Pixel Scroll 7/30/23 No Country For Old Pixels

(1) SURVIVAL ISSUES FOR ACTORS. Bleeding Cool quotes Wil Wheaton’s statement supporting the strike: “Star Trek Residuals ‘Kept Me Afloat For Two Decades’: Wil Wheaton”.

…In 1960, SAG and WGA struck to force management to adapt to the new technology of television. Without that strike and the agreement it birthed, residual use payments would not exist.

My parents stole nearly all of my salary from my entire childhood. My Star Trek residuals were all I had, and they kept me afloat for two decades while I rebuilt my life. I have healthcare and a pension because of my union. The AMPTP billionaires want to take all that security away so they can give CEOs even more grotesque wealth at the expense of the people who make our industry run.

To give some sense of what is at stake: There are actors who star in massively successful, profitable, critically acclaimed shows that are all on streaming services. You see them all the time. They are famous, A-list celebrities. Nearly all of those actors don’t earn enough to qualify for health insurance, because the studios forced them to accept a buyout for all their residuals (decade of reuse, at the least) that is less than I earned for one week on TNG. And I was the lowest paid cast member in 1988. They want to do this while studio profits and CEO compensation are at historic highs…

(2) IN THE ROOM WHERE IT HAPPENS. The above item made me curious about Wil Wheaton’s The Ready Room. Here’s the most recent episode, “On A Healing Journey With Babs Olusanmokun And Melissa Navia” at Paramount+. Beware spoilers.

(3) CADWELL TURNBULL STORY. Sunday Morning Transport posted their last free story of July, “A Tech Mage Comes to Visit” by Cadwell Turnbull about a “stunning new world, and the characters who have strange powers over the machines there.” Editors Julian Yap and Fran Wilde encourage fans to read it and subscribe.

(4) ALASTAIR REYNOLDS STORY. Auki Labs has posted a short story, “End User” by Alastair Reynolds.

The following is a short story by renowned sci-fi author Alastair Reynolds, commissioned by Auki Labs. It is the third short story published on our Medium about the future of Augmented Reality….

Alastair Reynolds’ “End User” is a chilling reminder, if one could call a vision of the future that, of why it is important for us as a society to reject surveillance capitalism and think critically about how AR will be delivered to us. We should never allow corporations to see through our eyes….

(5) ON THE COVER. These are pretty damn cute. Especially the one of the TARDIS. “Iconic Sci-Fi Vehicles Reimagined in the Cool Vintage Art Style of Modern Mechanix Magazine” at GeekTyrant.

Illustrator Chet Phillips has reimagined six iconic fictional sci-fi vehicles in as front covers in the vintage style of Modern Mechanix magazine. The magazine is known for its wildly cool and exaggerated illustrations, and was popular in the early to mid part of the 20th Century….

(6) AUREALIS AWARDS TAKING ENTRIES. The 2023 Aurealis Awards are open for entry from now until December 14.

The Aurealis Awards, Australia’s premier awards for speculative fiction, are for works created by an Australian citizen or permanent resident, and published for the first time between 1 January 2023 and 31 December 2023.

We strongly encourage publishers and authors to enter all works published already this year by September 30, 2023, then subsequent publications as they are released; our judges appreciate having time to consider each entry carefully.

Read the Aurealis Awards Rules and the FAQ at the links.

(7) COURT PUTS BRAKES TO ARKANSAS BOOK LAW. “Judge halts Arkansas ban on librarians giving kids ‘harmful’ books” reports the Washington Post.

A federal judge in Arkansas temporarily blocked a state law that would have made it a crime for librarians and booksellers to give minors materials deemed “harmful” to them — a move celebrated by free-speech advocates, who had decried the law as a violation of individual liberties.

Act 372 would have taken effect Tuesday. U.S. District Judge Timothy L. Brooks issued a preliminary injunction Saturday, siding with bookstores, libraries and patrons in the state thatargued in a lawsuit filed last month that parts of the law were unconstitutional.

Section 1 would have made it a criminal offense to knowingly provide a minor with any material deemed “harmful” — a term defined by state law as containing nudity or sexual content, appealing to a “prurient interest in sex,” lacking “serious literary, scientific, medical, artistic, or political value for minors” or deemed “inappropriate for minors” under current community standards.

Plaintiffs also challenged Section 5, which would have allowed anyone “affected by” material in a particular county or municipal library to challenge the “appropriateness” of the material.

The plaintiffs argued that the law would force librarians and booksellers to make an impossible choice: Remove books that some might deem offensive to young readers from their shelves; create secure, adult-only spaces for those books; ban minors from their facilities altogether; or expose themselves to criminal charges or fines.

In his injunction, Brooks said the law “would permit, if not encourage, library committees and local governmental bodies to make censorship decisions based on content or viewpoint,” in violation of the right to free speech under the First Amendment. He agreed with the plaintiffs that the state’s definition of “harmful” materials was overly vague….

(8) SHELLEY BELSKY (1955-2023). Shelley Adrienne Mimi Belsky, a New York City fan, died July 25 at the age of 68.

The Baltimore Science Fiction Society’s tribute says: “Shelley was a transwoman known for her knowledge and love of science fiction literature and hearty laugh in east coast con suites in the late ’70s to ’80s before she married and moved to Canada. After a decade she returned to the US and resided in the Milwaukee area. She often attended Balticon….. May her memory be a blessing.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 30, 1911 Reginald Bretnor. Author of many genre short stories involving Ferdinand Feghoot, a comical figure indeed. It looks like all of these are available in digital form on iBooks and Kindle. He was a consummate SJW. He translated Les Chats, the first known book about cats which was written by Augustin Paradis de Moncrif in 1727. He also wrote myriad articles about cats, was a companion to cats, and considered himself to have a psychic connection to cats. Of course, most of us do. (Died 1992.)
  • Born July 30, 1947 Arnold Schwarzenegger, 76. Terminator franchise, of course, as well as Running ManConan the Barbarian and Conan the DestroyerTales from the Crypt and True Lies.  
  • Born July 30, 1948 Carel Struycken, 75. I remember him best as the gong-ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams FamilyAddams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film though I’ve seen it twice. And he’s in Ewoks: The Battle for Endor which I’ve never seen. 
  • Born July 30, 1947 John E. Stith, 76. Winner of two HOMer Awards, given by the Science Fiction and Fantasy Literature Forum on CompuServe, for Redshift Rendezvous and Naught for Hire. The former would be nominated for a Nebula as well. The HOMer Awards ended in about 2000. 
  • Born July 30, 1961 Laurence Fishburne, 63. Morpheus in The Matrix films. My favorite role by him was Dr. Raymond Langston on CSI. (Not genre, though the forensic science there is SF.) His voice work as Thrax in Osmosis Jones on the other hand is outstanding as is his role as Bill Foster in Ant-Man.
  • Born July 30, 1966 Jess Nevins, 57. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. He’s also written the Fable Encyclopedia which is a most excellent look at Willingham series. I didn’t know he also wrote fiction ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident
  • Born July 30, 1975 Cherie Priest, 48. Her Southern gothic Eden Moore series is kickass good and Clockwork Universe series is a refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read the Cheshire Red Reports novels so have no idea how good they are. Anyone read these?  She won an Endeavour Award for her Dreadnought novel.

(10) COMICS SECTION.

(11) HOW MANY STEPS TO MORDOR? Literary Hub invites you to “Read W. H. Auden’s 1954 review of The Fellowship of the Ring”. He liked it! I was particularly interested in this measure of praise:

… The first thing that one asks is that the adventure should be various and exciting; in this respect Mr. Tolkien’s invention is unflagging, and, on the primitive level of wanting to know what happens next, The Fellowship of the Ring is at least as good as The Thirty-Nine Steps….

He refers to John Buchan’s 1915 “shocker”, beloved by readers of popular fiction a century ago. Their experience can’t really be recovered by reading the book now (or even several decades ago when I looked it up due to its reputation.) However, Auden’s comparison was a ringing endorsement in 1954.

(12) ANIME EXPLORATIONS. The new episode of the Anime Explorations Podcast is up – covering the conclusion of this year’s Summer of Jojo with the end of Stardust Crusaders. Episode 10 “JoJo Part 3 – Stardust Crusaders (Battle in Egypt Arc)”.

(13) T. HEE? “The Twilight Zone Needed A Favor From A Disney Great To Make The Dummy Work” at Slashfilm.

…Rod Serling and his crew didn’t have anyone on staff that could handle that, so they ended up recruiting for an unlikely source: Walt Disney Animation. 

As the story goes (at least according to 1992’s “The Twilight Zone Companion” written by Marc Scott Zicree), “Twilight Zone” makeup effects artist, William Tuttle was hard up for ways to pull off the effect in a way that would please Serling, who was determined that the gag only works if the audience can recognize Robertson in the dummy at the end. It still had to look like a real ventriloquist’s dummy, but have enough of the actor’s features so nobody walked away from the episode confused…

The rest of the story is at the link.

(14) BERLITZKRIEG. Very clever.

(15) VIDEO OF THE DAY. Epic Spaceman helps us visualize our home galaxy:“The scale of The Milky Way – why is the galaxy bigger than we think?”

I love the Milky Way, this crazy, giant whirlpool of stars that’s our home. And I remember being blown away learning that the cloudy line in the sky was something we’re actually inside, something that really confused me at first. So this video is really my attempt to bring a little more appreciation and clarity to our oasis in the Universe. Making it has really helped me get to grips with some of the scale of things and I might well do another shorter video showing the size and location of some other things in the Milky Way on the ‘US’ scale. I also tried to address that existential dread that can creep in when getting to grips with the scale of things like this. To paraphrase Douglas Adams, our galaxy makes a long walk down to the chemist’s look like peanuts so I’ve tried to temper that with a quick reminder of the scale of the really small stuff. I do personally like to remind myself that I’m actually huge when the cosmos gets a little too big for its boots and starts melting my brain.

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Lise Andreasen, Rich Lynch, Daniel Dern, Jennifer Hawthorne, Tom Boswell, Alexander Case, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day brnkn117.]

Pixel Scroll 7/7/23 The Universal Pixelscroll

(1) BE UPSTANDING. The space shuttle Endeavour will be rehoused in a new building that will allow it to be displayed upright in its original launch position, mated to the orange external tank and two booster rockets: “Space shuttle Endeavour preps for move to new museum” reports the LA Times.

After more than a decade on display at the California Science Center, the space shuttle Endeavour will begin the final trek to its permanent home at a new Los Angeles building in the coming months.

To get ready for the grand move, the state-run museum announced Thursday that crews will begin the installation of the base of the shuttle’s full stack on July 20. Workers will use a 300-ton crane to lower the bottom sections of the twin solid rocket boosters, which are 10,000 pounds apiece and roughly 9 feet tall, to the freshly built lowest section of the partly constructed $400-million Samuel Oschin Air and Space Center.

It’ll be the first of many delicate maneuvers conducted over roughly six months (if the weather cooperates). Eventually, all half-million pounds of the full stack — including the shuttle Endeavour and a giant orange external tank — will rest on the base of the solid rocket boosters, bolted to the ground by eight supersized, superalloy fasteners that are 9 feet long and weigh 500 to 600 pounds….

(2) OCTOTHORPE. John Coxon, Alison Scott, and Liz Batty have uttered Episode 87 of the Octothorpe podcast, “We Didn’t Imagine the Third Option”.

Wheeeeeee we’re Hugo finalists again! Huge congratulations to Alison Scott and España Sheriff who are finalists in Best Fan Artist, huge congratulations to John Coxon who’s a finalist with Journey Planet in Best Fanzine, and of course congratulations to transatlantic besties and cocky cake-makers Hugo, Girl! We also discuss the Locus and the BSFA Awards, plus (of course) picks.

(3) MEET RIVERFLOW. Chinese fan RiverFlow, a two-time 2023 Hugo finalist, tweeted this self-introduction:

(4) IT’S AN HONOR JUST TO BE NOMINATED. Wil Wheaton also shared his happy news: “Still Just A Geek is a Hugo award finalist” at WilWheaton.net.

I have been nominated for a few things in my life. I’ve even won a few. But I have not won way more often than I have. Based on my experience, the “I won!” thing is awesome for a short time, but where that euphoria fades quickly, the genuine honor of “I was nominated!” lasts forever. With that in mind, I looked at the other nominees this morning, and … I think it’s very unlikely I’ll be making space for a Hugo statue in my house. But that’s okay! I got to reach out to my TNG family today and tell them about it, and everyone who replied made me feel the love and pride that I imagine kids feel from parents who love them unconditionally.

If Still Just A Geek wins in its category, it’s going to be awesome. I’m not going to lie: I think it would be pretty great if I got to have a Hugo in my house, next to my Tabletop trophies. But if it doesn’t, the excitement, joy, and gratitude I feel that my story even made the finalists this year will never go away, and I get to have that whether I get the statue or not.

(5) COMPLETE LISTS OF HUGO FINALISTS. The Chengdu Worldcon Hugo Administrator limited the number of names they would place on the ballot announcement. As a result, several finalists have tweeted links to the complete lists of people they believe should be included.

(6) HUGO FINALIST ANNOUNCEMENT VIDEO. The Chengdu Worldcon has added the 81st Worldcon Hugo Awards Finalists Announcement to YouTube.

(7) CLARION CROWDFUNDING. The Clarion Science Fiction and Fantasy Writers Workshop at UC San Diego is in the midst of a 2023 crowdfunding campaign on Indiegogo to support the next generation of science fiction, fantasy, and horror writers. They have raised over $5,500 of their $20,000 with over three weeks remaining.

Would you be interested in these perks on offer to donors?

Want to have your name in a new Cory Doctorow novel?

Talk worldbuilding with Sue Burke?

Get a signed proof of Kim Stanley Robinson’s story “UCSD and Permaculture”?

Or name a scholarship to support making attending Clarion possible for a student next year? (Donation = $1,000)

All these — and t-shirts! — are on offer through the Clarion Workshop IndieGogo campaign. 

(8) ROGERS: THE MUSICAL. [Item by Daniel Dern.] I’d lost track that info about this was already scrolled — Item 7 in the June 30 Scroll — but it doesn’t look like there were any links to the actual show.

Here’s the five-and-a-half-minute trailer, from Marvel’s D23 Ex (watching the full thing once was enough for me, and it’s not the same without seeing Clint “Hawkeye” Barton in the audience shaking his head…

And here’s two  of many links to the full 37-minute show. (The first one seems to have more close-ups, but “features” some MST3K back of somebody’s head mid-left…):

  • Rogers: The Musical | Full Show, Disney California Adventure Park
  • Full Show: Rogers: The Musical | Disney California Adventure

(9) MEMORY LANE.

1963 [Written by Cat Eldridge from a choice by Mike Glyer.]

This Scroll, Mike picked a work by Clifford Simak who I knew thot y’all know, so I see no need to introduce him to you. I will say that he was one of the first genre writers that I read deeply of. 

I’m fairly sure the first work by him that I read was City, a work that remains my favorite by him. But tonight we’re here to talk about Way Station, the source of the Beginning the Mike choose, another favorite of mine.

It was published by Doubleday in 1963 with the cover at by Ronald Fratell. It would win a Hugo at Pacificon II for the original publication as Here Gather the Stars in Galaxy’s June and August 1963 issues. 

And now let us turn to the Beginning…

The noise was ended now. The smoke drifted like thin, gray wisps of fog above the tortured earth and the shattered fences and the peach trees that had been whittled into toothpicks by the cannon fire. For a moment silence, if not peace, fell upon those few square miles of ground where just a while before men had screamed and torn at one another in the frenzy of old hate and had contended in an ancient striving and then had fallen apart, exhausted. 

For endless time, it seemed, there had been belching thunder rolling from horizon to horizon and the gouted earth that had spouted in the sky and the screams of horses and the hoarse bellowing of men; the whistling of metal and the thud when the whistle ended; the flash of searing fire and the brightness of the steel; the bravery of the colors snapping in the battle wind. 

Then it all had ended and there was a silence. 

But silence was an alien note that held no right upon this field or day, and it was broken by the whimper and the pain, the cry for water, and the prayer for death—the crying and the calling and the whimpering that would go on for hours beneath the summer sun. Later the huddled shapes would grow quiet and still and there would be an odor that would sicken all who passed, and the graves would be shallow graves. 

There was wheat that never would be harvested, trees that would not bloom when spring came round again, and on the slope of land that ran up to the ridge the words unspoken and the deeds undone and the sodden bundles that cried aloud the emptiness and the waste of death. 

There were proud names that were the prouder now, but now no more than names to echo down the ages—the Iron Brigade, the 5th New Hampshire, the 1st Minnesota, the 2nd Massachusetts, the 16th Maine. 

And there was Enoch Wallace

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 7, 1907 Robert Heinlein. Let’s have Paul Weimer tell about his favorite Heinlein works: “If I had to pick one favorite Heinlein novel, and that’s a tough road to hoe, I am going to go with the novel I’ve re-read the most and it’s probably not going to be the one you think.  It’s Glory Road. Yes, Glory Road. The back matter once the quest is done can be overcooked, but Heinlein had a keen eye for epic fantasy quests, the good and the bad, long before the rise of Tolkien clones. It was an early Heinlein for me, and the novel has stuck with me since, with a number of audio re-reads. I survived a boring drive across the flatness of the Great Plains by listening to the adventures of Oscar Gordon.” // If I had to pick one Heinlein story, I have a strong fondness for All You Zombies, which encapsulates all the potential paradoxes of time travel in a way that has been done at greater length, but not, I’d argue, with better effect. (The movie Predestination with Ethan Hawke is pretty darned good by the way). Oh, and my favorite book ABOUT Heinlein is Farah Mendelsohn’s The Pleasant Profession of Robert Heinlein. (Died 1988.)
  • Born July 7, 1919 — Jon Pertwee. The Third Doctor and one that I’ll admit I like a lot. He returned to the role of the Doctor in The Five Doctors and the charity special Dimensions in Time for Children in Need. He also portrayed the Doctor in the stage play Doctor Who – The Ultimate Adventure.  After a four-year-run here, he was the lead on Worzel Gummidge where he was, errr, a scarecrow. And I must note that one of his first roles was as The Judge in the film of Toad of Toad Hall by A. A. Milne. (Died 1996.)
  • Born July 7, 1946 Lisa Seagram. I’m noting her here because she was in the Batman episode “Louie, the Lilac” as Lila in which Milton Berle played the title character. She also had one-offs in both The Man from U.N.C.L.E. and The Girl from U.N.C.L.E., plus My Favorite Martian and Bewitched. (Died 2019.)
  • Born July 7, 1931 David Eddings. Prolific and great, with his wife Leigh, they authored several best-selling epic fantasy novel series, including The BelgariadThe Malloreon and The Dreamers to name but three of their series. He’s written but one non-series novel, The Redemption of Althalus. (Died 2009.)
  • Born July 7, 1959 Billy Campbell, 64. There are some films so good in my memory that even the Suck Fairy can’t spoil them and The Rocketeer in which he played stunt pilot Cliff Secord is one of them. (IDW did a hardcover edition called Dave Stevens’ The Rocketeer: The Complete Adventures which Amazon has it for a mere twenty bucks! And the ePub is available from the usual suspects for a mere five dollars and ninety nine cents.) Yes, he did other work of genre interest including the main role of Jordan Collier on The 4400, Quincey Morris on Bram Stoker’s Dracula, Captain Thadiun Okona in “The Outrageous Okona” episode of Next Gen, the Maine Dr. Alan Farragut on Helix and he’s currently voicing Okona once again on Prodigy.
  • Born July 7, 1968 Jeff VanderMeer, 55. Ok I’ll admit that I’m ambivalent about the Southern Reach Trilogy and am not sure if it’s brilliant or not though it is I’ll say quite disturbing. (Haven’t seen the film and have no desire to so.) I will say the pirate anthology he and his wife Anne did, Fast Ships, Black Sails, is quite tasty reading.  Now let’s see what the Hugos would hold for him. At Noreascon 4 for The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases which I truly, madly love, he got a Hugo. He along with his Ann picked up at Anticipation up one for Best Semiprozine: for Weird Tales. It would be nominated the next year at Aussiecon 4 but Clarkesworld would win as it would the Renovation losing out again to ClarkesworldThe Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature which he co-edited with  S. J. Chambers was nominated at Chicon 7. Another Best Related Work was nominated at Loncon 3, Wonderbook: The Illustrated Guide to Creating Imaginative Fiction. Finally the film Annihilation based off the Southern Reach trilogy was nominated for Best Dramatic Presentation Hugo at Dublin 2019. 
  • Born July 7, 1987 V.E. Schwab, 36. I’m very pleased with her A Darker Shade of Magic which explores magicians in a parallel universe London. It’s part of her Shades of Magic series. Highly recommended. Her Cassidy Blake series is also good provided you’re a Potter fan because she makes a lot of references to that series.

(11) COMICS SECTION.

  • Arlo and Janis know there’s always someone ready to jump in and correct the details. Just like in the comments here!

(12) THE VOID CAPTAINS. Mark and Evelyn Leeper today reminded people of the history of their prolific fanzine in today’s issue, the 2278th MT VOID:

The MT VOID started as a zine for the newly formed Science Fiction Club at Bell Labs in Holmdel in August 1978, but we have always been the editors (and primary writers).  It has been weekly for decades, and has continued even after we retired and the Science Fiction Club dissolved.  The current issue is #2278, making it (I’m pretty sure) the perzine with the most issues ever, and at 45 years, one of the longest running.

In July 1981, our area was split off and moved to Lincroft.  At that point we thought we needed to spin off a new club, so we started re-numbering the MT VOID (not yet called that) at that point.  Hence the volume roll-over in July.  Eventually we ended up remerging the clubs and newsletters, but kept the new numbering.

At some point in the 1980s we also renamed the club as the “Mt.  Holz Science Fiction Club”.  “Mt. Holz” came from the inter-company mail designations for the three New Jersey locations of AT&T et al where we once had meetings:
MT Middletown
HO Holmdel
LZ Lincroft

As the work environment changed, meetings eventually ended, but the MT VOID kept rolling along.  We retained the “Mt. Holz” name in the heading until last year, when we decided it was misleading to pretend there was an actual club behind this.  [-mrl/ecl]

(13) GOING DOWN TO THE SECOND. “After ‘Barbie,’ Mattel Is Raiding Its Entire Toybox” says The New Yorker.

In 2019, Greta Gerwig became the latest in a line of writers, directors, and producers to make a pilgrimage to a toy workshop in El Segundo, California. Touring the facility, the Mattel Design Center, has become a rite of passage for Hollywood types who are considering transforming one of the company’s products into a movie—a list that now includes such names as J. J. Abrams (Hot Wheels) and Vin Diesel (Rock ’Em Sock ’Em Robots). The building has hundreds of workspaces for artists, model-makers, and project managers, and it houses elaborate museum-style exhibitions that document the company’s history and core products. These displays can help a toy designer find inspiration; they can also offer a “brand immersion”—a crash course in a Mattel property slated for adaptation. When a V.I.P. visits, Richard Dickson, a tall, bespectacled man who is the company’s chief operating officer, plays the role of Willy Wonka. He’ll show off the sixty-five-year-old machines that are still used to affix fake hair to Barbies; he’ll invite you to inspect life-size, road-ready replicas of Hot Wheels cars. The center even boasts a giant rendering of Castle Grayskull, the fearsome ancestral home of He-Man. “The brand immersion is the everything moment,” Dickson told me. “I have met with some of the greatest artists, truly, in the world. . . . And, if you don’t walk out drinking the Kool-Aid, then it was a great playdate, but maybe we don’t continue playing.”

The actress Margot Robbie, who had toured the center in 2018, wanted to continue playing. She’d signed up for a Barbie movie, and had approached Gerwig about writing the script. She saw in Gerwig’s filmography the right combination of intelligence and heart: “You watch something like ‘Little Women,’ and the dialogue is very, very clever—it’s talking about some big things—but it’s also extremely emotional.” The project wasn’t an obvious fit for someone whose screenplays included the subtle dramas “Lady Bird” and “Frances Ha,” and Gerwig wavered for more than a year. At one point, Dickson called her when she was mixing “Little Women” in New York. “I don’t have a ton of friends in corporate America,” she told me, over Zoom. “But he was very excited. It was sweet.” She finally agreed to come to El Segundo…

(14) ASCENDING MT. TBR. Camestros Felapton is catching up on his reading: “Review: The Twisted Ones by T. Kingfisher”.

…The book makes no apologies and shows no respect for genre boundaries. With a chatty, out-going narrator, multiple sections about the trials of clearing out the home of a hoarder, friendly neighbours and a welcoming coffee shop, the story has many elements associated with, dare I say, “cosy” fiction. The latter sections head more into the realm of portal-fantasy. However, these elements are simply flesh hung upon the bones of the horror of thoughts that overwhelm you….

(15) BERLITZKRIEG. Everyone laughs as “Harrison Ford Roasts Conan O’Brien Mid-Interview for Having a Han Solo Note Reminder: ‘You Can’t F—ing Remember That?’”Variety has the story.

Harrison Ford roasted Conan O’Brien on a recent episode of the “Conan O’Brien Needs a Friend” podcast after the “Star Wars” and “Indiana Jones” icon discovered O’Brien had “Han Solo” written down in his notes for the interview. The two men were playfully arguing about Ford’s ancestry, which led O’Brien to consult some info he had jotted down prior to the interview.

“I refer you to this piece of paper right here,” O’Brien said. “That says, ‘Born and raised in Chicago to an Irish German father—’”

Ford leaned over to take a look at O’Brien’s notes and then interrupted the host when he realized they included a reminder that Ford played Han Solo in the “Star Wars” franchise. Along with Indiana Jones, Han Solo is Ford’s most iconic character.

“Well if that’s a quality of your research, and I imagine it is because right there it says ‘Harrison Ford’ and then you had to write ‘Han Solo,’” Ford said. “You can’t fucking remember that?”

“No I can’t. I can’t remember Han Solo,” O’Brien hilariously fired back. “I wrote it down because I heard that you were in some of the ‘Star Wars’ films, and this was news to me because I’ve seen those films and I don’t exactly think that you ‘pop.’”

O’Brien continued, “I’m sorry. But I mean, I remember Chewbacca, I remember the bad guy with the black helmet and then… there’s some people.”

Ford took matters into his own hands, asking O’Brien, “How come you’re not still on television?”…

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Kathy Sullivan, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 5/22/23 A Pocket Full Of Pixels, A Universe Made Of Scrolls

(1) TREK CREWS SUPPORTING STRIKE. “Star Trek Actors Join Writers On Trek-Themed Picket Lines In LA And NYC”TrekMovie.com has the story.

…The WGA West and the WGA East both called for Star Trek writers to picket on Friday at the Paramount in Hollywood and at the Manhattan headquarters of Netflix. Star Trek writers showed up at both locations, joined by actors and others who have worked on the franchise.

Strange New Worlds writer/co-executive producer (and WGA strike captain) Bill Wolkoff shared a group photo from Hollywood. Writers and actors from Star Trek: The Original SeriesThe Next GenerationDeep Space Nine, Voyager, Enterprise, Discovery, Picard, Strange New WorldsLower Decks, and Prodigy can all be seen showing their support….

…In New York, Lower Decks voice actress (and Starfleet Academy writer) Tawny Newsome shared photos that included actors Anthony Rapp (Discovery) and Celia Rose Gooding & Jess Bush (Strange New Worlds)….

… TNG actress Denise Crosby met up with Picard showrunner Terry Matalas.

(2) WHEATON KERFUFFLE. Meanwhile, Wil Wheaton launched his own front by criticizing a Jeopardy! host. Comic Sands has the story: “Wil Wheaton Slams Ken Jennings For Crossing WGA Picket Line”.

Wheaton wrote on Facebook:

“This is a VERY small town, Ken Jennings, and we will all remember this. Your privilege may protect you right now, but we will *never* forget.”

The post has since blown up on social media, so Wheaton added some more information in an edit:

“This is getting more attention than I expected or wanted, and I don’t want this to be about me being disappointed by a choice Ken Jennings made.”

“I want attention and energy focused on supporting the writers who are fighting for their professional existence, opposed by billionaires who are keen to ruin my entire industry.”

This afternoon Wheaton told Facebook followers that The National Enquirer was trying to milk the story even more.

Hey, isn’t this neat? The National Enquirer asked me to comment on a story they are running, claiming I “publicly threatened” Ken Jennings.

Here’s what they sent:

To Whom It May Concern:

The National Enquirer is preparing to publish a story reporting Wil Wheaton has publicly threatened Jeopardy host Ken Jennings for crossing the writer’s picket line.

The story quotes Mr. Wheaton’s Facebook message which stated, “This is a VERY small town, Ken Jennings, and we will all remember this.”

It also points out that Mr. Wheaton is close friends with Mr. Jennings’ competition for permanent hosting duties on Jeopardy — Mayim Bialik.

Here is my entire response, in the *cough* unlikely event *cough* they edit it for space or somesuch:

Your clumsy efforts to misrepresent me, to mislead your readers, to distract from the issues underlying the strike, have not gone unnoticed. But since you asked, let me be clear: I didn’t threaten anybody. That’s laughable. I’ve been threatened. It sounds like, “be careful on your way home tonight.” It doesn’t sound like “I will remember that you betrayed us when it was convenient, and other people will, too.”

I support organized labor without exception and will never cross a picket line. I stood (and stand) with and for my fellow union members. Hollywood is a notoriously dishonest industry that runs on relationships and trust. We tell stories and make stuff up for a living! We need to know who we can trust and who we can’t; who stands with us, and who will sell us out. It’s not a threat; it’s a fact.

You would do well to inform your readers that regulatory capture, the monopolization of entertainment companies, and the incomprehensible greed of a handful of billionaires threaten my entire industry and countless people I love. WGA (and possibly my union, SAG-AFTRA) members are fighting for our careers, our families, our healthcare and the future of our industry. The billionaires across the table are fighting for bigger yachts.

I’m deeply disappointed with Ken. I think he’s a great host, an obviously sensational player, and the couple times I’ve met him, I’ve enjoyed our conversations. The fact is, he has an enormously high profile, and his choices affect the writers of his show and the entire WGA in a meaningful way that people pay attention to. He is certainly more influential, and can have a more direct impact, than me. I hoped he would use that privilege to put the needs of the many ahead of the greed of the few. He didn’t, and speaking only for myself, I will remember that. That isn’t a threat; it’s keeping a promise to my fellow workers, and honoring the sacrifices of all who came and fought before us.

Wheaton added a little snark in the comments.

(3) THE NUMBER OF YOUR DOOM. In “The Annals of Not So Terrible Fates”, Camestros Felapton has devised a foolproof table that you can use to foretell your terrible ending.

A doom awaits you! To learn your fortune you must meddle with the dark forces of pseudonumerology…

Here is my result:

15. Overtaken by Artificial Intelligence
A self-driving care overtakes you on the road in a way that you find disrespectful.

I suppose it’s completely in character that my fate contains a typo.

(4) THEY’RE HERE! [Item by Steven French.] Excellent list by Nina Allan, author of Conquest: “Top 10 strangest alien invasion novels” in the Guardian. At number nine:

9. Lagoon by Nnedi Okorafor
With its jump cuts and tessellations, Okorafor’s playful, almost filmic account of an alien expedition to the city of Lagos feels unlike any alien invasion story you might have read before. Science fiction cohabits with fantasy to produce a vigorous, gorgeous mutation teeming with deft postmodernist touches: chapters told from non-human points of view, snapshots of reportage, moments when Okorafor breaks the fourth wall to ask how readers might have reacted had they been there. A joyously experimental text, Lagoon shimmers with the delirium and chaos that might be expected from an alien visit.

(5) GRAPES OF WRATH. Jason Sanford devoted a Genre Grapevine to “the Sudowrite Controversy and the Increasing Pushback Against AI”, a free post on Patreon. It includes a brief interview with Amit Gupta, Co-Founder of Sudowrite.

…On May 17, Gupta’s fellow Sudowrite co-founder James Yu announced the launch of Story Engine. As Yu wrote on Twitter, “Our awesome team worked with hundreds of novelists for months to build the ideal interface for writers and machines to collaborate on a narrative. … Story Engine is the first serious tool for long-form AI writing.”

In the video attached to the announcement, Yu said Story Engine would allow authors to “write an entire novel in just a few days.”

As Yu noted, previous AI writing models had difficulty staying on track with a story “for more than a few paragraphs,” meaning most “AI products were optimized for short generations.” Story Engine evidently fixes this by allowing people to provide the system with character information, overall plot points, themes, and more data tailored for longer-form stories. This helps the AI remain focused on generating a story that would, in Yu’s words, stay true to the “author’s vision.”

And the reaction from the writing community to this development? Perhaps this headline in Gizmodo best sums that up: “Sudowrite Launches Novel-Writing AI Software for Pseudo-Writers.

To say that Yu’s announcement was ratioed hard is an understatement, with his tweet receiving by May 21 over 8.2 million views but only 182 regular retweets and 963 likes. Instead, there were over 4,500 quote retweets where people generally ripped into the announcement….

(6) TODAY’S 10,000. Horror movies were banned in Australia for two decades? News to me! Daniel Best tells that history in “Charles Higham and the Fate of the 1965 Bulletin Ban List”.

Horror movies were formally banned in Australia in mid-1948. This ban wasn’t announced with any great fanfare, rather it was a subdued series of articles in newspapers and tabloid magazines that stated the premise of the ban – all horror films from 1949 onwards would be subject to an instant ban, with no exceptions. Films already in the country, which had been passed by the censor and dated pre-1948, would be exempt from the ban. Thus the status quo was established, and it remained this way for over twenty years.

(7) MARTIN AMIS (1949-2023). Martin Amis died May 19 at the age of 73. His genre-related contributions include Time’s Arrow (1991), which was shortlisted for the Booker Prize. As described in the Wikipedia —

Notable for its backwards narrative – including dialogue in reverse – the novel is the autobiography of a Nazi concentration camp doctor. The reversal of the arrow of time in the novel, a technique borrowed from Kurt Vonnegut‘s Slaughterhouse 5 (1969) and Philip K. Dick‘s Counter-Clock World (1967), is a narrative style that itself functions in Amis’s hands as commentary on the Nazis’ rationalisation of death and destruction as forces of creation with the resurrection of Nordic mythology in the service of German nation-building

According to ISFDB he wrote a fair amount of short sff, featured in two collections, Einstein’s Monsters and Heavy Water and Other Stories.

He was the son of author Kingsley Amis.

(8) MEMORY LANE.

2013[Compiled by Cat Eldridge.]

Rebecca Campbell was not an author I was aware of before Mike picked her this afternoon for the Beginning. It turned that she is a quite fascinating person who, as she says on her most excellent site, writes “weird stories about climate change and ghosts, mostly, though aliens and parasites sometimes show up, too, and I will always love archives and libraries”. 

NeWest Press published her The Paradise Engine a decade ago. It’s her only novel to date according to ISFDB, though she has written some novellas and a generous amount of short fiction. Our Beginning is from The Paradise Engine

And for her Beginning…

A Ghost Story

The first ghost appeared at the end of August, when Jasmine had already been gone for months. That was too bad because she was the only person Anthea knew who would recognize a ghost when she saw one, or know what to do about it.

Anthea didn’t know a ghost when she saw one, though she was the one haunted. She also didn’t know what had happened to Jasmine, but whatever it was, it was probably over. She knew only this: Jasmine was last seen just northwest of the city, on a highway that curled uphill along the coast and the mountains. She was last seen early in June, in the company of a bearded Caucasian male apprx. 30 yrs of age, who carried an army surplus backpack and was otherwise without distinguishing characteristics. Anthea could determine, then, that Jasmine was last seen facing southeast, hitching northwest along a highway that grew pineapple weed on its shoulders. Pineapple weed smelled like chamomile tea when it bruised, as it would do under Jas’s runners when she stood for long stretches, one thin arm reaching out into the traffic and the other propped on her hip. Given how hot June had been, Anthea also knew Jasmine was kneecapped by heat waves that rose from the highway, so she seemed to float above the asphalt. To the drivers who did not pick them up, they might have been a mirage, or ghosts from the early ’70s.

Jasmine would have enjoyed being mistaken for a ghost, especially one that smelled of chamomile. She and the man walked northwest all day. Sometimes where the shoulder was narrow, she slithered halfway down the ditch and he’d turn around to help her to her feet. They were still walking when the sky turned purple and rusty orange over the mountains. Jas’s arms crossed over her chest. She shivered with dehydration and the sun-ache in her temples, the tight wrinkle of a burn on her nose and forehead. After that night no one saw anything, and so Anthea is unable to determine how much longer they walked north and west. This little film plays out in her head sometimes, unresolved.

That was months before the haunting, though, which had its start very early on a Sunday morning at the end of August. Anthea was asleep when it began, and she mistook the first visitation for a dream. In the dream a dark-haired man told her something very important she should not forget in a voice that had the texture of a shellac 78 on an old turntable. She listened politely to the man for a long time, unable to grasp his words though she felt their urgency. Just as she began to understand what the man wanted her to know, the squirrels in the attic started fighting, as they often did in the early morning. Half-awake and still listening to the distorted voice in her dream, she sat up and hit the angled wall above her head, and then stood and thumped the ceiling with the heel of her hand.

By the time Anthea was fully awake—still hitting the plaster, the squirrels still fighting overhead—the phone was ringing and she forgot even that she should not forget the antiqued voice of her dream, and so the second supernatural event of Anthea’s life passed her without remark. She picked up the phone beside the bed, but no one was there.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 22, 1859 Arthur Conan Doyle. I read the Holmes stories a long time ago. My favorite is The Hound of the Baskervilles as it allows him to develop a story at length. Favorite video Holmes? Jeremy Brett.  Looking at ISFDB, I’m see there were more Professor Challenger novels than I realized. And the Brigadier Gerard stories sound suspiciously comical… (Died 1930.)
  • Born May 22, 1900 Wallace West. His first two short stories were “Loup-Garou” in Weird Tales, October 1927 and “The Last Man” in Amazing, February 1929. He published continuously through the Sixties though only averaged a story a year. Interestingly his first two novels were about Betty Boop in the Big Little Books format: Betty Boop in Snow-White: Assisted by Bimbo and Ko-Ko and Betty Boop in “Miss Gulliver’s Travels”.  He wrote four genre novels, only a few of which are available from the usual suspects. (Died 1980.)
  • Born May 22, 1901 Ed Earl Repp. His stories appeared in several of the early pulp magazines including Air Wonder StoriesAmazing Stories and Science Wonder Stories. Some were collected in The Radium Pool (just three stories), The Stellar Missiles (another three stories) and Science-Fantasy Quintette (five this time with two by L. Ron Hubbard). He also had one SF novel written in 1941, Rescue from Venus. He turned to writing scripts for Westerns and never wrote any fiction thereafter. (Died 1979.)
  • Born May 22, 1907 Hergé. He is best remembered for creating The Adventures of Tintin which are considered one of the most popular European comics of the 19th and 20th centuries. He is much less remembered for Quick & Flupke, a short-lived series between the Wars, and The Adventures of Jo, Zette and Jocko which lasted well into the Fifties. (Died 1983.)
  • Born May 22, 1914 Sun Ra. As SFE says he “played and released a large quantity of music, mostly in the postwar period, all of it inflected by his fascination with outer space, Alien encounter, Ancient Egypt (whose Sun god inspired his working name) and Atlantis.” It’s well worth reading the fascinating SFE entry on him. (Died 1993.)
  • Born May 22, 1964 Kat Richardson, 59. Her Greywalker series is one of those affairs that I’m pleased to say that I’ve read every novel that was been published. I’ve not read Blood Orbit, the first in her new series, yet. Has anyone here done so? Her Blood Orbit novel won an Endeavour Award which is given for a science fiction or fantasy book written by a Pacific Northwest author and is given by a panel of judges chartered by Oregon Science Fiction Conventions, Inc. 
  • Born May 22, 1968 Karen Lord, 55. She’s a Barbadian writer. Her debut novel, Redemption in Indigo, retells the story “Ansige Karamba the Glutton” from Senegalese folklore; The Best of All Possible Worlds and The Galaxy Game are genre novels as is her edited New Worlds, Old Ways: Speculative Tales from the Caribbean.

(10) COMICS SECTION.

  • Free Range shows the moment of surprise in an alien robbery.
  • Macanudo has an equation that yields horror.  
  • Thatababy finds out what happens to a superhero who signs too many checks.

(11) SOMETHING FOR WAR GAMERS AND AUTHORS OF MILITARY SF. [Item by Francis Hamit.] We have the smartest military in the world.  Seriously.  You can’t attain flag rank now without a PhD or three Masters degrees.  This article is a very thoughtful analysis of urban combat and why it matters. “Decided among the Cities: The Past, Present, and Future of War in Urban Environments” at Army University Press.

Cities not only possess cultural and psychological value for combatants, but they are also sociologically and geographically anchored to multiple aspects of military key terrain. Cities sit astride, near, or encompass major ground routes (road and rail), major water crossings such as large bridges, and logistical and power projection hubs for sea and air. The ongoing conflict in Ukraine provides an immediate example of the importance of cities themselves and what cities contain. Moreover, the importance of cities is apparent with a study of history. However, even with history and current events, there is faint acknowledgement of the importance of the urban fight in military theory, and it has limited coverage in U.S. Army doctrine. When acknowledged, urban operations are largely discussed in commentary on their inherent difficulty, the natural aversion to costly fighting characteristic of urban combat, and with the recommendation to bypass or avoid city fights altogether. However, as history and recent examples in Ukraine demonstrate, conflicts often are decided among the cities. The physical and infrastructure characteristics of cities naturally and geographically can make control of them critical for victorious military campaigns. The one who can seize and hold the city controls, or just denies, crucial capabilities to military operations…

(12) 3 MOVIE ALERTS: THESE STREAMS YOU MIGHT WANT TO CROSS. [Item by Daniel Dern.] Within the past month or so I’ve finally been able to see a few films that had been on my “watch at home when they’re available at no additional cost” (as in, on streaming services I subscribe to, or as DVD/BluRay loans through the local library): Dungeons & Dragons: Honor Among Thieves, Ant-Man & The Wasp: Quantumania, and Peter Pan & Wendy.

The first two I’m going to say close to zero about other than “now available this way” (nor should I need to say more):

Dungeons & Dragons: Honor Among Thieves (Paramount Plus).

Lots of fun! It’s got dungeons! It’s got dragons! (But no dice or dice-rolling)

It’s nice to see a fantasy flick that doesn’t require backstory, doesn’t involve an orphaned/prophesied/etc. protagonist, is done-in-one (in terms of wrapping up the plot), and is focusing on a less-than-the-fate-of-everything plot.

One perhaps helpful note: If, like me, you’re on P+’s cheaper with-commercials tier, you’ll be happy to know they sensibly frontloaded a handful of commercials up front, and did not interrupt the movie (and included a note that they were doing it, just before the actual commercials).

Ant-Man and the Wasp: Quantumania (Display+)

While clearly part of the Marvel movie universe too-many-moving parts flow chart/timeline, this movie doesn’t require you to know much. Having seen the two previous Ant-Man movies can’t hurt; beyond that, knowing about the Thanos “snap” (from the past two Avengers flicks) resulted in many characters (including Scot Lang/Ant-Man) missing five years of normal timeline.

Another nice aspect in Q-mania is that, by taking place mainly in the Quantum Realm, that solves the super-hero universe conundrum, e.g., “so where are all the other (Marvel) heroes when all heck is breaking loose?” Answer, in this case: not in Quantumville.

Recommended.

Peter Pan & Wendy (Disney+)

I’m not a fan of the original book — as I discovered some years back while volunteer-literacy-tutoring. The first 20-30 pages are treacly enough to rot out even the toughest teeth — for no clear-to-me reason I watch many of the films — perhaps Robin Williams and the rest of the superb cast of Hook (I’ve still got the DVD, and, I think, also the laserdisk) deserve credit for that (and have read many of the post-Barrie books).

PP&W is based on the original book/movie/story-that-we-know, with a fair amount of edits, deletions and additions, all of which I heartily applaud. Princess T Lily (played by Alyssa Wapanatâh, who is, per IMDB, a member of the Bigstone Cree First Nation). The Lost Boys, while retaining their group’s name, include girls. And there’s more backstory connecting Peter and Hook. (Not all watchers/reviewers felt positive about this, e.g., this ComicsBookReview one.)

To be fair, I don’t recall thinking much of the 2015 Pan; (starring Hugh Jackman as Blackbeard, FYI) was the one where the big rocky scene had pirates and singing “Smells Like Teen Spirit” (here’s the video excerpt, in case you doubted my memory).

Same memory says I liked the 2003 Peter Pan…probably one reason it didn’t do well at the box office was that some other pirate movie debuted around the same time, starring that guy who played Edward Scissorhands, which grabbed more attention.

Now, back to waiting for the The Flash movie.

(13) MASSED MINDS PRODUCTION. Can someone be an AI writing addict? “Sci-fi author ‘writes’ 97 AI-generated books in nine months” reports The Register.

Sci-fi author Tim Boucher has produced over 90 books in nine months, using ChatGPT and the Claude AI assistant.

Boucher, an AI artist and writer, claims to have made nearly $2,000 selling 574 copies of the 97 works.

Each book in his “AI Lore” series is between 2,000 to 5,000 words long – closer to an essay than a novel. They are interspersed with around 40 to 140 pictures, and take roughly six to eight hours to complete, he told Newsweek

Boucher’s superhuman output is down to the use of AI software. He uses Midjourney to create the images, and OpenAI’s ChatGPT and Anthropic’s Claude to generate text to brainstorm ideas and write stories…. 

(14) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] It was Sci-Fi Sunday over at Isaac Arthur’s Futures and this month’s topic Co-existence with Aliens. He opines, “One day we may encounter intelligent aliens, but can we ever hope to understand their psychology and coexist with them if we do?”

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Christian Brunschen, Kathy Sullivan, Daniel Dern, Juli Marr, Francis Hamit, Steven French, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/24/23 Worst Pixel, Filed On Ugliest Scroll

(1) A FIGURE OF FUN. Cora Buhlert has posted a new Masters-of-the-Universe-Piece Theatre Photo Story entitled “Held Hostage”. And Cora says, “I have more of those coming up as well, because they’re a lot of fun to make and offer a great distraction from — well — everything.”

(2) ANOTHER LOOK AT LEGENDS. Mark Lawrence takes a deep dive into the work of David Gemmell: “Legends and Re-reads”.

I was a very different person in a very different world when I read Legend at 21 from the man I am at 57. I also know a lot more about writing.

A few things to say about Gemmell. 

– He is a skilled storyteller.

– He knows how to push emotional buttons. When I was starting to think about the mechanics of writing he was the first author I looked hard at and said ‘how is he making me feel like this?’

– He had a clear ethos/worldview that runs through all his books. His readers often repeat it as delivered through the eponymous Legend (Druss the Legend, aka Druss of the Axe, aka Deathwalker):

Never violate a woman, nor harm a child. Do not lie, cheat or steal. These things are for lesser men. Protect the weak against the evil strong. And never allow thoughts of gain to lead you into the pursuit of evil.

-The Iron Code of Druss the Legend

(3) RUN AWAY, RUN AWAY! “Lord of the Rings New Movies Set at Warner Bros” reports Variety.

Warner Bros. Pictures is revamping the “Lord of the Rings” film franchise.

On a Thursday earnings call, Warner Bros. Discovery CEO David Zaslav announced that newly-installed studio leaders Mike De Luca and Pam Abdy have brokered a deal to make “multiple” films based on the beloved J. R. R. Tolkien books. The projects will be developed through WB label New Line Cinema. The first “Lord of the Rings” trilogy, helmed by Peter Jackson, grossed nearly $3 billion worldwide; Jackson’s follow-up trilogy based on Tolkien’s “The Hobbit” matched those grosses.

No filmmakers have been attached to the projects as yet, but in a statement to Variety, Jackson and his main “Lord of the Rings” collaborators Fran Walsh and Philippa Boyens said Warner Bros. and Embracer “have kept us in the loop every step of the way.”…

(4) NEXT QUESTION PLEASE. “Helen Mirren says the plot of ‘Shazam! Fury of the Gods’ is ‘too complicated’: ‘Don’t ask me about the plot’” at MSN.com.

Helen Mirren said she doesn’t fully understand the plot of her latest movie, “Shazam! Fury of the Gods.”

Mirren makes her superhero movie debut next month in the DC Comics sequel, playing the film’s villain, Hespera.

During her appearance on “The Graham Norton Show,” which airs in the UK on Friday, Mirren admitted she’s not “a big superhero-type person” but “loved” the first “Shazam!” movie released in 2019.

“Don’t ask me about the plot, it’s too complicated,” Mirren said about her role in the movie. “[Lucy Liu and I] are angry goddesses wearing unbelievably heavy costumes. It was very hot and uncomfortable and in fact, Lucy said at the end of the first day’s shooting, ‘They are trying to kill us,’ in all seriousness.”…

(5) THE INSIDE STORY. Wil Wheaton invites us inside to “see how we are”:

…Last night, Anne and I went to the fancy premiere of Star Trek Picard’s final season at the Chinese Theatre in Hollywood. Before the screening began, after we were all settled into our seats, Terry Matalas and Alex Kurtzman introduced the show, thanked the cast and crew, and turned the spotlight over to Patrick. He spoke lovingly and beautifully about the entire experience, in that Patrick Stewart way we all love.

As he was wrapping up his remarks, he said, “I would like to ask the cast who are here to please stand up,” so they could also be celebrated.

I remembered how humiliating it was, how much it hurt, those times Rick Berman deliberately left me seated while everyone else was standing up, those times Rick Berman made me feel exactly the way my father made me feel: unwelcome, unworthy, invisible. Not a great feeling.

But last night wasn’t about me. Yes, I have a wonderful cameo in season two, but I’m not in season three. And last night was about season three. It was about celebrating my family, who all came together for what is likely their final mission together. So I was happy to stay in my seat while they started to stand up. I clapped so hard my hands are still vibrating this morning. I applauded not just their work on this season, but everything they’ve given to Star Trek for over thirty years. I celebrated the absolute hell out of my family. And while I was doing this, I looked across the aisle at Frakes and clapped at/for him.

We made eye contact, and he gave me this incredulous look. “Why are you sitting down? Stand up, W!” He said.

So I did, and he applauded me, and I may have wept just a little bit. Or maybe a lot. I can’t remember. I was so grateful to be included in the moment by the man who I wish was my father, who loves me and sees me like my own parents never did….

(6) S&S AND $. Cora Buhlert has posted another “Semiprozine Spotlight” for New Edge Sword & Sorcery Magazine. Also, their team is currently running a Kickstarter that’s 85% funded. 

 Why did you decide to start your magazine?

After having some very exciting discussions last Spring, on the Whetstone Tavern discord, about how to make the S&S scene larger and more inclusive, someone suggested to me that I try to express ideas from that discussion in an anthology. I decided I’d rather do a magazine, but only if there were others who wanted to work with me on it.

There were!

So I set about creating the magazine I wanted to see in the world, made with love for the classics and an inclusive, boundary-pushing approach to storytelling, a gorgeous vessel for high quality writing & art, that would be a delight for Sword & Sorcery fans as well as draw in people from outside the community.

(7) A REAL HEADSCRATCHER. Priya Sridhar knows “How To Steal Right From Squid Game”. Why doesn’t Netflix? (Via Cat Rambo.)

…Here is one difference between the YouTube version of Squid Game and the Netflix reality show: no one got hurt in the former. In fact, you can see the competitors laughing and enjoying themselves. Netflix somehow hurt the production crew and reality competition members.

Sometimes you have to ask one question: how? How do you become the thing that you’re mocking? And how does a corporation remain so oblivious?…

(8) GOODMAN GAMES. [Item by Cora Buhlert.] The good folks of Goodman Games have posted a profile of Margaret St. Clair, mainly focusing on the two novels of hers that are listed in Appendix N (she has written so much more than that, but at least she’s getting attention): “Adventures in Fiction: Margaret St. Clair”.

…Margaret St. Clair is an interesting figure, one whose work is largely overlooked in the present age. St. Clair was one of only three women authors who appeared on Gygax’s list of influential writers and their works. During both the Golden and Silver Ages of fantasy fiction, the field was dominated by white males, so much so that the now-often derided pronouncement on the back cover of the Bantam Books 1963 printing of The Sign of the Labrys (“Women are Writing Science Fiction!”) was actually somewhat shocking. The fact that Appendix N includes three women authors is a testimony to the breadth of Gary’s reading…

And they’ve done a profile of Andre Norton: “Adventures in Fiction: Andre Norton”.

…Norton’s influence on adventure gaming and its creators was not accidental. She often employed a recurring motif in her books in which the protagonist begins as an outsider or “other”, and through dedicating themselves to a perilous journey in the wilderness, eventually becomes a fully-realized heroic figure. The parallels to the level advancement and experience point systems of early role-playing games is obvious….

Also at Goodman Games, Bill Ward reviews A Book of Blade, an anthology in which I have a story: “A Look at A Book of Blades”.

The folks behind the Rogues in the House Sword & Sorcery Podcast have applied their old school sensibilities to create an anthology of contemporary sword-and-sorcery from today’s modern practitioners. Edited by Matthew John, A Book of Blades delivers fifteen tales from an array of authors that fans keeping up with the genre – and especially readers of Tales From the Magician’s Skull – will be sure to recognize, such as Howard Andrew Jones, Scott Oden, John C. Hocking, S.E. Lindberg, Jason Ray Carney, and John Fultz, to name a few. From grimdark to swashbuckling, from all-out-action to moody introversion, the variety of tales found within A Book of Blades presents a fine cross-section of modern sword-and-sorcery….

(9) MEMORY LANE.

1969[Compiled by Cat Eldridge.]

Larry Niven’s “Not Long Before the End” is the first work in the setting of The Magic Goes Away universe, published in the April 1969 issue of Fantasy and Science Fiction. It would nominated for a Hugo at Heicon ’70. 

Though I always thought of Niven as a SF writer first and foremost, his fantasy writing here is first rate. It’s a wonderful series that shows Niven at his very best. 

Now here’s our Beginning…

NOT LONG BEFORE THE END

 A swordsman battled a sorcerer, once upon a time.

In that age such battles were frequent. A natural antipathy exists between swordsmen and sorcerers, as between cats and small birds, or between rats and men. Usually the swordsman lost, and humanity’s average intelligence rose some trifling fraction. Sometimes the swordsman won, and again the species was improved; for a sorcerer who cannot kill one miserable swordsman is a poor excuse for a sorcerer.

But this battle differed from others. On one side, the sword itself was enchanted. On the other, the sorcerer knew a great and terrible truth.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 24, 1786 Wilhelm Grimm. Here for two reasons, the first being the he and his brother were the first to systematically collect folktales from the peasantry of any European culture and write them down. Second is that the number of genre novels and short stories that used the Grimms’ Fairy Tales as their source for source material is, well, if not infinite certainly a really high number. I’d wager that even taking just those stories in Snow White, Blood Red series that Terri Windling and Ellen Datlow co-edited would get quite a number based the tales collected by these brothers. (Died 1859.)
  • Born February 24, 1909 August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like), not to overlook being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.)
  • Born February 24, 1933 Verlyn Flieger, 90. Well known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s WorldA Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a YA fantasy, Pig Tale, and some short stories.
  • Born February 24, 1941 Sam J. Lundwall, 82. Swedish writer, translator and publisher. He first started writing for Häpna!, an SF magazine in the 50s. In the late 60s, he was a television producer for Sveriges Radio and made a SF series. He published his book, Science Fiction: Från begynnelsen till våra dagar (Science Fiction: What It’s All About) which landed his first job as an SF Editor. In the 80s, he would start his own company, Sam J. Lundwall Fakta & Fantasi. Lundwall was also the editor of the science fiction magazine Jules Verne-Magasinet between 1972 and 2013. He has been active in fandom as he organized conventions in Stockholm six times in the 60s and 70s. And I see he’s written a number of novels, some released in the U.S., though not recently. 
  • Born February 24, 1945 Barry Bostwick, 78. Best remembered for being Brad Majors in The Rocky Horror Picture Show. His first genre undertaking was the English language narration of Fantastic Planet. He voices the Mayor in The Incredibles 2. He also won a Tony Award for his role in The Robber Bridegroom, a play based off the Eudora Welty novella.
  • Born February 24, 1947 Edward James Olmos, 76. Reasonably sure the first thing I saw him in was Blade Runner as Detective Gaff, but I see he was Eddie Holt in Wolfen a year earlier which is I’m reasonably sure his genre debut. Though I didn’t realize it as I skipped watching the nearly entire film, he was in The Green Hornet as Michael Axford. He has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the rebooted Battlestar Galactica. He has made appearances on Agents of S.H.I.E.L.D. and Eureka.
  • Born February 24, 1951 Helen Shaver, 72. Her SFF debut was as Betsy Duncan in Starship Invasions aka Project Genocide in the U.K. Though you’ve likely not heard of her there, you might have seen her as Carolyn in The Amityville Horror.  She’s Littlefoot’s mother in The Land Before Time, and Kate ‘White’ Reilly in the second Tremors film. She’s got one-offs in The Outer LimitsAmazing StoriesRay Bradbury Theater and Outer Limits to name but a few. And she was Dr. Rachel Corrigan in Poltergeist: The Legacy, an excellent series indeed. 
  • Born February 24, 1968 Martin Day, 55. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers

(11) EATING THE FANTASTIC. Scott Edelman invites listeners to get crabby with writer Jennifer R. Povey in Episode 192 of his Eating the Fantastic podcast.

Jennifer R. Povey

I attended Boskone last weekend, where I recorded three new conversations I’ll be sharing with you, but before we get to those, let’s pay a visit to the previous weekend’s Farpoint, where I had lunch with Jennifer R. Povey at the Ashland Cafe in Cockeysville, Maryland, which offers excellent diner food and great pie.

Povey has made numerous appearances in Analog, and her short fiction has also appeared in such magazines and anthologies as Daily Science FictionBards and Sages QuarterlyZombiality,  99 Tiny TerrorsFirst ContactYou’re Not Alone, and many others.  Her novels include the four books in the Lost Guardians series — Falling Dusk (2016), Fallen Dark (2017), Rising Dawn (2017), and Risen Day (2018) — as well as the stand-alones Transpecial (2013), Araña (2019), The Lay of Lady Percival (2019), Firewing (2020), and The Friar’s Tale: A Novel of Robin Hood (2020) She also has a number of credits in the RPG industry, having written or co-written supplements for Fat Goblin Games, Rite Publishing, Dark Naga Games, Flaming Crab Games, Avalon Game Company, and others.

We discussed how the pandemic altered the timing of her newly begun five-book science fiction series, why she once had to rethink a novel after getting 20,000 words in, the reason series detectives are rarely the true protagonists in their own stories, our differing reasons for taking issue with J. K. Rowling, her Star Trek fan fiction origins, how to avoid sequel fatigue when writing long series, techniques for avoiding self-rejection, her unusual journey to getting published in Analog, how 20,000 Leagues Under the Sea changed her life, the  Doctor Who episode which altered her existential understanding of the universe, how her archeological training helped her fiction, what writers get wrong when depicting horses, how it’s possible for pantsers to write novels, the time she horrified a Klingon in a convention bar, the divisive nature of “ship wars,” and much more.

(12) ASTEROID SCIENCE. [Item by SF Concatenation’s Jonathan Cowie.] Today’s US leading journal Science is sort of SFnal related.

An artist’s impression shows the Hayabusa2 spacecraft retrieving a sample from the surface of asteroid (162173) Ryugu. A combined total of 5 grams of samples were collected from two locations on Ryugu and then brought to Earth. Laboratory analysis of the samples has now determined the composition, formation process, and evolutionary history of the asteroid.

There’s also an open access introduction to the special section to which this cover relates here: “An asteroid in the laboratory”.

One other part of the special selection is on noble gases and nitrogen in the asteroid here: “Noble gases and nitrogen in samples of asteroid Ryugu record its volatile sources and recent surface evolution”.

The noble gas and nitrogen composition of this non-carbonaceous asteroid is of interest as they indicate how much more volatile components (such as carbon dioxide, methane and water) might have originally been there.  So they also compiled a basic model of the Solar system including temperature and radiation environments in space with distance from the Sun as well as cosmic ray exposure.  From this they infer that Ryugu’s orbit migrated from the main asteroid belt to the near-Earth region ~5  million years ago.

A recently published piece on the likely water content of non-carbonaceous meteorites suggests that much of the water delivered to Earth came from non-carbonaceous meteorites/asteroids/planetismals crashing into the primordial Earth. It is quite likely that as the above current work on the Ryugu samples continues that it will tie into this other, previous work.

At the moment there is some debate as to how Earth got its water. Was it through early accretion as our planet formed or through the late veneer 4.42 billion years ago a short (geologically/astronomically) time after the Earth formed? The answer is likely to be a mix of one and the other, but to what proportion remains highly debatable.  Now, of SFnal interest, all these questions have a bearing on the likelihood of life-bearing Earth-like planets in habitable zones around other stars.  This, in turn, relates to the far more important question of the likelihood of finding good bars, serving decent real ale, across the Galaxy.

(13) HOPE IS HARDER THAN DESPAIR. TBRCon2023 Panel 29 “Hopepunk & Optimistic Futures”. (Via Cat Rambo.)

Join moderator/author Jonathan Nevair and authors Cat Rambo, Ruthanna Emrys, Matthew Kressel and Sarena Ulibarri for a TBRCon2023 author panel on “Hopepunk & Optimistic Futures”!

(14) MASTER OF THE MASTERS. [Item by Cora Buhlert.] In 2022 the Geek Dad Live YouTube channel interviewed Ted Biaselli, who is a producer for many SFF shows at Netflix. The interview is mainly about Masters of the Universe: Revelation, but Biaselli has also produced Wednesday, The Dark Crystal and many others. Super enthusiastic and very likeable guy: 

Join John and Jay as they iscuss Masters of the Universe with fellow toy geek and Executive Producer of MOTU : Revelation, Ted Biaselli! They’ll talk about their thoughts on Season 1, the toys supporting the show, and whatever he can share about a potential second Season of the Show! They’ll discuss the latest in toy news like the conclusion to the Mattel Vs. the Dino Channels affair. They’ll talk about all of the Star Wars reveals by hasbro this week, share their latest toy hauls and try to Stump John, all of that and more tonight on Toy Geeks!

[Thanks to SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, Cora Buhlert, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 9/28/22 Pokéscroll – Gotta File’em All!

(1) PLACE YOUR BETS. “Here are the bookies’ odds for the 2022 Nobel Prize in Literature” at Literary Hub.

Do you enjoy gambling—but, you know, in a cultured way? None of that racetrack nonsense or three card monte for you? Well you’re in luck: the 2022 Nobel Prize in Literature will be announced next Thursday, October 6, and the bookies have begun taking bets. (You know literary prize season has truly begun when the Lit Hub editors start lurking on online betting sites.)

Here are a few names of genre interest among the 44 listed.

Salman Rushdie – 8/1
Stephen King — 10/1
Haruki Murakami — 14/1
Margaret Atwood — 16/1
Maryse Condé — 16/1

(2) FUTURE TENSE. The latest short story in the Future Tense Fiction series, published this past Saturday, is “Yellow,” by B. Pladek, a story about risk-assessment technology, protest, and future conflicts over water.  

It was published along with a response essay by health economist Lorens Helmchen, “How risk scores could shape health care”.

If a medical treatment for a life-threatening disease had a 60 percent chance of success, but another treatment with a 50 percent success rate had a lower risk of bankrupting your family, which would you choose? What if the success rates were 95 and 90 percent? Would you change your answer?

How we use probabilities like these to guide our choices is at the heart of “Yellow,” a new Future Tense Fiction story written by B. Pladek. The story’s main character, Chase, works for a private company that helps people navigate these numbers…

(3) CLI-FI. “Is This the Way the World Ends?: PW Talks with Stephen Markley”. A Q&A with the author of The Deluge, about future responses to global warming.

Why choose fiction to explore the subject?

Here is my truly arrogant answer that will embarrass me but is still the truth: every artist who has ever pursued a career with passion and commitment believes their art has the power to change everything. That’s why we all do it. I read no shortage of nonfiction climate change books. I watched no shortage of earnest environmental documentaries. Many of them I don’t even remember because you read about potential catastrophe, and sure, it sounds like a bummer, but it leaves no lasting emotional impact. The point of narrative, of art, is that it can reorient us emotionally. If done well, it can make vivid what is abstract. Given the enormity of the task ahead of everyone alive on this planet, we desperately need that reorientation.

(4) WOLVERINE, COME FORTH. Ryan Reynolds answers people who say, “”How can Wolverine be in Deadpool 3 when he died in Logan?” “Deadpool Update, Part Hugh”.

Quick #Deadpool explainer video that tackles… 1) Timeline questions 2) Logan canon 3) MCU FAQ 4) Whether we can do this all day or not

(5) SEATTLE WORLDCON BID NEWS. SWOC, the Seattle Westercon Organizing Committee has awarded a grant of $5000 to the Seattle Worldcon in 2025 bid.

This grant will be used to promote, advertise, and recruit for the Seattle Worldcon Bid; to assist members of the bid in covering the costs of attending this year’s SMOFCon in Montréal; and to co-sponsor a night of the SMOFCon hospitality suite.

(6) THAT’S HIM. This time Nick Stathopoulos is on the receiving end of an award-winning portrait. His friend Xavier Ghazi’s artwork “Nick 2” won the Joshua Smith Memorial Award for Best in Show at a Drummoyne Art Society exhibition.

(7) WHEATON RETURN ENGAGEMENT. “Wil Wheaton presents and signs Still Just a Geek: An Annotated Memoir at Vroman’s Bookstore in Pasadena, CA on October 26 at 7:00 p.m. (And if this sounds familiar, he was there in August, too.)

From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture.

Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn’t expect many would want to read about his random experiences and personal philosophies.

Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers.

In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion–writing–Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one’s true purpose that should resonate with fans and aspiring artists alike.

(8) TAKING NOTES. [Item by Martin Morse Wooster.] Well, I guess no Filer watches The Masked Singer because the figure of “The Knight” was revealed to be William Shatner! The Reveal: Knight / William Shatner | Season 8 Ep. 1 The Masked Singer.

(9) MEMORY LANE.  

1964 [By Cat Eldridge.] The Munsters premiered fifty-eight years ago this past weekend on CBS and I could hardly not write their series coming into existence, could I, after just doing the Addams Family? No, I could not.

I think that The Munsters had a better, sweeter family than the Addams Family. Every character here from Fred Gwynne as the sort of monster created by Frankenstein who was the head-of-the-household Herman Munster; Yvonne De Carlo as his vampire wife Lily; Al Lewis as Lily’s father, Grandpa, the somewhat over-the-hill vampire; Beverley Owen (later replaced by Pat Priest) as their college-age niece Marilyn, who was a conventional human but the “ugly duckling” of the family; and Butch Patrick as their werewolf son Eddie, all worked perfectly. 

On paper, it’s a lot of movie tropes into one series and hope they work, but Allan Burns and Chris Hayward did a stellar job here. Burns had nothing before and Hayward had been responsible for the Dudley Do-Right of the Mounties segment of The Rocky and Bullwinkle Show. Yes, I remember both the segment and the series very fondly. 

The creators intended it to be a satire of American suburban life, the wholesome TV family fare of the era, and traditional monster movies. It certainly was a satire of the first and the latter, but I’ll be damned how it was a satire of the wholesome TV family fare of the early Sixties. 

It achieved much higher ratings than the similarly themed Addams Family, which aired concurrently on ABC. Though seventy episodes were produced over its two years, it would be cancelled after ratings dropped to a series low due to competition from ABC’s Batman.

It was rebooted as The Munsters Today in 1988 with John Schuck as Herman Munster and Lee Meriwether as Lily Munster. It lasted three seasons and seventy episodes. And then there was the very, very weird Mockingbird Lane pilot of a decade ago. I liked but it didn’t go to series. And there’s Rob Zombie’s The Munsters which is on Netflix and gets a rave review here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 28, 1913 Ellis Peters. Nom de plume of the writer of The Cadfael Chronicles, which I’ll admit I broke my rule of never watching a video adaption of a print series that I like. Derek Jacobi as Cadfael was damn perfect. She is here because she was the writer of two excellent haunting aka ghost novels, The City Lies Four-Square and By This Strange Fire, under her real name of Edith Pargeter. (Died 1995.)
  • Born September 28, 1923 Erle Korshak. He’s a reminder of how old fandom is. He discovered SF in 1934 with the August Astounding magazine and became a very serious collector in 1937 according to several sources. By 1939 he was a well-known fan and one of the leaders of the Moonstruck Press which was created to publish a bibliography of all fantasy books.  He was part of the leadership triumvirate of Chicon 1, the 1940 Worldcon. He later founded a publishing house whose first major work was Everett F. Bleiler’s The Checklist of Fantastic Literature in the late Forties, a pioneering work of SF bibliography. This was followed by major works by Heinlein, Bester, Fredric Brown and other SF suthors. He was absent from fandom from the late 50s for thirty years, then rejoined fandom and was attending cons with his children.  He was inducted into the First Fandom Hall of Fame in 1996, and won the Barry R. Levin Science Fiction and Fantasy Literature Lifetime Collectors Award in 2001. He was a guest of honor of Chicon 8, however he died before the convention.(Died 2021.)
  • Born September 28, 1923 William Windom. Commodore Matt Decker, commander of the doomed USS Constellation in “The Doomsday Machine” episode, one of the best Trek stories told. Norman Spinrad was the writer. Other genre appearances include being the President on Escape from the Planet of the Apes, The Major in “Five Characters in Search of an Exit” episode of Twilight Zone and Ben Victor in the “The Night of the Flying Pie Plate” story of The Wild Wild West. This is a sampling only! (Died 2012.)
  • Born September 28, 1932 Michael G. Coney. British-born writer who spent the last half of his life in Canada. He’s best remembered for his Hello Summer, Goodbye novelI’m very fond of The Celestial Steam Locomotive and Gods of the Greataway which might be set on what could be Vancouver Island. His only Award was from the BSFA for Brontomek!, one of his Amorphs Universe works, although he was a 1996 Nebula nominee for his “Tea and Hamsters” novelette, and a five-time finalist for the Aurora Award. (Died 2005.)
  • Born September 28, 1935 Ronald Lacey. He’s very best remembered as Gestapo agent Major Arnold Ernst Toht in Raiders of the Lost Ark. (A series where they should’ve stopped with first film.) He’s actually in Indiana Jones and the Last Crusade as Heinrich Himmler though it’s an uncredited role. One of his first genre appearances was as the Strange Young Man in The Avengers episode “The Joker”.  In that same period, he was the village idiot in The Fearless Vampire Killers which actually premiered as The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My NeckAnd he’s in The Adventures of Buckaroo Banzai Across the 8th Dimension as President Widmark. This is but a thin wafer of his genre roles so do feel free to add your favorite. (Died 1991.)
  • Born September 28, 1938 Ron Ellik. Writer and Editor, a well-known SF fan who was a co-editor with Terry Carr of the Hugo winning fanzine, Fanac, in the late 1950s. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans, which was largely a concordance of characters and the like. Fancyclopedia 3 notes that “He also had some fiction published professionally, and co-authored a Man from U.N.C.L.E. novelization.” The Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
  • Born September 28, 1966 Maria Pilar Canals-Barrera, 56. She’s getting Birthday Honors for being the voice of Hawkgirl on Justice League and Justice League Unlimited. She’s also voiced Commissioner Ellen Yindel in Batman: The Dark Knight Returns, and voiced Rio Morales, the mother of the Spider-Man, Miles Morales, on the Ultimate Spider-Man series. I just picked this to watch as it looks very good. 
  • Born September 28, 1982 Tendai Huchu, 40. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the 2020 issue of Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story (2017), as did his novel The Library Of The Dead (2022). That issue of Shoreline of Infinity (Issue 18, Summer 2020) is available from the usual digital suspects. His newest novel, Our Lady of Mysterious Ailments, came out in April this year.

(11) ONLINE ARCHIVE MOVES.  “British comic fanzines archive ‘The Fanscene Project’ has a new online home” reports downthetubes.net.

An incredible project aiming to document the history of British comic fanzines and fandom, both as an online archive and in print, has a new home on the web.

Founded back in 2015 as the Classic UK Comic Zines site, artist and comic archivist David Hathaway-Price has been constantly adding to what is now The Fanscene Project.

Now residing at comicsfanzines.co.uk, the project is an online, read-only archive of British comic fanzines, published across the last 50 years, including, with the permission of their original editors, titles such as BEMComic Media NewsFantasy TraderInfinitySpeakeasy, and many more. It even includes incredibly rare digital editions of very early zines such as Ka-Pow, published by Phil Clarke and Steve Moore back in 1967/68.

… The aim of The Fanscene Project is to create a digital repository of as many of the Comics Fanzines published in the UK as possible; fan publications containing work by artists and writers who would sometimes later move into, and shape, the industry that they loved….

(12) JEOPARDY! Unlike the contestants, Andrew Porter knew the right question to go with this answer on tonight’s episode.

Category: Cliff Notes

Answer: “Dizzy sunless cliffs above the Great Abyss” paints a picture in H.P. Lovecraft’s “At the Mountains of” this.

No one could ask, “What is Madness”?

(13) SMALL BANG THEORY. In the Washington Post, Planetary Society editorial director Rae Paoletts says the asteroid-smashing DART mission was an important achievement because it shows that planetary defense against asteroids is possible. “Three cheers for NASA’s asteroid smasher”.

…Asteroids are a notoriously sticky wicket. On one hand, they’re remnants from the birth of our solar system; relics from the beginning of everything — or whatever our slice of that is. On the other, asteroids have caused inconceivable damage to our planet. Roughly 66 million years ago, a 6-mile-wide asteroid slammed off the coast of what is now Mexico’s Yucatán Peninsula. A single asteroid robbed us of the chance to see pterodactyls soar across the sky, or to have them use us for food, depending on which way you look at it.

DART can’t undo the damage of past asteroid impacts, but it can help us prevent them in the future. With DART’s collision, scientists tested a planetary defense strategy known as the “kinetic impactor technique,” which aims to move — but not destroy — an object….

(14) WHO’S THAT? These are IndieWire’s nominees for the “Most Controversial Movie and TV Recastings Ever”. Most are from sff productions.

Marvel Cinematic Universe — The Hulk

Edward Norton played Bruce Banner for the Marvel Cinematic Universe in 2008, starring in Louis Leterrier’s “The Incredible Hulk.” When it was revealed that Norton would not continue his journey in the growing multiverse, Marvel’s Kevin Feige released a statement citing “the need for an actor who embodies [creativity and a] collaborative spirit.” Norton has since said he had a great time doing the project and holds no ill-will toward Feige. Mark Ruffalo went on to play the lovable green giant in seven films with more to come.

Other notable MCU recastings include War Machine, originated by Terrence Howard in “Iron Man” and taken over by Don Cheadle; as well as Howard Stark, played by Gerard Sanders (in a non-speaking role), John Slattery, and Dominic Cooper.

(15) WILL THEY MAKE THE CUT? At Eclectic Theist, J. W. Wartick continues screening entries in the second annual Self-Published Science Fiction Competition: “SPSFC2 First Impressions: ‘Mercury’s Shadow,’ ‘Ever the Hero,’ and ‘A Hardness of Minds’”.

The Self-Published Science Fiction Contest (“SPACEFIC”) is underway, and my group is going through one of my favorite parts of the contest: sorting through a slush pile. Basically, we get a stack of books and need to sample them all to narrow down our selections for quarter- and semi-finalists. Here, I’ll be going over my first impressions of some of these books. Please note my “Yes,” “No,” or “Maybe” vote is only indicative of my opinion and may not reflect the opinion of our whole group. Since we advance books as a group, it’s possible a “Yes” from me may end up a “No” overall and vice versa. Let me know what you think of the books in the comments!

(16) A LOOK BEHIND AT A LOOK AHEAD. YouTube’s The 1920s Channel presents The Future Of The 1920s.

“Futurism” is what people believed the future would be like at a given time. Similarly, “retrofuturism” is futurism of the past. Most people think of Victorian futurism (steampunk) and 1950s/1960s futurism (atompunk). 1920s futurism sits right in the middle, mostly forgotten. Technically, it’s grouped in with “dieselpunk,” which extends into the WWII period, but I think the aesthetic of the 1920s is a bit different. For example, in the 1920s version of the future, zeppelins and airships are all over the place, though by WWII, zeppelins were a thing of the past. In this video, I’ll explain a little bit about the 1920s conception of the future, then show a lot of examples from a 1920s science and technology magazine called “Science And Invention.”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 8/25/22 Eats, Scrolls And Athelas

(1) RHYSLING REVAMP SURVEY REPORT. The Science Fiction and Fantasy Poetry Association (SFPA) surveyed members about potential changes to their Rhysling Award. See their feedback here: “Rhysling Revamp” at the SPECPO blog. From the introduction:

The Rhysling Awards are in their 45th year of recognizing excellent speculative poetry, presented by The Science Fiction and Fantasy Poetry Association (SFPA). Leaders have been monitoring the Rhysling Anthology as it grew along with membership numbers. The anthology has ballooned from 42 poems in 2002 to 180 poems in 2022. Continued growth would result in an anthology that is not feasible to print or read.

Here’s an excerpt from the survey results.

CATEGORIES

A continual discussion point among members is the question of “double dipping” on awards. Most respondents support that Elgin-length poems not be considered for the Rhysling (64%). A slight majority agree at setting a maximum line length for the Rhysling (53%), which would be consistent with considering extra-long poems being only eligible for the Elgins. On the other side of the spectrum, there is generally support (49%) for Dwarf Stars to be the only award that can catch the 1-10 line poems. Only 25% of respondents disagreed about keeping Dwarf-Stars-eligible poems out of the Rhyslings.

There was very little support for adjusting the length definitions, but lots of ambivalence showing in the swell of neutral responses (44%).

(2) CHICON 8 POCKET PROGRAM. In a manner of speaking. The 392-page Pocket Program is now available on the Chicon 8 website. There are two versions, (1) a single page version best viewed on phones and tablets, and (2) a two-page version which is best for printing.

(3) ALERT: FAUX CHICON 8 MERCHANDISE. The Worldcon committee issued a heads up that some t-shirt sites are selling Chicon 8 branded merchandise and saying they are official. They are not.

“Our only official site for Chicon 8 merchandise at this time is Redbubble. If you buy from anywhere else, it does not benefit the convention. Please shop wisely!”

(4) THE OTHER WORLD. This World Fantasy Award winner’s new book isn’t genre, but when speaking about her research she says things like this — “So I went on this fantastic two-week trip into a time and place that doesn’t really exist now.” “Sofia Samatar Brings a Second Coming” at Publishers Weekly.

Sofia Samatar has a way with a sentence. No matter what she’s writing—whether it’s short stories, like her quietly devastating Nebula- and Hugo-nominated “Selkie Stories Are for Losers,” or novels, like her World Fantasy Award–winning debut, A Stranger in Olondria—her work has a way of pairing the mundane and sublime with casual aplomb.

Her latest, The White Mosque (Catapult, Oct.), is a mosaic memoir that juxtaposes history, culture, religion and regionalism, tracing the journey of a group of German-speaking Mennonites into the heart of Khiva in Central Asia—now modern-day Uzbekistan—on a quest that promised no less than the second coming of Christ.

Samatar’s own journey to the site where the group’s church once stood started in 2016, when her father-in-law gave her a book titled The Great Trek of the Russian Mennonites, by Frank Belk. “This guy, who’s sort of a cult leader, predicts Christ is returning, and these people just uproot their lives to follow him,” she says, speaking via Zoom from her office at James Madison University in Harrisonburg, Va., where she’s an associate professor of English. “Of course, nothing happens. But they stayed for 50 years, until they were deported by the Bolsheviks.”

Samatar, the child of a Black Somali Muslim and a white Mennonite, became obsessed with the story…. 

(5) CON OR BUST. Dream Foundry, which previously announced that Con or Bust is “folding into our (dragon) wing,” shared the program’s new logo designed by Dream Foundry contest winner Yue Feng.

Applications for grants are open, and they’ve already begun reviewing and issuing grants. If you want to help creatives and fans of color have access to conventions and other opportunities, donate here. To stay in the loop on Con or Bust news, sign up for the program’s quarterly newsletter.     

(6) BACK TO THE MOON. This NASA promo about the Artemis mission dropped yesterday. “Artemis I: We Are Ready”.

The journey of half a million miles – the first flight of the Artemis Generation – is about to begin. The uncrewed Artemis I mission will jump-start humanity’s return to the Moon with the thunderous liftoff of NASA’s powerful new Space Launch System rocket and Orion spacecraft. This critical flight test will send Orion farther than any human-rated spacecraft has ever flown, putting new systems and processes to the test and lighting the way for the crew missions to come. Artemis I is ready for departure – and, together with our partners around the world, we are ready to return to the Moon, with our sights on Mars and beyond.

(7) WHERE’S THE LOOT? [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber looks at the problems game designers have giving users rewards.

Most games interface short, mid- and long-term rewards that trigger at different times.  the short-term rewards often take the form of sensory feedback; the bright ‘ding’ when you get a coin in Super Mario, an enemy’s head exploding in a shower of gore in Grand Theft Auto.  These get boring after a while–behavioural psychologists learned that repeating the same rewards generates diminishing returns.  So developers offer midterm rewards:  new levels, items, skills, characters, locations or narrative beats.  The longterm rewards are often related to social competition and prestige, such as difficult high-level team challenges or rare cosmetic items which players can show off to their friends.

Loot boxes lean into several of these techniques.  They have been employed in all manner of games ranging from FIFA to Star Wars, and they’re very profitable.  Yet they have also faced a backlash:  a recent report from consumer bodies in 18 European countries called them ‘exploitative.’  Although they have been banned in Belgium since 2018, most governments have been wary of legislation–the UK recently decided not to ban loot boxes after a 22-month consultation.  Still, some developers have heard gamers are unhappy–loot boxes were removed from Star Wars Battlefront 2 after an outcry and Blizzard recently announced they won’t feature in upcoming shooter Overwatch  2.”

(8) AGAINST ALL ODDS. The New York Times drills deep into one writer’s experience in “How to Get Published: A Book’s Journey From ‘Very Messy’ Draft to Best Seller”. The author’s novel The School for Good Mothers is set in the near future.

…“I’d like people to know that it’s possible for a debut author in her 40s, a woman of color, a mom, who led a quiet life offline with no brand building whatsoever to have this experience,” said Jessamine Chan.

And yet Chan’s “The School for Good Mothers” was published in January 2022 — and soared to the best-seller list, catapulting her to literary stardom. Last month, former President Barack Obama featured it on his summer reading list.

How does a debut novel go from a “very messy” draft on a writer’s desk to a published book, on display in bookstores around the country?

Here, we take you behind the scenes to see how a book is born — the winding path it takes, the many hands that touch it, the near-misses and the lucky breaks that help determine its fate.

(9) WHEATON SIGNING SCHEDULED. “Wil Wheaton presents and signs Still Just a Geek: An Annotated Memoir at Vroman’s Bookstore in Pasadena, CA on August 31 at 7:00 p.m.

From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture.

Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn’t expect many would want to read about his random experiences and personal philosophies.

Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers.

In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion–writing–Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one’s true purpose that should resonate with fans and aspiring artists alike. (William Morrow & Company)

(10) VIKING FUNERAL FOR BATGIRL? The Guardian hears “‘Secret’ screenings of cancelled Batgirl movie being held by studio – reports”.

The Hollywood Reporter confirmed with multiple sources that a select few who worked on the film, including cast, crew and studio executives, would be attending the screenings this week on the Warner Bros lot in California. One source described them as “funeral screenings”, as it is likely the footage will be stored forever and never shown to the public.

…The Hollywood Reporter reported there was a chance Warner Bros would make “the drastic move of actually destroying its Batgirl footage as a way to demonstrate to the IRS that there will never be any revenue from the project, and thus it should be entitled to the full write-down immediately.”

On Tuesday, in an interview with French outlet Skript, Batgirl directors Adil El Arbi and Bilall Fallah said they no longer had any copy of the film, recalling the moment they found they could not longer access the servers that held the footage.

…El Arbi said it was unlikely they’d have the studio’s support to release it in the future or that there could be an equivalent of “the Snyder cut” – Zack Snyder’s four-hour director’s cut of the DC film Justice League, which added an extra $70m to a $300m budget film.

“It cannot be released in its current state,” said El Arbi. “There’s no VFX … we still had some scenes to shoot. So if one day they want us to release the Batgirl movie, they’d have to give us the means to do it. To finish it properly with our vision.”

(11) TRANSFORMATIVE RULES OF ENGAGEMENT. Seekingferret posted a “Panel Report” from Fanworks where the topic was “Ethical Norms in Fanworks Fandom”.

… I presented three models for fandom’s approach to copyright- the It’s All Transformative model, the It’s Illegal but I Do It Anyway model, and the It’s Not Illegal Because the Copyright Holders’ Inaction is an Implicit License model, and then the audience argued with me for a while about whether the second two models are essentially the same, which was a good, clarifying argument to have….

Also of interest is the panel’s accompanying slideshow.

(12) WARNING. [Item by Daniel Dern.] Since, fan-wise, many cons use Discord… “Roblox and Discord Become Virus Vectors for New PyPI Malware” at The New Stack.

If you can communicate on it, you can abuse it. This was proven again recently when a hacker using the name “scarycoder” uploaded a dozen malicious Python packages to PyPI, the popular Python code repository. These bits of code pretended to provide useful functions for Roblox gaming community developers, but all they really did was steal users’ information. So far, so typical. Where it got interesting is it used the Discord messaging app to download malicious executable files.

(13) BOOK PORN. [Item by Bill.] Whenever I see a photograph on the web that has a bookshelf in the background, I spend way too much time trying to figure out what the books are.  For example: 

Blogger Lawrence Person has posted photos of his SF book shelves, and there are a lot of titles I’d love to have in my own collection.  A few years old, but perhaps worth a look ….  “Overview of Lawrence Person’s Library: 2017 Edition”. He provides regular updates to the collection (see the “books” tag).  

(14) MEDIA BIRTHDAY.  

1989 [By Cat Eldridge.] Thirty-three years ago, the first installment of the Bill & Ted franchise, Bill & Ted’s Excellent Adventure premiered.

Starring William “Bill” S. Preston Esq. and Ted “Theodore” Logan, portrayed by Alex Winter and Keanu Reeves as, and not giving a frell about spoilers here, time travelling slacker high schoolers assembling the ultimate history report. And let’s not forget Rufus as portrayed by George Carlin. I met him some forty years ago — a really neat gentleman. 

Stephen Herek directed here. He had previously written and directed the horror/SF Critters film. Nasty film it was. Chris Matheson who wrote all three of the franchise films co-wrote this with Ed Solomon who co-wrote the third with him and, more importantly, was the Men in Black writer.

By late Eighties standards, it was cheap to produce costing only ten million and making forty in return. Critics for the most part were hostile —- the Washington Post said “if Stephen Herek has any talent for comedy, it’s not visible here.” And the Los Angeles Times added, “it’s unabashed glorification of dumbness for dumbness’ sake.” 

It spawned not one but two television series named – oh, guess what they were named. Bill & Ted’s Excellent Adventure, an animated series that started out on CBS and ended on Fox, lasted twenty-one episodes over two seasons, and Bill & Ted’s Excellent Adventure, the live version, lasted but seven episodes on Fox. Evan Richards and Christopher Kennedy played Bill and Ted.

DC did the comic for the first film, Marvel for the second. It did well enough that it led to the Marvel series Bill & Ted’s Excellent Comic Book which lasted for just twelve issues. And there was a sort of adaptation of the animated series that lasted for a year by Britain’s now gone Look-In Magazine.

Audience reviewers at Rotten Tomatoes give it a most bodacious seventy-five percent rating.

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 25, 1909 Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on one of The Lost World films as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time TunnelThe Man from U.N.C.L.E. and The Invaders. (Died 1972.)
  • Born August 25, 1913 Walt Kelly. If you can get them, Fantagraphics has released the complete Pogo in twelve stunning hardcover editions covering up to 1973. Did you know Kelly began his career as animator at Walt Disney Studios, working on DumboPinocchio and Fantasia? Well he did. (Died 1973.)
  • Born August 25, 1930 Sean Connery. Worst film? Zardoz. Best film? From Russia with Love very, very definitely. Best SF film? Outland. Or Time Bandits you want to go for silly. Now remember these are my personal choices. I almost guarantee that you will have different ones. (Died 2020.)
  • Born August 25, 1940 Marilyn Niven, 82. She was a Boston-area fan who now lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • Born August 25, 1947 Michael Kaluta, 75. He’s best known for his 1970s take on The Shadow with writer Dennis O’Neil for DC in 1973–1974. He’d reprise his work on The Shadow for Dark Horse a generation later. And Kaluta and O’Neil reunited on The Shadow: 1941 – Hitler’s Astrologer graphic novel published in 1988. If you can find them, the M. W. Kaluta: Sketchbook Series are well worth having.
  • Born August 25, 1955 Simon R. Green, 67. I’ll confess that I’ve read pretty much everything he’s written except that damn Robin Hood novel that made a NYT Best Seller. Favorite series? The NightsideHawk & Fisher and Secret History were my favorite ones until the Ismael Jones series came along and I must say it’s a hell of a lot of fun as well.  Drinking Midnight Wine and Shadows Fall are the novels I’ve re-read the most. 
  • Born August 25, 1958 Tim Burton, 64. Beetlejuice is by far my favorite film by him. His Batman was, errr, interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was which I think is a far better look at the source material, and Sleepy Hollow is just too damn weird for my pedestrian tastes. (Snarf.)
  • Born August 25, 1970 Chris Roberson, 52. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He won two Sidewise Awards, first for his “O One” story and later for The Dragon’s Nine Sons novel. He’s had five Sidewise nominations. 

(16) COMICS SECTION.

(17) HORROR WRITERS HAVE OPINIONS. Midnight Pals did a sendup of John Scalzi and his purchase of a church building. And his burritos. Can’t overlook those. Thread starts here.

(18) SPACE OPERA. “Friday’s Rag Tag Crew: Shards of Earth by Adrian Tchaikovsky”, a review by Camestros Felapton.

… I found myself in the mood for a big space opera the other day and with the novel also being a Dragon Award finalist, it seemed like a natural choice. I wasn’t wrong in my initial assessment. It is in many ways a more conventional space opera than the books I’d read. Humanity is a spacefaring species with its own factions, in a galactic society with a range of aliens. There’s hyperspace (or rather “unspace”), a cosmic threat, mysteriously vanished advanced civilisations, space spies, space gangsters, badass warriors and epic space battles. This is all good but if you are hoping for the millennia-long deep dive into the evolution of a sapient spider civilisation this book doesn’t have anything like that. Which is fine because that gives Tchaikovsky more space and time to attend to a cast of characters….

(19) A CITY ON A HILL. Paul Weimer reviews Stephen Fry’s Troy at Nerds of a Feather: “Microreview [book]: Troy, by Stephen Fry”. There may be surprises in store for some readers – at least there were for Paul.

…In any event, Fry is here to help you. He starts at the beginning, as to how Troy was founded, and why, and brings its history up to date as it were. The delight in the depth of research and scholarship he brings is tha there is a fair chunk here I didn’t know about. Fun fact, the Trojan War is not the first time that Troy gets attacked in its mythological history, and you will never guess who did it before the Greeks got it into their heads to take back Helen, nor why…. 

(20) GOING PUBLIC. “Tom Lehrer: The Public Domain Tango”, a Plagiarism Today post from 2020.

…However, it seems likely that Lehrer may be set for yet another major revival as news spread yesterday that Lehrer, now 92, had released his lyrics and much of his music into the public domain. This has already sparked a great deal of interest in possible covers and recreations of his most famous songs.

Note: It’s worth stating that the declaration deals with his compositions and his lyrics, not the recordings. Those are most likely not owned by Lehrer.

However, the statement isn’t wholly true. Tom Lehrer didn’t actually release his songs into the public domain. While it may be pedantry given that there is no practical difference, the lengths Lehrer had to go to release what he did in the way that he did only further highlights Lehrer’s genius and is well worth exploring.

If this is truly to be Lehrer’s final musical act, it makes sense to see it for both the effort it took and the intellect required to conceive of it….

(21) AI GIVES ASSIST TO MUSIC VIDEO. [Item by Dann.] Someone recently made a video using the lyrics to “Renegade” by Styx.  The lyrics were fed, line by line, into AI art software to create the images used in the video.

While the lyrics aren’t explicitly genre centered, the AI created several images that evoked sci-fi/fantasy themes.  The rhetorical progeny of Edgar Allen Poe shows up a few times as well. “Renegade – Styx – But the lyrics are Ai generated images”.

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Deathly Hollows Part I Pitch Meeting,” Ryan George says the producer in the seventh Harry Potter film mourns when several beloved minor characters die.  He is bored by the very long camping scenes (where the characters camp and camp and camp some more” but gets excited when Harry Potter gets to duke it out with Voldemort only to discover that this is the end of Part I and we have to wait for Part II.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Dann, Jennifer Hawthorne, Daniel Dern, Bill, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Wil Wheaton Q&A

Wil Wheaton photo by Tyler Shields.

Wil Wheaton joined AudioFile Magazine’s  Michele Cobb to discuss the audiobook of his “annotated memoir,” Still Just A Geek. In addition to his acting and producing work, Wheaton has narrated audiobooks by John Scalzi, Andy Weir, and Ernest Cline. He tells AudioFile listeners about what it was like to revisit his 2004 memoir Just A Geek, asking author Neil Gaiman to write and record the introduction, and more. Watch the full conversation below. 


Here are AudioFile’s brief notes about Wheaton’s new audiobook.

STILL JUST A GEEK
by Wil Wheaton, read by Wil Wheaton, Neil Gaiman [Introduction]
Harper Audio

Actor Wil Wheaton—from “Star Trek: The Next Generation”—has managed something many of us have wished for at one time or another—a do-over. With humor and humility, he explains and mostly apologizes for his 2004 memoir JUST A GEEK. Using the acting skills he honed at an early age, he indulges in audiobook therapy. He invites us into his inner circle of friends and confesses misdeeds. As friends, listeners would tell Wil to relax and accept his humanity.

Find more audiobooks narrated by Wil Wheaton in his audiography.

[Based on a press release.]

Pixel Scroll 5/11/22 Pixelled In The Scroll By A Chuck Tingle Pixel Scroll Title

(1) STAR TREK SPOILER WARNING. Let that be said right up front. Anybody that doesn’t want Picard Season 2 spoiled, please skip to the next item.

Okay. Now for the rest of you: “Star Trek Producers Fought Over Which New Shows Get To Bring Back Wesley Crusher” reports TrekMovie.com.

Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…

Actor Wil Wheaton commented on Facebook:

I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.

This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.

And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.

I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.

And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.

Here’s the clip:

(2) LMB MAKES HISTORY. “Bujold interview by Asena Ideus, 23 March 2022” was posted by Lois McMaster Bujold at Goodreads.

Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…

When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?

LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.

One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….

(3) COMICMIX BACK IN THE SEUSS BUSINESS. Publishers Weekly has the details. “ComicMix Launches Campaign to Publish Public Domain Seuss Stories”. The Kickstarter is here. (People have pledged $4,813 of its $5,000 goal at this writing.)

Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.

Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain. 

ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:

“We found Dr. Seuss stories, once thought to be lost,
that we’re bringing to you at a reasonable cost.
Some tales are familiar, though not quite this way,
but all fine examples of Seuss’s wordplay!
We spruced them all up, and now are good times
to rediscover his artwork and rhymes.
We filled up a book to put on your shelf
So that you can at last read them for yourself!” OY

Dr. Seuss Enterprises declined to comment on the story.

(4) WOKE SF TROLLS. [Item by Mlex.] A thoughtful discussion of the flap of people complaining about “woke” sf by Christopher Reeves, commentator for DailyKos. “Right-wing trolls accusing science fiction of being ‘woke’ are messing with my childhood”.

Sometimes, I fall into a rabbit hole I didn’t even know was going to happen. I was following along with a YouTube thread regarding Stargate SG-1 when it was pointed out a reboot was possible. I, having followed the series, thought, “Cool, cool, I might really enjoy this so tell me more.” I sat down to watch and learned a few things, but within the first three minutes, something interesting came about. According to a video on the subject: “Fans have become concerned following the recent release of The Wheel of Time series, and the upcoming Lord of the Rings: The Rings of Power series. Both of those series have taken significant creative license to change the characters and story to fit what many science fiction and fantasy fans believe is a ‘woke’ or progressive agenda at a cost to the canon of the original stories.

Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….

(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.

(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)

(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.

(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.

Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.

McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”

(9) MEMORY LANE.

1999 [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons. 

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed  companion back. Yes, both the cat and the princess are either immortal or of the undead. 

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF. 

Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD. 

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.” 

I think I’ll leave it there. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 11, 1930 Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of SupermanCommando Cody: Sky Marshal of the UniverseMen Into  SpaceTwilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
  • Born May 11, 1935 Doug McClure. He had the doubtful honor of appearing some of the worst Seventies  SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time ForgotThe People That Time ForgotWarlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight ZoneOut of This WorldAirWolfAlfred Hitchcock PresentsFantasy Island and Manimal. Some of which were far better. (Died 1995.)
  • Born May 11, 1936 Gordon  Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
  • Born May 11, 1952 Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward
  • Born May 11, 1976 Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange HorizonsF&SF, and elsewhere. 

(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.

Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.

You would be wrong.

For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.

…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.

The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”

The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”

The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…

(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.

BECCON was a series of biennial conventions in the 1980s: 198119831985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).

Those present at the reunion were from far left and clockwise: John Stewart,Roger Robinson (Beccon Publications), Jenny Steele (sadly obscured), Brian Ameringen (Porcupine Books), Peter TyersArthur Cruttenden, Caroline Mullan (2023 Eastercon committee), Anthony Heathcote and Jonathan Cowie (SF² Concatenation),

The BECCON ’87 programme book front cover. This was back in the days (prior to the 2010s) when Eastercons had a souvenir programme book in addition to the schedule timetable booklet.  It is particularly notable as being the first British Eastercon programme book to have a full colour cover. The cover art was by one of the convention’s GoHs, Keith Roberts.

(13) DOCTORAL THESIS. At Nerds of a Feather, Arturo Serrano concludes “’Doctor Strange 2′ is visually delightful and narratively bland”.

Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….

(14) LOST IN SPACE. Serrano also finds another franchise lacking: “‘Star Trek: Picard’ season 2 is aimless and inconsistent”

Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….

(15) SAGE AGAINST THE MACHINE. Inverse presents “The 8 best movie time machines of all time, ranked by scientists”. You’d be surprised what kind things scientists have to say about the TARDIS.

These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….

6. DOCTOR WHO’S TARDIS

WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).

Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.

“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”

Its properties are bizarre, but its time-travel abilities are appealing to real scientists.

“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”

Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.

“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.

(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!

Category: Sci-Fi Trilogies

Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.

No one could ask, What is T-2?

Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.

No one could ask, What is ‘The 3-Body Problem”?

(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.

(18) CEREAL KILLER. Today’s Heather Martin says, “I tried Tropicana Crunch, the new cereal designed to be eaten with orange juice”.

Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….

It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.”  Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”

[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 4/29/22 It’s The Time Of The Pixels For Scrolling

(1) DISNEYLAND ORIGINALS FOR SALE. Heritage Auctions’ catalog for “Disneyland: The Auction” includes an impressive assortment of retired equipment from the park, in addition to all the other collectibles. Coming up for bid on May 21-22 will be things of this nature –

See more featured lots for ‘Disneyland: The Auction’ in this video.

(2) IN TIMES OF COVID. Norwescon 44 was held in Sea-Tac, WA from April 14-17. A week afterwards the committee published Norwescon 44 Post-Con COVID Report 1 dealing with cases they’d been informed about as of April 25. This case is receiving vocal attention in the comments:

Case 3: Reported on Friday, April 22. Started experiencing symptoms on Tuesday, April 12 (two days pre-con), tested positive on Friday, April 15, and stayed at the convention through Sunday, April 17. Was present throughout the convention, particularly the space-focused panels, and had dinner at Denny’s on Friday. Reported case to the Health Department and did not have exposure notification tracking active.

(3) CON OR BUST BEING REVIVED. The Flights of Foundry Opening Ceremonies video included an announcement by Alex Jennings and Brandon O’Brien about the return of the Con-or-Bust project in partnership with Dream Foundry.

[Brandon O’Brien:] As people of color we know how difficult it can be to access creative spaces like conventions. Travel, registration and other related expenses can be difficult to muster for a lot of reasons. When I attended my first convention it was only because there was a project that was generous enough to see people like me share space with my colleagues and fellow fans without it I would not have had the networking opportunities, the community, or even the will to participate in our field to this day and i am still deeply grateful for that generosity that project was Con-or-Bust….  

Kate Nepveu has worked hard to make sure it can continue even in her absence.

[Alex Jennings:] Following the example she set we’re excited to share with you that we’ll be working with Dream Foundry to revive  and expand Con-or-Bust. This project will help make cons, writing retreats, and other opportunities available to writers and fans of color…  

Brandon O’Brien said he will be serving on the Dream Foundry board in an oversight capacity and be running the project. They’re working on the details and will have more updates soon.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to uncover Alex Segura’s secret identity in Episode 170 of his Eating the Fantastic podcast.

Alex Segura

We’re about to do a little time traveling, you and I. That’s because I worked for both Marvel and DC Comics from the mid-’70s through the early ’80s, and my guest this episode is Alex Segura, a writer whose latest novel, Secret Identity, is a noir murder mystery set during the mid-‘70s comics industry I lived through.

Segura seems like the perfect person to tackle that particular overlapping Venn diagram of genres. He’s written murder mysteries before — including five novels in the Pete Fernandez series, beginning with Bad Beat in 2016 and concluding with Miami Midnight in 2019, plus the six-part Lethal Lit: A Tig Torres Mystery podcast series. He’s also worked for Archie Comics and DC Comics, and is currently the Senior Vice President of Sales and Marketing at Oni Press.

Some of his more well-known comics work includes his Archie Meets Kiss arc — he also had the gang meet the Ramones and the B-52s — plus his “Occupy Riverdale” story. His Black Ghost miniseries was named one of the five new comic book series for the end of summer by the New York Times. He also supplied an origin story for everybody’s favorite new Star Wars character in the novel Poe Dameron: Freefall.

In a better world, I’ve have been able to make a day trip to NY so we could have an in-person conversation, but that’s not the world in which we live at the monent, so he grabbed Chinese food at Taystee Garden in Kew Gardens, Queens, I did the same from Evergreen Chinese Restaurant in Inwood, West Virginia, and we chatted with several hundred miles between us.

(5) PORTAL STORY. “I think this new Amazon series is sf,” writes Martin Morse Wooster. I think so too! Night Sky arrives on Prime Video May 20.

(6) NEW BUHLERT FICTION. Congratulations to Cora Buhlert who has a flash story in Wyngraf Magazine of Cozy Fantasy: “A Cry on the Battlefield”.

Cora also shared the link to the other flash story Wnygraf posted today, “The God’s Apology” by Ian Martínez Cassmeyer, which she says is also well worth reading.

(7) FIVESOOTH! The Royal Shakespeare Company is staging My Neighbour Totoro from October 8, 2022 – 21 January 2023 at the Barbican.

In this video, Executive Producer Joe Hisaishi, Director Phelim McDermott and members of the creative team for My Neighbour Totoro, discuss the creative process behind the landmark adaptation of Studio Ghibli’s celebrated 1988 animated feature film to the stage, in collaboration with Improbable and Nippon TV.

(8) WRITER Q&A. “Neil Gaiman: ‘Whatever I loved about Enid Blyton isn’t there when I go back as an adult’” he tells a Guardian interviewer.

…The writer who changed my mind
It wasn’t until I was 22 that I realised I could stop dreaming of being a writer and instead be a writer. It was Harlan Ellison’s fault, from his introduction to a short story called Count the Clock that Tells the Time, in a collection called Shatterday. He wrote about wasting time, how you look around and time’s gone. It plugged straight into everything I had ever thought or dreamed about becoming a writer and in that moment I was determined to become a writer. I thought better to try and fail than not to try and let the time blow past.

The book that made me want to be a writer
I don’t recall there being a time that I ever didn’t want to be a writer, but CS Lewis and his Narnia books definitely made me realise that these stories I loved were being written by a person. Lewis wasn’t pretending to be invisible, he was very happily there in the text, making these lovely friendly asides to the reader. I loved that so much, and loved the idea of doing it too….

(9) WHEN WORDS FAIL. Sandra M. Odell cautions against being “More Writerly Than Thou” at the SFWA Blog. Her successful book set off a long struggle to resume writing again. While telling what helped her she advises:

… Before you encourage someone to write faster, better, more successfully, ask yourself if that’s what you mean to say.  More importantly, ask if that’s what they need to hear…

(10) NEAL ADAMS (1941-2022). Famed comic artist Neal Adams died April 29 at the age of 80. The Hollywood Reporter paid tribute:

Adams jolted the world of comic books in the late 1960s and early ’70s with his toned and sinewy take on heroes, first at DC with a character named Deadman, then at Marvel with X-Men and The Avengers and then with his most lasting influence, Batman.

During his Batman run, Adams and writer Dennis O’Neil brought a revolutionary change to the hero and the comics, delivering realism, kineticism and a sense of menace to their storytelling in the wake of the campy Adam West-starring ’60s ABC series and years of the hero being aimed at kiddie readers.

… “It was no secret that we were doing Batman right,” Adams said during a panel at San Diego Comic-Con in 2010. “It was as if the memory of DC Comics went along with the statements that both Denny and I were making, that we want it to be more realistic, more gritty. And that’s how we remember — whether it was true or not — that Batman should be. And when we did it, everybody went, ‘Ah, that’s it. We don’t need comedy anymore.’”

Adams, also with O’Neil, came up with a then-controversial turn for Green Lantern/Green Arrow, tackling social issues such as drug addiction, racism and overpopulation and creating the Green Lantern hero, Jon Stewart, who became one of DC’s first Black icons. Their 1971 two-part story “Snowbirds Don’t Fly” remains a watermark in the evolution to more mature readers….

…He helped change the practice of comic book publishers keeping the original art by artists or even shredding and tossing it, influencing companies to establish policies of returning the art, something that allowed artists to enjoy a second income stream. The biggest case in point: Marvel returned pages of art to Jack Kirby, the co-creator of Fantastic Four, Thor, X-Men and Hulk.

He also proved to be a champion of two writer-artists who laid the foundation for DC, Superman creators Jerry Siegel and Joe Shuster… [He] led a lobbying effort that eventually led to greater recognition for the pair, a creator tag in comics and other media that continues to this day, plus a pension….

(11) MEDIA BIRTHDAY.

1981 [Compiled by Cat Eldridge.] Forty-one years ago on this evening, The Greatest American Hero series served up the ever so sweet and rather nostalgic “My Heroes Have Always Been Cowboys”. It starts off with Ralph quitting twice after perceiving that he has failed badly. 

Meanwhile one of the secondary characters tells Ralph that her friend wants to go to an appearance by John Hart, the actor who played the second version of the Lone Ranger. Ralph is excited because Hart is his childhood hero. Why am I not surprised? 

Later in the episode, Ralph and Hart get to have a talk and Ralph realizes that society needs its heroes and decide to wear the suit again. 

I watched a lot of the Lone Ranger when I was rather young and never realized that there were two actors in that role. And no, I never figured out the deal with the silver bullets. Obviously that version of the Old West didn’t have werewolves.

And yes, it was very, very sweet to see one of the Lone Rangers sort of playing his role again. If only as a mentor. 

The Greatest American Hero series is streaming currently on Peacock. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 29, 1887 H. Bedford-Jones. Pulp writer of whom only maybe ten percent of his twelve hundred stories could be considered genre but some such as the Jack Solomon novels, say John Solomon, Argonaut and John Solomon’s Biggest Game are definitely genre. Like many of the early pulp writers, he used a number of pen names, to wit Michael Gallister, Allan Hawkwood, Gordon Keyne, H. E. Twinells and L. B. Williams. In 2006, Wildside Press published a collection of his short stories, The House of Skulls and Other Tales from the Pulps. (Died 1949.)
  • Born April 29, 1908 Jack Williamson. By the end of his long career in sff he had won eight lifetime achievement / grand master honors, and been inducted to the Science Fiction Hall of Fame. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. Aussiecon Two awarded him a Hugo for Wonder’s Child: My Life in Science Fiction (1985), and Millennium Philcon saw him get one for his “Ultimate Earth” novella (2000), which also won the Nebula. (Died 2006.)
  • Born April 29, 1923 Irvin Kershner. Director and producer of such genre works as the Amazing Stories and seaQuest DSV series, Never Say Never Again, RoboCop 2 and The Empire Strikes Back. By the way, several of the sources I used in compiling this Birthday claimed that was the best Star Wars film. (Died 2010.)
  • Born April 29, 1943 Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God was his first novel,  I remember that novel as being a rather excellent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made into the digital realm yet. (Died 1986.)
  • Born April 29, 1946 Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.)
  • Born April 29, 1955 Kate Mulgrew, 67. Captain Kathryn Janeway on Star Trek: Voyager and she’ll be voicing that role again on the animated Star Trek: Prodigy.  Other genre roles include voicing Red Claw on Batman: The Animated Series, the recurring role of Jane Lattimer on Warehouse 13 and Clytemnestra in Iphigenia 2.0 at the Signature Theatre Company. Finally she voiced Titania in a recurring role on Gargoyles.
  • Born April 29, 1958 Michelle Pfeiffer, 64. Selina Kyle aka Catwoman in Tim Burton’s Batman Returns. She was also in the much better The Witches of Eastwick as Sukie Ridgemont and was Brenda Landers in the “Hospital” segment of Amazon Women on the Moon. She played Laura Alden in Wolf, voiced Tsippōrāh in The Prince of Egypt, was Titania in A Midsummer Night’s Dream, voiced Eris in Sinbad: Legend of the Seven Seas, was Lamia in Stardust and is playing The Wasp (Janet van Dyne) in the Marvel Universe. 
  • Born April 29, 1960 Robert J. Sawyer, 62. Hominids won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive.  And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name.  Interesting series that ended far too soon. 
  • Born April 29, 1970 Uma Thurman, 52. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film alongside Time Bandits; review by Kage here), Maid Marian in the Robin Hood film that starred Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin which she will follow by being Emma Peel in The Avengers

(13) TIME LORD. The May issue of David Langford’s Ansible appeared today. How can that happen? He claims, “I reversed the polarity of the neutron flow!” Today the ansible, tomorrow the sonic screwdriver!

(14) OUTSIDE THE BOX. The Guardian calls it “‘Very gay, very trans’: the incredible Doctor Who spin-off that’s breathing new life into the franchise”  — the Doctor Who Redacted podcast. (Available here at BBC Sounds.)

…Written by Juno Dawson, Doctor Who: Redacted was launched alongside the Easter TV special, Legend of the Sea Devils, and has been described by the producer/director Ella Watts as “very gay, very trans”, and sitting “to the left” of the main show. The 10-part BBC Sounds audio drama follows three best mates who make “the Blue Box Files”, a paranormal conspiracy podcast about a certain police box popping up throughout history. Their tongue-in-cheek theorising suddenly gets all too real when they’re sucked into an action-packed alien adventure of their own.

The friends are university dropouts, who now live in different UK cities but stay connected via their hobby podcast. The leader of the gang (and the drama) is a trans woman, Cleo, who works as a theatre usher, lives on a south London estate and is saving up for surgery. She’s played by transgender activist Charlie Craggs, a scene-stealer in her first ever acting role, who describes her casting as “a huge step for the trans community. I’m so honoured to be part of something so sacred to so many”.

Juno Dawson always had Craggs in mind to play her protagonist. “She’s such a force,” says Dawson. “The label “trans activist” can be a club with which to beat trans people. It’s a dehumanising term, but Charlie uses her voice so cleverly – with humour and honesty. When it came to casting, I said to Ella: ‘Look, we can either audition Charlie Craggs or find a trans actor and tell her to play it like Charlie Craggs.’ There were some nerves at the BBC about hiring someone untrained but I’m so glad we stuck to our guns.”

Founder of the podcast-within-a-podcast is devoted “boxspotter” and resident believer Abby (Vigil’s Lois Chimimba), who is bisexual and a full-time carer for her sick mother in Glasgow. The lineup is completed by sceptical Shawna (Grange Hill’s Holly Quin-Ankrah), an out-and-proud lesbian studying computing at her local college in Sheffield….

(15) WORD OF THE DAY. Here’s something Jon Del Arroz had never been called before.

(16) A ROCK AND A HARD PLACE. Forbes reports “A Massive Asteroid Visible To The Naked Eye Is Heading Our Way And NASA Is Re-Routing An Old Spacecraft To Visit It”.

Remember NASA’s OSIRIS-REx spacecraft that visited the distant Bennu asteroid and scraped-up a sample in October 2020. It’s going to deliver that sample to NASA September 24, 2023 as it swings by Earth—and then it’s off on a new mission of explore a near-Earth asteroid that could one day be a “planet-killer.”

The Apophis asteroid is enormous and classed as “potentially hazardous” by NASA. Thought to be about 1,100 feet/340 meters in diameter (that’s about the same height as the Empire State Building in Manhattan in New York), Apophis will get to within just 23,000 miles/37,000 on April 13, 2029.

During that close pass it will even be visible to the naked eye as seen from some parts of Earth.

The newly-named OSIRIS-Apophis Explorer (OSIRIS-APEX) will already be in orbit of it by then. NASA announced this week that the spacecraft, having dropped off its package in 2023, will make its first maneuver toward Apophis 30 days later.

Although it will pass Earth inside the orbits of our geosynchronous satellites in 2029, Apophis won’t pose a danger this time around.

So why visit it?

Scientists suspect that the effect on it of the close pass in 2029 could be a slight alteration to its future trajectory. We know Apophis will make very close passes in 2060 and 2068. Might the 2029 event put Apophis on an “Earth-resonant impact trajectory ?”…

(17) SJW CREDENTIALS IN HISTORY. The BBC in 1973 meets Quicksilver and Quince, two cats with their own checking account who make charitable donations to cathedrals and the Royal Society for the Protection of Birds!

(18) ROLL CREDITS. This is how Star Trek: Strange New Worlds episodes will begin. Here are the opening seconds of the five-year mission.

(19) VIDEO OF THE DAY. And Wil Wheaton hosts this special preview of Star Trek: Strange New Worlds.

 [Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Christian Brunschen, John A Arkansawyer, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Dominey.]

Pixel Scroll 4/12/22 If I Could Godstalk To The Animals

(1) SPEAKER FOR THE REDSHIRTS. “The Big Idea: Wil Wheaton” is a discussion of Wheaton’s new book today at Whatever.  

… In Still Just A Geek, I write a lot about the child abuse, neglect, and exploitation I survived and still struggle with. It was incredibly challenging to revisit (and in the case of The Curse, relive) all of it. In the afterword, I wrote that I expected that doing that work would lead to a catharsis, but all it did was retraumatize me.

That was true, until I narrated the audiobook. Over the course of six or seven days, I said everything I wrote in the book out loud. I gave a voice to the child who was put to work against his wishes at seven years old. I gave a voice to the teenager who was abused by his father. I gave a voice to the young father and husband who was struggling to provide for his family while he also struggled to figure out what he was going to do with the rest of his life….

Click here to read an excerpt from Still Just A Geek

(2) THE LIST. While we’re talking about the struggle against things that make life hard, Tobias S. Buckell adds this question:

(3) ORIGIN OF THOUGHT SPECIES. In the LA Review of Books, Brian Attebery reviews a book that examines the question “Who Controls the Narrative?: On David M. Higgins’s ‘Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood’”.

Both politicians and political scientists know the power of narratives: there is much talk about who controls and how to alter “the narrative.” But neither group tends to ask where these narratives are actually, you know, narrated. In his new book, Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood, David M. Higgins offers a fascinating look into the process by which such stories are generated and transformed into cultural references and societal roadmaps.

Higgins examines a particular cluster of narratives about power and identity, a cluster that is nicely described in his title: stories that use the iconography of science fiction to express fear of the other and resentment of loss of power, thus giving a boost to a number of reactionary movements, from Brexit and the cult of Trump to anti-feminist internet trolldom. Higgins traces the origins of a set of powerful tropes in print science fiction from the 1960s and early 1970s; he then follows their spread through media and electronic culture as well as their uses in political rhetoric and advertising. His choice of decade might seem unnecessarily limiting — why not go back to the Gothic origins of science fiction or forward to survey the contemporary scene? — but it makes perfect sense as he guides us through the paranoid visions of Philip K. Dick, the heroic illusions of Frank Herbert’s Dune (1965), and the crumbling empires of J. G. Ballard, and then shows how these and their contemporaries provided the imagery, language, and narrative tropes that continue to mold behavior and set terms for debate….

(4) REPAYING IT FORWARD. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses why far too many gamers are trolls.

…Two-thirds of gamers have experienced toxic behaviour in online multiplayer games, according to a study from games company Unity.  Anyone who has played an online shooter will be familiar with the abuse that fills your headphones and can escalate from ‘noob’ to ‘kill yourself’ within seconds.

Online gaming forums too are hotbeds of vitriol.  ‘Hate raids’ on Twitch–where mobs of trolls target streamers from minority backgrounds with spam and hate speech–have become so prevalent that streamers boycotted the platform last September in protest.  Anti-Defamation League research shows that marginalised groups suffer worst and that online abuse can cause real world harm, with 44 per cent of players feeling emotionally affected by attacks and 11 per cent of them reporting depressive or suicidal thoughts as a result….

(5) WE INTERRUPT THIS NARRATIVE. For those who just tuned in and for whom it’s important to believe that a genre that didn’t have a name until a hundred years ago was knowingly practiced by writers since Roman times, Grunge’s Richard Milner offers, “The 1,800-Year-Old History Of Science Fiction Explained”.

… But yes, science fiction does indeed go back to the 2nd century CE. That doesn’t mean that ancient sci-fi features cell phones, rocket propulsion, and quantum tunneling. Rather, it means that the recognizably current sci-fi tropes — extraplanetary adventure, alien races, space flight, and the rest — were present even back then, albeit in a softer, more fantastical form…. 

(6) GILBERT GOTTFRIED (1955-2022). Comedian and voice actor Gilbert Gottfried died April 12 from Recurrent Ventricular Tachycardia due to Myotonic Dystrophy type II. Primarily thought of as a comedian/comic actor by (likely) most people, he did tons of voice work in genre TV and films, mostly animated.

He was the voice of the wise cracking parrot Iago in Disney’s iconic animated film Aladdin (1992), the video Aladdin 2: The Return of Jafar (1994), and many more Aladdin-themed projects over the years.

His live-action genre film and TV work included episiodes of Superboy, The Weird Al Show (as “Al’s imaginary friend Gilbert”), and the last three Sharknado films. He also did voice work in episodes of The Ren and Stimpy Show, Superman: The Animated Series as Mr. Mxyzptlk, and many other sff shows.   

(7) MEDIA BIRTHDAY.

1979 [Item by Cat Eldridge.] Forty-three years ago, I was at University which is where I saw Mad Max in a lovely old theater near there. Not a packed house but a decent gathering if I remember this correctly many years on. 

It was produced by George Miller and Bryon Eric Kennedy (who’d go on to Mad Max 2: The Road Warrior with him. He died at age thirty three when the helicopter he was piloting crashed at Warragamba Dam in New South Wales, Australia). 

The screenplay was by Miller and James McCausland. It’s his only screenplay and he shows up in Mad Max as the bearded man in an apron. 

Need I say who played the lead character here? I think not.

So how was the reception? 

First, it cost virtually nothing to produce, less than a half million, and made at least a hundred million globally. It holds the Guinness World Record for the highest box office to budget ratio of any motion picture ever.

Second, critics liked it. Or despised it. Philip Adams in the Australian Bulletin said that it had “all the emotional uplift of Mein Kampf”. Ouch. Whereas David Nusair of Reel Film Reviews stated that “Gibson’s thoroughly charismatic performance, along with Miller’s treatment of the film’s few high-octane moments, goes a long way towards keeping things interesting for the majority of Mad Max‘s mercifully brief running time.” 

It get an excellent seventy percent rating among audience reviewers at Rotten Tomatoes. 

It was not nominated for a Hugo but its sequel, The Road Warrior (with the alternative title of Mad Max 2) was at ConStellation. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 12, 1884 Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late Twenties and early Thirties. He’s said to be one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.)
  • Born April 12, 1916 Beverly Cleary. One of America’s most successful authors, almost a hundred million copies of her children’s books have been sold worldwide since her first book was published over seventy years ago. Some of her best-known characters are Ramona Quimby and Beezus Quimby, Henry Huggins and his dog Ribsy, and Ralph S. Mouse. (Died 2021.)
  • Born April 12, 1915 Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’  He published thirteen novels and some one hundred and fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. He was named the first ever Author Emeritus by the Science Fiction Writers of America. And he was chair of the Golden Gate Futurians, a club of writers and fans, hosting meetings at his home in the Castro neighborhood of San Francisco. (Died 2000.)
  • Born April 12, 1921 Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement honor from the World Fantasy Awards. I’ve not read her novels, so which would you recommend I read? Novel wise, she’s reasonably well stocked at the usual suspects but her collections are largely not there. (Died 2019.)
  • Born April 12, 1922 Vince Clarke. He first made acquaintance with fandom in the late Thirties, and was active as a fanwriter and editor from a decade hence including Science Fantasy News. He’d be the winner of the first TAFF in 1954 but didn’t take the trip. He worked on the 1957 Worldcon, Loncon I, and he was Fan Guest of Honor at the 1995 Worldcon, Intersection. He helped create the British Science Fiction Association. (Died 1998.)
  • Born April 12, 1936 Charles Napier. Well, let’s meet Adam on the Trek episode of “The Way to Eden”. Oh, that’s a horrible outfit he’s wearing. Let’s see if he had better genre roles… well he was on Mission: Impossible twice in a truly anonymous roles, likewise he played two minor characters on The Incredible Hulk and he did get a character with a meaningful name (General Denning) on Deep Space 9. I’m surprised to learn that he voiced General Hardcastle in the Superman and Justice League Unlimited series, and also voiced Agent Zed for the entire run of the Men in Black animated series.  (Died 2011.)
  • Born April 12, 1958 Elizabeth Klein-Lebbink, 64. A LA-resident con-running fan. She has worked on a variety of conventions, both regionals and Worldcons, frequently in the art shows. She has been a member of the Dorsai Irregulars. She is married to fellow fan Jerome Scott. Works for NASA where she’s co-authored papers such as “Measurements of Integration Gain for the Cospas-Sarsat System from Geosynchronous Satellites”.
  • Born April 12, 1968 Alicia Coppola, 54. She showed up on Voyager in the premier episode “Caretaker” as  Lieutenant Stadi. Depending on how you define genre, she was in National Treasure: Book of Secrets as FBI Agent Spellman, and had one-offs in Touched by an AngelThe Lazarus ManThe Burning ManThe SentinelProfilerThe Dead Zone and Teen Wolf. She was Dr. Ana Castillo in Blood & Treasure which surely is genre. 

(9) STRANGER THINGS. Season 4 is incoming. Variety sets the frame: “’Stranger Things 4′ Trailer Goes to War With Upside Down”.

The “Stranger Things” kids are all grown up and going to war with the monsters of the Upside Down in the official trailer for Season 4.

Set to a looping version of the pulse in Journey’s “Separate Ways (Worlds Apart),” the trailer sees Mike (Finn Wolfhard), Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin) and Max (Sadie Sink) enter high school, while Eleven (Millie Bobby Brown) and Will (Noah Schnapp) are in California. As the friends navigate their different surroundings, a new supernatural threat surfaces, forcing them to once again confront the horrors of the Upside Down….

(10) RUN DON’T WALK TO YOUR NEAREST THEATER. [Item by Mike Kennedy.] This listicle of someone’s idea of the 15 “best” movie posters is a little over half genre. Maybe closer to 2/3 if you include all kinds of horror. YMMV. “These Are The 15 Best Film Posters Of All Time” at Buzzfeed. Images of the posters are at the link.

There have been many creative and eye-popping designs for film posters over the years, and a lot of them have become just as iconic as the films themselves. No matter how much they’ve told us about their respective movies, these posters made us want to line up and buy a ticket. These are the 15 Best Film Posters of All Time….

6. E.T. the Extra-Terrestrial

Behind the shot of Elliott flying on his bike in front of the moon, this poster is one of the most memorable images of Steven Spielberg’s sci-fi masterpiece. Invoking Michelangelo’s “The Creation of Adam,” this image is a marvelous display of a young boy’s first encounter with this magical little alien. 

(11) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Critical Role’s The Legend of Vox Machina,” the Screen Junkies say that, even though we live “in a world where the only thing more boring than someone telling you about their dreams is someone telling you about their Dungeons and Dragons campaign,” this Amazon series, which raised $1.3 million on Kickstarter, could be the first successful adaptation of a tabletop game since 1985’s CLUE.”  After noting numerous board game adaptations that were failures (remember the Tom Hanks cheesefest Mazes And Monsters) this series “has so much D & D in it you’ll feel like you’re eating lunch alone in the eighth grade again.”  But then voice actor Matthew Mercer shows up and Mercer and the narrator have an epic voice rap battle!

The link is here.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Chris Barkley, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]