Tag Archives: The Prisoner

Pixel Scroll 3/16/24 And The Riverbank Scrolls Of The Pixels Of March

Posted on by
22

(1) SEE SAMATAR’S EPIC LECTURE. Sofia Samatar will deliver the 2024 Richard W. Gunn Memorial Lecture on Monday, March 18, at 4:00 p.m Central. The lecture is virtual and you can register here. She will be speaking on the relationship between epic poetry and fantasy:

What is the relationship between ancient epic poetry and the contemporary genre known as epic fantasy? This talk offers five answers to that question, from the perspective of a speculative fiction writer. Sofia Samatar is the author of six books, including the memoir The White Mosque, a PEN/Jean Stein Award finalist. Her works range from the award-winning epic fantasy A Stranger in Olondria to Tone, a collaborative study of literary tone with Kate Zambreno.

(2) THE FIRST GREEN HILLS. Bobby Derie filled in a previously unsuspected gaping hole in my knowledge of sff history with “Quest for the Green Hills of Earth (1995) by Ned Brooks” at Deep Cuts in a Lovecraftian Vein. Originally I was just checking to see if he was talking about the Ned Brooks I knew – he was. Then – bang! – I discovered that C.L. Moore and Henry Kuttner are at the root of a famous verse tradition.

…Who wrote this bit [in “Quest of the Starstone”]? Moore was the poet of the pair, but Kuttner was no slouch, and the title itself is a callback to two previous tales. In “Shambleau” Moore wrote: “[…] he hummed The Green Hills of Earth to himself in a surprisingly good baritone”; and in “The Cold Gray God” (1935):

“No one sang Starless Night any more, and it was the Earth-born Rose Robertson’s voice which rang through the solar system in lilting praise of The Green Hills of Earth.”

That could be the kind of detail that a good pasticheur like Kuttner would pick up and expand upon. Yet it wouldn’t be surprising if they both had a hand in the final version of this scene….

…However, Sam Moskowitz claims:

“When Robert Heinlein read the story, he never forgot the phrase which became the title of one of his most famous short stories and of a collection, The Green Hills of Earth.” — Sam Moskowitz, Seekers of Tomorrow (1967), 312

“The Green Hills of Earth” ran in The Saturday Evening Post for 8 Feb 1947, and provided the title for Heinlein’s 1951 collection of science fiction. Heinlein did not reiterate Moore & Kuttner’s verses, but came up with his own—and attributed it to an author, the blind poet Rhysling….

Ned Brooks later produced a chapbook based on these works:

…This is where Quest of the Green Hills of Earth (1995) comes in. Edited by Ned Brooks and illustrated by Alan Hunter, this is the kind of standalone chapbook that is a hallmark of science fiction and fantasy fandom. It reprints “Quest of the Starstone” in its entirety, Heinlein’s verses from “The Green Hills of Earth,” and three fan-made versions—one by Chuck Rein, George Heap, “and other fans of the 1960s”; one by Don Markstein (“late 60s”), and one by Steve Sneyd (Oct 1992)….

(3) SPIRITED GIVING 2024. Spirited Giving, a horror-themed fundraiser serving as the official kickoff to StokerCon 2024, takes place May 29, 2024 beginning at 3:00 p.m. in the San Diego Central Library. Full details at the link.  

It’s a night of author readings, live performances, meet and greets, and book signings, all while raising funds for the San Diego Library Foundation, particularly the Books Unbanned Initiative.

The event will feature readings from: Clay McLeod Chapman, Jamie Flanagan, Ai Jiang, Vincent V. Cava, Danger Slater, and Bridget D. Brave. And a special one-hour live performance by YouTube Horror Narrator Mr. Creepypasta.

To attend the event, get Spirited Giving Tickets at Eventbrite.

(4) IF NOT NEWS TO YOU, IT WILL BE NEWS TO SOMEONE. At Literary Hub Debbie Berne makes her case — “Not Just Covers, But Every Page: Why Writers Should Talk About Book Design Early On”.

… Interior design is both micro and macro. It involves technical prowess and creativity. There is line-by-line typesetting and there is translation of vibe.

Take, for instance, chapter openers. Most books are divided into chapters and an author has decided if they each have chapter titles or just numbers, or both, or neither, or additional info like a subtitle or time stamp or narrator name or geographic locator or setting-up-an-idea pull quote.

The designer, then, must figure out how to make those pieces of text—many or few—look nice and clear on the page and put forward an aesthetic, bringing visual voice to the writing voice. Which font? How big? How bold? Italic? Centered or no? In a single line, neatly stacked, cascading? Each decision is literal and expressive….

(5) HOW MUCH WAS C-3PO’S HEAD WORTH? Read the answer reported in Friday’s Birmingham (UK) Mail.

(6) SPRINGTIME FOR WONKA. Everyone is going to make money off this disaster except the people who perpetrated it. (Would you have it any other way?) “Viral Willy Wonka Glasgow event to be turned into musical” at BBC.

A new musical satire based on a Glasgow Willy Wonka experience that went viral is in the works.

The show’s lead producer, Richard Kraft, has assembled a team of writers and producers for the project titled Willy Fest: A Musical Parody.

The event in February gained notoriety after angry families, who paid up to £35 to attend, demanded their money back.

Kraft says he hopes people watching the show “won’t be left in tears.”

The creative team working on the musical includes Emmy-nominated actor and comedian Riki Lindhome who tweeted, “I’m so excited,” along with screenshots of an article.

Others attached to the project include Broadway songwriters Alan Zachary and Michael Weiner.

Kraft is known for producing and directing a Willy Wonka and the Chocolate Factory concert at the famed Hollywood Bowl.

He told the BBC it was his idea to turn the Glasgow event into a musical and that the writing team was “assembled in less time than it takes for someone to sing the first verse of ‘Oompa Loompa Doompa-Dee-Do’.”

He hopes to launch the musical later this year….

…Asked why the Glasgow event might be ripe for the musical theatre treatment, Kraft said: “It is about desperate dreamers who actually have fragments of a great idea, just executed beyond their budget and abilities.”

He said he loved shows “about big-hearted flim-flam artists in musicals like The Music Man, The Greatest Showman, and The Producers. At the core they are romantics who get in over their heads.”…

(7) THREE-BODY, BUT NOT JUST ONE PROBLEM. “’3 Body Problem:’ How Netflix’s new sci-fi saga employs the legendary Wow! signal” – Space.com is sure you’ll want to know.

The Wow! signal is one of the great astronomy puzzles of the past 50 years, but it’s not so mysterious in the sci-fi universe of “3 Body Problem.”

Netflix’s new eight-episode alien invasion saga “3 Body Problem” uses the famous SETI (search for extraterrestrial intelligence) signal as a prominent plot device in its wild centuries-spanning narrative.

The Wow! signal was an intense narrowband radio signal detected on the night of Aug. 15, 1977 by Ohio State University’s Big Ear Radio Observatory and the North American Astrophysical Observatory (NAAPO) during a standard SETI search. No personnel were on duty at the time, yet the strong 72-second-long signal was recorded by a computer printer….

Beware spoiler:

… “3 Body Problem,” which drops on March 21, puts its own spin on the signal. In the series, Wow! is a real message from intelligent aliens beyond Earth. A Chinese astrophysicist responds to the translated signal by inviting the aliens to visit Earth — to humanity’s detriment, as we later learn….

(8) SIGNING TIME. John King Tarpinian has the Glendale Civic Auditorium all prepared to welcome tomorrow’s influx of dealers to the 2024 LA Vintage Paperback Collectors Show & Sale.

(9) JON STOPA (1935-2024). Longtime Chicagoland fan Jon Stopa died March 4 at the age of 88. See the family obituary in the Kenosha News at the link. (The family obituary spells his first name “John”. In the sff field he was known as “Jon” except for the few instances when he used “John” in the credits for his book cover art for Advent:Publishers).

Jon Stopa

Fancyclopedia 3’s article about Jon records that he made his first sf short story sale to Astounding at age 22, “The First Inch” published in 1957, followed by two more appearances in Campbell’s magazine in 1958. Jon’s fourth and last fiction credit was in 1973 with “Kiddy-Lib” in Eros in Orbit.

He co-founded Advent:Publishers in 1955 with Earl Kemp, Robert Briney, Sidney Coleman, James O’Meara, George Price, and Ed Wood. The company produced nonfiction books about the sf field, the first of which was Damon Knight’s essay collection In Search of Wonder (1956).

A Jon Stopa-designed Advent book cover.

Stopa met Joni Cornell at the 1960 Worldcon (Pittcon). They married in 1962 and lived at Wilmot Mountain, Stopa’s family ski resort in Wilmot, WI, where they began hosting Wilcon, a three-day long invitation-only relaxacon.

Jon appears as a bartender in the video Faans (1983) (around the 18:50 mark) in a scene shot at the lodge at Wilmot Mountain.

Throughout the 1960s, the Stopas entered and won many convention masquerades. In the early 1970s, the couple helped found the conrunning group ISFiC.

The Stopas were Fan GoHs at Chicon V, the 1991 Worldcon.

Jon’s survivors include his grandson, Keanen (Kim) Burns; sister, Diane Reese; great-granddaughter, Kinsley Burns; and nieces: Tiffany and Amanda Stopa. Along with his parents and wife; John was preceded in death by his daughter, Deb Burns; and brothers: Walter Jr. and Conrad (Karen) Stopa.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 16, 1920 — Leo McKern. (Died 2002.) Pop culture is wonderful, isn’t it? And Leo McKern was definitely part of it. 

The Prisoner where he was Number Two in three of the seventeen episodes is definitely his best remembered SF role. He played that role more than any of the other seventeen credited actors. That is if you consider The Prisoner to even be SF and not merely a spy series gone very weird. Just tossing that idea out here.

Leo McKern as Number Two in The Prisoner.

Next up is The Adventures of Robin Hood where he was Sir Roger DeLisle, usurper of the Locksley manor and lands, and Herbert of Doncaster, a corrupt moneylender. It was an early Fifties series and his of earliest acting roles. 

Sliding on later in his career is one of my favorite roles by him, Horace Rumpole, a London barrister on Rumpole of the Bailey. He was a great  character to watch, the cases were interesting and the supporting cast was well thought out.

Slipping on over to his radio work, he was the voice of Captain Haddock in the 1992 and 1993 BBC Radio Hergé’s The Adventures of Tintin.

He was “Mac” MacGill in X the Unknown, a Fifties horror SF film from Hanmer Productions; and he’s got a lead role as Bill McGuire in The Day the Earth Caught Fire, an end of the world Sixties film.

The final role I want to mention is in The Adventure of Sherlock Holmes’ Smarter Brother where he gets to be Professor Moriarty. I’m almost certain that I’ve seen it. 

(11) COMICS SECTION.

And we’re overdue to catch up with Tom Gauld!

(12) STAND AND DELIVER. [Item by Steven French.] Sally Wainwright is a national treasure over here in the U.K. so her writing a new fantasy show set in the 18th century (featuring Louisa Harland formerly of Derry Girls as a gender fluid highwaywoman with superpowers!) is a Big Deal: “’I never dreamed I’d get this role!’: Derry Girl Louisa Harland on Sally Wainwright’s thrilling new heroine” in the Guardian.

When Louisa Harland was cast as the lead in the new Sally Wainwright drama, Renegade Nell, the director told her: “Nell needs to be one of those characters, even when she’s on the screen so much, you still want the audience to miss her when she’s not.” It’s quite an ask: Nell is a massive Doctor Who of a role, swashbuckling, always with a new accent or cool pyrotechnics or punch in the face, and Harland fills the screen every second she’s on it. Somehow, though, you do miss her when she isn’t. Meeting the 31-year-old in central London, I can see exactly why she was chosen for Nell, even though almost the first thing she says is “I never in my wildest dreams thought I would get this role. My parents still think it is so random.”

Renegade Nell is a rebel and a chancer, an 18th-century tomboy in a constant life-or-death scenario of some other bugger’s making. The year is 1705, and she’s just lost her husband in a battle that has left her both widowed and superhuman, but only sometimes. The show has a lush period feel and is a closely observed love affair with the British countryside (Harland describes the incredibly precise location scouts combing through forests searching for trees that would have been mature by 1705), but it is powered by mischief – fight scenes, disguises, magic monsters and highway robbery after highway robbery….

(13) JAPANIMATION’S SUICIDE SQUAD. Animation Magazine introduces Warner Bros. Japan LLC’s updated trailer featuring the anime-styled anti-heroes of Suicide Squad ISEKAI.

Synopsis:  In the crime-ridden Gotham city, Amanda Waller, the head of A.R.G.U.S., has assembled a group of notorious criminals for a mission: Harley Quinn, Deadshot, Peacemaker, Clayface and King Shark. These DC Super-Villains are sent into an otherworldly realm that’s connected to this world through a gate. It’s a world of swords and magic where orcs rampage and dragons rule the skies — an “ISEKAI!”

Harley and others go on a rampage after arriving in ISEKAI but are captured by the Kingdom’s soldiers and sent to prison. They only have 72 hours before the bomb on their neck explodes.

The deadline is fast approaching. After negotiations with Queen Aldora, the condition for liberation was the conquest of the hostile Imperial army. They have no choice but to throw themselves head-first into the front line of battle.

They run; they die. They lose; they die. With their lives on the line, can Harley Quinn and The Suicide Squad survive in ISEKAI? Brace yourselves for the pulse-pounding saga of the elite task force known as the “Suicide Squad” as they embark on a jaw-dropping adventure! Let the party begin!

(14) THE HOBBIT DIET EXPLAINED SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] Filers may have noted “(10) NO MICHELIN STARS FOR MORDOR.  CBR.com chronicles ‘Every Meal Hobbits Eat In Tolkien’s The Lord of the Rings’” in “Pixel Would Like A Word With Engineering”. It strikes me that there is a very logical, biological reason for Hobbits requiring more meals than us, larger, humans!

It centres on the fact that scale is size specific: a cube does not have the same spatial properties at any scale – its surface area to volume ration is scale specific. For example, to depart slightly from a simple cube, a single cube might have a volume of one unit and a surface area of six square units: a cube has six sides. However, a cube of volume of two cubic unites only has a surface area of ten square units. (You can easily create a volume of two cubic units by joining two one-cubic-volume cubes together and in the process cover two, one cubic square sides leaving just ten cubic squares as the surface area.)

What this all means is that smaller creatures have proportionally more surface area from which to lose heat.

Hobbits are smaller than humans and so must lose more heat assuming they have the same blood temperature. Proportionally losing more heat means that they must consume proportionally more food, hence require more meals.

Jus’ sayin’.

Second breakfast anyone?

(15) POOR LITTLE MERCURY! Space.com says “Mercury slammed by gargantuan eruption from the sun’s hidden far side, possibly triggering ‘X-ray auroras’”.

A gigantic, fiery eruption around 40 times wider than Earth recently exploded from the sun’s hidden far side. The eruption hurled a massive cloud of plasma into space that later smashed into Mercury, scouring the planet’s rocky surface and potentially triggering “X-ray auroras” on the unprotected world.

The eruption was likely triggered by a powerful solar flare, which occurred around 7 p.m. ET on March 9, Spaceweather.com reported. NASA’s Solar Dynamics Observatory (SDO) spotted a large, partially obscured plasma filament exploding outward from behind the sun’s northeast limb. Based on the amount of visible plasma, the eruption likely spanned around 310,000 miles (500,000 kilometers) across.

SDO data showed that the explosion, which likely left behind a massive “canyon of fire” on the sun’s surface, also released a large coronal mass ejection (CME) — a fast-moving cloud of magnetized plasma and radiation — that collided with Mercury on March 10.

Mercury is often blasted with CMEs due to its proximity to our home star. The small planet has no atmosphere left as a result of this bombardment and is fully exposed to the full force of these solar storms. …

(16) HOT TIMES CLOSER TO HOME. “The Staggering Ecological Impacts of Computation and the Cloud” at The MIT Press Reader. “Anthropologist Steven Gonzalez Monserrate draws on five years of research and ethnographic fieldwork in server farms to illustrate some of the diverse environmental impacts of data storage.” (A full version of this article, as well as a bibliography, can be accessed here.)

…The molecular frictions of digital industry, as this example shows, proliferate as unruly heat. The flotsam and jetsam of our digital queries and transactions, the flurry of electrons flitting about, warm the medium of air. Heat is the waste product of computation, and if left unchecked, it becomes a foil to the workings of digital civilization. Heat must therefore be relentlessly abated to keep the engine of the digital thrumming in a constant state, 24 hours a day, every day.

To quell this thermodynamic threat, data centers overwhelmingly rely on air conditioning, a mechanical process that refrigerates the gaseous medium of air, so that it can displace or lift perilous heat away from computers. Today, power-hungry computer room air conditioners (CRACs) or computer room air handlers (CRAHs) are staples of even the most advanced data centers. In North America, most data centers draw power from “dirty” electricity grids, especially in Virginia’s “data center alley,” the site of 70 percent of the world’s internet traffic in 2019. To cool, the Cloud burns carbon, what Jeffrey Moro calls an “elemental irony.” In most data centers today, cooling accounts for greater than 40 percent of electricity usage….

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd at PBS Space Time this week takes a dive into a decidedly SFnal trope, that of the possible need to hide humanity from aliens as they themselves may be doing so?

Dark Forest: Should We NOT Contact Aliens?

In 1974 we sent the Arecibo radio message towards Messier 13, a globular cluster near the edge of the Milky Way, made up of a few hundred thousand stars. The message was mostly symbolic; we weren’t really expecting a reply. Yet surely other civilisations out there are doing the same thing. So, why haven’t we heard anything? What if the silence from the stars is a hint that we shouldn’t be so outgoing? What if aliens are deliberately keeping quiet for fear that they might be destroyed?

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Steve Green, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 3/12/23 The Rule Is, Unobtainium To-Morrow And Unobtainium Yesterday — But Never Unobtainium To-Day

Posted on by
26

(1) 2022 HUGO WINNER GETS UNEXPECTED VAT BILL. [Item by Cora Buhlert.] My Hugo trophy saga continues, because I got an invoice today charging me import duties and VAT for my trophy. I’m kicking up a bit of a stink about this and tweeted at the German department of trade, because a Hugo trophy is not trade good and I have no idea why they charge me VAT (i.e. sales tax) for something that was not purchased. It’s not so much about the money — Chicon will reimburse me for the costs, but an all-volunteer non-profit organization shouldn’t have to pay import duties and German VAT either. Also, I strongly suspect that e.g. a German Oscar winner would not be charged for their trophy.

Anyway, here is my tweet (in German) to the department of trade. Any boosts would be appreciated.

(2) ARISTOTLE! Jason Ray Carney gives a TED Talk about pulp fiction, sword and sorcery, Robert E. Howard and the value of escapist literature: “The Value of Reading Fiction to Make the Present Less Real”.

(3) IT’S WEDNESDAY ON SATURDAY NIGHT. [Item by Mike Kennedy.] Saturday Night Live featured Jenna Ortega (Wednesday) as the host. So, you know they had to slip in a couple of genre/related bits.

  • “Exorcism”
  • “School vs. School”

(4) LIMELIGHT FOR FANZINES. Cora Buhlert has posted two more “Fanzine Spotlights.”

First: “Fanzine Spotlight: SMOF News”, Petréa Mitchell’s convention-oriented newsletter.

Tell us about your site or zine.

SMOF News is a weekly newsletter about geek-oriented fan conventions, published every Wednesday evening (Pacific time). A typical issue is divided into four parts:

1) The big news of the week, or, if there isn’t any, informational articles about various aspects of cons.
2) News in brief, for minor news and routine items like Convention Adds Guest, Fan Fund Opens Voting, or (sadly) Convention Goes on Indefinite Hiatus.
3) Worldwide convention listings for the next five weekends.
4) One interesting link which does not necessarily have anything to do with conventions.

The overall tone it aims for is “industry newsletter”.

The second is: “Fanzine Spotlight: Remembrance of Things Past and Future”, written and edited by Brian Collins. 

… Tell us about your site or zine.

Remembrance of Things Past and Future is devoted to science fiction, fantasy, and horror as published in the magazines. The history of SF especially is tied to the long history of magazine publishing; some of the old classics of the genre spent years stuck inside brittle magazine pages before getting turned to books. It’s a rather niche criterion for what can be reviewed (a story must have been originally published or reprinted in a zine), but it’s at the same time wide-spanning. I could review a Robert E. Howard serial from 90 years ago and also Elizabeth Bear’s latest (and no doubt good) outing without crossing the streams, so to speak…

(5) NESFA SHORT STORY CONTEST, 2022-23. The 2022-2023 NESFA Short Story Contest winners were announced at Boskone 60 in February. Contest administrator Steve Lee says, “Getting recognition is the best reward for authors.” From the website of past winners:

  • Winner: Amy Johnson of Somerville, MA for the story “Excuse Me, This is My Apocalypse”
  • First runner-up: Dianne Lee of Chicago, IL for the story “The Gambler”
  • Finalist: Chloe Oriotis of Toronto, Canada for the story “Mara’s Moon”
  • Finalist: Gideon P. Smith of Winchester, MA for the story “To Look Upon the Face of God”
  • Finalist: Lauren Zarama of Hopkinton, MA for the story “The Surrogate”

Lee says, “The winner’s story was accepted for publication online in Escape Pod a few months after submission.”

(6) IT IS YOUR DESTINY. OR MAYBE NOT. David M. de León discusses why multiverses are having a moment right now at The Yale Review: “All at Once, the Multiverse Is…”

…As sci-fi writer Ted Chiang has written, the rise of the multiverse represents a seismic change in narrative fiction. “For much of human history, stories reinforced the idea of fate,” Chiang argues. “They told us that events unfolded the way they did because of destiny or the will of God.” But the multiverse is not about destiny. Instead of showing how things must be, it imagines a place where all options are possible and equal, none better or more probable than the other, none more destined or fated….

(7) TODAY’S 10,000. I learned today from the LA Times, “Oscars: Real ‘Everything Everywhere All At Once’ laundromat” that the film was shot in a real laundromat about a mile from where I grew up. Though I’ve never been inside, I have been a customer at the family’s liquor store next door.

Majers Coin Laundry in San Fernando could be any Los Angeles-area laundromat.

It’s tucked between an auto repair shop and a mobile home park, its tall glass windows revealing vending machines stocked with M&M’s and bleach. Rows of metal carts line the front, where the wind occasionally blows them into the asphalt parking lot.

But there’s one detail that sets Majers apart from the competition: For six days in March 2020, this laundromat was home to Daniel Kwan and Daniel Scheinert’s production of “Everything Everywhere All At Once,” now the front-runner for best picture and a host of other prizes at Sunday’s Academy Awards ceremony after sweeping top honors at the Directors, Producers, Writers and Screen Actors guild awards….

(8) HIDDEN AMPAS FIGURES. Variety explains the voting mechanism that determines “How Oscars Best Picture Winners Are Chosen”. Lots weirder than Hugo voting! (The article has today’s date, but discusses the computation that determines the finalists.) Here’s the first stage.

… Depending on how many voters participate this year, a mathematical formula determines what is needed to be a best picture nominee. For the sake of understanding, unless you’re John Nash (played by Russell Crowe in the Oscar-winner “A Beautiful Mind”), we’ll label this the “Best Picture Number,” or “BPN.” PwC oversees the entire process. After all the votes are cast, the BPN is determined by dividing the total number of ballots by 11, which is the number of available nominations plus one. Any film that receives an amount of No. 1 votes that surpasses the BPN is automatically a nominee. Believe it or not, based on how many films are released each year, there aren’t always many movies….

(9) FREE READ. Cora Buhlert has a new flash fiction story out as part of Wyngraf Magazine’s “cozy flash” fiction series. It’s called “Homecoming Gift”.

Prince Colwyn smiled as he stepped onto the pier in the harbour of Calfiris. It was good to be home.

The arrival of his ship the Sea Squall, now a lot more battered than when she had left three long years ago, had not gone unnoticed, and so a squad of guardsmen hastened down the pier to meet him….

(10) IT’S A HORROR. Guardian film critic Peter Bradshaw goes full-on KTF in “Winnie-the-Pooh: Blood and Honey review – cack-handed out-of-copyright horror”.

On the chill stroke of midnight, 31 December 2021, AA Milne’s Winnie-the-Pooh went out of copyright and, like a demon from an open grave, a worryingly bad idea flew out into the world: a horror version of AA Milne’s Winnie the Pooh. Well, here it is, promising to do for Brit horror what Sex Lives of the Potato Men did for Brit comedy, with a terrifying combination of not-scary and not-funny, and a cast of Love Island types on Xanax apparently reading the dialogue off an optician’s chart held up behind the camera….

(11) ON THE FRONT. [Item by Patrick McGuire.] The Princeton alumni magazine has a rather sfnal cover relating to AI, including a picture of Asimov.  It looks to me rather like something F&SF might have run as a cover, maybe in the 1950s.  Of course, now that we’re here in The Future, one can argue that it’s no longer sfnal. Princeton Alumni Weekly, March 8, 2023.

(12) MEMORY LANE.

2019 – [Compiled by Cat Eldridge.] Marvin Lachman’s The Heirs of Anthony Boucher: A History of Mystery Fandom.

Our Beginning this Scroll is that of Marvin Lachman’s The Heirs of Anthony Boucher: A History of Mystery Fandom. Boucher’s Sunday mystery review column for the New York Times Book Review was the first such column for fans of that genre. 

Boucher’s column inspired the first fan magazine, The Armchair Detective, and Boucher then enthusiastically encouraged it and reviewed it. Many say that the column itself led to the creation of mystery fandom. 

It’s an amazing book (available at the usual suspects) that collects all of the columns that he wrote. As they’re not spoilers, I’ll give the full text of one such entry sans the wonderful photo of Len and June Moffatt that was with it.

JDM Bibliophile (1965–2004) A more hard-boiled writer than Patricia Wentworth became the subject of a fan magazine in March 1965 when Len and June Moffatt of Downey, California, first published the JDM Bibliophile (JDMB), devoted to the work of John D. MacDonald. 

MacDonald starting writing for pulp magazines in 1946 during their waning days. He then switched to JDMB, a mimeographed magazine at the time, was described in its initial issue as a “non-profit amateur journal devoted to the readers of John D. MacDonald and related matters.” A goal was to obtain complete bibliographic information on all of MacDonald’s writings, and this was partly achieved with The JDM Master Checklist, published in 1969 by the Moffatts. They had help from many people, including MacDonald himself. Though he kept good records, he, like most authors, didn’t have complete publishing data on his own work. Especially helpful to the Moffatts were William J. Clark and another couple, Walter and Jean Shine of Florida. The Shines published an updated version of the Checklist in 1980, adding illustrations, a biographical sketch, and a listing of articles and reviews of MacDonald. JDMB offered news and reviews of MacDonald’s writings and their adaptation to various media. There were also contributions from MacDonald, including reminiscences and commentary. The Moffatts contributed a column (“& Everything”), as did the Shines (“The Shine Section”). Other JDM fans sent articles, letters, and parodies. One issue, #25 in 1979, included the Shines’ “Confidential Report, a Private Investigators’ File on Travis McGee,” describing information gleaned from the McGee canon about his past, interests, cases, and associates. MacDonald once said of Walter Shine, “He knows more about Travis than I do.” 

After the Moffatts had published twenty-two issues of JDMB, it was transferred in 1979 to the University of South Florida in Tampa, with Professor Edgar Hirshberg as editor. It continued until 1999. One final issue, #65, was published as a memorial to Hirshberg who had died in June 2002. It was edited by Valerie Lawson. On February 21, 1987, about a hundred McGee fans gathered at his “address,” Slip F-18 at the Bahia Mar Marina in Fort Lauderdale, Florida, where McGee kept his houseboat The Busted Flush. The mayor of Fort Lauderdale unveiled a plaque honoring McGee.

Now here’s the Beginning 

Preface

All knowledge is contained in fandom.—Anthony Boucher 

This history of mystery fandom is called The Heirs of Anthony Boucher because it was to Boucher that fans turned before “The Fan Revolution” was launched in 1967. There were fans before 1967, and I shall discuss them. However, it was in 1967 that the mystery developed a fandom that was not limited to specific authors or characters such as Sherlock Holmes. 

Boucher was an excellent mystery writer, but he gave up writing novels—though he continued to write the occasional short story—to review mysteries for the San Francisco Chronicle in 1942. In 1951 he became the mystery critic for the New York Times Book Review. In addition, he reviewed for Ellery Queen’s Mystery Magazine. He was considered the outstanding reviewer of crime fiction in America and on three occasions received Edgars from Mystery Writers of America for his writing.

Boucher mentioned fan activities in his column, but there were few except for those involving Sherlock Holmes. Boucher reviewed what was perhaps the earliest general fan scholarship, A Preliminary Check List of the Detective Novel and Its Variants (1966), an annotated list of recommendations by Charles Shibuk. In 1966 Boucher also wrote of a bibliography of the works of John Dickson Carr, compiled by Rick Sneary of California.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 12, 1886 — Kay Nielsen. Though he’s best known for his work with Disney, for whom he did many story sketches and illustrations, not the least for Fantasia, and The Little Mermaid be it thirty years after his death, I’d be remiss not to note his early work illustrating such works as East of the Sun and West of the Moon, Hansel and Gretel and Andersen’s Fairy Tales. East of the Sun and West of the Moon is my favorite work by him. (Died 1957.)
  • Born March 12, 1914 — John Symonds. Critic of Alistair Crowley who published four, yes four, books on him over a fifty-year period starting in the Fifties: The Great Beast, The Magic of Aleister Crowley, The King of the Shadow Realm and The Beast 666. Needless to say, the advocates of Crowley aren’t at all happy with him. Lest I leave you with the impression that was his only connection to our community, he was a writer of fantasy literature for children including the feline magical fantasy, Isle of Cats with illustrations by Gerard Hoffnung. (Died 2006.)
  • Born March 12, 1925 — Harry Harrison. Best-known first I’d say for his Stainless Steel Rat and Bill, the Galactic Hero series which were just plain fun, plus his novel Make Room! Make Room! which was the genesis of Soylent Green. I just realized I’ve never read the Deathworld series. So how are these? (Died 2012.)
  • Born March 12, 1933 — Myrna Fahey. Another who obviously died far too young, of cancer. Though best-known for her recurring role as Maria Crespo in Walt Disney’s Zorro, which I’ll admit is at best genre adjacent, she did have some genre roles in her brief life including playing Blaze in the Batman episodes of “True or False-Face” and “Holy Rat Race”. Her other genre appearances were only on The Time Tunnel and Adventures of Superman. (Died 1973.)
  • Born March 12, 1933 — Barbara Feldon, 90. Agent 99 on the Get Smart series, who reprised her character in the TV movie Get Smart Again! (1989), and in a short-lived series in 1995 later also called Get Smart. Other genre credits include The Man from U.N.C.L.E. She didn’t have that much of an acting career though she was in the pilot of Rowan & Martin’s Laugh-In. It amazing how many performers guested on that show. 
  • Born March 12, 1952 — Julius Carry. His one truly great genre role was as the bounty hunter Lord Bowler in The Adventures of Brisco County, Jr. oh but what a role it was! Over the course of the series, he was the perfect companion and foil to Bruce Campbell’s Brisco County, Jr. character. He did have one-offs in The Misfits of Science, Earth 2, Tales from the Crypt and voiced a character on Henson’s Dinosaurs. (Died 2008.)
  • Born March 12, 1955 — Jim Mann, 68. Living in the Pittsburgh area, a con-running fan who has worked on quite a few Boskones, chairing Boskone 25 and Boskone 47 as well being involved in Confluences and Worldcons.  He’s edited quite a few books NESFSA, I’ll just single out Robert Bloch’s Out of My Head,  Anthony Boucher’s The Compleat Boucher (which I highly recommended) and Cordwainer Smith’s The Rediscovery of Man.
  • Born March 12, 1960 — Courtney B. Vance, 63. I know him best from Law & Order: Criminal Intent, in which he played A.D.A. Ron Carver, but he has some interesting genre roles including being Sanford Wedeck, the Los Angeles bureau chief of the FBI in the pilot of FlashForward, Miles Dyson: Cyberdyne Systems’ CEO who funds the Genisys project in Terminator Genisys, and The Narrator in Isle of Dogs. He had a recurring role in Lovecraft Country as George Freeman. He earned a Primetime Emmy Award for Outstanding Guest Actor in a Drama Series nomination for that role.

(14) COMICS SECTION.

(15) GAMERS BEWARE. A message from the Ukranian company GSC Game World Team warns about a Russian hacking incident against their work product S.T.A.L.K.E.R. 2: Heart of Chernobyl.

(16) THE HIP BONE’S CONNECTED TO THE THIGH BONE. Galactic Journey’s installment “[March 12, 1968] Be Seeing You (The Prisoner)” begins with an overview by Kris Vyas-Myall, and concludes with this reaction by Fiona Moore:

…Lots of people who tuned in to The Prisoner and watched to the end are, apparently, disappointed. Those people are missing the point. The Prisoner isn’t a spy series, or an sf series, or a metaphor… and yet, it is all of those things. The Village is a real place… and yet it’s also a state of mind, a cloying conformity that, as the series itself demonstrates, could be found in London or the Wild West as much as in Portmeirion, where the series was actually filmed. The point many critics are missing is, The Prisoner is first and foremost a Rorshach test…..

(17) THE LAST SOVIET. In a twist, the podcast will be voiced by former *NSYNC member, Lance Bass, who trained as a cosmonaut himself. (Though he never made his trip due to funding falling through.) “A cosmonaut was stranded in space. Now a pop star tells the story.” at Mashable.

When a Russian spaceship docked as a lifeboat for three stranded men at the International Space Station in February, one may have wondered if Sergei Krikalev, heading the rescue mission, felt any deja vu.

If that name doesn’t ring a bell, he’s also sometimes known as “the last Soviet” for his more than 311 days spent in space as the Soviet Union collapsed 250 miles beneath him in 1991. He was only meant to be at the Mir station for five months. Instead, he remained for close to a year, never abandoning the outpost.

Today, Krikalev, the former cosmonaut, is the executive director of human spaceflight for the Russian space agency. That means it’s on his watch to make sure NASA astronaut Frank Rubio and cosmonauts Sergey Prokopyev and Dmitry Petelin get back home safely after their ship sprang a leak at the station in December 2022. The three marooned crew members were supposed to return this month. But their mission will now stretch for a year, until a new crew arrives to relieve them on a separate spacecraft in six months.

Krikalev’s story of being stranded in space is now getting a perhaps overdue spotlight with a new podcast series called “The Last Soviet.” And it’s being told by another cosmonaut, Lance Bass.

If that name doesn’t ring a bell, he’s also sometimes known as the other blond heartthrob in NSYNC. That’s right: the Lance Bass, who sang “Tearin’ up my heart” with JT, who had a cameo in Zoolander, a satire on the very serious ambitions of beautiful people….

(18) PUCKER UP AND… This is old news (September 2022), but if you haven’t seen it already, the video is interesting. This was an over-inflation-to-destruction test for a inflatable space habitat, so in this case “blow up” has a double meaning. “Why NASA blew up a space habitat in Texas” at Mashable.

When a future house for astronauts explodes, a celebration might seem inappropriate, but engineers at a commercial space company couldn’t be prouder of their shredded outer space house.

Sierra Space, working on one of three NASA contracts to develop commercial space stations, just completed something called the “Ultimate Burst Pressure” test on a mockup of its low-Earth orbit space dwelling. The LIFE habitat(Opens in a new tab), short for Large Inflatable Flexible Environment, could one day serve as rooms on Jeff Bezos’ Blue Origin space station, Orbital Reef(Opens in a new tab). If all goes well, the companies hope to start building the station in 2026.

But first NASA has to run the structure through a gauntlet to ensure it’s safe for humans….

(19) AN AFFECTIONATE AUTOPSY. “’A Disturbance in the Force’ Review: Inside Star Wars Holiday Special” in Variety.

There are times when you look back at pop culture phenomena and can’t resist the urge to ask: Can you believe this actually happened? Tackling a notorious fiasco in one of the galaxy’s most popular franchises, Jeremy Coon and Steve Kozak’s amusing and exhaustive documentary ”A Disturbance in the Force” unpacks 1978’s “Star Wars Holiday Special.”

You don’t have to be an obsessive “Star Wars” fan to enjoy this behind-the-scenes look at how the special — which premiered Nov. 17, 1978 on CBS, and has never been re-run on any broadcast or cable outlet — came to exist. To be sure, the fans will appreciate it a lot more than casual viewers. But it’s also an irresistible hoot for anyone with fond memories of star-studded 1970s musical/variety TV specials — a specific type of highly popular general audience entertainment that, truth to tell, very often showcased more campy excess than anything in the “Star Wars Holiday Special.”…  

Speaking of penny-pinching: You know that scene in which Bea Arthur flirts with what appears to be a large rat? The rodent’s head was recycled from a low-budget 1976 sci-fi melodrama, Bert I. Gordon’s “Food of the Gods.” No, really. Then as now, the show must go on.

(20) VIDEO OF THE DAY. A trailer dropped for Marvel Studios’ Guardians of the Galaxy Vol. 3 last month, but I think we haven’t linked to it yet. Written and directed by James Gunn. Only in theaters May 5.

[Thanks to Cat Eldridge, Mike Kennedy, Patrick McGuire, Cora Buhlert, Jennifer Hawthorne, Hampus Eckerman, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/25/21 Files Runs The Pixel Down

Posted on by

(1) FUTURE UNIONS. “Workers of All Worlds Unite,” a public talk about labor unions in science fiction with Olav Rokne, is a free Zoom event happening Thursday, April 29 at 7:30 p.m. Mountain time. Join the Zoom free here. Or you could also support the event by getting tickets here.

Workers Of All Worlds Unite!

Science fiction is filled with depictions of standard capitalist employment relationships, but little thought seems to have been given to how workers in the future will assert their rights. Join Olav Rokne as he explores the troubled history of labour unions in science fiction, and makes an argument as to why this history matters.

(2) ELLISON TRUST VICTORY. Two weeks ago J. Michael Straczynski, Executor of the Harlan and Susan Ellison Trust, updated fans about a successful action to fight off opportunistic banks.

(3) EXTREMELY HONEST. Ian Moore takes the first step in his Hugo finalist Mt. Tsundoku 12-step program by admitting powerlessness:

(4) HE’LL BE IN SCOTLAND AFORE YE. Recorded April 15, Shoreline of Infinity brings you “Ken MacLeod’s Road Trip”.

Ken MacLeod’s Road Trip takes us from Scotland through the north of England and London to the far side of the Earth. Three talkative passengers – Charles Stross, Justina Robson and Tasha Suri – read from their work, and over the car radio Hannah and Sam Bennett play drive-time music live from the wonderful world of tomorrow. Hosted by Shoreline of Infinity – science fiction magazine and publisher based in Scotland for the world to enjoy.

(5) WHAT DID YOU DO IN THE WAR? People have been trying to answer that question about these familiar names for years.“L. Ron Hubbard, Robert Heinlein and the Kamikaze Group Think Tank – Not So ‘Nothing’ After All?” at The McClaughry’s Blog is a 2017 post, but it’s news to me!

… Not that Hubbard was some kind of White Knight or anything, far from it. Even a brief perusal of our work here at the blog would tell you very quickly that we don’t go easy on Mr. Hubbard. But, I don’t think that we need to discredit his actual bad acts by throwing out wrong characterizations and outright lies about him either.

Hubbard has two big holes in his Navy history that none of the so-called ‘experts’ ever noticed that I documented in my post. Either one of which could easily have been this Aleutians business, and I’m guessing it was the second “hole” from November 3 to November 25, 1944.

It actually fits well with then being tasked with Heinlein to deal with anti-Kamikaze tactics. Heinlein details that two assignments came to him from Naval Intelligence, practically back to back. The problem is, people have put wrong times for when these were. Times that don’t fit with KNOWN dates and events.

Heinlein and other science fiction writers were utilized several times for Naval Intelligence projects…

Right on the back of that is when Heinlein formed his Think Tank on Kamikazes with Hubbard etc. which was also called a “crash” project.

In 1944, Heinlein recruited Hubbard, Sturgeon and others for a project: “Op-Nav-23, a brainstorming job on antikamikaze measures.” [46] The Bradbury Chronicles by Sam Weller, p. 12

I had been ordered to round up science fiction writers for this crash project-the wildest brains I could find, so Ted was a welcome recruit. Some of the others were George O. Smith, John W. Campbell Jr., Murray Leinster, L. Ron Hubbard, Sprague de Camp, and Fletcher Pratt…

– Stephen Dedman in May the Armed Forces Be with You

Ok, first question would be when were these kamikaze attacks?

Although there had been spotty “kamikaze” actions by Japanese fighter pilots with engine troubles etc. earlier in WWII, the first inklings of an actual program appears to have been decided upon by August 1944 but not acted upon until Vice-Admiral Takijiro Onishi, took command of the 1st Air Fleet in the Philippines on October 17, 1944. Onishi had initially opposed the idea, but changed his mind when he took command.

Three days later kamikaze attacks – kamikaze means “Divine Wind” – were introduced October 20 of 1944 and on October 25 the first formal (and mass) kamikaze attacks launched in the Phillippines….

(6) MEMORY LANE.

  • 1976 – Forty-five years ago at MidAmeriCon, the Hugo for Best Novella went to Roger Zelazny for “Home Is the Hangman” which was published in Analog, November 1975.  It would also win the Nebula the same year. The other nominated novellas were “The Storms of Windhaven” by George R. R. Martin and Lisa Tuttle [Analog, May 1975] “ARM” by Larry Niven [Epoch, 1975] “The Silent Eyes of Time” by Algis Budrys [F&SF, Nov 1975] and “The Custodians” by Richard Cowper [F&SF, Oct 1975]. It is collected with the other two novellas in this series, “The Eve of RUMOKO“ and “Kjwalll’kje’k’koothaïlll’kje’k“ in My Name in Legion which is available from the usual suspects. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 25, 1897 — Fletcher Pratt. He’s best remembered for his fiction written with L. Sprague de Camp, to wit Land of Unreason, The Carnelian Cube and The Complete Compleat Enchanter. I’m rather fond of The Well of the Unicorn and Double Jeopardy. I see that he and Jack Coggins were nominated for International Fantasy Award for their Rockets, Jets, Guided Missiles and Space Ships, a non-fiction work published in 1951. Anyone known about this? (Died 1956.) (CE) 
  • Born April 25, 1915 — Mort Weisinger. Comic book editor best known for editing  Superman during in the Silver Age of comic books. He also served as story editor for the Adventures of Superman series,  Before that he was one of the earliest active sf fans, working on fanzines like The Planet (1931) and The Time Traveller (1932) and attending the New York area fan club  known as The Scienceers. (Died 1978.) (CE) 
  • Born April 25, 1915 – Leslie Croutch.  Television & radio repairman.  Half a dozen stories.  Contributor to The Acolyte, Futurian War Digest, Spaceways, Tin Tacks, Voice of the Imagi-Nation, Le Zombie.  Various fanzines of his own, notably Light.  See here and Harry Warner’s appreciation here (PDF).  (Died 1969) [JH]
  • Born April 25, 1920 — John Mantley. He wrote but one SF novel, The 27th Day,  but it rated a detailed write-up by Bud Webster in The Magazine of F&SF which you can read here. (He wrote the screenplay for the film version of his novel which gets an abysmal score of twenty-five percent among audience reviewers at Rotten Tomatoes.) He also produced a number of episodes of The Wild Wild West, Buck Rogers in the 25th Century and MacGyver. (Died 2003.) (CE)
  • Born April 25, 1925 – Margery Gill.  A dozen covers, as many interiors for us; much else.  Here is Four-and-Twenty Blackbirds.  Here is The Saracen Lamp.  Here is Over Sea, Under Stone.  Here is English Fairy Tales.  Here is an interior from A Little Princess.  See this appreciation in the Illustrators Wiki.  (Died 2008) [JH] 
  • Born April 25, 1929 — Robert A. Collins. Edited a number of quite interesting publications including the Fantasy Newsletter in the early Eighties, the IAFA Newsletter in the late Eighties and the early Nineties along with the Science Fiction & Fantasy Book Review Annual with Rob Latham at the latter time. He also wrote Thomas Burnett Swann: A Brief Critical Biography & Annotated Bibliography. (Died 2009.) (CE) 
  • Born April 25, 1941 – Stella Nemeth, age 80.  Book reviews and occasional drawings in The Diversifier, Lan’s Lantern, SF Booklog, Zeor Forum; seen in Algol.  More recently in Art With a Needle.  [JH]
  • Born April 25, 1957 – Deborah Chester, age 64.  Three dozen novels for us (some under different names); several others.  Has a recipe in Anne McCaffrey’s Serve It Forth.  Professor at Univ. Oklahoma.  [JH]
  • Born April 25, 1961 — Gillian Polack, 60. Australian writer and editor. She created the Ceres Universe, a fascinating story setting. And she’s a great short story writer as Datlow demonstrated when she selected “Happy Faces for Happy Families” for her recommended reading section in the ‘04 Year’s Best Fantasy and Horror. She’s reasonably stocked at the usual suspects. (CE) 
  • Born April 25, 1975 – Courtney Schafer, age 46.  Three novels, one shorter story.  Electrical engineer, worked in aerospace.  While at Cal Tech (California Inst. of Technology) she also learned rock climbing, skiing, SCUBA diving; later, figure skating.  Favorite series, the Lymond Chronicles; has also read Hidden Figures, The Little Prince, Watership Down.  [JH]
  • Born April 25, 1979 – Christopher Hopper, age 42.  Half a dozen novels, a score more with co-authors; one shorter story.  Encouraged by his wife he has two million words published; also plays in her band.  He’s breakfasted with Winnie Mandela, kite-surfed in Hawai’i, photographed white rhinos in South Africa, climbed the Great Wall of China.  [JH]
  • Born April 25, 1981 — Silvia Moreno-Garcia, 40. Canadian of Mexican descent. She’s the publisher of Innmouths Free Press, an imprint devoted to weird fiction. Not surprisingly, she co-edited with Paula R. Stiles for the press, the Historical Lovecraft and Future Lovecraft anthologies. She won a World Fantasy Award for the She Walks in Shadows anthology, also on Innsmouth Free Press. She was a finalist for the Nebula Award 2019 in the Best Novel category for her Gods of Jade and Shadow novel. And finally with Lavie Tidhar, she edits the Jewish Mexican Literary Review. Not genre, but sort of genre adjacent. (CE) 

(8) COMICS SECTION.

  • Bizarro finds something at the window gently tapping.

(9) X-MEN NEWS. Christian Holub, in the Entertainment Weekly story “Marvel reveals the results of X-Men fan election” says Marvel sent out a bunch of mini-comics before deciding whether Banshee, Strong Guy, Boom-Boom, or other rookies got to join the X-Men team. Those Twitter comics are linked at the end of the article.

…Election season is finally over for the X-Men. Back in January, Marvel conducted a public vote for fans to choose a member of the newest X-Men team that is set to debut at the much-anticipated Hellfire Gala in June’s Planet-Sized X-Men #1. As with any election, there can only be one winner, and unfortunately lots of losers. But at least fans get to see how each of the candidates — Banshee, Polaris, Forge, Boom-Boom, Tempo, Cannonball, Sunspot, Strong Guy, Marrow, and Armor — responded to the results in a new series of mini-comics published to Marvel’s social media accounts over the past week.

Written by Zeb Wells (Hellions) and illustrated by a variety of artists (including Rachelle Rosenberg who colored them all), each installment of these Twitter comics featured two candidates each reckoning with their loss. First up was Strong Guy and Forge, illustrated by Mike Henderson. Despite the fact that Forge has used his mutant affinity with technology to develop all kinds of bio-organic resources for the new mutant nation-state on the living island of Krakoa, Strong Guy points out that they’re equal in defeat….

(10) WHY DID YOU DESIGN? There’s a Kickstarter to fund production of “The Prisoner Retro Style Action Figures by Wandering Planet Toys”, with versions of Number 6 as he was attired in different episodes, a boxed pair with Number 6 and his nemesis Number 2, and even a Rover figure.  

In 1967 the cult classic TV series, THE PRISONER, came bursting onto the screen. The series, about an unnamed British intelligence agent who awakes to find himself trapped in an idyllic seaside village, was not only an instant hit with viewers at the time, it went on to be watched and re-watched obsessively by fans, quickly gaining cult status.

While there have been several collectables released over the decades, THE PRISONER has never received a line of OFFICIALLY LICENSED ACTION FIGURES… and Wandering Planet Toys is working with our licensing partners at ITV Studios to bring to life 4-inch RETRO STYLE ACTION FIGURES that celebrate Patrick McGoohan’s brilliant series. 

… Want to get information about these figures? Good, because by hook or by crook you will!

No discussion of THE PRISONER is complete without mention of the Village’s spherical guardian and menace, ROVER. In order to evoke the iconic moment of NUMBER 6 pushed up against the gelatinous side of the guardian, we’ve created a Limited Edition plastic packaging unit depicting our hero in the belly of the beast. This package is a resealable clamshell so the figure can be removed for display, then reinserted.

(11) SENATOR, YOU’RE NO JACK KENNEDY. But he makes a pretty good John Scalzi.

(12) REDRUM. It’s official! “NASA’s first color photo from the Mars Ingenuity helicopter is… red” reports Mashable. Images at the link.

Mars is often referred to as the “Red Planet” because of the rusty, reddish-orange sandscape blanketing the planet. That comes into sharp focus in our first color photo snapped by the Mars Ingenuity helicopter.

That was taken about 17 feet above the ground. You can clearly see the sandy red-orange Martian surface. And if you look at the bottom of the image, you’ll clearly see Ingenuity’s shadow, with two of its spindly legs visibly jutting out from it’s rectangular body.

Those patterns in the ground that look like tracks are in fact… tracks left by the Perseverance rover, the remote-operated research vehicle that carried Ingenuity safely to Mars. Once it deposited its flying robot friend the Perseverance headed off to a new location, first to monitor the helicopter for a month and then to proceed with its other duties.

Here’s a closer look at those tracks….

(13) JOSH FIGHT. There can be only one… Josh! Wikipedia explains yesterday’s “Josh fight”. Which is sounds a little like a Pennsic Wars where all the combatants have the same first name.

On the chosen day, several hundred people, including many named Josh, congregated at Air Park.[4][6] Attendees came from as far as New York, Houston,[7] and Washington[8] with some dressed in superhero and Star Wars costumes.[9][10] The gathering also included a fundraising element for Children’s Hospital & Medical Center in Omaha, which raised over $8,000 USD,[3][11] and a food drive that collected over 200 pounds (90 kg) of food for a nearby food bank.[12][13]

Three ‘fights’ were held – one game of rock paper scissors for those named Josh Swain, a second with pool noodles for all attendees named Josh, and a third and final all-in battle for anyone in possession of a pool noodle willing to participate.[14] Only two Josh Swains were in attendance – Josh Swain, the event’s creator, beat a rival Josh Swain from Omaha in the rock paper scissors event.[12] A local four-year-old boy named Josh Vinson Jr., dubbed ‘Little Josh’, who had been treated at Children’s Hospital & Medical Center in Omaha for seizures when he was two years old, was declared the winner and crowned with a paper crown from Burger King as well as a replica AEW World Championship belt

(14) WHAT IF MY ‘PARTNER’ HAS A JOB AND I DON’T? In “AI ethicist Kate Darling: ‘Robots can be our partners’” – a Guardian interviewer goes for the jugular:

But companies are trying to develop robots to take humans out of the equation – driverless robot cars, package delivery by drone. Doesn’t an animal analogy conceal what, in fact, is a significant threat?

There is a threat to people’s jobs. But that threat is not the robots – it is company decisions that are driven by a broader economic and political system of corporate capitalism. The animal analogy helps illustrate that we have some options. The different ways that we’ve harnessed animals’ skills in the past shows we could choose to design and use this technology as a supplement to human labour, instead of just trying to automate people away.

(15) DOME IMPROVEMENTS. The New Yorker asks “Do Brain Implants Change Your Identity?”

The first thing that Rita Leggett saw when she regained consciousness was a pair of piercing blue eyes peering curiously into hers. “I know you, don’t I?” she said. The man with the blue eyes replied, “Yes, you do.” But he didn’t say anything else, and for a while Leggett just wondered and stared. Then it came to her: “You’re my surgeon!”

It was November, 2010, and Leggett had just undergone neurosurgery at the Royal Melbourne Hospital. She recalled a surge of loneliness as she waited alone in a hotel room the night before the operation and the fear she felt when she entered the operating room. She’d worried about the surgeon cutting off her waist-length hair. What am I doing in here? she’d thought. But just before the anesthetic took hold, she recalled, she had said to herself, “I deserve this.”

Leggett was forty-nine years old and had suffered from epilepsy since she was born. During the operation, her surgeon, Andrew Morokoff, had placed an experimental device inside her skull, part of a brain-computer interface that, it was hoped, would be able to predict when she was about to have a seizure. The device, developed by a Seattle company called NeuroVista, had entered a trial stage known in medical research as “first in human.” A research team drawn from three prominent epilepsy centers based in Melbourne had selected fifteen patients to test the device. Leggett was Patient 14….

(16) ANIMATION INSPIRATION. “David Letterman Interviews Mel Blanc in 1982” from Late Night.

Even in his 70’s, Mel never lost those little voices. It amazes me how he could go from one to another so quickly and effortlessly.

[Thanks to Hampus Eckerman, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]

Pixel Scroll 4/11/20 And The Auld Scrollangle Went Pixel Jangle All Along The Files Of The Royal Canal

Posted on by

(1) ONE WORD: PLASTIC! Cora Buhlert’s latest Galactic Journey contribution is: “[APRIL 10, 1965] FURNISHING THE HOME OF THE FUTURE: INTERIOR DESIGN FOR THE SPACE AGE”.

…But while the International Style may excel at furnishing office buildings, its minimalist purism does feel a little too cold and bland for the home. Thankfully, our Northern neighbours are on the case with furnishings that manage to be both modernist and cosy.

In the past three decades, Scandinavia has emerged as a source of beautiful and functional design to the point that Scandinavian Modern has become a recognisable style found in many homes in Europe (including my own) and beyond.

Traditionally, Scandinavian Modern has been associated with clean lines, neutral palettes and natural materials like wood, leather and wicker. A prime example is the beautiful “Hammock” chair by Danish designer Poul Kjærholm. However in recent times, Scandinavian designers have branched out and embraced materials like plastics as well as brighter colours….

(2) PREDICTING THE PRESENT. John Scalzi was interviewed by NPR’s Weekend Edition: “Set 1,500 Years From Now, ‘The Last Emperox’ Is Still Pretty Timely”.

Now, the scientists of Scalzi’s world knew the Flow was going to collapse — but they didn’t do anything about it. Why?

“Primarily wish fulfillment and greed,” he says. “The idea that, sure, this thing is going to happen. But is it really going to happen the way that the scientists and experts say it’s going to happen? And even if it is happening in that way, isn’t there a way that we can work it to our advantage so that when it finally does happen, we’ll still be OK while everybody else is kind of in trouble?”

(3) TIME ON YOUR HANDS? WIPE IT OFF. The pandemic is no joke, despite which McSweeney’s contributors are getting a lot of laughs out of it. Consider Scott Bolohan’s declaration “I Am Using My Free Time To Not Write A Novel”.

They say the best way to not write a novel is to not write every day. When you first wake up is a particularly good time to not write. But as I join billions of others around the world in quarantine, I worry my newfound free time is going to get in the way of not writing a novel….

(4) OUT THE WINDOW. And if Charles Stross ever writes a third Scottish near-future police procedural (following Halting State and Rule 34) it won’t be the one he planned: “Yet another novel I will no longer write”. But you can see an excerpt of what might have been.

…And the whole theme of this untitled novel was going to be: this is elite panic, and this is disaster capitalism, and this is what really happens during a zombie epidemic, and these things are not the same—

And then COVID-19 came along and basically rendered the whole thing unneccessary because we are all getting a real world crash-course in how we deal with people suffering from a viral pandemic, and we do not generally deal with them using shotguns and baseball bats even if they’re so contagious that contact might kill us.

Because—fuck my life—writing plausible near-future SF in the 21st century wasn’t hard enough already.

Anyway, let me leave you with the WARNING very rough, first draft, unpolished only existing fragment of what was intended to be The Lambda Functionary before COVID-19 buried it at the crossroads with a mouthful of garlic and a stake through its heart….

(5) EXPANDING HORIZONS. Drew Hayden Taylor is “Imagining an Indigenous science-fiction festival for the stay-home era” in the Toronto Globe and Mail. A good jumping off point for anyone interested in exploring indigenous SF.

This may come as a surprise, but self-isolating on a Central Ontario First Nation can be quite boring. Especially when you consider that B.C. (Before COVID-19), I would’ve been returning from the sun-drenched hills of Albuquerque, N.M., at this very moment, fresh from IndigiPop X, essentially an Indigenous Comicon. There, amidst as many as 2,000 other IndigiNerds, I would have been wallowing ecstatically in a pop culture smorgasbord of film, music, gaming and panels discussing topics as diverse as how to develop a superhero, developing storylines throughout a comic book series, exploring the implications of the effects archetypes in pop culture have on communities and individuals, and the crafting of costumes for cosplay and film … all with Indigenous themes. Like most other things, it was cancelled. And I wept.

But I don’t need an Indigenous science-fiction convention to explore all that. Sitting in my living room, bored silly, I have decided to celebrate my own sci-fi festival. It will have practically everything the one in Albuquerque would, except our sci-fi will be locally sourced.

(6) BUFFY VIDEO BUFFET. SYFY Wire reports “Buffy cast set for virtual Q&A”. There’s a free segment (see below). They’re also selling 2-minute live video chats with the celebrities.

…As entertainment conventions and film/TV productions around the world remain shut down under the coronavirus lockdown, some events are taking creative approaches to the situation. Some, like SXSW, are screening films with partners like Amazon. Others, like convention company Wizard World, are taking things 100 percent virtual.

One of these Wizard World Virtual Experiences is the Buffy the Vampire Slayer and Angel event (not really a panel, since everyone’s going to be online) featuring a free 45-minute live video Q&A with castmembers James Marsters, Amber Benson, Clare Kramer, Elisabeth Röhm, Emma Caulfield, and Camden Toy. The moderated Q&A will stream on Twitch, Facebook Live, and YouTube.

Where otherwise fans may have lined up to get an autograph, they’ll now be able to pay for a few minutes of exclusive facetime with their actor of choice or get a recorded video message. They can also still get autographs (just shipped to their homes). As cons continue to adapt to the new normal of the pandemic, an all-online comic con doesn’t seem too far-fetched.

The Buffy the Vampire Slayer and Angel Q&A takes place on April 11 at 12:00 PM PDT.

From the Wizardworld site:

FREE Live Q&A: Take part in this free, interactive and moderated 45-minute live video Q&A with the cast of Buffy/Angel!  Livestream will be viewable on the Wizard World Virtual Twitch channel, Facebook Live, and YouTube.

(7) TALBOT MUNDY REMEMBERED. Michael Dirda whets readers’ appetite for a book newly in the public domain: “For fans of Indiana Jones and Dan Brown, an adventure story for the ages” in the Washington Post.

First published as a book in 1924 and thus out of copyright this year, Talbot Mundy’s “The Nine Unknown” is an occult thriller for fans of the Indiana Jones movies, Dan Brown’s “The Da Vinci Code,” Rudyard Kipling’s “Kim” and, of course, Mundy’s other supernaturally inflected adventure classics, “King — of the Khyber Rifles” and “Om: The Secret of Ahbor Valley.” Set in India, the novel focuses on a secret society — the Nine Unknown — that has existed for centuries, accumulated immense wealth and used its esoteric powers to shape the course of history. As one character says, “Viceroys, kings, and all their pomp are side-shows.”

….Mundy’s “The Nine Unknown” is just one of several highly entertaining novels published in the United States in 1924 and now in the public domain. Let me also recommend Lord Dunsany’s beautifully written romantic fantasy “The King of Elfland’s Daughter,” P.C. Wren’s Foreign Legion swashbuckler, “Beau Geste,” Edgar Rice Burroughs’s “The Land That Time Forgot,” Francis Brett Young’s spooky “Cold Harbour,” and such golden-age mysteries as Edgar Wallace’s nostalgically kitschy “The Green Archer” and A.E.W. Mason’s “The House of the Arrow.” Any of these books will provide at least temporary respite from the nightmare in which we now live.

(8) HELP FOR SFWA MEMBERS. “SFWA Announces Resources for Writers Affected by COVID-19” at the SFWA Blog. Grants, medical assistance and dues relief are available to SFWA Members.

Mary Robinette Kowal, president of the Science Fiction and Fantasy Writers of America (SFWA) today announced relief efforts to help members of the science-fiction and fantasy (SF/F) community affected by the COVID-19 pandemic, including a combination of dues relief, grants, and other programs.

“These are unprecedented times,” Kowal said. “Many of our members are facing painful and difficult circumstances. For creative artists, in particular, the pandemic has brought the cancellation and suspension of much of our usual access to revenue. Uncertainty about the future is in the air, and bills continue to come due.”

Many SFWA members have seen their income sharply reduced, as publishers delay anthologies and novels, advertising vanishes in the flood of news, and public events like conventions and tours are canceled or postponed. Many bookstores and other distributors have shuttered, and readers have less money for buying books.

To respond to these challenges, SFWA today announced a series of measures to support its members….

(9) LADY DUNSANY DIES. Ireland’s Meath Chronicle has a familiar name in the obituaries: “Lady Dunsany dies from Covid-19 as son pays tribute to frontline workers”.

Lady Dunsany, Maria-Alice De Marsillac Plunkett, has died from Covid-19, her son, Randal Plunkett, announced tonight.

She was wife of the late Edward Plunkett, 20th Lord Dunsany, who died in 2011, and mother of the present Lord, the filmmaker and conservationalist, Randall.
The Brazilian-born architect is also survived by two children from her first marriage, and Randal’s younger brother, Oliver….

(10) HEATH OBIT. SYFY Wire reports:

Hilary Heath, the actress who co-starred with Vincent Price in the 1968 British-American cult horror hit Witchfinder General and also appeared on TV in The Avengers and Space:1999, has died of complications due to the coronavirus. She was 74.

The Hollywood Reporter obit includes this quote –

Following a turn in The Body Stealers (1969), she reunited with Price in Edgar Allan Poe’s The Oblong Box (1969) and Cry of the Banshee (1970).

“I adored Vincent,” she said during a 2010 panel discussion. “I played his mistress, his daughter and his wife. And he said, ‘If you ever play my mother, I’ll marry you.’ ” 

(11) TODAY IN HISTORY.

  • April 11, 1986 — The Toxic Avenger was released nationally two years after it premiered in New York City. It directed by Michael Herz and Lloyd Kaufman (who is credited here as Samuel Weil) as written by Kaufman and Joe Ritter. It was the first installment of The Toxic Avenger franchise which would encompass three more films, a Marvel Comics series and a short lived children’s animated series. Mitch Kessler was the Toxic Avenger with his voice  provided by Kenneth Kessler. Critics at the time ranged in their opinions from disgusted to delighted with the mainstream ones decidedly not liking it; it currently holds an approval rating of 70% among  audience reviewers at Rotten Tomatoes.  Kaufman and Herz are currently attached to a reboot.  

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 11, 1867 — William Wallace Cook. Newspaper reporter and pulp writer who wrote four novels (The Fiction Factory, A Round Trip to the Year 2000, or A Flight Through Time, Cast Away at the Pole and Adrift in the Unknown, or Adventures in a Queer Realm) which were serialized in Argosy in the early part of the last century. Clute at EoSF says he was “was a crude writer, but is of interest for his attempts to combine adventure plots and Satire.” (Died 1933.)
  • Born April 11, 1920 — Peter O’Donnell. Best remembered as the creator of Modesty Blaise who  of which EoSF says that her “agility and supple strength are sufficiently exceptional for her to be understood as a Superhero”.  He also wrote the screenplay of The Vengeance of She based on H. Rider Haggard’s Ayesha: The Return of She novel. (Died 2010.)
  • Born April 11, 1941 — Gene Szafran. He did the cover art for genre  books published by Bantam and Ballantine during the Sixties to the Eighties, including a series of Signet paperbacks of Robert A. Heinlein’s work including Farnham’s Freehold, The Green Hills of Earth, and Methusaleh’s Children. His art would garner him four Locus Awards. (Died 2011.)
  • Born April 11, 1949 — Melanie Tem. She was the wife of genre author Steve Rasnic Tem. A prolific writer of both novels and short stories, she considered herself a dark fantasy writer, not a horror writer. Bryant, King and Simmonds all praised her writing. If I had to make recommends, I’d say start with Blood Moon, Witch-Light (co-written with Nancy Holder) and Daughters done with her husband. ”The Man on the Ceiling” won her a World Fantasy Award.  She died of cancer which recurred after she’d been in remission. (Died 2015.)
  • Born April 11, 1952 — James Patrick Kelly, 68. One of his best stories, “Solstice” is in Sterling’s Mirrorshades anthology. Of course, he’d win the Hugo Award for “Think Like a Dinosaur” and “1016 to 1”, both amazing pieces of writing! The Mariska Volochkova series is the one I would definitely recommend if you’ve not read it yet.
  • Born April 11, 1955 — Julie Czerneda, 65. She won the Prix Aurora Award for her Company of Others novel. She’d also receive one for Short Form in English for her “Left Foot on A Blind Man” Story, both of these early in her career.  She has a long running series, The Clan Chronicles which is as sprawling as anything Martin conceived.
  • Born April 11, 1963 — Gregory Keyes, 57. Best known for The Age of Unreason tetralogy, a steampunk and magical affair featuring Benjamin Franklin and Isaac Newton. He also wrote The Psi Corps Trilogy and has done a lot of other media tie-in fiction including Pacific Rim, Star Wars, Planet of The Apes, Independence Day and Pacific Rim. 
  • Born April 11, 1981 — Matt Ryan, 39. He’s John Constantine in Constantine and the Arrowverse along with being regular cast now on Legends of Tomorrow starting with fourth season, as well as voicing him on Justice League Dark and the superb  Constantine: City of Demons.

(13) COMICS SECTION.

  • Grant Snider’s advice —

(14) ON THE MARGINS. The New York Times asks “Can Comic Books Survive the Coronavirus Era?”

….The dollars at stake are substantial: in recent years, sales of comics and graphic novels in the United States and Canada have topped $1 billion annually, with printed comic books accounting for more than a third of that figure, according to an analysis by Comichron and ICv2, sites that track the comic business. Digital sales contribute about $100 million to that total.

But now, neither the people who make comic books nor the veteran observers of this industry see a quick solution; they cannot predict whether the current calamity will eradicate only some stores and publishers or an entire, decades-old model of doing business.

“I do think this is an extinction-level event,” said Heidi MacDonald, editor of The Beat, a comics culture website. “It’s life-changing for everyone. This is a whole industry that lived on very thin margins. There’s no port in this storm.”

Publishers of every size recognize that they are at risk. Dan Buckley, the president of Marvel Entertainment, which is home to Spider-Man, the X-Men and the Avengers, said in a statement, “This crisis is having an unprecedented impact on every aspect of our lives and requires patience and perseverance,” adding that he remained optimistic that comics “are here to stay.”

(15) DRUCKER APPRECIATION. In the Washington Post, Michael Cavna has an appreciation of Mort Drucker, including interviews with cartoonists Sergio Aragones and Tom Richmond and The Simpsons producer David Silverman.  Cavna recalls interviewing Drucker at a Reuben Awards ceremony in 2015 and asking him if “there was anyone he could not caricature.”  “My wife,” said Drucker.  “She’s too perfect to draw.” “Mort Drucker’s legendary Mad magazine caricatures spoofed Hollywood — and Hollywood loved them”.

(16) YOU ARE, NUMBER SIX. Paleymatters.org interviewed Alan Moore about The Prisoner TV series in 2018.

DB: What appealed to you about the show then, and what appeals to you about it now? How much of it did you understand initially as ergodic storytelling?

AM: First and foremost, it was the show’s experimentalism and radicalism that made the impact. Some of its sensibilities were already in the televisual air around then, with the wackier Avengers episodes and Anthony Newley’s Strange World of Gurney Slade (which I hadn’t then seen), but it was The Prisoner which seemed to most perfectly synthesise these exciting new elements and approaches into a coherent vehicle, a vehicle apparently aimed at affecting the mind of the viewer in ways that, outside of avant garde theatre and cinema, the general public hadn’t previously encountered.

I certainly didn’t understand it as ergodic storytelling at that point, and in fact have just had to look up the word “ergodic.” If I’m interpreting the term correctly, ergodic storytelling would be narratives that go through their permutations but always return to an underlying state of ongoing stability, an example being most serials and soap operas: disruptions to the underlying situation will provide the excitement and motivations for a given number of episodes, but once the disruption has been resolved the ongoing narrative will settle back to its basic state, ready for the next thrilling or amusing disruption. While The Prisoner seemed to hammer home its ergodic nature — with the bars slamming across McGoohan’s face at the end of each episode after another thwarted escape — it never really seemed to me to be playing to the comforting endless stasis of a show like, say, The Fugitive. It always seemed as if this was a narrative that was heading towards a fixed point and a conclusion.

David Bushman: Apparently many, many people in the U.K. were incensed by the ending — the reveal of Number 1, the Delphian nature, etc. Do you remember your initial reaction to the series finale?

Alan Moore: I imagine you’re almost certainly right about the scale of public anger aroused by the Gnostic extravagance of that final episode, but that wasn’t at all my experience as a thirteen-year-old in Northampton’s Boroughs neighborhood, a district not widely regarded for its intellectual acumen. Down in the Boroughs, everybody that I spoke to, children and adults both, seemed far more stimulated and intrigued by that final episode than they were infuriated….

(17) PURPOSE OF SFF. Recently it was Chandra K. Clarke’s turn to come up with “The Big Idea” at Whatever. The author says, “For my money, science fiction’s highest and best use is to inspire people to think about the future they want.” 

…When tech bros weren’t burning tens of millions of dollars on dubious inventions, such as Wi-Fi-enabled juicers, they were launching massive, disruptive “platforms” that had the capacity to be positive socioeconomic forces, with little thought (or care) for how they might be abused. Where it once it felt as if we were on the verge of some big breakthroughs and substantial progress, we now feel as if we’re scrambling to avoid disaster while fighting a rearguard action.

My response to this was to write Echoes of Another. In it, a well-meaning scientist invents a technology that can record and play back the neurological and physiological states associated with “flow”—that rare but lovely state of total focus and peak performance. She wants to be able to invoke flow on demand so that humanity can bring peak states to bear on our biggest problems. But before she’s able to do much with her prototype, it is stolen, copied, and put to a range of uses, both good and . . . well, really rather bad….

(18) SPACE CHOW. In WIRED, Nicola Twilley, interviews Ariel Ekblaw, head of the Space Exploration Initiative at the MIT Media Lab.  One section of the initiative is about what sort of hobbies will keep astronauts’ minds stimulated on long space voyages,  But she spends most of her article profiling Maggie Coblentz, head of the initiative’s gastronomic research division, about how reasonably tasty food can withstand space instead of “space gorp” astronauts usually eat. “Algae Caviar, Anyone? What We’ll Eat on the Journey to Mars”.

… The focus group gathered in a fluorescent-lit conference room decorated with large-format photos of lollipops and Buffalo wings and coiled spirals of salami. On the table, Coblentz had laid out small plastic cups of M&Ms, freeze-dried cheese bites, and Tang; these would serve as both snacks and design inspiration. Nespoli showed up with props of his own—some silvery foil packets from NASA’s current menu rotation; some cans filched from the Russian supplies and the European Space Agency, including one simply labeled SPACE FOOD; and a translucent plastic package filled with what looked like yellowish plugs of ear wax but were apparently dehydrated mashed potatoes. “Nobody goes to space for the food,” Coleman said.

(19) HARRY POTTER CRAFTS. These knitting kits will be the first in Hero Collector’s new handicrafts range. The collection is scheduled to launch Q3 2020, and starts with five kits:

  • Hogwarts Express Door Insulator: This kit contains everything you need to make a Hogwarts Express inspired door insulator. Finished item measures approx. 61cm long.
  • House Scarves: Show your house pride by knitting your own Hogwarts house scarf. Do you belong to Gryffindor, Ravenclaw, Hufflepuff or Slytherin? Finished item measures at least 160 cm.
  • House Slouch Socks and Mittens: Need something more to keep you warm this winter? These house pride socks and mittens will do the trick! Or perhaps you have a house-elf that would be all too happy to receive them…
  • House Reversible Backpacks: Complete your house pride collection by creating a “magical” reversible backpack, perfect for carrying all your items to school (cauldrons excluded).
  • Teapot and Egg Cosies: For all the Mrs Weasley’s out there, you can now show your love for the Wizarding World by knitting these teapot and egg cosies.

(20) LIGHTS OUT. Space.com says mark your calendar: “We’re T-minus 4 years to the next Great American Solar Eclipse in 2024”.

The next Great North American Solar Eclipse is coming.

Four years from now, on Monday, April 8, 2024, a total eclipse of the sun will sweep across our continent. The dark shadow cone of the moon — known as the umbra — will trace out a path like a black crayon across parts of 15 states. An estimated 130 million people will either be positioned inside or within less than a day’s drive of the zone of the total eclipse. Almost all of North America, as well as Central America and a sliver of northwestern South America will see a partial eclipse. 

(21) OF RARE DEVICE. “Rube Goldberg Bar of Soap Challenge” on YouTube is a contest from Rube Goldberg, Inc. (run by Goldberg’s granddaughter, Jennifer George, in which contestants have to come up with Goldberg like- contraptions that place a bar of soap in someone’ hand in either 10 or 20 steps. Contest details here.

[Thanks to John King Tarpinian, Bella Michaels, Mike Kennedy, Michael Toman, Martin Morse Wooster, JJ, Cat Eldridge, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 1/8/19 Hey, Babe, Take A Scroll On The File Side

Posted on by

(1) PRINT HUGO NOMINATING BALLOT AVAILABLE. The print version of this year’s Hugo nomination form has been released as part of Dublin 2019 Progress Report 3 [PDF File].

(2) CAPTAIN MARVEL. A “special look” at the forthcoming Captain Marvel movie.

Hope begins with a hero. Check out this special look at Marvel Studios’ Captain Marvel! In theaters March 8.

(3) FIYAH RESTARTER. Charles Payseur brings news as well as short fiction reviews in “Quick Sips – Fiyah Literary Magazine #9”.

A new year means a new issue from Fiyah Literary Magazine. Which comes with some news. Namely, that co-executive editor Justina Ireland is stepping down and leaving the publication and DaVaun Sanders is stepping up into that role. The issue also steps back from the tradition of centering around a specific theme, though that doesn’t mean that there aren’t a few that sneak in. Namely, a lot of the works look at infection, disease, and affliction. They map the devastation that pandemics create, whether the plagues are medical, magical, or moral. And they find characters who are faced with the sicknesses draining their worlds and have to decide what to do about it. Fight back? Seek a cure? Flee? Or weather the storm as much as possible? It’s an issue full of defiance and strength, though it recognizes that sometimes even that isn’t enough. There’s four short stories, one novelette, and two poems to get to, so let’s dive right into the reviews!

(4) DC IN 2021 WORLDCON BID NEWS. If the (currently unopposed) bid to hold the 2021 Worldcon in Washington DC succeeds, here’s who will chair —

The Baltimore-Washington Area Worldcon Association, Inc. (BWAWA) the sponsoring organization of the DC in 2021 Worldcon bid elected Bill Lawhorn and Colette H. Fozard as the co-chairs of the resulting Worldcon should we win site selection.  Bill has been very active in local DC fandom for many years, and was recent co-chair of the World Fantasy Convention in 2018 in Baltimore. Colette has been working and running volunteer-run genre conventions for over 20 years, and was most recently one of the Vice Chairs of Worldcon 75 in Helsinki in 2017.

(5) WORLDBUILDING. At Juliette Wade’s Dive Into Worldbuilding, “Alex White and A Bad Deal for the Whole Galaxy“ takes up author White’s second novel. You can see the video interview, and read a summary at the link.

… Alex really likes to explore the practical aspect of magic. They say, for example, that the arsonist’s mark is not very useful. You might get stuck in the military, but even there, it’s not super-useful to throw fireballs. Magic doesn’t get busted out every ten minutes, either. When you’re young, you want to magic up the place. But Alex compares it to how adults typically don’t climb stairs for no reason.

Some forms of magic are inherently unethical. There’s no good way to torture and kill.

Amplification technology can magnify magic power. Suddenly the fireball you can cast becomes huge. They describe the differences between magical marks as creating a caste system. Some marks are worth lots of money. Datamancy, which allows you to instantly correlate and get answers from any database, can get you rich. Even within the group of people who possess the same mark, there is diversity, as in other social groups. There are lots of common, easily recognizable marks. You only get one type of mark, and having no mark (called Arcana dystotia) is vanishingly rare. People are spiritual about their magic, and afraid of losing it….

(6) GAIMAN. Neil Gaiman will be among those honored with the Barnes & Noble Writers for Writers Award at a ceremony on March 7. Poets & Writers has the story:

The Barnes & Noble Writers for Writers Award celebrates authors who have given generously to other writers or to the broader literary community. The award, which is presented each year at Poets & Writers’ annual dinner, is named for Barnes & Noble in appreciation of its long-standing support.

Recipients of the 2019 Barnes & Noble Writers for Writers Award are Reginald Dwayne Betts (for mentoring individuals involved in the criminal and juvenile justice systems and for his efforts to reform these systems); Neil Gaiman (for advocating for freedom of expression worldwide and inspiring countless writers); and Roxana Robinson (for her long-standing, fierce, and outspoken advocacy on behalf of authors).

[Via Locus Online.]

(7) PRISONER ON RADIO. BBC Radio 4 is dramatizing for radio the iconic 1960s television mystery series The Prisoner as a series of audio plays.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 8, 1908 – William Hartnell. The very first Doctor who first appeared when Doctor Who firstaired on November 23rd, 1963. He would be the Doctor for three years leaving when a new Showrunner came on. He played The Doctor once more during the tenth anniversary story The Three Doctors (aired 1972–73) which was the last thing he filmed before his death. I scanned through the usual sources but didn’t find any other genre listing for him. Is that correct? (Died 1975.)
  • Born January 8, 1925 – Steve Holland. Did you know there was a short lived Flash Gordon series, thirty one episodes in 1954 – 1955 to be precise? I didn’t until I discovered the Birthday for the lead in this show today. Except for four minor roles, this was his entire tv career. Biography in “Flash Gordon: Journey to Greatness” would devote an entire show to him and this series. (Died 1997.)
  • Born January 8, 1941  — Boris Vallejo, 78. Illustrator whose artwork has appeared on myriad genre publications. Subjects of his paintings were gods, hideous monsters, well-muscled male swordsmen and scantily clad females. Early illustrations of Tarzan, Conan the Barbarian and Doc Savage established him as an illustrator.
  • Born January 8, 1942 – Stephen Hawking. Y’all know who he is, but did you know that Nimoy was responsible for his appearance as a holographic representation of himself in the “Descent” episode?  He was also guest starred in Futuruma and had  a recurring role on The Big Bang Theory. Just before his death, he was the voice of The Book on the new version of The Hitchhiker’s Guide to the Galaxy radio series. (Died 2018.)
  • Born January 8, 1947 – David Bowie. First SF role was as Thomas Jerome Newton in The Man Who Fell to Earth. He next shows up in The Hunger, an erotic and kinky film worth seeing. He plays The Shark in Yellowbeard, a film that Monty Python could have produced but didn’t. Next up is the superb Labyrinth where he was Jareth the Goblin King, a role perfect for him. He shows up again in The Hunger later on as The Host. From that role, he went on to being Pontius Pilate in The Last Temptation of Christ, an amazing role by the way. He was in Twin Peaks: Fire Walk with Me  as FBI Agent Phillip Jeffries, a role which was his last role when he appeared later in the Twin Peaks series.  He also played Nikola Tesla in The Prestige from Christopher Priest’s novel of the same name. (Died 2016.)
  • Born January 8, 1977 – Amber Benson, 42. Best known for her role as Tara Maclay on Buffy the Vampire Slayer. Her post-BtVS genre credits are scant with a bit of work on Supernatural, a truly shitty Sci-fi Channel film called Gryphon, a web series called The Morganville Vampires and, I kid you not, a film called One-Eyed Monster which is about an adult film crew encountering monsters. She is by the way a rather good writer. She’s written a number of books, some with Christopher Golden such as the Ghosts of Albion series and The Seven Whistlers novel which I read when Subterranean Press sent it to Green Man for review. Her Calliope Reaper-Jones series is quite excellent too.
  • Born January 8, 1979  — Sarah Polley, 40. H’h what did I first see her in? Ahhhh she was in The Adventures of Baron Munchausen! Let’s see what else she’s done… She’s been in the animated Babar: The Movie, Existenz, No Such Thing (which is based very loosely on Beowulf), Dawn of the Dead, Beowulf & Grendel (well sort of based on the poem but, errr, artistic license was taken) and Mr. Nobody.

(9) RE-RUN. In case you missed it, the winning entry in the 1984 Bulwer-Lytton contest was –

‘The lovely woman-child Kaa was mercilessly chained to the cruel post of the warrior-chief Beast, with his barbarian tribe now stacking wood at her nubile feet, when the strong clear voice of the poetic and heroic Handsomas roared, ‘Flick your Bic, crisp that chick, and you’ll feel my steel through your last meal.”

(10) TESS DISCOVERY. “NASA spacecraft spots gaseous planet 23 times the size of Earth”  — The Guardian has the story.

Three new planets and six supernovae outside our solar system have been observed by Nasa’s planet-hunting Tess mission in its first three months.

Since it started surveying the sky in July, the MIT-led Transiting Exoplanet Survey Satellite project has identified Pi Mensae b, a “super-Earth” that travels around its star every six days, and LHS 3844b, a rocky world with an orbit of only 11 hours.

The most recent discovery, an exoplanet named HD 21749b, has the longest orbital period at 36 days. It orbits a bright, nearby dwarf star about 53 light years away in the Reticulum constellation, and is thought to have a surface temperature of about 1,650C (3,000F). This is relatively cool considering its proximity to its star.

(11) ICONIC LITTLE LIBRARY. The Bookshelf blog has a photo of a cute-as-the-dickens “Tardis Little Library”. Click to see.

(12) PORTALS. Joe Sherry has some great insights as part of “Microreview [book]: In an Absent Dream, by Seanan McGuire” at Nerds of a Feather.

…The genius of Seanan McGuire is how tightly she is able to wrap barbed spikes around the narrative so that as the reader is pulled in closer and closer that those barbs pierce our hearts and we don’t mind one bit. McGuire so perfectly captures the painful alienation of children….

(13) SOCIETY OF ILLUSTRATORS MOCCA ARTS FESTIVAL. The featured artists for this year’s MoCCA Arts Festival have produced a keynote artwork for the event:

Peter and Maria Hoey are brother and sister artists. Their illustrations appear in newspapers and magazines, commercials, and advertising worldwide. Since 2007 they have independently published their comics under the name COIN-OP. The first hardcover collection of their work: Coin-Op Comics Anthology 1997-2017, published by Top Shelf Productions / IDW Publishing, is out now. Their early comics appeared in many issues of the legendary BLAB! Magazine. They are currently hard at work on their first full length graphic novel. Peter and Maria Hoey are represented by Rapp | Art.

The Hoeys will be attending the Fest as Featured Artists. Further scheduling information about their attendance will be available in future announcements. The MoCCA Arts Festival will take place April 6 – 7th, 2019 from 11AM – 7PM on Saturday and 11AM – 6PM on Sunday. Mere steps from the Hudson River Greenway and the Intrepid Sea, Air and Space Museum, MoCCA’s host venue, Metropolitan West, will encompass two floors of exhibitor tables, demo lounges, a gallery of original art showcasing the work of special guests, and a café providing beverages, snacks, and entrées. To learn more about this year’s MoCCA Arts Festival click here.

The MoCCA Arts Festival is a 2-day multimedia event, Manhattan’s largest independent comics, cartoon and animation festival, drawing over 7,000 attendees each year. With 400 exhibiting artists displaying their work, award-winning honorees speaking about their careers and artistic processes and other featured artists conducting workshops, lectures and film screenings, our Festival mission accelerates the advancement of the Society’s broader mission to serve as Manhattan’s singular cultural institution promoting all genres of illustration through exhibitions, programs and art education.

The 2019 MoCCA Arts Festival will take place April 6-7th, 2019 at Metropolitan West in New York City with programming mere steps away at Ink48 (653 11th Ave).  Applications to exhibit at the Fest will be available during the month of December. 

(14) EVOLUTION IN ACTION. NPR invites you to “Meet The Granary Weevil, The Pantry Monster Of Our Own Creation”.

If you store grains in your pantry, you’ve probably had the unfortunate experience of opening a package or jar to find tiny bugs living inside.

You’re not alone — there are more than 200 species of these pesky grain insects ruining dinner plans around the world on a daily basis. It’s no accident that they’ve made a home in your pantry — they’ve evolved along with humans. In a way, they contain a fascinating natural history of our own domestication.

This is particularly true of the granary weevil. A reddish-brown beetle that turns up in oats, rice, corn, dry pasta and more, it’s the only grain insect that has never been found outside of human food-storage situations.

Most grain insects are equal opportunity pests — feasting on animals’ food supplies in addition to our own. But the granary weevil has outplayed the others with a special adaptation that at first appears to be a disadvantage: It can’t fly. Its wings have fused together, encasing it in a solid exoskeleton. (Imagine getting knocked around by grains the size of your own body — you’d definitely want a protective suit like the granary weevils’.) But that also makes it hard to get anywhere outside its pile of grain.

(15) CONVERTIBLE. “Hyundai shows off ‘walking car’ at CES” — includes short puffy video — looks like animation rather than live-action.

Hyundai has shown off a small model of a car it says can activate robotic legs to walk at 3mph (5km/h) over rough terrain.

Also able to climb a 5ft (1.5m) wall and jump a 5ft gap, the Hyundai Elevate could be useful for emergency rescues following natural disasters, it said.

It was part of a project exploring “beyond the range of wheels”, it added.

The concept has been in development for three years and was unveiled at the CES technology fair in Las Vegas.

“When a tsunami or earthquake hits, current rescue vehicles can only deliver first responders to the edge of the debris field. They have to go the rest of the way by foot,” said Hyundai vice-president John Suh.

“Elevate can drive to the scene and climb right over flood debris or crumbled concrete.”

(16) BOHEMIAN ELEMENTARY. Daniel Dern says, “Although I’m still fond of the Suicide Squad trailer and several other renditions…,” he calls attention to John Lewis & Partners + Waitrose & Partners Ad – Bohemian Rhapsody, adding: “Not to mention the best stage-crew recruitment ad (not its purpose) ever…”

[Thanks to Mark Hepworth, JJ, John King Tarpinian, Juliette Wade, SF Concatenation’s Jonathan Cowie, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Michael J. Walsh, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Pixel Scroll 7/20/18 The Pixie With the Moxie Is The Scroll That Is Droll

Posted on by

(1) JAMES GUNN CANNED BY DISNEY. The director’s offensive tweets were unearthed and have led to him being fired by Disney according to Yahoo! Entertainment — “Disney Drops James Gunn From ‘Guardians of the Galaxy’ Franchise After Offensive Tweets”.

Director James Gunn has been dropped from Disney’s Marvel franchise “Guardians of the Galaxy” over old tweets.

“The offensive attitudes and statements discovered on James’ Twitter feed are indefensible and inconsistent with our studio’s values, and we have severed our business relationship with him,” said Alan Horn, chairman of  Walt Disney Studios, in a statement.

Gunn, the writer-director of Marvel’s “Guardians of the Galaxy” franchise, apologized late Thursday after a series of old (now deleted) tweets resurfaced in which the filmmaker made what he admitted were “offensive” jokes about taboo topics like rape and pedophilia.

Gunn frequently tweets about his opposition to President Donald Trump, and thus drew the ire of fans of the president such as right-wing provocateur Mike Cernovich, who began posting a series of old tweets by Gunn, many of which were subsequently deleted.

Online sleuths then dug up dozens of old tweets of the sort Gunn admitted were “offensive,” many from between 2008 and 2011.

“Expendables is so manly I f–ed the s– out of the p-ssy boy next to me,” he wrote in one.

“The best thing about being raped is when you’re done being raped and it’s like ‘whew this feels great, not being raped!’” read a tweet from February 2009.

Deadline’s coverage adds these details: “James Gunn Fired From ‘Guardians Of The Galaxy’ Franchise Over Offensive Tweets”.

Disney and Marvel had never announced that Gunn would direct the third installment of Guardians of the Galaxy, but Gunn certainly declared it on social media. And after Guardians of the Galaxy 2 last summer grossed $863 million worldwide, to the original’s $773 million, there was every expectation he would remain at the helm. After all, the sly humor and tone that just crushed his career trajectory helped fuel the irreverently humorous tone of the Guardians franchise.

Unsurprisingly – “James Gunn Won’t Appear At Comic-Con After Being Axed From ‘Guardians Of The Galaxy’”. Deadline has the story.

James Gunn, who was fired today from Disney’s Guardians of the Galaxy franchise after past offensive tweets surfaced, will not make a planned appearance at Comic-Con in San Diego today where he was set to appear on Sony Pictures’ Hall H session to tout an upcoming horror film he is producing.

Gunn has made the following response:

(2) WORST TOWN ON TV. Reason.com’s Glenn Garvin says don’t even stop there for gas — “Stephen King’s Nightmare Town Castle Rock a Distillery of Horrors”.

…Hulu’s new series Castle Rock is clearly an attempt to answer a question that has occurred to nearly every King reader multiple times over the years: Do the folks in this town ever notice the unholy frequency with which their neighbors fall into quicksand pits, get ravaged by their house pets, or are driven insane by mundane household items purchased at pawn shops?

Oh, yes they do, and you’ll have a creepy good time as Castle Rock follows their efforts to figure out why their town is such a demonic piece of crap. One of the lead investigators is even a Realtor, who I imagine faces some serious professional challenges in a town like this. (“It’s very cute little Cape Cod at an owner-was-murdered-by-a-jealous-neighbor-for-having-sex-with-the-ghost-of-Elvis price!”)

(3) CATCHING UP WITH THE PRISONER. It’s news to me! Apparently this sequel came out 20 years ago. Titan Comics is bringing it back.

Cult classic The Prisoner has been captivating audiences and firing imaginations since it first aired in the UK in 1967 and in the US the following year. Now fans can go even deeper into The Village with this official graphic novel sequel set twenty years after the events of the iconic TV series.

Originally published in 1988, Shattered Visage tells the story of former secret agent Alice Drake, whose round-the-world solo voyage is interrupted when she is accidentally shipwrecked and washes up on the shores of The Village. There she encounters Number Six, finds out what has become of Number Two, and discovers the true purpose of The Village.

Titan Comics, a licensee of ITV Studios Global Entertainment, are delighted to release this long out-of-print classic with new material, including character sketches and notes from writer/artist Dean Motter . Fans can finally get their hands on the unmissable next chapter in THE PRISONER saga for the first time in years.

(4) HAPPY BIRTHDAY TOR.COM. As part of Tor.com’s tenth anniversary celebration, Stubby the Rocket chronicles “15 Rituals The Tor.com Office Has Developed”.

Tor.com has existed on the internet for 10 years. And when you work in an office and you also work on the internet, where one day gives you a week’s worth of events to react to, you develop a lot of shorthands and rituals to get through the day….

6.) Dressing Up The Office, Part 1: Unicorn Lamp/Rocket Lamp

We had an in-office fundraiser for our unicorn lamp, and we adore it. (We also gave each color of the unicorn a different name after trying and failing to apply a single name.) Then we had an in-office fundraiser for a rocket lamp as well. It makes the place more homey, particularly during the darker parts of the year, and reminds us that we are all unicorns on the inside and rockets on the outside.

(5) RAMBO ACADEMY. The Rambo Academy for Wayward Writers has posted a new list of classes. Notably, Seanan McGuire will be teaching a new class, an Ann Leckie’s doing her awesome space opera class again. Cat Rambo says if money’s an issue, see the info about scholarships below: “Classes for the Rambo Academy through October”.

Free scholarships: If you cannot afford a class but really want to take one, apply for a Plunkett Scholarship. Each class has a slot reserved for such a student, and the sole criteria is that you can’t afford the class but really think it would be useful for you. To apply, mail me with your name, the class name/date, and a brief statement about why you want to take the class. QUILTBAG and PoC candidates are especially encouraged to apply. The Plunkett Scholarships are named for Edward Plunkett, who wrote as Lord Dunsany. Scholarship recipients will be notified the week before the class.

(6) SCHNEPP OBIT. Jon Schnepp (1967 – 2018): US actor, animator, director; died July 19, aged 51. Animation work includes Aqua Teen Hunger Force (18 episodes, 2000-02), Space Ghost Coast to Coast (eight episodes, 1995-99), Metalocalypse (62 episodes, 2006-12); he has a voice role in The Oracle of Outer Space, due out later this year.

(7) TODAY IN HISTORY

  • July 20, 1969 – How could it be 49 years already?

At 10:56 p.m. EDT, American astronaut Neil Armstrong, 240,000 miles from Earth, speaks these words to more than a billion people listening at home: “That’s one small step for man, one giant leap for mankind.” Stepping off the lunar landing module Eagle, Armstrong became the first human to walk on the surface of the moon.

  • July 20, 1976 — Viking I landed on Mars to explore the surface of the Red Planet. The first robots on Mars, Viking I and its successor gave scientists their first information about the planet’s surface, including information they hoped would allow people to walk there. Although the Viking probes found no evidence of life on Mars, they returned detailed pictures of the planet and information about the soil’s composition. (John King Tarpinian will eat a Mars bar after he finishes his Moon Pie.)

(8) PROBABLY SOMETHING BUT NOT A TUX. The message Worldcon 76 sent to encourage Hugo nominees to dress up for the ceremony generated a certain amount of resentment, and things were already touchy before Paul Cornell’s tweet threw gasoline on the fire. Cornell soon banished it from Twitter. However, there’s a screencap in Kay Taylor Rea’s response —

Some of these selected tweets were direct comments on Cornell’s, while others addressed the general conversation rippling through the sff community.

Alternatively –

(9) ON THE RUNWAY. Meanwhile, Jodie Whittaker made a fashion statement wearing a hood at “Comic-Con 2018”

In the midst of this year’s Her Universe fashion show, founder Ashley Eckstein stepped forward and apologized for a last-minute addition to the line-up, a model who was late but who really wanted to walk the runway. And since it was the day of Comic-Con in which the new Doctor Who crew had been introduced, it was appropriate that the model would be wearing some new Whovian fashion.

From the moment she stepped on to the runway, though, the model looked familiar. Head down, hair dangling, it was clear she was almost made for the jacket that looked like the 13th Doctor’s. Of course, it’s because she is the 13th Doctor, making a surprise appearance for fans and to talk with an excited Eckstein.

 

(10) TAKEI MEMOIR. A graphic novel about George Takei’s childhood in a California concentration camp in WWII will come out next year: “George Takei Memoir ‘They Called Us Enemy’ Coming in Summer 2019”.

With immigration and the detention of migrant children in the news, IDW Publishing has announced details of They Called Us Enemy, a graphic novel memoir of George Takei’s childhood in American internment camps.

To be released in summer 2019, They Called Us Enemy will be co-written by Takei, Justin Eisinger and Steven Scott, with art from Harmony Becker. Its plot revisits the actor and activist’s childhood as one of 120,000 Japanese Americans held in American concentration camps run by the United States during the Second World War.

According to the publisher’s official description, the book is “Takei’s firsthand account of those years behind barbed wire, the terrors and small joys of childhood in the shadow of legalized racism, his mother’s hard choices, his father’s tested faith in democracy and the way those experiences planted the seeds for his astonishing future. What does it mean to be American? Who gets to decide? When the world is against you, what can one person do?”

“It has always been my mission in life to raise the awareness of the unjust imprisonment of Japanese Americans in barbed-wire prison camps during World War II,” Takei told The Hollywood Reporter. “But I had no idea how chillingly relevant that dark chapter of American history would be to our times today.”

(11) DOOR DRAGONS. Here’s a chance to avoid missing the party:

(12) HE’S GOT THAT COVERED. Let Boing Boing tell you about the latest nuisance filing: “Trademark troll who claims to own “Dragon Slayer” now wants exclusive rights to book covers where someone is holding a weapon”.

Austin’s Michael-Scott Earle, last seen around these parts when he filed a trademark on the phrase “Dragon Slayer” for use in fantasy novel trademarks, has found a new depth to plumb: he’s filed a trademark on book covers “one or more human or partially human figures underneath, at least one of the figures holding a weapon; and an author’s name underneath the figures; wherein the title/series and author’s name are depicted in the same or similar coloring.”

(13) NIGHTMARE. Charles Payseur connects you with short fiction — “Quick Sips – Nightmare #70”.

The pair of stories from Nightmare’s July issue focus on people trapped in situations where they don’t have a lot of power, mostly because of their age. They weigh in on opposite sides of the specrtum, though, one character made vulnerable because of his old age, put in a home where he might be preyed upon at any moment and aware always of his own approaching death. The other piece focuses on a young person in a stifling household, living with rules that aren’t designed to protect him so much as to make his parent’s life easier. In both situations, the toxicity of the environment manifests in ways great and small (and sometimes furred) and forces the characters to choose if they’ll stay and try to face them or try to escape from a power they might not be able to defeat head on. Let’s get to the reviews!

(14) LEST DARKNESS PALL. Nature has a line on “A planet the colour of charcoal”.

A hot and gaseous planet orbiting a distant star is one of the darkest ever found.

Astronomers led by Teo Mo?nik at Keele University, UK, used NASA’s Kepler telescope to study a star called WASP-104, which lies roughly 144 parsecs from Earth in the constellation Leo. Earlier observations had documented a dimming of WASP-104’s light every 1.76 days, indicating that a planet was regularly crossing the star’s face. But Mo?nik’s team could not detect starlight reflecting off the planet, as scientists usually expect after discovering a new world. That led the researchers to conclude that the planet is nearly pure black in colour.

(15) TOAD IN THE HOLE. That’s what Ellen Klages ordered in Episode 72 of Scott Edelman’s Eating the Fantastic podcast.

Ellen Klages

…And then move on to this episode’s guest, Ellen Klages, who won the Nebula Award in 2005 for her novelette, “Basement Magic.” Her novella, “Wakulla Springs” (co-authored with previous guest of the show Andy Duncan), was a finalist for the Hugo and Nebula awards and won the World Fantasy Award in 2014.

She won the Scott O’Dell Award for Historical Fiction, the Lopez Award for Children’s Literature, and the New Mexico State Book Award for Young Adult Literature for her first novel, The Green Glass Sea. She has served for twenty years on the Motherboard of the James Tiptree, Jr. Literary Award. Her novella “Passing Strange” was one of the finalists for this year’s Nebula award.

Our venue for this episode was the relatively new Whitfield at Ace Hotel. This was certainly the most picturesque setting for a meal I experienced in Pittsburgh, because the building which housed both hotel and restaurant was a century-old former YMCA.

We discussed why it took 40 years from the time she wrote the first sentence of her Nebula Award-nominated story “Passing Strange” to finish the tale, what a truck filled with zebras taught her about the difference between storytelling and real life, how cosplaying helped give birth to her characters, what she finds so fascinating about creating historical science fiction, why revising is her favorite part of writing, the reason she’s the best auctioneer I’ve seen in my lifetime of con-going, what she teaches students is the worst mistake a writer can make, how her collaboration with Andy Duncan gave birth to an award-winning novella, whether she still feels like “a round peg in genre’s polyhedral hole” as she wrote in the afterword to her first short story collection, and much more.

(16) ON THEIR WAY. Tor.com’s Lee Harris promised readers A Pair of Solarpunk Novellas from Becky Chambers without giving a definite date when they’ll come out.

Ever since I read The Long Way to a Small, Angry Planet I’ve wanted to work with Becky. She has a lightness of touch that makes you want to keep turning the page. So, when I contacted her and she suggested we work together on a couple of solarpunk books I was delighted. There’s a lot of darkness in the world, today, and I can’t wait to bring you Becky‘s trademark adventure style, wrapped up in a bundle of positive SF. It’s what we need, right now.

(17) CAPITAL CATS. In our national’s capital, a credential census is planned: “Washington, D.C., Is Counting All Its Cats. It Will Take 3 Years And $1.5 Million”.

…Various groups are working to spay and neuter stray cats or facilitate cat adoptions. Thousands of cats each year are spayed or adopted.

But groups like the Humane Rescue Alliance “have little sense if their programs are the lion’s share of adoptions in the city, or if their trap-neuter-return program is effective in helping to control the cat population,” Fenston writes.

It’s not easy to gauge a city’s cat population by eye alone.

“Cats are hard to see,” conservation biologist Tyler Flockhart told The New York Times. “You see very few cats when you’re out walking around. And that’s because they’re secretive animals. When you see a cat, there is almost certainly more than one there.”

(18) UNCREDENTIALS AND GAMING. Linda Holmes of NPR made the connection — “Put Your Face In It: How Gaming Helped Me Understand My Dog”

When I am walking my dog around the neighborhood now, I imagine him going boop-boop-boop as he wanders along wondering what he should approach, much as I do when I walk from my Stardew Valley farm to the place where I will once again sell my virtual parsnips. And when he sees an empty Doritos bag lying on its side on the street, I realize that he is having the same experience I did the first time I picked up an imaginary oyster on the imaginary beach. He is saying to himself, “This could be some wonderful and magical key to a benefit yet unrealized! This could be magic! This could taste delicious! This could transport me to another dimension!” Most importantly, he is thinking what I am always thinking any time I fail to investigate anything: “But what if I really neeeeeed it?” And he is pushing the only button he has. His action button.

(19) SUGGEST A NAME. But Spacy McSpaceFace need not apply: “Wanted: Inspiring name for Europe’s 2020 Mars rover”. This time suggestions will go to a panel instead a popular vote.

Here’s your chance to name the European rover that will go to Mars in 2020.

Currently called ExoMars, the six-wheeled robot needs something a bit more engaging and inspiring for when it lands on the Red Planet.

Astronaut Tim Peake is leading the hunt for a great moniker.

[Thanks to John King Tarpinian, SF Concatenation’s Jonathan Cowie, Steve Green, David Doering, Cat Eldridge, Chip Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, DMS, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/13/18 It Was The Time Of The Pixel In The Year Of Scroll One

Posted on by

(1) DALEK WITH A COIFFURE. Look familiar? No, it’s not Davy Crockett…

(2) W76 MEMBER COMMUNICATIONS ASSET. Kevin Roche, Chair of Worldcon 76 in San Jose, announced: “Several members of the convention volunteered to moderate a Worldcon 76 resource sharing/membership transfer group for us on FaceBook. We happily took them up on the offer!”

WorldCon 76 Membership Transfer and Resource Sharing

This is the official page for WorldCon76 attendees seeking to connect with each other in order to transfer memberships and to share resources and information.

(3) SUPER SHRINKAGE. Kinky Data compares “Superheroes’ Height Vs
the Actor’s Actual Height”. (Carl Slaughter wonders, “How exactly did they discover the height of so many comic book superheroes?”)

(4) WITH NO CLINCHES. The author of Archivist Wasp explains it all to you at The Book Smugglers: “Alternatives to Romance: Nicole Kornher-Stace on writing platonic relationships in Archivist Wasp and Latchkey (& a Giveaway)”.

In the three years since Archivist Wasp was published, there’s one thing about it that keeps coming up in reviews and reader comments/questions again and again. Which is fine by me, since I haven’t gotten tired of talking about it yet! (Hilariously, after signing up to write this post, I got put on a Readercon panel on the same topic. They said: Tell us why you should be on this
panel. I said: I never shut up about this topic. Ever. It is the soapbox I will die on. And they gave me the panel! Readercon = BEST CON.)

And so, without further ado! The full, entire, possibly long story of why I write all my close relationships as friendships instead of romances, the pros and cons of same, and how I wish more books/movies/shows/etc would do so. (I do. So much. Universe, take note.)

(5) VALUES. A WisCon panel writeup by KJ – “Creativity and ‘Productivity’: A Panel Report and Meditiation”.

…One of the most interesting things to happen was also one of the first: as the panelists were introducing themselves, the moderator, Rachel Kronick, wondered out loud why, in these situations, we introduce ourselves with our resumes. Whether she’d planned to say it or was struck by inspiration in the moment, it was the perfect thing to get me thinking about how much we in fandom tend to define ourselves by our work, by our accomplishments. An immediate mindset shift, in the moment. I only had one panel after this one, and although I still gave the “resume” introduction, it was definitely in my mind.

One of the first topics for the panelists was the source of productivity as a measure of worth. Capitalism came in for a lot of the blame, of course, but the panelists also brought up Puritanism: if something is fun, it can’t be valuable. It’s the work ethic baked into American society (which I’ve most often heard called the “Protestant work ethic“: a tenant of Calvinism claiming you can tell who will be “saved” by their dedication to hard work and frugal living). When we measure our value by how much we produce, and how much we are paid for that production (whether that be in money, goodwill, or fandom attention), it’s really easy to think of any time not spent “producing” as “wasted.” This is absolutely a trap that I fall into, and although I fight it, I know I don’t succeed very well.

On the flip side, we have fandom as a capitalist activity: measuring your dedication as a fan by how much money you spend on Stuff. Books, movie tickets, video and other media, branded merch, costumes, going to cons… fannishness can get really expensive, and too much gatekeeping goes on around activities that cost money and time. Although this didn’t come up at the panel, as I type up these thoughts now I see a tension between the work ethic that values austerity on one hand, and a culture that demands voracious consumption on the other. This double bind isn’t unique to fandom, of course, but I’ve never really thought to apply it in this context before.

(6) THREATS. CBR.com reports “Vertigo Writer Receives Veiled Death Threats Ahead of SDCC Appearance”.

Comic-Con International in San Diego is a place where fans from all across the world gather to share their love of all things pop-culture, from comic books to movies to video games, etc. However, some fans, sadly, choose to share hate instead, as evidenced by a social media post from Border Town writer Eric M. Esquivel.

“I woke up to death threats (‘We’re not sending I.C.E. to Comic Con, we’re sending exterminators’),” Esquivel’s tweet reads. Even in the face of verbal assault, though, the writer remained positive, instead choosing to focus on the joy of holding the first issue of his and artist Ramon Villalobos’ soon-to-be-released Border Town in his hands….

(7) WE INTERRUPT YOUR FOOTBALL. For this important announcement:

Comparable information appears in this brief commercial:

(8) PRISONER COLLECTIBLE. Titan Comics is publishing The Prisoner: Kirby & Kane Artist Edition HC Vol.1 this week, “a hard cover edition of never-seen-before work based on the iconic TV series, created by two legends of comic book art.”

This special oversized collectors edition will contain the entire 17 page Jack Kirby strip, the first six pages of which were inked and lettered by Mike Royer, as well as 18 pages of pencils drawn by artist Gil Kane. In addition to reprinting these rare pages, this collection also features unmissable bonus archive material including facsimiles of the original script as written by Steve Englehart.

This book is part of several releases from Titan to mark the 50th anniversary of The Prisoner – join us in celebrating this cult classic!

(9) TODAY IN HISTORY

  • July 13, 1984 — The Last Starfighter premiered on this day

(10) TODAY’S BIRTHDAYS

  • Born July 13, 1940 – Sir Patrick Stewart. Various Trek affairs but also roles in the X-Men franchise and Dune, and myriad voice work such as The Pagemaster, Steamboy, The Snow Queen and Gnomeo & Juliet. Yeah another animated gnome film.
  • Born July 13, 1942 – Harrison Ford. The Indiana Jones and Star Wars franchises, also Cowboys & Aliens and Blade Runner and Blade Runner 2049.
  • Born July 13 – Steve McQueen, 30. Yes the grandson of that actor. Genre roles in The Vampire Diaries, Threshold, Piranha 3D and the forthcoming Legacies series which apparently features werewolf / vampire hybrids.

(11) COMICS SECTION.

  • I read the news today — PVP.

(12) WALKING HOUSEPLANT.

https://twitter.com/jjvincent/status/1017363560928890880

(13) LANGUAGE CREATOR. Lauren Christensen takes you “Inside
J.R.R. Tolkien’s Notebooks, a Glimpse of the Master Philologist at Work”
in her New York Times review.

From Qenya to Gnomish to Sindarin, the “high elven-speech” J. R. R. Tolkien uses amply throughout the “Lord of the Rings” trilogy was the product of almost 40 years of what the English author once referred to as his “secret vice”: glossopoeia, or language creation. As Carl F. Hostetter writes in an essay in Catherine McIlwaine’s “Tolkien: Maker of Middle-earth,” his was a labor “performed and preserved on thousands of manuscript pages containing Tolkien’s minutely detailed description and unceasing elaboration (and revision) of not just one but rather of a family of invented languages, which can be collectively called the Elvish tongues.”

Although not alone in this practice, Tolkien was the first philologist to establish such a network of evolving dialects that derive from one another “by slowly accumulating changes and divergences in form across time from a common ancestor species.” Tolkien drew this partial table of sound-correspondences among five Elvish languages — Qenya, Telerin, Noldorin, Ilkorin and Danian — around 1940….

(14) LOAD THE CANON. EpicPew gives a Catholic perspective on “Saint Tolkien’:
Why This English Don Is on the Path to Sainthood”.

Evangelizing through beauty

J.R.R. Tolkien, in this writer’s opinion, has one of the best innate grasps of evangelizing through beauty of anyone writing in the 20th century. Why? Because his work is permeated with a Catholic understanding of beauty. That which is beautiful is pleasing to the senses, but doesn’t stop at a surface level, rather acting as an icon that draws you into deeper realities and encounter with the Divine.

The world Tolkien created in Middle Earth is steeped in this beauty and nobility that raises your mind upwards and calls you to higher things. You can’t readhis epic work without feeling stirred to your very bones to live a life of greatness, rather than comfort.

Is it possible that even Pope Emeritus Benedict XVI himself was thinking of the small hobbit Frodo Baggins when he exhorted us that “we are not made for comfort, but for greatness”?

Well, maybe not.

But it certainly applies, and the story is a grace of inspiration and encouragement for those who wish to take the path less traveled and embark on that narrower road which leads to salvation….

…Tolkien’s potential patronage

Who would turn to Tolkien with prayer requests? He’s the potential patron saint of the hopeless, the wanderers, and (of course) romantics.

(15) STRANGE HORIZONS. Charles Payseur’s short fiction reviews resume with: “Quick Sips – Strange Horizons 07/02/2018 & 07/09/2018”.

Two new issues of Strange Horizons means two new pieces of short fiction (one short story, one novelette) and two new poems, all of which look at distance and drive, humans and aliens. For the fiction, there’s not a whole lot to link the pieces together, one of which looks at language and abuse, the other at speed and drive and competition. Similarly, the poem isn’t incredibly similar either, one looking at the inhuman at the end of a long mission, the other at changes in body and relationship while also showing those changes striking toward a more stable truth. What does link everything together, though, is a wonderful and moving style, and a range of speculative visions all reflecting back the ways people are hurt by others, and the way people hurt themselves, all reaching for connection, community, and belonging. To the reviews!

(16) SHADOW SUN SEVEN. Paul Weimer has a “Microreview [book] Shadow Sun Seven by Spencer Ellsworth” posted today at Nerds of a Feather.

The complex tale of Jaqi, reluctant opposition to a Resistance that has in turn just toppled an oppressive human galactic empire, continues in Shadow Sun Seven, sequel to Spencer Ellsworth debut novella A Red Peace. This second novella jumps off not long after the first. It should be said that discussion of this second volume, a short novel, does necessarily spoil the first novella.

That novella, which posited, explored and depicted a wide ranging universe with half-Jorians, lots of biological weapons and creatures that would fit in a Kameron Hurley novel, and a net of complicated characters. By the end of the first novella, Jaqi, Half-Jorian, and Half Human pilot, had managed to spirit away two children from the Resistance that are looking for them at any cost, and had slowly started to learn that she has a destiny and power that she never knew, a destiny and power tied to the original, extinct race of which she is just a hybrid descendant gene engineered cross. Or is she?…

(17) WOMEN OF SFF IN THE SEVENTIES. James Davis Nicoll reaches names beginning with the letter R in “Fighting Erasure: Women SF Writers of the 1970s, Part IX” at Tor.com.

Pamela Sargent first caught my eye with 1976’s Cloned
Lives, which takes a refreshingly mundane look at the lives of the world’s first clones.
Their unusual parentage does not confer on them any particular special abilities like telepathy or telekinesis. Her Venus terraforming epic (Venus of Dreams, Venus of Shadows, and Child of Venus) may have been denied its proper place in the public psyche due to a somewhat troubled publication history; all three are in print and worth consideration. Also of interest is Sargent’s Women of Wonder series (Women of Wonder, More Women of Wonder, and The New Women of Wonder, followed in the 1990s by Women of Wonder: The Classic Years, and Women of Wonder: The Contemporary Years). The difficulty of tracking down the rights at this late date probably precludes reprints, but used copies are easily obtained.

(18) HUGO NOMINEE RANKINGS. Joe Sherry’s series reaches the nonfiction: “Reading the Hugos: Related Work”. Surprisingly, he hasn’t read Ellison, but now he has read the Ellison bio —

A Lit Fuse: Here’s my genre confession: I can’t be sure if I’ve actually read Harlan Ellison before…

Nat Segaloff’s biography is necessarily a slanted one, biased towards Ellison. Segaloff doesn’t hide Ellison’s flaws, but he does minimize them and give them Ellison’s context and Ellison’s shading. As a biography, it’s a fairly well written and comprehensive one. If I were a fan of Ellison, I would probably be thrilled by detail of the man’s life. Also, a
person doesn’t need to be likeable to be interesting or to be worth writing about. This is good, because I’m not sure I would have liked him much. I’m quite sure he wouldn’t have liked me. The problem is that there is a bit of tedium to the writing and the recounting of Ellison’s life. Time will tell if A Lit Fuse turns out to be an important science fiction biography in the long run, but it is certainly a less vital and immediate work on the Hugo ballot.

(19) RETRO FAN HUGO RESOURCE. And when you’re all done with this year’s Hugo reading, you can get started deciding what to nominate for next year’s Retro-Hugos. The Fanac.org site has hundreds of zines already available.

Fan History Spotlight:

Next year’s Retro Hugos will cover 1943, and we’ve been focusing on that year as we put up additional fanzines. We have almost 250 zines from 1943 already online. Remember, before the internet, before inexpensive long distance phone calls, before air travel was common, the world came to your door by the mailbox, twice a day. The byplay, the chatting, the fannish flame wars were all conducted on paper. In 1943, FAPA (aka the Fantasy Amateur Press Association) sent out over 1,200 pages of fannish writing in 4 mailings. We have 1,196 pages of those online for you now. FAPA is a real window on the fannish world of that era, with contributions by all the BNFs of the time, including Ackerman, Ashley, Joquel, Laney, Shaw, Speer, Tucker, Warner, Widner, Wolheim and more. There’s the first publication of Lovecraft’s “Fungi From Yuggoth” Cycle. There’s a “Decimal Classification of Fantastic Fiction” by Sam Russell, and interesting in-context materials and commentary on Degler and the Cosmic Circle controversy. But wait! There’s more. See for yourself at http://www.fanac.org/fanzines/FAPA_Mailings/.

(20) 95 IS THE NEW 79. The Stan Lee hype machine gets back in gear – Syfy
Wire has the story:“Stan Lee in first of new series of videos: ‘I’m back again with new energy'”

In a tweet posted on Thursday, Lee appeared in the first video since POW! Entertainment reasserted control over the creator’s social media channels. He joked about his age (“It’s taken me a while to get used to being 79 years old,” said the 95-year-old Lee) and promised his fans that he’s back.

(21) HARLAN STORIES. Ted White’s piece for the Falls Church News-Press,
“Remembering Harlan Ellison and His Place in My Life”, is not exactly a eulogy.

…Proximity to me reinforced in Harlan his need to settle his
debt to me. But Harlan was scuffling as a freelance writer; he had no regular income and coming up with an extra several hundred dollars wasn’t easy for him. But one August evening we went to a party in the Bronx and there encountered Ken, whom Harlan hadn’t seen in nearly five years. Harlan braced him for the money. Ken had effectively stolen the typewriter after all, and clearly owed Harlan, who owed me. Harlan was forceful in his demands, but Ken, still without a real income of his own (later he would edit a movie magazine), gave Harlan no
satisfaction.

But he did something else. He told his best friend about Harlan’s demand, and the colorful threats Harlan had made. His best friend told his mother. The mother was a crackpot who routinely complained to the FBI that her son’s antagonists were “Commies.” She called the NYPD and told them Harlan was a heroin dealer.

Ironically, Harlan did not use drugs or intoxicants of any kind, abstaining from both alcohol and caffeine (but he did sometimes smoke cigarettes or a pipe, I think for the image more than any other reason). When we went to jazz clubs together he ordered a glass of orange juice, which he could pass off as a Screwdriver.

When the police arrived at his door, Harlan was flabbergasted at the notion that he was a drug dealer, and freely allowed them to search his small apartment. In his closet, on a high shelf and in a box, they found three things: a small revolver, a set of brass knuckles, and a switchblade. They promptly arrested Harlan for possessing an unlicensed gun. New York City had very tough gun laws….

(22) TIME CAPSULE. Joe Siclari says the 1992 MagiCon time capsule will be opened this year in San Jose.

At closing ceremonies for MagiCon, the 1992 Worldcon, we created a time capsule. It was loaded with convention publications and the like, but at the ceremony something unexpected happened. Folks in the audience wanted to have their part of fandom memorialized in the time capsule, and came forward with all kinds of things to put in it. Well, at this year’s Worldcon, the time capsule will be opened. The contents will be put on exhibit. Has fandom really changed that much? If you are at the con, come and find out. We’ll also have a FANAC table with some interesting materials, so come get your contributor ribbon or sticker, and say hi.

(23) STALKED BY SFWA. Cue the Jaws theme…

(24) INSTANT MASTERPIECE. Camestros Felapton recently graced the comments section with this example of Bohemian Rhap Music:

Is this more sci-fi?
Is this just fantasy?
Caught in a pixel
No escape to reality
Open your files
Look up on the web and see…

I’m just a pixel
Not a John Williams symphony
Because I’m easy come, easy go
Scrolling high, scroll low
Any way the pix scrolls
Doesn’t really matter to me, to me

Mamaaa just filmed a cat
Put a phone just near its head
Pushed the shutter, as it fed
Mamaaa, my likes have just begun
But now I’ve gone and thrown them all away
Mamaaaaaa, ooooooooh
Didn’t mean to make you share
If I don’t tweet this time again tomorrow
Carry on, carry on as if nothing viral matters

Too late, my GIF has gone
Of cat shivers down its spine
Like it’s eating the sublime
Goodbye, everybody
I’ve got to mute
Gonna leave social media to face the truth
Mamaaaaaaaaaaaaaa, oooooooh (Anyway the pix scrolls…)
I don’t want these likes
Sometimes wish I’d never posted it at all

[Epic Guitar Solo]
[Sudden change of tempo]

I made an animated GIF of a dog
Scary pooch, Scary pooch, will you do the Fandango?
Bad contrast and lighting, very, very frightening me
(Galileo) Galileo (Galileo) Galileo, Galileo is irrelevant
Irrelevant-ant-ant
I’m just a pixel nobody loves me
He’s just a pixel from a scroll family
Spare him his life from this GIF travesty

Easy come, easy go, will you post this scroll?
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! We will not post this scroll
(Post this scroll!)(Will not post this scroll)
(Post this scroll!)(Will not post this scroll)
(Never, never, never, never)
Post this scro-o-o-oll
No, no, no, no, no, no, no
(Oh mama mia, mama mia) Mama Mia, ABBA is in this scroll!
The iTunes Store put soundtrack aside for me, for me, for me!

[Heavy rock break]

So you think you can quote me and make fun of my cat?
So you think you can repost that picture of it in a hat?
Oh, baby, can’t do this to me, baby
Just gotta get out, just gotta get right outta here

[Guitar Solo]
(Oooh yeah, Oooh yeah)

Nothing viral matters
Anyone can see
Nothing viral matters
Everything viral matters to me

Any way the pix scrolls….

[gong]

[Thanks to Kathy Sullivan, Hampus Eckerman, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Dann, Mike Kennedy, Kevin Roche, James Davis Nicoll, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/19/18 Scroll Miner’s Data

Posted on by

(1) READ FOR LIFE. Inc. tells “Why Reading Books Should be Your Priority, According to Science”.

People who read books live longer

That’s according to Yale researchers who studied 3,635 people older than 50 and found that those who read books for 30 minutes daily lived an average of 23 months longer than nonreaders or magazine readers. Apparently, the practice of reading books creates cognitive engagement that improves lots of things, including vocabulary, thinking skills, and concentration. It also can affect empathy, social perception, and emotional intelligence, the sum of which helps people stay on the planet longer.

(2) SOMTOW. The Thailand Tatler covers Somtow Sucharitkul’s fundraising concern for a U.S. orchestral tour: “Siam Sinfonietta Takes To The States”.

As the local music scene continues to thrive and as Thai musicians of all ages and styles gain increasing recognition both at home and abroad, the talented youths of Siam Sinfonietta are getting ready to play at Carnegie Hall in the Big Apple for the third time this April as part of the New York International Music Festival.

Siam Sinfonietta is a scholarship orchestra that aims to provide local prodigies with the great opportunities to perform professionally, regardless of background or income. In order to ensure that all 70 musicians and orchestral staff can have a smooth tour of the States in April, Opera Siam is holding a series of fundraising events, such as a recent Star Wars-themed concert on March 15. Find out how you can still support them here.

Listen to the opening of their Star Wars marathon concert – and see his lightsaber conductor’s baton!

(3) SOCIETY PAGE. Congratulations to Catherynne Valente!

(In case it’s a bit obscure, the ultrasound pic is a clue.)

(4) ANOTHER CLUELESS ATTENDANT. Author Fran Wilde was lectured on a plane that her cane could be a weapon.

(5) BLUE MAN GROUP. Expedition 55 sets new standards in space fashion. Or as David Klaus ad libs, “Are we not Astromen? We are DEVO! Also, if you tailor those uniform coveralls to fit, you have the uniforms of the Starfleet of the NX-01 Starship Enterprise.”

(6) BRIAN ALDISS, CURMUDGEON. Kim Huett had to take a short hiatus from Doctor Strangemind which he is determined to make up with a new 3,400 word article “about a story that Brian Aldiss assures me is only 3300 words long. Still, is 3400 words too many for what Brian also assures me is the WORST SCIENCE FICTION STORY EVER!!!”

You’ll have to read the article and decide for yourselves: “Brian Aldiss & the Worst Story Ever!!!”

It is my impression that Brian Wilson Aldiss was generally considered to be a stern but fair elder statesman until he passed away in 2017. I, on the other hand, considered him to be far more curmudgeonly than that (he would never have made a passable member of the Beach Boys for example). It also my opinion that Brian Aldiss adopted his curmudgeonly persona relatively early in his career. Oh, but Doctor Strangemind I hear you all cry, Brian Aldiss was never a curmudgeon, at least not until he was old enough to carry the title with a suitable level of gravitas! Ah ha, my poor innocent audience! You have fallen into my cunningly constructed audience trap and now while you lay squirming in the metaphorical mud at the bottom of the pit of unwarranted assumption I’ll just sit here on the lip above and tell you all about how in Australian Science Fiction Review #15 (published by John Bangsund in April 1968) that young curmudgeon, Brian Aldiss, did go so far as to accuse two fellow British authors of writing as he put it the, ‘WORST SCIENCE FICTION STORY EVER!!!’ To quote from Aldiss himself:

There was one story in particular in Authentic which, ever since I read it on its first appearance in 1954, had impressed me as reaching a really impressive level of badness. To my great delight, I found on reading it again that it has grown even worse over the intervening fourteen years. I therefore would like to nominate as the worst sf story ever published:

The Lava Seas Tunnel, by F.G. Rayer and E.R. James, (Authentic SF, edited by H.J. Campbell, Vol.1, no.43, March 1954.)

(7) BUJOLD AT RIVENDELL. The Rivendell Discussion Group of the Mythopoeic Society will host Lois McMaster Bujold at its April 7 meeting in Minneapolis.

(8) NEED SHARPER HEARING? Cnet says “Spock’s ‘Star Trek III’ ear tips can be yours”.

An iconic set of pointy ears worn by Leonard Nimoy in “Star Trek III: The Search for Spock” are up for auction through Lelands.com and they look pretty funky when you see them up close. You’ll notice pits and wrinkles in the flesh-colored appliances. On film, they were artfully blended with make-up to match Nimoy’s own ears.

(9) CLARKE CENTER. A bonus podcast by the Arthur C. Clarke Center for Human Imagination’s associate director sharing his personal reminiscence on Stephen Hawking, who passed away on March 14, 2018. Viirre was the medical director for Hawking’s trip into weightlessness on a zero gravity flight in 2007.

Only last December, he accepted the Arthur C. Clarke Award for Lifetime Achievement (his citation and acceptance speech can be seen here), during which he said, “It is no small task to be judged as having met with what would have been Arthur’s expectations for intellectual rigor powered by imagination, insatiable curiosity, and concern for our planet and its inhabitants.”

(10) TODAY IN HISTORY

  • March 19, 1999 – Farscape premiered on Syfy.

(11) COMICS SECTION.

  • Cat Eldridge sent along xkcd’s suggestion for multiplying internet outrage.
  • Mike Kennedy sent Non Sequitur’s not exactly funny theory about a trend in closing bookstores.

(12) PRISONER COMICS. First shown on Canadian and UK TV screens in 1967, The Prisoner was co-created, written, directed and starred Patrick McGoohan (Scanners, Braveheart). Titan’s new comic series is released for the 50th Anniversary of the first US broadcast in 1968.

Titan Comics are excited to announce that they are partnering with print and poster house Vice Press to create a Diamond UK exclusive cover for The Prisoner Issue #1. This first-ever Vice Press exclusive cover for The Prisoner Issue #1 – designed by Star Wars movie concept artist, Chris Weston – is based on his original silk-screen poster created for Vice Press to mark the 50th Anniversary of The Prisoner hitting US TV screens.

Titan’s new The Prisoner comic series, licensed by ITV Studios Global Entertainment, is set in the world of The Prisoner – based on the celebrated cult TV series – from writer Peter Milligan (X-Statix, The Mummy) and artist Colin Lorimer (The Hunt, Harvest)…

“I’ve made no secret about how The Prisoner is my favourite television show of all time,” said Vice Press cover artist Chris Weston, “I have always wanted to create my own artistic tribute to The Prisoner. Fortuitously, my friends at Vice Press offered me the chance to fulfil my lifelong ambition to create a loving artistic homage, timed to coincide with the show’s 50th anniversary.”

(13) OSCAR’S LOVECHILD C3PO. Joal Ryan, in “Let’s revisit the spacy ‘Star Wars’ Oscars from 40 years ago” at Yahoo! Entertainment, has several clips from the 1978 Oscars, in which Star Wars was the only film of this series to be nominated for Best Picture and when Bob Hope, in his last time as Oscars MC, made some groaning Star Wars jokes.

Bob Hope, as he had done 17 times before, hosted the ’78 Oscars. The icon was 74, and this would be his last show as emcee. But he was as quick as ever with the lecherous gag, and the rat-tat-tat monologue that had been punched up with current events. (“1977 will be known as the year of Star Wars, which has grossed over $200 million,” one Hope line began. “That’s more than even some baseball players make.”)

(14) PLATYPUS NEWS. If you thought milking a cow was dangerous…. “Platypus milk: How it could combat superbugs”

Platypus milk could help combat one of humanity’s looming problems, antibiotic resistance, scientists say.

The weird creatures have a duck’s beak, venomous feet and are one of only two mammals able to lay eggs.

Australian scientists discovered in 2010 that the semi-aquatic animal’s milk contains a potent protein able to fight superbugs.

They’ve now identified why, and say it could lead to the creation of a new type of antibiotic.

(15) ALEXA BASHING. Paris Martineau at The Outline says “Hey Alexa, shut up”. My question is: would Paris say that if it was a man’s voice?

Why do voice assistants need to talk so much? If you’ve ever used one of Amazon’s ridiculous, yet rather addictive (I have two) Echo products, you know what I’m talking about: Whether you’re setting a timer, or asking her to play a podcast, Alexa just won’t shut the fuck up. Even when you give it a relatively simple command (like, “Alexa, set an alarm for 6 a.m.,” or “Alexa, set timer for five minutes”) it always responds with either a partial or total repetition of your phrase (“Okay, alarm set for 6 a.m. tomorrow,” or “Timer set for five minutes”), which can be more than a little annoying when it’s two in the morning and you don’t exactly want a booming robot voice waking your roommates up a wall over.

(16) DRIVING WHILE BETAZOID. From Marina Sirtis’ appearance at Dublin Comic Con last year.

Marina Sirtis (Counselor Deanna Troi) tells the hilarious story about driving the Enterprise as well as burning the bridge.

 

[Thanks to David K.M. Klaus, Mark Hepworth, John King Tarpinian, Danny Sichel, Cat Eldridge, JJ, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, rcade, Brian Z., and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/30/17 Anyway For All The Things You Know Tell Me Why Does Appertainment Flow

Posted on by

(1) VERSUS ORVILLE. Nick Izumi conducts his own “Trek Off: Comparing ‘The Orville’ to ‘Star Trek: Discovery’” at Nerd & Tie.

Production Design:

The Orville‘s sets and costumes are also reminiscent of 90s Trek. The inside of the ship is well lit, the Bridge design is almost one-to-one with any Federation ship from Star Trek. Event the titular ship basically has a saucer section and light-speed engines in the back. It really doesn’t look bad, all things considered, just really derivative. We all know it wants to be Star Trek, it just legally isn’t. The show does still look very nice, and it’s not just the ins and outs of the ship — the alien make-up is on point. With some occasional cheesy exceptions, you can’t knock The Orville‘s look.

Discovery uses mostly familiar Trek design language, but the budget is clearly much higher than the TV Trek shows that came before it. This has its ups and downs. Some may not take to the very Kelvin Timeline inspired look of the interiors of the Starfleet ships. The new uniforms also seem to be a continuity hiccup, but they honestly look so snazzy, I personally can’t knock them.

What I will knock is the designs of everything Klingon. While Klingon fashion could easily be different in different parts of the universe, the look of the Klingon’s heads and the design language of their ships simply does not match with the established Klingon aesthetic. Frankly, these deviations are not the kind that are easy to overlook. Still, if it serves the story, there’s then I see it as very deal-with-able.

(2) NOT A FAN. NPR’s Glen Weldon dissects the new TV show: “Introducing … The Inept, Inert ‘Inhumans'”

…OK, that’s exactly what you just said abou-

The thing about mutants, see, is that their special abilities manifest, most often, in adolescence.

Uh-huh.

But with Inhumans, their special abilities only manifest when they’re exposed to a special substance called the Terrigen Mists!

“The Terrigen Mists.”

… Which happens, generally speaking, in their adolescence.

[Sigh.]

Generally but not exclusively! I hasten to point out!

Great. So this show is about a bunch of Not-Mutants. With special abilities.

… Who live on the moon, yes. In a city called Attilan, invisible to humans. They have a king named Black Bolt, played here by a pair o’cheekbones named, improbably enough, Anson Mount. Black Bolt’s voice is hugely destructive, so he never speaks. His queen is Medusa, played by Serinda Swan. She’s got long red hair with tresses that can punch and choke and, I don’t know, play the bass line to Primus’ “Jerry was a Race Car Driver,” probably.

There’s also Black Bolt’s brother Maximus, played by Game of Thrones‘ Iwan Rheon, adding another villain to his IMDB page, although this time a strangely joyless one. He didn’t get special powers when he was exposed to the Terrigen Mists as a kid, which happens sometimes. When it does, the little nonspecial Inhuman in question usually gets sent to the moon mines. But Maximus’ status as a member of Attilan’s royal family kept him free to plot and brood and generally skulk around like a low-key Loki….

(3) APEX MAGAZINE IN PRINT. Jason Sizemore says the “Exciting changes for Apex Magazine in 2018” include the availability of print-on-demand copies of each issue.

Beginning with the January, 2018 double issue (#104), the issue’s content will be published in a 5.5? x 8.5? paperback edition using a POD service and made available for sale from Amazon (and it’s affiliates). The price will be $6 to $8 for a single issue, depending on the size of the content month-to-month. It will only be available for purchase as single issues from Amazon (and possibly Apex–TBD).

When will the print edition become available? About 1 week after the digital release (first Tuesday of each month) of each eBook edition.

What about subscriptions? Subscriptions will only be available as a Patreon backer reward level. There will be a $10 a month backer level (for domestic US backers) that will insure you receive the print version every month. A level will be created for international backers to account for the difference in shipping costs.

Subscriber copies will ship about 2 weeks after the digital release.

Will it have all the short fiction that’s in the digital edition? Yes.

And the nonfiction? Yes.

What about the incredible cover art? Yes. In fact, this was our top priority.

Our January issue is filled with double the stories. Right now, we have original work by Nisi Shawl, Delilah S. Dawson, Nick Mamatas, and Benjamín Naka-Hasebe Kingsley.

(4) CBS TAX STATUS RESTORED. In July, the Carl Brandon Society announced that its IRS tax exemption was reinstated. Nisi Shawl wrote:

The Carl Brandon Society’s Steering Committee is very happy to announce that the U.S. Internal Revenue Service has reinstated our organization as an official 501 (c) 3 nonprofit, tax- exempt group–and furthermore that this nonprofit status has been made retroactive to the date it was first revoked, back in 2013. Donations to us are now itemizable for those past years as well as for all years going forward.

Although we’ve been presenting our Octavia E. Butler Scholarships during this temporary revocation period, and also have been actively pursuing the selection of winners of the Kindred and Parallax literary awards, you may have noticed a lull in our fundraising activities. Now that we can safely guarantee the 501 (c) 3 classification applies to us and all your gifts to us, please feel free to help us out!

Of course this great news inspires us to put more energy into our many programs–the Scholarships, the awards, the panels and parties and online discussions and all the other work the Carl Brandon Society carries out to support the presence of POC in the fantastic genres. It also sharpens our commitment to preventing the unfortunate miscommunications that originally caused the temporary revocation of our nonprofit status. To that end we expect to put together annual reports on what we’re doing, how we’re doing it, and where we stand financially and in terms of our programmatic goals. Look for the first of these reports by February 2018.

(5) FAUX KITSCHIES. The award was on hiatus last year, but a leading author helpfully filled the gap – “Adam Roberts Phantom Kitschies 2016”.

Adam Roberts, in typical overachieving fashion, managed to read enough books to populate a full and complete shortlist.

Adam Roberts

No Kitschies were awarded last year. 2016 was a Kitschless year—for one year only it was Nitch on the Kitsch. Which was a shame, since 2016 saw a wealth of (to quote the Kitschies’ remit) ‘progressive, intelligent and entertaining works containing elements of the speculative or fantastic’. So, [*clears throat*] in my capacity a former judge, I thought I’d post some speculative short-lists for the year the prize didn’t happen….

(6) SHEEP DREAMS. NPR’s Chris Klimek loves it: “‘Blade Runner 2049’: Even Sharper Than The Original”.

“I hope you don’t mind me taking a liberty” are the first words spoken in Blade Runner 2049, an unlikely sequel to the oft-revised Ridley Scott sci-fi sleeper that has confounded and divided normals — and been an object of adoration for nerds — for 35 years.

I certainly don’t mind. This inspired, expansive follow-up, for which Blade Runner screenwriter Hampton Fancher returned, though Scott handed the directorial reins to Sicario and Arrival‘s Denis Villeneuve, is less a generational iteration from its precursor than an evolutionary leap. It chews on the many existential questions introduced in Blade Runner — if our machines can think and feel, are they still machines? How do we know our memories can be trusted? Do androids dream of electric sheep, or unicorns or whatever? — more fully and more satisfyingly than Blade Runner did. Yes, even The Final Cut, which came out some 25 years after the original.

(7) CAMERA NOT SO OBSCURA. France strikes back against unreal body images: “Is she Photoshopped? In France, they now have to tell you”.

It’s no secret that images of models are often retouched to make their bodies look thinner or curvier in certain places, to lengthen their legs to mannequin-esque proportions, or to smooth out their skin and widen their eyes.

From Sunday, in France, any commercial image that has been digitally altered to make a model look thinner will have a cigarette-packet style warning on it.

“Photographie retouchée”, it will say, which translates to “edited photograph”.

Anyone flouting the new rule could be fined €37,500 (£33,000) or 30% of the cost of creating the ad.

(8) UNDERAPPRECIATED. In “FFB: Kit Reed, 1932-2017 and some of her peers”, Todd Mason has more to say about the late author, an early nominee for the Best New Author Hugo.

Reed, as noted here last year, started her writing career as a professional journalist, and made a mark, winning industry awards before selling her first short story to The Magazine of Fantasy and Science Fiction in 1958, “The Wait”…one rather pathetic colleague at the New Haven Register, she recounted not too long ago, would make a point of pulling her office typewriter off her desk and taking over to a corner where he would type out his own attempts at stories, and claimed, upon learning of her F&SF sale, to have sold a story to The New Yorker, which would be appearing Real Soon Now. Reed continued to place fiction with F&SF, and branched out to the Yale Literary Magazine, Robert Lowndes’s  Science Fiction, Joseph Payne Brennan’s Macabre, and by 1960 Redbook…while her colleague had slunk off somewhere to await his further stories’ appearance in equally imaginary issues of The Dial and Scribner’s, no doubt.

(9) TODAY IN HISTORY

  • September 30, 1953 — Mad science classic Donovan’s Brain debuts.
  • September 30, 1959 – Men Into Space premiered on television.
  • September 30, 1960 – The day we met The Flintstones
  • September 30, 1988 — Elvira, Mistress of the Dark premieres in theaters.

(10) TODAY’S BIRTHDAY BOY

  • Born September 30, 1946 – Director Dan O’Bannon

(11) TAKING CARE OF NUMBER ONE. Yesterday marked a half-century since the show first aired in Britain: “Number Six At 50: The 50th Anniversary Of ‘The Prisoner'”.

As the series went on, and those symbolic elements kept piling up, it became clear that McGoohan — who created the show — was offering an extended, increasingly surreal allegory about the battle of the individual against society.

In the final episode, all that allegorical, Kafkaesque stuff bubbles over. Characters representing Youth and The State deliver monologues about Freedom and Rebellion.

Number Six escapes the prison of the Village but not the prison of himself — get it?

… No, yeah, lots of people didn’t. They wanted clear answers — Where WAS the village? Which side ran it? Who WAS Number One? — but McGoohan gave them symbols and speeches.

(12) DRAWN THAT WAY. At CBR.com, Kieran Shlach says “It’s Time For DC to Acknowledge HG Peter, Wonder Woman’s Co-Creator”.

This year has been a phenomenal year for Wonder Woman. The iconic Amazon has risen to new heights of popularity thanks to the instant-classic story told by Greg Rucka, Liam Sharp, Nicola Scott and Bilquis Evely as part of DC Rebirth, a blockbuster feature film which blew the doors off even the wildest of expectations, and a new biopic chronicling the life and times of Wonder Woman’s creator William Moulton Marston, his wife Elizabeth and their lover Olive.

However, among all those works there’s one name that you won’t see: Harry George Peter, the artist who helped bring Wonder Woman to life along with Marston in the page of 1941’s All-Star Comics #8.

More often than not, comic books are a collaborative format, and everyone deserves credit for their role in that collaboration. The history of comics as an industry is riddled with horror stories of creators being mistreated by publishers when it comes to work-for-hire projects, but recent years has seen those same publishers attempt to make amends. HG Peter created Wonder Woman as much as William Moulton Marston did, and he deserves to be credited for that right alongside his collaborator.

(13) NOT SO SIMPLE MATH. Galactic Journey turns its spotlight to “[September 30, 1962] The Woman Pioneers of Space Exploration”.

But while the Journey has covered the Space Race in lavish detail, it has devoted little space to the woman scientists and engineers involved behind the scenes.  In part, this is because space travel is a new field.  In part, it’s because science is still a heavily male-dominated arena.  While women have risen to prominence as scientists for centuries, from Émilie du Châtelet to Marie Curie to Grace Hopper, it is only very recently that they have made their way to the top ranks of space science.

Times have changed, and there is now a vanguard of women leading the charge that will perhaps someday lead to complete parity between the sexes in this, the newest frontier of science.  To a significant degree, this development was spurred by the digital computer, which you’ll see demonstrated in several of the entries in this, the first installment of The Second Sex in Space Exploration….

(14) MONSTERS FROM THE ODD. At Camestros Felapton’s blog, Timothy the Talking Cat threatened France with a lawsuit in “Tim’s Legal Updates”.

Timothy: I’m going to sue FRANCE. France as the thing that is itself France. Not ‘the French’ not the French Government. Not any kind of the adjectival case of France but France strictly as a noun.

Camestros: Ah, you’ve been at the Krell machine again and given yourself a brain boost, haven’t you?

Timothy: I may have partaken a smidgen. How can you tell?

There followed an official (?!?) response from France channeled by the commenter known as KR:

RE: Cease and Desist – Harassment

Dear Sir:

This letter serves as notice to you and your id monster immediately to cease and desist all harassing activities towards my client the historico-geographic entity currently known as France, aka La Cinquième République, aka La Ve République.

Among your many unwanted gestures, I refer you to the time when you bombarded my client with thousands of documents and old VHS cassette tapes pretending to be Gérard Depardieu making an attempt to regain his citizenship. You sent the Ministre des Affaires sociales et de l’emploi 1848 copies of The Fountainhead with hopes of persuading them of the evils of unionized labour and long summer holidays. You gravely insulted la francophone mondiale by launching a YouTube channel in which you hire Jesse Watters to dress like a mime and throw “Freedom fries” at Antifa in the name of free speech….

And it goes on. As these things do.

(15) PUBLISHED DECISION. This is John Hodgman’s column from the September 17 New York Times Magazine, “Judge John Hodgman on Coerced Bedtime Stories”:

Morgann writes: I bring a case against my husband, Ben, who is an incredibly talented short-fiction writer. I struggle with falling asleep, especially after a stressful workday. I often ask Ben to tell me a short story to help me get sleepy. Ben absolutely refuses. He uses precious wind-down time arguing with me instead of just telling me a silly little story.

There is never a night when my wife asks me to write a short, judgy newspaper column — she knows that I get paid to do that. Also, it would not help her sleep, because I chisel all my first drafts into stone, loudly. (There are no second drafts.) Even if Ben does not write for money, it’s still the case that creativity is work and usually highly personal. Ben deserves as much wind-down time as you do.

(16) TEENIE WEENIE VIBRATION. With the help of colorful animations and graphics, a YouTuber explained “The Absurdity of Detecting Gravitational Waves” in a video released this past January.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]

Pixel Scroll 8/21/17 Rishathra Ain’t Nothing But Love Mispronounced

Posted on by

(1) HELP COMING FOR INDIE AUTHORS. Brian Keene, in the August 17 episode of his podcast The Horror Show, mentioned a new resource for librarians. Dann explains:

Small press and indie authors face the double problems of getting bookstores to carry their books and getting local libraries to put them on their shelves.  According to horror author Brian Keene, those problems are significantly influenced by the fact that books from small presses and indie author are rarely reviewed by recognized resources such as Publishers Weekly.  Librarians, in particular, are reluctant to order books that have not been reviewed by another professional librarian.

There is a new magazine on the horizon that hopes to rectify that issue by focusing on reviews of works from small presses and indie authors. Indie Picks Magazine aims to become a librarian quality resource that focuses on works beyond those published by the Big 5 publishing houses.

The first issue is due out on November 1, 2017. Social media links —

(2) DON FORD. J.J. Jacobson, UC Riverside’s Jay Kay and Doris Klein Librarian for Science Fiction, says 1949 Worldcon chair Don Ford also left his photos to them.

It may also give you joy to know that we have a gift of several hundred similar photos from the family of Midwest fan and photographer Don Ford, some dating back to cons from the 1940s. Ultimately these will join the Klein photos on Calisphere.

(3) ROCKET EXPERIMENT. In “Can We Categorize Clipping?”, the Hugo Award Book Club tries to define a category a musical album can win that wouldn’t have to be called Best Musical Album.

Splendor and Misery from L.A.-based experimental hip hop group Clipping is an ambitious and challenging work that is an exemplar of this tradition. In the 2017 Hugo Awards, it became only the second such work to be nominated for a Best Dramatic Presentation Hugo Award (after the 1971 album Blows Against The Empire by Jefferson Starship, which finished in the voting below ‘No Award’). However, Splendor and Misery failed to generate much popular support among voters, placing last amongst other nominated works in the category and losing to Leviathan Wakes from the TV series The Expanse. While Leviathan Wakes is an awesome bit of television (and is the work that we voted for) it is kind of a shame that there isn’t a good category to recognize eclectic and unusual works in the Hugo Awards.

(4) ALIENS OF EARTH. Fantasy-Faction’s Nicola Alter considers “The Creatures We Base Aliens On”.

One of the interesting things about fictional aliens is that they’re almost never completely alien. We have no real idea what extra-terrestrials would look like, and it’s nigh impossible to imagine an entirely new species unlike anything we’ve ever seen. As such, we usually fall back on earthly species for inspiration, combining known elements to create strange new creatures. And we certainly have some bizarre real animals to choose from.

Last year I wrote about our penchant for basing aliens on cephalopods, but octopuses, cuttlefish and squids aren’t the only creatures that inspire us, so I thought I’d take a step back and look at a broader range of favourite sources…

(5) WONKS OF WESTEROS. The Libertarian think tank The Cato Institute will be hosting a Policy Forum about “The Politics of Game of Thrones” on Monday, August 28. It will be livestreamed.

Why is Westeros mired in 8,000 years of economic stagnation? Should Daenerys firebomb King’s Landing to prevent a longer war? The world of Game of Thrones is teeming with fascinating interactions between institutions, incentives, and power that creates a sweeping geopolitical mega-saga just begging to be theorized. An examination of these issues through the lens of economics, law, international relations, and power politics promises to be both instructive and entertaining. The day after the Season 7 finale airs, join the Cato Institute and the R Street Institute in an exploration of the intrigue and game theory (and inevitable analogies to our current political landscape) that pervade the world of ice and fire.

Featuring Ilya Somin (@IlyaSomin) Adjunct Scholar, Cato Institute; Matt Yglesias (@mattyglesias) Co-founder and Executive Editor, Vox; Peter Suderman (@petersuderman) Senior Editor, Reason; Alyssa Rosenberg (@AlyssaRosenberg) Culture Columnist, Washington Post Opinions Section; moderated by Caleb Watney (@calebwatney), Tech Policy Analyst, R Street Institute.

If you can’t make it to the event, you can watch it live online at www.cato.org/live

(6) PASSING THE HAT. Time for the 2017 Strange Horizons fund drive.

We, Strange Horizons, are a non-profit organization run entirely by volunteers. We don’t do the whole advertising thing, and we have no corporate sponsors. It’s through your donations, and your donations alone, that we’re able to pay our contributors and publish a new issue 51 weeks of the year.

This year, we’re trying to raise US$16,000 to keep the good ship Strange Horizons chugging along at its current speed. If we manage to hit that level of funding, we’ve got a few new things planned, too. If that’s enough for you, then you can find out how to donate on our IndieGoGo page. And thank you!

But hey, maybe you’re not quite convinced yet. Maybe you’re wondering what exactly we’ve been up to and what we plan on getting up to next year. Read on—the answers you seek are below! …

(7) HUSH-A-BOOM. This is almost worthy of Galactic Journey — the BBC’s story about a Sixties Soviet superweapon: “The monster atomic bomb that was too big to use”.

Tsar Bomba was no ordinary nuclear bomb. It was the result of a feverish attempt by the USSR’s scientists to create the most powerful nuclear weapon yet, spurred on by Premier Nikita Khruschchev’s desire to make the world tremble at the might of Soviet technology. It was more than a metal monstrosity too big to fit inside even the largest aircraft – it was a city destroyer, a weapon of last resort.

The Tupolev, painted bright white in order to lessen the effects of the bomb’s flash, arrived at its target point. Novya Zemlya, a sparsely populated archipelago in the Barents Sea, above the frozen northern fringes of the USSR. The Tupolev’s pilot, Major Andrei Durnovtsev, brought the aircraft to Mityushikha Bay, a Soviet testing range, at a height of about 34,000ft (10km). A smaller, modified Tu-16 bomber flew beside, ready to film the ensuing blast and monitor air samples as it flew from the blast zone.

In order to give the two planes a chance to survive – and this was calculated as no more than a 50% chance – Tsar Bomba was deployed by a giant parachute weighing nearly a tonne. The bomb would slowly drift down to a predetermined height – 13,000ft (3,940m) – and then detonate. By then, the two bombers would be nearly 50km (30 miles) away. It should be far enough away for them to survive….

(8) GENTRIFICATION. Gordon Ramsay’s kitchen is more dangerous than this. Hell’s Kitchen is no longer as shown in The Defenders: “Marvel Comics Meet Reality On The Not-So-Mean Streets Of Hell’s Kitchen”.

That’s when the editor-in-chief of Marvel Comics moved to New York City — in the ’80s. Axel Alonso met me on West 54th St, and I asked him why this neighborhood is so important in the Marvel Universe. “In Marvel comic books, Hell’s Kitchen sort of functioned as Mean Street Central, the underbelly of society, the place where there are predators and prey.”

Today, those predators are more likely to be the people charging you $50 for a blowout, or $20 for an omelette at brunch. “We’re fudging the truth with Hell’s Kitchen right now, you know, as you and I walk the streets, we see the development and the cafes,” Alonso says.

The New York of an earlier time informed so many iconic comics. Alonso says fans would revolt if you moved characters deeply associated with New York to anyplace authentically grittier, like Detroit. Alonso adds that Luke Cage’s Harlem has been updated, much more so then Hell’s Kitchen. And the Marvel universe is making a point of weaving in stories about gentrification: In Netflix’s Daredevil, an evil real estate mogul kills tenement activists who will not move out of their rent-controlled apartments. He’s motivated only by greed.

Chip Hitchcock adds, “Actually, it hasn’t been that gritty for some time; Penn and Teller were performing there in 1985, right next to a nice French restaurant, before moving to Broadway.”

(9) CELEBRITY BRUSH. I never met the late Brian Aldiss. Lou Antonelli did, sort of. “The time I stepped on Brian Aldiss”.

That year [2004] was the last where the members of the Science Fiction Hall of Fame were inducted at the [Campbell] conference (the event has since moved to the sf museum in Seattle). The living inductees were Brian Aldiss and Harry Harrison. We arrived in Lawrence just in time for the dinner, and as I rushed into the student center – worried that we were running late – I saw a pair of old timers in tuxes heading for the door from the opposite direction. As I ran up, I realized they were Aldiss and Harrison. In a clumsy attempt to be a gentleman, I grabbed the door to hold it open for Aldiss, who was first. But as I walked around him, I stepped on the back of his shoe and gave him a “flat tire”. (My wife tried to make me feel better later by pointing out that Aldiss was wearing house shoes).

(10) TODAY’S BIRTHDAY BOY

  • Born August 21, 1920 — Christopher Robin Milne, A. A. Milne’s son who he modeled Christopher Robin after in the Winnie the Pooh stories.

(11) TODAY IN HISTORY

  • August 21, 1981 — John Landis’ An American Werewolf in London premieres in theaters.

(12) COMIC SECTION. John King Tarpinian spotted Edgar Allan Poe in today’s Bliss.

(13) IN THE SQUARE. Kalimac, in “confederate statues”, adds cultural context to the monument controversy. Historical analysis precedes this excerpt:

…And I think it’s because of that acknowledgment that, up until now, Northerners have ignored the profusion of statues of Lee and Jackson and anonymous Confederate soldiers that festoon Southern town squares. After all, they were great generals and brave soldiers. Let the descendants have their pride.

Up until now. Not any longer. Because if that’s the history that we had that’s now being forgotten, there’s another history that the books I read had ignored that’s now being rediscovered. And that is that the ex-Confederates and their descendants have not been living up to their side of the bargain. And not just in the hard facts of racial oppression in the South for over a century and still echoing in ugly ways today, but also in the symbolism which is the subject of the consensus.

Those statues. They aren’t lovingly-crafted monuments erected in the echo of the loss, like the WW1 cenotaphs in every British town and college chapel. They’re cheap mass-produced knock-offs from Northern factories, put up later, in the Jim Crow era, not in memory of a loss but in defiance of that loss. (the evidence) Look at the capital letters in the term “Lost Cause” and read what’s been said about it. Its memorializers don’t acknowledge it was bad, they only regret that it was lost.

Nor do we notice who’s being honored. There’s Jackson, who died during the war (of the aftereffects of “friendly fire,” by the way), and thus had nothing to say afterwards. There’s Lee, who retired from public life and quietly became a college president. But where is the CSA’s third best general, James Longstreet? You don’t see many statues of him. After the war, he became a Republican and actively co-operated with the Union government. For that, he’s considered a shame in the white South. Confederate apologist historians retroactively blame him for Gettysburg, at best a dubiously tenable position, even hinting that he was secretly a traitor to his cause.

(14) THE TRILOGY FINALE. His Felaptoncy assays a new release: “Review: The Stone Sky by N.K.Jemisin” at Camestros Felapton.

The future world, the one in which most of the books is set, has descended further into physical disaster. The former community of Castrima is now a band of refugees heading towards an empty city in a brutal march which many won’t survive. In a different novel, this struggle would be an account of good and evil but Jemisin avoids treating even monstrous people as monsters. There is no character that appears in any one of the trilogy who is not granted some compassion by the writer – not Schaffa the murderous guardian, nor Jija the child murdering father. Yet this compassion is not at the expense of a strong moral centre to the story and a channelled anger at the use of hate to dehumanise and to brutalise a society

(15) IN RE DANMORE. Rose Embolism promised to boost the signal for this Medium post, which may appeal to the superscientific among you. I suppose it doesn’t hurt any that the piece begins with a Terry Pratchett quote.

PhD candidate Erin Giglio, who I know from metafilter, has done a response to James Danmore’s Google memo, using actual science. And by that I mean it’s an incredibly thorough, well researched paper on the current science on gender, that looks at and devestates Danmore’s s “scientific” arguments.

Aside from being a comprehensive rebuttle to Danmore’s memo, I find it a fascinating, if long and technical read about the current state of biological science.

“The truth has got its boots on: what the evidence says about Mr. Damore’s Google memo”

(16) YOU ARE NO. 6 The Telegraph answers the question “How did The Prisoner ever get made?”

Fifty years ago, The Prisoner began serving time. McGoohan – its star, executive producer, and sometime writer-director, a hard-drinking, intransigent Irish-American actor with a sharp Olivier-like edge to his voice – became Number Six, a former secret agent who knew too much to be permitted his freedom. For 17 weeks, he struggled against the mysterious authorities of the Village, personified by Number Two – not an individual, but an office occupied by a shifting cast of guest stars. (Leo McKern, Mary Morris and Peter Wyngarde were memorable incumbents.) He resisted their mind-bending tricks and interrogation techniques, attempted to escape by land, sea and air, and strove to solve the defining mystery of the series – who is Number One?

(17) AT HELSINKI. Finished commenting on the Hugos, Cora Buhlert continues her Worldcon coverage with “WorldCon 75 Photos and a Report”.

All in all, I had a great time at WorldCon 75. I also think the convention staff did a great job, even if there were some hiccups. And indeed, when I still had some of the German candy I’d brought to Helsinki left over on the final day of the con (the chocolate was all gone by this point), I gave the final two bags to the program ops team, because they really deserved a thank you for all their hard work.

Coincidentally, my Mom enjoyed WorldCon a whole lot, too. She’s not a hardcore SFF fan – SFF is just something she enjoys watching and reading on occasion. However, she was very impressed by the sheer number and variety of people who’d been brought together at Messukeskus by their shared love for science fiction and fantasy. There were fans of all ages, shapes and sizes at WorldCon 75, from babies being carried in a sling at their mother’s chests to people in their eighties and beyond (Robert Silverberg, now 82, was the oldest person I recognised). It was a testament to what a welcoming place fandom is.

(18) PROMOTIONAL GIMMICK. NBC Sports’ Chris Calcaterra says a minor league team intentionally scheduled a game during the eclipse: “Minor league teams prepare for a ‘total eclipse of the park’”

The Salem-Keizer Volcanoes are a class-A affiliate of the San Francisco Giants. Today, the path of totality of the big solar eclipse we’re not supposed to look at will pass right through the ballpark in which they play. What’s better: the Volcanoes are playing a game against the Hillsboro Hops as it happens.

This was by design: the team’s owner requested this home game when the schedule was made up two years ago specifically to market the heck out of the eclipse. They’re starting the game at 9:30 this morning, Pacific time, in order to maximize the fun. Spectators will receive commemorative eclipse safety glasses to wear. The game will be delayed when the eclipse hits and a NASA scientist named Noah Petro, who is from the area, will talk to the crowd about what is going on.

(19) LIGHTS OUT. Chris Barkley shot this 9-minute video of his experience watching today’s total eclipse.

(20) VIDEO OF THE DAY. In Chuck Jones –The Evolution of an Artist, Tony Zhou looks at 35 Merrie Melodies to understand Chuck Jones’s genius as an animator.

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Rich Lynch, John Hertz, Dann, Chris Barkley, Mark-kitteh, Rose Embolism, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]