Pixel Scroll 4/5/17 We Were Somewhere Around Barstow When The Pixels Began To Take Hold

(1) YOU NEVER KNOW WHAT YOU’RE GONNA GET. I appreciate the irony in the first line of Germain Lussier’s io9 post “The New Dune Movie Is Being Written By the Man Who Wrote Forrest Gump”:

But we don’t think that should worry you.

According to Lussier, Eric Roth, who won an Oscar for his adapted screenplay for Forrest Gump, has been hired to adapt the Frank Herbert novel Dune for director Denis Villeneuve.

(2) NEW AFRICAN SF AWARD. Since the Hugo announcement date was only known a few days ahead of time, the African Speculative Future Society may not have known that April 4 was a less-than-optimum date to announce the inaugural 2017 Nommos shortlist.

The categories are:

The Ilube Award for Best Speculative Fiction Novel by an African  – 1000 USD prize,

The Nommo Award for Best Speculative Fiction Novella by an African – 500 USD

The Nommo Award for Best Speculative Fiction Short Story by an African – 500 USD

The Nommo Award for Best Speculative Fiction Graphic Novel by Africans – 1000 USD to be shared.

The award website says —

We have welcoming and inclusive definition of who is an African that includes children of an African parent. Read more about eligibility here.

The award has been funded for four years, by Mr Tom Ilube.

“Science fiction is important because it looks ahead to African futures.  Fantasy and fiction based on traditional tales are important because they link us back to our forebears.  Both are important for African development.  I wanted to make sure that the explosion of African science fiction gets the recognition it deserves.”  Mr Tom Ilube.

The first award ceremony will be held at Aké Festival in Nigeria, November 2017. After that they hope to alternate the location of the awards ceremony between West and East Africa.

Here are links to the Short List and the rest of the nominees in all 4 categories:

(3) OLD OPERA HAS NEW ACTS. Cora Buhlert couldn’t find what she liked 20 years ago, but there’s enough good stuff now for her to be writing about “The Space Opera Resurgence”.

I didn’t like any of those books. But I was an SF fan and a space opera fan and this was all the space opera there was, with very few exceptions (mostly published by Baen Books, which are notoriously difficult to find in Europe). So I kept trying the highly regarded New Space Opera of the early 2000s, until I found myself standing in the local Thalia store, the latest offering of New British Space Opera subgenre in hand (it was this one – I remember the cover very clearly), when I suddenly dropped the book to the floor and exclaimed, “Why do I keep buying this shit? I don’t even like these books.” So I turned my back on New British Space Opera and on science fiction altogether (I did put the book back on the shelf first) and read other genres for a few years, until I came back in a roundabout way via urban fantasy and science fiction romance and found a whole universe of SFF books that weren’t on the radar of the official genre critics at all.

Now, some ten to fifteen years later, there is a lot more space opera on the shelves than back in the early 2000s. It’s also a lot more diverse the than just pale Banks clones. Nor is it just written by white, overwhelmingly British dudes – indeed, some of the best space opera of today is written by women and writers of colour. And even some of those authors whose novels almost put me off science fiction altogether some ten years ago are writing much more enjoyable works these days. …

(4) MAIL CALL. It’s not easy to get letters from the year 1962 unless you’re The Traveler. Galactic Journey today unveiled – “[April 5, 1962] Pen Pals (Letter Column #1)”. The first missive comes from University of Arizona student Vicki Lucas….

Of course, to pay the tuition and room & board, I also take in ironing, do tutoring, deliver newspapers, etc., and they helped me get a student loan. It’s been a real eye-opener to go to school here. Now I know what “scholarship” means. At the University of Arizona, from which I transferred last year, I did have some great learning experiences, but nothing as rich as this.

Not that I didn’t have some great experiences at UA, meeting an English Professor who is an avante-garde composer (Barney Childs), and since I worked in the Fine Arts College I went to most concerts & saw the harpsichord played for the first time (double keyboard!) & heard Barney’s music played. (I admit, I have a crush on him — see the enclosed photo.) And then I’ve been to San Francisco & seen jazz trumpeter Miles Davis & a lot of other stuff….

(5) CAMESTROS FELAPTON EXPLAINS IT ALL TO YOU. Thank goodness somebody can. In  “Hugo 2017: How to vote for best series” he looks at 8 different approaches to dealing with the vastness of the Hugo nominated series. Sure, 8 is also a lot — just be grateful he didn’t try to match the number of ways Cyrano described his nose.

The issue is that Best Series is not unlike Best Editor Long Form – the normal way of voting in the Hugo Awards doesn’t work (read the relevant stuff and vote). However, unlike Best Editor Long, best series at least has accessible information and works. The problem is that it is way too much volume of stuff to evaluate if you haven’t already been following the series in question. So here are some approaches to choose from.

(6) CHOP CHOP. Shouldn’t Wolverine co-creator Len Wein be getting a cut of this?

A medical clinic in the Philippines is using an unusual mascot to advertise its circumcision service: claw-bearing X-Men super hero Wolverine.

The advertisement for Dionisio M. Cornel Memorial Medical Center in Antipolo features an image of Hugh Jackman as the adamantium-clawed character he played in the X-Men and Wolverine films next to text promoting the clinic’s circumcision service.

 

Si Logan ang bahala sa'yo! Haha #1stLocation #Unit2 #langitlupa #kapamilya

A post shared by Pj Francisco 🍴😴🍻🎉✈🚢🚄🚗⛵👼☝😇 (@peeej05) on

(7) RED ALERT. At Nerd & Tie Trae Dorn wants to know “What the Heck is Even Happening With AnachroCon Right Now?”

The Atlanta, GA based convention AnachroCon might be more aptly named “AnarchoCon” these days. Earlier this week the convention’s Chair and legal counsel Sarah Avraham stepped down in what sounds like an extremely complicated situation.

In a public Facebook post Avraham detailed the reasons for her departure, and while you should really read that post in its entirety, I’ll do my best to summarize it. It starts when Avraham was approached by William and Cindy MacLeod in the spring of 2016 to take over the event in an attempt to rehabilitate the convention’s image and get it back on track financially.

Because man, this con needed help….

(8) ON HOLD. Nerd & Tie is also reporting that “One Month After Cancellation, Multiple Parties Still Waiting For Refunds From Lebanon MEGA Con:.

This last weekend would have been the second annual Lebanon MEGA Con, if the Missouri based convention hadn’t announced its cancellation just one month before. While organizer Will Peden did say that everyone owed money would be paid, some parties are waiting for those promises to be fulfilled.

(9) TODAY IN FUTURE HISTORY

  • April 5, 2063 — The day the Vulcans landed. According to Memory-Alpha:

First Contact Day was a holiday celebrated to honor both the warp 1 flight of the Phoenix and first open contact between Humans and Vulcans on April 5, 2063 in Bozeman, Montana

(10) TODAY’S BIRTHDAY BOY

  • Born April 5, 1917 — Robert Bloch

I recognize Bob Tucker on the left. Who is the woman on the right? The photo is from a 1959 party in Chicago.

(11) DELIBERATIONS CONTINUE. The Shadow Clarke Jury carries on a discussion of the books they’d like to see considered for the Clarke award.

It does not seem surprising that reading Don DeLillo’s novel Zero K, in which an estranged son accompanies his tycoon father to the threshold of his journey into eternity, brought those memories of Cold Lazarus especially rushing back. Straddling the millennium, both [Dennis] Potter’s final teleplays and DeLillo’s sixteenth novel have a leached-out, end-times quality that puts human mortality centre stage and refuses to look away. That Potter’s scripts – almost a quarter-century old now and written while SF was still very much a pariah literature – leap naked into the science fictional abyss, while DeLillo’s novel appears to negate, to brush aside the very notion of science fiction altogether, seems just one further irony.

Imagine a table laden with all the food you can think of; things you like and things you don’t like; cuisines from all around the world; the fresh and the fast; three thousand calorie freak-shakes next to organic kale salads; dessert piled on top of nachos sitting on a bed of pears. The table is groaning, under the physical and the metaphorical weight of the feast.  It’s wonderful and disconcerting and a bit horrifying and deliciously tempting at the same time.  This is the gastronomic equivalent of Cathrynne M. Valente’s Radiance, a virtuoso outpouring of language, style, trope and intertext fit to overwhelm any appetite. It took close to a week for me to sit down and start this review after I finished the book; I needed that long to digest it.  If you like your novels spare or clean this one probably isn’t for you.

His claim directly addresses the central conceit of the novel that the networks and routes by which African-American slaves escaped to the free states and the North exists as an actual underground railroad with stations and steam locomotives on rails. However, his mistake lies in imagining that the workings of the railroad can be reduced to information as legible as a map and a timetable. Earlier in the novel, when Cora visits this particular ‘ghost tunnel’ for the first time with the railroad operative, Royal, she reflects that the necessary secret of the railroad is not a bad type of secret but rather an intimate part of the self that is central to personal identity: ‘It would die in the sharing.’ The enigma of the railroad, as Royal observes, is that ‘it goes everywhere, to places we know and those we don’t’. The challenge it presents is not to classify it as a system of knowledge but to figure out both how it connects the different selves who use it and where it might lead to.

The Man Who Spoke Snakish is easily the least traditionally science fictional of my shortlist selections: not only does it feature no rockets, but it’s set firmly in the past (and is more about pasts than futures) and it includes talking snakes and something very much like a dragon. In the sense that science fiction is defined by the presence or absence of received ideas and familiar imagery—that is, using the least science fictional definition of science fiction—it would not be considered science fiction.

(12) A LITTLE SMACK. Fusion says justice has been served – “Black Panther and Ms. Marvel Nominated for Hugo Awards Days After Marvel VP Blamed Them for Sales Slump”.

On Tuesday morning, the finalists for the 2017 Hugo Awards (the Oscars of sci-fi and fantasy writing) were announced by the World Science Fiction. Unsurprisingly, collected volumes of Marvel’s critically acclaimed Black Panther and Ms. Marvel series were both nominated for Best Graphic Story.

These nominations come just days after Marvel’s Vice President of Sales, David Gabriel, went out of his way to blame Marvel’s lagging sales on comics—like Black Panther and Ms. Marvel—starring people of color and women. Suffice it to say that the optics of this whole thing don’t reflect well on the publisher, but the Hugo nominations send a telling message to Marvel about just how the public actually feels about its “diverse books.” 

(13) REACTION POST. Abigail Nussbaum catalogs all the emotions she’s feeling after seeing the 2017 Hugo shortlist, beginning with happiness about her Best Fan Writer nomination, and continuing down the spectrum til she reaches —

Frustration, because the puppies’ ongoing presence on the ballot, even under extremely reduced circumstances, means that it continues to be impossible to talk about the nominees as their own thing, rather than a reaction to an attempted fascist takeover.  There’s a lot to praise about this year’s ballot, including the continued shift towards a more diverse slate of nominees, but in the short fiction categories in particular, the Hugo has once again thrown up a fairly middle-of-the-road selection.  Most of these stories aren’t bad, but quite a few of them are meh, and it would be nice to once again be able to have a proper discussion of that.  Instead, we’re all still in bunker mode, still cheering the fact that publishable fiction was nominated for the genre’s most prestigious award, which increasingly seems like a low bar to clear.

(14) PUPPY ANTENNAE ACTIVATED. Cora Buhlert sets things in context and delivers a thorough set of first impressions about the Hugo ballot.

The best novel category looks excellent. We have the sequels to two previous Hugo winners in the category, Death’s End by Liu Cixin and The Obelisk Gate by N.K. Jemisin respectively. We have the long awaited and critically acclaimed debut novels by two accomplished short fiction writers, All the Birds in the Sky by Charlie Jane Anders and Ninefox Gambit by Yoon Ha Lee respectively. We have a highly acclaimed debut novel with a very unique voice, Too Like the Lightning by Ada Palmer, as well as the sort of sequel to 2014’s highly acclaimed debut novel with a unique voice, A Closed and Common Orbit by Becky Chambers. A Closed and Common Orbit, Too Like the Lightning and Ninefox Gambit were also on my ballot, and I’m looking forward to reading the remaining three. And those who worry that science fiction is about to die out and be swamped by fantasy, which will inevitably lead to the collapse of the West or something, will be pleased that four of the six nominees in this category are unabashedly science fiction. The Obelisk Gate is an edge case, while the only clear fantasy novel is All the Birds in the Sky and even that one has a mad scientist character. Diversity count: 4 women, 2 men, 3 writers of colour, at least 3 LGBT writers, 1 international writer in translation, 0 puppies.

(15) TUESDAY’S HUGO NEWS. H.P. at Every Day Should Be Tuesday features a picture of a dog in his more Puppy-sympathetic coverage of the 2017 Hugo Awards finalists.

… I am very gratified to see Cixin Liu back where he belongs Death’s End a finalist for Best Novel.  I loved it, as you can probably tell by my overenthusiastic review.  I thought The Dark Forest was robbed, and I voted for The Three-Body Problem as the Best Novel two years ago.  I would have loved to have seen the entire series go up for an award, but oh well.  It perhaps says something about the incestual nature of the Hugo voting that the two books in the series edited by the popular Ken Liu were finalists, and the one that wasn’t didn’t even finish in the top 15 nominations….

The Rageaholic was a finalist last year, but I only saw my first few videos within the last month or so.   And for the most part, I have no interest in watching his videos on video games or movies or politics.  If only for the main reason I don’t watch many YouTube videos or listen to many podcasts.  I ain’t got time for that stuff.  But Razorfist has an encyclopedic knowledge of comics and Elric of Melnibone.  And he’s got a great shtick.  Usually in black-and-white, decked out in mirrored sunglasses and a leather jacket, long hair, wall covered in posters behind him.  Complete with some metal thrown-in to start and finish things off, and a rapid-fire, eloquent, profane delivery.

H.P. also identifies himself as a contributor to the Castalia House blog.

(16) HUGO BY OSMOSIS. The nominations have inspired J.D. Brink’s latest theory.

And John Picacio has been nominated for best professional artist.  I’m pretty darn sure (though not 100%, mind you) that he and I shared a day at Dragon’s Liar comics in San Antonio signing stuff on Free Comic Book Day a few years ago.  We sat right next to each other.

So by sheer proximity, I should be getting a Hugo award, if not this year, than next year

(17) IF I WERE A RICH MAN. Who knew I wouldn’t have to wait til I made a million dollars before seeing my name in Forbes? They published the Hugo nominees.

(18) MOST IMPORTANT CATEGORY. Jude Terror’s account of the nominations for Bleeding Cool is intentionally myopic: “Marvel And Image Split Hugo Awards Comics Category, Shut Out Other Publishers”.

Worldcon has released the finalists for the 2017 Hugo Awards, the science fiction and fantasy awards named after Amazing Stories founder Hugo Gernsback. We’re pretty sure that’s the book Spider-Man first appeared in. In true snooty comics website fashion, we’ll only talk about the things that relate to comic books and ignore everything else.

First, in the most important category, Best Graphic Story (that’s fancy-speak for comics), nominees included Marvel’s Black Panther, Ms. Marvel, and The Vision, two of the most successful and acclaimed books the likes of which Marvel “has heard” people don’t want anymore, and one written by a guy who “rode off into the sunset.” Monstress, Paper Girls, and Saga from Image took the other three slots, shutting out all other publishers. Shockingly, no prominent editors from the superhero comics community earned nominations in any of the editorial categories, though Sana Takeda, a familiar name to comics readers, did move the needle with a spot on Best Professional Artist list.

Dan Slott failed to secure a nomination in Best Fan Writer despite writing some of the most acclaimed Doctor Who fan fiction around in Silver Surfer, though Doctor Who’s Christmas Special, The Return of Doctor Mysterio, was nominated under the Best Dramatic Presentation (Short Form) category, which is a fancy way of saying “TV show.” Yes, we know we’re breaking out “only talk about comics” rule, but what could be more “comics website” than that?! Sir Robert Liefeld’s greatest creation, Deadpool, earned a nomination in the Best Dramatic Presentation (Long Form) category, which is a fancy way of saying “movie.”

(19) VIRTUAL VISON. “Astronomers just turned on a planet-size telescope to take a picture of a black hole”Vox has the story. (No, not that Vox.)

Every image you’ve seen of a black hole is an illustration. A giant “virtual” telescope may change that….

We’ve never seen a direct image of a black hole. But if an audacious experiment called the Event Horizon Telescope is successful, we’ll see one for the first time.

Why we’ve never seen an image of a black hole

The biggest problem with trying to detect a black hole is that even the supermassive ones in the center of galaxies are relatively tiny.

“The largest one in the sky [is] the black hole in the center of the Milky Way,” Dimitrios Psaltis, an astrophysicist at the University of Arizona, said in 2015. “And taking a picture of it would be equivalent to taking a picture of a DVD on the surface of the moon

(20) THAT REVOLUTIONARY NEW IDEA FOR SELLING BOOKS. The Verge has another Amazon bookstore on its radar screen – it will be the third in New York.

Amazon has confirmed plans to open a brick-and-mortar bookstore across from the Empire State Building, bringing its total number of announced but as-of-yet unopened stores in New York City up to three.

Publisher’s Weekly reports that a sign reading “Amazon Books Coming Soon” has gone up in the 34th Street storefront, adding that an Amazon rep said the store will open this summer. The store has also been added to the Amazon Books website. This would presumably make it Amazon’s second store in New York. A location in Columbus Circle’s Time Warner Center (just off of Central Park) was announced in January, with the intent to open this spring.

Another, in Hudson Yards, the still-under-construction $20 billion shopping and luxury residential complex on Manhattan’s far west side, was widely reported last summer — with plans to launch alongside the rest of the development’s new stores in 2018 or 2019.

(21) CUTTING EDGE. Here’s the King Arthur: Legend of the Sword final trailer. The film will be out May 12.

[Thanks to John King Tarpinian, JJ, Carl Slaughter, Martin Morse Wooster, Cat Eldridge, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 5/11/16 Time Enough For LOVE IS REAL!

(1) REDWOMBAT LOVEFEST. Tor.com is hosting — “’THE POTATO GOD WILL RISE.’ We Are Obsessed With Ursula Vernon’s Tumblr”.

But even if you don’t head over for the sketches and art, there are stories in abundance. For example, a true story about Vernon’s childhood, and “the thing” that she knew hid right behind her in her grandmother’s bathroom. (This tale eventually veers into precognition and predestination, believe it or not):

It seemed to me, looking in the enormous bathroom mirror, that I could see every part of the bathroom except the spot directly behind me, so that was where the unseen creature must be standing.

I didn’t know what it looked like. I had a vague feeling it was grey and shadowy and very flat, with long arms. I thought it would probably have eyes, but no mouth, but that was only a guess.

If I moved suddenly, it moved with me. At first, I thought it was just much faster than me, but that seemed sort of improbable–and when my mother would come into the bathroom, it wouldn’t matter how fast it was, it might risk being caught because there wouldn’t be any place it could stand that one of us couldn’t see it.

If fairy tales are more your beat, Vernon wrote her own version of the story about frogs falling from a girl’s lips when she speaks….

(2) RETRO HUGO FAN CATEGORIES. The FANAC Fan History Project is making available online as many 1940 Retro Hugo Nominees as it can. Joe Siclari writes:

For those of you planning to vote in this year’s Retro Hugo Fan Categories, the FANAC Fan History Project is providing relevant original materials for your reading pleasure.  Too many times, Retro Hugos go to the nominee with the best name recognition.  We have worked to make this material available so that everyone has a chance to read for themselves and cast a more knowledgeable vote.

The fanzines are here. They already have —

  • Ray Bradbury’s Futuria Fantasia
  • Bob Tucker’s Le Zombie and
  • Harry Warner, Jr.’s Spaceways

They are trying to get 1940 copies of Forrest J Ackerman’s and Morojo’s Novacious and Ackerman’s Voice of the Imagi-Nation.

If you have copies that you can scan for us or loan to us to scan, please contact Joe Siclari (jsiclari@fanac.org) or Edie Stern (fanac@fanac.org).

FANAC’s Retro Hugo page also includes works by Best Fan Writer nominees from other 1940 fanzines than the fanzines listed above.

They have also made available an array of other fanzines from 1940: Shangri-La, Fantasy News, Futurian Observer and Fantascience Digest. Look for these at Classic Fanzines.

(3) HINES REPOST. Our Words, the new site about disabilities in sf, continues its launch by reposting Jim C. Hines on “Writing with Depression”, which first appeared on SF Signal in 2014.

From what I’ve seen, that anxiety is pretty typical for most novelists. But I’m particularly nervous about my next book, Unbound. This is the third book in my current series, and will probably be out in very early 2015, give or take a few months. I’ve put my protagonist Isaac through an awful lot in the first two books. As a result of those events, when we see Isaac again in Unbound, he’s struggling with clinical depression.

This isn’t the casual “had a rough day” depression people often think about. This is the debilitating one, a mental disability that’s damaging Isaac’s health, his job, and his relationships. This is…well, in a lot of ways, it’s similar to what I was going through two years ago. (Admittedly, Isaac’s depression is a bit more extreme, and I didn’t have to worry about cursed thousand-year-old magical artifacts, or accidentally setting a cathedral on fire with a lightning gun.) …

(4) BESIDES DUNE. John Bardinelli makes sure you don’t miss “5 Overlooked Masterpieces by Frank Herbert” at B&N Sci-Fi & Fantasy Blog.

This week, Brian Herbert released a collection of his late father Frank’s unpublished short stories. It’s an odd, genre-spanning assemblage from creator of Dune, filled not only with science fiction tales, but mysteries, thrillers, “men’s adventure stories,” and more. It’s an intriguing look at the unheralded work of one of the most influential authors of the 20th century—proof that success in publishing doesn’t mean everything you’ve ever written will be a success, and another reminder the when you write one of the greatest science fiction novels of all time, everything else you’ve done suddenly becomes a footnote.

The phenomenon hardly stops with Herbert’s short fiction. Both before and after his signature series took off, he wrote thoughtful, mind bending sci-fi novels that you probably haven’t read, or even heard of, that deserve (almost) as much praise as Dune. Here are five worth tracking down.

Whipping Star One thing Star Trek tends to gloss over is how difficult it is to communicate with alien life. Linguistic and cultural barriers are a challenge, but what if a species doesn’t experience reality the same way we do? The Calebans in 1970’s Whipping Star are the perfect example: they look like stars to our squishy little eyes, and the concepts of linear time and occupying a singular position in space are completely foreign to them. When one of the Caleban needs help from a human, communication is an instant problem. Whipping Star treats us with a firsthand account of this puzzle, feeding us nearly nonsense dialogue until its ideas slowly start to make sense. It’s one of those books that gives you a solid “Ah ha!” moment, independent of the storyline…..

(5) BRITISH BOOK INDUSTRY AWARDS. The Loney by Andrew Michael Hurley won Book of the Year at the British Book Industry awards. The Guardian has the story.

First published in a limited print run of just 300 copies by independent publisher Tartarus Press, The Loney tells of a pilgrimage to the Lancashire coast, “that strange nowhere between the Wyre and the Lune [where] the neap tides would reveal the skeletons of those who thought they could escape its insidious currents”. Word-of-mouth success with the small Yorkshire publisher meant it went on to be acquired by John Murray, and to win the Costa first novel award in January.

The British Book Industry awards, for “books that have been both well-written and brilliantly published”, called The Loney a “true British success story”. “A debut novel suspended between literary gothic and supernatural horror, it was written by an unknown author in his 40s, who worked part-time for 10 years to be able to write,” said organisers of the awards, which are run by The Bookseller magazine. “[The Loney] quickly became the hot literary novel, with almost 100 times its original print run.”

The Loney beat titles including Paula Hawkins’s international hit The Girl on the Train, and Harper Lee’s Go Set a Watchman to the top prize at the British Book Industry awards this evening. The award for non-fiction book of the year went to Lars Mytting and Robert Ferguson’s guide to wood-chopping, Norwegian Wood, a title which organisers said “demonstrated great publisher faith and vision”, while best children’s book was won by David Solomons’s My Brother is a Superhero.

(6) NOMINATION CLUSTERS. Brandon Kempner at Chaos Horizon continues his search for statistical clues to the Hugo-winning novel in  “Checking in with the 2016 Awards Meta-List”. Who’s leading the Meta-List? Here’s a hint: it involves the number five.

For this Meta-List, I track 15 of the biggest SFF awards. Since each award has its own methodologies, biases, and blind spots, this gives us more of a 10,000 foot view of the field, to see if there are any consensus books emerging.

As of early May we have nominees for 10 of the 15 awards. I track the following awards: Clarke, British Fantasy, British SF, Campbell, Compton Crook, Gemmell, Hugo, Kitschies, Locus SF, Locus Fantasy, Nebula, Dick, Prometheus, Tiptree, World Fantasy. I ignore the first novel awards….

(7) RACHEL SWIRSKY IN CHICAGO. She has posted her Nebula Awards schedule.

Thursday, 4pm-5pm: Come visit me to discuss short stories: “Brainstorm a problem area, or ask questions about writing short fiction.”

I’m also on three panels:

Friday, 1pm: The Second Life of Stories: handling backlist and reprints. Panelists: Sarah Pinsker, Rachel Swirsky, Colleen Barr, Marco Palmieri, John Joseph Adams, Don Slater

Friday, 4pm: Medicine after the End of the World: managing chronic conditions and serious illness after the apocalypse. Panelists: Annallee Flower Home, Nick Kanas, Daniel Potter, Rachel Swirsky, Michael Damien Thomas, Fran Wilde

Saturday, 4pm: Redefining the Aliens of the Future. Panelists: Juliette Wade, Charles Ganon, Nick Kanas, Fonda Lee, PJ Schnyder, Rachel Swirsky.

I’m also participating in the mass autographing, Friday, 8-9pm. 

(8) MARS MY DESTINATION. David D. Levine, whose Arabella of Mars will be out from Tor in July, also has a full dance card this weekend.

I’m at the airport again, heading for the Nebula Conference in Chicago, where I will learn whether or not my short story “Damage” won the Nebula Award. I will also appear on programming:

  • Thursday May 12, 2:00-3:00 pm: Interfacing with Conventions in LaSalle 2 with Lynne Thomas, Dave McCarty, Michael Damian Thomas, and Michi Trota
  • Friday May 13, 8:00-9:30 pm: Mass Autographing in Red Lacquer Room. Free and open to the public. I will have ARCs of Arabella of Mars to give away!
  • Saturday May 14, 8:30-10:00 pm: Nebula Award Ceremony in Empire Room.
  • Saturday May 14, 10:00-11:00 pm: Nebula Alternate Universe Speeches in Empire Room.
  • Sunday May 15, 10:00-11:00 am: When Is It Time for a New Agent? in LaSalle 2 with Kameron Hurley.

As long as I am in Chicago, I will also be appearing at Book Expo America, signing ARCs of Arabella of Mars 1:00-2:00 pm at autograph table 7.

(9) CHECK ANYONE’S NEBULA SCHEDULE. Here’s the tool that will let you find any SFWAn’s panel at this weekend’s event – Nebula Conference 2016 Schedule.

(10) CONGRATULATIONS TO THE CHU FAMILY. No need to look up Wesley Chu’s Nebula schedule –

(11) TODAY IN HISTORY

  • May 11, 1936 Dracula’s Daughter was released. Trivia: Bela Lugosi was paid for his participation in publicity photos for this film even though he did not appear in it.

DraculasDaughter

  • May 11, 1984 Firestarter premiered, a movie based on a Stephen King novel.

(12) ELLIOTT REVIEWED. We mustn’t overlook a book with the magic number in the title — Microreview [book]: Court of Fives by Kate Elliott at Nerds of a Feather.

It might be easy to, at first glance, compare this book with other YA franchises because of its use of death sports and young people. Fives is a game where participants are part athletes, part combatants, and routinely die or are seriously injured on the court. It’s a game that involves complex traps and requires a keen mind and strong body. And it sits at the heart of a plot that revolves around political intrigue, oppression, and privilege. So at first blush it might seem slightly familiar. And yet the character work and the setting set it apart, give it a more historically grounded feel where Fives is more reminiscent of chariot racing than anything more contemporary.

(13) ADVANCED READING CODEX. At Black Gate, Elizabeth Cady argues “The Birth of the Novel” happened a thousand years earlier than some academics believe.

In my last post, I described one product of the Hellenistic period of ancient art as the invention of the novel. This surprised many people, who thought that the novel was an invention of a much later time. So of course, being an academic of leisure (she says as she ducks a flying juice box), I had to say more about it.

Some scholars do date the invention of the novel to the Modern period in Western Europe. I will display my ignorance and say I do not know why this is. Many books exist outside of English, outside of the Modern period, and in fact outside of the Western hemisphere that easily qualify as novels, so it is difficult for me to see this claim as much more than chauvinism. But if someone wants to correct me on this point, I am willing and eager to be enlightened. Or to fight you on it.

The first novel that we have comes from somewhere between the 2nd Century BCE and the 1st Century CE. It is a positively charming little book called Callirhoe, and it describes the travails of a beautiful young woman who marries her true love, an equally handsome young man named Chaereas. Shortly after their wedding, he kicks her in a fit of jealous rage and she dies.

At least that’s what everyone thinks. She has in fact been put into a coma, only to awaken when pirates invade her tomb. These pirates kidnap her and take her to Miletus to sell her at the slave market; she is then sold to a man named Dionysius. Callirhoe is so beautiful and virtuous that Dionysius falls in love with her as well, and asks her to marry him. She would refuse but she has discovered she is pregnant with her first husband’s child, and agrees to the marriage out of maternal devotion….

(14) THE PEEPS LOOK UP. John DeChancie reposted his homage to the LASFS clubhouse on Facebook.

…I only remember the good times. I remember the late nights, the Mah Jongg, the Hell games, the cook outs, the late night bull sessions. . .but what I cherish most is the sheer pleasure of meeting and talking with other people who share my view of the universe.

No, let me rephrase that. I look forward to people who have a view of the universe to share. Not everyone does. What most distinguishes the mentality of SF and its fandom from that of the mundane is the capacity to be aware of the vastness of everything out there, all the wild possibilities, the fantastic vistas, the realms of infinite regress, the black reaches and streams of bright plasma. Most humans have their myopic eyes fixed on the dirt. They don’t look up much. When they do, it is with fear and apprehension….

(15) AEI STAR WARS PANEL. The American Enterprise Institute presents “The world according to Star Wars”, part of the Bradley Lecture Series, on Tuesday, July 14. RSVP to attend this event, or watch live online here on June 14 at 5:30 PM ET. (Registration is not required for the livestream.)

Cass Sustein joins AEI scholars Norman Ornstein, James Pethokoukis, and Michael Strain to discuss his new book, “The World According to Star Wars,” a political and economic comparison of the “Star Wars” series and today’s America.

Cass Sunstein, the Robert Walmsley University Professor at Harvard Law School, has turned his attention to one of the most beloved and successful film series of our time, “Star Wars.” In his new book, “The World According to Star Wars” (Dey Street Books, 2016), Mr. Sunstein, who has written widely about constitutional and environmental law and behavioral economics, argues the legendary series can teach us a lot about economics, law, politics, and the power of individual agency.

Mr. Sunstein will be joined by AEI’s Norman Ornstein, James Pethokoukis, and Michael Strain for a discussion of the timeless lessons from “a long time ago in a galaxy far, far away.” Books will be available for purchase, and a book signing with follow the event.

(16) NEW SAMPLES AT GRRM SITE. George R. R. Martin told Not A Blog readers where to find new samples from two forthcoming books.

For all the Wild Cards fans out there, we’ve got a taste of HIGH STAKES, due out this August. HIGH STAKES is the twenty-third volume in the overall series, and the third and concluding part of the ‘Fort Freak’ triad. The sample is from the pen of the talented Ian Tregillis, and features Mollie Steunenberg, aka Tesseract. You’ll find it at: http://www.georgerrmartin.com/wild-cards-excerpt/

((Readers with weak stomachs be warned, HIGH STAKES is our Lovecraftian horror book, and things do get graphic and bloody and… well… horrible. Althought not so much in the sample)).

And… because I know how much bitching I’d get if I offered a new sample from Wild Cards without also doing one from A SONG OF ICE & FIRE… we’ve also changed the WINDS OF WINTER sample on my wesbite, replacing the Alayne chapter that’s been there for the past year with one featuring Arianne Martell. (Some of you may have heard me read this one at cons).

Have a read at: http://www.georgerrmartin.com/excerpt-from-the-winds-of-winter/

You want to know what the Sand Snakes, Prince Doran, Areo Hotah, Ellaria Sand, Darkstar, and the rest will be up to in WINDS OF WINTER? Quite a lot, actually. The sample will give you a taste. For the rest, you will need to wait.

And no, just to spike any bullshit rumors, changing the sample chapter does NOT mean I am done. See the icon up above? Monkey is still on my back… but he’s growing, he is, and one day…

(17) ZOOM BY TUBE. From Financial Times: “Musk’s Hyperloop in step towards reality”. (Via Chaos Manor.)

Elon Musk’s dream of ultra-high speed travel through a tube came a small step closer to reality on Tuesday, when one of the companies set up to pursue the idea announced it had raised another $80m and said it was ready to show off a key part of the technology.

Mr Musk, chief executive officer of Tesla Motors and SpaceX, stirred a wave of interest in 2013 in a technology known as hyperloop — a tube from which air is pumped out to maintain a near-vacuum, theoretically making it possible for pods carrying people or freight to move at close to the speed of sound.

The idea was floated as a potential alternative to California’s plans for a high-speed rail line between San Francisco and Los Angeles. Coming from an entrepreneur who has come to be seen in some tech circles as a visionary, it attracted enough attention to trigger a race among start-ups trying to prove the technology is in fact practical.

(18) AGENT CARTER. E!News asks“Did ABC Just Secretly Cancel Agent Carter?”. BEWARE SPOILERS.

Warning: The following contains mild spoilers for both last night’s new episode of Agents of S.H.I.E.L.D. and Captain America: Civil War. If you’re particularly averse to those sorts of things, you may want to turn away. Consider yourselves warned.

Dearly beloved, we gather here today to pay tribute to to the life of Agent Peggy Carter. But is it also time that we begin mourning Agent Carter, too?

If you didn’t make it out to the megaplex over the weekend to catch Captain America: Civil War, last night’s new episode of Agents of S.H.I.E.L.D. probably dropped quite a bomb on you with their brief mention about the passing of the beloved founding member of S.H.I.E.L.D. at the age of 95. That’s right, friends—Peggy Carter is dead….

(19) RED S GOING FROM CBS TO CW? ScreenRant explains why “Supergirl Season 2 Move to The CW Now a Stronger Possibility”.

CBS joined fellow TV networks FOX and The CW in airing its own DC Comics-based TV show in 2015 with Supergirl. However, the future of the series, starring Melissa Benoist as Kara Danvers a.k.a. Kara Zor-El (Superman’s cousin), is currently up in the air following the airing of its season 1 finale. Although CBS CEO Les Moonves previously appeared to suggest that Supergirl season 2 is all but a done deal, the show has yet to be formally renewed, even now that the deadline for such a renewal is staring CBS right in the face.

There have been rumors that Supergirl could make the move to The CW – the place that Supergirl co-creators Greg Berlanti and Andrew Kreisberg’s other DC superhero TV shows (Arrow, The Flash, Legends of Tomorrow) call home – for its sophomore season. While those claims were relatively shaky in nature, it’s now being reported that Supergirl moving to The CW is more of a real possibility and that steps are being taken to prepare for such a change, behind the scenes on the series.

(20) QUICK SAVE. “Here’s hoping The Flash wrote Kevin Smith a big fat check” says Polygon.

Whatever they paid for last night’s episode, it wasn’t enough

Whatever amount of money CW paid Kevin Smith to direct last night’s episode of The Flash, it wasn’t enough. The man responsible for Clerks (and everything that’s followed in its wake) single-handedly pulled the show out of a narrative tailspin the likes of which haven’t been seen on television since the second season of Heroes.

Now it’s up to the show’s core team to follow through and finish on a high note. Here’s how it went down.…

(21) MOVIES TO WATCH FOR. Hampus Eckerman recommends keeping an eye open for a chance to see these three movies.

A group of online gamers are invited to try a state-of-the-art virtual reality video game but things take a turn for the sinister when these masters of the shoot ’em up discover they will literally be fighting for their lives.

 

 NEUROO-X, a German-Swiss-Chinese entertainment company group, stands for games that dissolve the boundary between reality and gaming). A new gadget, the myth-enshrouded RED BOOK, offers the ultimate gaming experience. The most secret longings of gamers are scanned by the engine and transformed into fantastic adventures. The conspiracy psychoses of users are the raw material for the storytelling of NEUROO-X. Marcus, Chief Development Manager of NEUROO-X dies shortly before completion of the RED BOOK. His lover Ryuko finds out that something terrible happened during testing of the game in China, and the deeper she submerges into the secret of NEUROO-X, the more she loses touch with reality. She neglects her son Walter, who logs into the game and disappears into the digital parallel world. The more Ryuko fights the corporation in order to rescue her son, the more she updates the narrative desired by NEUROO-X. Ryuko finds herself in a world full of demons, witches, knights and terrorists.

 

Three ordinary guys are thrust into a parallel world of an old Sci-Fi movie. Trapped in a low budget universe they must somehow fight their way home before it is too late.

 

(22) TEACH YOUR HATCHLINGS WELL. “Godzilla Celebrates Take Your Child to Work Day!” at Tor.com features wonderful kaiju humor.

Take Your Child To Work Day is a chaotic time – hordes of tiny creatures swarming office spaces, demanding attention and snacks and opportunities to spin around in swivel chairs. But imagine, if you will, Godzilla participating in this tradition! Tumblr-er CaqtusComics proposed such a scenario to fellow Tumblr-er Iquanamouth, and the resulting comic is perfection.

[Thanks to John King Tarpinian, Hampus Eckerman, Michael J. Walsh, Rachel Swirsky, David D. Levine, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Read MidAmeriCon II Publications Free

Midamericon II guests of honorMidAmeriCon II, the 2016 Worldcon, is posting its Progress Reports and other publications as free reads online.

Currently available:

  • The Possum Trot Le Zombie-Picayune, also known as Progress Report Zed, announcing the GoH’s and cost of membership (4 pages)
  • The 1941 Retro Hugos briefly introduces the award concept (2 pages)
  • MidAmeriCon II Fan Fair Parties is a FAQ explaining the plan to run parties in a designated space of the Exhibit Hall rather than in the con hotels, comparable to how parties were handled at Loncon 3 (4 pages).
  • MidAmeriCon II Progress Report 1 (Retro Side), a lookback at the Kansas City Worldcon of 1976, with photo pages, and humor articles by Bill “The Galactic” Fesselmeyer (“How the Grinch Stole Worldcon”) and Wilson “Bob” Tucker (“A Proposed Constitution for World Science Fiction Conventions”).  (18 pages)

Here’s an excerpt of the Tucker parody:

Article Two: The general purpose of a world convention shall be to gather together in one place, or two hotels and a municipal auditorium if that is not possible, all those rugged individualists who do not read science fiction but who pay lip service to it: by publishing illegible fan journals, composing pseudo-science stories, collecting garish cover art and lesser illustrations, trading comic books, selling back- issues and scarce books at astronomical prices, stealing artifacts they cannot afford, praising shoddy anti-science films, encouraging infantile television programs, criticizing unread novels, toadying to ego-swollen authors, and by exhibiting themselves in public places as slave girls, belly dancers, bugeyed monsters, mutants, off-worlders, belligerent apes, pointy-eared aliens, rocket jockeys, mythical magicians, errant knights, slans, mad scientists, faery queens, and Ming the Merciless.

  • MidAmeriCon II Progress Report 1 (Current Side) contains actual reports of progress – a committee list, Message From the Chairs, a Code of Conduct, miscellaneous reports, a GoH feature about Michael Swanwick, and Jeff Orth’s article about Kansas City barbecue. (22 pages)

Pixel Scroll 11/23 Mister Scrollman, Bring Me A Screed

(1) Syfy offers a free viewing of the first episode of The Expanse  — Episode 1: Dulcinea. (Also available on the Syfy Now App, Hulu, Amazon, Google Play, Vudu, iTunes, Playstation, Xbox, and Facebook.)

(2) Variety says additional episodes have been ordered for Rachel Bloom’s series and CW’s iZombie.

Freshman comedy “Crazy Ex-Girlfriend” has landed five more episodes, bringing its first season total to 18, while “iZombie” has received an additional six-episode order, giving the second season a total of 19.

Audience for the Bloom series is growing slowly.

While the positively-reviewed “Crazy Ex-Girlfriend” hasn’t gained much ratings traction, it has posted its best numbers to date in recent weeks. Paired with sophomore critical breakout “Jane the Virgin,” the six episodes averaged a 0.34 rating in 18-49 and about 1 million total viewers in Nielsen’s “live plus-3” estimates.

(3) Misty Massey tells about a live slushpile reading in “Getting What You Ask For” at Magical Words.

Many, many times I hear writers complain how much they hate getting form rejections from editors, because such things do nothing to help them understand why the editor didn’t want to buy their story. Editors don’t understand, they cry, that writers can’t fix stories if they aren’t told what went wrong in the first place. Some writers say editors are lazy, others think they’re cruel. For whatever reason, it’s always the editor’s fault.

A couple of years ago, David Coe approached Faith Hunter and me to present a panel called Live Action Slush. (For those who don’t know, the writers submit the first pages of their novels anonymously. A designated reader reads each page aloud, and the three of us listen as if we were slush editors, raising our hands when we reach a place that would cause us to stop reading and move on to the next submission.  Once all three hands are up, the reading stops and we discuss what made us stop reading.) David had done such a panel at another con, to great acclaim, and wanted to bring it to ConCarolinas. We had two sessions, both standing room only. As far as we could tell, anyway. We were asked to present it at Congregate later that same summer, and since then we’ve offered it in various incarnations at any cons we attended.

Most of the time, the writers seemed happy to hear our suggestions, although once in a while we would run into a writer who just couldn’t handle the idea that their story wasn’t already perfect.  You see, the point of Live Action Slush is to give the writers exactly what they’ve been complaining they never receive – a specific, clear reason for the turndown. Sometimes the problem is that nothing is happening by the time we reach the end of the first page. Sometimes the writer spends the entire first page describing the characters without giving the reader the slightest idea what the book’s about. Characters might be hideous stereotypes, or flat and wooden.  There are tons of reasons, most of which are easily repaired once the writer knows what has happened. But there are some writers who really aren’t ready to hear what needs fixing. They’ve come to the workshop fully expecting that the panelists will declare their first page to be utter brilliance. Those are the writers who storm out of the room, instead of staying to listen to the critique of other writers under the same scrutiny. They go into the hallway and tell their friends how mean we were, how we don’t really know anything. Most important, they don’t make any changes.

(4) In an Absolute Write forum, Alessandra Kelley gives the context for a wisecrack James Frenkel made on a Windycon panel and asks “Is what I witnessed abusive behavior?”

There are a number of important questions that urgently need discussing if we are to have any sort of careful, agreeable, professional and accepting environment for our conventions.

Many people make thoughtless remarks or cruel witticisms or little jokes. Should people be more mindful of them?

Is it right to treat a category of people as inherently funny or insulting?

How much tolerance should there be for little jokes? At what point does laughing them away become aiding and abetting the marginalization of a segment of the community?

Should a person with a known history of abusive behavior be held to a higher standard than others? What about a person in a position of authority?

Should we not speak up when we see such behavior?

(5) Lucy Huntzinger reports that the Down Under Fan Fund will be receiving a $2,000 donation from Sasquan, the 2015 Worldcon. The DUFF co-administrator said, “Thank you for supporting face to face encounters between international fandoms!”

(6) Today In History

The first of a four-part pilot episode of the series aired on the BBC on this day in 1963. Titled “An Unearthly Child”, the story introduced the Doctor, the Tardis, and many other things that would become hallmarks of the program.

(7) Today’s Birthday Boys

  • Born November 23, 1887 — Boris Karloff, birthname William Henry Pratt, in Camberwell, London, England.
  • Born November 23, 1914 – Wilson “Bob” Tucker

(8) Early suggestions coming in for the 2016 Worldcon program…

(9) The Kickstarter for The Dark North – Volume 1, a premium coffee table art book with new stories from Scandinavia’s best illustrators and concept artists, is just fully financed, but it’s still possible to contribute.

Artist: Lukas Thelin

Artist: Lukas Thelin

(10) “Being a Better Writer: Names”  by Max Florschutz at Unusual Things has four good ideas for dealing with a fundamental sf writing challenge.

So, naming things. This is, as you might guess, a requested topic. And to be honest, I think it’s one worth talking about.

See, naming things can actually be pretty tricky. When creating a world from scratch, or even just a redesigned/repurposed version of our own world, often one of the first things a lot of young writers do is assign their characters, places, and things very interesting names. It’s kind of a trope by this point, but if I had to guess my prediction would be that to the new writer, the goal is to excitedly show you how fantastical their world is. So they don’t have people with names like Joe or Samantha. They have people with names like Krul’Qa’pin or something like that.  And they live in the city of Byulnqualalaltipo! Aren’t those fantastic?

Well, in sense, sure. They’re also completely unpronounceable, for a start. And that is just the start.

See, there are a host of problems with names like this. The first being that they’re difficult for the reader to read, pronounce, and parse. They’re these very out there, fantastical names that are hard to make sense of, and the more of them a writer puts into his story, the harder it will be not only for the reader to keep interest, but to keep everything straight. Especially if the writer has gone and made a number of the names similar through conventions such as “I’ll stick apostrophe’s here and here and that’ll make a name.” And while it certainly might create names that look impressive, the truth is that a lot of “name creation techniques” that novice writers go for tend to create a whole host of problems like what we just discussed.

Okay, so this is writing that, if not bad, is certainly not good, clearly. But in order to avoid this trap, it’s worth understanding why it’s a trap in the first place. Why are writers doing this? What makes creating a multi-syllable name that defies typical English attractive?

(11) A dress worn by Judy Garland in The Wizard of Oz, (which did not win the brackets, darn it) sold at auction for $1.56 million today.

The blue and white gingham dress, one of 10 thought to have been made for Garland in her role as Dorothy in the movie, was among the top items in the Bonham’s and Turner Classic Movies Hollywood memorabilia auction….

A year ago, the Cowardly Lion costume worn by actor Bert Lahr in the movie sold for almost $3.1 million at a Bonham’s auction.

(12) National Geographic reveals “An 80-Year-Old Prank Revealed, Hiding in the Periodic Table!”

You wouldn’t know it, because it’s hiding down there at the bottom of the periodic table of elements, but it’s a prank—something a five-year-old might do—and the guy who did it was one of the greatest chemists in America. It’s pure silliness, staring right at you, right where I’ve drawn my circle, at element 94.

(13) At Motherboard, “For the First Time Ever, Astronomers Have Observed the Birth of a Planet”:

The new research, published this week in Nature, provides hard evidence of a developing gas giant orbiting a young Sunlike star called LkCa 15, located 450 light years away in the constellation Taurus. What’s more, it appears as if at least two other giant bébés are also forming around the star, though only one was directly detected.

“No one has successfully and unambiguously detected a forming planet before,” said astronomer Kate Follette, a co-author on the study, in a statement. “There have always been alternate explanations, but in this case we’ve taken a direct picture, and it’s hard to dispute that.”

(14) Click at your own risk! From ScienceFiction.com “Thanks To A Leaked Children’s Book We Have Some HUGE ‘Star Wars: The Force Awakens’ Spoilers!”

(15) “Steven Moffat Reveals the Nightmare Doctor Who 50th Anniversary Special We Could Have Had” on io9.

But while those meetings went on, more and more actors publicly denied that they would be a part of the special, prompting growing discontent from Doctor Who fans—who didn’t realize that behind-the-scenes problems with the script, and a ticking clock, meant that Moffat very nearly had to scrape together a story with whatever actors he could find. Case in point? In one form or another, there was a story outline for “The Day of the Doctor” that featured no Doctors at all… only Jenna Coleman as Clara.

(16) A project known as “Justice League Dark” is inching closer to a greenlight. Joblo lists the front-running candidates to direct:

Things are heating up for DARK UNIVERSE, as casting rumors have been swirling around the past week and now we have word on who the studio is eyeing to direct the supernatural superhero tale. We’re told that BIG BAD WOLVES directing duo Aharon Keshales and Navot Papushado, as well as EVIL DEAD remake director Fede Alvarez are the top contenders to take the gig right now. Both sets of filmmakers have a strong grasp of the dark and macabre genre and would easily fill the shoes of Guillermo Del Toro, who left the film after turning in his screenplay and toiling with the studio over casting and scheduling. However, Del Toro’s script is said to be excellent and one of the main reasons that the studio is pushing to get JLD underway with a shooting start in early 2016.

Yahoo! says Dark Universe is expected to put the spotlight on some of the lesser-known heroes and villains of the DC Comics universe whose adventures typically involve magic or supernatural elements of some sort.

Among the characters rumored to have a role in the film are occult detective John Constantine, who was featured in a short-lived television series of his own recently, and Swamp Thing, a multimedia sensation who was the subject of two live-action movies, a live-action television series, and an animated series to go along with his long-running comic book series and other projects. The film will also reportedly feature the villain Anton Arcane, the antihero demon Etrigan, and the sorceress Zatanna, as well as Madame Xanadu and the body-swapping spirit Deadman.

(17) Ice Age 5 short: Scrat In Space!

[Thanks to Hampus Eckerman, Will R., JJ, John King Tarpinian, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]

A Century of Tucker

Bob Tucker in 1949.

Bob Tucker in 1949.

On November 23, 1914 newspapers filled their pages with coverage of World War I, neglecting the day’s real headline-maker, the birth of Arthur Wilson “Bob” Tucker – Arthur? – one of science fiction’s most influential personalities.

“Hugo Gernsback has often been called the Father of Science Fiction,” Robert Bloch wrote In the 1976 Worldcon Program Book, “but I wouldn’t count Tucker out until I see a paternity test.”

Tucker sold 20 novels in his career, writing as Wilson Tucker, while Bob Tucker published a million words of fanwriting, coined famous fannish phrases and pulled some legendary shenanigans.

Bob founded the Society for the Prevention of Wire Staples in Scientifiction Magazines, which started fandom’s staple war, and a led to a hoax that he had died. (There were more of those; Art Rapp in Spacewarp published a calendar with September 8-15 as Tucker Death Hoax Week.) He proposed the Tucker Hotel, designed to move from one con to the next. “Save your roller skates,” he wrote. People started mailing him bricks.

His first fanzine was The Planetoid (1932); the most celebrated, Le Zombie; first appearance of his pseudonym Hoy Ping Pong, The Fantasy Fan (1933). Quite a few of Tucker’s fanzines can be accessed online. For example, 46 of the 67 paper issues of Le Zombie, and the five issues of e-Zombie are at the Midamericon site.

At the same time he was publishing those fanzines, he was writing stories – and collecting rejection slips. He finally broke through with “Interstellar Way-Station,” purchased by Frederik Pohl for Super Science Stories and published in May 1941.

However, his first published novel was a mystery, The Chinese Doll (1946). He later said “Tony Boucher paid me the highest compliment of my writing career; he wished he had written it.”

His first science fiction novel was City in the Sea. He published over 60 short stories and novels. The Lincoln Hunters was the first Tucker novel I read and remains my favorite. The Hugo-nominated Year of the Quiet Sun (1970) is his best-known work. (It lost to Ringworld.) He also sold one story that has yet to be published — “Dick and Jane go to Mars” – to Last Dangerous Visions.

Among Tucker’s legion of friends, two were constantly linked to his antics. Robert Bloch and Tucker regularly played off each other in humorous fanzine pieces. And Tucker and Rusty Hevelin were great friends who did their act at conventions. Tucker enjoyed introducing Rusty as his “Dad”, winking at the fact he’d been born in 1914 and Hevelin in 1922. Tucker would also say, “Some people wonder out loud why dad’s surname is not the same as mine. It’s a simple answer. He didn’t marry my mother.”

And the night Tucker was a victim of the events which produced the catchphrase “Dave Kyle says you can’t sit here,” missing Al Capp’s speech in the process, Hevelin was the one who kept Tucker from stalking out of the 1956 Worldcon.

Lee Hoffman, Bob Tucker, with Lee Jacobs at rear, at NYCon 3, the 1967 Worldcon. Photo by and © Andrew Porter

Lee Hoffman, Bob Tucker, with Lee Jacobs at rear, at NYCon 3, the 1967 Worldcon. Photo by and © Andrew Porter

Tucker’s father was a circus man, with Ringling Bros. and with Barnum & Bailey. However, Bob lived in an orphanage from the age of 11 to 16, then ran away and rode boxcars for a few weeks til police picked him up and sent him back to his father in Bloomington, Illinois.

Bob made his living as a motion-picture projectionist and a stage electrician. Visiting Los Angeles for the 1946 World Science Fiction Convention, he dropped by the union hall to ask if there was work, and spent six months at 20th Century Fox.

He served as President of Local 193 of the International Alliance of Theatrical Stage Employes (IATSE), and retired as a projectionist in 1972.

Bob met Fern Brooks while working at the Castle Theater. She was 19 and worked for State Farm during the day and cashiered at the Castle in the evening. He filled in two weeks for each of the four projectionists, so he worked eight weeks at the Castle that summer. They were married in 1953. Both passed away in 2006, Bob a few months after Fern.

Tucker is responsible for two additions to the science fiction lexicon. He coined the term “space opera” in a 1941 issue of Le Zombie:

Westerns are called ‘horse operas,’ the morning house wife tear-jerkers are called ‘soap operas.’ For the hacky, grinding, outworn space-ship yarn, or world-saving for that  matter, we offer ‘space opera.’

Then, his sly habit of sneaking friends’ names into his sf stories gave rise to the term “Tuckerization,” the practice of giving a real person’s name to a character, place or artifact in a story.

He was also synonymous with a room party drinking tradition. The comedian Red Skelton, in a mock television advertisement, promoted a fictitious brand of gin. He said it was smooth. Tucker drank Jim Beam bourbon. That was smooth. He got rooms full of fans passing the Beam and paying it homage. On his way to Melbourne for the 1975 Worldcon he got a whole airplane going “Smooooth.”

Mike Glicksohn claimed to have goosed Tucker when Bob hesitated to get on the plane to Australia. Later, the reluctant passenger learned to love flying.

“Those of us that had known Bob for any length of time knew the story of how Bob had to be ‘convinced’ to board the airliner to travel to Australia for the World Science Fiction Convention,” recalls Roger Tener. “After that experience Bob took to the air like a natural.  My very first passenger after getting my pilot’s license was Bob Tucker. We went flying one December night over the Wichita. My only problem was that Bob kept trying to roll the window down so he could bang his hand on the side of the airplane and whistle at the girls. This was a little tough because the window didn’t roll down and we were several thousand feet off the ground.”

Tucker, a presenter at the 1982 Hugos, also was goosed by emcee Marta Randall when he left the stage, perhaps the funniest moment of the night. They would return for the 1991 Hugos: when Tucker finished presenting and started to leave the stage he covered his butt with both hands. Marta came over, gave him a big hug, and winked to the audience, “Now I know why he was kicked out of the Garden of Eden.”

Jack Speer and Bob Tucker at Ditto 14 in 2001. Photo by Keith Stokes.

Jack Speer and Bob Tucker at Ditto 14 in 2001. Photo by Keith Stokes.

Fans loved Tucker’s bawdy wit and friendliness and made him the toastmaster of countless local and regional conventions. His writing, both fan and pro, won him many awards and accolades.

He won the Best Fan Writer Hugo in 1970, and won two Retro Hugos, in 2004 as Best Fan Writer of 1953, and in 2001 as editor of the Best Fanzine of 1951, Science Fiction Newsletter. He was Fan Guest of Honor at the 1948 and 1967 Worldcons. He was given the Big Heart Award in 1962.

In 1996, Wilson Tucker was the second person honored by the Science Fiction and Fantasy Writers of America as Author Emeritus. In 2003 he was inducted into the Science Fiction Hall of Fame.

So today we mark the hundredth anniversary of Tucker’s arrival on Earth, a place so many sf stories dream of leaving for high adventures. More than most, he made it fun to share that dream.

[Acknowledgment and thanks to John Hertz and Keith Stokes whose articles about Tucker for File 770 provided information and insight for this post.]

Tuckerization Inflation

Tuckerization — using a person’s real name in a science fiction story as an in-joke – is derived from Wilson Tucker, the author who made the practice famous among fans.

While he originally did it without charge – indeed, usually without the advance knowledge of the victim — in recent years quite a few sf/fantasy authors have been raising money for charities by auctioning off the privilege of being Tuckerized in a story.

And Andrew Porter says the cost of getting Tuckerized is going through the roof. “I paid about $100 to get my name into Robert Sawyer’s novel Mindscan  in a fan fund auction in 2002 or so; someone paid $800, I think, for the right in a Neil Gaiman auction at the 2009 Montreal Worldcon; and  now, $20,000 gets you into a George R.R. Martin book.” Two people have donated that amount to give their names to characters who will be killed horribly in Winds of Winter.

Time Magazine thought that so newsworthy it tracked down and interviewed one of the donors. David Goldblatt, who works for Facebook, says he has chosen to appear in the book as a Valryian, a race known for its purple eyes and platinum white hair.

The second winning bidder, a woman, has elected to remain anonymous. Or at least as anonymous as you can be once you’re a character in what undoubtedly will be a #1 bestseller.

Tucker Stories Sought

Lee Hoffman, Bob Tucker, with Lee Jacobs at rear, at NYCon 3, the 1967 Worldcon. Photo by and © Andrew Porter

Lee Hoffman, Bob Tucker, with Lee Jacobs at rear, at NYCon 3, the 1967 Worldcon. Photo by and © Andrew Porter

Toni Weisskopf is assembling the raw material for a formal biography of Wilson “Bob” Tucker —

Back in the ’80s I trailed Bob Tucker around from convention to convention with a tape recorder, with an eye to getting his stories down and eventually turning them into a full-length biography. I knew then that I didn’t have the writing chops or life experience to do justice to his story, but still wanted to make sure I had the raw materials.

Time has passed. And I think it’s time this part of fannish history gets recorded before it’s lost. So, in my copious spare time, I’m going to start on the thing for real. And I’d like anyone who has Tucker stories to send them to me.

You can e-mail them to toni (at) baen (dot) com.

[Thanks to Andrew Porter for the story.]

Bob Tucker Rides Again

The imminent release of Prometheus prompted Lev Grossman to write about “space opera” for the June 11 issue of Time Magazine (Into The Void, subscription required).

And Grossman remembered to pay homage to fan who coined the term, Bob Tucker —

But the term space opera was originally meant as an insult. It was coined in 1941 by Arthur Wilson “Bob” Tucker, a novelist and influential science-fiction fan who wrote in his fanzine Le Zombie, “Westerns are called ‘horse operas,’ the morning house wife tear-jerkers are called ‘soap operas.’ For the hacky, grinding, outworn space-ship yarn, or world-saving for that  matter, we offer ‘space opera.’”

[Thanks to Chronicles of the Dawn Patrol for the story.]

Sound and Fury Signifying Trivia

Today’s trivia question: Every winner of the Best Fan Writer Hugo has made at least one professional sale, but two winners have never sold a science fiction story. Can you name them?

The winners since the creation of the category in 1967 are: Terry Carr, Richard E. Geis, Mike Glyer, Dave Langford, Cheryl Morgan, Alexei Panshin, John Scalzi, Bob Shaw, Wilson Tucker, Harry Warner Jr., Ted White and Susan Wood.

Most of the names are easy to rule out because their record in the sf field is so well known.

Wilson Tucker won the 1970 Best Fan Writer Hugo, then had Year of the Quiet Sun nominated as Best Novel in 1971.

Scalzi’s novel Old Man’s War and its sequels have received Hugo nominations.

Dave Langford’s “Different Kinds of Darkness” won Best Short Story in 2001.

Bob Shaw’s classic short story “Light of Other Days” received a Hugo nomination in 1967. He didn’t get around to winning the Best Fan Writer Hugo until 1979 (and again in 1980.)

Ted White’s first novel was written in collaboration with another Best Fan Writer winner, Terry Carr. Invasion from 2500 (1964) was published under the pseudonym Norman Edwards. Ted went on to write lots of other novels under his own name.

Terry Carr, in the middle of a run of seven other nominations for his fan writing and fanzines (Fanac, Lighthouse) had a short story nominated for the Hugo in 1969, “The Dance of the Changer and the Three.” The year Terry finally won the Best Fan Writer Hugo, 1973, he was also nominated for Best Professional Editor (in the category’s debut), and it was as an editor he won his last two Hugos (1985, 1987).

Alexei Panshin won the first Best Fan Writer Hugo in 1967. He declined his nomination in 1968, hoping to set an example for future winners. He also had great success as a pro. His novel Rite of Passage received a Hugo nomination in 1969 and won the Nebula.

Harry Warner Jr. had 11 short stories published in the mid-1950s (and grumbled when that was discovered by his neighbors in Hagerstown — see the link below in comments).

Richard E. Geis has sold any number of erotic sf novels.

I trail this parade at a respectful distance, with one pro sale that appeared in Mike Resnick’s Alternate Worldcons.

That leaves two winning fanwriters to account for: Cheryl Morgan and Susan Wood. Cheryl has made nonfiction sales, but the Locus index lists no fiction. Susan Wood published scholarly work about the sf field, but no stories. So Morgan and Wood are the answer. (Subject to correction, as always…)

Update 10/12/2009: Of course Harry Warner sold short stories — text corrected. Thanks to Patrick Nielsen Hayden for the assist. Update 10/13/2009: And to Dave Langford for catching mistakes about Shaw’s story I have been helplessly repeating since, oh, 1967, although they ought to be avoidable  — I can always remember the exact year “Neutron Star” won its Hugo. 10/18/2009: Alexei Panshin’s comment gives the real reason he turned down his Best Fan Writer nomination in 1968.

Fanwriting Before the Internet

The other day I wrote how happy I was to find a collection of John Bangsund’s fanwriting, and moaned over the superb fan writers who thrived in the age of the mimeograph that have none of their articles online.

I’ve realized since then I oversold the tragic fate of these great fans of the past. They didn’t write blogs, and for the most part their material is unavailable in searchable HTML form, so their work has a low profile. However, a lot of fanzines have been scanned in and posted online. All that needs to be done is to give people a reason to want to read them. The PDF versions may lack the scent and feel of disintegrating Twiltone paper, but is that a bad thing?

Quite a few of Wilson “Bob” Tucker’s fanzines can be accessed. For example, 46 of the 67 paper issues of Le Zombie, and the five issues of e-Zombie are at the Midamericon site. And there are even more on FANAC.org.

The FANAC.org Classic Fanzines site has many zines by top fanwriters of the past. The Walt Willis, Chuck Harris, et al, issues of the immortal Hyphen are there, as well as Lee Hoffman’s Quandry, and Terry Carr and Ron Ellik’s BNF of IZ.

Also, an entire area within the site is devoted to The Enchanted Duplicator by Walt Willis and Bob Shaw. The introductory page includes Willis’ revelation that the portions specifically written by Bob Shaw are most of Chapters 5 and 6, part of Chapter 7, and the first paragraph of Chapter 17.

Update 8/1/2008: Removed Bangsund ASFR link, which only leads to a list of issues.