Another String on Walt’s Harp

Irish fan Walt Willis was a beloved writer and a prolific one. Rounding up all his work and publishing it in collections has taken years. Now David Langford has finished the job with the latest addition to TAFF’s library of free downloads. Perhaps.  

Langford says The Harp Remembered is “A perhaps final ebook volume of Walt Willis’s fanwriting, including everything from the monumental Willis compilation Warhoon #28 that’s not already available in TAFF ebooks, plus much further material – some of it never before collected.”

The 181,000-word book is available in multiple electronic formats from the Trans-Atlantic Fan Fund’s website, where they also hope you’ll make a little donation to the fund. Find it here.

From Warhoon there are extracts from Walt’s first fanzine Slant (here with several extras), the long autobiographical sequence of fannish reminiscences “I Remember Me”, several standalone articles, and the “Epilogue” chronicling Walt’s increasing distraction from fandom by his work as a senior civil servant in Northern Ireland during a resurgence of the Troubles. But he was to return….

In addition, The Harp Remembered contains the legendary Irish Fandom Christmas Cards (each in fact a mini-fanzine) and a mass of previously uncollected articles and compilations of fanzine columns other than the famous “The Harp That Once or Twice” (separately collected in its own TAFF ebook): “The Outpost”, “Plinth”, “The Perforated Finger”, “The Prying Fan” (as revived for Pulp) and “The Warier Bard”. The main text ends with a tasty selection of shorter items and extracts, from one-liners to one-pagers. Also included as an Appendix are appreciations by Ken Bulmer and Vince Clarke, and a corrected and expanded version of the Willis bibliography from Warhoon #28.

Cover artwork by Atom (Arthur Thomson) for Cry of the Nameless #171, December 1963, edited by F.M. Busby, Elinor Busby and Wally Weber.

[Based on a press release.]

Pixel Scroll 9/29/23 Only You Can Prevent Pixel Scrolls

(1) WHEN GRAVITY DOESN’T FAIL. “NASA Wants Ideas for How to Destroy the International Space Station”. Really. SYFY Wire explains why.

…At present, Roscosmos has committed to continued use and maintenance of the station through 2028 while the other four agencies will remain through 2030. After that, unless there’s another extension, everyone will come home, and the station’s life will end. Of course, we can’t just leave the largest spacecraft we’ve ever built unattended and uncontrolled. Instead, all five agencies share responsibility for bringing the ISS down in a controlled and safe way. No easy task.

Previous plans relied on Russian Progress vehicles to reduce the station’s orbit and push it into the atmosphere. Now, NASA is looking for a bespoke craft to do the job more efficiently. To that end, NASA has released their final Request for Proposals (RFP) for a novel deorbit vehicle to aid in the destruction of the International Space Station.

Interested parties must submit proposals by November 17. A virtual pre-proposal conference is planned for October 3 at 12:00 p.m. Central.

If you’ve ever wanted to destroy an orbiting science laboratory, this is probably your best chance. Who knows when we’ll have another station that needs vaporizing.

(2) WOLE TALABI INTERVIEW. “A Conversation With Wole Talabi” at the Hugo Book Club Blog.

… Talabi’s novelette A Dream of Electric Mothers was published in Africa Risen (edited by Sheree Renée Thomas, Oghenechovwe Donald Ekpeki, and Zelda Knight), which was one of the first anthologies published by a North American publisher focusing on science fiction and fantasy from African authors. He says the public response to the novelette — which explores identity, memory, and culture through artificial intelligence in an alternate history setting — has been gratifying.

“Some people have messaged me to ask if it’s a far-future science fiction story, and I enjoy telling them that it isn’t. It’s an alternate history story,” Talabi says. “I don’t make that obvious because the story uses the traditional Yoruba calendar, not the Gregorian calendar. It actually takes place in an alternate 2021 in a timeline where essentially European colonization of Africa never happened and they formed an intellectual partnership instead … that’s why it seems like a far-future story. Because we’ve made more progress by not fighting.”,,,

(3) WARNING. Ansible® 435, the October issue released today, warns fans:

Ripoff Alert. The US dealer Fifth Generation Books is selling Rob Hansen’s TAFF-benefit paperback Bixelstrasse: The SF Fan Community of 1940s Los Angeles on the Walmart website for $43.50 (allegedly discounted from the wholly made-up figure of $50.50), presumably filling orders by buying copies at $22.50 from the official Ansible Editions/Lulu sales page (linked from ae.ansible.uk/?t=bixel). They reproduce the AE blurb in full, including the assurance IN CAPITAL LETTERS that all proceeds will go to TAFF, but somehow one has one’s doubts. [RH]

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Some Worldcon guests/speakers announced https://mp.weixin.qq.com/s/trpOJYSgoWertsvyoPE5JQ

Yesterday (28th) a couple of panels were announced, I think by a children’s book publisher.  Most of the names weren’t known to me, but ones that were are academic and author Wu Yan, and Hugo Best Novelette winner Hao Jingfang.

Ground level views of the con venue http://xhslink.com/kK7e1u

A few photos seemingly taken by a member of the public in the area around the venue were posted to the Xiaohongshu social network earlier today.  I think these give a better idea of what it looks like in-person, compared to a lot of the images that have appeared before now.

Reminder that you need to press Submit on your Hugo votes https://mastodon.social/@[email protected]/111149676161220869

This was something I didn’t realize when I did my votes yesterday, and looking at the reposts, I suspect I’m not the only one.

Translated video about Chengdu publisher 8 Light Minutes Culture https://www.bilibili.com/video/BV1aT411n7NS/

This 6:45 video from the Chengdu_Plus channel on the Bilibili video site dates from April, and doesn’t directly reference the con or Hugo Awards.  However, Best Editor (Short Form) finalist Yang Feng is interviewed, along with a bit about her Best Related Work finalist.  The issue of Galaxy’s Edge magazine that features Best Novelette finalist The Space-Time Painter is also shown. Usefully, it has English subtitles and narration.

Note: Sergei Lukyanenko and his work are discussed at the 4 minute mark.

(5) SPACE COWBOY BOOKS CO-HOSTS BANNED BOOKS EVENT. A “Banned Books Reading with Desert Split Open”, co-hosted by Space Cowboy Books of Joshua Tree, CA is an in-person event that will take place October 1 from 5-7 p.m. Pacific.

The Desert Split Open and Space Cowboy Books will again celebrate Banned Books Week. Let’s meet at the Sun Alley stage, behind the bookstore (61871 29 Palms Hwy, Joshua Tree, CA). We will read from books that have been challenged or banned. What some attempt to silence, we will amplify. All are welcome at this free community event.

The sudden increase in book challenges motivated us to hold last year’s Banned Books Week event. This year, the situation is worse:

“The ALA’s Office for Intellectual Freedom documented 1,269 demands to censor library books and resources in 2022, the highest number of attempted book bans since ALA began compiling data more than 20 years ago. … Censors targeted a record 2,571 unique titles in 2022, a 38% increase from 2021. Of those titles, the vast majority were written by or about members of the LGBTQIA+ community or by and about Black people, Indigenous people, and people of color.” (ala.org)

This is not just an issue for “Red” states – in fact, in 2022, California saw 32 attempts to restrict access to 87 different titles. The most challenged title in CA was a tie between Gender Queer: A Memoir and Beyond Magenta.

Now, more than ever, we must speak up – not just against censorship but in favor of diverse voices and stories.

Here’s a list of the most challenged books of 2022

Register for free here.

(6) DON’T TAKE THE MASK OFF THE OLD LONG RANGER. “Oscar Meyer again renames its mobile back to Wienermobile” reports Yahoo! [The typo above is intentional.]

Slotted in between items on a recent Associated Press news round-up that mentioned the impeachment inquiry into President Biden and the looming government shutdown was the report that the Oscar Meyer brand was again changing the name of its famous…vehicle.

The Wienermobile was renamed the Frankmobile only four months ago. But the meat-maker, apparently caving to pressure from the Hotdoggers—those who drive the thing and were upset by the change—has reverted the name back to Wienermobile.

Roll out the bun puns. Like, “I guess Frankmobile didn’t cut the mustard.”

…Today, Oscar Mayer maintains six of the 23-foot-long motorized sausages across the US. The custom-made fiberglass dog sits atop a lightly toasted fiberglass bun on a converted Chevrolet chassis with a 300-horsepower Vortec V8. It was designed by the General Body Company of Chicago….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 29, 1934 Stuart M. Kaminsky. Though best remembered as a very prolific mystery writer for which I single out the Toby Peters series about a private detective in 1940s Hollywood and the Inspector Porfiry Petrovich Rostnikov series about a Moscow police inspector, he does have genre works. He did two Kolchak the Night Stalker graphic novels, plus wrote the scripts for two Batman stories, “The Batman Memos” and “The Man Who Laughs”. As an editor, he’s responsible for the On a Raven’s Wing: New Tales in Honor of Edgar Allan Poe anthology. (Died 2009.)
  • Born September 29, 1947 Scott Baker, 76. His first novel, l’Idiot-roi (Symbiote’s Crown), won the French Prix Apollo Award. In addition, he won the World Fantasy Award for his “Still Life with Scorpion” short story. All three of his short story collections and his one anthology are French only, though all of his novels are in English.
  • Born September 29, 1952 Lou Stathis. During the last four years of his life, he was an editor for Vertigo. He had a fascinating work history including collaborating with cartoonist Matt Howarth by co-writing the first few issues of Those Annoying Post Bros. (Kindle has them available.) He was also a columnist and editor for Heavy Metal and a columnist for Ted White’s Fantastic magazine during the late Seventies through early Eighties. His fanwriting included the “Urban Blitz” column for OGH’s Scientifriction (the first installment appearing in 1977, Issue 9, page 29). (Died 1997.)
  • Born September 29, 1954 Shariann Lewitt, 69. First, let me commend her for writing one of the better Trek novels in Cybersong set in the Voyager verse. Bravo, Shariann! Most of her fiction, be it Memento Mori or Rebel Sutra is definitely downbeat and usually dystopian in nature. Well written but not light reading by any means.
  • Born September 29, 1961 Nicholas Briggs, 62. A Whovian among Whovians who started out writing Who fanfic. First off he’s the voice of the Daleks and the Cybermen in the new series of shows. Well not just them as he also voices the Judoon, the Ice Warriors, the Nestene Consciousness, the Jagrafess and the Zygons.  Second he’s the Executive Producer of Big Finish Productions, the audio drama company that has produced more Doctor WhoTorchwood and other related works that you’d think possible. Third he did act twice in the Whoverse. Once on Torchwood as Rick Yates on “Children of Earth: Day Four” and The Sarah Jane Adventures as Captain Tybo in “Prisoner of the Judoon” episode. Fourth he’s appeared as himself in The Five(ish) Doctors Reboot
  • Born September 29, 1968 Stephen Deas, 55. British writer. He is most known for his fantasy franchise, the Memory of Flames which is set in a fantasy world inhabited by dragons. Yes, more dragons! Though dragon free free, I highly recommended his Thief-Taker’s Apprentice series as well. Good fantasy doesn’t always need dragons, does it?

(8) BEHIND THE SCENES. “Doctor Who Is Restoring Tradition Canceled 12 Years Ago with David Tennant’s 60th Anniversary Episodes”.

…The excitement doesn’t just stop at the return of Tennant. A cherished post-show tradition is making a grand comeback after a long hiatus of 12 years. As whispers and wonders swirl around, an official post from BBC Three’s Instagram has put all speculation to rest. Yes, the behind-the-scenes specials are back! Giving fans an intimate look into the creation and the intricate details, the series, aptly named Doctor Who: Unleashed, is all set to satiate the curiosity of aficionados and novices alike….

(9) BOOK REVIEW. From the New York Times: Empire Of The Sum: The Rise and Reign of the Pocket Calculator, by Keith Houston”. Daniel Dern notes, “I don’t necessarily feel the need/urge to read the book, but I love the title (which called to mind JG Ballard’s book Empire of the Sun, and while that book is not itself sf, Ballard of course wrote lots of sf, in case one wants a modicum of sfnality for items beyond simple, ‘an amusing pun.’).”

(10) PRODIGAL INSIGHTS. “Star Trek: Prodigy Featurette Clip Shows How Stories Go From Script to Screen (Exclusive)” at Comicbook.com.

Star Trek: Prodigy‘s final Season 1 comes to Blu-ray and DVD tomorrow, and ComicBook.com has an exclusive look at one of the home media set’s bonus features. Star Trek: Prodigy: Season 1 – Episodes 11-20 is available to pre-order now on Blu-ray and DVD from Amazon and features more than 45 minutes of features diving into Star Trek: Prodigy‘s creation and place within the Star Trek franchise. The “Creating New Wolrds” clip sees series creators Kevin Hageman and Dan Hageman discussing how consistently impressed they are with the Star Trek: Prodigy art team’s ability to go beyond their expectations, with director Ben Hibon chiming in toward the end. You can watch the clip above….

(11) A LOT OF DOLLAR SIGNS. “Mars Sample Return got a new price tag. It’s big” reports the journal Science. “Independent review finds mission could cost as much as $11 billion and pushes NASA to delay or rethink program”.

NASA’s audacious Mars Sample Return (MSR) mission has serious technical flaws and “unrealistic” assumptions about its budget and timetable, an independent review found in a report released yesterday. Originally estimated to cost some $4 billion, the reviewers found that NASA’s share of the mission could end up costing between $8 billion to $11 billion, and that launch could happen no sooner than 2030, 2 years later than now planned.

joint project between NASA and the European Space Agency (ESA), MSR would gather rocks collected by the Perseverance rover, which has been drilling samples since it landed on Mars in 2020. MSR would then rocket the samples off the planet and ferry them to Earth, where scientists would study them for signs of past life and planetary evolution. The top priority of planetary science for several decades, it remains a worthy goal and one still worth pursuing, especially in light of similar sample return plans for Mars planned by China for later this decade, according to the review report, which was commissioned by NASA.

(12) MEASURING DELAYS CAUSED BY STRIKES. After 5 months, the writers’ strike has come to an end. On that note, JustWatch summarized how it influenced the number of delays of movies and TV shows of original productions of various streaming services.

Global streaming giant: Netflix is the most affected by the writer’s strike with 3x more production delays than Apple TV+. Other major US streaming services: Max, Prime Video and Disney+ all suffer, collectively taking up 27% of the total content disruption for streaming platforms in the country.

(13) VIDEO OF THE DAY. The Wrap explains the “Argylle Trailer: Henry Cavill and Dua Lipa Are Spies in Meta Comedy”.

The first trailer for “Kingsman” and “X-Men: First Class” filmmaker Matthew Vaughn new spy film “Argylle” has arrived, and it’s hardly what anyone expected. The trailer begins as a standard spy thriller with Henry Cavill and Dua Lipa getting into some sexy spy shenanigans, but then the story pulls back to reveal they’re characters in a book written by a spy novel author played by Bryce Dallas Howard.

The problem? What she thinks is fiction is actually happening, and now real-life spies are after her for outing their dealings…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dan Bloch, Bill, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Meet the Women of Fifties UK Fandom in Rob Hansen’s “Generation Femizine”

Rob Hansen surveys the early presence of women in UK science fiction fandom, identifies the UK’s first known female fan, and shows the lead-up to the fanzine Femizine (1954-1960) – the first true rallying point for female British fans — in Generation Femizine, the latest addition to TAFF’s library of free downloads. 

The 67,000-word book, compiled from the participants’ own words, is available in multiple electronic formats from the Trans-Atlantic Fan Fund’s website, where they also hope you’ll make a little donation to the fund. Find it here.

In this compilation, each major contributor is represented by a mini-biography and a photograph, followed by a selection of her writings in Femizine and/or contemporary fan publications. Rob Hansen supplies necessary context and commentary, tells how it all ended, and adds appendices dealing with the male response (reviews in professional sf magazines), the Great Hoax, the full bibliographical details, and an international listing of “Female Fannish Firsts”.

From Rob Hansen’s Foreword

Femizine (not to be confused with the later similarly-titled US zine Femzine) was launched at SUPERMANCON, the 1954 Eastercon, held that year in Manchester. The idea of an all-female fanzine had been bubbling up for a while and several letters had passed between Frances Evans, Joan Carr, and Ethel Lindsay shortly before the convention in which they decided it was time. Carr volunteered to edit the zine and a flyer was produced in time for the con, with the first issue appearing soon afterwards. As can be seen from the cover photo (taken at the event by Eric Bentcliffe) there was a certain amount of excitement among female fans at this finally happening.

As is now widely known, “Joan Carr” did not exist (see Appendix 2). She was created as a hoax to be played primarily on the Nor’west Science Fantasy Club (NSFC), who then met regularly in Manchester….

A printed paperback edition is also available, released simultaneously with the ebook: click here for more. All proceeds from paperback sales go to TAFF.

[Based on a press release.]

Let Rob Hansen Be Your Guide to the 1965 Worldcon in London

You can learn all about the con and the kerfuffles in Rob Hansen’s 1965: The Second UK Worldconthe latest addition to TAFF’s library of free downloads. 

The 61,500-word book, compiled from contemporaneous participants’ own words, is available in multiple electronic formats from the Trans-Atlantic Fan Fund’s website, where they also hope you’ll make a little donation to the fund. Find it here.

Rob Hansen has compiled this history of the 1965 London Worldcon from contemporary fanzine and magazine accounts, so that once again the complex story emerges from the participants’ own words, together with Rob’s explanatory notes and commentary.

Coverage includes the fan politics and intrigue which didn’t stop with the winning of the 1965 bid for London and featured some dirty tricks; excerpts from convention publications and fanzine reports of major speeches and panels; a banquet menu including “crottled greeps”; and what would have been an epic verbal battle between John W. Campbell and Michael Moorcock if the latter hadn’t been so hungover that John Brunner had to do most of the talking.

From Rob Hansen’s Foreword

LONCON II was organised by SFCoL, the Science Fiction Club of London, the last UK Worldcon to be run by such a small group of fans. But who exactly were the members of SFCoL, what was the group all about, and why were they also known as the Scottish Fan Club of London? You’ll find answers to these and other questions in this volume, as well as discovering what Operation Andy Capp was, why there was so much drama around the drama award, which noted writer demanded whisky from inside a Dalek, and why the Rolling Stones didn’t perform at the convention.

The formidable Ella Parker was the convention chairman (yes, that was her title) and only the fourth woman to chair or co-chair one of the twenty-three Worldcons to date; the first was Julian May in 1952.

Ansible Editions David Langford is conducting an experiment this time around, at Rob’s suggestion. They are releasing the free ebook (donations to TAFF encouraged) and the trade paperback (all proceeds to TAFF) simultaneously.

The various paperbacks issued on behalf of TAFF have so far raised over £550 for the fund.

Langford also draws our attention to this special point of File 770 interest: “What Rob calls the Hugo Hullabaloo resulting from the initial decision not to give a Hugo for dramatic presentation, which duly outraged Harlan Ellison. Who at one stage issued a Statement (quoted by Rob) with many numbered points including two 5) and two 11). Yes, years before Vox Day was born, Harlan invented the tradition of the First and Second Fifth….”

TAFF Collects Ted White’s Amazing and Fantastic Editorials in Two Volumes

The latest Trans-Atlantic Fan Fund benefit books are two trade paperbacks with Ted White’s editorials and book reviews from Amazing and Fantastic from his time at the helm of both magazines.

These are physical books, not ebooks, and are offered at a fixed price, not as free downloads.

Ted White became active in SF fandom in the Fifties, won the Best Fan Writer Hugo in 1968, and was a guest of honor at the 1985 Worldcon, Aussiecon II. He has written over a dozen sf novels as well as many short stories, and edited a number of U.S magazines, including Amazing Stories and Fantastic from 1969 to 1979.

Ansible Editions is proud to present Ted’s collected editorials and book reviews from his years with both these magazines.

From the Foreword to The Fantastic Editorials by Ted White

I had dreamed, since my early adolescence, of editing my own professional sf magazine (or “prozine”), and my inspiration – at least for my editorial presence in one – was Ray Palmer, during his early Other Worlds editorship, in the early ’50s. What I liked about Palmer was his willingness to talk directly to his readers and to share with them his ideas and aspirations. He put himself into his magazine, not only in his editorials but also in his sometimes long responses to letters in the letter column. I appreciated that. It sucked me in and made me identify with Other Worlds. So I wanted to do that with Fantastic.

From the Introduction to The Amazing Editorials by Mike Ashley

A magazine isn’t the same as a book, leastways, a very good magazine isn’t. The big difference between a good book and a good magazine is that the magazine has a personality. That personality may in part be a product of the contributors but its chiefly created by the editor – and of an editor who loves what they’re doing.

That’s what made Ted White such a good editor. He was at heart a fan – he’d won a Hugo Award as Best Fan Writer in 1968 – and a die-hard fan knows what other fans want, even if at times he has to tell them what they want. Ted was known for his fan columns both before and after his editorship of Amazing Stories and Fantastic and he never fought shy of an argument if he felt he had a valid point. He was no stranger to controversy and he could not avoid being controversial in his role as editor for publisher Sol Cohen, as some of these editorials reveal.

GET THE INSIDE STORY. The above photograph of Ted White is taken from the back cover of his friend Philip K. Dick’s The Man in the High Castle (1965 Penguin UK paperback) – Dick had deliberately sent this picture as a joke. The full story is told in The Amazing Editorials.

ORDER TODAY! In US dollars, The Amazing Editorials paperback is $16.50. The Fantastic Editorials paperback is $16.00 Each is a print on demand book from Lulu.

[Based on a press release.]

Pixel Scroll 3/6/23 Schoolhouse Roc

(1) MORE CLASSIC WALT WILLIS. In time for Corflu Craic, David Langford has added The Harp Stateside by Walt Willis to the roster of free downloads at the Unofficial Trans-Atlantic Fan Fund site. If you enjoy it, a donation to TAFF is a fine way to express your appreciation. Available in several electronic formats.

This is Walt Willis’s classic account of his fandom-funded trip to Chicon II, the 1952 World SF Convention, his adventures there, and his subsequent travels in the USA. A shorter version – the first-published segment, taking Walt from home in Northern Ireland to the end of Chicon II – was published here in 2017 as The Harp at Chicon. Walt revised and substantially expanded this version, adding preliminary material, making internal changes and following up with many further chapters about his US travels after Chicon II: the result was The Harp Stateside, published in 1957. (The early version remains available as a TAFF ebook for anyone who might want to compare the texts.) The Harp Stateside is now available online at Fanac.org as part of the huge Willis collection Warhoon #28 and has been formatted for this edition by David Langford. A fragment of text missing from Warhoon has been restored, along with some 1952-1953 extras not included in past collected editions – among them a full transcript of our man’s (happily preserved) speech in a Chicon II debate on the value of fandom.

First published as an Ansible Editions ebook for the TAFF site in March 2023. Cover artwork by Atom (Arthur Thomson) for the 1957 edition. Over 55,000 words.

(2) THIS JOB IS NOT THAT EASY. Charlie Jane Anders tells readers “Writing Comic Books is HARD. Here’s Why” in her latest Happy Dancing newsletter. It includes lots of examples of artwork from Anders’ forthcoming Lethal Legion #1.

… So I started writing comics in earnest after I’d already been writing for television, which is another visual medium. But I still found that comics scripts have their own unique challenges, to do with the fact that there is an artist (or artists) who is/are interpreting your work, and you have to work closely with the art team to make sure your story is legible and entertaining.

A script for a TV episode or movie can include some pretty simple stage directions, which the director and actors can figure out how best to stage. (I’ve definitely included some fancy business in a TV script, and I’ve read some scripts that get pretty detailed about imagery. But oftentimes, the actors and directors will have a lot of say about the details of the staging and visuals.)

But when it comes to a comic script, you really have to think about every single panel and what’s important for the reader to see and understand, and how the action needs to flow. These days, in my scripts, I usually specify what element needs to be in the foreground of the image and what element needs to be in the background of the image, and wish pieces of visual information are really important for the reader to notice….

(3) UPDATE. The Library of America’s online program “Back to the Future Is Female!” has changed dates.

Our event previously announced for Tuesday, March 14, will now take place on Wednesday, March 15.

From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.

(4) BACK IN THE ZONE. Black Gate’s John O’Neill discusses the latest issue of Interzone in “Interzone 204 now on Sale”.

…Interzone has always been impressively illustrated and designed, and the new publisher proudly carries on that tradition. The issue is fully illustrated, in color, and the layout is as crisp and readable as always (if the print is sometimes a little small for my aging eyes).

The interior art doesn’t reach the standard set by Andy Cox — but that was a very high bar indeed, as Interzone routinely had the finest interior art on the market (Gardner Dozois called it the “handsomest SF magazine in the business”)….

(5) SHAWL ON BUTLER. BBC Radio’s “Witness History – Octavia E. Butler: Visionary black sci-fi writer” is available online.

In 1995, Octavia E Butler became the first author to receive a MacArthur “genius” award for science fiction writing. 

From a young age she dreamed of writing books but faced many challenges including poverty and sexism and racism in the publishing industry. 

She died aged 58 in 2006. Alex Collins speaks to her friend and fellow author Nisi Shawl. 

(6) EVE HARVEY (1951-2023). British conrunner and fanzine fan Eve Harvey died yesterday on her 72nd birthday, apparently of a heart attack.

She discovered fandom in 1973, became a founding member of the Leeds University SF Society, was active in the British Science Fiction Association in the late 70s and early 80s and edited some issues of the group’s publicatons Matrix and Vector. As a conrunner she was Secretary for the 1979 Worldcon, Seacon, chaired Channelcon (Eastercon 33) in 1982 ran Rubicon, a late-summer relaxicon, and was one of the organizers of Precursor.

She was married to fellow fan John Harvey. Their publications included the fanzine Wallbanger (1978-1997).

She was the GUFF winner in 1985, and was named Past President of FWA at the 2002 Corflu.

(7) MEMORY LANE.

1979[Compiled by Cat Eldridge.]

Let’s talk about chirpsithtras. Well, without giving away spoilers which I hope you’ve noticed by now is something I do not do here in these Beginnings. 

Larry Niven’s “The Schumann Computer” was first published in the most excellent Destinies in the January-February 1979 edition. (I love that magazine, all eleven issues.) 

I wasn’t at all fond of anything that Niven wrote for longer work after the Seventies for the most part but he continued to write really great short fiction of which these and related stories would be collected in The Draco Tavern.

Ok, you know I generally like genre bar stories such as The Tales from The White Hart and these are great examples of the type. The barkeep is fully realized, the bar is one of the few truly SF ones ever done and the stories with the aliens perfectly described are truly fascinating. 

Now let’s have our Beginning of the Draco Tavern…

Either the chirpsithtra are the ancient and present rulers of all the stars in the galaxy, or they are very great braggarts. It is difficult to refute what they say about themselves. We came to the stars in ships designed for us by chirpsithtra, and wherever we have gone the chirpsithtra have been powerful.

But they are not conquerors—not of Earth, anyway; they prefer the red dwarf suns—and they appear to like the company of other species. In a mellow mood a chirpsithtra will answer.  Any question, at length. An intelligent question can make a man a millionaire. A stupid question can cost several fortunes. Sometimes only the chirpsithtra can tell which is which.

I asked a question once, and grew rich.

Afterward I built the Draco Tavern at Mount Forel Spaceport. I served chirpsithtra at no charge. The place paid for itself, because humans who like chirpsithtra company will pay more for their drinks. The electric current that gets a chirpsithtra bombed costs almost nothing, though the current delivery systems were expensive and took some fiddling before I got them working right.

I gave you two options for the image. The first is the original publication; the other is obviously the collection of the stories.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 6, 1917 Will Eisner. He was one of the first cartoonists to work in the comic book industry, and The Spirit running from the early Forties to the early Fifties was noted for both its exceptional content and form. The Eisner Awards are named in his honor, given to recognize exceptional achievements each year in the medium. He was one of the first three inductees to the Will Eisner Comic Book Hall of Fame. Though I wouldn’t call A Contract with God and Other Tenement Stories genre, I do strongly recommend it. (Died 2005.)
  • Born March 6, 1918 Marjii Ellers. Longtime L.A. fan who was active in the LASFS.  Her offices in the LASFS included Registrar and Scribe. She was known for her costumes at cons. Indeed, she received a Lifetime Achievement Award in 1990 from the International Costumers’ Guild. An avid fanzine publisher and writer, some of the fanzines she edited were Masqueraders’ GuideMore Lives Than One, NexterdayOne Equal TemperThousands of Thursdays, and Judges’ Guide. (Died 1999.)
  • Born March 6, 1928 William F. Nolan. Author of the long running Logan’s Run series (only the first was written with George Clayton Johnson). He started out in fandom in the Fifties publishing several zines including one dedicated to Bradbury. In May 2014, Nolan was presented with another Bram Stoker Award, for Superior Achievement in Nonfiction; this was for his collection about his late friend Ray Bradbury, called Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction. He’s done far too much writing-wise for me to sum it him up. He was inducted into the First Fandom Hall of Fame. (Died 2021.)
  • Born March 6, 1937 Edward L. Ferman, 86. He’s known best as the editor of F&SF from 1966 to 1991 when he won multiple Hugos. He was also recognized by a special World Fantasy Award for professional work in 1979 and by the World Fantasy Award for Life Achievement in 1998. He was inducted by the Science Fiction Hall of Fame in 2009. I discovered that in 1969 and 1970 he was also the editor of F&SF‘s sister publication Venture Science Fiction Magazine.
  • Born March 6, 1941 Dorothy Hoobler, 82. Author with her husband, Thomas Hoobler, of the Samurai Detective series which is at least genre adjacent. More interestingly, they wrote a biography of Mary Shelley and her family called The Monsters: Mary Shelley and the Curse of Frankenstein which sounds absolutely fascinating. Note to ISFDB: no, it’s not a novel. Kindle has everything by them, alas Apple Books has only the biography.
  • Born March 6, 1942 Christina Scull, 81. Tolkien researcher who’s married to fellow Tolkienist Wayne Hammond, with whom she’s co-authored all of her books. Their first book was J. R. R. Tolkien: Artist and Illustrator and I’ll single out just The J. R. R. Tolkien Companion and Guide and The Art of The Lord of the Rings as being worth your time to seek out.
  • Born March 6, 1957 Ann VanderMeer, 66. Publisher and editor, and the second female editor of Weird Tales. As Fiction Editor of Weird Tales, she won a Hugo Award. In 2009 Weird Tales, edited by her and Stephen H. Segal, won a Hugo Award for Best Semiprozine. She is also the founder of The Silver Web magazine, a periodical devoted to experimental and avant-garde fantasy literature.
  • Born March 6, 1972 K J Bishop, 51. Australian writer who I really like, author of The Etched City which was nominated for the Aurelias, the International Horror Guild Award and World Fantasy while winning the Ditmar Award. Impressive. She also won the latter for Best New Talent. She’s also written a double handful of short stories, many collected in the Ditmar-winning That Book Your Mad Ancestor Wrote

(9) COMICS SECTION.

Bob the Angry Flower is still scheming to join “Blake’s 7”.

(10) FREE READ. Chelsea Quinn Yarbro’s “Frog Pond” is Library of America’s “Story of the Week”. The 1971 work is one of those reprinted in The Future Is Female! More Classic Science Fiction Stories by Women

While catching frogs in the postapocalyptic California countryside, a fifteen-year-old girl encounters a stranger from the city.

. . . “That stuff is bad for you. It can give you burns if you’re not used to it.” That isn’t quite right. Some people can’t get used to it, but it never burned me, not even the first time. Mr. Thompson says that means selective mutations are adapting to the new demands of the environment. Mr. Thompson thinks that just because he’s a geneticist he knows everything.

Stan leaped away from the green stuff like it was about to bite him.

(11) A PIECE OF HISTORY. Francis Hamit wrote Virtual Reality and the Exploration of Cyberspace/Book and Disk when that was the cutting-edge technology. He says, “Hard to believe it’s been 30 years since this was published.  30 months to write but ‘in print’ only 13.  It was a best seller. Anyone who wants a copy, signed no less, should get in touch with me.  I have a few left.” Write francishamit(at)earthlink(dot)net.

(12) COPYRIGHT KARMA. “Artificial Intelligence Meets Its Worst Enemy: the U.S. Copyright Office” asserts Matt Ford in The New Republic.

…Kashtanova posted the notification on Instagram shortly thereafter to celebrate what she saw as a legal milestone. “I tried to make a case that we do own copyright when we make something using AI,” she wrote in the caption, noting that the artwork “hadn’t been altered in any other way” by her. The top left corner, where artist and writer credits are usually placed on American comics, lists her last name first and then “Midjourney” underneath it. “My friend lawyer, gave me this idea and I decided to make a precedent,” she added.

The Copyright Office somehow learned about her assertion and started a review. Kashtanova’s lawyers responded, the office said, by arguing that she had “authored every aspect of the work, with Midjourney serving merely as an assistive tool.” As an alternative, they also argued that portions of the work could be copyrighted “because the text was authored by Ms. Kashtanova and the Work is a copyrightable compilation due to her creative selection, coordination, and arrangement of the text and images.”

In a February 21 letter, the office told them that it was choosing the latter option. It rescinded her original copyright registration and issued a narrower amended one that did not cover the Midjourney-generated artwork. Instead, it was limited to the “text” and the “selection, coordination, and arrangement of text created by the author,” explicitly excluding “artwork generated by artificial intelligence.” The ruling appears to be the first of its kind by the federal government on how copyright applies to algorithmically created artworks.

The Copyright Office appears to have gotten it right. Silicon Valley is abuzz these days with the promise and potential of artificial intelligence. A.I. chatbots have been touted as potential replacements for doctorslawyersmusicians, and even journalists like myself. Many of these chatbots or similar “generative A.I.” programs can be quite sophisticated, including ChatGPT, which I interviewed for this article….

(13) VIDEO OF THE DAY. Fandom Games latest “Honest Game Trailer” is about “Hi-Fi Rush”, which they say features a character with “the over-inflated ego of the child of a wannabe future Rockstar with the IQ of a musical instrument who through comical misadventures ends up with an MP3 player in his Iron Man core and discovers that he has the power to make the world move to his rhythm.”

[Thanks to Cat Eldridge, Mike Kennedy, Daniel Dern, John King Tarpinian, Francis Hamit, Olav Rokne, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Sinbad” Dern.]

Free Walt Willis Collection from TAFF

The Harp That Once or Twice, a collection of columns by renowned Irish fanwriter Walt Willis, has been added to the Trans-Atlantic Fan Fund’s library of free downloads. If you enjoy it, a donation to TAFF is a fine way to express your appreciation. All are available in several electronic formats.

 “The Harp That Once or Twice” was Walt Willis’s famous column that ran from 1951 to 1969 in four different fanzines: QuandryOopsla!Warhoon and Quark in that order, plus a final return to Warhoon. There were 44 installments, all collected here with the exception of two entire columns and a number of shorter segments within columns that formed part of the serialization of his 1952 US trip report, separately collected as the TAFF ebook The Harp Stateside.

First published as an Ansible Editions ebook for the TAFF site in March 2023. Cover artwork by Atom (Arthur Thomson) for Cry of the Nameless 164 (November 1962). 95,000 words.

From the Introduction

The harp that once through Tara’s halls
The soul of music shed,
Now hangs as mute on Tara’s walls
As if that soul were fled.
– Thomas Moore, Irish Melodies

Only the harp. Lovely. Gold glowering light. Girl touched it. Poop of a lovely. Gravy’s rather good fit for a. Golden ship. Erin. The harp that once or twice.
– James Joyce, Ulysses

This ebook collects almost every instalment of Walt Willis’s legendary fanzine column “The Harp that Once or Twice”. These columns were widely appreciated for their insight into science fiction and science fiction fandom; for genially engaging humour in strong contrast with the rare intervals of deadly seriousness (such as the polemic on Heinlein and Starship Troopers in the twenty-eighth instalment); for cunningly crafted puns that sometimes didn’t detonate until a second or third reading; and for broad erudition modestly and entertainingly presented. (The learned Instalment 43, “The Rats that Ate the Railroad”, was incorporated almost unchanged into Walt’s professionally published 1969 book about his country, The Improbable Irish as by Walter Bryan.) There has been nothing quite like them in fanzines, before or since. They remain eminently readable today.

[Thanks to David Langford for the story.]

2023 NASFiC Zoom Info Session on March 4

Pemmi-Con chairs Linda Ross-Mansfield and Robbie Bourget will take questions about reasons for fans to attend the 2023 NASFiC from Fan Fund representatives Fran Skene (CUFF), Erin Underwood (DUFF), and Mike Lowrey.. (TAFF) in a free Zoom session on March 4.

Pemmi-Con, the 2023 NASFiC, will be held July 20-23 in Winnipeg, Manitoba.

CUFF (Canadian Unity Fan Fund) is Canada’s fan fund. A fan delegate representing British/European fandom will be attending Pemmi-Con, courtesy of TAFF (Trans Atlantic Fan Fund). DUFF (Down Under Fan Fund) is the other ocean-crossing fan fund: DUFF brings a fan from Australia/ New Zealand to North America.

The Zoom session is free. Registration is required to avoid Zoom-bombing. Registration link: https://us02web.zoom.us/meeting/register/tZwkcu6urzsqHN2LEvAck2rv2BYNxZ3nj0Vy

Time permitting, audience members may ask questions. Zoom session begins 2:00 p.m. Central.

Three New Digital Editions of TAFF Trip Reports Help Start 2023 Right

Three classic trip reports have been added to the Trans-Atlantic Fan Fund’s library of free downloads. And if you enjoy them, a donation to TAFF is a fine way to express your appreciation. All are available in several electronic formats.


A Fake Fan in London by Bob Madle (1957 TAFF trip)

Robert A. “Bob” Madle (1920-2022) was the first North American TransAtlantic Fan Fund winner to travel to Europe at TAFF expense and the first to write a trip report on his experience. He attended the 1957 London Worldcon, the first to be held outside North America. A Fake Fan in London includes a detailed examination of the controversy (reflected in the title) resulting from the fact that many UK fans had preferred the rival candidate Dick Eney, a much newer fan whose activity was more visible across the transatlantic gulf between fandoms. All was amicably resolved. Madle died in October 2022 at the ripe age of 102, the last surviving member of the real First Fandom.

Ansible Editions ebook added to the TAFF library on 1 February 2023. Over 37,000 words. Cover drawing by Linda Miller from the first collected edition published in 1976.


The Moffatt House Abroad by Len and June Moffatt (1973 TAFF trip)

Len and June Moffatt were the 1973 US TAFF winners, travelling from California to that year’s UK Eastercon, OMPAcon ’73, held in Bristol. Their joint trip report The Moffatt House Abroad followed promptly in 1974.

Cover artwork by Bernie Zuber for APA-L, used as an interior in the 1974 edition. Ansible Editions ebook added to the TAFF site on 1 February 2023. Over 44,000 words.


The Squirrel’s Tale by Ron Ellik (1962 TAFF trip)

Ron Ellik (1938-1968), nicknamed “Squirrel”, was a popular Los Angeles fan highly active from the mid-1950s, co-editing the Hugo-winning newszine Fanac with Terry Carr. He won the 1961 TAFF race against Dick Eney and travelled from the USA to the 1962 UK Eastercon in Harrogate. The ensuing lively trip report The Squirrel’s Tale was serialized in the Los Angeles Science Fantasy Society’s Shangri L’Affaires in 1962 and 1963, revised by Ellik in 1965, and published by LA friends a year after his tragic death in a January 1968 car accident.

Ansible Editions ebook added to the TAFF library on 1 February 2023. 27,000 words. Cover photo of Ron Ellik in squirrel costume from the Ethel Lindsay collection; photographer unknown.

[Thanks to David Langford for the story.]

Pixel Scroll 12/30/22 Please State The Nature Of Your Pixel Emergency

(1) EATING THE FANTASTIC. Scott Edelman invites listeners to take a seat at the table in Little Italy with Al Milgrom in Episode 188 of his Eating the Fantastic podcast.

Al Milgrom

Al Milgrom was the artist for my ’70s run on Captain Marvel, and therefore the co-creator of Dr. Minn-Erva, portrayed by Gemma Chan in the Captain Marvel movie. But Al’s so much more than Captain Marvel.

He edited The Incredible Hulk, drew The Avengers, and both wrote and drew Spectacular Spider-Man. During his early days in comics, he lived in the same Queens apartment building as Howard Chaykin, Walter Simonson, and Bernie Wrightson. His career at Marvel lasted far longer than mine, for he was the inker of X-Factor for eight years (1989–1997) and edited Marvel Fanfare for its full 10-year run (1982–1992). But his impact wasn’t limited to Marvel, as over at DC, he co-created Firestorm with previous guest of the podcast Gerry Conway. He also worked at nearly every existing comics company during his career, including Archie, Dark Horse, Image, Star Reach, Warren, and more.

We discussed our time working together on ’70s Captain Marvel, how he responded when Gerry Conway asked him to provide cover sketches for Jack Kirby, his memories of meeting Jim Starlin in middle school (and what Joe Orlando said about the duo when they brought their portfolios up to DC Comics), what he learned working as a backgrounder for the legendary Murphy Anderson, the day Marie Severin and Roy Thomas sent him on a wild motorcycle ride to track down Rick Buckler, how the artists on Marvel’s softball team always played better than the writers, why (and how) he works best under pressure, how he became a triple threat writer/artist/editor, the conflicting advice Joe Orlando gave him about his DC Comics covers, what not to talk about with Steve Ditko, how Jim Shooter got him to edit at Marvel, and much more.

(2) 1960 TAFF TRIP REPORT. TAFF Baedeker by Don Ford is the latest addition to the Trans-Atlantic Fan Fund’s library of free downloads. And if you enjoy the book, a donation to TAFF is a fine way to express your appreciation.

Don Ford (1921-1965) was the founding US administrator of the TransAtlantic Fan Fund and also won the 1960 eastbound race held in 1959, with rival candidates Terry Carr – a later winner in 1965 – and Bjo Trimble. He attended the 1960 Eastercon in London, played tourist and visited UK fans in London, Cheltenham and Liverpool, and made a side trip to Paris. His trip report TAFF Baedeker was published promptly in two sections, 1960 and 1961. It includes sidelight contributions from several British fans who gave their own accounts of the TAFF winner’s adventures: Norman Ashfield, Ken Bulmer, Ted Carnell, Bill Gray, Roberta Gray (née Wild), Eric Jones, Ella Parker, John Roles and Norman Shorrock.

Ansible Editions ebook officially released at the TAFF site on 1 January 2023. Cover artwork by Arthur Thomson (Atom) from section two (1961) of the original report, reflecting the fact that Don Ford was not only an enthusiastic cameraman but conspicuously tall at six and a half feet. 34,000 words with introduction and notes.

(3) FUTURE TENSE. The December 2022 entry in the Future Tense Fiction series, published on December 24m is “A Lion Roars in Longyearbyen,” a story by Margrét Helgadóttir about a holiday parade, a hunter, a zoo full of lab-grown animals, and a missing lion.

Electricity was rationed at night in Longyearbyen, yet a few lights blinked stubbornly over the empty streets. Automated trash collectors alternated from side to side. One of them paused, as if sensing the tall man’s presence, then buzzed on, sucking up glittering confetti from the frozen ground….

It was published along with a response essay, “Extinction, de-extinction, and the dawn of the synthetic age” by environmental philosopher Christopher Preston.

…Environmental philosophers coined the term “biotic artifact” four decades ago. At the time, it referred to the sheep and cattle whose carefully manufactured temperaments, plump haunches, and passivity in the company of humans made them suitable objects for commodification. Upon earning the label “domestic,” they simultaneously became subjects of greater care and objects of diminished dignity compared with their wild counterparts.

Biotic artifacts were popular from the start. Wild animals suffered in the face of a hundred centuries of growth in domestic livestock. Today, 96 percent of mammalian biomass is humans and domesticated animals. This means 24 times the weight of all the lions, whales, and musk-ox combined are creatures who spend their lives in pens, fields, factories, and other manufactured spaces. The remaining 4 percent of wild, mammalian life accrues rarity value by default….

(4) SITZMARKS. Like in the game of musical chairs, some of the thrones are being removed: “George R. R. Martin Says Future ‘Game of Thrones’ Projects Have Been ‘Impacted’ by HBO Max Changes”Variety has the story.

Even future “Game of Thrones” spinoffs may not be safe from the ongoing changes at HBO Max, according to George R. R. Martin.

In a blog post on Wednesday, the author wrote that some of his planned shows in the “Game of Thrones” universe have been “shelved” at the streamer. After HBO parent company WarnerMedia merged with Discovery in April, HBO Max’s content slate has been growing thinner to cut costs, contributing to the cancellation of shows like “Love Life,” “Minx” and “FBoy Island.”

Though “Game of Thrones” prequel “House of the Dragon” had the biggest season finale HBO has seen since that of the original series and has been renewed for Season 2, Martin wrote that other projects in development aren’t as set in stone.

“Some of those are moving faster than others, as is always the case with development,” Martin wrote. “None have been greenlit yet, though we are hoping… maybe soon. A couple have been shelved, but I would not agree that they are dead. You can take something off the shelf as easily as you can put it on the shelf. All the changes at HBO Max have impacted us, certainly.”

While Martin did not specify which projects have been shelved, there are at least six projects that have been reported to be in development, including prequel series “Tales of Dunk and Egg,” the Princess Nymeria-centered “10,000 Ships” and a Jon Snow spinoff in which Kit Harington is attached to star….

(5) ZINE DIGITAL PRESERVATION. The Fanac.org Fan History project closed the year with this report on Facebook.

This is most likely our last update of the year. We have over 19,450 fanzines digitally archived and approx 23,000 publications total. Our APA Mailing view is growing as we go back and annotate our fanzine index pages, with 924 fanzines so far shown in their FAPA mailings (in context, sort of). Fancyclopedia is growing, the YouTube channel has topped 150K views, and the fannish community is continuing to provide scans and information to make the Fan History project better. Thank you all! Happy New Year.

(6) YEAR-END RECOMMENDATIONS. Fans of comics and graphic novels can make sure they caught ‘em all by consulting the New York Public Library Best New Comics of 2022 for Adults list and the American Library Association Best Graphic Novels for Adults Reading List – 2022 Nominations.

(7) READYING THE WELCOME MAT. BBC Radio 4’s nonfiction program about prospects for ”First Contact” is available for online listening or downloading.

For thousands of years we have gazed up at the stars and wondered: is anybody out there? The idea of meeting aliens has been the inspiration for countless books and films; for art and music. But today, thinking about meeting life on, or from, other planets is no longer dismissed as pure make-believe – it’s the focus of political consideration and cutting-edge space science. Farrah Jarral presents the story of the fantasy and the reality of preparing for first contact with extra-terrestrials.

(8) CHRISTOPHER TUCKER (1941-2022). Christopher Tucker, the makeup artist who created John Hurt’s prosthetics for The Elephant Man and Michael Crawford’s mask in The Phantom of the Opera, died December 14. The Guardian noted many other genre credits as well,

Tucker received official recognition from the UK film world when Bafta made its first presentation of a best makeup award in 1983. The honour went to him, along with Sarah Monzani and Michèle Burke, for their work on the 1981 Canadian-French film La Guerre du Feu (Quest for Fire), a prehistoric fantasy. It included making dentures to snap on over the actors’ own teeth. “Primitive man’s teeth were rather different to modern teeth,” Tucker observed.

…He received other Bafta nominations, for best makeup and best special visual effects, for the 1984 gothic horror film The Company of Wolves. His tasks included transforming the actor Stephen Rea into a wolf as he clutches his face and rips off his own skin – a deliberately laboured and bitingly realistic scene with muscles expanding and contracting – as well as creating wolves bursting out of the mouths of characters.

….[He] designed the face of the obese bon vivant Mr Creosote, one of the characters played by Terry Jones in the 1983 Monty Python film The Meaning of Life. He also made masks for David Niven in Old Dracula (1974), Gregory Peck and Laurence Olivier in The Boys from Brazil (1978), Angela Lansbury in The Company of Wolves, and Daryl Hannah in High Spirits (1988).

Tucker was on the team that brought to life the Mos Eisley cantina bar scene, featuring various alien races, early in the first Star Wars film (1977, later retitled Star Wars: Episode IV – A New Hope). The humanoid Ponda Baba and a giant praying mantis were his creations….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 30, 1865 Rudyard Kipling. Yea, Kipling. I didn’t do him last year and he’s written enough of a genre nature such as the Just So Stories for Little Children stories like “How the Camel Got Hump“ and “The Cat that Walked By Himself“ being wonderful stories with a soupçon of the fantastic in them that I should’ve of done so. Or there’s always The Jungle Book, which run to far more stories than I thought. Yes, he was an unapologetic Empire-loving writer who expressed that more than once but he was a great writer. (Died 1936.)
  • Born December 30, 1922 Jane Langton. Author of the Hall Family Chronicles series which is definitely SFF in nature having both fantasy and SF elements in these charming tales for children. The eight books herein are mostly not from the usual suspects though Kindle has the final novel but the Homer Kelly mysteries which both Fantastic Fiction and ISFDB list as genre or genre-adjacent are partially available. (Died 2018.)
  • Born December 30, 1945 Concetta Tomei, 77. Was Dominique, co-proprietor of Big Time TV along with Blank Reg, on the Max Headroom series which I loved. She had guest appearances on Star Trek: Voyager as Minister Odala in the “Distant Origin” episode as well was in the Deep Impact film.
  • Born December 30, 1950 Lewis Shiner, 72. Damn, his Deserted Cities of the Heart novel was frelling brilliant! And if you’ve not read his Wild Cards fiction, do so now. He also co-wrote with Bob Wayne the eight-issue Time Masters series starring Rip Hunter which I see is on the DC Universe app. Yea! Anyone that’s read the Private Eye Action As You Like It collection of PI stories I see listed on Kindle with Joe Lansdale?  It looks interesting. 
  • Born December 30, 1951 Avedon Carol, 71. She was the 1983 winner of the Trans-Atlantic Fan Fund to Albacon II in Glasgow, and she was GOH at Wiscon II along with Connie Willis and Samuel R. Delany. She has been nominated for three Hugos as Best Fan Writer. She’s been involved in thirty apas and fanzines according to Fancyclopedia 3.
  • Born December 30, 1952 Somtow Sucharitkul, 70. AKA S. P. Somtow. A Thai-American musical composer. He’s also a science fiction, fantasy, and horror author writing in English. He’s been nominated for two Hugos, first at Chicon IV for his short story, “Absent Thee from Felicity Awhile…” and second at ConStellation for his “Aquila” novellette.  He did win a World FantasyAward for “The Bird Catcher“ novella.
  • Born December 30, 1959 Douglas Anderson, 63. The Annotated Hobbit, for which he won the Mythopoeic Award, is one of my favorite popcorn readings. I’m also fond of his Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction which has a lot of great short fiction it, and I recommend his blog Tolkien and Fantasy as it’s one of the better ones on fantasy literature out there. Today he’s talking about Clark Ashton Smith.
  • Born December 30, 1971 Eugie Foster. She was nominated for a Hugo at Aussiecon 4 for one of the most wonderfully titled novelettes I’ve ever heard of, “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast”. It won a Nebula and was nominated for a BSFA as well. I’ve not read it, who here has read it? She was managing editor for Tangent Online and The Fix.  She was also a director for Dragon Con and edited their onsite newsletter, the Daily Dragon. (Died 2014.)
  • Born December 30, 1976 Rhianna Pratchett, 46. Daughter of Terry who now runs the intellectual property concerns of her father. She herself is a video game writer including the recent Tomb Raider reboot. For her father, she’s overseen and been involved several years back in The Shepherd’s Crown, the last Discworld novel, to print. She was also with Simon Allen the writer of The Watch, the Beeb’s Ankh-Morpork City Watch series. She’s a co-director of Narrativia Limited, a production company which holds exclusive multimedia and merchandising rights to her father’s works following his death. They, of course, helped develop the Good Omens series on Amazon.

(10) A WRITER LOOKS AT HIS PROSE IN THE MIRROR. “Outside the Human Aquarium: Clark Ashton Smith on Art and Life” at Douglas Anderson’s Tolkien and Fantasy blog includes this self-analysis from a 1932 letter by Clark Ashton Smith:

…To the best of my belief, the style in which I write is a perfectly natural mode of utterance for me, and is not affected. My approach to literature is primarily artistic, poetic, esthetic, and for this reason I like the full-hued and somewhat rhythmic type of prose. For many years, I wrote only verse (I have published three volumes of it); and I have always had a prejudice in favor of what is called “the grand manner.” I have also made many paintings and drawings, of a fantastic type; and this pictorial trend has probably influenced my story-writing too. Perhaps, in some case, it has led me to an overuse of adjectives in the effort to achieve a full and vivid vizualization, or rendering of atmosphere….

(11) OSCAR ANTICIPATION. [Item by Mike Kennedy.] The Hollywood Reporter writer Scott Feinberg handicaps upcoming Oscar nominations in each category by grouping films/auteurs/actors/works into three categories: Frontrunners, Major Threats, and Possibilities. “Feinberg Forecast: Last Snapshot of the Oscar Race Before the New Year”.

One of the few categories where genre performances are running strong is —

*BEST SUPPORTING ACTRESS*

Frontrunners
Angela Bassett (Black Panther: Wakanda Forever)
Dolly de Leon (Triangle of Sadness)
Jamie Lee Curtis (Everything Everywhere All at Once)
Stephanie Hsu (Everything Everywhere All at Once)
Janelle Monáe (Glass Onion: A Knives Out Mystery)

(12) LO, NO NOTE TO FOLLOW SO. From Variety we learned that “‘Solo 2’ Is Entirely Fan-Driven, Because a Sequel Is Not a ‘Lucasfilm Priority,’ Says Ron Howard”.

Ron Howard’s “Star Wars” prequel movie “Solo” was supposed to launch a new sector of storytelling for the long-running franchise. Young iterations of Han Solo (Alden Ehrenreich) and Lando Calrissian (Donald Glover) were introduced and intended for sequels and spinoffs, while the 2018 film also revealed that Darth Maul was still alive. None of these plot threads have continued as “Solo” bombed at the box office with just $392 million worldwide, barely making a profit for Disney.

Speaking to NME in a recent interview, Howard said that any talks of a “Solo” sequel are coming only from fans and not Lucasfilm itself. In other words, “Solo 2” is still dead.

…Howard added, “But there’s some great characters launched, and the folks from Lucasfilm love the fans and really do listen so I would never say never — but I’m not aware of any concrete plans right now to extend the story or deal with that particular set of characters.”…

(13) NYCON 3 SITE MEETS FATE. [Item by Andrew Porter.] Building being torn down is the Hotel Pennsylvania, formerly the Statler-Hilton, site of 1967 World SF Convention, many Star Trek, SF, comics conventions, even a Nebula banquet. “Demolition Progresses for 1,200-Foot PENN15 at 15 Penn Plaza in Midtown, Manhattan” at New York YIMBY.

…Since our last update in June, the entirety of Hotel Pennsylvania has been enshrouded in scaffolding and the first floors have begun to be razed from the top of the structure. This upper section had a lighter stone façade with columns, window pediments, and a thick ornate cornice stretching across the roof parapet. The LED advertising boards on the corners of the Seventh Avenue elevation remain uncovered and operating as work progresses above. Demolition is expected to finish by July 2023, as noted on the construction board….

(14) TAKING DR WHO FOR GRANITE. NPR explains, “Zircon is the best timekeeper for understanding Earth’s past”.

The oldest known Earth stuff that remains on the surface of our planet is a mineral that’s been called the “Time Lord” because it’s so incredibly good at keeping geologic time.

The mineral is zircon, and scientists have found bits of it that formed 4.37 billion years ago, not too long after the proto-Earth’s epic collision with a Mars-sized object that spawned our moon.

Tiny crystals of zircon can look like sand, or useless crud. But don’t be fooled. With a radioactive tick-tock that marks the passing of billions of years, these small but mighty minerals offer us a peek into the Earth’s early development.

…In the Jack Hills region of western Australia, for example, there’s rock that formed from a beach 3 billion years ago. The oldest zircons ever discovered came from this rock.

Ackerson once found a zircon that’s 4.32 billion years old. Zircons that old “are extremely, extremely, extremely rare, and they’re the only windows we have into the earliest Earth,” he says.

These days, to know a zircon’s exact age, scientists can zap it with a laser like the one at a geochronology lab at Penn State University….

(15) VIDEO OF THE DAY. Turner Movie Channel’s in memoriam reel “TCM Remembers 2022” includes many genre figures including Nichelle Nichols, Douglas Trumbull and Robbie Coltrane.

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Daniel Dern, Joey Eschrich, Dariensync, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]