Reminds me a little of Jack Reacher and Lifeforce, but with all that sand it can only be — The Mummy. Coming to an oasis near you on June 9.
Reminds me a little of Jack Reacher and Lifeforce, but with all that sand it can only be — The Mummy. Coming to an oasis near you on June 9.
(1) FAKE REVIEWS FOR CHARITY. For Red Nose Day, March 24, 2017, “Pay a fiver to Comic Relief and TQF will review your book. (But we won’t read it.)”.
The Theaker’s Quarterly Fiction team have written for the most respectable reviewing publications in the world, including Interzone! Black Static! The BFS Journal! And the Reading University student newspaper! But on Friday, 24 March 2017, for one day only, they will cast aside their scruples and review books they’ve never read, all in aid of Comic Relief.
For authors and publishers, big and small, this will be a great way to publicise your books while supporting a good cause. And maybe it’ll help people to recognise fake reviews when they see them. The book doesn’t have to be yours. You could order a review for a friend’s book. Or your favourite novel. Or your least favourite. Or buy several reviews. Anything you like!
We are taking bookings in advance. Once you have made a donation of five pounds, email us with the cover and blurb, or just include an Amazon link to the book in your message when making the donation, and we’ll book you in.
(2) GRUMPY OR DOC? The Guardian’s Zoe Williams asks “Beauty and the Beast: Feminist or Fraud?”
Has Disney really turned Beauty and the Beast into a feminist fairytale? Or is it all just posh frocks and women’s work with a slice of Stockholm syndrome thrown in? We delve beneath the furry facade
1) Incomplete subversion of the genre
The main – indeed the only – stated piece of feminism is that Belle has a job, so escapes the passivity and helplessness that has defined heroines since Disney and beyond. Eagle eyed feminist-checkers noted even before the film’s release that Belle’s inventing is unpaid – so it’s not a job, it’s a hobby. I don’t mind that. The future of work is automation, and even feminists will have to get used to finding a purpose outside the world of money.
I do, however, feel bound to point out that Belle’s invention is a washing machine, a contraption she rigs up to a horse, to do her domestic work while she teaches another, miniature feminist how to read. The underlying message baked into this pie is that laundry is women’s work, which the superbly clever woman will delegate to a horse while she spreads literacy. It would be better if she had used her considerable intellect to question why she had to wash anything at all, while her father did nothing more useful than mend clocks. It’s unclear to me why anyone in this small family needs to know the time.
(3) WHAT IF THEY THROW ROCKS? Eavesdrop on the “Confessions of an asteroid hunter” in The Guardian.
Space physicist Dr Carrie Nugent talks about the chances of Earth being hit by a giant asteroid – and why she owes her job to a Bruce Willis movie
The New Scientist reported research that speculated that millions could die if an asteroid came down over a city. Or that a tsunami would kill 50,000 people in Rio de Janeiro if it landed in the sea off the coast of Brazil. How likely is that? An asteroid impact in the worst-case scenario is a terrifying thing. It seems very uncontrollable: in popular culture it’s often a metaphor for human powerlessness over the world. But when you actually look at the problem and you look at statistics, you realise that we can find asteroids, and we can predict where they are going incredibly accurately. That’s kind of unique for something that’s a natural disaster. And, if we had enough warning time, we could actually move one away. It’s a solvable problem.
And these include firing a nuclear missile at the asteroid? Certainly. I interviewed Lindley Johnson who’s got the coolest title in the world: planetary defence officer. He makes the point that nuclear is something that’s being considered, but he also says that it’s a last resort. One thing I found surprising is that the most effective thing might just be to get out of the way. If it’s a small asteroid – and depending on where it’s going to come down – you might just want to evacuate. In the same way you would deal with a flood.
(4) IT’S ACCURACY IN JOURNALISM. This past week George R.R. Martin and the Mayor Santa Fe helped launch The Stagecoach Foundation, whose assets include a small office building. Martin wrote immediately after the launch —
Stagecoach will be a non-profit foundation. Our dream is to bring more jobs to the people of Santa Fe, and to help train the young people of the city for careers in the entertainment industry, through internships, mentoring, and education.
— the Stagecoach building is not 30,000 square feet. Someone pulled that number out of their ass, and dozens of other reports have repeated it. That’s a rough approximate figure for MEOW WOLF, an entirely different place on the other side of Santa Fe. The Stagecoach building is perhaps a third that size,
— I did not “build” Stagecoach. David Weininger did that in 1999, as the headquarters for his compnay, Daylight Chemical Information Systems,
— I am not “opening a film studio.” Stagecoach is a non-profit foundation dedicated to bringing more film and television production to Santa Fe, it is not a film studio,
— there are no sound stages at Stagecoach (though there are several here in town, at the Santa Fe Studios and the Greer Garson Studios). It’s an office building, and will be used primarily for pre- and post-production purposes,
— I am not going to be “running” a foundation, much less a studio. That task I’ve given to a dynamic young lady named Marisa X. Jiminez, who helped open Santa Fe Studios here in town, and who will have total charge of the day-to-day operations of Stagecoach, under a board of directors.
(5) OVER THE TRANSOM. Compelling Science Fiction editor Joe Stech says they’re once again open for submissions. He’s looking for stories to include in issue 7 (and beyond). The submissions window will remain open until 11:59pm MDT on June 1st, 2017. Full details on the submissions page.
(6) MONTAIGNE OBIT. An actor who appeared in two original Star Trek episodes, Lawrence Montaigne (1931-2017) has died.
StarTrek.com is saddened to report the passing of Lawrence Montaigne, the veteran actor who played the Romulan, Decius, in the Star Trek: The Original Series episode “Balance of Terror” in 1966 and returned a year later to portray Stonn, a Vulcan, in “Amok Time.” The actor died on Friday, March 17, at the age of 86.
(7) BERRY OBIT. Famed guitarist Chuck Berry (ob-sf — he was referenced Back to the Future) died March 18. The Guardian has the best obit says Cat Eldridge.
Chuck Berry, who has died aged 90, was rock’n’roll’s first guitar hero and poet. Never wild, but always savvy, Berry helped define the music. His material fused insistent tunes with highly distinctive lyrics that celebrated with deft wit and loving detail the glories of 1950s US teen consumerism.
His first single, Maybellene, began life as “country music”, by which Berry meant country blues, but was revamped on the great postwar Chicago label Chess in 1955. It was not only rock’n’roll but the perfect indicator of just what riches its singer-songwriter would bring to the form. Starting with a race between a Cadillac and a Ford, told from the Ford-owner’s, and therefore the underdog’s, viewpoint, this immeasurably influential debut record featured one of the most famous opening verses in popular music: “As I was motorvatin’ over the hill / I saw Maybellene in a Coupe de Ville …”
Berry’s recording of “Johnny B. Goode” was included on the disk attached to Voyager, per a birthday letter sent from Carl Sagan.
(8) WRIGHTSON OBIT. Swamp Thing co-creator Bernie Wrightson (1948-2017) died March 18 of brain cancer. He was 68.
Wrightson was best known for co-creating the DC Universe character Swamp Thing with writer Len Wein and for illustrating the Swamp Thing comic in the early ’70s. His many other projects included a comic book version of the 1982 Stephen King-penned anthology horror film Creepshow and a 1983 edition of Mary Shelley’s Frankenstein, for which he spent seven years creating around 50 illustrations. Wrightson also worked as a conceptual artist on a number of films including the original Ghostbusters, Galaxy Quest, and Creepshow director George A. Romero’s zombie movie Land of the Dead.
(9) TODAY’S DAY
History of International Read To Me Day International Read To Me day was established by the Child Writes Foundation to encourage the growth and spread of adult literacy. It became clear that in countries throughout the world adult literacy is a problem, and many adults simply lack the ability to read even for pleasure. When trying to find ways to help offset this, it became apparent that being read to as a child helped to encourage literacy and a love of reading in adults. The result of these findings was obvious! A holiday needed to be established to encourage the foundations of literacy by reading to our children, and thus was born “International Read To Me Day”!
(10) PORTALS OF DISCOVERY. Will you want to read the book after you play the game? “Joycestick: The Gamification of ‘Ulysses’” on the Boston College website.
A literary critic once asserted that the characters in James Joyce’s Ulysses – the sprawling, modernist opus that has bewitched or bedeviled readers for decades – were not fictitious: Through them, Stuart Gilbert said, Joyce achieved “a coherent and integral interpretation of life.”
Now, through a project titled “Joycestick,” Boston College Joyce scholar Joseph Nugent and his team of mainly BC students have taken this “interpretation of life” to a whole other realm.
Joycestick is Ulysses adapted as an immersive, 3D virtual reality (VR) computer game – a “gamification,” in contemporary parlance. Users don a VR eyepiece and headphones and, with gaming devices, navigate and explore various scenes from the book. Nugent, an associate professor of the practice of English, and his team are continuing to develop, refine and add to Joycestick with the hope of formally unveiling it in Dublin this coming June 16 – the date in 1904 on which Ulysses takes place, now celebrated as Bloomsday in honor of the book’s main character, Leopold Bloom.
(11) CAN’T BE FOUND. The author’s influence on pop culture is pervasive. So “Where Are All the Big Lovecraft Films?” asks this video maker.
H.P. Lovecraft is one of the most important horror and science fiction writers of all time, yet there really aren’t that many large scale adaptations of his work, and even fewer successful ones. So where are all the Lovecraft films?
(12) KEEPING UP THE RAY QUOTA. Just in case Camestros Felapton ever does another count….
FATHER ELECTRICO: RAY BRADBURY LIVES FOREVER! is a documentary film based on a collaboration between the author and sculptor Christopher Slatoff.
The frontal view of the sculpture depicts a young Ray’s father carrying him home from a very long day spent at two circuses. Turn the sculpture around and the image of the Illustrated Man and his tattoos come to life and tell their stories.
The other namesake, Mr Electrico, was a carnival magician who charged 12 year-old Ray to “live forever!” The budding author begin writing that day and never stopped.
The video can’t be embedded here, it has to be watched at Vimeo.
(13) NEITHER SNOW NOR SLEET. See Ellen Datlow’s photos from the March 15 KGB Reading.
Nova Ren Suma and Kiini Ibura Salaam read their stories (and parts of stories) the day after NYC’s mini-blizzard when the temperature was still icy
(14) EMAIL ASSAULT. “Shades of Langford’s ‘basilisks’,” says Chip Hitchcock — “US man held for sending flashing tweet to epileptic writer”.
A man accused of sending a flashing image to a writer in order to trigger an epileptic seizure has been arrested, the US justice department says.
John Rayne Rivello, 29, of Maryland, sent Kurt Eichenwald an animated image with a flashing light on Twitter in December, causing the seizure.
He has been charged with criminal cyber stalking and could face a 10-year sentence, the New York Times reports.
“You deserve a seizure for your post,” he is alleged to have written.
Mr Eichenwald is known to have epilepsy. He is a senior writer at Newsweek magazine, a contributing editor at Vanity Fair and a best-selling author of books including The Informant.
(15) HOW THEY DID IT. The Mummy (2017) Zero Gravity Featurette goes behind the scene of a stunt shown in the trailer.
[Thanks to Carl Slaughter, Andrew Porter, Chip Hitchcock, Cat Eldridge, John King Tarpinian, and Ellen Datlow for some of these stories. Title credit goes to File 770 contributing editor of the day lurkertype.]
The Mummy , directed by Alex Kurtzman and written by Jon Spaihts, is a reboot of The Mummy franchise starring Tom Cruise, Annabelle Wallis, Sofia Boutella, Jake Johnson, Courtney B. Vance and Russell Crowe. The film is scheduled to be released on June 9, 2017.
(1) NO COUNTRY FOR OLD SPACEMEN. NBC News reports “Astronaut Buzz Aldrin Medically Evacuated From South Pole”.
Aldrin, 86, is in stable condition after “his condition deteriorated” while visiting Antarctica, according to White Desert, which organizes luxury tourism trips to the icy continent. The group said Aldrin was evacuated on the first available flight out of the Amundsen-Scott South Pole Station to the McMurdo Station on the Antarctic coast under the care of a doctor with the U.S. Antarctic Program.
He then was flown to Christchurch, New Zealand, and arrived at about 4:25 a.m. local time Friday (10:25 a.m. Thursday ET), according to the National Science Foundation, which provided the flight for Aldrin.
— Buzz Aldrin (@TheRealBuzz) December 1, 2016
(2) FIRST FANS OF STAR WARS. Skywalking to Neverland’s latest podcast features Craig Miller:
Craig Miller, former head of fan relations at Lucasfilm and ancillary producer, is back to give more insider info on The Star Wars Holiday Special. He tells us about how the small production kept growing to promote the stars of CBS and other fun-facts. We also talk about the 1976 MidAmeriCon WorldCon where Star Wars had its first panel and exhibit featuring the first actual props and costumes from STAR WARS. Cut to: 40 years later and the staff that organized that presentation is back to replicate that same panel.
(3) MENACE APPRECIATION. James Davis Nicoll selected Heinlein’s “The Menace From Earth” to be the latest test for the panel at Young People Read Old SF.
Of all the authors name-checked in the post that inspired this project, the one I figured would be least appealing to younger readers would be Robert A. Heinlein. He’s one of the grand old men of the field: winner of multiple Hugos, architect of the Future History, over-user of the word “spung.” He may have been a giant in his day, long long ago, but time has not been kind to his books….
These old stories generally don’t get a warm reception, but some of the panelists actually liked this one:
So, how did this story stack up? Good. It shows that women are capable of balancing their career ambitions with their romantic relationships, and that there is often a conflict between the two… especially for women. So that’s pretty cool.
(4) TIPTREE SYMPOSIUM. The 2016 James Tiptree, Jr. Symposium runs December 2-3 at the University of Oregon in Eugene. This year’s theme is “A Celebration of Ursula K. Le Guin”. View the full schedule of events and speakers.
We are very pleased to learn that Ursula Le Guin, honoree of this year’s Tiptree Symposium, is planning to attend the events on Friday, December 2. However, due to recent health issues causing limited mobility and stamina, she will not be able to sign books. Thank you for your understanding.
Ursula K. Le Guin (1929- ) is a remarkable poet, essayist, critic, translator, and storyteller. In all these forms, she never ceases to challenge our expectations about “words, women, places,” as the subtitle to her essay collection Dancing at the Edge of the World puts it. Her many awards testify to her literary skill and deep humanity, and her work has inspired a generation of writers by showing how the unreal can comment on (and incorporate) the real, and how the future can serve as a powerful metaphor for the present. Her writing combines perspectives from anthropology, feminism, science, history, utopian thought, and Taoist philosophy, all wrapped up in convincing and compelling narratives of exploration and self-discovery.
(5) IT’S A WRAP. Birth. Movies. Death. harshes the squee about a forthcoming reboot: “The Mummy Gets A Poster, A Brief Teaser And A Stolen Tagline”.
As you can see, The Mummy stars Tom Cruise as a guy who has to stop The Enchantress from Suicide Squad. Good luck to him, she’s p tough.
The biggest curiosity is robbing The Bride of Frankenstein of its “Welcome to a new world of gods and monsters” line. I suppose it’s not outright theft since it evokes the larger universe at play here, but it still seems weird. Is it a clue that we might see a little Frankenstein in this? Or his monster? That should be very exciting for those who haven’t seen Penny Dreadful!
The audio books are full-cast recordings from Graphic Audio, and the trilogy retails for $60. Each book comes as six CDs, with a runtime of approximately six hours apiece. They’re new and shrink-wrapped, but I’ll be happy to open them up and autograph them to you before mailing them, if you’d like.
About book one:
Jig the goblin was the runtiest member of an admittedly puny race. Jig was scrawny, so nearsighted as to be almost blind, and had such a poor self-image that when he chose a god to worship it was one of the forgotten ones – after all, what other sort of god would have him as worshiper? He also had a cowardly fire-spider for a pet, a creature that was likely to set your hair on fire if it got into a panic. Made to stand tunnel watch by the goblin bullies who’d been assigned the job, it was just Jig’s luck to be taken captive by a group of adventurers – with the usual complement of a dwarf warrior, a prince out to prove himself, his mad wizard brother, and an elfin thief. Forced to guide this ill-fated party on their search for the Rod of Creation – though Jig had no more idea how to find it than they did – he soon had them stumbling into every peril anyone had ever faced in the fantasy realms. And they hadn’t even found the Necromancer or the Dragon yet!
(7) BANDERSNATCH. Goodreads hosts a page of Bandersnatch quotes, I just discovered.
“As Tolkien points out, the name is “a pleasantly ingenious pun,” referring to those who “dabble in ink.” It also suggests people “with vague or half-formed intimations and ideas.” ? Diana Pavlac Glyer, Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings
(8) FANTASY DESTROYED. Lightspeed’s “People of Colo(u)r Destroy Fantasy” issue is available.
Funded as a stretch goal of LIGHTSPEED’s People of Colo(u)r Destroy Science Fiction! Kickstarter campaign, we’re happy to present a special one-off issue of our otherwise discontinued sister-magazine, FANTASY (which was merged into LIGHTSPEED in 2012), called People of Colo(u)r Destroy Fantasy!: an all-fantasy extravaganza entirely written—and edited!—by POC creators. The People of Colo(u)r Destroy Fantasy! special issue exists to relieve a brokenness in the genre that’s been enabled time and time again by favoring certain voices and portrayals of particular characters. Here we bring together a team of POC writers and editors from around the globe to present fantasy that explores the nuances of culture, race, and history. This is fantasy for our present time, but also—most of all—for our future. People of Colo(u)r Destroy Fantasy! is 100% written and edited by people of color, and is lead by guest editor Daniel José Older, with editorial contributions from Amal El-Mohtar, Tobias S. Buckell, Arley Sorg, and others. It features four original, never-before-published short stories, from N.K. Jemisin, P. Djèlí Clark, Darcie Little Badger, and Thoraiya Dyer. Plus, there’s four classic reprints by Shweta Narayan, Leanne Simpson, Celeste Rita Baker, and Sofia Samatar. On top of all that, we also have an array of nonfiction articles and interviews, from Justina Ireland, Ibi Zoboi, Erin Roberts, Karen Lord, John Chu, Chinelo Onwualu, and Brandon O’Brien, as well as original illustrations by Reimena Yee, Emily Osborne, and Ana Bracic.
(9) LEAD US NOT INTO TEMPTATION. What John Scalzi has to say to those who complain when he writes about politics is pretty much what every fanzine editor thinks, whether the gripe is about politics or another favorite topic, but not all of us are as bold about saying so out loud as Mr. Scalzi.
- The Short Points About Me Writing On Politics
If you tell me you’re tired of me talking about politics, or tell me to shut up about them, I’ll tell you to kiss my ass. I’ll write about what I want, when I want, where I want, which in this case happens to be about politics, now, here.
(10) HI-TECH PRACTICAL JOKE. I’m speechless. But they’re not.
— Internet of Shit (@internetofshit) December 1, 2016
(11) CALLING FLINT FANS. Eric Flint asked readers of his blog to nominate his novel for a Dragon Award. I looked up Flint at the Science Fiction Awards Database and was shocked to discover that in a long and distinguished career he’s never won any of the multitude of awards tracked on that site. Maybe this will be his year.
I would like to ask for a personal favor. The Dragon awards are now open for nominations and I would appreciate it if as many of you as are so inclined would nominate THE SPAN OF EMPIRE, by Eric Flint and David Carrico, in the category of “Best Military Science Fiction or Fantasy Novel.” I will stress that you should only do so if you actually liked the novel, but most of the people I know who’ve read the novel liked it a lot.
Flint received two nominations in the first year of the Dragon Awards, both in the Best Alternate History category which was won by Naomi Novik’s League of Dragons.
(While fact-checking, I discovered the Dragon Awards website still has Novik’s name misspelled as “Novak”.)
(12) CLARKE CENTER PODCAST. The Arthur C. Clarke Center for Human Imagination’s new podcast, Into the Impossible, has released is second episode — “Becoming a Galactic Wonder”.
On this month’s episode of Into the Impossible – a podcast of stories, ideas, and speculations from the Arthur C. Clarke Center for Human Imagination – we’re looking at wonder and imagination. We’ll get there through the plays of Herbert Siguenza (playwright, actor, and director; founding member of Culture Clash) that take us from Pablo Picasso in 1957 to a post-apocalyptic California, and the art (and green thumb) of Jon Lomberg (astronomical artist), who worked with Carl Sagan on the original Cosmos and has created a garden that can help us imagine our place in the universe. Both ask, as Herbert does in the persona of Picasso himself, “How can we make the world worthy of its children?”
(13) MIGHTY BURGER. The creator of the Big Mac has died and Hogu fans everywhere mourn…. Michael “Jim” Delligatti was 98.
The menu was pretty simple back in those early days — hamburgers, cheeseburgers, fries and shakes. But Delligatti saw that his customers wanted something bigger, so in 1967 at his restaurant in Uniontown, Pa., he put together two hamburger patties, topped it with cheese, lettuce, onions and pickles, and he developed a special sauce for the burger. He called it the Big Mac.
The early Big Macs were marketed with a paper collar around them. Pop culture scholar Dave Feldman said that sent customers the message that a Big Mac was “A sandwich so mighty it needs a harness to restrain it!”
(14) BACK TO THE BREW-TURE. Of greater concern to our cousin fans across the Pond: when and how did Brits first brew?
Meanwhile, large pots and evidence of heat-cracked stones have been found at Skara Brae, a 5,000-year-old settlement in the Orkney islands just north-east of Scotland.
Local archaeologist Merryn Dineley believes that bits of the pottery were once used for heating malt – the germinated and heated cereal grains that ferment to produce alcohol. Dineley has experimented with Neolithic-style equipment and argues that malting of grains could have occurred in this period.
(15) CUTTING ROOM FLOOR. Entertainment Weekly invites you to “Watch these exclusive Star Trek: The Original Series clips from The Roddenberry Vault”.
If there’s a Star Trek obsessive in your family, their Christmas present will be released on Dec. 13. That’s when Star Trek: The Original Series – The Roddenberry Vault, a massive new Blu-ray treasure trove of footage left on the cutting room floor, goes on sale. The Roddenberry Vault draws directly from film cans stored for decades by the Gene Roddenberry estate, and includes deleted scenes, alternate takes, and other behind-the-scenes look at the making of the series that launched the Trek franchise 50 years ago.
EW is excited to share two exclusive clips from The Roddenberry Vault, one of them focused on the making of the maddeningly cute Tribbles, the other a short and mesmerizing clip of Leonard Nimoy and William Shatner filming the “Transporter” effect.
[Thanks to Chip Hitchcock, John King Tarpinian, JJ, Martin Morse Wooster, and Stoic Cynic for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
(1) IT’S A WRAP. Tom Cruise will star in Universal’s reboot of The Mummy, now scheduled to arrive in theaters on June 9, 2017. This version will be set in the contemporary world. Cruise is not playing the title role, trade outlets are referring to his character as a former Navy SEAL.
So who is The Mummy?
Sofia Boutella, best recognized as the badass beauty with swords for legs in Kingsman: The Secret Service, will be playing this new version of the Mummy.
Who’s directing it?
Alex Kurtzman will be calling the shots. The only feature film he’s directed to date is People Like Us, but he’s best known for being a writer on a ton of big blockbuster movies, like Transformers, The Island, Mission: Impossible III, and J.J. Abrams’ Star Trek series. It currently has a script from Jon Spaihts (Prometheus).
(2) TRACING FIREBALLS TO THEIR SOURCE. In “A Precursor to the Chainmail Fantasy Supplement” Jon Peterson of Playing at the World identifies Leonard Patt as a forgotten influence or source on Gary Gygax, whose Chainmail (a collaboration with Jeff Perren) was the first game designed by Gygax sold as a professional product. It included a heavily Tolkien-influenced “Fantasy Supplement”, which made Chainmail the first commercially available set of rules for fantasy wargaming.
Patt, should he still be with us, would surely be unaware of how Chainmail followed his work, let alone the profound influence that concepts like “fire ball” and saving versus spells have had on numberless games over the decades that followed.
…In the early, pre-commercial days of miniature wargaming, the environment was very loose and collaborative, and these kinds of borrowings were not uncommon – but attribution was still an assumed courtesy. Gary Gygax has something of a reputation for adapting and expanding on the work of the gaming community without always attributing his original sources. The case of the Thief class is probably the most famous: the first draft of Gary’s rules do note their debt to the Aero Hobbies crowd, but as the published version of the rules in Greyhawk (1975) did not, the obligation of the Thief rules to Gary Switzer and the others at Aero Hobbies long went unacknowledged. Regarding Chainmail, Gary in late interviews says nothing to suggest that concepts like fireball were not of his own invention; Patt’s rules compel us to reevaluate those claims. Nonetheless, we must acknowledge that Gary had a singular gift for streamlining, augmenting and popularizing rules originally devised by others: certainly we wouldn’t say that Patt’s original rules could have inspired Blackmoor, and thus Dungeons & Dragons, without Gary’s magic touch and the elaboration we find in the Chainmail Fantasy Supplement.
But if you ever vanquished an enemy with a fireball in Dungeons & Dragons, or Magic: the Gathering, or Dragon Age, and especially if you ever made a saving throw against a fireball, thank Leonard Patt!
(3) LIGHTNING STRIKING AGAIN AND AGAIN. The Kickstarter appeal for People of Colo(u)r Destroy Science Fiction has raised $20,192 as of this writing – 400% of its original goal. Another special issue of Lightspeed, it will be guest-edited by Nalo Hopkinson and Kristine Ong Muslim, in partnership with section editors Nisi Shawl, Berit Ellingsen, Grace Dillon, and Sunil Patel, who are assembling a lineup of fiction, essays, and nonfiction from people of color.
Lightspeed’s Destroy series was started because of assertions that women, LGBTQ, and POC creators were destroying science fiction. The staff of Lightspeed took that as a challenge. Building on the astounding success of Lightspeed’s Women Destroy Science Fiction! (and Horror, and Fantasy) and Queers Destroy Science Fiction! (and Horror, and Fantasy), POC Destroy Science Fiction! brings attention to the rich history and future of POC-created science fiction and fantasy.
Like the previous Destroy issues, this campaign has the potential to unlock additional special issues focusing on Horror and Fantasy as well.
(4) DOUBTFUL. Breitbart.com’s Allum Bokhari dishonestly represents a commenter’s statement as a File 770 news item in “SJWs Are Purging Politically Incorrect Sci-Fi Authors From Bookstores”.
(5) BAKKA PHOENIX REPLIES. Yet he is getting the clicks he wants. One Toronto bookstore owner was intimidated into making a public denial — “A Question Worth Answering”.
We are Bakka Phoenix, a different bookstore entirely. We’re not going to comment on a rumour about XXX’s activities: that way lies madness and a lot of silly Twitter feuds. You might want to contact them directly (their website is XXX). Also, please note: from a Canadian perspective, Breitbart looks more like an outlet for the borderline-lunatic fringe than a credible news source.
But if you were wondering, we can assure you that we ourselves carry many books we find personally or politically reprehensible. Let’s face it, your left wing is somewhere off to our right, enough so that we’d have trouble even agreeing on the definition of ‘conservative’. Frankly, we find a lot of US political posturing completely unhinged.
But… so what? We’re in the business of selling books. Good books. Bad books. Titles some people love; titles others hate enough to throw across the room. Some books will transform readers minds and lives and be remembered for decades. Others will be forgotten immediately upon reading (or even partway through). We don’t have to like a book, its author, or its message in order to sell it. To suggest otherwise merely proves that the suggester spends very little time in actual bookstores.
The many wonderful independent booksellers I’ve met feel the same way. Independent bookstores exist for precisely that reason: to ensure that readers have the widest choice possible. So we — all of us — stock books we think our readers might be interested in, personal taste bedamned.
(6) TODAY’S BIRTHDAYS
(7) BUTTER WOULDN’T MELT. Kate Paulk wrote a post educating her readers about the Best Editor Hugo categories.
Both these categories have seen controversy since their introduction: first the lobbying to split Best Editor – the whispers say this was so that a specific individual could receive an award instead of always playing second fiddle to a very prominent (and very skilled) magazine editor, the apparent hand-off of both through much of their history between an extremely small number of people – so much so that it appears a group of Tor editors considered the Long Form award to be their property (just look at the list of winners…).
The first comment, by Draven:
“yeah well, you know who we say for long form…”
The second comment, by Dorothy Grant:
“Hmmm, Maybe, maybe not. This year will be the last year David Hartwell will be eligible. (He edited L.E. Modesitt & John C. Wright, among others.) The industry lost a good man, and a good editor, yesterday. Granted, he’s won three, but these things do happen in tribute.”
The third comment, by Kate Paulk:
“They do indeed, and David Hartwell is certainly a worthy nominee.”
(8) BRUSHBACK PITCH. Clayton Kershaw, the best pitcher in the National League, also has a less well known claim to fame – his great-uncle Clyde Tombaugh discovered Pluto. That explains his loyalty to the diminutive world, and his recent contradiction of NASA on Twitter.
— NASA (@NASA) January 20, 2016
U mean 10th right? #neverforgetpluto
— Clayton Kershaw (@ClaytonKersh22) January 21, 2016
(9) SINBAD. The Alex Film Society will screen The 7th Voyage of Sinbad (1958) on Thursday, April 28 at the Alex Theatre in Glendale.
(10) A SCI-FI KID REMEMBERS. Film fan Steve Vertlieb has compiled his memories about meeting genre stars into one extravaganza post:
After some forty seven years of writing about films, film makers, and film music, I thought that I’d take a moment to remember the glorious moments, events, and artists who have so generously illustrated the pages of my life, and career, over these many remarkable years. Do return with me now to Those Thrilling Days of Yesteryear when artistry and grandeur populated the days of our lives…days when gallant souls courageously rescued their leading ladies from screen villainy…days when culture and dignity proliferated the screen, television, radio, and the printed page. Look for it only in books, for its sweet reflection of gentle innocence is but a faded memory…a tender, poignant whisper of grace and wonder that, sadly, has Gone With The Wind.
Those memories are also the driving force of his autobiographical documentary Steve Vertlieb: The Man Who “Saved” The Movies. The director keeps an online journal of their progress.
A FILM DIRECTOR’S JOURNAL #3…THE PHILADELPHIA “SHOOT”
Whew! It would be a bitch of an exhausting marathon, because we had lots of LITERAL ground to cover in Center City, hopscotching from one locale to another blocks away; then to another, then to another; finally finishing up on the “high steel”, the center of the city’s Benjamin Franklin Bridge, stretching from Philadelphia across the Delaware River into Camden, N.J. But everyone agreed. And our “Philadelphia Marathon” was off and running.
The documentary film will wrap in February, 2016, with film festival screenings planned for this Spring.
(11) ALAN RICKMAN. Today Star Talk Radio site revisited Neil deGrasse Tyson’s 2012 conversation with Alan Rickman.
So what does astrophysicist Neil deGrasse Tyson ask him about? Failing physics in high school, of course. They also talk a little about acting, including how Alan chooses and prepares for his roles, from researching the heart surgeon in Something the Lord Made to the wine-tasting scene in Bottle Shock. You’ll hear Alan explain his sense of responsibility to his audience and what he describes as “the mysterious mechanism of acting and theatre and storytelling.” Neil and Alan also get philosophical about the limits of human perception, the flocking behavior of birds, and the interaction of sound and memory.
(12) MARTIAN HOP. Tintinaus has a great addition to The Martian musical, based on Kenny Rogers’ “The Gambler.”
Every Martian knows that the secret to survival,
Is solving the next problem,
And then the problem after that.
‘Cause every day’s a winner
Even if you’re gettin’ thinner,
And the best that you can hope for
Is growing tates in your crewmate’s scat.
You gotta know when to sow ’em
Know when to hoe ’em
Know when to harvest
For a bumper yield
You never count sauce satchels
‘Cause that would be depressing.
Knowing how long ungarnished taters
Will be your only meal.
[Thanks to John King Tarpinian, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Kyra.]
Frankenstein, the Wolfman and The Mummy may not be folks you think of as having any descendants, but the actor who played them, Lon Chaney Jr., does and the scariest part of all is – they have lawyers. (Aiyeee!)
The Hollywood Reporter says the actor’s heirs have sued Universal Studios for $1 million for exploiting the dead star’s likeness.
Universal had deals with Chaney to exploit his name, voice, signature, silhouette (!) and other aspects of his persona. But an agreement whereby Chaney appointed Universal as the exclusive representative over likeness rights expired in 2008.
Chaney Entertainment says that despite the end of the term of that deal, Universal continues to negotiate licensing agreements that concern his rights with various manufacturers.
[Thanks to David Klaus for the story.]