by training, so military SF predicated on advanced mathematics is always going to test my limits. After 30 pages of immersion in Lee’s world I found myself entirely at a loss for what the hell was going on. My paradigmatic understanding of how things work smacked into the world of the novel at high speed. Stuff exploded, characters were killed, geocide was committed and I was left feebly grasping at threads as they whipped past me. I might have given up on the book in discombobulated despair if not for the muscular grip of the writing:

Hunters & Collectors is a book about celebrity and the way that online celebrity interacts with social class. Tomahawk presents himself as this hedonistic and transgressive figure but as his destruction suggests, his ability to transgress the rules of polite society is constrained by a particular social contract: As a critic, he can express himself as honestly as he wants as long as that self-expression does not extend beyond the realms of consumer advice to a critique of existing power structures and social systems. Be as rude as you like about restaurant owners, but don’t you dare talk about the government. The social contract also has an – unwritten but understood – rule that your celebrity and popularity are entirely dependent upon your ability to face the right direction at all times. Be as rude as you like about the out-group, but don’t you dare talk about people we aspire to be lest we turn against you. There is also an understanding that making any statement in public (even anonymously) positions you in a world where everyone spends their time tearing each other to pieces. Face the wrong direction and your support will evaporate and once your support evaporates, you can be utterly destroyed even if you have not done or said anything wrong. This is a dog-eat-dog world but only for those without any real power.

What I know as the Ashmolean Museum is, in Kavenna’s Oxford, the Tradescantian Ark, reflecting the fact that the collection Elias Ashmole gave to Oxford University was in part composed of John Tradescant the Younger’s collection of artefacts, known as the Ark, which he gave to Ashmole (or, depending on who you listen to, which Ashmole swindled him out of). So, perhaps we are in an Oxford which is less a ‘home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties’, as Matthew Arnold memorably described it, and instead a place where potential wrongs have been righted even before they were committed, and Jeremiah Tradescant’s ownership of his family’s remarkable collection is justly celebrated. Perhaps, but rather as light is both particle and wave, so wrongs can be righted even as the lost causes and forsaken beliefs persist.

[Thanks to Mark-kitteh, John Hertz, Cat Eldridge, JJ, Chip Hitchcock, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 4/18/17 There Is A Scroll In Everything, That’s How The Pixel Gets In

(1) WISDOM. Chuck Wendig’s birthday gift to himself can also be shared with the universe — lucky us: “What I’ve Learned After 5 Years And 20 Books: 25 Lessons”. JJ’s favorite is #21. This is my pick —

  1. The Opposite Of ‘Kill Your Darlings’ Is ‘Know Which Hill To Die On’

Early on you learn to kill your darlings. Your work has these precious, preening peacocks who strut about for their own pomp and circumstance. These darlings are like chairs you can’t sit on, food you can’t eat — they’re just there to look pretty and take up space. So, you kill them. You learn to kill them. You get good at killing them. And then, one day, you realize maybe you got too good at it. Maybe you went too far. You started to think of everything as expendable, everything as negotiable. But it isn’t. It can’t be. I learned this writing Star Wars: yes, those books are not purely mine. They belong to the galaxy, not to me. Just the same? It’s my name on those books. If they fail, they fail on my watch. If there’s something in there you don’t like, it doesn’t matter if it’s something Mickey Mouse his-own-damn-self demanded I put in there: it lands on my doorstep. That’s when I saw the other side of the brutally execute your peacocks argument: some peacocks stay. Some peacocks are yours, and you put them there because that’s where you want them. Maybe they add something specific, maybe you’re just an asshole who demands that one lone peacock warbling and showing its stuff. But you own that. You have to see when there are battles to lose, and when there are wars to win. There are always hills to die on. It can’t be all of them. You want to die on every hill, then you’re dead for no reason and the book will suffer. But some things are yours and you have to know which ones to fight for, and why. You have to know why they matter and then you have to be prepared to burn the book to ash in order to let it stay.

(2) WRITE LIKE THE LIGHTNING. Too Like the Lightning author and Hugo nominee Ada Palmer is interviewed in the Chicago Maroon.

CM: Where’d your inspiration arise from, and what made you want to write a book with such an intersection of so many topics like philosophy, politics, science fiction?

AP: I mean, good science fiction is like that. Great science fiction is full of ideas, not just one, or two, or five ideas, but new ideas in every page. Also, I was inspired by reading pre-modern science fiction, which I do as a historian. We think of science fiction as a late 19th- and 20th-century genre, but Voltaire wrote a science fiction short story called “Micromegas,” in which aliens from another star and from Saturn come to the Earth. When they make first contact with people, the first thing they discuss is, “Is Plato or Descartes correct about how the soul and body connect to each other?” and “Is Thomas Aquinas’s discussion of Aristotle’s divisions of the parts of the soul true?” Voltaire’s society was obsessed with providence, so providence and the existence of God and the immaterial soul was what his people talked to aliens about, and it was as plausible to him as our science fiction works are to us.

So I wanted to write science fiction that used the amazingly sophisticated vocabulary of modern science fiction, all the great developments we’ve had in terms of thinking about AI and flying cars, but to ask questions like Voltaire would.

(3) GOT TO HAVE IT. A couple of other Hugo nominees woke up the internet.

Ditch Diggers has been nominated for a Hugo Award! You did it! Mur and Matt will go up against the likes of The Coode Street Podcast and Tea & Jeopardy in Helsinki for Best Fancast (even though we’re all professionals. Because there’s only one podcast category)! Thank you to all Ditch Diggers listeners who supported the show and don’t forget to vote for Mur and Matt for the Hugo itself!

(4) PROFESSIONALISM. Michi Trota reinforces the lessons of Odyssey Con in “Volunteers, Professionals, and Who Gets to Have Fun at Cons”.

…Being on the job at a con doesn’t have to ruin my fun–or anyone else’s for that matter–but you know what does? The dude with the grabby hands and eyes trained on my chest. The person who kills a conversation with their racist jokes. The gatekeeper who quizzes me on the X-Men then tries to play Gotcha! with a question about Legend of Zelda because obviously the brown Asian woman’s just playing at being a nerd. The asshole selling misogynistic art. A concom that selectively enforces their code of conduct and dismisses concerns I’ve expressed about my safety because “Stories about X’s behavior are just exaggerated.” Not only does that ruin any fun to be had, it also makes my job that much harder to do, potentially costs me opportunities as a creator, and makes me wonder how much of my investment that con is actually worth (Elise Matthesen had some excellent things to say about the real costs of harassment and who pays them).

This is where the argument that having things like rules, codes, and policies that attendees and organizers are expected to abide by also ruins everyone’s fun usually comes up. But it begs the question: just whose fun are we referring to here? Because let’s be real, con’s haven’t always been fun for everyone.

… The widespread adoption and implementation of anti-harassment policies and codes of conduct has made it a bit easier for people like me to be more involved in fandom. They don’t mean that I never run into problems, but it’s less likely those problems will outweigh the time and effort I invest in those cons. It’s because of my participation and attendance at cons as both a fan and a pro that I was able to meet people and find opportunities that helped me get to where I am now. Expectations of professionalism on the part of con organizers are not unreasonable simply because those organizers are volunteers. There’s absolutely nothing wrong about professionals treating cons as a workplace (particularly if they’re guests who have been contracted by the con for their presence) and nothing preventing pros and fans from being friendly with each other. There’s nothing about running your con with a minimum of professional standards, practices, and behavior that excludes everyone also having fun.

If your fun is dependent using your status as a volunteer as an excuse to not act responsibly, if it requires victims to stay quiet about mistreatment: then it’s not really a fun time for “everyone” is it? It’s not the expectation of professionalism that’s killing the fun at cons, it’s the lack of it.

As Deb Geisler says, “Never, ever, ever should “but we’re just volunteers” be an excuse not to do the finest job of which we are capable.”

(5) STUMBLING BLOCK QUESTIONS. Alyssa Wong says it in her own way in “Why ‘I’m a feminist, but –‘ isn’t enough”.

ii.

Incidents of sexual harassment in the SFF field are distressingly numerous. And it’s nothing new; Isaac Asimov was so well known to grope women that in 1961 he was asked to deliver a “pseudo lecture” on “the positive power of posterior pinching” (read the correspondence between Earl Kemp, chairman of Chicon III, and Asimov here).

But this isn’t 1961. SFF is more global, diverse and inclusive than ever, and much richer for it. Writers who challenge and explore systematic injustice and oppression through their work are myriad; their work can be found in bookstores, presses, and online across genres, across the world.

And yet we keep asking:

are you sure she didn’t just have a vendetta?

how could it be sexual harassment if he didn’t touch her?

why do we need to be so politically correct?

Why? Because real people are affected. Because both macro- and microaggressions are harmful.Because everyone deserves to feel safe in professional settings, and for writers and industry professionals, that is what conventions are. Moreover, Wiscon is a feminist SFF convention. If safe feminist space exists in genre, Wiscon should definitely be part of it.

What concerns me is the number of women and men who continue to stand up for known abusers. In this sense, it seems that Jim Frenkel is not alone.

(6) CARPENTRY. Cat Rambo also says it is “Time to Fix the Missing Stair”, in a multifaceted post that includes this allusion to a Superversive SF post, and highlights from a relevant panel at last weekend’s Norwescon.

…[Re: Monica Valentinelli’s departure as OdysseyCon guest] One manifestation of that is a brief statement asking why she hates women, declaring that her example will make conventions reluctant to invite any women in the future. Let’s unpack that one a little because the underpinnings seem ill-constructed to me.

There are many kinds of humans in the world. That means there’re also many kinds of women. The logic of the above statement says two things: 1) that it is wrong for people speak out about conditions that are uncomfortable, unprofessional, or sometimes even dangerous and 2) that only people with the strength to survive a gauntlet that can include being groped onstage, being mocked publicly, having their work denigrated for no reason other than having been produced by a woman, and a multitude of other forms of harassment deserve careers and the rest are out of luck. Does that really need to be demanded for someone to have a career? Writers are notoriously unstable mentally as it is. Serial harassment is a professional matter.

This was underscored for me on a Norwescon (a con that does a great job with selecting programming and volunteers and understands the issues) panel that I moderated last Friday, Standing Up to the Mob, with panelists Minim Calibre, Arinn Dembo, Mickey Schulz, and Torrey Stenmark. The description was:

How do you support female creators who are being harassed online by the ravening hordes of the unenlightened? Tips for voicing your support in ways that mean something.

Here are Arinn Dembo’s excellent notes on the panel overall.

(7) THEY’RE GONE. Would you like to bet this writer’s stance was a factor in today’s decision to retire the Lovecraft nominee pins?

(8) THE ONE-PERSON SALES FORCE. A lot of things affect an indie author’s sales and it isn’t easy to keep all of them in mind, as Amanda S. Green explains in “It really is a business” at Mad Genius Club.

The next thing I looked at happened to be my product pages. Oh my, there is so much there we have to take into consideration and we don’t tend to. At least I don’t. Sure, I want to have the best possible cover to draw the reader’s eye. I want a snappy and interesting blurb to grab the reader and make them want to buy the book. But I don’t tend to check the product page on anything other than my laptop. I forget to look at it on my Kindle Fire or Mom’s iPad. I sure forget to look at it in my phone. Or, more accurately, I used to forget it. After the last few days, I won’t. What I learned is that the longer blurbs will work on a tablet or computer screen but, on a phone, they are a pain because you have to keep scrolling. Not good. Scrolling for a screen or two is one thing but for screen after screen after screen — nope. Not gonna happen. Fortunately, most of mine weren’t that bad and those that were happen to be on two titles I am going to withdraw because they were supposed to be short term promo titles initially.

(9) I’M A DOCTOR NOT A MILLIONAIRE. By the way, if you want to know how much the tricorder X Prize was worth, the Washington Post article says that Final Frontier Medical Devices, led by Dr. Basil Harris, won the $2.6 million first prize in this contest, with Dynamical Biomarkers Group got $1 million for second place.

(10) MAGAZINE LAUNCH. Anathema has published its first issue. The free, online tri-annual magazine publishes speculative fiction by queer people of color. The magazine was funded by a 2016 IndieGoGo campaign.

Exceptional art is a bruise: it leaves its mark on you. At its best it leaves us vulnerable and raw, transformed by the experience. At Anathema we’re interested in giving that exceptional work a home. Specifically the exceptional work of queer people of colour (POC). As practicing editors we’re keenly aware of the structural and institutional racism that makes it hard for the work of marginalized writers to find a home.

So Anathema: Spec from the Margins is a free, online tri-annual magazine publishing speculative fiction (SF/F/H, the weird, slipstream, surrealism, fabulism, and more) by queer people of colour on every range of the LGBTQIA spectrum.

(11) TODAY IN HISTORY

  • April 18, 1938 – Superman made his first appearance in Action Comics #1. (Cover-dated June, but published in April.)

(12) TAFF. SF Site News reports John Purcell has won the Trans-Atlantic Fan Fund race. Voting details at the link.

(13) CARTOON OF THE DAY. Martin Morse Wooster recommends The Bigger Picture, a cartoon by Daisy Jacobs done in the style of a painting about two brothers feuding over their ailing mother. It was a 2015 Academy Award nominee

(14) DEVIL’S DICTIONARY. In McSweeney’s, Rajeev Balasubramanyam’s “A Short Description of Cultural Appropriation for Non-Believers” supplies a wryly amusing 10-point illustration of the term.

(15) WINTER IS HERE. Dave Truesdale, who had a lot to say about “special snowflakes” at last year’s Worldcon, has been using an F&SF forum discussion to call into account Liz Bourke’s Tor.com post “Thoughts on the 2017 Hugo Awards Ballot”.

….Going back to 1993, women received the majority of the 15 Hugo short fiction nominations that year. Hardly discrimination by the entire SF field. And that was just shy of 25 years ago!

But now it’s not yay!, look how far we’ve come in a positive celebration for a year in which women and poc dominate several major awards ballots, it’s neener neener we dominated an award ballot and “This year is a historic one for the Hugo Awards in more ways than one. In addition to the changes to the awards process, this is the first year in which the Best Novel nominees have been so completely devoid in white men.” [[Link added]]

Why the F bring up white men I ask for the umpteenth time. Why not white straight women too, then, who have been on the ballot plenty over the past 40 or 50 years and have taken up plenty of slots that could have gone to poc, especially in the past decade or so (pick your starting point).

Why just white men? An unconscious bias perhaps? A conscious prejudice? Give me a sound reason why not just “white” people, or “men” were noted in the article, but “white men.” There’s something else going on here. The article doesn’t have to come right out and be the instigation of a flame war in its use of inflammatory language and tone to reveal certain things about the writer or her view of the situation. That she’s more subtle in doing it doesn’t give her a pass.

He came back again and added:

In the stuff-you-always-think-of-later department:

CJW wrote: “She noted the lack of white men on the Best Novel list, because there were no white men on the Best Novel list.”

There were also no black, brown, yellow, or red men on the list either. So why single out white men I ask again for the 3rd or 4th time? Subconscious prejudice bubbling to the surface because that is her default–that pesky white color? What could possibly be the reason she forgot non-white men? I mean, there has to be a perfectly reasonable explanation for her discriminatory statement.

Although other commenters weren’t interested in engaging with Truesdale’s complaint, they couldn’t resist dropping in another coin to see him go off again.

SHamm ended a reply —

P.S.: Dave, I am not quite sure from your phrasing: are you under the impression that Milo Yiannopoulos is a “straight white male”?

P.P.S.: Dave, I believe Best Novel nominee Liu Cixin qualifies as a “yellow man,” in your parlance, although I am told that particular descriptor is no longer much in vogue.

P.P.S.: Dave, does it have to be a “straw MAN”? Asking as a man.

Truesdale answered:

SHamm, of course Milo is gay, but he doesn’t agree with the party line and so is reviled and efforts are made to silence him.

Liu Cixin is a yellow man in historical terminology, which makes the essayists use of “white men” even more telling. Person of color=OK. White men not OK.

Straw man is just a phrase we are all familiar with. No need to make anything out of it.

Why bring Puppies into this? No Sad Puppy I know of is afraid of women/people of color/LGBTQ writers dominating the awards. Certainly not me. I’ve said it a hundred times, the more the merrier. The problem for me arises when these same people heralding diversity for their own benefit try to silence diversity of thought from everyone else. And if you dare speak out you suffer the consequences–inside and outside the SF field, witness Milo and others lately who have suffered similar fates while trying to express differing views on university campuses (though maybe not with the violence attendant at Milo’s cancelled talk). It’s the darker underside agenda of those rallying behind good causes such as diversity that puts the lie to their true agenda. And it’s hurting SF. Again, writers aren’t taking the kinds of chances in speaking of social or political issues they used to, for fear of various forms of reprisal from those waving the banner of diversity. Their diversity only runs in one way, and its killing free speech and controversial thought experiments in our stories. That Puppy crap still being thrown out is ridiculous and an intellectual dodge. Besides, there was no SP this year as far as I know, but every time this discussion comes up someone thinks that tossing in SP or RP is the answer to everything, when it is an excuse to honestly address the issue.

(16) MAKES SENSE. The head of Netflix isn’t worried about Amazon and HBO because, he says, they aren’t the competition.

But today, on Netflix’s Q1 earnings call, [Netflix CEO Reed] Hastings got a little more expansive, in a bong-rip-in-a-dorm-room way, if that’s still a thing. (Is that still a thing?) Here’s the answer he gave to an Amazon competition question; we join this one mid-response, right after he finished praising Amazon and Jeff Bezos:

They’re doing great programming, and they’ll continue to do that, but I’m not sure it will affect us very much. Because the market is just so vast. You know, think about it, when you watch a show from Netflix and you get addicted to it, you stay up late at night. You really — we’re competing with sleep, on the margin. And so, it’s a very large pool of time. And a way to see that numerically is that we’re a competitor to HBO, and yet over 10 years we’ve grown to 50 million, and they’ve continued modestly growing. They haven’t shrunk. And so if you think about it as, we’re not really affecting them, the is why — and that’s because we’re like two drops of water in the ocean, of both time and spending for people. And so Amazon could do great work, and it would be very hard for it to directly affect us. It’s just — home entertainment is not a zero-sum game. And again, HBO’s success, despite our tremendous success, is a good way to illustrate that.

(17) AND NOW FOR MORE SCIENCE. This unauthenticated video may date before the Ice Age. Or before breakfast today.

(18) INKLINGS NEWS. Inklings Abroad is developing an international registry of known Inklings groups.

(19) DANCE WITH ME. Believe it — Guardians of the Galaxy has a La La Land moment!

(20) THINK TWICE BEFORE GETTING THAT EXTRA LARGE SODA. In its own way, Guardians of the Galaxy Vol. 2 threatens to have as many endings as Return of the King. As ScienceFiction.com says — “Just To Outshine The Rest Of Marvel’s Movies, ‘Guardians Of The Galaxy Vol. 2? Will Have 5 Post-Credit Scenes!”

Director James Gunn blew away expectations with his first foray into Marvel’s Cinematic Universe, and now he’s doing it again by adding five post-credit scenes at the end of ‘Guardians of the Galaxy Vol. 2‘! Originally it was being announced that he had four included from early press screenings and now Gunn himself took to clarify that it would be five. That’s one announcement he could make that would easily top his return to helm ‘Guardians of the Galaxy Vol. 3, ‘ but honestly, I think we were all hoping that was going to happen anyway.

This will set an all new record for the most post-credit scenes in a superhero movie, possibly of any genre.

[Thanks to Martin Morse Wooster, JJ, Cat Eldridge, Carl Slaughter, John King Tarpinian, Cat Rambo. and Kate Nepveu for some of these stories. Title credit goes to File 770 contributing editor of the day Schnookums Von Fancypants.]

Pixel Scroll 4/7/17 The Pixel Out of Scrolls (by M.G. Filecraft)

(1) LOOK OUT BELOW. To avoid the chance that the Cassini probe might crash into and contaminate a moon of Saturn, NASA plans to crash it into the planet.

“Cassini’s own discoveries were its demise,” said Earl Maize, an engineer at NASA’s Jet Propulsion Laboratory (JPL) who manages the Cassini mission.

Maize was referring to a warm, saltwater ocean that Cassini found hiding beneath the icy crust of Enceladus, a large moon of Saturn that spews water into space. NASA’s probe flew through these curtain-like jets of vapor and ice in October 2015, “tasted” the material, and indirectly discovered the subsurface ocean’s composition — and it’s one that may support alien life.

“We cannot risk an inadvertent contact with that pristine body,” Maize said. “Cassini has got to be put safely away. And since we wanted to stay at Saturn, the only choice was to destroy it in some controlled fashion.”

(2) ON THE AIR. Hear Hugo nominees Amal El-Mohtar and Max Gladstone on Ottawa radio program All in a Day.

(3) MUSICAL HUGOS. Pitchfork makes its case for “Why clipping.’s Hugo Nomination Matters for Music in Science Fiction”.

Earlier this week, Splendor & Misery—the sophomore album by experimental L.A. rap group clipping.—was nominated for a Hugo Award for Best Dramatic Presentation, Short Form. The Hugo is the highest prize in science fiction/fantasy, granted annually to the genres’ best literature, cinema, television, comics, and visual art. But the awards have never been particularly receptive to music. The last time a musical album was recognized by the Hugos was 1971, when Paul Kantner’s Blows Against the Empire was nominated. The Jefferson Airplane guitarist’s solo debut grandly envisioned a countercultural exodus to outer space, helping set the stage for many more sci-fi concept albums to come, starting with prog-rock’s explosion.

The storyline that winds through Splendor & Misery is just as political as Kantner’s. Set in a dystopian future, the LP revolves around a mutineer among a starship’s slave population, who falls in love with the ship’s computer. This Afrofuturist narrative, as rapped by Daveed Diggs, is matched by a dissonant yet sympathetic soundscape from producers William Hutson and Jonathan Snipes—one that evokes the isolation and complicated passion of the premise. Visually, this arc is represented in Hutson’s cover art: a spaceman with his pressure suit in tatters, revealing bare feet. “It’s a reference to how runaway slaves have been depicted in the U.S. in newspaper announcements and paintings like Jacob Lawrence’s Migration Series,” Hutson says.

Diggs is no stranger to awards, having snagged both a Grammy and a Tony for his role in Hamilton, but clipping.’s Hugo nomination is just as profound….

(4) THE ROAD TO HELSINKI. Camestros Felapton begins his review of the nominees with “Hugo 2017: Fanwriter”.

Chunk one: established fan writers: Mike Glyer, Natalie Luhrs, Foz Meadows and Abigail Nussbaum. Chunk two: Jeffro Johnson, the Rabid nominee but one with a track record of informed fan writing on genre issues. Chunk three: the inimitable Dr Tingle. The discussion below is in no particular order.

(5) SF INFILTRATES LIT AWARD. China Miéville’s This Census-Taker is one of eight finalists for the Rathbones Folio Prize, given “to celebrate the best literature of our time, regardless of form.” All books considered for the prize are nominated by the Folio Academy, an international group of esteemed writers and critics. The three judges for the 2017 prize are Ahdaf Soueif (chair), Lucy Hughes-Hallett and Rachel Holmes. The winner will be announced on May 24 at a ceremony at the British Library.

(6) CHAIRMAN OF THE BOARD. Filer and board game designer Peer Sylvester has been interviewed by Multiverse.

Q:  THE LOST EXPEDITION comes out this year. What can you tell our readers about this board game (without giving too much away?)

PS: Percy Fawcett was arguably the most famous adventurer of his time. In 1925 he set into the Brazilian rainforest with his son and a friend to find El Dorado (which he called “Z”), never to return again. Speculations of his fate were printed in newspapers for years with a movie coming out this year as well.

The players follow his footsteps into the jungle. It’s a cooperative game (you can play two-players head-to-head as well) where you have to manage all the dangers of the jungle and hopefully come back alive. It has a quite unique mechanism that prevents “quarterbacking”, i.e. players dominating everyone else. The game features beautiful art by Garen Ewing.  It will be, without doubt, my prettiest game so far. It has a Choose-Your-Own-Adventure-Book vibe. But, unlike those books, different dangers come out at different times, so every decision is unique.

(7) GET YOUR KITSCH ON. Submissions for The Kitschies awards have opened and will continue until November 1. File 770 wrote a summary piece about the awards last month.

(8) CHUCK TINGLE’S NEW SITE. Time to troll the pups again!

Like last year, the DEVILS were so excited about being DEVILS that they forgot to register important website names of their scoundrel ways. This year they are playing scoundrel pranks again, but now instead of learning about common devilman topics like having a lonesome way or crying about ethics in basement dwelling, this site can be used to PROVE LOVE by helping all with identification of a REVERSE TWIN! …

THE POWER IS YOURS

Never forget, the most powerful way to stop devils and scoundrels in this timeline is to PROVE LOVE EVERY DAY. Use this as a reminder and prove love in some small way in your daily life. Pick up the phone and call your family or friends just to tell them you care about them and that they mean so much to you. Help pick up some trash around your neighborhood. Let someone go ahead of you in line. As REVERSE TWINS pour in from other timelines, we can do our part to make this timeline FULL OF LOVE FOR ALL, and the power to do that is in your hands with every choice that you make! YOU ARE SO POWERFUL AND IMPORTANT, AND YOU ARE THE BEST IN THE WHOLE WORLD AT BEING YOU! USE THIS POWER TO MAKE LOVE REAL!

(9) THIS YEAR’S PUPPY PORN NOMINEE. Meanwhile, io9 discovered Stix Hiscox is a woman: “Meet the Hugo-Nominated Author of Alien Stripper Boned From Behind By the T-Rex”.

So, who is Stix Hiscock? Is he some Chuck Tingle copycat riding on the coattails of scifi porn parody? Some right-wing heterosexual man’s answer to Tingle’s gay erotica, making science fiction great again (with boobs)? Or, better yet, is he Chuck Tingle himself? Turns out, none of the above.

(10) TODAY IN HISTORY

  • April 7, 1989:  Dystopian brawler Cyborg opens in theaters.
  • April 7, 1933: The Eighth Wonder of the World appears to audiences nationwide

(11) CELEBRITY VISITS JIMMY OLSEN. Don Rickles,who passed away yesterday, and his doppelganger once appeared in comics with Superman’s Pal.

(12) CRAM SESSION. There are always 15 things we don’t know. ScreenRant works hard to fill those gaps, as in the case of  “15 Things You Didn’t Know About Captain Picard”.

  1. Captain Picard Loved To Swear

Patrick Stewart is a great actor, but foreign accents are not his strong suit. Captain Picard hails from La Barre, France, yet Patrick Stewart chose to use an English accent for his portrayal of the character. He also used an English accent for Charles Xavier in the X-Men movies (who is American) and Seti in The Prince of Egypt (who is Egyptian). You cannot argue with results, however, and the Star Trek expanded universe has offered a few handwave solutions to why Picard speaks with an English accent. These range from everyone in France adopting the accent when English became a universal language, to him actually speaking in a French accent the whole time, but we hear it as English due to his universal translator.

There were a few instances of Picard’s Frenchness that Patrick Stewart snuck into the dialogue. Captain Picard would occasionally say “merde” when facing a nasty situation. This is the French equivalent to saying “shit” when it is being said in exasperation.

(13) ELEMENTARY. The names of four new elements have been officially approved.

The periodic table just got some new members, as the International Union of Pure and Applied Chemistry has officially accepted new names for four elements. Element numbers 113, 115, 117 and 118 will no longer be known by their placeholder names, and instead have all-new monikers decided upon by their discoverers.

The discoveries were first recognized about a year ago, and the proposed names for them were decided upon this past June. Now, chemistry’s highest group has decided they are valid and will move forward with the all-new labels.

  • Nihonium (Nh), is element 113, and is named for the Japanese word for Japan, which is Nihon.
  • Moscovium (Mc), element 115, is named for Moscow.
  • Tennessine (Tn), element 117, is named for Tennessee.
  • Oganesson (Og), element 118, is named after Yuri Oganessian, honoring the 83-year-old physicist whose team is credited with being the top element hunters in the field.

(14) NOT TED COBBLER. Pratchett fans will remember Jason Ogg, who once shod an ant just to prove he could in fact shoe anything (for which the price was he would shoe anything, including Death’s horse). A Russian artisan actually made a life-size flea with shoes.

In a supersized world, Prague’s Museum of Miniatures thinks small. Very small. In millimetres, in fact.

A short walk from Prague Castle, this odd museum houses wonders invisible to the naked eye. After entering the room filled with microscopes, I found a desert scene of camels and palms inside the eye of a needle, an animal menagerie perched on a mosquito leg and the Lord’s Prayer written on a hair.

(15) DON’T FORGET. Contrary to widely-held theories used in various SF stories, short-term and long-term memories are formed separately.

The US and Japanese team found that the brain “doubles up” by simultaneously making two memories of events.

One is for the here-and-now and the other for a lifetime, they found.

It had been thought that all memories start as a short-term memory and are then slowly converted into a long-term one.

Experts said the findings were surprising, but also beautiful and convincing….

(16) NOTHING BUT HOT AIR. Atmosphere is confirmed on an exoplanet.

Scientists say they have detected an atmosphere around an Earth-like planet for the first time.

They have studied a world known as GJ 1132b, which is 1.4-times the size of our planet and lies 39 light years away.

Their observations suggest that the “super-Earth” is cloaked in a thick layer of gases that are either water or methane or a mixture of both.

The study is published in the Astronomical Journal.

Discovering an atmosphere, and characterising it, is an important step forward in the hunt for life beyond our Solar System.

But it is highly unlikely that this world is habitable: it has a surface temperature of 370C.

(17) QUANTUM BLEEP. If you’re going to be taking part in one of history’s iconic moments, you’d better prepare a speech.

(18) ANIME PRAISED. NPR likes Your Name — not a Studio Ghibli production, but animation direction is by a longtime Ghibli artist: “’Your Name’ Goes There”.

In the charming and soulful Japanese anime Your Name, two teenagers who have never met wake up rattled to discover that they have switched bodies in their sleep, or more precisely their dreams. And it’s not just their anatomies they’ve exchanged, or even the identities-in-progress each has managed to cobble together at such a tender age. Mitsuha, a spirited but restless small-town girl of Miyazaki-type vintage, and Taki, a Tokyo high school boy, have also swapped the country for the city, with all the psychic and cultural adjustments that will entail.

(19) CARTOON OF THE DAY. “Are You Lost in the World Like Me?” is a Max-Fleischer-style cartoon on Vimeo, with music by Moby, which explains what happens to the few people who AREN’T staring at their smartphones all day.

[Thanks to John King Tarpinian, JJ, Carl Slaughter, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Stephen Burridge, Peer Sylvester, and Chip Hitchcock for some of these stories. Title credit belongs to File 770 contributing editor of the day Rev. Bob.]

Pixel Scroll 3/26/17 May You Dream Of Large Pixels

(1) WUT. WIRED has a bad feeling about this: “Only You Can Stop The Expanse From Becoming the Next Canceled Sci-Fi Classic”

Syfy’s epic space show The Expanse is a smash hit among science fiction fans, drawing praise from websites like io9 and Ars Technica and from celebrities like Adam Savage. Geek’s Guide to the Galaxy host David Barr Kirtley also loves the show.

“This is my favorite show on TV,” Kirtley says in Episode 248 of the Geek’s Guide to the Galaxy podcast. “This is the most serious science fiction TV show—in terms of what hardcore science fiction fans would want in a TV show—that I’ve seen in a long time, possibly ever.”

But while the show is widely praised in many corners, it has yet to attract a wider audience. John J. Joex, who tracks the ratings of various shows over at Cancelled Sci Fi, says that The Expanse looks like a show headed for cancellation.

“The ratings started out decent and then really dropped off,” he says. “And I know this is an expensive series to produce, so I was really getting kind of nervous about it.”

(2) TECH PREDICTIONS. There’s a touch of Ray Bradbury in “Interactive! The Exhibition” at the Ronald Reagan Presidential Library and Museum through April 16:

Interactive! is a large-scale, hands-on examination of how popular culture in movies, books, TV, and the arts has influenced modern technology and changed the ways we live, work, move, connect and play. In addition to a wide variety of “hands-on” experiences, including Oculus Rift virtual reality, interactive robots, the driverless car, multiple gaming stations, remote control drones, 3D printing stations and more, Reagan Library visitors will also get up close to some of science fiction’s most iconic characters, including a roving, interactive R2D2 from Star Wars, a T-800 endoskeleton from The Terminator, and a full-size Alien from the Alien films. The exhibit also showcases the creative inspiration behind legendary innovators such a Jules Verne, H.G. Wells, and Walt Disney.

  • Over a dozen immersive games await, including Virtual Reality Gaming by Oculus Rift, robotic arm interactives, 80’s gaming stations and more.
  • Create and compose your own musical masterpiece.
  • Seek out resources on Mars with a remote-control version of the rover from the hit film The Martian.
  • Get up close with the first ever 3D printed car, by Local Motors.
  • Examine communications from the landline rotary telephone and VCR to smartphones.
  • Check out jetpacks, Marty McFly’s hoverboard and even meet Baxter the robot!
  • And much more!

This exhibit is great for museum guests of all ages – from the young, to the young at heart!

(3) VISIONS OF BEAUTY. Jane Frank has remodeled her WOW-art (Worlds of Wonder) website.

She’s also offering Un-Hinged! A Fantastic Psychedelic Coloring Book with All Original Designs by Mike Hinge through Amazon.

(4) ONE THUMB UP. David Sims of The Atlantic finds “’Life’ Is a Fun, Joltingly Scary Creature Feature in Space”.

Daniel Espinosa’s new horror film stars Jake Gyllenhaal, Rebecca Ferguson, and Ryan Reynolds as astronauts fighting a hostile alien…

Any reasonable creature feature worth its bones should have, on balance, about half a dozen scenes where a character makes a patently illogical decision. Just discovered a new form of ancient alien life? Give it some zaps with a cattle prod, just to see what happens. Now you’re fighting an alien enemy in an enclosed space station? Break out the flamethrower! Running low on fuel? Definitely vent everything you have left in an effort to startle the creature, even when it doesn’t work the first three times. If the film is scary and chaotic enough, every bad choice will act as a link in a chain, building to a satisfying crescendo of mayhem that the audience has secretly been rooting for all along. Life isn’t perfect—you probably won’t remember it after three months—but it does exactly that.

Daniel Espinosa’s horror film is set in space and has some ostensible sci-fi trappings, as it’s centered around humans’ first encounter with prehistoric Martian life. But the movie might as well take place in an underground cavern or a fantasy dungeon, since its two-fold premise is fairly universal: The heroes are trapped in a gilded tomb from which they may not escape, and the monster they’ve awakened is stuck in there with them.

(5) WE HATES IT. At Locus Online, Gary Westfahl makes clear that Life does nothing to alter his dislike of horror movies generally – “Mutiny of the Unknown Alien Slime: A Review of Life”.

Further, one might argue that when it comes to alien life forms, anything is possible, but the plausibility of this particular alien life form can be seriously questioned. Without going into detail about all of its antics, I find it extremely difficult to imagine, given what we know about the history of Mars, any series of events that would cause such a creature to emerge and thrive for hundreds of millions of years (which is what we are told happened). And Derry specifies that the alien is a carbon-based life form that in most ways closely resembles terrestrial life forms; and since all such organisms would die within a minute if exposed to the vacuum of space, the Martian would never be able to cavort about in a vacuum with undiminished energy and flexibility for an indefinite period of time. But this nonsense does provide the film with an exciting scene, and for the filmmakers, that was all that mattered. In sum, precautions will always be necessary in dealing with potential alien life, but no one should have any nightmares about slimy, lightning-fast starfish embarking upon campaigns to slaughter all humans in sight.

(6) BEAT THE CLOCK. James Van Pelt, in “Marketing Short Stories”, reviews lots of sales and rejection statistics derived from taking the Bradbury challenge.

First, the background. Two years ago I decided to try Ray Bradbury’s challenge to write a story a week for a year….

CONCLUSIONS: – I was able to find places to submit all the stories pretty much all the time. If there are that many markets, then the short story marketplace is robust. The Submission Grinder lists 25 markets in science fiction that will pay six cents or more per word. There are many more, beautifully done, semi-pro magazines that I’m proud to submit to who pay less. – This is an old lesson, but if you are going to write short stories and submit them on spec, you have to be thick-skinned. I have been submitting stories seriously since the 80s. I’ve sold 145 stories, been a finalist for the Nebula, and the Theodore Sturgeon Award. I’ve appeared in several Year’s Best collections. I think I’m doing okay, but I’m still rejected at an 8 to 1 ratio. Mike Resnick doesn’t suffer from this ratio, I’ll bet, but there’s only one Mike….

(7) SHARING THE FUN. The Los Angeles Times profiles “Frank Oz and the gang of ‘Muppet Guys Talking’ still pulling on their silly strings”.

The movie is the first documentary directed by Oz, who also made such comedies as “Little Shop of Horrors,” “Dirty Rotten Scoundrels” and “Bowfinger.” And of course he was the voice of Yoda in the “Star Wars” films.

It is just a few hours after their premiere and four of the Muppet originators — Oz, Brill, Barretta and Goelz — are sitting around a hotel conference table in Austin. (Nelson died in 2012, the same year the movie’s conversation was filmed.) The four of them have a rapport one might associate with a sketch comedy group, responding quickly to one another with a near-telepathic sense of connection.

With impish delight, Goelz noisily unwraps a candy over the microphone of an interviewer’s recording device a few beats longer than is necessary. Brill playfully spurts a sweet from between her fingers, sending it gracefully arcing through the air to the other side of the room.

It was that largely unseen affinity among them that was the initial impetus for the film. While they have all spoken separately about their characters and time working with Muppets creator Jim Henson, who died in 1990, it was not until filming “Muppet Guys Talking” that they had ever done an interview together.

(8) FRANKLY SPEAKING. ScreenRant, on the other hand, says there are “15 Dark Secrets About The Muppets”.

How quickly people forget that the very first pilot episode of The Muppet Show was entitled, “The Muppet Show: Sex and Violence”. In fact, The Muppets and associated Henson characters were never completely immune to controversy, tragedy, or touchy topics, despite their family-friendly exterior. After all, muppets are essentially just a bunch of guys with their hands up the butts of various animal and human-like creations. What kind of dark secrets could we possibly uncover about them? Read on, all you puppet-loving weirdos and take a gander at 15 Dark Secrets About The Muppets

  1. Frank Oz never wanted to be a puppeteer

Amazing as it may seem, one of the most famous muppet voices, aside from Jim Henson himself, never wanted a career in puppetry. Frank Oz was the son of Belgian immigrants who were both puppeteers themselves. While his siblings never took much of an interest in it, Oz performed puppet shows to make extra money as a teenager, saving up for a trip to Europe. As he explained in an interview with IGN, “it was something that I latched on to because it was a way to please them (his parents) and it was a means of expression for a shy, self-effacing boy.”

Oz had actually planned to study journalism in college, but dropped out after a year when Jim Henson offered him a job….

(9) TODAY’S DAY

Spinach Day

It’s not just Popeye who will be strong to the finish on Spinach Day, but everyone who chooses to celebrate the day by consuming some of this leafy green plant will get to join in the health benefits as well!

(10) TODAY IN HISTORY

  • March 26, 1937 — Popeye statue unveiled during spinach festival, Crystal City, Texas. (Are you sensing a theme here?)

(11) TODAYS BIRTHDAY BOY

(12) INSIDE THE SHELL. The Guardian calls her “Scarlett Johansson, charismatic queen of science fiction”.

Hollywood quickly made room on its red carpets for the young Scarlett Johansson in 2003, when she first created a stir in Sofia Coppola’s film, Lost in Translation. It seemed clear that this blonde bombshell from New York, who was so ably sharing the screen with a dyspeptic Bill Murray, would go on to deliver popcorn buckets-full of mainstream audience appeal. Beautiful, mysterious and charismatic: she was already an aspirational trophy for any traditional leading man.

Yet, 14 years on, Johansson is established instead as a rather different sort of screen idol. Following a succession of high-octane blockbusters and off-beat critical hits, the actress is now enshrined as perhaps the leading sci-fi action star of her generation. Where once her sardonic smirks and sultry looks spoke of old-school movie glamour, she is now more likely to grab the limelight by kickboxing than by smouldering.

(13) IMAGINE SUPERMAN WITHOUT ONE OF THESE. “Last call for the phone booth?” was featured on CBS Sunday Morning.

Yes, there’s nothing like reaching out and touching someone from a phone booth. They used to be everywhere, but they are now rare coin-operated curiosities. Mo Rocca looks into the history of the once-ubiquitous phone booth, and of the wi-fi kiosks that are now replacing them in New York City.

(14) WWWWD? Another video on CBS Sunday Morning, “The immortal Wonder Woman”.

The real superpower of the comic book heroine, who just turned 75, is the power to inspire. Faith Salie explores the history of Wonder Woman, and talks with Lynda Carter, made immortal by playing the Amazonian on TV in the 1970s, and with Jill Lepore, author of “The Secret History of Wonder Woman.”

(15) A TALE AS OLD AS TIME. In NPR’s analysis of many versions of the basic story includes a discussion ofan upcoming Tanith Lee collection: “Tale As Old As Time: The Dark Appeal of ‘Beauty And The Beast’”.

The tales in [Maria] Tatar’s compilation swing from vicious to romantic, from comedy to horror. There are stories of a steadfast prince being loyal to his frog-wife, or a princess searching for her bear-husband “east of the sun and west of the moon” — here, love is proven in action and rewarded with happiness. But Beauty and the Beast stories are about power as much as about love. So sometimes the prince steals a maiden’s animal skin to force her to stay with him, or he puts his tortoise-wife on display against her wishes, or he ignores his devoted wife’s warnings and discovers she’s actually a crane. And these stories, where power is abused, differ sharply from the stories of proof and trust: Almost all of them end with her escape.

(16) A TALE AS OLD AS ME. And for us oldpharts: BBC provides video coverage of an opera based on Pink Floyd’s The Wall.

The Opera de Montreal is taking the rock out of “rock opera” with its ambitious interpretation of Pink Floyd’s classic double album, The Wall.

Another Brick in the Wall: L’Opera tells the story of Pink, a rock star who retreats into his mind to cope with the alienation of fame.

Roger Waters’ lyrics provide the narrative backbone of the two-hour production but composer Julien Bilodeau has removed the album’s familiar rhythms and melodies in favour of timpani and a 50-person chorus.

(17) TUNES OF THRONES. An LA audience was treated to a more up-to-date musical experience this past week — “’Game of Thrones’ live experience transforms Forum into Westeros for the night”.

One of the many powers held by a historic music venue like the Forum in Inglewood — which has seen celebrated concerts by the likes of Led Zeppelin, Bruce Springsteen and Prince — is that of a time machine.

Capable of transporting an audience back to a summer when it first heard a favorite song or an aging band to its initial heyday, the Forum’s ability to slip the bounds of time was again in full view Thursday night with the Game of Thrones Live Concert Experience, a celebration of the blockbuster HBO series and its music, led by the show’s composer, Ramin Djawadi.

This time-skipping quality could be felt on two fronts. With a mix of orchestral sweep, multiple screens and the occasional blast of fire and smoke, the show’s expected aim was to transport fans to the Middle Ages-adjacent universe of the tangled and very bloody machinations of George R.R. Martin’s Westeros. However, the performance also offered a fleeting glimpse of the not too distant future when “Game of Thrones” is no longer something analyzed and anticipated — July 16 and the new season is coming, everyone! — and exists only as a memory. Indeed, having left such an imprint on pop culture, it wasn’t difficult to imagine this concert being toured and staged well after “Game of Thrones” is over and our watch is ended.

This sort of living tribute to a series nearing its finish gave the night a communal, Comic-Con-esque quality.

(18) WILSON. In “How sketching a dying father led Daniel Clowes to his quirky new film ‘Wilson’” the Washington Post’s Michael Cavna interviews Daniel Clowes, whose new film Wilson is based on his graphic novel.  Clowes makes comparisons between producing graphic novels and directing and discusses what happened when he took Charles Schulz’s challenge to come up with a gag for a comic strip every day.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]

Justice League, Official Trailer #1

Justice League will be in theaters in November 2017.

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

 

Pixel Scroll 3/10/17 Anachronism of Green Gables

(1) SKULL SESSION. NPR doesn’t think much of King Kong: Skull Island, but compensates by adding interesting movie trivia to their review:

A noble beast gets shackled, ape-napped from his island home and dragged to America in:

  • Minute 84 of 1933’s landmark King Kong,
  • Minute 90 of 1976’s Jeff Bridge/Charles Grodin/”and introducing Jessica Lange”-starring King Kong, and
  • Minute 135 of Peter Jackson’s 2005 prestige pic King Kong — which, at three hours and change, qualifies as the most Kong-sized of the bunch.

In the new, comparatively unambitious Kong: Skull Island, the big guy finally claims a perk of his eight decades of stardom: He gets to do the entire picture from home.

Indeed, this new colon-ized, name-and-address-formatted Kong is at its mediocre best when it pretends to be a nature documentary about Skull Island’s bizarro flora and fauna. One of its most captivating scenes has the big ape bathing himself in a river — at last, computer animators have learned to make convincing water! But every time the movie threatens to get interesting, one of its hordes of ersatz, non-animated characters shows up and starts talking again.

There’s plenty of top-flight talent — Tom Hiddleston, Brie Larson, the Johns Goodman and C. Reilly, and the Jacksons Samuel T. and Marc Evan — so it’s no chore to sit through. But good luck being able to remember in two months whether you saw this thing or not.

By comparison, the Boston Globe thought it was fun and gave it 3 stars out of 4:

“Kong: Skull Island” isn’t a remake or a reboot or a re-anything. It’s just a Saturday matinee creature feature with a smart, unpretentious script, a handful of solid supporting players, and a digital Kong who feels big enough and real enough to provoke the necessary awe. This is all to the movie’s credit.

Better yet (and unlike [Peter Jackson’s 2005] film), the new movie understands the line between thrilling an audience and scaring it silly — between action-adventure awe and horror-movie gross-outs. The movie feels as if it has been made for a 10-year-old kid, either the one living in your house or the one living in your heart.

(2) COMIC SECTION. And Dan Thompson’s Brevity welcomes the movie with a punny cartoon.

(3) NAVIGATING THE AMAZON. Why did Amazon build a brick-and-mortar bookstore in the first place? Why is it now about to open number 10?

People were surprised when Amazon announced its first brick-and-mortar bookstore in November 2015. Then came No. 2, 3 and 4.

Sixteen months later, Amazon just confirmed to Recode that it is now working on store No. 10 — a location at the Bellevue Square shopping center across Lake Washington from Seattle. Plans for this new location were found in building permits flagged by the building contractor site BuildZoom.

“We are excited to be bringing Amazon Books to Bellevue Square in 2017, and we are currently hiring store managers and associates,” an Amazon spokesperson said.

If it wasn’t clear before, it is now: Amazon really likes the traction it has seen in the four stores that have opened so far and is committed to becoming a physical retailer at scale. New locations are opening in places like Chicago, New York City and the suburbs of New Jersey later this year.

That doesn’t mean the stores still aren’t puzzling. Why does Amazon — bookstore killer — want to become a physical book purveyor? One smart take has been that the stores are as much about selling Amazon devices like the Echo and Kindle as they are about selling books.

(4) NEW STOPS ON THE INFORMATION SUPERHIGHWAY. China’s Internet may be showing the way. British anthropologist Tom McDonald, who moved to Anshan, a small rural town between Beijing and Shanghai, has written a book about the Chinese internet, about which he is apparently very protective, and is the source of information for this BBC article.

Most writing about China’s internet had explored metropolitan elites living in the country’s huge cities – and had tended to focus on the issues of censorship and government control, painting a joyless place straight out of George Orwell’s 1984. Yet here in Anshan, McDonald was surprised to find a vibrant and innovative online world. “It is easy for us to assume that ‘the Chinese Internet’ ought to be a very drab and boring and constraining place, whereas actually, Chinese internet users are incredibly creative and the internet is incredibly lively,” he tells me. “It was more like an online carnival.”

….One of the core differences, from British social media use, was the fact that the people of Anshan tended to shy away from political pronouncements on their profile pages – “not because of censorship, but just because all the people around them would ask why are you posting that on here,” says McDonald. Instead, their updates tended to be centred on the family and relationships with somewhat saccharine images and messages – perhaps as a way of upholding some of the values at the heart of their rural community.

Chip Hitchcock sent this comment along with the link: “The writer seems especially taken with the way everything works together, which suggests the (possibly-mythical) computer scientist’s praise of cyberpunk (~’Sure, everybody’s doing terrible things to each other — but their computers all work together!’)”

(5) TODAY IN HISTORY

  • March 10, 1972 — Killer-creature flick Frogs hops into theaters.
  • March 10, 1972 Silent Running premieres.
  • March 10, 1997 Buffy the Vampire Slayer premieres on television.

(6) THE BUFFYVERSARY. “20 Years Ago ‘Buffy’ Welcomed Us All To The Hellmouth (aka High School)” NPR reminds us.

Twenty years ago, on March 10, 1997, TV audiences were introduced to Buffy Summers, a pint-sized blonde who could hold her own against the undead. Buffy the Vampire Slayer ran for seven seasons from 1997 to 2003. It had witty dialogue and used monsters as a metaphor for everyday high school problems like bullies, catfishing and feeling invisible.

If that wasn’t enough to make high school seem hellish, the characters went to school on top of a literal Hellmouth. “So many people at the time sent us letters saying, ‘I’m only getting through high school because of Buffy,‘ ” says Buffy writer and producer Jane Espenson.

The BBC also cites Buffy’s influence on pop culture:

Without Buffy’s brilliant musical episode Once More, With Feeling would Ryan Gosling and Emma Stone’s movie ever have been green-lit?

Actually, yes, it would have been. But if you enjoyed the singing dancing love letter to LA which didn’t win best film at this year’s Oscars, you could do worse than to check out Buffy’s musical extravaganza.

It’s exactly like La La Land, but with added demons.

It also set a trend for other TV shows to unexpectedly feature a musical episode halfway through a series, including medical comedy Scrubs and medical drama Grey’s Anatomy – and an upcoming Supergirl/The Flash crossover.

(7) TODAY’S DAYS. You get your choice.

  • Mario Day

Mario Day came about when it was noticed that when one marks the day Mar.10, it spells Mario. From then it just took off. Mario was first introduced in Nintendo’s game Donkey Kong. When he appeared in this game in the early 1980’s he was not the well-named plumber that would be recognized today. His name was Mr. Jumpman and he was a carpenter.

  • International Bagpipe Day.

The Bagpipe Society has been sponsoring the celebration of International Bagpipe Day since 2012. They have helped to bring the bagpipe to new players since 1986. It is important to them that the history and playing of the bagpipes is not lost. Putting this day together was with the hope of bringing awareness of the over 130 different types of bagpipe throughout the world.

(8) JEDI JOCULARITY. Mark Hamill tweeting as Trump —

(9) DANDELION WINE KICKSTARTER FAILS. Filmmakers ambitious to produce a movie of Ray Bradbury’s “Dandelion Wine” attempted to crowdfund production with a Kickstarter campaign but they had received only $4,791 of the hoped-for $350K when the campaign ended in January.

In December, the Utah Independent profiled the men behind the effort.

RGI Productions filmmaker Rodion Nahapetov and producer Natasha Shliapnikoff, long-time friends and colleagues of Ray Bradbury, have launched their Kickstarter campaign for the “Dandelion Wine” movie.

“The Kickstarter campaign is so important to us because by receiving the support of Ray’s fans and friends, we will be able to make the movie the way Ray would have wanted it made independently, true to his vision and with love!” said Shliapnikoff.

(10) ELIGIBILITY POST. Adam Rakunas keeps voters informed —

(11) NATIONAL TREASURE. Maybe the original art for the cover of Action Comics #1, which introduced Superman to the world in June 1938, no longer exists, but in late 1938 or ’39, Joe Shuster re-drew that cover for use as a puzzle from the Saalfield Company of Cleveland, Ohio, which was manufactured in 1940. “I wonder what this piece of original art might be worth today?” asks John King Tarpinian. The search is on!

(12) OOPS! Meanwhile, we know what happened to these treasures — “Pulped fiction: Blundering artist destroys rare first edition of The Avengers and other valuable comics worth £20,000 to make papier-mache scultpture”. The Daily Mail has the story.

An artist made a papier-mâché sculpture from comics only to discover that the books were in fact first editions worth about £20,000.

The piece of artwork, called Paperboy, was created by Andrew Vickers, 49, from Sheffield, who found the comics for the man-sized statue in a skip.

However, after handing the sculpture over to an exhibition he was told the comics, which included a first edition of The Avengers, would have been worth a small fortune.

(13) THE NOT-SO-DREAD PIRATE GAME. The Digital Antiquarian remembers when Ron Gilbert made an adventure game that didn’t suck – Monkey Island.

The game casts you in the role of Guybrush Threepwood, a lovable loser who wants to become a pirate. Arriving on Mêlée Island, a den of piratey scum and villainy, he has to complete a set of trials to win the status of Official Pirate. Along the way, he falls in love with the island’s beautiful governor Elaine — her name sets the game up for a gleeful The Graduate homage — and soon has to rescue her from the villain of the story, the evil ghost pirate LeChuck.

The Disnefied piracy wasn’t hard to do, especially after Gilbert discovered a charming little historical-fantasy novel by Tim Powers called On Stranger Tides.

(15) SF IN LIVE THEATER. Alastair Reynolds tells about seeing Diamond Dogs in Chicago, a stage play based on his story.

The House Theatre team did a remarkable job with this undoubtedly challenging material, working with inventive stage and prop design to nonetheless evoke a series of settings many light years away, and hundreds of years in the future. All the cast are in the above photo, along with the crew behind the production, and it was a pleasure and privilege to see so much skill and imagination come together on stage.

My story takes place in a range of locales, from the bowels of Chasm City, to a starship, to the ravaged surface of an alien world, and ultimately the many-roomed interior of the enigmatic alien structure named Blood Spire, an enormous tower floating just off the surface of the planet Golgotha. Depicting all this in film would be a feat in itself, and quite beyond any reasonable notions of practical theatrical staging. The solution adopted by the House Theatre was to use artful minimalism and suggestion, trusting in the audience to employ their imaginations given the narrative cues provided the actors and the sound and lighting effects. I thought it worked tremendously well, and the later stages of the story – involving the passing through of the puzzle rooms in the Spire – achieved a strange, stark beauty, all with little on stage but the illuminated, moving doorways and the actors in their spacesuits. Later, as the story progressed to its grim conclusion, extremely effective use was made of the ingenious puppet designs of Mary Robinette Kowal, allowing us to follow the actors as they became something other than human. These latter scenes, aided by an unsettling score, had a truly surreal power.

[Thanks to Chip Hitchcock, JJ, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/14/17 Whoops! Forgot To Pull The Handle!

(1) CLARKE AWARD-ELIGIBLE BOOKS. The director of the Arthur C. Clarke Award has released the complete submissions list of eligible books received.

…I need to be clear, this is not a long list. Rather this is a list of every eligible title officially submitted to us by its publisher or creator for consideration for this year’s award.

…Ten or so years ago, when I first started doing this, it had become apparent that some of the ‘why the heck has that been shortlisted?’ reaction we tended to enjoy on releasing a new shortlist stemmed from the fact that many of the books put forward to our judges might not have been part of the general SF books conversation.

As such, their sudden arrival on a science fiction award list might have taken even some of the keenest award watchers somewhat by surprise, and we all know how much critics love having someone else discover something first…

Solution: put the full submissions list out there in advance of any official shortlist announcement so its there for everyone to see and discuss and even attempt some amateur prognostication on what the actual, official, top six list would look like….

This year we received 86 books from 39 publishing imprints and independent creators.

This is down somewhat from last year’s total of books, where we received 113 titles, and is the first drop below the 100 mark for several years….

(2) SHADOW CLARKE. Members of the Clarke Shadow Jury have begun posting at the official site.

Until relatively recently, the only SFF awards I knew were those mentioned on book covers: the Hugo, the Nebula, and the Clarke. The first Clarke winner I ever read was probably either The Handmaid’s Tale or Take Back Plenty, but those were older editions that didn’t mention it on the covers, so at that time I didn’t know. So the first time I realized there was such a thing as a Clarke Award was when I saw it on the cover of Paul McAuley’s Fairyland, the 1996 mass market paperback with the big blue face on the cover, with “Winner of the Arthur C. Clarke Award” on its forehead.

It’s almost funny that I hadn’t heard of the award by that time, given that Clarke was a local celebrity. If there were ever any local announcements of the original 1987 grant or of any of the subsequent winners, I missed it. I don’t think there were any, though. Things were a lot more disconnected in those days, and the award was firmly rooted somewhere else. And anyway, Clarke lived in a different version of Colombo than I did. A few years before I was born (and not long after Elizabeth II finally stopped being our head of state, nearly a quarter-century after independence from the Empire) the Sri Lankan government brought into law an entire new immigration status, the non-citizen Resident Guest, to accommodate Clarke personally. Apparently even as late as 1982 this was still being called “the Arthur Clarke Law,” which we might call that a fourth law on top of the better-known three already named for him (and the only one which is actual law.)

I have written about the Clarke Award in Foundation and I was also part of the panel which discussed ’30 Years of the Arthur C. Clarke Award’ at the 2016 Eastercon (an edited transcript of which is due to appear in Vector this year). I see participation in this shadow jury as offering the possibility of connecting such kinds of critical activity with my typical informal  approach to the Clarke of inaccurately predicting the shortlist, reading it, arguing about it, guessing the winner and attending the ceremony to find out how wrong I was. All in all, this is an unmissable opportunity to expose simultaneously the idiosyncrasies of my personal taste and the foundations of my critical thought.

And Maureen Kincaid Speller comments on her own blog in “Shagreen, or chagrin: the shadows begin to gather”.

…I’ve been a Clarke judge myself and it is no picnic. I’m sure a lot of people imagine it’s all ‘wow, free books’, but a look at the submissions list will tell you that the jewels are accompanied by a lot of dross – and yes, let’s be blunt about this, dross. This is not unique to the Clarke Award, by any means. I’ve been a Tiptree judge, and witnessed a Campbell Award judge at work; it goes with the territory. But while it’s worth being mindful of the fact that one woman’s dross is another man’s treasure, some dross is just dross …

If there is a problem, with the Clarke and other juried awards, it’s that … actually, there are two problems. One is that the jury’s deliberation is private, and indeed it should be, but as a result we have no access to the debate and can never know what prompted them to make certain decisions. There is probably horse-trading some years, and publishers are not always willing to have their titles submitted if they’re trying to market a book a certain way that is emphatically not science fiction. We don’t know, we can only guess, and it makes things difficult when a book doesn’t appear on a shortlist, and we ask ‘why didn’t they put that on?’ not knowing that the publisher couldn’t or wouldn’t submit. Judges can ask for books but that doesn’t mean they’ll arrive.

But the other problem is that when the shortlists roll out, ‘what were they thinking?’ is a quick and easy response, because it’s really hard to come up with anything else, in the absence of prior debate. And too often this becomes a veiled attack on the competence of the judges, which is not fair on them. They were asked to judge and they did their best in the circumstances. The one thing I will say is that it has seemed to me in recent years that the organisations who nominate judges have tended not to nominate practising critics, which means that one particular approach to sf has been neglected. And that may look like special pleading, but critics have their place in the ecosystem too, alongside the readers….

(3) APEX APOLOGY. Apex Magazine editor Jason Sizemore has revised his “Intersectional SFF – Response” piece from the version excerpted in yesterday’s Scroll.  The main part now reads –

Editor’s note: In my rush to take down the “Intersectional SFF Round Table” and to immediately assure our readers that they were being heard, I shared a hastily-written non-apology that was defensive when I didn’t meant it to be, and shut down the very conversation I wanted to have. I am sorry for that. My revised explanation of the decision to remove the round table is below. – Jason Sizemore

Dear Readers,

On Friday, we posted an “Intersectional SFF Round Table” in support of the Problem Daughters campaign and anthology. Though the post was put together by the Problem Daughters staff without input from us, we made the editorial decision to share the post exactly as it was delivered, without considering the implications of who was (and who wasn’t) included in that discussion. Almost immediately, we were made aware of multiple issues with that post, and removed it.

It was our hope that the original post would help bring awareness to the Problem Daughters project, and spark a discussion about intersectional SFF with our readers. Frankly, by virtue of their lived experiences, the authors and editors working on that anthology have a greater wisdom on what is and is not intersectionality than I will ever possess, and I appreciated their contribution.

However, that doesn’t absolve our editorial team of the responsibility of vetting the content that appears on Apex Magazine, and no conversation like this should be presented as a complete picture of intersectionality or even SFF in general. Going forward, we will make a greater effort to listen to the voices of our community, to learn, and include….

(4) YOUTUBE STAR EMBARASSES THE FRANCHISE. Disney’s Maker Studios and YouTube have axed some of their projects with superstar PewDiePie after he posted an anti-Semitic video reports CBS News.

The content creator, whose real name is Felix Kjellberg, posted a now-deleted video on Jan. 11 that showed him laughing while two men held up a sign that said “death to all Jews.” Kjellberg hired the two men on Fiverr, a site where users can hire people to complete tasks for $5.

It’s not the first time the YouTube star posted a video with anti-Semitic remarks. Since August 2016, he had posted nine videos with anti-Semitic jokes or iconography, reports the Wall Street Journal.

Kjellberg has a record-breaking 53 million subscribers on YouTube, and makes millions off of his videos. Last year, he was YouTube’s highest paid star, raking in $15 million in 2016, reports Forbes.

Though Kjellberg’s signature style has been to shock fans with silly and sometimes crude humor, Disney’s Maker Studios, the division who partnered with the creator, says his latest stunts are unacceptable.

Wired specifies the affected projects:

YouTube’s response was tepid at first: It reportedly pulled ads from only one of the videos in question. But this morning the company said it was cancelling the second season of PewDiePie’s show and dropping ads from all of the offending videos, as well as pulling PewDiePie’s channel from a premium advertising program called Google Preferred.

(5) DISCOVERY ADDS BRASS. Star Trek: Discovery has cast three new Starfleet membersSciFiNow.uk has the story.

Joining Michelle Yeoh’s Captain Georgious aboard the starship Shenzhou are Terry Serpico, Maulik Pancholy and Sam Vartholomeos. In an update on the official CBS page, the network also revealed details about the characters the three actors will be playing.

Serpico, who is best known for his role in Army Wives, is set to play Admiral Anderson, a high-ranking official of Star Fleet. Pancholy, who recurred as Jonathan in 30 Rock and Sanjay in Weeds, is Dr Nambue, the Shenzhou’s Chief Medical Officer. Vartholomeos will play Ensign Connor, a Junior Officer in Starfleet Academy who was assigned to serve on the Shenzhou.

Joining Michelle Yeoh and the new additions on the Star Trek: Discovery are Sonequa Martin-Green as Lieutenant Commander Rainsford, James Frain as Sarek, Doug Jones as Lieutenant Saru, Anthony Rapp as Lieutenant Stamets, Chris Obi as T’Kuvma, Shazad Latif as Kol and Mary Chieffo as L’Rell.

Star Trek: Discovery will be a semi-prequel to The Original Series, set ten years before the start of James T Kirk’s five-year mission.

(6) SPEAKING OF TRUNK MANUSCRIPTS. Heritage Auctions is offering a Stagecoach Trunk once owned by Samuel L. Clemens. To own it will cost you at least $25,000 plus a hefty buyer’s fee, but you can read about it for free.

[Mark Twain]. Stagecoach Trunk once owned by Samuel L. Clemens. St. Louis, Missouri: J. Barwick Trunk Manufacturer, circa 1865. Dome-top, single compartment stagecoach trunk, likely purchased by Clemens in 1867 while he was in St. Louis, with “Property of / Samuel L. Clemens” painted in black on the outside of the lid. Approximately 9500 cubic inches, measuring roughly 18 x 18 x 30 inches. Original leather covering, geometric patterns tooled in black, with six wooden slats and two center-bands and matching binding, four edge clamps, lock, hinges, handle caps; interior lined with patterned paper, original tray fitting, later woven strap affixed to right side of interior to prevent further over-opening. General wear, as expected, lacking original handles, latches and interior tray; large portion of paper lining removed from interior of lid, dampstain to the bottom interior. An astounding artifact from arguably the most important author in American literature.

This trunk served Twain during the sweet spot of his career, those prolific years from when he published his first major work, The Celebrated Jumping Frog of Calaveras County, and Other Sketches in the same year that this trunk was acquired, and right through Tom Sawyer in 1876 and Huckleberry Finn in 1885. One can’t help but think that such important manuscripts were likely housed in this trunk during his travels.

Though remembered today primarily for his literary efforts and association with the Mississippi River, some of the best-loved books of Twain’s career were his travel writings, including his first two book-length works, The Innocents Abroad, about his journey on the steamship Quaker City to Europe and the Holy Land, published in 1869, and his 1872 follow up, Roughing It, about his adventures in the American West. Alan Gribben inspected a similar trunk owned by Twain, also with the paper scraped away from the interior of the lid, and argued that he opened it to its fullest position and used it as a provisional writing desk, writing notes on the wood (“Mark Twain’s Travel Trunk: An Impromptu Notebook” with Gretchen Sharlow, published in Mark Twain Journal). Conceivably, this trunk similarly functioned as a desk, potentially during the composition of his early travel works. It appears the interior paper lining was deliberately removed at an early date with roughly ninety-degree angles and is approximately the size of notebook paper (before further wear extended the right edge).

(7) FOREIGN EXCHANGE. Deadbeat roommate Thor is back. In fact, you get a whole suite of scenes with — “Rogers & Barnes. Stark & Rhodes. Thor & Darryl.” – when you plunk down real money (not Asgardian buttons) for Marvel Studios’ Doctor Strange on Digital HD. A bargain at twice the Asgardian price!

(8) HOLMES OBIT. Midlands (UK) artist and bookseller Dave Holmes died February 13. Many knew him from his days working at Andromeda, Birmingham’s main SF bookstore, or at The Magic Labyrinth in Leicester.

He is one of the people David Gemmell’s Last Sword of Power (1988) is dedicated to, and at least two writers, Mark Morris and Ian Edginton, credit Holmes’ influence on their careers.

He was a character, which had its good and bad sides. As Edginton says:

He lived life on his own terms and never apologised for it. He hurt people in his life but I can’t sit in judgement. I have done questionable things in my time, things I regret and would do over again differently if I could. None of us are angels. I’m not perfect and I don’t expect my friends to be either.

Incidentally, Holmes was the fellow Iain Banks asked to hold his glass before Banks set out – as legend tells it — to climb the exterior of the Metropole Hotel during the 1987 Worldcon. (As legend tells it is not necessarily what happened, although Banks was pleased to repeat the tale as the introduction to an autobiographical account of his real urban climbing exploits.)

(9) TODAY IN HISTORY

  • February 14, 278 — Valentine, a holy priest in Rome in the days of Emperor Claudius II, was executed. Allegedly.
  • February 14, 1940 — Clayton “Bud” Collyer first portrayed the Man of Steel in this second episode of the Adventures of Superman radio series, broadcast on February 14, 1940. The episode (“Clark Kent, Reporter”) was the first of a serial involving a villain known as “The Wolf.”

(10) DAYS OF THE DAY. Being sf/f fans, you can easily kill these two birds with one stone —

  • International Book Giving Day

Devoted to instilling a lifelong love of reading in children and providing access to books for children in need, Book Giving Day calls on volunteers to share their favorite book with a young reader. Although the holiday originated in the UK, book lovers around the world now join in the celebrations every year.

  • Extraterrestrial Culture Day

An officially acknowledged day in New Mexico (Roswell), Extraterrestrial Culture Day celebrates extraterrestrial cultures, and our past, present and future relationships with extraterrestrial visitors.

(11) TODAY’S BIRTHDAY BOYS

  • Born February 14, 1859 — George W. G. Ferris, Jr. (inventor of the ferris wheel).
  • Born February 14, 1919 – Dave Kyle
  • Born February 14, 1970 Simon Pegg

(12) TEA. Ann Leckie recommends a technological solution to a writerly dilemma in “On Tea”.

So! The first, most common pitfall in making tea: You heat the water, throw the bag (or the infuser full of leaves) into the cup, pour the water, set it on the desk beside you and…promptly forget about it as you dive into your work. Hours later you remember that tea, now cold– and bitter enough to strip paint.

Friends, there is a simple solution to this, provided you remember to implement it: a timer. This could be a voice assistant on your computer or your phone, an app made purposely for timing the steeping of tea, or a dollar store kitchen timer shaped like a strawberry. Really, it doesn’t matter, but this is a tea-hack that can cost very little and vastly improve your tea-drinking experiences.

(13) SOUND AND FURY. NPR Music interviews Game of Thrones composer Ramin Djawadi about writing music for the screen.

So you have these early conversations, you come up with a general feel for the score, and then you start fine-tuning as you see the images and get to know the characters. Is that what you’re saying?

Correct. In the case of Game Of Thrones, before I started writing I sat down with [David Beinoff and D.B. Weiss]. We talked about the tone of the show, and I just listened to what their vision was. … They’ll say, “We really like this instrument, do you think you can make this work? We like the violin, we don’t like this.” All that information helps me, and then I go in and actually turn that into music and go from there.

What’s an example of something they might have said as you were collaborating?

One thing we always laughed about was that they said, “We don’t want any flutes.”

(14) ON THE AIR. A substitute for jetpacks? Passenger drones in Dubai.

A drone that can carry people will begin “regular operations” in Dubai from July, the head of the city’s Roads and Transportation Agency has announced at the World Government Summit.

The Chinese model eHang 184 has already had test flights, said Matt al-Tayer.

The drone can carry one passenger weighing up to 100 kg (220 pounds) and has a 30 minute flight time.

The passenger uses a touch screen to select a destination. There are no other controls inside the craft.

It is “auto-piloted” by a command centre, according to a video released by the government agency.

(15) IN THE BEGINNING. Andrew Porter draws our attention to his favorite scene in Gentlemen Broncos, the only part he likes —

Just saw the opening credits for this forgettable 2009 film on HBO. The opening credits are done as covers of SF paperbacks, using actual artwork from numerous SF magazine and paperback covers, including a lot of works by Kelly Freas.

Click through to watch a video of the credits, and read the interview with director Jared Hess.

Tell us about your initial ideas for this sequence.

JH: We had the idea when we wrote the screenplay that we wanted the opening credits sequence to be a bunch of science fiction book covers where the credits were embedded in place of the book titles. While we were shooting the film, my production designer, Richard Wright, and people on the production side were going through existing artwork to see what was available. The idea was to scan and tweak them and then print up new book covers and shoot them at the end of production.

We were first looking for stuff that looked right and helped set the tone but we quickly learned that it was going to be difficult to clear the rights since a lot were part of family estates. Luckily the artwork that I liked the most was from a guy named Kelly Freas and they were able to contact his wife — he had passed away — so most of the artwork in the title sequence is stuff he had drawn for different science fiction journals as well as books. What was weird was that a couple of the characters he’d drawn looked liked the people in our film, like Jemaine’s book. The one we have for Sam Rockwell (a piece by David Lee Anderson) also bears a striking resemblance. It was kind of uncanny.

(16) FREDDY’S FEELING BETTER. The Hollywood Reporter says Robert Englund is returning as his iconic horror movie character Freddy Krueger one final time for a documentary “focused on the special effects makeup that crafted his dream-invading youth murderer in the Nightmare on Elm Street series.”

Nightmares in the Makeup Chair will highlight the importance of practical makeup — with the help of special makeup effects artist Robert Kurtzman — in addition to Englund paying tribute to late director Wes Craven and sharing some stories from his time working on the slasher films.

(17) THE UNREDISCOVERED COUNTRY. Breaking news – London After Midnight is still lost! (You can always count on File 770 for these dramatic updates…)

Earlier today Dread Central reported rumors that a print of the long-lost 1927 movie had been discovered.  People got excited for a couple of hours. Why? John Squires explains in his post at Bloody Disgusting:

A few years before directing Dracula and Freaks, Tod Browning made a silent horror film titled London After Midnight. Starring Lon Chaney as “The Hypnotist,” the 65-minute film was distributed by MGM in December of 1927; though audiences saw it upon release, it’s likely that everyone who did is no longer with us. Sadly, the last known copy was destroyed in the infamous MGM vault fire of 1967, which tragically resulted in the loss of many silent and early sound films.

But then Dread Central had to quash its own report —

UPDATE 2: 3:40 PM PT – More info from Carey:

A film archive in The Canary Islands received what look to be nitrate frames from London After Midnight around 1995. They got these from a private collector.

In 2012, the archive opened a Flickr account and posted this image among others it was posted for about five years and nobody seemed to notice it until last month.

Then this image was posted shortly thereafter…”

These were both posted on the Facebook page Universal Monsters & More. I’ve contacted them and they have said they have more stills and that they will share them with us.

The school of thought seems to be that these were cut out of trailers for London After Midnight by a projectionist in the Canary Islands. But nobody is sure.

For now at least, it seems that LONDON AFTER MIDNIGHT remains lost….

The hunt continues.

(18) GREEN SCREEN. Avengers: Infinity War has started production.

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Andrew Porter, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day, the unsuspecting Kip W.]

Pixel Scroll 11/21/16 Pon Far. Squa Tront.

(1) FOR LONG DISCUSSIONS ABOUT SHORT STORIES. Standback and Levana Taylor have launched the Short Story Squee & Snark website. It began as a Facebook group and all of the 50+ discussions from the existing group have been imported to the new site.

But it’s safe to assume the real action will be around the newest, most recent story selections. For our first few weeks, we’ve got story suggestions from Chinelo Onwualu, from Charles Payseur, and Abigail Nussbaum. Our first discussion begins tomorrow.

After that, we’ll be pressing on with selections from your humble hosts, Standback and Levana – and suggestions from you. You can follow us on RSS or on Twitter to join along.

(2) OCCASIONAL TIRADER. Julie Phillips profiles “The Fantastic Ursula Le Guin” ini The New Yorker.

To talk to Le Guin is to encounter alternatives. At her house, the writer is present, but so is Le Guin the mother of three, the faculty wife: the woman writing fantasy in tandem with her daily life. I asked her recently about a particularly violent story that she wrote in her early thirties, in two days, while organizing a fifth-birthday party for her elder daughter. “It’s funny how you can live on several planes, isn’t it?” she said. She resists attempts to separate her more mainstream work from her science fiction. She is a genre author who is also a literary author, not one or the other but indivisibly both.

Le Guin can be polemical, prone to what one close friend calls “tirades” on questions she feels strongly about. I once watched her participate in a panel discussion on gender and literature at WisCon, an annual gathering of feminist science-fiction writers, readers, and academics in Madison, Wisconsin. Scowling like a snapping turtle, she sat waiting for illogical remarks, which she then gently but firmly tore to bits. Yet a conversation with Le Guin is often full of comic asides, laughter, and—a particularly Le Guin trait—good-natured snorts. Humor seems to be her way of taking the edge off the polemic, as well as an introvert’s channel of communication. Behind even the lightest remarks, one is aware of a keen intelligence and a lifetime of thought, held back for the purposes of casual conversation.

(3) DEMON WITH A BRASS BAND. Omni’s Joshua Sky interviewed Jason Davis, editor of many Harlan Ellison collections, about the project to digitize and preserve all of Ellison’s writings, in “To Preserve A Demon”.

Writer/editor Jason Davis has a special ambition — to catalog, digitize, edit, correct, annotate and re-publish (or publish for the first time, in some cases) all of Harlan Ellison’s writings. Twenty-six four-foot-wide drawers of typescripts, over 100 feet of paper if stacked, the lifework of a man who is easily one of the most influential and cantankerous authors of the 20th century. Jason is spearheading the Harlan Ellison Books Preservation Project, a grand undertaking “To create definitive versions of all Harlan Ellison’s writings, fiction and non-fiction, to preserve in print for posterity.”…

JS: How did this project come about?

JD: I took over HarlanEllisonBooks.com in 2012. For the most part, I’ve been limited to publishing the previously uncollected, and un-reprinted stuff. His other works were with other publishers. I could do a new collection, like Harlan 101, which contains stories that you’ll find spread across many other Ellison collections. I can do that as a unique volume, and it did very well.

Certain economic factors were built into the original business model before I took over, and — as previously noted — the rights to most of the iconic collections are tied up elsewhere, so because of the need to sell X copies of a given book to make a return, I’ve concentrated on material that wasn’t available in any form elsewhere, with a few exceptions — like Harlan 101 or 8 in 80 by Ellison — where there was some unique aspect to the book that made it worth releasing.

For the Preservation Project, I’m working at the story/essay level, so I’m not stepping on anyone else’s toes. The entirety of Harlan’s work will be digitized and corrected to make sure it’s as the author intends it. In the future, if a publisher comes to him and says, “I want to put out a new edition of Shatterday in hardback,” it will be a simple matter of pushing a button, and a complete text of that collection goes off to the publisher in electronic form after the contract is signed. As it currently stands, that publisher would receive a large box of photocopied typescripts which would have to be scanned or typed into a computer for publication, which leads to inputting errors and a lot of back-and-forth between the publisher’s employees and Harlan’s office via phone, fax and e-mail. One of the goals of this project is to make republishing Harlan’s writings more appealing to publishers — who have their own economic pressures to deal with — by front-loading a lot of the editorial work.

To date the Kickstarter has raised $78,375 of the $100,000 goal.

(4) THE CALCULUS OF ONLINE BOOK SHOPPING. After Max Florschutz sells you the book, he’ll try to sell you on reviewing that book on Amazon.

Now, there’s some truth to why we think this way, after all. I’m not saying that those that pass over a book with only three reviews are being subconsciously manipulated. Rather that the reasoning for such is so valid and ingrained that we as consumers tend to let it subconsciously spill into all sorts of areas.

So, getting back to that review number, it turns out that it’s really important, because people recognize that a higher number of reviews is a good thing. It means a wider variety of readers purchased the product and then left their opinion. And if the book was poor, even with a few outliers that enjoyed it immensely and gave it high reviews, the average rating would reflect that. In this manner, a book that has five stars at ten reviews is, to many, less trustworthy and less likely to be a truly good read than a book that has three stars but three hundred reviews.

And this compounds. The higher the number of reviews, the greater the variety among those leaving them, and the greater chance that the average rating is, the way a prospective reader sees it, accurate. Which therefore increases the chance that they will then seriously consider purchasing the book.

(5) NO TWO SNOWFLAKES ARE ALIKE. Camestros Felapton reviews the reviewer: “MetaReview: Dave Truesdale Reviews Diabolical Plots #21”.

That the reviewer frames his review around a comment by the author—the “unjust violent death of Michael Brown”—and then gives the reader of Truesdale review a totally different narrative that is nothing short of intellectual dishonesty. Truesdale’s review fails on literary grounds (the shift of focus from a fictional story about emotional pain in the face of perceived injustice and violence to Truesdale’s evaluation of whether the author is justified in feeling angry about a real-world event), and from an error in judgment by Truesdale in attempting to justify a judicial killing, which not only reveal the weakness in the review itself, but which highlights how the reviewer’s own strong prejudice in the matter clouded his thinking, and obstructed his capacity to give a professional review.

(6) TREVOR OBIT. Irish novelist, playwright and short story writer Sir William Trevor (1928-2016) died November 20 reports The Bookseller. He won the O. Henry Prize four times and the Whitbread Award three times; he was also nominated for the Booker Prize five times.

The Internet Science Fiction Database lists his genre work as:

Novels

The Children of Dynmouth (1976)

Shortfiction

Miss Smith (1967)
The Only Story (1971)
The Love of a Good Woman (1972)
George and Alice and Isabel (1973)
Visions of Hell (1974)
Mrs. Acland’s Ghosts (1975)
The Death of Peggy Morrissey (1975)
Broken Homes (1977)
The Raising of Elvira Tremlett (1977)
Autumn Sunshine (1980)

(7) CLOWES OBIT. Jonathan Clowes, Doris Lessing’s agent, has died at the age of 86. The Bookseller published a tribute:

After founding Jonathan Clowes Ltd. in 1960, Clowes assembled a select and high-powered client list including international bestseller Len Deighton, novelist, poet and playwright Maureen Duffy, Nobel Prize winner Doris Lessing, novelists Sir Kingsley Amis, Elizabeth Jane Howard and Brian Freemantle.

His clients also included television writers David Nobbs, Carla Lane and Dr David Bellamy.

Clowes took an unlikely path to become one of London’s most renowned and respected literary agents, having left grammar school aged 15 and worked in a number of different trades, from gardener to decorator, even going on to serve time in prison for his stance as a conscientious objector.

(8) TODAY IN HISTORY

  • November 21, 1942: “Tweety Bird” debuted

(9) TODAY’S BIRTHDAY BOYS

  • Born November 21, 1924 – Christopher Tolkien
  • Born November 21, 1944 – Harold Ramis

(10) BEASTLY CAPITALISM. ScienceFiction.com has a question: “Weekend Box Office (11/18-11/20): ‘Fantastic Beasts’ Did Fantastically… But Fantastically Enough?”

It’s no surprise that ‘Fantastic Beasts and Where to Find Them’ topped the box office charts this weekend, with $75M in the US and $218.3M globally.  This film kicks off a series of five projected movies– with the first sequel already scheduled to arrive on November 16, 2018– all penned by J.K. Rowling, the creator of ‘Harry Potter’, but did studio Warner Brothers bite off more than they could chew?  That’s what some insiders are wondering, as this movie’s opening is below that of other franchise players like ‘Doctor Strange’ ($85M opening weekend) and WB’s own ‘Suicide Squad’ ($133.6M… and that was considered a disappointment).

(11) ATTENTION BAKER STREET REGULARS. Sherlock Season 4 is almost upon us. Reportedly, for the first time shows in the UK and the US will be broadcast on the same dates.

Sherlock will return in “The Six Thatchers” on January 1, 2017 on MASTERPIECE on PBS.

Coming in 2017, Sherlock will return with three brand-new episodes that promise laughter, tears, shocks, surprises and extraordinary adventures.

Season four begins with the mercurial Sherlock Holmes (Benedict Cumberbatch), back once more on British soil as Doctor Watson (Martin Freeman) and his wife Mary (Amanda Abbington) prepare for their biggest challenge yet: becoming parents.

(12) ANOTHER ITEM FOR THE WISH LIST. Dread Central is making a list and getting it wet.

Leave it to Mondo to tug on our nostalgic heartstrings just before Christmas. They’re releasing a vinyl version of the soundtrack to Joe Dante’s Gremlins, and the packaging literally changes when exposed to water and sunlight… just like the titular creatures.

gremlins_front%20cover_uv%20lightgremlins_sleeve%201gizmo_dry

(13) THREE STOOGES AT THE ALEX. Glendale’s Alex Theatre hosts the 19th Annual The Three Stooges® Big Screen Event this Saturday at 2:00 & 8:00 p.m.. Order tix online here.

The LA Weekly has named The Affordable Curly Care Act: Poking Medicine in the Eye Since 1933 their “Pick of the Week.” What more can we say? How about, “Buy your tickets early to avoid the lines at the box office.”

A special surprise bonus will be shown in addition to this lineup of five classic Stooges shorts:

  • FROM NURSE TO WORSE (1940 – Jules White)
  • CASH & CARRY (1937 – Del Lord)
  • SOME MORE SAMOA (1941 – Del Lord)
  • SCRAMBLED BRAINS (1951 – Jules White)
  • ALL THE WORLD’S A STOOGE (1941 – Del Lord)

(14) WHAT TOOLS THESE MORTALS BE. Mark-kitteh writes: “A performance of The Tempest with a live motion-capture Ariel on stage? I’m sure some will say the Bard will be spinning in his grave, but I suspect he’d just be updating his list of stage directions to include ‘exeunt stage upwards’,” — The Tempest review: Real-time digital avatar brews storm in a teacup” at ArsTechnica.

(15) ANYTHING YOU CAN DO. ScreenRant knows “Everything Supergirl Can Do That Superman Can’t”.

Supergirl is more than a chip off the ol’ Krypton block. While her younger cousin gets all the credit for bench-pressing the earth and saving the universe, Supergirl’s individual strengths have been sorely undervalued….

  1. She Can Shapeshift

Superman is dead. This is the reality of the post-Crisis “pocket universe” where Lex Luthor was a good guy who bet the ranch on recreating his long lost love, Lana Lang. Lex’s advanced form of AI was called the “protoplasmic matrix,” or just “Matrix” for short. Indeed, Luthor’s weird science led to the recreation of his lady love, now called Matrix– an unholy hodgepodge containing the memory of Lana with the Kryptonian specs of Superman (whom he knew about thanks to his otherworldly technology).

In addition to being almost as strong as Kal-El, this new creation had the powers of invisibility, telekinesis, and shapeshifting, which she took full advantage of by morphing into Supergirl 2.0. In a battle against General Zod, Faora, and Quex-UI, Matrix/Supergirl held her own but ultimately had to call on the support of Superman to take down the triumvirate. Though the pair defeated the Krypton criminals, the pocket universe was basically destroyed, and the new shapeshifting Matrix was taken back to the mainline DC Universe where she became the first post-Crisis Supergirl.

(16) ANOTHER MILLION BRICKS IN THE WALL. How many LEGO bricks does it take to build these various science fictional structures?  This infographic from earlier in the year has the theoretical answers.

How Many Lego Would It Take To Build Sci-Fi Megastructures
How Many Lego Would It Take To Build Sci-Fi Megastructures Created By: Ebates

[Thanks to Mark-kitteh, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Pixel Scroll 7/4/16 Pixeled On The Fourth of July

The three actual LEGO minifigures of Jupiter, Juno and Galileo on the Juno probe as seen before launch. (NASA/JPL-Caltech/LEGO)

The three actual LEGO minifigures of Jupiter, Juno and Galileo on the Juno probe as seen before launch. (NASA/JPL-Caltech/LEGO)

(1) LEGO AND JUNO. CollectorSpace tells about three hitchhikers aboard the Juno mission to Jupiter.

The Juno minifigure holds a magnifying glass to signify her search for the truth and her husband holds a lightning bolt. Galileo, who is credited with several important discoveries about Jupiter, including identifying its four largest moons, holds both a model of the planet and his telescope.

The three figures stand along a ledge on the spacecraft’s hexagonal two-deck body, which also houses Juno’s eight primary science instruments, 29 sensors and a first-of-its-kind shielded vault to protect the probe’s electronics from Jupiter’s heavy radiation environment.

“We put these LEGO minifigures on board Juno in order to inspire and motivate and engage children, to have them share in the excitement of space exploration and reaching for the best goals that you can,” Bolton said.

To that end, NASA and LEGO have partnered on “Mission to Space,” a new design challenge that invites children to use the toy building bricks to imagine the future of space exploration.

(2) FIFTIES MOVIE TRIVIA. HowStuffWorks offers “The 1950s Sci-Fi Movie Quiz”

Even though I scored 24 out of 30, Tarpinian will be disgusted that I got the Ray Bradbury question wrong. So am I!

(3) AUSSIE SF SCREENWRITING COMPETITION. Australia Writers Guild members (only) have until August 22 to enter: “Call for Entries: John Hinde Awards for Excellence in Science Fiction”.

The award was established to encourage, reward and foster creativity in the development and showcasing of science fiction writing for feature film, short film, television, radio and interactive media. It also provides an avenue for unproduced works to enter.

Jesse O’Brien, the 2015 winner in the Produced category for his screenplay Arrowhead, says, “We’re only a few movies away from a significant genre resurgence and if Arrowhead can inspire the imaginations of other writers, then it has done the very best thing movies can do,” he says. “Thank you to John Hinde for leaving this treasure for us to find, and to the AWG for presenting it.”

The Prizes

The competition will be split up into two separate categories – produced and unproduced. Each category will have its own specific prize.

Produced:

  • $10,000 cash prize

Unproduced:

  • The winning script will be read by an experienced genre producer and the writer will be set up with a meeting with an industry professional hand-selected for your specific piece of work. Associated travel expenses will be covered by the AWG/John Hinde Bequest.
  • The winner and all shortlisted applicants will be provided with entry into the AWG Pathways Program – an initiative that provides networking opportunities for writers and the chance to showcase their ideas to industry professionals thereby giving those industry professionals access to quality scripts.

(4) NEILL OBIT. Known for playing Lois Lane in The Adventures of Superman, actress Noel Neill died July 3 at the age of 95. She was a popular guest at media cons, where many fans got to meet her over the years.

Noel Neill and Kirk Alyn (another screen Superman) at Equicon II in 1974. Photo by Dik Daniels.

Noel Neill and Kirk Alyn (another screen Superman) at Equicon II in 1974. Photo by Dik Daniels.

SF Site News adds:

She retired from acting when the show went off the air, but appeared as Lois Lane’s mother in the film Superman, as well as bit roles in the television series Superboy and the film Superman Returns. She also played Aunt Lois in Surge of Power.

Bleeding Cool’s obit includes other details of her entertainment career.

With the help of Bing Crosby, Noel signed a seven-year contract with Paramount Pictures in 1941. She initially made several short films, then appeared in mostly non-speaking roles, gradually gaining leading lady status beginning with 1944’s Are These Our Parents?

In total, Noel made close to 100 films in her long and incredible career, and surprisingly, most were Western films made in the 1940s and 1950s. She worked with many noted directors such Cecil B. DeMille, Vincent Minnelli, and Hal Roach, and starred with actors Bob Hope, Crosby, Gene Kelley, Clayton Moore, Johnny Mack Brown and William Holden.

(5) TODAY IN HISTORY

  • July 4, 1862 — Lewis Caroll first told Alice Liddell the story of Alice in Wonderland.

(6) TODAY’S TRIVIA QUESTION

  • Donald F. Glut asks, “Did Forry say, ‘Harpy Fearth of Ghoul Eye’?”

(7) FOURTH WITH. Damien G. Walter wishes us a jolly holiday:

(8) HUGO NOM COVERAGE. Lisa Goldstein sent a note that she has reviewed “And You Shall Know Her by the Trail of Dead” at inferior4+1, and wishes everyone, “Happy Fourth! And Fifth!”

(9) GAME OF THRONES. Via ScienceFiction.com “Cersei Lannister Lets It Go In ‘Game of Thrones’/‘Frozen’ Mash-Up”. How ill!

BEWARE SPOILERS

(10) METAL MEN. Jennifer Ouelette at Gizmodo says a “New Study Busts the Myth That Knights Couldn’t Move Well in Armor”.

Daniel Jaquet of the University of Geneva and several colleagues aim to bust that myth with a new study examining the range of motion and energy cost while fighting in medieval armor. They published their findings in a recent paper in Historical Methods: A Journal of Quantitative and Interdisciplinary History.

Medieval scholars have long known that armor worn by knights of that era allowed for far more mobility than most people realize. There’s even a 1924 educational film created by the Metropolitan Museum of New York to address the popular misconception. But until quite recently, little quantitative data was available to support that stance.

(11) JAPANESE CULTURE CON. NatsuCon runs July 22-24 in St. Louis:

NatsuCon is a Saint Louis metro-area based anime convention possessing the sole desire of expanding the appreciation, understanding, and acceptance of Japanese pop-culture in America. By the use of media ranging from art, to music, to visual screenings, NatsuCon strives to present attendees with an accepting, friendly environment allowing guests of all ages to meet and express similar interests. The staff and volunteers of NatsuCon all share the common wish of providing attendees with a fun and welcoming atmosphere. Through educational panels and interactive presentations and events based around precepts of Japanese culture, NatsuCon will offer its guests with an opportunity to empower themselves by increasing knowledge, diversity, and strength of character.

(12) SPOCKUMENTARY SCREENS IN BOSTON. Adam Nimoy’s tribute to his father was shown to Kickstarter donors in Boston last week.

“Star Trek” fans like the character of Mr. Spock because he’s low-key and emotionally detached. But it turns out Leonard Nimoy, the actor who played the Vulcan with the pointy ears, was the same way in real life, which wasn’t so great for his son. That’s the sense one gets watching Adam Nimoy’s documentary about his dad, “For the Love of Spock,” which screened at the Revere Hotel this week. (The movie, which debuted at the Tribeca Film Festival in April, comes out Sept. 9.)

Monday’s invite-only screening was for Trekkies who contributed to the filmmaker’s Kickstarter campaign, an effort that raised a whopping $660,000. (That ranks as one of the crowd-funding platform’s most successful campaigns ever.)

Introducing “For the Love of Spock,” Adam Nimoy said it was a special treat to screen the film in Boston, where his dad grew up. (The elder Nimoy was raised in the West End and hawked newspapers in Boston Common as a kid.)

(13) YABBA DABBA DUDE. Michael Cavna, who writes “Comic Riffs” for the Washington Post, brings word of a Flintstones comics reboot.

DC COMICS reached out with a mission for Mark Russell. How would he like to write a reboot of “The Flintstones”?

His prompt reply: “I kind of hate ‘The Flintstones.’ ”

The DC editors’ response: They liked his humorous take for his award-winning comic “Prez,” so his distaste for the old animated Hanna-Barbera TV show was not a dealbreaker.

“So I knew from the beginning,” Russell tells The Post’s Comic Riffs, “that it would be a satiric, edgy response to ‘The Flintstones.’ ”

Next month, DC will debut “The Flintstones” No. 1, which slyly unfurls Russell’s sardonic take on the “modern Stone Age family” from the town of Bedrock.

[Thanks to David K.M. Klaus, Hampus Eckerman, Lisa Goldstein, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John King Tarpinian.]

Pixel Scroll 6/29/16 Owner Of A Lonely Pixel

(1) CASUALTY OF INTOLERANCE. Al Davison’s writeup about being harassed on the street in his hometown of Coventry comes recommended by James Bacon with the note: “New Britain — bigots empowered — comic artist and martial arts expert Al Davison racially abused. His view and experience must be read. A decent man doesn’t want to live here anymore and fears for those who are kind to him. It’s not good.”

WHY I DON’T WANT TO LIVE HERE: Sunday night I’m almost home, it’s started raining, I’m rushing because my immune system sucks, I only have to smell rain and I get ill. Two men on the other side of the road shout ‘Fu**in’ islamist cripple! One adds, ‘takin our fu**in’ benefits’, while the other shouts, ‘What happened, didn’t your fu**in’ suicide vest do the job properly?’

They get a bit ahead walking backwards so they can keep looking at me, the older of the two, puts his hand two his mouth and laughs ‘Sorry mate, thought you were a P*ki, Sorry, ‘And what if I was’, I shout’, still looking ahead, and not at them. The other responds with, ‘why you sayin’ sorry, he’s still a fu**in’ scroungin’ cripple.” They start chanting ‘scrounger’, and and literally dance off down the road, like a couple of teenagers, the youngest was in his thirties, the other around fifty. Morons. I have a beard and wear a hat, that makes me an islamist! I know I am more than capable of defending myself, I’ve survived numerous physical attacks, but many aren’t equiped to defend themselves the way I am. ‘WE SHOULDN’T FU**KING HAVE TOO! …

(2) PRIME TIME. The CBC has the story: “Justin Trudeau joins Canadian superheroes for Marvel Comics cover”.

trudeau-comic-cover-20160628

Make way, Liberal cabinet: Prime Minister Justin Trudeau will have another all-Canadian crew in his corner as he suits up for his latest feature role — comic book character.

Trudeau will grace the variant cover of issue No. 5 of Marvel’s “Civil War II: Choosing Sides,” due out Aug. 31.

Trudeau is depicted smiling, sitting relaxed in the boxing ring sporting a Maple Leaf-emblazoned tank, black shorts and red boxing gloves. Standing behind him are Puck, Sasquatch and Aurora, who are members of Canadian superhero squad Alpha Flight. In the left corner, Iron Man is seen with his arms crossed.

“I didn’t want to do a stuffy cover — just like a suit and tie — put his likeness on the cover and call it a day,” said award-winning Toronto-based cartoonist Ramon Perez.

“I wanted to kind of evoke a little bit of what’s different about him than other people in power right now. You don’t see (U.S. President Barack) Obama strutting around in boxing gear, doing push-ups in commercials or whatnot. Just throwing him in his gear and making him almost like an everyday person was kind of fun.”

The variant cover featuring Trudeau will be an alternative to the main cover in circulation showcasing Aurora, Puck, Sasquatch and Nick Fury.

Trudeau follows in the prime ministerial footsteps of his late father, Pierre, who graced the pages of “Uncanny X-Men” in 1979. [Volume 120]

(3) VICE VERSA SQUAD. Camestros Felapton reviews “Batman versus Superman: Or Is it Vice Versa”.

I finally watched Batman versus Superman: Dawn of Justice. This was the Extended Cut and at least one review I’ve read suggest that the extra 30 minutes makes the film substantially better. Ah. Hmm. I didn’t see the theatrical version but either that was a huge mess of a film or the extra 30 minutes made the central problem far worse. This was a film that needed editing or some sort of substantial re-jigging. Perhaps what hit the theatres was a failed attempt at that?

Beyond this point there are spoilers aplenty – so don’t read on if you don’t want to discover who the alter-ego of Superman is or what house Batman lives in [HINT: its an anagram of Mayne Wanor].

(4) GAIMAN’S NEXT. “Neil Gaiman Delves Deep Into Norse Myths for New Book” announced the New York Times.

Mr. Gaiman’s forthcoming book “Norse Mythology,” which Norton will publish next February, is an almost novelistic retelling of famous myths about the gods of Asgard. The book will explore the nine Norse worlds, which are populated by elves, fire demons, the Vanir gods, humans, dwarves, giants and the dead. There are ice giants and elves, familiar deities like Thor, Odin (the wise and occasionally vengeful highest god) and Loki (the giant trickster), and a frightening doomsday scenario, Ragnarok, where the gods fight a fire giant with a flaming sword in an apocalyptic, world-ending battle.

Gaiman joked about his posed photo accompanying the article.

(5) THE FIRST. Petréa Mitchell noted in comments that The Atlantic has an article on the adoption of word processors by writers which includes anecdotes about Jerry Pournelle and Isaac Asimov, and some general comments on the effect of word processors on sf writing.

Robinson Meyer: “Who was the first author to write a novel on a word processor?” You cast that question as what drove you to write this book. Is there something close to a definitive answer for it?

Matthew Kirschenbaum: We can’t know with absolute certainty, I don’t think, but there are a couple of different answers.

If we think of a word processor or a computer as something close to what we understand today—essentially a typewriter connected to a TV set—there are a couple of contenders from the mid- to late-1970s. Notably Jerry Pournelle, who was a science fiction author. He is probably the first person to sit and compose at a “typewriter” connected to a “TV screen”—to compose there, to edit, and revise there, and then to send copy to his publisher. That was probably a novella called Spirals.

If we move back a little bit further, there’s an interesting story about a writer named John Hersey, the novelist and journalist. He did the famous book Hiroshima. He was at Yale in the early 1970s, so maybe about five years before Pournelle, and he worked on one of the mainframe systems there. He didn’t compose the draft of the novel he was working on at the keyboard, but he did edit it, and use the computer to typeset camera-ready copy.

So those are two candidates.

And yet neither of them is Kirschenbaum’s choice…

(6) MEANWHILE, BACK IN THE 21ST CENTURY. Tobias Buckell has a post on “How to collaborate on fiction in 2016 using pair programming, Skype, and Google Docs”.

I just finished a new collaboration. It’s a short story of nearly 10,000 words that will be in Bridging Infinity (you can pre-order here), edited by Johnathan Strahan “The latest volume in the Hugo award-winning Infinity Project series, showcasing all-original hard science fiction stories from the leading voices in genre fiction.”

The writer I collaborated with was Karen Lord, who currently lives in Barbados (author of Galaxy Games, Redemption in Indigo, you’re reading her, right?).

(7) NO POWER. Kim Lao argues “Why You Should Aim for 100 Rejections a Year” at Lithub.

I asked her what her secret was, and she said something that would change my professional life as a writer: “Collect rejections. Set rejection goals. I know someone who shoots for one hundred rejections in a year, because if you work that hard to get so many rejections, you’re sure to get a few acceptances, too.”

This small piece of advice struck a deep chord in my fragile creative ego. My vulnerable ego only wants to be loved and accepted, to have my words ring out from a loudspeaker in Times Square while a neon ticker scrolls the text across a skyscraper, but it’s a big old coward….

(8) LOST SERIES AND VANISHED VISUALIZATIONS. Suvudu will make you nostalgic for a TV show you likely have never heard of before: “’Out of the Unknown’: The BBC Sci-Fi Series Americans Should Have Seen”.

The Guardian’s Phelim O’Neill just published a rather nice review of the long gone BBC science-fiction and horror anthology program “Out of the Unknown”. While I’ve never seen it myself, from what O’Neill wrote, it sounds like it was a real doozy. Consisting of four seasons aired on BBC 2 from 1965 to 1971, “Out of the Unknown” adapted literary works by the likes of Isaac Asimov, Ray Bradbury, and J.G. Ballard.

Out of the 49 episodes filmed, only around 20 or so remain. As “Doctor Who” fans are already aware, it was standard procedure for the BBC to delete old episodes of what was at one time deemed disposable entertainment. Coincidentally, one of the lost episodes of “Out of the Uknown” actually featured Doctor Who’s arch nemeses: The Daleks.

(9) ISHER IN AMERICA. Jeb Kinnison, who thinks File 770 readers will be intrigued by the sf aspects of this post, is honestly not optimistic very many will agree with his political comments — “The Justice is Too Damn High! – Gawker, The High Cost of Litigation, and The Weapons Shops of Isher”.

Gawker filed for Chapter 11 bankruptcy to avoid paying the bond which would otherwise be necessary to appeal the $140 million judgment against them in the Hulk Hogan sex tape lawsuit. (It’s a good thing I don’t have to explain that sentence to a time traveler from the last century — would take a long time.) There have been plenty of stories and hot takes on it, so I’ll reach back to discuss what the real problem is — the cost of justice is too damn high. ….

Today’s United States resembles the Empire of Isher more than a little — a relatively prosperous population, but with layer upon layer of accreted law, regulation, and bureaucracy, with ideals of justice corrupted in practice so that only the wealthiest can afford government-sanctioned courts…. The impunity with which Gawker operated for years while stepping on the privacy rights of people for profit is just one symptom of the inability to get justice at a reasonable price. The simmering resentments of citizens made unknowing scofflaws while going about their lives and the increasing regulatory overhead to start and run a small business are slowing growth and damaging the careers of young people who have been trained to ask permission before trying anything new….

(10) KELLY OBIT. Peter David took note of the passing of a behind-the-scenes figure: Lorna Kelley, RIP.

The chances are spectacular that you have not heard of Lorna Kelly. For the vast majority of you, there is no reason that you would have. Lorna was an auctioneer who worked for Sotheby’s for a time–one of the first female fine arts auctioneers in the world–and she recently died of a stroke at the age of 70.

The reason that the David family knew her was because every year for over a decade, she was the auctioneer at the Broadway Bears charity auction sponsored by Broadway Cares/Equity Fights AIDS. Every year she would coax and cajole individuals into bidding ridiculous amounts of money for bears that had been lovingly costumed in exact replicas of Broadway character outfits. But that was hardly the extent of her life. She treated AIDS patients in Calcutta working with Mother Teresa. According to the NY Times, “She also traveled to Senegal, where she vaccinated thousands of children. In Cairo, she ministered to impoverished residents of a vast garbage dump; she likewise served the poor in Jordan, Gaza and the Bronx.” To say she led a well-rounded life is to understate it, and we were privileged to have met her and spent time with her.

(11) TODAY’S BIRTHDAY BOYS

  • Born June 29, 1911 – Bernard Hermann
  • Born June 29, 1920 – Ray Harryhausen

And did they ever work together? I’m glad you asked – Internet Movie Database shows Hermann did the music for Mysterious Island and Jason and the Argonauts, two films for which Harryhausen created the special visual effects.

harryhausen

(12) GUILLERMO DEL TORO. Another film available to fans and collectors.

Slashfilm covers the news: “Pan’s Labyrinth Criterion Collection Release Announced”.

The 2006 film is often looked at as the filmmaker’s best work, and understandably so. Most of del Toro’s films have plenty of heart, horror, and beauty, but Pan’s Labyrinth, narratively and dramatically speaking, it is his most satisfying work. Good luck trying not to tear up during Ofelia’s (Ivana Baquero) heartbreaking journey.

(13) STRUGATSKY ADAPTATION. In the film of Roadside Picnic, Matthew Goode takes top billing.

The Good Wife and Downton Abbey alum Matthew Goode is set as the lead in WGN America’s alien saga pilot Roadside Picnicbased on the famous novel by top Soviet/Russian science fiction writers Arkady and Boris Strugatsky.

Written by Transcendence scribe Jack Paglen, with Terminator Genisys and Game Of Thrones helmer Alan Taylor attached to direct and Neal Moritz producing, Roadside Picnic explores a near-future world where aliens have come and gone, leaving humankind to explore the wondrous and dangerous mysteries left behind. The story also explores the social ramifications of their visit, as seen through the eyes of Red (Goode), a veteran “stalker” who has made it his mission to illegally venture into the once inhabited zone and scavenge the abandoned remains of the alien culture.

(14) MST3K. Ceridwen Christensen may leave you green with envy: “I Attended the MST3K Reunion Show, and It Was Everything I Wanted It to Be” (B&N Sci-Fi & Fantasy Blog.)

Last night at the State Theatre in Minneapolis, I had the absolute pleasure to experience the Mystery Science Theater 3000 reunion show, hosted by Rifftrax, purveyors of downloadable movie-mocking commentary tracks, a company founded by several alums of the show. It also featured members of Cinematic Titanic, likewise the brainchild of ex-MST3K cast members. Last night, they got the band back together, uniting writers and actors from several eras of the show, both past and future. It was a celebration of the fact that Joel Hodgson, the original creator, recently wrapped the most successful film and video Kickstarter of all time: a successful bid to revive the show after more than 16 years off the air; squee. Hodgson riffed on a short with the new lead, Jonah Ray. I think I actually hurt my throat laughing….

(15) DAVID D. LEVINE COMING TO LA. Shades & Shadows 17 will be at Bearded Lady’s Mystic Museum in Burbank, CA on July 16. Doors at 7:30 p.m. Readings begin at 8:00 p.m. $10.

It’s summer. Everything is on fire, melting, or exploding. Everybody is one power outage away from convincing themselves we’ve entered the world of Mad Max.

Which, hey, isn’t far off from what we’re offering. Leave reality behind for a while. Come see what we have on tap as we bring in our mix of award winning authors and emerging voices in the literary scene! It’s a genre experience like no other!

Featuring: PAUL TREMBLAY, STEPHEN GRAHAM JONES, VESTA VAINGLORIA, DAVID D. LEVINE, GLEN HIRSHBERG, +1 TBA!

(16) HELP FRAN EVANS. Karen Willson alerted me that contributions are requested to the Fran Evans Assistance Fund (on GoFundMe) to help a longtime LASFSian.

This fundraiser is for a friend of mine, Fran Evans.  Fran just had brain surgery and can’t work.

She says that “the money would be used to “pay my bills/rent for the next couple of months while I recovery from having holes drilled in my head.  Whatever moneys I normally get go to my rent, this would help pay the difference and other bills.  Not many, I’m pretty frugal.   I have no credit cards.  If I can’t pay by check or debit – it doesn’t happen.  Water, for the moment, is free.

“I don’t smoke or drink or go shopping.  My idea of a big splurge is a used paperback on Amazon.  I just want  couple of months to heal without any worries about money.  The doctors said about two months before my balance begins to come back online.  I seem to spend a lot of time resting or sleeping.  Gee, wonder why.

“I’d like to get $2,000. to $2,500.  But whatever I can get would be nice.”

Fran has worked many years in the film industry and the Bob Burns Halloween show. Folks at conventions will remember her for her backstage help at many events.

Your assistance will mean a lot to Fran.  Thank you for thinking about it!

(17) PROFESSIONAL PREFERENCES. Sarah A. Hoyt advocates for writing in “First Person, Singular”.

1- The main reason I like first person singular is that for a moment it tricks you into that space behind the eyes of another person, relieving the loneliness of that narrative voice that can only ever describe your own life.

This is a universal and enduring quality.  I’ve had teachers tell me — and to an extent they’re right — that first person is “less believable” because you KNOW you haven’t done those things.

To which I counter that WELL done, with the right balance of external activity and internal dialogue, with just enough of a “touch of nature makes the whole world kin” i.e. of physical sensation that the readers, too, have experienced, it can make you feel it is happening/happened to you.

(18) TIME IN A BOTTLE. At Examined Worlds, Ethan Mills discusses the philosophical questions within the classic sf novel: “At War with Time: The Forever War by Joe Haldeman”.

In addition to the emotional scars of returning soldiers, the time dilation speaks to the feeling of aging while the world moves on around you.  This is something I feel acutely as an aging college professor constantly encountering fresh crops of young whipper-snappers with their new fangled cultural references and ways of being!  The time dilation reminds us that we are all at war with time, which is of course relative to the observer’s position.  It’s also by far the most interesting aspect of the book and allows Haldeman to write the history of the next 1,000 years.

Suffice to say there are some ruminations on this war and war in general.  Why are they fighting?  Why can’t they learn more about the alien Taurans?  How is the war the cornerstone of the economy?  Does the war make it possible for the government to control most aspects of society?

The philosophical questions are more implied than pedantically presented.  You don’t get anything quite like the classroom scenes of Starship Troopers.  I honestly would have liked a little more explicit philosophy to chew on.

(19) YOUTH REACT. James Davis Nicoll tells me his second post on Young People Read Old SF goes live 9:00 a.m. Thursday.

(20) HUGO CONTENDER. Lisa Goldstein reviews “Short Story: ‘Space Raptor Butt Invasion’” for inferior4+1. The last line is the most surprising part of her post:

I have no idea why this story was on the Rabid Puppies’ slate.

I believe a lot of readers here could explain it.

(21) SUCCESSFUL COUP IN BRITAIN. The Evening Harold has scooped the mainstream media with its report “Lord Vetinari takes control of the UK” (via Ansible Links.):

The UK is under new leadership this morning following a coup by the Patrician of Ankh-Morpork, Lord Havelock Vetinari…..

[Thanks to Karen Willson, Petréa Mitchell, John King Tarpinian, Taral Wayne, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Baugh.]