Pixel Scroll 4/14/18 The Adventures Of Scrolli And Pixelwinkle

(1) ISSUES IN SFF REVIEWING. Several interesting threads about reviews and reviewing in sff. Each tweet is the jumping off point for the thread.

  • Bogi Takács

  • Charles Payseur

  • Cecily Kane

  • Also, Jason Sanford did an overview which includes numerous links to reviewers.

(2) WORLD FANTASY AWARDS. John Joseph Adams advises that the 2018 World Fantasy Awards nominations have opened and voting continues until May 31.

The World Fantasy Awards will be presented in Baltimore, MD during the World Fantasy Convention (Nov. 1-4). Deadline for nominating is and ballots must be received by May 31, 2018.

All registered members of the 2016 World Fantasy Convention, the 2017 World Fantasy Convention, and the 2018 event in Baltimore will be eligible to vote before the deadline. If you didn’t attend one of the previously mentioned World Fantasy conventions, and you don’t plan to attend this year, you can still nominate by purchasing a supporting membership.

Already registered? Go and nominate your favorite works! Voting information is available on the World Fantasy Convention 2018 website.

(3) CODE OF OMELAS. Ursula Vernon tells about the ones who stagger away…

(4) SUPER TRAFFIC MONITOR. The Caped Crusader says, “Don’t get run over!” Or something like that. From the BBC: “Lost footage of Batman star Adam West to be screened”. [Video]

Previously lost footage of Batman star Adam West teaching road safety will be screened for the first time in more than 50 years.

The clip from May 1967 of Batman teaching children the Kerb Drill will be shown to an audience of TV professionals and enthusiasts in Birmingham to kick-off a hunt for 100 missing television clips.

Kaleidoscope, which specialises in finding missing television footage, recently discovered the segment, which was never screened outside of the UK.

It will be shown at Birmingham City University on Saturday, as the company launches its list of the UK’s top 100 missing TV shows that industry professionals most want to see recovered.

This includes early episodes of Doctor Who featuring Mark Eden as Marco Polo, Top Of The Pops and The Avengers.

(5) UTAH WESTERCON NEWS. Westercon 72 (July 4-7th, 2019 in Layton, Utah) has added Special Guest Eric Flint. Westercon also will host the 2019 1632 Minicon.

Eric Flint’s writing career began with the science fiction novel Mother of Demons. His alternate history novel 1632 has led to a long-running series with over thirty novels and anthologies in print. He’s also written many other science fiction and fantasy novels. He resides in northwest Indiana with his wife Lucille.

Along with Mr. Flint, we are also pleased to announce the 2019 1632 Minicon will be held in conjunction with Westercon 72. The minicon is the annual event that allows the 1632 fans and authors to get together. (Of course, in the case of 1632, fans and authors overlap substantially.) Each year the minicon is held “inside” a science fiction convention in a different part of the country. Many cons have agreed to host the minicon over the years. (Wording courtesy of https://1632.org )

(6) DISNEY PIXAR. A fresh trailer for Incredibles 2.

(7) TIN FOIL HATS FOR CATS. Did you know these were a thing? From the Archie McPhee catalog:

It’s a tin foil hat for conspiracy cats! They want to know what your cat is thinking. They want to control your cat’s thoughts. Not on our watch! We’ve made a Tin Foil Hat for Cats to make sure that kitty’s thoughts stay private. This mylar hat fits most cats, has a comfy felt lining and is held in place with an elastic strap. It even has holes for cat ears! Take that, Illuminati! Restores the dignity of your kitty. Very effective against MKUltra satellites, cat food company dream-insertion marketing, Guy Fieri, Soviet cat control protocols, psychic dogs, skull tapping, focused magnetic pulse and the neighbor’s labradoodle. Great for pictures! Fits most cats.

(8) BELL OBIT. Art Bell (1945-2018), the original host of the paranormal-themed radio program Coast to Coast AM, died April 13. At its peak in popularity, Bells show was syndicated on more than 500 radio stations and claimed 15 million listeners nightly

(9) TOWFIK OBIT. Sindbad Sci-Fi eulogizes an influential Egyptian sf writer: “Remembering Ahmed Khaled Towfik (1962 – 2018)”.

Ahmed Khaled Towfik is no longer with us. After a period of prolonged illness, he died of a heart attack on 2 April 2018 in El-Demerdash hospital, Cairo, at the age of 55.

By day, Dr Ahmed Khaled Towfik practised as a medical professor at Egypt’s Tanta University. Over time, he was an obsessively prolific writer who became the Arab world’s most prominent bestselling contemporary author of Sci-Fi, fantasy and horror genres. He is claimed to have written over 500 titles of which one third is science fiction, including his Arabic translations of English Sci-Fi.

(10) TODAY’S SFF BIRTHDAYS

  • April 14, 1936 – Arlene Martel. She played Spock’s betrothed, co-starred with Robert Culp in the Outer Limits Demon with a Glass Hand written by Harlan Ellison plus a couple of Twilight Zone episodes.
  • Born April 14, 1958 – Peter Capaldi
  • Born April 14, 1977 — Sarah Michelle Gellar
  • Born April 14, 1982 – Rachel Swirsky

(11) SWIRSKY CELEBRATED. Steven H Silver shares his appreciation in “Birthday Reviews: Rachel Swirsky’s ‘The Monster’s Million Faces’” at Black Gate.

Rachel Swirsky was born on April 14, 1982. To this point, her writing career has been focused on short stories, although in 2010 she co-edited the anthology People of the Book: A Decade of Jewish Science Fiction and Fantasy with Sean Wallace. Her stories have been collected in two volumes, Through the Drowsy Dark and How the World Became Quiet: Myths of the Past, Present, and Future.

(12) COMICS SECTION.

Courtesy of mlex:

(13) GOOD TO THE LAST DROP. Charles Payseur tests a new batch of short fiction: “Quick Sips – Strange Horizons 04/02/2018 & 04/09/2018”.

The short SFF from the first two weeks of April’s Strange Horizons looks at faith and education, memory and time, fiction and hope. The stories feature characters either revisiting their pasts or desperate to do so. They also feature relationships between parents and children, though in opposite directions (one with a mother as main character, the other with a son). And they explore memory and trying to rewrite the past with something better than the crushing weight of the present. The poetry looks at religion and education, at expectation and death. It’s a rather complex collection of pieces, but it makes for some compelling reading. So let’s get to the reviews!

(14) ARE YOU KIDDING? The Deseret News reports “Former FBI director James Comey is a fan of Utah author Brandon Sanderson”.

In an interview with The New York Times Book Review “By the Book” section, Comey said he’s an avid reader of fiction, “almost always (reading) something my kids are reading, so I can … pretend to be cool.”

When asked what books readers would be surprised to find on his shelf, Comey answered with “The Fault in Our Stars,” by John Green; the Mistborn series, by Brandon Sanderson, and the Red Rising series, by Pierce Brown.

(15) SFF HISTORY. Tom De Haven remembers what it was like to write for Byron Preiss in a memoir at Café Pinfold.

…I met Byron Preiss in the 1970s, near the start of both our careers—as I recall, it was at an art show that he’d curated in a small Manhattan gallery (somewhere up near Bloomingdale’s, I believe) that consisted of super-realistic, high-key paintings of Brian Wilson and the Beach Boys (yes, the Beach Boys; don’t ask me why, although probably it was the first or second or third step in a scheme to produce a “Byron Preiss Book” sometime in the future). He was the most confident man I’d ever met. Soft spoken, slow moving, but confident as hell. Always well dressed.  Good clothes but they could get rumpled looking. For as long as I knew and saw him, and it was quite a while, Byron always had a hundred ideas for new projects and the sublime confidence they’d all make millions.

So far as I understood it, he worked like this: he’d pitch a slew of different ideas to a variety of book editors in New York City, ideas that (again, so far as I understood it) he’d dreamed up himself, ideas inspired by current trends in publishing or pop culture (U.S.S.A., for example, followed in the wake of the original Red Dawn movie). Whenever Byron got the go-aheads for specific packaging projects, he’d call up writers to do the actual writing. (He was also likely to call up cartoonists and illustrators since most of his books came illustrated. Later, when he was one of the first people to pionneer digital publishing, he probably called up programmers.)

For me, and no doubt for many other “midlist” authors like me, it was often a lifesaver to get a telephone call from Byron Preiss; he took a big cut of any advance, naturally, and the advances were never better than just okay, but when you were in-between books and fresh out of ideas, or in-between advances for novels of your own, or had a major house repair that you couldn’t afford, or there was a new baby on the way, you were glad—at least I was glad—for an offer from Byron….

(16) WILL ROBINSON REBOOTY. NPR’s Glen Weldon goes back and forth in “Will Robinson, Meet Danger; Danger, Will Robinson: The ‘Lost In Space’ Reboot”, props for competent women, points off for repetition.

The original Lost in Space, which ran on network television from 1965 to 1968, began as a straightforward, if high-concept, adventure show: A colony spaceship carrying a nuclear family, a dashing pilot and a sniveling doctor got stranded on a remote planet. They had adventures while wearing v-neck sweaters over their turtlenecks, presumably because Irwin Allen, who produced the show, imagined that the future would be a chilly place. Or maybe he got a deal on velour, who knows.

Over the course of its run, the focus of the show shifted from the family to that weaselly doctor. Looking back, it’s easy to see why: The family was a bunch of white-bread squares in matchy-matchy outfits, but the doctor – played with a sublimely mincing menace by Jonathan Harris, was a revelation. The character of Doctor Smith was vain, overdramatic (“Oh, the pain, the pain!”), selfish, self-pitying, self-aggrandizing – a campy, eminently hissable villain out of a Christmas panto, down to the clipped British accent (which was something the Bronx-born Harris sniffily affected).

(17) LOST ATTENTION. In contrast, the Boston Globe reviewer describes the robot and the series as “sleek, shiny, and boring”: “‘Lost in Space,’ we have a problem” (may be passworded soon).

The casting is a problem, except in one case — Parker Posey as Dr. Smith. Molly Parker, a favorite of mine from “Deadwood” and “Swingtown,” is OK as the logic-and-science-loving Maureen — but she can be so much better than OK. The writers try to give her a personal storyline, since she and husband John, played sternly by Toby Stephens, are dealing with a troubled marriage. But it’s hard to care about the fate of their relationship because they’re so bland and heroic. The rest of the Robinsons are bland too, with Will (Maxwell Jenkins) a sweet but dramatically inert presence. I didn’t worry about their safety during all of their dangerous missions because I just didn’t care enough about them. TV’s original Robinson family wasn’t particularly exciting, either, but at least whimpering Jonathan Harris’s Dr. Smith brought enough camp and cowardice to keep things entertaining.

(18) SHARKE BITES. Shadow Clarke juror Maureen Kincaid Speller shares her picks: “A Shadow Clarke 2018 selection box – six exciting centres”. First, what you won’t find in her box:

This year, inevitably, my decision-making process is going to be more focused and more self-conscious, so I’ve laid out a few ground rules for myself. First, I have tried to avoid seeing what the other jurors are choosing, so this selection process has been conducted in isolation. Second, my Shadow Clarke to-read list isn’t going to feature anything I’ve already read, although there are some titles there I’d dearly like to discuss with the other jurors: Nick Harkaway’s Gnomon, for example, which is very much my kind of novel – formally inventive, a challenging read, a great story. But Gnomon is among a handful of titles already touted as shoo-ins for the official Clarke shortlist, and I have also decided to avoid putting any of those on my to-read list. I’m going to read them anyway and at this stage I’d rather experiment in my reading and see what’s going on in sf. This may seem very perverse but I would remind you that this exercise is categorically not about attempting to second-guess the official shortlist. As such I have leeway to explore.

With those decisions made, things become both easier and more complicated. Critics and reviewers are mortals like the rest of the world, and we all have our prejudices. For example, as I’ve noted before, I dislike zombie novels and while I could test that prejudice by reading a zombie novel – there seems to be a prime candidate on the list – I’ve come to the conclusion that I am secure enough in my understanding of my active dislikes to avoid wasting everyone’s time by confronting them, because the chances of anything positive emerging from the encounter are unlikely.

(19) CALL FOR PAPERS. Sublime Cognition is a very catchy name for a conference:

(20) SOLO CARDS. I don’t think I covered this with the rest of the Denny’s Star Wars-themed advertising: “Solo: A Star Wars Story exclusive trading cards, available only at Denny’s!”

[Thanks to John King Tarpinian, Camestros Felapton, JJ, Mark Hepworth, Chip Hitchcock, Michael O’Donnell, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, mlex, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/12/18 But By God, Elliot, It Was A Pixel Scroll From Life!

(1) KINGFISHER. James Davis Nicoll turned the Young  People Read Old SFF panel loose on “Toad Words” by T. Kingfisher.

Young People Read Old SFF has circled back to a modern work for the final time in the phase of the project. This time the modern author is Ursula Vernon, who also publishes as T. Kingfisher. To quote her Wikipedia entry,

Digger won the Hugo Award for Best Graphic Story in 2012 and the Mythopoeic Fantasy Award for Adult Literature in 2013. She won the Nebula Award for Best Short Story and the WSFA Small Press Award for Jackalope Wives in 2015. Her story “The Tomato Thief” won the 2017 Hugo Award for Best Novelette.

I’ve read a number of Vernon’s works but not, as it happens, any of those. I have read “Toad Words”, however, and it seemed an apt choice for a modern work given what the Young People have liked in the past. But I’ve been wrong before…

(2) DEADPOOL CHOW. Adweek describes how “Deadpool’s Newest Product Pitch Takes Us Inside His Dreams, Which Center on … Frozen Food?”

Brand partnerships with superhero movies are inevitable—let’s face it, most movies are superhero movies these days—but so many of them seem like an unnatural fit. Or a lazy one, at best. There’s a car chase in the movie? Let’s use that in a car commercial! Genius!

That might initially seem like the case with Deadpool’s Devour partnership. Why would Deadpool care about frozen food? Well, he doesn’t—and that’s what makes the new 30-second spot work.

 

(3) POTTER RECAP. Martin Morse Wooster watched “Harry Potter: A History of Magic” last night on the CW:

This was a BBC documentary tied to an exhibit that is currently at the British Library and will be coming to the New-York Historical Society this fall, although what I gather from the Pottermore website is that there will be two exhibits with some overlap between the British and American versions.

The special, narrated by Imelda Staunton, had several parts.  One was when actors from the movies (including Warwick Davis, Miriam Margoyles, and David Thewlis) read excerpts from the novels.  A second thread consisted of curators from the British Library showing off their magical treasures of books and stuff from their collections.  In addition, we saw some witches and eccentrics who had things to donate to the exhibit, including two gentlemen named Dusty Miller XIII and Dusty Miller XIV who said they had created 7,500 magic-filled wands from sticks they collected in the woods.  Finally, J.K. Rowling was extensively interviewed and got to look at a lot of the stuff the curators had unearhed.

Oh, and there was a lot of Harry Potter cosplay.

Rowling had done a lot of research in the sixteenth and seventeenth centuries, such as a seventeenth-century herbal written by the great botanist Nicholas Culpeper.  She said that she invented everything to do with wands.  She also named two sources that inspired her.  One was C.S. Lewis’s THE MAGICIAN’S NEPHEW, and if there are references to portals and libraries in that book those are the parts she found inspiring.  A second source came from an illustration Rowling made in1990 of Professor Sprout.  Rowling said that that night she was watching The Man Who Would Be King, a film with many Masonic symbols.  A simplified version of one masonic symbol was the source for the three-part symbol that denotes the Deathly Hallows in the novels.

Finally Rowling said, “I tied to steer clear of hallucinogenic drugs in Hogwarts.”  So if you’re writing fan fiction where Harry and the gang settle in for good times with some mushrooms, you should know that such scenes are NOT canonical.

(4) AUSTRALIAN CON SURVEY. Twelfth Planet Press publisher/editor and Galactic Suburbia cohost Alisa Krasnostein tweeted

If you’ve attended an SF con or event in Australia in the last 5 years, please consider taking this survey: https://www.surveymonkey.com/r/TCGQB82

…The purpose of this survey is to investigate the degree of harassment being experienced at our SF conventions and events.

(5) WOTF. Vajra Chandrasekera discourages participation in the Writers of the Future Contest. His thread starts here —

(6) NEW PERSPECTIVES. Bogi Takacs has started writing a column for Tor.com about “QUILTBAG+ Speculative Classics”.

…In this series of columns, I will review classics of QUILTBAG+ speculative fiction—often out of print, little-known and seldom discussed. Even novels which were acclaimed in their day are frequently ignored now, creating the false impression that all QUILTBAG+ SFF is very recent.

For those who may be unfamiliar with the term, QUILTBAG+ is a handy acronym of Queer, Undecided, Intersex, Lesbian, Trans, Bisexual, Asexual / Aromantic / Agender, Gay and a plus sign indicating further expansion.

…On the other hand, I also don’t want to pigeonhole QUILTBAG+ writers and only show interest in their work if it is about their specific marginalization. I want to see minority writers write whatever they want. If they (we) want to write about cephalopods in space, I am all for that! Therefore I opted to include work either by QUILTBAG+ authors (where this is known) or with QUILTBAG+ themes. Often these two coincide, but not necessarily so.

A specific difficulty is whether to include people with non-Western, culturally specific gender, sex or sexuality IDs. Often these people also use at least some Western terms to self-identify, but sometimes they don’t—especially Indigenous people. If someone has expressed a desire not to be included in Western terms, both umbrella or specific terms, I will of course respect that. But in the absence of explicitly opting out, and also if the authors use Western terms, I decided on the side of inclusion. One of my motivations in this is somewhat self-serving: I also have a culturally specific gender / sex (though I am not Indigenous, specifically) and I am interested in other people who do too!

I aim to discuss a new book every two weeks. I will begin next week with The Gilda Stories, the queer Black / Indigenous vampire classic by Jewelle Gomez, and then follow with The Fortunate Fall by Raphael Carter, possibly the first SFF novel by an intersex author—which also draws a parallel between being intersex and sharing a mind with a giant whale.

(7) TRUTHINESS. Hear about “’That High Truth’: Lewis, Williams, Chesterton, and Ray Bradbury,” in this video of a lecture given at the Wade Center by Jonathan R. Eller of the Center for Ray Bradbury Studies on April 9, 2018.

(8) PROGRAM IDEA. Amal El-Mohtar has a fresh angle for a panel discussion. Start the thread here:

(9) BECKETT OBIT. Alex Beckett (1982-2018): Welsh actor, death announced April 12, aged 35. His genre appearances include Spark Ark (2014), and The Aliens (two episodes, 2016).

(10) HEAR STAN LEE’S DENIAL. Io9 reports “In a New Video, Stan Lee Threatens to Sue Anyone Reporting on Claims of Alleged Elder Abuse”.

The Marvel mainstay came down with pneumonia in February and so his frequent convention appearances were understandably cut back. During this time, multiple reports emerged detailing how hundreds of thousands of dollars, and literal blood, were allegedly stolen from him. In a video sent to TMZ this week that’s copyrighted to Keya Morgan (Lee’s handler, who is currently in control of all of his communications), Lee says he’s prepared to take legal action against any and all media outlets that have reported on the claims that he’s being taken advantage of:

“Hi this is Stan Lee and I’m calling on behalf of myself and my friend Keya Morgan. Now, you people have been publishing the most hateful, harmful material about me and about my friend Keya and some others. Material which is totally incorrect, totally based on slander, totally the type of thing that I’m going to sue your ass off when I get a chance.

You have been accusing me and my friends of doing things that are so unrealistic and unbelievable that I don’t know what to say. It’s as though you suddenly have a personal vendetta against me and against the people I work with. Well I want you to know I’m going to spend every penny I have to put a stop to this and to make you sorry that you’ve suddenly gone on a one man campaign against somebody with no proof, no evidence, no anything but you’ve decided that people were mistreating me and therefore you are going to publish those articles.

I’m going to get the best and most expensive lawyers I can and I want you to know if you don’t stop these articles and publish retractions, I am going to sue your ass off.”

The subject video was reportedly sent to TMZ and is marked on their website as being copyrighted by Keya Morgan. The linked TMZ article is headlined: “STAN LEE DENIES ELDER ABUSE … Leave Me and My Friends Alone!!!” This copy is on YouTube, though who knows for how long?

(11) HUGOS AT ECBATAN. Rich Horton check off another nominated book in “Hugo Ballot Review: Raven Stratagem, by Yoon Ha Lee”.

The novel is interesting reading throughout, with plenty of action (and some pretty cool battle scenes), some rather ghastly (in a good sense) comic bits, and lots of pain and angst. There is a continuing revelation of just how awful the Hexarchate is, with the only defense offered even by its supporters being “anything else would be worse”. There is genocide, lots of murders, lots of collateral damage. The resolution is well-planned and integral to the nature of this universe, with a good twist or two to boot. It’s a good strong novel that I enjoyed a lot.

(12) SERVICE TO SFF. Congratulations to 2018 Chandler Award winner Edwina Harvey! The award recognizes members of the Australian speculative fiction community, both professionals and fans.

Edwina Harvey is a worthy recipient of this year’s A. Bertram Chandler Award.  She has been an active member of Australian science-fiction fandom: writing, publishing and with her amazing artwork for 40 years.

She was one of the founding members of Astrex, the Star Trek fan club of NSW, and regularly contributed fiction to the associated fanzine Beyond Antares as well as other SF fanzines from the mid 1970s onwards. She was also an active member of The Hitchers Club of Australia (Hitch-hikers Guide to the Galaxy Fanclub) from approximately 1984 onwards contributing to the newsletter Australian Playbeing through articles and comments and assisting with the copying and distribution of some issues of the newsletter.  Known locally as the Fund Raising Queens, Edwina has worked with Karen Auhl on organising fundraiser events for Medtrek 4, Huttcon 90 and two Sydney Worldcon bids. (Late 1980s – mid 1990s)  Edwina has been a contributing member of FOLCC (the Friends of Linda Cox Chan) which was an informal group donating monies raised to Diabetes Charities in Australia.  Linda Cox Chan was a Sydney-based SF fan artist and writer who passed away in 1991. From 2012 to the present time, Edwina has also run a lucky-dip at Australian SF conventions to raise money for FFANZ.

(13) EUROVISION IN SPACE. Learn about the author’s new novel Space Opera at Whatever: “The Big Idea: Catherynne M. Valente”.

My agent refers to it as the fastest deal in publishing. It was done and I was committed before I could catch a breath. As I was signing the contract, my fiance asked: “Does it really just say ‘Eurovision in space’? Do you actually have any idea how you’re gonna pull that off?”

“Yes, it does,” I said. “And no, I don’t.”

And I didn’t. Part of me was terrified. How the hell do you even begin to write that? I mean, you can’t play it straight. It’s too absurd. It’s obviously a comedy. Ah, but if you try to write science fiction comedy, the ghost of Douglas Adams appears and asks you with a stern expression if that’s really necessary. And even if it was a comedy, the core of Eurovision is that political darkness and artistic light. You can’t play it totally camp, either. And given the politics all around me, I wasn’t sure I was actually up to singing it out just this minute. What had I agreed to?

But the deadline approached. And I sat down at a blank screen. I laughed nervously.

And then I stopped trying to worry about whether I could do this thing at all and wrote some shit about Enrico Fermi and I was off, and off at breakneck speed.

(14) I’M HOME! Glen Weldon creates a mythic dialogue. Jump on the thread here:

(15) DIRECT FROM INTERNATIONAL FALLS. Here is Amazon Prime’s trailer advertising new episodes of Rocky and Bullwinkle. [Via io9.]

The world-famous talking moose and flying squirrel are back in The Adventures of Rocky and Bullwinkle, a comedy about two goofball friends who end up in harrowing situations but end up saving the day time and again. As their silly ambitions dovetail with Fearless Leader’s sinister plans to take over the world, they are set on a collision course with his notorious super spies Boris and Natasha.

 

[Thanks to Standback, JJ, John King Tarpinian, Elizabeth Fitzgerald, Steve Green, Cat Eldridge, Martin Morse Wooster, StephenfromOttawa, Chip Hitchcock, Iphinome, Mike Kennedy, Andrew Porter, Errolwi, James Davis Nicoll, and Carl Slaughter for some of these stories,. Title credit goes to File 770 contributing editor of the day RedWwombat.]

Cats Sleep on SFF: Harriet the Invincible

Nickpheas expands his family and the meme:

People seemed pleased to hear of Harriet’s arrival. Don’t know if this pushes the cats sleeping on SF meme beyond breaking point, but here she is, with a book about her namesake by Red Wombat.


Photos of other felines (or your newborn babies) resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com

Pixel Scroll 2/16/18 There Are Six Pixels On This Scroll: Two At The Rear, Two At The Front And Two Over The Tick Box

(1) 2017 HUGO VIDEO. Worldcon 75 Hugo Ceremony video has been posted. Due to technical difficulties, it omits the first 15 minutes of the event and the first winner presented (Best Fan Artist). They did capture the remaining two-plus hours of the ceremonies. (Oor Wombat’s “Whalefall” acceptance speech begins at 1:48.)

(2) INSPIRED.SPECPO catches up with a longtime poet — “Fairy Tales and Finding Poetic Inspiration: An interview with Ruth Berman”.

Ruth Berman

How did you get started as a writer?
When I was about five, the family took a train trip to Florida during winter vacation.  Looking out the train window at the full moon shining on a lagoon, I felt that it was so beautiful that had to compose a poem about it. As I did not know how to write, I dictated the result to my oldest brother to write down for me so that I could keep it until I could read. (No, I won’t quote it. Five-year-olds don’t compose very good poetry.)

Who are some of your favorite science fiction and fantasy influences?
The members of the Twin Cities Sf Poetry writing group and of the Aaardvaark writing group. Anthony Boucher, Poul Anderson, Ursula K. LeGuin, J.R.R. Tolkien, Diana Wynne Jones, Avram Davidson, Terry Pratchett, Fritz Leiber, L. Frank Baum, Lewis Carroll.

What keeps you going as a writer?
Sometimes nothing does. But at some point when I haven’t had any ideas for a long time, something will set me off again, so I try not to worry during the dry spells. I read a lot of non-fiction in the fields of mythology, folktales, history, and science, looking for ideas — sometimes find some in the process, sometimes not. Also sometimes get ideas from other people’s fiction, especially if I disagree with a story. Sometimes, if the situation calls for characters to have coats of arms, it helps to stop and ask myself what a character’s coat of arms is — which I seem to find more helpful than the more usual prompts of asking what music the character likes or hates, what foods, books, clothes — that sort of thing.

(3) LE GUIN TRIBUTE IN PORTLAND. Ursula K. Le Guin’s family says a public tribute is being planned, date to be determined.

Dear readers and friends,

We are deeply honored by the outpouring of affection and admiration for Ursula and her life’s work.

Many have asked whether we are planning a public event to commemorate and honor Ursula; others have asked where one could direct donations in her name.

We are working with Literary Arts to plan a tribute, to be held in April or May 2018 in Portland, free and open to the public.

(4) NO BOOM. The LA Review of Books considers an atomic scientist’s spec-fic story: “Listening to the Dolphins: Leo Szilard on Nuclear War”.

LEO SZILARD’S short story “The Voice of the Dolphins,” published in 1961, imagines a history of the world written in 1990. The story begins with the sentence, “On several occasions between 1960 and 1985, the world narrowly escaped an all-out atomic war.” One of the 20th century’s greatest physicists, Szilard knew whereof he spoke: along with Enrico Fermi, he was responsible for creating the first nuclear chain reaction in 1942. Szilard understood very well the history, physics, and destructive power of the Bomb. He could have chosen to write a tense record of the 1945 explosion at Hiroshima, along the lines of John Hersey’s classic study, or he might have related the history of the Bomb’s invention à la Richard Rhodes. Instead, he chose to write a piece of fiction — dry almost to the point of tedium — about the geopolitical future of the Atomic Age.

His choice is fascinating, not least because it suggests that Szilard’s interests as a man of science extended far beyond the domain of physics into the social and political spheres. His actions belie the sort of caricature of scientists found in Kurt Vonnegut’s Cat’s Cradle (1963) and other midcentury texts — an autistic tinkerer who leads the world to the brink of destruction by solving a military problem without any thought for the consequences. On the contrary, Szilard’s fiction is a serious attempt to grapple with the ethico-political impact of the epochal invention he in large part helped to author.

(5) CLAIM TO FAME. Kim Huett says, “Time to take it down a notch after writing such a serious post last week. You will note that I am the first person to ever combine Walt Willis and Mystery Science Theater 3000. (I’m possibly the only person who could.)”

Can Huett live up to this boast? Read “The Notorious Bert I. Gordon” and see.

Okay, so now we all know that MST3K is a TV show that revolves around showing a movie of dubious quality and providing a humorous commentary which, in this, the future world of today, is a little thing we like to call riffing. I doubt riffing is a new or revolutionary practise, I imagine people have been moved to talk back to the screen ever since the very first bad movie was shown in front of an audience. I even have evidence of a primitive form of movie riffing happening at a British science fiction convention. Consider this quote from Walt Willis writing about the Loncon in Quandry #22 (edited by Lee Hoffman, August 1952). This particular Loncon (there has been more than one SF convention called this) was held 31 May & 1 June, 1952 and in London of all places:

The final event was a showing of Metropolis, which in a way was the best part of the official programme. This was because there was no incidental music to drown fan comment on the action, some of which was brilliant. Dan Morgan shone especially. When the hero suddenly mimed exaggerated alarm the way they do in silent films and dashed madly for the door Dan remarked “FIRST ON THE RIGHT”. That started it and the whole worthy but rather dull film was enlivened by a ruining commentary from the audience which I wish I had space to quote…

(6) LAST RESTING PLACE. Atlas Obscura has photo features of a number of gravesites, including those of two Inklings —

The bones of C.S. Lewis, one of the 20th century’s literary greats, rest within a peaceful cemetery. Nearby, an etched glass window bearing characters from his most famous fantasy world adds a whimsical touch of childhood magic to the churchyard….

The grave of C.S. Lewis lies within the cemetery of the Holy Trinity Church in Headington Quarry just outside of Oxford. He was buried there in November of 1963, and even today it’s common to find flowers placed atop his tombstone.

The names Lúthien and Beren can be found inscribed on the shared grave of the famous writer and his beloved wife and muse.

The final resting place of John Ronald Reuel Tolkien (1892–1973) and Edith Mary Tolkien (1889-1971) is covered in an abundance flowers, plants, and offerings from fans in the verdant cemetery of Wolvercote in Northern Oxford. They are buried together in a single grave in the Catholic section of the cemetery.

(7) TODAY IN HISTORY

  • February 16, 1923 — In Thebes, Egypt, English archaeologist Howard Carter enters the sealed burial chamber of the ancient Egyptian ruler King Tutankhamen.

(8) THE HORROR. Gizmodo may have violated the Geneva Convention by posting this online — “Man Redefines Horror By Building a Singing Furby Organ”.

(9) AMUSING CONCEIT. Here’s the Black Panther trailer done as an 8-bit game video:

(10) SUPERHEROES LIKE ME. The Washington Post’s David Betancourt interviews Ryan Coogler, who talks about how he has loved comics since he was a kid and how he was brought into the MCU by Nate Moore, Marvel’s only African-American producer: “‘Black Panther’s’ Ryan Coogler has always been searching for superheroes who look like him”.

“I went to the comic book shop that was by my school and asked if they had any black characters,” Coogler recalled.

That was the moment Coogler discovered the Black Panther.

While in film school at University of Southern California, where he graduated in 2011, that love of comics remained — and after Marvel Studios started its connected cinematic universe with 2008’s box office hit “Iron Man,” Coogler began imagining that one day he might direct a superhero movie.

Betancourt has another article about how he is half African-American and half Puerto Rican and is excited about a superhero movie featuring people who look like him: “I’m a 37-year-old Afro-Latino comic nerd. I’ve waited a lifetime for ‘Black Panther.’”

Imagine waiting a lifetime for a hero, at times thinking he’ll never come. Imagine being there when he finally shows up.

That’s the feeling for many of us — fans of color who love superhero culture — as we anticipate the live-action movie debut of the Black Panther, indisputably the greatest black superhero of all time.

In Marvel Cinematic Universe years, it’s only been a decade since 2008’s “Iron Man” introduced a new era of epic, interconnected storytelling on-screen. But for those of us who discovered Black Panther in the comics — the character first appeared in 1966 — the wait has been much longer.

(11) SETI SLOWDOWN. First they need to find intelligent life on earth – the BBC reports “Crypto-currency craze ‘hinders search for alien life'”.

Scientists listening out for broadcasts by extra-terrestrials are struggling to get the computer hardware they need, thanks to the crypto-currency mining craze, a radio-astronomer has said.

Seti (Search for Extraterrestrial Intelligence) researchers want to expand operations at two observatories.

However, they have found that key computer chips are in short supply.

“We’d like to use the latest GPUs [graphics processing units]… and we can’t get ’em,” said Dan Werthimer.

Demand for GPUs has soared recently thanks to crypto-currency mining.

“That’s limiting our search for extra-terrestrials, to try to answer the question, ‘Are we alone? Is there anybody out there?’,” Dr Werthimer told the BBC.

“This is a new problem, it’s only happened on orders we’ve been trying to make in the last couple of months.”

Mining a currency such as Bitcoin or Ethereum involves connecting computers to a global network and using them to solve complex mathematical puzzles.

Here’s an even more direct measure of the impact of this currency mining — “Bitcoin energy use in Iceland set to overtake homes, says local firm”.

Iceland is facing an “exponential” rise in Bitcoin mining that is gobbling up power resources, a spokesman for Icelandic energy firm HS Orka has said.

This year, electricity use at Bitcoin mining data centres is likely to exceed that of all Iceland’s homes, according to Johann Snorri Sigurbergsson.

He said many potential customers were keen to get in on the act.

(12) SEVENTH DOCTOR WHO RETURNS. BBC Worldwide Americas and Titan Comics are bringing back the Seventh Doctor for a new three-part comic series stars the Seventh Doctor, as played by Sylvester McCoy, alongside classic companion Ace (Sophie Aldred).

Hitting stores and digital platforms in June 2018 with a double-sized first issue, DOCTOR WHO: THE SEVENTH DOCTOR #1, written by Seventh Doctor script editor and showrunner Andrew Cartmel, and writer Ben Aaronovitch (Rivers of London). Doctor Who: The Seventh Doctor expands Titan Comics’ hugely popular and critically acclaimed Doctor Who comics line.

Actor Sylvester McCoy starred as the Seventh Doctor from 1987 to 1989 anchoring hundreds of novels and comic strips before regenerating in the 1996 TV movie. As well as this new comic, the Seventh Doctor’s era lives on in a tremendously successful series of audios from Big Finish. McCoy’s portrayal as the Doctor was, at first, a light-hearted eccentric who darkened into a secretive, mysterious, and cunning planner across the course of his tenure.

In Titan Comics’ new mini-series, an unknown alien intelligence in orbit around the Earth. Astronauts under attack. A terrifying, mysterious landing in the Australian interior. The future of the world itself at stake. Counter Measures activated. The Seventh Doctor and Ace are slap bang in the middle of it all! This is OPERATION VOLCANO!

(13) EVIL EMPIRE. Eric Chesterton, in the MLB.com piece  “The Yankees Will Give Away An Aaron Judge Jedi Bobblehead For Star Wars Night,”  have a picture of the Coveted Collectible that all Filers who are Yankees fans will have to have!

(14) DESPITE POPULAR DEMAND. The irresistible charm of exactly what? explains why “Michael Fassbender is starring in a feature-length sequel to Kung Fury”.

The retro ’80s mash-up short Kung Fury made the improbable leap from kitschy Kickstarter project to the Cannes Film Festival, and now it will be getting a feature-length sequel starring Prometheus and Steve Jobs star Michael Fassbender. Variety reports that the creator and star of the original Kung Fury, David Sandberg, is also set to appear in the movie as the titular hero. David Hasselhoff, who had a role in the short, is also expected to return.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Will R., Rev. Bob, Daniel Dern, Carl Slaughter, Kim Huett, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 2/12/18 One Night In Genre And Worlds Are Your Oyster

(1) FIVE FAVORITES. Uncanny Magazine released its 2017 Favorite Fiction Reader Poll Results. Six stories made the Top Five – now that’s uncanny!

1- And Then There Were (N-One) by Sarah Pinsker

2- Fandom for Robots by Vina Jie-Min Prasad

3- IS A TIE!!!

Small Changes Over Long Periods of Time by K.M. Szpara

Sun, Moon, Dust by Ursula Vernon

4- Monster Girls Don’t Cry by A. Merc Rustad

5- Clearly Lettered in a Mostly Steady Hand by Fran Wilde

(2) BANKS ART BOOK COMING. Did you know Iain M. Banks could draw, too? “Orbit announces the publication of original Culture drawings from the Estate of Iain M. Banks”.

Original drawings by Iain M. Banks, author of the hugely popular Culture novels, will be included in a book that celebrates the author’s vision of the Culture universe. The previously unseen drawings, most of which are annotated by the author, and many of which predate the writing of the novels themselves, will be curated by the Estate of Iain M. Banks and Iain’s life-long friend and science fiction writer Ken MacLeod. With additional commentary by MacLeod, further notes on the Culture, and extracts from the Culture novels, the book will provide a unique insight into the Culture, including its history, language, technology, philosophy and values.

(3) KEEP THE HONOR IN GOH. Seanan McGuire has spot-on advice for conrunners about GoH invitations and etiquette. Jump on the thread here —

(4) WOMBAT IN DEMAND. A gig at Anthrocon is in her future.

(5) THE WAY TO SAN JOSE. John Picacio revealed more recipients of Mexicanx Initiative sponsored Worldcon memberships.

(6) THE SCHOOL OF BAD EXAMPLES. Diana Pharaoh Francis tells how to learn craftsmanship in “The Classroom of Dissatisfaction” at Book View Café.

Likewise, he’s never noticed her and suddenly she’s his ‘mate.’ (This is a shifter story). He’s apparently been dreaming about her and even though he’s known her previously, never paid attention to her. But what bothers me is that when he realizes he has to work to win her affections, he doesn’t stop to consider what their relationship has been, how they’ve interacted before, and why she might not like him.

The more I read, the less I’m convinced that their attraction is real instead of shoehorned into a situation without enough attention to actually building a believable foundation.

So what do I learn from this? Well, stuff I already knew. The motivations have to be believable. The character interactions have to be genuine and real. That readers want to stick with the story but won’t waste their time if there are significant cracks in it. But I also learned that you can have things in the story that will pull a reader along despite problems. That a reader *wants* to like the characters and will be fairly forgiving if you just smooth out the road a little.

I’ve read books that I wanted to put down because of the problems, but I kept getting dragged along because *something* in the book demanded it. But then I get to the end and I have regrets that the book wasn’t executed better. And those regrets make me sad.

(7) STAR TREK DISCOVERY WITH SPOILERS. Looking ahead: “‘Star Trek: Discovery’ Producers on Season 1 Finale, and How Season 2 Will Be ‘What Trek Does Really Well’”.

According to “Star Trek: Discovery” co-showrunner Gretchen Berg, legendary TV producer Aaron Spelling is the reason why no major character dies in the season finale of “Star Trek: Discovery.”

“We worked on the original ‘Beverly Hills 90210,’” she told IndieWire, “And somebody was going to die or not going to die, and his attitude came back down that he didn’t want the person to die and I was like, ‘Why? Come on, that’s life!’”

Added Aaron Harberts, her co-showrunner, “The Mr. Spelling in me is always like, ‘You don’t kill a character! You just don’t. Because it’s good to be able to bring them back.’”

(8) CRIDER OBIT. Crime fiction writer Bill Crider died February 12 at the age of 72. Crider, who also won a 2015 Sidewise Award for his story “It Doesn’t Matter Anymore,” had entered hospice care in December.

(9) TODAY IN HISTORY

  • February 12, 1931 — Bela Lugosi’s famous role of Dracula hit the silver screen in New York
  • February 12, 1940The Invisible Man Returns premiered theatrically.

(10) TODAY’S BIRTHDAY BOY

  • Born February 12, 1915 — Lorne Greene, Commander Adama (or Pa Cartwright, if you prefer.)

(11) MUSIC TO WRITE BY. Neil Gaiman has written an essay about ex-Pixies guitarist Kim Deal’s band The Breeders to celebrate their new album All Nerve:

The first time I heard of Kim Deal, it was because the co-owner of Dark Carnival, the bookstore in San Francisco I was signing in had been mistaken for her the night before by a waiter, who had taken her protestations that she was a bookshop person as a cover story and brought her and the people she was with, bookstore people whom he believed to be the rest of the Pixies, free drinks all night. I now knew a band called the Pixies existed.

I owned a tiny black and white television that sat on the corner of my desk, and kept me company when I wrote, all alone, too late at night, playing badly dubbed European Detective shows, late night rock shows, cheap television. Somewhere in 1989 it played a Pixies video. A week later I had every Pixies CD you could find in London record shops. I loved the aesthetic as much as the music: the Vaughn Oliver art and typefaces.

Information scarcity. I didn’t know who these people were. I was 29 years old, writing Sandman, in England, with two small children. I bought the CD of Pod, and I wrote Sandman to the jangly Breeders music.

(12) PRO TIP. From Sarah Gailey:

(13) SEVENTIES WOMEN SFF WRITERS. James Davis Nicoll is back with “Fighting Erasure: Women SF Writers of the 1970s, Part II” at Tor.com. First up —

Sally Miller Gearhart

Gearhart may be best known now for her political activism and her decades of scholarly work. The Sally Miller Gearhart Chair in Lesbian Studies at the University of Oregon is named for her. SF fans unacquainted with her work might do well start with The Wanderground, a novel about feminist separatism set in a near future. Any of you planning to write a feminist separatist novel (or found a separatist feminist community) might want to explore prior art, including Gearhart’s contributions.

(14) SCRIPTER AWARDS.  SyFy Wire reports “Under His Eye The Handmaid’s Tale wins yet another award”.

On Saturday night, the 30th annual Scripter Awards were hosted at the University of Southern California. The Scripter Awards are given out annually honoring adaptations of “printed word into film” and are awarded to both the original author and writer of the screenplay. The pilot episode of Hulu’s adaptation of Margaret Atwood’s The Handmaid’s Tale won in the television category with writer Bruce Miller, who is also the creator and executive producer of the show, picking up the award.

(15) OPEN FIELD. Diane Duane is one writer unaffected by last year’s version of Best Series, as she explains in “2018 Hugo Award eligibility: for those who were asking”.

First of all: the 2017 e-publication* of Interim Errantry 2: On Ordeal means that the Young Wizards series is once again eligible for Hugo consideration. In 2017 this would have been because of the 2016 publication of Games Wizards Play, which made the series eligible for the Best Series one-time “special” Hugo awarded by Worldcon 75 in Helsinki. That, however, was a different award from the new Best Series Hugo. (A distinction that apparently may make a difference for last year’s award finalists, if this year’s Hugo Administrator decides to rule out their nomination this year. But that’s hardly an issue for me.)

So — as confirmed here on the list of Best Series Hugo eligibles at File 770 — the Young Wizards series is eligible for nomination for the 2018 Best Series Hugo. Yay! …And if (as someone eligible to nominate) you feel inclined to nominate it, then I encourage you to do so.

(16) SECRET SFWA OPERATION CODENAMES REVEALED. The leak came right from the top!

(17) LIFE PRESERVER. The BBC, in “UK team set for giant Antarctic iceberg expedition”, tells about a team looking at life hidden over 100K years, now exposed by calving.

Scientists will set out in the next week to study an Antarctic realm that has been hidden for thousands of years.

A British Antarctic Survey-led team will explore the seabed ecosystem exposed when a giant iceberg broke away from the Antarctic Peninsula in 2017.

The organisation has also released the first video of the berg, which covers almost 6,000 sq km.

(18) USA TODAY’S TOP 100 SELLERS OF 2017. Here are the works of genre interest that made the top 100 books of the year, according to data from USA TODAY’s Best-Selling Books list.

5. The Handmaid’s Tale by Margaret Atwood
12. It by Stephen King
15. Astrophysics for People in a Hurry by Neil deGrasse Tyson
19. Oh, the Places You’ll Go! by Dr. Seuss
31. Hidden Figures by Margot Lee Shetterly
32. 1984 by George Orwell
41. Ready Player One by Ernest Cline
54. Goodnight Moon Board Book by Margaret Wise Brown, art by Clement Hurd
55. Dr. Seuss’s ABC by Dr. Seuss
57. Harry Potter and the Sorcerer’s Stone by J.K. Rowling, art by Mary GrandPré
59. The Trials of Apollo: The Dark Prophecy by Rick Riordan
63. Harry Potter and the Prisoner of Azkaban: The Illustrated Edition by J.K. Rowling; art by Jim Kay
65. The Very Hungry Caterpillar Board Book by Eric Carle
66. Harry Potter and the Cursed Child Parts One and Two by J.K. Rowling, Jack Thorne, John Tiffany
70. Magnus Chase and the Gods of Asgard: The Ship of the Dead by Rick Riordan
76. A Wrinkle in Time by Madeleine L’Engle
80. Sleeping Beauties by Stephen King and Owen King
86. Green Eggs and Ham by Dr. Seuss
92. The Dark Tower I: The Gunslinger by Stephen King
93. Fahrenheit 451 by Ray Bradbury
94. Norse Mythology by Neil Gaiman

(19) THEY CAME FROM SPACE. SFF is the latest fashion — “Philipp Plein takes NY Fashion Week on snowy spaceship ride”.

Provocateur Philipp Plein descended on New York Fashion Week with a giant spaceship, silvery rock formations and Migos lighting up the crowd Saturday night as fake snow fell and covered the floor of a huge industrial space at the Brooklyn Navy Yard.

And there were clothes. Skiwear mostly, lots emblazoned with Plein’s name, skulls and crossbones and some Playboy logos.

The show roared to life with a couple of motorcycle riders and a space utility vehicle that plowed through Plein’s fake wall of rocks. Later came a schmoozy transformer (big person in costume) who greeted Irina Shayk as she slinked out of the ship in a black bodysuit emblazoned with “I Love You Philipp Plein.”

(20) HUMANS EVOLVED. The Titan Official Trailer.

[Thanks to Mark Hepworth, JJ, Joel Zakem, Martin Morse Wooster, Rob Thornton, John King Tarpinian, Cat Eldridge, Carl Slaughter, Chip Hitchcock, Soon Lee, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

Cats Sleep on SFF: Tolkien, Riordan, and Vernon

NickPheas’ photos show the rest of the family likes to cozy up to a good book, too.

  • This is Steerpike, not actually sleeping, but sitting with The Fellowship of the Ring. He is Fuschia’s brother, they are 17.

  • Here we have Tinks, sleeping with The Lightning Thief, the first of the Percy Jackson books —

  • And Thomas, with Castle Hangnail, by a certain wombat.

Photos of your felines resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com

Pixel Scroll 1/23/18 Always Scrolling Home

By JJ:

(1) THIS IS WHAT YOU NEED, I’LL GIVE YOU WHAT YOU NEED. (click on the date/time stamp to see the whole thread)

(2) SOUTHEAST ASIAN ANTHOLOGY. Rambutan Literary is launching its first anthology of works curated from its first two years of publishing Southeast Asian literature with a Kickstarter for Shared Horizons: A Rambutan Literary Anthology.

It’s been two great years since Rambutan Literary started publishing work from the global Southeast Asian literary community. We’ve grown from a tiny journal with a handful of readers to a robust, (proudly) small publication with a readership of thousands worldwide. We continue to publish literature from both established and emerging Southeast Asian writers, and we’re even currently sponsoring the Sing Lit Station 2018 Hawker Prize for Southeast Asian Poetry.

As we enter our third year, we want to celebrate the work that we’ve accomplished together, the amazing literature we’ve had the honor to publish, and the awesome writers we’ve gotten to work with by organizing an anthology of some of our favorite pieces from the last two years!

The Kickstarter thus far has achieved $1,224 in pledges toward a $3,370 goal, with 10 days remaining in the campaign.

(3) YOU GOT YOUR POLITICS IN MY SCIENCE-FICTION. At Tor.com, Judith Tarr provides a re-read review of Andre Norton’s Daybreak – 2250 A.D.:

Here, seven years after the bombing of Hiroshima and Nagasaki, Norton gives us the complete destruction of Western civilization and the near-destruction of the human race. She knows about radiation poisoning, she speculates about the range and quality of mutations from it, and she makes it clear that she sees no other end to the atomic age than a cataclysmic blowup.

She also, even before Brown v. Board of Education and right in the middle of the McCarthy era, made clear that the future will not be pure white, though it may be relentlessly patriarchal. Her hero may have fair skin but he’s something other than Aryan-Caucasian, and his closest friend is African-American, descended from the Tuskegee Airmen. The implicitly white Plains people actually have a female leader, and the only women who speak in the whole novel speak at the end against the men’s insistence on perpetual war…

Her theme here, just as much as in her works of the Eighties and later, is that all humans need to work together, that cultural differences are not measures of superiority or its opposite, and that the real future of humanity is among the stars.

Apolitical? Not even slightly.

(4) SPEAKING OF APOLITICAL SF. A tweet from the prematurely-declared SFFCGuild claiming that Mary Shelley’s Frankenstein was apolitical evolved into a long, raucous Twitter thread on political messages in SFF. At one point, Jim Hines threatens to use a magic tattoo to make Scott Lynch bald. (click on the date/time stamp to see the whole thread)

(5) VIRAL FICTION. Story Seed Vault announces this year’s Flash Fiction contest.

The Story Seed Vault is an online micro-fiction publication that aims to entertain and educate our readers about scientific research through fiction. We are an international publication based in Sydney, Australia. As Story Seed Vault is new to the industry, we are pushing to increase our reach and to partner with science communicators all over the world.

One of the ways that we do this is by holding thematic Flash Fiction contests.

Criteria

  1. It must be based on topics/research relevant to VIROLOGY. The more recent the research, the better. We will judge a great story with science from a few years ago over an alright story with a study published yesterday.
  2. If the story is about VIROLOGY but the research provided is generic educational info, it will not be awarded a placing.
  3. The story has to be able to stand on its own – the science can provide context/make it more interesting, but it should not rely heavily on the science to be entertaining.

1st, 2nd, and 3rd place entrants will receive $10 each.

The submission period is Flash as well: Submissions open at 10pm AEST January 25, 2018, and close at 10pm AEST January 27, 2018. (That’s 7am EDT on those days, for you Yanks.)

Please, PLEASE nobody tell Timothy about this.

(6) KINGFISHER ENVY. Filer Cheryl S. sends a photo of her gorgeous Kickstarter Special Edition of Summer in Orcus by T. Kingfisher (aka Ursula Vernon). Those who missed out can still get an e-book edition, or read this magical tale for free online at the author’s website.

(7) DO YOU FEEL LUCKY, SOLARPUNK? DO YOU? Tom Cassauwers, on OZY, says Sci-Fi Doesn’t Have to Be Depressing: Welcome to Solarpunk:

Imagine a scene, set in the future, where a child in Burning Man-style punk clothing is standing in front of a yurt powered by solar panels. There weren’t many books with scenes like that in 2014, when Sarena Ulibarri, an editor, first grew interested in a genre of science fiction that imagines a renewable and sustainable future. Four years later, it’s different.

Welcome to solarpunk, a new genre within science fiction that is a reaction against the perceived pessimism of present-day sci-fi and hopes to bring optimistic stories about the future with the aim of encouraging people to change the present.

(8) VISUAL CONFUSION. SFF authors have provided their photo albums from last week’s ConFusion convention in Ann Arbor, Michigan. See Jim C. Hines’ photos and John Scalzi’s photos.

(9) THE FORCE AWAKENED. Bill Capossere, at Fantasy Literature, has posted an insightful review of the non-fiction work Superwomen: Gender, Power, and Representation by Carolyn Cocca:

Stylistically, Cocca is consistently engaging, her prose clear and fluid. The content is well researched, organized, focused, and incredibly detailed, and the entire work is wholly and thoroughly accessible throughout, making for reading that is enjoyable, stimulating, and thought-provoking.

Some of this is well traveled territory, and so those conversant with the topic won’t be surprised for instance to hear about how Wonder Woman’s creator had an overtly feminist motivation, or that female heroes such as Jean Grey or Sue Storm often fainted while exercising their powers. Nor will they be shocked at the difference in posing and costuming between male and female superheroes. Superwomen‘s value here for such readers then isn’t in the presentation of new information, but in how good a job Cocca does placing these things in context of time period and culture, as well as highlighting how a more diverse authorship and artistry (as opposed to just more diverse characters) can make a huge difference.

(10) INACCESSIBILITY. Despite exchanging numerous messages in advance with Ace Comic Con Phoenix, congoer Jen Sauve found the accessibility arrangements less than accommodating:

We had been told upon arrival register and then find an ace rep and they would make sure we were taken care of as per their disability policy. I must’ve asked about 15 different reps including their one at guest relations and the ace info booth and no one seemed to know of any policy or be on the same page. Irritated, I went down to the celeb photo ops redemption (missing the cap panel I wanted to see because hey, making sure I am accommodated and don’t have any sort of medical emergency is important). Celeb photo ops (they seemed rather pissed about this as well mind you) informed me that ace was telling them no one could be in their ada line unless they were in a wheelchair. I know the celeb photo ops staff rather well by this point attending so many cons and could tell they felt awful saying this to me.

(11) SHARKES IN THE WATER. Maureen Kincaid Speller has posted an intro for the 2018 Shadow Clarke project. As someone who was on the outside looking in last year, I find some of her conclusions regarding the reactions to last year’s results… questionable.

To begin with, we discovered that the phenomenon of award shadow juries is apparently not that well known outside Europe. There was an unexpected degree of resistance to the concept from some parts of the global sf community, people who saw our enterprise as part of an ongoing attempt to police their reading, which was certainly not our intention. More than that, we came to realise that a surprising number of people within the sf community had become deeply averse to the whole idea of critical writing…

Our basic approach will be almost the same as last year… But this time we’ll be placing an even greater emphasis on showing our critical working. So, alongside our individual reviews, we hope to include dialogues, round tables, and possibly some podcasts as well if we can sort out the logistics. We’re also going to be talking individually about our critical practice. It’s common to see fiction writers talking about what moves them to write, where their ideas come from, and so on, but nowadays it’s vanishingly rare to see critics and reviewers doing the same. It’s time we changed that. The Shadow Clarke jurors come from a variety of critical backgrounds, and it’s going to be very interesting to compare notes on what we do and how we do it.

(12) TODAY’S BIRTHDAYS:

(13) FAMILIAL FANTASY V. Fantasy photographer Alexandra Lee has embarked on a very special person project – portraits of her loved ones in fantasy costuming and settings. (click on the date/time stamp to see the tweet, then click on one of the tweet photos to open the gallery)

(14) THIS MUST BE JUST LIKE LIVING IN PARADISE. Viable Paradise 22, a writers’ workshop which will run from Sunday, October 21 to Friday, October 26, 2018, has a discount on applications during the January earlybird period.

Viable Paradise is a unique one-week residential workshop in writing and selling commercial science fiction and fantasy. The workshop is intimate, intense, and features extensive time spent with best-selling and award-winning authors and professional editors currently working in the field. VP concentrates on the art of writing fiction people want to read, and this concentration is reflected in post-workshop professional sales by our alumni…

Viable Paradise encourages an informal and supportive workshop atmosphere. During the week, instructors and students interact in one-on-one discussions, group critiques, lectures, and free-flowing Q&As. The emphasis at first is on critiquing the students’ submitted manuscripts; later, the emphasis shifts to new material produced during the week.

The application fee changes based on when in the application period your application is submitted:

  • For applications submitted from January 1 to January 31: $12.50 (USD).
  • For applications submitted from February 1 to March 31: $25 (USD).
  • For applications submitted from April 1 to May 15: $35 (USD).
  • For applications submitted from May 16 to June 1: $50 (USD).

The application fee is non-refundable and is separate from the tuition cost for applicants accepted to the workshop. For those applicants we accept as students, the non-refundable tuition cost is $1500 (USD) and is due on August 1st.

(15) PINING FOR THE SPLASHGUARDS.

(16) ASIMOV DIDN’T SEE THIS ONE COMING. Scottish supermarket chain Margiotta, which trialled a ShopBot who they affectionately named “Fabio” in an experiment run by Heriot-Watt University for the BBC’s Six Robots & US, discovered that the First Law of Robotics should have been: Do Not Alarm the Customers.

Fabio was programmed with directions to hundreds of items in the company’s flagship Edinburgh store and initially charmed customers with his ‘hello gorgeous’ greeting, playful high fives, jokes and offers of hugs.

But within just a few days, the robot was demoted after giving unhelpful advice such as ‘it’s in the alcohol section’ when asked where to find beer. He also struggled to understand shoppers’ requests because of the ambient background noise.

Banished to an aisle where he was only allowed to offer samples of pulled pork, Fabio started to alarm customers who went out of their way to avoid him…

…when Franco Margiotta, who built the business from scratch, told the little robot they would not be renewing his contract, Fabio asked: “Are you angry?” and some staff were reduced to tears when he was packed away and shipped back to Heriot-Watt.

(17) DON’T HOLD YOUR BREATH WAITING FOR MOONBASE ALPHA. Author Mark R. Whittington, in a commentary in the Salt Lake Tribune which speculates that Mitt Romney will run to take the seat vacated by the retiring Senator Orrin Hatch, recommends that Romney reconsider the idea of planting a human colony on the moon.

One of Romney’s opponents, former House Speaker Newt Gingrich, proposed the building of a lunar base by the year 2020, then eight years away. Mr. Romney [in 2012] took the occasion of a presidential debate in Tampa to savagely mock the idea of going back to the moon. “If I had a business executive come to me and say I want to spend a few hundred billion dollars to put a colony on the moon, I’d say, ‘You’re fired.’…

Having listened to the experts on the matter, Trump has duly signed a directive for NASA to set America’s course back to the moon. What Romney once found beyond the pale is now federal government policy.

So, the question arises, considering Romney’s prior position and his well-known antipathy to the president, what is his position now concerning a return to the moon? Would he still fire someone who suggested it to him?

In response, Professor Emeritus of Chemical Engineering at the University of Utah Noel de Nevers says “Sorry, Mark, but moon colonies are just science fiction right now”:

In support of this idea [Whittington] says, “Water and ice at the lunar poles can be mined and refined to rocket fuel,” and also, “Access to the moon and its abundant resources will be of benefit to the United States.”

Both of these ideas form the basis of entertaining science fiction, e.g. “The Martian.” But the moon (and Mars), as far as we know, do not supply visitors with air, drinking water, food or fuel. Visitors to the moon (or Mars) must bring all of those with them…

So far lunar exploration has not shown that there are “abundant natural resources”, on the moon, and to date there are none whose value on earth (e.g. gold or platinum) would justify the cost of bringing them to earth, even if those resources cost nothing to find and extract from the moon’s surface (or interior, as most earthly gold and platinum is). There is no evidence that the fossil fuels or mineral deposits that life on earth depends on were ever formed by lunar geology and biology, as geology and biology has formed them on earth.

(18) YOU ALSO NEED THIS.

(19) AMNESIA SF. Michael Jan Friedman, who is perhaps best known for his Star Trek tie-in novels and a writing credit on the Star Trek: Voyager episode “Resistance”, has created a Kickstarter campaign for Empty Space, a science fiction adventure in the form of a 128-page full-color graphic novel, with 115 pages of story and illustrations by pencil-and-inks artist Caio Cacau:

Your name is Robinson Dark. You don’t know where you are or how you got there or what happened to the crew you led into space. All you know is you can’t feel a thing – not even fear.

Then it gets weird.

I’ve described Empty Space as a cross between Star Trek and Lost, but it’s really more than that. It’s a twisty, turny, sometimes unsettling narrative set against the limitless backdrop of the stars, with the sort of bizarre alien species and against-all-odds derring-do that’s always characterized the best space adventure – along with a heaping dollop of the macabre.

This is the kind of tale I’ve wanted to tell for a long time. In fact, it’s a dream project for a guy who fell in love with comics and science fiction at the age of six and never stopped loving them.

It’s also a chance for me to give back to you – the readers who’ve been following me for decades – the best, most intriguing, and most entertaining work I can possibly come up with. If at any time in your immersion in Empty Space you think you know where the story is going… I humbly invite you to think again.

The Kickstarter thus far has achieved $3,435 in pledges toward a $10,000 goal, with 23 days remaining in the campaign.

(20) CUBIK MUSIK. It doesn’t get any geekier than this: YouTuber The Cubician plays the Star Wars cantina song as part of solving Rubik’s Cube.

(21) FOR THOSE WHO NEED TO ESCAPE, JUST FOR A LITTLE WHILE, TODAY.

 In Memory of Ursula K. Le Guin, who challenged all of us to become our better selves.

[Thanks to Cheryl S., Cora Buhlert, Hampus Eckerman, lauowolf, Laura Resnick, Lenore Jones, Mark-kitteh, Paul Weimer, Soon Lee, and Standback for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 1/22/17 How Do We Tell If A Scroll is Made of Pixels?

By JJ:

(1) MOVING FORWARD. ScreenRant broke the news that Wonder Woman 2 will be the first film to adopt the Anti-Sexual Harassment Guidelines announced on Friday by the Producers Guild of America, prior to their annual awards gala.

As reported by Variety, the PGA’s board of directors voted unanimously to ratify the new guidelines, which were then issued to the organization’s 8,200 members. PGA presidents Gary Lucchesi and Lori McCreary said of the guidelines:

Sexual harassment can no longer be tolerated in our industry or within the ranks of the Producers Guild membership. We provide key leadership in creating and sustaining work environments built on mutual respect, so it is our obligation to change our culture and eradicate this abuse. While the PGA is a voluntary membership organization, the PGA’s Anti-Sexual Harassment Guidelines are sanctioned as best practices for our members.

The Wonder Woman sequel being the first film to officially adopt these guidelines certainly makes sense considering the character’s position as a role model for girls and women everywhere (though that might not necessarily be why it will be the first to adopt the guidelines). Additionally, Jenkins’ Wonder Woman broke records for movies directed by women, solidifying it as a major step forward for gender representation in terms of Hollywood directors. Further, it was reported last year while Jenkins and Gadot were negotiating their deals for the sequel that the actress refused to sign on for Wonder Woman 2 unless Warner Bros. cut ties with Brett Ratner’s production company RatPac for the film. (Ratner was accused of sexual misconduct by a number of women, including X-Men: The Last Stand’s Ellen Page.)

(2) THE WRITING BOAT IS OPEN FOR BOARDING: Dan Wells from the Writing Excuses podcast announced that applications are open for their 2018 Writing Excuses Retreat Scholarship:

The sixth annual Writing Excuses Workshop and Retreat makes a triumphant return to the Caribbean Sea! We begin in Houston, TX, on September 22; we’ll visit Roatan, Belize City, and Cozumel; and then we’ll end up back in Houston again on September 30. You can find all the other info, including our incredible guest list, here.

We are also delighted to report that we are offering more scholarships in 2018 than ever before: five! One of these is sponsored by the hosts of Writing Excuses, one by our amazing patrons on Patreon, and three (3) by our incredibly awesome alumni. They’ve been on the retreat (sometimes more than once), they love it, and they want to share it with as many people as possible.

As always, our scholarships come in two categories: three Out of Excuses Scholarships, awarded to those in financial need, and two Carl Brandon Society Scholarships, awarded to writers of color. Both categories have introduced us to some incredible writers in the past, and we can’t wait to see who we get to meet this year. Share this post with everyone you know, read the rules carefully, and apply!

Workshop presenters announced thus far include Amal El-Mohtar, Piper Drake, Maurice Broaddus, Kathy Chung, K Tempest Bradford, Valynne E Maetani, Mary Robinette Kowal, Dan Wells, and Howard Tayler.

(3) I SEE YOU SHIVER WITH ANTICI

(4) FURY STILL TO BE UNLEASHED. On an update to the Kickstarter for the Hath No Fury anthology of fantasy, science fiction, and urban fantasy tales featuring lead characters inspired by women from literature, history, and film, editor Melanie R. Meadors announced that Outland Entertainment has committed to complete the anthology after the original publisher, Ragnarok Publications, shut down:

The good news is that Outland Entertainment has absorbed all the rights to Ragnarok’s anthologies. The books will continue to be in print, and Hath No Fury will be published as well. The files for the books are currently being processed so that they have the copyright and logo info updated, and Hath No Fury is being sent to the printer. There has been a super long delay with that, and Outland wants you to know they are really sorry about that. The money Ragnarok received for this Kickstarter had been used for other business expenses by Ragnarok, and so Outland had to figure things out in order to get backer rewards paid for out of their own pocket. The money to pay for all printing expenses and shipping, etc for the Kickstarter backers is now earmarked and ready to go, however, and the only delay right now is with printing – in order for printing to be done as efficiently as possible, Outland is doing a batch printing order with another project, and they just had to wait for that to finish up in order to submit the job.

I know you folks have been itching to get your hands on the books, and communications have been sparse. I apologize for that. Outland wanted to be sure to try to get accurate information out there instead of giving a lot of false starts and dates based on hopes. I don’t have an exact date yet (the head of the other project’s mother just passed away, so as soon as he’s back to work, I can get more details on that), but it WILL be this spring, and the money for the printing and processing IS earmarked and will not be going anywhere. I’m really grateful to Outland for helping to make all this happen, especially for absorbing such a huge cost to them for fulfilling the Kickstarter. More details are forthcoming as far as what is shipping when, and when folks can expect to get surveys. Again, I apologize for the delays and the gaps in communication, but going forward we should see some real progress.

The Kickstarter had more than doubled its $14,500 goal, receiving $32,047 in pledges.

(5) KEEPING IT IN THE FAMILY MAUSOLEUM. Tina Romero, daughter of the grand master of zombie horror George A. Romero, will be directing zombie movie Queens Of The Dead, according to ScienceFiction.com:

The apple doesn’t fall far from the tree as it now looks like Tina Romero is going to be directing a new feature film titled Queens of the Dead. With George A. Romero creating the modern zombie and his son Cameron busy at work with Rise of the Living Dead, it seems like the undead are becoming a family affair. Tina had previously announced that she was working on a new horror web-series with Tom Savini but now that partnership will also have a new movie as well.

There is no news if this movie will be part of the Night of the Living Dead universe or set in her own world and will just be paying tribute to her father’s work with the title.

As to what the movie will be about and what inspired her to do it?

“Queens of the Dead is a fusion of two huge parts of my world: zombies and Gay nightlife. It’s a tribute to my father as well as my entrée into the genre he grandfathered. I can’t say too much yet, but what I can tell you is that this film will have all the hallmarks of a George A. Romero classic: farce, politics, heroes, assholes, and most importantly, herds of silly and slow-moving walkers that you can’t help but love. But I’m doing it Tina-style, and bringing the glitter, choreography, queers & queens.”

Basically, it boils down to showing us “the zombie apocalypse, seen through the eyes of the patrons at a drag nightclub.” Now, that is an idea which hasn’t been done before and could prove to be full of humor and heart.

(6) DARKNESS FALLS. All 1,225 Episodes of vintage TV series Dark Shadows have been released on Amazon Prime Streaming, says Bloody Disgusting:

Depicting the lives, loves, trials and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place, the American gothic television series “Dark Shadows” aired from June 27, 1966, to April 2, 1971 on ABC. The show ran for five years, delivering a staggering 1,225 episodes.

As of this week, you can stream EVERY episode through Amazon Prime US & UK!

The Wikipedia entry for the cult series offers this description:

The series became hugely popular when vampire Barnabas Collins (Jonathan Frid) appeared ten months into its run. Dark Shadows also featured ghosts, werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles; as actors came and went, some characters were played by more than one actor.

Dark Shadows was distinguished by its vividly melodramatic performances, atmospheric interiors, memorable storylines, numerous dramatic plot twists, adventurous music score, broad cosmos of characters and heroic adventures.

(7) SETTING PRIORITIES. The NASA History Office came up with this gem right before they turned out the lights:

(8) GOODNIGHT EARTH. In a lengthy piece, “What Happens to Astronauts During a Government Shutdown?“, The Atlantic verifies that the astronauts on the International Space Station (ISS) won’t be completely abandoned:

As the wheels of the U.S. government ground to a halt Friday at midnight, thousands of federal employees prepared to face days or weeks without work or pay until their offices reopened.

Some employees will continue working through the government shutdown, however, including the three with the longest commute: NASA astronauts Mark Vande Hei, Joseph Acaba, and Scott Tingle. Despite the political tussle that closed most of the government on Saturday, the American part of the International Space Station remains open for business. Mission-control staff, considered “essential” personnel, will keep working, too, to support the astronauts.

Phew. And, well, obviously! After all, NASA can’t exactly press pause on the work of keeping humans alive in microgravity 200 miles above Earth, even if Congress missed the deadline for the government running out of money.

“To protect the life of the crew as well as the assets themselves, we would continue to support planned operations of the ISS during any funding hiatus,” states a NASA plan, published in November, that outlines protocols for a potential government shutdown.

(9) HOUSTON, CAN YOU READ ME? Former ISS Commander Chris Hadfield reminisces about the last time the lights went out:

(10) QUICK, WHILE THEY’RE NOT LOOKING.

(11) SAY, ARE YOU RELATED TO…? Author and Filer Laura Resnick posted a diary of an unnamed convention where she was a guest, exposing the sordid truth concealed behind the glamorous myths about a midlist writer’s life. Here’s a spine-tingling excerpt:

At dinner, am required to sit at assigned table and be available to interested attendees.

Overhear attendees say, “All the good seats are taken, I guess we’ll have to sit here,” a moment before they sit down at my table.

Table gradually fills up with disappointed attendees who had hoped to sit with someone better than me at this meal.

No one at table sits next to me. The chairs are empty on either side of me. I suggest someone might like to sit closer to me. No response.

Nearest person on left asks me, “Are you any relation to Mike Resnick, the science fiction writer?”

I respond, “Yes, he’s my dad.”

Ten minutes later, nearest person on right asks me, “Are you any relation to Mike Resnick?”

(Old man will enjoy this. Must make sure he never finds out.)

Otherwise, not much said to me throughout meal.

(12) A FUTURE INFORMED BY BLACKNESS. Mic, a digital news media site, discusses revolutionary Afrofuturistic elements in “Black Panther isn’t just another Marvel movie – it’s a vision of a future led by blackness.”

Wakanda is more than just a fun spectacle; it represents something much more magnificent and powerful – a version of Africa unaffected by the external world, one that was allowed to pursue its own march toward spectacular progress.

When the most recent trailer for the movie was released in October, people weren’t just excited, they were jubilant. Now, it’s an event pretty much every time there’s a new Marvel movie but – no disrespect to Spider-Man: Homecoming, Thor: Ragnarok, etc. – those blockbusters don’t normally have an entire culture of people impatiently awaiting their release. So what makes Black Panther especially noteworthy?

The secret sauce of Marvel’s Black Panther is Afrofuturism – an arts form that combines science fiction with black culture to create a future informed by blackness. On its face, Black Panther masquerades as Marvel’s latest superhero flick. Dig deeper and you’ll find the movie’s true identity: an Africa-set, Afrofuturist film – made for black people, by black people – powered by a Disney budget.

(13) CHALLENGE ACCEPTED. New York native Frederick Joseph’s GoFundMe campaign to set up screening of Black Panther for children has gone viral, says ABC News.

Joseph knew he wanted to give back to his community in some way and with the highly-anticipated Black Panther hitting theaters next month, he decided to try and raise funds to send a few hundred kids from the Boys & Girls Club of Harlem for free.

But what has happened over the last few days since his GoFundMe page launched is something straight out of the pages of Marvel Comics.

Joseph’s original goal of $10,000 has been well surpassed and now stands at around $25,000 and climbing. More than 500 people have donated. The campaign also boasts support from Chelsea Clinton, J.J. Abrams and ESPN’s Jamele Hill.

After seeing his goals exceeded so quickly and enthusiastically, Josephs issued the #BlackPantherChallenge:

… start a @gofundme to buy tickets for kids in your city to see Black Panther. If you’re a teacher, buy tickets for your entire classroom. If you’re a coach, take your team. If you’re a community leader, do some organizing and get the kids and parents in your community to the theater. 10 campaigns that answer the #BlackPantherChallenge will receive a $100 donation from GoFundMe.

Comicbook.com reports that rapper Snoop Dogg has announced that he will fund one of the NYC screenings and a screening for kids in Los Angeles, as well as donating funds to Joseph’s GoFundMe campaign.

Joseph’s GoFundMe now stands at $42,642 of $10,000 goal.

(14) TODAY’S BIRTHDAYS:

(15) FINALLY NAMING NAMES. Compulsive list-maker and Filer James Davis Nicoll has made the first in a new series of posts over at Tor.com, Fighting Erasure: Women SF Writers of the 1970s, A Through F.

You may have been annoyed by recurrent comments from a certain surprisingly flammable Waterloo-region reviewer. He complains about the erasure from SF memory of women writing SF back in the 1970s – but has that reviewer ever bother to name names? Suggest books? I think not. It is time to confront the erasure directly. Forward! Excelsior!

In an attempt to keep this list to a manageable length, I will focus on women authors who first published in the 1970s. That means skipping some significant authors who were already active at the time. I also reserve the right to cheat a bit by including a few works published after the 1970s. I am also going to break this list into several installments, beginning with A through F. Which should tell you just how many women have been erased. Whole binders full of women.

(16) SO THAT’S WHAT’S UNDER THERE. In a comment on File770, RedWombat (aka Ursula Vernon) says:

I went through what I called an “objectified Scotsman” phase about two months ago. A very specific, very silly genre, mostly tied to kilts, existence thereof, and what may or may not be worn underneath them.

You have to be absolutely in it for the romance, there is no comedy of manners, and they run INTENSELY formulaic (and I say this as one who respects romance enormously as a genre, couldn’t write it, and believe it deserves an immense amount of respect) but they are hella fun for comfort reads.

Structure goes as follows:

Act One: Arranged Marriage

HIM: I hate the English.

HER: Goddamn.

Act Two: Love

HIM: I still hate the English, but this one’s mine.

HER: Hot damn!

Act Three: The Clans Go To War

HIM: Let’s kill those other English!

HER: Oh, damn.

(17) THE TOR BOYCOTT HAS SUCCEEDED.

(18) NOW THAT YOU MENTION IT. Angered by what he apparently perceived to be too many “girl cooties” ruining his childhood in The Last Jedi, a Mens’ Rights Activist released last week a version of the 152-minute movie called “The Last Jedi De-Feminized Fanedit”, with the female characters almost completely excised. The resulting movie is (wait for it…) 46 minutes long. Dorkly’s Tristan Cooper takes one for the team and reports on the result.

I know. Part of you kind of wants to see this tragic, insecure shitshow. Don’t worry, you don’t have to scrub through the sketchier side of the internet just to satisfy your morbid curiosity – I’ve already done that for you. I watched the De-Feminized Fanedit of The Last Jedi, and I can tell you with authority that it’s even worse than you think…

In response, Twitter user Logan James released his own gender-edited films:

(19) MOTOR CITY COMIC MADNESS. SFF Author Saladin Ahmed has a new comic book, Abbott, debuting on January 24, set in 1972 Detroit. The Detroit Free Press gives us the lowdown:

Whether she’s arriving at a crime scene, standing up to her boss or just listening at home to John Coltrane albums, Elena Abbott is cool.

So cool that the fictional newspaper reporter is the title character of a new comic book series set in 1972’s “two Detroits: one white, one black” – a place where “the former would rather leave the city than truly share it with the latter.”

(20) BUT WAIT UNTIL AFTER THEIR BEDTIME. I’m Going to Outer Space by Timothy Young is a picture book for your little SF lover – and for the adults who will delight in spotting the Enterprise, a Space:1999 Eagle, and the Jupiter-Two among the spacecraft in the illustrations, and Bender, Robby, “the Robot”, Daleks, Maria, and many other old friends among the robots in the illustrations. An Amazon reviewer describes it as “the Where’s Waldo? for science fiction fans”.

(21) THAT’LL TAKE THE WIND OUT OF YOUR CAPE.

(22) FOLLOWING IN HIS FATHER’S STARSTEPS. Director Duncan Jones, whose film Moon won a Hugo Award in 2010, has produced another science-fiction movie Mute, which will debut on Netflix on February 23. Jones is better known in some quarters as the son of The Man Who Fell to Earth, David Bowie.

 [Thanks to Andrew, Bonnie McDaniel, Chris M., Cora Buhlert, Hampus Eckerman, James Davis Nicoll, lauowolf, Laura Resnick, Lee Billings, Mark-kitteh, Paul Weimer, RedWombat, Robin A. Reid, and ULTRAGOTHA for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 1/19/18 The Scroll Pixel Wagon Is A-‘Comin Down The Street, Oh Please Let It Be For Me

(1) WASHINGTONIAN WOMBAT. The Washington Post’s Mary Quattlebaum profiles Ursula Vernon, whose comic five-volume Hamster Princess series retells “fairy tales with a strong female hero,” in “Ursula Vernon elevates a rodent to royalty”.  The latest, Whiskerella, retells Cinderella but with mice.

‘I always wondered why the girl didn’t save herself,” Ursula Vernon said about the fairy tales she read as a kid. “I mean, why doesn’t Snow White just whack the evil queen instead of relying on the prince?”

Vernon decided to retell fairy tales with a strong female hero. In her popular Hamster Princess series, Harriet eagerly rescues anyone in danger.

Often, though, the high-spirited hamster creates the very situations she must rescue herself and others from.

In “Whiskerella,” the fifth book in this hilarious series, Harriet takes on a bossy fairy godmouse. The godmouse wants Ella, a pretty hamster, to go to royal balls and meet a prince to marry. But Ella doesn’t like any of the rude princes she meets. And she hates wearing the magical glass slippers! They pinch her feet.

(2) GENERATIONAL CHANGE. The Paris Review’s Dara Horn notes that her daughter has a lot of choices that weren’t available to her growing up — “Finding Science Fiction and Fantasy for Female Readers”.

… Something enormous has happened in the years between my childhood and my daughter’s—a shift that might have started somewhere around The Golden Compass series, or with novels by Tamora Pierce and Francesca Lia Block or dozens of other books I had grown too old to read, and then accelerated with the runaway success of the Twilight and Hunger Games series. A young-adult landscape emerged where science fiction and fantasy was no longer targeted only at boys, and girls were no longer expected to read only stories about empathetic middle-school friends. This phenomenon is complex, an elaborate give-and-take between the changing roles of women and the rising demand for stories of the fantastic, and I don’t pretend to understand the many social and commercial forces that brought it into being. But I can’t help but notice the vast difference between my daughter’s bookshelf and mine—the many magical books waiting for her when she finished A Wrinkle in Time, hungry for more—and rue the imagined worlds I missed by being born too soon….

(3) COMMON DENOMINATOR. Stina Leicht makes a wise suggestion in “Sometimes Your Experience is What You Bring”.

Reading is an interactive experience. This is a big part of what makes literature an art form. Writers don’t get to dictate your experience of their work. We’ve never had that level of control–even if sometimes we wish we did.[1] A literary work is always one part what the reader brings to the piece. Readers aren’t passive. Reading engages the imagination. If the piece you’re reading doesn’t do this, the piece in question has failed in its job. That’s the definition of interactive. So, if you’re missing a sense of wonder from all modern SFF, then maybe it’s time for some self-examination? As a therapist once told me: “If every relationship is a failed relationship, maybe it’s time to have a look at the common denominator in all those relationships.” Hint: the biggest common factor is yourself. So, maybe it’s time to admit that maybe the lack of wonder isn’t the author’s fault? Because no author, no matter how talented or how powerful the work, can give you back your childhood.

(4) ERIC FLINT HEALTH UPDATE. There’s good news, as Eric Flint posted yesterday on Facebook.

I saw my oncologist today. The results of a CT scan I took last week have come in and everything looks good. There’s no indication of any kind that the lymphoma has come back. So YAY for medical science and nurses and doctors and everybody who works in hospitals and clinics.

And, okay, a grudging YAY for the poisons that killed the cancer faster than they killed me. They call it “chemotherapy.” This is a bit like calling attempted murder “homicide therapy.” But, what the hell, it seems like it worked, so a grudging YAY for homicide therapy.

(5) RARE BOOK DESTRUCTION. A flood in a bookstore basement ruined some King rarities, among others —“Stephen King ‘horrified’ by loss of his manuscripts in bookstore flooding” in the Bangor Daily News.

Stephen King said Wednesday that he was “horrified” to learn that tens of thousands of dollars worth of rare books — including his own original manuscripts and rare editions — were ruined after a burst pipe flooded the basement of several downtown Bangor businesses.

Gerald Winters’ bookstore, which specializes in rare and limited edition copies of King’s books, was among the handful of businesses damaged by flooding from the broken pipe in front of 46 Main St.

“I’m horrified. As a book lover, my heart goes out to him,” King told the Bangor Daily News on Wednesday. “I will eventually reach out and see if I can help in any way.”

Winters estimates he lost about 2,000 books, and as many as seven of King’s original typed manuscripts, including, “Dolan’s Cadillac,” “Maximum Overdrive,” and “The Eyes of the Dragon.” Dozens of first- and limited-edition King books, galleys, signed copies and prints in different languages are among the items believed to be damaged.

(6) THE ARTIST’S OWN COLLECTION. The Society of Illustrators in New York is hosting “Under the Influence: The Private Collection of Peter de Sève” through March 17.

This very special exhibit offers guests the unique opportunity to view the personal collection of Society of Illustrators Hall of Fame recipient, Peter de Sève, and to learn what pieces in it inspire (and intimidate!) him. Spanning over 200 years, the show includes gems by legendary artists including: Edmund Dulac, Vivienne Flesher, Frank Frazetta, A.B. Frost, Carter Goodrich, Ana Juan, Moebius, T.S. Sullivant and many more.

Peter de Sève has created some of the most beloved images in the worlds of print and animation over the course of his 40-year career. From his design of the neurotic, saber-toothed “Scrat,” to his many unforgettable New Yorker magazine covers, de Sève has been producing classic images that continue to provoke and delight.

(7) GENRE HISTORY BOOK EXHIBIT. A Conversation larger than the Universe will be on view at The Grolier Club in New York City from January 25 through March 10.

A Conversation larger than the Universe is a history of science fiction in 70 literary artefacts and a highly personal tour through the bookshelves of Henry Wessells. The books—many signed or inscribed by their authors—magazines, manuscripts, letters, and artwork date from the mid-eighteenth century to the present and will allow the viewer to explore the ideas and people that have defined the literatures of the fantastic, from Mary Shelley and H. G. Wells to Philip K. Dick, Joanna Russ, James Tiptree, Jr., and William Gibson…

Beginning with the origins of science fiction in the Gothic, this ‘Conversation’ contemplates topics such as the End of the World (and After), Imaginary Voyages, Dystopia, Women Authors, Literary Innovation, Humor, the Sixties, Rock ’n’ Roll, Cyberpunk, Steampunk, and what’s happening in science fiction and the fantastic right now. The exhibition adopts a broad description of Science Fiction encompassing Fantasy and Horror as well as bibliography and scholarship in the field.

In connection with the exhibition, a one-day Symposium on Science Fiction with a panel of distinguished authors, editors, and scholars will be held on Tuesday 6 March, 6-7:30 p.m.

Henry Wessells is an antiquarian bookseller in New York City and author of Another green world (2003) and Extended Range (2015). A frequent contributor to The New York Review of Science Fiction, his work has appeared in NatureLady Churchill’s Rosebud WristletWormwoodInterzoneThe Washington Post Book World, and other publications. He is also editor and bibliographer of American science fiction author Avram Davidson.

(8) WHO’S IN THE SUIT? Scott Edelman hopes a File 770 reader can solve these mysteries:

(9) THE COMING THING IN POETRY. The SPECPO blog interviews Holly Lyn Walrath, SF&F Poetry Association member and editor of Eye To The Telescope’s Time issue, in “Lone Stars, Abstractionism and Other Thoughtcrimes: Talking with Holly Lyn Walrath”

What are some of the trends you see in speculative literature that are really exciting you? Is there anything that’s boring you or that you see potentially as a literary dead-end?

I get really excited about experimental forms now appearing in speculative literature—hybrid works, erasures, and stories that cross genres. I’m thinking of the early work of Ken Liu using faux-erasure, as well as writers like Bogi Takács exploring hypertext poetry, Michael Janairo’s video poem from Mithila Review. Speculative literature is exploring more and more the definition of what we consider speculative literature. Another example is Riddled with Arrows, a new literary journal that focuses on writing about writing. It’s great to see so many venues and editors willing to showcase these new forms.

(10) POSSUM SPRINGS ETERNAL. Abigail Nussbaum discusses the pervasive pop culture influence of the game Night in the Woods.

You’ve probably heard about Night in the Woods even if you haven’t played it, or have only a vague idea what it is.  Released by indie studio Infinite Fall last year after a highly-successful kickstarter campaign, the game, an adventure-slash-ghost-story starring anthropomorphic animals who live in a dying Rust Belt town, is an irresistible combination of cute and spooky.  Its story, in which twenty-year-old college dropout Mae returns to her home of Possum Springs, reconnects with her friends and family, and slowly begins to realize that there are dark doings afoot, seems designed to appeal to a certain type of young fan, with its themes of early-adulthood aimlessness, coming of age, and mental illness.  Graphics from the game have been cropping up on my twitter feed and tumblr dash for months, almost instantly iconic due to the game’s simple yet evocative (and expertly-executed) design.  What surprised me, however, when I finished the game last week and went looking for in-depth discussions of it, is how little talk there seems to have been about Night in the Woods‘s politics.  To me, they feel not just important, but like the key to the entire exercise.

(11) COOK OBIT. Southern fan Don (Dea) Cook, an active Southern fan who also sent many stories for File 770, has died of cancer. (I haven’t seen the date yet.) He shared the Rebel Award with Bob Shaw in 1994. Don and his wife, Samanda Jeude, were Fan GoHs at the 1997 Balticon. He chaired an Atlanta bid for the 1995 Worldcon (losing to Glasgow). He also served for a time on the Worldcon’s Mark Protection Committee.

(12) TODAY’S BIRTHDAY BOY

  • Born January 19, 1809 – Edgar Allan Poe, in Boston, MA.

(13) COMICS SECTION.

  • John King Tarpinian recognized we needed to see this “how many X does it take” joke in Bizarro.

(14) STAR-CROSSED FELAPTON. In “Captain Bob and the Space Patrol”, Camestros Felapton makes a foredoomed attempt to write a completely apolitical sff story.

Captain Bob marched towards the silver-chrome rocket ship.

Did I say ‘captain’? That won’t do. I really don’t want anything political in this story. ‘Captain’ that suggests a rank and a rank suggests all sorts of thing. I mean sure, you can be captain of a civilian ship – it just means you are the one in charge but even that assumes Bob lives in a society in which hierarchal chains of command are the norm. Because this story must have no politics, I don’t want to suggest that his ship is necessarily run as some sort of anarcho-syndicalist commune of like-minded space travellers but I also don’t want to rule out the possibility by calling Bob ‘captain’. Mind you, if I don’t call him ‘captain’ does that rule out possibility that Bob lives in a society like ours? I guess even if he is a captain then ‘Bob’ is still his name.

I’ll stick with just plain Bob. The reader can add ‘captain’ or ‘daily short-term decision maker decided by lot’ accordingly.

(15) PORK PRODUCT. If you enjoy reading negative things about McDonald’s McRib sandwich, this 2011 article is for you: “A Conspiracy of Hogs: The McRib as Arbitrage”.  And there’s more! — an appealing conspiracy theory.

The physical attributes of the sandwich only add to the visceral revulsion some have to the product?—?the same product that others will drive hundreds of miles to savor. But many people, myself included, believe that all these things?—?the actual presumably entirely organic matter that goes into making the McRib?—?are somewhat secondary to the McRib’s existence. This is where we enter the land of conjectures, conspiracy theories and dark, ribby murmurings. The McRib’s unique aspects and impermanence, many of us believe, make it seem a likely candidate for being a sort of arbitrage strategy on McDonald’s part. Calling a fast food sandwich an arbitrage strategy is perhaps a bit of a reach?—?but consider how massive the chain’s market influence is, and it becomes a bit more reasonable.

Arbitrage is a risk-free way of making money by exploiting the difference between the price of a given good on two different markets?—?it’s the proverbial free lunch you were told doesn’t exist. In this equation, the undervalued good in question is hog meat, and McDonald’s exploits the value differential between pork’s cash price on the commodities market and in the Quick-Service Restaurant market. If you ignore the fact that this is, by definition, not arbitrage because the McRib is a value-added product, and that there is risk all over the place, this can lead to some interesting conclusions. (If you don’t want to do something so reckless, then stop here.)

(16) STREET SMARTS. If you’ve fallen behind on Sesame Street – say, by two to four decades – this article in The New Yorker will catch you up: “The Evolution of “Sesame Street” on HBO”.

“Sesame Street” perpetually evolves as guided by trending theories of education: when the game-show host Guy Smiley ambushes Bert into a round of “Estimation Crustacean,” which is a math quiz contested by a shellfish, the scene reflects current thinking on teaching arithmetic. Also, this noble program tailors its tone and content for its audience as elastically as the most craven network talk show. Because fewer adults actually pay attention to “Sesame Street” these days, the series has turned down the dial on pop-culture parodies, such as one spoofing “Mad Men,” from 2009, with an advertising executive thanking his staff for making him happy. (“Good work, sycophants,” the Muppet Don Draper says.) And “Sesame Street” responds to media technology at a deliberate pace. Last year saw the début of Smartie, an animated yellow phone, as a new sidekick for Elmo. “Look it up” is her catchphrase. Elmo, of course, converses with Smartie in his distinctive falsetto, a voice that, with practice, an adult can train himself not to really hear. Smartie, too, is slightly annoying. But I would trust her to babysit.

The most recent renovation of the Sesame Street courtyard, which is properly called the Arbor, involves one bold reconfiguration of the landscape. There now exists a view of a bridge. The shape of its tower suggests the Verrazano-Narrows, but its color apes the “international orange” of the Golden Gate Bridge, and it angles into the background as if Hooper’s Store is selling milkshakes in Dumbo. I find the bridge slightly disconcerting, and I can point to textual evidence that Oscar the Grouch shares my concerns. And yet it opens up a hospitable space. The bridge reaches out to expand the sense of place and extend a generous welcome. This land is your land, to the New York Island.

(17) HOLD ONTO YOUR… SEAT. Bored Panda has photos of “30+ Epic Toy Design Fails That Are So Bad, It’s Hilarious”. I don’t know if I want to run any of the photos as an excerpt, since so many are unintentional dick jokes, but they are hilarious as advertised.

We’ve seen our share of crappy design, but store shelves are so abundant with them, there’s always more to poke fun at. For example, toys. They’re usually designed and made by adults, so you’d expect a considerable amount of consideration before manufacturing them, right? Well, not so much. Bored Panda has collected some of the most questionable toys to prove that some designers have no clue what they’re doing.

From a doll head, used as an actual pony tail to a psychotic Elmo, it seems ridiculous someone actually greenlighted these ideas.

(18) WHO SAID CATS DON’T LIKE WATER. Atlas Obscura fills us in on “The Little-Known History of Seafaring Pets”.

When researchers conducted the first global study of ancient cat DNA they found that our feline friends were domesticated in the Near East and Egypt some 15,000 years ago, and later spread to Europe thanks in part to mariners, from the Phoenicians to the Vikings, who often took them on board to ward off rodents (another frequent human companion at sea, though not by design). A few thousand years later, the Romans took chickens on board military ships to predict the outcomes of battles—if the hens ate, victory could be expected. Roman general Publius Claudius Pulcher tried this trick before the Battle of Drepana against the Carthaginians in 249 B.C. He ignored the bad omen and threw the birds overboard. The Roman fleet was nearly wiped out. Despite this anecdote, the roles played by our maritime animal companions rarely make the history books. It is only recently that cultural institutions around the world have begun to pay attention to the history of animals at sea.

(19) COULD BE. Once he read Emma Straub’s “My Father Supported My Career—Until He Didn’t” in Real Simple, Andrew Porter decided, “This likely explains why, when I went into the bookstore she owns here in Brooklyn, and offered the people there (she was not present) scans of the many photos of Peter Straub (her father) I’d taken over the years, I never heard back from her.”

But this scenario happened again and again. I wrote books; my father read them and pronounced them wonderful, surefire hits…and then they wouldn’t sell. Still, my dad’s faith in me never wavered, even as I worked a host of other jobs—for a fancy cookbook publisher, at a clothing store for teens and tweens, as a personal assistant to a musician, in a bookstore. I even taught writing classes in my living room. Some of the jobs, like being a bookseller, were great and contributed to my writing life. Some, like selling overpriced jeans to 12-year-olds, were only good insofar as they were fodder for future stories. And they were—because it finally happened. I sold a book! I was going to make it big!

Sort of. My first book, a collection of stories, sold for a very modest amount of money—about enough to buy half of a fancy handbag. I was beyond thrilled. My parents came to every single event I did in New York City, always in the front row, laughing loudly in all the right spots. And then shortly thereafter I sold a novel for what felt like a lot of money, enough for my husband and me to turn the dank basement of our house into an actual office space, complete with the hot pink cabinets of our dreams.

That’s when things got weird. I was getting lots of press—magazines took my photograph and wrote articles about me, and I got asked to do zillions of events. Whenever I would call my dad to tell him about the new bits of press or things on the schedule, he would say, “Why didn’t they ask me to do that?” As if it made sense for Vogue to ask him to write a short story inspired by one of the new fall trends. At first, it seemed funny, but then I realized that he was serious—he was actually jealous. “Why didn’t they ask me to do this [any number of silly events at bars in Brooklyn that he wouldn’t have wanted to do in the first place]?” I think one of the problems was that my dad saw everything I did—he had Google Alerts set up for my name, so he’d often call to tell me that he’d seen something before I had.

(20) STAR WARS REBELS. The end begins when Star Wars Rebels returns with its final episodes. Monday, February 19 on Disney XD.

[Thanks to John King Tarpinian, JJ, Janice Gelb, Michael Toman, Cat Eldridge, mlex, Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories, Title credit belongs to File 770 contributing editor of the day Jack Lint.]