Pixel Scroll 7/23/17 Whenever We File Out, The Pixels Always Shout, ‘There Scrolls John Jacob Jingleheimer Schmidt!’

(1) TALKIN’ ABOUT MY REGENERATION. The Doctor Who Christmas Special 2017 trailer is online.

(2) A PREVIOUS GENERATION. Meanwhile, at Comic-Con, Harrison Ford still doesn’t know whether he was a replicant: “Blade Runner 2049: Harrison Ford responds to Deckard replicant mystery”.

Moderator Chris Hardwicke couldn’t help but ask Ford if Blade Runner 2049 would address the lingering questions about Deckard’s identity – human or replicant?

After a long pause, the star responded: “It doesn’t matter what I think.”

So that clears that up then.

(3) ACTUAL COMICS NEWS FROM COMIC-CON. NPR observes “Yes, Some Comics Are For Kids — And They’re Big Business”.

Before I left for San Diego Comic-Con this week, I checked in with Lucy Strother, a fourth grade teacher in Philadelphia whose students just love comics. “We have like a comics and graphic novels bin in the library and it’s perpetually empty because the kids are so obsessed with comics and graphic novels,” she says.

Strother says graphic novels are an important way to get kids used to reading longer chapter books with more mature ideas. And for her students, there’s one author who reigns supreme. “The queen of my classroom is Raina Telgemeier.”

“My name does mean queen,” Telgemeier laughs. She’s here at Comic-Con to talk comics and meet young readers; her latest graphic novel, Ghosts, is a gentle, lovely story for middle grade readers, about a girl coming to terms with her little sister’s serious illness.

(4) OPEN FOR CLICKS. The Westercon 72 (and aspiring 2019 NASFiC bid) website has gone live. The con will be in Layton, UT.

(5) OUT OF THE SHADOWS. Clarke Awards administrator Tom Hunter sent out the links himself:

Adrian Tchaikovsky has also been busy reviewing all six books on this year’s shortlist, splitting his reviews into three equal parts.

  • Part one: Faith In The Future covers A Closed and Common Orbit by Becky Chambers and Central Station by Lavie Tidhar.

I want to wave a flag for Chambers’ aliens?—?while there is a definite Trek-like philanthropic principle going on, the species are all well defined, and then the individuals are separately defined so that you don’t get the common problem of “all of X species are like this”, and furthermore “X species are basically humans with this hang up and a narrowed emotional range”. Like Planet, Orbit makes a virtue of telling the stories of ordinary people in a multispecies galactic community, with plenty of digressions and diversions that only add to the verisimilitude of the world and the characters.

  • Part two: The Evil That Men Do discusses The Underground Railroad by Colson Whitehead and After Atlas by Emma Newman.

Where this book crosses from the historical into Clarkes territory is the railroad of the title. Now I have a confession here, because my knowledge of this period is limited and my first introduction to the phrase ‘underground railroad’ was in Babylon 5, which utterly baffled me because I thought they were talking about a literal one. And in Whitehead’s book, there is. Instead of the loose network of sympathisers and rescuers, white and black, there is a genuine railroad under the ground smuggling slaves from place to place, constantly in danger of being discovered by the slavers. In this way, Whitehead gives us the southern US as a series of “stations” (3) where different scenarios play out between black and white, slave and free.

Tricia Sullivan is a SF author of considerable repute, with Occupy Me her fourth visit to the Clarkes shortlist (having, I believe, won it in 1999 with Dreaming in Smoke). This is a book about time, space, energy and angels, and it’s going to be relatively difficult to talk about because finding out what is actually going on is one of the chief pleasures of the book. The plot effectively starts in the middle and then unfolds towards the beginning and the end simultaneously, and that is entirely appropriate for the sort of physics that is flying around in the plot. Flying, in fact, is a major theme.

(6) SURVIVING CHILDHOOD. Here are “9 dangerous toys that prove kids were just tougher before 1990”. John King Tarpinian says he had these —

Clackers

Clackers had a lot of fun nicknames: knockers, click-clacks, bangers, knocker bockers or knicker knackers. But by any name, these 1970s toys were dangerous as heck, especially if you got the original acrylic glass clackers that some kids were either strong enough or intent enough to shatter. It was enough to get the attention of the Society for Prevention of Blindness, who issued their own warning, before a 1973 Consumer Product Safety Commission arrived to deliver the country to the coddling culture that condemned toys like clackers (which are available today in safer wooden, plastic or metal varities) and birthed a generation of nervous parents today.

 

(7) CARLSON OBIT. SF Site News reports the death of Jeff Carlson:

Author Jeff Carlson (b.1969) died on July 17. Carlson published the short story “Exit” in 1994? and his next story, “Pressure,” appeared in 2001. His first novel, The Plague Year appeared in 2007 and opened a trilogy, including The Plague War and The Plague Zone….

(8) TODAY IN HISTORY

  • July 23, 1999 — Disney’s Tarzan became the first all-digital film
  • July 23, 1995 The Outer Limits reboot aired “I, Robot” with Leonard Nimoy

(9) WHETHER TO RATIFY. This year’s Hugo administrator Nicholas Whyte, writing as a private individual, gives his take on several rules changes pending at this year’s business meeting: “The 2017 WSFS Business Meeting: Deterring Slates”.

Three Stage Voting

I was one of a number of people last year who put our names to another proposal, Three Stage Voting, which is on the agenda as amendment C.4. This would introduce an extra voting stage. After nominations are made, and the top fifteen candidates identified, Hugo voters (members of that year’s Worldcon) would vote on whether or not to accept the top fifteen as acceptable finalists. Voters would choose “Reject”; “Accept; or “Abstain”. Those rejected by at least 60% of the combined total of “Accept” and “Reject” votes, if and only if the number of “Reject” votes is at least the higher of 600 or 20% of the number of eligible voters, would be barred from the final ballot, which would have the top five (or six) vote-getters from the nominations tally minus any that were rejected by the new process. This was passed by the 2016 Business Meeting and must now be ratified by the 2017 Business meeting to come into effect for next year.

I signed this last year, but I no longer support it, for the following reasons….

Whyte gives four reasons. When it comes to 3SV, Whyte and Dr. Mauser (quoted yesterday) have some common ground.

(10) PUMP UP THE VOLUME,  A different kind of Apple Music — “Sing Different: Steve Jobs’ Life Becomes An Opera”. Chip Hitchcock says, “It’s in an appropriately tech location; you can see the lights of Los Alamos from the theater site.”

Even Campbell was initially skeptical of the idea, which came from 40-year-old composer Mason Bates. Bates was convinced that in Jobs’ “complicated and messy” life, he’d found the right subject for his very first opera.

“He had a daughter he didn’t acknowledge for many years; he had cancer — you can’t control that,” Bates says. “He was, while a very charismatic figure, quite a hard-driving boss. And his collisions with the fact that he wanted to make everything sleek and controllable — yet life is not controllable — is a fascinating topic for an opera.”

The (R)evolution Of Steve Jobs shifts back and forth in time over the course of 18 scenes. Its fragmented, non-linear narrative was a deliberate choice by Campbell and Bates, who wanted to reflect Jobs’ personality and psyche. “Steve Jobs did have a mind that just jumped from idea to idea to idea — it was very quick,” Campbell says.

(11) WONDER WOMAN. Marcus Errico of Yahoo! Movies, reporting from Comic-Con, in “WONDER WOMAN II Offiicially Confirmed at Comic-Con, Script ‘In The Works Right Now”, writes DC “to the surprise of no one’ officially green-lit Wonder Woman II, but they’re still working on the script and Patty Jenkins is not yet attached to the project.

Every mention of the film, star Gal Gadot, or images of the Amazonian princess in action during Warners’ Saturday presentation in Hall H was an applause line. And when the simple Wonder Woman II graphic appeared at the end of a sizzle reel, the crowd went wild.

Gadot entered the Hall arm in arm with her Justice League co-star Ben Affleck, joining cast mates Jason MomoaEzra Miller, and Ray Fisher onstage to show off a new trailer for the Nov. 17 release.

The #justiceleague hits the stage and the crowd goes wild!!! . . . #dcsdcc #sdcc #sdcc2017

A post shared by Yahoo Entertainment (@yahooentertainment) on

(12) AND YOU THINK YOUR CON HAS TECH PROBLEMS. Pokemon Go event overloads: “Refunds as Pokemon fest beset by glitches”.

As many as 20,000 attendees at a Pokemon Go festival in Chicago are being offered refunds after technical glitches meant fans were mostly unable to catch anything – let alone “them all”.

Disappointed fans will also be offered $100 in the form of the app’s in-game currency, Pokecoins.

The event on Saturday had been touted as a chance for fans to come together and catch some of the rarest monsters on the hugely successful app.

But fans booed and chanted “fix our game!” and “we can’t play!” as executives from Niantic, the game’s creator, attempted to explain the problems.

At one point a bottle was thrown at a presenter on stage – it missed.

(13) FLORIDA MAN. The Orlando Sentinel reports a hometown fan (and File 770 reader) is headed for Helsinki.

Juan Sanmiguel’s affinity for intergalactic storytelling has taken him around the globe.

Next month he’ll check off a new country as he’s off to Finland for the annual Worldcon and Hugo Awards — which are known as the most prestigious for the science-fiction genre. The awards are scheduled for Aug. 11 in Helsinki.

For the past 25 years, he’s made the annual trek to the convention in countries such as Australia, Scotland, Canada and England.

“I haven’t missed one since [1992],” said Sanmiguel, who has attended the convention a total of 27 times. “It’s still prestigious … the biggest one so far was the one in London three years ago.”

Also president of the Orlando Area Science Fiction Society, Sanmiguel briefed members of the club Sunday on this year’s nominees, which include mainstream filmed works such as “Stranger Things,” “Deadpool,” “Ghostbusters” and two episodes of the acclaimed “Game of Thrones” series.

[Thanks to Chip Hitchcock, John King Tarpinian, Cat Eldridge, Nicholas Whyte, JJ, and Tom Hunter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Barrett.]

Pixel Scroll 6/10/17 The Scrollish Pixelman’s Union

(1) FISHING FOR COMPLIMENTS. Share a grilled snook to die for with Elizabeth Hand in Episode 40 of Scott Edelman’s podcast Eating the Fantastic.

Elizabeth Hand

We discussed why she probably won’t take LSD on her deathbed, what made her a fan of Marvel rather than DC when she was a kid, her unusual fee for writing term papers back in college, the true meaning of Man’s Search for Meaning, the unfortunate occupational hazard of book reviewing, who was the best science fiction writer of all time (and why), plus more.

(2) MAD PLASTIC DISEASE. Cedar Sanderson raises the spectre of hostile Nature in “Take two aspirin”:

Toni Weisskopf shared a photo on Facebook of a computer module absolutely infested with an ant nest, seething with eggs, and her comment was that she’d like to see more stories like that in science fiction. It’s an excellent point. I can’t tell you how many stories I’ve read ( and written) where the tech performs flawlessly. Which does happen. There are also stories where it doesn’t, but how many can you think of where the characters have to deal with an infestation? How would we prevent that, control it, and what kind of adaptations will we see?

I’d run across an article recently about bacteria which will break down plastics that were formerly thought invulnerable. Then there was another one speculating about why less plastic (by an order of magnitude) is found in the ocean than projected, and the discovery of novel bacteria on that plastic. The concern was focused on reducing pollution, but what happens when bacteria evolve to eat stuff we want to stay intact and functional? The stories about nanotech making gray goo aren’t that far off from what bacteria are already capable of — only fortunately they are not so fast to act.

(3) STINKS ON DRY ICE. Entertainment Weekly has the roundup: “‘The Mummy’ reboot slammed as ‘worst Tom Cruise movie ever’ by critics”.

Universal’s first foray into the depths of its Dark Universe probably would have benefitted from a brighter guiding light.

After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.

(4) 451 CASTING. Probably fortunate, then, that this bit of promotion came out before The Mummy opened: “HBO’s Fahrenheit 451 casting heats up as The Mummy’s Sofia Boutella boards”

If you were already fired up for HBO’s upcoming movie adaptation of Ray Bradbury’s classic novel Fahrenheit 451, then prepare to throw a couple more books on the barbie, cause this cast is starting to cook.

Just ahead of her titular turn in this weekend’s The Mummy, Sofia Boutella has signed on to join Michael B. Jordan (Chronicle, Creed, Fantastic Four) and Michael Shannon (Batman v Superman: Dawn of Justice, 99 Homes) as the core players in the film from writer/director Ramin Bahrani (99 Homes).

According to THR, Boutella will play the female lead Clarisse, “an informant caught between” Jordan’s Montag — a fireman whose job it is to burn books, but who ends up rebelling against such a scorching notion after meeting free-spirited Clarisse — and Shannon’s Fire Chief Beatty, Montag’s mentor.

(5) ROSARIUM OPENS ANTHOLOGY. Rosarium Publications invites submissions of science fiction, fantasy, horror, interstitial, and unclassifiable works to Trouble the Waters: Tales from the Deep Blue, edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins.

TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 — 7000 words; pays 5-6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2-3 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: TroubletheWaters2018@gmail.com

Complete submission guidelines can be found here.

(6) DYSTOPIAS. The Financial Times’ Nilanjana Roy, in “Future Shocks”, reviews Jeff VanderMeer’s Borne and Hao Jingfang’s “Folding Beijing” to see if our love of dystopias as something to do with the continued decline in urban life around the world.

The nightmare near-future city that a writer like Prayaag Akbar, by contrast, summons in his first novel, Leila (2017), rests on a distinctly South Asian set of fears. About a mother’s search for the daughter she was separated from, it is set in a frightening world where cities are segregated into zones of Purity, citizens sorted by their community, surnames, castes and religion.

This background came out of his discomfort with the way Indian cities have developed. “They are segmented, self-enclosing,€ he told me recently. “We practise a kind of blindness — you teach yourself not to see the tragedies that unfold in public spaces.”

These concerns — about cities splitting into walled enclaves, residents separated from each other’s lives by fears of pollution, contamination, or a striving after purity — find startling expression in Hao Jingfang’s Hugo award-winning “Folding Beijing”….

(7) BRADBURY. BookRiot’s Andy Browers is your guide to “A Friend In High And Low Places: Finding Ray Bradbury Where You May Not Expect Him”.

While I hate to ruin surprises, here are four places you might find yourself in his presence, sometimes peripherally, sometimes looking him right in the bespectacled eye.

Star Trek (aka “Star Track”, as my grandma called it)

Too obvious? Maybe. He and Gene Roddenberry, the fella who dreamed the franchise up, were pals who sat at the same midcentury science fiction table in the cafeteria. Bradbury famously loved all things space and rocket related, and it is fitting that he gets a couple of nods as the namesake of a Federation star ship. In the saucily-named episode of Star Trek: The Next Generation “Menage a Troi”, for instance, which ship is bestowed the great honor of relieving the pain of fandom everywhere by arriving to whisk away Wesley Crusher to Starfleet Academy? The U.S.S. Bradbury, the first of its class.

Wesley missed the space bus by saving the day in that episode, much to the chagrin of a large swath of viewers at home who were sick of having a kid on the Bridge. (Wil Wheaton, I was cheering for you. Please know that.) (Mostly because I kept hoping Wesley would scream TRAAAAIIIIIN in slow motion, which as far I know never happened.)

(8) ORPHAN BLACK. Carl Slaughter advises, “If you haven’t watched Tatiana Maslany portray as many as 14 cones in Orphan Black, you’re missing a treat.”

View Entertainment Weekly’s photo gallery, “‘Orphan Black’ A to Z: Dive Into the Show’s DNA Before Its Final Season”.

(9) STREET MEMORIAL. Here’s Pat Evans’ photo of the mementos being left today on Adam West’s star on the Hollywood Walk of Fame. West died on Friday from leukemia.

(10) TODAY IN HISTORY

  • June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.

(11) TODAY’S BIRTHDAY CREATORS

  • Born June 10, 1928 Where the Wild Things Are author Maurice Sendak.
  • Born June 10, 1952 — Kage Baker

(12) FAMOUS BOOKSTORE HAS A BACKUP PLAN. The original Books of Wonder, inspiration for the bookstore owned by Meg Ryan’s character in the 1998 comedy You’ve Got Mail, is opening a second location as a contingency plan in case it can’t afford the coming rent hike — “Books of Wonder to Open Upper West Side Location”.

Books of Wonder, the renowned children’s bookstore on 18th Street in New York City, announced Thursday that it would open a second location, on West 84th Street, sometime this summer.

According to the store’s founder and owner, Peter Glassman, the 18th Street store’s lease will expire at the end of 2019. “Given the rise in retail rents along 18th Street, I am not optimistic about our ability to renew the lease,” he said. Though he said he planned to seek a new location in that area, the impending uncertainty was part of his decision to open another branch on the Upper West Side.

“I wanted to make sure we had another location open and well established before the current store’s lease expires, so if we have difficulty finding a new location and have to close for a few months we would have another location to serve our customers, not be out of business for any period of time, and not have to lay off my wonderful staff,” he said.

Andrew Porter adds,

When they opened, originally on Hudson Street in the lower Village, they were primarily an SF/fantasy-oriented store. They took out full-page ads in my Algol/Starship, then in SF Chronicle. The store regularly has readings and signings by SF/F YA and children’s authors, for example, with Sarah Beth Durst. It has also published numerous books by and about L. Frank Baum.

 

Peter Glassman. Photo by Andrew Porter:

Sarah Beth Durst and Bruce Coville at her signing in 2015. Photo by Andrew Porter.

(13) TOMBSTONE TERRITORY. This just in from the Australian National Convention.

(14) DEADPOOL’S NEXT RAMPAGE. Marvel pulls back the shroud, er, curtain.

If you’re Deadpool and you kill the entire Marvel Universe, why not eat some chimichangas…and then kill all over again? Proving there’s nothing like revenge, the superstar team of Cullen Bunn (X-Men Blue, Venomverse) and Dalibor Talajic (Deadpool Kills The Marvel Universe, Redwolf) reunite to bring you Deadpool Kills The Marvel Universe Again, and the Merc with the Mouth has never been more ready to return to that katana.

“This is not a sequel to the original story,” warns series writer Cullen Bunn. “This is an all new murderous rampage. The Marvel Universe has changed a great deal since the first series. So, of course, Deadpool had to up his game and change his tactics.”

 

(15) WONDER MOTHER. Marguerite Bowling, in a Daily Signal piece called “Wonder Woman Can Get the Job Done Pregnant, So Can You” says that Gal Gadot’s reshooting fight scenes while five months pregnant should be an inspiration to women. (The Daily Signal is a news website run by the Heritage Foundation.)

But here’s another fun fact that shows you can proudly be pro-mom and pro-career woman: Israeli actress Gal Gadot was five months pregnant with her second child when she did reshoot scenes for the movie that included a climactic battle scene.

To get around her then-visible baby bump, costumers cut an ample triangle on her iconic suit and replaced it with a bright green cloth that allowed the movie’s special effects team to change her figure post-production.

Given the prevailing negative news that shows women facing all sorts of career challenges by wanting to have a baby, it’s refreshing to see a successful woman embrace her pregnancy and still do an exceptional job.

(16) MIL-SF. Jeffrey C. Wells says “I Can’t Believe it’s not Baen: Rick Shelley’s Lieutenant Colonel” — and throws in a funny bingo card as a bonus.

If you didn’t figure it out from the title, or the cover, Lieutenant Colonel is Military Sci-Fi (Mil-SF for short), a genre devoted to chronicling how and why people are gonna shoot at each other in the future. And, also unsurprisingly, Lieutenant Colonel is the fifth book in Shelley’s “DMC” series, with each earlier book having sequential titles like Lieutenant, then Major, then Captain, and so on. Not exactly creative, but what can you do.

In any case, this series centers around a dude named Lon Nolan as he works his way up through the ranks in the Dirigent Mercenary Corps (from which we get the “DMC” acronym). Lon is your typical officer– professional, honorable, and — kind of boring. Dude makes Honor Harrington seem like Hamlet. Wait, no, that’s not a good analogy, ‘cause Harrington gets shit done. But I digress.

…Thankfully, Lieutenant Colonel doesn’t delve into super preachiness. Though it did inspire me to create MIL-SF BINGO! Just print this off next time you read about space-soldiers shooting space-lasers at space-commies, and check off the boxes as you go along!

(17) WIDER SPECTRUM. An Adweek story tells how “Equinox Extends LGBTQA from A to Z With a New Alphabet for Pride Month”.

It’s Pride Month! And every year, around this time, a certain kind of pundit hops on a soapbox to complain about how the term “LGBTQA” just keeps getting longer, and isn’t that just ludicrous?

Actually, it isn’t. In fact, it’s not nearly long enough. And a campaign from Wieden + Kennedy New York highlights why.

For Equinox and the LGBTQA Community Center, the agency has produced “The LGBTQAlphabet,” whose chill and choreographed film goes down the list of not six letters but 26. The goal is to show that a handful of labels isn’t remotely sufficient to encompass the complex identities of the world’s 7 billion people.

(18) SHARKES KEEP NIBBLING. Here are more recent reviews from the Shadow Clarke jury, and a guest post by the actual Clarke Award director.

This is the future we were promised. This is what all those science fiction novels from way back told us to expect: silver-finned rocket ships taking us out to the frontier towns of Mars and beyond; clanking metal robots wanting to be human; people transformed into something monstrous by whatever is out there.

And Tidhar, whose work has always displayed an over-fond preference for intertextual references to other science fictions, makes absolutely certain we recognise that these are other writers’ futures. The digital vampire is called a Shambleau, a pointed reference to the first of C.L. Moore’s Northwest Smith adventures. There are repeated references to someone called Glimmung on Mars, which of course recalls Philip K. Dick’s children’s novel, Nick and the Glimmung, which is, of course, set on Mars. And the presiding spirit that dominates the whole novel is probably Cordwainer Smith, with the way space is repeatedly described as the “Up and Out”, as well as casual references to C’Mell and Mother Hitton. There are more, some less familiar than others; I’m pretty sure that there are references to Edward Whittemore’s little-known but brilliant Jerusalem Quartet scattered throughout this novel. Someday, I suspect, someone might produce a concordance for Central Station, teasing out all of the echoes of and references to other works of science fiction. It will be a thick volume.

Of course, no one has gone broke by playing to the geeky self-regard of the science fiction fan. In recent years, self-referential science fiction books, novels like Among Others by Jo Walton that deliberately draw attention to other science fiction works, have proved especially popular.

If not for my commitment to the Sharke process I wouldn’t have chosen to write about Occupy Me; it’s unlikely that I would have finished reading it at all. My immediate response was akin to a toddler presented with something green and fresh and healthy: stampy feet; scowly face; a protesting shriek of ‘I don’t like it!’. I bounced off the book hard and repeatedly, and continued to do so despite dosing myself with Gareth’s blazingly positive review and Nina and Paul’s balanced perspectives at the midway point. Whatever the book’s thematic qualities, whatever its madcap quirks — and often because of them — I couldn’t stomach it. I find it impossible to see or be fair to the better parts of the novel because I’m painfully fixated on the fundamental ways in which it fails for me. Under usual circumstances I would think it ill-advised to throw a hat into the critical ring when I have so little critical perspective to share but I will try to explain.

While the Clarke Award can never guarantee having every potentially eligible book submitted, we are able to offer a reasonably comprehensive ‘state of the nation’ snap shot via our lists, not only of the books themselves but also for deeper analysis into the numbers of submitting publishers, the demographic breakdowns of authors and similar should people want to take those numbers and run with them.

More immediately, after my first couple of spins in the director’s chair I was starting to learn all of the ongoing debates, criticisms and wishes that surrounded the award’s announcements every year.

The award was, in no particular order, overly predictable, willfully unpredictable as a tactic to generate PR controversy, trying too hard to be the Booker, ignoring the heartlands of SF, full of wrongheads (a lovely fannish term that one), and so on and so on — Business as usual for a book award in other words.

(19) DRINK IT OR ELSE. Atlas Obscura recalls a series of 1950s commercials for Wilkins Coffee that featured violent Muppets prototypes.

In the ads, Wilkins — who bears a striking resemblance to Kermit the Frog — tries to convince another proto-Muppet, Wontkins to drink Wilkins Coffee. Wontkins almost always refuses. In retaliation, Wilkins shoots him, stabs him, or otherwise inflicts physical harm upon him.

 

[Thanks to Cat Eldridge, Martin Morse Wooster, Mark-kitteh, JJ, John King Tarpinian and Lace for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr, with a little help from his friends.]

2016 Arthur C. Clarke Award

Adrian Tchaikovsky

Adrian Tchaikovsky

[Catching up on another major news story…]

Adrian Tchaikovsky won the 2016 Arthur C. Clarke Award for his space opera The Children of Time. The award, announced August 24, is presented for the best science fiction novel whose UK first edition was published in the previous calendar year.

children-of-time-graphic

The BBC carried remarks by the judges and award director:

In awarding the prize, the judges said the novel shared much in common with the works of Sir Arthur himself.

Tchaikovsky’s victory was announced at a ceremony on Wednesday, attended by Sir Arthur’s niece Angie Edwards, at Foyles bookshop in central London….

“Children of Time has a universal scale and sense of wonder reminiscent of the novels of Sir Arthur C Clarke himself,” said award director Tom Hunter.

He described the novel as “one of the best science fictional extrapolations of a not-so-alien species and their evolving society I’ve ever read”.

Andrew M Butler, chair of judges, added: “Children of Time tells two parallel stories of the last survivors of Earth and the inhabitants of a terraformed planet – it takes the reader’s sympathies and phobias, and plays with them masterfully on an epic and yet human scale.”

The evening began with a toast to the memory of Sir Arthur C. Clarke led by Angie Edwards, Sir Arthur’s niece, and the winner, Adrian Tchaikovsky, was presented with a trophy in the form of a commemorative engraved bookend cheque as well as prize cheque for £2016.00.

The judging panel for the Arthur C. Clarke Award 2013 were:

  • Ian Whates, British Science Fiction Association
  • David Gullen, British Science Fiction Association
  • Andrew McKie, Science Fiction Foundation
  • Liz Bourke, Science Fiction Foundation
  • Leila Abu El Hawa, SCI-FI-LONDON film festival

Andrew M. Butler, Chair of Judges, gave a speech about the difficulty of choosing one winner:

Novels with spaceships and novels with spiders,
near future Europe with parallels beside her,
a modified woman?—?flying with wings,
these are a few of my favourite things.

You’d think after thirty years it’d be easy to choose the Clarke winner?—?we’d turn up and all know that that novel is the one.

But this year we had a tough time getting to a short list and a tough time agreeing on a winner.

All of the books play with and reinvigorate the sandbox of science fiction?—?generation starships, ill-matched crews, AIs, parallel universes, mutants and have one or more moments of conceptual breakthrough, when you realise that the fictional universe is more complicated than you think….

Clarke Award director Tom Hunter told The Bookseller why, in the future, the award will be open to self-published novels, and he explained how that will work.

Last night saw British author Adrian Tchaikovsky win the Arthur C. Clarke Award for science fiction for his novel Children of Time. It also saw director Tom Hunter announce that the award – now thirty years old – is finally open to self-published works for the first time.

Here, Hunter explains why, and the impact his decision will have for publishers, authors and the judges of the award.

[Tom Hunter] …Fast forward to this year and our own shortlist included the fabulous The Long Way To A Small Angry Planet by Becky Chambers, a novel published in the UK and submitted to us by Hodder but also well known as a fan-favourite title originally launched via a popular Kickstarter campaign.

Tipping point reached, and we’re now running the risk of missing books our judges really ought to have the chance to read, and so we change the rules: The Arthur C. Clarke Award is now open to self-published titles.

Beyond the announcement though, what are the practicalities? How will the judges cope with the potential extra titles when submissions in recent years have already increased from around 50 books a year to over one hundred.

First, the Clarke Award is the kind of award that charges a submission fee for entry. It’s not there as a barrier, it’s there as part of our core fundraising to keep the award running, but it is a consideration independent authors will need to consider as part of their own business planning.

Second, we are launching this change by expanding an existing rule whereby judges can ask to call in works they want to have the chance to consider. Previously this has usually involved us going to a publisher, most often a more mainstream imprint, and asking for a title that might not otherwise automatically have been submitted to us. We will be operating a similar principle here.

Hunter also issued a press release about other Award initiatives that will begin in 2017 and the coming decade.

Speaking as part of the 30th presentation of the annual Arthur C. Clarke Award on Wednesday 24th August, award director Tom Hunter used the occasion to reveal a bold new plan for the next decade of the UK’s premier prize for science fiction literature.

Key initiatives include:

A new partnership with the organisers of Ada Lovelace Day, the international day celebration day of women’s achievements in STEM, as part of an ongoing collaboration exploring the positive benefits of female role models across both science and science fiction.

A range of activities to celebrate the 100th anniversary of Sir Arthur C. Clarke’s birthday in 2017, including a conference to be held at Canterbury Christchurch University and a charitable fundraising drive working with the charity Rebuilding Sri Lanka to provide educational facilities and resources for children living in Sir Arthur’s adopted home country.

Pixel Scroll 5/19/16 I Am Not In The Scroll Of Common Men

(1) DATA AND YAR AT TANAGRA. Seattle’s EMP Museum is opening Star Trek: Exploring New Worlds to the public on May 21. Tickets required.

Plus, be among the first to visit Star Trek: Exploring New Worlds and get an up-close look at more than 100 artifacts and props from the five Star Trek television series, spin-offs, and films, including set pieces from the original series like Captain Kirk’s command chair and the navigation console (on display for the first time to the public); Kirk, Spock, Uhura, and McCoy original series costumes; and the 6-foot U.S.S. Enterprise filming model from Star Trek: The Next Generation.

Opening day is also when Denise Crosby (Tasha Yar) and Brent Spiner (Data) will appear – additional charge for photos and autographs, naturally.

(2) OMAZE WINNER. SFWA’s Director of Operations Kate Baker learned during the Nebula conference that she was the Omaze winner, and will join Chris Pratt on the Guardians of the Galaxy Vol 2 set.

Tired and sweaty after hours of work, I sat down to check my phone as we planned to grab something to eat. There in my Twitter feed was a message from a new follower; Omaze. For those of you who are unfamiliar with the company, they partner with a celebrity and charity, design a once-in-a-lifetime experience for a random donor, (and here is the most important part) — raise hundreds of thousands of dollars for deserving charities around the world….

I quickly followed them back and responded. That’s when I found out that I was a finalist for the grand prize and to satisfy their partners and sponsors, they wanted to do a short Skype interview that evening.

Unable to contain my excitement, I rushed around my room, curling my hair, refreshing make-up, doing cartwheels, moving furniture, opening blinds, you know — normal things.

As 6:00 CST hit, I took a deep breath and answered the call….. That’s when they sprung the surprise.

 

(3) CLARKE AHEAD. Award Director Tom Hunter has posted at Medium “14 ways I’m thinking about the future of the Arthur C. Clarke Award”.

8. Governance & succession planning

As mentioned in my section on charitable status, the Clarke Award is currently administered by just 3 volunteers. Could we do more if we had more people involved?

A fair few people have promoted themselves to me as viable candidates over the years, but while many have been keen to have a say in the running of the award (or just like telling me they could do a better job with it) right now one of the reasons the award has weathered its troubles so well has been because of our ability to move faster on key decisions than a continual vote by committee model would likely have allowed us.

Still, as I look to the future again, there are many potential advantages to be gained from our increasing our board membership, not least the fact that when I first took this role a decade ago I only planned to stay for 5 years.

I changed my mind back then because of the need to build a new financial resilience into the award to keep it going, but one day sooner or later I intend to step down after I’ve recruited my replacement.

Padawans wanted. Apply here.

(4) ANTIQUE ZINE. This APA-L cover by Bea Barrio glowed in the dark when it was originally made – in the 1970s. Wonder if it still does?

https://twitter.com/highly_nice/status/732782065591160833

(5) MASKED MEN. Comic Book Resources boosts the signal: “Dynamite Announces ‘The Lone Ranger Meets the Green Hornet: Champions of Justice”.

What is the connection between the Lone Ranger and the Green Hornet? Dynamite Entertainment’s new “The Lone Ranger Meets the Green Hornet: Champions of Justice” series has the answer. CBR can exclusively reveal that writer Michael Uslan and artist Giovanni Timpano are reuniting for the new series, a crossover 80 years in the making.

According to an official series description,

The first chapter, entitled “Return With Us Now,” creates a world of carefully researched alternative history in 1936. Readers will learn whatever happened to The Lone Ranger and discover his familial link to the emergence of a man who is a modern day urban version of The Lone Ranger himself. What is the blood connection of The Green Hornet to The Lone Ranger? What is the link of Olympic runner Jesse Owens to The Green Hornet? What role does Bat Masterson play in The Lone Ranger’s New York adventure? What intense rift tears a family apart just when America desperately needs a great champion of justice? The shocking answers lie in the landmark new series ‘The Lone Ranger Meets the Green Hornet: Champions of Justice!’

(6) DEARLY BELOVED. Lit Brick has done a comic about “If you were a dinosaur, my love”.

(7) TODAY’S BIRTHDAY BOY

  • Born May 19, 1944 — Before Peter Mayhew was Chewy he was Minaton in Sinbad and the Eye of the Tiger, his first role.

Peter Mayhew in character

(8) FLORSCHUTZ OUT. Max Florschutz explains why he pulled his book from a contest: Unusual Events Has Been Removed From SPFBO 2016”.

All right, guys, it’s official. I just heard back from Mark Lawrence, the head of the Self-Published Fantasy Blog-Off, and now that the competition has begun, my book could not be moved to another reviewer, so instead, I’ve elected to withdraw my entry from the competition (for the reasons for doing so, see this post here). It’s sad that it had to be done, but I feel my reasons were sound.

Florschutz outlined reasons for asking for his book to be reassigned in a previous post, “When Did Ethnicity and Sex Become the Most Important Thing?”

Bear with me for a moment, and take a look at these few excerpts from a book review I read this morning, posted on a fantasy review blog (which you can find here, though I’m loathe to give them a link after perusing the site since it’s a little messed up). I’d been poking around the place since they are a participating member of the Self-Published Fantasy Blog-Off, a contest between 300 different self-published fantasy books, and Unusual Events is one of those titles. This site is the one that will be handling Unusual Events review.

I’m not sure how I feel about that now. In fact, I may request to have it passed to another site, since I’m pretty sure I can already see how its going to go. Because I’ve been reading their other reviews, and I’ve noticed a disturbing trend. Let’s look at some quotes:

Otherbound is that last sort of book.

I’m fairly certain I discovered it on Tumblr, recommended by one of those blogs which include lists of books that are commendable for their diversity.

Okay, that’s … interesting. A little background on the title. I guess that’s important? Let’s see what happens if we go further.

… fantasy novels are written by and about (and quite possibly for) white men who like running around with swords saving the world.

Uh-oh. Okay. Sensing a theme here, but—

As I said, it’s an incredible story, and honestly, I’d probably have loved the book even if both of the leads were white and straight.

Wait, what?

So they’re saying that it’s also likely that they wouldn’t have liked the book had the main characters been, to use their own words “white and straight”? The book would be inferior simply because of the color of the main character’s skin or their sexual orientation?

….Now, to get back to something I said earlier, I’m considering contacting the SPFBO 2016 ringleaders and asking to have my book moved to another reviewer. And no, it’s not because my book is “… written by and about (and quite possibly for) white men who like running around with swords saving the world.” because it isn’t. But more because now I know that there’s a very high chance that that fact is what the reviewer is going to fixate on regardless. My sex, and my ethnic heritage, as well as that of the characters I wrote, is going to matter to her more than the rest of what’s inside the book’s pages. More than the stories those characters experience, the trials that they undergo.

(9) TEACHING WRITING. “’Between Utter Chaos and Total Brilliance.’ Daniel José Older Talks About Teaching Writing in the Prison System” – a set of Older’s tweets curated by Leah Schnelbach at Tor.com.

(10) PURSUED. David M. Perry profiles Older at Pacific Standard “Daniel José Older and Progressive Science Fiction After Gamergate”.

The Internet trolls picked a bad week to call Daniel José Older “irrelevant.” As we meet in the opulent lobby of the Palmer House Hotel in downtown Chicago, his young-adult book Shadowshaper is sitting on a New York Times bestseller list. He’s in town because the book was been nominated for the Andre Norton Award by the Science Fiction Writers of America, which is holding its annual Nebula conference in Chicago. Best of all, he’s just signed a contract for two sequels. There’s also his well-reviewed adult fiction, the “Bone Street Rumba” series. By no standard of publishing is this person irrelevant.

So why the trolls? They’re coming after Older for the same reason that he’s succeeding as a writer?—?his urban fantasy novels actually look like urban America (including the ghosts) and he’s got no patience for the bros who want to keep their fantasy worlds white.

(11) DAMN BREAK. Kameron Hurley charts the history of hydraulic pressure in sf: “The Establishment Has Always Hated The New Kids”.

…Though there has been momentum building for some time, a backlash against the backlash, I’d say it wasn’t until about 2013 when publishing started to catch up. Ann Leckie wrote a space opera (a woman wrote a space opera! With women in it! AND PEOPLE BOUGHT IT SHOCKING I KNOW AS IF NO ONE HAD BOUGHT LEFT HAND OF DARKNESS OR ANYTHING BY CJ CHERRYH OR OCTAVIA BUTLER), and it swept the awards. We Need Diverse Books was able to organize the conversation about the overwhelming whiteness of publishing, bringing together disparate voices into one voice crying out for change in who writes, edits, and publishes books, while the first Muslim Ms. Marvel comic book (written by a Muslim, even!) broke sales records.

The water has been building up behind the damn for a long time, and it’s finally burst.

Watching the pushback to this new wave of writers finally breaking out from the margins to the mainstream has been especially amusing for me, as I spent my early 20’s doing a lot of old-school SF reading, including reading SFF history (I will always think of Justine Larbalestier as the author of The Battle of the Sexes in Science Fiction). I was, of course, especially interested in the history of feminist science fiction. Women have always written SFF, of course, but the New Wave of the 60’s and 70’s brought with it an influx of women writers of all races and men of color that was unprecedented in the field (if still small compared to the overall general population of said writers in America). This was the age of Joanna Russ, Octavia Butler, Sam Delany, and nutty young upstarts like Harlan Ellison. These writers brought a much needed and refreshing new perspective into the field. They raised the bar for what science fiction was. And so the writing got better. The politics and social mores being dissected got more interesting and varied, as one would expect when you introduce a great wave of writers into a field that was happy to award the same handful of folks year after year. They shook up the field. They changed science fiction forever. The established pros had to write their hearts out to catch up….

(12) KEN LIU’S OPINION OF HOGWARTS. Rachel Swirsky did a “Silly Interview with Ken Liu who HAS THE SCHEMATICS for a Time Turner!”

RS: Speaking of Harry Potter, if you could send your kids to Hogwarts, would you?

KL: I’d have to ask my kids. Personally, I’m not a big fan of sending them away to boarding school because I want to spend more time with them. Parents get so little time with their children as is… But if they really want to go and learn magic, I’ll support them. And I hope they work hard to challenge the rather authoritarian system at Hogwarts and engage in campus activism.

(13) THERE WILL BE WALRUS. Steve Davidson did a silly interview of his own — with Timothy the Talking Cat, at Amazing Stories.

ASM: What kind of cat are you (alley, purebred,,,?), or is that kind of inquiry offensive?  Do cats themselves make such distinctions?

TTTC: I’m glad you asked. Some people have claimed that I am a British Shorthair cat. However, my cousin had a DNA test and apparently my family are actually the rare French Chartreux breed. This is an important distinction and finally shows what liars those people are who have accused me of being a Francophobe, ‘anti-French’ and/or in some way prejudiced against France, the French and anything remotely Gallic. People need to understand that when I point out that France is a looming danger to all right thinking people in America and other countries as well, like maybe Scotland or Japan. I really can’t stress this enough – the French-Squirrel axis is real and it is plotting against us all. This why Britain needs to leave the European Union right now. I have zero tolerance for those who say we should wait for the referendum – that is just playing into their hands. But understand I am not anti-French as my DNA proves. Squirrels like to say ‘Timothy you are such a Francophobe’ as if that was a dialectical argument against my well thought out positions. They have no answer when I point out that I am MORE French than Charles DeGaulle. Squirrels just can’t think straight about these things. Notice that if you even try and type ‘Francophobe’ your computer will try to turn it into ‘Francophone’ – that is how deep the Franco-Squirrel conspiracy goes. Squirrel convergence happens at high levels in IT companies these days – that is how I lost my verification tick on Twitter.

I don’t talk to other cats these days. Frankly many of them are idiots….

(14) HENRY AND ERROL. The editors of Galactic Journey and File 770. Two handsome dudes – but ornery.

(15) CRITERIA. Dann collects his thoughts about “That Good Story” at Liberty At All Costs.

In a conversation I am having at File 770, I was asked to define what makes a science fiction/fantasy book “great” for me.  Rather than losing these radiant pearls of wisdom to the effluence of teh intertoobery, I thought I would cement them here in my personal record….

Stay Away From Check Boxes Whoo boy.  I can smell trouble burning at the other end of the wire already.

“Check box” fiction really undermines the quality of my reading experience.  What is “check box” fiction?  It is a story that includes elements indicating diversity in the cast of characters that has zero impact on the the story.

In a reverse of the above, I’d like to suggest N.K. Jemisin’s “The Fifth Season” as a good example of not doing “check box” fiction.  One cluster of protagonists included a character that is straight, one that is seemingly bi-sexual, and one that is decidedly homosexual.  They have a three-way.

And while the more patently descriptive passages of those events didn’t do much for me, the fact that their respective sexuality helped inform their motivations and moved the story forward made the effort in describing their sexuality worthwhile reading.  She also did a reasonable job at expressing how physical appearances differed based on regionalism.  [There were one or two other moments that could be considered “check box(es)”, but for the most part it wasn’t a factor in this book.]

IMHO, including a character that is “different” without having that difference impact the story is at the very least a waste of time that detracts from the story and at the very worst insultingly dismissive of the people that possess the same characters.

(16) IT AIN’T ME BABE. The Guardian got some clickbait from speculating about the identity of Chuck Tingle. Vox Day denies it’s him. Zoë Quinn doesn’t know who it is. The reporter, despite taking 2,000 words of interview notes, also is none the wiser.

Theories abound online: is Tingle Lemony Snicket? The South Park boys? Some sort of performance artist – perhaps the “Banksy of self-published dinosaur erotica” as someone once called him on Twitter? Last year, Jon Tingle – apparently the son of Chuck – appeared on a Reddit AMA (Ask Me Anything) thread to share unsettling insights into his father: “Yes, my father is very real. He is an autistic savant, but also suffers from schizophrenia. To make it very clear, my father is one of the gentlest, sweetest people you could ever meet and is not at all dangerous, although he does have a history of SELF harm … I would not let him be the butt of some worldwide joke if I didn’t have faith that he was in on it in some way. Regardless, writing and self-publishing brings him a lot of joy.” If this is all a joke, it’s hard to know where it starts or where to laugh….

[Thanks to John King Tarpinian, Will R., JJ, and Tom Hunter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 5/13/16 Stop, Drop, And Scroll

(1) ACHIEVEMENT UNLOCKED. Ann Leckie’s train delivered her to Chicago on time for Nebula Weekend, unlike last year when she was delayed by a bacon-related catastrophe.

(2) FREE ALLEGED BOOK. Timothy the Talking Cat’s amanuensis Camestros Felapton reports:

Now available from Smashwords, until they decide it is too embarrassing even for them, There Will Be Walrus First Volume V.

https://www.smashwords.com/books/view/636378

There Will Be WALRUS final

Crafted from the finest pixels and using exquisite fonts and typographical metadata, There Will Be Walrus is the ground breaking anthology series from Cattimothy House – the world’s leading publisher of feline edited military science fiction anthologies.

The book comes with additional bonus content and includes features such as:

  • clauses
  • sentences
  • paragraphs
  • chapters

Spelling and punctuation are used throughout and in many cases radical new and exciting approaches have been taken. Copy-editing has been applied at industry standards as found in top flight Hugo nominated publishers such as Castalia House or Baen Books.

(3) ZINES ONLINE. The University of New Brunswick Library has posted complete scans of a number of classic old fanzines from their collection, Algol, Luna, Amra, Mimosa, four  issues of Tom Reamy’s Trumpet, the earliest issues of Locus, and others. Click here.

(4) BETTY OR VERONICA? CW has given series orders to Greg Berlanti’s live-action Archie Comics series Riverdale. Entertainment Weekly says it will look like this:

Set in present-day and based on the iconic Archie Comics characters, Riverdale is a surprising and subversive take on Archie (KJ Apa), Betty (Lili Reinhart), Veronica (Camila Mendes), and their friends, exploring the surrealism of small town life — the darkness and weirdness bubbling beneath Riverdale’s wholesome façade.

Roberto Aguirre-Sacasa will write and executive-produce with Berlanti, Sarah Schechter, and Jon Goldwater. Cole Sprouse, Ashleigh Murray, Luke Perry, Madelaine Petsch, Marisol Nichols, and Mädchen Amick will also star.

(5) I COME NOT TO PRAISE THEM. ABC has axed The Muppets. Entertainment Weekly ran its obituary.

The comedy series lasted one 16-episode season on the network after launching to tremendous buzz last fall.

The beloved franchise was given a modern-day, adult-themed makeover by producers Bob Kushell (Anger Management) and Bill Prady (The Big Bang Theory). The show also some criticism for trying to make the classic family characters more contemporary, including focusing on their love lives. Midway through the season run, falling ratings prompted ABC to make a major change behind the scenes, replacing showrunner Kushell with Kristin Newman (Galavant), who pledged to bring “joy” to the series. Yet the changes didn’t alter the show’s fate.

(6) EATING THE FANTASTIC. Scott Edelman has posted Episode 8 of his podcast Eating the Fantastic, in which he dines and dialogs with dual guests, Lynne Hansen, and Jeff Strand.

Jeff Strand and Lynne Hansen

Jeff Strand and Lynne Hansen

Lynne is a horror novelist turned filmmaker whose recent short, Chomp, received 21 nominations at a variety of film festivals, winning 7 times, including the Fright Meter Awards Best Short Horror Film of 2015, and Jeff Strand is not only the author of the wonderfully titled horror novels I Have a Bad Feeling About This and The Greatest Zombie Movie Ever (and many others)—he’ll also be the emcee Saturday for the Stoker Awards banquet.

Next episode of Eating the Fantastic, which will go live in approximately two weeks, will feature Maria Alexander, whose debut novel, Mr. Wicker, won the 2014 Bram Stoker Award for Superior Achievement in a First Novel

(7) WOMEN FEATURED AT GENCON. Anna Kreider points out “GenCon’s Featured Presenters are 52% female, and that’s a huge deal”.

[Before I start – full disclosure, I am one of the Industry Insider Featured Presenters for this year’s GenCon. So I’m sure that there are those who will say that me writing this post is self-serving arrogance and/or egomania, but whatever.]

The GenCon Industry Insider Featured Presenters for 2016 have been announced, and holy shit is this year’s lineup amazing! Seriously, take a look:

That’s right, folks. There are 13 female IIFPs and only 12 men. This means there are MORE WOMEN THAN MEN, and that is a HUGE FUCKING DEAL, because that is a HUGE amount of change in a really short period of time. To prove it, let’s look at the numbers:

(8) MEDICAL UPDATE. It was announced on his blog that Darwyn Cooke is being treated for cancer.

It is with tremendous sadness that we announce Darwyn is now receiving palliative care following a bout with aggressive cancer. His brother Dennis and I, along with our families appreciate the outpouring of support we have received. We ask for privacy as we go through this very difficult time

(9) BLOG LAUNCH KEEPS UP MOMENTUM. Our Words’ rollout includes Sarah Chorn’s list of future plans

Anyway, things I envision for this website, so you know what to expect in the near future-ish:

1. I am continuing the guest posts. I love them. I think they are interesting, and I love getting diverse perspectives about many, many facets of disabilities in the genre.

2. I have a few interviews out. Yay! And I really want to keep interviews going.

3. I have a few giveaways in the works.

4. I have launched the book club, which I really, really want to take off.

5. I am currently working on doing a series of questions and answers. The idea behind this actually came from a few convention panels I was on, focusing on the topic of disabilities in the genre. After each panel, a host of authors would stand up and ask a ton of very good, very important questions about writing disabilities. So I figured maybe I can try to bring something like that to my website. I’m not exactly sure the format yet, but the idea is that I will get questions about writing disabilities from people who wish to ask said questions, and then I will send those questions to a few disabled genre authors to answer in a panel sort of format. That will take time to figure out, but it will happen eventually.

6. I have received a handful of books this week to review for this website, so start expecting book reviews.

7. I am trying to drum up a bunch of people willing to write about accessibility issues at conventions. There was some noise about this topic last year, but con season is upon us, and I’d like to get some people over here who are willing to write about it. We need to make some more noise about this. It is so important. 8. I am working on getting some people who are willing to write/do regular features over here.

(10) DAN WELLS. Our Words reposted “Dan Wells on Writing Mental Illness”, which originally appeared on SF Signal in 2015.

One in five people in America has a mental illness. One in twenty has a mental illness so serious it inhibits their ability to function. Look around the room you’re in: do you know who they are? Do you know how to help them? Maybe that one in five is you: do you know how to help yourself? The most depressing statistic of all is that no, none of us do. In 2015, Americans with mental illness are more likely to be in prison than in therapy. As a nation and as a culture we are absolutely terrible at recognizing, treating, and coping with mental illness. This needs to change.

(11) JAY LAKE. Our Words has also republished “Jay Lake on Writing With Cancer”, which the late author wrote for Bookworm Blues in 2012.

Cancer is not a disability in the usual sense of that term. It’s not even really a chronic disease, like lupus or MS. Rather, it’s an acute disease which can recur on an overlapping basis until one is cured or killed. Some cancers, such as indolent forms of prostate cancer or lymphoma, can be lived with until one dies of other causes. Other cancers such as pancreatic cancer can move like wildfire, with a patient lifespan measured in weeks or months from diagnosis to death.

My cancer falls somewhere in the mid range between the two. And though I wouldn’t think to claim it as a disability in either the social or legal senses of that term, it has a lot in common with disabilities.

Cancer has affected my writing in two basic ways. First, the disruptions of treatment. Second, the shifts in my own thoughts and inner life as I respond to the distorting presence of the disease in my life.

The treatments are brutal. Surgeries are rough, but they’re fairly time constrained. I’ve had four, a major resection of my sigmoid colon, a minor resection of my left lung, and two major resections of my liver. In each case, I spent three to six days in the hospital, followed by several weeks at home in a fairly serious recovery mode. I was back to writing within a month every time. These days, when I contemplate future surgery (far more likely than not, given the odds of recurrence for my cancer cohort), I budget a month of time lost and all it good.

(12) FIND YOUR OWN INKLINGS. Rachel Motte tells “Why C.S. Lewis Would Want You to Join a Writing Group” at Catholic Stand.

When J.R.R. Tolkien retired from his post at the University of Oxford in 1959, he intended to spend his new-found free time finishing The Silmarillion. Though this book is less well-known than his Lord of the Rings, Tolkien considered it his real work—the work he’d spent decades trying to get back to.

One can easily imagine the newly retired professor, still in his tweeds, bent over his desk, glad to at last avoid the professional obligations that had long kept him from the literary project he loved best. Instead, writes Inklings scholar Diana Pavlac Glyer, he found that the increased solitude hampered his ability to move forward with his favorite project. Glyer explains,

He quickly became overwhelmed by the task. He found himself easily distracted, and he spent his days writing letters or playing solitaire… Tolkien had become increasingly isolated, and as a result, he found himself unable to write. (Diana Pavlac Glyer, Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings, p. 117)

You probably think of writing as a solitary activity—and, to some extent, you are right. “Many writers do little else but sit in small rooms recalling the real world,” notes Annie Dillard in The Writing Life. “One wants a room with no view, so imagination can meet memory in the dark.”

In the best of circumstances, however, that’s not where the story ends. Although we’re right to think of writing as partly a solitary activity, it’s also true that writers—like other artists—benefit from meeting regularly with other creative people.

(13) CRITICAL THEORY. “Russell Letson reviews Judith Merril” at Locus Online.

The Merril Theory of Lit’ry Criticism: Judith Merril’s Nonfiction, Judith Merril (Aqueduct Press 978-1-61976-093-6, $22.00, 348pp, tp) March 2016.

…Her critical work was more practical than theoretical, but nonetheless systematic and precise. She was a commentator who was also a practitioner, an analyst who was also a fan, with a broad-church sensibility that could not disentangle SF from the cultures that surrounded it.

In The Merril Theory of Lit’ry Criticism, editor Ritch Calvin has gathered and condensed thirteen years’ worth of material into a single vol­ume that includes the introductions and ‘‘sum­mation’’ essays from her long-running series of annual ‘‘Best SF’’ anthologies; book reviews for The Magazine of Fantasy & Science Fiction; and a single long, reflective essay written for the Science Fiction Research Association’s journal Extrapolation. The chronological arrangement allows us to follow Merril as she explores the shape and extent of the modern fantastic, locates particular writers and works in that geography, and develops an aesthetic and historical-social framework for making judgments. (The full texts of all the items are available as an e-book, which is nearly twice as long as the print version. Omitted material consists mainly of individual story introductions from the annual anthologies.) …

(14) LAST YEAR, WHEN WE WERE YOUNG. Matt interviews Andrew J. McKiernan  at Smash Dragons.

The title story for your collection is a fascinating tale about survival amidst a strange and very disturbing apocalypse. I’m curious, how did this particular story come about? Where did you draw your inspiration from? 

Like pretty much every story I write, it starts with a title. That’s where I thought Last Year, When We Were Young came from. Just a title that popped into my head that I ran with and a story emerged from it. It is always my wife who points out the real life inspirations for my stories, when here I am thinking they’re just stories, fictions. In this case, my father-in-law had just been diagnosed with a brain tumour and the operation to remove it didn’t go too spectacularly for him. At the same time, my own father had a heart attack and I’d just entered my 40s and my eldest son had turned 18. So, the title story is me trying to deal with the fact that we all age, and that it happens so goddamn quickly. We get older, and yet a lot of the time we still feel like we’re kids and teenagers. The first 20 years of our life seem so long and so important and our mind dwells on those times. I’m 45 now, and yet a part of me still feels like I’m 18 and should be out there playing in a band and getting drunk and enjoying myself. Age creeps up on us so quickly. We’re adults before we know it. Mid-life crisis, I guess, the realisation that I had aged and that I really would die one day, and this story was my subconscious way of examining that.

(15) MARK YOUR CALENDAR. George Donnelly will be having a sale a week from today.

Today’s top libertarian fiction authors bring you 99-cent fiction books May 18-20 only. Some are even free. Read on your phone, tablet, browser or kindle

(16) PLANETARIUM PANEL FEATURES CLARKE FINALIST. Spaceships: Above and Beyond at the Royal Observatory Planetarium”, Greenwich, Thursday, May 26 (18.30-20.30). Click the link for full details and tickets. Here’s the line up:

  • Libby Jackson, Former ESA Flight Director now working for the UK Space Agency
  • Dr. Adam Baker, Senior Lecturer in Astronautics at Kingston University
  • Dr. Marek Kukula, Public Astronomer at the Royal Observatory Greenwich
  • James Smythe, Science Fiction author – shortlisted for the Arthur C. Clarke Award 2016
  • The panel discussion will be hosted by Tom Hunter, Director of the Arthur C. Clarke Award.

(17) PANAMA GOLD. At The Toast, Mallory Ortberg has posted “Every Fan Fiction I Have Started Writing Once I Found out Emma Watson Was Named In The Panama Papers”.

“Mustn’t complain, though,” Harry said after an odd silence. “That’s what our taxes are for, after all.”

“We don’t pay taxes,” Hermione said. “Taxes are for Muggles.” She extinguished her cigarette in the last slice of cake.

“But you’re –” Harry started.

“I used to be a lot of things,” Hermione said decisively. “I have money now instead.”

Harry stopped at every bar on the way home, until he could no longer remember the look that had entered her eyes as she said it.

(18) PIXAR PRAISE. Kristian Williams’s YouTube video “Pixar–What Makes a Story Relatable” explains why Pixar films work — because at their core, they’re great stories.

(19) ADDRESSEE KNOWN. Not everybody Andrew Liptak outs was very far undercover to begin with: “Guess Who? 15 Sci-Fi Authors Who Used Pseudonyms—and Why” at B&N Sci-Fi & Fantasy Blog.

U.K. Le Guin, Ursula K. Le Guin

Ursula K. Le Guin is one of the most famous living science fiction authors, but when she sold her story “Nine Lives” to Playboy, her editors asked her to change her name to U.K. Le Guin, fearing that a female author would make their readers “nervous.” Le Guin remembered it as the only time, “I met with anything I understood as sexual prejudice, prejudice against me as a woman writer.” She’s never used a pseudonym again, and “Nine Lives” appears under her own name in The Wind’s Twelve Quarters.

(20) THE NEBULA ON CHAOS HORIZON. Brandon Kempner calls his shot in “2016 Nebula Prediction”.

I’ve spun my creaky model around and around, and here is my prediction for the Nebulas Best Novel category, taking place this weekend:

N.K. Jemisin, The Fifth Season: 22.5%
Ann Leckie, Ancillary Mercy:22%
Naomi Novik, Uprooted: 14.7%
Ken Liu, The Grace of Kings: 13.3%
Lawrence Schoen, Barsk: 10.7%
Charles Gannon, Trial by Fire: 9.5%
Fran Wilde, Updraft: 7.3%

Remember, Chaos Horizon is a grand (and perhaps failed!) experiment to see if we can predict the Nebulas and Hugos using publicly available data.

(21) A PICTURE AND A THOUSAND WORDS. Defenestration, for reasons that will become obvious, made sure we didn’t miss this Hugo humor.

Andrew Kaye (known in some circles as AK) is the creator of Ben & Winslow and other questionable comics, many of which can be found in his deviantART gallery and his Tumblr. He’s also the editor-in-chief of this magazine. Duh.

I realize a lot of the folks who read Ben & Winslow might not be familiar with the drama that’s surrounded the Hugos lately–you can find plenty of articles and blogs discussing it in more detail than I can spare here. Basically, unlike other major awards, the Hugos are chosen by science-fiction and fantasy fandom. Last year a subset of that fandom got angry with the growing diversity among the award nominees and the subject matter they wrote about (or in other words, the nominees weren’t all straight white men writing adventure stories). They took advantage of the Hugos’ fan-based voting  and hijacked the list of nominees with their own choices. The 2015 Hugo ballot was a shambles–many nominees dropped out, and most Hugo voters chose to vote for “No Award” rather than vote for what actually made it to the ballot.

Well, the same thing has happened this year. The same people are trying to control the award. Trying to destroy the award. And if they’re allowed to continue, they’ll succeed. Needless to say, a lot of people are upset about this. To someone unfamiliar with the award, the whole thing looks like a big joke.

http://www.defenestrationmag.net/wp-content/uploads/2016/04/04292016-Hugo-Boss.jpg

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Matthew Davis, and Tom Hunter for some of these stories. Title credit belongs to File 770 contributing editor of the day Will R.]