Pixel Scroll 10/13/17 Pixel the Thirteenth, Part Scroll

(1) PKD DAUGHTER ACCUSES AMAZON STUDIOS HEAD OF HARASSMENT. The Hollywood Reporter says Isa Hackett, executive producer of two TV series based on the work of her father, Philip K. Dick series, has told the media she was harassed by the head of Amazon Studios — “Amazon TV Producer Goes Public With Harassment Claim Against Top Exec Roy Price”.

In the wake of revelations about Harvey Weinstein’s alleged years-long sexual harassment and assault, a producer of one of Amazon Studios’ highest-profile TV shows is ready to talk about her “shocking and surreal” experience with Amazon’s programming chief Roy Price.

Isa Hackett is the daughter of author Philip K. Dick, whose work is the basis for Amazon’s The Man in the High Castle, as well as the upcoming anthology series, Philip K. Dick’s Electric Dreams. Hackett, 50, is an executive producer on both series. Price, 51, is head of Amazon Studios and has presided over its growth into a major streaming service with such series as Transparent and movies such as Manchester by the Sea. His family has deep connections in the entertainment world: His father, Frank, ran Columbia Pictures and Universal Studios. (The existence of the alleged incident detailed below and the subsequent Amazon investigation were previously reported by the website The Information.)

On the evening of July 10, 2015, after a long day of promoting Man in the High Castle at Comic-Con in San Diego, Hackett attended a dinner with the show’s cast and Amazon staff at the U.S. Grant Hotel. There she says she met Price for the first time. He asked her to attend an Amazon staff party later that night at the W Hotel (now the Renaissance) and she ended up in a taxi with Price and Michael Paull, then another top Amazon executive and now CEO of the digital media company BAMTech.   Once in the cab, Hackett says Price repeatedly and insistently propositioned her. “You will love my dick,” he said, according to Hackett, who relayed her account to multiple individuals in the hours after the alleged episode. (The Hollywood Reporter has confirmed Hackett told at least two people about the alleged incident in the immediate aftermath.) Hackett says she made clear to Price she was not interested and told him that she is a lesbian with a wife and children.

The New York Times reports Price was put on a leave of absence

In a statement, an Amazon spokesman said, “Roy Price is on a leave of absence effective immediately.” Albert Cheng, currently the chief operating officer of Amazon Studios, will assume Mr. Price’s duties on an interim basis, an Amazon spokesman said.

Ms. Hackett is a daughter of the late science fiction writer Philip K. Dick. “The Man in the High Castle” series, which was renewed for a third season in May, is based on one of his 44 published novels. Although Amazon does not release viewership numbers, the company said in 2015 that “The Man in the High Castle” was its most-streamed show.

Ms. Hackett is also a producer of “Philip K. Dick’s Electric Dreams,” an anthology series that premiered in Britain last month and will be streamed by Amazon Video next year.

Allegations that Mr. Price had made unwanted sexual remarks to Ms. Hackett surfaced in August in an article by Ms. Masters that was published on the tech news website The Information.

That article included few specifics about Ms. Hackett’s claims, with Ms. Hackett providing a statement that she did not “wish to discuss the details of this troubling incident with Roy except to say Amazon investigated immediately and with an outside investigator.”

(2) OFF THE BOOKS. Last year California state Assemblywoman Ling Ling Chang, responding to complaints by celebrities like Mark Hamill, got a law passed requiring autographed memorabilia come with a certificate of authenticity. (For a refresher, see the LA Times article “The high cost of an autograph”.)

That put a crimp in the state’s collectibles business (one collectibles dealer stopped shipping to California), so the Antiquarian Booksellers Association of America sponsored a bill, AB 228, now signed into law and in effect, granting broad exceptions to the original law. The ABAA has informed members —

More comprehensive Guidelines will be forthcoming. In the meantime, the three main takeaways for members are:

  • Allbooks, manuscripts, and correspondence, as well as any ephemera not related to sports or entertainment media, are now categorically excluded from the regulation of “Autographed collectibles” under California’s autograph law.
  • Those few of us who do deal in the kind of autographed collectibles in the state of California that still fall under the law may now provide an “Express Warranty” guaranteeing the item as authentic, rather than a Certificate of Authenticity.  That warranty may be incorporated into an invoice rather than being a separate document.  And the requirement to disclose in the warranty from whom the autographed collectible was purchased has been eliminated.
  • Civil penalties incurred by those subject to the law who fail to comply have been lowered.

(3) HANGING AROUND. David D. Levine tells readers of Unbound Worlds “A Lot Harder Than It Looks: David D. Levine Experiences Zero Gravity”.

As a child of the Space Age, born in the same year as Gagarin and Shepard’s historic flights, I have always fantasized about floating in zero gravity. In college, I studied orbital mechanics and rolled my eyes at stories and films that got zero-g wrong. And as a science fiction writer, I have often used zero gravity settings (notably in my debut novel Arabella of Mars) and took pride in getting the physics right. So when I got the opportunity to experience zero gravity myself, thanks to a very generous birthday gift from my father, I was thrilled, and also confident that I would know how to conduct myself in free fall.

Let me tell you this: the thrill was real, but the confidence… well, maneuvering in zero gravity is a lot harder than it looks….

(4) GEEKWIRE. The third episode of Frank Catalano’s GeekWire podcast on science fiction, pop culture and the arts has posted. Says Catalano, “I invited Museum of Pop Culture (formerly EMP Museum) Curator Brooks Peck and Collections Manager Melinda Simms to come on the podcast and talk about the MoPOP collection, how they source/conserve/display objects, and the role of fans in helping find needed pop culture and science fiction items.”

There are also two accompanying articles, the first on the collection and what happens at MoPOP behind the scenes.

You might sum up the motto of their dual mission as to preserve and protect … as well as present. There’s a lot of stuff — artifacts or objects, depending on your preferred term — involved.

“I am responsible for the daily care and feeding of the collection, and make sure everything is housed appropriately to archival standards,” Simms explained. She estimated MoPOP has close to 100,000 objects cataloged, and “if you expand that out to the pieces in the vault that we are still working on getting cataloged in the collection, probably close to 150.”

The second on the important role of fans in preserve pop culture artifacts.

It’s not like one art museum simply calling up another to borrow a Monet. “With pop culture artifacts, it’s different from art collectors. Because art has a tendency to be high-value commodity, and you know museums have art, and you sort of know the lenders around the world who have the art,” Simms explained. “But with with pop culture things it could be anybody.”

Fortunately, pop culture fans tend to know each other. And they tend to focus.

For example, for the current Star Trek: Exploring New Worlds exhibition, “I was looking for a few Ferengi related items,” Peck explained. “And I’m asking around the main Star Trek people I know. No one’s got anything.” Ultimately, one fan collector in this loose network said he should contact “the Ferengi guy … So I talked to him and he’s absolutely going to loan what I need. So there’s this constant leapfrogging of networking and the things that people specialize in,” Peck said.

The podcast audio is embedded (and downloadable from) each article.

(5) CLAIMED BY FLAMES. An Associated Press story called “Wildfire Burns Home of Peanuts Creator Charles Schulz” says that Schulz’s Santa Rosa home was destroyed in the wildfires but that his widow, Jean Schulz, escaped the fires before the house burned.

The Schulzes built the California split-level home in the 1970s and the cartoonist lived there until his death in 2000.

…Charles Schulz usually worked at an outside studio and most of his original artwork and memorabilia are at the Charles M. Schulz Museum and Research Center in Santa Rosa, which escaped the flames.

But the loss of the house itself is painful, [stepson] Monte Schulz said.

(6) TODAY IN HISTORY

  • October 13, 1957 — Movie audiences in America are treated to the science-fiction thriller, The Amazing Colossal Man.
  • October 13, 1995 — James Cameron’s sf thriller Strange Days premiered in theaters

(7) COMICS SECTION.

John King Tarpinian sees technology ruining another holiday tradition in today’s Close To Home.

(8) HAVE DICE, WILL TRAVEL. UrsulaV’s Paladin Rant — Or “Why Kevin’s D&D campaign has an Order of the Silver Weasel” — has been Storified.

(9) DID YOU MISS IT? Sheesh, wasn’t 2001 already long enough? Now some supposedly lost footage has been found.

17 minutes of lost footage from Stanley Kubrick‘s masterpiece 2001: A Space Odyssey was uncovered in a salt-mine vault in Kansas. Warner Bros. has now released a statement regarding the “found” footage.

Here is Warner Bros statement:

“The additional footage from 2001: A Space Odyssey has always existed in the Warner vaults. When [director Stanley] Kubrick trimmed the 17 minutes from 2001 after the NY premiere, he made it clear the shortened version was his final edit. The film is as he wanted it to be presented and preserved and Warner Home Video has no plans to expand or revise Mr. Kubrick’s vision.”

(10) NEWITZ REVIEWED. In an English-language review at Spekulatív Zóna, Bence Pintér concludes, “The Magpie Wants Too Much – Annalee Newitz: Autonomous.

I had high hopes for this one, because the premise was really interesting, set in a postnational world ruled by patent-protecting international organisations and multinational drug companies. The main character is Judith Chen, aka Jack, a middle-aged drug pirate and onetime patent-rebel who runs a reverse-engineering, drug-smuggling business while driving a badass submarine. Shit hits the fan when consumers of her reverse-engineered performance-enhancing drug (stolen from a big pharma company) starts to show the signs of dangerous addiction. Jack is determined to make up for her mistake and to help bring down the company which had patented the dangerous drug. In the meantime, a young military robot, Paladin, and his human partner, Eliasz are commissioned to hunt down Jack and his loose gang of pirates.

Sounds good? Yeah. Still… I think my hopes were too high. It’s true that Newitz’s vision of the somewhat dystopian state of the world in 2144 is kind of intriguing and on every page there is some fascinating gadget, invention, etc. I also liked Jack and her backstory about the failed patent-revolution thirty years ago. But I felt that this novel has too much on its plate and Newitz cannot really find the focus….

(11) DRILLING FOR INSPIRATION. In the Washington Post, Chris Richards compares Kanye West’s current spate of spells and visions to those of Philip K. Dick and wonders if West experienced something comparable to Dick’s experience of “2-3-74” — “Philip K. Dick was a sci-fi prophet. Did he predict the unraveling of Kanye West?”

Kanye West saw his beams during a visit to the dentist.

“I’ve heard that there are colors that are too bright for our eyes to see,” the rap auteur said during a concert in Washington last summer, explaining how a few puffs of nitrous oxide had recently enabled him to catch a direct glimpse into heaven. The prismatic rays he described sounded as astonishing as your imagination would allow — and then you had an opportunity to feel them on your ears during “Ultralight Beam,” a song that captured all of the beauty and bewilderment of West’s epiphany in the dental chair. “This is a God dream,” the lyrics went. “This is everything.”

Philip K. Dick saw his beams a few days after seeing the dentist. But once they started, they didn’t let up for weeks….

(12) GAME OF THRONES CAKE UPSMANSHIP. A lot of people run photos on Reddit bragging about their Game of Thrones themed cakes. Click through and judge for yourself whose is the mightiest.

(13) TOAST OF TRANSYLVANIA. Dracula said, “I never drink…wine,” but maybe you do? Vampire Cabernet Sauvignon in a bottle with a cape – is that cute, or what?

Full-bodied with Blackberry and Dark Cherry aromas, with just the right amount of Oak flavors leading to a lingering finish. Classic, small-lot fermentations, followed by aging with Oak, gives full expression to the rich varietal flavors in this wine.

(14) MORE THINGS. Stranger Things Season 2 final trailer. IanP asks, “Is it just me or does Eleven look very Frodo’ish?”

[Thanks to Gary Farber, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, JJ, IanP, and Bence Pinter for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH!]

Pixel Scroll 3/11/17 It’s Always In The Last Pixel You Scroll

(1) VAMPIRE DIARIES GOES GENTLE INTO THAT GOOD NIGHT. As the series goes off the air, The Guardian asks “Better than Buffy? Spare a thought for the Vampire Diaries”.

The eight-season run of the Vampire Diaries ended quietly on Friday night, without a hint of the outsized media fanfare so liberally bestowed on series finales in television’s so-called golden age. The glossy adaptation of LJ Smith’s young-adult novel series, even before its latter-season decline in form and ratings, never did inspire the type of sophisticated critiques reserved for the major-network or cable darlings. But even amid a landscape that’s only been further crowded by the emergence of Netflix and Amazon, there is a place for the pure concentrated entertainment that was offered up for years by the CW’s deliciously pulpy supernatural soap opera. Television will be poorer – and a less fun place – without it.

(2) HUGO REMINDER. Worldcon 75 sent members an alert that the deadline to nominate for the Hugos is only days away.

Even if you have already submitted nominations, you may update your selections as long as the nomination period continues. But we recommend that you do so in advance of the deadline to avoid any problems in the final hours when the system will be very busy.

You may make changes to your nominations until 17 March 2017 at 11:59pm Pacific Daylight Time (2:59am Eastern Daylight Time, 06:59 Greenwich Mean Time, 08:59 in Finland, all on 18 March), by using the following link to sign in again:

(3) FOLLOW THAT CAT. Timothy the Talking Cat has stolen the keys to Camestros Felapton’s blog and posted his own “appalling” Hugo slate

Remember that this year the rules have changed! The social justice witches have put their broomsticks together and decided that you can no longer just vote for Dune over and over again. But no fear! As a grandmaster of non-euclidean hyperbolic  7-dimensional chequers, I can adjust my plans accordingly. See below!

(4) DEEP POCKETS. The Deep Space: Nine Documentary by Ira Steven Behr, David Zappone and Adam Nimoy hit 420% of its Indiegogo goal. The extra money will be used to add 50% more latinum minutes to the video, and lots of bonus features. Space.com has the story — “’Star Trek: Deep Space Nine’ Doc Warps Way Beyond Crowdfunding Goal”.

 After nearly quadrupling their Indiegogo goal to produce a new documentary on “Star Trek: Deep Space Nine” (DS9), the creators are busy trying to figure out how to best deploy their newfound wealth.

Today (March 10) is the final day of the campaign to produce “What We Left Behind,” and backers on the crowdfunding site have raised more than $575,000 for the film. The show is co-led by DS9 showrunner Ira Steven Behr, produced by David Zappone and directed by Adam Nimoy. Zappone and Nimoy are known for the 2016 documentary “For The Love of Spock,” and Zappone also produced the 2011 “Star Trek” documentary “The Captains.”

In an interview with Space.com, Behr and Nimoy, who is the son of the first “Star Trek” series’ actor Leonard Nimoy, said they are reconfiguring their plans for the now 90-minute documentary, which is 30 minutes longer than their original vision, because of the extraordinary response to the crowdfunding effort.

(5) CHEATERS EVER PROSPER. Naked Security analyzes “How online gamers use malware to cheat”.

“We typically think of malware as something used to steal data from corporations or knock down websites in politically motivated attacks.  But if you’re a gamer, sometimes it’s simply a tool for winning. “SophosLabs threat researcher Tamás Boczán has been studying this trend, and recently gave a talk about it at BSides Budapest.  This article reviews his findings and offers us a chance to share some of his presentation slides.”

…As cases of cheating have risen, so have the examples of anti-cheat technology from various companies. As various sides have upped the ante, both sides have drawn in people of greater skill. He said:

Hacking an online game is not that easy any more. In the old days, script kiddies could to do it, but now hacking is a serious game that requires a skilled attacker. So why would a skilled attacker waste their time and skill on a video game?

He mapped out the sequence of events this way:

  • All this was originally about having fun.
  • Then the gaming industry grew.
  • The games went online.
  • People began to cheat for profit, just as hackers often do when targeting companies.
  • In response, an anti-cheating movement has sprouted up that mirrors security companies….

(6) FORGEHAM OBIT. John Forgeham (1941-2017): British actor, died Friday, aged 75. Best-known for a long-running role in the UK soap Crossroads, other screen appearances included The Avengers (one episode, 1965), The Stone Tape (1972), Sheena (1984), T-Bag and the Rings of Olympus (one episode, 1991).

(7) TODAY IN HISTORY

  • March 10, 1818 Frankenstein; or, The Modern Prometheus is published

(8) LE GUIN’S NEXT BOOK. Ursula K. Le Guin’s essay collection No Time to Spare comes out December 5.

Her next book, No Time to Spare, will be a collection of recent essays. It comes with an introduction from Karen Joy Fowler, who, like Le Guin, knows a thing or two about writing across genres.

As Fowler notes in her introduction to the collection, Le Guin is currently enjoying a moment of mainstream cultural appreciation: Filmmaker Arwen Curry recently raised funds on Kickstarter for a documentary on the author, The Worlds of Ursula K. Le Guin, and back in October, The New Yorker ran a profile on Le Guin and her enduring influence.

You can read an excerpt from Fowler’s introduction at the linked post.

(9) BURIAL IN SPACE. At Krypton Radio, Thaddeus Howze reviews the long history of Star Trek, then dares to ask: Is it time to retire the franchise?

My point of all of this review is this: Since Star Trek: Enterprise as well as the three Kelvin Timeline Star Treks, (Star Trek (2009), Star Trek: Into Darkness and Star Trek: Beyond) we have stopped looking to the future. Star Trek has become as lame as the political rhetoric many of us despise in our real lives…

“Make America Great Again” is the rallying cry used to talk about the past as if it were some great thing to be reclaimed and returned to. When the truth of the matter is the past is never as good as it seems and to seek refuge in the past is to deny the present and refute the future altogether.

CBS’ latest television series Star Trek: Discovery also takes place in the past (presumably the original timeline past, not the Kelvin Universe past) some time after Archer but before (or maybe during Kirk’s Enterprise) period. What we do know is this is not a far future Star Trek.

It is not an extrapolation of all we can be. It is not a look at the future of Humanity at our best and our worst. It is a remix of Treks, mashing costumes, designs, ships, and probably stories.

(10) SHADOW CLARKE DOINGS. The Shadow Clarke Jury’s latest activity includes two reviews and a FAQ.

N.K. Jemisin’s The Fifth Season casts a long shadow on the Clarke submissions list, having won the Hugo Award for Best Novel last year and having been shortlisted for almost everything else. Thousands of words have already been spent praising it, critiquing it, speculating about it online since it came out in the US in 2015 and I imagine few people reading this are encountering it for the first time. In spite of its pedigree I was sceptical going in. The only other book by Jemisin I’d read – The Killing Moon – wasn’t a highlight. I thought its excellent world-building came at the expense of almost everything else. Then there was the thorny issue of eligibility and whether or not The Fifth Season conforms to the Clarke requirement that books be science fiction rather than more broadly speculative. When I shortlisted it I did so partly because it offers an opportunity to wade into the eligibility question and partly as a test for myself, to see if I would admire it as much as everyone else. I almost hoped I wouldn’t because, let’s be honest, it’s easier to talk about what doesn’t work in fiction than what does.  Also, dissent prompts debate and this project is all about that. But, sorry folks, I’m afraid I’m about to tell a familiar story. The Fifth Season is just as good as everyone said it was and the genre controversy is dead in the water. It’s perfectly eligible for the Clarke Award.

Johanna Sinisalo’s The Core of the Sun is a tale about loss, in the form of a gender-stiffening social experiment wrapped in a family drama murder mystery, suffused with oppressive norms, self-delusional recounting, and fabulist nostalgia for a world that once was that actually never was. It’s the kind of novel that joins the ranks of extreme, performative, sociological SF, in the vein of Brunner, Ballard, and Pohl, and the feminist dystopias of Atwood, Russ, and Tiptree. It’s the kind of book that people will say doesn’t belong because a.) it isn’t needed in this age of post-women’s lib, b.) its agenda involves too much agenda, and c.) it isn’t science-y enough. But, as the list of authors cited above indicates, precedence invalidates these kinds of arguments.

What is the Arthur C. Clarke Award Shadow Jury?

An initiative developed by Nina Allan and hosted by the Centre for Science Fiction and Fantasy beginning in 2017, the Shadow Jury is a panel of talented, passionate members of the SF community who come up with their own personal shortlists and winners for a given year.

(11) CRITICAL MASS. Charles Payseur analyzes the nature of book reviewing and his own reasons for doing it.

Let me say that there’s a great many reasons why people review. Some want to become authorities on a particular form or genre. They want to be engaged in creating a canon or they want to help determine the boundaries of genres or any number of other things that essentially boil down to gatekeeping. They want to be able to say what is and what is not, what should and what should not be considered when talking about science fiction or literary fiction or horror. When they review they might refuse to look at certain works because they don’t cleave close enough to what they expect and enjoy. This is not the kind of reviewer I hope to be. And there are reviewers out there who just want to express their opinions as honestly as they can. They want to go onto Goodreads and Amazon and rank what they liked good and what they didn’t bad and concentrate mostly on their immediate reaction to a story or work. This is actually much closer to what I do but it’s not quite what I aim for….

(12) KONG KILLED AGAIN. Reader’s Digest version – Locus film reviewer Gary Westfahl says the new Kong movie sucks little black rocks – “Bungle in the Jungle: A Review of Kong: Skull Island.

Kong: Skull Island actually begins quite promisingly, as we are introduced to a diverse and generally appealing cast of characters, and they gather together to journey to the mysterious Skull Island and confront the enormous, and initially hostile, King Kong (also glimpsed in a prologue). One briefly imagines that director Jordan Vogt-Roberts has finally achieved what John Guillermin (in 1976) and Peter Jackson (in 2005) could not achieve – namely, a King Kong film that recaptures the charm and élan of Merian C. Cooper’s classic 1933 production. Unfortunately, the film devolves into an iterative, and increasingly unpleasant, series of variations on the two basic set pieces observed in all giant monster movies: humans vs. monster, and monster vs. monster; and the only suspense involves which character will next be dispatched to a gory demise….

 (13) RED PLANET RADIO. It’s Mars Season on BBC Radio 4, with fiction, interviews, documentaries, and quizzes.

William Shatner introduces the “We Are The Martians” series, which explores the Mars of imagination, science and history.

[Thanks to Michael O’Donnell, Cat Eldridge, JJ, Mark-kitteh, Steve Green, John King Tarpinian, and David K.M.Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 11/12/16 Like A Scroll On A Wire; Like A Pixel In A Midnight Choir

(1) ROBOTIC PREDICTION OR CAMPAIGN PROMISE? “Meet Sofia, the Humanoid Robot That Looks, Thinks and Talks Like a Human”.

Right now, artificially intelligent robots are part of the workforce, from hotel butlers to factory workers. But this is just the beginning.

According to Ben Goertzel, AI researcher and entrepreneur who spoke at the Web Summit in Lisbon this week, intelligent robots in human-like forms will surpass human intelligence and help free the human race of work. They will also, he says, start fixing problems like hunger, poverty and even help humans beat death by curing us of all disease. Artificially intelligent robots will help usher in a new utopian era never before seen in the history of the human race, he claims.

“The human condition is deeply problematic,” says Goertzel. “But as super-human intelligent AIs become one billion-times smarter than humans, they will help us solve the world’s biggest problems. Resources will be plentiful for all humans, work will be unnecessary and we will be forced to accept a universal basic income. All the status hierarchies will disappear and humans will be free from work and be able move on up to a more meaningful existence.”

(2) FAN FICTION. In an article called Full-body reading” on the website Aeon (aeon.co), University of Toronto English lecturer Anna Wilson talks about how her dissertation on medieval mystic Margery Kempe inspired her to deepen her appreciation of fan fiction and make her a more committed lesbian.

Fanfiction makes its source texts richer for its loving readers. It amplifies allusions and hidden currents, pulls out notes of characterisation and subtleties of plot, and spends time with them. After reading fanfiction, I return to texts I love with a new eye – sometimes a more critical one. For example, I read hundreds of stories embroidering the relationship between the Harry Potter characters Remus Lupin and Sirius Black, which – fanfiction writers suggested – was the real reason Sirius’s family had thrown him out. Thanks to fanfiction, I was wondering ‘Where are all the gay people at Hogwarts?’ long before J K Rowling announced that Dumbledore was gay (but his first crush was an evil wizard, and he apparently never loved again – thanks, JK).

Fanfiction can fill gaps in the world of the story, or tease out elements forbidden or unspeakable in the original text and bring them to the surface. These might be erotic; Fifty Shades of Grey (2011) began life as a hugely popular erotic fanfiction of the Twilight series that reimagined its characters Bella and Edward in an office BDSM setting. E L James brought out an element of Twilight that many readers found appealing – the erotic power dynamics between Edward and Bella – and rewrote those dynamics for a commercial audience. Another example is slash fiction – fanfiction that imagines a gay romance into a straight narrative, like those Remus/Sirius stories I binged on (the name ‘slash’ comes from the /).

Slash is particularly powerful for me as a queer woman because it subverts some fundamental assumptions in media narratives about who is watching, and what they want. When I read slash, I feel recognised and loved as a reader in a way I almost never do when I watch TV. In fact, fanfiction gave me something I’d been craving; it was literature for me. Though I’ve always loved science fiction, I felt obscurely unwanted by books in which the female characters were unsatisfying and marginalised: women are barely imagined as part of the science fiction audience, let alone catered to. By the same token, romance novels (one of the few genres that almost exclusively caters to women) were overwhelmingly heterosexual, with male and female characters I found boring and unrelatable, moving through prescribed motions that always ended with marriage and babies. Reading romance novels felt like forcing myself into a too-tight corset: reading fanfiction was like taking a deep breath.

(3) INDIVIDUAL PROTESTS. Two comics creators will quit attending shows in states that voted for Trump reports Bleeding Cool — “George Perez To Fulfill Current Commitments, Then Stop Attending Shows In Trump States”

Yesterday, Humberto Ramos, the Mexican comic book creator, currently topping the charts with Champions #1 for Marvel declared that he had chosen not to attend comic book shows in the US, in states that had voted to elect President-Elect Trump.

He was, today, joined in that by American creator George Pérez, co-creator of the New Teen Titans, also joined that number.

(4) SEFTON OBIT CORRECTION. While other details in the November 10 Pixel Scroll about the late Amelia (Amy) Sefton were correct, I was mistaken in identifying her as working for Tor. That is a different Amy Sefton. Thanks to Andrew Porter for the correction.

(5) TODAY IN HISTORY

  • November 12, 1982Creepshow opens in theaters nationwide.

(6) NEXT AT KGB. The Fantastic Fiction at KGB reading series will present John Langan and Matthew Kressel, on Wednesday, November 16, beginning at 7p.m. in New York’s KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs.)

John Langan

John Langan is author of two novels, The Fisherman and House of Windows.  He’s also published two collections, The Wide Carnivorous Sky and Other Monstrous Geographies and Mr. Gaunt and Other Uneasy Encounters.  With Paul Tremblay, he co-edited Creatures:  Thirty Years of Monsters.  He is one of the founders of the Shirley Jackson Awards and he currently reviews horror and dark fantasy for Locus magazine.

New and forthcoming are stories in Children of Lovecraft, The Madness of Dr. Caligari, The Mammoth Book of Cthulhu, Swords v. Cthulhu, and Children of Gla’aki.  In February of 2017, his third collection of stories, Sefira and Other Betrayals, will be published by Hippocampus Press.

John Langan lives in New York’s Hudson Valley and teaches classes in creative writing and Gothic literature at SUNY New Paltz.  With his younger son, he’s studying for his black belt in Tang Soo Do.

Matthew Kressel

Matthew Kressel is the author of the novels King of Shards and the forthcoming Queen of Static. His short fiction has been twice nominated for a Nebula Award and has or will soon appear in such markets as Lightspeed, Nightmare, Tor.com, Clarkesworld, Beneath Ceaseless Skies, io9.com, Apex Magazine, Interzone, and the anthologies Cyber World, After, Naked City, The People of the Book.

From 2003-2010 he published and edited Sybil’s Garage, an acclaimed SF magazine. He also published the World Fantasy Award-winning anthology Paper Cities and for his publishing work, received a World Fantasy Award nomination for Special Award Non-Professional. He co-hosts the Fantastic Fiction at KGB reading series alongside Ellen Datlow. When not writing fiction he codes software for companies large and small, studies Yiddish (Nu?), and recites Blade Runner in its entirety from memory.

(7) CROSSOVER SEASON. The CW has released a promo for upcoming DC crossover between Supergirl, The Flash, Arrow and DC’s Legends of Tomorrow, a sequence of episodes that begins November 28.

During a press event earlier this week, executive producer Marc Guggenheim offered up a few details on the crossover, which will actually begin at the end of an episode of Supergirl as Kara is enlisted by Barry (Grant Gustin) and Cisco (Carlos Valdes) to help battle the threat of the extraterrestrial Dominators.

“Some people call it a four-way crossover because it involves four shows; my ulcer requires me to call it a three-part crossover,” states Guggenheim explains. “The story that’s being told has a beginning, middle, and end: a beginning in Flash, a middle in Arrow, and an end in Legends.

 

(8) BRING OUT YOUR UNDEAD. Fox has ordered a pilot for a drama series based on bestselling vampire novel The Passage.

Sink your teeth into this news, vampire fans: Fox is adapting the popular book trilogy The Passage into a drama series.

The network has ordered a pilot for a TV adaptation of Justin Cronin’s book series, per our sister site Deadline. Friday Night Lights writer Liz Heldens will pen the pilot, with Cloverfield‘s Matt Reeves attached to direct.

The 2010 novel The Passage, a New York Times bestseller, envisions a post-apocalyptic future where virus-infected vampires roam the earth, with human colonies banding together to survive. (That book was followed by 2012’s The Twelve and this year’s The City of Mirrors.) Fox bought the film rights to The Passage before it was even published, and a Twilight-like film series was planned for years, but now they’re opting to bring it to the small screen.

(9) MUSEUM GETS TAKEI COLLECTION. George Takei is giving 70 years of his belongings to a museum. The LA Times gives you a viewing.

The donation itself was announced in September.

Actor and activist George Takei is donating a trove of art and artifacts from his life and career to the Japanese American National Museum in Los Angeles.

The museum announced the gift Wednesday and said the collection will be featured in an exhibition next year. “New Frontiers: The Many Worlds of George Takei” is set to open March 12, 2017.

Takei’s collection includes photos, sculptures, scripts and other memorabilia from his “Star Trek” days, as well as his run for Los Angeles City Council in 1973 and the Olympic torch he carried ahead of the 1984 games in Los Angeles.

(10) MR. SCI-FI IS BACK. Sci-Fi Writer-Director-Producer Marc Zicree talks about politics in science fiction, as relates to Trump, alternate worlds with different Presidents, how science fiction reaches across all political beliefs, and more.

[Thanks to John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Abraham Lincoln’s Suspenders of Disbelief

Two movies I made sure to see this summer were Prometheus and Abraham Lincoln: Vampire Hunter.

Prometheus was an easy sell. The prequel to Alien promised to deliver the origin story of the franchise’s nemesis.

Abraham Lincoln: Vampire Hunter could have been a hard sell. After all, I quit reading the novel on page 15. The last vampire movie that was “must-see” for me starred Leslie Nielsen. And I’ve been self-conscious about films with splatter scenes since Watchmen (wondering, is this really my idea of entertainment?) Somehow the trailers for Abraham Lincoln: Vampire Hunter hooked me despite these objections.

Prometheus came out first. It was so beautifully made and so stupidly written. The characters behaved so cluelessly it was impossible to understand how they avoided being killed in traffic on the way to the spaceport, never mind on an alien world. Overwrought horror movie fans used to yell warnings to the people on-screen. I wanted to shout, “Yeah, smack that egg! Pound those buttons! Evolution in action, baby!” What a disappointing film.

Then I saw Abraham Lincoln: Vampire Hunter. It had its share of absurdities. A svelte Mary Todd and a handsome Abe Lincoln – clearly the originals could never get a job in Hollywood, even playing themselves. However, aided by the audience’s vague recollection of American history, and driven by characters who are consistently faithful to the tenets of this particular mythos, the movie overcomes its ridiculous premise in a very satisfying way. For two hours I was willing to believe what was on the screen.

Did I give Abraham Lincoln the benefit of a certain amount of “chronological snobbery” (as C. S. Lewis would call it)? And did Prometheus suffer in proportion? Chronological snobbery is the implicit (and erroneous) belief that people’s capabilities in earlier times were inherently inferior to ours today. If people today are wiser, as a corollary I am less likely to question bad choices made by 19th century characters – they simply couldn’t be expected to know any better.

Prometheus, on the other hand, is forced to shoulder the burdens that come with being about the future, a place created by people who have wisely used the intervening years to prepare for an alien encounter. I have the same prejudices as Bruce Willis’ character in Armageddon when he shouts in exasperation, “You’re NASA for cryin’ out loud, you put a man on the moon, you’re geniuses! You-you’re the guys that think this shit up! I’m sure you got a team of men sitting around somewhere right now just thinking shit up and somebody backing them up!”

Maybe that’s why I was far more judgmental about future space explorers rushing unzipped into situations I would know better than to touch with a 10-foot pole than I was about seeing our Civil War president chasing danger on a battlefield with a 3-foot axe.

Not Hunting for Votes Anymore

Tim Burton’s Abraham Lincoln: Vampire Hunter opens June 22. If the just-released trailer shows the 16th president as an ax-wielding animated superhero, the imagery is so compelling I’m convinced this movie will be more than a mashup of Axe Cop and Van Helsing. 

(“Animated” because the trailer seems mainly composed of computer-generated action and effects although this is a live-action movie.)

In the unlikely event any of you don’t know the work:

Seth Grahame-Smith, who wrote the screenplay based on his book of the same name, chronicles Lincoln’s humble upbringing through his rise to the presidency, the Civil War, and the emancipation of slaves. All this is set against the backdrop of Honest Abe slaying evil spirits and seeking revenge upon the vampires who killed his mother when he was a young child.

Talk Vampires at NYRSF Readings on 10/4

Clay and Susan Griffith

Margot Adler

The NYRSF Readings on October 4 will feature three experts on the subject of vampires, Clay and Susan Griffith, and Margot Adler.

Clay and Susan Griffith are a married couple who have produced two novels in their latest series, Vampire Empire. The first, The Greyfriar, released by Pyr Books to critical acclaim, now has been followed by The Rift Walker

Margot Adler is a journalist and correspondent for National Public Radio. She wrote a piece for their website about the experience of reading 75 vampire novels (she’s now up to 184). Margot is the author of Drawing Down the Moon and Heretic’s Heart. Her grandfather, Alfred Adler, is the father of individual psychology.

The NYRSF Readings take place at The SoHo Gallery for Digital Art, 138 Sullivan Street, New York and begin at 7 p.m. 

The full press release follows the jump.

[Thanks to Jim Freund for the story.]

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Vampire Hunting Kits

The latest vampire craze has already inspired a backlash. You can find the early symptoms in the LA Weekly Style Council’s parody of antique vampire-killing kits:

There’s something so quaint and tidy about a kit for eradicating evil. Some of these vampire hunting kits are “authentic.” Some were assembled by artists aiming to capture the antique beauty of the things. Others are straight up hoaxes.

One box was supposedly a vampire-killing kit sold at London’s Great Exhibition in 1851, and recently auctioned by Sotheby’s for $12,000. The online comments were skeptical:

Laser printed labels and a cartridge firing revolver in 1851? FAKE!

The .22 cal cartridge boxes look like they are from the 1940’s too…

[Via James Hay.]