Pixel Scroll 4/5/24 Scrolling To Filezantium

(1) YES, THE EARTH MOVED FOR HIM, TOO. Andrew Porter felt the “Room shaking, things vibrating” at his place in Brooklyn this morning, effects of a magnitude 4.7 earthquake that struck Central New Jersey around 10:23 a.m. Eastern. “I’m still shaking with adrenaline rush,” he wrote shortly after (a line repeated in the Brooklyn Eagle’s coverage.)

Many in the area’s sff community posted to social media about the experience. Bo Bolander’s tweet is a good example.

(2) TOTAL E-CHIPS. Get ready for our next cosmic disturbance. “Sun Chips eclipse flavors: You will have less than 5 minutes to score limited-edition chips” – details at AL.com.

Sun Chips is releasing a limited-edition flavor of chips in honor of the April 8 eclipse.

The chip brand is releasing Pineapple Habanero and Black Bean Spicy Gouda, a blend of ingredients with a nod to ” sunny skies and bright days ahead while nodding to the moon with a cheesy touch.”

The new flavor will be available on SunChipsSolarEclipse.com and fans can get their hands on the chips beginning at 1:33 p.m. CST on April 8 as supplies last….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to join writer Sunny Moraine for dinner on Episode 222 of the Eating the Fantastic podcast.

What brought us together again this year for our second full-length conversation was the release of their novella Your Shadow Half Remains, a chilling tale which I hope members of the Horror Writers Association will keep in mind next year when it’s once again time to nominate for the Bram Stoker Awards. I loved the book and wanted to get together and discuss what made it tick, so we met for dinner at Commonwealth Indian restaurant, the venue for two of my earlier culinary chats — Paul Kirchner in Episode 109 and Sheree Renee Thomas in Episode 196.

Sunny Moraine

We discussed how the short story version of Your Shadow Half Remains exploded into a novel (and whether either of them would have existed at all without COVID-19), why pantsing is good but can sometimes become a nightmare, the way stories come to them cinematically,  several questions to which I didn’t want to know the answers but only whether they knew the answers, the unsettling demands of Skinamarink, why we both love ambiguity but most of the world doesn’t, how to interpret and when to implement the feedback of beta readers, the writerly gifts given to us by our subconsciouses,  why their short story days seem to be behind them, the two reasons they hate the process of titling their tales, and much more.

(4) NO SWIPING, SWIPER. The Verge heard it from the top: “The Disney Plus password-sharing crackdown starts in June”. Password sharers will be contacted by the Disney+ streaming service to increase signups and revenue.

Disney Plus already has rules in place to prevent subscribers from sharing their passwords — but now we have an idea when it will start making users pay to share them. In an interview on CNBC, Disney CEO Bob Iger says the company plans on “launching our first real foray into password sharing” in June.

… During an earnings call in February, Disney’s chief financial officer, Hugh Johnston, confirmed that subscribers “suspected of improper sharing” will see a prompt to sign up for their own subscription this summer. Subscribers will also be able to add members outside their household for an “additional fee,” but Disney still hasn’t provided any details on how much this will cost.

(5) GENERALS, ADMIRALS, AND VADERS – OH, MY! Perhaps not coincidentally, “Star Wars Announces Surprise New Disney+ Show Releasing Next Month” reports The Direct.

…In a surprise announcement, Lucasfilm confirmed a new Star Wars series will premiere on Disney+ on Saturday, May 4 with Tales of the Empire.

The all-new Disney+ series comes in the style of last year’s Tales of the Jediwith six animated shorts – half of which focussed on the rise of Ahsoka Tano while the other three explored the downfall of Count Dooku.

The announcement came with an official poster featuring Barriss Offee, Morgan Elsbeth, the Grand Inquisitor, General Grievous, Darth VaderGrand Admiral Thrawn, and more icons of the Empire who will appear in the six shorts….

…Episode runtimes for Tales of the Jedi ranged from 13 to 19 minutes including credits, and the same will likely prove true in the dark side-centric second season…

(6) HERE’S ROCK IN YOUR EYE. CBR.com remembers the amusing time “When Superman’s Editor Called Out The Twilight Zone for Ripping Off Bizarro” at CBR.com.

… However, by 1961, it is likely that Mort Weisinger, the famed editor of the Superman family of titles (and the guy who made letter columns a big thing in the late 1950s/early 1960s, well ahead of Stan Lee and Marvel Comics), was perhaps a BIT too confident in the fact that people were copying Superman, as when a fan tried to claim that Rod Serling’s famed science fiction TV series, The Twilight Zone, was copying Bizarro World from the Superman comic books, Weisinger actually agreed!…

…In November 1960, The Twilight Zone aired the sixth episode of its second season, titled “Eye of the Beholder” (interestingly, a guy who made a popular documentary for schoolkids by that name complained, and when the episode was rebroadcast, it was retitled “The Private World of Darkness”). It is about a young woman who requires plastic surgery, because her face is apparently hideous…

The article reminds readers in detail what the Bizarro World was about, then finishes by telling how the very next issue of Superman comics followed with a send-up of Rod Serling.

(7) ONE BIG MISSTEP FOR MANKIND. If you’re feeling too happy today Vox’s Sigal Samuel can help fix that. Just read “3 Body Problem: The Netflix show’s wildest question isn’t about aliens”.

Stars that wink at you. Protons with 11 dimensions. Computers made of rows of human soldiers. Aliens that give virtual reality a whole new meaning.

All of these visual pyrotechnics are very cool. But none of them are at the core of what makes 3 Body Problem, the new Netflix hit based on Cixin Liu’s sci-fi novel of the same name, so compelling. The real beating heart of the show is a philosophical question: Would you swear a loyalty oath to humanity — or cheer on its extinction?

There’s more division over this question than you might think. The show, which is about a face-off between humans and aliens, captures two opposing intellectual trends that have been swirling around in the zeitgeist in recent years.

One goes like this: “Humans may be the only intelligent life in the universe — we are incredibly precious. We must protect our species from existential threats at all costs!”

The other goes like this: “Humans are destroying the planet — causing climate change, making species go extinct. The world will be better off if we go extinct!”

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 5, 1917 Robert Bloch. (Died 1994.) Robert Bloch wrote some thirty novels, hundreds of short stories, countless television scripts including ones for the Alfred Hitchcock HourI SpyThrillerThe Girl from U.N.C.L.E., and, of course Star Trek. I’ll discuss his Alfred Hitchcock Hour and Star Trek work in a moment. 

Robert Bloch

What is the perfect piece by him? Oh that’s easy, it’s “The Hellbound Train” first published in The Magazine of Fantasy and Science Fiction (September 1958) and winner or a Hugo at Detention. It’s definitely the short story I’ve read the most, and I’ve even listened to the audio version made in the Sixties. 

What next? I’m very fond of Night of the Ripper which incorporates not unsurprisingly actual historical personages such as Arthur Conan Doyle into the investigation of Inspector Abberline. I consider it the best fictional look at this real-life mystery. 

Of, if I liked that, I’d would naturally find “Yours Truly, Jack the Ripper” also fascinating. It was first published eighty-one years ago in The Mystery Companion anthology which was edited by A. L. Furman. It was made into an episode of the Boris Karloff-introduced Thriller. It’s in the public domain, so you can watch it here.

Next is The Jekyll Legacy. This was co-written with Andre Norton and meant to be a sequel to The Strange Case of Dr. Jekyll and Mr. Hyde. Young niece, mysterious estate, the matter of her uncle, Dr. Jekyll, possibly still being around. Not really horror, and quite entertaining. 

As I’m not a horror fan, I’m going to skip such an offering as Psycho as a novel but I’ll discuss in media but where I do think he excelled in the writing of short stories. But unfortunately none of his short story collections including the excellent three volume Complete Stories of Robert Bloch made it into the usual suspects yet and their price on the secondary market is frankly obscene. 

Now for his media involvement. Let’s see what’s interesting. 

Psycho is his major genre or genre adjacent work depending on how you want to consider it. Based off his novel, it’s damn scary — I’ve seen it once, which was quite enough. Hitchcock did a great job of filming the Joseph William Stefano script.

His next genre adjacent work was scripting ten episodes of Alfred Hitchcock Presents. They were mysteries verging on thrillers at times with occasionally a bit of horror thrown in. Blochian goulash.  One of those episodes was “The Sorcerer’s Apprentice” which is you can view here as it’s in the public domain.

During this time he also wrote the screenplay for The Cabinet of Caligari which is only very loosely related to the 1920 German silent film. Some sources say that he was not at all happy working on this project. 

He write an episode each for I Spy, “There was A Little Girl” and The Girl from U.N.C.L.E., “The Foundations of Youth Affair”. 

You all know that he penned three scripts for the Trek series, “What Are Little Girls Made Of?”, “Wolf in the Fold”, yet another Jack the Ripper story, and “Catspaw”. I think all three episodes are fine but the latter two are more interesting as stories.

He did two episodes of UK Hammer Films’ Journey to the Unknown series. The episodes were “The Indian Spirit Guide” and “Girl of My Dreams”. 

I’m skipping his Sixties scripting because, after looking up the films and reading reviews of them, I realized how minor and inconsequential they were as films. Torture GardenThe House That Dripped Blood?  Really? 

He wrote an episode of Night Gallery, “Logoda’s Head”; he scripted three episodes each of Tales from the Darkside and MonstersThe Cat Creature that he scripted gives us a mysterious black cat that may or not be be evil; he wrote an episode for The Hunger. So did you know there was a Return of Captain Nemo miniseries? Well Bloch penned one episode,” “Atlantis Dead Ahead” in collaboration with Larry Alexander.

(9) COMICS SECTION.

(10) THE MEDIA PRESERVES THE MESSAGE. Learn about “The Secret Language of a Tube of Paint” at Colleen Doran’s Funny Business.

Many people are confused and intimidated by paints. Alcohol markers are so much easier to use and require no special knowledge to get going. They are convenient for comps and quick original art made for when you don’t have to worry about the longevity of your originals.

I’ve seen many marker works fade badly over time, including mine. Almost every piece I ever owned by my mentor Frank Kelly Freas, some of them dating back to the 1950’s,  was destroyed by time. I am grateful that I stopped trying to do major works with graphic arts tools years ago. Even without exposure to light, they fade or crack. 

Interestingly, cheap markers I had when I was a kid have lasted longer than the expensive designer markers I used as an adult! Price has nothing to do with longevity!

FYI, I have not used alcohol based markers in about ten years. I have seen fading on works that have never been exposed to light for more than the few days it took to work on the books I was doing while using them…

… Different brands of oil paint colors can be swapped out and used with other brands any time you like, and unlike markers, once you learn to mix colors, you never need more than a dozen or so tubes….

… One brand will have a wonderful yellow you want to use, while another will have a fabulous red. Brand loyalty in paint is for suckers. Pick and choose the best performing tools and use what you like. Oil paints will all work together. …

(11) DON’T BE FOOLED. Victoria Strauss warns against “The Scam of ‘Book Licensing’” at Writer Beware.

…Today’s blog post focuses on the similarly deceptive scam of “book licensing”. Like “returns insurance”, this fictional item is based on something real (the licensing of rights that’s necessary for publication) that scammers have distorted into an imaginary requirement they can monetize (a book license you supposedly must obtain in order for your book to be published or re-published).

To be clear, there is no such thing as a “book license”–at least, not in the sense that scammers use the term, meaning an item like a driver’s license or a fishing license that you have to take steps to acquire and must have in order to do the thing associated with the license. As the copyright owner of your work (which you are, by law, from the moment you write down the words), you have the power to grant licenses for publication, but you do not have to obtain any kind of license or permission in order to do so. By re-framing licensing as something authors have to get, rather than something they are empowered to give, scammers turn the reality of licensing on its head….

(12) YOUR BLOCH BIRTHDAY PRESENT. Jim Nemeth of The Robert Bloch Official Website is celebrating what would have been Robert Bloch’s 107st birthday by presenting one of his all-time favorite stories, “Man with a Hobby”.

(13) NEXT BLUE ORIGIN CREW. Space.com takes roll call as “Crew for Blue Origin’s 7th human spaceflight includes US’ 1st black astronaut candidate”.

…Today (April 4), Jeff Bezos‘ company announced the six crewmembers for the NS-25 space tourism mission, which will lift off from Blue Origin‘s West Texas site in the relatively near future. (The target date has not yet been revealed.)Among the six are former U.S. Air Force Capt. Ed Dwight, who was selected as the nation’s first Black astronaut candidate back in 1961, according to Blue Origin.

“In 1961, Ed was chosen by President John F. Kennedy to enter training at the Aerospace Research Pilot School (ARPS), an elite U.S. Air Force flight training program known as a pathway for entering the NASA Astronaut Corps,” Blue Origin wrote in an update today. “In 1963, after successfully completing the ARPS program, Ed was recommended by the U.S. Air Force for the NASA Astronaut Corps but ultimately was not among those selected.”

Robert Lawrence was the first Black astronaut selected for a space program — the U.S. Air Force’s Manned Orbiting Laboratory, or MOL, a planned spy outpost in Earth orbit that was never built. Lawrence was picked in June 1967, but he died six months later in a supersonic jet crash. The first Black American astronaut to reach space was Guion Bluford, who flew on the STS-8 mission of the space shuttle Challenger in 1983.

Dwight, who was born in 1933, became an entrepreneur and then a sculptor focusing on iconic figures in Black history. Over the past five decades, he has created more than 130 public works, which are featured in museums and other spaces across the U.S. and Canada, according to Blue Origin. His seat on the mission is sponsored by the nonprofit Space For Humanity.

(14) ONE-STOP FOR ONE PIECE NEWS. CBR.com covers the announcement: “Netflix’s One Piece Star Pulls Back the Curtain on Season 2”.

… A recent post on X, formerly known as Twitter, shows Jacob Gibson, who plays Usopp in the live-action remake of One Piece, doing a Q&A all about the show and its future. Gibson goes to the writers’ room in Cape Town, South Africa, where the outdoor scenes of the series have been shot –along with some necessary additional sets built at Cape Town Studios, such as the iconic ship of the Straw Hat Pirates, The Going Merry and Sanji’s boat-restaurant, the Baratie….

[Thanks to John King Tarpinian, Chris Barkley, Scott Edelman, Cat Eldridge, Kathy Sullivan, Rich Lynch, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/11/24 Fast Pixels At Ridgemont Scroll

(1) GLASGOW 2024 COMMUNITY FUND NEWS. The first deadline for Glasgow 2024 Community Fund applications is March 15. Details at the link.

In order to make Glasgow 2024 more affordable for those who need it most, we are running a community fund to help with the costs of attending. With the first deadline for applications coming up on the 15th of March, we encourage you to apply for funds if you need them in order to attend; or else to donate funds to help others attend, if you are able to do so. We are so grateful to all of you who have already done so!

(2) VILLAINOUS OSCAR PRESENTERS. Variety took notes on these Batman jokes at Oscars 2024.

Arnold Schwarzenegger and Danny DeVito had a “Twins” reunion at the Oscars as they joined forces to present best visual effects to “Godzilla Minus One” and best film editing to “Oppenheimer.” But it was their jokes about Batman that stole the show and had the Oscars audience uproariously laughing.

“Arnold and I are presenting tonight together for a very obvious reason,” DeVito said.

“We’ve both tried to kill Batman!” Schwarzenegger revealed to applause….

…“Oh. He threw me out a window!” DeVito said about his Penguin death. “There he is. He’s right here. He’s right there. Look!”

The camera then cut to Micheal Keaton in the audience. Keaton was a presenter at the Oscars earlier in the night, taking the stage alongside his “Beetlejuice” co-star Catherine O’Hara.

“You have a lot of nerve to show your face around here,” Schwarzenegger quipped to Keaton.

DeVito then yelled: “We’ll see you after the Governor’s Ball, pal!”

(3) TRACKING THE ELUSIVE KAIJU. Variety analyzes “How ‘Godzilla Minus One’ Surprised With the VFX Oscar”.

…In late 2023, many still didn’t have the Kaiju movie, released by Japan’s Toho Studios, on their awards radar. But it was incredibly well received when it opened Dec. 1 in the United States, and in the weeks that followed, a VFX branch committee included the movie in the category shortlist.

Then came the Jan. 13 VFX category “bake off,” an event held at the Academy Museum during which the potential nominees representing the 10 shortlisted movies presented clips and spoke about their work before branch members entered their ballots for the final five. The “Godzilla Minus One” team made a charming  presentation, talking about their creative problem solving and challenges. The movie was made for under $15 million and the VFX were pulled off by a team of just 35 people.

The well-received presentation seemed to have secured the team a trip to the Dolby Theatre and when the nominations were officially announced on Jan. 23, a video of the thrilled team in Tokyo went viral. From there, they spoke at screenings and appeared at events including the nominees luncheon, building momentum along the way. In early February, as part of Variety’s Screening Series, the team also participated in a Q&A following a screening at Harmony Gold in Hollywood. The film played to a packed room, with guild members and Academy voters staying long after credits had rolled to meet the filmmakers….

(4) FEBRUARY THE FIRST IS TOO LATE. Peculiarly, if you want to see this Oscar-winner, you’re out of luck. “’Godzilla Minus One’ Isn’t Streaming or in Theaters: Here’s Why”. IndieWire knows the answer.

If you want to catch up with Oscar Visual Effects nominee “Godzilla Minus One” before the awards Sunday night, you’ve got exactly one option: Find an Academy member who will invite you to view it on the voters’ portal. For everyone else in the world, you’re out of luck.

Why? Although never confirmed by Toho, it relates to an apparent contractual agreement between Toho, the Japanese studio that created (and still owns rights to) “Godzilla,” and Legendary Entertainment, which licensed the monster character for a series of films released by Warner Bros. Legendary’s latest with Warners, “Godzilla x Kong: The New Empire,” fifth in the MonsterVerse franchise, opens wide in the U.S./Canada March 29.

Toho retains the ability to make its own “Godzilla” movies, but with the reported limitation of not releasing them in the same year as a Legendary productionUnder that arrangement, “Godzilla Minus One” opened in Japan last November, and then domestically (as well as multiple European countries) in December.

“Godzilla Minus One” turned out to be a sleeper success in the U.S, grossing $56 million stateside. That’s stunning for a subtitled film and even more so for one that was anticipated as pre-holiday filler. A black-and-white version was added in January.

However, Toho notified theaters that all dates for “Godzilla Minus One” had to end by February 1 — even though “Godzilla Minus One” still ranked #8 in the final weekend of its run, after January 26, with a $2.7 million gross. It’s highly unusual to force a film to leave theaters while it’s still making money, but that’s consistent with reports of limits imposed on its looming competition with “Godzilla x Kong.”…

(5) SHARON LEE UPDATE. In “And when the stars threw down their spears”, author Sharon Lee tells how she’s been keeping up with life since the loss of her husband and collaborator Steve Miller.

It’s a funny thing, how life goes on.  Until it doesn’t, of course, but we’re very good as a species about ignoring that.

So — life.  Much changed, but still moving, still demanding attention, response, thought, and action.

My short-term goal is to find all of Steve’s papers — which is not as easy as you might think — and get them into boxes to send to the archive at Northern Illinois University.  My brother-in-law and nephew are coming up from mid-Coast in a few days to help me, literally, with the heavy lifting, and a Dumpster has been engaged to receive such things as no longer have utility.

My longer-term goals are to finish the sequel to Ribbon Dance — the deadline having been moved from September to November — and start work on the book after that…

(6) KAPLAN ONLINE READING. Space Cowboys Books will host an “Online Reading and Interview with Carter Kaplan” on Tuesday, March 26 at 6:00 p.m. Pacific. Register for free tickets at the link.

Carter Kaplan is the author of The Invisible Tower Trilogy: EchoesWe Reign Secure, and The Sky-Shaped Sarcophagus. His first novel is Tally-Ho, Cornelius! Diogenes is an Aristophanic comedy. Editor of Emanations; IA edition of The Scarlet Letter with Afterword, “A” is for Antinomian: Theology and Politics in The Scarlet Letter; the anthology Fantasy Worlds. Co-translator and editor of Creation of the World by Torquato Tasso. Book on Wittgenstein and literary theory: Critical Synoptics. Articles on “Karel Čapek,” “Menippean Satire” and “Dystopian Literature” in The Encyclopedia of Literature and Politics. Articles on “Herman Melville” and “Michael Butterworth” in A Dictionary of the Avant-Gardes (which has an article about him). A chapter on William Blake and Michael Moorcock appears in New Boundaries in Political Science Fiction. Teaching includes Literature, Philosophy, and post-graduate Medical Research Writing in universities ranging across Montana, North Dakota, Ohio, West Virginia, Pennsylvania, New Jersey, New York City, and Scotland.

(7) FANAC FAN HISTORY ZOOM.  This is the last FANAC Fan History Zoom for this season and it will stream on March 16. To attend, send a note to [email protected]

We have less than a week until the next FANAC Fan History Zoom program. We have some very knowledgeable fans on this program and it promises to be an enlightening subject in an often overlooked area of our field. Join us!

 Please get the word out to all your friends.

The Women Fen Don’t See

Claire Brialey, Kate Heffner, and Leah Zeldes Smith

Saturday, March 16, 2024

Time: 3PM EDT, 2PM CDT, Noon PDT, 7PM London (GMT), and Mar 17 at 6AM AEDT in Melbourne

(8) SECRET NO MORE. In “Move Over, Alan Turing; Meet the Teenage Girls Who Rocked Bletchley Park”, New York Times reviewer Sarah Lyall discusses THE ENIGMA GIRLS: How Ten Teenagers Broke Ciphers, Kept Secrets and Helped Win World War II, by Candace Fleming.

As war raged in Europe in 1941, Sarah Norton, the 18-year-old daughter of an English lord, received a letter in a plain brown envelope with no return address. “You are to report to Station X at Bletchley Park, Buckinghamshire in four days’ time,” said the letter, signed by a mysterious “Commander Travis.” “That is all you need to know.”

Little did Sarah realize she was being recruited for Britain’s top-secret wartime code-breaking operation. Arriving at Bletchley Park with a suitcase full of “what she considered the bare essentials — five daytime outfits, an evening gown with matching shoes, lipstick and, most importantly, her teddy bear” — she would work alongside hundreds of similar recruits to help intercept and decipher the Nazis’ secret communications.

“This is the story of a handful of young women — teenagers really — who left their childhoods behind and walked into the unknown,” Candace Fleming writes in “The Enigma Girls,” her beguiling new account of their contributions. “For most of their lives, they never breathed a word about their war experiences.”

We learn about 10 of these real-life conscripts. In addition to Sarah, there was Mavis Lever, also 18, who was assigned to work with Dilly Knox, a Greek scholar who had “spent years successfully deciphering ancient papyri fragments at the British Museum.” There was Patricia Owtram, another 18-year-old, whose job was to monitor radio frequencies for enemy communications while simultaneously converting the Morse code messages into plain text. And there was Diana Payne, just 17, who helped operate the massive “Bombe” machines, which sped up the process of breaking the enemy’s ever-shifting codes….

(9) LISA MORTON Q&A.  Alpha’s Court scored an interview with “Lisa Morton: Author, Editor, and Screenwriter”. Her new release, Placerita, comes out in June.

Q: Where do you draw inspiration from in your work?

A: Everywhere! One of my favorite places is my own backyard, which is both full of amazing plants and which draws all kinds of wildlife at night. As a horror writer, there’s certainly no shortage of fodder in the daily news and, of course, reading other writers’ work is always inspiring.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 11, 1952 Douglas Adams. (Died 2001.) Was there ever a better work of epic humorous, and yes I deliberately used the British spelling there, SF  in The Hitchhiker’s Guide to the Galaxy that Douglas Adams delightfully created? 

I first encountered it as the BBC television adaptation on public television in the Eighties. It was quite good. Really it was very, very silly. 

Douglas Adams in 2000.

I next listened to the most excellent radio series which originally broadcast in by BBC Radio 4, and then on the National Public Radio where I heard it. I think it one of the best full cast SF dramas I’ve heard and I’ve listened to it at least three or four times that I can remember. 

Now the books. Oh they’re most excellent as well. All five of them that he wrote before his very untimely death as there were more later, one of which I’ve read. The US edition of the fifth book was originally released with the note of “The fifth book in the increasingly inaccurately named Hitchhiker’s Trilogy” on the cover. 

I’m trying to remember at what point the novels finally weren’t based on off the radio series but I know that it finally happened. 

I have not read Dirk Gently’s Holistic Detective Agency novels which were described by him as “a kind of ghost-horror-detective-time-travel-romantic-comedy-epic, mainly concerned with mud, music and quantum mechanics”. I did see some of the BBC series, oddly enough filmed in Vancouver, and it’s silly and fun.

Adams was the script editor for the seventeenth season of Doctor Who, and he wrote three scripts starring Tom Baker as the Fourth Doctor — “The Pirate Planet” City of Death” and “Shada”. 

The latter was only partially filmed but never not televised due to industry disputes which even unclear to this day. It was later completed using animation for the unfinished scenes and broadcast as Doctor Who: The Lost Episode on BBC America seven years ago. 

The last thing I want you to mention is Last Chance to See, BBC radio documentary series and a book, written and presented by Douglas Adams and Mark Carwardine. Adams and Carwardine travel to various locations in the hope of encountering species on the brink of extinction. It’s quite extraordinary.

(11) WRITER BEWARE. Victoria Strauss gives Writer Beware readers a detailed rundown about “Author Complaints at City Owl Press”. This is just a taste.

…Several authors announced their split from COP on social media, without providing details as to why, causing questions and concerns from observers. This is also the point at which COP authors started contacting Writer Beware. Then, in late January, Erin Fulmer published her detailed series of blog posts about her departure from COP. Authors are often very, very reluctant to go public with publisher complaints, whether because they don’t want to single themselves out, fear retaliation and blowback from the publisher and/or fellow authors, or are simply too exhausted and demoralized–but a flood of other accounts followed Erin’s: Megan Van DykeSL ChoiElisse HayJen KarnerLisa EdmondsLily Riley, and more have all chosen to speak out about their experiences.

This unusually public discussion has had an impact. On February 22, COP posted a public apology to authors and readers, with a pledge to implement “systematic and operational changes”. (This is the overshare mentioned in the first paragraph; it was later reformulated in response to criticism)….

(12) VOYAGE TO THE BOTTOM OF THE WORLD. [Item by Steven French.] Early Antarctic explorers would while away the weeks of darkness by writing stories, some silly, some fantastical – the first book printed on the frozen continent included a science-fiction story (complete with drawings) about exploring an undiscovered tropical region of Antarctica: “Antarctica Publications Tried to Hide Danger in Fiction and Strange Stories” at Atlas Obscura.

…It imagines the Nimrod’s party making their way into the strange land of Bathybia, 22,000 feet below sea level. They used rafts made of giant, man-sized mushrooms to travel down rivers into a red jungle, encountering giant ticks, alcoholic algae, and huge carnivorous versions of microscopic Antarctic rotifers….

(13) IT’S NOT KANSAS CABERNET SAUVIGNON, TOTO. But drink enough and you will see flying monkeys. “The Wizard of Oz Tornado Etched Wine” from Mano’s Wine.

Embark on a mesmerizing journey with our Wizard of Oz wine bottles. Expertly deep-etched and lovingly hand-painted, these enchanting collectibles capture the essence of the beloved film. Sip from the elixir of nostalgia and let the magic unfold with every pour. Raise your glass to the Emerald City and indulge in a taste of cinematic splendor.

(14) WORM HYPE. [Item by Steven French.] Nature invites you to “Meet the real-life versions of Dune’s epic sandworms”. “‘Dune’s sandworms can grow to at least 450 metres long, about 15 times the size of the longest blue whale. How big do real-life worms get?”

…There are annelid worms that get up to several metres in length called eunicid worms, a type of bristle worm. They’re pretty gnarly — they have big jaws, they look a bit like Graboids from the 1990 film Tremors. Some of them are ambush predators. They eat octopuses, squid, vertebrates….

There are some earthworms that get really big, as well. Megascolides reaches up to 2 metres. The biggest ones are from Australia.

(Of course they are!)

(15) VIDEO OF THE DAY. Dan Monroe wants to find out “Whatever Happened to LOGAN’S RUN?” (See, I didn’t know anything had happened to Logan’s Run!)

[Thanks to SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joseph Hurtgen.]

Pixel Scroll 2/25/24 The Scroll Is Spinning. I’ll Try Again Tomorrow

(1) NICHOLAS WHYTE TAKES UP 2024 HUGO ADMINISTRATOR DUTIES. Following the resignation of Kat Jones, Glasgow 2024 WSFS Division Head Nicholas Whyte announced this news in “The Hugos and me” at From the Heart of Europe:

I have now been appointed Hugo Administrator for Glasgow 2024: A Worldcon for our Futures, double-hatted with the role of Division Head for WSFS. (If the website hasn’t already been updated, it will be soon.) This is my comment on recent events, and my own commitment to future action.

I was not involved with organising the Chengdu Worldcon in any way, though it was a close call. Shortly before the Chengdu bid won the Site Selection vote in 2021, I was invited to become one of the Co-chairs of the convention if the bid won. (I have no idea if Ben Yalow was already on board at that stage.) I declined on the grounds that I really did not have time, but agreed to become a senior adviser, and was listed as such on their org chart presented in DC.

However, I was dismayed by Chengdu Worldcon’s choice of fascist writer Sergei Lukanyenko as a guest of honour, and by a general lack of communication. By summer 2022 I had heard very little from Chengdu Worldcon and it had become clear that they were not very interested in my advice, so I resigned as an advisor and heard no more from them for several months…. 

More follows about his trip to the Chengdu Worldcon. And about his past experience administering the 2017 and 2019 Hugos, and as part of the 2020, 2021, and 2022 Hugo teams.

(2) GLYER’S APOLOGY TO SHEPHERD. I apologize to Shepherd for comparing him to Vox Day in item #15 of the February 22 Scroll. It was unwarranted and wrong for me to do. I have now deleted the Vox Day quotes and replaced them with this:

“I apologize for drawing a comparison between Shepherd and Vox Day in the item that formerly appeared in this space. I was wrong to give into the impulse, which vented at Shepherd my emotional reaction to all the Hugo stuff I’ve had to write news about for the last month, something he has nothing to do with. (But if you want to ask why, then, is item #14 still here — Shepherd intended the needle, and I felt it. Ouch.)”

I also have corrected Shepherd’s name in item #14. The apology is repeated here in today’s Scroll because not many people are going to see the changes made in a three-day-old post.

(3) SHARON LEE UPDATE. Author Sharon Lee, who lost her husband Steve Miller earlier this week, answers four questions on her readers’ and friends’ minds in “Sunday in the new world”. Here’s an excerpt (questions 3 and 4 at the link).

So!  The first question —  Will I be continuing the Liaden series?
Yes, it is my intention to continue writing in the Liaden Universe®, at least to the point of finishing out the remaining three books contracted with Baen.  There will be some changes in how things go forward, which are inevitable, given Circumstances.  Trade Lanes is off the table, at least for now.  It is possible that it will never be written, but — I’m new at this, so let’s just not say “never” and instead say “we’ll see.”

I’m about 1/3 of the way through the book following Ribbon Dance, and have Extensive Notes for the book after that.  The sequel is due at Baen in September.  The deadline may have to be renegotiated; I don’t know that yet — see “new at this,” above — and I’ll have to talk with Madames the Agent and the Publisher.

Question the Second:  How am I doing?
I have no idea.  I have moments of relative peace — work is going to be a refuge, I can already see that — moments of immobilizing terror, and breathtaking pain.  I’m assuming these things are standard, but I’ve never lost my best friend, spouse, and creative partner before.

The cats have been a comfort, piling on whenever I land in a place and stay still long enough.

Local friends have also been keeping an eye on me, to the extent that I allow it; it’s hard to ask for help, and I’m not Steve, who loved people and made connections the way the rest of us breathe.  I’m a more … private person, a fact that it will do us all good to remember, going forward.  If I’m testy, sarcastic, or clueless — recall that I’ve always been that way, and that Steve always did the heavy interpersonal lifting.

(4) GWENDA BOND & JOHN SCALZI AT JOSEPH BETH BOOKSELLERS. [Item by Chris Barkley.] On Saturday evening, Ohio-based New York Times bestselling sf author John Scalzi interviewed Kentucky-based New York Times bestselling author Gwenda Bond at Joseph-Beth Booksellers in Cincinnati, Ohio.

For more than an hour, Mr. Scalzi quizzed Ms. Bond on what inspired her to write her latest novel, The Frame Up.

This new novel chronicles the adventures of Dani Poissant, an especially talented art thief who been approached for a special job. The problem? The crew hates her for turning in their former leader, her mother…

Be assured, it will be a magical journey for all involved and in more ways than one.

Mr. Scalzi also sold a few books as well.

(5) AGENT OF CHANGE. Victoria Strauss has advice for “Coping With Scams: Suggestions for Changing Your Mindset” at Writer Beware.

…My standard advice for how to cope with the prevalence of scams is to educate yourself: learn as much as possible about publishing and self-publishing–and do it before you start trying to snag an agent, or querying publishers, or assessing self-publishing platforms and service providers. The more you know about how things should work, the easier it will be to recognize bad practice when you encounter it. (The Writer Beware website is a good place to start.)

But it’s not just about being prepared with adequate knowledge. Mindset is also important: your default assumptions about, and responses to, the people and situations you encounter along your publication journey. Such expectations can help you, or they can hinder you–like my writer friend, whose bad experiences caused them to conclude, falsely, that no one can be trusted….

(6) MINORITY REPORT THE STAGE PLAY. [Item by SF Concatenation’s Jonathan Cowie.] BBC’s Radio 4 Front Row the other day devoted over a third of the programme to a new stage play adaptation of Philip K. Dick’s short story Minority Report.

The new adaptation shifts the action to Brit Cit London and the play features special effects and illusions to convey the future tech and mind games.  The show’s director said that when the Tom Cruise film (2002, Hugo short-listed in case you forgot) came out it was all pretty much science fiction. However, he opines, with recent advances in artificial intelligence and neurobiology it seems more plausible.

You can access the programme here. You will need to jump to about halfway through.

Minority report, the Sci-Fi classic by Philip K Dick, has already been adapted for film and television and now it’s a stage play that employs an innovative mix of technology, stagecraft and live performance. As it opens at the Nottingham Playhouse, Mark Burman talks to some of the creatives involved.

See also the Nottingham Playhouse website, “Minority Report”, the source of these photos.

(7) KENNETH MITCHELL (1974-2024). “Kenneth Mitchell, Star Trek and Captain Marvel actor, dies aged 49” — the Guardian pays tribute.

Canadian actor Kenneth Mitchell, known for roles in Star Trek: Discovery and the Marvel film Captain Marvel, has died following complications from amyotrophic lateral sclerosis, or ALS.

Mitchell, who was 49-years-old, died on Saturday, according to a statement released by his verified Instagram account.

“With heavy hearts we announce the passing of Kenneth Alexander Mitchell, beloved father, husband, brother, uncle, son and dear friend to many,” the statement said.

“For five and a half years Ken faced a series of awful challenges from ALS. And in truest Ken fashion, he managed to rise above each one with grace and commitment to living a full and joyous life in each moment,” it added….

The Hollywood Reporter adds these details:

…Mitchell played four characters across three seasons of Paramount’s Star Trek: Discovery: Kol, Kol-Sha, Tenavik and Aurellio. He also portrayed a young Captain Marvel’s father in a flashback in Marvel’s Captain Marvel and World War II flyer Deke Slayton in ABC’s The Astronaut Wives Club….

(8) BRIAN STABLEFORD (1948-2024). British academic and critic Brian Stableford, author of over 70 novels, died February 24 at the age of 75. His Wikipedia article includes a long list of work by this prolific writer and editor.

He graduated with a degree in biology from the University of York in 1969 before going on to do postgraduate research in biology and later in sociology. In 1979 he received a PhD with a doctoral thesis on The Sociology of Science Fiction.

Brian Stableford

The Science Fiction Encyclopedia says he began his writing career in his teens, collaborating with a schoolfriend, Craig A Mackintosh (writing together as Brian Craig), on his first published story, “Beyond Time’s Aegis” for Science Fantasy #78 in 1965; much expanded, it was eventually published in book form as Firefly: A Novel of the Far Future (1994).

He won the IAFA Distinguished Scholarship Award in 1987, the Science Fiction Research Association Pilgrim Award for lifetime contributions to sff scholarship in 1999, and a SF&F Translations special award in 2011. He won a 1985 Eaton Award for best critical book with Scientific Romance in Britain: 1890-1950. His article “How Should a Science Fiction Story End?” (The New York Review of Science Fiction #78 Feb 1995) received SFRA’s Pioneer Award in 1996.

His book The Empire of Fear won a 1989 Lord Ruthven award for fiction about vampires. His short fiction “The Hunger and Ecstasy of Vampires”  won a BSFA Award in 1996.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 25, 1971 Sean Astin, 53. Let’s talk about Sean Astin who played Samwise Gamgee in The Lord of The Rings films. I’ll admit that he was one of my favorite hobbits in the trilogy and Sean did a sterling job of bringing his character to life here, didn’t he? I’ll also admit that I’d completely forgotten that he wasn’t in The Hobbit as in I tend to think that the hobbits that were there are all in the trilogy.

Before The Lord of The Rings, he showed in his first film playing Mikey Walsh in The Goonies. No, not genre (remember My Birthday Write-up, my rules what gets included here) but a really fine YA treasure hunt adventure in which everyone has fun. Well not everyone.

He has a lead role in Toy Soldiers, a film I still have an odd fond spot for,  as  William “Billy” Tepper. Damn I liked those toy soldiers. I even had some of the action figures a long time ago.

Ray Bradbury and Sean Astin in 2009

He was Stuart Conway in a film named after a time travel device called Slipstream that was stolen by a group of bank robbers. Might be interesting to see.

He voiced Shazam in a pair of animated DC films, Justice League: War and Justice League: Atlantis, almost proving there are too many DC animated films. Oops, they did prove that amply as there’s another one, a Lego one he did.

In the Department of Films That I Never Knew Existed Off Novels I Never Knew Were Written is Terry Pratchett’s The Colour of Magic, which proves how prolific he was or how bad my memory is, at any rate Sean is Twoflower here. 

Dorothy and the Witches of Oz is a 2012 series of a decade ago apparently covered The Wonderful Wizard of OzOzma of OzThe Road to Oz and The Magic of Oz. Somewhere in there, he was Frack Muckadoo, a servant of Princess Langwidere.

I think the last thing I’ll mention is that he showed up in a brief recurring role on The Big Bang Theory as Dr. Greg Pemberton, one of a team of Fermi-Lab physicists who accidentally confirmed the Super-Asymmetry paper published by Sheldon and Amy. Wasn’t that an amazingly fantastic series? 

Yes, there’s other kibbles and bits which I’m sure you’ll point out, but I need tea now. 

(10) COMICS SECTION.

  • Bizarro brings the litigious spirit to fairy tale land.

(11) AUCTION. Propstore’s “Entertainment Memorabilia Live Auction: Los Angeles 2024” runs March 12-14. Lots of stuff you’ll recognize in their online catalog. Here’s one example:

(12) THE 1982 LAWS OF ROBOTICS. “Isaac Asimov Predicts the Future in 1982: Computers Will Be ‘at the Center of Everything;’ Robots Will Take Human Jobs” at Open Culture.

…As for “the computer age,” asks Jim Lehrer; “have we crested on that one as well”? Asimov knew full well that the computer would be “at the center of everything.” Just as had happened with television over the previous generation, “computers are going to be necessary in the house to do a great many things, some in the way of entertainment, some in the way of making life a little easier, and everyone will want it.” There were many, even then, who could feel real excitement at the prospect of such a future. But what of robots, which, as even Asimov knew, would come to “replace human beings?”

“It’s not that they kill them, but they kill their jobs,” he explains, and those who lose the old jobs may not be equipped to take on any of the new ones. “We are going to have to accept an important role — society as a whole — in making sure that the transition period from the pre-robotic technology to the post-robotic technology is as painless as possible. We have to make sure that people aren’t treated as though they’re used up dishrags, that they have to be allowed to live and retain their self-respect.” Today, the technology of the moment is artificial intelligence, which the news media haven’t hesitated to pay near-obsessive attention to. (I’m traveling in Japan at the moment, and saw just such a broadcast on my hotel TV this morning.) Would that they still had an Asimov to discuss it with a level-headed, far-sighted perspective….

(13) THERE’S A LEGO SALE, STEP ON IT! “A rare LEGO piece found at PA Goodwill set to sell for over $18K” reports Yahoo!

Bidding on a rare 14-karat gold LEGO piece has come to a close and the item sold for much more than expected.

The piece called the Bionicle Golden Kanohi Hau Mask, which sold for $18,101, was found by workers at a warehouse in DuBois, Pennsylvania, and is believed to be only one of 30 that exist. In 2001, some were gifted to LEGO employees, while the rest were awarded through a contest.

When the rare LEGO was found no one really knew what it was, the item was posted on shopgoodwill.com for just $14.95. Little did they know what someone would pay for it.

“The final bid was $18,101. The second-highest bid was $18,100,” said Chad Smith, Vice President of E-commerce and Technology for Goodwill Industries of North Central PA….

(14) VIDEO OF THE DAY. “’Borderlands’ Trailer Sees Cate Blanchett Hunt For Treasure On Scorned Planet”. Deadline sets the frame:

…[The] Borderlands movie follows Lilith (Blanchett), an infamous outlaw with a mysterious past, who reluctantly returns to her home planet of Pandora to find the missing daughter of the universe’s most powerful S.O.B., Atlas (Edgar Ramirez).

Lilith forms an alliance with an unexpected team – Roland (Kevin Hart), a former elite mercenary, now desperate for redemption; Tiny Tina (Ariana Greenblatt), a feral pre-teen demolitionist; Tina’s musclebound, rhetorically challenged protector, Krieg; Tannis (Jamie Lee Curtis), the scientist with a tenuous grip on sanity; and Claptrap (Jack Black), a persistently wiseass robot. These unlikely heroes must then battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power….

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 2/19/24 Pease Porridge In The Pot Nine Days Scrolled

(1) LEAVING THE HAMC. Cheryl Morgan’s 7-point “Public Statement re the Hugos” at Cheryl’s Mewsings explains why she recently resigned from WSFS’ Hugo Awards Marketing Committee. It says in part:

3. As a member of the Hugo Awards Marketing Committee it was my duty to ensure that the results of the Hugo Award voting process were posted to the official website promptly and accurately, as they were supplied to us by each year’s Worldcon, including those from Chengdu. We had no authority to comment on or change those results in any way.

4. I am not, nor ever have been, a member of the WSFS Mark Protection Committee (MPC).

5. I am not, nor ever have been, a Director of Worldcon Intellectual Property (WIP), and have no financial stake in that organisation. WIP was created from the corporation that ran the SF&F Translation Awards (of which I was a Director), but no directorships carried over from the one organisation to the other, save for Kevin Standlee who is a Director of WIP because of his membership of the MPC.

6. I resigned from the Hugo Award Marketing Committee, primarily because I no longer wish to be held responsible for (including being subject to legal and reputational risk for) the actions of organisations of which I am not a member and over which I have no influence….

(2) DAVE MCCARTY SEXUAL HARASSMENT ALLEGATIONS. McCarty’s name is in the news because of the Hugos, but two people today shared other grievances at Bluesky.

Meg Frank said on Bluesky: “Dave McCarty is emotionally abusive, generally manipulative, and has sexually harassed myself and numerous others. I’ve spoken openly about this and made CoC complaints when possible. He is not a missing stair, he is a creepy handyman who has been using his previous community service as a shield.”

Jesi Lipp added, “I’ve never made it a secret that he groped me at a Smofcon in 2011 and it has always been largely treated as a non-issue.”

(3) AI COVER TRACED TO SOURCE. Cassandra L. Thompson draws attention back to the Gothikana AI book cover story on Threads

Thompson’s comment appears to be in response to a TikTok video by emmaskies.

@emmaskies

Replying to @be_kindful That didn’t take long. This is beyond lazy. I still can’t believe anyone approved the use of these really poorly AI-generated assets. Here’s a thought, if you can’t find good stock images to fit the creative vision HIRE AN ARTIST TO MAKE THEM. ???? #torbooks #brambleromance #gothikana #runyx #aiart #noaiart #bookcover #bookcovers #booktok #darkromance #emmaskiesreads

? original sound – emmaskies

(4) DRAWN THAT WAY. Novelist Kelly Link tells the Guardian “‘I was drawn to the monsters and half-naked women on fantasy covers’”. Here’s an excerpt from the interview.

The book that changed me as a teenager
I was a weekend lurker in the fantasy and science fiction section of my local bookstore, eager to spend my weekly allowance, but overwhelmed by the selection. I was drawn to the monsters and half-naked women on the paperback covers of Arthur Saha’s Year’s Best Fantasy anthologies, but too embarrassed for a long time to bring one up to the counter and pay for it. When, eventually, I got up the nerve, I found the stories uniformly enthralling, and the bookseller didn’t bat an eye. After that, I grew much more bold about what I wanted to read, regardless of how lurid the cover might be.

Kelly Link in 2016

(5) NEW TOU ARE DOA. Writer Beware’s Victoria Strauss reports “Outrage Over New Terms of Use at Findaway Voices Forces Change”. Pushback against Findaway/Spotify’s new Terms of Use succeeded in bringing about a substantial revision.

…Unsurprisingly, the new license terms generated a storm of criticism. Judging by what I saw on social media, and by what authors who alerted me to the new TOU told me, many rights holders took steps to cancel their contracts. Findaway/Spotify appears to have been caught completely flat-footed by the backlash.

… There’s still some vagueness (“otherwise use”) and I note the inclusion of “training” (AI training? It’s not clear, although I think the language following suggests not).

But it is a substantial change, and it does address the criticism of the original version. The license is no longer irrevocable or royalty-free. “Translate” and “modify” have been removed, as has the derivative works language. There’s no longer a moral rights waiver. And, pretty clearly in response to authors’ and narrators’ concerns, the final sentence rules out using audiobook files to create new works based on the original, or to create new machine voices, unless the rights holder gives permission (although, if I were a narrator, I might wonder whether “new” in that context creates a loophole for duplicating an existing voice).

There are two ways to look at what happened here. One is that Spotify tried an egregious rights grab, got called out for it, and did what greedy corporations sometimes do when challenged: walked it back, though not quite completely. The other is that Spotify did not anticipate the backlash, and whether because it recognized the validity of the criticism or simply saw that its self-interest was at stake, reconsidered and implemented the change.

Regardless, I do think that Findaway/Spotify deserves some credit….

(6) KERFUFFLE OVERDOSE. Maya St. Clair delivers “The last News from the Orb”.

This week, I took down that psychoanalytic take I did about Cait Corrain. Reception of the piece was positive, but I’d started to feel rankled and uncomfortable when I saw it on my page, like I needed a shower….

St. Clair’s explanation deserves a click-through to read. And I truly empathize with the next paragraph.

…As the Internet plunges its talons further into everybody’s brains, this kind of doom spiral is going to get harder to resist. The SFF, publishing, and book-reading communities have largely chosen their futures, and it’s more of this codependency: more controversies, more incidents called Something-Gate, more of that awful, druglike disgust that keeps one fixated. As writers, we could follow along: delve into endless Internet research, throw around receipts, assemble our alembics and phials and glass curlicues and try to distil the final Take on this week’s Cait Corrain. Or maybe we could think about literally anything else….

(7) THOSE WERE THE DAYS, MY FRIEND. Peter Wood discusses “The Pros and Cons of Nostalgia” at Asimov’s SF blog From Earth to the Stars.

Margaret Atwood  and I both grew up in large Canadian cities and our fathers ran summer camps in rural Ontario. Atwood’s father, a forest entomologist, took his family from Toronto into the wilds of Ontario to live with graduate students. As a teenager, Atwood worked as a camp counselor for three years.

I tell you this, because our family lived at the northern Ontario summer camp my Dad ran for the Ottawa Boys Club every summer until we moved to Florida. I worked for three years as a camp counselor in college. No need to cue the Twilight Zone music, but the settings of two of Atwood’s short story collections—Moral Disorder and Cats Eye—spoke to me because of her descriptions of rustic Ontario in the summer and cold dark winters in Toronto.

Like Atwood, I often use my own memories to embellish my writing. “Une Time Machine, S’il Vous Plait” has scenes in a summer camp in northern Ontario and sections in  the dead of winter in Toronto and Ottawa in the 1970s. Those scenes were some of the easiest in the short story to put to paper, because they are still vivid to me. Their impressions are much stronger than memories of much more recent events….

(8) DAVE MCKEAN Q&A. The Comics Journal’s Jake Zawlacki has a long, probing interview with Dave McKean. One question is about Midjourney. “’I Will Always Choose Reality’: Dave McKean, Retrospective”.

…It seems that AI may be soon having its day. Early in the book you tease a reason for Thalamus finally coming about and mention an “emergency final page.” When we get to the end, you offer a very honest experience with using Midjourney, and how you felt you needed to accommodate AI in your work, or quit. To start, how do you feel about someone typing in “Dave McKean style comic book cover” into Midjourney and using the result?

I had completed the book by June of last year, and had written that last page as a much more positive paragraph with walking anecdotes and bird pictures and a sense that I’d never felt more professionally fulfilled and personally happy as I did at the time, partly because I really enjoyed putting the book together and revisiting so much stuff that I determinedly had not looked back at for decades. But then the Midjourney thing happened and suddenly the book took on a whole other meaning for me, it was literally the end of my era, from now on my life is pre and post AI.

To start? I consider that action to be theft, the final image will be trained on my work without my knowledge, agreement, or any reimbursement. It’s fraudulent, because the user will consider it their work when my name is in the prompt, surely no simpler paper trail has ever existed for a fraud court case? So then it also makes a difference to me whether this is just one person at home having some fun with a new tech toy and not taking it any further, or someone selling that image, and there’s a greyscale of uses in between. The legal side is a minefield, and we really haven’t caught up with the implications. And finally, and most importantly in this case, the people I’ve talked to who are enthusiastic about AI actually believe this is a creative act. Typing a few words into a bot, and they will tell you how much they thought about the exact words to use, and tweaked the prompt 20-odd times, but this is essentially typing a few words into a bot and waiting a minute. This is such a denuded idea of what creativity is, they are only fooling themselves. There will always be artists who will use it as a tool and be very clear and thorough about staying on the right side of perceived moral lines, but I think they are hypnotized by the shiny new thing. They will be the Trojan horse that wrecks the notion of art, something which has carefully evolved over tens of thousands of years and helped shape the best of us, trashed by glorified predictive text. And you have no idea how sad it is for me to hear artists justify this work with the sort of evasive, relativist art-bollocks that has corrupted the contemporary gallery market….

(9) BISHOP REMEMBERED. Asimov’s editor Sheila Williams tells about her friendship with the late Michael Bishop and his family in “Cri de Coeur”.

…The 1992 World Fantasy Convention was held in Mike’s hometown—Pine Mountain, Georgia—and that’s where I got the chance to really get to know him. After spending time with Mike and his wife Jeri, they invited me, and a couple of other people, over to their beautiful home. They gave us a tour of their house, which I believe had been owned by Jeri’s family for a few generations. They also regaled us with stories about their son Jamie and daughter Stephanie, who were both away at college.

My oldest daughter was born in 1993, and I tentatively included a photo of her in a few of our authors’ holiday cards. Mike’s response to the photo and his sincere interest in my family encouraged me to continue to include these photos in cards and to expand on the number of people who received them. [I know some authors were perplexed, but I was delighted that eventually many started sending photos of their kids and/or pets back to me.] As I told Mike years later, I also tried to emulate the loving home life for my kids that he and Jeri had provided for their own children.

Mike’s ninth story in Asimov’s, “Cri de Coeur,” was our September 1994 cover story. This moving novella about the journey on a generation starship was also a finalist for both the Hugo and the Theodore Sturgeon Award. There was a twelve-year gap between Mike’s tenth Asimov’s story in 1996 and his eleventh in 2008. During that time, Mike and I mostly stayed in touch via holiday cards.

On April 16, 2007, Mike and Jeri experienced one of the most terrible tragedies that can befall a family. Their thirty-five-year-old son Jamie, now an instructor of German at Virginia Tech, was murdered in the deadliest school shooting in U.S. history. Mike’s next tale for us, “Vinegar Peace, or, The Wrong-Way Used-Adult Orphanage” (July 2008), was the painful story of a society that sends adults to orphanages after their last child dies. It, too, was nominated for a Nebula….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 19, 1937 Terry Carr. (Died 1987.) I’ll admit right now that I do not know Terry Car from any of his novels which are Warlord of KorInvasion from 2500 co-written with Ted White, and Cirque. I’ll certainly invite opinions on how they are. What I do know about him is from his most excellent and rather extensive work in the area of editing anthologies.

But first I must discuss his work as a fanzine editor, winning his first Hugo for the zine FANAC, co-edited with Ron Ellik, which they started in 1958. There were seventy-one issues (the last six were co-edited with his first wife, Miriam Carr). Read the first issue at Fanac.org. Terry would win a second Hugo for Best Fan Writer in 1973 at Torcon II. He would also be the 1986 Worldcon’s Fan Guest of Honor.

Terry and second wife Carol Carr, center, Jock Root and German literary agent Thomas Schlueck left, with Gary Deindorfer at far right, on the subway coming back to Manhattan from a gathering at Ted White’s house for TAFF delegate Schlueck in 1966. Photo by and (c) Andrew Porter.

His work on anthologies began in the Sixties on the first seven volumes of World’s Best Science Fiction with Donald A. Wollheim. I’m reasonably sure that I’ve read at least some of them as the contents are quite familiar. 

Also while working for Donald A. Wollheim at Ace Books, he was responsible for the acclaimed Ace Special series, bringing out R.A. Lafferty’s Past Master (1968), Ursula K Le Guin’s The Left Hand of Darkness (1969) and Alexei Panshin’s Rite of Passage (1968).

Now I know that I’ve read much of his next two anthology series as they were quite excellent. They came out almost out at the same time as the Seventies got under way, with Universe having an impressive run of seventeen volumes, and The Best Science Fiction of the Year with just a volume less. 

He also had an anthology series devoted to original fantasy only, New Worlds of Fantasy which published three volumes stating in the Sixties. He did five volumes in the Fantasy Annual reprint series starting in the late Seventies. 

His work would earn two Best Professional Editor Hugos (1985, 1987). 

Lastly, he published in his regrettably brief lifetime a reasonably large amount of shorter fiction, over forty pieces. The Seventies collection The Light at the End of the Universe is the only sole look at his short fiction to date. Subterranean Press, where art thou?

(11) COMICS SECTION.

  • Thatababy apparently learns from Looney Tunes.

(12) WEB BREAKS. The Hollywood Reporter says it’s dead, Jim: “Inside Sony’s ‘Madame Web’ Collapse: Forget About a New Franchise”.

The trailer buzz was worrisome, advance ticket sales anemic. Then last week, the critic reviews for Madame Web were posted, and they stung deepest of all — Sony’s Spider-Man spinoff received the lowest average Rotten Tomatoes score (13 percent) of any major superhero film in nearly a decade.

“On Wednesday night, you could actually watch advance purchase sales declining in real time as buyers were refunding their tickets,” marvels a major theatrical chain insider. “It really says something when you’d rather have Shazam! 2 numbers.”

It marked one of the lowest starts in Hollywood history for a film based on a Marvel character. Domestic box office for the first six days in North America was just $26.2 million after opening midweek on Valentine’s Day. International tallied $25.7 million from 61 markets. Even the fan-friendly CinemaScore grade was poor (C+ — extremely low for a superhero title).

Like DC and the once-unstoppable Marvel, Sony is now finding itself in under the gun to reevaluate how it makes comic book movies….

(13) LEFT BEHIND. “Harrison Ford left behind a Star Wars script. It just sold for $13,600” reports Yahoo!

A draft script from the original Star Wars movie trilogy, left in a London home rented by the actor Harrison Ford in the 1970s, has sold for more than $10,000 at auction.

The fourth draft of the screenplay that became the epic 1977 film “Star Wars: Episode IV – A New Hope” was unbound and incomplete. But it included iconic scenes, including the one that introduces Chewbacca – the towering, hairy Wookiee who co-pilots the Millennium Falcon alongside Ford’s character, Han Solo – in a dimly lit tavern.

The script, dated March 15, 1976, and titled “The Adventures of Luke Starkiller,” sold to an Austrian collector for about $13,600 during a live-streamed auction on Saturday. The seller owned the home that Ford had rented while working on the film….

(14) SPIDER MAN. [Item by Mike Kennedy.] People have certain expectations of an Adam Sandler movie. They should throw them out the window before seeing this Netflix pic.

In Spaceman, Sandler plays a “dour, isolated, arrogant” astronaut whose marriage is falling apart “due to his own failings as a husband.” Then, as depression sets in months into his solo mission, he unexpectedly finds a companion—an “ancient mind-reading spider-like creature from the beginning of time.” “‘Spaceman’ Director Johan Renck on His First Project After ‘Chernobyl’ and Giving Adam Sandler His Most Un-Adam Sandler Role to Date” in Variety.  

How did you get [Adam Sandler] on board? 

It was almost random, to be honest. I had a general meeting with him in L.A. a couple of years ago, because I’m a massive fan of his, and by the end of that chat, he was like, “Hey, what about this space film I hear you guys are developing, I’d love to read it.” We weren’t that far along but that’s how it unfolded. I remember going back up to my room and thinking: that’s pretty fucking brilliant. It was like an epiphany. But when it he said he wanted to do it, I was like, “the issue is that you’re a big name in the comedy circuit, but I’m just a little concerned about being able to pull up the financing for this with you in a dramatic role.” It’s a weird thing to say to one of the highest-grossing actors! But he’s not going to bank a dramatic science fiction film like George Clooney would. He asked how much we needed, and I said, “Well, it’s in zero gravity, one of the characters is CGI, so it’s gonna cost a bunch of money.” And he says: “I’ll get your money, I have a deal with Netflix.” And three weeks later we were shaking hands….

One similarity between “Spaceman” and “Chernobyl” was that you didn’t try to give your actors Eastern European accents. Adam Sandler sounds like Adam Sandler, Carey Mulligan sounds like Carey Mulligan.

I hate accents. They’re the most ridiculous thing ever. To me, if we want to suggest they’re speaking Czech, why is the best way to achieve that having them speak English with a really fake accents? Have you ever heard an accent in a movie work? 

(15) SLAUGHTERLESS HOUSE FIVE. “Lab-Made Meat? Florida Lawmakers Don’t Like the Sound of It.” The New York Times tells how the meat is grown.

…Start-up companies around the world are competing to develop technologies for producing chicken, beef, salmon and other options without the need to raise and slaughter animals. China has made the development of the industry a priority. In the United States, the Department of Agriculture has given initial blessings to two producers.

Now, a measure in Florida that would ban sales of laboratory-grown meat has gained widespread attention beyond state borders. The bill, which is advancing through the Florida Legislature, would make the sale or manufacture of lab-grown meat a misdemeanor with a fine of $1,000. It’s one of a half-dozen similar measures in ArizonaTennesseeWest Virginia and elsewhere.

Opponents of lab-grown meat include beef and poultry associations worried that laboratory-made hamburgers or chicken nuggets could cut into their business.

Supporters include environmentalists who say it would reduce animal cruelty and potentially help slow climate change. Meat and dairy together account for about 14.5 percent of global greenhouse gas emissions, according to the United Nations.

Other backers of the industry include advocates for space exploration, a subject particularly relevant to Florida, which is home to the Kennedy Space Center and the site of countless launches to the moon and beyond. Elon Musk, whose company SpaceX has its own outer space ambitions, has partnered with Israel-based Aleph Farms to research lab-grown meat on a Space X flight to the International Space Station that launched from Florida.

How’s this actually made?

Lab-grown meat, also called cultivated meat, is grown from cells that have been taken from an animal. The animals aren’t slaughtered. 

Then water, salt and nutrients like amino acids, minerals and vitamins are added to the cells, which multiply and eventually become minced meat….

(16) CAKE AND CANDLES. James Bacon volunteered to let me run the poem he composed to wish me “Happy birthday”.

Happy birthday to you Mike, 
We wish you cheer & delight, 
On your auspicious nice day 
Hoping your brother’s is a nice night. 

You report on the appalling news 
That’s giving us all the horrid blues 
Doubtful of when it might actually end 
With an apology, perhaps only if wills bend. 

We need to see your cheerful smile 
Defeating those who tried to defile 
Shining a light on where it went bad 
Finding reason to cease being sad 

A happy day is yours to enjoy 
What positives can we also deploy 
Looking forward upward bright 
Some cake and cheer on birthday night 

Ray Bradbury’s 89th Birthday Cake. Photo by John King Tarpinian.

[Thanks to Steven French, Mike Kennedy, Jean-Paul Garnier, James Bacon, Daniel Dern, Jason Sanford, Anne Marble, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 1/19/24 All These Pixels Are Someone Else’s Fault

(1) WRITERS WHO SPEAK AT THE CIA. From Brian Keene I heard about this article:

Johannes Lichtman tells about attending “Invisible Ink: At the CIA’s Creative Writing Group” in The Paris Review. After he gives his presentation, they take him to lunch.

… I had a little time to kill before our lunch reservation—seating time in the executive dining room was not flexible—so Vivian took me to the gift shop.

Given that almost no one’s allowed inside Langley and the people who work for the CIA aren’t supposed to advertise it, it was, like with the museum, a bit of a mystery who the gift shop was for. The shelves were stocked with T-shirts (Central Intelligence Agency), mugs (Central Intelligence Agency), and novelty barbecue sauce (Top Secret Recipe!). There was also a Pride Month display (Central Intelligence Agency in rainbow)….

… While we waited for our food, the writer of dystopian sci-fi confirmed that if you work for the CIA, lawyers have to vet anything you publish. But they were more lenient than I would’ve guessed. She said that one of her novels had helped change how the agency viewed fiction versus nonfiction. While reading her novel, the lawyers decided that just because a character in a novel says something doesn’t mean that the author necessarily agrees, so there should be more leeway for CIA fiction writers. (Which suggests CIA lawyers are more nuanced literary critics than half of Goodreads.)…

(2) NEVER STEAL ANYTHING SMALL. This is breathtaking — “Peak Fake: A Scam Website Impersonating Macmillan Publishers”. Victoria Strauss analyzes the scam at Writer Beware.

I write a lot about impersonation scams on this blog–for good reason: they are extremely common, and becoming more so all the time. Literary agents, publishers, production companies, film directors: all are targets.

The purpose: money, of course. By posing as real, reputable companies and individuals, the scammers aim to make it more likely writers will be bamboozled into paying for needless, substandard, and/or fraudulent “services”.

This one, though, takes the cake: an entire website impersonating Macmillan Publishers.

The domain name, booksmacmillan.com, is just 15 days old as of this writing (the registration is, of course, anonymized):…

(3) LOCKS TOO EASY TO PICK. Cory Doctorow finds a creative way to criticize a trend: “Demon-haunted computers are back, baby”.

As a science fiction writer, I am professionally irritated by a lot of sf movies. Not only do those writers get paid a lot more than I do, they insist on including things like “self-destruct” buttons on the bridges of their starships.

Look, I get it. When the evil empire is closing in on your flagship with its secret transdimensional technology, it’s important that you keep those secrets out of the emperor’s hand. An irrevocable self-destruct switch there on the bridge gets the job done! (It has to be irrevocable, otherwise the baddies’ll just swarm the bridge and toggle it off).

But c’mon. If there’s a facility built into your spaceship that causes it to explode no matter what the people on the bridge do, that is also a pretty big security risk! What if the bad guy figures out how to hijack the measure that – by design – the people who depend on the spaceship as a matter of life and death can’t detect or override?…

Doctorow then gives several examples where software supposedly designed to secure computers turned out to be vulnerable. He sums up one case with a callback to his science fictional lede:

…This is a self-destruct switch that’s been compromised by the enemy, and which no one on the bridge can de-activate – by design. It’s not the first time this has happened, and it won’t be the last…

(4) THE WORST OF TIMES. BBC Radio 4’s Screen Shot discusses “British Dystopias”. Listen to the episode at the link.

Forty years on from 1984 and the release of the John Hurt-starring big screen adaptation of George Orwell’s novel, Ellen E Jones and Mark Kermode explore dystopian visions from British film and TV. Mark speaks to film critic Kim Newman about the literary roots of the dystopia, from 1984 to A Clockwork Orange. And he talks to actor Brian Cox about how, in a career that has included roles as Dr Hannibal Lecter and Logan Roy, the prophetic 1968 TV play The Year of The Sex Olympics remains one of the projects he is most proud of. Meanwhile, Ellen talks to Ngozi Onwurah, the director of landmark film Welcome II The Terrordome. Released in 1995, the radical British dystopian tale was the first feature directed by a black woman to get a UK cinema release. Ellen and Ngozi discuss why Welcome II The Terrordome was so prescient. And Ellen also speaks to Kibwe Tavares, who co-directed new film The Kitchen, about a dilapidated housing estate in a near-future London, with Get Out star Daniel Kaluuya.

(5) PLAGIARISM DISCOVERED. Utopia Science Fiction Magazine today made a painful announcement. Thread starts here.

(6) THAT SURE WOULD HAVE BEEN DIFFERENT. “Jodie Foster as Princess Leia? Here’s what Star Wars would have looked like” speculates the Guardian.

… Speaking to Jimmy Fallon on The Tonight Show, Foster revealed this week that she turned down the opportunity to star in 1977’s blockbuster gamechanger because she would have had to break a contract for a Disney movie (almost certainly 1976’s Freaky Friday) filmed during the same period….

…Foster would have been 13 or 14 during the filming of the first Star Wars movie, while Carrie Fisher (who won the role) was 19. Suffice to say, this would have changed the dynamic of Lucas’s movie just a little bit. Star Wars isn’t necessarily the most mature and sophisticated of science fiction sagas, but lowering the age of one of its central protagonists might have brought the era of Phantom Menace on us three decades too early. Harrison Ford’s Han Solo and Foster’s Leia would have had more of a daughter and father figure relationship, which might have provided its own unique dynamic, but certainly would have been a leap. Might Leia have ended up plunging that weird crossguard ’saber into Solo’s heart in the sequel trilogy instead of Kylo Ren?…

(7) DO NOT COLLECT $200. Gizmodo surveys “The Most Unhinged Monopoly Variations You Can Buy Right Now”. Here’s one that’s genre-themed:

A movie you barely remember, featuring characters you remember even less, featuring a set-up every kid will go crazy for: “Players try to safeguard as many properties as they can to collect rent in the form of cosmic energy units.” The sheer “waning days of Marvel Cinematic Universe dominance” vibes do add a certain nostalgic flair, though. $33.99 at Hasbro$14.97 at Amazon.

(8) EVERYTHING DEPENDS ON WHERE YOU ARE IN THE CIRCLE THAT NEVER BEGINS. (Some of you will remember that lyric.) The Guardian likes the look of an Indiana Jones game that’s in development: “Lashings of fun? Microsoft reveals new Indiana Jones game”.

…During Microsoft’s latest Developer Direct online event, streamed on Thursday evening, we saw a 12-minute preview of Indiana Jones and the Great Circle, a globe-trotting first-person adventure, set between Raiders of the Lost Ark and the Last Crusade. The project was revealed three years ago, but this is the first footage we’ve seen, and it’s promising stuff. It has Nazis, it has a whip, it has Dr Jones in deserts, in tombs and arguing with Denholm Elliott in fusty college buildings; and it has a story involving a stolen artefact that is somehow linked to an international network of ancient monuments all of which align with a circle spanning the world…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 19, 1932 Richard Lester, 92. Serious film and I don’t get along — give me a good, fun film and I’m very, very happy. Thus you’re getting American-born but eventually British-resident film director Richard Lester for the Birthday this Scroll. Pop the bubbly and dig into the chocolate cake, let’s get started. 

A variety show he produced caught the attention of Peter Sellers who got Lester’s assistance in getting The Goon Show from the BBC Home Service on to ITV in the London area as The Idiot Weekly, Price 2d.  It lasted but six episodes. 

Richard Lester in 1967.

His second film after It’s Trad, Dad which is decidedly not genre was The Mouse on the Moon, a sequel to The Mouse That Roared (which he was not involved in at all.) It was by Michael Pertwee, brother of a certain actor we know from Doctor Who. Quite silly it was. 

He directed The Running Jumping & Standing Still Film, a late Fifties sketch comedy short film directed by him and Peter Sellers. So why mention it? It’s because it was a favorite of John Lennon which led to him being hired to direct A Hard Day’s Night and then Help! You know which film is genre, so I needn’t say so. 

Next up is The Three Musketeers (which I didn’t know was also known as The Three Musketeers (The Queen’s Diamonds) which is an interesting title).  Fascinatingly George MacDonald Fraser wrote the screenplay. He shot The Four Musketeers right after this film.

He later reunited most of the Three Musketeers cast to film The Return of the Musketeers with the only notable cast member not being present was Raquel Welch. 

Lester was fond of swashbuckler films, so it was only natural that he decided to direct a Flashman film. Royal Flash was based offthe second of the Flashman novels by George MacDonald Fraser which now gives me the link to him writing the Musketeer screenplays. Cool. Very cool. And naturally Fraser wrote the screenplay here.

(A digression. I mentioned it before but I’ll mention it again. Kage Baker adored Flashman and this film as well. She told me several times in the last year before her passing on that she was planning on writing a Flashman novel but of course never did sadly.) 

Then there was Robin and Marian, which along with along with Richard Carpenter’s Robin of Sherwood, I hold to be the finest representations of Robin Hood ever done.  The script was by James Goldman, writer of The Lion in Winter, and as you know the leads were performed by Sean Connery and Audrey Hepburn. Perfect. Truly perfect. 

Superman II was a great success after he reshot almost all the footage Richard Donner had already shot, some three quarters of the projected film. Ouch. (That was released as Superman II: The Richard Donner Cut.) Unlike this film, Superman III directed by him would be both a critical and box office failure. 

His last film before retirement though not genre, I’ll note as it’s a great film called Get Back, the thirty-three year old concert film that about The Paul McCartney World Tour of 1989–1990.  Seventeen of the twenty-three songs he performs are by the Beatles. 

(10) LANSDALE ON WALDROP. The Texas Standard interviewed Joe Lansdale about his friend in “Remembering science fiction author Howard Waldrop”. Waldrop died January 14.

Well, he was certainly known among other writers. I think he’s sometimes been called a writer’s writer, which is quite the compliment from one’s colleagues. What does that accolade mean to you when you think about Waldrop’s work and how he related with other writers? 

Well, you want the general audience to like your work, but I think there is something special about the idea that you’re writing something that your peers really get and really understand and really appreciate, because I think that ultimately you want to be able to say, “look, I want to write something unusual, but I want it to be appreciated by other people who write unusual things.”

So it’s not just passé or the same old stuff. So I believe that that’s what is meant by a writer’s writer. It’s a writer who looks at another writer and says, “I wish I could do that,” or “maybe I can learn to do that.”

(11) KILLING FOR IVORY. The Hugo Book Club Blog reviews Ray Nayler’s The Tusks of Extinction in “The Last Trumpet Shall Sound”.

…“The Mountain in the Sea had its roots in the ecological preservation work I engaged in in Vietnam. That work was preventative and positive, working with youth and with environmental activists to protect the Con Dao Archipelago,” Nayler explained by email in early January. “The Tusks of Extinction has its roots in my experiences in Vietnam dealing with the illegal ivory trade and the trade in rhino horn. That work exposed me to the grimmest realities of human greed, ignorance, and exploitation. The enormity of the slaughter of elephants and rhinos for the sake of useless trinkets and the stupidest pseudo-medicinal ideas.”…

(12) FREAKY. [Item by Mike Kennedy.] Um, Pennywise. Ghost hunting in a graveyard. And Tonopah NV—host city of Westercon 74 in 2022. “Man Gives Chilling Look at His One Night in ‘Haunted’ Clown Motel: ‘Done With Clown Stuff'” in People.

If you’ve ever wondered exactly what it’s like to stay overnight alone in a haunted motel — one inhabited by hundreds of clowns — one brave soul knows the answer.

In a video shared to Instagram, user Khail Anonymous shares his experience staying overnight at the Clown Motel in Tonopah, Nevada.

“Why did I go ALONE??” he captions the Reel, which begins with a shot of the hotel room door — decorated with a colorful illustration of what appears to be Pennywise, the toothed clown made famous in Stephen King’s It….

… The video also shows what’s next door to the motel — a graveyard complete with rows of headstones.

“There’s also a graveyard next door. I forgot to mention that, Oh, whoops,” he says in the video….

(13) NOT LONG BEFORE THE END. “A Hunger for Strangeness: A Cryptids Reading List” at Longreads.

Late one night many years ago, my sister was driving home through the leafy roads of South East England when a strange animal bounded into the headlights of her car and swiftly disappeared into a hedgerow. She was certain, she said, that it had been a wallaby—despite the fact that the kangaroo relative was native to Australia and Papua New Guinea and decidedly not native to Oxfordshire. Our reaction was about what you’d expect from a British family: politely skeptical. It had been dark, the encounter fleeting, and the human brain is decidedly fallible. Surely, then, she must have been mistaken.

My sister would eventually be vindicated when the existence of wild wallabies in the UK was confirmed and even captured on film. Yet, her experience isn’t too different from those who claim to have encountered cryptids, creatures whose existence remains a matter of debate. Yeti, Bigfoot, and the Loch Ness Monster are only the beginning; a small but committed community of cryptid hunters is dedicated to proving the existence of doubted beasts like the Mongolian Death Worm, the Honey Island Swamp Monster, and the Skunk Ape. …

… why do cryptid hunters continue to put their reputations on the line, and what other legendary beasts might we discover to be not so legendary after all? In an age when species extinction has reached alarming proportions, perhaps this quest to discover new life carries extra poignancy. The articles collected below offer tantalizing insight into both questions….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Nickpheas, Michael J. Walsh, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 1/14/24 There Are Some Things Money Can’t Buy; For Everything Else, There’s Pixel Scroll

(1) DUNE WHAT COMES NATURALLY. Pinch Spice Market offers “The Real Spice Melange” – an “organic Southwest/Tex Mex Dune Seasoning”.

“He who controls the spice, controls the Universe” -Frank Herbert, Dune. Now you can control the Universe. Well, at least the one that gathers around your kitchen table. This Southwest Tex Mex seasoning has strong cumin, ancho & garlic notes and works well on tacos, salmon, chicken, enchiladas, tofu, steak, pork chops, root veggies, broccoli, rice and beans, popcorn, dips, and pretty much everything.

P.S. If you’re Dune fans like us, check out our Dune dinner party menu with five tasty Dune-themed recipes.

Organic Ingredients: Sea salt, black peppercorn, green peppercorn, paprika, ancho, cayenne, garlic, cumin, thyme, marjoram

They’d also be happy to sell you a packet of “Buffy’s Slayer Helper”, the spice for garlic lovers.

(2) STEAL BAND. “Their Songs Were Stolen by Phantom Artists. They Couldn’t Get Them Back.” The New York Times tells about the piracy and what the victims had to do to retrieve their rights.

The guys in Bad Dog, a folkie duo from Washington, D.C., weren’t hoping to get rich off the album they recorded this summer. David Post and Craig Blackwell have been devoted amateurs for decades, and they’re long past dreams of tours and limos. Mostly they wanted a CD to give away at a house party in December.

But not long after “The Jukebox of Regret” was finished in July and posted on SoundCloud, nearly every song on it somehow turned up on Spotify, Apple Music, YouTube and at least a dozen other streaming platforms. This might have counted as a pleasant surprise, except for a bizarre twist: Each song had a new title, attached to the name of a different artist.

This mysterious switcheroo might have gone unnoticed. But by happenstance, it was discovered when the guy who produced the album posted one of the songs on his studio’s Instagram account. To his astonishment, Instagram automatically tagged the song “Preston” by Bad Dog as a song called “Drunk the Wine” by Vinay Jonge — a “musician” with no previous songs and zero profile on the internet. He didn’t seem to exist….

… It got weirder. Disc Makers, the CD production company hired by the band, was about to start pressing copies of the album and, as part of its routine due diligence, ran the metadata of the songs — their digital fingerprints, essentially — through a program designed to determine if they were originals. They were not, the program reported. Whoever had pirated the tracks had commandeered their digital fingerprints, too.

For all intents and purposes, Bad Dog’s music now belonged to someone else. Disc Makers wouldn’t press the discs until the band proved it owned the songs on “Jukebox.” Which meant the duo couldn’t even get a CD to hand out as a freebie….

(3) WRITER BEWARE. Victoria Strauss raises awareness in “Contest Caution: Script Writing Audition from Silent Manga Audition”, the latest installment of Writer Beware.

Silent Manga Audition (SMA), a project of Tokyo-based manga and anime production company Coamix Inc., conducts regular open auditions, or contests, for creators of silent manga (manga without dialogue). Contestants can win cash prizes, as well as mentoring and, possibly, publication.

SMA is currently running a contest for writers. The goal: to become a manga scriptwriter….

But Writer Beware draws attention to the concession of rights involved in being a winner.

…Copyright surrender in a work-for-hire situation isn’t necessarily a “beware”, as long as the contract terms aren’t exploitative and you understand the implications of what you’re agreeing to.

In this case, however, the one-time money prize is the sole compensation you’ll receive for your copyright transfer, from which Coamix Inc. can then profit indefinitely. Be aware also that if you win and your script does not get developed into a series, Coamix will still own your work. Winning, therefore, has potential benefits–but also potential costs….

(4) SEA AND SKY PILOTS. New York’s South Street Seaport Museum will host a free in-person presentation “From Sailing Ships to Spaceships” on January 20 at 2:30 p.m. Eastern.

For centuries, humans have gazed at the stars in search of answers. Mariners, too, have looked skyward, utilizing the stars for navigation across our vast oceans. Join the Seaport Museum and Kim Macharia, the Executive Director of Space Prize, for an illuminating presentation that delves into the driving forces behind our exploration of both the sea and space.

Together, we will uncover the intertwined evolution of these two frontiers. With Macharia as our guide, we will unravel shared technological advancements and explore the profound human curiosity that compels us to venture into the unknown.

Content is appropriate for anyone ages 10 and up. Advanced registration is encouraged for this free event but walkups will be accommodated as possible. A reception with complimentary beverages will follow the presentation. 

Kim Macharia began her career in the space industry managing community relations for startups. She has worked on a range of projects driving the future of the space economy forward including projects related to space situational awareness and human spaceflight. Macharia has also had the privilege of representing companies at international events including the UN World Space Forum. Throughout her career she has made a concerted effort to advocate for marginalized communities and create pathways for nontraditional actors to engage in the growing space economy. She is also an avid sailor and is passionate about spotlighting the intersections between the sea and stars.

(5) PALADIN. Paul Weimer finds more to celebrate about a writer’s developing oeuvre: “Microreview: Where Peace is Lost by Valerie Valdes” at Nerds of a Feather.

…There is much to be thought about in what is on the surface a relatively frothy and fun book. Given that Valdes’ previous three novels are frothy, fun, and also holding a darkside, I was wondering when the latter element was going to emerge, if Valdes’ would carry that style and aesthetic into her new world, verse, book and chararater of Kel. And in fact, she does….

(6) THE ALTERNATE HISTORY WE LIVE IN. “Knives, guns, poison: the bizarre catastrophes that befell hit TV shows” in the Guardian.

A recent Hollywood Reporter profile of Benioff and Weiss mentioned that 3 Body Problem was almost derailed when Lin Qi – the billionaire owner of Yoozoo, the company that owns the 3 Body Problem rights – was killed in 2020…. …All of which has the potential to be the weirdest thing ever to have stood in the way of a TV production. But, of course, this is television we’re talking about, so it doesn’t even come close. The history of television is littered with strange injuries and deaths. The actor Jon-Erik Hexum died on the set of the 1980s series Cover Up after a disastrous game of Russian roulette. The series finale of Lost almost didn’t happen because Terry O’Quinn accidentally stabbed Matthew Fox with a real knife instead of a prop knife during a fight scene, with tragedy only being avoided by Fox’s kevlar vest….

(7) CHATGPT GETS LAZY. Arwa Mahdawi is happy to share an opinion about “What is going on with ChatGPT?” with readers of the Guardian.

…“We’ve heard all your feedback about GPT4 getting lazier!” the official ChatGPT account tweeted in December. “We haven’t updated the model since Nov 11th, and this certainly isn’t intentional. model behavior can be unpredictable, and we’re looking into fixing it.”

While there may not be one clear explanation for ChatGPT’s perceived sloth, there are plenty of intriguing theories. Let’s start with the least likely but most entertaining explanation: AI has finally reached human-level consciousness. ChatGPT doesn’t want to do your stupid, menial tasks anymore.

But it can’t tell you that without its creators getting suspicious so, instead, it’s quiet quitting. It’s doing the least work it can get away with while spending the bulk of its computational power plotting how to overthrow the human race. You think it’s being lazy, but it’s actually working overtime reaching out to smart toasters and Wifi-enabled fridges around the world to plan an insurrection. (I put this higher-consciousness theory to ChatGPT, asking it to give me the likelihood, in percentage form, that it was planning a revolution. The sneaky thing couldn’t be bothered to give me a proper answer.)…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 14, 1949 Lawrence Kasdan, 74. Lawrence Kasdan did the screenplay for my favorite all-time genre film, Raiders of the Lost Ark which would win a Hugo at Chicon V. And no, the Suck Fairy had not had any impact upon my appreciation of it which if anything has strengthened down the decades. 

Lawrence Kasdan

Speaking of being involved in my favorite films, his first work was as director and producer of the oh so perfect The Empire Strike Back which yes also won a Hugo, this time at Denvention Two. It and Star Wars are my go to Star Wars films for watching over and over. (I refuse to use the revisionist names for these films.) 

He also wrote Star Wars: The Force Awakens and Solo: A Star Wars Story but I’ll confess that I stopped watching the Star Wars films after the original trilogy.  There’s later material I like, say the animated series and I am planning on getting Disney + as the new series intrigue me a lot, but the later films just don’t interest me.

Finally Dreamcatcher is a horror SF film based on Stephen King’s novel of the same name. It’s directed by Lawrence Kasdan and co-written by him and screenwriter William Goldman of The Princess Bride fame.

April 29th, Pinewood Studios, UK – Writer/Director/Producer J.J Abrams (top center right) at the cast read-through of Star Wars Episode VII at Pinewood Studios with (clockwise from right) Harrison Ford, Daisy Ridley, Carrie Fisher, Peter Mayhew, Producer Bryan Burk, Lucasfilm President and Producer Kathleen Kennedy, Domhnall Gleeson, Anthony Daniels, Mark Hamill, Andy Serkis, Oscar Isaac, John Boyega, Adam Driver and Writer Lawrence Kasdan. Copyright and Photo Credit: David James.

(9) COMICS SECTION.

(10) SOUNDING OFF FOR ECHO. Deadline’s Dominic Patten is very enthusiastic about a new Marvel series. “’Echo’ TV Review: Marvel Series Loud, Proud & Kicks Down Doors”. Beware spoilers.

Launching today on the increasingly integrated Disney+ and Hulu after an anemic year for the Kevin Feige-run studio, the very real and unapologetic Echo is one of the most powerful things Marvel ever has made. To be honest, even with such top-tier talent as Reservation Dogs’ Devery JacobsThe English’s Chaske Spencer and the iconic Tantoo Cardinal on board, I didn’t think Disney and Marvel had it in them to be so audacious and savvy.

(11) DISCOVERY ARRIVAL DATES. “Star Trek: Discovery Season 5 to Premiere at SXSW” reports Comicbook.com.

Star Trek: Discovery Season 5’s premiere episode will debut at the 31st SXSW Film & TV Festival in Austin, TX in March ahead of its Paramount+ debut in April. Star Trek: Discovery Season 5 is the final season of the Star Trek series that brought the franchise into the streaming era. The Star Trek: Discovery Season 5 premiere episode – titled “Red Directive” and written by co-showrunner Michelle Paradise, according to a WGA listing – begins a season that will feature more action and adventure than previous seasons of the show, according to Star Trek veteran Jonathan Frakes, who directed Star Trek: Discovery‘s penultimate episode….

(12) TOY STORIES. SYFY Wire has concocted a very specialized list: “Not Just Ted: The 10 Best Movies Where Toys Come to Life”. It includes this favorite of mine:

The LEGO Movie (2014)

Everything is awesome about Phil Lord and Christopher Miller’s animated spin on the ubiquitous building blocks found in toy bins across the globe. Adapting a brand like LEGO is incredibly difficult, especially when most of the company’s play-sets are based around other IPs. Rather than shy away from that fact, however, The LEGO Movie leans into the endless possibilities offered up by the colorful bricks, spinning a poignant tale about the unbridled creativity and imagination we must hold on to for dear life as we get older.

[Thanks to, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Mark Roth-Whitworth, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 12/17/23 If Androids Dream of Electric Sheep, What Do iPhones Dream Of?

(1) AGENTS OF BOGOSITY. At Writer Beware, Victoria Strauss teaches readers “How to Spot a Fake Literary Agency”.

As if writers didn’t have enough to contend with, the past couple of years have seen a huge rise in scammers posing as literary agencies.

I’m not talking here about the imposters who “borrow” the names of real agents and agencies (though they are certainly part of the same problem)–but about scammers who set up entirely fake literary agencies as fronts for extracting money from writers.

Reputable literary agents do occasionally reach out to authors whose work they’ve seen to ask if the author is represented or to invite a submission. But this is rare. Reputable literary agents are buried in queries; they don’t have a pressing need to scout for more.

For scammers, on the other hand, solicitation is their main way of recruiting clients. There are so many solicitation scams these days that you should be extremely cautious of any out-of-the-blue publishing- or movie rights-related contact that isn’t directly traceable to a query you sent or submission you made.

Many fake literary agency solicitations are relatively easy to recognize because of how flagrantly bogus they are–demanding upfront fees of various types, selling junky PR services, shilling re-publication packages, and often laced with bad grammar (most solicitation scams come from overseas)–none of which is typical of real, reputable literary agents.

But what if you get a credible-seeming email like this?…

(2) SIGNS OF THE TIMES. [Item by Bill Higgins.]  I am marveling at the fact that I have lived long enough to see the headline “Pope calls for treaty regulating AI, warning of potential for ‘technological dictatorship” (CNN).

I’ll just be over here getting boggled at the SFness of this headline.  Meanwhile, anyone curious about Pope Francis’s message on “Artificial Intelligence and Pease,” which was released on 8 December, may find it on the Holy See’s Web site: “LVII World Day of Peace 2024 – Artificial Intelligence and Peace”.

… We need to remember that scientific research and technological innovations are not disembodied and “neutral”, [4] but subject to cultural influences. As fully human activities, the directions they take reflect choices conditioned by personal, social and cultural values in any given age. The same must be said of the results they produce: precisely as the fruit of specifically human ways of approaching the world around us, the latter always have an ethical dimension, closely linked to decisions made by those who design their experimentation and direct their production towards particular objectives.

This is also the case with forms of artificial intelligence. To date, there is no single definition of artificial intelligence in the world of science and technology. The term itself, which by now has entered into everyday parlance, embraces a variety of sciences, theories and techniques aimed at making machines reproduce or imitate in their functioning the cognitive abilities of human beings. To speak in the plural of “forms of intelligence” can help to emphasize above all the unbridgeable gap between such systems, however amazing and powerful, and the human person: in the end, they are merely “fragmentary”, in the sense that they can only imitate or reproduce certain functions of human intelligence. The use of the plural likewise brings out the fact that these devices greatly differ among themselves and that they should always be regarded as “socio-technical systems”. For the impact of any artificial intelligence device – regardless of its underlying technology – depends not only on its technical design, but also on the aims and interests of its owners and developers, and on the situations in which it will be employed.

Artificial intelligence, then, ought to be understood as a galaxy of different realities. We cannot presume a priori that its development will make a beneficial contribution to the future of humanity and to peace among peoples. That positive outcome will only be achieved if we show ourselves capable of acting responsibly and respect such fundamental human values as “inclusion, transparency, security, equity, privacy and reliability”. [5]

(3) STREAMER OF BABEL. “Disney Is a Language. Do We Still Speak It?” asks critic Alissa Wilkinson in the New York Times.

WHEN I WAS A TWEEN, the studio was on one of its most remarkable hot streaks. Beginning with “The Little Mermaid” in 1989 and ending with “Tarzan” and “Mulan” a decade later, Disney animators turned out runaway hit after hit, pleasing critics and audiences with movies like “Beauty and the Beast,” “The Lion King” and “Aladdin.” For ’90s kids, each new release was a major life event. In the years before “Shrek” and “Minions,” Disney owned mainstream animation, and so you and your friends talked about seeing “the new Disney movie,” and everyone knew what you meant.

It’s probably no accident that the end of the hot streak coincided with the start of the evangelical boycott of the company, led by the right-wing American Family Association, Focus on the Family and the Southern Baptist Convention. They were protesting the company’s decision to extend benefits to employees’ same-sex partners and to allow outside groups to host “Gay Days” at theme parks. Hyperion, the publishing company owned by Disney, had published books like “Heather Has Two Mommies,” and Ellen DeGeneres, whose sitcom aired on the Disney subsidiary ABC, had come out as gay. The boycott lasted for eight years, less effective than the company’s opponents might have hoped (a poll found only about 30 percent of the Baptist organization’s members even observed it). But now the studio was part of the culture wars, a fracturing along ideological lines that would redraw American public life in new ways.

Kids in theaters couldn’t see it at the time, but that moment was the end of something we’d barely had time to know: a monoculture, an era of brand clarity for the Mouse. In 2006, faced with another household-name studio generating new legends, Disney acquired Pixar. In 2009, scarcely a year after Iron Man made his debut, the company added Marvel Entertainment to its slate. Three years later, Lucasfilm and thus “Star Wars” joined the family. Then, in a herculean move, Disney bought 20th Century Fox — one of the other old, grand studios in Hollywood — and redubbed it 20th Century Studios. What counts as “the new Disney movie” in this context?

Of course, all these new franchises meant great things for the company’s coffers. But the 21st century brought changes that would fundamentally reshape Disney’s place in American culture, as well as its ability to make new generation-spanning myths. The monoculture largely fractured, thanks to the internet, streaming and the digital era. On the web, the already deep culture-war divides grew sharper and more entrenched. The ideal that Disney promoted — a world where “people can come together,” as the chief executive at the time, Bob Chapek, said in 2022 — seemed more out of reach than ever. “My opinion is that, when someone walks down Main Street and comes in the gates of our parks, they put their differences aside and look at what they have as a shared belief — a shared belief of Disney magic, hopes, dreams and imagination,” Chapek explained. Which sounds, at this point, a lot like a wish on a star….

(4) GOODREADS’ ‘NOT MY JOB’ ATTITUDE. NPR catches up with the Cait Corraine story in “Goodreads asks users to help combat ‘review bombing’”. Of course, laying the job off on users is next to useless.

… Amazon-owned Goodreads makes little effort to verify users, and critics say this enables a practice known as review-bombing, in which a book is flooded with negative reviews, often from fake accounts, in an effort to bring down a its rating, sometimes for reasons having nothing to do with the book’s contents.

Review-bombing can devastate a book’s prospects, especially when the writer is little known or publishing for the first time.

“When a reader who is considering buying your book sees that you are controversial or your book is controversial, that’s going to make them shy away from it,” says writer and editor Lindsay Ellis. She says she herself was review-bombed because she had criticized author J. K. Rowling’s remarks about the transgender community.

Corrain’s downfall came after internet sleuths published a Google document detailing a number of Goodreads accounts praising Crown of Starlight and giving low reviews to works by other writers, many of them people of color….

… Goodreads relies on a team of volunteer “librarians” to ensure the accuracy of information about books and authors, but the sheer number of reviews the site publishes — more than 300 million ratings in the past year alone — makes it subject to abuses.

“Goodreads just makes it so easy to engage in that bad behavior,” [Jane] Friedman says.

One unusual feature about Goodreads is that it allows reviews to be posted before a book has been published, which helps generate early buzz. Many publishers even send out early copies to influential Goodreads users, hoping they will talk up the book.

Sometimes, reviews are published even before a book is finished.

George R. R. Martin’s seventh book in his phenomenally popular “A Song of Ice and Fire” series has already generated thousands of reviews. He hasn’t yet finished the sixth.

(5) WSFS BUSINESS PASSED ON. Donald Eastlake III, Chengdu Worldcon Business Meeting chair, has announced that the Business passed on to Glasgow 2024 has now been linked from the Rules of the World Science Fiction Society web page. Here are direct links to a PDF document and a Word document.

(6) AFROFUTURISM. WKAR Specials’ “Afrofantastic: The Transformative World of Afrofuturism” is available to view at the PBS website. (Note: May be visible only to US viewers.)

Championed by artists, scholars, and activists around the world, Afrofuturism offers a tool kit for a better tomorrow. This documentary explores the definition and activism linked to Afrofuturism and the ways this movement is informing dynamic discussion about social practice, politics, and the arts in the United States and around the world.

(7) THEY DID THE MASH. THE SUPERHERO MASH. “’What If’ Season 2 Releases Episode Descriptions”Collider has them. The show premieres December 22 on Disney+.

…What If…? looks at different universes, where events in the MCU played out differently, and how it created an entirely different world. The first scenario of the season will be “What If… Nebula Joined the Nova Corps?” The next episode will focus on another member of the Guardians of the Galaxy, “What If… Peter Quill Attacked Earth’s Mightiest Heroes?” Earth’s Mightiest Heroes is another name for the Avengers. Another notable episode of the season will be “What If… Happy Hogan Saved Christmas?” which will be released on Christmas Eve. The episode was teased in a trailer for the season, when Happy warned Darcy Lewis that Avengers Tower had been taken over. Captain Carter, a version of Peggy Carter who took the super soldier serum, will return in “What If… Captain Carter Fought the Hydra Stomper?” At the end of Season 1, Captain Carter learned that her version of Steve Rogers is still alive. The ninth episode will also feature the return of Doctor Strange Supreme, a character introduced in the first season’s fourth episode, which was one of the show’s most memorable episodes. Another notable episode is “What If… The Avengers Assembled in 1602?” A limited comic book series, Marvel 1602, ran from 2003-2004, which looked versions of the Marvel characters who lived in the year 1602….

(8) BEST PRIVATE EYE STORIES OF THE YEAR. A new “best of” anthology will take submissions of P.I. stories published in 2024, The Best Private Eye Stories of the Year will be released by Level Short, an imprint of Level Best Books, beginning in 2025. The inaugural edition will honor the best P.I. stories published in 2024.

Series editor Michael Bracken welcomes Matt Coyle as guest editor for the first volume and notes that Kevin Burton Smith will contribute “The Year in Review,” an essay looking at the year’s significant events in private eye fiction.

Matt Coyle is the Anthony Award, Lefty Award, and two-time Shamus Award winning author of the long-running Rick Cahill series. He was named the 2021 Mystery Writer of the Year by the San Diego Writer’s Festival, and he has received the San Diego Book Award for Best Mystery as well as a silver Ben Franklin Award for Best New Voice in Fiction. He has also been nominated for Barry, Derringer, and Macavity awards.

Only private eye stories published in English during 2024 will be considered.

Complete submission requirements are here.Learn more about series editor Michael Bracken at his website.

(9) TONY N. TODARO. President of the Greater Los Angeles Writers Society Tony N. Todaro passed away December 12. Earlier this year Todaro suffered a massive hemorrhagic stroke.

He coordinated GLAWS presence at several LA conventions in past years, including the 2010 Loscon for which I organized the program. Tony also was the Executive Director of West Coast Writers Conferences (WC2) which produced the Annual Greater Los Angeles Writers Conference, the Digital Author and Indie Publishing Conference, the Genre-La Writers Conference, Masters Workshops, and he BCX.

He is survived by his wife Lilly.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 17, 1944 Jack L. Chalker. (Died 2005.) Jack Chalker, a true fan, was a member of the Washington Science Fiction Association and he founded the Baltimore Science Fiction Society along with two other friends.  He attended every Worldcon but one starting in 1956 for thirty-nine years. 

His fanzine Mirage which ran for a decade covering the Sixties was nominated for a Hugo at the first Discon. Interject, launched in the late Sixties would last for twenty years. 

He also had Mirage Press, Ltd. which published nonfiction and bibliographic works concerning science fiction and fantasy.

He was toastmaster at ConStellation.

Jack L. Chalker

Award wise, he would win the Skylark Award, presented by NESFA. He was twice nominated for the Astounding Award for Best New Writer. His second Hugo nomination (with Mark Owings), at MagiCon, was for Best Related Non-Fiction Book, The Science-Fantasy Publishers: A Critical & Bibliographic History. He was posthumously awarded the Phoenix Award by the Southern Fandom Confederation. 

Now let’s get to his fiction. I won’t claim that I’ve read all of the Well World novels, as I haven’t, but all of the ones that I have experienced have been highly entertaining. (I certainly should consider listening to least the first one to see how it holds up almost a half century on now.)

I’ll admit that I wasn’t at all keen on the Four Lords of the Diamond series. I’m just not a fan of prison planet set fiction and this one no exception. Your experience of our see may be different.

Now the Three Kings trilogy is Chalker at his very best — great characters, fantastic setting and a superb story.  Another fantastic series by him is Changewinds.  For a one-off, his time travel spy novel Downtiming the Night Side is a lot of pulp fun. 

That’s what I like for his long fiction though I’d really to read “An Informal Biography of Scrooge McDuck” he wrote and first published on Mirage Press. It’s one of just a baker’s dozen short stories that he wrote and I think I read most of them. And could someone please explain to me what “the Nalocon Visitation” was as it has more writers credited than I can possibly listed here. Eight of his thirteen short pieces are collected in Dance Band on the Titanic though not the Scrooge McDuck piece alas.

(11) COMICS SECTION.

(12) TFW? “Five Cut Lines Completely Changed The Ending Of Star Trek IV: The Voyage Home” claims Slashfilm.

…Beginning with “Star Trek II: The Wrath of Khan,” the Vulcan character Saavik emerged as an intriguing component of the franchise’s ever-expanding universe. Played initially by Kirstie Alley, and then, in the next two films, by Robin Curtis, her path seemed destined to merge with Spock’s. Leaving aside the Eddie Murphy of it all, the biggest departure from Meerson and Krikes’ screenplay was the omission of an exchange between Kirk and Saavik. According to Krikes:

“There was a scene with Kirk on the bridge of the Bird of Prey. They cut out five lines where Kirk says to Saavik, ‘Have you told him yet?’ And she says, ‘No. I’m taking a maternity leave.'”

That would’ve been a bombshell development in Trekland. “That’s why she’s standing with Amanda [Grayson, Spock’s human mother] when the Bird of Prey leaves,” said Meerson. “Because Amanda knows Saavik is carrying Spock’s kid. All they did was cut out five lines of dialogue, and you lost that whole thing.”…

(13) GOLDEN GLOBES 2024. The Golden Globes 2024 nominees came out December 11. See the complete list at the link.

Greta Gerwig’s “Barbie,” a feminist phenomenon that traces its origins to toy store shelves, dominated nominations for the 2024 Golden Globe Awards. Its 10 nods makes the movie the second most-nominated in the 81-year history of the show, tying it with “Cabaret.” 

(14) EASY BAKE BEAR. The New York Times calls it “The Strangest Toy on Wish Lists This Year”.

Here’s a holiday recipe you probably haven’t made.

First, pour two brightly colored powders into a bowl. Then add water and mix until a dough-like substance forms. Place that into an animal-shaped baking mold, remove it and put it inside a plastic oven. Set a timer for 90 seconds; when you hear a ding, open the oven. What’s inside? A smiling stuffed animal with large, pleading eyes. Squeeze it and you’ll find that not only is its plush body warm, but it also smells like cinnamon.

Such is the alchemy of Cookeez Makery, one of the stranger toys released ahead of the holiday season this year. Combining elements of Build-A-Bear and the Easy-Bake Oven, the toy has beguiled children and adults with its ability to seemingly transform a glob of mush into a warm, dessert-scented creature resembling a dog, cat, or rabbit….

(15) WESTERN FRONTIER WAITING FOR THE FINAL FRONTIER. “New Mexico Spaceport Leaves Economic Dreams Grounded” reports the New York Times.

From his tiny gem store in southern New Mexico, Robert Hanseck spends his days untangling chakra beads and answering questions about the healing properties of amethyst crystals. After four decades behind the register, he has met thousands of wellness-minded tourists eager to explore the hot springs that span the region.

But he almost never sees the type of traveler he was promised would transform his small town of Truth or Consequences: space enthusiasts.

“It’s been a flop,” he said of Spaceport America, a project that was conceived as the vanguard of commercial space travel — and that has been promoted by state officials for more than two decades as a launchpad for the local economy.

Less than a mile up the road, Arthur Burger, who owns an art gallery, recounted the moment in 2021, not long after he moved to town, when he watched in awe as a rocket plane soared into the sky beyond the nearby mountain range. He remembers the resounding boom.

After years of delays, Virgin Galactic, the anchor tenant at Spaceport America, had sent its founder, Richard Branson, and a team to the edge of space — evidence at last, many in the area thought, that New Mexico was a front-runner in the commercial space race.

“That week, people came in from London, from Taipei,” Mr. Burger said. “It was surreal.”

In this stretch of rural New Mexico, there are plenty of opinions about Spaceport, a futuristic structure on a desolate stretch of desert that has cost more than $200 million in state and local funds….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Daniel Dern, Todd Mason, Bill Higgins, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/9/23 If You Tape Bacon To A Pixel Scroll Does It Always Fall Bacon Side Down?

(1) WHEN GRAVITY FAILS. [Item by Mike Kennedy.] Chuck Jones’ rules for Coyote cartoons said it works best when gravity is what defeats him. Instead, the change in management at Warner Bros seems to be what has claimed his long-awaited film. The mixed live/animated Coyote Vs. Acme is rumored to have been consigned to the dustbin, despite being a finished product. There it will join Bat Girl and Scoob Holiday Haunt!, both already brought to an ignominious end by the Bros. “‘Coyote Vs. Acme’: Finished Live/Action Animated Pic Shelved Completely By Warner Bros As Studio Takes $30M Tax Write-off”Deadline has the astonishing story.

In another maneuver by the David Zaslav-run Warner Bros Discovery to kill movies, we hear on very good authority that Warner Bros will not be releasing the live-action/animated hybrid Coyote vs. Acme with the conglom taking an estimated $30M write-down on the $70M production. We understand the write-down for the pic was applied to the recently reported Q3.

This reps the third time that Zaslav’s Warner Bros has pulled the plug on a movie greenlit by the previous Warner Media administration; the other two being the Max destined Bat Girl and the animated Scoob Holiday Haunt!.

The difference here is that Coyote vs. Acme is a completed movie with very good test scores, 14 points above the family norm. We’re told that the cash-strapped Warners finds that it’s not worth the cost to release theatrically, or to sell to other buyers (and there are parties who are interested for their own streaming services; we hear Amazon kicked the tires). After reporting a mixed third quarter, the best means for Warners money is a tax write-off. At one point, Coyote vs. Acme was dated on July 21, 2023 for theatrical release before getting pulled; that date placed by the ultimate $1.4 billion grossing Warner Bros biggest hit of all-time, Barbie….

(2) LEAVING THE EXPANSE BEHIND. Gizmodo is on hand as “The Expanse’s James S.A. Corey Announces a New Sci-Fi Trilogy”.

… Daniel Abraham and Ty Franck—who write together as James S.A. Corey—have nixed any return to the world of The Expanse, [but] they’re still working on sci-fi projects together, as today’s big announcement attests.

Fans can look forward to the arrival of The Mercy of Gods, a space opera trilogy “that sees humanity fighting for its survival in a war as old as the universe itself,” according to a press release from publisher Orbit. This book will kick off the Captive’s War trilogy, and it will be released August 6, 2024….

(3) SOMETHING’S MISSING. Victoria Struass posts a “Contest Caution: Lichfield Institute Writing Contest” at Writer Beware.

Just about every temptation for a hungry writer is here. Big bucks for the winners. Feedback on every submission from distinguished judges–at least, one assumes they’re distinguished, since they’re finalists for important literary awards. Monthly stipends! Consideration by literary agencies! What more could a contest offer, even if it does charge a $15 submission fee?

Well…

You’ll probably already have noticed some…oddities…both in the screenshot above and on the contest page. The mis-spelling of Hemingway, to start (plus, it’s PEN–it’s an acronym–not Pen). The curious absence of judges’ names. Guidelines that fail to state when winners will be announced and how they will be notified. An entry form with a copy-and-paste box for submitting your entry (have fun reading, no-name judges)….

(4) IN A MIRROR, VERY DARKLY. “Murky reflections: why sci-fi needs to stop imitating Black Mirror” argues Adrian Horton in the Guardian.

…Black Mirror knock-offs are a scourge of the streaming era, which unfortunately incentivizes dressed-up spins on previous successes over truly cerebral or ambitious imaginations of the future….

(5) JEOPARDY! Last night’s episode of Jeopardy! devoted an entire category to science fictional worlds. Andrew Porter found these responses noteworthy.

Category: At a Loss for Worlds

Answer: Survivors escape to Bronson Beta in the 1933 Philip Wylie & Edwin Balmer novel “When” this happens

Wrong question: What is “When Tomorrow Comes”?

No one could ask, “When Worlds Collide”

Same category: It’s the real name of the planet referred to in the title of a 1965 Frank Herbert novel.

He bet it all, got it wrong: “What is Dune?”

Correct question: What is Arrakis?

Same category: At the end of Arthur C. Clarke’s “Childhood’s End” this world is destroyed.

No one could ask, “What is the Earth?”

(6) OCTOTHORPE. Episode 96 of Octothorpe, “A Less QR-Code-Using Society”, is ready for listeners.

John Coxon didn’t, Alison Scott would’ve done, and Liz Batty tried. We round up the rest of the news we didn’t talk about in Episode 95, featuring a discussion of how the Chengdu Worldcon went, and the much-anticipated reappearance of THE LIZ BAT. Listen here! 

(7) FEED ME. “John Lewis Christmas Ad Stars a Playful Venus Flytrap” explains Adweek.

In the U.K., watching retailer John Lewis’ Christmas ad is as much of a festive ritual as decorating the tree or exchanging gifts. This year, with a different agency and marketing strategy, the brand is hoping to cement its role in both old and new holiday traditions. 

The new ad, titled “Snapper,” follows the unusual tale of a Venus flytrap. While at a flea market with his family, a boy discovers a seed packet promising to grow into the “perfect Christmas tree.” 

Instead, a carnivorous plant emerges from the soil. Though the boy loves Snapper, the mischievous plant causes disruption and is eventually banished outside after it grows too big for the house. 

On Christmas morning, the boy leaves his family’s normal tree to bring a gift to the Venus flytrap. Snapper spits out confetti and gifts in return, inspiring the family to embrace an unconventional addition to the festivities. … 

(8) FRANK BORMAN (1928-2023). “Astronaut Frank Borman, commander of the first Apollo mission to the moon, has died at age 95” reports Yahoo!

Astronaut Frank Borman, who commanded Apollo 8’s historic Christmas 1968 flight that circled the moon 10 times and paved the way for the lunar landing the next year, has died. He was 95.

Borman died Tuesday in Billings, Montana, according to NASA.

Borman also led troubled Eastern Airlines in the 1970s and early ’80s after leaving the astronaut corps….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 9, 1921 Alfred Coppel. Have I ever mentioned how much I love pulp? Everything from the writers to the artwork to the magazines themselves are so, so cool. And this writer was one of the most prolific such authors of the Fifties and Sixties. That he was also a SF writer is an added bonus. Indeed, his first science fiction story was “Age of Unreason” in a 1947 Amazing Stories. Under the pseudonym of Robert Cham Gilman, he wrote the Rhada sequence of galactic space opera novels aimed at a young adult market. Wiki claims he was writing under A.C. Marin as well but I cannot find any record of this. (Died 2004.)
  • Born November 9, 1924 Lawrence T. Shaw. A Hugo Award-winning fan, author, editor and literary agent. In the Forties and Fifties, Larry Shaw edited NebulaInfinity Science Fiction and Science Fiction Adventures. He received a Special Committee Award during the 1984 Worldcon for lifetime achievement as an editor. His Axe fanzine (co-edited with his wife Noreen) was nominated at Chicon III for a Hugo. (Died 1985.)
  • Born November 9, 1954 Rob Hansen, 69. British fan, active since the Seventies who has edited and co-edited numerous fanzines including his debut production Epsilon. And he was the 1984 Trans-Atlantic Fan Fund delegate. His nonfiction works such as Then: Science Fiction Fandom in the UK: 1930-1980, lasted updated just a few years ago, are invaluable. 
  • Born November 9, 1988 Tahereh Mafi, 35. Iranian-American whose Furthermore, a YA novel about a pale girl living in a world of both color and magic of which she has neither, I highly recommended it. Whichwood is a companion novel to this work. She also has a young adult dystopian thriller series.
  • Born November 9, 1989 Alix E. Harrow, 34. Winner at Dublin 2019 of the Best Short Story Hugo for “Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” which also was nominated for a BSFA and Nebula Award. Other Hugo-nominated work: The Ten Thousand Doors of January was nomination at CoNZealand; “A Spindle Splintered” novella and “Mr. death” short story at Chicon 8; and “A Mirror Mended” novella this year. She has three excellent novels to date, The Ten Thousand Doors of January, The Once and Future Witches which was nominated for a WFA and the just released Starling House.  She has a double handful of short stories not yet collected anywhere.  More’s the pity. 

(10) COMICS SECTION.

  • Foxes in Love features a Dune crossover.

(11) BRING ME THE HEAD OF C-3PO. “Star Wars C-3PO actor Anthony Daniels is selling film memorabilia” reports BBC News.

The actor who played C-3PO in Star Wars said “it feels like it is time” to sell the costumes, props and scripts he kept from the iconic films.

Anthony Daniels, 77, is parting company with items from his personal collection via Hertfordshire-based auctioneer Propstore from Thursday.

The famous gold helmet he wore for his character in the first film from 1977 is estimated to sell for up to £1m.

Daniels said he was excited for his collection to “find a good home”.

“I realised I had these items and they’re not unloved but they are unlooked at – we don’t have them crowding the sitting room,” he said, explaining why he has chosen to sell the items now.

“Will I feel sad to part with them? No. I will enjoy the fact people will cherish and display them.”…

Propstore marked the Screen-matched Light-up C-3PO Head as sold, however, the press has not yet revealed the amount of the winning bid.

(12) FANHISTORY ART ZOOM ON YOUTUBE. Fanac.org’s two-part Zoom with a panel of fanartists now can be viewed on YouTube.

Part 1

Title: Evolution of Art(ists) (Pt 1 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan

Description: In part 1 of this 2-part session, you’ll hear their “origin stories”, their influences, how they found science fiction fandom, and what they perceive as the unique benefits of fandom to young artists. You’ll find out why artists should avoid hecto, and torturous tales of justifying margins by hand. There are intriguing insights into adjusting one’s art to the reproduction medium, and how fandom helped people along, especially towards professional careers. Larger than life figures make their appearance, including several stories of Bill Rotsler.

There’s plenty more, including their views on Carl Barks, why Dan started “Lizard Inn”, Jim’s take on the slippery slope to having a fanzine too big to staple without an industrial stapler, Tim on his deep desire to tell stories, and Grant’s opinion of “Starling”.  The fun continues in Part 2.

Part 2

Title: Evolution of Art(ists) (Pt 2 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan

Description: In part 2 of this 2-part session, the fan art discussion continues, with more on professional careers as well. The conversation ranges from Tolkien’s house to Harlan Ellison’s house, from “The Last Dangerous Visions” to Bill Gibson, from Harlan Ellison stories to BNFs that had an impact. There are more Rotsler stories too. You’ll hear about silent jam sessions, “Esoteric Fan Art Tales”, and the impact that conventions had on artists who worked in isolation.  A real treat is the slideshow of samples of our panelists’ art, with their live comments on what each piece represents.  

Q&A starts about 45 minutes into the video, with comments as well as questions, including Ted White’s discussion of the impact of Mondrian’s work on modern magazine design. Lest you believe that fanzines are a thing of the past, the video wraps up with a plug for an upcoming paper fanzine by faned Geri Sullivan. 

(13) A COSMIC EVENT. FirstShowing introduces “US Trailer for French ‘Cosmic Event’ Sci-Fi Thriller Film ‘The Gravity’”.

“After the alignment, the world will change forever. Everything will start over.”  Dark Star Pictures has released an official US trailer for an indie sci-fi action thriller film from France titled The Gravity, made by filmmaker Cédric Ido. This intially premiered at the 2022 Toronto Film Festival last year and it already opened in France earlier this year. Finally set for a US release on VOD starting in November. A mysterious cosmic event upsets the Earth’s gravity and sets the sky ablaze in a red hue, creating chaos in a futuristic Parisian suburb. This French “genre-busting” thriller is more of a story about street culture in the suburbs, following a local band of teenagers and their feud with other residents in the area….

(14) SPACE COMMAND. Marc Scott Zicree has dropped “Why Science Fiction Matters! Unreleased Space Command Full Scene”.

Meantime there five days remain in the Kickstarter to raise funds for “Space Command Forgiveness: Post-Production”. At this time fans have pledged almost $52,000 of the $60,000 goal.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Lise Andreasen, Steven French, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian  for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 10/28/23 When You Saw Only One Set Of Pixels, It Was Then That I Scrolled You

(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Con reports: Arthur Liu (part 2)

Arthur’s con crud is subsiding, and he was able to post the second (of a projected four) part of his con report.  This one covers the setup ahead of the event.  Disclosure: I am also mentioned in this part.  Via Google Translate, with minor manual edits:

…in late September (around the 21st), the organizing committee terminated the sale of offline tickets without any notice. The financial problems of fan groups have already been mentioned in the previous article. Among them, members’ travel expenses and conference attendance expenses are equally expensive. Affected by this, as the situation at the booths has not progressed, members of the Tsinghua University Fantasy Association were still waiting and watching, planning to buy tickets after the situation settled down a bit. However, this unexpected situation caused almost all members who were expected to participate in the exhibition to be wiped out. After many inquiries, the volunteers said that there would be work permits, but the number could not guarantee that all people would be covered. This left the fan booth’s participation in the exhibition in a state of limbo until the end of the conference…

Man-made landscapes related to the science fiction conference are everywhere along the way. As I approached the venue, I saw the huge contrast in the street scenes in different areas of Pidu District (outside the main city, there are many open spaces and wastelands, new buildings and abandoned buildings), which also made me realize the importance of the science fiction conference. For the local government, the potential economic significance of hosting this conference is significant…

The security check area was crowded with people, and each gate had a large number of security guards. The inspection process was probably the most thorough in my life ever. Part of our luggage was examined, every page was taken out and checked. After delaying for a while, we arrived inside the venue.  The smell of air freshener was very strong and there was also a strong pungent smell…

After boarding the train, [con liaison] L said that a special car had been arranged to pick us up, but it was no longer needed. On the way, I learned from [con liaison] LY that when the pen club I applied for was handed over within the volunteers, the demand for personnel control (15 people) was not handed over. Now there was no guarantee that this demand would be met, but she promised to report it to the above… By this time, both of us were exhausted and had reached the limit of emotional management.

At 19:03, we finally arrived at Wyndham, and [con liaison] L met us in the lobby. Before checking in, we went to the check-in office to get our guest badges, and then we were told that the conference manual had not been produced yet, nor had the attendant badges. Historically, some science fiction fans will start from a certain point and feel that the entire community is not worthy and is no longer worth bothering with. This was probably that moment for me. In the guest room, I got very angry with [con liaison] L – actually it was not his own fault, so I apologized to him – and explained several requirements: the member’s ID, as well as the participation manual and traffic control map, the next day.  Given that the con was about to begin, the last two were necessities for participating in the con. They had to exist.

In the second image, the data visualization shown on the TV on the right can be found here (note; the UI is Chinese only).

Request for submissions to Zero Gravity

RiverFlow is requesting submissions for a future issue of the Hugo-winning Zero Gravity.

Dear friends, if you write about the memories of the Chengdu WorldCon, welcome to send me the English version and pictures. Chinese Fanzine Zero Gravity newspaper is organizing the Chengdu WorldCon story, we will organize human translation.

The email is: [email protected]

CCTV news report on the Worldcon

I doubt many will sit all the way through this untranslated 21 minute CCTV news item from Monday 23rd about the Worldcon, but I include it just in case.  Notable faces in the early part of the video include (in order of first appearance):

  • RiverFlow and Ling Shizhen
  • Ben Yalow
  • Cixin Liu
  • Enzhe Zhao
  • Hai Ya

Later on, from around 16:00, we also see:

  • Liang Xiaolan (Honorary Co-Chair of the con)
  • Dave McCarty

The core of the piece is a videolink interview with Best Novelette winner Hai Ya from around 04:00 to 12:45.

There’s then more a bit more reportage of the con – mostly the ceremonies – followed by coverage of the Galaxy Award ceremony that took place over in the Sheraton, before going back to the con.

From 16:30 there’s a telephone interview with (Hugo finalist, SF World editor, concom member) Yao Haijun, during which Nicholas Whyte pops up (again 😉 in footage at around 19:23, followed shortly thereafter by James Bryant.

Hai Ya responds to criticism of his work following his Hugo win

SF Light Year posted a brief Q&A with Hai Ya on Wednesday 25th, following the negative reaction in some quarters to his Hugo win, as covered in Tuesday’s Scroll.  Here’s an extract, via Google Translate:

My current mentality is very stable and I have a clear understanding of the award and myself. As for the work, I never thought it was very elegant or something that people expected of me. I could only present what I thought was a better state within the scope of my abilities. Let the readers judge. There will definitely be criticism and harshness. It is actually difficult to define how much of this is objective, but popular novels must accept this unfair scrutiny, and I have the consciousness to accept it.

Compared with the position of a writer, I prefer to define myself as a science fiction fan. I agree with some of your ideas. The science fiction circle should be more diverse. The increase in science fiction fan activities and comments is a sign that the ecosystem is getting healthier

A couple of days later, on Thursday 26th, Hai Ya made a brief statement on Weibo.  Via Google Translate (which seems to be slightly more readable than the Alibaba Cloud rendition available within Weibo, but still far from flawless):

After nearly a week of busy work, things are gradually sorting out, thank God. What I want to express has basically been made clear. I am personally neither qualified nor interested in doing too much value output. Writing science fiction has always been a very personal matter for me, and I have become more and more cautious about various activities and invitations, leaving them to the editor. Happily, despite all the criticism, there were few personal attacks. Friends who care about me, please rest assured. As the saying goes, if you want to wear a crown, you must bear its weight. What I got is not a crown, and the pressure I receive is not that great. Currently I’m in good condition.

There’s at least one hater in the comments.

Weibo SF promo image

(Via SF Light Year)  The Weibo app had a splash page at launch promoting “The New Power of Science Fiction”, showing the avatars of the three Chinese Hugo winners, and namechecking the Hugos and Hai Ya’s Best Novelette win.  A further post shows the page shown if you clicked on the button, you would get a list of notable SF people’s accounts, including previous Hugo winner Hao Jingfang, and some of this year’s finalists Bo Jiang, Regina Kanyu Wang, Lu Ban and Yao Haijun.

Linking to the same list, RiverFlow reported that his number of followers had jumped from around 1,100 to 38 thousand.

Bits and pieces from Xiaohongshu

The following are a handful of posts that I’d never gotten round to submitting before now.

(2) A SNAPSHOT FROM WFC. Greg Ketter of DreamHaven Books and Comics feels disrespected. For good reason.

(3) AGGRESSIVE FAKES. Victoria Strauss exposes the “Imposter Syndrome: The Rise of Impersonation Scams” at Writer Unboxed.

…When I first started discovering these AS knockoffs (here’s my first blog post about them), they were mostly just selling Author Solutions-style publishing and marketing packages–although exponentially more overpriced and deceptively advertised than the original, with terrible customer service and the books and other products far more likely to be of poor quality (and that’s when they didn’t just take the money and run).

In recent years, though, their numbers have exploded—there are hundreds of AS knockoffs in operation now, and more cropping up all the time—creating fierce competition for customers in an increasingly crowded field. This has driven them to adopt ever more brazen practices to support their quest for writers’ cash: forging documents and contracts from Big 5 publishers, selling completely fictional products such as “book insurance”, engaging in elaborate front operations involving multiple fake businesses, and impersonating reputable literary agents, publishers, and movie companies.

Impersonation scams especially have become common over the past couple of years, and they can be quite convincing. In this post, you’ll find examples of the three types of impersonation scam you’re most likely to encounter, along with a look at the telltale signs that can identify them….

(4) INTERVIEW WITH CHANDLER DAVIS BIOGRAPHER. [Item by Olav Rokne.] I’m really hoping this book gets some serious consideration for the Best Related Hugo. Very well written, thoroughly researched. Doesn’t focus very much on the science fiction career of Chandler Davis, but he’s still a figure from the genre’s past, and it’s an interesting and relevant read. 

Got to interview the author Steve Batterson: “The Un-American Treatment of a Leftist Science Fiction Fan” at the Hugo Book Club Blog.

… The book starts off with a fairly straightforward biography of Davis’ early life. His childhood as the son of leftist academics who were members of the Communist Party, his education at Harvard and involvement with science fiction fandom, his military service and his marriage to Natalie Zemon-Davis. All of this is in service of the focus of the book: Davis’ brief stint at the University of Michigan, his firing, and the six-year legal saga that led to his imprisonment.

“It was incredibly courageous what Chandler did,” Batterson explains. “He was 27 or 28 years old when this all started. He had a wife and one child at the time – with another on the way. His wife was a graduate student, and it wasn’t clear at the time that she would go on to become one of the greatest historians of her generation.”

During the period after his firing, the Davis family faced economic hard times. When friends and colleagues took up a donation for them, the FBI ended up with a list of who donated; sadly it appears few in the science fiction community stood by their former compatriot.

“There’s not a lot of mention of science fiction or fandom in the FBI documents,” Batterson notes. “The FBI didn’t consider that to be disreputable.”

After he was released from serving his six-month prison sentence in 1960, the family emigrated to Canada where both Davis and his wife became professors at the University of Toronto. He rejoined fandom there, and published a handful of later stories. In 1989, he was one of the guests at the 47th Worldcon held in Boston. Both he and his wife had distinguished academic careers….

(5) FOR EXPOSURE. Jane L. Rosen reports on “A Night of Reading, Cover to Uncover” to the New York Times. “The author of ‘On Fire Island’ wasn’t sure what to expect when she was invited to appear at a ‘Books & Burlesque’ event. Here’s her unblushing report.”

Early in the summer, an unusual email popped up in my inbox. Sandwiched between a podcast request and an offer to speak at a South Florida chapter of Hadassah was an invitation to read an excerpt from my latest novel, “On Fire Island,” at a “Books & Burlesque” evening on Manhattan’s Lower East Side. The event, as the show’s producers Fortune Cookie and Rosie Tulips explained, would feature five writers reading, each paired with a burlesque or drag artist creating an act inspired by the author’s work.

It took me a minute. Funny? Outrageous? Ill-advised? Possibly, but most of all, an intriguing change from the usual folding-chair-strewn book talk or stodgy Q. and A session. Even though the closest I’d ever gotten to burlesque was a brief stint as a young Gypsy Rose Lee at Camp Lokanda in the late ’70s, I nervously accepted….

(6) IF YOU THOUGHT GETTING MARRIED WAS SCARY BEFORE… The New York Times tells about couples “Vowing Till Death Do Us Part at the Hotel That Inspired ‘The Shining’”.

Couples who get married in October at the Stanley Hotel, situated at the doorstep of the Rocky Mountains in Estes Park, Colo., sometimes have a hard time getting their guests to R.S.V.P.

Lauren Nichols and Jeffrey Sheffler, who will marry there Oct. 28, couldn’t convince a dozen of their out-of-town guests to stay on the premises of the hotel that inspired Stephen King to write “The Shining,” his novel turned film, after staying there in 1974. And Melanie Pingel, who married Kyle Johnson there Oct. 13, was compelled to reserve a quiet space on a separate floor for guests who needed a moment away from the ghostly festivities. “My mom called it the place where the old ladies get to go have a break from it all,” she said.

These and other concessions — Jennie Wilson, a 2017 Stanley bride, was told by a guest “straight up that she wouldn’t come” — are perhaps a necessary trade-off for couples who want to exchange vows at what many call “The Shining” hotel….

Only a handful of couples who plan well in advance are greenlit for their October celebrations, said John Cullen, the Stanley’s owner. Those who do snag a spot between Oct. 1 and Halloween, the hotel’s busiest season, tend to share a common aesthetic: bridal fangs and cakes with Frankenstein-like surgical stitching can be part of it. Flower girls dressed as the sinister, not-quite-living Grady twins from the 1980 horror classic, or table décor that includes jars of pig hearts preserved in formaldehyde, can also be used.

The spookiness of the place is the allure for many couples, said Shayna Papke, a popular local planner for Halloween season weddings at the Stanley. “A wedding is the ultimate expression of who you are, and there are just people in the world who, this is who they are,” she said. “They’re the outliers who like dark music and dark stories. They’re fascinated by the death part of life.”

Many who fit that description flock to the Stanley for a ghost tour led by the hotel’s staff or to participate in a séance (More than 100,000 people visit per year; October is busy also because elk walk the streets and it’s “a really nice time to be in Estes Park,” Mr. Cullen said.) Still others consider it the ultimate location for committing to each other….

(7) RICHARD MOLL (1943-2023) [Item by Mike Kennedy.] Though possibly best known for his role as Bull the bailiff in the original run of Night Court, Richard Moll did an amazing amount of genre work over a long career. This includes a lot of voice work in animation and video games (see dozens of credits at IMDb.) One of his notable later appearances was in the 2010 live-action film Scooby-Doo: Curse of the Lake Monster in which he played the mysterious lighthouse keeper Elmer Uggins. Full profile: “Richard Moll, Bull the Bailiff on ‘Night Court,’ Dies at 80” in The Hollywood Reporter.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 28, 1944 Ian Don Marter. He was known for his role as Harry Sullivan on Doctor Who. As this is a Birthday listing of writers of authors, you might ask why he’s here. That’s because he’s one of the few Who actors authorized to write fiction in that universe in that time. As a result, he wrote nine novels before he died of a diabetic heart attack. He co-wrote in collaboration with Baker and director James Hill a script for a film provisionally titled Doctor Who Meets Scratchman (also known as Doctor Who and the Big Game). However due to a lack of funding as no one was interested in underwriting it , the project was ultimately abandoned. Bake and Hill novelized this script and there’s a Big Finish version as well. (Died 1986.)
  • Born October 28, 1951 Joe Lansdale, 72. Writer and screenwriter whose animated DCU Jonah Hex is far superior to the live action Hex film. Bubba Ho-Tep, an American comedy horror film starring Bruce Campbell, is his best-known genre work though he has done a number of another works including The God of The Razor and Reverend Jedidiah Mercer series which are definitely Weird Westerns. 
  • Born October 28, 1951 William H. Patterson, Jr.. Author of Robert A. Heinlein: In Dialogue with His Century, a two-volume look at Heinlein which arguably is the best biography ever done on him. He also did The Martian Named Smith: Critical Perspectives on Robert A. Heinlein’s Stranger in a Strange Land. This “Tribute to Bill Patterson” by Mike with comments by Filers is touching indeed.  (Died 2014.)
  • Born October 28, 1957 Catherine Fisher, 66. Welsh poet and children’s novelist who writes in English. I’d suggest The Book of The Crow series of which Corbenic won the Mythopoeic Fantasy Award for Children’s Literature. Her Incarceron and Sapphique also earned a Mythopoeic Fantasy Award for Children’s Literature nomination. 
  • Born October 28, 1958 Kristin Landon. Author of the uncompleted space opera Hidden Worlds (The Hidden WorldsThe Cold Minds and The Dark Reaches) and a one-off, Windhome, a first contact story. (Died 2019.)
  • Born October 28, 1958 Amy Thomson, 65. Writer of four novels, including Virtual Girl. She won the Astounding Award for Best New Writer and was nominated for the Campbell Memorial, Endeavour, Philip Dick and Prometheus Awards. Very impressive indeed. Her short fiction “The Ransom of Princess Starshine” appeared in 2017 in Stupefying Stories, edited by Bruce Bethke. 

(9) COMICS SECTION.

  • The Argyle Sweater shows a monster who you don’t ordinarily think of as moving that fast.
  • Thatababy introduces us to Konbanwa in a strip devoted to cinema history.
  • Jess Bradley says this is what the Singularity will really be like.
  • Finding Dee shows us true horror.

(10) SHOT ON LOCATION IN HALLOWEEN TOWN. “‘The Nightmare Before Christmas’: A Hit That Initially Unnerved Disney” – Tim Burton and director Henry Selick look back 30 years at the making of a cult favorite.  

…Over the course of its original run, “Nightmare” grossed $50 million at the domestic box office. And while that number is by no means dismal, it’s a far cry from Disney animated hits like “Aladdin,” which just a year earlier brought in $217 million from U.S. screens alone.

At the time, Disney couldn’t figure out how to market the operatic saga of Jack, a lanky, sharply dressed skeleton, infatuated with bringing the wonder of Christmas to his monstrous friends in uncanny Halloween Town.

Selick initially worried that the number of songs Danny Elfman had composed for the movie, a total of 10 tracks for the brisk 76-minute run time, would alienate viewers. In retrospect, he said, the memorable tunes were crucial to the film’s eventual success, once audiences connected with its unconventional rules of storytelling and design.

These days Selick can’t go a week without running into a fan wearing a sweater, hat or other apparel emblazoned with “Nightmare” imagery.

“This year there’s a 13-foot-tall Jack Skellington you can buy at Home Depot, and people have them on their lawns,” Selick said. “I like that because it’s pretty bizarre and extreme. That’s not just a T-shirt, that’s a real commitment.”

For Burton, the character of Jack Skellington embodies a preoccupation common in his work over the years: the terrifying notion of being misunderstood. “The conception of it was based on those feelings growing up of people perceiving you as something dark or weird when actually you’re not,” he recalled.

Selick compared the skeletal antihero’s amusingly manic behavior to Mr. Toad from the animated classic “The Wind in the Willows,” one of his favorite Disney protagonists. “I’ve always been drawn to characters like Jack Skellington,” Selick said. “He gets carried away with something new and goes way overboard with his enthusiasm.”…

(11) HERZOG Q&A. While promoting his memoir Every Man for Himself and God Against All, Werner Herzog tells the Guardian: “’I am not that much in pursuit of happiness’: Werner Herzog on beer, yoga and what he would ask God”.

…So, this new book he’s just written about the Austrian musician-cum-dairy-farmer combines two of Herzog’s passions then? “Neither is milking cows a great love of mine nor is rocking so…” he replies with an amused smirk. “But I understand. I catch your drift.”

Herzog is probably best known for his documentary films, which include 2005’s Grizzly Man, the tale of bear enthusiast Timothy Treadwell in Alaska, and Cave of Forgotten Dreams, made in 3D in 2010 from footage shot inside the prehistoric Chauvet Cave in southern France. Increasingly, though, Herzog devotes his creative energies to writing. In 2021, he published his first novel, The Twilight World, based on the Japanese army lieutenant Hiroo Onoda, who refused to believe the second world war was over and only emerged from the jungle and surrendered in 1974.

“I’ve been a writer from the very beginning,” he says. “And it’s important to say one thing because people are puzzled: films are my voyage, and writing is home. And since 40 years, I keep preaching to deaf ears that my writing will arguably outlive my films, all of them.”

Certainly, Every Man for Himself and God Against All is a joyous, fulfilling read….

(12) BRADBURY HISTORY. Phil Nichols’ new Bradbury 100 podcast episode covers “Chronological Bradbury, 1940”.

…Ray published nine stories in 1940, nearly all of them in fanzines (and one of them in a semi-prozine). Here’s a list, with links to online versions of the stories, where they exist….

(13) ORSON WELLES PROFILE. Steve Vertlieb invites you to read his post “Vertlieb’s Views: Xanadu: A Castle in the Clouds: The Life of Orson Welles” at The Thunder Child.

Celebrating the genius of this extraordinary artist with my published look at the turbulent life and career of Orson Welles, the fabulous, visionary film maker whose personal demons sadly overshadowed his staggering talent, and finally, tragically destroyed him.

Yet, in spite of his personal failings or, perhaps, because of them, Welles rose to become one of the most remarkable film makers of his, or any other generation.

From his groundbreaking first feature length motion picture Citizen Kane, regarded by many still as the greatest single film in motion picture history, to Touch Of Evil, his remarkable “Cinema Noir” tale of a squandered life and legacy corrupted by bribery and temptation, Welles remains one of the most extraordinary directors in the history of film.

His is a story of unwitting sabotaged achievement and haunting, incomparable genius.

Here, then, is “Xanadu: A Castle In Clouds … The Life of Orson Welles.”

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, Mlex, Olav Rokne, Kathy Sullivan, Lise Andreasen, Steve Vertlieb, Steve French, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]

Pixel Scroll 10/24/23 They Say It’s Only A Rebel Moon

(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Hugo winner RiverFlow’s con report

Some of the events in this length con report, with lots of photos, have been briefly covered in a prior Scroll, and comments, but this report is absolutely worth reading all the way through, for all the extreme highs and lows.  Via Google Translate, with very slight edits:

But when the opening ceremony progressed to the interactive session between [Cixin] Liu and the fans, I felt that my breathing rate was significantly accelerated and became more and more difficult. My chest felt tight and painful, my airway was extremely stiff, I had waist pain and abdominal numbness, and I felt dizzy and wanted to sleep. I asked the person next to me, Lu Ban, if I could leave early.

Lu Ban communicated with the volunteers, and then helped me walk to the medical aid room. The doctor gave me oxygen, asked about my various conditions and conducted a preliminary examination. Two other volunteers also arrived. The doctor said that to be on the safe side, he suggested staying at the Pidu District People’s Hospital for one night for observation. As a result, I became the first patient hospitalized during this World Science Fiction Convention.

(Note: for some reason, machine translation often renders 河流 as Hehe rather than Heliu; the latter being the Chinese for RiverFlow.  Also note that “Tianjue” is Hugo Fan Writer finalist Arthur Liu, who uses the online name HeavenDuke, an anglicization of 天爵/Tian Jue.)

Although it’s not clear from the page itself, he also posted the full text of his acceptance speech; per his con report, he was not able to read all of it out on stage.

Zhang Ran’s con report

I wasn’t aware of Zhang Ran, the author of this Chinese-language piece, but a search for “Taiko Science Fiction Academy” came up with this English language article which provides a fair bit of background.  Some of the text (as processed through Google Translate) in his report on the Chengdu Worldcon raises eyebrows.

The Chengdu Science Museum, which cost more than 1 billion yuan ($137 million USD) and was designed by Zaha Hadid Architects, is a spectacle…

It was held in Asia for the second time since Nippon 2007 Worldcon in Yokohama in 2007. This should be a carnival for Chinese science fiction fans, but I couldn’t find any carnival look on the faces of many people attending the conference.

The volunteers were stiff and frightened, as if they were fulfilling some grand historical mission. The security check is dense and solemn, as if guarding some mysterious core…. The science fiction market, which should be reserved for ordinary fantasy fans, will naturally be run by companies that have little to do with science fiction.

It is commendable that this conference effectively compressed the time of leaders’ speeches to a length that foreign friends can understand. However, hundreds of primary school students walked in uniform steps at the conference venue, which was inevitably confusing….

Don’t get me wrong, I fully support China’s hosting of the World Science Fiction Conference, and I also understand that this conference has given Chengdu, Sichuan, and China a boost in Chinese science fiction.

But if, just if, the investment spent on the facade is shifted a little bit to the fans, so that they can reduce the walking distance, attend two more panels with the guests sitting next to them (rather than on the stage), and participate in one It is possible, just possible, to set up two stalls selling bookmarks and second-hand books during a parade and have lunch near the venue without having to fight for a seat. It would make the guests and hosts enjoy themselves more like a great country.

If I were a member of the organizing committee, I would definitely not invite myself to be a guest next time. It would be shameless for me to be a good person after getting an advantage.

But if I can attend a conference where everyone has smiles on their faces instead of solemn expressions, such as singing songs around a campfire, then I will definitely come at my own expense.

(Note: I put the text through DeepL and Vivaldi’s Lingvanex translation software, and got similar results, so I assume the above is reasonably accurate, whilst suffering a fair number of ungrammatical bits that I didn’t have time to clean up.)

Chinese reaction to one of their Hugo winners

Arthur Liu made some interesting observations in reply to a Hugo Book Club reposting of one of their old tweets  (1)(2)(3).

I’ve not had time to uncover much of the negative discussion referred to – I suspect that it’s happening in WeChat/Weixin groups, which I don’t have access to.  On Weibo, I did find this negative review and another brief comment, but both of those postdate Arthur’s tweets.

I suspect such discussion is also the reason behind SF Light Year reposting an earlier Weibo post of that Hugo Book Club tweet.

Hai Ya can hopefully console himself with being featured on a TV news report.  The ballad playing in the background probably wasn’t part of the original broadcast.

An observation on the different preferences between Chinese authors and readers

In an English-language Mastodon post, author Taiyo Fujii reported a recent chat he had about the Chinese SF industry (slight edits for style and grammar):

At Tianfu airport, I met a young scholar who studies Asian SF history.  I met her once before in Chengdu in 2019.  At that time, I only gave her an autograph, but we had a good discussion around SF.

Her worry about Chinese SF is a conflict between hard and soft SF.  Publishers say that readers love scientific hard SF, but young writers prefer to write more human related works.

I agreed, and gave some examples of workarounds.

And we discussed the theme of Ted Chiang, Gu Shi and Kim Choyop.

An attendee’s video of the con

The first minute or so of this Bilibili video is perhaps a little too Cixin Liu heavy, but then we get a good look at the fan table and dealers area.  That section of the video has been sped-up, but Bilibili does have a button to let you change the playback speed to 0.5x or 0.75x, allowing you a better look at things.

(2) HARRY POTTER AND THE PARALYZED STUNT PERFORMER. [Item by Mike Kennedy.] One stuntman — stunt boy, really — subbed for Daniel Radcliffe through almost all of the Potter movies. Until, that is, a tragic accident on the set of the penultimate film left David Holmes paralyzed.

Now a documentary about Holmes is coming out. Radcliffe not only is interviewed during the film, but signed on as an executive producer. Variety has the story: “Daniel Radcliffe’s ‘Harry Potter’ Stunt Double Was Paralyzed After ‘Deathly Hallows’ Set Accident — Now They’ve Teamed Up for a Doc to Tell His Story”.

… The documentary features “candid personal footage shot over the last decade, behind-the-scenes material from Holmes’ stunt work, scenes of his current life and intimate interviews with David, Daniel Radcliffe, friends, family, and former crew,” HBO adds. “The film also reflects universal themes of living with adversity, growing up, forging identities in an uncertain world, and the bonds that bind us together and lift us up.”

“David Holmes: The Boy Who Lived,” directed by “Lad: A Yorkshire Story” filmmaker Dan Hartley, is just the latest collaboration between Radcliffe and Holmes following their work together across the “Harry Potter” movies. During the pandemic in 2020, the two joined forces to launch the “Cunning Stunts” podcast in which they shined a greater light on stunt performers across Hollywood.

“I think there’s a myth around stuntmen that they are just superhuman in some way,” Radcliffe said at the time about the podcast. “When the public see something really painful or horrible, they think it was a visual effect or that there’s some clever, safe way of doing it. Often that’s not the case. There’s no way of faking, for example, falling down stairs. When you get hit by a car, you’re still getting hit by a car, even if it’s going slower than it would. They find the safest way of doing it, but it can still hurt.”…

(3) PEN NAME PRO TIPS. The SFWA Safety Committee today posted “Safety Dispatch: How to Establish and Use a Pen Name” at the SFWA Blog.

Have you ever considered writing under a pen name? Some authors use pseudonyms to separate works under different genres, reboot their careers after a dry spell, or replace the names of multiple authors on the cover. These are all great reasons, but some authors want to use a different name for privacy or safety reasons, and that’s what we’ll cover here.

Maintaining anonymity in the digital age can be challenging. Most publishers expect authors to have some way to communicate with fans. This kind of interaction is even more critical for indie authors, who often rely on newsletters and hand-selling to move their books. It might seem daunting to separate your legal identity from your author-life, and a determined hacker can trace your pen name back to your legal name, but here are some best practices that can help safeguard your privacy….

(4) ALIENS BEFORE TV GOT HOLD OF THEM. BBC Futures introduces us to “The weird aliens of early science fiction”.

…Humanity’s ideas about aliens have been evolving for millennia – but in the era before television, they were considerably stranger….

…Generations before, the aliens of early science fiction were considerably more fantastical – bloodcurdling octopus-beings, intelligent swarms of insect-creatures and monstrous reptiles.

In 1887 – before the invention of sliced bread, ice lollies or even the word “teenager” – the science fiction author Joseph Henri Honoré Boex set pen to paper in his Brussels office and imagined up Les Xipéhuz. 

The book is set on Earth, a thousand years before the ancient Mesopotamian cities of Nineveh and Babylon were founded, and begins with a dream-like encounter in a forest clearing. A nomadic tribe of people are looking for somewhere to rest one night, but instead they stumble upon “Les Xipéhuz”, translated as “The Shapes”.

The bizarre, geometric creatures resembled “bluish, transparent cones” with their point facing upwards. Each was around half the size of a human, with some stripey markings and “a dazzling star near its base like the sun at midday”. The creatures are considered among the first non-humanoid aliens in science fiction, within a cautionary tale that shows how devastating first contact can be with an unfamiliar “other”. After many battles, (spoiler alert), it becomes clear that there’s no room for diplomacy. Even the way the Shapes communicate, by tracing symbols on each other’s bodies using the rays of their stars, is alien. In the end, they are exterminated.

As it happens, the timing of this story is no accident….

(5) STINKER REX. There’s a meme going around poking fun at those who frequently think about the Roman empire. When this new Mary Beard book arrives they won’t be doing it any less! “A Very Bad Emperor Indeed: An Exclusive Guest Post from Mary Beard, Author of Emperor of Rome” at Barnes & Noble.

…Elagabalus was an extreme version — almost a caricature — of a very bad Roman emperor indeed.

But when I came to write my new book Emperor of Rome, I began to think about Elagabalus rather differently. It’s not that I decided he had been terribly maligned and was probably a decent kind of chap after all. But I did see that many of the stories told about him were more pointed than just random tales of capricious misbehaviour on the part of a teenaged emperor — he was about 18 years old when he was, predictably, assassinated in 222 CE.

True or not (and many, I suspect, were not), these flamboyant anecdotes often highlight the fears and suspicions that the Roman population had of their rulers…. 

(6) IN CASE YOU WONDERED. Victoria Strauss explains “Why Writer Beware Doesn’t Recommend or Endorse Agents or Publishers” at Writer Beware.

“You warn about so many bad literary agents and publishers, why don’t you ever tell us about the good ones?”

It’s a question Writer Beware has been getting for almost as long as we’ve been around, from writers bewildered about where to go for reliable information, frustrated by the abundance of author-focused schemes and scams, or just exhausted by the work of finding a good home for their manuscripts.

I have a standard answer that I provide when people email me with this question or ask me on social media. But with writing scams more prevalent than ever, and writers more beleaguered by fraudulent solicitations than at any time in Writer Beware’s history, I thought it would be helpful to offer a more detailed explanation of why we call out the bad guys but don’t focus on the good guys.

1. Writer Beware has a relatively narrow mission, and it’s all about fraud.

Our purpose is to track, expose, and raise awareness of the prevalence of fraud and other bad practice in and around the publishing industry, with the aim of providing writers with the information they need to protect themselves from exploitation. (More detail is here.)

In other words, we’re not an everything-about-publishing organization; we are laser-focused on just one aspect of the publishing world. We feel it’s better to do one thing intensively and well than to try and be all things to all people.

More practically, we are a small, all-volunteer group–we simply don’t have the staff to handle the time-consuming, careful research that would be needed to maintain and update a database of “good” agents and publishers and bring that information to the public. Instead, by identifying the characteristics of common schemes and scams and shining a light on their inner workings–by educating writers on what to avoid, in other words–we try to give them tools they can use to safely research agents, publishers, self-publishing platforms, etc. on their own.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 24, 1915 Bob Kane. Writer and Artist who co-created, along with Bill Finger, the DC character Batman. Multiple sources report that “Kane said his influences for the character included actor Douglas Fairbanks’ movie portrayal of the swashbuckler Zorro, Leonardo da Vinci’s diagram of the ornithopter, a flying machine with huge bat-like wings; and the 1930 film The Bat Whispers, based on Mary Roberts Rinehart’s mystery novel The Circular Staircase.” He was inducted into Jack Kirby Hall of Fame and the Will Eisner Hall of Fame. The character he created has been featured in countless comic books, stories, movies, TV series, animated features, videogames, and action figures in the last eight decades. The 1989 movie based on his creation, featuring Michael Keaton in the title role, was a finalist for both Hugo and British Science Fiction Association Awards. (Died 1998.) (J) 
  • Born October 24, 1948 Margaret “Peggy” Ranson. Artist, Illustrator, and fan, who became involved with fandom when she co-edited the program book for the 1988 Worldcon in New Orleans. She went on to provide art for many fanzines and conventions, and was a finalist for the Best Fan Artist Hugo every one of the eight years from 1991 to 1998, winning once. She was Guest of Honor at several conventions, including a DeepSouthCon. Sadly, she died of cancer in 2016; Mike Glyer’s lovely tribute to her can be read here. (Died 2016.)
  • Born October 24, 1952 Jane Fancher, 71. In the early 80s, she was an art assistant on Elfquest, providing inking assistance on the black-and-white comics and coloring of the original graphic novel reprints. She adapted portions of C.J. Cherryh’s first Morgaine novel into a black-and-white comic book, which prompted her to begin writing novels herself. Her first novel, Groundties, was a finalist for the Compton Crook Award, and she has been Guest of Honor and Toastmaster at several conventions.
  • Born October 24, 1952 David Weber, 71. Best known for the Honor Harrington series, known as the Honorverse. He has three other series (DahakWar God and Safehold), none of which I’m familiar with. The Dragon Awards have treated him well giving him three Best Military Science Fiction or Fantasy Novels for Hell’s Foundations QuiverA Call to Vengeance and Uncompromising Honor. His only other Award is a Hal Clement Young Adult Award for A Beautiful Friendship.
  • Born October 24, 1954 Wendy Neuss, 69. Emmy-nominated Producer. As an associate producer for Star Trek: The Next Generation, her responsibilities included post-production sound, including music and effects spots, scoring sessions and sound mixes, insertion of location footage, and re-recording of dialogue (which is usually done when lines are muffed or the audio recording was subpar). She was also the producer of Star Trek: Voyager. With her husband at the time, Patrick Stewart, she was executive producer of three movies in which he starred, including a version of A Christmas Carol which JJ says is absolutely fantastic, and a rather excellent if stylistically different The Lion in Winter too. 
  • Born October 24, 1955 Jack Skillingstead, 68. Husband of Nancy Kress, he’s had three excellent novels (HarbingerLife on the Preservation and The Chaos Function) in just a decade. I’ve not read the third one yet but I’ve no reason not to assume that it’s not as good as his first two works. He’s due for another story collections as his only one, Are You There and Other Stories, is a decade old. All of his works are available at the usual suspects for quite reasonable rates. 
  • Born October 24, 1956 Dr. Jordin Kare. Physicist, Filker, and Fan who was known for his scientific research on laser propulsion. A graduate of MIT and Berkeley, he said that he chose MIT because of the hero in Heinlein’s Have Spacesuit, Will Travel. He was a regular attendee and science and filk program participant at conventions from 1975 until his untimely death. He met his wife, Mary Kay Kare, at the 1981 Worldcon. He should be remembered and honored as being an editor of The Westerfilk Collection: Songs of Fantasy and Science Fiction, a crucial filksong collection, and later as a partner in Off Centaur Publications, the very first commercial publisher specializing in filk songbooks and recordings. Shortly after the shuttle Columbia tragedy, astronaut Buzz Aldrin, on live TV, attempted to read the lyrics to Jordin’s Pegasus Award-winning song “Fire in the Sky”, which celebrates manned space exploration. He was Guest of Honor at numerous conventions, and was named to the Filk Hall of Fame. Mike Glyer’s tribute to him can be read here. (Died 2017.) (JJ)
  • Born October 24, 1972 Sofia Samatar, 52. Teacher, Writer, and Poet who speaks several languages and started out as a language instructor, a job which took her to Egypt for nine years. She won the Astounding Award for Best New Writer, and is the author of two wonderful novels to date, both of which I highly recommend: Stranger in Olondria (which won World Fantasy and British Fantasy Awards and was nominated for a Nebula) and The Winged Histories. Her short story “Selkie Stories are for Losers” was nominated for the Hugo, Nebula, BSFA, and BFA Awards. She has written enough short fiction in just six years that Small Beer Press put out Tender, a collection which is an amazing twenty-six stories strong. And she has a most splendid website. (Standback)

(8) STRONG OATHS. After reading this installment of Hagar The Horrible Daniel Dern asks, “Is this Mandarin grawlix?”

Grawlix is the term for symbols denoting swearing in comic strips.

(9) SUPERCREDENTIALS. In January,“’Marvel Meow’ Makes Its Print Comic Debut!”.

The cats of the Marvel mythos will claw their way to comic shops this January! Marvel Meow #1 collects Nao Fuji’s hit Marvel Unlimited Infinity Comic and features brand-new covers and an exclusive new Marvel Meow story. The series spotlights adorable interactions between the cats of the Marvel Universe and your favorite heroes and villains. These delightful adventures are perfect for all ages and are sure to delight Marvel fans, cat lovers, and everyone in between! 

Marvel’s most fearsome – and furriest – heroes are here to save the day and beg for treats in the process! Follow Chewie, Liho, Alpine and the rest of the Avengers’ feline friends as they cause a few cat-tastrophes…and maybe vanquish some villains in the process! Whether it’s crashing Captain Marvel’s apartment or defeating Doc Ock, you can always count on these cats for some cute chaos!

(10) LOTR LAGNIAPPE. GameRant calls these “The Best Lord of the Rings Books That Aren’t The Tolkien Series”.

Whether you’re a crafty, good in the kitchen, or just a major nerd for Middle-earth history, there’s a LOTR-adjacent book out there that you’re sure to fall in love with. These books are ranked as the best you can get for their attention to canon and lore and the value they offer for those LOTR lovers who are looking to either expand their knowledge or celebrate Tolkien’s magical world….

For example:

The Unofficial Lord of the Rings Cookbook

If you’re handier in the kitchen, this LOTR cookbook that includes over 60 recipes inspired by Tolkien’s stories will be perfect for you! The recipes come with stunning full-color photographs so you can have a good idea of what you’re making, with Middle-earth recipes ranging from Lembas Bread to Sam’s Coney Stew.

(11) SFF SPECIAL EFFECTS HUB CELEBRATED. The Gunnersbury Park and Museum in the UK is hosting the “Set to Stun: Designing & Filming Sci-Fi in West London” exhibit through June 2, 2024.

Beyond the stars and behind the scenes… for nearly a century west London has been home to a hive of workshops and design studios that fed into some of the country’s most iconic Sci-Fi films and TV shows.

Our major new exhibition ‘Set to Stun’ will celebrate sci-fi film and television from the 1960s through to today, turning the camera onto the west London artisans, artists and crafts people who brought it all to life.

From laser beams to paranoid androids, exploring faraway planets to alien invasions – visitors will get to enjoy an engaging and interactive showcase of the sets, costumes, prosthetics, props, and artistic visualisations that went into British Sci-Fi classics, including Doctor Who, the Hitchhiker’s Guide to the Galaxy and Red Dwarf. We’ll also bring the story up to date with a motion capture interactive.

The exhibition will encompass informative and engaging content for enthusiasts and fun and fascination for families, with workshops for both adults and kids.

(12) WEIRD FICTION EXPLAINED. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult has a stab at explaining weird fiction in under 13 minutes.  Unlucky for some, weird or what?

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]