2017 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).

Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.

The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

Please feel free to post comments about any other 2017 novellas which you’ve read, as well.

(Be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)


All Systems Red [The Murderbot Diaries #1], by Martha Wells (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid – a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

What I thought: This seems to be the runaway Filer favorite Novella this year, and I’ll add my voice to everyone else raving about this story. Action, suspense, and adventure with a rogue military AI whose personality is displayed subtly and with a slight bit of delightful snark. This is real SF space opera, the way it should be done. #2, Artificial Condition, comes out in May 2018, and #3, Rogue Protocol, will be released in August 2018. Given how much I enjoyed this, I’m going to have to check out Wells’ Raksura series.

Filer Comments:

  • Lace: arrived Tuesday and I finished it Wednesday. Fun was had. I enjoyed the narrator and its humans – the book is stuffed full of potential for touching moments of cyborg-human connections, which would happen in a different book and don’t in this one. It’s on the list for now, it may well stay there, and I’ll definitely tune in for future instalments.
  • Mark-kitteh: a Tor.com novella that is probably the start of a series (it subtitles itself The Murderbot Diaries) but is nicely self-contained. Its narrator calls themselves “Murderbot” because as a cyborg security unit they don’t have a real name and that’s how the real humans seem to see them, even though behind their armour there’s a more complex intelligence that binge-watches soap operas but can’t stand real life melodrama. So there are two story strands – an action-adventure plot as they are assigned to protect a survey group exploring an alien planet while Shenanigans occur, and exploring the narrator’s character as they react to the group of humans they’ve fallen in with. (If you read Questionable Content then you might see some parallels with the recent storyline there as well.) The adventure plot is good, but the personal storyline is great.
  • Greg Hullender: I gave it five stars. I agree wholeheartedly that the development of the character of the “MurderBot” is the strong point of the story, but I loved how the author did such great character development and worldbuilding without a single infodump. All the dialogue was natural. All the narration was transparent. And all the key plot points were adequately foreshadowed. All of that on top of nonstop action.
  • Rose Embolism: So, I really enjoyed the excerpt at Tor.com. The problem is. ..now I just can’t help but visualize Murderbot as Bubbles from Questionable Content.
  • Linda S: I loved it, and I’ll almost certainly be nominating it for a Hugo next year.
  • Ghostbird: I don’t know if I’d call Murderbot a companionable character but I find them very relatable. I’d recommend the book to anyone who’s cultivated detachment in an awful workplace.
  • Paul Weimer: The tight first-person point of view really does help here in making Murderbot a relatable character, and Wells shows just how important point of view is to telling the story in the way you want to. I can imagine a good Murderbot novella with a 3rd person limited point of view. We might even get some more details on the worldbuilding that I’d love to have. But we’d lose that deep dive into Murderbot’s mind and soul, and the work, IMO, would be lesser if she had chosen that path. A 2nd person Murderbot story would be interesting, I think.
  • Lee: I would say that Murderbot is a compelling character rather than a companionable one. I would also say that their thought processes are a lot like mine when I’m having to put on a polite face while doing something I would very much rather not be doing. I powered my way right thru the story – it dragged me in from the opening scene, and the mystery element was challenging and well-done. It’s definitely got a place on my Hugo nominations for 2018. I notice a thread of similarity between this, the Ancillary trilogy, and A Closed and Common Orbit; they all involve a created intelligence trying to learn how to function beyond its original parameters. This suggests that I’ve got a strong interest in stories which explore that concept and do it well.
  • lurkertype: So I read Murderbot last night, and liked the story. It’s really good, and the interactions between Murderbot and the humans are great. Lots of action. I agree with @Lee’s analysis. This is going on my embryonic Hugo list for next year.
  • Viverrine: just finished Martha Well’s All Systems Red and can’t wait for more Murderbot stories. Thought it did a great job with the narrator’s perspective.
  • Arifel: [It] has already had a lot of deserving hype among Filers – I also loved it and wrote a little bit about it here.
  • Eve: My short list is Wells’ All systems red (Murderbot)…
  • Bonnie McDaniel: Seconding this rec as well, because of the fantastic title character. (Also because sometimes, the cranky misanthropic Murderbot, with its desire to be left alone with its books entertainment feeds, reminded me of… me.) Seriously, though, I realized that Murderbot is pretty much the anti-Data – the artificial being who doesn’t want to be human. It’s a fresh take on the android trope, and I’m looking forward to the sequel.
  • Red Panda Fraction: I finished [it] last night in one sitting, and I really enjoyed it. It’s on my list.
  • Kyra: I’ll chime in along with everyone else who’s already recommended this one. A nice novella with tight plotting and a great main character. I like that it didn’t go for easy answers to the protagonist’s issues. I’m looking forward to the sequels.
  • Cheryl S.: Count me as very pro Murderbot. As soon as I finished it, I started a re-read.
  • Kendall: Y’all have to stop rec’ing things that keep me up two nights in a row. This was excellent, plus it wasn’t what I expected (a good thing, here). The personality, the interactions, the mostly-suppressed-but-expressed emotions – Wells did a great job with everything here. Perfect ending. I look forward to the next two!
  • Cassy B: I just bought and read [it] per Kendell’s rec above. And then immediately started evangelizing about this book to everyone I know. I *love* the narrative voice. Absolutely on my Hugo ballot.
  • Bookworm1398: So far I have… Murderbot for Best Novella.
  • Camestros Felapton: Despite some dark plots, murders and monstrous local fauna, this is a very compassionate story. Beyond Murderbot themselves, the individual characterisation isn’t deep but Wells quickly establishes a feel for what the team Murderbot is protecting is like. A mix of well meaning but wary people, the relationship between the survey team and Murderbot has a strong and plausible arc that gives the story some real soul.
  • Chris S.: I have to admit I inhaled this in one sitting, really enjoyed the concept. Origins of the murderbot personality still seem to be a mystery. Would definitely recommend, despite some dodgy plotting.

And Then There Were (N-one), by Sarah Pinsker (full text)

Uncanny Magazine March-April 2017, editor unknown

Synopsis: A quantomologist who discovers how to access parallel universes arranges a convention for attendees who are all versions of herself from slightly divergent universes.

What I thought: This murder mystery novella uses a format familiar to many SFF fans – a convention with keynote speeches and panels on relevant subjects of interest – to provide the setting for an exploration of the theme in Frost’s Road Not Taken. It’s a powerful metafictional musing on choices and consequences and what’s most important in life – and how one’s priorities can change, depending on the results of previous choices. I loved it. This is definitely going on my Hugo Novella ballot.

Filer Comments:

  • David Goldfarb: Quick note to all, that I’ve just put [this as] the first work this year on my Hugo longlist record for next year… I found it well-written and amusingly meta, although I did guess in advance the outlines of the solution to the mystery.
  • Meredith: Throughly enjoyable multiverse murder mystery where all the suspects are the same person. Ish.
  • Lace: a different, introspective read. A bit more con experience could’ve been fun, but what we saw worked. I was also pleased that whodunnit vf bar ynlre qrrcre guna gur boivbhf fbyhgvba jvgubhg orvat bhg bs yrsg svryq.
  • Arifel I don’t think I’ve ever read anything quite like this, and I wish it had been twice as long.
  • Arifel: wonderful and i keep forgetting it’s a novella as it was published in Uncanny.
  • Andrew: I really liked that one and have been recommending it to a lot of folks.
  • Laura: Here are my favs so far… Novella: And Then There Were (N-One), Sarah Pinsker
  • Short Story Squee and Snark discussion

Lightning in the Blood, by Marie Brennan [Ree Varekai #2, sequel to Cold-Forged Flame] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: Once, there was a call – a binding – and so, a woman appeared, present in body but absent in knowledge of her past self. Making the ultimate journey of rediscovery was not without its own pitfalls – or rewards – and now Ree, a roaming archon, spirit of legend and time and physically now bound to her current form, has yet to fully uncover her true identity. Ree has spent her last innumerable seasons on the move – orbiting, in some sense, the lands of her only friend in this world, Aadet, who has become intricately involved in the new post-revolution politics of his people. Swinging back from the forests surrounding Solaike, Ree falls in with another wandering band, some refugees accompanied by their own archon, who seems to know much more about Ree’s own origins than she ever dared to hope.

What I thought: I really enjoyed the first in this series, Cold-Forged Flame, enough to put it on my Hugo ballot last year, and this is a worthy successor. I really love the world and the characters, and I’m looking forward to more in this universe. I thought this series was so good that it convinced me that I need to read the author’s Lady Trent series sooner, rather than later, even though it’s based on a very different premise.


The Runabout, by Kristine Kathryn Rusch [Diving Universe #6] (42677 words) (excerpt)

Asimov’s Science Fiction Mar-Apr 2017 / WMG Publishing, edited by Sheila Williams

Asimov’s cover art by Jim Simpson; WMG cover art by Philcold/Dreamstime, design by Allyson Longueira

Synopsis: A graveyard of spaceships, abandoned by the mysterious Fleet thousands of years earlier. Boss calls it “The Boneyard.” She needs the ships inside to expand her work for Lost Souls Corporation. Yash Zarlengo thinks the Boneyard will help her discover if the Fleet still exists. Boss and Yash, while exploring the Boneyard, discover a small ship with a powerful and dangerous problem: The ship’s active anacapa drive. To escape the Boneyard, Boss must deal with the drive. Which means she’ll have to dive the ship on limited time and under extremely dangerous conditions. And she can’t go alone.

What I thought: I love love love Kristine Kathryn Rusch’s Diving Universe, which saw the release of The Runabout this year (which is currently on my ballot for Best Novella as well as Best Series). The series focuses on a spaceship-wreck-exploration company, and includes time travel and lots of mystery, action and adventure. The Runabout, and its predecessor The Falls, while they each stand alone, are intertwined stories – but I recommend reading the rest of the series from the beginning, because there’s background and worldbuilding, especially in the first 2 books, which really enhance the rest of them.

Filer Comments:

  • Greg Hullender: I liked The Runabout so much that I went out and bought the rest of the stories in the series.

Passing Strange, by Ellen Klages (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover art by Gregory Manchess, design by Christine Foltzer

Synopsis: San Francisco in 1940 is a haven for the unconventional. Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet. Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where magic, science, and art intersect.

What I thought: This story is loosely based on the life of Margaret Brundage, a prolific artist of more than 70 covers plus many interior illustrations for the early SFF pulp magazines (primarily Weird Tales). While the SFFnal elements are slight until the end, I really loved the way the story captured the cultural context of that time and place, as well as telling a poignant story of love and friendship, with beautifully-realized characters. I enjoyed this so much that I was sorry to see it end, and it will definitely be on my Hugo ballot.

Filer Comments:

  • Mark-kitteh: I was going to pass on this because the concept sounded far too light on fantastic elements for my tastes, but some rave reviews persuaded me to try it. I was right that it was very light on the actual fantasy, but it was beautifully written with compelling characters and relationships, and the historical elements of 40s San Francisco were fascinating, so I’m glad I picked it up.
  • Kurt Busiek: Started reading [it] last night, and so far it’s terrific.

The Memoirist, by Neil Williamson (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: In a near future where everyone is wired to an interactive evolution of the Internet, ubiquitous tiny recording drones which make everyone’s personal lives fodder for public consumption are an accepted fact of life. A young journalist scores a rare, highly-enviable job writing the memoirs of the reclusive retired lead singer from a historically-famous rock band which mysteriously broke up after something happened… but despite rumors and speculation, no one knows what that something actually was. Why are so many powerful people determined to wipe a poignant gig by a faded rock star from the annals of history? What are they so afraid of? Rhian has no idea of the dangerous path she is treading, nor the implications of her discoveries, which may well alter the course of human history…

What I thought: I really, really liked this story. It blends a realistic projection of future technology with an intriguing mystery. I think that fans of Sarah Pinsker’s Our Lady of the Open Road might really enjoy this one.


The Ghost Line, by Andrew Neil Gray and J. S. Herbison (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by John Harris, design by Christine Foltzer

Synopsis: The Martian Queen was the Titanic of the stars before it was decommissioned, set to drift back and forth between Earth and Mars on the off-chance that reclaiming it ever became profitable for the owners. For Saga and her husband Michel, the cruise ship represents a massive payday. Hacking and stealing the ship could earn them enough to settle down, have children, and pay for the treatments to save Saga’s mother’s life. But the Martian Queen is much more than their employer has told them. In the twenty years since it was abandoned, something strange and dangerous has come to reside in the decadent vessel. Saga feels herself being drawn into a spider’s web, and must navigate the traps and lures of an awakening intelligence if she wants to go home again.

What I thought: I thought that the worldbuilding and characterization in this space opera mystery about an awakening AI were really well-done, and am hoping for more from the authors in this universe. Depending on how my Hugo ballot shakes out, this could be in the running for an appearance on it.


Penric’s Fox, by Lois McMaster Bujold [Penric #5, sequel to Penric and the Shaman] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Some eight months after the events of Penric and the Shaman, Learned Penric, sorcerer and scholar, travels to Easthome, the capital of the Weald. There he again meets his friends Shaman Inglis and Locator Oswyl. When the body of a sorceress is found in the woods, Oswyl draws him into another investigation; they must all work together to uncover a mystery mixing magic, murder and the strange realities of Temple demons.

Filer Comments:

  • Lace: takes place after Penric and the Shaman, with some supporting characters in common. I liked this one more than the pair starting with Penric’s Mission. It’s in the middle of my pack of maybes for the Hugo ballot, though I’ve only collected a couple of probables so far.
  • Kendall: Bujold goes back in time to write a story connected to (and not long after, IIRC) Penric and the Shaman. I enjoy the Penric & Desdemona novellas a lot; this is a very good addition to the line-up, a little mystery-adventure with more talk about cbffvoyr pbaarpgvbaf orgjrra qrzbaf naq funznavp cbjref.

Mira’s Last Dance, by Lois McMaster Bujold [Penric #4, sequel to Penric’s Mission] (audio excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: The injured Penric, a Temple sorcerer and learned divine, tries to guide the betrayed General Arisaydia and his widowed sister Nikys across the last hundred miles of hostile Cedonia to safety in the Duchy of Orbas. In the town of Sosie, the fugitive party encounters unexpected delays, and even more unexpected opportunities and hazards, as the courtesan Mira of Adria, one of the ten dead women whose imprints make up the personality of the chaos demon Desdemona, comes to the fore with her own special expertise.

Filer Comments:

  • ULTRAGOTHA: my least favorite so far of her Penric stories. There doesn’t seem to be as much there there, this time. There will probably be another Penric story as this one ends in a good place for it to end, but there’s obviously more to come. It takes up immediately after Penric’s Mission with the same three characters (or 15 if you count the Lioness and the Mare). I find Bujold’s stories always, always, improve on re-reading. It’s extraordinary how she manages to do that! So I suspect I’ll like it better the next time around.
  • Arifel: I have to give a massive “wait what????” to. Of course it’s all good solid well written Bujold fun, but the main plot makes light of transphobia and violence against sex workers in a way i was really disappointed by (the more spoilery elaboration is that Craevp, jvgu n cnegvphyne snprg bs Qrfqrzban ng gur uryz, ratntrf va na riravat bs frk jbex jvgu n urgrebfrkhny zna juvyr cnffvat nf n jbzna, naq zbfg bs gur punenpgref rkcrpg gur phfgbzre gb erfcbaq jvgu ivbyrapr vs Craevp vf bhgrq – fb sne fb ernyvfgvp, naq V unir ab crefbany vffhr jvgu gur jnl frk jbex be traqre naq frkhnyvgl ner cerfragrq va n ernfbanoyl znggre bs snpg jnl, ohg V URNIVYL dhrfgvba Ohwbyq’f qrpvfvba gb cynl nyy guvf nf n uhzbebhf fbhepr bs grafvba.)

The Prisoner of Limnos, by Lois McMaster Bujold [Penric #6, sequel to Mira’s Last Dance] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Temple sorcerer Penric and the widow Nikys have reached safety in the duchy of Orbas when a secret letter from a friend brings frightening news: Nikys’s mother has been taken hostage by her brother’s enemies at the Cedonian imperial court, and confined in a precarious island sanctuary. Their own romance still unresolved, Nikys, Penric, and of course Desdemona must infiltrate the hostile country once more, finding along the way that family relationships can be as unexpectedly challenging as any rescue scheme.

What I thought: I will say that while I have really enjoyed all of the Penric novellas, possibly Penric’s Mission (which was actually well into novel length) might be the only one I really felt rose to Hugo level for me. Both last year, and this year (so far), the rest of them are in my Top 10 but not in my Top 5. They’re great stories, but they seem a bit slight compared to the Vorkosigan stories; they’re solid but not exceptional. That’s probably a function of length, but also probably of their “quietness”. I suspect that if Mission / Dance / Prisoner had been released as one novel, they’d have more of an impact for me. (I re-read Mission before reading Dance, and I re-read Dance before reading Prisoner. For those who have the ability and the reading time to do that, I recommend doing so.)

Filer Comments:

  • Mark-kitteh: The new Penric is good.
  • techgrrl1972: I loved the new Penric, although I don’t always appreciate Lois’ choice of where to stop. It’s not like she needs these sortakinda cliffhangers to draw us back for the next instalment!
  • JJ: I wouldn’t necessarily say that it ends with a cliffhanger. It stops at a logical place, having completed this particular story, but with plenty of seeds dropped for future adventures.

Down Among the Sticks and Bones, by Seanan McGuire [Wayward Children #2, prequel to Every Heart A Doorway] (excerpt Ch 1-2) (audio excerpt Ch 3)

Tor.com Publishing, edited by Lee Harris

cover photographs by Getty Images, design by FORT

Synopsis: Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children. This is the story of what happened first… Jacqueline was her mother’s perfect daughter – polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline. Jillian was her father’s perfect daughter – adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got. They were five when they learned that grown-ups can’t be trusted. They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

What I thought: I really enjoyed the first novella, and this one provides some good character development for the twin sisters from that story. I re-read the first one after reading this, so the inconsistency between the two endings – probably an artifact of trying to retrofit a prequel after the later story has been published – was rather obvious. Nevertheless, I thought this was very good, but it didn’t quite reach the level of Doorway for me. The third novella, Beneath the Sugar Sky, comes out in January 2018.

Filer Comments:

  • Beth in MA: Premise: What happened to Jack and Jill before Every Heart a Doorway? We find out about the world they went to and what happened there. I picked this up on my birthday weekend trip and really loved it! The world is creepy and yet, the real world for the twins was creepy too. In fact, in some ways, the real world for them was worse. We see how that world affected them in the otherworld they visited. It is definitely at the top of my 2017 novella longlist.
  • Chip Hitchcock: So with the discussion of Every Heart a Doorway coming back, has anyone else read the partial prequel, Down Among the Sticks and Bones? I just finished it and am very torn; it’s a powerful story, but there’s much more telling than showing, including a lot of “this is the way Story goes” lines. It’s possible that showing would have taken a much larger book (a very fast count suggests it’s 30-35K words), or even technique McGuire doesn’t have yet (based on my having read most of what’s she’s written), or maybe she’s deliberately writing something that might be called interpreted fiction?
  • Peer Sylvester: Just finished [it]. The short version: Its the Roald Dahlish backstory of Jack and Jill and thats a bit of a problem, because Jack has revealed her backstory in Doorway already and this is just the fleshed-out-version of said backstory. So, there is not much room for surprises here. But its beautifully written – again! If you like Seanan McGuires writing style (and I very much do), you will enjoy this as well. I just hope the third wayward children book will offer a bit more in terms of story.
  • Kendall: I listened to McGuire narrate her novella Down Among the Sticks and Bones this week; she was a pretty good narrator. The book was good, but I liked the first one better. Two minor criticisms (leaving off a third tiny nit I was going to pick): There was too much “I will now talk about how I’m telling you the story that you’re reading” and faux-children’s-book stuff. The former (weirdly) seems like it would work better in print, and was a little clunky; the latter isn’t really my style. Am I misremembering the first novella – did it do this, too?! I want to re-listen anyway, to see the twins now that I’ve listened to the prequel. The twins’ pre-door back story should’ve been shorter. The background helped us understand how they became the people that made the choices they did in the Moors, and how they developed into the characters we met in the first book. But it was too long and a bit tedious. Also, it was the most juvenile-written part (as in, seemingly written for juveniles), too, which isn’t to my taste. The Moors remind me of D&D’s Ravenloft – in a good way. I was very interested to see Qbpgbe Oyrnx pbhyq perngr n qbbe; and to see fbzrbar jub jrag guebhtu n qbbe ohg unq n snvyrq “fgbel” naq jnf genccrq, rgp. Anyway, overall, I enjoyed it and look forward to the next one.
  • Karl-Johan Norén: @Kendall: Every Heart a Doorway is very straightforwardly narrated, so no, it differed from [this one] both in tone and in narrative style. I think the main trouble with Sticks and Bones is twofold: first it’s a prequel, so you have start and end points set, second any story set in McGuire’s fairylands is likely to depend heavily on narrative causality. I’m not sure she has leveled up as an author enough yet to tackle works that explore works of narrative causality yet (not like, say, Cat Valente or the late Terry Pratchett).
  • David Goldfarb: I just finished reading [it], and my socks were knocked off to the extent that it made me go back and re-read “Every Heart a Doorway”. The first time I read Heart I was annoyed by some of its flaws (chiefly that I found the solution of the mystery plot a bit obvious), but this time I was able to focus more on the themes of self-acceptance.
  • Bonnie McDaniel: I actually liked this better than Every Heart a Doorway, as it lacked the somewhat distracting murder mystery plot. This tightly written backstory of Jack and Jill, and nightmare parenting, pulls no punches. At the end, the reader knows just what the twins found in their portal world of the Moors, and understands why they would do anything to return there.
  • Arifel: (specifically the audiobook version read by the author: ) I find it hard to pay attention to audio for long periods of time, but I listened to the whole 4 hours of this in almost one sitting without getting distracted. It’s a powerful story about femininity and sisterhood which worked better for me on a first pass than Every Heart A Doorway. Excellent narration. Will be very surprised if this isn’t on All The Lists at the end of the year

Dusk or Dark or Dawn or Day, by Seanan McGuire (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photographs by Emma Cox and Corey Weiner, design by Jamie Stafford-Hill

Synopsis: When her sister Patty died, Jenna blamed herself. When Jenna died, she blamed herself for that, too. Unfortunately Jenna died too soon. Living or dead, every soul is promised a certain amount of time, and when Jenna passed she found a heavy debt of time in her record. Unwilling to simply steal that time from the living, Jenna earns every day she leeches with volunteer work at a suicide prevention hotline. But something has come for the ghosts of New York, something beyond reason, beyond death, beyond hope; something that can bind ghosts to mirrors and make them do its bidding. Only Jenna stands in its way.

What I thought: I really enjoyed this story. McGuire’s work, in my opinion, ranges from very good to absolutely fantastic. I’d put this one in the very good range; I thought that it was solid and well-done, but not exceptional.

Filer Comments:

  • Mark-kitteh: This is… a separate standalone in a new continuity. Any description of the plot spoils a well-played reveal early in the story so I’m going to keep quiet, but it’s just as readable as you’d expect from McGuire. What I particularly liked was that it had some of the older Urban Fantasy feel of being about people and places and the connections between the two. There’s an element that deserves a content note (rot13 although it’s also obvious from the blurb: Gur znva punenpgre jbexf ng n fhvpvqr ubgyvar naq ure fvfgre pbzzvggrq fhvpvqr) but I believe it’s handled sensitively.
  • Peer Sylvester: Thanks to the Filers who recommended [this]! It was just the right read for a sick day in bed… Easy, but very nice indeed, great world Building, great characters, just the story was a bit on the thin side. But beautiful written and as I sad good “Comfy-iterature” (And yes, its best to go in it totally “cold”, i.e. knowing nothing about the story)
  • Cassy B.: A compelling ghost story… written from the point of view of the ghost.

Idle Ingredients, by Matt Wallace [Sin du Jour #4, sequel to #1 Envy of Angels, #2 Lustlocked, and #3 Pride’s Spell] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Catering for a charismatic motivational speaker, the staff of the Sin du Jour catering agency find themselves incapacitated by a force from within their ranks. A smile and a promise is all it took. And for some reason, only the men are affected. It’s going to take cunning, guile and a significant amount of violence to resolve. Another day of cupcakes and evil with your favorite demonic caterers.


Greedy Pigs, by Matt Wallace [Sin du Jour #5] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Politics is a dirty game. When the team at Sin du Jour accidentally caters a meal for the President of the United States and his entourage, they discover a conspiracy that has been in place since before living memory. Meanwhile, the Shadow Government that oversees the co-existence of the natural and supernatural worlds is under threat from the most unlikely of sources. It’s up to one member of the Sin du Jour staff to prevent war on an unimaginable scale. Between courses, naturally.


Gluttony Bay, by Matt Wallace [Sin du Jour #6] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Welcome to Gluttony Bay High Security Supernatural Prison. We value your patronage. For your entertainment this evening, we are delighted to welcome the world’s most renowned paranormal culinary experts. And on the menu: You.

What I thought: I’m another that loves this series: for the appealing characters, the inventiveness of the otherworldly cuisine, the humor which is great without going over-the-top into cringeworthy, and the way he intertwines the supernatural world with the real world so deftly that it’s utterly believable. Content note: While all of the novellas have some element of gore and/or violence, Gluttony Bay is particularly so. The 7th (and ostensibly the last) Deadly Sin du Jour book, Taste of Wrath, comes out in April 2018.

Filer comments on the Sin du Jour series:

  • Alasdair: One of the Crown Jewels of Tor’s novella lone. Inventive, funny and immensely confident writing.
  • Greg Hullender: The biggest problem I have with this series is that there are too many characters, and they can be hard to tell apart. As a consequence, the individual stories (apart from “Small Wars”) don’t stand alone very well.
  • Kendall: I love this series!
  • Cheryl S.: I really love this series and look forward to every new novella, because they’re terrific; well written, with interesting, offbeat characters that grow in unexpected directions. Plus, there’s always something funny but totally plausible in each one (Goblin King anyone?).
  • Kendall: I also finished Greedy Pigs last night – the latest “Sin du Jour” novella. I read Idle Ingredients… and they’re more closely connected plot-wise than previous entries, ISTM… I enjoyed earlier entries a little more, but I can’t pinpoint why, sorry. Unrelated, but it seemed like there was less food?! LOL. I like that Darren’s and especially Lena’s characters are developing, in these two novellas, and I look forward to the final two entries in the series.

Acadie, by Dave Hutchinson (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Stephen Youll, design by Christine Foltzer

Synopsis: The Colony left Earth to find their utopia – a home on a new planet where their leader could fully explore the colonists’ genetic potential, unfettered by their homeworld’s restrictions. They settled a new paradise, and have been evolving and adapting for centuries. Earth has other plans. The original humans have been tracking their descendants across the stars, bent on their annihilation. They won’t stop until the new humans have been destroyed, their experimentation wiped out of the human gene pool. Can’t anyone let go of a grudge anymore?

What I thought: This is an interesting story and an enjoyable read, but perhaps suffers a bit in execution by comparison to similar stories; explaining why would be spoiling the story, so I’ll just suggest reading this if the synopsis appeals to you.


Agents of Dreamland, by Caitlín R. Kiernan (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover photograph by Getty Images, design by Christine Foltzer

Synopsis: A government special agent known only as the Signalman gets off a train on a stunningly hot morning in Winslow, Arizona. Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman. In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible – the Children of the Next Level – and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in. A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact. And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

What I thought: There are a lot of elements in this work which will only really have meaning for someone who has at least a passing familiarity with Lovecraft’s works. I found it to be more of a “and then this happened… and then this happened…” story, and less what I’d consider a story with a plot and a resolution (but I guess that description would apply to a lot of Lovecraft works). In a review of Dreamland, James K. Nelson says “enough is resolved to satisfy the reader, but we never fully get our bearings on the forces at work. ” I’m going to disagree with him on that; I didn’t think that enough is revealed to be satisfying. I do think that Lovecraft fans will enjoy this, though.

Filer Comments:

  • PhilRM: Two agents from separate, mysterious government agencies – a man known only as the Signalman, and a woman who is even more mysterious than the agency she works for – meet in Winslow, Arizona to trade information on a horrifying event that occurred in a decaying house near the Salton Sea, an event that proves to be only the latest in a series, and will not be the last. No one does modern-day Lovecraft better than Kiernan: this searing, disturbing novella takes place in a universe that, at best, is bleak and indifferent. It also lies at the SF end of the SF/horror spectrum, as in most of late Lovecraft. You will benefit from having read Lovecraft’s The Whisperer in Darkness, but it’s not required. Beautifully written and as dark as a dream of Yuggoth.
  • Mark-kitteh: Another in [Tor.com’s] mini-theme of Lovecraftian stories… and probably the one least likely to be accessible to non-fans of Lovecraft. It’s a rather twisty tale about an unnamed investigator looking into a weird cult with a sense of quiet desperation, while a prescient colleague follows similar threads with quiet acceptance. It was suitably moody but I wasn’t that taken with it.
  • Bonnie McDaniel: I loved this. It’s dense, complex, non-linear, with great characterizations and beautiful writing. It’s a surprisingly successful, if bizarre, blending of Lovecraft and The X-Files, with an alien invasion fit to give anyone nightmares. It’s a shame Kiernan isn’t better known, and it would be great if this story could change that. For the moment, at the top of my Hugo list.
  • Rob Thornton: I wasn’t too hot on Kij Johnson’s Dream-Quest of Vellitt Boe (paled next to the original despite the 21c updates) but Kiernan’s Dreamland truly captures the feverishly bizarre quality of good Lovecraftian fiction. Highly recommended and of course it is on my Hugo list.

At the Speed of Light, by Simon Morden (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: A breathless drama set in the depths of space. Aboard a ship that has travelled beyond the reach of human knowledge, Corbyn discovers he is not as alone as he ought to be.

What I thought: A novella about how a near-light-speed vehicle might work, with an uploaded mind as an AI and adaptable drones, and the technical aspects of relativity and maneuvering at such a speed. I found it very Interesting, but the plot, such as it is, is just set dressing for the technical aspects. I’m not sorry I read it, but I can’t enthuse about it either. I gave it 3.5 stars. Morden has a murder mystery set on Mars, One Way, coming out in February 2018 (under the name S.J. Morden), which sounds good enough that I’m already on my library’s waiting list for it.

Filer Comments:

  • Mark-kitteh: I read [it] as well, and I’d totally agree – all the clever science couldn’t cover for a rather meh story.

Binti: Home, by Nnedi Okorafor [Binti #2, sequel to Binti] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Dave Palumbo, design by Christine Foltzer

Synopsis: It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she found friendship in the unlikeliest of places. And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders. But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace. After generations of conflict can human and Meduse ever learn to truly live in harmony?

What I thought: Like the previous novella, this story has some interesting world-building – but like the previous one, it relies on another deus ex machina in the third act to get where it wants to go. It’s well worth reading, but won’t be on my Hugo ballot.

Filer Comments:

  • Arifel: a very worthy continuation of 2015’s winner, and I’m very excited to see how the final(?) installment [Binti: The Night Masquerade, coming out in January 2018] pans out.

Brother’s Ruin, by Emma Newman [Industrial Magic #1] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: The year is 1850 and Great Britain is flourishing, thanks to the Royal Society of the Esoteric Arts. When a new mage is discovered, Royal Society elites descend like buzzards to snatch up a new apprentice. Talented mages are bought from their families at a tremendous price, while weak mages are snapped up for a pittance. For a lower middle class family like the Gunns, the loss of a son can be disastrous, so when seemingly magical incidents begin cropping up at home, they fear for their Ben’s life and their own livelihoods. But Benjamin Gunn isn’t a talented mage. His sister Charlotte is, and to prevent her brother from being imprisoned for false reporting she combines her powers with his to make him seem a better prospect. When she discovers a nefarious plot by the sinister Doctor Ledbetter, Charlotte must use all her cunning and guile to protect her family, her secret and her city.

Filer Comments:

  • Mark-kitteh: This is a Victorian urban fantasy, although apparently they want us to call it a Gaslamp Fantasy which, hmm, let’s see if it catches on. It’s the start of a series and does an ok-but-not-brilliant job of being a standalone story, mostly setting up the world and getting some initial plot, which is that magic in England is controlled by three competing Guilds, rogue mages are caught and forcefully enrolled, and there’s something non-specifically rotten going on with the whole system, which our protagonist will undoubtedly be bumbling into at some point. Speaking of our protagonist, Charlotte is an artist who is already hiding her mundane talent under a bushel by illustrating under a male pseudonym, which leads neatly into the inevitable discovery that she’s also hiding a non-mundane talent under a bushel too… Anyway, Emma Newman is a good writer of UF already, and so this is a good piece of UF and I like the (ahem) gaslamp setting, but I ended up feeling a bit like I’d been served up the first third of a novel. I’ll be picking up the sequel(s) but I really wish first volumes would be a bit more standalone, and if you’re likely to be frustrated by that then you might want to hold off.
  • Kendall: first of two (or four, if they sell well!) in the Industrial Magic set of novellas, which Tor’s calling gaslamp fantasy. IIRC it’s around the 1850s, around the industrial revolution, but powered by magic. Magi are required to work for the Crown via the Royal Society and can’t marry or pursue other endeavors. Hiding your magic (or even not reporting someone else you know has magic) is against the law. It’s all a bit dire and draconian, which makes a good setup for tension and paranoia on the part of the main character – a woman hiding her magic, and a career as an artist, to boot. Anyway, I enjoyed this a lot… there’s a lot of setup here, but for me there was enough plot and intrigue that it felt like a complete story, while obviously setting up the next novella(s). I hope there are more than two; I enjoyed it a lot. It’s way to early to say whether it would be on my Hugo list, but I definitely recommend it!
  • Arifel: great, with an interesting worldbuilding setup and a slightly thin but compelling enough cast, but it does feel like the first third of a really interesting novel, not a complete story in itself – looking forward to more but I recommend anyone who likes solid resolution at the end of their reading hold off for now.
  • Chip Hitchcock: I was looking forward to this as I liked her other fantasy, but was disappointed by [this] first book.

Weaver’s Lament, by Emma Newman [Industrial Magic #2] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: Charlotte is learning to control her emerging magical powers under the secret tutelage of Magus Hopkins. Her first covert mission takes her to a textile mill where the disgruntled workers are apparently destroying expensive equipment. And if she can’t identify the culprits before it’s too late, her brother will be exiled, and her family dishonoured…

What I thought: As others have mentioned, these are parts 1 and 2 of a 3-part novel, and may not be satisfying when read individually. I read all 5 of the author’s Split Worlds novels earlier this year, and I really enjoyed them (enough for it to be a Best Series contender), but these first two Industrial Magic novellas feel a lot like re-treads of that series, and I can’t get really enthused about them.


The Dispatcher, by John Scalzi (audio excerpt)

(likely not award-eligible, due to 2016 Audible release)

Subterranean Press, editor unknown; Audible version narrated by Zachary Quinto

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: One day, not long from now, it becomes almost impossible to murder anyone – 999 times out of a thousand, anyone who is intentionally killed comes back. How? We don’t know. But it changes everything: war, crime, daily life. Tony Valdez is a Dispatcher – a licensed, bonded professional whose job is to humanely dispatch those whose circumstances put them in death’s crosshairs, so they can have a second chance to avoid the reaper. But when a fellow Dispatcher and former friend is apparently kidnapped, Tony learns that there are some things that are worse than death, and that some people are ready to do almost anything to avenge what they see as a wrong. It’s a race against time for Valdez to find his friend before it’s too late…before not even a Dispatcher can save him.

What I thought: If you can just roll with the utterly unbelievable premise, this is an enjoyable read – but I suspect that it will end up being one of Scalzi’s less successful attempts at expanding his oeuvre. I’m not sorry I read it, but I can’t enthuse about it, either.

Filer Comments:

  • Kendall: I recommend John Scalzi’s The Dispatcher
  • Anne Goldsmith: I think The Dispatcher was my favourite of these, but I may be giving it subconscious bonus points for being read aloud by Zachary Quinto.
  • Cheryl S.: meh, it was fine but I’m not sure what got it so many five star reviews on Amazon

The Dragon of Dread Peak, by Jeremiah Tolbert (prequel The Cavern of the Screaming Eye) (full text Part 1 Part 2)

Lightspeed Magazine #89 October 2017, edited by John Joseph Adams

Illustration by Reiko Murakami

Synopsis: In a world where trans-dimensional portals from RPG universes have intruded upon and devastated the real world, children and teenagers are the defenders against the monsters and further encroachment. But the dangers in dungeonspace are real: Rash, who was an expert monster slayer, never came back from his last mission a year ago – one of many who have died trying to close down the portals. His younger brother, Flip, has secretly become a crawler in defiance of his mother’s grief – and with his inexperienced team, Flip has been taking on progressively more dangerous portals in the hope of finding and rescuing his brother. What’s more, a mysterious voice has been talking only to him inside of dungeonspace, its motives unknown.

What I thought: Despite not being a gamer, I enjoyed this story; I suspect that RPGers will like it even more. I highly recommend reading the short story prequel “The Cavern of the Screaming Eye” first, as it provides a little additional worldbuilding and characterization for this novella.


The Enclave, by Anne Charnock (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: Advances in genetic engineering have created a population free of addictive behaviour. Violent crime is rare. But out in the enclaves it’s survival of the fittest for Lexie – embroiled in a recycling clan and judged unfit for cognitive implants – and Caleb, a young climate migrant working as an illegal, who is eager to prosper and one day find his father.

What I thought: This is an interesting story, set in the same universe as A Calculated Life. I enjoyed it and found it solid but not outstanding.


The Furthest Station, by Ben Aaronovitch [Rivers of London] (excerpt)

Subterranean Press / Gollancz, edited by Editor

cover art by Stephen Walters, design by Desert Isle Design

Synopsis: There have been ghosts on the London Underground, sad, harmless spectres whose presence does little more than give a frisson to travelling and boost tourism. But now there’s a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive and seem to be looking for something. Enter PC Peter Grant, junior member of the Metropolitan Police’s Special Assessment unit a.k.a. The Folly a.k.a. the only police officers whose official duties include ghost hunting. Together with Jaget Kumar, his counterpart at the British Transport Police, he must brave the terrifying crush of London’s rush hour to find the source of the ghosts. Joined by Peter’s wannabe wizard cousin, a preschool river god and Toby the ghost hunting dog, their investigation takes a darker tone as they realise that a real person’s life might just be on the line. And time is running out to save them.

What I thought: This is a nice little standalone side mystery in the Rivers of London universe, quick and enjoyable – and minus any of the laddish, male-gazey aspects of the early novels in the series.

Filer Comments:

  • Mark-kitteh: It’s very consistent with the rest of the series so if, like me, you’re a fan of the series then you’ll enjoy this. If you’ve found it’s not your cup of tea, then this won’t change your mind. The title refers to the fact that parts of the London Underground actually head out to some very far-flung places. (For a non-Londoner like me it’s a bit disconcerting to find yourself traveling through green fields on an “underground” train!) It doesn’t really advance the main plot significantly, but is a nice little mystery solved with a good combo of magic and real police work.

Havergey, by John Burnside (excerpt)

Little Toller Monographs, editor unknown

cover art by Norman Ackroyd, designer unknown

Synopsis: A few years from now on the small and remote island of Havergey, a community of survivors from a great human catastrophe has created new lives and a new world in a landscape renewed after millennia of human exploitation. This is an exploration of what constitutes a utopia, a reminder of how precious and precarious our world is, and a rejection of the idea of human supremacy over landscape and wildlife.

What I thought: This is a bit like a near-future, post-apocalypse version of Thoreau’s Walden, in which a time traveler from our era arrives on an island populated by anarchist utopians who survived a devastating global plague, and consists mainly of manuscript readings of the colony’s historians with the traveler’s own personal musings. Fans of literary speculative fiction and philosophy may really enjoy it, but it’s definitely not an SF adventure.


I Met a Traveller in an Antique Land, by Connie Willis (excerpt)

Asimov’s Science Fiction Nov-Dec 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An author, in New York City to meet with his publisher and do promotion for his book, takes refuge from a bad storm in a tiny used bookstore in an unfamiliar area of the city. But the store is much larger inside than it looks from the outside, and there’s clearly something mysterious going on.

What I thought: I’m a big Connie Willis fan, and I enjoyed this story, but honestly, it felt a lot like a re-tread mashup of some of her other stories, especially The Winds of Marble Arch. It’s clear very early on to the reader what is really going on (at least it was for me), so it didn’t have that feel of a mystery eventually followed by a discovery which has made a lot of her other stories so enjoyable for me. I thought it was worth reading, but not award-worthy.


In Calabria, by Peter S. Beagle (excerpt)

Tachyon Publications, edited by Rachel Fagundes

cover design by Elizabeth Story

Synopsis: Claudio Bianchi has lived alone for many years on a hillside in Southern Italy’s scenic Calabria. Set in his ways and suspicious of outsiders, Claudio has always resisted change, preferring farming and writing poetry. But one chilly morning, as though from a dream, an impossible visitor appears at the farm. When Claudio comes to her aid, an act of kindness throws his world into chaos. Suddenly he must stave off inquisitive onlookers, invasive media, and even more sinister influences.

What I thought: This is a lovely little fable and well worth reading, but did not come close to the level of The Last Unicorn for me.


Killing Gravity, by Corey J. White [The Voidwitch Saga #1] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Tommy Arnold, design by Christine Foltzer

Synopsis: Before she escaped in a bloody coup, MEPHISTO transformed Mariam Xi into a deadly voidwitch. Their training left her with terrifying capabilities, a fierce sense of independence, a deficit of trust, and an experimental pet named Seven. She’s spent her life on the run, but the boogeymen from her past are catching up with her. An encounter with a bounty hunter has left her hanging helpless in a dying spaceship, dependent on the mercy of strangers. Penned in on all sides, Mariam chases rumors to find the one who sold her out. To discover the truth and defeat her pursuers, she’ll have to stare into the abyss and find the secrets of her past, her future, and her terrifying potential.

What I thought: The worldbuilding in this is pretty well-done, but I found it a little too predictable and tropey to reach the level of excellent. It’s well worth reading, though, and I’ll be picking up its sequel, Void Black Shadow, which comes out in March 2018.

Filer Comments:

  • Mark-kitteh: This is probably going to suffer from being the novella I read after the excellent All Systems Red, but it was clever enough to cheat by having an exceptionally cute cat-like creature in it for bonus points. It’s a grimy sort of space opera setting, with mercs, bounty hunters, miserable planets and chaotic stations. The protagonist is Mariam Xi, nicknamed Mars, with her not-a-cat Seven. Mars is a powerful telekinetic and she’s permanently running from the big evil corp that made her that way. (You could make a lazy comparison to River Tam and Firefly at this point, but it’s a fairly different plot.) Anyway, shenanigans happen and there’s a rapid tour of various locations in the grimy space opera settings. I would say it’s solid rather than spectacular – none of the elements are especially original on their own but it’s all well put together. One thing that niggled was that her abilities kept on being just powerful enough for the situation, even if she’d dealt with much worse elsewhere in the story. It appears to be the start of a series but stood on its own well enough. I don’t see it troubling my novella shortlist, but on the other hand it appears to be the author’s professional debut – no short stories that I can see – and it was sufficiently interesting that they go onto my Campbell watch list.

The Lamb Will Slaughter the Lion, by Margaret Killjoy [Danielle Cain #1] (excerpt)

Tor.com Publishing, edited by Diana Pho

cover art by Mark Smith; design by Jamie Stafford-Hill

Synopsis: Searching for clues about her best friend’s mysterious suicide, Danielle ventures to the squatter, utopian town of Freedom, Iowa, and witnesses a protector spirit – in the form of a blood-red, three-antlered deer – begin to turn on its summoners. She and her new friends have to act fast if they’re going to save the town – or get out alive.

What I thought: This story features a great selection of diverse characters, but parts of the plot didn’t really work for me, and it definitely felt like a first novel to me. A sequel, The Barrow Will Send What it May, comes out in April 2018, but I probably won’t be picking it up.

Filer Comments:

  • Bonnie McDaniel: This was an odd little book, and I’m including it because while I don’t think it was really for me, I imagine plenty of other people will like it. It’s a punk anarchist mindtrip, with plenty of zombified demon animals, and yes, it’s just as wacky as it sounds. Whether the story hangs together will depend on your tolerance of its collectivist anarchist mindset, but I appreciate that it’s an ambitious story that takes risks.
  • Mark-kitteh: I wasn’t actually going to pick this out, but then it got strongly recced in several places and so I decided to give it a try – and I’m glad I did, because although it’s a bit uneven I found it really interesting. Danielle Cain travels to a small squatters town of utopian-minded anarchists to find out why her friend died. It turns out that the townsfolk have called up that which they cannot put down – a protector spirit in the form of a demonic deer which has started taking a very… abrupt… view of what protection means. I have to say that the concept didn’t grab me when I first heard about it, but actually it works really well. It’s a warts-and-all portrayal of this type of community – something well outside my experience – with the fantasy element rather acting as a metaphor for the problems that it throws up. This style of story lives and dies by the lead character, and Cain is well-drawn and interesting. I also liked that the fantasy element was very limited and mysterious – there’s not a whole menagerie of magic animals trotting around, just this one weird beast that someone created without really knowing what they were doing.
  • Meredith: The imagery… has really stuck with me (I badly want someone to adapt it, it would look amazing), but I wish I’d come out of it feeling like I knew the viewpoint character, like, at all. There’s a bit about her being The Traveler, and I wondered whether that was a hint that she wasn’t human (anymore?) but sort of took on aspects of the people she travels with and that was why she never seemed like much of a person, but they never went anywhere with it, so… ¯\_(?)_/¯ (But I did like a lot of stuff about it! Characters just matter a lot to me as a reader. Probably still the third most interesting novella I’ve read this year, behind And Then There Were N-One and All Systems Red.)

A Long Day in Lychford, by Paul Cornell [Lychford #3, sequel to #1 Witches of Lychford and #2 Lost Child of Lychford] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Mark Owen, cover design by FORT

Synopsis: It’s a period of turmoil in Britain, with the country’s politicians electing to remove the UK from the European Union, despite ever-increasing evidence that the public no longer supports it. And the small town of Lychford is suffering. But what can three rural witches do to guard against the unknown? And why are unwary hikers being led over the magical borders by their smartphones’ mapping software? And is the immigration question really important enough to kill for?

What I thought: I thought that Witches was great, and that Lost Child was very good (with the exception of the part with the consent-violating physical assault by the “good guys” against another character, which was pretty awful). But this one just didn’t really do it for me. It’s the story of a one-day ordeal experienced by the 3 main characters, but it felt forced and artificial and pointless to me.

Filer Comments:

  • Kendall: Quoting myself: “I suspect I won’t enjoy it as much as the first two”. Well, I was wrong; it was very good! I’m not sure, but I may have enjoyed it more than the second one. It was depressing and made me sad, especially at the end, but it was well done. BTW this seemed shorter than the others (but I presume it’s still a novella). It’ll probably go into the novella cage match on my ballot.

Mightier than the Sword, by K. J. Parker (no excerpt)

Subterranean Press, editor unknown

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: An Imperial legate is called in to see his aunt, who just happens to be the empress running the civilized world while her husband’s in his sick bed. After some chastisement, she dispatches her nephew to take care of the dreaded Land and Sea Raiders, pirates who’ve been attacking the realm’s monasteries. So begins a possibly doomed tour of banished relatives and pompous royals put in charge of monasteries like Cort Doce and Cort Maleston, to name a few. While attempting to discover the truth of what the pirates might be after, the legate visits great libraries and halls in each varied locale and conducts a romance of which he knows – but doesn’t care – his aunt will not approve. With enough wit and derring-do (and luck), the narrator might just make it through his mission alive… or will he?

What I thought: I’ve really enjoyed the author’s other novellas, and this is another which is well worth reading for its sly humor and solid plotting.


The Murders of Molly Southbourne, by Tade Thompson (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover photograph by RekhaGarton, design by Christine Foltzer

Synopsis: Since she was a small child, Molly has learned that when she sheds blood, Molly-clones magically appear and try to kill her. Her parents have ingrained into her a protective routine to prevent extra Mollys from occurring, and for defending herself and eliminating them when they do occur. But as she gets older, the occurrences become more frequent, and they start to threaten people Molly cares about, too.

What I thought: This isn’t really my sort of thing, but the author actually manages to present a somewhat plausible explanation of the situation at the end of the story which made it interesting reading. If you’re into horror, it might be your sort of thing. Trigger Warning for huge amounts of blood and violence.


Of Things Unknown, by Seanan McGuire [October Daye / April O’Leary] (no excerpt)

(included with the novel The Brightest Fell)

DAW Books, edited by Sheila Gilbert

cover art by Chris McGrath

Synopsis: April O’Leary, (rot13’ed for those who have not yet read the second novel in the October Daye series, A Local Habitation) n qelnq jub abj rkvfgf cheryl nf n ploreorvat va gur pbzchgre flfgrz bs gur snrevr Pbhagl bs Gnzrq Yvtugavat, vf fgvyy zbheavat gur qrngu bs ure “zbgure”, VG theh Wnahnel B’Yrnel, naq frireny bs gur pbhagl’f bgure orybirq erfvqragf ng gur unaqf bs na rivy vagreybcre. Ohg jvgu Gbol’f uryc, gurer vf n cbffvovyvgl gung n erfheerpgvba, bs ng yrnfg fbzr bs gur ivpgvzf, pna or npuvrirq.

What I thought: I enjoyed this novella, which is a follow-on to the second novel in the October Daye series, A Local Habitation, and is a nice expansion on the personality of a secondary character in it. However, it would not stand alone well, and is only recommended to those who have read that book or who have read a lot of the stories in the series.


Proof of Concept, by Gwyneth Jones (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover by Drive Communication

Synopsis: On a desperately overcrowded future Earth, crippled by climate change, the most unlikely hope is better than none. Governments turn to Big Science to provide them with the dreams that will keep the masses compliant. The Needle is one such dream, an installation where the most abstruse theoretical science is being tested: science that might make human travel to a habitable exoplanet distantly feasible. When the Needle’s director offers her underground compound as a training base, Kir is thrilled to be invited to join the team, even though she knows it’s only because her brain is host to a quantum artificial intelligence called Altair. But Altair knows something he can’t tell. Kir, like all humans, is programmed to ignore future dangers. Between the artificial blocks in his mind, and the blocks evolution has built into his host, how is he going to convince her the sky is falling?

What I thought: I enjoyed this story, but not as much as I wanted to. It probably warranted a second read to put all the pieces into place once the ending is known, but I didn’t feel compelled to take the time to do so. Readers who find the synopsis appealing will probably enjoy it.


River of Teeth, by Sarah Gailey [River of Teeth #1] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan. Contained within this volume is an 1890s America that might have been: a bayou overrun by feral hippos and mercenary hippo wranglers from around the globe. It is the story of Winslow Houndstooth and his crew. It is the story of their fortunes. It is the story of his revenge.

Filer Comments:

  • Bonnie McDaniel: This has been mentioned before, but I’ll second (or third) it – what’s not to love about an alternate history weird Western with hippopotami? Also, I believe Sarah Gailey is still eligible for the Campbell (2nd year).
  • Bruce Arthurs: enjoyed it a lot. I got the feeling that the plot structure was heavily influenced by television writing, rather than standard book plotting.
  • Mark-kitteh: River of Teeth was fun. Perhaps the concept was a bit better than the execution, but still worth a read.
  • Chris S.: pretty fun, good characters, great concept, extremely dodgy geography (naq abg rabhtu sreny uvccbf, frrzrq gb or n irel fznyy nern jurer gurl yvirq pbzcnerq gb jung gur znc fhttrfgf). I enjoyed it..

Taste of Marrow, by Sarah Gailey [River of Teeth #2] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: A few months ago, Winslow Houndstooth put together the damnedest crew of outlaws, assassins, cons, and saboteurs on either side of the Harriet for a history-changing caper. Together they conspired to blow the dam that choked the Mississippi and funnel the hordes of feral hippos contained within downriver, to finally give America back its greatest waterway. Songs are sung of their exploits, many with a haunting refrain: “And not a soul escaped alive.” In the aftermath of the Harriet catastrophe, that crew has scattered to the winds. Some hunt the missing lovers they refuse to believe have died. Others band together to protect a precious infant and a peaceful future. All of them struggle with who they’ve become after a long life of theft, murder, deception, and general disinterest in the strictures of the law.

What I thought: These are entertaining little Magnificent Sevenish stories, and the alternate history plotline of the hippos is interesting but rather peripheral to what are essentially standard tropey Westerns set in the Louisiana bayou. They’re readable, but I can’t rave about them.

Filer Comments:

  • Peer: I’m happy to report that I enjoy this more than the first part: It still has the cool setting and the great characters AND it gets going much faster. Im not sure the story is that much deeper or original, but it works better because there is no more need of introduction. Fun, nice read!
  • Mark-kitteh: The sequel to River of Teeth, picking the plot up shortly afterwards… if you liked the first one then pick this up, if you didn’t then I doubt this will improve your opinion. I do think it shows Gailey improving as a writer, as she weaves several storylines together with aplomb.

Snapshot, by Brandon Sanderson (excerpt)

Vault Books / Dragonsteel Entertainment, edited by Peter Orullian and Moshe Feder

cover art by Howard Lyon, design by Isaac Stewart

Synopsis: If you could re-create a day, what dark secrets would you uncover? Anthony Davis and his partner, Chaz, are the only real people in a city of 20 million, sent there by court order to find out what happened in the real world 10 days ago so that hidden evidence can be brought to light and located in the real city today. Within the re-created Snapshot of May 1, Davis and Chaz are the ultimate authorities. Flashing their badges will get them past any obstruction and overrule any civil right of the dupes around them. But the crimes the detectives are sent to investigate seem like drudgery – until they stumble upon the grisly results of a mass killing that the precinct headquarters orders them not to investigate. That’s one order they have to refuse. The hunt is on. And though the dupes in the replica city have no future once the Snapshot is turned off, that doesn’t mean that both Davis and Chaz will walk out of it alive tonight.

What I thought: This is another of what I have come to recognize as standard Sanderson storytelling. It’s a slick little plot along the same lines as Perfect State but better done; unfortunately, I didn’t find the surprise ending very surprising. Solid but not exceptional.


Standard Hollywood Depravity, by Adam Christopher [Ray Electromatic] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art and design by Will Staehle

Synopsis: The moment Raymond Electromatic set eyes on her, he knew she was the dame marked in his optics, the woman that his boss had warned him about. Honey. As the band shook the hair out of their British faces, stomping and strumming, the go-go dancer’s cage swung, and the events of that otherwise average night were set in motion. A shot, under the cover of darkness, a body bleeding out in a corner, and most of Los Angeles’ population of hired guns hulking, sour-faced over un-drunk whiskey sours at the bar. But as Ray tries to track down the package he was dispatched to the club to retrieve, his own programming might be working against him, sending him down a long hall and straight into a mobster’s paradise. Is Honey still the goal – or was she merely bait for a bigger catch? Just your standard bit of Hollywood depravity, as tracked by the memory tapes of a less-than-standard robot hitman.

What I thought: This is a little noir mystery story featuring an android whose programming gets reset after every mission. Enjoyable but not spectacular (but I haven’t read the other stories in the series, which might make a difference).


Other 2017 Novellas:


Bearly a Lady, by Cassandra Khaw (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Muna Abdirahman, design by Kenda Montgomery

Synopsis: Zelda McCartney (almost) has it all: a badass superhero name, an awesome vampire roommate, and her dream job at a glossy fashion magazine (plus the clothes to prove it). The only issue in Zelda’s almost-perfect life? The uncontrollable need to transform into a werebear once a month. Just when Zelda thinks things are finally turning around and she lands a hot date with Jake, her high school crush and alpha werewolf of Kensington, life gets complicated. Zelda receives an unusual work assignment from her fashionable boss: play bodyguard for devilishly charming fae nobleman Benedict (incidentally, her boss’s nephew) for two weeks. Will Zelda be able to resist his charms long enough to get together with Jake? And will she want to? Because true love might have been waiting around the corner the whole time in the form of Janine, Zelda’s long-time crush and colleague. What’s a werebear to do?

Filer Comments:

  • Mark-kitteh: This is not the grim and disturbing Cassandra Khaw you might be expecting. In fact, this is a romcom featuring a Were-bear trying to get on in the big city (London in this case, although it could be NY just as easily) with job, romance, and life. Were-bear in the City, if you will. Anyway… a romcom isn’t really in my wheelhouse but I still enjoyed this – there’s a nice mix of competing life pressures for the lead character to juggle in a slightly madcap way. I suspect that if the lead character speaks to you more strongly than she did to me then you’ll like this very much.

The Black Tides of Heaven, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What’s more, they saw the sickness at the heart of their mother’s Protectorate. A rebellion is growing. The Machinists discover new levers to move the world every day, while the Tensors fight to put them down and preserve the power of the state. Unwilling to continue as a pawn in their mother’s twisted schemes, Akeha leaves the Tensorate behind and falls in with the rebels. But every step Akeha takes towards the Machinists is a step away from Mokoya. Can Akeha find peace without shattering the bond they share with their twin?


The Red Threads of Fortune, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love. On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.


The Book Club, by Alan Baxter (excerpt)

PS Publishing, editor unknown

cover art by Ben Baldwin, design by Michael Smith

Synopsis: Jason Wilkes s life takes a turn for the worse when his wife fails to come home from her book club. Jason calls Kate s book buddy , Dave, who assures him she left hours ago. Contacting the police, Jason finds them equal parts sympathetic and suspicious. He tells them almost everything, except that he s been hearing Kate s voice, calling as if from far away. He certainly doesn t mention that he s seeing shadows that reach for him. With the police getting nowhere fast, Jason takes matters into his own hands, even as nightmare images and Kate s distant cries continue to haunt his waking moments and his dreams, and the strange, grasping shadows persist. Jason begins to unravel the mystery, but he s at odds with the police, he s being lied to by Kate s book club friends, and his chances of finding Kate slip ever further away. It seems that everything is going to go as wrong as it possibly can.


Buffalo Soldier, by Maurice Broaddus (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jon Foster, design by Christine Foltzer

Synopsis: Having stumbled onto a plot within his homeland of Jamaica, former espionage agent, Desmond Coke, finds himself caught between warring religious and political factions, all vying for control of a mysterious boy named Lij Tafari. Wanting the boy to have a chance to live a free life, Desmond assumes responsibility for him and they flee. But a dogged enemy agent remains ever on their heels, desperate to obtain the secrets held within Lij for her employer alone.

Assassins, intrigue, and steammen stand between Desmond and Lij as they search for a place to call home in a North America that could have been.


Case of the Bedevilled Poet: A Sherlock Holmes Enigma, by Simon Clark (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: After narrowly escaping a bomb blast during the blitz in WW-II London, poet Jack Crofton is threatened with death and worse by a mysterious soldier. Fleeing through the war-torn streets, he seeks sanctuary in a pub and falls into company with two elderly gentlemen who claim to be Holmes and Watson, the real life detectives that inspired Conan Doyle’s fictions. Unconvinced but desperate, Jack shares his story, and Holmes agrees to take his case…


Cottingley, by Alison Littlewood (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: In 1917 the world was rocked by claims that two young girls – Elsie Wright and Frances Griffiths – had photographed fairies in the sleepy village of Cottingley. In 2017, a century later, we finally discover the true nature of these fey creatures. Correspondence has come to light that contains a harrowing account, written by village resident Lawrence Fairclough, laying bare the fairies’ sinister malevolence and spiteful intent.


The Emperor and the Maula, by Robert Silverberg (no excerpt)

Subterranean Press, editor unknown

cover art by Jim Burns, designer unknown

Synopsis: This is the story of a woman telling a story in order to extend – and ultimately preserve – her life. The Scheherazade of this striking story is Laylah Walis, denizen of a far-future Earth which has been invaded and conquered by a starfaring race known as the Ansaarans. Laylah is a “maula,” a barbarian forbidden, under pain of death, to set foot on the sacred home worlds of the imperial conquerors. Knowing the risks, Laylah travels to Haraar, home of the galactic emperor himself. Once there, she delays her execution by telling the emperor a story – and telling it well. That story, the tale within a tale that dominates this book, is, in fact, Laylah’s own story. It is also the story of the beleaguered planet Earth, of people struggling, often futilely, to oppose their alien masters and restore their lost independence.


Final Girls, by Mira Grant (excerpt)

Subterranean Press, editor unknown

cover art by Julie Dillon, designer unknown

Synopsis: What if you could fix the worst parts of yourself by confronting your worst fears? Dr. Jennifer Webb has invented proprietary virtual reality technology that purports to heal psychological wounds by running clients through scenarios straight out of horror movies and nightmares. In a carefully controlled environment, with a medical cocktail running through their veins, sisters might develop a bond they’ve been missing their whole liveswhile running from the bogeyman through a simulated forest. But… can real change come so easily? Esther Hoffman doubts it. Esther has spent her entire journalism career debunking pseudoscience, after phony regression therapy ruined her father’s life. She’s determined to unearth the truth about Dr. Webb’s budding company. Dr. Webb’s willing to let her, of course, for reasons of her own. What better advertisement could she get than that of a convinced skeptic? But Esther’s not the only one curious about how this technology works. Enter real-world threats just as frightening as those created in the lab. Dr. Webb and Esther are at odds, but they may also be each other’s only hope of survival.

Filer Comments:

  • Lace: just finished [this], and I’m still unpacking some of my thoughts. There are aspects I found underdeveloped though not central, a central story with layers to its horror, and an ending and implications to think through. A scientist has immersive VR technology that’s being used to help people shed psychological trauma; a skeptical reporter comes to write a story about it. Matters develop from there. In general, I don’t like horror, and probably wouldn’t have read this without the combination of picking it up in a Humble Bundle, and generally enjoying Seanan McGuire. Probably worth a look and opinion from someone better suited to weighing it up.

The Girl Who Stole Herself, by R. Garcia y Robertson (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: A young woman escapes being kidnapped by human traffickers to embark on an interplanetary space adventure.


The Girls With Kaleidoscope Eyes, by Howard V. Hendrix (excerpt)

Analog Science Fiction May-Jun 2017, edited by Trevor Quachri

cover art by NASA

Synopsis: A government agent must investigate and discover the truth in a case of an aborted bombing attack on a classroom full of girls.


Gwendy’s Button Box, by Richard Chizmar and Stephen King [Castle Rock] (excerpt)

Cemetary Dance, editor unknown

cover art by Ben Baldwin and illustrations by Keith Minnion, designer unknown

Synopsis: There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974, twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong – if time-rusted – iron bolts and zig-zag up the precarious cliffside. Then one day when Gwendy gets to the top of Castle View, after catching her breath and hearing the shouts of kids on the playground below, a stranger calls to her. There on a bench in the shade sits a man in black jeans, a black coat, and a white shirt unbuttoned at the top. On his head is a small, neat black hat. The time will come when Gwendy has nightmares about that hat… The little town of Castle Rock, Maine has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told – until now.


Heaven’s Covenant, by Bud Sparhawk (no excerpt)

Analog Science Fiction Sep-Oct 2017, edited by Trevor Quachri

cover art by Eldar Zakirov

Synopsis: In the run-up to a space colony mission, the expedition’s leader must unravel the threads of conspiracy and political intrigue which threaten it.


Homecoming, by Rachel Pollack [Jack Shade] (no excerpt)

Fantasy and Science Fiction Jan-Feb 2017, edited by C.C. Finlay

cover art by Charles Vess

Synopsis: A paranormal private investigator is hired by a woman to find her missing soul.


How Sere Picked Up Her Laundry, by Alexander Jablokov (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An investigator is hired to learn the cause of a mysterious death in a planetary colony.


Ironclads, by Adrian Tchaikovsky (excerpt)

Solaris, edited by Jonathan Oliver

cover art by Maz Smith, designer unknown

Synopsis: Scions have no limits. Scions do not die. And Scions do not disappear. Sergeant Ted Regan has a problem. A son of one of the great corporate families, a Scion, has gone missing at the front. He should have been protected by his Ironclad – the lethal battle suits that make the Scions masters of war – but something has gone catastrophically wrong.

Now Regan and his men, ill equipped and demoralized, must go behind enemy lines, find the missing Scion, and uncover how his suit failed. Is there a new Ironclad-killer out there? And how are common soldiers lacking the protection afforded the rich supposed to survive the battlefield of tomorrow?

Filer Comments:

  • Lace: A group of soldiers/grunts in a near-future war is sent to rescue a wealthy soldier, whose supersuit has inexplicably failed behind enemy lines. Some fun geopolitics, maybe a bit stretched but not cookie-cutter, and an asymmetric war with some eerie opposition. “Bugs” aren’t front and center in this one, but they have an enjoyable role.

Infernal Parade, by Clive Barker (no excerpt)

Subterranean Press, edited by Editor

cover art by and interior illustrations by Bob Eggleton, designer unknown

Synopsis: Convicted criminal Tom Requiem returns from the brink of death to restore both fear and a touch of awe to a complacent world. Tom becomes the leader of the eponymous “parade,” which ranges from the familiar precincts of North Dakota to the mythical city of Karantica. Golems, vengeful humans both living and dead, and assorted impossible creatures parade across these pages. The result is a series of highly compressed, interrelated narratives that are memorable, disturbing, and impossible to set aside.


The Keeper of the Dawn, by Dianna Gunn (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Reiko Murakami, design by unknown

Synopsis: All Lai has ever wanted is to become a priestess, like her mother and grandmother before her, in service to their beloved goddess. That’s before the unthinkable happens, and Lai fails the trials she has trained for her entire life. She makes the only choice she believes she can: she runs away. From her isolated desert homeland, Lai rides north to the colder, stranger kingdom of Alanum – a land where magic, and female warriors, are not commonplace. Here, she hears tales about a mountain city of women guardians and steel forgers, worshiping goddesses who sound very similar to Lai’s own. Determined to learn more about these women, these Keepers of the Dawn, Lai travels onward to find their temple. She is determined to make up for her past failure, and will do whatever it takes to join their sacred order. Falling in love with another initiate was not part of the plan.


The Little Gift, by Stephen Volk (excerpt)

PS Publishing, editor unknown

cover art by Pedro Marques, designer unknown

Synopsis: I was Group Manager at forty-six with a Range Rover Evoque, a beautiful wife and two gorgeous, healthy children, and that was all I wanted. Or so I thought…This is the story of a man who takes a path to become the person he always wanted to be, but never believed he was. Fate takes a hand, a very special person enters his life and changes everything. Emboldened by an irrational passion he risks everything he thought he loved and valued – but the price is worth paying for happiness… Isn’t it?


The Man Who Put the Bomp, by Richard Chwedyk [Saur #5] (no excerpt)

Fantasy and Science Fiction Mar-Apr 2017, edited by C.C. Finlay

cover art by Bryn Barnard

Synopsis: Once they were an in-demand toy craze, but now genetically-engineered, sentient tiny dinosaurs which have escaped or been discarded live together in a community, where various plots, mysteries, and agendas intersect.


Mandelbrot the Magnificent, by Liz Ziemska (excerpt)

Tor.com Publishing, edited by Ann VanderMeer

cover art and design by Will Staehle

Synopsis: Born in the Warsaw ghetto and growing up in France during the rise of Hitler, Benoit Mandelbrot found escape from the cruelties of the world around him through mathematics. Logic sometimes makes monsters, and Mandelbrot began hunting monsters at an early age. Drawn into the infinite promulgations of formulae, he sinks into secret dimensions and unknown wonders. His gifts do not make his life easier, however. As the Nazis give up the pretense of puppet government in Vichy France, the jealousy of Mandelbrot’s classmates leads to denunciation and disaster. The young mathematician must save his family with the secret spaces he’s discovered, or his genius will destroy them.


Mapping the Interior, by Stephen Graham Jones (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover art by Greg Ruth, design by Christine Foltzer

Synopsis: Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you’d rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them… at terrible cost.


Native Seeds, by Catherine Wells (no excerpt)

Analog Science Fiction Nov-Dec 2017, edited by Trevor Quachri

cover art by Marianne Plumridge Eggleton

Synopsis: On a post-apocalyptic earth, two groups of survivors must find a way to work together to ensure the genetic diversity of threatened species.


Never Now Always, by Desirina Boskovich (excerpt)

Broken Eye Books, edited by Scott Gable, C. Dombrowski, and Matt Youngmark

cover art and design by Jeremy Zerfoss

Synopsis: A dark future finds humanity imprisoned. Invaders took away our story and rewrote everything: all minds, all lives, all history. Everyone forgot. How could this happen? But in this now, Lolo must reclaim her stolen words – her stolen family – from the silent Caretakers. She must call out to all rapt children, “This world is hell. Let’s run.” When the words needed are forgotten, lying unknown, when memories flit like smoke, how can she recover what is lost? She must. To live in this nightmare without a story would be too much to bear.


Nexus, by Michael F. Flynn (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: The life of a time traveler obsessed with fixing the history he destroyed with his mistake intersects with that of several other humans, aliens and androids, all of whom have their own urgent agendas.


Not Far Enough, by Martin L. Shoemaker (no excerpt)

Analog Science Fiction Jul-Aug 2017, edited by Trevor Quachri

cover art by Rado Javor

Synopsis: The surviving members of disastrous Mars exploration mission must battle a rogue AI to get what they need to stay alive.


Plaisir d’Amour, by John Alfred Taylor (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: A sociologist visits a low-gravity mining colony to study its genetically-engineered inhabitants, and falls in love with one of them despite the fact that there is no possibility for them of having a future together.


A Portrait of the Desert in Personages of Power, by Rose Lemberg [Birdverse] (full text)

Beneath Ceaseless Skies #229 July 2017, editor unknown

Synopsis: The Old Royal, a magical bigender being who has reigned for millenia, is threatened by the arrival of a young stranger.

Filer Comments:


The Process (Is a Process All Its Own), by Peter Straub (excerpt)

Subterranean Press, editor unknown

cover art and design by Michael Fusco Straub

Synopsis: This is the story of a 1950s Jack The Ripper, told from the killer’s perspective, with occasional glimpses into the perspectives of his victims.


The Proving Ground, by Alec Nevala-Lee (excerpt)

Analog Science Fiction Jan-Feb 2017, edited by Trevor Quachri

cover art by Kurt Huggins

Synopsis: In a near-future where rising sea-levels threaten existing cities, a woman hopes that an island will provide a safe haven for her community. But the birds are behaving very strangely, to the point of becoming threatening the future existence of the colony, and she needs to find out what’s causing their destructive behavior.


Reenu-You, by Michele Tracy Berger (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Emma Glaze, designer unknown

Synopsis: New York City, August 1998. On a muggy summer day, five women wake up to discover purple scab-like lesions on their faces – a rash that pulses, oozes, and spreads in spiral patterns. City clinic doctors dismiss the women’s fears as common dermatitis, a regular skin rash. But as more women show up with the symptoms, one clear correlation emerges: an all-natural, first-of-its-kind hair relaxer called Reenu-You. As the outbreak spreads, and cases of new rashes pop up in black and latino communities throughout New York, panic and anger also grows. When the malady begins to kill, medical providers and the corporation behind the so-called hair tonic face charges of conspiracy and coercion from outraged minority communities and leaders across the country. At the heart of the epidemic are these five original women; each from different walks of life. As the world crumbles around them, they will discover more about each other, about themselves, and draw strength to face the future together.

Filer Comments:

  • Arifel: Reenu-you by Michele Tracy Berger… [is] great.

Renegat, by Orson Scott Card [Ender’s Universe] (full text)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This Ender’s Universe story, a follow-on from Children of the Fleet, is told from Dabeet Ochoa’s point of view as he, Speaker for the Dead Ender, and Valentine try to solve a murder mystery on the planet Catalunya.


River’s Edge by James P. Blaylock [Langdon St. Ives] (no excerpt)

Subterranean Press, editor unknown

cover art by J.K. Potter, designer unknown

Synopsis: The body of a girl washes up on a mud bank along the edge of the River Medway amid a litter of poisoned fish and sea birds, casting an accusing shadow upon the deadly secrets of the Majestic Paper Mill and its wealthy owners. Simple answers to the mystery begin to suggest insidious secrets, and very quickly Langdon St. Ives and his wife Alice are drawn into a web of conspiracies involving murder, a suspicious suicide, and ritual sacrifice at a lonely and ancient cluster of standing stones. Abruptly St. Ives’s life is complicated beyond the edge of human reason, and he finds himself battling to save Alice’s life and the ruination of his friends, each step forward leading him further into the entanglement, a dark labyrinth from which there is no apparent exit.


Rupert Wong and the Ends of the Earth, by Cassandra Khaw [Gods and Monsters: Rupert Wong #2] (excerpt)

Abaddon Books, edited by David Moore

cover art by Sam Gretton, design by Sam Gretton and Oz Osborne

Synopsis: For a man who started a celestial war, Rupert Wong, Seneschal of Kuala Lumpur and indentured cannibal chef, isn’t doing too badly for himself. Sure, his flesh-eating bosses inexplicably have him on loan to the Greek pantheon, the very gods he thrust into interethnic conflict. Sure, the Chinese Hells have him under investigation for possible involvement in the fracas. And sure as hell, he’s already elbow-deep in debt with the Sisyphean gambling ring. But Rupert is alive. For now. Really, it could be slightly worse.


Snowspelled, by Stephanie Burgis [The Harwood Spellbook #1] (excerpt)

Five Fathoms Press, editor unknown

cover art by Leesha Hannigan, design by Patrick Samphire

Synopsis: Four months ago, Cassandra Harwood was the first woman magician in Angland, and she was betrothed to the brilliant, intense love of her life. Now Cassandra is trapped in a snowbound house party deep in the elven dales, surrounded by bickering gentleman magicians, manipulative lady politicians, her own interfering family members, and, worst of all, her infuriatingly stubborn ex-fiancé, who refuses to understand that she’s given him up for his own good. But the greatest danger of all lies outside the manor in the falling snow, where a powerful and malevolent elf-lord lurks…and Cassandra lost all of her own magic four months ago. To save herself, Cassandra will have to discover exactly what inner powers she still possesses – and risk everything to win a new kind of happiness.

Filer Comments:

  • Lace: First-in-series in a Regency-esque England where the humans are at truce with the elves, and women handle the politicking while men do the magic. For me, it almost felt like its own prequel – a lot of fun world-building setting up future installments, but not too much happens. I’ll probably be back to see where Burgis goes from here. If you enjoy Kowal’s Glamourist Histories or Cho’s Sorcerer to the Crown, or Burgis’s other work, you should take a look.

A Song for Quiet, by Cassandra Khaw [Persons Non Grata #2] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Jeffrey Alan Love, design by Christine Foltzer

Synopsis: Deacon James is a rambling bluesman straight from Georgia, a black man with troubles that he can’t escape, and music that won’t let him go. On a train to Arkham, he meets trouble – visions of nightmares, gaping mouths and grasping tendrils, and a madman who calls himself John Persons. According to the stranger, Deacon is carrying a seed in his head, a thing that will destroy the world if he lets it hatch. The mad ravings chase Deacon to his next gig. His saxophone doesn’t call up his audience from their seats, it calls up monstrosities from across dimensions. As Deacon flees, chased by horrors and cultists, he stumbles upon a runaway girl, who is trying to escape the destiny awaiting her. Like Deacon, she carries something deep inside her, something twisted and dangerous. Together, they seek to leave Arkham, only to find the Thousand Young lurking in the woods. The song in Deacon’s head is growing stronger, and soon he won’t be able to ignore it any more.


The Speed of Belief, by Robert Reed [The Great Ship Universe] (no excerpt)

Asimov’s Science Fiction Jan-Feb 2017, edited by Sheila Williams

cover art by Maurizio Manzieri

Synopsis: Travelers on a journey to negotiate with a new alien race for new resources must try to salvage their mission when everything goes horribly awry.


The Squirrel on the Train, by Kevin Hearne [Iron Druid / Oberon’s Meaty Mysteries #2] (no excerpt)

Subterranean Press, editor unknown

cover art by Galen Dara, designer unknown

Synopsis: Oberon the Irish wolfhound is off to Portland to smell all the things with canine companions wolfhound Orlaith and Boston terrier Starbuck, and, of course, his human, ancient Druid Atticus O’Sullivan. The first complication is an unmistakable sign of sinister agendas afoot: a squirrel atop the train. But an even more ominous situation is in store when the trio plus Atticus stumble across a murder upon arrival at the station. They recognize Detective Gabriela Ibarra, who’s there to investigate. But they also recognize the body – or rather that the body is a doppelganger for Atticus himself. The police, hampered by human senses of smell and a decided lack of canine intuition, obviously can’t handle this alone. Not with Atticus likely in danger. Oberon knows it’s time to investigate once more – for justice! For gravy! And possibly greasy tacos!


Stillborne, by Marc Laidlaw [Gorlen Vizenfirth] (excerpt)

Fantasy and Science Fiction Nov-Dec 2017, edited by C.C. Finlay

cover art by Kent Bash

Synopsis: The bard Gorlen Vizenfirthe has been cursed — his hand replaced with the stone paw of a gargoyle named Spar, who is reciprocally afflicted. Together, the two of them search for a cure to their problem and frequently end up in fresh varieties of trouble. In this story, which is perhaps the series finale, Gorlen and Spar travel to join the swarm of the Philosopher Moths: giant insects with telepathic powers, who may be able to finally give them a cure for their curse.


The Strange Bird by Jeff VanderMeer [Borne] (excerpt)

MCD/FSG, edited by Sean McDonald

cover design by Abby Kagan

Synopsis: The Strange Bird is a new kind of creature – she is part bird, part human, part many other things. But now the lab in which she was created is under siege and the scientists have turned on their animal creations. But, even if she escapes, she cannot just soar in peace above the earth. The farther she flies, the deeper she finds herself in the orbit of the Company, a collapsed biotech firm that has populated the world with experiments both failed and successful: a pack of networked foxes, a giant predatory bear. But of the many creatures she encounters, it is the humans – all of them now simply scrambling to survive – who are the most insidious, who still see her as simply something to possess, to capture, to trade, to exploit. Never to understand, never to welcome home.


Strange Dogs, by James S. A. Corey [The Expanse] (excerpt)

Orbit Books, edited by Will Hinton

cover art and design by Kirk Benshoff

Synopsis: Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach. But soon the soldiers followed – and under this new order, Cara makes a discovery that will change everything.


Sunwake, in the Lands of Teeth, by Juliette Wade (full text)

Clarkesworld #127 June 2017, edited by Neil Clarke

cover art by Eddie Mendoza

Synopsis: A member of an alien race which resembles dogs, who has made friends with human visitors, must undertake a dangerous rescue mission to bring back his human friend in time for a meeting with his ruler.


Tao Zero, by Damien Broderick (no excerpt)

Asimov’s Science Fiction Mar-Apr 2017, edited by Sheila Williams

cover art by Tomislav Tikulin

Synopsis: The children of two families immersed in different aspects of the Tao philosophy must come together to save the world.


Taste of Ashes, by Charles E. Gannon [Tales of the Terran Republic / Caine Riordan] (no excerpt)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This story is set in the author’s Caine Riordan universe; it appears to be an excerpt of the first book in the series, Fire with Fire, about humans’ first encounter with several more advanced races of aliens who have formed an interstellar alliance.


Temporary Duty Assignment, by A.E. Ash (prequel Nice) (no excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Reiko Murakami, design by Kenda Montgomery

Synopsis: Samantha Gao is an elite Metro soldier, dedicated to the job and to her team. But following a devastating mission, Sam is handed a new temporary duty assignment. On paper, she’s supposed to babysit a Metro tech-inspector during a routine evaluation of Greenerhouse seed colony’s corporate sponsor. Sam expects to be on duty at all times, ready for whatever comes. But what she didn’t expect was to see him – Caleb – again. Caleb Estes is an engineer at Greenerhouse and cannot believe his luck when his first love, Samantha Gao, walks into his lab – and back into his life. It’s enough to make him believe in second chances after all. But Sam and Caleb’s reconciliation will have to wait when the routine bodyguard job goes sideways, and the future of the seed colony itself is at stake…


There Was a Crooked Man, He Flipped a Crooked House, by David Erik Nelson (no excerpt)

Fantasy and Science Fiction Jul-Aug 2017, edited by C.C. Finlay

cover art by Nicholas Grunas

Synopsis: The employee of a professional house renovator/flipper is sent to evaluate a gorgeous old mansion as a possible new project, but the house turns out to be an extra-dimensional horror.


The Twilight Pariah, by Jeffrey Ford (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover photograph by Roy Bishop, design by Christine Foltzer

Synopsis: All Maggie, Russell, and Henry wanted out of their last college vacation was to get drunk and play archaeologist in an old house in the woods outside of town. When they excavate the mansion’s outhouse they find way more than they bargained for: a sealed bottle filled with a red liquid, along with the bizarre skeleton of a horned child. Disturbing the skeleton throws each of their lives into a living hell. They feel followed wherever they go, their homes are ransacked by unknown intruders, and people they care about are brutally, horribly dismembered. The three friends awakened something, a creature that will stop at nothing to retrieve its child.


Published through Tor.com’s Novella line, but NOT novellas

  • The Fortress at the End of Time, by Joe M. McDermott
  • Switchback, by Melissa F. Olson
  • A Red Peace, by Spencer Ellsworth [Starfire #1]
  • Shadow Sun Seven, by Spencer Ellsworth [Starfire #2]

Pixel Scroll 11/19/17 And That’s What Pixelmas Is All About, Charlie Scroll

(1) BY WAY OF MELBOURNE. Playbill says King Kong will open on Broadway next year. (Just keep those biplanes grounded!) “King Kong Sets Broadway Opening Night; Tickets Now on Sale”. This musical premiered in Melbourne in 2013 and was originally supposed to come to Broadway when Spiderman folded in 2014. But it didn’t.

The anticipated stage musical adaptation of King Kong—written by Jack Thorne with a score by Marius de Vries and songs by Eddie Perfect—will officially open November 8, 2018, at the Broadway Theatre. Previews are set to begin October 5.

The production, which features a one-ton, six-meter-tall silverback gorilla puppet as its star, arrives on Broadway following a 2013 Melbourne world premiere.

An all-new creative team has been assembled to bring King Kong to Broadway, including Olivier Award-winning book writer Thorne (Harry Potter and the Cursed Child, Let the Right One In), Olivier Award-winning director-choreographer Drew McOnie (Strictly Ballroom, In the Heights), and Australian songwriter Perfect, who is also adapting Beetlejuice for Broadway. Perfect joins the show’s original composer and arranger de Vries (Moulin Rouge, Romeo + Juliet).

(2) TWO FINS UP. Craig Miller comments on a screening of The Shape of Water.

The film was pretty great. It’s set in the early 1960s but it has a sort of timeless quality about it. Set at some sort of secret, military-run laboratory, it’s about a lonely, mute cleaning woman (Hawkins) who works there and what happens when a new “asset” is brought in for investigation and experimentation. Her performance, and that of Doug Jones, are remarkable. More so in that neither character is capable of speaking but you understand them both perfectly.

(3) MINORITY REPORT. The National Review’s Armond White says “Justice League Is the Epic We Deserve” – and means it in a good sense.

Zack Snyder’s audacity in creating a comic-book movie renaissance (which began with the complex, ambitious Watchmen) has inspired philistine resentment from reviewers and fanboys who don’t want cinema. They’ve been desensitized to the form’s vitality and richness. (Like civics, art is no longer being taught in schools.) The schoolyard game of lambasting Snyder’s magnificent Man of Steel and the even more intricate Batman v Superman: Dawn of Justice almost directly parallels the unsubtle breakdown of our political process. And this year’s post-election delusional praise for the utterly mediocre Wonder Woman is a symptom of our current political paralysis. By coordinating DC Comics’ superhero characters into the fight against Steppenwolf, Snyder attempts to extend his saga from Dawn of Justice. Studio interference (Warner Bros. envy of the lucrative Marvel franchise) and personal tragedy have prevented Snyder from completing his vision on a scale commensurate with the ever-astonishing Watchmen. But as Aquaman (Jason Momoa), The Flash (Ezra Miller), Cyborg (Ray Fisher), and Wonder Woman (Gal Gadot) join Batman (Ben Affleck) in the most-intense-yet fight for human life, what remains of Snyder’s handiwork — after the studio imposed The Avengers dullard Joss Whedon on the final product — is still a triumph.

(4) COCO. The Washington Post’s Michael Cavna talks to the stars and producers of COCO and looks at how Pixar is coming out with a Mexican-themed film for the first time: “‘Coco’ forced Pixar to dive deep into a real-world culture — and add some diversity”.

PIXAR STUDIOS, for all its renown for creating highly detailed worlds, has rarely had to worry too much about cultural authenticity. Even after all their fabled research for movies such as “Brave” and “Ratatouille,” the filmmakers have been free to use their imaginations, without real fear of offending toymakers, automakers or entomologists.

The Bay Area studio knew, however, that centering “Coco,” which opens Nov. 22, on Mexico’s Day of the Dead holiday would enter an entirely different realm, because it would include not only depictions of traditions, but also a significant increase in casting diversity.

(5) THE SCIENTISTS IN SF. Tor.com nominates “Our Favorite Fictionalized Scientists, Mathematicians, and Inventors in SFF”.

Benoit Mandelbrot (Mandelbrot the Magnificent)

Where the rest of us see fractals spinning off into infinity, Benoit Mandelbrot saw minute pockets into parallel universes. Liz Ziemska’s magical pseudo-biography reimagines the mathematician’s childhood during Hitler’s rise to power: in an era where people like Mandelbrot’s family were fleeing their homes to escape the growing evil, young Benoit discovers secret dimensions in which to hide, all unlocked by math. Talk of Kepler’s ellipses transports Benoit; archetypal math problems about approaching infinity provide him with glimpses into mirror worlds in which he can hunt monsters. But as the monsters in his world abandon all pretense of peace, Mandelbrot must harness his gifts to hide his family, or else he’ll have sealed their fates. It’s a lovely example of using fantasy as a way to gild the edges of inspiring true stories, linking math with magic for non-mathematicians. —Natalie

(6) GRAPHIC NOVEL ROUNDUP. In another piece, Michael Cavna gives his picks for “The 10 best graphic novels of 2017”.

My Favorite Thing Is Monsters

By Emil Ferris (Fantagraphics)

This debut graphic novel from a 55-year-old Chicago artist is a revelation: a deeply textured tale of dark histories framed as a girl’s diary and told through riveting art that is an homage to midcentury horror comics and film. A dark-horse winner that came out of nowhere.

(7) NIGEL’S NEXT. Nigel Quinlan did a cover reveal of his new book, The Cloak of Feathers, an MG fantasy coming in the UK and Ireland from Hachette Children’s in January 2018.

It’s about an awful summer festival held every year in a small village in Ireland. Once every hundred years the Fair Folk visit, and it becomes a Great Festival, full of magic and wonder. Except everything has gone horribly wrong. The lake is polluted, there’s a ghost estate built on the shore, and their beloved Princess has vanished. Our heroes, the reluctant members of the Junior Knockmealldown Festival Committee (Cow-Fetching Sub-Group) must perform four Feats to win the Cloak of Feathers and rescue the Princess before the whole village is punished.

(8) SUPER SJW CREDENTIALS. Quirk Books makes its selection of the “10 Best Cats in Comics”.

Chewie – Captain Marvel

Supergirl and Power Girl are not the only big name superheroes to have pet cats. Captain Marvel has her own feline companion, Chewie. Initially, Carol believed that Chewie was just a normal cat that could keep her company on her adventures, but when she met Rocket Raccoon, he claimed that Chewie was, in fact, a Flerken. Captain Marvel refused to believe that her furry friend was secretly a tentacle-mouthed, egg-laying alien with pocket dimensions in her body…but when Chewie laid 117 eggs on board the ship, she was forced to admit it was true. Although the 117 Flerken kittens were left at a rescue, Chewie herself teleported back on board the ship, and Carol decided to keep her, Flerken or not.

(9) REBOUND. The Traveler pilloried the November 1962 issue of F&SF in a post at Galactic Journey. What a difference a month (and 55 years) makes! — “[November 19, 1962] Reverse Course (December 1962 Fantasy and Science Fiction)”.

I’ve complained bitterly in this column on the meanderings of my favorite science fiction magazines.  Galaxy has gotten too tame.  Analog has gotten too staid.  F&SF has gotten too literary.  In fact, just last month, I was lamenting the streak of purple fluffiness that had corrupted that last mag.  Story after story of unreadable droll nothings, or at best, fantastic horrors without any hard sf.

The December 1962 issue did not promise to be any better.  It has the same line-up of authors, the same subject matter of stories.  There are even 11000…er.. 24 pages devoted to the concept of binary numbers.  Has F&SF lost its mind?!

So imagine my surprise to find that I actually enjoyed this month’s issue, entirely due to the well-written nature of its material.  These are not the kind of stories I prefer, but this experience just goes to show that high quality trumps subject matter.  See if you agree…

(10) ANDY WEIR. The Arthur C. Clarke Center for the Human Imagination has an extra installment of its Into the Imagination podcast: “Bonus: Andy Weir (author of The Martian and Artemis)”.

We have a mid-month bonus episode with Andy Weir, author of the novel The Martian, so memorably adapted in the film starring Matt Damon, and the new book Artemis, which launches today! We talk about lunar colonization, his approach to world- and character-building, and what he would do if he was in charge of the future of space exploration. Andy will be speaking at the Clarke Center on December 7th.

To listen to the podcast, click here.

(11) BEST AND THE REST OF AUGUST. Rich Horton reviews short fiction at Locus Online, covering Lightspeed 8/17, 9/17, Tor.com 8/17, Apex 7/17, Interzone 7-8/17, and McSweeney’s #49.

There’s a good set of stories in the August Lightspeed. Ashok Banker‘s “Tongue” is an uncomfortable and rather over-the-top satire on the horrors of a traditional Indian mar­riage, set on an asteroid. The over-the-top elements are part and parcel of satire, though I also thought the portrayal of Indian culture seemed a wincing cliché, as did the corporate menace target; still, it shocks and scares.

(12) ANALOG (NOT THE MAGAZINE). An op-ed writer for the New York Times claims “Our Love Affair With Digital Is Over”.

This surprising reversal of fortune for these apparently “obsolete” analog technologies is too often written off as nostalgia for a predigital time. But younger consumers who never owned a turntable and have few memories of life before the internet drive most of the current interest in analog, and often include those who work in Silicon Valley’s most powerful companies.

Analog, although more cumbersome and costly than its digital equivalents, provides a richness of experience that is unparalleled with anything delivered through a screen. People are buying books because a book engages nearly all of their senses, from the smell of the paper and glue to the sight of the cover design and weight of the pages read, the sound of those sheets turning, and even the subtle taste of the ink on your fingertips. A book can be bought and sold, given and received, and displayed on a shelf for anyone to see. It can start conversations and cultivate romances.

The limits of analog, which were once seen as a disadvantage, are increasingly one of the benefits people are turning to as a counterweight to the easy manipulation of digital. Though a page of paper is limited by its physical size and the permanence of the ink that marks it, there is a powerful efficiency in that simplicity. The person holding the pen above that notebook page is free to write, doodle or scribble her idea however she wishes between those borders, without the restrictions or distractions imposed by software.

(13) VERDICT ON NEW TURTLEDOVE. The Hugo Award Book Club contends The Hot War is Turtledove at his best”.

Of particular interest in this alternate history is the tragic — and believable — story of Harry Truman. Turtledove’s research into historical figures is always impeccable, and many of Truman’s decisions in these novels are based on courses of action that he considered in real life. Turtledove paints a portrait of an alternate failed presidency that hinges on one bad decision after another.

The consequences of Truman’s mistakes keep compounding. The way in which this weighs on him in the novels is effectively conveyed, and this may be one of the best character arcs Turtledove has ever written. Turtledove seems to be arguing that even a well-intentioned president might invite calamity through brinksmanship.

This cast may be one of the most memorable groups that Turtledove has written since Worldwar: In The Balance back in the 1990s. However, it’s still clear that Turtledove has difficulty writing characters from outside his cultural background — none of the important Korean or Chinese characters are given point-of-view sections.

(14) BE OUR GUEST. Her Universe is ready to fill your need to own the “Star Wars BB-8 Tea Set”.

Being stranded on Jakku might be a downer, but it’s no excuse to avoid quality tea time. This BB-8 themed teapot and cup set from Star Wars is happy to roll up with a hot beverage. Set includes a 650 ml teapot & lid with two 220 ml cups and two 5 1/2″ saucers.

(15) MILLENNIUM PLUS FORTY. Entertainment Weekly was there: “Luke comes home: Mark Hamill’s heartbreaking return to the Millennium Falcon in The Last Jedi”.

Luke Skywalker quietly walks aboard the Millennium Falcon, alone. His old friends are gone. His old life is gone. He is ghostlike himself.

The old Luke Skywalker is gone, too.

That’s a scene from the latest trailer for The Last Jedi (see it here), but in real life, visiting the set of the old Corellian freighter was a similarly haunting experience for Mark Hamill.

“I’m telling you, I didn’t expect to have the reaction I had,” the 66-year-old actor tells EW. “I was there with my family, with [my children] Nathan and Griffin and Chelsea and my wife Marilou, and [Lucasfilm] asked if the documentary crew could be there when I came back on the Millennium Falcon. I mean, this was not on the shooting day. I was just street clothes and going to visit that set. And I said, ‘Sure.’”

(16) BLABBING ABOUT CAMEOS. The Hollywood Reporter learned “Princes Harry and William Play Stormtroopers in New ‘Star Wars’ Film”.

The royals — along with Tom Hardy and singer Gary Barlow — were rumored to make an appearance in Stormtrooper outfits in the film releasing Dec. 15.

In August, Star Wars: The Last Jedi star John Boyega spilled the beans that not only did Prince William and Prince Harry film scenes when they visited Pinewood Studios in April 2016, but Tom Hardy also was milling around the set at the same time. By then, Take That singer Gary Barlow had already revealed that he had shot a scene in March.

(17) KEEPING A FINGER IN THE PIE. According to SyFy Wire, “Steven Moffat and Russell T Davies to write new Doctor Who adaptations”.

Steven Moffat may be leaving his gig as Doctor Who showrunner following this year’s upcoming Christmas special titled “Twice Upon a Time” to make way for Chris Chibnall (Broadchurch), but it looks like he isn’t done with the Whoniverse-at-large just yet.

According to Radio Times, Moffat will team up with former showrunner Russell T Davies and novelist Jenny T. Colgan for a series of Doctor Who novels that will adapt several episodes from the Davies and Moffat eras of the BBC series.

Published by BBC Books and Penguin Randomhouse, the new “Target Collection” is based on the old Target novelizations that strived to adapt classic Doctor Who episodes from the 1970s to the 1990s, with the episodes’ original scriptwriters penning the adaptations whenever possible from the original scripts.

(18) SOME TIME LATER. I will never be the same now that I have seen this tweet.

Here’s the link to his post.

(19) MIGHTY MUMBLING. How It Should Have Ended does a comedy overdub of Batman v Superman and Dawn of Justice. It’s a toss-up whether these animated mouths remind me more of Clutch Cargo or Wallace and Gromit.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 7/26/17 Fifth File At Scrollory Towers

(1) CAPTAIN’S LOG. Actor John Barrowman had his appendix out the other day.

(2) MARCH. After a Saturday panel about the March comics, fans followed the history-making co-author in a re-enactment: io9 has the story — “Rep. John Lewis Leads March for Civil Rights Through Comic-Con”.

Congressman John Lewis (D-Ga.) was at San Diego Comic-Con on Saturday discussing his award-winning graphic novel, March, which resulted in a real march for civil rights awareness.

After Lewis’ panel ended, he led a group of over 1,000 people through the San Diego Convention Center, with some shouting “No justice, no peace” as they marched past cosplayers and attendees. According to the Associated Press, Lewis made sure to stop and shake hands with people who recognized him as he passed.

(3) HELSINKI DINING TIPS. Worldcon 75 has posted its Restaurant Guide [PDF file].

Helsinki is currently undergoing a “fun dining” wave. It seems not a day goes by without a new street food restaurant being opened on one corner or another, from Mexican burrito shops to a boom of high-quality burger joints. At the same time, many Helsinki restaurateurs are opening casual fine dining restaurants, where the food is top-notch but the atmosphere is laid-back. Helsinki also has many restaurants with long histories and traditions…

(4) 2017 NASFiC REPORT. Evelyn Leeper’s NorthAmeriCon ’17 / NASFIC 2017 con report is online at Fanac.org.

This is a convention report for NorthAmeriCon ’17 (NASFIC 2017, and henceforth referred to as just NASFIC), held in San Juan, Puerto Rico, July 6-9, 2017, with a little bit of sightseeing thrown in (because a separate report would not be worthwhile).

It is with some trepidation I start this report. We had never attended a NASFIC before. For a long time we always went to Worldcon, and for the recent years where we skipped the overseas Worldcon, the NASFIC seemed like a misguided attempt to be a substitute. But a NASFIC in Puerto Rico was very appealing for a couple of reasons: I am half Puerto Rican, and we could take a tour of the Arecibo Telescope. And of course, I figured it was a chance to connect with authors and old friends and all that….

(5) THE GOOD, THE WEIRD, AND THE SCROLLY: Over at Featured Futures, Jason comments on the month in webzine fiction with a list of links to remarkable tales — “Summation of Online Fiction: July 2017”.

Aside from a two-part novella from Beneath Ceaseless Skies (which was just a flash away from counting as a novel), July was a relatively light month in the webzine world. The number of noteworthy stories is also light, but Clarkesworld continued its resurgence with a July issue that was probably even better overall than the June (though each had a standout story), Ellen Datlow picked another for Tor.com, and some other zines also contributed particularly good work.

(6) HITTING THE TARGET. Having seen some make the wrong choice, Sarah A. Hoyt advises indie authors to find “The Right Slot” – to be sure they’re marketing their work in its proper genre. In her latest column for Mad Genius Club she takes a cut at defining several genres, beginning with fantasy.

The SUBJECT determines genre.  A non exhaustive list of genres and subgenres and subjects (this is off the top of my head and I’ll miss some.  If you guys want an exhaustive list it will take a long time.)

Fantasy – Anything that is technically impossible in our reality, by our physical rules, including but not limited to supernatural beings, all the creatures of Tolkien, etc.  Often draws on the myths and legends of mankind.

Has subgenres: High Fantasy – Tolkien-like.  Also often known as heroic fantasy.

Alternate history – usually where magic works, but still related to our world.

Urban fantasy, which might of might not be a subgenre of alternate history.  It’s not just “fantasy in a city.”  Although both F. Paul Wilson’s Repairman Jack and Larry Correia’s monster hunters are technically urban fantasy, as is my Shifter series, it would be more honest to call it “contemporary fantasy.”

Urban fantasy has a structure added to the theme and location, and that often involves a young woman with powers, a love interest on the dark side, etc.  Think Buffy the Vampire Slayer.

Paranormal Romance – Like Urban Fantasy but way more in the romance and sex side.  In fact, it’s more a subgenre of romance, really.

(7) SF WORTH WAITING FOR. T.W. O’Brien declares “The Future Library Is a Vote of Confidence Humanity Will Make It to 2114” at B&N Sci-Fi & Fantasy Blog.

The work of Scottish artist Katie Paterson is nothing as mundane as oil on canvas or carved marble. Her works includes  Timepieces—nine clocks showing the time on the planets of our solar system, plus the Earth’s moon (Pluto still loses out); Fossil Necklace—170 beads carved from fossils, each representing a major event in the 3 billion year history of life on Earth; and Campo del Cielo, Field of Sky—a 4.5 billion year old meteorite, melted then recast into a replica of its original form, and finally returned to space by the European Space Agency.

In May 2014, Paterson planted 1000 Norwegian spruce trees in a forest north of Oslo, Norway. The plan is to harvest them in 2114 for paper to print a limited edition anthology of books. Each year, starting in 2014, an author was to be invited to write a book for Paterson’s project, Future Library; he or she will have one year to complete the work, which then won’t be read  until well after the turn of the next century. 

The completed manuscripts will be kept in a specially designed room on the fifth floor of the New Deichmanske Library in Oslo. The authors’ names and the book titles will be on display, but the manuscripts themselves will be unread until the anthology is published in 2114.

(8) THE ELVISH SPECTRUM.

Key: First row vertical: Hugo Weaving, Lee Pace, Cate Blanchett from The Hobbit as Elrond, Thranduil, and Galadriel. Second row vertical: Marvel: Red Skull (Captain America: The First Avenger), Ronan the Accuser (Guardians of the Galaxy), Hela (Thor: Ragnarok)

(9) JORDIN KARE. Paul Gilster mourns the astrophysicist and filker in two excellent posts at Centauri Dreams, “Remembering Jordin Kare (1956-2017)”, and “SailBeam: A Conversation with Jordin Kare”.

Looking around on the Net for background information about Jordin Kare, who died last week at age 60 (see yesterday’s post), I realized how little is available on his SailBeam concept, described yesterday. SailBeam accelerates myriads of micro-sails and turns them into a plasma when they reach a departing starship, giving it the propulsion to reach one-tenth of lightspeed. Think of it as a cross between the ‘pellet propulsion’ ideas of Cliff Singer and the MagOrion concept explored by Dana Andrews.

(10) TODAY’S BIRTHDAY BOYS

  • Born July 26, 1894 – Aldous Huxley
  • Born July 26, 1928 – Stanley Kubrick

(11) A LIST TOP DC MOVIES. Io9 gives you “All 28 DC Animated Original Movies, Ranked”. Why isn’t the new Wonder Woman movie #1? Because, like the title says, this is a list of their animated movies. Cancel the heart attacks…

This list contains the 28 DC Animated Original movies released so far, ranked from worst to best on the quality of their story, characters, and adaptation of the source material….

(12) STEAL LIKE AN ARTIST. Wil Wheaton heartily endorses

Steal Like an Artist, by Austin Kleon, is essential reading for all artists.

It’s a quick read that you can finish in one sitting, but the ideas and advice it contains will stay with you long after you’ve put it down. Some of Austin’s suggestions will validate what you’re already doing, some will challenge you to fundamentally change a creative practice, others will inspire you to grab a notebook and get to work immediately.

Because it’s such a small and accessible book, you’ll want to go back to it from time to time. Just like Stephen King’s On Writing, as you change and grow as an artist, it reveals new ideas and inspirations to you that you may have missed on a previous read.

This is a fantastic addition to your library, and a wonderful gift for any creative person in your life.

(13) WIELD THE POWER. I can’t possibly resist reading an item headlined “Wow, the Iron Throne Makes an Excellent Phone Charger!” – at Tor.com.

YouTube crafters Natural Nerd have a new video up showing viewers how to make their own custom Iron Throne phone charger. It’s marvelously simple, and could make for a good starter project if you’re interested in exploring nerd crafts. Basically, make a throne out of blocks of wood, glue on a ton of cocktail swords, coat in metallic paint, and thread in the charger cord, and you’re there!

(14) SUPERMAN WITH A ‘STACHE. Henry Cavill’s upper lip is a story: “Justice League’s telling reshoots involve Joss Whedon, more banter, absolutely no mustaches”.

Superman can do anything, it seems, but have a mustache. Or to be more accurate, it’s Henry Cavill’s mustache that’s reportedly causing some problems for Warner Bros.’ upcoming Justice League movie, which is due to be released on November 17 but is nonetheless currently undergoing extensive reshoots (which are generally filmed to fix or replace scenes that aren’t working). After initial filming on Justice League was complete, it seems that Cavill reasonably assumed he was done playing the smooth-jawed Man of Steel for a minute and grew out his facial hair for a part in the next Mission: Impossible movie. According to a new Variety report, however, Justice League is being retooled so much — with an assist from The Avengers’ Joss Whedon, no less, now that director Zack Snyder has stepped away from the project to cope with his daughter’s recent death — that Warner Bros. has agreed to just digitally remove Cavill’s mustache from any reshot Justice League scenes rather than lose any more time.

But Jon Bogdanove thinks it would make a great addition.

(15) MARVEL VALUE STAMPS. The publisher is bringing them back:

Who saved them? Who clipped them? Who collected them? This fall, the Marvel Universe returns to an untapped corner of its expansive history for MARVEL LEGACY with the return of the Marvel Value Stamps. Just as Marvel Legacy is bridging the past and the future of Marvel’s iconic universe, this nostalgia-based program is designed to excite new readers. Comic fans may remember these fondly, while new fans and the uninitiated will be able to enjoy them without destroying their prized possessions!

Inspired by the classic 1970’s program where different stamps could be clipped from the letters page of Marvel books, fans will be able to collect stamps featuring all their favorite Marvel characters. These stamps will be on inserts within the regular cover editions for all first issue Marvel Legacy titles, beginning with titles debuting in October. And a proper homage to these collectible stamps wouldn’t be complete without a collectible stamp album – to be revealed!

(16) THE OLDS. At Galactic Journey, Victoria Silverwolf leads into her review of the latest (August 1962) issue of Fantastic with a survey of the news — “[July 26, 1962] The Long and Short of It (August 1962 Fantastic)”.

…AT&T launched Telstar, the first commercial communications satellite (which we’ll be covering in the next article!)

The world of literature suffered a major loss with the death of Nobel Prize winning author William Faulkner.

In Los Angeles, young artist Andy Warhol exhibited a work consisting of thirty-two paintings of cans of Campbell’s Soup….

(17) GAZE INTO THE FUTURE. And don’t forget to sign up for Galactic Journey Tele-Conference #2, happening Saturday, July 29, where they’ll present their predictions for the 1962 Hugo Science Fiction Awards.

(18) THE PLAY’S THE THING. A local community theater in Urbana, IL is staging Jordan Harrison’s 2014 play Marjorie Prime, recently produced as a movie. It runs July 27-August 12. An interview with the director is here. Get tickets here.

Marjorie Prime, written by Jordan Harrison and directed for the Station by Mathew Green, is a near-future play where technology has gone just a little farther than today. In the show, Tess is caring for her elderly mother, and Tess’ husband Jon advocates for the use of an artificial intelligence companion called a “Prime”. Primes are designed to help a particular person, in this case Marjorie, record and retain their memories, often taking the form of someone close to the subject.

(19) LIFE UNPLUGGED. Gareth D. Jones discusses “The Real Town Murders by Adam Roberts (book review)” at SF Crowsnest.

….One of the consequences of Alma’s divorce from the on-line Real Town is that she can no longer check references and definitions and she quickly realises that everyone’s speech is littered with literary and historical references. This makes an interesting game for the reader, too, attempting to parse and divine all of the little jokes and quotes that Adam Roberts has thrown in along the way. To add to the interest, characters who spend much of their time on-line find real-life speech difficult so that several conversations consist of stammering and stuttering and the breaking of words into individual syllables replaced with homophonous single-syllable words. It’s quite fun to follow the convoluted and sometimes rambling speech.

The basic plot of the book follows Alma’s investigations into the miraculously-appearing dead body, with a secondary investigation into a mysteriously skinny man…..

(20) A BOY CALLED PERCY. At Black Gate, Derek Kunsken tells when he learned the true theme of a famous YA series: “Crappy Parents All Around: A Look At Rick Riordan’s Percy Jackson Series”

…Eventually, I recommended it to a friend for his kids, who were complaining about their road-tripping. When my friend got back, he thanked me for the rec and said “It’s all about shitty parents.”

For some reason, I hadn’t clued into this as the theme. Perhaps I’d taken it as straight-on adventure. Maybe I hadn’t considered how lucky I am to have the parents and extended family I did. Then it occurred to me what a giant strategic advantage it was to Riordan to have linked crappy parents to the Greek myths.

Percy is of course pretty miffed at times about having Poseidon essentially be a dead-beat dad whom he doesn’t meet until he’s twelve and who really doesn’t meaningfully interact with him even after that. He has a crappy step-dad to boot, but he’s not the only one with parental issues….

(21) IN VINO. Martin Morse Wooster has sent File 770 lots of beer label stories. Now he tries to even the score by reporting that Australian wine lovers can enjoy Some Young Punks‘ vintage “Monsters Monsters Attack!”

A full 750ml of Monster Mayhem bottled up for far too long breaks and takes over the unsuspecting city. Trixie and Tessa’s middle names are danger and adventure but is the maelstrom released by the raging beast too fierce to be calmed by their charms? Will they arrive in time or will a deadly rage be realised.

Variety / Vintage     2015 Clare Valley Riesling

Vineyards     We sourced fruit from two sites in the Clare Valley; Mocundunda and Milburn. All the fruit was whole bunch pressed before fermentation in a mixture of stainless and neutral oak by a mixture of cultured and indigenous yeast. Post ferment the wine is merely stabbed and filtered prior to bottling.

(22) ONCE TOO OFTEN. Adam-Troy Castro files a grievance: “’What if I Told You’ There Was Another Way to Impart Exposition?”

Thing that I am getting awfully sick of, in dramatic presentations of sf/fantasy works.

Honestly, if I ever see this again, it will be too soon.

The exposition-sentence that begins with, “What if I told you–”

Usually followed by something that sounds batshit insane to the person who’s been living a normal life until that moment.

I first became aware of this with Laurence Fishburne in THE MATRIX, but it has become the go-to form, and I just saw it with the trailer for the new TV series, THE INHUMANS. I think but cannot be sure that it was in DOCTOR STRANGE too. But it’s certainly all over the place….

(23) YOU COULD ALWAYS TRY THE AUTOGRAPH LINE. Here are the places George R.R. Martin will not be signing at Worldcon 75:

For those of you who want books signed, please, bring them to one of my two listed autograph sessions. I will NOT be signing before or after panels, at parties, during lunch or breakfast or dinner, at the urinal, in the elevator, on the street, in the hall. ONLY at the autograph table. If the lines are as long as they usually are, I’ll only be signing one book per person.

You can also find his programming schedule at the link.

(24) LAUGH WARS. Martin Morse Wooster says Star Wars Supercuts:  Parodies of The Trench Run is “a really funny four-minute mashup from IMDB of lots of parodies of the Death Star Trench Run. I particularly liked the Family Guy bit where Red Leader is followed by Redd Foxx, Red Buttons, and Big Red chewing gum…”

[Thanks to John King Tarpinian, Jason, Evelyn Leeper, Cat Eldridge, JJ, Jim Meadows, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 5/16/17 Will No One Pixel Me This Troublesome Scroll?

(1) CLOSE THE GAP. David Dean Bottrell, Producer, Sci-Fest LA, is asking people to help support The Tomorrow Prize, due to be presented this weekend:

Although Sci-Fest LA has been temporarily side-lined our amazing short story competitions continue!! Unfortunately, a grant we were depending on, has fallen through at the last second, and the awards are this coming weekend! We need your help to make up a $500.00 gap IMMEDIATELY needed to award the prizes to our winners!

Donate at:  http://www.lightbringerproject.org/support/

You can make a donation via our new non-profit sponsor, LIGHTBRINGER PROJECT. Please add a note during the payment process for what the donation’s for — You can mention Sci-Fest, Tomorrow Prize or Roswell Award.

(2) INDIGENOUS VOICES. Silvia Moreno-Garcia has posted an update about her efforts to fund and launch an Emerging Indigenous Voices Award. (This would not be an sff award, but was prompted by the Canadian literary controversy reported here last week.)

I’ve gathered $4355 in pledges from people who wish to make this a reality. I’ve also e-mailed Robin Parker, who has also obtained pledges for a similar drive. We could be talking about more than $7,000 if we pool those resources together.

I have sent an e-mail to folks at the UBC Longhouse asking for some guidance.

I feel that if an award does become a reality, it must be managed by an Indigenous organization. I aim merely to help funnel money to them.

It may take some time to sort things out. I am putting together documentation tracking who pledged, how much, etc.

In the meantime, you can fund or support local organizations which represent Indigenous people in your community.

We should not turn to Indigenous and marginalized groups only when bad stuff happens and there are ways to support them that don’t involve donations. Read and review Indigenous literature. Suggest Indigenous artists as guests of honor at conventions. If you have access to a platform, invite them to write op-eds, guest posts, etc….

(3) ESCHEW CHRONOLOGICAL SNOBBERY. L. Jagi Lamplighter Wright raised her voice in defense of Anne McCaffrey at Superversive SF — “When New Is (Not) Best–The Degradation of Grand Master Anne McCaffrey”.

People talk about strong female characters today. Sometimes they mean kickbutt fighters. But when the term first got started, it meant females who held their own, who acted and achieved and accomplished, female characters who were smart.

Lessa was all that. To me, she was the sole female character in SF who really had the qualities I wanted to have. I adored her.

Recently, I was in a store and I picked up a copy of Dragonflight, the original Pern book. I remember thinking, Huh, it probably wasn’t that good. I’ve just glamorized it. Let me see… After all, some of her later books were a bit fluffy. Maybe this early book was just fluff, too, and I had just not noticed. I started flipping through it.

I read an astonishing amount of it before I realized I was standing in a bookstore and embarrassedly put it down.

It was still that good.

(4) THEY KNOW WHEN YOU’RE AWAKE. An author tells about eavesdropping on fan sites in “The Big Idea: Megan Whalen Turner” at Whatever.

As a newbie author, I was self-Googling like mad and just before The King of Attolia was published. I found a livejournal site dedicated to my books. I lurked. I did tell them I was lurking, but I knew right from the start that having authors around is a great, wonderful, exciting thing—right up until they make it impossible to have an honest conversation about their books, so I was careful not too lurk too often. In return, I got to watch these smart, funny people pick through everything I’d written and I became more and more convinced that they didn’t need my input, anyway. Everything in my books that I hoped they’d see, they were pointing out to one another. Watching them, I decided I should probably probably keep my mouth shut and leave readers to figure things out for themselves. That’s why when they got around to sending me a community fan letter, I’m afraid that my answer to most of their questions was, “I’m not telling.” Over the years, it’s hardened into a pretty firm policy.

(5) SPACE OPERA WEEK. Tor.com has declared: It’s Space Opera Week on Tor.com!

Alan Brown has a handle on the history of the term: “Explore the Cosmos in 10 Classic Space Opera Universes”.

During the Golden Age of Science Fiction, there was a lot of concern about the amount of apparent dross being mixed in with the gold. The term “space opera” was originally coined to describe some of the more formulaic stories, a term used in the same derisive manner as “soap opera” or “horse opera.” But, like many other negative terms over the years, the term space opera has gradually taken on more positive qualities. Now, it is used to describe stories that deal with huge cosmic mysteries, grand adventure, the long sweep of history, and giant battles. If stories have a large scope and a boundless sense of wonder, along with setting adventure front and center, they now proudly wear the space opera name.

Ellen Cheeseman-Meyer discusses why she embarked on her Vorkosigan Saga reread series for Tor.com in Space Opera and the Underrated Importance of Ordinary, Everyday Life

The Vorkosigan series is space opera in the really classic style. There are big ships that fight each other with weapons so massive and powerful that they don’t even have to be explained. The most dramatic conflicts take place across huge distances, and involve moving people, ideas, and technology through wormholes that span the Galactic Nexus, and watching how that changes everything. So it’s also about incredibly ordinary things—falling in love, raising children, finding peace, facing death.

And Cheeseman-Meyer’s latest entry “Rereading the Vorkosigan Saga: Borders of Infinity covers a lot of ground, but I must applaud this comment in particular —

At this point, I suddenly realize how little time we really get to spend with the Dendarii Mercenaries, who have now appeared as a fighting force in only two of the seven books in the reread.

Liz Bourke, in “Sleeps With Monsters: Space Opera and the Politics of Domesticity”, reminds readers that relationships are the web that connect the infinite spaces of this subgenre.

Let’s look at three potential examples of this genre of… let’s call it domestic space opera? Or perhaps intimate space opera is a better term. I’m thinking here of C.J. Cherryh’s Foreigner series, now up to twenty volumes, which are (in large part) set on a planet shared by the (native) atevi and the (alien, incoming) humans, and which focus on the personal and political relationships of Bren Cameron, who is the link between these very different cultures; of Aliette de Bodard’s pair of novellas in her Xuya continuity, On A Red Station, Drifting and Citadel of Weeping Pearls, which each in their separate ways focus on politics, and relationships, and family, and family relationships; and Becky Chambers’ (slightly) more traditionally shaped The Long Way to a Small Angry Planet and A Closed and Common Orbit, which each concentrate in their own ways on found families, built families, communities, and the importance of compassion, empathy, and respect for other people’s autonomy and choices in moving through the world.

But lest we forget the reason Tor.com exists, Renay Williams plugs the franchise in “A Plethora of Space Operas: Where to Start With the Work of John Scalzi”.

101: Beginner Scalzi

If you’re brand-new to Scalzi’s work, there a few possible starting places. If you want a comedic space opera adventure, you’ll want to start with Old Man’s War and its companion and sequel novels, The Ghost Brigades and The Last Colony. If you’re in the mood for straight up comedy SF, then Agent to the Stars is your entry point. And if you want some comedy but also kind of want to watch a political thriller in your underwear while eating snack food and don’t know what book could possibly meet all those qualifications at once, there’s The Android’s Dream, which is the funniest/darkest book about sheep I’ve ever read.

(6) AMEN CORNER. The celebration also includes a reminder from Judith Tarr: “From Dark to Dark: Yes, Women Have Always Written Space Opera”.

Every year or two, someone writes another article about a genre that women have just now entered, which used to be the province of male writers. Usually it’s some form of science fiction. Lately it’s been fantasy, especially epic fantasy (which strikes me with fierce irony, because I remember when fantasy was pink and squishy and comfy and for girls). And in keeping with this week’s theme, space opera gets its regular turn in the barrel.

Women have always written space opera.

Ever heard of Leigh Brackett? C.L. Moore? Andre Norton, surely?

So why doesn’t everyone remember them?

Because that second X chromosome carries magical powers of invisibility.

And having read that, who would you be looking to for an “Amen!” Would you believe, Jeffro Johnson at the Castalia House Blog? Not from any feminist impulse, but because it fits his own narrative about the Pulp Revolution — “The Truth About Women and Science Fiction”:

…Yes, the “Hard SF” revolution did turn the field into something of a boy’s club. The critical frame that emerged from it has unfairly excluded the work of a great many top tier creators that happened to be female. And much as it pains me to admit it, feminist critics do have a point when they complained about women being arbitrarily excluded.

However… when they treat the Campbellian Revolution as the de facto dawn of science fiction, they are perpetuating and reinforcing the real problem. If you want creators like Leigh Brackett and C. L. Moore to get the sort of attention they deserve, you have to recover not only the true history of fantasy and science fiction. You have to revive and defend the sort of classical virtues that are the root cause of why they have been snubbed in the first place.

(7) TODAY’S DAY

Sea Monkey Day

The history of sea monkeys starts, oddly enough, with ant farms. Milton Levine had popularized the idea of Ant-farm kits in 1956 and, presumably inspired by the success of his idea, Harold von Braunhut invented the aquatic equivalent with brine-shrimp. It was really ingenious looking back on it, and ultimately he had to work with a marine biologist to really bring it all together. With just a small packet of minerals and an aquarium you’d suddenly have a place rich with everything your brine-shrimp needed to survive. So why sea monkeys? Because who was going to buy brine-shrimp? It was all a good bit of marketing, though the name didn’t come about for nearly 5 years. They were originally called “instant life”, referencing their ‘just add water’ nature. But when the resemblance of their tails to monkeys tails was noted by fans, he changed it to ‘Sea-Monkeys’ and so it’s been ever since! The marketing was amazing too! 3.2 million pages of comic book advertising a year, and the money just flowed in the door. So what are Sea Monkeys exactly? They’re clever mad science really. Sea Monkeys don’t (or didn’t) exist in nature before they were created in a lab by hybridization. They’re known as Artemia NYOS (New York Ocean Science) and go through anhydrobiosis, or hibernation when they are dried out. Then, with the right mixture of water and nutrients they can spring right back into life! Amazing!

Wait a minute, that sounds a lot like Trisolarians!

(8) TODAY’S BIRTHDAY BOY

(9) COMIC SECTION. Daniel Dern recommends today’s Candorville: “We already knew the creator’s a Star Trek geek, clearly he’s also a (DC) comic book fan…”

(10) DOCTOROW. This is the book Cory Doctorow was promoting at Vromans Bookstore when Tarpinian and I attended his joint appearance with John Scalzi a couple weeks ago. Carl Slaughter prepared a summary:

WALKAWAY
Cory Doctorow
Tor
April 25, 2017

Hubert was too old to be at that Communist party.

But after watching the breakdown of modern society, he really has no where left to be?except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society?and walk away.

After all, now that anyone can design and print the basic necessities of life?food, clothing, shelter?from a computer, there seems to be little reason to toil within the system.

It’s still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it’s war – a war that will turn the world upside down.

Fascinating, moving, and darkly humorous, Walkaway is a multi-generation SF thriller about the wrenching changes of the next hundred years…and the very human people who will live their consequences.

PRAISE FOR WALKAWAY

  • “Thrilling and unexpected….A truly visionary techno-thriller that not only depicts how we might live tomorrow, but asks why we don’t already.” Kirkus
  • “Doctorow has envisioned a fascinating world…This intriguing take on a future that might be right around the corner is bound to please.” ?Library Journal
  • “Memorable and engaging. …Ultimately suffused with hope.” ?Booklist
  • “The darker the hour, the better the moment for a rigorously-imagined utopian fiction. Walkaway is now the best contemporary example I know of, its utopia glimpsed after fascinatingly-extrapolated revolutionary struggle. A wonderful novel: everything we’ve come to expect from Cory Doctorow and more.”?William Gibson
  • “Cory Doctorow is one of our most important science fiction writers, because he’s also a public intellectual in the old style: he brings the news and explains it, making clearer the confusions of our wild current moment. His fiction is always the heart of his work, and this is his best book yet, describing vividly the revolutionary beginnings of a new way of being. In a world full of easy dystopias, he writes the hard utopia, and what do you know, his utopia is both more thought-provoking and more fun.”?Kim Stanley Robinson
  • “Is Doctorow’s fictional utopia bravely idealistic or bitterly ironic? The answer is in our own hands. A dystopian future is in no way inevitable; Walkaway reminds us that the world we choose to build is the one we’ll inhabit. Technology empowers both the powerful and the powerless, and if we want a world with more liberty and less control, we’re going to have to fight for it.”?Edward Snowden

(11) LITFEST PASADENA. In addition to the Roswell Award  and Tomorrow Award readings, this weekend’s LitFest Pasadena includes these items of genre interest:

Saturday

Famed afro-futurist writer Nalo Hopkinson (The Chaos) joins the Shades & Shadows Reading Series for an evening of dark fiction from noir mystery to sci-fi.

Sunday

Popular comic book and TV writer Brandon Easton (Agent Carter), joins fellow comic book writers to discuss “Manga Influences on American Culture.”

(12) SPEAKING PARTS. Pornokitsch shows why someone could argue “Middle Earth Has Fewer Women Than Space”.

This research is from April 2016. The folks at The Pudding analysed thousands of screenplays and did a word count of male and female dialogue.

Unsurprisingly: Hollywood skews heavily in favour of dudes talking.

Naturally, I looked for all the nerdiest films I could find. This was a lot of fun, although the results were… pretty bleak. …..

There follows a whole chart about genre films.

2001 is literally a film about two dudes floating in space, and it has a higher percentage of female dialogue than two of the Lord of the Rings films.

(13) IOU. Jon Del Arroz thinks I should be paying him when I put him in the news. Now there’s an innovative marketing mind at work.

(14) PANTHER UNPLUGGED. Ernie Estrella at Blastr demands — “So why did Marvel pull the plug on Black Panther & The Crew after just two issues?”

How long should a comic book aimed at reaching a more socially aware audience be given latitude before it’s canceled? According to Marvel Comics, just two. Marvel is canceling one of two monthly titles that Ta-Nehisi Coates writes, Black Panther & The Crew. After two issues have underperformed in sales, the title has been abruptly put on notice. Marvel had seen enough and was not satisfied by the early numbers to stick with a title while it finds its audience. Coates told Verge that issue #6 will be the series’ finale, wrapping up the storyline that was introduced in the debut issue, which came out in this past March.

Coates co-writes the series with Yona Harvey, and together they crafted a story starring Black Panther, Storm, Misty Knight and Luke Cage investigating the murder of a civil rights activist who died while in police custody, Ezra Keith. Relevant to America’s current societal problems facing inherent racism, Coates and Harvey’s story also dives into the main four heroes and tries to look deeper at their varied experiences as black people in the Marvel Universe….

(15) NEW GRRM ADAPTATION. George R.R. Martin gives fans the background on developments they’ve been reading about in the Hollywood trade papers — “Here’s the Scoop on NIGHTFLYERS”.

In 1984 I sold the film and television rights to “Nightflyers” to a writer/ producer named Robert Jaffe and his father Herb….

This new NIGHTFLYERS television series — actually, it is just a pilot script at present, still several steps short of going on-air, but I am told that SyFy likes the script a lot — was developed based on the 1987 movie, and the television rights conveyed in that old 1984 contract. Robert Jaffe is one of the producers, I see, but the pilot script is by Jeff Buhler. I haven’t had the chance to meet him yet, but hope to do so in the near future.

Since I have an overall deal that makes me exclusive to HBO, I can’t provide any writing or producing series to NIGHTFLYERS should it go to series… but of course, I wish Jaffe and Buhler and their team the best of luck. “Nightflyers” was one of my best SF stories, I always felt, and I’d love to see it succeed as a TV series (fingers crossed that it looks as good as THE EXPANSE).

[Thanks to Greg Hullender, Carl Slaughter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar, with an assist from Camestros Felapton.]

Pixel Scroll 2/13/17 Scroll Me The Pixel Of Alfredo Garcia

(1) DOG DOESN’T BITE MAN. Can you believe it? Someone is not getting sued. His name is Wil Wheaton: “The library for Storytime With Wil just got a little deeper…”

For a few weeks (months?) I’ve been doing this silly and fun thing on Monday nights. I pick a random Choose Your Own Adventure book from my collection, and I read it on my Twitch channel, letting the audience make the choices for me…

So it’s pretty much a regular thing, now, and I seem to have settled upon 6pm Pacific time every Monday, unless there’s a Kings game or I have some other pressing engagement.

Anyway, I always point out that I am not doing this for money, and I don’t mean to infringe on Choose Your Own Adventure’s IP rights or anything like that. I always point out that I’d rather beg forgiveness than ask permission, and I hope that if CYOA ever stumbles upon my thing, they’ll treat it as free marketing and not a thing to throw lawyers at.

So last week, someone from CYOA emailed me … and it turns out a lot of them at the publisher are fans of my work, including my Storytime with Wil thing!! Not only do they not want to sue me to death, she offered to send me a care package, and it arrived today.

See what good things happen when, for a random example, you don’t raise half-a-million dollars on Kickstarter to turn a fan thing into a moneymaker?

(2) FIRST TIME. Jodi Meadows has written an addendum to her post Before She Ignites cover reveal” responding to comments like those made by Justina Ireland (reported in yesterday’s Scroll.)

A few people have mentioned they see this as an important cover, because it has a Black girl in a dress. That’s what I want to talk about. I didn’t realize when the cover was being designed (that’s my privilege), but this is the first time a big publisher has this kind of cover.

It shouldn’t be the first time.

The first time a major publisher designed a YA cover with a Black model in a gown, it should have gone to a Black author.

Again, me not realizing that hadn’t happened yet: that was my white privilege at work.

The fact that mine came first is a symptom of the problems in publishing, and who publishing is designed to work for. By the time I knew what was at stake with this cover and the timing, the model had already been hired and her photos taken. At that point, changing the cover would have meant telling a Black model that she couldn’t be on my cover because she’s Black.

I hope it’s obvious why I wouldn’t do that.

Dhonielle Clayton told me I should say all this upfront, but I resisted because I couldn’t think of a way to do that without seeming preemptively defensive or like I wanted a pat on the back. So I just didn’t talk about it. Now I see that was the wrong decision, because this hurts people. For what it’s worth, I’m sorry.

Meadows also discusses a soon-to-be-published YA novel by a black author that will feature such a cover.

Some of the names involved in the Meadows story are also sources for Everdeen Mason’s recent Washington Post article, “There’s a new way for novelists to sound authentic. But at what cost?”, which reports how publishers are hiring “sensitivity readers… who, for a nominal fee, will scan a book for racist, sexist, or other offensive content.”  From Mason’s article, it appears these readers are used most often for YA fantasy novels.

For authors looking for sensitivity readers beyond their fan base there is the Writing in the Margins database, a resource of about 125 readers created by Justina Ireland, author of the YA books “Vengeance Bound” and “Promise of Shadows.” Ireland started the directory last year after hearing other authors at a writing retreat discuss the difficulties in finding people of different backgrounds to read a manuscript and give feedback about such, well, sensitive matters.

One reader for hire in Ireland’s database is Dhonielle Clayton, a librarian and writer based in New York. Clayton reviews two manuscripts per month, going line by line to look at diction, dialogue and plot. Clayton says she analyzes the authenticity of the characters and scenes, then points writers to where they can do more research to improve their work.

Clayton, who is black, sees her role as a vital one. “Books for me are supposed to be vehicles for pleasure, they’re supposed to be escapist and fun,” she says. They’re not supposed to be a place where readers “encounter harmful versions” and stereotypes of people like them.

(3) WHO’S SECOND? The “America First, <yourcountry/etc here> Second” meme (explained in this CNN news segment) has inspired at least two fannish responses –

  • Mordor Second

  • Mars Second

(4) HE’S ON THE FRONT. Cool cover by Tom Gauld for the Guardian Review:

(5) ROUNDTABLE REMOVED. Apex Magazine has pulled the “Intersectional SFF Round Table” that Mia Sereno (Likhain) protested in an open letter to the editors quoted in yesterday’s Scroll. Jason Sizemore passed responsibility to those who packaged the roundtable, who also are “Likhain’s publisher” (bolded in the original as shown).

…One correction I need to make regarding Likhain’s email since this is a discussion she chose to take public rather than giving Apex a chance to respond. She says: “It is not your choice to publish RH that I find appalling, but your specific choice to ask her to contribute to a roundtable on, of all things, intersectionality.”

This is not true. Djibril and Rivqa, Likhain’s publisher, invited Benjanun to be on the round table. The round table contains four other people with greater wisdom on what is and is not appropriate when it comes to intersectionality than I will ever possess: Cassandra Khaw, Vajra Chandrasekera, Miguel Flores Uribe, and Rivqa Rafael. Since they participated in the discussion I could only assume they had no issue including Benjanun. Djibril had no issue with Benjanun. Therefore, I felt it was okay to move forward.

In consideration to the concerns expressed by Likhain’s public post, our readers, and the counsel of several friends in the genre community, I have decided to remove the round table from our website….

(6) WHAT WATCH? James Gleick asks Guardian readers “Do we still need Doctor Who? Time travel in the internet age?”

Two generations of TV watchers have been schooled in temporal paradox by Doctor Who, and when one Doctor gives way to the next, as will happen in the next series, the reincarnation generates almost as much speculation as the royal line of succession. Who will follow Peter Capaldi? She will be a Time Lord, after all.

Nor does time travel belong solely to popular culture. The time-travel meme is pervasive. Neuroscientists investigate “mental time travel”, more solemnly known as “chronesthesia”. Scholars can hardly broach the metaphysics of change and causality without discussing time travel and its paradoxes. Time travel forces its way into philosophy and influences modern physics.

How strange, then, to realise that the concept is barely a century old. The term first occurs in English in 1914 – a back-formation from HG Wells’s The Time Machine (1895). Somehow humanity got by for thousands of years without asking, what if I could travel into the future? What would the world be like? What if I could travel into the past – could I change history?

(7) REVISITING AN OLD FAVORITE. Cat Rambo walks the razor’s edge between a fisking and a fond reading of the Doc Savage novel Quest of Qui in her latest blog post.

Cassy, in the process of shedding a box of Doc Savage novels, found out I loved them and passed them along. I remember Doc and his men fondly; while at my grandparents for a Kansas summer when I was twelve or thirteen, I found my uncle’s old books, which included a pretty complete run of the Bantam reprints and reveled in them for years to come.

I’m going back and rereading while making notes because I loved and still love these books; my hope is that I’ll start to notice some patterns as I move through the books and that I’ll be able to talk about pulp tropes, gender assumptions, reading fiction aimed at a gender other than your own, and writerly techniques in an entertaining and (maybe) useful way….

You’d think Doc would train himself out of that tell, but even the Man of Bronze has limits. An alarm clock rings and a knife appears from nowhere and hits Doc in the back. At this point, we discover that he habitually wears a fine chainmail undergarment. The material of the undergarment isn’t specified. Neither Renny nor Doc can figure out where the knife came from; at least, Renny can’t. Doc’s a cagey dude and you’re never really sure what he knows and what he doesn’t. The knife is an ancient Viking relic.

The phone rings; it’s another of Doc’s men, Monk, aka Lieutenant Colonel Andrew Blodgett Mayfair (“Only a few inches over five feet tall and yet over 260 pounds. His brutish exterior concealed the mind of a great scientist,” the frontispiece helpfully informs us) What’s new, pussycat, he asks Doc, only not in those words. An alarm clock just rang in my office and then there was a knife out of nowhere, Doc retorts. Of course the phone goes dead at this point….

(8) TODAY’S BIRTHDAY BOY

  • February 13, 1923 – Chuck Yeager, the first man to travel faster than the speed of sound. Born in Myra, West Virginia.

(9) AVOID THE KISS OF DEATH. Leading up to Valentine’s Day, the Horror Writers Association blog presents Mac Child’s latest piece of writing advice, “Love is a Disease: Prevent the Romantic Storyline from Strangling the Scary”.

First, a caveat: There’s nothing wrong with paranormal romance; it’s simply a different genre from horror (and the two genres frequently have a substantial overlap in readers). A romantic storyline, in and of itself, is not a terrible thing at all. This argument is by no means a condemnation of love and the readers who love it.

Romantic fiction uses a different kind of tension—will the protagonist suffer heartbreak? Will the couple get together? End up together?—than the frequently external threats and emphasis on surviving found in horror. In a horror, too much ink spilled about love ends up replacing one tension with another, pulling focus away from whatever monster, human or not, is menacing your hapless heroes.

(10) NEXT CONRUNNER PLEASE. Steve Cooper discussed the latest Conrunner on Facebook and announced he and Alice Lawson will be organizing Conrunner 5.

…We even have a provisional theme – “new con-runners” and with that in mind Conrunner 5 will have a Y.A membership category for those who will be under 40. And we hope to provide bursaries to help members who are relatively new to con-running. We’ve already spoken with the chair of INNOMINATE who will try to find some money for this after pass-along to follow on from the generous donation by Satellite 4 to Conrunner 4. We’ll also be following this up with Follycon and the 2019 Eastercon. There will also be a 2nd Pete Weston memorial scholarship – but how that will be targeted has not yet been fixed.

But Alice and I don’t “Run” Conrunner – we provide the back-bone for others to put on a con-running programme. Claire [Brialey] & Mark [Plummer] did a stirling job this year. Now it could be your turn.

…But let me end by thanking the 70 con-runners who came to Nottingham, and participated in the convention especially the two thirds of members we managed to get on panels. (Next time join earlier and we’ll try and get that closer to 100%). We hope you had an enjoyable and instructive weekend and look forward to seeing you all and many others at Conrunner 5

(11) SELECTIVE EXCERPTS. That’s what Dave Freer always calls these representative quotes, but today I’m really doing it. Plucked from his typical stew of complaints against Puppy-kickers, Scalzi, Tor, and David Gerrold (as well as a big plug for Jon Del Arroz based on taking his story at face value) comes this spot-on statement about the movie Starship Troopers – “Truth in Advertising” at Mad Genius Club.

The other relevant aspect is you shouldn’t be just selling once. The key to success as an author is building a customer base, building a name. Now over on Tor.com they were busy displaying how not to understand this. You see –according to the genius on Tor.com (I hope he runs marketing for the company) – Paul Verhoeven’s STARSHIP TROOPERS was a work of genius satirically parodying that nasty evil Robert A Heinlein that the modern literati of sf love to hate.

(shrug) I don’t care if you agree, or disagree, adore the movie or hate it… the problem is one the writer of the article seems blind to, and yet, when you think about it, is behind almost all the adverse reaction the movie received.

…If Paul Verhoeven had called the movie I HATE HEINLEIN, or HUMAN FASCISTS KILL INNOCENT BUGS the same people now calling it ‘brilliant satire’ would still have loved it… (possibly less, because they enjoyed watching the Heinlein fans get furious), but it would have engendered almost no disparagement. It would also have lost a huge volume of sales to the suckers who believed the advertised name.

(12) LIFE INTERRUPTED. Is it dead or not? There’s a thematically appropriate question for a magazine about ghoulish movies, Fangoria, especially now with there being disputed claims that the magazine has produced its last print issue. Former editor-in-chief Ken W. Hanley announced on Twitter –

Today Fangoria officialdom issued a statement admitting that print publication has been “interrupted” but they hope to make a comeback –

These words are in no way excuses, more the bitter truth about the current circumstances involving our print publication and interruption of production. With time and continued patience from our fans, writers, artists and subscribers we will be working endlessly to make good on any funds owed for magazines and/or articles written. In the meantime, we’ll continue trying to conquer the uphill battle to restore our print issues that our fans urgently long for.

(13) JOCULARITY. Adam Rakunas and Patrick S. Tomlinson have a plan for boosting author revenue – let’s see if this starts trending.

[Thanks to JJ, Martin Morse Wooster, Lex Berman, Daniel Dern, Paul Weimer, John King Tarpinian, and an untipped hat for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 11/29/16 In A Scroll On The Web There Lived A Pixel

(1) FURTHER DISCOVERIES. Two more Star Trek: Discovery cast members have been announced reports Variety.

Doug Jones and Anthony Rapp have joined Michelle Yeoh as the first official cast members of “Star Trek: Discovery.”

Jones will play Lt. Saru, a Starfleet science officer and a member of an alien species new to the “Star Trek” universe. Anthony Rapp will play Lt. Stamets, an astromycologist, fungus expert, and Starfleet science officer aboard the starship Discovery. Yeoh, whose addition to the cast was reported last week by Variety, will play Captain Georgiou, the Starfleet captain aboard the starship Shenzhou.

(2) IT IS WHAT IT AINT. Mike Resnick, in “What Science Fiction Isn’t”, says the history of science fiction is littered with discarded definitions of the genre. The creator of the field, Gernsback, SFWA founder Damon Knight, critic James Blish, all were sure somebody else was doing it wrong.

And what’s driving the purists crazy these days? Just look around you.

Connie Willis can win a Hugo with a story about a girl of the future who wants to have a menstrual period when women no longer have them.

David Gerrold can win a Hugo with a story about an adopted child who claims to be a Martian, and the story never tells you if he is or not.

I can win Hugos with stories about books remembered from childhood, about Africans who wish to go back to the Good Old Days, about an alien tour guide in a thinly-disguised Egypt.

The narrow-minded purists to the contrary, there is nothing the field of science fiction can’t accommodate, no subject – even the crucifixion, as Mike Moorcock’s Nebula winner, “Behold the Man”, proves – that can’t be science-fictionalized with taste, skill and quality.

I expect movie fans, making lists of their favorite science fiction films, to omit Dr. Strangelove and Charly, because they’ve been conditioned by Roddenbury and Lucas to look for the Roddenbury/Lucas tropes of movie science fiction – spaceships, zap guns, cute robots, light sabres, and so on.

But written science fiction has never allowed itself to be limited by any straitjacket. Which is probably what I love most about it….

(3) A PRETTY, PREDICTABLE MOVIE. Abigail Nussbaum’s ”(Not So) Recent Movie Roundup Number 22” includes her final verdict on Doctor Strange.

Marvel’s latest standalone movie has a great opening scene, and a final battle that toys with some really interesting ideas, finally upending a lot of the conventions of this increasingly formulaic filmic universe.  In between these two bookends, however, there’s an origin story so tediously familiar, so derivative and by-the-numbers, that by the time I got to Doctor Strange‘s relatively out-there conclusion, all I wanted was for the thing to end.  As noted by all of its reviewers, the film is very pretty, positing a society of sorcerers who fight by shaping the very fabric of reality, causing geography and gravity to bend in on themselves in inventive, trippy ways.  The film’s opening scene, in which bad guy Kaecilius (Mads Mikkelsen) and Dumbledore-figure The Ancient One (Tilda Swinton) stage such a battle in the streets of London, turning buildings and roads into a kaleidoscope image, is genuinely exciting.  For a brief time, you think that Marvel might actually be trying something new. Then the story proper starts, and a familiar ennui sets in….

(4) THE CASH REGISTER IS MIGHTIER THAN THE SWORD, Fanartists have been doing this all along – so Mr Men thought to himself, “I should get paid!” — “Mr Men to release a series of Doctor Who themed books”.

dr-twelfth

In a fun new partnership, BBC Worldwide and Mr Men publishers Sanrio Global have got together to create a series of Mr Men books based on each of the 12 Doctors….

The books be published by Penguin Random House and will combine “the iconic storytelling of Doctor Who” with the Mr Men’s “whimsical humour and design”.

And, of course, there will also be a series of related merchandise released to coincide with the first four books’ release in spring 2017.

They will follow stories based on the First, Fourth, Eleventh and Twelfth Doctors, played by William Hartnell (1963-1966), Tom Baker (1974-1981), Matt Smith (2010-2013) and Peter Capaldi (2013-present). The remaining Doctors’ stories will follow on an as-yet unconfirmed date.

(5) NORTHERN FLIGHTS. Talking Points Memo says the Internet is fleeing to Canada. Well, okay, I exaggerated….

The Internet Archive, a digital library non-profit group that stores online copies of webpages, e-books, political advertisements and other media for public record, is fundraising to store a copy of all of its contents in Canada after Donald Trump’s election to the presidency.

Five hundred years from now will somebody be writing “How the Canadians Saved Civilization” like that book about the Irish?

(6) STOP IT OR YOU’LL GO BLIND. Gizmodo found out “Why Spaceflight Ruins Your Eyesight”

Astronauts who return to Earth after long-duration space missions suffer from untreatable nearsightedness. Scientists have now isolated the cause, but finding a solution to the problem will prove easier said than done.

The problem, say researchers from the University of Miami Miller School of Medicine, has to do with volume changes in the cerebrospinal fluid (CSF) found around the brain and spinal cord. Prolonged exposure to microgravity triggers a build-up of this fluid, causing the astronauts’ eyeballs to flatten, which can lead to myopia. A build-up of CSF also causes astronauts’ optic nerves to stick out, which is also not good, as the optic nerve sends signals to the brain from the retina. This is causing nearsightedness among long-duration astronauts, and it’s problem with no clear solution in sight (so to speak).

(7) APPLAUSE. Congratulations to JJ – her post about Walter Jon Williams’ Praxis series got a shout-out in Tor.com’s newsletter —

Your Praxis Primer Impersonations is the latest book in Nebula Award winning author Walter Jon Williams’ Praxis series, a standalone story that fits into the bigger arc of Williams’ ongoing space opera adventure. For a helpful rundown on the series, check out this guide to the Praxis universe, with links to excerpts for each installment! If you enjoy fast-paced, fun military science fiction like David Weber’s Honor Harrington books, pick up Impersonations, or start with The Praxis: Dread Empire’s Fall, the first book in the series.

(8) CARTER OBIT. Author Paul Carter has died at the age of 90 reports Gregory Benford. “I wrote a novella with him about Pluto and had many fine discussions at the Eaton and other conferences. A fine man, historian, fan.”

David Weber in his introduction to The Year’s Best Military SF & Space Opera (2015) credited C. L. Moore & Henry Kuttner’s “Clash by Night” (Astounding, March 1943) and Paul Carter’s “The Last Objective” (Astounding, August 1946) as two of the earliest examples of military science fiction (by which he means something a bit more cerebral than all the space opera that preceded them):

The Last Objective by Paul Carter appeared in 1946, but Carter wrote the story while he was still in the Navy; his commanding officer had to approve it before it could be sent to Astounding. It’s just as good as [Moore & Kuttner’s] Rocketeers, but it’s different in every other fashion.

Carter describes wholly militarized societies and a war which won’t end until every human being is dead. Rather than viewing this world clinically from the outside, Carter focuses on  a single ship and the varied personalities who make up its crew. (The vessel is tunnelling through the continental plate rather than floating on the sea, but in story terms that’s a distinction without a difference.)

Carter is pretty sure that his CO didn’t actually read the story before approving it. My experience with military officers leads me to believe that he’s right, though it’s also possible that his CO simply didn’t understand the story’s horrific implications.

Carter also wrote a book about sf history. The Science Fiction Encyclopedia says his The Creation of Tomorrow: Fifty Years of Magazine Science Fiction (anth 1977) “demonstrated an intimate and sophisticated knowledge of the field.”

(9) TODAY IN HISTORY.

  • November 29, 1948 — Kukla, Fran and Ollie debuted on television. (And a couple of years later, my father worked as a cameraman on the show)

(10) TODAY’S BIRTHDAY BOY

  • Born November 29, 1898 – C. S. Lewis

(11) HINES AUCTIONS KRITZER CRITIQUE. In the fourth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions, the item up for bid is a story critique from award-winning author Naomi Kritzer.

Attention writers: Today’s auction is for a critique of a short story, up to 7500 words, by Hugo award-winning author Naomi Kritzer.

Kritzer has been writing and selling her short fiction since before the turn of the century, and she’ll use that experience and expertise to help you improve your own story.

Disclaimer: Winning this auction does not guarantee you’ll win a Hugo award — but you never know, right?

(12) WE INTERRUPT THIS NOVEL. George R.R. Martin will attend a book fair in Mexico. Then he’s going to finish Winds.

My first real visit to Mexico starts tomorrow, when I jet down to Guadalajara for the Guadalajara International Book Fair: https://www.fil.com.mx/ingles/i_info/i_info_fil.asp I’m one of the guests at the conference. I’ll be doing interviews, a press conference, a live streaming event, and a signing. I expect I will be doing some tequila tasting as well. I am informed that Guadalajara is the tequila capital of Mexico. I am looking forward to meeting my Mexican publishers, editors, and fans. This is my last scheduled event for 2016. My appearance schedule for 2017 is very limited, and will remain so until WINDS is completed. So if you want to meet me or get a book signed, this will be the last chance for a good few months…

(13) THEIR TRASH IS HIS TREASURE. Artist Dave Pollot’s business is improving old, clichéd, mundane art prints and selling them to fans through his Etsy store:

holy-seagulls-batman

This is a print of repurposed thrift store art that I’ve painted parodies of Batman and Robin into….

The Process: This is a print of one of my repurposed paintings. I find discarded prints and paintings (ones you may have inherited from great grandma and brought to your local donation bin), and make additions. Sometimes I paint monsters, other times zombies, and most times some pop culture reference- Star Wars, Futurama, Ghostbusters, Mario Brothers…the list goes on. I use oil paints and do my best to match the style of the original artist. My hope is to take these out of the trash can and into a good home; full-circle- from a print that proudly hung on your Grandma’s wall, to a print that proudly hangs on yours.

(14) BANZAI LAWYERS. SciFiStorm reduces the bad news to basics: “MGM sues Buckaroo Banzai creators over rights; Kevin Smith exits project”.

Let me see if I can sum this up, as it seems a lot has happened very rapidly…MGM and Amazon struck a deal to develop a series based on the 1984 film The Adventures of Buckaroo Banzai Across the 8th Dimension, and signed on Kevin Smith, the creator of Clerks and all the other Jay and Silent Bob movies and the guy I’d most like to just hang out and have a beer with, as the showrunner. But original writer Earl Mac Rauch and director Walter D. Richter claim they have the rights to a TV series. So MGM preemptively filed a lawsuit to have a court to seek declaration of the rights.

Telling fans in a Facebook video…that the lawsuit was “news to me,” Smith announced that he has dropped out of the project.

(15) PLAQUE. Gregory Benford sent along a photo of the plaque he received as a Forry Award winner last weekend at Loscon.

forry-award-min

(16) TREE FULL OF TENTACLES.  Archie McPhee is working desperately hard to sell you this seasonal abomination:

While her Cthulhumas Wreath Creature guards the entrance to the house, this year there’s a bright red Cthulhumas tree watching everyone and everything and it never, ever sleeps.

‘Twas a week before Cthulhumas, when all through the house every creature was trembling, in fact so was the house. Not one stocking had been hung by the chimney this year, for fear that Dread Cthulhu was already near.

The cats were nestled all snug in their beds, completely indifferent to our cosmic dread. And mamma in her robes and I in my mask, had just steadied our minds for our infernal task, when from deep in the basement there arose such a din, at last we knew the ritual was soon to begin.

Down to the cellar I flew like a flash, lit all the candles and sprinkled the ash. Light on the altar came from no obvious point, it soon became clear time was all out of joint.

When what to my cursed bleeding eyes did appear, but a fathomless void, then I felt only fear. With a wriggle of tentacles and shiver of dread, I knew in a moment I was out of my head.

Then a nightmarish god, with his eight mewling young, burst forth from the dark and shrieked, “Our reign has begun!“

christas-cthulhu

(17) SPEED TYPIST. Just the other day File 770 lined to a clip from Chris Hardwick’s Almost Midnight all about Chuck Tingle.

Looks like it took no time at all for Tingle to write a book commemorating the occasion: Hard For Hardwick: Pounded In The Butt By The Physical Manifestation Of My own Handsome Late Night Comedy Show.

tingle-hard-for-hardwick

(18) ONE STAR REVIEWS. One-star reviews were a weapon used by some in last year’s literary fracas, though never with any sense of humor. But a Chicago Cubs blogger just put out a book about their World Series season — and it is getting the funniest bunch of one-star reviews I’ve ever read. Read this sample and it will be easy to guess why the author received such a hostile reception….

I know this author from the Internet. He runs a website and routinely posts opinions and people comment on those opinions.

Ín real life he routinely bans commenters on his website that disagree with him. This leads to one of the bad features of this book. If you think a bad thought about the book, it shuts close and you are unable to read it until you contact the author by email and apologize. This is an annoying feature.

Also in real life when one of the author’s website opinion posts are disliked by the majority of readers he deletes the post and comments like it never happened. This book has a similar feature in that the words disappear from the pages over time and eventually you are left with 200+ blank pages that really aren’t good for anything but the bottom of a bird cage. This decreases the value of the book and does not make it suitable for archiving.

Overall, I can’t recommend.

[Thanks to John King Tarpinian, JJ, Andrew Porter, and Harold Osler for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/28/16 As Some Day It May Happen That A Pixel Must Be Found, I’ve Scrolled A Little List

(1) NOM DE GLOOM. Turns out nobody will ever voyage to Alpha Centauri – because the astronomical equivalent of the post office has given it a change of address – “Alpha Centauri Gets a New Moniker as 227 Star Names Are Clarified”.

Alpha Centauri” is getting the boot. The longstanding star name has been displaced by its ancient counterpart in a new International Astronomical Union (IAU) catalog that designates 227 official names for different stars in the sky.

The move was intended to reduce confusion, according to the IAU. For instance, a star like Fomalhaut has at least 30 different names, so it’s difficult to figure out what to call it — or even how to spell it. Variations over the years have included Fumalhaut, Fomalhut and even the unusual Fomal’gaut.

The IAU, which is the official arbiter of astronomical names, chose single names to refer to those stars that have historically had many. Some of the decisions may rattle longtime observers, however. For example, the binary star Alpha Centauri, which lies 4.35 light-years from the sun, is now known officially as “Rigil Kentaurus,” the ancient name for the system.

(2) WHELAN ART PROJECT. Michael Whelan has a Kickstarter going for a new book with Baby Tattoo. The book is being published to coincide with an exhibition of Michael’s art at the Riverside Art Museum in Southern California in February.

It’s actually done very well already – the target was $10,000, and $54,056 has been raised with 22 days to go.

whelan-beyond

(3) DON’T SPOON FEED THE AUDIENCE. Misha Burnett made a good point in a comment at Mad Genius Club.

I think that “overbackstorying” is one of the signature literary sins of our age. During the after-film discussion with my roommate after we had we had seen “Dr. Strange” the subject came up of filmmakers not trusting audiences to pick up on subtleties.

I can just imagine a remake of “Citizen Kane”.

“Come in now, young man–you can’t stay out there with your new sled, which is called ‘Rosebud’ all day!”

“But I love my new sled, which is called Rosebud! No matter what happens for the rest of my life, this will be the moment I’ll remember on my deathbed!”

(4) YOU CAN TALK TO THE HORSE, BUT NOT NECESSARILY OF COURSE. Fantasy Faction reposted Aaron Miles’ insightful article “A Question of Technology”.

How fantasy elements interact with technology is another aspect of worldbuilding to consider. Necessity is the mother of invention, the creation of a tool to aid in a task. But when you have characters that can make it rain at will, it seems pointless to dig ditches for irrigation. Does your world have magical solutions instead of technological ones, how prevalent is magic and its availability in solving daily problems? The opposite can be true as well, does your world have technological solutions to magical problems? Has a castle population built giant net launchers and long range crossbows to help defend themselves from dragon attacks? Perhaps they’ve developed fire resistant armour and building materials. This is an example of the necessity point in action, it’s human nature to try and counter a hostile force. In a world ruled by magic users, perhaps a resistance has created mechanical devices that negate their powers; maybe your heroes need them to complete a quest?

The level of technology in your work can influence the plot and what kind of solutions the writer can present to their characters. Is a character sick or injured? Is there a medical cure, it is easily available or a rarity? What about travel, does your world have domesticated horses, are there paved roads that allow them to make good time?

(5) WISHLIST OF A FAN’S DREAMS. Corrina Lawson made a list of “Fictional Presents We’d Love to Receive This Holiday Season” for B&N Sci-Fi & Fantasy Blog.

Translation Microbe (Farscape) Lots of translation devices pop up in science fiction universes, including the Babel Fish in The Hitchhiker’s Guide to the Galaxy, but you have to stick that leech-like thing in your ear. Ew. The Translation Microbe from Farscape also has to be sent into the body (via injection), rooting itself at the base of the brain. But it’s painless, aside from the initial injection, and there’s nothing living in your head. As for Star Trek‘s universal translator? That’s a machine that can be lost or destroyed, and you don’t want to be caught out as a stranger in a strange land.

(6) ATKINS OBIT. Lon Atkins (1942-2016) has died. Guy Lillian III sent this tribute about the legendary fan.

Lon Atkins, lost either yesterday or just this morning, was a titan in our Southern fannish world. His Rebel Award, his Fan GoHship at the DSC, were beautiful if finally inadequate reflections of his contribution to our early days as a regional fandom and our growth into the vibrant and important segment of SFdom we’ve become.  He was Official Editor of SFPA for four years and kept it going through its slimmest days.  His fabled battles at the Hearts table with his great frtiend Hank Reinhardt were not only legendary, but entertaining, helping to build the sense of community that marks the region and its game.  He did the best apazines — the best-written, the best-reproed, the most comprehensive — I have ever seen.  And he was a gentleman.

I am lost in regret.  Lon was a mentor and a model for how a good man conducts himself in science fiction fandom.  MELIKAPHKAZ forever!

(7) JIM C. HINES RESUMES FUNDRAISING AUCTIONS. He took a few days off for the holiday, but Jim C. Hines today is taking bids on an autographed, personalized series from Sherwood Smith.

Welcome back to the third of 24 Transgender Michigan Fundraiser auctions.

Transgender Michigan was founded in 1997, and continues to run one of the only transgender helplines in the country, available 24/7 at 855-345-8464. Every tax-deductible donation helps them continue to provide support, advocacy, and education.

Auction number three is for a personally autographed hardcover set of either the  INDA or DOBRENICA series, by author Sherwood Smith. Sherwood is also willing to personalize the books if the donor wishes — doodles, notes about something they’re interested in on the text, etc.

(8) FOR THOSE WHO COULD NOT MAKE IT IN PERSON. The exhibit ended its local run yesterday, and will be moving on to other cities. Steve Weintraub has done his best to show Collider readers what they missed — “Over 150 Pictures from the Cool & Unusual ‘Guillermo del Toro: At Home with Monsters’ LACMA Exhibit”.

As you’ll see in the pictures below, not only will you notice things from his films like Cronos, Hellboy, Pan’s Labyrinth, Pacific Rim, and Crimson Peak, you’ll see the 1907 edition of Alice’s Adventures in Wonderland, original Moebius artwork, original comic book pages from Alan Moore’s From Hell, concept art from films like Walt Disney’s The Adventures of Ichabod and Mr. Toad, Sleeping Beauty, Fantasia, Alice in Wonderland, James Cameron’s Aliens, Drew Struzan’s poster for Pan’s Labyrinth, his love of all things Dracula, Frankenstein, H.P. Lovecraft and Edgar Allen Poe, and so much more.

Since most people will never be able to check out the At Home with Monsters exhibit, while walking around I took a ton of pictures. Even though I snapped over 150 high-resolution pics, trust me when I say I didn’t come close to capturing everything there and if you’re near the Art Gallery of Ontario or the Minneapolis Museum of Art when the exhibition opens in either city, I strongly suggest stopping by and seeing it for yourself.

(9) WORLD FANTASY PROGRAM. From Tor.com we learn that the 2017 World Fantasy Con is gathering program ideas. The convention’s theme is Secret Histories – The Use of History in Fantasy. Use their online form.

(10) THE MAGICIANS ON SYFY. This is no fantasy. Lev Grossman’s The Magicians returns for Season 2 on January 25.

(11) THE HOLE YOU SAY. Cards Against Humanity raised over $100,000 on Black Friday by broadcasting a video of a giant hole and asking its users to throw the money in!

This has raised a lot of questions in NPR’s newsroom, some of which Cards Against Humanity endeavored to answer on its site:

What’s happening here?

Cards Against Humanity is digging a holiday hole.

Is this real?

Unfortunately it is.

Where is the hole?

America. And in our hearts.

Is there some sort of deeper meaning or purpose to the hole?

No.

What do I get for contributing money to the hole?

A deeper hole. What else are you going to buy, an iPod?

Why aren’t you giving all this money to charity?

Why aren’t YOU giving all this money to charity? It’s your money.

Is the hole bad for the environment?

No, this was just a bunch of empty land. Now there’s a hole there. That’s life.

How am I supposed to feel about this?

You’re supposed to think it’s funny. You might not get it for a while, but some time next year you’ll chuckle quietly to yourself and remember all this business about the hole.

How deep can you make this sucker?

Great question. As long as you keep spending, we’ll keep digging. We’ll find out together how deep this thing goes.

(12) JONATHAN LIVINGSTON YODA. CinemaBlend makes sure were there when a “Star Wars Bad Lip Reading Video Turns Empire Into Hilariously Funky Seagull Song”.

The folks at Bad Lip Reading have produced some stellar videos over the course of the last few years, but this one might actually be their magnum opus. Reimagining Luke Skywalker’s time with Yoda on Dagobah, the video follows the mismatched pair as the ancient Jedi master sings to a clearly annoyed Luke. Using the speech of the Yoda puppet as a template, the video features a voiceover that replaces the wise teachings of the alien warrior with utter nonsense about seagulls, logs giving birth to sticks, and getting hit in the neck with a hacky sack. It’s undoubtedly one of the weirdest Star Wars related videos that we have ever seen on the Internet, but it’s also that weirdness that makes it so utterly awesome.

 

[Thanks to Arnie Fenner, JJ, Martin Morse Wooster, Guy H. Lillian III, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]

Pixel Scroll 10/13/16 A Simple Pixeltory Scrollipic

(1) FREE CLIMATE CHANGE SF ANTHOLOGY. Twelve stories from the Climate Fiction Short Story Contest are collected in Everything Change, a new fiction anthology from Arizona State University’s Imagination and Climate Futures Initiative (ICF). Kim Stanley Robinson wrote the foreword, and there is also an interview with Pablo Bacigalupi.

In the midst of Earth’s hottest year on record, the effects of climate change are more apparent than ever. But how do we come to grips with the consequences on the ground, for actual people in specific places? New York Times bestselling science fiction author Paolo Bacigalupi believes the answer lies in fiction: “Fiction has this superpower of creating empathy in people for alien experiences. You can live inside of the skin of a person who is utterly unlike you.”

The anthology includes the grand prize winner of the Climate Fiction Short Story Contest, “Sunshine State,” a quasi-utopian disaster story set in the Florida Everglades. The story’s authors, Adam Flynn and Andrew Dana Hudson of Oakland, CA, will receive a $1000 prize, and four other prizewinners will receive book bundles signed by Bacigalupi. The contest received 743 submissions from 67 different countries and from more than half of the states in the U.S.

The title Everything Change is drawn from a quote by Margaret Atwood, the first Imagination and Climate Futures lecturer in 2014.

The book is free to download, read, and share in PDF, EPUB, and MOBI formats at the Imagination and Climate Futures website, and at the Apple iBooks store and the Kobo store.

Table of Contents:

  • Kim Stanley Robinson, Foreword
  • Manjana Milkoreit, Meredith Martinez, and Joey Eschrich, Editors’ Introduction
  • Adam Flynn and Andrew Dana Hudson, “Sunshine State”
  • Kelly Cowley, “Shrinking Sinking Land”
  • Matthew S. Henry, “Victor and the Fish”
  • Ashley Bevilacqua Anglin, “Acqua Alta”
  • Daniel Thron, “The Grandchild Paradox”
  • Kathryn Blume, “Wonder of the World”
  • Stirling Davenport, “Masks”
  • Diana Rose Harper, “Thirteenth Year”
  • Henrietta Hartl, “LOSD and Fount”
  • Shauna O’Meara, “On Darwin Tides”
  • Lindsay Redifer, “Standing Still”
  • Yakos Spiliotopoulos, “Into the Storm”
  • Ed Finn, “Praying for Rain: An Interview with Paolo Bacigalupi”

(2) THE TIMES THEY ARE A-CHANGIN’. The New York Times reports on another history-making moment in the career of this musician: “Bob Dylan Awarded Nobel Prize in Literature”.

Half a century ago, Bob Dylan shocked the music world by plugging in an electric guitar and alienating folk purists. For decades he continued to confound expectations, selling millions of records with dense, enigmatic songwriting.

Now, Mr. Dylan, the poet laureate of the rock era, has been rewarded with the Nobel Prize in Literature, an honor that elevates him into the company of T. S. Eliot, Gabriel García Márquez, Toni Morrison and Samuel Beckett.

Mr. Dylan, 75, is the first musician to win the award, and his selection on Thursday is perhaps the most radical choice in a history stretching back to 1901. In choosing a popular musician for the literary world’s highest honor, the Swedish Academy, which awards the prize, dramatically redefined the boundaries of literature, setting off a debate about whether song lyrics have the same artistic value as poetry or novels.

(3) CALIFORNIA COLLECTIBLES LAW UPDATE. The American Booksellers Association says: “California Collectibles Bill Clarification Expected”.

At press time, Bookselling This Week learned that California Assemblywoman Ling Ling Chang plans to submit a letter to the state legislature stipulating that a new law covering the sales of collectibles does not apply to either general bookstores or author signing events. Chang was the sponsor of the bill. The law requires sellers of signed books and artwork to provide the buyer with a certificate of authenticity (COA) for any item sold for $5 or more.

“While ABA’s reading of the bill matched that of Assemblywoman Chang’s intent in drafting the law — that the law was meant specifically for the collectibles industry to stave off fraud — we are grateful for how responsive Assemblywoman Chang and her staff were to the concerns of booksellers,” said David Grogan, senior public policy analyst for ABA. “It also clearly shows how much of an impact booksellers can have when they voice their concerns to their legislators. We are happy that a clarification is expected to be entered into the record.”

The clarification comes as a direct response to a blog post and subsequent letters from independent bookstores in California. Concerned that some might assume the law applied to general bookstores, Eureka Books in Eureka, Book Passage in Corte Madera, and others opposed the new law, fearing that it would have a negative financial impact on their businesses.

(4) VENUS IF YOU WILL. Here’s a clickbait-worthy headline: “Why Obama may have picked the wrong planet”.  And as a bonus, the article quotes SF writer and NASA scientists Geoffrey Landis.

On Tuesday, Obama published an op-ed at CNN laying out his vision (once again) for visiting Mars.

“We have set a clear goal vital to the next chapter of America’s story in space: sending humans to Mars by the 2030s and returning them safely to Earth, with the ultimate ambition to one day remain there for an extended time,” he wrote.

The Obama administration has been pursuing a visit to Mars for years. But Obama may be overlooking an easier target, if the arguments of one NASA researcher (and numerous supporters) are to be believed. While Mars may seem to be an attractive destination, we should consider sending people to Venus instead, these people argue….

You see, Mars is a challenging destination. It’s far away, the gravity is a fraction of Earth’s — posing additional health hazards beyond the lack of atmospheric radiation shielding — and you have to be suited up just to breathe outside.

By contrast, Venus is a lot closer to Earth than Mars is. At their closest points, Venus is only 25 million miles away, compared with Mars’s 34 million miles. The shorter distance means you’d need less time and fuel to get there, reducing the cost. And although Venus’s surface temperature is hot enough to melt metal, and the crushing pressure will squish you like a bug, the upper atmosphere is actually rather habitable.

“At about 50 kilometers above the surface the atmosphere of Venus is the most earthlike environment (other than Earth itself) in the solar system,” wrote Geoffrey Landis, a NASA scientist, in a 2003 paper. Landis has spent much of his career dreaming up ways to make a human trip to Mars actually feasible, so he knows what he’s talking about.

At high altitude, Venusian temperatures are hot but not unbearable, and the barometric pressure drops to the equivalent of one Earth atmosphere. You’d have droplets of sulfuric acid to worry about, but only if your skin is directly exposed.

It helps that NASA has already taken steps to research a manned mission to Venus.

(5) RON MILLER ON SPACESHIPS. Smithsonian.com plugs artist Ron Miller’s new opus from Smithsonian Books in “How Artists, Mad Scientists and Speculative Fiction Writers Made Spaceflight Possible”.

The realization of human spaceflight has long stood as a testament to the power of human temerity, a triumph of will and intellect alike. Pioneers such as Yuri Gagarin, Neil Armstrong and Sally Ride have been immortalized in the annals of history. Their impact on terrestrial society is as indelible as the footprints left by the Apollo astronauts on the windless surface of the Moon.

Perhaps yet more wondrous than the Cold War-era achievement of extraterrestrial travel, however, is the long and meandering trail that we as a species blazed to arrive at that result. Such is the argument of author-illustrator Ron Miller, an inveterate spaceship junkie and one-time planetarium art director at the National Air and Space Museum in Washington, D.C.

Miller’s just-published book, Spaceships: An Illustrated History of the Real and the Imagined from Smithsonian Books, is a paean to the exploratory yearning of humankind across the centuries. The profusely illustrated volume tracks technological watersheds with diligence, but its principal focus is those starry-eyed visionaries, the dreamers….

(6) TOO TANGLED FOR TINGLE? I was wondering what the chances were of Chuck Tingle setting up his own SadPuppies.com site when it’s Hugo season again. But Huge Domains already has that registered and is asking $1,895 for the rights.

Well then, what about SadPuppies5.com? Nope, that’s registered, too, by a proxy that contains a reference to the real Sad Puppies site, SadPuppies.org – have they been thinking ahead?

Of course, if Tingle wanted  to make a File 770 reference, he could always start up SadPuppiesSecond5th – and that would be fine by me.

(7) VULICH OBIT. Special effects make-up artist John Vulich died October 13. Dread Central recalls:

Vulich worked on some of the horror genre’s most classic films and TV shows such as “Buffy the Vampire Slayer,” George A. Romero’s Day of the Dead, The Dark Half, Castle Freak, From Beyond, Ghoulies, Dolls, TerrorVision, The Texas Chainsaw Massacre Part 2, The Lost Boys, Two Evil Eyes, “The X-Files,” “Angel,” and “Werewolf: The Series” and was one of the founders of Optic Nerve Studios.

(8) TODAY’S BIRTHDAY BOY

  • Born October 13, 1957 — Chris Carter, creator of “The X-Files.”

(9) FIFTH NEWS IS BEASTLY. We’re always on the lookout for news items featuring the number five. I may run only about 10% of them, but Tor.com broke through with “J.K. Rowling Confirms There Will Be Five Fantastic Beasts Films”.

At Warner Bros’ global fan event for Fantastic Beasts and Where to Find Them today, the studio made a big announcement: There will be five Fantastic Beasts films total, instead of the trilogy, as originally thought.

(10) SHOCKED, I TELL YOU. In “thoughts on the processing of words” at Text Patterns, a blog on The New Atlantis website, Baylor University English professor Alan Jacobs gives a long review of Matthew Kirschenbaum’s Track Changes: A Literary History of Word Processing, including the revelation that the first author to write a book on a word processor was not Gerrold, Pournelle, or Crichton, but historical novelist Gay Courter.

In any case, the who-was-first questions are not as interesting or as valuable as Kirschenbaum’s meticulous record of how various writers — Anne Rice, Stephen King, John Updike, David Foster Wallace — made, or did not quite make, the transition from handwritten or typewritten drafts to a full reliance on the personal computer as the site for literary writing. Wallace, for instance, always wrote in longhand and transcribed his drafts to the computer at some relatively late stage in the process. Also, when he had significantly altered a passage, he deleted earlier versions from his hard drive so he would not be tempted to revert to them.

(11) LACKING THAT CERTAIN SOMETHING. IGN’s’ video interview with the actor reveals “Why George Takei Doesn’t Like the New Star Trek Movies and the Old Animated Series”.

Mr. Sulu explains why he doesn’t like the Star Trek cartoon and reveals the magic ingredient he believes the new films are missing. The Star Trek 50th Anniversary TV and Movie Collection Blu-ray Boxset is out now.

(12) WELLS MEETS SOLOMON. Richard Chwedyk’s “Teaching Stuff: Vast and Cool and Unsympathetic” at the SFWA Blog tells about a fascinating exercise:

Here’s an assignment I give my students:

They receive a copy of the first chapter of H. G. Wells’ War of the Worlds.

It is roughly 2,250 words.

I tell the students that Mr. Wells has just received a note from his editor. “Great stuff, Herbie, but you go on too long here. Cut this first chapter in half.”

How to make 2,250 words into 1,125 words?

Mr. Wells, alas, has passed on. Fortunately for us, so has the novel’s copyright.

…Ask students to do this to their own stories and their faces turn ashen. Their babies? By half? What madness is this?

So by practicing at first on Wells, they can see what the process entails before going on to apply the knife to their own deathless prose. The exercise not only requires careful editorial skills, but an equally careful reading of the text. What’s important in the telling? What’s icing on the cake?

(13) DEEP READING. Connie Willis, in an article for Unbound Worlds, discusses her new book Crosstalk“Connie Willis Wants You to Think Twice About Telepathy”.

What led me to write Crosstalk?  Oh, lots of things.  For one, like everybody else, I’ve always been intrigued by the idea of telepathy and have often thought how nice it would be to be able to tell what other people were thinking, to know if they were lying and how they really felt about you.  For another, I live in Colorado, home of the infamous Bridey Murphy, who started the whole channeling-past-lives thing back in the fifties by claiming she’d had a previous life in nineteenth-century Ireland.  Which turned out not to be true and which left me with a healthy skepticism of all things paranormal, from psychics to Dr. Rhine’s ESP experiments.

(14) WHAT’S WRONG WITH THINKING OUT LOUD. She also did an interview with The Verge“Novelist Connie Willis explains why telepathy is a terrible superpower”.

You’ve said many of your stories are about working through arguments with yourself, and working through different aspects of the idea you obsess over. Are you working through an argument in Crosstalk?

Well, looking at the society we’re living in right now, we’re bombarded with information. We have all these new ways of communicating. We can talk face-to-face to somebody in Asia, you can have a best friend who lives across the world. But our relationships don’t seem to be improving radically as a result of all this extra communication.

We’re always looking to technology, thinking it can solve our human problems. Usually it does, but with big side effects we hadn’t counted on. It’s an argument I don’t know how to solve. I’m not suggesting we go be Luddites. But occasionally I’m on panels with all these really gung-ho tech people, and they’re like, “Oh this new development will solve all our problems.” And I think “Anything that solves all our problems will create a whole mess of new problems that would have never occurred to us.” We need to start thinking more in terms of cost-benefit analysis. Maybe that would be more productive.

But mostly with Crosstalk, I just wanted to have fun with the idea of whether communication is a good idea, generally. Not tech communication, communication between people. Most people would say, “We all need more communication in our relationships.” But really, most relationships benefit from all the things we don’t say, all the things we keep to ourselves.

(15) MEMORIES. In a Rue Morgue interview, the actress looks back: “35 years of pleasant screams: an interview with Cassandra Peterson, aka ELVIRA”.

When it comes to the horror genre, there are many icons in the business but none more so than a woman who created a character that has permeated pop culture; her name is Cassandra Peterson and her wonderful, wicked, and hilarious alter ego is Elvira, Mistress Of The Dark. For 35 years, the sexy, dark, and comedic valley girl/gothic goddess has appeared on television, film, pinball machines, comic book covers, record albums, and any other product you could imagine. She is one of the most beloved incarnations in history, and is still surging in popularity to this very day. Peterson herself is now in her mid-sixties but looks like she has discovered the fountain of youth, or made a deal with the devil, she is absolutely beautiful and timeless. Her comedic timing is unmatched, quick fire and quite daunting considering the jokes come straight from her mind like bullets, one of the funniest women alive, hands down. She is also one of the hardest working women in the business, an actress who became her own boss and made her own rules (and still does); truly an inspiration in regard to drive, conviction, and perseverance.

Rue Morgue spoke to Peterson about her 35th Anniversary and her new photo book, entitled ELVIRA MISTRESS OF THE DARK, which is a love letter to her fans, and a testament to her many years as a reigning queen in horror comedy….

(16) ACES AND BAIT. In addition to the news I missed while I was in the hospital, I also fell behind reading Adventures With Kuma. From August “Dodge City Bear”.

Bears wents to lots of places todays. Boys will writes abouts bigs holes in the grounds laters. Bears gots to plays a games in Dodges Citys withs a nices Doctors nameds Hollidays.

Bears saids, “Bears has fives fishes. Whats yous gots?”

 

Kuma Meets Doc Holliday

[Thanks to John King Tarpinian, Joseph Eschrich, Bartimaeus, Sean R. Kirk, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing edtor of the day Cath.]

Pixel Scroll 10/6/16 Have Fun Storming The Pixels!

(1) MCCARTY REMEMBERS HARRISON. Dave McCarty pays tribute to his friend Howard Harrison, who passed away October 5, by retelling the experience of running the 1999 Capricon.

…I asked what if we weren’t actually throwing *Capricon*?  What if instead, we were holding the annual meeting of the International Order of Villains?  We treat the whole convention like it is some *other* event?  Tracy asked me why that would be and then I hit her with the nefarious money plan.  You see, if it’s a conference like that, when folks sign up, they would tell the convention organizers which kind of villain they were…be it henchmen, lackey, minion, mad scientist, Igor, etc.  We could badge each of those groups differently so you’d know who was who.  The kicker was that you could also choose to register as an Evil Overlord, but this would be a premium membership for which you would need to pay more money.  If you wanted to be an Evil Overlord, you had to pay.  We could work out getting them some tokens and souvenirs for it, but as long as we only spent a couple bucks on that, we were still helping the convention.  The idea excited me and it excited Tracy, so we shared it with a few other folks and it universally got folks excited and worked up….

From that point on we were in a world we’d never anticipated.  We got no small number of people to pay us extra money to be an Evil Overlord and boy howdy did that help us, but holy hell did it make for a convention that’s hard to forget.  See, quite a number of the Evil Overlords were going around the convention recruiting minions, henchmen, and lackeys to their cause.  Even more brilliantly, Howard Harrison was spending almost all of the time he wasn’t in the filk room going around and organizing the Union of Minions, Henchmen, and Lackeys Local 302.  When I asked him why, he told me (in his best Chicago Superfan imitation) “You see, I know that I am going to die in a fiery explosion, or be thrown into a volcano, or just act as fodder for my bosses escape.  I need to know what’s going to happen for my family!“.  These conversations and all the recruiting brought me to freaking tears.  Our whole convention was a LARP and almost everyone was playing and nobody was having a bad time or feeling pressured to participate.  Howard even invented the UMHL salute.  Take your right hand and make a tight thumbs-up, then flip it upside down (thumbs down).  Now, place  your knuckles against your temple in salute fashion.  There you go, union salute!  Howard then took his unionized brothers and sisters and started approaching the Evil Overlords to inquire about benefits and insurance and post-death family care to get his folks the best deal he could….

…At the time, I told him how brilliant he was…but over the years, his playfulness that weekend grew to mean a lot more to me and I don’t think I ever really got to tell him what that grew into for me.  I’m sad that I can’t do that with him now, but I *can* share this story with all of you so that you know what a special guy he was.

(2) MAGIC IN SNORE-TH AMERICA. If you bet against J.K. Rowling writing magical history that’s as dusty and dull as regular history is reputed to be – you lost. New at Pottermore, “The Magical Congress of the United States of America (MACUSA)”.

The Magical Congress of the United States of America, known to American witches and wizards by the abbreviation MACUSA (commonly pronounced as: Mah – cooz – ah) was created in 1693, following the introduction of the International Statute of Wizarding Secrecy. Wizards worldwide had reached a tipping point, suspecting that they could lead freer and happier lives if they built an underground community that offered its own support and had its own structures. This feeling was particularly strong in America, due to the recent Salem Witch Trials.

MACUSA was modeled on the Wizards’ Council of Great Britain, which predated the Ministry of Magic. Representatives from magical communities all over North America were elected to MACUSA to create laws that both policed and protected American wizardkind…

 

(3) SURVIVING HOSTILITY. Angelica Jade Bastién, in an article for New Republic, says “For Women of Color, the Price of Fandom Can Be Too High”.

I’m open to criticism and discussing my writing with those who respectfully don’t agree with my opinion, but in covering comic properties, I’ve dealt with everything from people accusing me of not reading comics as if I had no idea what I was talking about to being told I was race baiting by acknowledging certain issues in the film. The worst were the very pointed attacks calling me an “idiot” or a “bitch” and far worse epithets from people I blocked. I won’t even go into the Reddit threads about my article that I was once tauntingly sent screenshots of. It’s something I’ve grown almost numb to as a critic. But what was more interesting to me was the level of hurt coming from these men and their routine way of doubting my comic knowledge—a dynamic other female journalists get time and time again.

I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous.

I have been reading comics obsessively since I was about ten years old. I can probably quote from John Ostrander’s original Suicide Squad run in my sleep, I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous. But I’ve found that the love and knowledge I have on these subjects never seems to be good enough for the people who grow furious at a black woman writing about these properties. White male fans often don’t want to face how their beloved properties often have troubling racial and gender politics.  (Just peruse the comments on my review of X-Men: Apocalypse for RogerEbert.com: “The author feels like the X-Men series in general has failed its female characters—ignoring the fact that Mystique is elevated to a leadership and relevance level well above the source material.” Many didn’t want to face a critique coming from a woman, and a fan, who knows them better than they do.) You can only delete emails and block people on Twitter for so long until you feel burnt out. The reason why we don’t see more black women writing about these subjects with such visibility isn’t because we haven’t been interested in them, it’s that publications rarely give us the opportunity, and when we do write, we often find ourselves facing personal scrutiny that has little to do with the actual writing. At times, I’ve been left to wonder, why do I love these stories so much when they rarely care about people who look like me?

(4) HOLD ON TO THE LIGHT. At Magical Words, “100+ Sci-Fi & Fantasy Authors Blog About Suicide, Depression, PTSD—a #HoldOnToTheLight Update by Gail Z. Martin” includes links to the first 40 posts authors have written around the theme.

More than 100 authors are now part of the #HoldOnToTheLight conversation! Our authors span the globe, from the US to the UK to Canada, Australia and New Zealand. Even more exciting is that as the campaign picks up traction and visibility, more authors want to join, meaning a growing, vibrant dialog about mental wellness and coping with mental illness.

#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.

(5) MUSEUM OF SF KICKSTARTER FOR A WOMEN IN SF ANTHOLOGY. The Museum of Science Fiction has opened a Kickstarter appeal to fund Catalysts, Explorers & Secret Keepers, a “take-home exhibit” featuring short science fiction works by and about the women of the genre.

This anthology will showcase how they—as readers, as writers, and as characters—have engaged with and influenced science fiction for more than a century….

The cover of Catalysts, Explorers, & Secret Keepers will feature original artwork by the Hugo winning artist Julie Dillon. Award-winning authors Eleanor Arnason, Catherine Asaro, N.K. Jemisin, Nancy Kress, Naomi Kritzer, Karen Lord, Seanan McGuire, Sarah Pinsker, Kiini IburaSalaam, Carrie Vaughn, Jane Yolen, and Sarah Zettel have already agreed to contribute work to the exhibit.

Upon reaching the minimum funding target, the Museum will open submissions until December 1, 2016. The public will be able to submit original work that fits the take-home exhibit’s theme. Authors of original fiction published in Catalysts, Explorers, & Secret Keepers will receive the SFWA-standard pro-rate ofUS $0.06 per word, while authors of solicited reprints will receive US $0.03 per word. All authors featured in this exhibit will be invited to discuss their work as presenters and panelists in 2017 at Escape Velocity, the Museum of Science Fiction’s annual celebration of all things science fiction.

The appeal has raised $6,068 of its $8,500 goal with 26 days to go.

(6) TOR.COM REOPENING FOR NOVELLAS. Tor.com publishing will take unsolicited novella submissions for three months beginning October 12.

Lee Harris and Carl Engle-Laird will be reading and evaluating original novellas submitted by hopeful authors to http://submissions.tor.com/tornovellas/. You can find full guidelines here, and we highly recommend you read the guidelines before submitting. We will be open for three months, beginning on October 12th around 9:00 AM EDT (UTC-4:00) and ending on January 12th around 9:00 AM EST (UTC-5:00). We may extend this period depending on how many submissions we receive over the course of the open period.

(7) TAKE US TO YOUR CHIEF. From CBC Radio, “Drew Hayden Taylor on why we need Indigenous science fiction”.

Science fiction is meant to take us to places we’ve never been — this is what writer Drew Hayden Taylor is aiming to do with his new collection of short stories, Take Us to Your Chief.

Taylor’s new book filters famous sci-fi tropes such as aliens, time travel and government spying through the lens and perspective of Indigenous people. For him, he is simply taking these familiar stories and putting “some hot sauce on them.”   …

“I pictured myself as a 12-year-old kid back on the reserve, reading science fiction or reading books and not seeing our experiences in this book,” he explains. “I was just taking certain touchstones that we were all familiar with and then using them to take them out of the reserve environment into the larger sci-fi environment, and giving it that sort of resonance.”

(8) POSTSCRIPT TO NATIONAL FINISH-YOUR-BOOK DAY. Camestros Felapton reports there was  third sf novel finished yesterday – Timothy the Talking Cat’s The Confusing Walrus. According to Camestros,

I’ve read his ‘manuscript’ and it says “Copy whatever John Scalzi has written but use find/replace on the words ‘space’, ‘galaxy’, ‘star’ and ‘planet’ with the word ‘walrus’”

confusingwalrus-min

(9) INTERVIEW WITHOUT A VAMPIRE. Masters of Horror held a get-acquainted session with Horror Writers of America President Lisa Morton.

Interview With Lisa Morton By David Kempf

When did you first become interested in writing?

I’ve been writing almost as long as I’ve been reading – my first poem was published when I was 5! – but I didn’t seriously consider making a living out of it until I saw The Exorcist at the age of 15. Seeing the astonishing impact that film had on audiences during its initial release made me realize I wanted to do that, too.

How did you make this a full time job?

Well, it’s not my full time job now. I tried that for a while, back when I was making a fair amount of money as a screenwriter, and it didn’t work for me at all. I know most writers dream of being able to leave their day job and pursue writing all the time, but for me it was too isolating. Plus, I really love being a bookseller.

How did you become President of the Horror Writers Association?

By attrition, sadly. I was serving as Vice President when the President, Rocky Wood, passed away. Before that I’d held a variety of positions within the organization. I do find it satisfying to work with other writers and promote a genre that I love….

(10) NEXT BLADE RUNNER. The Verge reports “The Blade Runner sequel is officially titled Blade Runner 2049”.

(11) BROOKS ON WILDER AND FRANKENSTEIN. Mel Brooks got emotional before a screening last night.

Mel Brooks introduced one of the funniest movies ever made, Young Frankenstein, on Wednesday night. But the director couldn’t hold back tears.

Brooks paid homage to Gene Wilder, the star and co-writer of his 1974 classic comedy, before showing Young Frankenstein on the 20th Century Fox lot.

The live event was beamed to theaters around the country and turned into a tribute to Wilder, who died Aug. 29 at age 83. An encore presentation with Brooks’ introduction will screen in theaters Oct. 18.

“I get just a little overcome,” said Brooks, 90, from the stage, dabbing his eyes as he discussed Wilder. “I’ve had a few great memories in my life. But, honestly, I think making Young Frankenstein is my best year.”

(12) SWEET SWILL. ‘Tis the season for Deadworld Zombie Soda! (Turn the sound down when you click on this site.) The sodas come in 12 flavors, with label art created by comic book artists based on the characters and events that take place in Deadworld comic book universe.

  • ORANGE  – Orange Roamer
  • CHERRY COLA – Goon Biters
  • BLACK CHERRY – Royal Rotter
  • CREAM SODA – Brain Sap
  • COTTON CANDY – Zeek Cocktail
  • VANILLA CREAM SODA – Geek Juice
  • GRAPE – Grisly Swill
  • VANILLA ROOT BEER – Slow Decay
  • STRAWBERRY – Rot Berry
  • ROOT BEER – Twilight Shuffler
  • GREEN APPLE – Morbid Mix
  • GINGER ALE – Graveyard Delight

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Deadworld is the award winning, long running cult hit comic book series published by Caliber Comics that first exploded on the comic scene in 1986. With over 1 million copies in print and over 100 comics & graphic novels released to date, Deadworld is not your typical “zombie comic book or story”.

A supernatural plague has been unleashed on the world. The dead return to walk the earth…but this is no standard zombie story.  The dead are just foot soldiers for those who have crossed the ‘Gateway’ from another dimension. There are leader zombies who are intelligent, sadistic, and in addition to having a hankering for flesh, enjoy the tortuous ordeals they put the surviving humans through.

(13) EERIE OUTFITTER. Tim Burton’s costume designer Colleen Atwood interviewed by NPR (with comments on Miss Peregrine’s…):

From Hannibal Lecter’s mask to Edward Scissorhands’, well, scissor hands, Oscar-winning costumer Colleen Atwood has pretty much designed it all.

Working steadily since the 1980s, she’s dressed characters from the past and the future — the Middle Ages for Into the Woods, the Civil War for Little Women all the way to Gattaca and the 2001 Planet of the Apes. Her latest movie, Miss Peregrine’s Home for Peculiar Children, is her eleventh with Tim Burton. It travels back in time to Wales during World War II….

(14) SLOW DOWN, YOU MOVE TOO FAST. The BBC sums up interstellar travel:

Science fiction writers and moviemakers have shown us countless visions of humanity spread out across the Universe, so you might be forgiven for thinking that we’ve already got this in the bag. Unfortunately, we still have more than a few technical limitations to overcome – like the laws of physics as we understand them – before we can start colonising new worlds beyond our Solar System and galaxy.

That said, several privately funded or volunteer initiatives such as the Tau Zero Foundation, Project Icarus and Breakthrough Starshot have emerged in recent years, each hoping to bring us a little bit closer to reaching across the cosmos. The discovery in August of an Earth-sized planet orbiting our nearest star has also raised fresh hopes about visiting an alien world.

Interstellar spacecraft will be one of the topics discussed at BBC Future’s World-Changing Ideas Summit in Sydney in November. Is travelling to other galaxies possible? And if so, what kinds of spacecraft might we need to achieve it? Read on to get up to (warp) speed: …

(15) TREK BEYOND BLOOPERS. CinemaBlend has the story and the video — “Chris Pine Does His Best Shatner Impression In Hysterical Star Trek Beyond Gag Reel”.

As professional as the actors all are on the set of a Star Trek movie, the final cut of the film adds effects and music to the experience which help transport you to the fictional world. Without that, you’re just a guy standing on a set spouting Star Trek gibberish. This becomes all the more clear when an actor trips over their lines, and suddenly everybody remembers that they’re acting again. The best part, though, is when Chris Pine calls for “Full impulse, Mr. Suliu” and John Cho stops to say that he sounds like he’s doing a William Shatner impression. Pine does add a bit of a classic Shatner pause to the line, so it does sound a bit like him to us. As much as we love William Shatner, we hope this doesn’t become a habit.

(16) THAT’S APPERTAINMENT. IanP unleashed this instant classic in a comment on File 770 today.

With apologies to Paul Weller

A pixeled car and a screaming siren
A shuggoth trail and ripped up books
A walrus wailing and stray pup howling
The place of fifths and tea drinking

That’s appertainment, that’s appertainment

A file of scrolls and a rumble of boots
A wretched hive and a bracket ‘head cloth
Ink splattered walls and the award of a rocket
Time machine appears and spews out pizza

That’s appertainment, that’s appertainment.

[Thanks to John King Tarpinian, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]

Pixel Scroll 5/20/16 Is That a Pixel In Your Pocket Or Are You Just Glad To Scroll Me?

(1) BBC RADIO 4 SF. BBC Radio 4 is presenting Dangerous Visions, a series of science fiction radio plays, both original and adaptations of classic works, beginning May 22. Adapted works include Aldous Huxley’s Brave New Worlds, Wyndham’s The Kraken Wakes, William Morris’ News From Nowhere, and Kazuo Ishiguro’s Never Let Me Go.

The list of upcoming episodes is here. They’ll be available for listening to online “shortly after broadcast” for a limited time (usually 30 days).

(2) REFERENCE DIRECTOR. The BBC’s Dangerous Visions site also offers lessons in “How To Speak Sci-Fi”, a selection of 10 popular taglines.

It takes a LOT of training to be a fully-fledged, proud sci-fi nerd. If someone can speak fluent Italian, they’re revered (assuming they’re not actually Italian) but fluent Klingon? You’re considered a joke. We’re here to set this right….

3. “If I can just reverse the polarity of the neutron flow…”

Try saying that when you’re fighting with the automatic checkout at the supermarket and every Doctor Who fan within earshot will snigger. Jon Pertwee said it originally but it’s used by fans as general shorthand for the Doctor’s more unlikely technological experiments.

(3) CHESTERTON. Elsewhere on BBC Radio 4, they’re in the middle of an adaptation of Chesterton’s The Man Who Was Thursday. The first 4 (of 13) episodes are available for online listening so far — GK Chesterton – The Man Who Was Thursday – Episode guide – BBC Radio 4 Extra.

(4) HITCHCOCK AND LUCAS. If the two famous directors combined forces the result would be nothing like Darth By Darthwest but who cares?

(5) EAT THE ADS. Tor.com explains why “We Are Sad That We Cannot Go to Japan and Eat Captain America: Civil War Ramen”.

What’s inside these familiar-looking decorative bowls, you ask? Civil War in a soup! Marvel teamed up with the popular Japanese ramen chain Ippudo in May to give the public a dose of superhero-themed food.

And we are very sad that we do not live in Japan right now.

RocketNews24, the source for Tor’s item, has additional details and photos.

cap america ramen

(6) TODAY IN HISTORY

(7) CORNELL RECLAIMS CRICKET. In each episode of Unjustly Maligned, comics and games writer Antony Johnston asks a new guest to explain why that thing you hate is actually really great. Episode 51 is “’Cricket’ With Paul Cornell”

As St George’s Day approaches, gentlemen in England’s green and pleasant land take to the field for a game that can last five days, yet still somehow end in a draw…! Author Paul Cornell goes to bat to spread the good word of cricket.

(8) GUARDIANS OF THE GALAXY. MiceAge has news about a Disneyland ride makeover.

This Elevator Travels Directly To . . . The Marvel Zone

Elsewhere in DCA, a wild rumor got out earlier this spring about a plan to remake Tower of Terror into a Guardians of the Galaxy ride. We can tell you that the Guardians of the Galaxy rumor is true, and TDA’s executive suite was furious when the rumor leaked out from Glendale-based sources. The plan is for the original Twilight Zone backstory to be removed entirely, and replaced with an all new show based around the Collector character from the Guardians movie franchise. WDI had been testing and experimenting with the new show in the elevators for months and the Tower of Terror hourly CM’s were all aware of what WDI had been cooking up since this winter. But when the plan finally leaked online in April, the TDA executive suite hit the roof in anger.

The current plan for Tower of Terror is to close the attraction this fall and give the entire building a full interior and exterior refurbishment so that the new version of the ride can open next May, with the Guardians of the Galaxy movie premiere held at DCA the same week the new ride opens. Assuming this gets the green light by August, and a disastrous Shanghai opening summer is about the only thing that could derail it at this point, the CM’s will be treated to another round of approved Talking Points that will somehow explain that they can now believe what they read online about Guardians of the Galaxy taking over Tower of Terror. The hourly CM’s, of course, are already several steps ahead of TDA.

This Tower of Terror proposal is part of a multi-year plan to get more Marvel into DCA, being pushed heavily by Bob Chapek. Since Chapek arrived a year ago as the new Parks Chairman, he’s been shocked to learn that after five years of owning Marvel there still isn’t a new Marvel ride in the California parks, and that the only thing TDA has done with Marvel is slap together some cheap meet n’ greets over the years.

(9) PRESERVED IN AMBER. Theodore Krulik, creator of the encyclopedia of Roger Zelazny’s Amber novels, The Complete Amber Sourcebook, dips into his trove of quotes and stories about the author in a post at Tor.com.

He had allowed me into his home that November day to conduct a week-long series of interviews for Roger Zelazny, the literary biography I was writing for Frederick Ungar Publishers in New York. My interviews with him at his home and in later interviews over the next ten years were much more than simple Q&A. Roger didn’t stop at a brief statement to anything I asked. He responded with deep insights that revealed experiences and perspectives that he rarely talked about anywhere else.

The final anecdote is a wry revelation about where Zelazny supposedly got his ideas.

(10) HERE KITTY KITTY. JJ calls Tom Gauld’s New Scientist cartoon “SJW Credentials Gone Wild”. The official intro is “Why science needs more funding…”

(11) IS IT A SINKING FEELING? The Travel goes to the movies at Galactic Journey — “[May 19, 1961] One of our Continents is Missing! (Atlantis: The Lost Continent)”.

Without giving too much of the ending away, I can confirm that the sinking of Atlantis does occur, and it is magnificent.  Some excellent model work mixed with clever optical effects makes for a satisfying conclusion.  Other noteworthy elements are the score (though there is some recycling of motifs from The Time Machine) and the acting, particularly the performances turned in by John Dall (Zaren, who was in Spartacus) and Paul Frees.  The latter is never seen; rather, his vocal talents are evident throughout.  The versatile Frees, who you’ve assuredly heard in prior films, and will hear in films to come, is the film’s narrator and the looped-over voice of many of the characters.

(12) NO, IT’S A TINGLING SENSATION. This offer could easily be over by now, as I’m sure people raced to take their pics —  “Chuck is nominated at this year’s Hugo Awards, the most prestigious award in science fiction. Help show your support!”

 The first 20 people to post a photo on Instagram or Twitter with this flyer hanging in their favorite bookstore will get a free Audible code direct messaged to them for Chuck’s classic tale BUTTCEPTION: A BUTT WITHIN A BUTT WITHIN A BUTT. The poster of 1 photo (best or most creative), as chosen by Chuck himself, will receive the honor of appearing by name as a side character in an upcoming tingler. Post your photo with the hashtag #BelieveInChuckTingle to enter!  Below is the flyer, which can be printed in black and white on standard 8.5 by 11 paper.

(13) BLUE AUTHOR. Alexandra Erin outlines a crowdsourced future in “Okay. So. Business plans”.

So the details are still firming up in my brain and probably won’t settle completely until after WisCon, but starting in June, my creative and insightful output is basically going to, in some form, be shaping up into Alexandra Erin: The Crowdfunded Zine. I’ll still be writing and posting stuff to my blog or directly to Patreon throughout the month, but I’m going to be collecting, collating, and polishing it as I go so that at the end of each month I have a shiny package I can give to my patrons and sell to anyone else who wants it, and that I myself can look at with pride, knowing that yes, I definitely accomplished things this month.

(14) IF YOU WERE A PATREON MY LOVE. Rachel Swirsky’s Patreon is raising money this month by Making Lemons into Jokes. Greg Machlin has a progress report.

ATTENTION! Talented sci-fi writer Rachel Swirsky has been getting harassed ever since she wrote an award-winning short story “If You Were a Dinosaur, My Love.” She’s now doing a patreon fundraiser for an LGBT health group, Lyon-Martin.

The patreon’s at $437/month. If she hits a $900 stretch goal, the prize is a satirical essay by ME. Please donate. I’d love to write it!

Meanwhile, Swirsky has announced some other stretch goals.

We have achieved the $400 stretch goal: “If You Were a Cuttlefish, My Love.” I showed it to Mary Robinette Kowal and a few other folks, and she gave me an unintentional blurb: “I LOVE THIS WITH THE LOVE OF A THOUSAND CUTTLEFISH EGGS.” I hope y’all enjoy it, too!

We’re partyway to the $500 stretch goal when Liz Argall will make an original comic in her series… Things Without Arms and Without Legs… and Without Butts?

(15) FINDING GOOD STUFF. On her blog today, Swirsky did her weekly recommendation post — Friday Read! “The Migratory Patterns of Dancers” by Katherine Sparrow.

In a future where birds are extinct, genetically modified men take their motorcycles around the country to perform dances that remind people of the migrations that once took place.

Katherine Sparrow is one of my classmates from Clarion West 2005, and I’ve been a fan of her work ever since. In addition to her lovely and lyrical short stories, she also writes young adult novels which center on the theme of collective action.

(16) INCONSISTENCIES. Cracked wants to change the way you watch seven wildly successful sci-fi films – and not in a good way. BEWARE SPOILERS GALORE. It’s sort of How It Should Have Ended using still photos.

(17) SMOFCON 34. The 2016 Smofcon has opened online registration. The con will be held at the Crowne Plaza in Rosemont (the Chicagoland area) December 2-4.

(18) HEINLEIN AWARD ACCEPTANCE VIDEO. Dr. Jerry Pournelle told Chaos Manor readers, “The National Space Society award ceremony in Puerto Rico was a bit too far for me to travel to, but we did make a video for the acceptance.”

[Thanks to Cat Eldridge, Mark-kitteh, Bruce Arthurs, JJ, Will R., Brian Z., Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day BigelowT.]