Pixel Scroll 1/6/24 10 Pixels To Scroll, Number 9 Will SHOCK You

(1) 2024 IS LAST YEAR KRESS AND WILLIAMS RUNNING TAOS TOOLBOX. Taos Toolbox, a two-week master class in writing science fiction and fantasy helmed by authors Nancy Kress and Walter Jon Williams, is open for submissions.

And as part of the announcement Williams told Facebook readers, “This will be the last year that Nancy and I will be doing this. Taos Toolbox may continue under new management (it’s under discussion), but Nancy and I won’t be running things.”

This year’s Taos Toolobox workshop will take place June 2-15, 2024, in Albuquerque, New Mexico.

Special Guest for 2024 is the creator of The Expanse, James S.A. Corey, in reality the writing team of Daniel Abraham and Ty Frank…

Special lecturers this year include Jeffe Kennedy, who currently holds the office of President of the Science Fiction Writers of America. She’s been widely published and has special expertise in indiepub, and owns her own press.

The second special lecturer is Diana Rowland, who at various times been an Air Force pilot, a Las Vegas card dealer, a detective for a sheriff’s office in Louisiana, and a morgue assistant, occupations that contributed to writing her Demon and White Trash Zombie series.

(2) MISSING ROYALTIES. Authors are the hidden victims of the cyber-attack on the British Library, which has prevented them receiving an annual rights payment. The Guardian explains: “Richard Osman among authors missing royalties amid ongoing cyber-attack on British Library”.

…In February 2023, those authors would have been paid thousands of pounds each from Public Lending Right (PLR) payments – money earned by writers, illustrators and translators each time a book is borrowed. But not this year.

Ongoing fallout from a massive cyber-attack means that PLR payments will not be paid as expected while the British Library, which manages the service, fights to restore its crippled systems.

Every time an author’s book is borrowed from a library, they get about 13p, capped at £6,600 a year. To authors like Osman and JK Rowling, whose first Harry Potter book was also on last year’s top read list, this might be a drop in the ocean, but for many authors whose books are library favourites it is a different matter….

The British Library was hit by a cyber-attack at the end of October. At the time, its chief executive, Sir Roly Keating, said that access to even basic communication tools such as email was initially lost. “We took immediate action to isolate and protect our network but significant damage was already done.

“Having breached our systems, the attackers had destroyed their route of entry and much else besides, encrypting or deleting parts of our IT estate.”…

(3) STEVE VERTLIEB MEDICAL UPDATE. File 770 contributor Steve Vertlieb was briefly hospitalized after suffering a mini-stroke on January 4. He told Facebook friends:

Well, there’s good news and bad news early in the new year. The bad news is, that while at needed physical therapy for my balance on Thursday afternoon, I began babbling unintelligibly. I knew what I wanted to say to my trainers but, when it physically left my lips, it became distorted beyond recognition, rather like mumbling incoherently in my sleep.

They called an ambulance and rushed me to nearby Nazareth Hospital where I spent the next twenty-four hours.

I continued complaining, while in the ambulance, that I simply wanted to go home but they drove me, instead, to the Emergency Room.

I began recovering once we reached the waiting hospital. However, to be on the safe side, they kept me overnight in a hospital room. I knew that I must have been returning to “normal,” however, when I began cracking jokes.

It appears that I must have suffered a “T.I.A,” or what’s called a “mini-stroke.” However, following that isolated assault on my sensory nerves, the seemingly isolated attack that apparently came out of nowhere somehow abated and I’ve recovered.

I had a single previous occurrence some eighteen months earlier on what was to have been my last night in Los Angeles. It’s frightening. I can tell you that. The wiring in your brain goes … you should excuse the expression … “haywire.”

I asked the doctors what I can do to keep this from happening again. They said “You’re doing it. You’re taking all the right medications. Just keep an eye out for trouble signs in future.”

What’s the good news, you may well ask?????????? Well, the simple answer is that I’m Home once more!!!!!!!!!! Unlike the esteemed Mr. Bond, I’m “shaken, yet stirred.” “Toto, We’re home …. We’re Home.”

(4) SFWA’S COPYRIGHT OFFICE RESPONSE. Following up SFWA’s October 30th comments to the Copyright Office, they had the opportunity to respond to some of the many other comments received. With over 9,000 responses, SFWA “focused on specific aspects of the conversation around fair use that we felt were not given due attention, as well as to raise concerns that are unique to our community.” Their 10-page response document can be downloaded from Regulations.gov at the link.

One topic SFWA discussed is the scraping of content that is offered free to readers by online sff magazines.

…SFWA acknowledges the problem of generative AI scraping pirated material published as copy-protected ebooks by professional publishers, but SFWA additionally has the unique position of representing many authors who have fought to make their work available for free for human readers. Over the last twenty years, many science fiction and fantasy authors of short fiction have embraced the open Internet, believing that it is good for society and for a flourishing culture that art be available to their fellow human beings regardless of ability to pay. That availability is not without cost; it is quite difficult to bring an online magazine to market, and being freely available has never meant abandoning the moral and legal rights of the authors, nor the obligation to enter into legal contracts to compensate authors for their work and spell out how it may and may not be used. But on balance, many writers and fans believe that freely sharing stories is a good thing that enriches us all.

The current content-scraping regime preys on that good-faith sharing of art as a connection between human minds and the hard work of building a common culture. The decision to publish creative work online to read and share for free is not guaranteed; it is a trade-off of many factors including piracy, audience, and the simple (albeit elusive) ability to make a living. In too many comments to enumerate here, individual authors have made clear that they regard the use of their work for training AI to be another important factor in that mix, and the ultimate effect on the short fiction marketplace and its role in our culture is far from certain. Bluntly, many authors do not want their work taken for this purpose, and that cannot be ignored.

“If my work is just going to get stolen, and if some company’s shareholders are going to get the benefit of my labor and skill without compensating me, I see no reason to continue sharing my work with the public — and a lot of other artists will make the same choice.” (N. K. Jemisin, COLC-2023-0006- 0521)

The developers of AI systems seem to believe that a green light to use scraped copyrighted work will result in a clear field for them to continue freeloading forever; we fear rather that it will result in large swathes of artistic work removed from the commons, locked behind paywalls and passwords to the detriment of all….

(5) AURORA AWARDS. [Item by Danny Sichel.] The Eligibility Lists for this year’s Aurora Awards are open. If you’re aware of any genre work produced by Canadians, submit it. (CSFFA membership required — $10 – to make an addition to the lists.)

(6) WESTERCON 2025 UP FOR ADOPTION. Kevin Standlee announced a “Committee Formed to Select Site of 2025 Westercon” at Westercon.org.

Because no bid filed to host Westercon 77, selection of the site of the 2025 Westercon devolved upon the 2023 Westercon Business Meeting held at Westercon 75 (in conjunction with Loscon 49) in Los Angeles on November 25, 2023. The Westercon 75 Business Meeting voted to award Westercon 77 to a “Caretaker Committee” consisting of Westercon 74 Chair Kevin Standlee and Vice Chair Lisa Hayes with the understanding that they would attempt to select a site and committee to run Westercon 77 and transfer the convention to that committee.

Any site in North America west of 104° west longitude or in Hawaii is eligible to host Westercon 75. There are no other restrictions other than the bid has to be for dates in calendar year 2025. All other restrictions in the Westercon Bylaws are suspended, per section 3.16 of the Westercon Bylaws.

To submit a bid to the 2025 Caretaker Committee to host Westercon 77, contact Kevin Standlee at [email protected], or send a paper application to Lisa Hayes at PO Box 242, Fernley NV 89408. Include information about the proposed site, the proposed dates, and the proposed operating committee. The Caretaker Committee asks that groups interested in hosting Westercon 77 contact them by the end of February 2024.

Should the Caretaker Committee be unable to make a determination for a site for Westercon 77 by Westercon 76 in Salt Lake City (July 4-7, 2024), and assuming that no bid files to host Westercon 77, the Caretaker Committee will ask the Business Meeting of Westercon 76 for additional guidance on how to handle Westercon Site Selection.

(7) MOVING FORWARD – AT OLD MAN SPEED. Tor.com notified those not reading Bluesky that “Netflix’s Adaptation of John Scalzi’s Old Man’s War Is Still In The Works”.

We first found out that Netflix optioned the rights to John Scalzi’s Old Man’s War over six years ago, back in December 2017. It’s not uncommon for things to get optioned but never get made (Old Man’s War, in fact, had been previously optioned by Paramount and Syfy without making it to the production stage), but it sounds like the Netflix movie adaptation is still moving forward.

Scalzi gave an update on the project over on Bluesky yesterday, where he said that work on it is “slowly but surely moving along.”…

(8) COPPOLA’S NEXT APOCALYPSE. Another long-awaited sff project finished filming last year and should actually get released sometime: “Francis Ford Coppola Says ‘Megalopolis’ Is Coming Soon” at Collider.

Francis Ford Coppola is renowned as the mastermind behind some of the greatest pieces of cinema in history but as all legends do, he refuses to rest on his laurels and he’s preparing to release his first film in over a decade with his self-funded star-studded sci-fi drama, Megalopolis. The film has been mired by a number of setbacks, but filming wrapped on the project back in March. And now, we won’t have much longer to wait for it to arrive, as Coppola revealed on the latest episode of The Accutron Show.

The film has an eye-watering array of talent attached, including Adam Driver, Forest Whitaker, Nathalie Emmanuel, Jon Voight, Laurence Fishburne, Aubrey Plaza, Shia LaBeouf, Chloe Fineman, Kathryn Hunter, Dustin Hoffman, DB Sweeney, Talia Shire, Jason Schwartzman, Bailey Ives, Grace Vanderwaal, James Remar, and Giancarlo Esposito.

All that’s known so far about the film so far is that it has a futuristic setting and that it will revolve around the idea of humanity attempting to build some sort of utopian society in the wake of a natural disaster. Other than that, it’s anybody’s guess, and Coppola isn’t up for explaining more quite yet.

(9) WAS THIS THE BEST SF OF 2023? [Item by SF Concatenation’s Jonathan Cowie.] Every January the SF2 Concatenation have an informal survey as to the best SF novels and films of the previous year. It is strictly informal and a bit of fun, enabling team members see what more than one of the others rate. The years have shown that this informal survey has form in that invariably some of the chosen works go on to be short-listed, and sometimes even win, major SF awards later in the year. SF² Concatenation have just advance-posted their selection for 2023 as part of the “Best Science Fiction of the Year Possibly?” post. Scroll down to see how previous years’ choices fared…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 6, 1905 Eric Frank Russell. (Died 1978.) So let’s talk about the British writer Eric Frank Russell. His first published piece of fiction was in the first issue of Tales of Wonder called “The Prr-r-eet” (1937). (Please don’t tell me it was about cats.) He also had a letter of comment in Astounding Stories that year. He wrote a lot of such comments down the years. 

Eric Frank Russell

Just two years later, his first novel, Sinister Barrier, would be published as the cover story as the first issue of Unknown. His second novel, Dreadful Sanctuary, would be serialized in AstoundingUnknown’s sister periodical, in 1948.

At Clevention, “Allamagoosa” would win a Short Story Hugo.  The Great Explosion novel garnered  a Prometheus Hall of Fame Award.

Now let’s note some reworkings he did as I like them a lot. Men, Martians and Machines published in 1955 is four related novellas of space adventures at their very best. 

The 1956 Three to Conquer, nominated for a Hugo at NY Con II is a reworking of the earlier Call Him Dead magazine serial that deals with an alien telepath and very well at that. Finally Next of Kin, also known as The Space Willies, shows him being comic, something he does oh so well. It was a novella-length work in Astounding first.

And then there’s the Design for Great-Day novel which was written by Alan Dean Foster. It’s an expansion by him based off a 1953 short story of the same name by Russell. I’m pretty familiar with Foster has done but this isn’t ringing even the faintest of bells. Who’s read it? 

He wrote an extraordinary amount of short stories, around seventy by my guess. 

(My head trauma means numbers and I have at best a tenuous relationship. I once counted the turkeys left over after we distributed them at a food pantry I staffed pre-knee injury. Three times I counted. I got, if I remember correctly now, twelve, fifteen and eighteen birds. I had someone else do it.)

Short Stories Collection is the only one available at the usual suspects. He’s an author who needs a definitive short story collection done for him. 

(11) COMICS SECTION.

  • Free Range shows there are always lines.
  • Edith Pritchett’s cartoon for the Guardian recalls how “I climbed the tube station steps and entered another dimension.” Steven French adds, “Of marginal genre interest but having walked up those steps, this made me laugh!”

(12) PIONEERING WOMAN COMICS ARTIST RETIRES. BoingBoing pays tribute as “Aquaman, Metamorpho, and Brenda Starr cartoonist Ramona Fradon retires”.

Famed cartoonist Ramona Fradon is retiring at the age of 97, according to a January 3 announcement from her comic art dealer Catskill Comics….

An extremely long run, indeed. Her comic book career started in 1950, and her career highlights include a 1959 revamp and long run on Aquaman, the co-creation of DC’s offbeat superhero Metamorpho with writer Bob Haney in 1965, a run on Super Friends in the 1970s, and the comic strip Brenda Starr, Reporter from 1980-1995.

She also was a pioneer, as one of the only women working in comics during the first decades of her career.

Cartoonist and curator of the Cartoon Art Museum in San Francisco Andrew Farago wrote on BlueSky, “Ramona Fradon retires today at the age of 97, just a little shy of Al Jaffee’s retirement age of 99. Not sure if that means that cartooning keeps you young or if it just means that cartooning keeps you broke, but what a body of work she’s produced over the past eight decades!”…

(13) WHAT THEY WILL READ IN 2024. “’I want some light in my life’: eight writers make their new year reading resolutions “ – the Guardian’s collection of quotes includes a declaration from Sheena Patel.

‘I’m turning to sci-fi and dystopia’
Sheena Patel

I have a fascination with sci-fi that is purely theoretical. I often think about reading it but never make any attempt to go near such books because I am afraid of the imagination I will find there. Perhaps I haven’t felt I can really access the genre because sci-fi feels like what Black and Brown people can go through on a daily basis. We’re still in an age of empire, even though we are distracted from this knowledge.

I do love sci-fi films though. I had a true epiphany when I saw Jonathan Glazer’s Under the Skin at the cinema. It was so strange, the alien mixed with the mundane, documentary spliced with fantastical set pieces. Next year I think I will read the Michel Faber book from which the movie was adapted.

In 2024 I also want to tackle Frank Herbert’s Dune books. Earlier this year, I watched the film on my laptop maybe 50 times. At first, I hated it, but then I totally fell in love with it – the visual representation of different worlds opened my mind. Throat singing and nomadic desert tribes could be used as a mood board for the future, but this is already happening now in communities that are regarded as “primitive”. It is the future because it is eternal – such a beautiful thought.

We are fed so much dystopia that reading it in fiction feels hard – but, as the world burns, maybe it is a good idea to hear from artists about where we might be heading. So the other three titles I will try are classics: Octavia E Butler’s KindredStanisław Lem’s Solaris and The Left Hand of Darkness by Ursula K Le Guin. The present feels so bleak, and our vision of the future so foreshortened, it almost seems like tempting fate – but, without science fiction, how can we dream?

I’m a Fan by Sheena Patel is published in paperback by Granta

(14) HOOFING IT TO MOUNT DOOM. They say “One does not simply walk into Mordor,” but apparently they exaggerated. The Conqueror Virtual Challenges is a thematic program to encourage you to exercise by walking, running, and biking, with solo variations costing from $49.95 to bundles costing $299.95 and up. This link takes you to All 8 LOTR Conqueror Virtual Challenges.

Follow Frodo and Aragorn on an epic journey across Middle-earth with the ULTIMATE THE LORD OF THE RINGS Virtual Challenge Series.

Walk, run or cycle all the way from The Shire to Mount Doom in an epic adventure with one goal – destroying the One Ring. Complete this unforgettable saga by following Aragorn into battle and restoring peace to Middle-earth.

(15) CITY OF HEROES. “11 years after this cult classic superhero MMO was shut down, the original publisher has given its blessing to the community’s custom servers” reports GamesRadar+.

Despite the shutdown of the beloved superhero MMO City of Heroes over a decade ago, fans have been keeping it alive for years with a variety of custom server efforts. Now, one of those projects has just gotten the blessing of the game’s original publisher and license holder, NCSoft.

City of Heroes: Homecoming made the surprising announcement earlier today that “Homecoming has been granted a license to operate a City of Heroes server and further develop the game – subject to conditions and limitations under the contract.” The Homecoming project will remain free and donation-funded, and while there are a few changes to how the project is being managed, it doesn’t look like players will see any meaningful differences in the game itself.

“NCSoft has always had (and will continue to have) the right to demand that Homecoming shuts down,” as the announcement notes. “This agreement provides a framework under which Homecoming can operate the game in a way that complies with NCSoft’s wishes in hopes of minimizing the chances of that happening. We’ve had a really positive and productive relationship with NCSoft for over four years now, so we do not anticipate there being any issues.”…

…The question mark that currently weighs over the license for Homecoming is what this means for other custom server projects, like City of Heroes Rebirth. Today’s announcement notes that “other servers are out of scope” for this license, and the devs say that “our hope is that our license will help us consolidate our userbase with City of Heroes fans from other servers.” There’s already a bit of fear in the community that other private servers might start to disappear following this news, but only time will tell what will happen on that front….

(16) RECORDS BROKEN. Gizmodo tells why “Doctor Who’s New Streaming Home Has Been a Huge Success” – that is, for viewers who can accesss the BBC platform.

To celebrate Doctor Who’s 60th anniversary last year, the BBC made a huge, unprecedented move: for the first time, almost the entirety of Doctor Who, from episodes from 1963 all the way up to the then-airing anniversary specials, would be made available to stream in the UK in one place, on the BBC’s own streaming platform iPlayer. And it turns out doing so has helped the BBC break streaming records over the festive period.

The corporation has announced that Doctor Who—and most specifically Doctor Who episodes from 2005 onwards—were streamed 10.01 million times over the week between Christmas Day and New Year’s Eve, helping the platform break a previous record for streamed content for the week between January 2 and January 8, 2023, with 177 million programs being streamed in total….

It’s hard to say just how that success has panned out internationally, however. The BBC’s new deal with Disney to stream Doctor Who on Disney+ everywhere but the UK and Ireland only covers new episodes from the 60th anniversary onwards—other contemporary and classic Doctor Who access is spread out on various platforms elsewhere, such as Britbox for classic Doctor Who and Max for post-2005 Doctor Who.

(17) MY BLUE HEAVEN(S). [Item by Mike Kennedy.] So you know how astronomers are always using false color images to show this detail or that detail or what something would look like if it was only in the visible spectrum or some such? well, those can leave lasting misimpression.

New images showing color-corrected true-color likenesses of Uranus and Neptune show the latter ice giant—rather than being a dark blue—is only slightly darker than the former.  “True blue: Neptune only slightly deeper colour than Uranus, say Oxford scientists” in the Guardian.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kevin Standlee, Kathy Sullivan, Danny Sichel, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley  for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 12/22/23 Lot 97! One Child’s Space Suit, Never Travelled In

(1) FUTURE TENSE. The December 2023 entry in the Future Tense Fiction series is “Rigland,” by Suyi Davies Okungbowa. The story is about oil rigs and what we owe to our communities.

It was published along with a response essay by journalist Mia Armstrong-López: “What if Oil Platforms Belonged to the People Who Worked on Them?”.

…When I set out to report on Mexican women working offshore, I expected to focus on harassment, discrimination, and abuse and the grueling labor conditions that facilitate them. Women are in the minority on platforms—one interviewee was the only woman among dozens of men; others recounted being in groups of only five or 10 women on an entire platform, outnumbered 1 to 10 or 20. The conditions they face are often punishing: In Mexico, platforms are isolated with limited communication, living situations are dorm-style and sometimes coed, and many workers have short-term contracts with little protection. The work is dangerous—they’re exposed to heavy machinery, harsh weather, and hazardous chemicals.

I heard plenty of stories of these precarious conditions—women who were spied on while they showered or changed, discriminated against due to pregnancy, and verbally abused. But more often, women shared experiences like the fishing story. They wanted to tell me about spending hours carving tomatoes to look like flowers to make a meal feel more special; about coordinating workers to bring their favorite candies to stuff holiday piñatas so they would all feel less alone; about learning to teach yoga, helping their colleagues relieve the years of work-related pain and exhaustion their bodies had come to carry. They told me these stories not to excuse or brush over the other, darker realities of working offshore but to show me, Look what we’ve built, despite it all….

(2) ANOTHER DAY IN COURT. Michele Lundgren, charged as a Michigan fake Trump elector in July, was back in court on December 13 along with five other defendants to hear testimony before a judge who will eventually rule whether the Michigan Attorney General’s office has established probable cause for the felony charges to proceed to trial. “Michigan elections director says he contacted AG on false electors” in the Detroit News. Michele Lundgren is the wife of Carl Lundgren, a well-known sff artist.

Michigan elections director Jonathan Brater testified in court Wednesday that he contacted the Attorney General’s office after finding out about a certificate state Republicans signed falsely claiming Donald Trump won the 2020 presidential election.

Brater’s revelation highlighted the first day of preliminary examinations in the criminal cases of six of the 16 Republicans whose names appeared on the certificate, which was part of an attempt to flip Michigan’s 16 electoral votes to Trump although Democrat Joe Biden won Michigan in November 2020.

Over about seven hours of testimony in Ingham County District Court, prosecutors from Attorney General Dana Nessel’s office and defense lawyers repeatedly clashed over what the importance of the false certificate was, Michigan election law and even who could be in the courtroom.

The examinations will continue Thursday with Ingham County District Court Judge Kristen Simmons eventually having to decide whether the Attorney General’s office has established probable cause for the eight felony charges it’s brought against each of the Republicans to proceed to trial….

(3) KEEP A HANKY READY. Camestros Felapton’s “Smith Rewatch: Vincent and the Doctor”. Maybe cue Judy Garland singing, “You made me love you / I didn’t want to do it….”

…Let’s make it potentially worse by adding in a writer against which Moffat’s attraction to twee Britishisms and romcoms looks positively restrained. Richard Curtis getting to write floppy haired Matt Smith as a surrogate Hugh Grant sounds like a recipe for disaster.

And yet, this is one of the most beloved episodes of Doctor Who — perhaps more with its general normy audience rather than die-hard Who fans but still one that is often pointed at. I think I went into this episode feeling cynical, I’ll concede the ending touched me but it felt messy to me at the time. On rewatch? I’ll confess that I started tearing up much earlier than the plot demanded. It is very sentimental but a good rule for Who is to always go a little bit extra with whatever direction the story is heading….

(4) THE NEW DOCTOR. [Item by Steven French.] In the run up to the Xmas special, Ncuti Gatwa on Xmas, family and Dr Who: “Ncuti Gatwa: ‘I know many a gay man who’s exactly like the Doctor’” in the Guardian.

 “We choose our families. And the Doctor is a lonely wanderer, looking for their next adventure … I know many a gay man, MANY a gay man, I could describe that way!” He laughs. “I think that’s a beautiful, beautiful theme Doctor Who has, because chosen family can be more meaningful, more supportive. That really can be the case, and it’s a theme that absolutely runs through the show.”

(5) ORIGIN OF THE SPECIES. “Can the Oompa-Loompas Be Saved?” The New York Times seriously doubts it, if the answer depends on finding a way to make them politically correct.  

What do we do with the Oompa-Loompas?

That’s a question filmmakers and writers have tangled with ever since the 1964 debut of the tiny, largely unpaid laborers in Roald Dahl’s beloved children’s book “Charlie and the Chocolate Factory.”

In Dahl’s original, the Oompa-Loompas were starving African pygmies, subsisting largely on a mash of green caterpillars and tree bark until “rescued” by Willy Wonka. He smuggled the entire tribe out of Africa in packing crates to live and work, and sing and goof and dance, in the chocolatier’s plantation, er, factory.

“It didn’t occur to me that my depiction of the Oompa-Loompas was racist,” Dahl said in a 1988 interview. “But it did occur to the N.A.A.C.P. and others.”

In the five decades since their literary debut, the Oompa-Loompas have undergone a series of transformations to shake their story from its colonialist roots. Some fixes have been transparently cosmetic (in subsequent editions of the book, illustrators simply made the tribesmen white). Others weren’t fixes at all: In the 2005 film “Charlie and the Chocolate Factory,” the director, Tim Burton, just shifted continents, moving the Oompa-Loompas out of Africa to someplace that vaguely resembles South America, as imagined by an adventure film director from the 1950s.

In the Warner Bros. prequel “Wonka,” which opens Dec. 15, the filmmakers address the colonialist aspects head on…

(6) WESTERCON. [Item by Kevin Standlee.] The official papers of Westercon as of the end of Westercon 75 (Loscon 49) have been updated and are available at Bylaws & Business – Westercon

This document includes:

  • Minutes of the Westercon 75 Business Meeting
  • Links to video of the Business Meeting and the Committee of the Whole on Site Selection held thereat
  • Bylaws and Standing Rules as of the end of Westercon 75 and the Draft Agenda for the Westercon 76 Business Meeting.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 22, 1951 Charles de Lint, 72. Need I say this is just my personal choices by an author I’ve known personally for over thirty years now? I think not.

Let’s start with Moonheart, the novel that Tamson House at its heart, a most amazing architectural wonder which may be at center of the universe. It amazes me with every page. I know that’s why readers I’ve talked to pick it as their favorite of his considerable writings. The sequel, Spiritwalk, is a patch-up novel and in someways a deeper, more interesting story, mainly because the characters are more flawed.

Moonheart is set in home city of Ottawa as are these three novels. Yarrow is an autumnal tale of a woman who has stopped dreaming, and the two Jack of Kinrowan novels, Jack, the Giant-Killer and Drink Down the Moon, involve the fey courts in Ottawa. If you like War for the Oaks, I think that you will like these novels. 

Charles deLint at 1980 World Fantasy Con. Photo by and (c) Andrew Porter.

Memory and Dream is his take on artists and their work with the usual magic thrown in. Lots of pre-Raphaelite influence here, I think if I remember correctly that he has an artist named Ruskin. Very interesting. 

Someplace to Be Flying is the first of two novels set in his city of Newford that I deeply, madly love. This one introduces the Crow Girls, immortal shape shifters who just want to have fun and eat sugar. Really they do. It’s got great characters, wonderful settings and a fantastic story as does Forests of The Heart which adds a large dollop of Irish music and the green man to boot to the Newford setting.

The Mystery of Grace which was his last novel for Tor for reasons that were interesting to say the least is a fantastic story of a motorcycle riding female mechanic who may have crossed over to the other side when the veils on Día de los Muertos grew too thin in the right, or if you prefer, wrong place. Stellar writing by him. 

The Cats of Tanglewood Forest as infused with lavish illustrations by his friend Charles Vess should be read by anyone who loves cats, Appalachian folklore or just a great story. Need I say the book itself is stunningly gorgeous?  Lillian here was the girl in A Circle of Cats, the children book done by him and again illustrated by Vess. Again recommended. Medicine Road will feature a grown up Lillian. 

His newest undertaking, in which Junniper Wiles is the central character, is a mystery series and a lot of fun. More light heated than some of his fiction has been, not a bad tack to take.

So how are his short stories you say? Extraordinarily good. For over a decade before he stopped publishing them, he sent me his annual Winter chapbook on Triskell Press, a perfect treat from him. 

If I was going to recommend but one collection to read by him, it would be an easy pick and that would be Dreams Underfoot. It has “The Moon is Drownimg While I Sleep”, maybe his best story ever, and other excellent stories such as “The Sacred Fire” which was produced as an episode of the The Hunger anthology television series hosted first by Terrence Stamp and then by David Bowie  and was first shown I some twenty-five years ago. 

He did a later collection as well on his new publisher, Tachyon Press, The Best of Charles de Lint. I’ll admit I’ve not looked at its content so let me do that now. Huh, it’s up but Tachyon Press didn’t do an epub edition so he did it himself.  I will recommend it as the stories in The Very Best of Charles de Lint are those of Dreams Underfoot plus a whole more of his later work.

(8) COMICS SECTION.

  • Carpe Diem continues its Star Wars and pets imitating their owners theme.
  • Eek! has the worst gift.
  • Eek! also has a silly demonstration of a bit of monster trivia many get wrong.

(9) TO DYE FOR. The Guardian pages back to the 19th century to explain “How a European colour revolution brought us the humble Christmas card”.

What would Christmas be without the humble Christmas card? It’s hard to think of a more quintessentially British seasonal tradition than propping up colourful bits of stiff paper on your mantelpiece, but in fact we wouldn’t be sending each other bits of stiff paper were it not for a feat of pan-European collaboration – and competition – cooked up in the mid-19th century. Many of our most familiar traditions percolated down from Britain’s royal and aristocratic families, who themselves had imported many of them from their German forebears. But it wasn’t until the widespread adoption of colour printing in the 1860s that Christmas cards, first commissioned as high-status, handcrafted items in the 1840s, became cheap enough for the middle and lower classes to get their hands on them.

Some of these early mass-produced cards are on show at the Ashmolean in Oxford, as part of their Colour Revolution exhibition. To the modern eye they are pretty elaborate affairs, dating from the 1880s, with beautifully coloured floral images, silk tassels and fringes, dyed vibrant shades of purple and orange. The cards may be small but they are part of an important story, one that the exhibition aims to tell in a detailed way. It concerns the almost incalculably formative influence of the mid-19th century “chromatic turn”, in which the Victorians’ obsession with admiring, analysing and then manufacturing colour in all sorts of areas – fashion, art, design, advertising – made itself felt across Britain, France and Germany, and indeed the rest of the world.

The Ashmolean exhibition is a brilliant and fascinating show, re-creating elements of the 1862 International Exhibition in London’s South Kensington, which showcased 19th-century attempts to reconstruct the original colours of ancient Greek sculpture (including Alma-Tadema’s fabulous painting Phidias Showing the Frieze of the Parthenon to his Friends), and some elaborate late-Victorian fashions, including a gruesome necklace made from dead hummingbirds.

The show’s key element may appear slightly dusty by comparison: a section outlining the development of synthetic aniline dyes, starting in 1856 with the invention of the strident purple known as “mauveine” by young British chemist William Henry Perkin, while studying under German professor August Wilhelm von Hofmann. Discovered accidentally as Perkin was trying to produce a malaria treatment from coal tar, mauveine – and its subsequent counterparts such as fuchsine (reddish-purple), and induline (bluish red) – were cheap to produce and had enormous commercial success as, for the first time, brightly coloured fabric became affordable for large swathes of the European lower and middle classes, allowing them to indulge in fancy dresses, hats, upholstery and, yes, Christmas card tassels….

(10) SECOND TO NONE. What is the exact time? Tom Vanderbilt learned why it’s hard to tell: “In Search of Lost Time” at Harper’s.

…The night before my visit, I’d opened time.gov, the very official-looking page—headlined official u.s. time—run by NIST and the U.S. Naval Observatory. The site features a map of the United States, divided into time zones, as well as a variety of subsidiary clock displays (Chamorro Standard Time, Aleutian Standard Time) that ticked, at the second level, in seeming synchrony. I noticed that my own watch—the Garmin Forerunner 935, a “premium running watch,” which generally gets its time from four of the thirty-one operational GPS satellites encircling the globe—looked to be a second behind. Why?

This was one of the first questions I put to Judah Levine, an eighty-two-year-old JILA physicist and one of “America’s timekeepers.” “The handheld guys are typically wrong by a second or a half-second,” Levine said. “That’s because the device’s display is not fast enough.” He said this with weary resignation. White-haired, with gold-rimmed glasses, wearing a blue flannel shirt, gray work pants, and sturdy black shoes, Levine reminded me of one of those somewhat cantankerous master craftsmen you still find in certain old quarters of Brooklyn. The shelves of his office were lined with physics textbooks, and an Oregon Scientific clock—which gets a radio signal from NIST—displayed the time in blocky liquid-crystal numbers.

In fairness to my watch, Levine explained that time.gov (which had informed me that the laptop I was using had strayed “+0.012 s”) was itself off by a noticeable amount. “It takes a while for the signal to transfer across the network, which we don’t control,” he explained. The actual correct time was on display in a laboratory adjacent to Levine’s office. It appeared as a string of red digits on a device that looked like a high-end stereo amplifier. This was a display of the official time, which is kept by a series of cesium fountain atomic clocks a few miles away, at NIST’s Boulder campus, and sent via satellite to JILA. Here was the seat of temporal power, the nation’s pulsing metronome. I watched the red LED seconds tick away, bathing in their implacable authority. It was then, however, that Levine introduced another complication. The time we were looking at might actually, a month from now, be deemed incorrect….

(11) THE DOORS, NOT THE DALEKS, WERE THE REAL NIGHTMARE. “Doctor Who: TV crew member recalls genesis of the Daleks” at BBC.com.

On 21 December 1963, some of the most feared characters in science fiction first appeared on screen.

The first episode of Doctor Who in which the dreaded Daleks appeared – The Dead Planet – was broadcast on BBC television.

While the rest of the country watched from behind their sofas, Sue Webb, from Winchester, was working as a producer’s assistant at the BBC’s Lime Grove studios in Shepherd’s Bush, west London.

Sixty years on, she has been recalling the recording of this landmark moment in TV sci-fi.

Ms Webb admits to being initially unimpressed about working on the BBC’s new science fiction drama for Saturday teatimes, based on an eccentric alien, played by William Hartnell, who time travelled in a police phone box.

“It was really just another programme and not what we were used to – we’re drama darling – we do play,” she says.

She recalls the studio being “actually a bit too small”.

“We had to fit in a petrified forest and a metal city for the Daleks,” she says, adding: “It looks like cardboard boxes covered in sheets.”

As for the metallic pepperpot-shaped aliens, created by designer Raymond Cusick, Ms Webb remembers rehearsals with actors “trolleying” around on castors in just the bottom halves of the characters that would become The Doctor’s nemesis.

She says: “Daleks were difficult creatures to move around. They got very hot and the actors were very uncomfortable inside.”

Actor David Graham, along with Peter Hawkins, spoke the Daleks’ lines in a booth off-screen. Graham later worked on Thunderbirds and Hawkins was the voice of Captain Pugwash….

…”The whole episode creaks – it just doesn’t look real at all – the actual surroundings would look terribly amateur.

“The real nightmare was the set with all those sliding doors – they were supposed to rise and sometimes they didn’t.

“You have got to rise above it and accept some things are dodgy, keep fingers crossed and hope for the best.”…

(12) LITERARY MOONS. “See the James Webb Telescope’s Stunning New Image of Uranus With Its Rings and Moons Clearer Than Ever” at Smithsonian Magazine.

…Nine of Uranus’s 27 moons can be seen surrounding the planet in the new image, shining like pearls. Individual astronomers discovered the ice giant’s five largest moons between 1787 and 1948. When Voyager 2 flew by Uranus in 1986, it discovered ten more natural satellites. Since then, the Hubble Space Telescope and ground-based observations have brought the total to what it is today.

The ice giant’s moons are sometimes referred to as the “literary moons,” because they’re named for characters in Shakespeare’s plays, along with a few from the works of Alexander Pope. Those in Webb’s close-up image, moving clockwise from 2 o’clock, are called Rosalind, Puck, Belinda, Desdemona, Cressida, Bianca, Portia, Juliet and Perdita. (A second, wide-view image shows 14 moons.)…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Kevin Standlee, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/29/23 Never Feed Pixels During A Blood Moon. Why? That I Wasn’t Told

(1) NEW VONDA MCINTYRE COLLECTION. Clarion West has announced that Little Sisters and Other Stories, a collection of short fiction by Clarion West founder and life-long supporter, Vonda N. McIntyre, will be released April 23, 2024 and is available for preorder now.

With story notes by Una McCormack, this collection spans the whole of McIntyre’s career, showing the broad range of her interests and her voice, taking us from bleak dystopian worlds on the verge of environmental collapse to baroque intergalactic civilizations populated by genetically modified humans; from cries for freedom to sharp-eyed satire to meditations on aging.

Published by Gold SF, an imprint of Goldsmiths Press dedicated to discovering and publishing new intersectional feminist science fiction, the collection captures McIntyre’s distinctive themes of gender and power dynamics, human and species diversity, and a pragmatic utopianism that emphasizes our mutual dependency.

Featuring previously uncollected stories from McIntyre’s earlier career, including her first published piece, “Breaking Point” (1970), as well as McIntyre’s last two vivid and provocative pieces, the award-nominated “Little Faces” (2005) and “Little Sisters” (2015). One story, “XYY,” was intended for The Last Dangerous Visions edited by Harlan Ellison, and we are pleased to present it here for the first time. 

The ten stories in this collection include:

  • Breaking Point
  • Thanatos 
  • Shadows, Moving 
  • Elfleda 
  • A Story for Eilonwy 
  • Malheur Maar 
  • The Adventure of the Field Theorems 
  • Little Faces 
  • Little Sisters 
  • XYY

Clarion West is also actively seeking a publisher for The Curve of the World, Vonda’s last manuscript. Direct inquiries about that work and Vonda’s other stories to Jennifer Goloboy with the Donald Maass Literary Agency.

(2) AND WHEN IT ENDS, NO ONE CATCHES IT. The Westercon business meeting held at last weekend’s Loscon voted “None of the Above” when asked to pick a 2025 site, for reasons explained in Kevin Standlee’s post “Westercon 77 Site Selection Detailed Results”. Then they authorized a Caretaker Committee of Kevin and Lisa Hayes to consider proposals that may be made to host the con.

No bids filed to host the 2025 West Coast Science Fantasy Conference (Westercon 77). Nineteen voting fees were paid to vote in the election at Westercon 75 (Loscon 49) In Los Angeles on November 24, 2023, and nineteen ballots were cast. The detailed results were reported to the Westercon 75 Business Meeting on November 25. As there were no filed bids, none of the write-in votes were for valid candidates, and consequently None of the Above won, referring the selection to the Business Meeting.

The Westercon 75 Business Meeting awarded Westercon 77 to a “Caretaker Committee” consisting of Kevin Standlee and Lisa Hayes, with the understanding that this committee will entertain proposals from groups that want to host the 2025 Westercon and select from among them, then transferring the right host Westercon 77 to one of those groups. The Caretaker Committee will announce additional details on how they will proceed before the end of 2023.

(3) HOW DISCREET. Futurism uncovered that “Sports Illustrated Published Articles by Fake, AI-Generated Writers”.

…There was nothing in Drew Ortiz’s author biography at Sports Illustrated to suggest that he was anything other than human.

“Drew has spent much of his life outdoors, and is excited to guide you through his never-ending list of the best products to keep you from falling to the perils of nature,” it read. “Nowadays, there is rarely a weekend that goes by where Drew isn’t out camping, hiking, or just back on his parents’ farm.”

The only problem? Outside of Sports Illustrated, Drew Ortiz doesn’t seem to exist. He has no social media presence and no publishing history. And even more strangely, his profile photo on Sports Illustrated is for sale on a website that sells AI-generated headshots, where he’s described as “neutral white young-adult male with short brown hair and blue eyes.”

Ortiz isn’t the only AI-generated author published by Sports Illustrated, according to a person involved with the creation of the content who asked to be kept anonymous to protect them from professional repercussions.

“There’s a lot,” they told us of the fake authors. “I was like, what are they? This is ridiculous. This person does not exist.”…

… After we reached out with questions to the magazine’s publisher, The Arena Group, all the AI-generated authors disappeared from Sports Illustrated‘s site without explanation.

Initially, our questions received no response. But after we published this story, an Arena Group spokesperson provided the following statement that blamed a contractor for the content…

A disclaimer has been added to the pages noting that “a 3rd party” created the content and that Sports Illustrated editorial staff were not involved.

However, the article includes examples of the same issue with The Arena Group’s other publications.  

…Though Sports Illustrated‘s AI-generated authors and their articles disappeared after we asked about them, similar operations appear to be alive and well elsewhere in The Arena Group’s portfolio.

Take TheStreet, a financial publication cofounded by Jim Cramer in 1996 that The Arena Group bought for $16.5 million in 2019. Like at Sports Illustrated, we found authors at TheStreet with highly specific biographies detailing seemingly flesh-and-blood humans with specific areas of expertise — but with profile photos traceable to that same AI face website. And like at Sports Illustrated, these fake writers are periodically wiped from existence and their articles reattributed to new names, with no disclosure about the use of AI….

And there are further examples of other companies that have been detected running AI-generated content.

Deadline’s coverage of the Futurism news item includes the response from the Sports Illustrated Union: “Sports Illustrated Writers “Horrified” By Report About AI-Generated Stories”.

…Shortly after noon today, the Sports Illustrated Union, which bills itself as a the publication’s “united editorial staff” organized under the New Guild of New York, issued a response on social media….

(4) AI IMPACT ON PUBLISHING. Last night BBC Radio4’s Front Row general arts program took on “AI and publishing, terrible record covers, Fred D’Aguiar”.

Michael Connelly is one of several authors suing the tech company OpenAI for “theft” of his work. Nicola Solomon, outgoing Society of Authors CEO, and Sean Michaels, one of the first novelists to use AI, discuss the challenges and opportunities facing writers on the cusp of a new technological era.

(5) BANKS APPRECIATION. Eurogamer devotes an article to“Remembering Iain Banks: a prolific, terrific talent”.

…In 1996’s Excession, the fourth of Banks’s sci-fi novels set in the symbiotic human/machine intergalactic utopia of the Culture, artificial intelligence clever-clogs known as Minds entertain themselves by experimenting with the options sliders on virgin galaxies to analyse the pinballing ways in which they might evolve. This God Mode mucking about is interrupted when an inscrutable but all-powerful onyx sphere appears on the edge of Culture space. In interviews at the time Banks likened that plot development to the stomach-dropping sensation in Civilization of seeing a fleet of AI-controlled ironclad warships on the horizon when your fledgling society has barely mastered clay pots and raffia mats….

(6) A YEAR FROM NOW. Loscon 50 “Celebrating 50 Loscons” will be held next Thanksgiving Weekend at the LAX Hilton. Congratulations to the GoHs!

Guests of Honor
Writer: SPIDER ROBINSON
Musical Artist: KATHY MAR
Artist: DR. LAURA BRODIAN FREAS BERAHA
Ghost Artist: FRANK KELLY FREAS
Fan: GENNY DAZZO AND CRAIG MILLER

(7) NO CAPES ALLOWED. “Zack Snyder’s Cut: Filmmaker Talks Rebel Moon on Netflix, DC Movies” – a profile in the Hollywood Reporter.

…“It’s a compulsion,” Snyder admits on a balmy November day at his compound in the hills above Pasadena. He’s sitting in his home office, a modernist cube that also contains a screening room, an editing bay and a gym. Steps away is the pottery studio Snyder recently constructed on the property for his new hobby. Not far from that, near the pickleball court, is his family’s sprawling dwelling, a midcentury glass-and-concrete structure that bears more than a passing resemblance to Bruce Wayne’s house in Snyder’s 2016 film Batman v Superman: Dawn of Justice

Snyder’s compulsion to mold — and pull apart — has made him one of the most argued-about directors of the past couple of decades. To some, he was the savior of the DC superhero universe. To others, he was its destroyer. But his latest film, Rebel Moon, is something of a departure from his career trajectory up till now, a shift in genres, if not necessarily in tone or ambition, and perhaps a refreshing change of pace from the controversy magnets he was making in the 2010s. For one thing, his new film contains not a single comic book character for him to darkly reimagine. Instead, it’s a big-budget space epic about a group of outlaw rebels on a remote planetoid who battle an evil empire. Think Star Wars, only grittier, more violent, sexier and R-rated (at least in the negotiated director’s cut, but more on that later).

Ironically, Rebel Moon arrives on Netflix on Dec. 22, the very same date that Snyder’s former home, Warner Bros., will be releasing Aquaman and the Lost Kingdom. Snyder had nothing to do with that sequel, but technically it’s the final film in the so-called SnyderVerse, the constellation of DC comic book-inspired pictures — some of which Snyder directed, some of which he produced, most featuring actors he initially cast, like Henry Cavill in 2013’s Man of Steel, and Gal Gadot and Jason Momoa in the original 2016 Batman v Superman: Dawn of Justice — that all carry Snyder’s inimitable underglaze…. 

(8) THE SANDMAN. Variety shares a message from Neil Gaiman: “’The Sandman’ Season 2 Resumes Production, Neil Gaiman Pens Fan Letter”. Read Gaiman’s letter at the link.

Netflix has resumed production on Season 2 of “The Sandman” in London after it was initially interrupted by the Hollywood strikes.

The news comes on the 35th anniversary of the DC comic book series on which the show is based. Neil Gaiman, who wrote the comics and developed the TV series, celebrated the occasion with a letter to fans promising that “good things are coming.” Netflix also shared a new photo that shows Tom Sturridge, who plays Dream, and Mason Alexander Park, who plays Desire, on set….

(9) A WRITER WHO SHOULD NOT BE OVERLOOKED. Rich Horton’s obituary of D.G. Compton is posted at Black Gate: “David Guy Compton, August 19, 1930 — November 10, 2023”.

… It was always clear that Compton was a major writer who never found a mass audience. And so he received two awards that were aimed at bringing deserved attention to neglected writers: the SFWA Author Emeritus in 2007, and the Cordwainer Smith Rediscovery Award in 2021….

(10) TAKING A BITE OUT OF COLLECTORS. The Wikipedia article on “Vampire killing kit” buries the lede, which I suppose is fitting to the subject, but gets there eventually.

…The items within vampire killing kits often date to the 19th century, although they may be combined with items such as paper labels that are significantly more recent.[1][8]

The kit in the collection of the Royal Armouries contains a pocket pistol dating from around the middle of the 19th century, wooden stakes with a mallet, a crucifix, jars for holy water, soil and garlic, a rosary, and an 1851 Book of Common Prayer.[3] The case has been assessed as dating to around 1920, although the full kit was likely assembled circa 1970 or later.[9]

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born November 29, Madeleine L’Engle. (Died 2007.) I first encountered her not as a genre writer but through her more literary work in the form of her Katherine Forrester Vigneras series, A Small Rain and A Severed Wasp which tell the tale of a woman who’s a pianist, first in her teens and then when she’s in her seventies. Most decidedly worth reading.

Then came the Time Quintet of A Wrinkle in TimeA Wind in the DoorA Swiftly Tilting Planet and Many Waters. Truly extraordinary novels. I see that A Wrinkle in Time won a Newberry Award which it richly deserved. 

I did not know until I was writing this up that there was a second series of four novels set a generation after these novels. Who’s read them?

There’s serious amounts of her writing that I’ve not touched upon as I’ve not read them, her in-depth Christian writings, her Children’s books, her non-fiction, her poetry and her more literature undertakings. Even a play was done by her. 

I did see the 2003 four miniseries version of A Wrinkle in Time that Disney did and I share what L’Engle told Time: “I have glimpsed it. I expected it to be bad, and it is.”  And we will not talk about the Disney 2018 A Wrinkle in Time film as polite company doesn’t do that. 

She would receive a World Fantasy Award for Lifetime Achievement. 

(12) COMICS SECTION.

(13) WHERE BEAR? THERE CASTLE. The New York Times finds that “With an Artist’s Help, Paddington Can Go Anywhere”. “For nearly 1,000 straight days, Jason Chou has inserted Paddington, the anthropomorphized bear, into absurd situations. He has no plans to stop.”

(14) VIRTUAL MONUMENTS. [Item by Andrew (not Werdna).] Reminds me of something from William Gibson – the “locational art” from “Spook Country”, “The Statue Wars Turn to Cyberspace” in The New Yorker.

…Brewster is a co-founder of the Kinfolk Foundation, an organization attempting to remake the city’s streetscape with an app. In 2017, Brewster was working at Google, and he was among the many local activists who tried and failed to persuade lawmakers to remove the towering statue of Christopher Columbus on Fifty-ninth Street. “We were, like, ‘All right, we lost that one,’ ” Brewster recalled. “So we started creating monuments.”

Each was fashioned not from bronze or marble but from bits and bytes in the cloud, visible only on screens using augmented reality. “You can build hundreds of digital monuments for the price of one physical one,” he said.

He believes that in a nation where there are ten times as many monuments honoring mermaids as honoring U.S. congresswomen, and where statues of Robert E. Lee outnumber those of Frederick Douglass, having more diverse monuments makes more sense….

… This week, without permission from the city’s bureaucrats, Kinfolk is placing four new statues around town. The installations were created in collaboration with the Black artists Hank Willis Thomas, Pamela Council, Derrick Adams, and Tourmaline. Thomas’s piece is a three-hundred-foot Afro pick in the East River, looming over the Brooklyn Bridge. Adams designed two huge statues representing Alma and Victor Hugo Green, who, in the nineteen-thirties, began publishing the “Green Book” travel guide, which identified businesses around the U.S. that welcomed Black customers. Tourmaline explained, of Kinfolk, “It’s kind of like Pokémon Go. You didn’t know it was there—until you did.”…

(15) DON’T LET THE SOUND OF YOUR OWN MEALS DRIVE YOU CRAZY. [Item by Mike Kennedy.] Scientist believe they have found a pattern of brain activity that helps explain misophonia—an abnormal reaction to sounds that may include anger, disgust, panic, and other strong emotions or physical reactions. Triggers may include eating sounds (chewing, slurping, smacking, etc.), repetitive clicking or tapping sounds (e.g., clock ticks), and more. “What is misophonia? Causes and why the sound of chewing angers some” at USA Today.

Misophonia is a complex disorder that causes decreased tolerance to specific sounds or stimuli associated with those sounds. It was named and described for the first time in the early 2000s, yet a survey conducted earlier this year found that just 11% of people knew about it.

Noises such as chewing, slurping, sniffing and heavy breathing are common triggers, as well as clicking, tapping and other repetitive noises that come from objects like clocks and fans….

…“People without misophonia struggle to understand it because they also don’t like certain sounds, in the same way that people don’t understand ADHD because they relate to having trouble concentrating,” said Jane Gregory, a clinical psychologist with the University of Oxford who studies the disorder. “It’s not that people with misophonia don’t like the sound — it’s that their body is reacting as if that sound is somehow dangerous or harmful.”…

(16) BUGS, MISTER RICO! “Mars Needs Insects” according to the New York Times.

At first it was just one flower, but Emmanuel Mendoza, an undergraduate student at Texas A&M University, had worked hard to help it bloom. When this five-petaled thing burst forth from his English pea plant collection in late October, and then more flowers and even pea pods followed, he could also see, a little better, the future it might foretell on another world millions of miles from Earth.

These weren’t just any pea plants. Some were grown in soil meant to mimic Mars’s inhospitable regolith, the mixture of grainy, eroded rocks and minerals that covers the planet’s surface. To that simulated regolith, Mr. Mendoza had added fertilizer called frass — the waste left after black soldier fly larvae are finished eating and digesting. Essentially, bug manure.

The goal for Mr. Mendoza and his collaborators was to investigate whether frass and the bugs that created it might someday help astronauts grow food and manage waste on Mars. Black soldier fly larvae could consume astronauts’ organic waste and process it into frass, which could be used as fertilizer to coax plants out of alien soil. Humans could eat the plants, and even food made from the larvae, producing more waste for the cycle to continue.

While that might not ultimately be the way astronauts grow food on Mars, they will have to grow food. “We can’t take everything with us,” said Lisa Carnell, director for NASA’s Biological and Physical Sciences Division.

But gardening doesn’t just require a plot of land, a bit of water, a beam of sunlight. It also requires very animate ingredients: the insects, like black soldier flies, and microorganisms that keep these ecological systems in working order. A trip to Mars for a long-term stay, then, won’t just involve humans. It will also involve creeping, crawling carry-ons most people don’t think about when they envision brave explorers stepping foot on new worlds….

(17) WHAT’S TO EAT ON SESAME STREET? “Nom Nom Nom. What’s the Deal With Cookie Monster’s Cookies?” Of course you want to know what’s in those things. And the New York Times has the answer.

…The recipe, roughly: Pancake mix, puffed rice, Grape-Nuts and instant coffee, with water in the mixture. The chocolate chips are made using hot glue sticks — essentially colored gobs of glue.

The cookies do not have oils, fats or sugars. Those would stain Cookie Monster. They’re edible, but barely.

“Kind of like a dog treat,” MacLean said in an interview.

Before MacLean reinvented the recipe in the 2000s, the creative team behind “Sesame Street” used versions of rice crackers and foams to make the cookies. The challenge was that the rice crackers would make more of a mess and get stuck in Cookie’s fur. And the foams didn’t look like cookies once they broke apart.

For a given episode, depending on the script, MacLean will bake, on average, two dozen cookies. There’s no oven large enough at Sesame’s New York workplace, so MacLean does almost everything at home….

(18) SPEED-READING CUNEIFORM. The Debrief tells readers “5000-Year-Old Tablets Can Now Be Decoded by Artificial Intelligence, New Research Reveals”.

… Using a novel AI process to decode ancient cuneiform tablets, they leveraged a sophisticated AI model based on the Region-based Convolutional Neural Network (R-CNN) architecture, a specialized system designed for object recognition. The study utilized a unique dataset consisting of 3D models of 1,977 cuneiform tablets, with detailed annotations of 21,000 cuneiform signs and 4,700 wedges. 

The AI’s methodology entailed a two-part pipeline: initially, a sign detector, built on a RepPoints model with a ResNet18 backbone, identified cuneiform characters on the tablets. In simple terms, the RepPoints model combs through the ResNet18 collection of images connected to the Mesopotamian languages and then combines the patterns to ‘see’ the text. This step was crucial for locating the signs accurately. Subsequently, the wedge detector, using Point R-CNN with advanced features like Feature Pyramid Network (FPN) and RoI Align, classified and predicted the wedges’ positions, which forms the basis of the cuneiform script’s fundamental elements, allowing the AI, in effect, to ‘read.’…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew (not Werdna), Lise Andreasen, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 11/12/23 Baby Pixels Are Ever So Adorable Wrapped In Their Scrolls While Being Loved By Filers One And All

(1) PLAY ALONG AT HOME. [Item by Dann.] One of those question/surveys was running around on X the other day.  This one seemed a bit more interesting to me.  Filers might find this an interesting game to play as well.

Omitting collected works, who are the top 5 authors in your library by number of books on your shelves?

Stephen King ~15
E.E. Knight ~12
Christopher Nuttall 11
Dave Duncan 11
Miles Cameron 9

I included both physical and ebooks in my count.  Most of my Stephen King and E.E. Knight books were physical, so I don’t have an accurate count close to hand.

After considering it a little longer, I would probably have to include Piers Anthony on the list.  I owned a whole stack of his books before I figured out that some of his content was a little…erm…troubling.  And I wouldn’t want to drop Miles Cameron off of the list in favor of Piers.

If shared universes with multiple authors are included, then Dragonlance would easily make it into the top five.  Sorry, Miles.  That one would bump you off.

What are your top 5 authors of books you own?

(2) EYEWITNESS TO THE ENDEAVOUR AWARD. Thanks to Ruth Sachter for sharing this photo of Sara A. Mueller accepting the Endeavour Award at OryCon on November 10.

Sara A. Mueller

(3) THE SHAPE OF WESTERCON TO COME. Kevin Standlee has written up two very different proposals for dealing with “The Future of Westercon” – one is a clean death, the other continues the con in a changed format.

As I hope most people following me know, Westercon has fallen on hard times. While Tonopah was successful and fun for most of the 158 people who attended, it was affected by COVID and by BayCon moving its dates onto the 4th of July Weekend, apparently just ignoring that Tonopah’s Westercon existing. The 2021 SeaTac and 2023 Anaheim Westercons dissolved, handing in their franchises to LASFS (which owns the Westercon service mark), and LASFS held both Westercons 73 and 75 in conjunction with Loscon. We once again this year have no bids filed to host the two-years-hence Westercon, although anyone could show up before the voting ends on the Friday evening of Loscon 49/Westercon 75. Assuming that doesn’t happen, the Westercon 75 Business Meeting at Loscon 49 will have to decide what to do about site selection. However, I tend to think that before that, the meeting needs to give some thought to the future of Westercon.

It appears to me that there are two scenarios: Retire Westercon or make some changes to given a chance to restart, perhaps in a different form. I therefore have prepared a Google doc with two scenarios. You should be able to read this document without needing a Google account.

Scenario 1 is to Retire Westercon, and is simply a motion to repeal the Westercon bylaws.

Scenario 2 makes five separate changes to the Westercon Bylaws to disconnect it from the US Independence Day Weekend (even loosely), removes the Westercon zone restrictions (but retains the 104°W longitude eastern boundary in North America), and changes all of the hard-coded dates to dates relative to the date of the administering Westercon. This would at least allow in theory Westercon to be awarded to various conventions in Western North America who wanted to host it, or also allow “independent” Westercons to be organized.

(4) ZOOMING INTO FANHISTORY. Fanac.org has announced four upcoming Fan History Zoom sessions coordinated by webmaster Edie Stern. The first session on the list is:

APAs Everywhere

Fred Lerner, Christina Lake, Amy Thomson and Tom Whitmore

December 9, 2023 – 2PM EST, 11AM PST and 7PM London GMT

Since the first FAPA mailing in 1937, APAs have been a part of fannish life. There are topic specific apas, local apas, general interest apas, convention committee apas, letter substitutes and doubtless many more. Our panelists, all long time APA members, talk about their experiences with APA life: Why did you join the APA(s)? Did you APA live up to your expectations and why? Tell us about the APAs you’ve been part of, and tell us what makes them unique. (You can tell us about APAs you weren’t part of too!) Talk about the way the members of the APA related to each other, and the nature of that community. Compare the experience of an online community like LiveJournal or Facebook with your APA experience. The Cult was called the “13 Nastiest Bastards in Fandom”. Was it? What feels different about womens’ APAs? Are APAs now obsolete? Would you join a new APA today?

To attend, please send a note to [email protected]

The following three sessions will be:

  • January 20, 2024 – 2PM EST, 11AM PST and 7PM London GMT – An Interview with Joe Green
  • February 17, 2024 – 7PM EST, 11 AM Feb 18 Melbourne AEDT – Wrong Turns on the Wallaby Track Part 2, with Leigh Edmonds and Perry Middlemiss
  • March 16, 2024 – 3PM EDT, 2PM CDT, 7PM London (GMT) – The Women Fen Don’t See – Claire Brialey, Kate Heffner, and Leah Zeldes Smith

(5) WHEN SILENCE IS NOT GOLDEN. Deadline has the quotes: “’Coyote vs Acme’ Composer Slams Warner Bros Over Pic’s Axing; Director ‘Devastated’”.

Coyote vs. Acme composer Steven Price has blasted the David Zaslav cost-cutting Warner Bros Discovery administration for axing the Looney Tunes hybrid live-action animated film.

Price, who won an original score Oscar for Warner Bros. tentpole Gravity in 2014 took to X to say “Had a lot of fun scoring Coyote Vs Acme. As no-one will be able to hear it now, due to bizarre anti-art studio financial shenanigans I will never understand, here is a bit of behind the scenes footage of our “Meep Meep” Roadrunner choir, with apologies to Tchaikovsky…

(6) PICK SIX. Guardian critic Lisa Tuttle’s “The best recent science fiction, fantasy and horror – reviews roundup” is devoted to The Scandalous Confessions of Lydia Bennet, Witch by Melinda Taub; Mothtown by Caroline Hardaker; Saturnalia by Stephanie Feldman; Writing the Future, edited by Dan Coxon and Richard V Hirst; and She’s a Killer by Kirsten McDougall.

(7) GOLDSMITHS PRIZE. The winner of the 2023 Goldsmiths Prize is Benjamin Myers’ Cuddy, a novel that incorporates poetry, prose, play, diary and real historical accounts, to retell the story of the hermit St. Cuthbert, the unofficial patron saint of the North of England. The Goldsmiths Prize “celebrates fiction at its most novel.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 12, 1917 Dahlov Ipcar. Though primarily an artist and you really should go visit her website, she wrote three amazing young adult novels between 1969 and 1978 which are The Warlock of Night, The Queen of Spells and A Dark Horn Blowing. She lived but thirty miles north of here and I was privileged to meet her a few times. Lovely lady! (Died 2017.)
  • Born November 12, 1929 Michael Ende. German author best known for The Neverending Story which is far better than the film. Momo, or the strange story of the time-thieves is a charming if strange novel worth your time. The rest of his children’s literature has been translated from German into English mostly by small specialist presses down the years. Unlike The Neverending Story and Momo, which I’ve encountered, I’ve not read any of these. (Died 1995.)
  • Born November 12, 1943 Wallace Shawn, 80. Probably best remembered as the ferengi Grand Nagus Zek on Deep Space Nine, a role he only played seven times. He was also Vizzini in the beloved Princess Bride, and he played Dr. Elliott Coleye in the My Favorite Martian film. He also was the voice of Rex in the Toy Story franchise. SFE notes that all of his plays were at least loosely genre and one of them, “The Fever”, was filmed. So yes, he’s a writer as well. 
  • Born November 12, 1945 Michael Bishop, 78 . David Pringle included his Who Made Stevie Crye? novel in Modern Fantasy: The 100 Best Novels, An English-Language Selection, 1946-1987, high praise indeed. Though slightly dated feeling now, I’m fond of his Urban Nucleus of Atlanta series. And Philip K. Dick is Dead, Alas is simply amazing.
  • Born November 12, 1964 Eric Nylund, 59. His best work I think is  Jack Potter/Signal sequence of  Signal to Noise and A Signal Shattered, though the Gods Quintet in my humble opinion tries but fails to venture into Amber Chronicles greatness. 
  • Born November 12, 1976 Richelle Mead, 47. Best known for her Georgina Kincaid series, the Vampire Academy franchise and its spin-off series Bloodlines, and the Dark Swan series. I’ve only read Succubus Blues by her but it’s a truly great read and I recommend it strongly. Spirit Bound won a Good Reads Award.  

(9) COMICS SECTION.

  • PHD Comics is a Star Wars crossover.

(10) THERE WAS A PLAN, IT JUST DIDN’T WORK. Deadline’s Anthony D’Alessandro’s article “Box Office: The Marvels $47M Lowest for MCU – What Went Wrong” has a long list of things that broke down, and this is one item on it:

…No, The Marvels meltdown isn’t about superhero fatigue. It’s about Disney’s overexposure of the Marvel Cinematic Universe brand on Disney+, and those moth holes are beginning to show: Keep what’s meant for the cinema in cinemas, and keep what’s meant for in-homes in the home. Meaning, this whole crossover streaming-into-film master plan isn’t working, nor is it really connected in a jaw-dropping way, and with Ms. Marvel not being one of the OTT services better series (ala WandaVision and Loki season one), there’s a whole quad of fans who either didn’t catch Ms Marvel, or who were too turned off by it that they sure as heck don’t want to see The Marvels.

But more to the point, Marvel Studios, The Marvels — with its crossover streaming series blah-blah — looks like it was built to be seen in homes, not to get audiences off the couch….

(11) AND YET… No matter what happened to the latest movie, Gizmodo remembers “How Carol Danvers Became Marvel Comics’ Flagship Hero”.

Captain Marvel was dead, to begin with. More than one Captain Marvel, if we want to be perfectly accurate about it. By 2012, the Marvel Comics hero that bore the company name had been relaunched in no fewer than six different series, and seen a total of three separate characters take on the name. More than three decades in, it seemed increasingly that Captain Marvel was the flagship character who just couldn’t manage to hoist a flag—and the Marvel powers that be were determined to change things once and for all.

What followed was a strange saga of missteps, false starts, and roads not taken, that finally landed on one of the most unexpected heroes of all: a neglected, half-appreciated, and similarly unsuccessful character called Carol Danvers. This is the inside story of how an ambitious first-time writer, a bullheaded editor, and a stylish designer created the most unexpected Marvel success of their era.

To understand why Captain Marvel was in need of saving, we need to understand something about why the character existed in the first place. Put indelicately, Captain Marvel was born as a trademark in need of a character. In 1967, Marvel Comics and its owner, a company called Magazine Management, realized that the name Captain Marvel—once held by the venerable Fawcett Comics character now known as Shazam!—had lapsed into disuse over the course of the decade. Fearing that another enterprising publisher would scoop up a name that should, by all rights, be identified with Marvel, a character was hastily rushed out by management fiat. Cobbled together by Stan Lee and artist Gene Colan (the latter of whom hated the character, and claimed no involvement in his conception), the good Captain was an alien spy of the Kree race, creatively named Mar-Vell, who turned traitor to his people to fight as a costumed defender of Earth. In such ways are great ideas born….

(12) BRONTË BIRTHPLACE CROWDFUNDING SUCCESS. “Campaigners save Bradford birthplace of Brontë sisters” reports the Guardian.

Campaigners have saved the birthplace of the Brontë sisters and are now fundraising to turn the building into a cultural and education centre – helped by a man with a link to the literary family.

Nigel West, who traces a family connection to Charlotte Brontë’s husband, made a “significant donation” to the crowdfunding appeal, which aims to transform 72-74 Market Street in Thornton, Bradford, into a tourist destination.

Around a million visitors a year travel to Haworth, to visit the house that writers Charlotte, Anne and Emily shared with their father, church minister Patrick, and their wayward brother, Branwell, and campaigners hope to transform the Thornton house, which went on sale this year, into a similar attraction….

(13) FROM BARBIE TO ASLAN? The Guardian’s Ben Childs wonders “Can Greta Gerwig bring a new kind of magic to Netflix’s Narnia Chronicles?”

You might think Greta Gerwig an unusual choice to take on CS Lewis’s Narnia stories for Netflix. And at first glance, few would argue with you. Beginning her career as an actor in mumblecore movies such as Baghead, Hannah Takes the Stairs and Greenberg before transitioning into indie cinema as a film-maker with Lady Bird, Gerwig became a household name with this year’s $1.4bn-grossing, conservative-baiting, slyly subversive comedy fantasy Barbie, a movie that will be remembered as the most topically adroit cinematic event of 2023, despite ostensibly being about a child’s plastic toy.

So what on earth might Gerwig do with Aslan, Eustace Grubb and Mr Tumnus the faun? Gerwig is down to make at least two from Lewis’s seven-book series for Netflix, and the streamer’s chairman Scott Stuber hinted to Variety this week that the films might be more traditional than we might think. “She grew up in a Christian background,” Stuber said. “The CS Lewis books are very much based in Christianity. And so we just started talking about it. We don’t have IP, so when we had the opportunity [to license] those books or the [Roald Dahl stories] we’ve jumped at it, to have stories that people recognise and the ability to tell those stories.” Stuber said Gerwig was currently working out the “narrative arc” of the films, but implied heavily that The Lion, the Witch and the Wardrobe would be a central focus.

This is pretty much expected, but the idea that Gerwig might zero in on the traditional religious imagery, when she’s known for a movie that went against the grain with such impish if warm-hearted attitude, is less predictable….

(14) FAN CONCEPT TRAILER. From Darth Trailer, Andor Season 2.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ruth Sachter, Lise Andreasen, Dann, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 11/7/23 Pixel Scrollightly Seems Like A Good Character Name

(1) PHILADELPHIA SCIENCE FICTION SOCIETY CONTEST GOES INTERNATIONAL. [Item by Lew Wolkoff.] For the past 25 years the Philadelphia Science Fiction Society (PSFS) has run a Young Writers’ Contest for students in grades 5-8 and grades 9-12. Winners receive a cash prize and two free memberships (winner and parent or guardian) to the Philadelphia Science Fiction Conference (Philcon). This year, Philcon will be November 17-19 at the Doubletree by Hilton in Cherry Hill, NJ.

The contest is open to any student in the grades mentioned, but in past years, most submissions have been from the greater Philadelphia area. This year, things were different. The contest was mentioned in some Asian scholastic magazines, and there were submissions from India, Nepal, and Afghanistan. The second place winner in the High School category was, in fact, B.S. Raagul of Tasmil Nadu, India.

Some of the winning stories may be posted on the PSFS or Philcon website after Philcon is over says Lew Wolkoff, Contest Committee Chair.

(2) NORWESCON LOVES TERRY BROOKS. Seattle Met’s profile  “Terry Brooks Has Found a Family in Seattle’s Fantasy Scene” includes a quote from Norwescon chair SunnyJim Morgan.

… It’s safe to say that Brooks—who now splits his time between Seattle and Cannon Beach, Oregon—made the right choice. If you’re a fantasy fan, you might know that Brooks has written 23 New York Times bestsellers and sold over 25 million novels worldwide. Sister of Starlit Seas, the third book in his Viridian Deep fantasy series hits shelves on November 14.

It didn’t take long for the Emerald City to embrace Brooks when he first moved here in 1986. Nearly 38 years later, Brooks is still repaying the support that galvanized his career, regularly communicating with the huge fantasy and sci-fi community in Seattle and trying to inspire the next generation of writers in the genre. Later this month he’ll take part in a speaking tour across the Pacific Northwest, visiting Spokane, Seattle, and Tukwila, before heading out of state.

“He is a fan favorite,” says SunnyJim Morgan, the chair for Norwescon, Seattle’s annual science fiction and fantasy convention that has run continuously since 1978 and attracts up to 2,300 fantasy and sci-fi fans every year. “He’s one of those A-list, top-tier genre authors that we would love to have come every year. But they often can’t make it because they’re so overwhelmed with requests.”…

(3) 2025 WESTERCON NEEDS YOU TO FILL IN THE BLANK. In a post at Westercon.org, Kevin Standlee announces that the Westercon 77 (2025) Site Selection Ballot has been released. However, because there are no filed bids for 2025 he goes into some detail about how the fate of the convention will be decided.

The ballot to select the site of the 77th West Coast Science Fantasy Conference (Westercon 75) to be held in 2025 is now available online at http://www.westercon.org/wp-content/uploads/2023/11/Westercon-75-Site-Selection-Ballot-for-Westercon-77.pdf. No bids filed to host Westercon 77 by the filing deadline for the ballot, nor have any write-in bids files as of the date of this posting. The final deadline to file a bid as a valid write-in is the close of voting at Westercon 75 (Loscon 49) on Friday, November 24, 2024 at 6:00 pm Pacific Standard Time. The results of voting will be announced at the Westercon 75 Business Meeting on the morning of Saturday, November 25, 2024. Should no valid bid win the election, the Westercon Business Meeting will determine the site of Westercon 77 per the provisions of the Westercon Bylaws.

There is a site for the 2024 convention — Westercon 76. It will be held in Salt Lake City, UT from July 4-7.

(4) SAG-AFTRA STRIKE PROGRESS. Note: the main articles at the links mainly discuss Monday’s negotiations, with some updates from Tuesday’s session.

“Actors Strike: SAG-AFTRA & Studios End Talks For Night; Guild Responds To Offer” reports Deadline.

…As has been the case for months, AI remains one of the major issues that divides the two sides. The studios are looking to seal the deal with what one source called “an expanded version of what the WGA agreed to,” while the guild wants project-specific protections on scans of performers and re-use of their likenesses. Well-positioned sources on both sides admit that part of the problem is coming up with effective guardrails for a technology that is evolving in leaps and bounds….

The Hollywood Reporter adds, “As SAG-AFTRA Responds to Studio Offer, AI Protections for High-Earning Members Remain Sticking Point”.

… Multiple sources familiar with the state of the negotiations tell The Hollywood Reporter that SAG-AFTRA has pushed back on an AI clause that is included in the studios’ latest offer. The Alliance of Motion Picture and Television Producers is seeking to secure AI scans for Schedule F performers — guild members who earn more than the minimum for series regulars ($32,000 per TV episode) and feature films ($60,000). The companies’ suggested clause would require studios and streamers to pay to scan the likeness of Schedule F performers. SAG-AFTRA is seeking to attach compensation for the reuse of AI scans, as AMPTP member companies would also need to secure consent from the performer. The language in the AMPTP’s offer would see the studios and streamers secure the right to use scans of deceased performers without the consent of their estate or SAG-AFTRA, according to a union-side source….

(5) UNLISTED NUMBERS FROM NOW ON. “The ‘Wall Street Journal’ Drops Its Bestseller Lists”Publishers Weekly tells why.

The Wall Street Journal has stopped running its weekly bestseller lists. The final lists were carried in the past weekend’s editions. The paper ran a total of six fiction and nonfiction lists, as well as a hardcover business list. All were powered by Circana BookScan.

The fiction and nonfiction categories were both divided into hardcover, e-book, and combined lists. In something of a unique feature, the lists combined adult and children’s titles on one list. Thus, last week’s top-selling hardcover fiction book was Jeff Kinney’s No Brainer, while The Woman in Me by Britney Spears was number one in all three nonfiction categories, including the e-book/print combined list.

Paul Gigot, editorial page editor at the WSJ, said that the company’s contract with Circana expired, “and we are not renewing it.” He added that all other aspects of the paper’s book coverage will “continue as usual.”

(6) TOTALING THE UNACCOUNTABLE. The New York Times’ Ian Wang reviews Naomi Alderman’s new novel, The Future: “In ‘The Future,’ Earth Barrels Toward Fiery Destruction”.

There are few figures in the Bible more cruelly evocative than Lot’s wife, who is transfigured into a pillar of salt for looking back at Sodom. The poet Anna Akhmatova mourned “her swift legs rooted to the ground”; Kurt Vonnegut wrote of her backward glance, “I love her for that, because it was so human.” Naomi Alderman’s “The Future,” like much great science fiction, turns the symbolic into tangible, chemical reality. Early in her novel, a woman is frozen to death with a chemical refrigerant made of paramagnetic salts: a Lot’s wife for the Information Age.

Alderman’s Sodom is our own polarized, plutocratic world. Some names have been changed — instead of Bezos or Musk, we have Lenk Sketlish, Zimri Nommik and Ellen Bywater as our unsavory tech tyrants — but the pressure points are the same: A.I., algorithms, deadly pandemics and the existential threat of climate change, all bound up with the rise of an increasingly unaccountable billionaire class. Whether by divine will or not, “The Future” finds the earth barreling toward fiery destruction….

(7) THE MEASURE OF AMERICANS AND THEIR BOOKS. Book Riot attempts to answer a question with the help of two studies: “What Are The Book-Owning and Book-Reading Habits of Americans? Two New Reports Shed Insight”.

The poll from YouGov includes this information:

  • 20% of Americans own between one and ten books;
  • 14% own between 11 and 25 books; and
  • 13% between 26 and 50.

There are more interesting numbers related to book ownership, too. Only 9% state that they own no physical books, while 69% own fewer than 100. Some 6% have no idea how many books they own. For those of you thinking that you’re now among the percentage of Americans who own a lot of books, you might be right: 4% of Americans claim to own between 500 and 1,000 books, while 3% claim to own more than 1,000 books. These numbers represent physical books, which remain the most common type of book for Americans to own. About 50% of Americans own an ebook, while 9% claim to own at least 100 ebooks…

The article also covers results of a survey by the National Endowment for the Arts.

(8) IF AND ONLY IF. When Worlds of IF is revived the staff will include Robert Silverberg as contributing editor. And bonus content is already being posted to the website.

Worlds of IF is pleased to welcome science fiction legend Robert Silverberg as contributing editor. A multiple winner of both Hugo and Nebula Awards, a member of the Science Fiction and Fantasy Hall of Fame, and a Grand Master of SF, his input and stories will be a welcome addition to the revival of the magazine.

In addition to finalizing the editorial staff and acquisitions for the inaugural issue, Worlds of IF is rolling out bonus content on the website with new features added frequently including “An Interview with Gideon Marcus of Galactic Journey, multiple time Hugo Finalist, and audio adaptations of classic stories from the pages of IF, most recently “Double Take” by Wilson Parks Griffith from 1955 and “Communication” by Charles Fontenay from 1956.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 7, 1910 Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. At age thirty-six, she died of a sudden massive cerebral hemorrhage while visiting her husband in New York. (Died 1947.)
  • Born November 7, 1914 R. A. Lafferty. Writer known for somewhat eccentric usage of language.  His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, and was honored with the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
  • Born November 7, 1950 Lindsay Duncan, 73. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood on Sherlock in “His Last Vow,” “The Six Thatchers,” and “The Lying Detective”. She’s also been in Black MirrorA Discovery of WitchesFrankensteinThe Storyteller: Greek MythsMission: 2110 and one of my favorite series, The New Avengers.
  • Born November 7, 1954 Guy Gavriel Kay, 69. So the story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was then a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? Kay’s own Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles Renaissance Italy . My favorite work by him is Ysabel which strangely enough is called an urban fantasy when it isn’t. It won a World Fantasy Award. 
  • Born November 7, 1960 Linda Nagata, 63. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech SuccessionStories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award for Best Science Fiction Novel. Her site is here.
  • Born November 7, 1974 Carl Steven. He appeared in Star Trek III: The Search for Spock as a young Spock, thereby becoming the first actor other than Leonard Nimoy to play the role in a live action setting. Genre one-offs included Weird ScienceTeen Wolf and Superman.  He provided the voice of a young Fred Jones for four seasons worth of A Pup Named Scooby-Doo which can be construed as genre. Let’s just say his life didn’t end well and leave it at that. (Died 2011.)

(10) COMICS SECTION.

  • The Far Side demonstrates that aliens need anger management too.

(11) LOST RELIC OF THE LIGHTER-THAN-AIR AGE. Any number of times I drove past this structure just to soak up the history. Gone now. “Fire destroys second world war-era blimp hangar in California” – the Guardian has the story.  

A giant second world war-era wooden hangar that was built to house military blimps based in southern California was destroyed on Tuesday in a raging fire that authorities expect could continue burning for days.

Firefighters responded to the blaze just before 1am, the Orange county fire authority said, and found the hangar “fully engulfed” with flames tearing through the roof. The ferocity of the fire brought more than 70 firefighters to the scene and prompted authorities to make the unusual decision of deploying helicopters typically used to fight wildfires in an effort to slow the blaze.

Crews were unable to stop it from within the hangar due to the “dynamic nature” of the fire and the collapse risk, fire chief Brian Fennessy said at a news conference on Tuesday morning. Officials determined the only way to fight the fire was to allow the landmark to collapse.

“It’s a sad day for the city of Tustin and all of Orange county,” Fennessy said.

Fennessy said no injuries were reported. The blaze could continue burning for hours, or even days, he said.

The historic hangar was one of two built in 1942 for the US navy in the city of Tustin, about 35 miles south-east of Los Angeles. At the time, the navy used lighter-than-air ships for patrol and antisubmarine defense.

According to the city, the hangars are 17 stories high, more than 1,000ft long and 300ft wide, putting them among the largest wooden structures ever built. The burning structure was known as the north hangar….

(12) A BRIEF HISTORY OF MUSIC FOR THE MOVIES (2011), AND FILM COMPOSERS ROUNDTABLE DISCUSSION. Steve Vertlieb invites you to read “Vertlieb’s Views: Tribute to Film Music” at The Thunder Child.

“A Brief History Of Music For The Movies! (2011)”

Much of the most profoundly beautiful music of the twentieth century was composed for films. From the earliest days of sound with scores by Max Steiner for both RKO Radio and Warner Bros, Erich Wolfgang Korngold at Warners, Alfred Newman at Fox, and Victor Young at Paramount, this distinctively Western art form would evolve and mature into some of the most significant, and influential symphonic scoring of the last century.

As the late thirties and early nineteen forties arrived, composers such as Max Steiner, Erich Wolfgang Korngold, Miklos Rozsa, Bernard Herrmann, Alfred Newman, and Victor Young would dominate the soundtrack of the American motion picture screen, while Arthur Bliss and others would favor British films with their own original music.

Hugo Friedhofer’s sublime score for William Wyler’s “The Best Years of Our Lives” pervasively influenced the sounds of post war America, while Dimitri Tiomkin, Franz Waxman, Elmer Bernstein, Leonard Bernstein, Alex North, John Green, Henry Mancini, Ernest Gold, William Alwyn, Phillip Sainton, Jerry Goldsmith, John Barry, James Horner, Ennio Morricone, David Amram, Lee Holdridge, James Bernard and, of course, John Williams would both transform and reinvent the soundtrack of our lives.

Steve also recommends viewing this three hour “live” lecture commissioned by writer/director Robert Tinnell for his film class at The Factory Digital Filmmaking Program on May 4th, 2011, presenting a significantly compressed overview of the history of motion picture music.

It was never intended as definitive but, rather, an understandably simplified evening’s exploration for a then youthful audience of the significance and enduring importance of a century of original film scoring.

A FILM COMPOSERS ROUNDTABLE

This remarkable roundtable of composers and orchestrators assembled ten years ago for a sequence in the unfinished feature length motion picture documentary “The Man Who ‘Saved’ The Movies.”

Below: Pictured from left to right are acclaimed motion picture orchestrator Patrick Russ, Erwin Vertlieb, Emmy winning film and television composer/conductor Lee Holdridge, writer/film score musicologist Steve Vertlieb, and one of the most brilliant composers working in film today, the marvelous Mark McKenzie.

(13) PICKLE FLAVOR TRENDING. Reviewer Angela L. Pagán uses her tastebuds to put the product to the test: “Here’s What the New Heinz Pickle Ketchup Tastes Like” in The Takeout.

…As both an advocate for all applications of ketchup and an ardent pickle lover, I have a lot riding on this new condiment. I’ve chosen to try the ketchup innovation on the perfect blank canvas: a fresh batch of French fries, hot out of the fryer. Two of my favorite items have finally come together as one, but are they truly a match?

Well, as with any real relationship, the pairing isn’t perfect.

One dip of the fries into the new ketchup and the answer is immediately clear. The ketchup tastes like classic Heinz ketchup, full of sweet tang, blended with a dill scent and such a light dill note at the end that you might miss it if you don’t get enough ketchup on your fry.

This isn’t to say that Heinz is pulling a fast one on consumers by not delivering on what the product says it contains (as some brands have lately). Heinz Pickle Ketchup is clearly labeled as containing “pickle seasoning,” which is exactly what it tastes like—a sprinkle of dill flavor mixed into a whole lot of ketchup.

Unfortunately, since this is meant to do justice to pickle fans, the ketchup falls just a bit short of that goal. For a brand that touts its pickle prowess profusely (say that five times fast) in the announcement of this new release, it seems to have fallen victim to the same mistake many other brands make when it comes to pickle products. There’s not enough pickle flavor in this Pickle Ketchup for my taste….

(14) VIDEO OF THE DAY. Ryan George sells himself on the idea in “Five Nights at Freddy’s Pitch Meeting”.

 [Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, Lise Andreasen, Lew Wolkoff, Steve Vertlieb, Jean-Paul L. Garnier, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 9/12/23 For Us, the Scrolling

(1) MICHAEL CHABON SUES META OVER AI COPYRIGHT INFRINGEMENT. At The Hollywood Reporter:“Meta, OpenAI Class Action Lawsuit: Novel Authors Claim Infringement”.

Michael Chabon and other decorated writers of books and screenplays sued Meta on Tuesday in California federal court in a lawsuit accusing the company of copyright infringement for harvesting mass quantities of books across the web, which were then used to produce infringing works that allegedly violate their copyrights. OpenAI was sued on Sept. 8 in an identical class action alleging the firms “benefit commercially and profit handsomely from their unauthorized and illegal” collection of the authors’ books. They seek a court order that would require the companies to destroy AI systems that were trained on copyright-protected works.

…As evidence that AI systems were fed authors’ books, the suit points to ChatGPT generating summaries and in-depth analyses of the themes in the novels when prompted. It says that’s “only possible if the underlying GPT model was trained using” their works.

“If ChatGPT is prompted to generate a writing in the style of a certain author, GPT would generate content based on patterns and connections it learned from analysis of that author’s work within its training dataset,” states the complaint, which largely borrows from the suit filed by [Paul] Tremblay.

And because the large language models can’t operate without the information extracted from the copyright-protected material, the answers that ChatGPT produces are “themselves infringing derivative works,” the lawsuit against Meta says….

(2) CHENGDU PROGRAM PARTICIPANTS. File 770 asked Chengdu Worldcon committee member Joe Yao for a list of the people who have been added as Worldcon guests since the recent offer of help went out. No names were provided, however, Yao made this statement:

We kept inviting guests from both China and abroad, and now we have about 500 guests confirmed to come. They will attend some key events including the opening ceremony, Hugo ceremony and the closing ceremony, and they will also participate in programs as either guests or speakers. My team is working closely with the overseas team on programs and we have drafted a mastersheet of the programs. It will be confirmed and released soon.

(3) BARRIERS TO TRAVEL. Oghenechovwe Donald Ekpeki commented on Facebook about the challenges of getting a visa.

Nigerian passport & visa issues. Recently found out the Italian visa app has more requirements than US. Then I thought maybe China’s. Someone just told me that’s harder than the US’s. Germany might not give you visa even on their chancellor’s request. Is there any one that’s easy (possible) for a Nigerian?

When I was in the US, anytime Africans saw I was on a b1-b2 visa they used to be shocked out of their skulls. Like you find someone with the complete infinity gauntlet and stones. So for all these to be harder, Lol.

It’s really something to be a Nigerian that isn’t chained down and utterly grounded. Meanwhile what it took to get my US visa & the price I had to and still pay for it gifted me PTSD and damage I might never be able to afford treatment for. But hey, na me wan dream. Lol

(4) NASFIC MINUTES AVAILABLE. [Item by Kevin Standlee.] The minutes of the NASFiC WSFS Business Meeting at Pemmi-Con are now published on the WSFS Rules page here. (Scroll down to “MINUTES of the 2023 WSFS Business Meeting of the 15th NASFiC”.)

(5) ABRAHAM AND FRANCK Q&A. Award-winning sci-fi writers Daniel Abraham and Ty Franck talk with Meghna Chakrabarti about the world they created in The Expanse and what they’re working on next. “’The Expanse’ authors on ‘the importance of complicating people’” at WBUR.

(6) INTERNET ARCHIVE APPEALS TO HIGHER COURT. “Internet Archive Files Appeal in Copyright Infringement Case”Publishers Weekly has details.

As expected, the Internet Archive this week submitted its appeal in Hachette v. Internet Archive, the closely watched copyright case involving the scanning and digital lending of library books.

In a brief notice filed with the court, IA lawyers are seeking review by the Second Circuit court of appeals in New York of the “August 11, 2023 Judgment and Permanent Injunction; the March 24, 2023 Opinion and Order Granting Plaintiffs’ Motion for Summary Judgment and Denying Defendant’s Motion for Summary Judgment; and from any and all orders, rulings, findings, and/or conclusions adverse to Defendant Internet Archive.”

The notice of appeal comes right at the 30-day deadline—a month to the day after judge John G. Koeltl approved and entered a negotiated consent judgment in the case which declared the IA’s scanning and lending program to be copyright infringement, as well as a permanent injunction that, among its provisions, bars the IA from lending unauthorized scans of the plaintiffs’ in-copyright, commercially available books that are available in digital editions.

“As we stated when the decision was handed down in March, we believe the lower court made errors in facts and law, so we are fighting on in the face of great challenges,” reads a statement announcing the appeal on the Internet Archive website. “We know this won’t be easy, but it’s a necessary fight if we want library collections to survive in the digital age.”…

(7) GARETH EDWARDS VIRTUAL CONVERSATION. MIT Technology Review will hold an online event “Humanity and AI: A conversation with the director of ‘The Creator’” at LinkedIn on Thursday, September 14, 2023, at 2:30 p.m. Eastern. Appears that LinkedIn registration is required.

As many today try to imagine the future of our world with artificial intelligence, MIT Technology Review’s senior editor of AI, Melissa Heikkilä, speaks with Gareth Edwards, director of the upcoming sci-fi epic “The Creator,” about the current state of AI and the pitfalls and possibilities ahead as this technology marches toward sentience. The film, releasing September 29th and starring John David Washington and Gemma Chan, imagines a futuristic world where humans and AI are at war and fundamentally explores humanity’s relationship with AI, what it means to be human, and what it means to be alive.

(8) THE HEINLEIN SOCIETY. These are the new Officers for The Heinlein Society:

The Board of the Society voted [September 11] for its new leadership & Executive Committee effective immediately:

  • President & Chairman: Ken Walters
  • Vice President: Walt Boyes
  • Treasurer: Geo Rule
  • Secretary: Betsey Wilcox

Congratulations to all of them! 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 12, 1897 Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the first and main writer of the pulp character The Shadow with The Living Shadow published by Street & Smith Publications in 1933 being the first one. Using the pen-name Maxwell Grant, he wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
  • Born September 12, 1921 — Stanisław Lem. He’s best known for Solaris, which has been made into a film three times. The latest film made off a work of his is the 2018 His Master’s Voice (Glos Pana In Polish). The usual suspects have generous collections of his translated into English works at quite reasonable prices. (Died 2006.)
  • Born September 12, 1940 John Clute, 83. Critic, one of the founders of Interzone (which I avidly read) and co-editor of the Encyclopedia of Science Fiction (with Peter Nicholls) and of the Encyclopedia of Fantasy (with John Grant) as well as writing the Illustrated Encyclopedia Of Science Fiction. All of these publications won Hugo Awards for Best Non-Fiction. And I’d be remiss not to single out for praise The Darkening Garden: A Short Lexicon of Horror which is simply a superb work.
  • Born September 12, 1942 Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” short garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye” novella. “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”. Both iBooks and Kindle have decent but not outstanding selections of his works including a few works of Oxrun Station, his core horror series. (Died 2006.)
  • Born September 12, 1952 Kathryn Anne Ptacek, 71. Widow of Charles L. Grant. She has won two Stoker Awards. If you’re into horror. Her Gila! novel is a classic of that genre, and No Birds Sings is an excellent collection of her short stories. Both are available from the usual suspects. She is the editor and publisher of the writers-market magazine The Gila Queen’s Guide to Markets
  • Born September 12, 1952 — Neil Peart. Drummer and primary lyricist for the prog-rock, power-trio band Rush. Neil incorporated science fiction and fantasy elements into many of Rush’s songs.  An early example is “By-Tor and the Snow Dog” from the Album “Fly By Night”.  The entire first side of the 2112 album (back when albums had sides) was the 2112 suite telling the dystopian story of a man living in a society where individualism and creativity are outlawed.  Neil is a genre author having co-written The Clockwork Angels series with Kevin J. Anderson.  (Died of glioblastoma, 2020.) (Dann Todd) 
  • Born September 12, 1965 Robert T. Jeschonek, 58. Writer for my purposes of both genre and mysteries. He’s written short fiction set in the Trek universe. He’s also written fiction set in the BattletechCaptain MidnightDeathlandsDoctor WhoStarbarian Saga and Tannhauser universes. We really need a concordance to all these media universes. Really we do. 

(10) COMICS SECTION.

  • Candorville is where an author claims to focus on the positive. But does he?

(11) WESTERCON 75 ANNOUNCEMENT. Arlene Busby, chair of the cancelled Westercon 75, announced today that all membership refunds have been issued. Also, the transfers have been completed for all those members who requested that their membership monies be transfer to Loscon 49.

Similarly, refunds have been issued to all Dealers who requested them. And transfers have been completed for Dealers who requested their fees be transferred to Loscon 49.

Busby adds, “We thank everyone for their support and patience in getting all these transactions processed. If you have any questions please contact me at [email protected].”

(12) TREK THEME PERFORMED IN CHINA. From the Beijing Star Trek Day event mentioned in the September 9 Scroll comes this a video of the Michael Giacchino Star Trek theme performed on traditional Chinese instruments – see it on Weibo

(13) PULITZER PRIZE ELIGIBILITY UPDATED. “Pulitzer Board Expands Eligibility for Authors” reports Publishers Lunch.

Beginning with the 2025 awards, which opens for submissions in spring 2024, the Pulitzer Prize board has changed the eligibility requirements for the books, drama and music awards to include “US citizens, permanent residents of the United States,” and authors for whom “the United States has been their longtime primary home.” Previously, only US citizens were eligible for the awards, with the exception of authors of history books, who could be of any nationality if their book was about US history. “For the sake of consistency,” the prize board said, history books must be written by US authors according to the new guidelines.

Books still must be “originally published in English in the United States.”

In “Pulitzer Prizes expand eligibility to non-U.S. citizens”, the Los Angeles Times amplifies how the change was brought about.

…Following an August petition on the literary sites Literary Hub and Undocupoets to reconsider the U.S. citizenship requirements for the arts prizes, the Pulitzer board addressed the issue….

The petition, which was signed by many prominent authors, was created in part because of the passionate case that author Javier Zamora made against the Pulitzer’s U.S. citizen requirements in a De Los opinion piece titled “It’s time for the Pulitzer Prize for literature to accept noncitizens.”…

(14) GREG JEIN COLLECTION TO AUCTION. Model and miniature-maker Greg Jein, who died last year, had an extraordinary collection of iconic sf props and costumes, which are now going under the hammer: “’Star Wars’ Red Leader X-Wing Model Heads A Cargo Bay’s Worth Of Props At Auction” at LAist.

…The intricately made starfighter brought millions of people along for the ride as a group of plucky Rebel pilots assaulted the Death Star. Now the Star Wars scale model is being sold at auction, with bids starting at $400,000.

The “Red Leader” (Red One) X-wing Starfighter from 1977’s Star Wars: A New Hope is “the pinnacle of Star Wars artifacts to ever reach the market,” says Heritage Auctions, which is handling the sale as part of a trove of science fiction props, miniatures and memorabilia.

The X-wing tops the auction list, but it’s far, far from alone: It was found in the expansive collection of Greg Jein, an expert craftsman who was as skilled at bringing futuristic stories to life as he was devoted to preserving the models and props used to bring strange new worlds to TV and film.

…More than 550 items from Jein’s collection are now heading to auction, from Nichelle Nichols’ iconic knee-high boots and red tunic as Lt. Uhura to Leonard Nimoy’s pointy ears as Spock. A hairpiece for William Shatner’s Captain Kirk and Lt. Sulu’s golden tunic are also up for sale….

There’s more information in the Heritage Auctions press release: “Mother Lode From the Mothership: Model-Making Legend Greg Jein’s Collection Beams Up to Heritage”.

…Jein also preserved Spock’s ka’athyrathe Vulcan lute strummed in a handful of Original Series episodes, including “Amok Time ” and “The Conscience of the King “; the ray generator called into duty during several Original Series episodes; and the Universal Translator that Kirk used to talk to the Gorn in “Arena. “ There’s something for fans of nearly every episode of The Original Series, from the ahn-woon of “Amok Time “ to the agonizer used in “Mirror, Mirror” to The Great Teacher of All the Ancient Knowledge intended to restore “Spock’s Brain.” The Trek offerings in The Greg Jein Auction are nearly as vast as the final frontier itself….

(15) IN THE SPIRIT OF PHILIP K. DICK. A discussion with 81st Worldcon Chair He Xi and multidisciplinary sci-fi artist Yin Guang, “HUGO X: 2”, a Chengdu Worldcon Talkshow, closes with the jolly speculation that carbon-based life will be the scaffolding for silicon-based life – artificial intelligence – and when that building is built, “you’ll be torn down.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Kevin Standlee, Ersatz Culture, Daniel Dern, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Westercon 75 Anaheim Canceled

Chair Arlene Busby notified Westercon 75 members today that the convention has been canceled. The event was to have been held June 30-July 3 in Anaheim. She wrote, “It saddens us to do this, but a cascade of circumstances won’t allow it to happen.”

Loscon 49, scheduled for November 24-26, 2023, at the Marriott Los Angeles Airport Hotel, will assume the mantle of Westercon 75, and will honor the memberships of those members of Westercon 75 who do not request a refund from the Anaheim committee. The Chair of Loscon 49 has agreed to accept members of Westercon 75 as members with the transfer of money.

Westercon 75 members are being offered three options: (1) to receive a refund; (2) to donate their Westercon 75 membership to Aerospace Legacy Foundation (Anaheim’s parent organization) to cover expenses already incurred by Westercon 75; or (3) to retain their existing membership in Westercon 75, including voting and attendance rights where applicable and have the membership transferred to Loscon 49.

The 2023 Westercon Business Meeting will be held at Loscon 49, during which the election to choose the site of the 2025 Westercon (Westercon 77) will occur.

Kevin Standlee further explained in a post on the official Westercon website:

…Westercon 75 [is] …disbanding their committee. They are working with LASFS, owner of the Westercon service mark, to implement Section 1.9 of the Westercon Bylaws regarding a Westercon committee failure. Loscon 49, scheduled for November 24-26, 2023 at the Marriott Los Angeles Airport Hotel, will assume the mantle of Westercon 75, and has said that they will honor the memberships, both attending and supporting, of those members of Westercon 73 who do not request a refund from the Anaheim committee. The 2023 Westercon Business Meeting will thus be held at Loscon 49, as will be the election to choose the site of the 2025 Westercon (Westercon 77). All members of Loscon 49, including those members of Westercon 77 who transfer their memberships to Loscon 49, will be eligible to vote on the 2025 Westercon site selection and at the Westercon 77 business meeting.

[Thanks to Rick Moen for the story.]


Update 05/15/2023: For more information on the Westercon Business Meeting, contact:

  • Westercon Chair: Kevin Standlee [email protected]
  • Westercon Business Meeting Deputy Chair: Martin Pyne
  • Westercon Business Meeting Secretary: Linda Deneroff
  • Westercon Videographer: Lisa Hayes
  • Westercon Site Selection: Linda Deneroff [email protected]

Pixel Scroll 5/4/23 Rough Scrolls Do Shake The Sweet Pixels Of May

(1) BIGGEST STAR WARS DAY EVENT. The Hollywood Reporter covers the ceremony: “Billie Lourd Gets Teary Honoring Late Mother Carrie Fisher at Walk of Fame: ‘Mama, You’ve Made It’”

… Lourd accompanied her mother to Comic-Con. There she learned that Fisher was also beloved.

“People of all ages from all over the world were dressed up like my mom, the lady who sang me to sleep at night and held me when I was scared. Watching the amount of joy it brought to people when she hugged them or threw glitter at them — sorry about that — was incredible to witness. People waited in line for hours just to meet her. People had tattoos of her, people named their children after her. People had stories of how she saved their lives. It was a side of my mom I had never seen before, and it was magical,” recalled Lourd. “I realized then that Leia is more than just a character. She is a feeling. She is strength. She is grace. She is wit. She is femininity at its finest. She knows what she wants and she gets it. She doesn’t need anyone to rescue her because she rescues herself and even rescues the rescuers. And no one could have played her like my mother.”

The ceremony, which kicked off shortly after 11:30 a.m. near the El Capitan Theatre on the corner of Hollywood and Highland, saw Lourd accept Fisher’s honor as she received the 2,754th star on the famed Walk of Fame….

(2) THE STAR WARS PARKING LOT. If you’re going to be in LA on May 6, this is an option available to you: “Movies on Location – ‘Star Wars: A New Hope’”.

In celebration of Star Wars Day, My Valley Pass is thrilled to present Star Wars: A New Hope as part of our ongoing film series Movies On Location. Throughout this exciting series, we screen films at their actual filming locations, or at settings that go hand-in-hand with these specially curated movies. The series features state of the art projection and sound.

This May the 6th, join us in Van Nuys as we screen Star Wars: A New Hope in the parking lot of Neiman & Company, formerly the original location of Industrial Light & Magic where all of the visual effects for Star Wars: A New Hope (1977) were produced.

(3) STAR WARS UNDERGROUND. SF Concatenation’s Jonathan Cowie forwarded this photo taken by a member of his local UK sf group today.

(4) HIGH TEA. Sharon Lee and Steve Miller are home from a convention visit. Sharon shares all the interesting details in “To HELIOsphere and beyond!”

…Immediately following our conversation, was the highlight of the convention — the Teddy Bear Tea.

The Teddy Bear Tea is something Steve and I try to schedule, whenever we are Guests of Honor.  It turns out that many fans travel with their stuffed friends, who usually stay in the room, ready for comfort and conversation, when their companions come back from panelling and partying.  We thought it was a shame that the plushies never got a chance to socialize, and that was the inception of the Teddy Bear Tea.

The Teddy Bear Tea is Vastly Flexible, depending on the understanding of the programming folks about what, exactly, we were doing here.

HELIOsphere did us more than proud.  A full British High Tea awaited the plushies and their human friends — cucumber sandwiches (finally! I have had a cucumber sandwich), chicken salad, and egg salad, all cut into triangles and the crust trimmed off.  Cookies!  Biscotti!  It was just marvelous.  All of the plushies and people I talked to were impressed.  Just a very good time, indeed….

(5) DS9’S UNION ORGANIZING EPISODE. “This ‘Star Trek: Deep Space Nine’ Episode is Suddenly Very Relevant” says Bell of Lost Souls.

There’s a WGA strike happening. Now is the perfect time to watch the Deep Space Nine‘s episode about union organizing “Bar Association”….

Deep Space Nine, Ferengi, and “Bar Association”

It’s the Bajoran Time of Cleansing. We don’t know what this holy time is about exactly but cleansing means no drinking or gambling. There’s nary a holosuite rental in sight. It’s Lent on steroids. And since much of the station consists of Bajorans that means wildly depleted profit margins for Quark’s Bar!

In “Bar Association“, Quark’s brother Rom nearly dies on the floor of the bar from a nuclear-grade ear infection because Quark won’t give him time off for a doctor’s visit. Worse, Quark decides that, in order to deal with the lack of incoming profit, he’s reducing salary by a third effective immediately.

Finally, in sickbay, Rom complains to Doctor Bashir about the lack of paid time off. Bashir offhandedly suggests that Rom should start a union in order to fight for an improved contract for all the workers. Rom takes the idea to heart and before you know it Quark’s entire staff is on strike.

“Bar Association” is very funny. But it’s also one of the most serious episodes in Star Trek history precisely because it deals with the mistreatment of workers. Obviously, right at the top, the episode deals with the dangers of working while sick. Rom nearly dies of that ear infection. But “Bar Association” says a lot more about the importance of unions than just paid sick leave….

(6) WHO HYPE. “Doctor Who airs new footage of 60th anniversary in cryptic teaser” and Radio Times has the morning-after report.

The ten-second clip aired during the channel’s Saturday (29th April 2023) evening schedule, with a message flashing up onscreen that read Network Error before making way for a number of distorted images and seemingly indecipherable sounds.

But it didn’t take sleuthing Whovians too long to work out some meaning behind the teaser, with fans noting that when the audio is played backwards Donna can be heard saying: “Why did this face come back?”

(7) DEAR DIARY. Radio Times will be running excerpts: “The 1963 Doctor Who diaries of Waris Hussein – part one”.

Much has been written about Doctor Who across the past six decades, but surely little could be more striking and fascinating than the diary kept by Waris Hussein way back in 1963 – his contemporaneous account of those crucial months 60 years ago when the sci-fi series was slowly, sometimes painfully, coming into being.

As Doctor Who’s very first director, he was heavily involved in the programme’s inception and can be counted among its talented band of founding parents…

…What follows is not a day-by-day diary. In 1963 Waris was far too busy for that. Instead, whenever time allowed, he kept a journal in a notebook, sometimes recording his thoughts on one particular day or else summarising recent events. That year he was also directing the BBC soap Compact, a Sunday Play called The Shadow of Mart and wartime espionage series Moonstrike. His diaries cover those in depth, as well as many private matters. For this series of articles exclusive to Radio Times, he has kindly allowed us to edit his accounts, extracting aspects pertinent to Doctor Who.

Thursday 30th May 1963

The more I think of “Dr Who”, the more it depresses me and I can’t bear the thought of it. I hope it never happens.

[Waris in 2023: “You see, nobody knew exactly what the format was. The scripts were non-existent apart from the first one by Anthony Coburn. There was nothing more to go on. The sci-fi element didn’t bother me particularly; it was more that we’d be dealing with Stone Age characters. I mean, the discovery of fire was not my idea of directing something after my Cambridge days where I studied Shakespeare. And I didn’t want to be laughed at – directing actors in skins.”]….

(8) MEMORY LANE.

1984[Compiled by Cat Eldridge.]

Barry Hughart’s career, I was surprised to learn, consisted of just one exemplary series, the Master Li novels which in turn were but a trilogy — Bridge of Birds, The Story of The Stone and Eight Skilled Gentlemen

Why this was according to Hughart wasn’t due to his publishers screwing him over though they, according to him, did just that doing everything from labeling his fiction as exclusively being genre to releasing the paperback edition of Eight Skilled Gentlemen the same time as the hardback edition resulting in very few sales of the latter. 

None of which he says actually had to do with him ending his writing career. In the Subterranean Press printing of The Chronicles of Master Li and Number Ten Ox series as it is called, he stated:

“Will there be more? I doubt it, and it’s not because of bad sales and worse publishers. It’s simply that I’d taken it as far as I could. … [N]o matter how well I wrote I’d just be repeating myself.”

So that was it for his writing career. Mind you, according to him in another interview, there were supposed to be seven novels in the series had it run its full course. 

But oh what extraordinary fiction it was. Blending an ancient China that never was, Chinese mythology with detective genre influences, Bridge of Birds won the World Fantasy Award and the Mythopoeic Fantasy Award. It’s an amazing series and go read it if you’ve not. 

The series is available at the usual suspects. 

Our Beginning naturally is from Bridge of Birds… 

I shall clasp my hands together and bow to the corners of the world. 

My surname is Lu and my personal name is Yu, but I am not to be confused with the eminent author of The Classic of Tea. My family is quite undistinguished, and since I am the tenth of my father’s sons and rather strong I am usually referred to as Number Ten Ox. My father died when I was eight. A year later my mother followed him to the Yellow Springs Beneath the Earth, and since then I have lived with Uncle Nung and Auntie Hua in the village of Ku-fu in the valley of Cho. We take great pride in our landmarks. Until recently we also took great pride in two gentlemen who were such perfect specimens that people used to come from miles around just to stare at them, so perhaps I should begin a description of my village with a couple of classics. 

When Pawnbroker Fang approached Ma the Grub with the idea of joining forces he opened negotiations by presenting Ma’s wife with the picture of a small fish drawn on a piece of cheap paper. Ma’s wife accepted the magnificent gift, and in return she extended her right hand and made a circle with the thumb and forefinger. At that point, the door crashed open and Ma the Grub charged inside and screamed: “Woman, would you ruin me? Half of a pie would have been enough!

That may not be literally true, but the abbot of our monastery always said that fable has strong shoulders that carry far more truth than fact can. 

Pawnbroker Fang’s ability to guess the lowest possible amount that person would accept for a pawned item was so unerring that I had concluded it was supernatural, but then the abbot took me aside and explained that Fang wasn’t guessing at all. There was always some smooth shiny object lying on top of his desk in the front room of Ma the Grub’s warehouse, and it was used as a mirror that would reflect the eyes of the victim.

“Cheap, very cheap,” Fang would sneer, turning the object in his hands. “No more than two hundred cash.” 

His eyes would drop to the shiny object and if the pupils of the reflected eyes constricted too sharply he would try again.

 “Well, the workmanship isn’t too bad, in a crude peasant fashion. Make it two-fifty.” The reflected pupils would dilate, but perhaps not quite far enough.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 4, 1852 Alice Pleasance Liddell (rhymes with “fiddle”). One of the sisters to whom “Lewis Carroll” (Charles Dodgson) told the story that he later developed into Alice’s Adventures in Wonderland (1865) and a second book about the character Alice, Through the Looking-Glass and What Alice Found There (1871). She eventually auctioned the manuscript copy of the first book Carroll had given her (under the original title Alice’s Adventures under Ground). That is how it came to be displayed at Columbia University on the centennial of Carroll’s birth, with Alice present, aged 80. In a nice coincidence, during this visit to the United States she met Peter Llewelyn Davies, one of the brothers who inspired J. M. Barrie’s Peter Pan. (Died 1934.) (OGH/JH)
Alice Liddell dedication copy of Through The Looking Glass
  • Born May 4, 1909 Ray Quigley. Here solely for the three covers that he did for Weird Tales in the Forties. He didn’t do a lot of pulp work that I can find but these three are amazing. He did the December 1938 cover with the Dracula-like figure, the September 1940 cover with the nightmarish skull faced Bombers and fInally the May 1942 cover with the really scary living ship. The latter issue had Henry Kuttner, Robert Bloch and Dorothy Quick listed on the cover! (Died 1998.)
  • Born May 4, 1913 John Broome. DC writer during the Golden Age. He’s responsible for the creation of an amazing number of characters including The Phantom Stranger, Per Degaton (with artist Irwin Hansen), Captain Comet and Elongated Man (with Carmine Infantino), Atomic Knight and one of my favorite characters, Detective Chimp. DCUniverse streaming app has his work on The Flash starting on issue #133 and the entire early Fifities run of Mystery in Space that he wrote as well. (Died 1999.)
  • Born May 4, 1920 Phyllis Miller. She co-wrote several children’s books with Andre Norton, House of Shadows and Seven Spells to SundayRide the Green Dragon, a mystery, is at best genre adjacent but it too was done with Norton. (Died 2001.)
  • Born May 4, 1942 CN Manlove. His major work is Modern Fantasy: Five Studies which compares the work of Kingsley, MacDonald, Lewis, Tolkien and Peake. Other works include Science Fiction: Ten Explorations, The Impulse of Fantasy Literature and From Alice to Harry Potter: Children’s Fantasy in England. (Died 2020.)
  • Born May 4, 1943 Erwin Strauss, 80. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself. Created the Voodoo message board system used at a number of early cons and published an APA, The Connection, that ran for at least thirty years. Tell me about him. 
  • Born May 4, 1966 Murray McArthur, 57. He first shows up on Doctor Who in “The Girl Who Died”, a Twelfth Doctor story before being The Broken Man on The Game of Thrones. He also shows up as a stagehand in the historical drama Finding Neverland before playing Snug in A Midsummer Night’s Dream
  • Born May 4, 1976 Gail Carriger, 47. Ahhhh such lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moira Quirk does a delightful job of the audiobooks so I recommend that you check them out. I also love the two novellas in her Supernatural Society series as well. 

(10) COMICS SECTION.

  • Saturday Morning Breakfast Cereal calls this argument about consciousness “Robot John Searle”.
  • The Argyle Sweater delivers a Cinco de Mayo/May the Fourth crossover. “Surely Han is giggling and saying ‘Come on Luke, use the Force!’” says Rich Horton.

(11) COME AS YOUR FAVORITE KAIJU. Tomorrow’s First Fridays 2023 event at the LA County Museum of Natural History has a “Giant Monsters/Giant Robot” theme. Cosplay encouraged. See full details at the link.

The Natural World vs. Fantasy Worlds: This season we focus on how nature and science influence the creation of our favorite imagined worlds. From dragons and witchcraft to superheroes and giant monsters, First Fridays 2023 is where the fans come out to celebrate the intersection of pop-culture fandom and the work and collections of NHM. 

(12) WESTERCON 2025 WIDE OPEN. “No Bids Filed for 2025 Westercon” writes Kevin Standlee. “No bids have been filed to host Westercon 77 (2025), meaning that once again (as in 2021 and 2022), there will only be write-in spaces on the ballot, and if no valid bid wins (technically, that’s what happened last year, even though nearly every vote was for Utah, because the Utah bid was technically deficient), the Business Meeting will again have to make a decision, or if they can’t decide, throw it to LASFS. The last choice is thought to be the least-wanted one, at least by those LASFS directors who have expressed an opinion about it to me.”

(13) NNEDI OKORAFOR BOOK ANNOUNCED. DAW Books, an imprint of Astra Publishing House, has added another Nnedi Okorafor novel to the DAW publication schedule for this December. 

Four months after the release of SHADOW SPEAKER (on sale September 26, 2023; ISBN 9780756418762) by critically acclaimed author Nnedi Okorafor will come the never-before-published sequel, LIKE THUNDER (on sale December 5, 2023; ISBN 9780756418793), completing the Desert Magician’s Duology. 

LIKE THUNDER is the story of the powerful young man whom the magical protagonist of SHADOW SPEAKER befriends, and continues the precedent of powerful prose and compelling story-telling that has made Nnedi Okorafor a star of the literary science fiction, fantasy, and Africanfuturist spaces

“This duology is really one long story,” says Betsy Wollheim, publisher of DAW Books, “and we felt it would be exciting for readers to have the finale to this story publish just four months from the first half, rather than waiting nearly a year to read the conclusion.” 

The Desert Magician’s Duology tells the story of Ejii, as she embarks on a mystical journey to track down her father’s killer, in an era of mind-blowing technology and seductive magic, set in Niger, West Africa at the end of the 21st century, on an Earth changed by a momentous apocalyptic event that altered the laws of physics and created “The Changed,” children born with rare and odd abilities: shadow speakers, shapeshifters, windseekers, firemolders, faders, and rainmakers.

Nnedi Okorafor was born in the United States to two Igbo (Nigerian) immigrant parents. She holds a PhD in English and was a professor of creative writing at Chicago State University. She has been the winner of many awards for her short stories and young adult books, and won a World Fantasy Award for Who Fears Death. Nnedi’s books are inspired by her Nigerian heritage and her many trips to Africa.

(14) BIG GULP REDUX. Here’s more about Nature’s cover article “Exoplanet destruction”

As stars evolve, they expand and so will engulf planets in close orbit around them. This planetary catastrophe is expected to generate powerful luminous ejections of mass from the star, although this has not been observed directly. In this week’s issue, Kishalay De and his colleagues present observations of a short-lived optical outburst in the Galactic disk accompanied by bright, long-lived infrared emission. The combination of low optical luminosity and radiated energy suggests that the source of the outburst was the engulfment of a planet by its Sun-like star — an event that awaits Earth and the other planets of the inner Solar System in about 5 billion years, and that is captured in the artist’s impression on the cover.

Also there’s a review article here.

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Rich Horton, Lise Andreasen, Olav Rokne, Kevin Standlee, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 1/15/23 Suddenly, There Was A Knock On The Pixel

(1) 2023 HORROR UNIVERSITY ONLINE WINTER SESSION. The Horror Writers Association will run its Winter 2023 Horror University Online session from February 6 to April 3. They will present eight workshops for horror writers interested in refining their writing, learning new skills and techniques, or perfecting their manuscript presentation. Full descriptions and registration information is available in the Horror University School on Teachable.  
 
The Winter 2023 Session includes:

February 6: The Master Plotting Crash Course with John Skipp.
February 13: Decoding Screenwriting with L. Marie Wood.
February 27: Writing “Spooky” Stories for Younger Readers (Middle Grade and Young Adult) with Jennifer Brody.
March 6: Behind the Badge: Creating Realistic Law Enforcement Characters with Alicia Hilton.
March 13: What Makes a Good Scary Story with Patricia Marcantonio.
March 20: Graphic Horror: Creating Horror Comics and Graphic Novels with James Chambers.
March 27: Perfecting Your Pitch with Jonathan Maberry.
April 3: Upping Your Anthology Game with Michael Knost.

Registration is $65 for non-HWA-members, $55 for HWA members, and four- and eight-course bundles are available. Discount codes, available to HWA members only, can be found in the next Internet Mailer, which will be sent to all members shortly.

(2) HWA BLACK HERITAGE INTERVIEW ROUNDUP. There’s a “Complete List of 2022 Black Heritage Series Interviewees” at the Horror Writers Association blog. Links to 18 interviews.

As we prepare to roll out the 2023 Black Heritage Month Interview, let’s stop and take a look back at our first year of interviews from 2022

(3) PROVE YOU’RE NOT A ROBOT. David D. Levine has raised a new point of netiquette in this Facebook post.

Context: in a conversation about Y2K bugs, two different friends of mine (definitely real people) chose to post comments which were the output of chatbots. In one case the poster said “I posed your question to a chatbot and it said this,” in the other the poster posted a short story related to the question which was, to my eye, clearly the output of a chatbot, and when asked the poster confirmed that it was.

I do not find chatbot output amusing any more, except in the case where it goes hilariously wrong. And I find posting chatbot output into a conversation with friends, as though it was something you’d actually put any effort into, to be offensive. (I didn’t know this until it happened.)…

More exposition at the link.

(4) THE TIDE GOES OUT. “‘Avatar’: The Way of the Restroom”  — the New York Times

…“It was honestly all the water,” said Mr. Brizard, 29, who works in finance and lives in Scottsdale, Ariz.

The sea gushes, gurgles and sprays across the screen in James Cameron’s “Avatar” sequel, which immerses viewers in the richly textured aquatic world of a clan of reef-dwelling Na’vi. These photorealistic ocean sequences make up the bulk of a lengthy epic that many are watching in theaters with vats of soda in hand, creating a perfect storm for moviegoers to need to take one or more bathroom breaks.

The water scenes are especially vivid in IMAX 3-D, according to Mr. Brizard, who moved to an aisle seat after his first trip to the restroom so he wouldn’t have to step over other audience members on subsequent visits. “All the splashing noises, it’s all a constant reminder,” he said.

Mr. Cameron, who has encouraged fans to see “Avatar” in theaters, saw this coming.

“Here’s the big social paradigm shift that has to happen: It’s OK to get up and go pee,” he said in an interview with Empire magazine. He added that he did not want anyone “whining about length” when people are perfectly willing to watch eight straight hours of television. (Television, it must be said, is easier to pause than a movie in a theater.)

In November, Mr. Cameron told The Hollywood Reporter that moviegoers should go to the bathroom “any time they want” during the movie. “They can see the scene they missed when they come see it again,” the director added….

(5) 2023 WESTERCON. Arlene Busby, chair of Westercon75, sent an update to the SMOFs email list. The con is being held June 30-July 3 at the Clarion Hotel Anaheim at 616 Convention Way, Anaheim, CA 92802. The GoH’s are Fantasy Writer Gail Carriger and Science GoH Dr Kevin Grazier. If anyone needs to reach her she can be emailed at [email protected]. 

(6) FREE READ. Sunday Morning Transport appeals for subscribers by posting the free story “Our Lady of Tomorrow” by Natalie C. Parker.

(7) MEMORY LANE.

1948 [Compiled by Cat Eldridge.] Rex Stout’s recipe for his perfect omelet

I was intending to, and I will in this series of essays, go into Nero Wolfe’s rather deep fondness for food and drink. But I found something even better in And Be a Villain (British title, More Deaths Than One) the Nero Wolfe novel by Rex Stout that was first published by the Viking Press in 1948. 

It is Rex Stout’s recipe for his perfect omelet. Really it is. It’s also in The Nero Wolfe Cookbook as published by Viking Press in 1973 where the Viking editors then credit it to Wolfe a quarter of a century later. If you decide to purchase this cookbook, do not buy the 1981 paperback as it has but a sampling of the 1973 recipes. Boo, hiss! 

And now, here’s Stout’s perfect omelet recipe.

It is better to make two small omelets than a large one. Beat four eggs in a bowl, adding two Tbsps. of milk or cream if you wish; I don’t. Season to taste with salt and pepper. Heat one scant Tbsp. butter in a skillet over a hot fire. When the butter is hot but before it smokes, add the eggs all at once. Quickly, with a fork, pull the edges of the egg mass toward the center as they thicken. The liquid part will immediately fill the vacant spaces. Repeat until there is no more liquid but the eggs are still very soft. Gently press the handle of the skillet downward and let the omelet slide toward it. When 1/3 of the omelet has slid up the edge of the pan, fold it toward the center with a spatula. Raise the handle to slide the omelet in the opposite direction, and when 1/3 is up the far edge hold a dish (heated) under it. As the rim of the omelet touches the dish, raise the handle until the skillet is upside down. The result should be an oval-shaped light-brown omelet.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 15, 1879 Ernest  Thesiger. He’s here because of his performance as Doctor Septimus Pretorius in James Whale’s Bride of Frankenstein. He had a major role in Hitchcock’s not completed and now lost Number 13 (or Mrs. Peabody) which is even genre adjacent. He was also in The Ghoul which was an early Boris Karloff film. And he continued to show up in SFF films such as The Ghosts of Berkeley Square where he was Dr. Cruickshank of Psychical Research Society. (Died 1961.)
  • Born January 15, 1913 Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, I’m listing it anyways because I’m impressed because it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. He’s the Pilot Col. Floyd Graham in Rocketship X-M, Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.)
  • Born January 15, 1924 Dennis Lynds. He only wrote two sf novels, probably pulp ones at that, Lukan War and The Planets of Death, but I’m intrigued that he also penned eight titles of The Shadow from 1964 to 1967 under the Shadow’s author by-line of Maxwell Grant. He also, and I count this as genre, under the name of Robert Hart Davis penned a number of Man from U.N.C.L.E. novellas that all ran in The Man from U.N.C.L.E. Magazine. And over four decades he published some eighty novels and two hundred short stories, in both mystery and literary themes. (Died 2005.)
  • Born January 15, 1928 Joanne Linville. Best remembered I’d say for being the unnamed Romulnan Commander Spock gets involved with on “The Enterprise Incident”. (Vulcan’s Heart by Josepha Sherman and Susan Shwartz, calls her Liviana Charvanek.)  She also starred in the Twilight Zone‘s “The Passersby” episode, and she starred in “I Kiss Your Shadow” which was the final episode of the Bus Stop series. The episode was based on the short story by Robert Bloch who wrote the script for it. This story is in The Early Fears Collection. (Died 2021.)
  • Born January 15, 1935 Robert Silverberg, 88.  I know the first thing I read by him was The Stochastic Man a very long time ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years. So what should I have read by him that I haven’t? 
  • Born January 15, 1944 Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if sometimes excessive dollop of humor. His best-known novels are his Warlock in Spite of Himself series which I’ve read some of years ago. Who here has read has Starship Troupers series? It sounds potentially interesting. (Died 2018.)
  • Born January 15, 1945 Ron Bounds, 78. One of the founders of the Baltimore Science Fiction Society in the Sixties. He co-chaired Discon 2, was a member of both the Baltimore in ’67 and Washington in ’77 bid committees.  He chaired Loscon 2.  He published the Quinine, a one-shot APA. He was President of the Great Wall of China SF, Marching & Chop Suey Society which is both a cool name and a great undertaking as well.
  • Born January 15, 1965 James Nesbitt, 58. Best genre role was as Tom Jackman and Hyde in Jekyll which was written by Steven Moffat. He’s also appeared in Fairy TalesThe Young Indiana Jones ChroniclesStan Lee’s Lucky Man and Outcast. Yes, I know he played Bofur in the Hobbit films. I still consider Jekyll his better by far genre role. 

(9) LOOTING THE UKRAINE. “As Russians Steal Ukraine’s Art, They Attack Its Identity, Too” explains the New York Times.

…As Russia has ravaged Ukraine with deadly missile strikes and brutal atrocities on civilians, it has also looted the nation’s cultural institutions of some of the most important and intensely protected contributions of Ukraine and its forebears going back thousands of years.

International art experts say the plundering may be the single biggest collective art heist since the Nazis pillaged Europe in World War II.

… In Kherson, in Ukraine’s south, Ukrainian prosecutors and museum administrators say the Russians stole more than 15,000 pieces of fine art and one-of-a-kind artifacts. They dragged bronze statues from parks, lifted books from a riverside scientific library, boxed up the crumbling, 200-year-old bones of Grigory Potemkin, Catherine the Great’s lover, and even stole a raccoon from the zoo, leaving behind a trail of vacant cages, empty pedestals and smashed glass.

Ukrainian officials say that Russian forces have robbed or damaged more than 30 museums — including several in Kherson, which was retaken in November, and others in Mariupol and Melitopol, which remain under Russian occupation. With Ukrainian investigators still cataloging the losses of missing oil paintings, ancient steles, bronze pots, coins, necklaces and busts, the number of reported stolen items is likely to grow….

(10) BOOKSTORES SPOTLIGHTED. Hadassah Magazine’s list of “America’s Distinctive Jewish-Owned Bookstores” includes The Ripped Bodice, a romance specialty bookstore in Los Angeles.

“Books belong in a Jewish home,” affirms Leah Koch, who with her sister, Bea, owns the Los Angeles romance-focused bookstore The Ripped Bodice. Indeed, a section of the bright and enticing store looks like a living room, complete with shabby chic sofas and love seat.

For the Koches, bookselling fulfills a larger mission to promote diversity. While the six- year-old store’s white shelves are stacked with every type of romance book possible, from Regency (Julia Quinn’s “Bridgerton” series is a favorite) to erotica, the sisters deliberately showcase Jewish, LGBTQ and non-white storylines and authors, all of which are underrepresented in the romance genre.

Toward December, rather than putting up tinsel, the owners mounted a riotous blue-and-white Hanukkah display in the shop windows. Angelenos cruising by the pink Culver City storefront couldn’t miss the oversized dreidels, menorahs and posters of Jewish-themed books like Jean Meltzer’s The Matzah Ball.

(11) CURRENT EVENTS. Today Norman Spinrad reminded readers of his email list where to find a video of his performance at the Electric Circus in Paris. “Norman Spinrad chante sur la piste du Cirque Electrique”.

(12) WET WORK. These California storms have got water on everyone’s brain – which seems to be the source of these ideas from regular contributor Michael Toman.

QUEST TALES OF ATMOSPHERIC RIVERWORLDedited and written by Philip Jose Farmer & “Divers Hands?”

Or maybe another crossover with one of my other favorite PJF series, featuring Paul Janus Finnegan, aka “Kickaha?”

RED ORC’S OMEGA COAST MAKEOVER UNIVERSE?

With a J.M.W. Turner inspired cover by John Schoenherr?

First line?

“Didn’t it rain, Lords, Lords, didn’t it rain?”

Yeah, this Long-Time Farmerphile would buy that book in a Dayworld Nano-Second!

(13) VIDEO OF THE DAY. The Mysterious Galaxy bookstore’s YouTube channel includes videos of many virtual events, including the recently posted recording of “Author Seanan McGuire, in discussion with Nghi Vo”.

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Cat Rambo, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/2/22 Call Me Ishpixel

(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Meg Elison and Clay McLeod Chapman on Wednesday, October 12, 7:00 p.m. Eastern.

Meg Elison

Meg Elison is a Philip K. Dick and Locus award winning author, as well as a Hugo, Nebula, Sturgeon, and Otherwise finalist. A prolific short story writer and essayist, Elison has been published in Slate, McSweeney’s, The Magazine of Fantasy & Science Fiction, Fangoria, Uncanny, Lightspeed, Nightmare, and many other places. Elison is a high school dropout and a graduate of UC Berkeley.

Clay McLeod Chapman

Clay McLeod Chapman writes books, comic books, children’s books, and for film and television. His upcoming novel Ghost Eaters hit shelves on September 20th, from Quirk Books. He lives in Brooklyn.

Masks welcome at the KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs).

(2) THE U.S. AND THE HOLOCAUST. [Item by Steve Vertlieb.] This somber new three part documentary by film maker Ken Burns is among the most sobering, heartbreaking, and horrifying indictments of humanity that I have ever encountered. It was extremely difficult to watch but, as an American Jew, mere hours away from the start of Yom Kippur, I remain struck by the similarities between the rise in Fascism in the early nineteen thirties, leading to the beginnings of Nazism in Germany, and the attempted decimation of the Jewish people in Europe and throughout the world, with the repellant echoes of both racial and religious intolerance, and the mounting hatred and suspicion of the Jewish communities and population residing presently in my own country of birth, these United States.

I am reminded of the disturbing adage that “those who forget the lessons (and atrocities against mankind) of the past are condemned to repeat them. While I have struggled these many years to keep my observations and postings limited to appreciations of films, music, and the arts, I can no longer, in clean conscience, remain silent as the clear signs of domestic and international Fascism are once again on the rise.

Perhaps these concerns have no place in this setting and personalized forum, but I can no longer keep silent as the horrific remnants of Nazism and racial genocide reach out their despicable tentacles from the graves of millions once more, threatening to consume both America and our planet in the decimation of freedom by the frightened zealots of bigotry, stupidity, and arrogance.

The warning signs are unmistakable as fear and hatred threaten enlightenment, while intolerance escalates alarmingly among those broadcasting their supposed patriotism as an end to democracy in what was once proclaimed as “The Land of the Free, and The Home of the Brave.” Intolerance must not be permitted to cloak itself yet again in the guise of patriotism to the detriment of free thought and speech.

We alone are responsible for the course and degree of our own success or failure. No other people or group can truly symbolize or camouflage our personal dissatisfactions. To hide our grievances and individual frailty beneath the cloak of blame is not only dishonest, but cowardly. For America to thrive and endure, freedom of expression, as well as the embrace and cultivation of our differences, is essential if we are, indeed, to survive the smoldering, unforgiving passage of time.

Never Again …

(3) NEW WSJ SF CRITIC. Liz Braswell has begun her reign as the Wall Street Journal’s science fiction and fantasy columnist. The WSJ is paywalled, however, here is the beginning of her current piece, “Science Fiction & Fantasy: Global Myths, Brave New Worlds”.

As a lifelong reader of all things folklorish and fantastical, like many of my American contemporaries, I grew up on a diet of European tales and legends—a satisfying but ultimately limited fare. These days readers have an enormous range of stories to delight them as contemporary fantasy engages with an ever-widening pool of cultural sources that encompass the world’s collective mythologies. This season publishers have presented readers with a veritable feast for the imaginative mind….

(4) HE DRAWS THEM IN. “Illustrator Joseph Namara Hollis Wins Klaus Flugge Prize” reports Publishing Perspectives. “When a parent walks the aisles of a bookstore, it’s not a book’s story that grabs them. It may not even be the title. It’s the artwork.”

Illustrator Joseph Namara Hollis has won the 2022 Klaus Flugge Prize for Pierre’s New Hair, illustrator Joseph Namara Hollis, editor Emilia Will, designer Jade Wheaton (Tate Museum).

The book is described as being “about a bear obsessed with looking good but also desperate to show the world his roller-skating flair.”

In accepting the award—which is personally funded by Klaus Flugge rather than by the Andersen Press that Flugge founded—Hollis is quoted, saying, “Winning  the Klaus Flugge Prize is invigorating.

… Hollis wins the program’s purse of £5,000 (US$5,555) and helps bring needed attention to the work of illustrators—like translators, far too often overlooked for their critical importance to publishing. …

(5) MIGHTY STEEDS. File 770’s coverage of the National Toy Hall of Fame and the comments from Breyer horse fan Cat Rambo and Masters of the Universe fan Cora Buhlert caught the eye of the Breyer History Diva: “Test Color Bears and Other Dreams”.

…A discussion about Breyer on a Science-Fiction Fandom news web site!?! If some of the names are not familiar to you, Cat Rambo was President of the SFWA from 2015-2019, and Cora Buhlert just won a Hugo for Best Fan Writer….

(6) MEMORY LANE.  

1972 [By Cat Eldridge.] Ngaio Marsh’s Tied Up in Tinsel (1972)

If you’ve been paying attention, you know that I am very fond of British Country  House mysteries, be the written form such as Agatha Christie’s Hercule Poirot’s Christmas (which yes I know has became several excellent filmed versions including one with the beloved David Suchet) or filmed works such as Robert Altman’s rather good Gosford Park.  

Fifty years ago this year, Ngaio Marsh’s Tied in Tinsel was published by the Collins Crime Club. It was the twenty-seventh novel to feature Inspector Roderick Alleyn.  It was late in the series, so there would only be five more as she’d live but a decade more. 

(Lovely title, eh? Guaranteed to catch the eye of the shopper in a bookstore nigh unto Christmastime when they’re desperately shopping for that mystery lover they’re buying for as you can see from the image below with its excellent design on the Collins Crime Club edition. Very Christmasy I’d say.)

In a brief recapping that really has no spoilers to speak of, his wife Troy Alleyn is at Hilary Bill-Tasman’s manor for Christmas time to paint a portrait of her husband and, while she’s there take part in the Christmas festivities that includes a Pageant along with the other guests who being in a Marsh novel are, to put it mildly, rather eccentric. Troy is enjoying these festivities until one of the Pageant’s players wanders off into the bitterly cold, snowy night. So her husband, Sir Roderick Alleyn is called upon to figure out what happened.

I liked it. It is a light affair I grant you, but it is a perfectly done Christmas Manor House mystery that any fan of Golden Age mysteries will no doubt enjoy very much. 

For reasons I’ve never figured out, she is considered a second rate mystery author when compared to Agatha Christie when I think is very, very unfair. (Reviews of her writings are often exceedingly harsh.) She’s just as good a writer as Christie was. I wonder if a large part of that bias was based in her not being properly British as she from New Zealand originally. British readers and critics can be harshly xenophobic.

The Blackstone edition audio version as narrated by Wanda McCaddon is available to Audible members for free. Need I say that’ll I will be listening to it? It’ll be interesting to see how it comes across as an audio drama. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 2, 1911 Jack Finney. Author of many novels but only a limited number of them genre, to wit The Body SnatchersTime and Again and From Time to Time. He would publish About Time, a short story collection which has the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. The film version of The Body Snatchers was nominated for a Hugo at Seacon ‘79. He has a World Fantasy Award for Lifetime Achievement. (Died 1995.)
  • Born October 2, 1919 Edward Wellen. Mostly remembered for the most excellent mysteries he wrote in great number that showed up in the Alfred Hitchcock Magazine and other outlets. He’s here because he wrote an ongoing column in Galaxy called Spoofs with first one in July entitled “Origins of Galactic Slang”. It was followed by similar Galactic Origins well call them for lack of a better term spoofs over the following decade. He wrote a fair amount of short fiction, all if it quite good, most, if not all, is collected in two digital Golden Age Metapacks. (Died 2011.)
  • Born October 2, 1932 Edmund Crispin. He’s well remembered and definitely still read for his most excellent Gervase Fen mystery series. It turns out that he was the editor of the Best SF anthology series that ran off and on between 1955 and 1972. Writers such as Kuttner, Moore, Blish, Bradbury and Von Vogt had stories there. These anthologies alas to my knowledge are not available digitally or in hard copy.  (Died 1978.)
  • Born October 2, 1944 Vernor Vinge, 78. Winner of five Hugo Awards, though what I consider his best series, the Realtime/Bobble series, was not one of them. And he won the Robert Heinlein Award in 2020. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge. 
  • Born October 2, 1948 Avery Brooks, 74. Obviously he’s got his Birthday write-up for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk which are aren’t even tangentially genre adjacent. He retired from acting after DS9 but is an active tenured theater professor at Rutgers. 
  • Born October 2, 1950 Ian McNeice, 72. Prime Minister Churchill / Emperor Winston Churchill on Doctor Who in “The Beast Below,” “Victory of the Daleks,”  “The Pandorica Opens,” and “The Wedding of River Song,” all Eleventh Doctor stories. He was an absolutely perfect Baron Vladimir Harkonnen in Frank Herbert’s Dune and Frank Herbert’s Children of Dune series. And he voiced Kwaltz in The Hitchhiker’s Guide to the Galaxy. 
  • Born October 2, 1953 Walter Jon Williams, 69. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that SF or fantasy, as well as his Hardwired series. I’m surprised how few Awards that he’s won, just three with two Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”.
  • Born October 2, 1954 Diane Carey, 68. A major contributor to the Trek multiverse of novel. I mean really, really major contributor. I learned there are lines of Trek novels that I never knew existed. She uses three pen names (Lydia Gregory, Diane Carey, and D. L. Carey) which helps when you’re pumping out a lot of product. She has novels in the Original Series, Next GenerationDeep Space Nineand EnterpriseSo nothing surprising there you say. Then under Diane Carey, she has the New Earth series and there’s at three other series which extrapolate off the existing series. She also did a novel about Kirk as a cadet at Starfleet Academy. 

(8) WESTERCON ARCHIVES. [Item by Kevin Standlee.] The minutes of the 2022 Westercon Business Meeting, the current Westercon Bylaws as of the end of Westercon 74, and links to the video recordings of the Westercon 74 Business Meeting and the Committee of the Whole on 2024 Westercon Site Selection are now posted on the updated Westercon Business page at http://www.westercon.org/organization/business/

(9) LET THE DICE FLY. A profile of the makers of Rubikon in Variety: “Inspired by ‘Star Trek,’ ‘Rubikon’ Grapples With Questions of Morality”.

In Leni Lauritsch’s gritty sci-fi thriller “Rubikon,” the final frontier could well be humankind’s last refuge.

The film, which stars Julia Franz Richter, Georg Blagden (“Versailles”) and Mark Ivanir, screens in the Zurich Film Festival’s Focus Competition.

Set in a dark future in which a polluted and barely sustainable Earth is plagued by corporate armies battling for depleting resources as the wealthy live in air domes that protect them from the contaminated atmosphere, the story centers on three astronauts aboard the space station Rubikon, where scientists have developed a possible means of survival, a sustainable algae project to provide oxygen and food….

(10) WAIT A MINUTEMEN. “Hold fire: Re-enactors fear being targeted by NY gun law” – the Brooklyn Eagle has the story.

Some historical battle re-enactors in New York are holding their musket fire because of worries over the state’s new gun rules — an unplanned side effect of a law designed to protect the public’s safety.

The law that went into effect this month declares parks, government property and a long list of other “sensitive” places off limits to guns. The rules were geared more for semiautomatic pistols than flintlock weapons, but re-enactors who fear being arrested if they publicly re-stage battles from the colonial era to the Civil War are staying off the field.

Gov. Kathy Hochul’s administration insists that historical battle re-enactments are still OK, and some have still taken place this month. But persistent skepticism among event organizers and participants has resulted in some cancellations, like an 18th century encampment and battle re-enactment planned for last weekend north of Saratoga Springs.

“We’ve been getting reports from units that were supposed to attend that they don’t feel comfortable transporting muskets or bringing muskets to the site,” said Harold Nicholson, a re-enactor involved in the event at Rogers Island. “And so at that point, we decided that it was probably best not to (go ahead).”

The consternation stems from a law quickly approved after the U.S. Supreme Court invalidated New York’s requirement that people must demonstrate an unusual threat to their safety to qualify for a license to carry a handgun outside their homes.

Hochul and her fellow Democrats in control of the state Legislature responded with a law that set strict new licensing criteria and limited where handguns, shotguns and rifles can be carried. Some re-enactors looking at the letter of the law have concluded the old-style weapons they use could place them in the crosshairs of the new rules….

(11) WOULD YOU BUY IT FOR A QUARTER? Coinweek tells us that a “New Coin From CIT Features Cthulhu and H.P. Lovecraft”. It’s issued by Palau.

One side depicts the tentacled head of Cthulhu above the sea. Its tentacles are wrapped around a sailing ship, which is tiny in comparison; in the field incuse 2022.

The other side features numerous tangled tentacles, and between them the silhouette-like portrait of H.P. Lovecraft. Legend H. P. LOVECRAFT / 1890 / 1937. Above, the coat of arms of Palau with the circumscription REPUBLIC OF PALAU 20 $.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Kevin Standlee, Steve Vertlieb, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]