Pixel Scroll 2/3/18 As God Is My Witness, I Thought Pixels Could Scroll!

(1) QUEEN OF PULP. Twitter’s Pulp Librarian today did a retrospective of illustrator Margaret Brundage, “the Queen of Pulp,” with lots of her Weird Tales covers from the 1930s. Jump on the thread here —

(2) ELLEN KLAGES DONATES CLARION WEST INSTRUCTORSHIP. Clarion West announced Karen Lord is the recipient of “The Sally Klages Memorial Instructorship 2018”.

The Sally Klages Memorial Instructorship will be awarded in 2018 in memory of Sally Klages, with love from her sister Ellen Klages….

Ellen Klages’ tribute begins —

Sally was a writer. I never heard her say that she wanted to be one; she simply proclaimed, proudly, that she was. She wrote every day in tiny, cramped cursive: working on her autobiography, lectures to her Invisible Friends, instructions about how life ought to be led.

Like many of us, she owned dozens of notebooks and countless pens, and was never without them. She once packed a gallon-sized Ziploc bag of pens and markers into her carry-on bag for a two-hour flight, “in case one runs out.” Writing was her joy, her recreation, her solace.

Sally was born with Down Syndrome. As far as she was concerned, that wasn’t a handicap — it was what made her special. And she was. She was Valedictorian of her class at Northeast Training Center, and an employee at Columbus State University for 17 years. She was one of the founding members of the Down Syndrome Association of Central Ohio (DSACO), she was on the board of the National Down Syndrome Conference, and was a featured speaker there in 1989. An active participant in the Special Olympics, she won more than three dozen medals in swimming, diving, track and field, bowling, and cross-country skiing….

[Via Locus Online.]

(3) PICACIO AT THE MIKE. In “Your 2018 Hugo Awards MC Is….” John Picacio tells why he is proud to be Worldcon 76’s choice.

Today, the 76th World Science Fiction Convention has announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also announcing that the Hugo Awards’ Nominations Period is now open! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.

There’s some history that comes along with this role.

  • I’m the first visual artist to ever be a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists.
  • I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. ?.
  • I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.

(4) WITHOUT A SHADOW OF A DOUBT. 2016 Clarke Award judge David Gullen discusses what the experience taught him about his own fiction writing: “Things I Learned Judging the Arthur C. Clarke Award” at Medium.

At some point during reading those 113 books it occurred to me what a difficult thing writers are trying to do and just how many different things each author is trying to get right. It’s not just character and plot and pace and tension, world-building, good dialogue, effective exposition, setting story questions and keeping story promises, it’s also trying to get that motivating vision in your head down onto the page. Even a pretty ordinary book takes a lot of effort. If you assume each of those books took 6 months to write?—?and many would have taken more?—?that is 57 years of effort, not far from the entire productive life of a single person.


(6) READERCON PRUNES PROGRAM INVITE LIST. Several older, white male writers who have participated on Readercon’s program in previous years have posted to Facebook over the past month that they have been notified they won’t be on this year’s program, or simply haven’t received the expected invitation. There’s no reason they have to be happy about it, and understandable if it triggers a bit of insecurity and resentment. However, the whiff of controversy around this development is not completely unlike Jon Del Arroz’ certainty that politics were the real reason he was rotated off BayCon programming.

Allen Steele wrote on Facebook yesterday:

The other convention I’ve usually gone to in the past, but will no longer attend, is Readercon. I’ve been an invited guest since Readercon 2 (had to skip the first one because of a schedule conflict), and have attended most of the 36 previous conventions … and then last year, without any sort of notice or explanation, I wasn’t invited. I was recovering from last year’s pancreas operation, so I probably wouldn’t have been able to show up anyway, but I wondered why nonetheless.

This year, I have an explanation … just not a good one. It appears, in an effort to be fair to young new writers, Readercon has been sending out form email letters to older authors such as myself (everyone known to have received the letter is male and above age 50), telling them that they’ve been dropped from the program participant list and therefore will not be invited guests.

Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.

So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.

I haven’t received the letter … but neither have I been invited. As I said, I wasn’t invited last year either, nor was I ever offered a reason why. To their program chair, I sent a polite letter calmly explaining why the letter is demeaning, insulting, and for the convention disastrously short-sighted; the response I got was a “so sorry you feel that way” blow-off. This pretty much confirms that I’ve been cast into the outer darkness for being … well, let’s not go there. And even if I’m not on the “past pro” list, I won’t come to a convention that would treat my friends and colleagues this way.

I mention this because I usually see at Readercon quite a few people who follow this page. Sometimes they bring copies of my books so I can sign them, and they need to know in advance not to use valuable suitcase-space. Sorry, guys … this year, it’s Boskone and the Hong Kong SF Forum only. At least those conventions still have respect for senior authors.

A month ago Ian Randall Strock said he got the letter and named two others who’d received it:

It seems Readercon has begun their apparently new tradition of uninviting past guests. Last year, it was Darrell Schweitzer. Today, I got the letter, as did Warren Lapine.

Anyone else get the email (under the subject line “Thank you for your service to Readercon”) starting out “There’s no easy way to say this, so I’ll be straightforward: you won’t be receiving an invitation to participate in programming for Readercon 29.”?

Another thought occurs: are they only doing this to folks who are also dealers, thinking we’ll be there anyway? I’ll have to run the numbers to see if it’s worth attending.

Readercon 29 takes place July 12-15 in Quincy, MA.


  • February 3, 1993 Star Trek: Deep Space Nine premiered in television syndication.


  • Born February January 3, 1892 – J.R.R. Tolkien [never mind….]


  • Mike Kennedy sends Pearls Before Swine with an observation that sounds just like the kind of dismal thing Kurt Vonnegut would come up with. So you’ll love it, right? (?)
  • John King Tarpinian discovered a horrific satirical cereal box in Off the Mark. (Was that a description or a pleonasm?)
  • JJ admires Grant Snider’s The Specter of Failure at Incidental Comics.
  • Via RedWombat –

(10) ARE YOU SURPRISED? Mental Floss tempts readers with “16 Surprising Facts About Ray Bradbury’s Fahrenheit 451”. Some are no more surprising than this —


A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word “The Fireman” that he wrote in that time period. The author would later refer to the short story as “the first version” of the eventual novel. But over the years, he would often speak about “The Fireman” and Fahrenheit 451 interchangeably, which has caused some confusion.


Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:

“I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it.”


Bradbury’s nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing “The Fireman.”

(11) NOT YOUR TYPICAL FLORIDA MAN STORY. From Futurism, “Florida Man Becomes First Person to Live With Advanced Mind-Controlled Robotic Arm”.

Prosthetics have advanced drastically in recent years. The technology’s potential has even inspired many, like Elon Musk, to ask whether we may be living as “cyborgs” in the not-too-far future. For Johnny Matheny of Port Richey, Florida, that future is now. Matheny, who lost his arm to cancer in 2005, has recently become the first person to live with an advanced mind-controlled robotic arm. He received the arm in December and will be spending the next year testing it out.

The arm was developed by Johns Hopkins Applied Physics Lab as part of their program Revolutionizing Prosthetics. The aim of the program, which is funded by the Defense Advanced Research Projects Agency (DARPA), is to create prosthetics that are controlled by neural activity in the brain to restore motor function to where it feels entirely natural. The program is specifically working on prosthetics for upper-arm amputee patients. While this particular arm has been demoed before, Matheny will be the first person to actually live with the prosthesis. The program does hope to have more patients take the tech for a longterm test run, though.

(12) FROM SOMEWHERE BESIDES LAKE WOEBEGONE. Since the firing of Garrison Keillor A Prairie Home Companion has a new host and a new name – Cat Eldridge reviews “Live from Here, the show formerly known as APHC, hosted by Chris Thile” at Green Man Review.

… Where Kellior was the sedate, downbeat host who wanted you to be part of the Lake Woebegon community, Thile is more than a bit manic, bouncing around in delight apparently as he gets to interact with musicians and other folk who he obviously admires a lot. APHC put me to sleep, LFH is definitely designed to keep me actively listening.

Shovel & Rope, a really good Americana couple, is dok good a bluesy travel song as I listen this moment. (By now I’d usually have decided to turn Kellior off.) Some minutes later, Gabby Moreno is playing a very lively (I think) a Tex-Mex song. Need I say Thile is really excited like her being on Live from Here?

… I’m an hour in and still not even close to tuning out though the comedy riff just now was meh but I’m not a fan of most such comedy anyways. That segued into a very nice and quite tasty bit of jazzy music by Snarky Puppy which is enhanced by the production team cleverly positioning mics in the audience which is more than a bit raucous all show long which they really demonstrate when Chris musically deconstructs  ‘I’ll Be There’ in words and music….

(13) FAR SIDE OF THE KERFUFFLE. Most of the post is more abuse, so won’t be excerpted here, but Vox Day hastened to say Foz Meadows won’t be getting an apology from him: “I’ll take ‘things that will never happen’”. He adds —

Third, Dave Freer didn’t sic me on anyone about anything. I don’t recall having any communication with him in years. I just checked my email and I haven’t received even a single email from him since I set up my current machine in April 2016. Nor have I spoken to him.

(I’m not creating an Internet Archive page for this one so people can somehow feel okay about insisting on reading the insults.)

(14) COUGH IT UP. Add this contraption to the list of things science fiction never predicted: “When The Flu Hits Campus, The Gesundheit Machine Will Be Ready”.

Those sick enough will get sent around the corner to a room with a crazy-looking, Rube-Goldberg-like contraption known as the Gesundheit machine.

For half an hour, the student sits in the machine. As the student breathes, the machine collects whatever virus they’ve got from the droplets in their breath.

The researchers will then use the student’s contacts to try to figure out how infections spread from person to person: “roommates, study buddies, girlfriends and boyfriends,” Milton says. “We’re going to swab them every day for a week to see if they get infected.”

If the student’s contacts get infected, researchers will try to pin down whether they got the bug from the original subject or someone else.

“We’re going to deep sequence the genetic code of the agent to see if it was really exactly the same thing,” Milton explains. He’s aware that confirming that your roommate gave you a horrible flu could ruin some perfectly nice relationships, but it’s for science.

(15) MELTING, MELTING. BBC tells how “Space lasers to track Earth’s ice”.

Ice is the “climate canary”. The loss, and the rate of that loss, tell us something about how global warming is progressing.

In the Arctic, the most visible sign is the decline of sea-ice, which, measured at its minimum extent over the ocean in September, is reducing by about 14% per decade.

At the other pole, the marine floes look much the same as they did in the earliest satellite imagery from the 1960s, but land ice is in a negative phase.

Something on the order of 160 billion tonnes are being lost annually, with most of that mass going from the west of the White Continent.

(16) STAR WARS MEETS PETER RABBIT. Daisy Ridley is still a rebel. And a rabbit.

[Thanks to Cat Eldridge, Bill, JJ, John King Tarpinian, John Picacio, Carl Slaughter, Chip Hitchcock, Andrew Porter, Mark Hepworth, Chris Garcia, Will R., Vox Day, StephenfromOttawa, Christopher Rowe, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Weird Tales at 90

Weird Tales is celebrating its 90th anniversary this month, a magazine that has suffered more than a few fits and starts in its existence.

The first editor was canned after 13 money-losing issues. When asked to take over the reins H. P. Lovecraft turned down the magazine’s founder J. C. Henneberger because he didn’t want to relocate to Chicago. “Think of the tragedy of such a move for an aged antiquarian,” the 34-year-old writer proclaimed.

Weird Tales enjoyed a sustained run from 1923 to 1954. Then it suffered many changes in ownership and long gaps in publication — although it may be in the spirit of things that a magazine about the weird and macabre has needed to be resurrected from the dead so frequently.

The last revival seems to have taken. Since 1988 the magazine has made a transition to the internet, won a Best Semiprozine Hugo (2009), and survived a major kerfuffle that cost it a couple of well-known contributors.

 [Thanks to John King Tarpinian for the story.]

George Scithers (1929-2010)

One of the very few fans who did it all, George Scithers, died of a heart attack on April 19 at the age of 80.

He was a small press publisher, fiction writer, prozine editor, Worldcon chair, and Hugo-winning fanzine editor.

His plaid jacket was almost as well-known as Ben Yalow’s bow tie. Scithers was Fan Guest of Honor at the 1979 NASFiC (NorthAmericon) and the 2001 Worldcon (Millennium Philcon)

It was as an editor Scithers engraved his mark on the science fiction and fantasy fields.

Scithers was the founding editor of Isaac Asimov’s Science Fiction Magazine (1977), for which he won the Hugo twice, in 1979 and 1981. After he departed Asimov’s (1982), Scithers edited Amazing until 1986 and thereafter was active in the revival of Weird Tales.

It’s in every prozine editor’s interest to cultivate new talent, but while Scithers was at Asimov’s that was his profound mission and made him highly visible at conventions and in workshops.

He published a fanzine, Amra, devoted to sword-and-sorcery fiction (indeed, the term first appeared in its pages.) It won the Best Fanzine Hugo in 1964. Although Robert A. Heinlein never wrote anything for the zine, he dedicated Glory Road to “George H Scithers and the regular patrons of the Terminus, Owlswick, and Ft Mudge Electric Street Railway” (the latter being a press name for Scithers’ fanac) because the book was inspired by Scithers’ postcard asking the question, `What happens after the Hero wins the hand of the princess and half the kingdom.’”

Scithers chaired Discon, the 1963 Worldcon, attracting 600 fans to Washington D.C. Afterward he wrote The Con-Committee Chairman’s Guide: The Story of Discon I (1965), reflecting the kinder and gentler days of single-track programming. When I was working on the Nolacon II program in 1988 Bruce Pelz showed me Scithers’ remarks: “For the Discon, we set up most of the convention program in July, which seemed early enough to us…” I had a long, hysterical giggle.

Before embarking on a career in sf, Scithers was a West Point graduate who retired as a lieutenent colonel, a Signal Corps officer who had seen service in the Korean War. He was still in the service when I first met him.

Scithers founded specialty publisher Owlswick Press in 1973. Its eclectic titles included To Serve Man, the cannibal cookbook.

He also edited numerous anthologies, the latest being Cat Tales: Fantastic Feline Fiction (2008) and very recently Cat Tales 2, according to John Betancourt.

In 1992, Scithers and Darrell Schweitzer won a World Fantasy Award for their work on Weird Tales. At the 2002 World Fantasy Convention in Minneapolis, both Scithers and Forrest J Ackerman won World Fantasy Lifetime Achievement Awards.

John Betancourt reports that cards may be sent to Scithers’ longtime partner, Larry Fiege, at 218 Blandford St., Rockville, MD 20850-2629.

Hugo Win Makes Weird Tales Editor a Local Celeb

Weird Tales’ winning the Best Semiprozine Hugo made a splash in editor Ann VanderMeer’s hometown paper, the Tallahassee (FL) Democrat:

She was all glammed-up for this year’s tony World Science Fiction Convention, attended by roughly 5,000 fans and industry people and known as a Really Big Deal in the sci-fi world. Decked out in a new ankle-length, pink-and-white flowered dress and pink shoes, VanderMeer was there as the fiction editor for Weird Tales, a dark-fantasy and sci-fi magazine first published in 1923. The magazine had been nominated for a Hugo Award.

But neither she nor the magazine’s editorial and creative director, 34-year-old Stephen Segal of Rockville, Md., thought they had much of a chance to win the “Best Semiprozine” award. Weird Tales (which has a circulation of 5,000 to 8,000, VanderMeer said) had never won – or even been nominated – for the award, which is given to the best small-press magazine with part-time staff.


Many people in Tallahassee link science fiction and the name VanderMeer with Ann’s husband, Jeff, a sci-fi writer. They’ve been married for seven years. Ann was married before, and has two grown children and a grandson. Ann and Jeff were long-time friends who shared a love of sci-fi and fantasy.

Since marrying, they’ve edited several anthologies together, including two “Best American Fantasy” collections from Prime Books.

For Ann, finding small fantasy-story gems has long been a passion. She started her own magazine, Silver Web, in 1988 in order to publish good sci-fi and fantasy. (Her last edition – she generally printed from 500 to 2,000 issues – came out in 2002.) And though she earns a small paycheck now for her work as a fiction editor at Weird Tales, it continues to be primarily a labor of love.

[Thanks to Michael Walsh for the link.]

Nelson Bond Remembered

Nelson Bond’s alma mater, Marshall University in West Virginia, has not only archived his papers, it recently dedicated a room which recreates the office in his home where he wrote his stories.

Though Nelson didn’t live to see it — he died in 2006, just shy of his 98th birthday — Marshall University unveiled the Nelson Bond Room last month. It’s on the third floor of the James E. Morrow Library, behind a plate glass window. The same metal shelves that once lined the walls in his basement display copies of the magazines that hold his stories, with cover art ranging from the elegant paintings adorning issues of Bluebook magazine to the garish science fiction scenes fronting copies of Weird Tales and Thrilling Wonder Stories. Also displayed: the cumbersome Dictaphone set that Nelson used to compose his stories….

[Thanks to Andrew Porter for the link.]