Pixel Scroll 5/16/17 Will No One Pixel Me This Troublesome Scroll?

(1) CLOSE THE GAP. David Dean Bottrell, Producer, Sci-Fest LA, is asking people to help support The Tomorrow Prize, due to be presented this weekend:

Although Sci-Fest LA has been temporarily side-lined our amazing short story competitions continue!! Unfortunately, a grant we were depending on, has fallen through at the last second, and the awards are this coming weekend! We need your help to make up a $500.00 gap IMMEDIATELY needed to award the prizes to our winners!

Donate at:  http://www.lightbringerproject.org/support/

You can make a donation via our new non-profit sponsor, LIGHTBRINGER PROJECT. Please add a note during the payment process for what the donation’s for — You can mention Sci-Fest, Tomorrow Prize or Roswell Award.

(2) INDIGENOUS VOICES. Silvia Moreno-Garcia has posted an update about her efforts to fund and launch an Emerging Indigenous Voices Award. (This would not be an sff award, but was prompted by the Canadian literary controversy reported here last week.)

I’ve gathered $4355 in pledges from people who wish to make this a reality. I’ve also e-mailed Robin Parker, who has also obtained pledges for a similar drive. We could be talking about more than $7,000 if we pool those resources together.

I have sent an e-mail to folks at the UBC Longhouse asking for some guidance.

I feel that if an award does become a reality, it must be managed by an Indigenous organization. I aim merely to help funnel money to them.

It may take some time to sort things out. I am putting together documentation tracking who pledged, how much, etc.

In the meantime, you can fund or support local organizations which represent Indigenous people in your community.

We should not turn to Indigenous and marginalized groups only when bad stuff happens and there are ways to support them that don’t involve donations. Read and review Indigenous literature. Suggest Indigenous artists as guests of honor at conventions. If you have access to a platform, invite them to write op-eds, guest posts, etc….

(3) ESCHEW CHRONOLOGICAL SNOBBERY. L. Jagi Lamplighter Wright raised her voice in defense of Anne McCaffrey at Superversive SF — “When New Is (Not) Best–The Degradation of Grand Master Anne McCaffrey”.

People talk about strong female characters today. Sometimes they mean kickbutt fighters. But when the term first got started, it meant females who held their own, who acted and achieved and accomplished, female characters who were smart.

Lessa was all that. To me, she was the sole female character in SF who really had the qualities I wanted to have. I adored her.

Recently, I was in a store and I picked up a copy of Dragonflight, the original Pern book. I remember thinking, Huh, it probably wasn’t that good. I’ve just glamorized it. Let me see… After all, some of her later books were a bit fluffy. Maybe this early book was just fluff, too, and I had just not noticed. I started flipping through it.

I read an astonishing amount of it before I realized I was standing in a bookstore and embarrassedly put it down.

It was still that good.

(4) THEY KNOW WHEN YOU’RE AWAKE. An author tells about eavesdropping on fan sites in “The Big Idea: Megan Whalen Turner” at Whatever.

As a newbie author, I was self-Googling like mad and just before The King of Attolia was published. I found a livejournal site dedicated to my books. I lurked. I did tell them I was lurking, but I knew right from the start that having authors around is a great, wonderful, exciting thing—right up until they make it impossible to have an honest conversation about their books, so I was careful not too lurk too often. In return, I got to watch these smart, funny people pick through everything I’d written and I became more and more convinced that they didn’t need my input, anyway. Everything in my books that I hoped they’d see, they were pointing out to one another. Watching them, I decided I should probably probably keep my mouth shut and leave readers to figure things out for themselves. That’s why when they got around to sending me a community fan letter, I’m afraid that my answer to most of their questions was, “I’m not telling.” Over the years, it’s hardened into a pretty firm policy.

(5) SPACE OPERA WEEK. Tor.com has declared: It’s Space Opera Week on Tor.com!

Alan Brown has a handle on the history of the term: “Explore the Cosmos in 10 Classic Space Opera Universes”.

During the Golden Age of Science Fiction, there was a lot of concern about the amount of apparent dross being mixed in with the gold. The term “space opera” was originally coined to describe some of the more formulaic stories, a term used in the same derisive manner as “soap opera” or “horse opera.” But, like many other negative terms over the years, the term space opera has gradually taken on more positive qualities. Now, it is used to describe stories that deal with huge cosmic mysteries, grand adventure, the long sweep of history, and giant battles. If stories have a large scope and a boundless sense of wonder, along with setting adventure front and center, they now proudly wear the space opera name.

Ellen Cheeseman-Meyer discusses why she embarked on her Vorkosigan Saga reread series for Tor.com in Space Opera and the Underrated Importance of Ordinary, Everyday Life

The Vorkosigan series is space opera in the really classic style. There are big ships that fight each other with weapons so massive and powerful that they don’t even have to be explained. The most dramatic conflicts take place across huge distances, and involve moving people, ideas, and technology through wormholes that span the Galactic Nexus, and watching how that changes everything. So it’s also about incredibly ordinary things—falling in love, raising children, finding peace, facing death.

And Cheeseman-Meyer’s latest entry “Rereading the Vorkosigan Saga: Borders of Infinity covers a lot of ground, but I must applaud this comment in particular —

At this point, I suddenly realize how little time we really get to spend with the Dendarii Mercenaries, who have now appeared as a fighting force in only two of the seven books in the reread.

Liz Bourke, in “Sleeps With Monsters: Space Opera and the Politics of Domesticity”, reminds readers that relationships are the web that connect the infinite spaces of this subgenre.

Let’s look at three potential examples of this genre of… let’s call it domestic space opera? Or perhaps intimate space opera is a better term. I’m thinking here of C.J. Cherryh’s Foreigner series, now up to twenty volumes, which are (in large part) set on a planet shared by the (native) atevi and the (alien, incoming) humans, and which focus on the personal and political relationships of Bren Cameron, who is the link between these very different cultures; of Aliette de Bodard’s pair of novellas in her Xuya continuity, On A Red Station, Drifting and Citadel of Weeping Pearls, which each in their separate ways focus on politics, and relationships, and family, and family relationships; and Becky Chambers’ (slightly) more traditionally shaped The Long Way to a Small Angry Planet and A Closed and Common Orbit, which each concentrate in their own ways on found families, built families, communities, and the importance of compassion, empathy, and respect for other people’s autonomy and choices in moving through the world.

But lest we forget the reason Tor.com exists, Renay Williams plugs the franchise in “A Plethora of Space Operas: Where to Start With the Work of John Scalzi”.

101: Beginner Scalzi

If you’re brand-new to Scalzi’s work, there a few possible starting places. If you want a comedic space opera adventure, you’ll want to start with Old Man’s War and its companion and sequel novels, The Ghost Brigades and The Last Colony. If you’re in the mood for straight up comedy SF, then Agent to the Stars is your entry point. And if you want some comedy but also kind of want to watch a political thriller in your underwear while eating snack food and don’t know what book could possibly meet all those qualifications at once, there’s The Android’s Dream, which is the funniest/darkest book about sheep I’ve ever read.

(6) AMEN CORNER. The celebration also includes a reminder from Judith Tarr: “From Dark to Dark: Yes, Women Have Always Written Space Opera”.

Every year or two, someone writes another article about a genre that women have just now entered, which used to be the province of male writers. Usually it’s some form of science fiction. Lately it’s been fantasy, especially epic fantasy (which strikes me with fierce irony, because I remember when fantasy was pink and squishy and comfy and for girls). And in keeping with this week’s theme, space opera gets its regular turn in the barrel.

Women have always written space opera.

Ever heard of Leigh Brackett? C.L. Moore? Andre Norton, surely?

So why doesn’t everyone remember them?

Because that second X chromosome carries magical powers of invisibility.

And having read that, who would you be looking to for an “Amen!” Would you believe, Jeffro Johnson at the Castalia House Blog? Not from any feminist impulse, but because it fits his own narrative about the Pulp Revolution — “The Truth About Women and Science Fiction”:

…Yes, the “Hard SF” revolution did turn the field into something of a boy’s club. The critical frame that emerged from it has unfairly excluded the work of a great many top tier creators that happened to be female. And much as it pains me to admit it, feminist critics do have a point when they complained about women being arbitrarily excluded.

However… when they treat the Campbellian Revolution as the de facto dawn of science fiction, they are perpetuating and reinforcing the real problem. If you want creators like Leigh Brackett and C. L. Moore to get the sort of attention they deserve, you have to recover not only the true history of fantasy and science fiction. You have to revive and defend the sort of classical virtues that are the root cause of why they have been snubbed in the first place.

(7) TODAY’S DAY

Sea Monkey Day

The history of sea monkeys starts, oddly enough, with ant farms. Milton Levine had popularized the idea of Ant-farm kits in 1956 and, presumably inspired by the success of his idea, Harold von Braunhut invented the aquatic equivalent with brine-shrimp. It was really ingenious looking back on it, and ultimately he had to work with a marine biologist to really bring it all together. With just a small packet of minerals and an aquarium you’d suddenly have a place rich with everything your brine-shrimp needed to survive. So why sea monkeys? Because who was going to buy brine-shrimp? It was all a good bit of marketing, though the name didn’t come about for nearly 5 years. They were originally called “instant life”, referencing their ‘just add water’ nature. But when the resemblance of their tails to monkeys tails was noted by fans, he changed it to ‘Sea-Monkeys’ and so it’s been ever since! The marketing was amazing too! 3.2 million pages of comic book advertising a year, and the money just flowed in the door. So what are Sea Monkeys exactly? They’re clever mad science really. Sea Monkeys don’t (or didn’t) exist in nature before they were created in a lab by hybridization. They’re known as Artemia NYOS (New York Ocean Science) and go through anhydrobiosis, or hibernation when they are dried out. Then, with the right mixture of water and nutrients they can spring right back into life! Amazing!

Wait a minute, that sounds a lot like Trisolarians!

(8) TODAY’S BIRTHDAY BOY

(9) COMIC SECTION. Daniel Dern recommends today’s Candorville: “We already knew the creator’s a Star Trek geek, clearly he’s also a (DC) comic book fan…”

(10) DOCTOROW. This is the book Cory Doctorow was promoting at Vromans Bookstore when Tarpinian and I attended his joint appearance with John Scalzi a couple weeks ago. Carl Slaughter prepared a summary:

WALKAWAY
Cory Doctorow
Tor
April 25, 2017

Hubert was too old to be at that Communist party.

But after watching the breakdown of modern society, he really has no where left to be?except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society?and walk away.

After all, now that anyone can design and print the basic necessities of life?food, clothing, shelter?from a computer, there seems to be little reason to toil within the system.

It’s still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it’s war – a war that will turn the world upside down.

Fascinating, moving, and darkly humorous, Walkaway is a multi-generation SF thriller about the wrenching changes of the next hundred years…and the very human people who will live their consequences.

PRAISE FOR WALKAWAY

  • “Thrilling and unexpected….A truly visionary techno-thriller that not only depicts how we might live tomorrow, but asks why we don’t already.” Kirkus
  • “Doctorow has envisioned a fascinating world…This intriguing take on a future that might be right around the corner is bound to please.” ?Library Journal
  • “Memorable and engaging. …Ultimately suffused with hope.” ?Booklist
  • “The darker the hour, the better the moment for a rigorously-imagined utopian fiction. Walkaway is now the best contemporary example I know of, its utopia glimpsed after fascinatingly-extrapolated revolutionary struggle. A wonderful novel: everything we’ve come to expect from Cory Doctorow and more.”?William Gibson
  • “Cory Doctorow is one of our most important science fiction writers, because he’s also a public intellectual in the old style: he brings the news and explains it, making clearer the confusions of our wild current moment. His fiction is always the heart of his work, and this is his best book yet, describing vividly the revolutionary beginnings of a new way of being. In a world full of easy dystopias, he writes the hard utopia, and what do you know, his utopia is both more thought-provoking and more fun.”?Kim Stanley Robinson
  • “Is Doctorow’s fictional utopia bravely idealistic or bitterly ironic? The answer is in our own hands. A dystopian future is in no way inevitable; Walkaway reminds us that the world we choose to build is the one we’ll inhabit. Technology empowers both the powerful and the powerless, and if we want a world with more liberty and less control, we’re going to have to fight for it.”?Edward Snowden

(11) LITFEST PASADENA. In addition to the Roswell Award  and Tomorrow Award readings, this weekend’s LitFest Pasadena includes these items of genre interest:

Saturday

Famed afro-futurist writer Nalo Hopkinson (The Chaos) joins the Shades & Shadows Reading Series for an evening of dark fiction from noir mystery to sci-fi.

Sunday

Popular comic book and TV writer Brandon Easton (Agent Carter), joins fellow comic book writers to discuss “Manga Influences on American Culture.”

(12) SPEAKING PARTS. Pornokitsch shows why someone could argue “Middle Earth Has Fewer Women Than Space”.

This research is from April 2016. The folks at The Pudding analysed thousands of screenplays and did a word count of male and female dialogue.

Unsurprisingly: Hollywood skews heavily in favour of dudes talking.

Naturally, I looked for all the nerdiest films I could find. This was a lot of fun, although the results were… pretty bleak. …..

There follows a whole chart about genre films.

2001 is literally a film about two dudes floating in space, and it has a higher percentage of female dialogue than two of the Lord of the Rings films.

(13) IOU. Jon Del Arroz thinks I should be paying him when I put him in the news. Now there’s an innovative marketing mind at work.

(14) PANTHER UNPLUGGED. Ernie Estrella at Blastr demands — “So why did Marvel pull the plug on Black Panther & The Crew after just two issues?”

How long should a comic book aimed at reaching a more socially aware audience be given latitude before it’s canceled? According to Marvel Comics, just two. Marvel is canceling one of two monthly titles that Ta-Nehisi Coates writes, Black Panther & The Crew. After two issues have underperformed in sales, the title has been abruptly put on notice. Marvel had seen enough and was not satisfied by the early numbers to stick with a title while it finds its audience. Coates told Verge that issue #6 will be the series’ finale, wrapping up the storyline that was introduced in the debut issue, which came out in this past March.

Coates co-writes the series with Yona Harvey, and together they crafted a story starring Black Panther, Storm, Misty Knight and Luke Cage investigating the murder of a civil rights activist who died while in police custody, Ezra Keith. Relevant to America’s current societal problems facing inherent racism, Coates and Harvey’s story also dives into the main four heroes and tries to look deeper at their varied experiences as black people in the Marvel Universe….

(15) NEW GRRM ADAPTATION. George R.R. Martin gives fans the background on developments they’ve been reading about in the Hollywood trade papers — “Here’s the Scoop on NIGHTFLYERS”.

In 1984 I sold the film and television rights to “Nightflyers” to a writer/ producer named Robert Jaffe and his father Herb….

This new NIGHTFLYERS television series — actually, it is just a pilot script at present, still several steps short of going on-air, but I am told that SyFy likes the script a lot — was developed based on the 1987 movie, and the television rights conveyed in that old 1984 contract. Robert Jaffe is one of the producers, I see, but the pilot script is by Jeff Buhler. I haven’t had the chance to meet him yet, but hope to do so in the near future.

Since I have an overall deal that makes me exclusive to HBO, I can’t provide any writing or producing series to NIGHTFLYERS should it go to series… but of course, I wish Jaffe and Buhler and their team the best of luck. “Nightflyers” was one of my best SF stories, I always felt, and I’d love to see it succeed as a TV series (fingers crossed that it looks as good as THE EXPANSE).

[Thanks to Greg Hullender, Carl Slaughter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar, with an assist from Camestros Felapton.]

Pixel Scroll 3/20/16 Pixels And Old Lace

(1) KIRK AND WOZ. “Silicon Valley Comic Con: William Shatner holds court on inaugural con’s first night” in the San Jose Mercury News.

Shatner was the big attraction for the first night of the pop culture and technology festival at the San Jose McEnery Convention Center. He held court for an hour before hundreds of fans who packed into the convention center’s grand ballroom. And right in the front row was the Comic Con’s No. 1 fan, Apple co-founder Steve Wozniak.

Shatner misidentified Woz as the inventor of the iPhone (but for Kirk, we can forgive anything right?), but gave the genius behind Apple proper credit for starting up Silicon Valley Comic Con. “I’m going to embarrass Mr. Wozniak a little, but I want him to ask the first question,” Shatner said from the stage.

Woz obliged, walking up to one of the standing microphones like any fan would. Clearly on the spot, Woz initially asked Shatner to recite some poetry (he didn’t) and that led to a fascinating back-and-forth about the nature of science vs. science fiction.

Woz said when he was a kid he dreamed of being a starship captain like the one Shatner played on “Star Trek,” but his engineering background made him too grounded in reality. Shatner would have none of it. “You have two feet on the ground but your head is in the sky. You’re a pole, an electrical conduit,” Shatner said. “What do you think of that?”

“Humor is the ultimate creativity,” Wozniak said, “and you’ve got it.”

…But he wasn’t the only star in downtown San Jose on Friday. At a ribbon-cutting ceremony right before the doors opened, San Jose Mayor Sam Liccardo and Vice Mayor Rose Herrera were flanked by Woz, “Back to the Future” star Christopher Lloyd and comic book legend Stan Lee. Nichelle Nichols, who co-starred with Shatner as Lt. Uhura on “Star Trek,” arrived later for an autograph and photo session with fans.

Other stars expected during the convention — which continues through Sunday — include Michael J. Fox, Lea Thompson, Nathan Fillion, Peter Mayhew, Jeremy Renner and “Deadpool” director Tim Miller.

(2) TIP US A TUNE. And the other day Mark Parisi’s cartoon Off the Mark zapped Shatner’s singing.

(3) NOTHING TO DISAGREE WITH. Crystal Huff said —

(4) WINTER IS HERE. Sarah A. Hoyt shares the view from inside the Sad Puppies 4 control room in “The Gang’ll Know I Died Standing Pat” at According to Hoyt. Then she moves on to explain, as if to a child, how something Brad Torgersen himself labeled a “slate” was not (in addition, mislabels Torgersen’s edition “IV” rather than 3).

Over the last few days, since Kate published the list of Sad Puppies recommends, we’ve been inundated both in email and in social media by people requesting, clamoring and whining to be removed from the list.  The eructations from these special snow flakes vary in levels of self-delusion and insanity and at least one was very polite.

The prize MUST go to Damien Walter of Grauniad fame for tweeting that he hopes Kate Paulk has deep pockets, to withstand all the lawsuits resultant from putting people on the list without asking their permission.

…. Speaking of which, all of you, even the polite ones, who send me purple prose about how badly Brad Torgersen ran Sad Puppies IV and how he created an evil slate also make me doubt your mental capacity.  Seriously, guys?  A slate?  If you’d bothered to look at the numbers and had a minimum of arithmetic ability (did you also sleep through it in first grade, while dreaming of little Damien’s slights and grievances?  — Seriously, he really should pull his socks up) you’d have realized the only real slate was “no award.”  Sad puppies nominations and votes were not only not lockstep but all over the place. Because, you know, they were reading what was suggested and making up their own minds, instead of — like the other side — taking marching orders from their betters who told them to not even read and just vote no-award.

(5) PERSISTENCE OF REVISION. Nicki at The Liberty Zone asserts this is  “Why the Puppies are Sad”.

You want to know why the Sad Puppies campaign still exists? Do you want to know why fans continue to nominate authors they consider to be worthy of a Hugo Award even though the elitist Puppy Kickers made damn sure everyone knew that no award would be given to any worthy author or editor if they were nominated by the “wrong” people?

Here’s one reason.

“Speak Easy” by Catherynne M. Valente was submitted for a Sad Puppies 4 nomination in September 2015. Several fans thought it was worthy of the award. Comments included:

“… I liked it a lot and will be nominating it for a Hugo.”

“…There is so much to discover in this little book and it absolutely blew me away”

I would think that any author would be grateful that readers not only bought her work, but read it and enjoyed it enough to recommend it for a prestigious award. I would think the author would be gracious and thank the readers for the honor. One would think that being included in a list of recommendations that this year includes such great and diverse writers as Lois McMaster Bujold, Ann Leckie, Stephen King, Eric Flint, and John Scalzi would be met with gratitude and some dignity.

But apparently, if you’re the wrong kind of thinker, the wrong kind of reader, who has the wrong kind of social justice and political views, Ms. Valente doesn’t want your business. She doesn’t want your praise or recommendation. She doesn’t want your recognition.

For the record, I was not asked and I do not consent to be on the Sad Puppies List. I am furious.

— Catherynne Valente (@catvalente) March 18, 2016

(6) REMOVAL APPROVAL. Lee at Lee’s Blog has a similar reaction, in“Sad Puppies 4 recommendations”.

“These kind [sic] of tactics” — yes, it’s just dreadful, isn’t it, that they would allow fans of Alastair Reynolds to publicly recommend his works to fans who might never have heard of him otherwise. Imagine! Just allowing his fans to make recommendations without permission! What’s the world coming to!

“staining your name” — yeah, in the good old days, allowing his fans to recommend his works to the world of fandom — even including wrongfen (gasp!) — would be an offence justifying a duel to the death. *Puke*.

Despite reading fantasy and science fiction my whole life, I really hadn’t been reading new works for probably twenty years. There’s a huge backlog of old “classic” science fiction and fantasy for me to enjoy, and there’s always nonfiction (history and science).

But the Sad Puppies controversy and the orchestrated international campaign of defamation introduced me to a whole world of new authors! The Sad Puppies 4 campaign introduced me to Stand Still Stay Silent, which I love. I mean to check out other works on the recommended list, not because of the Hugo Awards (I have never nominated or voted and never will), but because these works are recommended by other fen.

However, Catherynne Valente and Alastair Reynolds demand to be removed from the list because their fans failed to obtain permission before recommending their works to fandom in general. The Sad Puppies are holding firm: their fans thought their works were worth considering and it’s not up to them to contradict their fans.

But I am not holding firm. They don’t want their fans recommending their work to wrongfen: hey, I’m happy to remove them from my Recommendations to Check Out list and put them on my Not One Thin Dime list.

(7) 180 DEGREES. Chris Gerrib’s conclusion about “Sad Puppies 4” is —

In short, so far this is everything Sad Puppies 3 was not, namely open and transparent.

(8) A HAPPY FELLA. Declan Finn may have disqualified himself as a “sad” puppy with his post “Awesome #SadPuppies News”. Just kidding.

So, I am apparently the most awesome Puppy ever, having three award recommendations in the Hugos, Sad Puppies Bite Back being the #1 Best Related work.

I am UNSTOPPABLE, BWAHAHAHAHAHAHAHAHAH….

Aaaannnnnddddd that was me, gloating. I’m done now.

First of all, I am on the recommendation list in three categories. I will happily accept the recommendations, because I’ll take all the help I can get.

(9) NAMES TO BE CALLED. Kamas Kirian “Over inflated much?” at westfargomusings.

So,  a certain author is having kittens over the fact her work ended up on the Sad Puppies IV list. How much of a delusional narcissist are you that you don’t want the wrong people liking what you’ve written? I mean really, if you don’t want people to recommend your writing I suppose they can take you up on that offer and review your work in the context that only the right people dare read it. God forbid it end up on a list that you think is a ‘slate’. For a writer, you don’t seem to know definitions very well. Here, let me help you out on that….

(10) SCOTTO OBIT. Cartoonist Augie Scotto (1927-2016) died March 15 reports the Timely-Atlas Comics blog.

As mentioned above, Augie Scotto’s work appeared in Will Eisner’s PS magazine, the exact tenures unknown to me. The note above that Scotto was Wally Wood’s partner is somewhat apocryphal. In the Bhob Stewart edited Against The Grain (TwoMorrows, 2003), Stewart writes about the Wally Wood studio and AugieScotto

“The studio was often like a Grand Central of artists. They came and went. One night Augie Scotto arrived. Scotto had worked on 1949-53 Western and crime comics before settling in as an artist on Eisner’s PS magazine for many years. We were working our way through a pile of Topps’ Travel Posters, and Scotto was there to assist for a few hours. I was in the back room, and Woody appeared at the door with a big grin. “Bhob, come watch this.” Scotto sat down at a board while Woody, Don and I looked on. He clicked the snaps on his briefcase, pulled out a brush and dipped it in the ink. Silence. Then in a single deft stroke, Scotto moved his hand across the paper. He lifted the brush, leaving a 14″ long, perfectly straight line on the paper. It played like a magic trick, but it was for real. Woody then went back to work, still grinning.” 

Scotto’s comic book career appeared as two brief spurts. He broke in in 1949 at Eastern Color’s New Heroic Comics, Hillman and Cross Publications, on crime and western stories. He also was at Lev Gleason in 1950, Atlas in early 1951 and Charlton in 1953. This early work is completely serviceable and at home in the earthy, gritty crime comics of the era. He then vanishes from the industry and re-emerges in 1968 at Tower Comics penciling Dynamo and then as an inker at DC Comics in the late 1970’s, inking several titles including a post-Jack Kirby story of The New Gods in Adventure Comics in 1978.

(11) TODAY IN HISTORY

  • March 20, 1972 — Tarkovsky’s influential Solaris opens in the Soviet Union.

(12) SLINGING MUD FROM ANOTHER WORLD. Two politicians traded insults couched in sci-fi terms reports Boston.com.

Massachusetts Sen. Elizabeth Warren doesn’t understand why a congressman would call her Darth Vader—she’s always seen herself as more of a Princess Leia.

After Congressman Blaine Luetkemeyer, a Missouri republican, called Warren “the Darth Vader of the financial services world” and said they should “find a way to neuter her” during a panel hosted at the American Bankers Association conference, the senator responded with a statement on her campaign site Thursday.

“My first thought was: Really?” Warren wrote. “I’ve always seen myself more as a Princess Leia-type (a senator and Resistance general who, unlike the guys, is never even remotely tempted by the dark side). Clearly the Force is not strong with Congressman Luetkemeyer (maybe he’s a Trekkie).”

(13) HAPPY HALF BIRTHDAY. Gregory N. Hullender issued a report on Rocket Stack Rank at Six Months”. (That’s been long enough for me to change my mind – File 770 is a worse name for a site…)

Original Goals

Our original goal was to read and review all the short fiction in the six major publications in 2015. We accomplished that and also included all the original fiction from ten anthologies.

We hoped that would amount to 50% coverage of the stories in the Locus Recommended Reading List, but it actually came to about 65%.

We set out to offer advice on where to buy copies of back issues of the big three print magazines. We ended up with detailed instructions for several different ways to get electronic copies of back issues, and we even discovered several (legal) ways to borrow back issues without having to buy them.

(14) PEE-WEE INTERVIEW. “Paul Reubens on Pee-wee Herman’s Comeback” at Vogue.

The last time you did this it wasn’t the Internet age. I know in the past you’ve skirted publicity and you’ve valued your privacy, and now we’re in this era when things happen so quickly, in such a big way. How does it feel?

Part of that feels bogus to me, to be honest with you. Gigantic superstars still get married and no one knows about it. I was at a hotel recently, where people were complaining, “Oh, my God, there’s paparazzi every second out here in front!” Then I went, “Can I go out the back door?” And they were like, “Sure.” It’s not impossible. None of it is. I get that there are certain people that get such a high profile that they can’t do anything. I just think almost everything’s possible, really.

Including getting another Pee-wee movie made after 30 years.

Yeah, that’s true!

(15) BUT NOT IF YOU HAVE ANY FRIENDS WHO ARE ENTS. A home styled for a wizard. The Chive has a big photo gallery of the exquisite and artistic woodwork. Asking price? $8.2 million.  Hm, come to think of it, a lot of trees got chopped down to make that….

(16) BLACK PANTHER. “An Exclusive Look at ‘Black Panther #1’ by Ta-Nehisi Coates” at The Atlantic.

Despite the difference in style and practice of storytelling, my approach to comic books ultimately differs little from my approach to journalism. In both forms, I am trying to answer a question. In my work for The Atlantic I have, for some time, been asking a particular question: Can a society part with, and triumph over, the very plunder that made it possible? In Black Panther there is a simpler question: Can a good man be a king, and would an advanced society tolerate a monarch? Research is crucial in both cases. The Black Panther I offer pulls from the archives of Marvel and the character’s own long history. But it also pulls from the very real history of society—from the pre-colonial era of Africa, the peasant rebellions that wracked Europe toward the end of the Middle Ages, the American Civil War, the Arab Spring, and the rise of isis.

And this, too, is the fulfillment of the 9-year-old in me. Reading The Amazing Spider-Man comic books as a kid, I didn’t just take in the hero’s latest amazing feat; I wrestled seriously with his celebrated tagline—“With great power comes great responsibility.” Chris Claremont’s The Uncanny X?Men wasn’t just about an ultracool band of rebels. That series sought to grapple with the role of minorities in society—both the inner power and the outward persecution that come with that status. And so it is (I hope) with Black Panther. The questions are what motivate the action. The questions, ultimately, are more necessary than the answers.

 

[Thanks to John King Tarpinian, David K.M. Klaus, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Chris S.]