Pixel Scroll 1/28/18 I Say We Take Off And Pixel The Entire Scroll From Orbit – It’s The Only Way To Be Sure

(1) DUFF DEADLINE. Down Under Fan Fund nominations for the 2018 race close January 31.  If you’re interested, or have someone else lined up, hop to it!

Nominations are now open for a Down Under Fan Fund delegate from Australia or New Zealand to travel either to San Jose, California, USA for the 76th World Science Fiction Convention, 16–20 August 2018, or to other major conventions in North America in 2018.

(2) EARLY COSPLAY AND THE LA WORLDCON OF 1946. SyFy Wire’s Carol Pinchefsky goes beyond the Ackerman/Douglas collaboration in “Firsts: The first cosplay took place at the first-ever con… in 1939”, drawing on other anecdotes collected by John. L. Coker III, sf historian and editor of the nonfiction book Tales of the Time Travelers: The Adventures of Forrest J. Ackerman and Julius Schwartz:

Coker interviewed other First Fans for Tales of the Time Travelers. Author and fan Len J. Moffatt discussed yet another “first” … the first recorded cosplay fail, which took place at the fourth Worldcon, in 1946:

“[Fan] Dale Hart [pictured above] was an excellent Gray Lensman in a silver-gray form-fitting costume like the Astounding cover by Rogers. The problem was that it was so tight that he could not sit down or dare to bend over.”

Moffatt may also have created another “first” at Pacificon I, the first cosplay routine:

“While at Slan Shack on Bixel Street earlier, I had borrowed some of Myrtle’s green make-up, combed my hair over my ears and turned up my jacket collar to become a comical vampire. I made a better impression earlier when friends carried me into a meeting hall and deposited my rigid body on some lined-up folding chairs. I lay there a long time with eyes closed and hands folded on my chest listening to the wondering remarks of passers-by.”

(3) WRATHFUL SPEECH. Middle-Earth Reflections documents “His sharp tongue or Fëanor’s talent to insult”:

Fëanor the Spirit of Fire was the most gifted of all the Elves in linguistic lore. He could use language so well that his speeches affected those who heard them and inspired them to do different, though not always sensible, things. Thus, being gifted with words and able to use them potently, Finwë’s eldest son was also exceptionally good at insulting others.

(4) BESPOKE AWARD. Charles Payseur unveils he fifth and final category winners: “THE SIPPY AWARDS 2017! The “Where We’re Going We Won’t Need Categories” Sippy for Excellent I Don’t Know What in Short SFF”

The “Where We’re Going We Won’t Need Categories” 

Sippy Awards for Excellent I Don’t Know What in Short SFF

What does it mean? Well, part of the point of this category is…I’m not sure. These are stories that defy conventional definitions and categorization. These are the ones that slip between genres and expectations. They’re…well, a lot of them are weird, but beautiful. Haunting, but fun. Deep and complex and brilliant in the ways they innovate and inspire. So without further delay…

(5) LEADING BY EXAMPLE. Lisa Goldstein’s tribute to Ursula K. Le Guin tells how much she meant to girls who wanted to write science fiction and fantasy:

…Her characters were so real and rounded they became people you wanted to know.  She wrote beautifully, in a field where most writing ranged from serviceable to awkward.  And she was not just smart but wise, someone who could get to the heart of a subject with a few well-chosen words.  I was looking through my copy of The Language of the Night this week and found this: “Fantasy is true, of course.  It isn’t factual, but it is true.”

So I began to think that I could actually do this science-fiction thing.  After all, here was a woman who was, IMHO, doing it better than any male writer.  (And around the same time there were also Joanna Russ and Kate Wilhelm and Carol Emshwiller — and James Tiptree, or course, but we didn’t know her secret then.)  She gave me, and any number of other girls reading science fiction in those years, the courage to try….

(6) TV ARCHEOLOGY. Echo Ishii, in “SF Obscure: Planet of the Apes TV”, discusses two TV adaptations, one live, one animated.

The live action TV series has two new astronauts stranded on future/parallel earth.  In this version, there are human villages-not quite as primitive as the original movies movies-ruled over by Apes as governors and guards. The two astronauts are assisted by another Ape who believes humans are capable of more. It’s a run of the mill action adventure with the planet of the apes spin. Entertaining, but not outstanding. It was, unfortunately, an expensive show and cancelled after 14 episodes.

(7) BEST OF 2016. Greg Hullender notes Rocket Stack Rank is continuing their analysis of the best science fiction and fantasy short fiction from 2016. In the latest installment, they turn their attention to  —“2016 Best SF/F Short Fiction Authors”.

Out of 602 authors, fully 74% had only one story published in our survey of 887 stories, so we’re picking from a huge diversity of authors.

On the other hand, there’s remarkable consistency among our pool of recommenders: 72% of recommendations went to the top 20% of authors, and 40% got no recommendations at all. It’s true that different reviewers have different opinions, but it’s also true that there’s a sort of broad consensus around who the best authors are.

(8) WHOHIKER. Andrew Hickey reviews Doctor Who and the Krikkitmen, the book by James Goss based on a possible Doctor Who film script by Douglas Adams. It is a positive review with a caveat:

So you can be fairly sure that if you’re the kind of person who would even vaguely consider maybe reading a book like this, you’ll come away having read a book that at least matches your expectations, and maybe exceeds them.

(9) NOT APOLITICAL. How some people were spared persecution in WWII. The thread starts here –

And here’s one of the reasons you’ll want to read it:

(10) SMITH OBIT. Mark E. Smith, the leader and singer/songwriter of influential British post-punk band The Fall, died January 24 at the age of 60. In his last interview a reporter for The Guardian asked whether he saw the most recent Blade Runner since he was a “big fan” of Philip K. Dick movies. As usual, Smith was not exactly diplomatic:

I think the original Blade Runner is the most obscene film ever made, I fucking hated it. The Man in the High Castle is one of my favourite books; how they fucked that TV show up I don’t know. It gets blander and blander. In the book the level of comprehension of that world is fucking astounding, in the show it’s just everybody going around normally except they’ve got swastika armbands on. The only good Philip K Dick film is Total Recall, it’s faithful to the book. Arnie gets it. I was physically sick watching A Scanner Darkly, it was like an episode of Cheers painted over except they all smoke dope and imagine women with no clothes on.

(11) TODAY IN HISTORY

  • January 28, 1986 — At 11:38 a.m. EST the space shuttle Challenger lifts off from Cape Canaveral, then explodes.

(12) TODAY’S BIRTHDAYS

  • Born January 28, 1959 – Frank Darabont
  • Born January 28, 1981 – Elijah Wood, who played Frodo in the Lord of the Rings movies.

(13) COMICS SECTION.

  • Michael J. Walsh, Mike Kennedy, and John King Tarpinian all saw what happens when a young writer picks sf, in Non Sequitur.
  • John King Tarpinian found a mock terrifying surprise in Lio.

(14) OKORAFOR SAGA. NPR’s Amal el-Mohtar says “Binti’s Story Is Finished — But Don’t Expect Completion”.

Nnedi Okorafor’s Binti trilogy is now complete: The Night Masquerade is the final instalment in a series she’s described as “African girl leaves home. African girl returns home. African girl becomes home.” It’s a beautiful proposed structure, a Hero’s Journey that rings truer for me than Joseph Campbell’s, resonating deeply with my experiences of diaspora, roots, and community. Binti left her Himba family on Earth in order to travel to Oomza University, far beyond the stars; she left Oomza in an attempt to manage her trauma and find herself again in the deserts of her home; and there, in the desert, she incorporated new revelations about her history into the anthology of herself, before being shocked into an awareness of impending doom.

(15) WHEN WILL YOU MAKE AN END? NPR’s Scott Tobias on “‘The Maze Runner: The Death Cure’: Nice Guy Finishes, At Last”:

The Maze Runner is the rare series that has improved with each installment, expanding beyond the organic pen of the first film into a bigger and more thrillingly realized science fiction sandbox. Though its young leads are mostly blah, the franchise has steadily accumulated character actors to liven things up, like Gillen, Esposito, and Pepper in the second film and now Walton Goggins in the third as the deformed leader of the Cranks. While Ball tries for too much in the needlessly protracted finale, he’s supremely confident in staging the action sequences, which usually rely on a meticulously orchestrated set of circumstances.

(16) IT’S NOT FICTION. BBC reports about “Of Mice and Old Men: Silicon Valley’s quest to beat ageing”.

To understand what’s happening in the tech world today, you need to look back to the mid-1800s, when a Frenchman named Paul Bert made a discovery that was as gruesome as it was fascinating.

In his experiment, rodents were quite literally stitched together in order to share bloodstreams. Soon after he found the older mice started showing signs of rejuvenation: better memory, improved agility, an ability to heal more quickly. In later years, researchers at institutions like Stanford would reinforce this work.

The extraordinary technique became known as parabiosis, and forms the basis of efforts at Alkahest, a California start-up that is banking on being able to apply those rejuvenative effects to people, rather than mice. It’s an idea so fantastical it wouldn’t look out of place in an episode of Silicon Valley, the HBO send-up of the start-up scene.

(17) HELPING WATER TAKE SHAPE. An article about digital effects in The Shape of Water: “How visual effects studio Mr. X helped create ‘The Shape of Water’ and its lovable merman”.

It turns out that Jones’ impressive costume and makeup (and his equally impressive performance) only accounts for part of what we see on-screen. Trey Harrell, CG supervisor at visual effects house Mr. X, told me, “Every single shot of the film where you see the creature is a visual effects shot.”

After all, Harrell said that while “Doug is an amazing actor,” his face was also hidden under “an inch of and a half of foam latex.” So at the very least, Mr. X had to create the merman’s eye and face movements. In other instances, like when the merman was viewed swimming inside the lab’s capsule, Mr. X was responsible for the entire creature.

(18) ACCUSATION. Someone has made a claim about the source of the story — “Guillermo del Toro accused of stealing story of ‘Shape of Water’ from 1969 play” reports the New York Daily Post.

Guillermo del Toro has been accused of stealing the storyline of “Shape of Water” from Pulitzer-winning playwright Paul Zindel.

David Zindel, the son of the playwright, who died in 2003, claims del Toro’s story is taken from his father’s 1969 “Let Me Hear You Whisper,” about “a female janitor in a research laboratory who bonds with a captive dolphin and tries to rescue the creature.”

“We are shocked that a major studio could make a film so obviously derived from my late father’s work without anyone recognizing it and coming to us for the rights,” Zindel told the Guardian.

… Fox Searchlight denied that the “Shape of Water” storyline was stolen.

“Guillermo del Toro has never read nor seen Mr. Zindel’s play in any form. Mr. del Toro has had a 25 year career during which he has made 10 feature films and has always been very open about acknowledging his influences,” a spokesman told the Guardian.

(19) I’M FEELING BETTER! Scott Tilley was listening for something else when the unexpected happened: “Amateur astronomer discovers a revived NASA satellite”.

After years in darkness, a NASA satellite is phoning home.

Some 12 years since it was thought lost because of a systems failure, NASA’s Imager for Magnetopause-to-Aurora Global Exploration (IMAGE) has been discovered, still broadcasting, by an amateur astronomer. The find, which he reported in a blog post this week, presents the possibility that NASA could revive the mission, which once provided unparalleled views of Earth’s magnetosphere.

The astronomer, Scott Tilley, spends his free time following the radio signals from spy satellites. On this occasion, he was searching in high-Earth orbit for evidence of Zuma, a classified U.S. satellite that’s believed to have failed after launch. But rather than discovering Zuma, Tilley picked up a signal from a satellite labeled “2000-017A,” which he knew corresponded to NASA’s IMAGE satellite. Launched in 2000 and then left for dead in December 2005, the $150 million mission was back broadcasting. It just needed someone to listen.

(20) RARITY. Offered on eBay for $2,000 – the NAL paperback of The Day After Tomorrow signed by Robert A,. Heinlein to his publisher:

HEINLEIN, ROBERT A. The Day After Tomorrow. New York: Signet – New American Library, 1964. First Paperback Edition. Signed and inscribed by Robert A. Heinlein with a superb inscription to his publisher: “To Kurt Enoch, President of N.A.L. With books as with icebergs it is the unseen 7/8-s which permits the 1/8 to be seen. Thanks! Bob Heinlein”. Originally published as Sixth Column, this copy is enclosed in a custom cloth clamsell box. Paperbound, very good clean copy. From the library of Dr. Kurt Enoch (1895-1982) who was a noted German publisher, forced to flee the Nazis, landing in New York in 1940. In 1948, Dr. Enoch co-founded and became President of New American Library – Signet Books which became one of the successful and acclaimed post-war publishing houses. Enoch went on to become one of the most highly regarded figures in American book publishing.

(21) YOUR MOVE. The mention in yesterday’s Scroll about Richard Paolinelli asking someone to guess his chess ranking inspired this parody of “One Night in Bangkok” (from Chess) by Matthew Johnson (and the last two lines by Soon Lee):

Twitter’s gonna be the witness
To the ultimate test of cerebral fitness
This grips me more than if you go
To San Jose for a cruddy old Hugo

I don’t see you guys making
The nine-dimensional move I’m contemplating
I’d let you watch, I would invite you
But our Gargoyles DVDs would not excite you

So you’d better go back to your Files, your SFWA forums,
Your cat cafes

One night in genre and worlds are your oyster
The Scrolls are Pixels and the comment’s free
My pups are friendly and their noses moister
No politics in SF history
I can feel Bob Heinlein walking next to me
His mistresses are harsh, and his lunch ain’t free.

[Thanks to John King Tarpinian, JJ, Soon Lee, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 1/15/18 Scroll Down, You File Too Fast, You Got To Make The Pixels Last

(1) KURT ERICHSEN’S RETIREMENT MAKES THE NEWS. The Toledo Blade has published a superb article about fanartist Kurt Erichsen, who is retiring from his day job as vice president of water quality planning for Toledo Metropolitan Area Council of Governments after a 34-year career. I learned all kinds of things I never knew about his work on getting the Ottawa river cleaned up, and was pleased to see they also covered some of the fannish things I did know about the 2002 Rotsler Award winner —

Mr. Erichsen’s passion for environmental planning wasn’t his first calling in life, though. He was fascinated with drawing since he was young. He might have pursued a career as an illustrator if his parents hadn’t convinced him otherwise, but he never gave up his passion for drawing.

From 1980 to 2008, he produced a comic strip called “Murphy’s Manor.” It focused on the lives of gay men living in the fictional town of Black Swamp, Ohio. That series and others he produced, including “The Sparkle Spinsters” and “GLIB Talk,” appeared in as many as 70 publications marketed to homosexuals, resulting in awards from the Gay/?Lesbian Press Association.

“I was trying to be entertaining while making a point,” Mr. Erichsen said.

Mr. Erichsen also has produced artwork for fans of science fiction fanzines and conventions.

(2) COMES THE MILLENNIUM. Congratulations to James Davis Nicoll, who sent a link to his review of Elizabeth Hand’s Winterlong – captioned “And Rain Keeps Falling Like Helpless Tears” – with the note that it is his 1000th review.

Elizabeth Hand’s 1990 debut novel Winterlong is the first volume in her Winterlong Trilogy.

Nuclear war and germ warfare have left Washington a shadow of its once glorious past. A handful of administrators, descended from self-appointed curators, control the relics of America’s lost past, defending the remnants from the diseased, mutated, and simply unlucky inhabitants of the surrounding sea of ruins….

(3) VERSE AS SWORD AND SHIELD. Middle-Earth Reflections’ new post “On the songs of power” discusses how they work in The Silmarillion.

Among many powerful notions in the world of Arda few are more potent than music and language. Music is the essential element of Arda, its heart and soul, as the world was created and shaped by the majestic Music of the Ainur. And it was the word of Ilúvatar — Eä! — that brought the created vision to life.

The power of words in Middle-earth cannot be overestimated. If used masterfully, with subtlety and skill they can inspire others to do incredible things. It is especially prominent when words are put into verse: songs can become something a lot more potent than mere poetic recitals. I have already spoken about the songs of challenge in The Silmarillion: sung in the situations of dire need and despair, they bring hope and salvation against all the odds. A special place in the story is occupied by the songs of power. They are very effective verses able to create or destroy, be used as a weapon or for defence.

It is by means of a song that Yavanna brings to life the Two Trees of Valinor and, later, the last fruit and flower from them used for creating the Sun and the Moon after the Trees’ destruction. Finrod duels with Sauron on the songs of power. Lúthien sings an equally powerful song to make Tol-in-Gaurhoth tremble and be heard by Beren trapped in Sauron’s dungeons.

(4) HANDMAID’S TALE. Hulu previews the second season.

Whatever is silenced will clamor to be heard. The Handmaid’s Tale Season 2 returns April 25.

 

(5) ATWOOD’S FEMINISM. Margaret Atwood answers her own question, “Am I a bad feminist?”, in an op-ed at the Toronto Globe and Mail.

So let us suppose that my Good Feminist accusers, and the Bad Feminist that is me, agree on the above points. Where do we diverge? And how did I get into such hot water with the Good Feminists?

In November of 2016, I signed – as a matter of principle, as I have signed many petitions – an Open Letter called UBC Accountable, which calls for holding the University of British Columbia accountable for its failed process in its treatment of one of its former employees, Steven Galloway, the former chair of the department of creative writing, as well as its treatment of those who became ancillary complainants in the case. Specifically, several years ago, the university went public in national media before there was an inquiry, and even before the accused was allowed to know the details of the accusation. Before he could find them out, he had to sign a confidentiality agreement. The public – including me – was left with the impression that this man was a violent serial rapist, and everyone was free to attack him publicly, since under the agreement he had signed, he couldn’t say anything to defend himself. A barrage of invective followed.

But then, after an inquiry by a judge that went on for months, with multiple witnesses and interviews, the judge said there had been no sexual assault, according to a statement released by Mr. Galloway through his lawyer. The employee got fired anyway. Everyone was surprised, including me. His faculty association launched a grievance, which is continuing, and until it is over, the public still cannot have access to the judge’s report or her reasoning from the evidence presented. The not-guilty verdict displeased some people. They continued to attack. It was at this point that details of UBC’s flawed process began to circulate, and the UBC Accountable letter came into being.

A fair-minded person would now withhold judgment as to guilt until the report and the evidence are available for us to see. We are grownups: We can make up our own minds, one way or the other. The signatories of the UBC Accountable letter have always taken this position. My critics have not, because they have already made up their minds. Are these Good Feminists fair-minded people? If not, they are just feeding into the very old narrative that holds women to be incapable of fairness or of considered judgment, and they are giving the opponents of women yet another reason to deny them positions of decision-making in the world.

The #MeToo moment is a symptom of a broken legal system. All too frequently, women and other sexual-abuse complainants couldn’t get a fair hearing through institutions – including corporate structures – so they used a new tool: the internet. Stars fell from the skies. This has been very effective, and has been seen as a massive wake-up call. But what next? The legal system can be fixed, or our society could dispose of it. Institutions, corporations and workplaces can houseclean, or they can expect more stars to fall, and also a lot of asteroids.

If the legal system is bypassed because it is seen as ineffectual, what will take its place? Who will be the new power brokers? It won’t be the Bad Feminists like me. We are acceptable neither to Right nor to Left. In times of extremes, extremists win. Their ideology becomes a religion, anyone who doesn’t puppet their views is seen as an apostate, a heretic or a traitor, and moderates in the middle are annihilated. Fiction writers are particularly suspect because they write about human beings, and people are morally ambiguous. The aim of ideology is to eliminate ambiguity.

(6) VENUS IF YOU WILL. At Galactic Journey, The Traveler reports on the wealth of information collected by the latest (in 1963) Venus probe — “[January 15, 1963] Venus’ true face (Scientific Results of Mariner 2)”.

Getting there is half the fun

Before I talk about Mariner’s encounter with Venus, it’s important to discuss what the spacecraft discovered on the way there.  After all, it was a 185 million mile trip, most of it in interplanetary space charted but once before by Pioneer 5.  And boy, did Mariner learn a lot!

For instance, it has finally been confirmed that the sun does blow a steady stream of charged particles in a gale known as the “Solar Wind.”  The particles get trapped in Earth’s magnetic field and cause, among other things, our beautiful aurorae.

Mariner also measured the interplanetary magnetic field, which is really the sun’s magnetic field.  It varies with the 27-day solar rotation, and if we had more data, I suspect the overall map of the field would look like a spiral.

Why is all this important?  Well, aside from giving us an idea of the kind of “space weather” future probes and astronauts will have to deal with, these observations of the sun’s effect on space give us a window as to what’s going on inside the sun to generate these effects.

One last bit: along the way, Mariner measured the density of “cosmic dust,” little physical particles in space.  It appears that there’s a lot of it around the Earth, perhaps trapped by our magnetic field, and not a lot in space.  It may be that the solar wind sweeps the realm between the planets clean….

(7) LAST JEDI DOES NOT IMPRESS CHINESE. According to The Hollywood Reporter, “China Box Office: ‘Jumanji’ Clobbers Competition With $40M, ‘Last Jedi’ Crashes and Burns”.

Dwane Johnson’s Jumanji: Welcome to the Jungle roared into China over the weekend, racking up a strong $40 million.

The Sony tentpole finally toppled runaway Chinese hit The Ex-File 3: The Return of the Exes, which earned $25.3 million in its third frame, bringing its local total to $272 million. Globally, Jumanji, also starring Kevin Hart, has earned $667 million.

Disney’s and Lucasfilm’s Star Wars: The Last Jedi, meanwhile, didn’t even put up a fight. Only in its second weekend on Chinese screens, The Last Jedi pulled in a paltry $2.4 million — a 92 percent decline from its disappointing $28.7 million debut, according to data from EntGroup.

The Star Wars franchise, never popular in China, appears to be on a precipitous decline in the Middle Kingdom, the world’s second-largest film territory.

…The global picture is far better, of course: As of Sunday, Last Jedi had a worldwide haul of $1.264 billion, making it the biggest film of 2017.

Looper attempts to explain the disappointing numbers –

(8) BINTI ARC CONCLUDES. The B&N Sci-Fi & Fantasy Blog points out how Binti: The Night Masquerade Is the Epic Climax to a Deeply Personal Saga”.

Each of the previous two books in Dr. Nnedi Okorafor’s coming-of-age story saw Binti faced with tremendous change and exposed her to new truths that widened her world, and made it smaller. She’s taken on attributes of the (sometimes) murderous and very alien Meduse, and come to understand there’s more to the seemingly uncivilized desert people of her homeland than she’d ever imagined. The Night Masquerade is the conclusion of her journey, and the title refers to a spectre of change that appears to significant people at times of great crisis. It’s wonderfully evocative of the climactic nature of the story, and Binti will face a great deal more turmoil before hers is done.

(9) TODAY’S BIRTHDAY BOY

  • Born January 15, 1935 – Robert Silverberg

(10) COMICS SECTION.

  • Mike Kennedy says Pearls Before Swine showed him an excellent reason (or three) to keep the closet closed
  • John King Tarpinian discovered the consequences of making a Flintstones reference in B.C.
  • Mike Kennedy learned news happens whether you know it or not in this installment of Nonsequitur.
  • The Flying McCoys explore what would happen to Batman if a certain supervillain lived up to his name.

(11) WHAT GOES UP. The BBC talks to “The astronaut fighting to save our home in space”:

The International Space Station (ISS) is humanity’s most expensive structure – and in just six years’ time, it may vanish, plunging into the Pacific Ocean. BBC Future meets the man trying to save it.

… “I’ve been very, very, very, very lucky,” he says, laughing. “Most astronauts are very jealous of me, which is probably why I won’t get to fly in space again!”

Most famously, Foale was on board Mir in June 1997 when an un-crewed Progress supply ship ploughed into the station, smashing a solar panel and breaching the hull. With the master alarm sounding, air leaking, power failing and the station spinning, Foale worked with his two Russian crewmates to prepare their Soyuz escape capsule and close off the damaged module.

By holding his thumb to a station window and examining the movement of stars, Foale used his physics training to estimate the spin rate of the station, so mission control could fire thrusters to bring it back under control.

(12) MUST COME DOWN. Someone hit the center divider on the road, went airborne and crashed into the SECOND floor of a dental business —

Which inspired this Harry Potter reference from “Typical Girl” —

(13) MIXED MARTIAL ARTS. In “Bruce Lee Lightsabers Scene Recreation,” Patrick Nan asks, “What if Bruce Lee fought with lightsabers?”

(14) COMMITMENT. Laura Resnick continues a series about her volunteer work — “Cat Rescue, Part 3: Return to Sender”.

I’m writing a series of blog posts about my volunteer work in cat rescue with Cat Adoption Team (C.A.T.). Part 1 discusses how I got involved and outlines how it works. Part 2 talks about the happy endings that are so rewarding in this work, as well as the sad ones (and also the appallingly infuriating ones) that make some days very hard.

There is another kind of outcome to pet adoption, too. Despite good people trying hard, sometimes things just don’t work out. A cat turns out to be a bad fit for a family, or the family’s life changes in tragic ways that make keeping the cat impossible… and they return them to C.A.T.. This is sad for everyone, but it is absolutely the right thing to do in such circumstances.

I cannot stress this strongly enough: if family decides not to keep a pet, they should return the animal to us (and any responsible rescue group has this same policy). The most important thing to us is that the cat should always be safe. By rescuing the cat, we made a promise that we will never abandon this animal or allow it to return to the condition from which we rescued it, alone and forsaken in the world. Do not break our promise by abandoning the animal we entrusted to you at the time of adoption. Return it to us.

(15) CLASSIC WEIRD. Jared pays tribute to “Jane Gaskell, First Lady of the Weird” in a compelling review article at Pornokitsch. Here’s an excerpt:

The Atlan Series: The Serpent (1963), Atlan (1965), The City (1966), Some Summer Lands (1977)

Note: To keep things complicated, later printings split The Serpent into two volumes (The Serpent and The Dragon)

This series – Gaskell’s epic fantasy saga – is batshit crazy.

It follows Princess Cija, as she meddles in the politics of Atlantis. She goes from princess to prisoner to conqueror to spy to Chosen One to fugitive to back again… It is bonkers, risque and occasionally befuddling.

In a way, the Atlan saga is an even more extreme version of Strange Evil, exacerbated, perhaps, due to its epic length. Cija, like Judith, lacks agency. She is notable because she is desired, rather than possessing any strong desires of her own. She’s passed from hand to hand (to paw), partner to partner. Her bloodline is important, her presence is ‘destined’, but, again, we find in Cjia a distressing subversion of a Chosen One. She is one that has been Chosen, rather than having any control over her fate. This is the Epic Fantasy with the princess-in-the-tower as the first person protagonist, and it can make for harrowing reading: to be the prize and not the hero is, unsurprisingly, kind of dark.

Atlan also has an utterly ridiculous setting – packed with ‘SPACE AGE’ SF, mad science, dragons, monsters, death rays, lizard people, whatever. It feels almost deliberately pulpy, in a way that makes its sneaky-dark message all the more sinister.

Michael Moorcock included the series in Fantasy: The 100 Best Books (1988), and admires – slightly sarcastically – the over-the-top pulpy elements. He refers to the series’ “bewildering status changes” and “breathless peregrinations”, and his summary gleefully points out how silly the whole thing is. But he eventually concludes “Too much? Never! Stirring stuff, all of it.”

Others also (mostly) approve – John Clute describes it with lukewarm praise: “In genre terms the series – sometimes uneasily, but at points with real panache – marries sf and the popular romance; it is full of vigorous and exuberant invention and occasionally overheated prose.” (It is worth noting that late 1960s ‘popular romance’ was pretty bleak stuff – this isn’t a sappy love story, but a harrowing tale of self-actualisation [or… semi-reluctant acceptance].)

(16) ROBOTS V. FAIRIES. SF Bluestocking’s Bridget McKinney isn’t high on this new collection — “Book Review: Robots vs. Fairies edited by Dominik Parisien and Navah Wolfe”.

Robots vs. Fairies is my first reading disappointment of 2018. I loved Dominik Parisien and Navah Wolfe’s first anthology, 2016’s The Starlit Wood, so I was very hyped for this one when it was announced. Unfortunately, Robots vs. Fairies is a bit of a sophomore slump for the editing pair, with a theme that feels more questionable the farther one reads into the collection, stories that largely feel a little too written to spec, and not enough that’s new and interesting to recommend it on those scores. It might work as sort of comfort reading for those who find its table of contents—filled with some of the hottest short fiction writers currently working in SFF—appealing, but if you’re looking for exciting, fresh, innovative work, there’s not much of that here.

(17) JDA TODAY. Jon Del Arroz tries to defend against the Jim C. Hines compilation without mentioning the author by name in “The Ever-Changing Narrative And Double Standards Show They’re Disingenuous” (link to the Internet Archive).

In the past couple days, with that Narrative being such bad publicity for the convention because of the double standard they applied over political affiliation, it’s shifted to “he’s mean on the internet!”  NYT Bestsellers have been swearing about me on their twitter, lower-selling midlist authors are cheering and congratulating each other over spreading rumors and gossip like this is a high school clique rather than professionals. This strategy is going to backfire as well, because first, being mean on the internet is not a crime. No one has been banned from conventions over being mean on the internet before. And it applies to these folk in a massive double standard way. I don’t go around being nearly as mean or cruel as they are.

(18) MEDIC, I’M HIT! I was bitterly disappointed that Jim C. Hines showed in comments today that he reviewed the evidence with JDA about his doctored “Goodbye Jon” email conversation with me (which actually happened in this order) only to conclude —

The summary: We have several possibilities here.

  1. Jon is faking his screenshots.
  2. Mike is lying.
  3. Jon’s Sent Mail shows a different Sent Time than the email(s) Mike received from him.

(19) CHOPPAGE. At Pedestrian, Ben McLeay reports the latest antics of men’s rights activists – erasing women from The Last Jedi — “MRAs Make 46-Minute Cut Of ‘The Last Jedi’ That Edits Out All The Women”.

It is utterly tragic that MRAs aren’t given the respect they deserve. It’s truly galling that just because their entire worldview was formed around a profound sense of entitlement induced by watching thousands of hours of harem anime, no one takes them seriously. It’s heartbreaking to think that people dismiss them out of hand just because – instead of addressing actual issues like the rates of suicide and depression among men – they focus on dumb shit like editing out all the parts of The Last Jedi that aren’t centred around men.

If that last thing sounded too ridiculous to be true, you have clearly forgotten which time it is that we live in and the corresponding fact that pretty much nothing now is too ridiculous to be true. We live in the most aggressively ridiculous timeline. Accordingly, the self-described “chauvinist cut” of TLJ is very, very real, and exactly as dumb as it sounds.

Uploaded to The Pirate Bay yesterday by an anonymous user, the “The Last Jedi: De-Feminized Fanedit” is, according to their own description “basically The Last Jedi minus Girlz Powah and other silly stuff“.

(20) HARD-HITTING JOURNALISM. WIRED delivers a less-than-stunning revelation: “Cantina Talk: The Last Jedi’s Shirtless Kylo Is Proving a Problem for Cosplayers”.

So, About Kylo’s High-Waisted Tights…

Source: The Wall Street Journal, of all places

Probability of Accuracy: They did get a high quality still of shirtless Kylo, so there’s no denying that they know what they’re doing.

The Real Deal: Perhaps the most surprising Last Jedi story to appear in recent weeks is this Wall Street Journal piece about the high-waisted tights Kylo wore in that one super-uncomfortable scene of him Force-communicating with Rey. (Don’t pretend like you know know exactly which one we’re talking about.) For one, it was surprising because it was in the Journal, but also because it focused on how hard Shirtless Buff Kylo Ren was to pull off for cosplayers. The piece even quotes Last Jedi costume designer Michael Kaplan, who said, “The world of Star Wars is not our world… Kylo Ren is not some hipster in hip-hugging jeans. Think Errol Flynn swashbuckling coolness as a point of departure. Hide that navel!” So, now you know. (Also, let’s be honest: Kylo Ren most definitely is some hipster in hip-hugging jeans, even if his wardrobe doesn’t reflect it.)

(21) BLACK PANTHER. Ruth Carter “‘Black Panther’ Costume Designer Talks Tribal-Tech Inspirations” in The Hollywood Reporter.

Ruth Carter has created costumes for some epic films, Amistad, Malcolm X and Selma among them, but nothing prepared her for the size and scope of Black Panther. For the super-stylish superhero film opening Feb. 12, she imagined a new African diaspora with 700 costumes fusing futurism, indigenous dress and high fashion, using research that spanned from the Rose Bowl Flea Market to textile dealers in Accra, Ghana.

The Ryan Coogler-directed film brings to the big screen Marvel Comics’ first black superhero, reinventing the circa 1966 character for today. Black Panther is depicted as T’Challa (Chadwick Boseman), who rules over the fantastical African country of Wakanda, rich with vibranium, a mythic metal that is woven into the superhero’s sleek black, repeating triangle-pattern suit (designed by Marvel’s Ryan Meinerding), and has allowed the population to make technological advances nearly a century ahead of the rest of the world. The fight for vibranium is at the heart of the story, with T’Challa defending the kingdom against Michael B. Jordan’s Erik Killmonger.

Carter worked with five illustrators, 14 designers, mold makers, fabric dyers, jewelry makers and more. “It was an army,” the costume designer says. On her mood boards were images of African dress from the Maasai, Tuareg, Turkana, Xhosa, Zulu, Suri and Dinka peoples (including a men’s glass bead, animal skin and cowry shell corset from the Metropolitan Museum of Art), as well as piercings and body art, and more abstract examples of drapery and beading. She also examined fashion by avant-garde pleating master Issey Miyake, African-style vintage pieces by Yves Saint Laurent and Donna Karan.

(22) STARTS TOMORROW. CW released a clip from Black Lightning — The Resurrection Scene 2 – a show that premieres January 16.

About BLACK LIGHTNING: Jefferson Pierce is a man wrestling with a secret. Nine years ago, Pierce was gifted with the superhuman power to harness and control electricity, which he used to keep his hometown streets safe as the masked vigilante Black Lightning. However, after too many nights with his life and his family on the line, he left his Super Hero days behind. Almost a decade later, Pierce’s crime-fighting days are long behind him…or so he thought. But with crime and corruption spreading like wildfire, Black Lightning returns — to save not only his family, but also the soul of his community.

 

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, ULTRAGOTHA, Carl Slaughter, Cat Eldridge, Martin Morse Wooster, Michael J. Walsh, James Davis Nicoll, Dann, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day John From GR.]

Pixel Scroll 7/26/16 I Am The Very Pixel Of A Modern Scrolling General

(1) WONDER WOMAN FOREVER. At the San Diego Comic-Con the Postal Service announced “Wonder Woman’s 75th Anniversary to be Celebrated on Forever Stamps”. The first-day-of-issue dedication ceremony will take place October 7 at New York Comic-Con.

wonder woman stamps

This new issuance showcases four different stamp designs on a sheet of 20 stamps depicting Wonder Woman during four eras of comic book history:  Golden Age (1941–55), Silver Age (1956–72), Bronze Age (1973–86) and Modern Age (1987–present).

On the first row of stamps Wonder Woman of the Modern Age wields a hammer with a power and determination befitting her roots in the heroic world of Greek mythology.

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The Bronze Age Wonder Woman’s bold stance empowers the second row of stamps. With her fist held high and bulletproof bracelets gleaming, the Amazon princess leads the charge against injustice.

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The third row of stamps depicts Wonder Woman during the Silver Age. Although she possesses great strength and speed, the world’s favorite superheroine prefers compassion to the use of brute force. With her golden lasso of truth close at hand, she compels honesty from her foes.

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In the last row of stamps, Wonder Woman from the Golden Age bursts onto the scene as originally envisioned by creator William Moulton Marston.

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Art director Greg Breeding of Charlottesville, VA, designed the stamp pane.

(2) SIGNATURE TRAITS. Max Florschutz continues his “Being A Better Writer” series of posts with “Giving Characters a Leitmotif”.

….Now, to some of you long-time readers, this may sound somewhat familiar. After all, we’ve spoken before of ways to show a reader character through dialogue choice or body language. Here and now, however, I’m sort of pulling all of this together into a single, overarching idea: What leitmotif have you given your character? What element of their personality, attribute of their view of the world, are you going to weave into their parts (or perhaps point of view) in order to let the reader know exactly who they’re following even before you give them a name?

No joke. With strong enough characterization to a character’s perspective, it’s entirely possible to write a piece that, without ever mentioning a character’s name, is identifiable wholly as that character’s own. Through use of specific dialogue ticks, phrasing, complexity of language, or even things like catch phrases, general attitudes, or body language, you can inform a reader exactly who your character is.

Better yet, such an action will, if varied (we’ll talk about that in a moment) bring the character to life. Because let’s be honest here: We all have a “leitmotif.” Each of us has very recognizable traits that allow others to see who we are quite quickly(an old friend of mine once—no joke—identified me in the dark, only from my silhouette, on the explained logic of “no one else walks with that much casual swagger” … and come to think of it, that’s happened more than once).

Likewise, as you sit down to create—and then write—a character, what “leitmotifs” are you going to give them? What verbal cues, what methods of thought, or what reactions will they have. Will they be fight or flight? Will they be brusque to those they don’t know? Courteous? Do they think of themselves in first or second person when thinking?

Now, I know this all sounds like character design and development stuff—and it is! But what I’m bringing to the front here is not just the act of deciding all this stuff, but of picking the ones that you’ll weave into everything about the character….

(3) BOIL ‘TIL DONE. The New York Times invites you to “Meet Luca, the Ancestor of All Living Things”. At least, that’s the theory.

….Luca, the Last Universal Common Ancestor, and is estimated to have lived some four billion years ago, when Earth was a mere 560 million years old….

….Genes that do the same thing in a human and a mouse are generally related by common descent from an ancestral gene in the first mammal. So by comparing their sequence of DNA letters, genes can be arranged in evolutionary family trees, a property that enabled Dr. Martin and his colleagues to assign the six million genes to a much smaller number of gene families. Of these, only 355 met their criteria for having probably originated in Luca, the joint ancestor of bacteria and archaea.

Genes are adapted to an organism’s environment. So Dr. Martin hoped that by pinpointing the genes likely to have been present in Luca, he would also get a glimpse of where and how Luca lived. “I was flabbergasted at the result, I couldn’t believe it,” he said.

The 355 genes pointed quite precisely to an organism that lived in the conditions found in deep sea vents, the gassy, metal-laden, intensely hot plumes caused by seawater interacting with magma erupting through the ocean floor.

…Dr. Sutherland, working from basic principles of chemistry, has found that ultraviolet light from the sun is an essential energy source to get the right reactions underway, and therefore that land-based pools, not the ocean, are the most likely environment in which life began.

“We didn’t set out with a preferred scenario; we deduced the scenario from the chemistry,” he said, chiding Dr. Martin for not having done any chemical simulations to support the deep sea vent scenario.

Dr. Martin’s portrait of Luca “is all very interesting, but it has nothing to do with the actual origin of life,” Dr. Sutherland said.

(4) PRINCESS CHARMING. Roby and Kreider have turned to Kickstarter to get their next project out of the starting gate – Princess Charming: for a Few Princesses More.

Josh Roby has been writing professionally for more than a decade (and writing unprofessionally for a long time before that), and has worked as an editor for curriculum development and a number of early reader titles. Nowadays, most of Josh’s time is spent as a home maker and raising two darling children.

Anna Kreider is a writer, game designer, and illustrator who spends a lot of time blogging about depictions of women in pop culture. She is also attempting to raise a toddler, despite the toddler’s best efforts to the contrary.

Here’s what they’re doing —

Princess Charming

We started the Princess Charming book series to make children’s books that feature active, competent princess characters who do more than wait around to get rescued. We’ve already published six books across three different reading levels, but we’re far from done.

Publishing the first six books was a great experience, and we’re ready to bring out the second batch, starting with Princess Rowan Charming.

Only one thing slows down our Rowan — her friend, Prince Sundara, who insists on coming along. Something about Rowan having only one hand and that he has to protect her. But he only gets in the way! Somehow Rowan has to make the boy understand that he’s not cut out for adventuring… before he gets hurt.

And In the Wings…

If we fund all of Princess Rowan’s titles, we’ve got two more princesses lined up and ready to go: Princess Chandra and Princess Nayeli are both penciled in for three books, which we will unlock as stretch goals.

With a week to go, the appeal has raised $1,875 of its $3,000 goal.

(5) SEVEN DEAD GODS. Westercon 67 alumnus Valynne Maetani has hit it big. Publishers Weekly has the story – “Two YA Authors Tweet Mutual Interests into Six-Figure Deal”.

What began as a casual Twitter conversation between two long-time friends who for years talked about writing a book together – Valynne Maetani and Courtney Alameda – has become a hot property that recently was sold to HarperCollins in a two-book, six-figure deal after an auction earlier this year in which four major publishers participated. The final contract was signed in June.

Seven Dead Gods, the YA novel co-written by Maetani and Alameda, who have both been represented by John Cusick (now with Folio Literary Management/Folio Jr.) since 2012, is scheduled to publish in winter 2018. While Cusick described Seven Dead Gods as a combination of “An Ember in the Ashes and Daughter of Smoke and Bone meets Akira Kurosawa,” Alexandra Cooper, the HarperCollins editor who acquired it, used more cinematic terms: “Mean Girls meets Scott Pilgrim vs. the World.”

According to the two co-authors, it’s simply the inevitable culmination of their mutual passion for horror, anime, comic book culture, and Kurosawa’s classic Japanese epic movies. In Seven Dead Gods, which is set in modern-day Japan, 17-year-old Kira, who is the victim of bullying at her school, finds solace working in her grandfather’s Shinto shrine. After realizing that she can see and commune with demons, Kira – with her younger sister in tow – partners with seven “death gods,” or “Shinigami” in Japanese, to save Kyoto from destruction.

(6) TODAY IN HISTORY

  • July 26, 1969 — First Moon rock samples analyzed.

(7) TODAY’S BIRTHDAY BOYS

  • Born July 26, 1894 –Aldous Huxley
  • Born July 26, 1928 — Stanley Kubrick

(8) MONUMENT TO A HUGO BALLOT. Lurkertype finished voting for the Hugos and Retro-Hugos and celebrated by using the Pulp-O-Mizer mentioned in yesterday’s Scroll to make this faux pulp cover.

(9) WILL JRRT FOLLOW GRRM ON HBO? That’s what iDigital Times would like to see: “’The Silmarillion’ TV Series: HBO Should Adapt ‘The Silmarillion’ After ‘Game of Thrones’”.

The Silmarillion would be an incredible successor to Game of Thrones on HBO, not least because the two would be so different. The Silmarillion is firmly set in the epic vein, in the realm of the mythic; Game of Thrones is a story of kings and princes, but has always been down to earth, even in its new epic fantasy phase. The battles in The Silmarillion are more elemental; these are wars between Elves and dragons, Balrogs, giant spiders and endless hordes of orcs, and sometimes the gods themselves intervene. But the story itself is incredibly interesting—it has the depth and complexity to carry a series, even one that’s more directly fantastical than Game of Thrones.

Could it happen? It’s not impossible. The Tolkien family still holds the film rights to The Silmarillion, and Christopher Tolkien has made it very clear that Peter Jackson isn’t getting those rights, not after the debacle of The Hobbit movies. But that doesn’t mean no one is getting them. HBO has shown itself a relatively careful steward of such properties, and it’s willing to invest in the money and talent to do such shows right.

(10) WHAT WILL DARTH SAY? After Tor Books announced its latest round of promotions, Elizabeth Bear voiced the joke that immediately came to some people’s minds —

(11) NEEDS A CLUE. Spacefaring Kitten is “No-Awarding Editors and Avengers”.

I don’t think that any of the novel editors does a bad job (ok, maybe one of them). This is strictly a protest vote against the insane category. How can anybody who is not an industry insider come to any conclusion about who is better than someone else in turning mediocre books into great ones? I have no clue.

So when you have no clue, why cast a vote that in principal can obstruct others who don’t feel that way from giving an award?

(12) ONE TRICK. Was there any question about this being the end times?

“Zombie Dog – The Barking Dead Messenger Pet”

zombie dog

(13) MASHUP. Brian Kesinger came up with a good one —

(14) PIONEER OF UNIVERSAL SUFFRAGE. Sir Julius Vogel, for whom New Zealand’s national sf award is named, was remembered at a special memorial service in London at the beginning of the month, though not for reasons to do with his fantasy writing, which was never mentioned.

Vogel had a visionary imagination. He wrote about air cruisers, driven by engines much like jet engines, the inventor of which was a young Jewish woman, niece of the spymaster. He envisages large irrigation schemes in the South Island, electricity as the prime source of domestic light and heat, hydro-electricity as a major source of power.

In political developments, he foresaw a global federation of financial interests that maintained world peace, taxation as the great divisive issue threatening to break up the empire, and the resolution of the issue of Irish Home Rule.

There is no limit to Vogel’s seemingly far-fetched ideas.

The Southland Times, reviewing Vogel’s book, said: “In Anno Domini 2000, it is easy to detect the hand of a beginner. The plot, if plot it can be called, is not very ingenious, the dialogue is not very brilliant and the characterisation is decidedly poor. The whole story is moreover ridiculously improbable.”

What is interesting is that Vogel, who was reminded of his Jewish identity throughout his life, whom his political opponents described as the “wandering Jew”, whose newspaper, the Otago Daily Times, was referred to as “that despicable literary dish clout”, “the Jew’s Harp”, created a positive image of Jewishness in one of the leading characters of his work of fantasy.

(15) A HUMMER. I must have missed this one the first time it came around in 2006.

[Thanks to John King Tarpinian, Dave Doering, JJ, and James Davis Nicoll for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]