Sasquan Fan Funds After-Auction Report

By Ulrika O’Brien: I confess when I first sat down at the cashiers’ table, I felt a degree of trepidation.  As I surveyed the crowd across the dim and smoky haze in Guinan’s, it seemed to me that most fans present were there to drink and weren’t terribly interested in our little proceedings. But from the moment Andy Hooper took the mic, the auction rolled along at a spanking pace with brisk and lively bidding and much jollity.  It was a good time, and made good money.

Final auction sales came to $1870.00, divided thus:

TAFF: $747.00
DUFF: $1,101.00
GUFF $22.00

Checks to TAFF and DUFF sitting administrators will be sent out this week; GUFF funds have been disbursed.

There were a lot of heroes who made this auction so successful, and I will probably manage to forget someone because it was a long and busy convention but here goes:

AUCTIONEERS

  • Andy Hooper
  • Jerry Kaufman
  • Norman Cates

PREP AND RUNNERS

  • Randy Byers
  • Andrew P. Hooper
  • Tom Becker
  • Scott K.
  • Nina Horvath

Especially the super-helpful Kelly Buehler, who was originally only there to run the sound board and stepped up like a champ.

ACCOUNTING DEPARTMENT

  • Carrie Root
  • Mark Plummer
  • Claire Brialey
  • She who would rather not be named on the internet

And of course a gigantic shout out of thanks to everyone who donated auction goods, and everyone who came and bid and bought our stuff. You guys are all TOTALLY AWESOME.

Humbly submitted: Ulrika O’Brien, TAFF ‘98

Pixel Scroll 7/24

Editor’s Appeal: Is “Pixel Scroll” a good title for these daily posts? If so, I still think there needs to be some adornment and variety to keep it fresh. Can anybody think of a scheme to generate a brand of subtitles? (The “Pixel Scroll” title could be changed to something else to facilitate a winning idea.)

(1) George R.R. Martin is coming to Sasquan after all and has declared he is taking back the Hugo Losers Party from the boring souls who have sanitized it and disguised it as the “Post-Hugo Nominees Reception.” GRRM and Gardner Dozois held the first one in 1976 and it immediately became de rigueur.

Gardner and I ran another one at Suncon in 1977, and yet another at Iguanacon in 1978 (I lost my first novel Hugo that year). I don’t think there was one in 1979, but don’t know for sure… that year worldcon was in England, and I didn’t have the money to go. But the Hugo Losers party came back big in 1980, at Noreascon II. That blurry picture up above? That’s me, entering the Hugo Losers Party with two Hugos in my hands. Such hubris cannot go unpunished. Nor did it. Please note the man lurking behind me. That’s Gardner, smiling innocently. A few moment later, when my back was turned, he produced a can of whipped cream and sprayed it all over my head. Sic Semper Victorius.

So George says:

Fuck 1999. Let’s party like it’s 1976.

(2) Those looking to practice their party skills should show up for Prolog(ue), the relaxacon being held in Seattle the weekend before the Worldcon (August 14-16). Ulrika O’Brien has posted a progress report at the link. The international array of Persons of Interest coming to the con includes TAFF winner Nina Horvath and —

Charles Stross – Hugo- and Locus-Award winning author of the Laundry Files series, the Merchant Princes series, and too many stand-alone novels and short stories to mention, will be reading from his latest Laundry Files book, The Annihilation Score (released July 7) and possibly unreleased upcoming stories. You Heard It Here First.

(3) “Portlander Ursula K. Le Guin is Breathing Fire to Save American Literature” in Portland Monthly begins, “At 85, she may be Portland’s greatest writer. She may also be the fiercest.”

Foremost among her concerns these days, it seems, is what Le Guin considers a worrisome literary shift whereby writers—squeezed to make a living in a world that attaches less and less financial value to their profession—view themselves more as brands and “content producers” than artists. “I see so many writers getting pushed around by the sales department, the PR people, and being led to believe that that’s what they do,” she told me. “That’s a terrible waste.”

Artistic resignation in the name of pragmatism—“letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write,” as she put it in her National Book Awards speech—elicits Le Guin’s especial disapproval precisely because she herself spent an entire career bucking what others thought she should write. Yet even now that her own science fiction has been lofted into the modern literary canon, praised by no less an elitist than Yale’s Harold Bloom, Le Guin remains more interested in keeping the good fight going than in declaring victory. “We’ve come a real long way,” she admitted, “and in fact I think essentially these genre walls are down. But you would not believe how contemptuously reviewers and other people still just dismiss sci-fi. There’s still so much ignorance, and that bugs me.”

(4) GoodReads has blogged their choices for “10 of the Best Narrator and Audiobook Pairings of All Time” which includes numerous SF/F entries:

Ready Player One

BREAKFAST OF CHAMPIONS Written by Kurt Vonnegut Narrated by John Malkovich (Dangerous Liaisons, Being John Malkovich)

READY PLAYER ONE Written by Ernest Cline Narrated by Wil Wheaton (Star Trek: The Next Generation, Stand by Me)

THE HANDMAID’S TALE Written by Margaret Atwood Narrated by Claire Danes (My So-Called Life, Homeland)

A SERIES OF UNFORTUNATE EVENTS Written by Lemony Snicket Narrated by Tim Curry (The Rocky Horror Picture Show, It)

FAHRENHEIT 451 Written by Ray Bradbury Narrated by Tim Robbins (The Shawshank Redemption, Mystic River)

(5) Robert J. Sawyer admits he is skeptical about newer writers crowdfunding their novels.

So, I’m still struggling with this. I’ve supported some Kickstarters for projects that clearly are not commercially viable that I’d like to see done. But early books in a writer’s career? Those have rarely been commercially viable for anyone, and have always represented a substantial degree of risk and commitment on the part of the author.

(6) Bradbury, the Building makes for good reading, too, on LA Curbed.

The timeless, fantastic Bradbury Building at Broadway and Third Street is a much-beloved Downtown Los Angeles landmark, most widely known for its significant appearances in movies including Blade Runner, (500) Days of Summer, and Marlowe, starring the late James Garner. But before it was a popular film set, it was the idea of a gold-mining magnate who really wanted to put his name on a building. His vision led him to turn down a prominent architect and mysteriously commission a totally untrained one instead, and that not-quite-architect, George H. Wyman, turned to ghosts and literature to pull it off. Avery Trufelman, producer of the design and architecture podcast 99 Percent Invisible, talked to Esotouric operators Kim Cooper and Richard Schave about the eerie history of what 99 PI calls “arguably the biggest architectural movie star of Los Angeles.”

As the story goes, Lewis Bradbury, a gold-mining millionaire, decided he wanted to build and put his name on a building, so in 1892 he commissioned prominent architect Sumner P. Hunt, who alone and with partners would design the Southwest Museum, the Ebell Club, the Automobile Club in University Park, and loads of private homes for wealthy clients throughout the late Nineteenth and early Twentieth Centuries. Hunt prepared some plans for the proposed building, but when Bradbury visited the office to check them out, he wasn’t taken with any of them. Here’s where things get weird…..

It’s said that Wyman’s inspiration for the building’s design was directly inspired by a novel, Looking Backwards by Edward Bellamy, a popular science fiction novel about a utopian society that was published in 1888. A passage from that book describes this incredible building in the future (which, in those days, was 2000): “a vast hall full of light received not alone from the windows on all sides, but from the dome.

(7) Pluto appears to have glaciers of nitrogen ice, judging by the latest pictures from the New Horizons probe.

….But the mission team cautions that it has received only 4-5% of the data gathered during 14 July’s historic flyby of the dwarf planet, and any interpretations must carry caveats.

“Pluto has a very complicated story to tell; Pluto has a very interesting history, and there is a lot of work we need to do to understand this very complicated place,” explained Alan Stern, the New Horizons principal investigator.

In a briefing at the US space agency’s HQ in Washington DC, he and colleagues then outlined a number of new analyses based on the limited data-set in their possession.

These included the observation that Pluto has a much more rarified atmosphere than previously predicted by the models. …

Pluto atmosphere(8) Don’t miss out — here’s info about how to submit yourself for casting calls for the next three Star Wars movies.

The Walt Disney Studios and Lucasfilm in association with Kasdan Pictures and Genre Films will begin production on “Star Wars: Episode VIII” on January 16, 2016. Casting is now officially underway for new lead roles and supporting roles. Filming will take place at the Pinewood Studios in London, England among another undisclosed locations in the United Kingfom. Casting director information is posted below. Experienced film crew members can now submit resumes to the production office email below. All actors, extras, and film crew members must be legally eligible to work in the entertainment industry in the United Kingdom….

(9) Speaking of available work, Vox Day posted a Tor job announcement today – they’re looking for a publicist. See how helpful he is? Not just trying to create openings at Tor, but willing to fill them too!

(10) I enjoyed Spacefaring Kitten’s spin on this nominee –

(11) Sarah Lotz, in a Guardian book blog post titled “The Hugo awards will be losers if politics takes the prize”, has this to say —

It raises the question: who should nominate works for awards anyway? A select jury (a la the Man Booker or Clarke) or the fans who actually buy the books? Clearly there should be enough room – and integrity – for both. Yet this year’s Clarke award shortlist was almost universally praised, while, in contrast, the Hugo nominations were met with derision and incredulity (for example, so-called “rabid puppy” Vox Day, who has called women’s rights “a disease to be eradicated”, is up for two awards). You might say that this is democracy at work – the fans have spoken! – and that would be all well and good, but, tellingly, two authors recommended by the Sad Puppies have already pulled their work from the nominations, saying that they want their writing to be judged on merit and not on their assumed political affiliations. It goes without saying that all books, whatever their authors’ political stance, should be judged on whether they’re any good or not; but with some factions suggesting fans vote “No Award” on categories that they believe have been hijacked, and the Puppies urging their stormtroopers to stick to their guns, the whole thing has slipped into farce. And this is a great pity.

(12) Here’s a dissenting theory.

(13) And now you need a laugh.

A Italian western parody, of Sergio Leone’s THE GOOD, THE BAD and the UGLY…but with Star Wars characters. With respect to Ennio Morricone’s unforgettable and entirely iconic film score.

 

[Thanks to JJ, Paul Weimer, SF Signal and John King Tarpinian for some of these links.]

Prolog(ue) to the Very Big Worldcon Thing

If Seattle is on your way to the 2015 Worldcon, is near where you live, or just seems like a perfectly nice place to attend a fannish gathering, Prolog(ue) could be for you.

As Ulrika O’Brien explains, the idea was successfully tried before on the Other Side of the Pond:

Once upon a time, in the late days of the last century, there was a Very Big Worldcon Thing in Britain, and some fans there thought it would be nice to hold a smaller convention just before it, to make a space to gather up their visiting friends from far and foreign places and also local fans who could perhaps not attend a Very Big Worldcon Thing, so that they could all find each other to hang out  and drink tasty drinks and play silly games  and build upon the legends of their tribe together.  And so they did that thing, and they called it Precursor, and it was good.

Precursor was held in 1995 before Intersection.

Prolog(ue) 2015 will happen in the vicinity of Seattle, east of Sea-Tac airport in Renton, on August 14-16 (the weekend before Sasquan). It will be a low-key fannish and literary event with a bit of programming, plenty of food and drink, and lots of hanging around the consuite, pool, and lobby having conversations with other fans.

Jane Hawkins is handling hospitality, Suzanne Tompkins is the hotel liaison, Denys Howard will take care of registration and memberships, Randy Byers has agreed to be Managing Editor of the fanzine/progress report, Mark Plummer and Claire Brialey are the UK agents, Scott Kriedermacher is in charge of craft beer procurement, and Ulrika O’Brien is the convention chair and promotions czar.

The Prolog(ue) website is here. There’s also a Facebook group  and a Facebook event page.

The convention will take place at the Red Lion Hotel & Conference Center: Seattle-Renton. Room Rate: US $139 / Night (1 King / 2 Queen)

Membership rates through May 16 are $30 (US) / $39 (Canada/Australia) /  £20 (UK) / €28 (Europe).

Supporting memberships are $15 (US) / $19 (Canada/Australia) / £10 (UK) / €14 (Europe).

TAFF Platforms Released

Brad and Cindy Foster, Curt Phillips and Randy Smith are your official Trans-Atlantic Fan Fund candidates in the 2014 race to pick a delegate to Loncon 3. Here are their platforms and nominators —

Brad and Cindy Foster

Why Brad and Cindy? Because they are one mind in two bodies. (They wish they had two minds, but that’s asking too much.) Because between them they have covered almost all the fannish bases. And, because this is probably the only way they will ever get to see London. He draws pictures – lots of them, and has lived the life fannish through zines and locs. (A paper-person.) She has been social (a people-person) through conventions and conversations. He’ll have to look you up in his files to remember which zine you pub, but she’ll remember your name, face, and family history.

Nominators: Mike Glyer (US), Andy Hooper (US), Steven Silver (US), David Langford (UK), Yvonne Rowse (UK).

Curt Phillips

I am a fan. I guess I always have been; I think I always will be. I’ve collected more science fiction than I’ll ever have time to read, but I keep on collecting more. I’ve written for and published fanzines; I’m the OE of FAPA. Have done many other fannish things in my time, both usual and unusual. But I’ve never traveled outside America. I’d very much to meet some of the wonderful fans in the UK and from across Europe as your TAFF delegate, and then come home to write about my adventures for you. Please support TAFF! Vote!

Nominators: Randy Byers (US), Ulrika O’Brien (US), John Purcell (US), Claire Brialey (UK), Pat Charnock (UK).

Randy Smith

Fandom is a conversation that began in the letter columns of the 1920s pulps and now extends around the world. As active participants in that conversation, we can look for new ways to expand, strengthen, and create new and divergent paths of exchange. We truly never know where it will take us. The TAFF delegate to LonCon 3 will be able to contribute in some small and unforeseen ways to that creative conversation. I would be honored if that person were me. I also promise a speedy appearance of my trip report.

Nominators: Christopher J. Garcia (US), Mark Olson (US), Kevin Standlee (US), Colin Harris (UK), Patrick McMurray (UK).

[Thanks to Jim Mowatt for the story.]