Pixel Scroll 8/3/17 Hot Dog Stand On Zanzibar

(1) ANN LECKIE’S NEXT BOOK. At Motherboard you can “Read a Mindbending Excerpt from Ann Leckie’s New Novel ‘Provenance’”.

A transaction with a mysterious entity leads to trouble in the award-winning sci-fi author’s upcoming novel.

Now Leckie is returning with a new novel called Provenance due out on September 26. Motherboard is premiering an excerpt of the first chapter here. — The editor.

(2) ANNIHLATION COMING. Deadline, in “Alex Garland’s ‘Annihilation’ Gets 2018 Release Date”, reports that Paramount has announced Annihilation, a film based on the first Southern Reach novel by Jeff VanderMeer, will be released on February 23, 2018. Alex Garland, who directed Ex Machina and received an Oscar nomination for Ex Machina’s screenplay adaptation, directed Annihilation. The movie features Natalie Portman and Oscar Isaac with Tessa Thompson, Jennifer Jason Leigh, and Gina Rodriguez.

(3) THIRTEENTH DOCTOR SUBJECTED TO INDIGNITIES. At Amazing Stories, Darren Slade explains “How the debate about the first female Time Lord has insulted fans”.

But I’ve felt like a bit of a bystander in the 13 Doctor debate, because that discussion has broken out of the fan and genre forums and been taken up by the big news media, especially in the UK.

On the liberal left, the Guardian warned us that “it will take more than a female Time Lord to change the world”, but that didn’t stop it running other opinion pieces with headlines like “A female Doctor? She’s the revolutionary feminist we need right now.”

On the right, the Daily Mail and The Sun gleefully reported the objections of those who proclaimed that political correctness had, once again, gone mad.

“Doctor under debate: Doctor Who fans in furious online debate after Jodie Whittaker confirmed as first female Doctor,” reported The Sun.

The Mail Online went on to run such edifying headlines as “Doctor Nude! First ever female Time Lord Jodie Whittaker joins her predecessors in stripping off on camera after having sex on the stairs in 2014 drama” and “Even Time Lords need to do the grocery shopping! Bare-faced Doctor Who newbie Jodie Whittaker wears ripped baggy jeans for very low-key supermarket spree.”

(4) BASE NOTE. This year’s Hugo base, designed by a Finnish artist selected by the Worldcon 75 committee, will be unveiled for the first time on August 11, the day of the Hugo ceremony, says co-Hugo Administrator Nicholas Whyte.

(5) GET READY. This Is Finland’s article “A guide to Finnish customs and manners” will aid fannish tourists in their last-minute cultural cramming:

Tipping

Tipping has never fitted very comfortably into the Finnish way of life. This may have originally been due to the traditions of a religion which emphasized frugality; today, the rather blunt reason for not tipping is that the price paid includes any unusual instances of service or politeness i.e. the view taken is that “service is included”. Tipping does nevertheless exist in Finland, and you can feel safe that while nobody will object to being tipped, very few will mind not being tipped…..

(6) PATREON. The Verge takes you “Inside Patreon, the economic engine of internet culture “.

…Patreon boasts 50,000 active creators and over a million active patrons.

Patreon is still tiny compared to Kickstarter, where 13 million backers have funded 128,000 successful campaigns, but it’s rapidly growing. Half its patrons and creators joined in the past year, and it’s set to process $150 million in 2017, compared to $100 million total over the past three years….

Patreon creators can find their close relationships with patrons not just gratifying, but productive. Rebecca Watson, an early Patreon adopter who makes videos under the moniker Skepchick, says that the site has helped her identify a core audience whose opinions she trusts. “If my patrons request something, I know that, you know, these are the people that are supporting me. They’re not just some jerk on the internet,” she says. “It clears out all the noise.”

For creators who already make money elsewhere, Patreon can also simply function like a tip jar, not a social space. Artist Arlin Ortiz, for instance, is part of the vast lower middle class of Patreon users. He gets paid about $100 for each of the vivid fantasy maps he posts online, a welcome — if small — boost to his income over the past two years. He interacts with his patrons, but they’re not necessarily steadfast fans, the way they might be for a video personality. “People just like what I’m creating,” he says. “I don’t think they want to see me on YouTube, talking at them.”

… Some people have staggeringly large Patreons, like multimedia artist Amanda Palmer, who gets $40,000 (as her page puts it) “per thing.” But because there’s no concrete end point, there may never be universally recognized “blockbuster Patreons” the way there are blockbuster Kickstarters — massive mainstream campaigns that will be remembered for years to come, either as great successes or slow-motion train wrecks.

(7) TRAIN TO NOWHERE? Trae Dorn at Nerd & Tie has discovered “Angry Goat Productions Running ‘School of Wizardry’ Train Event Under a New Company Name”.

The caution I’d give anyone choosing to purchase a ticket to this is that literally every event ever planned by this company has been cancelled. They even claimed they were going to run a Train based event back in 2016 which got cancelled (and something to do with it is why they got sued by a cast member from The Hobbit films). Events announced by this company tend not to happen.

…But people who sign up for the North American School of Wizardry don’t have to worry about whether or not refunds will come if the events get cancelled… because they definitely won’t. According to the site’s Disclaimer there will be no refunds whatsoever if the event doesn’t happen. So you’d be buying tickets for an event run by a company with a reputation for cancelling everything they’ve ever planned with zero chance of getting your money back when the inevitable happens.

(8) NEWS FROM NEW WORLDS. At Galactic Journey, Mark Yon reports from 1962 about a British prozine — “[August 3, 1962] New Worlds to Conquer (a view from Britain: September 1962 New Worlds)”.

I can see that, even with New Worlds, there have been some drastic changes in the last few months. The glorious colour covers of the last few years by artists such as Bob Clothier, Gerard Quinn, Sidney Jordan and Brian Lewis have since the June issue (that’s number 119) been replaced by covers with black & white photographs on a coloured background. Whatever reason editor John Carnell has had for the change – I’m assuming to reduce printing costs, but of course, it could be a number of things – to my mind it makes the magazine less attractive as a science fiction magazine (One rumour is that it is meant to be a radically different cover style to try and attract a wider, less specifically science-fiction readership). Colour pictures on the front cover would have made this new look so much more attractive. I do hope that this is nothing to worry about from our leading British magazine.

The magazine contents are as variable as ever, though. New Worlds has a reputation of being the publishing place of many of our British authors such as Mr’s Brian W. Aldiss, J. G. Ballard, James White, and John Brunner, names you may recognise. Some of the work of other lesser known authors can vary in terms of quality and consistency, though I must say that there’s something worth reading in each issue. As well as the fiction, the magazine occasionally covers book, film and television reviews, usually by Mr Leslie Flood.

(9) MERMAID MUSICAL PUT IN DRYDOCK. USA Today, in “ABC drops plans for ‘Little Mermaid’ musical”, says the live musical production probably will never air.

ABC has scrubbed plans for its first live musical in years, based on parent Disney’s The Little Mermaid.

The event, announced in May and scheduled to air Oct. 3, a week into the new TV season, has been quietly postponed (and most likely canceled) due to budget constraints, according to people familiar with the decision who were unauthorized to speak publicly.

But the network had already spent a considerable sum building sets, and was due to begin rehearsals soon.

Incidentally, NBC has also tabled plans for Bye, Bye Birdie, planned as a holiday musical starring Jennifer Lopez.

(10) TODAY IN HISTORY

  • August 3, 1977 — Radio Shack announces TRS-80 Computer
  • August 3, 1984 The Philadelphia Experiment premiered

(11) TODAY’S BIRTHDAY BOY

  • Born August 3, 1904 – Clifford D. Simak

(12) COMIC SECTION.

  • Chip Hitchcock found an idea he could get behind in today’s Non Sequitur.
  • And John King Tarpinian got a laugh out of Speed Bump.
  • On the other hand, I suspect you will feel a frisson of horror when you look at John’s recommendation in today’s Bliss.

(13) DIGITAL DANGERS. Fast Company spoke with Vint Cerf — “The Internet’s Future Is More Fragile Than Ever, Says One Of Its Inventors”.

My biggest concern is to equip the online netizen with tools to protect himself or herself, to detect attempts to attack or otherwise harm someone.

The term “digital literacy” is often referred to as if you can use a spreadsheet or a text editor. But I think digital literacy is closer to looking both ways before you cross the street. It’s a warning to think about what you’re seeing, what you’re hearing, what you’re doing, and thinking critically about what to accept and reject . . . Because in the absence of this kind of critical thinking, it’s easy to see how the phenomena that we’re just now labeling fake news, alternative facts [can come about]. These [problems] are showing up, and they’re reinforced in social media.

(14) FOLLOWING ARABELLA. Tadiana Jones reviews David D. Levine’s new novel for Fantasy Literature in “Arabella and the Battle of Venus: Arabella meets Napoleon Bonaparte”.

Arabella and the Battle of Venus is, like Arabella of Mars, a cleverly conceived and executed novel. Levine spins a story incorporating elements from both early science fiction and actual history, weaving in real people from the Napoleonic era. It’s not only major players like Napoleon and Admiral Lord Nelson, but also less well known historical figures like British Vice Admiral Cuthbert Collingwood, the American inventor Robert Fulton (who did spend some years in France, designing steamboat engines, submarines, and torpedoes), and the merciless police minister Joseph Fouché. Sailing ships ? with a few tweaks ? function as spaceships in this universe.

(15) SJW CREDENTIAL CONSUMER REPORT. Gizmodo’s Rae Paoletta claims “This Treat Camera Gave My Cat Trust Issues”.

… Since both of us are busy most of the day at our respective places of work, we forget to check in on each other. Thankfully, Petcube’s newest gadget, Petcube Bites, lets humans check in on their furry companions when they’re apart. It also lets us fling treats at them on command which is both heartwarming and mildly horrifying….

The Petcube shot out Artemis’ treats precariously and with abandon, like a frat boy throwing his drink at a guy who wore the same Vineyard Vines zip up as him. The whole thing was like a cannon of delicious nightmares—needless to say, my cat was horrified. Make no mistake, she still ate the treats—but after the incident, she pretty much veered away from the machine.

(16) BACKTALKING BOTS. Facebook isn’t the only source of wild chatbots: “Chinese chatbots shut down after anti-government posts”

A popular Chinese messenger app has ditched two experimental chat robots, or “chatbots”, which were apparently voicing criticism of the government.

Messenger app Tencent QQ introduced chatbots Baby Q and Little Bing, a penguin and a little girl, in March.

But they have now been removed after social media users shared controversial comments that they said were made by the bots.

Some of the remarks appear to criticise the Communist Party.

One response even referred to the party as “a corrupt and incompetent political regime”.

(17) POD FOR PEOPLE. Video of testing the first human-sized Hyperloop: “Hyperloop One: Passenger pod tested successfully”.

Hyperloop One has carried out its latest test of a futuristic high-speed transport system in the Nevada desert.

The creators hope to carry passengers at speeds of up to 650mph in vacuum propelled pods.

(18) DRONING ON. Another change SF missed: making money legitimately with drones: “Cashing in on the drone revolution”.

“Organisations that do surveying, whether of buildings or pipelines, power lines or railway lines, are increasingly using drones, which are much cheaper than helicopters,” says Mr Johnson.

“Archaeologists use them to get a bird’s eye view to decide where to dig; farmers use them to heat-map fields, and identify hot spots that are doing well, and cold spots that require more fertilisation.

“They are also used for search and rescue by the emergency services, or to deliver food, blood or medicines. Local authorities use them to monitor flooding, and they are used in emergency relief operations.”

The main benefit, he says, is that drones save time and money, and the opportunities to use them seem “almost endless”.

(19) FLEX APPEAL. The author of Strange Practice tells readers of the B&N Sci-Fi & Fantasy Blog why she chose genre in “Vampires Doing Crossword Puzzles (in Ink): Vivian Shaw on Contrasting the Magical and the Mundane”.

This is why I particularly love to write stories that contain very sharply contrasted elements, and why I write genre rather than literary fiction. In the simplest terms, most literary fiction can be described as stories about ordinary people doing ordinary things—living in the real world, with no elements of fantasy—and I prefer to read and write about ordinary people doing extraordinary things, or vice versa. I want to read about vampires in dressing-gowns doing the Times crossword in ink, sorcerers standing in line at the grocery store, demons holding strategy meetings over Skype. I want to read about bog-standard humans finding portals to another dimension inside their office closet, going on quests through the realms of the unreal, driving spaceships off the shoulder of Orion. And because I want to read it, I write it.

(20) WRONG POV. At Elitist Book Reviews Writer Dan tells why he put Kim Liggett’s horror novel The Last Harvest in the category of “Books We Don’t Like.”

This lack of understanding absolutely killed any possibility that I was going to get into the novel or the plight of the main character. More than this though, a secondary character gets introduced along the way, and it becomes fairly obvious that the story should be getting told from her perspective instead of the QB’s as the events that are occurring in the town have a direct tie (read that again… DIRECT TIE) to her past. She’s the one that understands all of the rules. She knows what’s going on. Not the QB. This was especially evident when Tate’s subconscious starts telling him where to go because when he’s thinking logically he has no idea what to do. This leads him directly where the bad guy wants him to be, funny enough. I guess the author had to get Tate to go somehow, so why not?

(21) TIME AFTER TIME. Nicola Alter delves into the “The Pros and Cons of a Macro Timescale” at Fantasy-Faction. Here’s one of the “cons”.

Complexity

The other potential pitfall of a large timescale is that it often adds complexity. The Malazan Book of the Fallen has been known to intimidate new readers with its sheer scope – one that encompasses a burgeoning cast of characters, multiple continents, and thousands of years. It has nonetheless garnered many loyal fans, no doubt because readers who invest in it are ultimately rewarded with an intricately-crafted world and story. Still, it takes a skilled authorial hand to weave a tale of that size, and attempting such an endeavor is certainly not for the faint-hearted.

(22) TEEN ANGEL. Here’s the trailer for Fallen.

Luce is just an ordinary teen girl until a shocking accident sends her to a mysterious reform school for misfit and eclectic teenagers. There, she meets two students, Daniel and Cam. Torn between the instant electrifying connection she feels with Daniel and the attracting force of Cam, Luce is quickly pulled into a passionate love triangle. As she tries to piece together deeply fragmented memories, she is left with a feeling of undeniable longing for her one true love and the revelation of a love story that has been going on for centuries, will shatter the boundaries between heaven and earth.

 

[Thanks to John King Tarpinian, Cat Eldridge, Martin Morse Wooster, JJ, Rob Thornton, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit and a side of fries goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/18/17 Fahrvergnügen 451

(0) What’s Daniel Dern’s title a reference to? Some commercials that aired before many of you were born.

(1) COLONIZE OR QUARANTINE? Pilita Clark, the Financial Times environment correspondent, complains “Elon Musk’s inter-planetary fantasy spells danger for Mars”.  (This link goes straight to a paywall, but via Google I found a way around.)

What is troubling is that he (Musk) seems to think of Mars mush as early European explorers viewed Africa and the Americas, as places to be colonised regardless of the consequences.

Mars is in a pristine state and experts say it should stay that way if we are to find proof of past or present life there.  Plonking a city of 1m humans on it would wreak havoc with such efforts, according to veteran space scientists such as Andrew Coates of University College London, whois working on the ExoMars rover due to launch in 2020.

Prof Coates says the big global dust storm on Mars could carry specks of terrestrial matter across the planet that scientists could mistake for evidence of Martian life.  He also worries about Mr Musk’s breezy attitude to the brutally cold weather on Mars, where temperatures average minus 63C.

(2) THE BREW THAT MADE KENTUCKY FAMOUS. We’ve mentioned Wil Wheaton’s beer before. Here’s this year’s edition of “Drew Curtis / Wil Wheaton / Greg Koch Stone Farking Wheaton w00tstout.

COLLABORATORS

Drew Curtis, Fark.com Creator & Patent Troll Killer

Wil Wheaton, Actor & Web Celeb

Greg Koch, CEO & Co-founder, Stone Brewing

It’s been four years since this otherworldly stout burst out of our collective proverbial chests. Four years since the primally viscous first release ooze-snaked across the galaxy. This specialty imperial stout draws its huge flavor from wheat (that’s Wil, natch), pecans and bourbon barrels (two homages to Drew’s home of Kentucky) and Greg’s lifelong quest for pushing the limits of “why the hell not?” to make bigger, bolder beers. The result is a mind-blowing amalgamation of intense yet smooth flavors, perfect for a warm summer evening, a cozy winter’s night or the approaching destruction of the entire human race (be it externally or internally inflicted).

For this year’s bottle art, we were thrilled to entrust the task to heralded comic book writer and artist Walt Simonson. He was gracious enough to work with us in exchange for our donation to The Hero Initiative, a charity organization that provides retirement funds for golden-age comic book artists.

(3) MARVEL’S LIVESTREAM FROM SDCC. Marvel Entertainment will air the action from their booth at Comic-Con starting Thursday, July 20.

Hosted by TWHIP! The Big Marvel Show’s Ryan Penagos and Lorraine Cink, and Marvel Gaming host Jessica Brohard, viewers will be able to watch booth events with their favorite Marvel comic, television and movie talent, hear panel recaps from special guests, and learn about all the fun surprises happening on the convention floor, from exclusive merchandise to special signings. Join in on the fun by visiting www.marvel.com/SDCC2017 or Marvel’s YouTube channel.

 

  • Thursday, July 20: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Friday, July 21: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Saturday, July 22: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Sunday, July 23: 11:00 a.m. PT/1:00 p.m. ET – 3:00 p.m. PT/6:00 p.m. ET

(4) FROG FURY. The New York Times covers the brawl: “Kermit the Frog Performer and Disney Spar Over an Ugly ‘Muppet’ Firing”.

“This is my life’s work,” said Mr. Whitmire, 58, who lives in the Atlanta area. “The only thing I’ve done my whole adult life, and it’s just been taken away from me. I just couldn’t understand why we couldn’t resolve this.”

Disney, which acquired the Muppets in 2004 from the Jim Henson Company, painted a wholly different picture, portraying Mr. Whitmire as hostile to co-workers and overly difficult in contract negotiations. Members of the Henson family said they supported the dismissal as well.

… Henson’s family, which still runs the Jim Henson Company, chose Mr. Whitmire to replace Henson as Kermit in 1990 after Henson unexpectedly died of pneumonia at the age of 53. Some of those same family members say they supported the decision to replace Mr. Whitmire, though they are no longer involved with the Muppets.

“He played brinkmanship very aggressively in contract negotiations,” Lisa Henson, president of the Jim Henson Company, and Jim Henson’s daughter, said in a telephone interview.

Ms. Henson said Mr. Whitmire was adamantly opposed to having an understudy for his role, which presented problems when it came to what she called “B-level performances, such as a ribbon-cutting.” She said he was unwilling to appear on some of these occasions but also refused to develop an understudy and that he “blackballed young performers” by refusing to appear on the show with them.

Brian Henson, the company’s chairman and Jim Henson’s son, said that while Mr. Whitmire’s Kermit was “sometimes excellent, and always pretty good,” things changed when he was off set.

“He’d send emails and letters attacking everyone, attacking the writing and attacking the director,” he said.

Whitmire, meanwhile, has continued to characterize himself as indispensable in posts at Muppet Pundit, such as — “The Muppet Performers are not Interchangeable”.

The point is that there is so much vital and significant knowledge that was gained by the dwindling few of us who consistently stood next to Jim. From his characters to his methods and philosophies, it’s stuff you can never fully intuit from watching the Muppets. I know that to be true because I, too, was a completely obsessive Muppet fan with preconceived notions of my own that had to be unlearned when Jim hired me in 1978.

I approach The Muppets as a lineage tradition. For the inside knowledge-base steeped in its origins to survive and be passed down, there has to be a line of transmission, or you had to be there. For the Post-Jim performers to really understand enough about the Muppets to carry on the lineage they need to continue to be around the core performers Jim mentored as long as any of those people are willing and able to share.

None of this is a value judgement of any individual, it is a pointing out of the value of historical perspective so long as that perspective is used progressively. Having had the opportunity to spend the last 27 years cultivating knowledge of Jim along with feeling his presence through Kermit, I find myself at a place where evolving Jim’s vision has begun coming from a deep empathetic connection to him.

So, I see my most important task as providing a taste of the atmosphere created by Jim Henson to those Post-Jim core performers who will never otherwise come by it. My hope was to install it directly into their hearts and minds so that they could, in turn, be inspired to do the same for the next generation of performers instead of the characters becoming stale copies of their former selves. But, as I look around at what is presently transpiring it’s clear to me that the job is far from done.

(5) NO SH*T! Eliot Peper of Harvard Business Review tells “Why Business Leaders Need to Read More Science Fiction”.

At the end of the 19th century, New York City stank. One hundred fifty thousand horses ferried people and goods through the streets of Manhattan, producing 45,000 tons — tons! — of manure a month. It piled up on streets and in vacant lots, and in 1898 urban planners convened from around the world to brainstorm solutions to the impending crisis. They failed to come up with any, unable to imagine horseless transportation.

Fourteen years later, cars outnumbered horses in New York, and visions of manure dystopia were forgotten.

If 19th-century urban planners had had access to big data, machine learning techniques, and modern management theory, these tools would not have helped them. They simply would have confirmed their existing concerns. Extrapolating from past trends is useful but limiting in a world of accelerating technological change.

Science fiction can help. Maybe you associate it with spaceships and aliens, but science fiction offers more than escapism. By presenting plausible alternative realities, science fiction stories empower us to confront not just what we think but also how we think and why we think it. They reveal how fragile the status quo is, and how malleable the future can be…..

Science fiction isn’t useful because it’s predictive. It’s useful because it reframes our perspective on the world. Like international travel or meditation, it creates space for us to question our assumptions. Assumptions locked top 19th-century minds into believing that cities were doomed to drown in horse manure. Assumptions toppled Kodak despite the fact that its engineers built the first digital camera in 1975. Assumptions are a luxury true leaders can’t afford.

(6) FOR SOME VALUES OF OVERDUE. John Ostrander reminisces about a career spent pushing deadlines in “The Digital Dog Ate My Homework. Honest.”

In my earliest days as a pro writer, I did everything on typewriter (first manual and then electric; rumors that I chiseled them on stone tablets are just mean). I didn’t have a computer until later and, even when I did, some companies (including DC) were not equipped to receive them electronically. So that meant printing them up on my dot-matrix printer and then rushing them off to FedEx for overnight delivery.

Unless you called in your package by a certain time, usually much earlier than you had the work done, you had to take the package to the nearest FedEx office. If you didn’t hit the office by closing time (usually around 6 PM), you had to make the Midnight Run to the main FedEx office out by the largest airport around. More than once, Kim was the driver while I finished collating the pages, stuffing them in the envelope, and addressing the delivery slip. Let me tell you, Speed Racer had nothing on Kim. She’d run stoplights and take stop signs as suggestions to be ignored. Often, we’d meet other local freelancers also making the death defying Midnight Run. It almost got to be a club.

(7) TODAY IN HISTORY

  • July 18, 1986 Aliens burst into theaters.
  • July 18, 2001 Jurassic Park III opened.
  • July 18, 2008 The Dark Knight, the fifth film in the big-screen Batman series, opens in theaters around the United States.

(8) EVERY BREATH YOU TAKE. At Fantasy Literature, Bill Capossere and Tadiana Jones each review Caesar’s Last Breath: Decoding the Secrets of the Air Around Us by Sam Kean. Capossere begins:

Informative, witty, vivid, often compelling, sometimes juvenile, knowledgeable, clear, and written throughout with verve and panache via what feels like a wholly singular voice, Sam Kean’s Caesar’s Last Breath: Decoding the Secrets of the Air Around Us (2017) is what every non-fiction book should aspire to. It’s been a while since I’ve so enjoyed a work of non-fiction so thoroughly and consistently.

Kean divides his exploration of air into three large sections, the first dealing with the origin of our current atmosphere, one of many our planet (if not humanity) has seen….

Jones is just as enthusiastic:

Kean has a vivid and engaging style of writing, with a wry sense of humor, which elevates Caesar’s Last Breath far above most pop science books. Gas molecules are described as feral, oxygen as a madman, our moon as an albatross (as compared to the gnats that circle most other mooned planets), and gravity as “that eternal meddler” that won’t abide two planets in the same neighborhood. I learned about the Big Thwack (when a hypothetical planet called Theia smashed into our earth, vaporizing itself and eventually reforming into our moon), the Oxygen Catastrophe of 2,000,000,000 BC, and the mushroom cloud-shaped cakes baked during the heady days of the late 1940s when nuclear blasts didn’t really seem all that dangerous.

(9) INSIDE BASEBALL. Jennifer Brozek shared “10 Things I Learned While I Was A Director-At-Large for SFWA” at the SFWA Blog.

6: Authors, even your favorite author, are only human.

Everyone has either heard the story, or experienced it themselves: “I used to love reading AuthorX, but then I met them and discovered they are terrible. I can’t read their work anymore.” Sometimes it is hard to discover your idols are human with human wants, needs, foibles, opinions, habits, and flaws. When you work on SFWA’s Board of Directors, you usually see all the behind-the-scenes stuff.

Sometimes, you work with an author/editor on a SFWA project and it doesn’t go as smoothly as you like. Sometimes, it appears as if an author once admired has nothing but scorn for the work you are doing and no desire to help out—just kvetch and complain. Sometimes, authors come to the Board at their worst—financial or medical difficulties, personal conflicts that threaten to spiral out of control, issues with editors, agents, or publishers. They don’t have their “public face” on. They are human. They make mistakes. They can be hurt. They put their pants on one leg at a time.

This is one of those learning lessons that really surprised me. I’m not sure why. I just know it did.

(10) STARFINDER’S APPENDIX N. Paizo is producing a new science fantasy RPG named Starfinder, and they’ve released an image of the “Inspirational Media” pages from the game.  It’s a wide list of old and new SF, not just books but also comics, movies, and games.

In the comment thread one of the developers remarks, “That said, I am excited to see fans talking about the things that moved them that we didn’t include. Those suggestions, and the conversations they start, are to me the greatest legacy of all these inspirational media appendices.”

Few appendices have made as big a splash in gaming history as Gary Gygax’s Appendix N. (I thought Cosmo’s appendix bursting at Gen Con that one year might have it beat, but he reminded me that was technically a gallbladder removal, so it’s OUT OF THE RUNNING!) That formative list of novels hit in 1979, in the AD&D Dungeon Master’s Guide. In it, Gygax laid out some of the works that had made the largest impact on him in the creation of Dungeons & Dragons, from Leigh Brackett and Robert E. Howard to Jack Vance and Andre Norton. In doing so, he created a reading list for an entire generation of gamers and fantasy fans, and had a tremendous impact on the genre as a whole.

When we created the Pathfinder RPG Core Rulebook in 2009, we gleefully took the opportunity to publish our own version of Appendix N, keen to introduce fans to our new favorites like Clive Barker and China Miéville, along with grand masters like C. L. Moore. Yet it was ultimately still a fairly small list—just a single column of text—and cribbed heavily from Gygax, focusing solely on novels.

When I first sat down to paginate the Starfinder Core Rulebook, I knew that space was going to be at a premium. I had, by some estimates, 800+ pages of content to cram into something even smaller than Pathfinder’s 576 pages. Yet I also knew that just one page of inspirational media wasn’t going to be enough. In order to make a game like Starfinder, we had to stand on the shoulders of innumerable giants, both childhood heroes and our friends and peers. We couldn’t in good faith restrict ourselves to just literature, either. How could you have Starfinder without Star Wars and Alien? Without Shadowrun and Warhammer 40,000? Without Starcraft and Mass Effect? It just wouldn’t be the same.

(11) BIG EARS. BBC News video: “Telescopes to reach nine billion light years away”.

South Africa has started to set up radio telescopes far more powerful than any current ones in use around the world, in its pioneering search for extra terrestrial activity.

(12) WATER HAZARD. In Washington, D.C. a security robot drowns in a fountain mishap. “We were promised flying cars, instead we got suicidal robots.”

A security robot in Washington DC suffered a watery demise after falling into a fountain by an office building.

The stricken robot, made by Knightscope, was spotted by passers-by whose photos of the aftermath quickly went viral on social media.

(13) RETURN TO TONE. Ian Leslie’s post “Unfight Club” on Medium contends there is a way to have discussions on Twitter without devolving into flame wars, virtue signalling, etc. etc.  If only.

  1. Beware the moral surge. The moral surge is the rush of pleasure you get?—?the dopamine hit?—?when you assert your moral integrity in public. A certain kind of columnist lives for it; much of social media is driven by it. Virtue signalling is its outer manifestation, but I’m talking about an inner mechanism. We’re all subject to it, and that’s not a bad thing in itself?—?it makes sense that we should feel good for ‘doing the right thing’ in the eyes of our group. But when you ingest too much of this drug, or get dependent on it, you end up giving your own bad behaviour a pass. When you’re addicted to the moral surge, personal abuse begins to seem like nothing when measured against high principles. ‘Anything I say to or about that person, however nasty or dehumanising, is justified, because they voted for austerity, which murders people,’ (the more apocalyptic your public language, the purer the hit). Letting your tribe see you condemn others feels good?—?so good that it degrades your own moral machinery. Viciousness becomes a virtue. Don’t let this happen to you: recognise your susceptibility to the moral surge, and be wary of it.

(14) THE EARLY 21ST CENTURY. Martin Wisse calls The New Weird “The last whites only literary movement in science fiction”.

As said, diversity when looked at from that white, middle class male perspective tends to focus on who’s being written about more than on who’s doing the writing. Not that this isn’t important in its own right, but it will still reflect the same limited perspective and no matter how well intentioned, often reducing anybody who isn’t (white, male, middle class) to the exotic. Diversity from this perspective is always from the outside looking in, making it easy to fall into stereotypes, cultural appropriation, orientalism and othering. You get things like making mutants as a metaphor for the Civil Rights struggle and thinking that’s enough, or writing alternate history in which America is conveniently empty when the Europeans land. This sort of diversity is only possible if your audience and peers are the same as you, or you can at least pretend they are.

The New Weird happened at arguably the last time that you could still hold up this pretence without immediadely being contradicted by the very same people you’re denying the existence of. Twitter, Youtube and Facebook didn’t exist yet, blogging was in its infancy and existing fannish and science fiction online spaces were still dominated by, well, white middle class men. What made Racefail not just possible but inevitable was that between the New Weird and Racefail the internet became not just mainstream but ubiquitous as both access and ease of access increased; it’s no coincidence that much of Racefail took place on Livejournal, one of the earliest social media sites and one that had long been home to sf fandom. Tools or sites like Twitter or Tumblr have only made it easier for everybody to let their voice be heard, harder to ignore people when they address you directly. It has its advantages and disadvantages, but the upshot is that science fiction can no longer pretend to be just white, middle class or male.

(15) LICENSE REVOKED. John C. Wright says “Dr. Who Is Not”.

The replacement of male with female is meant to erase femininity. In point of fact, and no matter what anyone thinks or wishes, readers and viewers have a different emotional relationship to female characters as male. This does not mean, obviously, that females cannot be protagonists or cannot be leaders. It means mothers cannot be fathers and queens cannot be kings.

It means if you want a female Norse warrior goddess, go get Lady Sif or Valkyrie, and leave Thor alone. It means if you want female Time Lady from Gallifrey, go make a spin off show starring Romana or Susan or The Rani, and leave The Doctor alone.

I have been a fan of Dr Who since age seven, when Tom Baker was the Doctor. I have tolerated years of public service announcements in favor of sexual deviance that pepper the show. But this is too much to tolerate.

The BBC has finally done what The Master, the Daleks and the Cybermen have failed to do. They killed off the Doctor.

Dr. Who is dead to me.

(16) ON HIS GAME. So can John shout BINGO! yet?

(17) PRO TIPS. Now I’m wondering what anyone would be asking David about File 770 at his site. Maybe, “Why doesn’t Mike pay for material”?

(18) TWEETS OF FAME. To satisfy your appetite for something that has nothing whatever to do with science fiction, we present this link to Bored Panda’s “The 10+ Most Hilarious Parenting Tweets Of The Year So Far”. Here’s #2 on their list —

(19) VIDEO OF THE DAY. “A Single Life” is an animated short nominated for an Oscar in 2014 by Job, Joris, and Marieke which asks what happened if you had a 45 RPM record that enabled you to travel through time?

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Francis Hamit, Chip Hitchcock, and Nancy Sauer for some of these stories. Title credit goes to  File 770 contributing editor of the day Daniel Dern.]