Pixel Scroll 11/24/17 It’s Only 37 Pixel Scrolls To Christmas

(1) NYT NOTABLES. Here are some of the New York Times’ picks for the “100 Notable Books of 2017”.

THE BOOK OF JOAN. By Lidia Yuknavitch. (Harper/HarperCollins, $26.99.) In this brilliant novel, Earth, circa 2049, has been devastated by global warming and war.

THE CHANGELING. By Victor LaValle. (Spiegel & Grau, $28.) LaValle’s novel, about Apollo Kagwa, a used-book dealer, blends social criticism with horror, while remaining steadfastly literary.

THE ESSEX SERPENT. By Sarah Perry. (Custom House/Morrow, $26.99.) This novel’s densely woven plot involves an independent-minded widow and the possible haunting presence of a giant serpent.

LINCOLN IN THE BARDO. By George Saunders. (Random House, $28.) In this Man Booker Prize-winning first novel by a master of the short story, Abraham Lincoln visits the grave of his son Willie in 1862, and is surrounded by ghosts in purgatory.

THE POWER. By Naomi Alderman. (Little, Brown, $26.) In this fierce and unsettling novel, the ability to generate a dangerous electrical force from their bodies lets women take control, resulting in a vast, systemic upheaval of gender dynamics across the globe.

THE STONE SKY: The Broken Earth: Book Three. By N.K. Jemisin. (Orbit, paper, $16.99.) Jemisin won a Hugo Award for each of the first two novels in her Broken Earth trilogy. In the extraordinary conclusion, a mother and daughter do geologic battle for the fate of the earth.

(2) BLACK FRIDAY BONUS. Scott Edelman says, “This completely unpredicted, absolutely unanticipated, and totally unexpected new episode—with horror writers Brian Keene, Lesley Conner, Mary SanGiovanni, Damien Angelica Walters, J.P. Sloan, and Eric Hendrixson—is one I had no idea I was going to record until I was about to record it.”

Listen in to Eating the Fantastic where “Six horror writers reveal publishing realities (and more)”:

(L-R) Brian Keene, Mary SanGiovanni, Damien Angelica Walters, Lesley Conner, J.P. Sloane, Scott Edelman.

But luckily, since the group had planned to grab a bite to eat after their  panel before they hit the road, we did get to chat while breaking bread together. I was able to sit with them at a large round table in the Frederick Community College cafeteria, and as we inhaled salads and stromboli, I pushed them to share some of the brutal truths of horror publishing, the ones they didn’t reveal on the panel for fear of crushing the hopes and dreams of young, innocent, beginning writers. Which I hope you’ll feel is a good enough excuse to justify sharing the panel itself as part of the episode before that meal.

Scott adds, “The previously announced next episode with comics legend Marv Wolfman will still be uploaded December 1 as planned. I guess this one is a Black Friday bonus! Hope you had a good turkey day!”

(3) WHAT TO DO WITH LEFTOVERS. Did you finish your novel? Pam Uphoff tells you how to spend the rest of the month in “No Mo NaNo”, a rerun at Mad Genius Club.

Welcome to the last week of NaNoWriMo, where we all despair! Let me throw out some ideas that might help you get going again.

Finished? Ha! Go back a make a searchable mark (I use ///) everyplace where you told us about something instead of showing us, instead of pulling us into the situation.

Then go back to the start and search those out. Rewrite them. Use lots of dialog. Don’t be stiff and terse. Have some fun. Have your hero call something pink. Have your heroine disagree. “Don’t be silly! It’s obviously a soft dusty salmon.” “It’s a fish?” Or flip the genders on it. He’s an artist, he sees these colors. Make the reader laugh. Or cry. Or get mad.

(4) HOW INFLUENCERS PROFIT. The Guardian follows the money: “George Takei saga sheds light on the murky world of pay-to-promote news”.

News that several online media companies including Mic, Slate and Refinery29 have severed commercial ties with Star Trek actor George Takei following allegations of sexual assault has shone a light on the little-understood practice of online news sites paying celebrities to post links to their content.

Millennial-focused website Mic reported that it and five other media sites had “ended paid promotion partnerships that once had their articles and videos shared on Takei’s social media platforms” in the wake of an accusation that Takei sexually assaulted a young actor in 1981. Takei denies the claim.

Slate, Refinery29, viral site Upworthy, media brand Good and Futurism all confirmed to Mic that they had cut Takei out of their “social media influencer” networks of paid celebrities and other high-profile social media users who often have millions of followers.

…Top influencers can make $75,000 for a product post on Instagram and a staggering $185,000-plus for a plug on YouTube, according to a report in the New York Times.

(5) TODAY’S BIRTHDAY BOY

  • November 24, 1916 – Forrest J Ackerman

(6) KEEP THOSE TURKEYS COMING. A.V. Club wields the drumstick: “Netflix celebrates Turkey Day by renewing Mystery Science Theater 3000”.

For MSTies, Thanksgiving is about Mitchell and Manos: The Hands Of Fate as much as it is about turkey and cranberry sauce. Yes, the traditional Mystery Science Theater 3000 Turkey Day marathon just wrapped up its 11th edition on Shout Factory TV, and with it comes an exciting bit of news: MST3K: The Return has been renewed for a second season on Netflix! (That’s the 12th season overall, for those of you who are keeping count—which is presumably everyone reading MST3K news late at night on Thanksgiving.)

(7) OKAY. Tor.com’s Molly Templeton insists “You’ll Never Sink My Love of Battleship”.

But few movies are as simultaneously wonderful and dumb as Battleship, which is, in a very slight big dumb action movie way, a little bit subversive. Yes, it has a very pretty, hardheaded, relatively attractively frowny white guy as its lead, but it introduces him via a misguided quest for a chicken burrito and then spends the rest of the movie illustrating the many ways in which we are all doomed if he cannot take a breath and listen to other people. And fast. Battleship is two hours of exploding boats and alien frog-ship-things and some solid infrastructure damage for good measure, but it’s also two hours of international cooperation and heroics—from people who are not often the big damn heroes.

(8) EVOLUTION OF CLICKBAIT. Darwin would be proud: “Galapagos finches caught in act of becoming new species”.

This new finch population is sufficiently different in form and habits to the native birds, as to be marked out as a new species, and individuals from the different populations don’t interbreed.

Prof Butlin told the BBC that people working on speciation credit the Grant professors with altering our understanding of rapid evolutionary change in the field.

In the past, it was thought that two different species must be unable to produce fertile offspring in order to be defined as such. But in more recent years, it has been established that many birds and other animals that we consider to be unique species are in fact able to interbreed with others to produce fertile young.

“We tend not to argue about what defines a species anymore, because that doesn’t get you anywhere,” said Prof Butlin. What he says is more interesting is understanding the role that hybridisation can have in the process of creating new species, which is why this observation of Galapagos finches is so important.

(9) HEROIC UNCHASTITY. John C. Wright deconstructs Glory Road in “Fooled by Heinlein for Fourty Years”.

What if Oscar the hero had fathered a child during his one-night stand? Does a father have no moral obligations running to a child, to love, to cherish, to protect, to see to its upbringing? The mother of Moses sent her babe off in a basket down the river because the soldiers of Pharaoh were coming to kill it; but Oscar here apparently is sending his child down the river because he wishes to enjoy a momentary sexual pleasure with an unnamed woman, and because he does not wish to offend ugly customs of outlandish people.

I look at the perfect face of my own cherubic child, and I wonder, what kind of man would let his child be raised as a bastard by strangers? If the child is a daughter, will she be sent to whore around with other wondering heroes?

If the customs of the land had demanded our hero sacrifice a captive to Tezcatlipoca, would his bitchy girlfriend have brow-beaten him into doing that, too?

The bitchy girlfriend turns out to be an Empress, and she marries the hero. I must laugh. What kind of girl would marry a man (or even give him the time of day) after he has sported with harlots? How did Clytemnestra react when her husband lord Agamemnon come back from the wars, having slept with many a golden slave-girl from Illium? She killed him with an axe in the bath. Compare Heinlein with Aeschylus. Who do you think knows more about how women really act?

(10) COMICS SECTION.

(11) A WRITER’S CAREER PATH. This new theory tries to account for what we’ve been seeing.

(12) THERE WERE NEVER SUCH DEVOTED SISTERS. And this was news to me.

(13) WEIR INTERVIEW. I think I’ve had enough of Andy Weir for awhile, but maybe you haven’t: from Reason.com, The Martian‘s Andy Weir Talks Economics (and Sex) on the Moon in Artemis: Podcast”.

“One thing we’ve learned from The Phantom Menace is don’t start a story with a dissertation of economics,” says Andy Weir, author of The Martian. Last week he released a new novel, Artemis, about a settlement on the Moon. Where The Martian, which was turned into a blockbuster starring Matt Damon, is powered by plot-driving engineering mishaps and triumphs, Artemis gave Weir a chance to unleash his inner “economics dork.” The political economy of the moon is a fascinating part of the new book, featuring guilds, crony capitalism, reputation mechanisms, a non-state quasi-currency, sex tourism, smuggling, and more.

(14) THESE AREN’T THE DRUNKS I’M LOOKING FOR. The Washington Post’s Fritz Hahn, “A Stormtrooper checks your ID at this new Star Wars-themed pop-up bar”, describes the opening of The Dark Side Bar, a pop-up bar that has opened in Washington, Manhattan, and the Chinese Theatre in LA. The idea, says creator Zach Neil, is “that you’re in a bar inside the Death Star, or a bar where a Stormtrooper would go after work and complain about how mean the Emperor was that day.”  Entertainment includes trivia nights, “alien speed dating,” and burlesque with “sexy aliens.”  But don’t expect any Skywalker cocktails or t-shirts for sale because this bar is NOT authorized by Lucasfilm.

Once you’re in, the house cocktails are not the cocktails you are looking for. The Red Force and Blue Force are college-party sugar bombs — the latter is Hendricks Gin, blue curacao and a sugar rim — with glow-in-your-glass ice cubes. The Imperial sounds promising, with spiced rum, maple syrup, lemon and a dash of cayenne pepper, but it was as balanced as the Force at the end of “Revenge of the Sith.” You’re better off ordering a regular cocktail or a can of DC Brau.

(15) ERADICATOR OF ERROR. Wonder Woman drops some knowledge in Galsplaining with Gal Gadot.

[Thanks to John King Tarpinian, Chip Hitchcock, Carl Slaughter, Andrew Porter, Steve Davidson, Cat Eldridge, Bill, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Nigel.]

Pixel Scroll 11/15/17 Or All the Scrolls With Pixels

(1) TURNOVER AT TOLKIEN ESTATE. Christopher Tolkien, 92, resigned as a director of the Tolkien Estate Limited on August 31, 2017 according to records at Companies House in the UK.

Christopher Tolkien

Despite this having occurred over two months ago, the information seems to have become public only recently, and there is rampant speculation what the timing of resignation implies, given Amazon’s announcement this week of a new Lord of the Rings sourced TV production, and Christopher Tolkien’s negative statements about the Peter Jackson adaptations.

While I searched, unsuccessfully, to find who broke the story, via Michael Martinez’ blog I discovered Tolkien Brasil has a long and informative piece about the transition in the Estate’s leadership (in Portuguese – a Google Translate English rendering is at this link, offered with the usual caveats about accuracy.)

The Tolkien Society’s post on the topic clarified that Christopher Tolkien remains his late father’s literary executor.

(2) INDIGENOUS AND BLACK SF. Canada’s CBC Radio program The Current hosted a discussion of indigenous and black sf on November 14. A podcast of the segment is available.

Nov 14 | How Indigenous and black artists are using science fiction to imagine a better future As soon as you can dream about the future, you have hope as well instead of despair.”

Download Nov 14 | How Indigenous and black artists are using science fiction to imagine a better future [mp3 file: runs 00:28:13]

(3) BRETT RATNER OUT. Wonder Woman star Gal Gadot said she would not sign for the sequel if he was still involved: “Gal Gadot confirms Brett Ratner won’t be involved with Wonder Woman 2”The Verge has the story.

Two weeks after a Los Angeles Times report detailed multiple allegations of sexual misconduct and harassment against director and producer Brett Ratner, the filmmaker seems to have been officially cut from the DC cinematic universe. This morning on Good Morning America, Gal Gadot reiterated earlier reports that Ratner’s financing company RatPac-Dune Entertainment, which helped fund 2017’s Wonder Woman, would not be involved with the upcoming sequel.

The confirmation comes a few days after a Page Six report claimed that Gadot threatened to drop out of the sequel if Ratner or his company was involved in any way. On Good Morning America, she says she didn’t come close to leaving. “The truth is, there’s so many people involved in making this movie — it’s not just me — and they all echoed the same sentiments,” she said.

(4) VANDERMEER. Variety reports: “Netflix Nabs ‘Hummingbird Salamander’ From ‘Annihilation’ Author Jeff VanderMeer”.

Netflix is nearing a deal for rights to “Hummingbird Salamander” and plans to tap Sugar23 to produce the picture, Variety has learned.

The book is the latest from Jeff VanderMeer, the best-selling author of the “Southern Reach” trilogy and one of the foremost sci-fi writers working today.  The film will be produced by Michael Sugar and Ashley Zalta at Sugar 23.

… VanderMeer will also executive produce the project.

However, VanderMeer himself sounded uncertain in his Facebook comments about the Variety article

Hmmm. I wonder if this is true. It’d be kind of a dream team to be with Netflix with the Oscar-winning producer of Spotlight producing. It’d be even more incredible if the rumor that it’s a mega deal and I’ll be an executive producer and creative consultant on the film were true…

As you can imagine, for someone who sometimes writes about mushroom people, it’s surreal that every novel I’ve written or am under contract to write since Annihilation may have been optioned for the movies. If these rumors are true.

(5) WIZARD WORLD ON LIFE SUPPORT.  Although the company has 17 conventions planned for 2018, their money is running out: “WIZARD WORLD Warns Of ‘Substantial Doubt’ Of It Continuing Into 2019”.

Wizard World. Inc.’s Q3 2017 quarterly report has been released, with a notice that due to recent operations loss there is “substantial doubt” that the company can continue operating as it is now past November 2018.

“The Company had a loss from operations of $4,454,857 and $1,182,246 for the nine months ended September 30, 2017 and the year ended December 31, 2016, respectively. As of September 30, 2017, we had cash and working capital deficit (excluding the derivative liability) of $1,176,034 and $1,514,182, respectively,” the company stated. “We have evaluated the significance of these conditions in relation to our ability to meet our obligations and have concluded that, due to these conditions, there is substantial doubt about the Company’s ability to continue as a going concern through November 2018.”

(6) GOODREADS CHOICE. Matt Mitrovich analyzes an award contender in “Book Review: All Our Wrong Todays by Elan Mastai” at Amazing Stories.

I was informed that All Our Wrong Todays by Elan Mastain was nominated for the Goodreads Choice 2017 Best Science Fiction and Best Debut Author awards. Since I had a copy sitting in my to read pile since July, I figured now was as good a time as any to finally read it and see what all the fuss is about.

All Our Wrong Todays begins in an alternate timeline where a Lionel Goettreider invents his “Goettreider Engine” on July 11, 1965. This invention produces free energy and sparks the creation to the techo-utopia that 1950s sci-fi authors dreamed about. By 2016, all of those crazy predictions that never came true actually exist, like flying cars, jetpacks and space colonization. Anyone living in this post-scarcity world should be happy…but not Tom Barren.

(7) MONEY IS THE ROOT OF THIS EVIL. Dean E.S. Richard has seen the complaints and has issued “A (cranky) Casual Gamer’s Manifesto (Updated)” at Nerds of a Feather.

The new one has a campaign, and it looks pretty awesome, but we’re here for ground level troops dukeing it out on the best battlefields in the Star Wars galaxy.

At least, I thought that’s why were all here. Apparently, I was wrong. It’s all about getting the most powerful heroes and being able to wreck shop. If you pay attention to video games even a little bit (like, say, as little as i do), you’ve heard about this. It takes roughly 40 hours of gameplay (three years in Real Dean Time [RDT]) to unlock Luke or Vader. This I am fine with. Again, Battlefront is supposed to be about the troops, not the Jedi and Sith and whatnot.

The real problem comes in where the game has a micro transaction system wherein you can just buy credits outright, with your real monies, and thus unlock said heroes. All told, it costs about $800 to unlock all the heroes.

Eight. Hundred. Dollars.

In a sixty dollar game.

I have read comments such as: “that’s like making me work a second job that pays less than minimum wage!” which, no. It’s a game. No one is making you pay for heroes, players just want shortcuts. It’s the same mentality that ruined the Old Republic MMORPG – players were so concerned with getting to level whatever as soon as possible, they never, you know, played the game. For me, and others like me, tagging along with our dinky lightsabers and level 12 or what have you, it got boring in a hurry – which is too bad, because the game itself was a delight.

(8) PANEL TITLE. Jim C. Hines’ “Catching Up: That WindyCon Panel” excerpts the posts tracked here at File 770 and concludes with his own analysis:

Nobody was calling for WindyCon to be burnt at the stake. They were calling out a panel description which, intentional or not, came off as hurtful, insulting, and dismissive.

I’m glad it wasn’t intentional. I would have been much more pissed if this had been a deliberate thing. But we’ve got to stop thinking “I didn’t mean to hurt you” is some kind of magic eraser. “I told you I didn’t intentionally run over your goat. How dare you continue to be upset!”

While I understand the convention was this weekend and everyone was hellabusy, I wish WindyCon had posted their apology sooner. I wish Barkley hadn’t attacked people who were upset about the panel title/description.

I also feel like my tagging Barkley into the conversation on Twitter was one factor in this becoming a larger blow-up than it needed to be, and for that I apologize.

(9) PLANET STORIES. The Guardian says a “Potentially habitable world found just 11 light years away”. So if our TV news signals travel there at the speed of light, they still think it’s the middle of the Bush administration and that Trump is the executive producer of the Miss USA pageant?

A potentially habitable world, termed Ross 128 b, has been discovered just 11 light years away. It is roughly Earth-sized and orbits its parent star once every 9.9 days.

Astronomers calculate that its surface temperature could lie somewhere between –60° and 20°, making it temperate and possibly capable of supporting oceans, and life.

The world was found by a team of European and South American astronomers led by Xavier Bonfils (Institut de Planétologie et d’Astrophysique de Grenoble, France) who were using the European Southern Observatory’s world-leading planet-hunting instrument, HARPS. They reported the discovery in Astronomy and Astrophysics.

HARPS identifies planets by the way their gravity forces their parent stars to wobble. It shows that Ross 128 b is more massive than the Earth, with at least 1.35 times our planet’s bulk. So the planet would have a stronger pull of gravity at its surface.

(10) GALAXY QUEST. Writer/producer Paul Scheer doesn’t want his efforts to revive the fan favorite to be overlooked: “‘Galaxy Quest’: Paul Scheer Plans to Blend Original and New Casts For Amazon Series”.

Amazon first announced it was developing the 1999 film as an episodic series in 2015, but things escalated last August when Scheer came on board to work on the show. In a new interview with SlashFilm, he revealed that he’s not only turned in his first script for the series, but has some big ideas on how to honor the original film while also updating the premise for the modern age of television.

“It’s going to be so long before people get to see it, I don’t want people to get too burnt out on me telling you what it’s about before it gets to that point,” he said. “But for me, it was really important to do service to a ‘Galaxy Quest’ story that gives you everything that you want and indoctrinates people who have never seen ‘Galaxy Quest’ into what the fun of that world is […] and also to continue the story of our original characters and have consequences from the first film.”

…As Scheer told SlashFilm, it’s still very early days for “Galaxy Quest: The Series” (officially, according to the final moments of the film, “The Journey Continues”). But this fall, Amazon has been on the hunt for “its own ‘Game of Thrones,’” a need which was theoretically addressed by acquiring the rights to J.R.R. Tolkien’s “Lord of the Rings” universe. What if the platform’s actual breakthrough genre hit ends up being a very different adaptation?

(11) THE MARTIAN BOTANICALS. Would you like that with ranch? “Dubai Airshow: Why the UAE plans to grow lettuce on Mars”.

One thing you can’t accuse the United Arab Emirates of lacking is vision.

First they unveiled plans to launch a Mars probe. Then it was an ambition to colonise the Red Planet.

Now the UAE has a new aim – to grow palm trees and lettuce there.

The space sector is a huge feature of the Dubai Airshow, with exhibitions, conferences, and speakers that include former Nasa Apollo 15 astronaut, Al Worden.

But even before a UAE Mars probe leaves the ground in 2020 from Japan – UAE is working in partnership with Mitsubishi Heavy Industries – the Gulf state has now announced its space agriculture intentions.

“There are similarities between Mars and the desert,” says Rashid Al Zaadi, senior strategic planner at the UAE Space Agency. “The landscape of the UAE, the soil, are similar.”

(12) A LONG WAY FROM HECTO. Awhile ago the Scroll linked to a story about printing a prosthesis, with plastic; these guys are printing with cells: “The firm that can 3D print human body parts”.

Erik Gatenholm grins widely as he presses the start button on a 3D printer, instructing it to print a life-size human nose.

It sparks a frenzied 30-minute burst of energy from the printer, as its thin metal needle buzzes around a Petri dish, distributing light blue ink in a carefully programmed order.

The process looks something like a hi-tech sewing machine weaving an emblem onto a garment.

But soon the pattern begins to rise and swell, and a nose, constructed using a bio-ink containing real human cells, grows upwards from the glass, glowing brightly under an ultraviolet light.

This is 3D bioprinting, and it’s almost too obvious to point out that its potential reads like something from a science fiction novel.

(13) SHRINKING BOOK EXPO. Publishers Lunch says the floor plans for the next Book Expo betray that it is continuing to get smaller.

Book Expo has opened for registration for the 2018 show. The refreshed website lists Wednesday, May 30 as limited to the remainders pavilion, “premium B2B exhibitors,” and the rights center, with two days of regular floor exhibits on May 31 and June 1.

More dramatic for now is the revised floor map* for the shrinking trade show. Though still early, the map shows the smaller southern hall of Javits closed to exhibits, reserved for autographing, shipping and Book Con lines. Even that reduced “show floor” has what looks to be less floor exhibit space: Meeting rooms, lounges, and a stage move to occupying a big chunk of the back two-fifths of the hall.

(14) THAT’S CAT! Congratulations to Richard Paolinelli, winner of “The First Annual Timothy The Talking Cat Award for Excellence in the field of Excellence”. Award spokesbeing Camestros Felapton explains:

The book genuinely was a finalist for the Dragon Awards, so kudos to Richard. The claim for a Nebula nomination seems a bit thin but that’s what all the grumpy stuff was about. However, it doesn’t seem to be actually “award winning” as in the usual sense of “award winning” meaning “winning an award”. Now, plenty of really good books never win awards and what matters deep down is whether readers like your book but sometimes…well sometimes the world of SF can be tough and a bit validation can help a soul along.

So let’s make the claim TRUE. Tim and I got together and thought long and hard about this and we came up with a solution.

(15) THAT’S DOG! Suzy Byrne, in “Carrie Fisher’s beloved bulldog Gary is ‘doing great,’ says ‘Auntie Joely’ Fisher” on Yahoo! Lifestyle, says that Carrie Fisher’s goofy bulldog, Gary Fisher, has found a home with Corby McCown, the personal assistant to  Carrie Fisher’s sister Joely.

The dog has become even more popular since Carrie died. He recently surpassed 150,000 Instagram followers with help from posts including a touching tribute to Carrie on what would have been her 61st birthday last month. He followed up his San Diego Comic-Con appearance with another one at L.A. Comic Con a couple weeks ago. Last weekend, he was at Kansas City Comic Con. (A portion of the money the dog gets for appearances goes to charity.)

Yup, we’d say that Gary is doing great, too.

The dog has a Twitter account at Realgaryfisher.

(16) GROTESQUE JOKE. Not all of the Christmas season advertising has been heartwarming: “Greggs sorry after replacing baby Jesus with sausage roll in advent calendar promotion”.

Greggs has been forced to apologise for replacing the baby Jesus with a sausage roll in the launch of its advent calendar.

The bakers released a promotional image for its festive calendar that showed a sausage roll in a manger surrounded by the Three Wise Men.

But it was met with serious backlash online as offended fans accused the budget chain of religious insensitivity and vowed to boycott it.

Twitter users said that replacing Jesus, who was Jewish, with a pork product was “inappropriate”…

(17) ON JJ’S WISHLIST. JJ says, “Despite having a full collection of manual and power tools, I find myself itching to buy this.” ThinkGeek is offering the “Marvel Thor Hammer Tool Set”.

You must be worthy in order to wield Thor’s hammer, but Marvel never mentioned any restrictions on Thor’s screwdriver or his pliers. Wield them all with our Marvel Thor Hammer Tool Set! This 44-piece tool set, a ThinkGeek creation and exclusive, comes in a molded case that looks like Thor’s hammer, Mjolnir. Inside it has all your basic tool needs, including a hammer (duh), a tape measure, a level, a screwdriver, a wrench, a ratcheting wrench, and a utility knife you can conveniently use to open your next box from ThinkGeek. It’s perfect for someone worthy of their first place or a great extra set of everything to have around in case of emergencies (like having to replace your lock set because Loki got a copy of the key AGAIN). We predict it’s a gift your recipient will return to repeatedly and get a chuckle out of every time.

[Thanks to Cat Eldridge, Nigel, Chip Hitchcock, John King Tarpinian, JJ, Carl Slaughter, Martin Morse Wooster, StephenfromOttawa, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 11/14/17 The Rise And Fall Of Ziggy Scrollbar And The Pixels From Mars

(1) PRO TIP FROM SFWA. SFWA Director Kate Baker issued this word to the wise —

(2) WINDYCON APOLOGY. At Windycon.org, the Windycon 44 statement regarding the Tutti Frutti Literature panel title and description from convention chair Daniel Gunderson.

Now that the convention is over, we have had the opportunity to read through the many posts and comments on the subject. We have taken to heart the hurt and anger caused by the poor choice of wording used in the title and description of this panel.

We are very sorry we offended. While this was not our intention, it was the result, and for this we sincerely apologize.

We will be working to ensure this does not happen in the future. These are some specific steps we will take moving forward.

We will push back the programming timeline significantly. This will allow for more careful choice in wording for panel titles and descriptions. This will also allow more time for oversight and review of titles and descriptions.

We will work to keep titles and descriptions clear and unambiguous. Panel titles should be sufficiently clear that the entire intent of the programming item can be understood from the title alone. Descriptions will be used to provide additional information about the panel, but will not be relied on to supplement an insufficient title.

We will make sure to run titles and descriptions past a larger group of individuals who were not involved in the generation process. This will provide the opportunity to have outside individuals point out potentially problematic phrasing that programing may not have been aware of, or may have been blinded to by already understanding the original intent.

As of this posting, we have removed the programming item from our online programing list, so we do not continue to offend.

Again, we deeply apologize for any pain this may have caused.

(3) HELP NEEDED. Long-time LASFSian Mike Donahue has started a GoFundMe appeal — Help Mike Donahue keep his home. He gives the full explanation at the link. It begins:

I’m in imminent danger of a bank sale on my house, which is in foreclosure. No date has yet been set. I’ve been given a pay up date of Dec 5 2017. They can move before that, I don’t know. And they don’t tell you the info you need.   Or how long after that they force the sale on the house. I was in an auto accident in January, which greatly strained my cash resources….

(4) SUPERPEDESTRIAN. In the early Seventies, Margaret Atwood wrote Kanadian Kulchur Komics under a pseudonym. She tells what it was like in — “Margaret Atwood reflects on the significance of her This Magazine comic strip”.

Yes, it’s a blast from the past! Or if not a blast, maybe a small firecracker?

Whose past? My past, obviously: I was Bart Gerrard, one of my noms de plume—the name of a then-forgotten and probably now more-forgotten Canadian newspaper caricaturist of the turn of the century.

…The central joke of the Survivalwoman comics was this: in 1972 I’d published a book called Survival: A Thematic Guide to Canadian Literature, which had made waves of a sort, not all of them friendly. This book was an attempt to distinguish what people wrote in Canada from what they wrote in the United States and the United Kingdom, in riposte to what we were so often told: that there wasn’t any Canadian literature, or if there was, it was a pale echo of things written in large, cosmopolitan, important places. Survival against the odds—both natural and human—I took to be one of the leitmotifs of such Canadian writing as I could get my hands on then, in the dark ages before the Internet, print-on-demand, and Abe Books.

Pair that leitmotif with the fact that, in the world of comix, Canada did not have a superhero of its own—Nelvana of the Northern Lights and Johnny Canuck and their bros and sisses having vanished with the demise of the wartime “Canadian Whites” in approximately 1946. (King of the Royal Mounted did not count, being American. Anyway, King had no superhuman features, unlike the present-day Wolverine.)

So what more appropriate than Survivalwoman: a superheroine with no discernable powers, who had a cape but could not fly—hey, it was Kanada, always lesser—and came equipped with snowshoes? The visual design was based on me—curly hair, short—as was part of the personality—earnest and somewhat clueless.

(5) BE ON THE LOOKOUT. If any of you have good celebrity connections, David Brin could use a hand getting invitations out to people he’d like to have involved in his 20th anniversary screening of The Postman.

I’m putting out a call! If any of you know genius cinematographer Stephen F. Windon, or genius cinematic composer James Newton Howard, I’m hoping to invite them to a special, 20th anniversary screening of The Postman at UCSD’s Arthur C. Clarke Center for Human Imagination. Whatever its faults, the film is musically and visually one of the dozen or so most gorgeous films ever made. (With a small but growing cult following.)

I’d invite Kevin Costner – who certainly gets some credit for that beauty – and screenwriter Brian Helgeland too – (or any of the younger Costners in the film) because I think the flick had more heart that any other from that era. Alas, no method I’ve researched seems to penetrate the Hollywood protective barriers, not even for Mr. Windon. And Tom Petty is now beyond reach, alack.

(6) SPFBO FINALS. Mark Lawrence has set up a post to track the “Self-Published Fantasy Blog-Off Finals”. At this stage, the 10 finalists will be chosen based on the scores of participating blogger-reviewers. They are: Bookworm Blues, Fantasy-Faction, Fantasy Book Critic, Lynn’s Books, The Qwillery, Pornokitsch, Ventureadlaxre, Fantasy Book Review, Booknest, and Kitty G video reviews.

There’s not much to see there yet, but it will become more interesting as the results are filled in.

Filers will be interested to know there are links to a large number of book reviews at the post for the first phase of the Blog-Off, in which 200 of the 300 works under consideration were eliminated.

(7) FRESH HORROR. Brett J. Talley, whose name has appeared in this blog before as a Bram Stoker nominee, is up for a federal court appointment. The Daily Beast has the story: “Before He Was Tapped By Donald Trump, Controversial Judicial Nominee Brett J. Talley Investigated Paranormal Activity”. There’s more at the link about his interest in Lovecraft.

Brett J. Talley, nominated by President Donald Trump to the Federal District Court in Montgomery, Alabama, has never tried a case, is married to a White House lawyer, and has been dubbed as unqualified by the American Bar Association.

… But ghost chasing wasn’t a quirky side-hobby. Indeed, before he became the embodiment of the Trump administration’s efforts to pack the courts with young, conservative, sometimes dubiously-credentialed judges, Halley wrote books about paranormal activities that earned him numerous plaudits. And not just within the horror fiction scene. Stuart Stevens, Mitt Romney’s campaign manager in 2012, was a fan too.

“I find it hilarious that no one is writing about his horror writing. He has a cult following.” Stevens told The Daily Beast. “I have to say I wasn’t really aware he was a lawyer as my dealings with him were as a writer on campaign. He’s an interesting, smart guy. But so is Stephen King.”

(8) FIN DE CYCLE. James Davis Nicoll, in “Seasons Crying No Despair”, says it wasn’t easy, but David Axel Kurtz’ Northern Tier won him over.

Those reservations aside, I got drawn into Slip’s story, which is saying a lot when you consider how very much I dislike bicyclists as a group. Having been run over on numerous occasions by scofflaw bicyclists, I live for a future in which the use of bicycles is limited to the Marianas Trench, the Lunar farside, and the surface of the Sun, places I do not plan to visit any time soon. I am not the target market for thrilling tales of bicyclists and the increasingly vast armies who stalk them. Nevertheless, Slip won me over; she persisted.

(9) TODAY IN HISTORY

  • November 14, 1851 Moby Dick is published.
  • November 14, 1969 – Apollo 12 took off.

(10) TODAY’S BIRTHDAYS

  • Born November 14 – Cat Rambo
  • Born November 14 – Wolf Von Witting
  • Born November 14 — Moshe Feder
  • Born November 14 – Edd Vick
  • Born November 14 – Charles Mohapel

(11) FINAL FRONTIER. Fan-made Star Trek Continues released Part II of its last episode “To Boldly Go.” (Find Part I here.) Executive Producer Vic Mignogna (also the series’ “James T. Kirk”) told Facebook followers:

No vocabulary can express how much this production has meant to me. From the very beginning, all I knew was that I wanted to make one episode of Star Trek the way I remembered it. Would anyone like it? I didn’t know. Would I make another? I didn’t know. All I knew was that I wanted to pay tribute to Bill, Leonard, Gene and everyone who made the show that meant so much to me when I was a boy. I would use all the skills that TOS inspired me to try for the first time to make the best episode I could. I never imagined so many amazing people would do so much, and I’m deeply humbled by their involvement. I will be forever grateful to the cast, crew & volunteers who selflessly gave so much to make Star Trek Continues a reality. And to you, the viewers and fans, for your support and enthusiasm. With bittersweet joy, we present our final episode. Hopefully, it will be a long lasting tribute and historic ending to the most iconic television series in history.

 

(12) COMING SOON ON AMAZON. People are having a lot of fun with the idea of a new Lord of the Rings series on Amazon. This idea beats Dynasty and Dallas to pieces.

(13) PRE-RINGS CIRCUS. Nathaniel Ingraham tries to figure out what the Amazon series will be like in “Amazon’s ‘Lord of the Rings’ prequel will need to forge its own identity”. One of his ideas comes from a video game:

Of course, Amazon new series won’t be the first new narrative set in Middle-earth. The most recent example is the 2014 video game Middle-earth: Shadow of Mordor (and its newly-released sequel). The game drew players in by using the familiar setting of Mordor, a familiar timeframe (between the events of The Hobbit and The Lord of the Rings), iconic characters like Gollum and crucial elements like the Rings of Power. But it also starred entirely new characters, expanded Tolkien’s mythology and told an entirely new story.

It wasn’t perfect (that ending!), but Shadow of Mordor overall did an admirable job at taking a familiar setting and writing a new story around it. It’s the kind of product that could serve as a blueprint for how Amazon can create a new property that will hook loads of viewers while still paying service to longtime fans. Simply being able to reference The Lord of the Rings will be enough to bring in many viewers — millions have seen Jackson’s films and won’t care if the series is telling stories Tolkien himself didn’t dream up. Add in the fact that Game of Thrones will wrap up in 2018 or 2019 and it’s easy to imagine those viewers getting their fantasy methadone from Amazon’s new series.

Ultimately, the enduring popularity of Tolkien’s work is what Amazon is banking on here. Yes, there will absolutely be a cadre of fans who hate what Amazon produces, but that group will almost certainly be outnumbered by people enjoyed The Lord of the Rings at some point in their life and decide to give Amazon’s series a shot — if the show is good.

(14) MORDANT OF THE RINGS. Adam Whitehead engages in less serious – well, frankly hilarious – speculation about “Ideas for the new LORD OF THE RINGS TV series” at The Wertzone.

This Ent-focused conservation programme, voiced over by David Attenborough, will fuse almost-thrilling episodes where the Ents discuss a problem for hours on end with notes on the shameful deforestation of Fangorn Forest and destruction of the surrounding ecosystem.

(15) DARK VADER. Mark Hepworth sent this photo with his brew review: “I thought a beer item might enliven the scroll. I came across this in a local-ish pub and obviously had to try it. It was much more drinkable than I’d expected from a Sith Lord!”

(16) MARTIANS AND SIGOURNEY WEAVER. Mark Swed reviews “‘War of the Worlds’: Delirious opera rises from the death and destruction of L.A.” in the Los Angeles Times.

So here’s what you need to know about the heavily hyped “War of the Worlds” that [Yuval] Sharon mounted at the Walt Disney Concert Hall on Sunday afternoon for the L.A. Phil, in collaboration with his own massively disruptive opera company, the Industry, and the nonprofit Now Art L.A. A new opera and new kind of opera by Annie Gosfield, it does everything an opera’s supposed to. It does a lot opera’s not supposed to do. That includes immersive opera, one of Sharon’s specialties as the mastermind of “Hopscotch,” the celebrated opera in autos two years ago.

…On the most basic level, this is a fairly straightforward operatic adaption and update of Orson Welles’ famous 1938 radio broadcast, based on H.G. Wells’ science-fiction novel “The War of the Worlds.” At a time when radio broadcasts were beginning to be interrupted by news flashes, Welles treated the play as an ordinary dance-band radio program with increasingly frightening bulletins of an alien invasion.

The brilliantly theatrical night-before-Halloween prank caused panic among some gullible listeners, giving credence to Russian futurist Velimir Khlebnikov’s prediction that radio had the power to become the Great Sorcerer. Sharon sees the panic as an early-warning sign of the imposing threat of fake news.

Riffing on the radio show, this “War of the Worlds” begins as a symphony concert, albeit one with a celebrity host, Sigourney Weaver. The opera will eventually take over the concert, which is meant to include Gosfield’s new celestial orchestral cycle to commemorate the 100th anniversary of Holst’s “The Planets.”

…Weaver breaks in again and again on the first two movements with reports from outdoors, which are beamed into the hall (audio only, this is radio). Astronomy professor Pierson (actor Hugo Armstrong), standing on a parking lot, attempts to allay fear with his soothing British accent. Mrs. Martinez (mezzo-soprano Suzanna Guzmán) offers a more feverish firsthand account of the scary machines and creatures somewhere on Main Street. Gen. Lansing (baritone Hadleigh Adams) haplessly leads the troops in attacking the aliens.

Before long the music creeps into the action. The Martians have an alien voice in soprano Hila Plitmann’s stratospherically supernatural coloratura (and she does look like she might have stepped out of an outtake of “Alien”), accompanied by theremin and otherworldly percussion. Sharon’s libretto follows Peter Koch’s original radio play fairly closely. L.A. doesn’t fare any better than New York City. Civic officials are of little help, although the mayor valiantly tries. There is political humor for all.

…Finally, there are those decommissioned sirens left over from the Second World War that still peek out from behind billboards and buildings around town, noticed primarily by history buffs. They’re the symbol of the production and were one of the motivating ideas for both Sharon and Gosfield, who was obsessed with them when she studied at CalArts in the 1980s.

In the end, they are about the least interesting thing visually, theatrically or sonically about the production. It is not that they aren’t marvelous in their mysteriously antiquated way; it is just that every other aspect of this opera and its sensational production and performance happens to be more marvelous.

(17) SECURE THE NOMINATION. Timothy the Talking Cat has picked up a new vice: “McEdifice Returns: Chapter Awards”.

“Ahem, here is what I was just writing:

Dear Mr or Mrs Pulitzer, Hello. As you may know I am one of the best writers in the world. You may have already read some parts of my latest book “McEdifice Returns” a psychological drama about one man’s struggles to come to terms with his past.

I guess you are probably thinking ‘We’d love to give Timothy one of our Pulitzer Prizes but people might think it is just a way of making our prize look more popular and relevant with the cool kids’. Fear not! That is exactly the right kind of move that will help the sadly faded and increasingly irrelevant Pulitzer Prize strike a chord with modern audiences who frankly a sick of all that liberal clap-trap and just want some good old fashioned entertainment.

So I hereby give you permission to award me a Pulitzer.

Yours,

Timothy the Talking Cat

PS This is like totally a nomination so you’ll understand that from now on I’ll be saying ‘The Pulitzer Prize nominated author Timothy the Talking Cat’. That’s great free publicity for your prize. No need to thank me – just trying to help you out.

“Hmmm, I see you have also written similar letters to ‘Mr Oscar and your friend Tony’ as well as ‘Ms or Mr Grammy'”

(18) MARVEL’S MULTIPLE AVENGERS. This cover art just jumps off the screen.

Avengers: Disassemble! The epic weekly takeover continues this February when Kim Jacinto takes the reigns to draw the second month of Marvel’s biggest team adventure, and Marvel is excited to reveal the covers for issues #679 – #682 of AVENGERS: NO SURRENDER by Mark Brooks.

“In month two of NO SURRENDER, the rubber hits the road as we learn what’s really going on and who is behind it,” says SVP and Executive Editor Tom Brevoort. “A couple different Avengers make the supreme sacrifice, the action grows ever more intense—and the stage is set for the return of a major player in the Marvel line-up of stars! Oh, and the origin of Voyager!”

Co-written by Mark Waid, Al Ewing and Jim Zub with art by Pepe Larraz, Kim Jacinto and Paco Medina, AVENGERS: NO SURRENDER unites the casts and creative teams of three titles into one weekly book of exciting action. It all starts with AVENGERS #675 this January, when the teams of THE AVENGERS, UNCANNY AVENGERS, and U.S. AVENGERS come together in a story as exciting and powerful as the Marvel Universe itself.

(19) FASHION JUSTICE. Ashley Boucher, in “‘Justice League’ Amazonian Bikinis Have Twitter in Uproar: ‘Men Ruin Everything’” in The Wrap, says that there are many tweets complaining that the Amazons in Justice League wear bikinis while those in Wonder Woman didn’t.

The costumes worn by the Amazon women are noticeably different than they were in “Wonder Woman,” and viewers are afire online with discussions about how the change represents differences in the male and female gaze.

In “Wonder Woman,” directed by Patty Jenkins, the costumes were designed by Lindy Hemming, and covered the Amazons’ torsos with armor. In “Justice League,” directed by Zach Snyder, the costumes were designed by Michael Wilkinson. And while Wilkinson’s outfits keep a similar Gladiator vibe, they feature small bra tops and bottoms that some say more closely resemble bikinis than what you’d want to wear into battle.

 

(20) HISTORIC HOOCH. Back when the Little Old Winemaker was young: “‘World’s oldest wine’ found in 8,000-year-old jars in Georgia”.

Scientists say 8,000-year-old pottery fragments have revealed the earliest evidence of grape wine-making.

The earthenware jars containing residual wine compounds were found in two sites south of the Georgian capital, Tbilisi, researchers said.

Some of the jars bore images of grape clusters and a man dancing.

Previously, the earliest evidence of wine-making was from pottery dating from about 7,000 years ago found in north-western Iran.

(21) COST CUTTING. Darth Vader has been discounted: “Star Wars game in U-turn after player anger”.

Games publisher EA has changed a rule in its Star Wars Battlefront II video game after a huge backlash.

During the game, players have to obtain credits – either by buying them or through long hours of game play – to unlock popular characters including Luke Skywalker and Darth Vader.

Many players said it was unfair as the gaming required worked out at around 40 hours per character, unless they paid.

EA says the number of credits required will now be reduced by 75%.

“Unlocking a hero is a great accomplishment in the game, something we want players to have fun earning,” said executive producer John Wasilczyk from the developer Dice, in a statement.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Dave Doering, David K.M.Klaus, Chip Hitchcock, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 11/12/17 I Saw A Pixel Order A Perrier At Trader Vic’s. And Its Scroll Was Perfect

(1) COURTING FATE. At The Millions, B.J. Hollars remembers “Ray Bradbury’s Keys to the Universe”.

I marvel at such miracles; in particular, Ray’s ability to forge his own fate as the opportunities presented themselves.  But I marvel, too, at his refusal to leave anything to chance.  Perhaps his stick-to-itiveness is best illustrated by way of a story he shared with me during my visit to his home all those years ago.  How, as a young, broke, telephone-less writer in L.A., he’d given editors the telephone number of the gas station payphone across the street.  His bedroom window flung wide, whenever that phone rang he’d leap out the window and sprint across the street. Then, as casually as possible, he’d answer, “Hello?”

Now that’s how it’s done, I remember thinking.  That’s how you become a writer.

(2) WWWWD? Wonder Woman actress Gal Gadot wants Warner Bros. to pull the plug on accused harasser Brett Ratner. Page Six broke the story: “Gal Gadot will only be ‘Wonder Woman’ again if Brett Ratner is out”.

“Wonder Woman” star Gal Gadot is continuing to battle accused Hollywood sexual harasser Brett Ratner by refusing to sign for a super­hero sequel unless the movie-maker is completely killed from the franchise.

A Hollywood source tells Page Six that Gadot — who last month backed out of a dinner honoring Ratner, where she was due to present him with an award — is taking a strong stance on sexual harassment in Hollywood and doesn’t want her hit “Wonder Woman” franchise to benefit a man accused of sexual misconduct.

Ratner’s production company RatPac-Dune Entertainment helped produce “Wonder Woman” as part of its co-financing deal with Warner Bros. The movie has grossed more than $400 million internationally, and Ratner’s company will take a healthy share of the profits. A Warner Bros. insider explained, “Brett made a lot of money from the success of ‘Wonder Woman,’ thanks to his company having helped finance the first movie. Now Gadot is saying she won’t sign for the sequel unless Warner Bros. buys Brett out [of his financing deal] and gets rid of him.”

(3) MORE HOLLYWOOD HARASSMENT. Classic Trek’s Mr. Sulu, actor George Takei, is one of the latest Hollywood figures to be accused of harassment. The Guardian has his denial — “George Takei responds to accusation he sexually assaulted a young actor”.

The Star Trek actor and gay rights activist George Takei responded on Saturday to an accusation that he sexually assaulted a young actor nearly 40 years ago. The alleged event “simply did not occur”, Takei said.

On Friday, Scott R Brunton told the Hollywood Reporter that in 1981, when he was 23, he was invited into Takei’s condo in Los Angeles. Brunton implied his drink may have been spiked, saying he passed out and awoke to find Takei trying to strip him and groping his genitals.

(4) SHOULDN’T BE A MYSTERY. On Friday night, the Jeopardy! game show had a “Science Fiction” category during the “Double Jeopardy” round. How did the contestants handle it? Andrew Porter supplied this narrative:

The category was in Double Jeopardy. I guess no one reads SF.

$400: This “Dune” author’s first published sci-fi tale appeared in Startling Stories Magazine in 1952.

No one answered.

$800: In John Wyndham’s 1951 novel “The Day of” these, “these” are carnivorous plants that can walk and kill a man.

No one answered.

$1200: Like “World War Z”, “Robopocalypse” is labeled this kind of history; it’s told by those who survived a robot war.

Wrong answer: “What is an alternate history?”

Correct answer: “What is an oral history?”

$1600: In “A Princess of Mars”, this fictional Civil War vet is transported to Mars & meets the beautiful Dejah Thoris.

No one answered.

$2000: The cover of this Isaac Asimov novel claimed, “four men and one woman journey into the living body of a man.”

Again, no one answered.

The final Jeopardy question, under “Awards & Honors”, was: “The Victoria Cross is for military bravery; this ross first given in 1940 & named for Victoria’s Great-grandson is for civilian bravery.”

Answers: “What is the Edward Cross?” – wrong; “What is the George’s Cross?” also wrong; “What is the George Cross?” – correct.

(5) BOOK RECS. Ann Leckie praises some “Things I’ve Read” beginning with —

I got an advance copy of Emergence, the next volume in C.J. Cherryh’s Foreigner series. Look, I’m a longtime fan of these, and I enjoyed the heck out of this one. If you’ve read the previous volumes, you’ll enjoy this one. If you haven’t, DO NOT START THE SERIES HERE. Give Foreigner a go–that’s the first volume–and see what you think.

(6) ALL IN BLACK AND WHITE FOR A DIME. Field Notes, a quarterly publication, will be doing a Dime Novel edition.

Inspiration for Field Notes Quarterly Editions can strike anytime, from anywhere. For our Fall 2017 edition, it struck from all the way back in 1860 in New York City and a pair of brothers: Erastus and Irwin Beadle. The Beadles had published a variety of inexpensive paperback books on subjects ranging from the tax code to baseball, but when they released Ann S. Stephens’ frontier tale Malaeska as the first of their orange-covered “Dime Novel” series, it sold more than sixty thousand copies and started a trend for cheap pocket-sized genre fiction.

Beadle’s Dime Novels eventually topped 300 titles, each selling 35–80,000 copies, and inspired countless other publishers to imitate (or often steal outright) the Dime Novel’s format, style, characters, and content. Along with imitators came an epic brotherly feud and a long series of lawsuits. It’s a complicated story, but in the end, a fair argument can be made that the Beadles created the mass-market American paperback

There’s also a four-minute video at the link.

(7) BRADBURY FOREVER. J. W. Ocker showed highlights of his Ray Bradbury artifact collection on his website in “Collecting Ray”.

Obviously, I wear my Ray Bradbury fandom on my [straightjacket] sleeve, but I’m also a Ray Bradbury collector, too. And I don’t mean his books, although that is part of it. I’m talking artifacts. Pieces of his life, his works, and those works inspired by him. They range from a brick from his now-demolished Los Angeles house to a test sketch by artist Joe Mugnaini for one of the illustrations for The Halloween Tree to a particularly disturbing prop from the movie version of his Something Wicked This Way Comes. Next time you come over to my house, I’ll show it all to you.

… See that wiry, coppery mass in the lower right corner? That’s actually the top of an award given to Bradbury in 2010 for “contribution to world peace through literature.” And it now sits on my shelf about a foot away from my desk, like I was the one who win it or something.

Ocker’s new book just came out, Death and Douglas. Here’s the front cover blurb:

“Spooky! Hilarious! And beautifully written. Ocker’s Death and Douglas now joins Bradbury’s The Halloween Tree as an annual autumn read.” — Jay Asher, #1 New York Times bestselling author of Thirteen Reasons Why and Piper.

(8) TODAY IN HISTORY

  • November 12, 1982 Creepshow premiered in theaters.

(9) YOUR DIGITAL SJW CREDENTIAL. The internet has a cat. Its name is Purrli.

(10) $PACE COMMAND. Marc Scott Zicree’s Kickstarter to fund Space Command: Redemption hit its basic $39,000 goal in the first three days and now is ticking off its stretch goals.

They’ve raised $45,434 as of this writing. Should they hit $80,000, there will be enough to pay for Part Two of Space Command: Redemption.

(11) PULP REVOLUTIONARY. Galactic Journey tells readers what they have to look forward to in the December (1962) issue of Amazing — “[November 12, 1962] HEADS ABOVE THE CLOUDS (the December 1962 Amazing)”.

Roger Zelazny’s Moonless in Byzantium—his second Amazing story, fourth published—might have a broader appeal.  It’s a surreal riff on one of the more familiar plots in the warehouse, the lone rebel face to face with an oppressive regime, in this case the Robotic Overseeing Unit.  In this dystopia, machines are in charge, people are mostly machines, and our protagonist is charged with writing Sailing to Byzantium on a washroom wall.  He is also charged with illegal possession of a name—William Butler Yeats, which he appended to Yeats’s poem.  This is the world of Cutgab, in which language itself is drastically restricted and simplified, and writing forbidden.  ROU accuses: “You write without purpose or utility, which is why writing itself has been abolished—men always lie when they write or speak.” The outcome is inevitable save for the accused’s final and futile defiance.  This is one that succeeds on sheer power of writing; in theme and style, it suggests Bradbury with sharper teeth.  Four stars for bravura execution of a stock idea.

(12) CLAIM JUMPER. Richard Paolinelli is always trying to get mentioned in this space, but making claims like this isn’t a good way to do it. He often tweets about his Dragon Awards finalist Escaping Infinity, but yesterday’s tweet also identified it as a Nebula nominee.

So what is that supposed to mean? Everyone knows his book wasn’t a Nebula finalist. Did someone cast one vote for it? Interestingly, the tweeted honor isn’t even listed on his website’s Awards page.

(13) ASK UMAMI. As usual, everything you know is wrong: “The real truth about whether our tongues have ‘taste zones'”.

You probably remember the diagram from school – a pink tongue with different regions marked for different tastes – bitter across the back, sweet across the front, salty at sides near the front and sour at the sides towards the back. I can remember a biology class where we made sugar and salt solutions and pipetted them onto different parts of our tongues to confirm the map was right.

At the time it all seemed to make sense, but it turns out it’s not quite this simple.

The famous tongue diagram has appeared in hundreds of textbooks over the decades. It’s sometimes blamed on a dissertation from 1901 written by a German scientist called David Pauli Hänig. By dripping salty, sweet, sour and bitter samples onto different parts of people’s tongues, he discovered that the sensitivity of taste buds varies in different areas of the tongue.

…Today we know that different regions of the tongue can detect sweet, sour, bitter and salty. Taste buds are found elsewhere too – in the roof of the mouth and even in the throat. As well as detecting the four main tastes, each taste bud can also detect the most recently discovered taste, umami – the taste that makes savoury foods like parmesan so more-ish.

(14) SUNDAY DRIVER. The BBC reports “US rocket launch aborted after small plane enters airspace”.

A rocket launch in Virginia was aborted at the last moment when a small aircraft flew into restricted airspace.

The unmanned cargo ship was about to be launched en route to the International Space Station (ISS) when mission control called “abort, abort, abort!”.

They had spotted a small aircraft flying in restricted airspace at 500ft (150m) near Wallops Island.

Chip Hitchcock sent the link with a comment: “As a former lightplane pilot, I don’t know whether this was ignorance (of temporary rules closing the airspace) or deliberate stupidity.” The launch did go on schedule on Sunday morning.

(15) ANDY WEIR ON THE MOON. NPR interview — “In New Novel, ‘Martian’ Author Andy Weir Builds A Colony On The Moon”.

On where he got the idea for Artemis

I wanted to write a story that took place in the first city that was not on Earth. And I thought about Mars, I thought about lower Earth orbit, but the Moon is the obvious place to build it. If you were on a football field and you were standing at one goal line, and if Mars were at the other goal line, the moon would be 4 inches in front of you. So that is the distance scale between them. So, yeah, colonizing Mars before you colonize the moon would be like if the ancient Britons colonized North America before they colonized Wales.

(16) WEIR’S FAVES. Breathe a sigh of relief – for once your TBR pile is safe — you’ve probably read most of “Andy Weir’s 6 favorite science fiction books”. The sixth is —

The Player of Games by Iain M. Banks (Orbit, $16).

A fantastic look at what a post-scarcity society might look like. There’s no hunger, no disease, no war — just benevolent computers that take care of humanity and other beings. How could there be conflict or struggle in such a world? Well, Banks is a genius and spins one hell of a story about what happens when the Culture meets a spacefaring alien race with far less enlightened views. And it doesn’t go how you think it would.

(17) GET READY. Naragansett Brewery’s Lovecraft Whiskey Release Party takes place December 1.

About two years ago, we released the I Am Providence Imperial Red Ale… and we’ve been keeping a deep, dark secret ever since.

While you were busy enjoying our other Lovecraft offerings, I Am Providence was distilled at Sons of Liberty, and has been aging in twisted oak barrels ever since.

Just as Cthulhu patiently waits to rise from the depths to destroy us all, I Am Providence has been waiting for you.

On December 1st, we unleash the madness. Get ready.

(18) VIDEO OF THE DAY. In Fabrice Mathieu’s HZ Hollywood Zombies, a meteor strikes Hollywood! And all the Movie Stars become… Zombies! Which movie star would you like to be eaten by? Here are a couple of the many choices — Daniel Craig and Natalie Portman.

 

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, Chip Hitchcock, Bill, Magewolf, Rich Lynch, Andrew Porter, Moshe Feder, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor the day Jon Meltzer.]

Pixel Scroll 10/14/17 We Can Pixel It For You Scrollsale

(1) FIRES SHUTTER FAMOUS MONSTERS CON. The Famous Monsters Halloween Convention scheduled for October 25-27 in San Jose has been officially cancelled due to Northern California wildfires.  Senior Manager Philip Kim wrote on the convention website:

On Sunday evening, October 8th, 2017, a historically violent wind blew through the Bay Area. This extreme wind proliferated what is now one of California history’s most dangerous cluster of wildfires, still raging in Sonoma County and claiming more homes and lives by the day. We are told this may be days to weeks before total containment, as the heavy winds are predicted to return this weekend, adding to an already horrific situation. Though containment efforts are underway, it is catastrophic here with no sign of slowing down. This, by legal or any other definition, is an act of God.

Though the show is in San Jose, the majority of our staff live and work in Sonoma County. My family and I have been evacuated from our home since Tuesday and have no idea when we will be allowed back or if we will have a home to go back to. We are currently shut down to guarantee the safety of our staff. I made great efforts to see if we could turn the show into a fundraiser, but there were a few key obstacles that would not allow us to achieve this. This may have been my greatest sadness.

My team and I are grateful to everyone who trusted us and believed in our show. It has been one of the hardest decisions of my Famous Monsters career, but we are officially canceling Famous Monsters Halloween 2017.

(2) IN EMERGENCY, DIAL 9-3/4. A BBC story called “Hogwarts Express Rescues Family Stranded in Highlands” says a family stuck in a remote part of Scotland was saved when the Hogwarts Express, a steam train that makes daily runs in the western part of Scotland, made an emergency stop to pick them up.

Jon and Helen Cluett and their four young children were staying at a remote bothy in Lochaber when their canoe was swept away by a swollen river.

Facing a long walk back to their car across boggy land, they phoned the police for advice.

To their delight, they arranged for the steam train used in the Harry Potter films to pick them up.

The train, called The Jacobite, is used for excursions on the West Highland Railway Line, crossing the iconic Glenfinnan Viaduct that also features in the movies.

(3) DOES 2049 STINK? James W.  Harris is not a fan — “Blade Runner 2049 – The Evil of Heartless Sequels”.

Without the voiceover, both films are just action flicks of heartless machines killing heartless machines. Why has Ridley Scott never understood the Romeo and Juliet beauty of having a love story between lovers from two opposing houses? In Blade Runner 2049 we are taken on a meaningless thrill ride where it’s impossible to tell human from replicant – and I really didn’t give a shit either. There are a few touching scenes in Blade Runner 2049, but they are so artificial as to cause existential angst. At times we feel for K, our replicant protagonist, but the scenes are so obviously manipulating us that it’s hard to genuinely care.

(4) YOUTUBE CLICKBAIT OF THE DAY. And for those of you who favor the flop thesis there’s –

(5) MORE HELSINKI WORLDCON RESOURCES. Jani Ylönen’s Worldcon 75 podcasts:

(6) OF WORLDCONS YET TO COME. JJ recommends the discussion on Reddit at NextWorldcon.

This subreddit is about the next Worldcon – and the ones after that one. You can talk about the ones that are confirmed and the ones that are still only bidding to become a Worldcon. To be completely hosnest, you can probably get away with talking about past Worldcons too, but the main focus here is the future.

This is also a good place to meet new people who are going to the next Worldcon and people who can offer good advice the host city for the next Worldcon or advice for people who has never been to Worldcon before.

(7) SFF ART HISTORY. Adam Roberts and Graham Sleight are working to fund publication of “Wonders and Visions: A Visual History of Science Fiction” through Unbound.

Our book tells the story of science fiction through its most iconic, beautiful, interesting and (sometimes) crass cover art: from the earliest days of publishing in the 19th-century, through the glory days of Pulp magazine covers and the Golden Age, into the endless visual experimentation of the New Wave and so to the post-Star Wars era, when a ‘visual logic’ comes to dominate not just science fiction but culture as a whole.

With over 350 full-colour images and more than 50,000 words of text this is more than simply an anthology of famous science fiction covers–it is an ambitious attempt to tell the whole history of the genre in a new way, and to make the case that science fiction art, from the sober future-visions of Chesley Bonestell, to the garish splendours of Hannes Bok, from the Magritte-like surrealism of Richard Powers, Frank Freas, Judith Clute, and Ed Emshwiller to the amazingly talented designers and artists of the 21st-century, exists as a vital and neglected mode of modern art as such.

… There will be three main types of entry. Firstly, there will be several hundred key covers: one or sometimes two images + plus 150-200 words of text, of the ten (or more) most iconic and recognisable covers from each decade of our history: from Wells and Verne to H Rider Haggard’s Barsoom and E E ‘Doc’ Smith’s Lensman, from Arthur C Clarke’s Childhood’s End and Asimov’s Foundation to Leigh Brackett and Joanna Russ’s Female Man, from Cyberpunk masterpieces by William Gibson and Pat Cadigan to dystopias by Octavia Butler and Cormac McCarthy, to twenty-first century SF.

Second there will be more extended visual comparative studies, one or two page spreads that compare multiple covers for the same book, to see the way different artists and publishers have approached the task of visualising some of the most famous novels in the history of the genre: The Day of the Triffids; Dune; Left Hand of Darkness and more, as well as surveys of the work of famous illustrators, or publishing houses.

Third there will be milestone entries: examples of groundbreaking or unusual covers, usually the first example of (among other things) a fine late 19th-century illustrated binding for a SF title; a garishly coloured SF magazine cover; a Golden Age fix-up paperback, a psychedelic 1960s New Wave title, a movie-tie-in; a graphic novel adaptation of a classic: Shelley’s Frankenstein as first SF novel; Auf Zwei Planeten as first Martian invasion; Time Machine as first time travel; Orphans of the Sky as the first Generation Starship novel; Leo and Diane Dillon’s illustrations for Ellison’s Dangerous Visions; early computer-generated SF art; and Metal Hurlant revolutionising the potential of SF comics.

(8) TODAY IN HISTORY

  • October 14, 1926 — A. A. Milne’s classic, Winnie-the-Pooh, was published.
  • October 14, 1947 — Charles Yeager, piloting a Bell X-1 jet, became the first person to break the sound barrier.

(9) COMICS SECTION.

  • John King Tarpinain says today’s The Argyle Sweater demonstrates another failed attempt to find a use for overly large garden produce.
  • Nor does true romance run a smooth course at Bizarro.
  • And then there was this premonition in 1966….

(10) PUMPKIN VINE. Is the wine good? Otherwise $1,600 it’s a lot of money to spend for a cute label: 2013 Stacked Jack Cabernet Sauvignon Etched 6L

This bottle is even more unique, as it features etched custom artwork. We affectionately refer to the label as “Stacked Jack,” was created by award-winning children’s book illustrator John Manders. Third generation family member and General Manager Nat Komes discovered John’s art while reading to his kids at the St. Helena library. Inspiration comes from many places!

(11) MUSIC OF THE FEARS. Remember that day Art Garfunkel went shopping with George Lucas? Their lovechild is on sale at BrainyTee.

(12) LOCKDOWN. The New York Times story “Twitter Users Split on Boycott Over Platform’s Move Against Rose McGowan” cited Brianna Wu:

Plenty of those participating in the protest came from outside the celebrity ranks.

“I love this platform, but it’s time to do better. See you all in 24 hours,” wrote Brianna Wu, a congressional candidate in Massachusetts

(13) MR. SCI-FI. Star Trek writer Marc Scott Zicree, Mr. Sci-Fi, spends a few minutes considering which is better, Star Trek: Discovery or The Orville. What do you think?

(14) EXHALE. The BBC reports how “NASA carbon space observatory ‘watches Earth breathe”.

The Orbiting Carbon Observatory (OCO) tracked the behaviour of the gas in 2015/2016 – a period when the planet experienced a major El Niño event.

This climate phenomenon boosts the amount of CO2 in the air.

The US space agency’s OCO satellite was able to show how that increase was controlled by the response of tropical forests to heat and drought.

The forests’ ability to draw down carbon dioxide, some of it produced by human activity, was severely curtailed.

The science has significant implications because the kind of conditions associated with El Niños are expected to become much more common under global warming.

(15) BASED ON A SOMEWHAT TRUE STORY. NPR’s Mark Jenkins reports that “‘Professor Marston And The Wonder Women’ Is Strangely Subdued” — and loose with facts:

Sweet and rather silly, the movie is entertaining. It’s rarely persuasive, however, and generally seems like a missed opportunity.

Among the film’s most characteristically Hollywood traits is its rampant fictionalization. A complete accounting of the script’s liberties would require a dissertation, but it’s telling that Robinson has the Marstons meet Olive while she’s enrolled at Harvard/Radcliffe, where Bill is a professor and Elizabeth is a Ph.D candidate. In fact, Bill did get three degrees, and Elizabeth a master’s, from the university. But Bill didn’t teach, and Olive never studied, at Harvard or its sister school.

(16) PULLMAN PREVIEW. NPR delivers “First Read: Philip Pullman’s ‘The Book Of Dust'”.

Malcolm Polstead, the 11-year-old at the center of the story, sees a great deal of the secret life of Oxford from the perspective of the rivers and the canal in his canoe La Belle Sauvage. Here he witnesses something he’d never expected to see, and discovers something that will change his life.

— Philip Pullman

Malcolm let the canoe drift to a halt and then silently slipped in among the stiff stems and watched as a great crested grebe scrambled up onto the towpath, waddled ungracefully across, and then dropped into the little backwater on the other side.

(17) VIRTUAL CALORIES. BBC wants to show you “The city where the internet warms people’s homes”.

“The cloud” is a real place. The pictures you post on Instagram, the happy birthday wishes you leave on Facebook pages, and the TV shows you stream on Netflix aren’t living in a nebulous ball of condensation in the sky. They live on a massive series of servers – all connected together in rows and towers in giant warehouses.

Few people have ventured into these data centres. But in the Swedish capital Stockholm, I went inside these information labyrinths, and discovered that they’re not just housing data. All the heat they give off is helping to warm homes in the city of over 900,000 people. How does it work? And could it create a new business model for the tech industry worldwide?

(18) THE X IN MAISIE. Did you know Arya Stark is a mutant? In Marvel’s The New Mutants, in theaters April 13.

[Thanks to John King Tarpinian, JJ, Carl Slaughter, Mark-kitteh, Martin Morse Wooster, Chip Hitchcock, David K.M. Klaus, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 9/30/17 Anyway For All The Things You Know Tell Me Why Does Appertainment Flow

(1) VERSUS ORVILLE. Nick Izumi conducts his own “Trek Off: Comparing ‘The Orville’ to ‘Star Trek: Discovery’” at Nerd & Tie.

Production Design:

The Orville‘s sets and costumes are also reminiscent of 90s Trek. The inside of the ship is well lit, the Bridge design is almost one-to-one with any Federation ship from Star Trek. Event the titular ship basically has a saucer section and light-speed engines in the back. It really doesn’t look bad, all things considered, just really derivative. We all know it wants to be Star Trek, it just legally isn’t. The show does still look very nice, and it’s not just the ins and outs of the ship — the alien make-up is on point. With some occasional cheesy exceptions, you can’t knock The Orville‘s look.

Discovery uses mostly familiar Trek design language, but the budget is clearly much higher than the TV Trek shows that came before it. This has its ups and downs. Some may not take to the very Kelvin Timeline inspired look of the interiors of the Starfleet ships. The new uniforms also seem to be a continuity hiccup, but they honestly look so snazzy, I personally can’t knock them.

What I will knock is the designs of everything Klingon. While Klingon fashion could easily be different in different parts of the universe, the look of the Klingon’s heads and the design language of their ships simply does not match with the established Klingon aesthetic. Frankly, these deviations are not the kind that are easy to overlook. Still, if it serves the story, there’s then I see it as very deal-with-able.

(2) NOT A FAN. NPR’s Glen Weldon dissects the new TV show: “Introducing … The Inept, Inert ‘Inhumans'”

…OK, that’s exactly what you just said abou-

The thing about mutants, see, is that their special abilities manifest, most often, in adolescence.

Uh-huh.

But with Inhumans, their special abilities only manifest when they’re exposed to a special substance called the Terrigen Mists!

“The Terrigen Mists.”

… Which happens, generally speaking, in their adolescence.

[Sigh.]

Generally but not exclusively! I hasten to point out!

Great. So this show is about a bunch of Not-Mutants. With special abilities.

… Who live on the moon, yes. In a city called Attilan, invisible to humans. They have a king named Black Bolt, played here by a pair o’cheekbones named, improbably enough, Anson Mount. Black Bolt’s voice is hugely destructive, so he never speaks. His queen is Medusa, played by Serinda Swan. She’s got long red hair with tresses that can punch and choke and, I don’t know, play the bass line to Primus’ “Jerry was a Race Car Driver,” probably.

There’s also Black Bolt’s brother Maximus, played by Game of Thrones‘ Iwan Rheon, adding another villain to his IMDB page, although this time a strangely joyless one. He didn’t get special powers when he was exposed to the Terrigen Mists as a kid, which happens sometimes. When it does, the little nonspecial Inhuman in question usually gets sent to the moon mines. But Maximus’ status as a member of Attilan’s royal family kept him free to plot and brood and generally skulk around like a low-key Loki….

(3) APEX MAGAZINE IN PRINT. Jason Sizemore says the “Exciting changes for Apex Magazine in 2018” include the availability of print-on-demand copies of each issue.

Beginning with the January, 2018 double issue (#104), the issue’s content will be published in a 5.5? x 8.5? paperback edition using a POD service and made available for sale from Amazon (and it’s affiliates). The price will be $6 to $8 for a single issue, depending on the size of the content month-to-month. It will only be available for purchase as single issues from Amazon (and possibly Apex–TBD).

When will the print edition become available? About 1 week after the digital release (first Tuesday of each month) of each eBook edition.

What about subscriptions? Subscriptions will only be available as a Patreon backer reward level. There will be a $10 a month backer level (for domestic US backers) that will insure you receive the print version every month. A level will be created for international backers to account for the difference in shipping costs.

Subscriber copies will ship about 2 weeks after the digital release.

Will it have all the short fiction that’s in the digital edition? Yes.

And the nonfiction? Yes.

What about the incredible cover art? Yes. In fact, this was our top priority.

Our January issue is filled with double the stories. Right now, we have original work by Nisi Shawl, Delilah S. Dawson, Nick Mamatas, and Benjamín Naka-Hasebe Kingsley.

(4) CBS TAX STATUS RESTORED. In July, the Carl Brandon Society announced that its IRS tax exemption was reinstated. Nisi Shawl wrote:

The Carl Brandon Society’s Steering Committee is very happy to announce that the U.S. Internal Revenue Service has reinstated our organization as an official 501 (c) 3 nonprofit, tax- exempt group–and furthermore that this nonprofit status has been made retroactive to the date it was first revoked, back in 2013. Donations to us are now itemizable for those past years as well as for all years going forward.

Although we’ve been presenting our Octavia E. Butler Scholarships during this temporary revocation period, and also have been actively pursuing the selection of winners of the Kindred and Parallax literary awards, you may have noticed a lull in our fundraising activities. Now that we can safely guarantee the 501 (c) 3 classification applies to us and all your gifts to us, please feel free to help us out!

Of course this great news inspires us to put more energy into our many programs–the Scholarships, the awards, the panels and parties and online discussions and all the other work the Carl Brandon Society carries out to support the presence of POC in the fantastic genres. It also sharpens our commitment to preventing the unfortunate miscommunications that originally caused the temporary revocation of our nonprofit status. To that end we expect to put together annual reports on what we’re doing, how we’re doing it, and where we stand financially and in terms of our programmatic goals. Look for the first of these reports by February 2018.

(5) FAUX KITSCHIES. The award was on hiatus last year, but a leading author helpfully filled the gap – “Adam Roberts Phantom Kitschies 2016”.

Adam Roberts, in typical overachieving fashion, managed to read enough books to populate a full and complete shortlist.

Adam Roberts

No Kitschies were awarded last year. 2016 was a Kitschless year—for one year only it was Nitch on the Kitsch. Which was a shame, since 2016 saw a wealth of (to quote the Kitschies’ remit) ‘progressive, intelligent and entertaining works containing elements of the speculative or fantastic’. So, [*clears throat*] in my capacity a former judge, I thought I’d post some speculative short-lists for the year the prize didn’t happen….

(6) SHEEP DREAMS. NPR’s Chris Klimek loves it: “‘Blade Runner 2049’: Even Sharper Than The Original”.

“I hope you don’t mind me taking a liberty” are the first words spoken in Blade Runner 2049, an unlikely sequel to the oft-revised Ridley Scott sci-fi sleeper that has confounded and divided normals — and been an object of adoration for nerds — for 35 years.

I certainly don’t mind. This inspired, expansive follow-up, for which Blade Runner screenwriter Hampton Fancher returned, though Scott handed the directorial reins to Sicario and Arrival‘s Denis Villeneuve, is less a generational iteration from its precursor than an evolutionary leap. It chews on the many existential questions introduced in Blade Runner — if our machines can think and feel, are they still machines? How do we know our memories can be trusted? Do androids dream of electric sheep, or unicorns or whatever? — more fully and more satisfyingly than Blade Runner did. Yes, even The Final Cut, which came out some 25 years after the original.

(7) CAMERA NOT SO OBSCURA. France strikes back against unreal body images: “Is she Photoshopped? In France, they now have to tell you”.

It’s no secret that images of models are often retouched to make their bodies look thinner or curvier in certain places, to lengthen their legs to mannequin-esque proportions, or to smooth out their skin and widen their eyes.

From Sunday, in France, any commercial image that has been digitally altered to make a model look thinner will have a cigarette-packet style warning on it.

“Photographie retouchée”, it will say, which translates to “edited photograph”.

Anyone flouting the new rule could be fined €37,500 (£33,000) or 30% of the cost of creating the ad.

(8) UNDERAPPRECIATED. In “FFB: Kit Reed, 1932-2017 and some of her peers”, Todd Mason has more to say about the late author, an early nominee for the Best New Author Hugo.

Reed, as noted here last year, started her writing career as a professional journalist, and made a mark, winning industry awards before selling her first short story to The Magazine of Fantasy and Science Fiction in 1958, “The Wait”…one rather pathetic colleague at the New Haven Register, she recounted not too long ago, would make a point of pulling her office typewriter off her desk and taking over to a corner where he would type out his own attempts at stories, and claimed, upon learning of her F&SF sale, to have sold a story to The New Yorker, which would be appearing Real Soon Now. Reed continued to place fiction with F&SF, and branched out to the Yale Literary Magazine, Robert Lowndes’s  Science Fiction, Joseph Payne Brennan’s Macabre, and by 1960 Redbook…while her colleague had slunk off somewhere to await his further stories’ appearance in equally imaginary issues of The Dial and Scribner’s, no doubt.

(9) TODAY IN HISTORY

  • September 30, 1953 — Mad science classic Donovan’s Brain debuts.
  • September 30, 1959 Men Into Space premiered on television.
  • September 30, 1960 – The day we met The Flintstones
  • September 30, 1988 Elvira, Mistress of the Dark premieres in theaters.

(10) TODAY’S BIRTHDAY BOY

  • Born September 30, 1946 – Director Dan O’Bannon

(11) TAKING CARE OF NUMBER ONE. Yesterday marked a half-century since the show first aired in Britain: “Number Six At 50: The 50th Anniversary Of ‘The Prisoner'”.

As the series went on, and those symbolic elements kept piling up, it became clear that McGoohan — who created the show — was offering an extended, increasingly surreal allegory about the battle of the individual against society.

In the final episode, all that allegorical, Kafkaesque stuff bubbles over. Characters representing Youth and The State deliver monologues about Freedom and Rebellion.

Number Six escapes the prison of the Village but not the prison of himself — get it?

… No, yeah, lots of people didn’t. They wanted clear answers — Where WAS the village? Which side ran it? Who WAS Number One? — but McGoohan gave them symbols and speeches.

(12) DRAWN THAT WAY. At CBR.com, Kieran Shlach says “It’s Time For DC to Acknowledge HG Peter, Wonder Woman’s Co-Creator”.

This year has been a phenomenal year for Wonder Woman. The iconic Amazon has risen to new heights of popularity thanks to the instant-classic story told by Greg Rucka, Liam Sharp, Nicola Scott and Bilquis Evely as part of DC Rebirth, a blockbuster feature film which blew the doors off even the wildest of expectations, and a new biopic chronicling the life and times of Wonder Woman’s creator William Moulton Marston, his wife Elizabeth and their lover Olive.

However, among all those works there’s one name that you won’t see: Harry George Peter, the artist who helped bring Wonder Woman to life along with Marston in the page of 1941’s All-Star Comics #8.

More often than not, comic books are a collaborative format, and everyone deserves credit for their role in that collaboration. The history of comics as an industry is riddled with horror stories of creators being mistreated by publishers when it comes to work-for-hire projects, but recent years has seen those same publishers attempt to make amends. HG Peter created Wonder Woman as much as William Moulton Marston did, and he deserves to be credited for that right alongside his collaborator.

(13) NOT SO SIMPLE MATH. Galactic Journey turns its spotlight to “[September 30, 1962] The Woman Pioneers of Space Exploration”.

But while the Journey has covered the Space Race in lavish detail, it has devoted little space to the woman scientists and engineers involved behind the scenes.  In part, this is because space travel is a new field.  In part, it’s because science is still a heavily male-dominated arena.  While women have risen to prominence as scientists for centuries, from Émilie du Châtelet to Marie Curie to Grace Hopper, it is only very recently that they have made their way to the top ranks of space science.

Times have changed, and there is now a vanguard of women leading the charge that will perhaps someday lead to complete parity between the sexes in this, the newest frontier of science.  To a significant degree, this development was spurred by the digital computer, which you’ll see demonstrated in several of the entries in this, the first installment of The Second Sex in Space Exploration….

(14) MONSTERS FROM THE ODD. At Camestros Felapton’s blog, Timothy the Talking Cat threatened France with a lawsuit in “Tim’s Legal Updates”.

Timothy: I’m going to sue FRANCE. France as the thing that is itself France. Not ‘the French’ not the French Government. Not any kind of the adjectival case of France but France strictly as a noun.

Camestros: Ah, you’ve been at the Krell machine again and given yourself a brain boost, haven’t you?

Timothy: I may have partaken a smidgen. How can you tell?

There followed an official (?!?) response from France channeled by the commenter known as KR:

RE: Cease and Desist – Harassment

Dear Sir:

This letter serves as notice to you and your id monster immediately to cease and desist all harassing activities towards my client the historico-geographic entity currently known as France, aka La Cinquième République, aka La Ve République.

Among your many unwanted gestures, I refer you to the time when you bombarded my client with thousands of documents and old VHS cassette tapes pretending to be Gérard Depardieu making an attempt to regain his citizenship. You sent the Ministre des Affaires sociales et de l’emploi 1848 copies of The Fountainhead with hopes of persuading them of the evils of unionized labour and long summer holidays. You gravely insulted la francophone mondiale by launching a YouTube channel in which you hire Jesse Watters to dress like a mime and throw “Freedom fries” at Antifa in the name of free speech….

And it goes on. As these things do.

(15) PUBLISHED DECISION. This is John Hodgman’s column from the September 17 New York Times Magazine, “Judge John Hodgman on Coerced Bedtime Stories”:

Morgann writes: I bring a case against my husband, Ben, who is an incredibly talented short-fiction writer. I struggle with falling asleep, especially after a stressful workday. I often ask Ben to tell me a short story to help me get sleepy. Ben absolutely refuses. He uses precious wind-down time arguing with me instead of just telling me a silly little story.

There is never a night when my wife asks me to write a short, judgy newspaper column — she knows that I get paid to do that. Also, it would not help her sleep, because I chisel all my first drafts into stone, loudly. (There are no second drafts.) Even if Ben does not write for money, it’s still the case that creativity is work and usually highly personal. Ben deserves as much wind-down time as you do.

(16) TEENIE WEENIE VIBRATION. With the help of colorful animations and graphics, a YouTuber explained “The Absurdity of Detecting Gravitational Waves” in a video released this past January.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]

Pixel Scroll 9/20/17 Won’t You Jaunt Home, Lije Bailey?

(1) IT’S ABOUT TIME. The Sun tells about the actor’s latest project — “Tom Baker is back playing Doctor Who nearly 40 years after originally playing the Time Lord”.

He recorded final scenes for Shada, written by Hitchhiker’s Guide To The Galaxy creator Douglas Adams.

It was meant to be a six-episode tale for Tom’s fourth incarnation of the Doctor in 1979-80.

But production was wrecked by a BBC technicians’ strike and only half was filmed before it was shelved.

Tom and other members of the original cast — including Lalla Ward, 66, as companion Romana — returned for the recording in Uxbridge, West London.

They are voicing animated sequences that will replace the unfilmed material.

(2) NEXT LARA CROFT. Rick Marshall on Digital Trends has “First ‘Tomb Raider’ trailer introduces Alicia Vikander as the new Lara Croft”.

Two films based on Lara Croft’s adventures preceded the upcoming Tomb Raider reboot film: 2001’s Lara Croft: Tomb Raider and 2003’s Lara Croft Tomb Raider: The Cradle of Life. Both films cast Angelina Jolie as Lara Croft and collectively earned $432 million at the worldwide box office, making the series one of the highest-grossing film franchises based on a video game property.

Tomb Raider hits theaters March 16, 2018.

 

(3) THE SPIRIT OF SFF. Although I’ve become inured to this phrase being code for “more nutty nuggets, please,” author Joseph Brassey has only the original meaning in mind when he talks about “Keeping the Fun in Science Fiction” at Fantasy-Faction.

I firmly believe, however, that a story should be able to confront real problems without losing its soul, its sense of fun, and this is found in the conviction that things can always be better. It is in an explicit rejection of a tone of cynicism, because work that grapples with darkness doesn’t need to assume it is in the nature of our most misanthropic, derisive qualities to prevail. Hope is not a method, but it is the precursor of methods. The spark that ignites action and turns talk of change into moving feet and hands grasping for actions of worth. Hope is not the fire. It is the lighter of fires.

The human element is everything. Where the fantastical meets the machine. Where the magic meets the skycraft. Where the sword turns aside the crackling bolt of gunfire and the pilot spins the wheel to take her ship from the roaring path of the dragon’s breath. Where conflict assails the human spirit and we find our noblest qualities in the face of ravening hate, violent authoritarianism, and bone-chilling fear.

It is in the wonder that reaches for stars, responds to fury with mercy, hatred with love, having the courage to peer beyond a terrible present to embrace a future awash with a thousand hues of color.

(4) GENRE WALK WITH ME. Abigail Nussbaum delves into her psychology as a viewer, the history of a particular show, and generational changes in the television medium in “That Gum You Like: Scattered Thoughts on Twin Peaks: The Return” at Asking the Wrong Question.

My third try with Twin Peaks was just a few months ago, when, in preparation for the upcoming revival series, I mainlined the entire 30 episodes of the show, plus Fire Walk With Me, over a long weekend.  It was strange experiencing the show this way, simultaneously a newcomer and someone who knew quite a bit about it, including the major turns of plot.  What was even stranger was how much the existence of The Return changed the meaning and significance of the original Twin Peaks, even before a single frame of it had aired.  From a failed experiment, it became merely a chapter in a story, whose later installments might yet redeem it.  Watching Twin Peaks was suddenly no longer an exercise in nostalgia and self-flagellation, but that venerable Peak TV practice of binge-watching the previous seasons before the new episodes start.  I ended up enjoying this rewatch much more than I was expecting (Fire Walk With Me, in particular, turns out to be a great deal more rewarding than I’d been led to believe), but I wonder if I would have felt the same if I didn’t know that another chapter in the saga was just around the corner.

(5) YOUR HOST, BORIS KARLOFF. It’s 1962 in England and a wonderful sf anthology series has just completed its run: “[Sep. 20, 1962] Out of this World (the British Summer SF hit!)”. Galactic Journey’s Ashley R. Pollard delivers mini-reviews of all the episodes.

As I mentioned before, this series was launched with Dumb Martian shown as part of the Armchair Theatre series.  The new series has a very spooky theme tune called The Concerto to the Stars, composed by Eric Siday, which plays against a background of moving microscopic tentacles that sets the tone for the show.  For those who are interested, Tony Hatch has expanded the theme tune into very catchy 45 record, available from all good record stores.

The format of the show has each episode introduced by Boris Karloff, who is disarmingly charming with his bon mots about the story to come.  There are two breaks for adverts, which is annoying, but this is commercial TV, so it is to be expected.  Then Mr. Karloff signs off the story with an announcement of the cast.

(6) LAWYER LETTERS GO GENRE. Adweek has the story: “Netflix Sent the Best Cease-and-Desist Letter to This Unauthorized Stranger Things Bar”.

Evidence for this comes from Chicago, where an unauthorized Stranger Things bar recently opened and has since become quite popular. Naturally, Netflix wasn’t OK with this. But instead of firing off a nasty, sharply worded missive, it sent a quite adorable letter to the owners in the style of the Stranger Things universe.

“Danny and Doug,” the letter started out…

My walkie talkie is busted so I had to write this note instead. I heard you launched a Stranger Things pop-up bar at your Logan Square location. Look, I don’t want you to think I’m a total wastoid, and I love how much you guys love the show. (Just wait until you see Season 2!) But unless I’m living in the Upside Down, I don’t think we did a deal with you for this pop-up. You’re obviously creative types, so I’m sure you can appreciate that it’s important to us to have a say in how our fans encounter the worlds we build.

We’re not going to go full Dr. Brenner on you, but we ask that you please (1) not extend the pop-up beyond its 6 week run ending in September, and (2) reach out to us for permission if you plan to do something like this again. Let me know as soon as possible that you agree to these requests.

We love our fans more than anything, but you should know the Demogorgon is not always as forgiving. So please don’t make us call your mom.

(7) THE TRUTH IS OUT THERE. Early in Honest Trailers’ take on Wonder Woman comes this line:

Now, Patty Jenkins bravely asks the question, “What if a female-led superhero movie wasn’t absolute garbage from beginning to end, and had a powerful message for girls: Save the world, look flawless doing it, be a literal god, then men might begrudgingly half-tolerate your presence?”

 

“I pretty much howled,” says Rick Moen, who sent the link, “Fair cop.”

(8) VOICE OF OUR FRIENDS. Last night a thousand people paid tribute to the late June Foray. From The Hollywood Reporter, “Veteran Voice Actress June Foray Remembered by Lily Tomlin, More at Packed Event”.

Billed as “Hokey Smokes! A June Foray Celebration,” the grand gala was produced by animation veterans Mark Evanier, Jerry Beck, Bob Bergen, Howard Green and Tom Sito and ably hosted by Evanier, who was June’s longtime friend and sometime employer.

Among the many eager to pay personal and professional tribute were Nancy Cartwright (the voice of Bart Simpson), Bill Mumy (who spoke of June’s guest appearance on an episode of Lost in Space), animation historian Charles Solomon, Teresa Ganzel (The Duck Factory) and a surprise guest — Lily Tomlin — who won a voiceover Emmy in 2013 the same night June received the Governors Award. Tomlin said of Foray, “The characters she played were so much more than cartoons; they were our friends.” …

Foray was also saluted for her tireless efforts to engender more respect for the world of animation as a founding member of the American branch of ASIFA (Association International du Film d’Animation), which produces the annual Annie Awards, and she is credited with helping to establish the Academy Award category for best animated feature film.

As a grand finale, Evanier invited a number of animation actresses who had been inspired by Foray’s pioneering work to come up onstage and pose for a sort of “class photo” (below) flanking a large portrait of Foray in her natural habitat — seated at a microphone….

Evanier remarked that Foray’s career began in the Golden Age of Radio in the 1930s and continued up to and including video games.

(9) TODAY IN HISTORY

  • September 20, 1979 – The theatrical release was edited down as the pilot episode for TV’s Buck Rogers in the 25th Century
  • September 20, 1985 Morons From Outer Space premiered theatrically on this day.
  • September 20, 1987  — Captain Power and the Soldiers of the Future premiered its first and only season.
  • September 20, 2002 Firefly premiered.

(10) TODAY’S BIRTHDAY BOY

  • Born September 20, 1948 – George R.R. Martin

(11) MALTIN ON ELLISON BIO. Leonard Maltin approves “A LIT FUSE: THE PROVOCATIVE LIFE OF HARLAN ELLISON: AN EXPLORATION WITH EXTENSIVE INTERVIEWS by Nat Segaloff (Nesfa Press)” which is more than I can say ‘til I read it. And maybe then.

Harlan Ellison is one of the most fascinating people I’ve ever met. An author, activist, and professional provocateur, he is incapable of being dull, which makes this book a page-turner almost by definition. His fame in the field of science-fiction obscures other facets of his career, including writing for television and movies. It’s all chronicled in this highly readable profile by a longtime friend and follower. No single book could cover the entirety of Ellison’s life, or reproduce every one of his memorable rants, but Segaloff makes a healthy start in that direction.

(12) QUARTER CENTURY MARK. SyFy Wire continues to celebrate the channel’s 25th anniversary with lists – today “25 people we really miss”.

In the last 25 years, we’ve had some amazing new creators of science fiction, fantasy, and horror emerge – but we’ve lost many true legends in the field along the way, as well. These writers, artists, actors, and visionaries helped to make our world a richer place with the power of their imaginations and continue to inspire us long after they’re gone.

How often are you going to see David Bowie on a list sandwiched between Isaac Asimov and Ray Bradbury?

(13) LOTS TO TALK ABOUT. Amal El-Mohtar sees strengths and weaknesses in Annalee Newitz’ Autonomous: “In A Future Ruled By Big Pharma, A Robot Tentatively Explores Freedom — And Sex: ‘Autonomous'”.

I rarely dog-ear the books I read for review, trusting myself to remember their most notable aspects. I dog-eared enough of Autonomous‘ pages to almost double its thickness, such was the granularity of things I wanted to highlight, praise, and discuss. From startling insights to delicately turned prose to whole passages of unbearably tender musings on the intimate desires of artificial intelligence, there’s much more than I can feasibly talk about here. But here’s some highlights.

Autonomous‘ main interest is the danger our late capitalist modernity poses to personhood, and the intricacies of what it means to be free – from ownership, from programming, from the circumstances of one’s birth. But the parts that enthralled and moved me most – to laughter, to tears – were the musings on sexuality, and the contrast between Jack and Paladin’s respective experiences. Throughout most of the novel, Jack’s relationship to sexuality is written in clinical, chemical terms, a physical means to a physical end; Paladin’s, meanwhile, is explored in intimate, puzzled probings, often starkly contrasted with the extreme violence for which Paladin was built. I loved the contrast between seeing a woman treat sex as casually as an itch to scratch, and a genderless robot building romance and sexuality from first principles, through internet searches, conversations with other AIs, and awkward, fumbling experiments.

(14) BUGS M ‘LADY: Sophia Spencer and Morgan Jackson co-wrote a scientific paper on Twitter, entomology and women in science, after a tweet about Sophia’s love for bugs went viral: “Once Teased For Her Love Of Bugs, 8-Year-Old Co-Authors Scientific Paper”

We were hoping that we could find an entomologist or two, perhaps, that would be willing to talk to Sophie and share a little bit about their backstory,” he said. “We were blown away with the number of people who came charging to help Sophia.” The organization received more than a thousand replies and more than 130 direct messages.

(15) WOMEN IN POP CULTURE. Alexandra Heller-Nicholas takes a victory lap in “Hard Corps: Women in power and the politics of taking action”.

This same toxicity has recently riddled science fiction and fantasy literature as well. In 2015 and 2016, alt-right trolls took aim at the prestigious Hugo Awards and what they perceived as a leftist bias. Women, of course, have long had a forceful presence in this literary domain, particularly those driven by strong ideological motivations: Ursula Le Guin, Margaret Atwood and Octavia Butler to name but a few. And in film, directors including Kristina Buozyte, Kate Chaplin, Kathryn Bigelow, Jennifer Phang and Lizzie Borden have each used science fiction codes and conventions in profound and often diverse ways.

But it is in front of the camera that the genre’s history of strong, active women is the most visible and diverse. Heroine Maria and her evil gynoid doppelga?nger in Fritz Lang’s Metropolis, aggressive sex bomb Jane Fonda as the title character in Roger Vadim’s Barbarella, turbo-mum Sarah Connor from the Terminator franchise, resourceful Katniss Everdeen in The Hunger Games, and – of course – the iconic image of the no-shit-taking woman, Sigourney Weaver’s Ripley from the Alien movies. For starters.

But if we’re going to lift the lid off of this particular Pandora’s Box, it’s worth doing it properly. Representations of strong women in cinema bleed outwards across eras, production contexts and the often blurry lines of film genre itself. Any prehistory of women characters in the recent Star Wars movies – Rey (Daisy Ridley) from The Force Awakens and Jyn Erso (Felicity Jones) from Rogue One – must necessarily look far beyond the terrain of sci-fi itself.

(16) TERMINATOR WILL RETURN. Borys Kit’s Hollywood Reporter story “Linda Hamilton Set to Return to ‘Terminator’ Franchise”, says that James Cameron is producing a new Terminator film, to be directed by Deadpool director Tim Miller.

After waving hasta la vista, baby, more than 25 years ago, Linda Hamilton is returning to the world of Terminator, reuniting with James Cameron, the creator of the sci-fi franchise, for the new installment being made by Skydance and Paramount.

Cameron made the announcement at a private event celebrating the storied franchise, saying, “As meaningful as she was to gender and action stars everywhere back then, it’s going to make a huge statement to have that seasoned warrior that she’s become return.”

With Hamilton’s return, Cameron hopes to once again make a statement on gender roles in action movies.

“There are 50-year-old, 60-year-old guys out there killing bad guys,” he said, referring to aging male actors still anchoring movies, “but there isn’t an example of that for women.”

(17) G AS IN GEEZER. Meanwhile, an octagenarian male hero gets the glory in William Shatner’s Zero-G: Green Space, released September `9.

In the second installment of William Shatner’s Zero-G series, Director Samuel Lord must identify a mole sabotaging the top-secret NASA project aboard the US space station Empyrean, while also fighting a fast-replicating virus that threatens humanity. In the year 2050, the United States sends the FBI to govern its space station, The Empyrean. Under the command of suave, eighty-year-old director Samuel Lord, the “Zero-G” men are in charge of investigating terrorism, crime, corruption, and espionage, keeping an eye on the rival Chinese and Russian stations as well….

(18)  PUNISHER. Nextflix has a new trailer up for the Punisher.

[Thanks to JJ, Meredith, Cat Eldridge, John King Tarpinian, Carl Slaughter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/17/17 You Cannot Move This Pixel. It Is Still Used By A Scroll On Your Computer

(1) JUST DESERTS. Will Collins describes a little-known influence on Frank Herbert’s Dune, in “The Secret History of Dune” at LA Review of Books.

Melange, the hallucinogenic drug at the heart of Herbert’s book, acts as a prerequisite for interstellar travel and can only be obtained on one harsh, desert planet populated by tribes of warlike nomads. Even a casual political observer will recognize the parallels between the universe of Dune and the Middle East of the late 20th century. Islamic theology, mysticism, and the history of the Arab world clearly influenced Dune, but part of Herbert’s genius lay in his willingness to reach for more idiosyncratic sources of inspiration. The Sabres of Paradise (1960) served as one of those sources, a half-forgotten masterpiece of narrative history recounting a mid-19th century Islamic holy war against Russian imperialism in the Caucasus.

Lesley Blanch, the book’s author, has a memorable biography. A British travel writer of some renown, she is perhaps best known for On the Wilder Shores of Love (1954), an account of the romantic adventures of four British women in the Middle East. She was also a seasoned traveler, a keen observer of Middle Eastern politics and culture, and a passionate Russophile. She called The Sabres of Paradise “the book I was meant to do in my life,” and the novel offers the magnificent, overstuffed account of Imam Shamyl, “The Lion of Dagestan,” and his decades-long struggle against Russian encroachment.

Anyone who has obsessed over the mythology of Dune will immediately recognize the language Herbert borrowed from Blanch’s work.

(2) THE STORY THAT KEEPS ON GIVING. Pajiba’s Kayleigh Donaldson is still hot on the trail of the fake bestseller: “The ‘Handbook For Mortals’ Saga Continues As Lani Sarem Goes On The No Apologies Tour”.

Remember Handbook For Mortals, the urban fantasy novel about magic in Las Vegas that catapulted out of nowhere to take the top spot on the New York Times best-seller list? We thoroughly documented the torrid tale of Lani Sarem’s debut novel, which gamed the system through bulk purchases in order to debut at number 1 on the YA list, knocking off Angie Thomas’s mega-hit The Hate U Give. It had everything – scams, Carrot Top, Blues Traveller, Glory from Buffy, the guy from Rookie of the Year, an in development film adaptation with the author set to play the lead role, art theft, and Jasper from Twilight. It was such a fascinatingly layered scam that even the author of the worst fan-fiction of all time came forward to deny any involvement with it.

The book is no longer on the list, and clearly that’s upset Sarem and her team. While GeekNation, the near abandoned geek news website who published the novel, have been silent on the subject, Sarem has gone into PR overdrive to try and scrape together a semblance of goodwill after angering YA fans, the publishing community and John Popper himself. First, the music manager turned author wrote a piece for Billboard. You know, that bastion of publishing, where she defended her actions. Now she’s over at the Huffington Post doing the same….

(3) LOSING A LANDMARK. More coverage about the closing of a historic bookshop (the story is from July): “After 41 years, Berkeley sci-fi bookstore Dark Carnival is closing”.

“Passion or mania would certainly have played a factor,” he wrote. “One long-time friend described him as a ‘business genius,’ though I felt that, due to the nature of small bookstore business, he was actually more adept at responding to crises (financial) which regularly crept up on him.”

Juricich continued: “It was probably the best stocked, most complete store for sci-fi, fantasy, and mystery fiction in most of California, though The Other Change of Hobbit might have given it a run for its money before it, too, finally closed some years ago. I’m sad for the loss of the store to the community and no one could ever blame Jack for not having applied his intelligence and passion to its continued survival, but, much like the business of comic book retail, selling reading matter is an uphill climb.”

As Juricich points out, running a brick-and-mortar bookstore, or indeed any retail business, in the age of Amazon is notoriously tough, and it’s not the first time Rems has struggled with Dark Carnival. In December 2013, he put out a public plea to the community, writing: “No other way to say this. We need your help. To our staunch supporters: it’s thanks to all of you that we’re still here. Please, if you have any shopping to do, now and for the holidays, do some of it here… P.S.: If you’re broke, and believe me I understand, please come in anyway, say hi, hang out, I’ll give you something good to read, no charge.”

(4) NIGHT OF THE LIVING AUTHORS. Jeff VanderMeer told Facebook readers about his nightmare:

I had this horrible dream last night that I was the host of the World Fantasy Award ceremony, but this was sometime in the future when there were 1,200 categories instead of the dozen or so there are now. And the banquet hall was so huge and I had no assistant, so I had to ride a tiny tricycle (!?) to the back of the hall each time before announcing a winner….

And it gets worse/funnier after that.

(5) LIVE FROM NEW ZEALAND. Well, it was a live performance – now hear Seanan McGuire’s LexiCon concert online.

Did you miss Seanan McGuire’s concert on Saturday night – or enjoy it so much you want to listen again? We recorded it for you and it’s now on YouTube! You can hear Seanan – accompanied by local fans Daphne Lawless of Vostok Lake and Alastair Gibson.

 

(6) ABOUT THOSE SUPPORTING CHARACTERS. In From a Certain Point of View (Star Wars),  Random House Audio Publishing invites fans to “experience Star Wars: A New Hope from a different point of view.” All participating authors have donated their proceeds to charity.

On May 25, 1977, the world was introduced to Han Solo, Luke Skywalker, Princess Leia, C-3PO, R2-D2, Chewbacca, Obi-Wan Kenobi, Darth Vader, and a galaxy full of possibilities. In honor of the fortieth anniversary, more than forty contributors lend their vision to this retelling of Star Wars. Each of the forty short stories reimagines a moment from the original film, but through the eyes of a supporting character. From a Certain Point of View features contributions by bestselling authors, trendsetting artists, and treasured voices from the literary history of Star Wars:

  • Gary Whitta bridges the gap from Rogue One to A New Hope through the eyes of Captain Antilles.
  • Aunt Beru finds her voice in an intimate character study by Meg Cabot.
  • Nnedi Okorofor brings dignity and depth to a most unlikely character: the monster in the trash compactor.
  • Pablo Hidalgo provides a chilling glimpse inside the mind of Grand Moff Tarkin.
  • Pierce Brown chronicles Biggs Darklighter’s final flight during the Rebellion’s harrowing attack on the Death Star.
  • Wil Wheaton spins a poignant tale of the rebels left behind on Yavin.

Plus thirty-four more hilarious, heartbreaking, and astonishing tales from: Ben Acker • Renée Ahdieh • Tom Angleberger • Ben Blacker • Jeffrey Brown • Rae Carson • Adam Christopher • Zoraida Córdova • Delilah S. Dawson • Kelly Sue DeConnick • Paul Dini • Ian Doescher • Ashley Eckstein • Matt Fraction • Alexander Freed • Jason Fry • Kieron Gillen • Christie Golden • Claudia Gray • E. K. Johnston • Paul S. Kemp • Mur Lafferty • Ken Liu • Griffin McElroy • John Jackson Miller • Daniel José Older • Mallory Ortberg • Beth Revis • Madeleine Roux • Greg Rucka • Gary D. Schmidt • Cavan Scott • Charles Soule • Sabaa Tahir • Elizabeth Wein • Glen Weldon • Chuck Wendig

Narrated by a full cast, including: Jonathan Davis, Ashley Eckstein, Janina Gavankar, Jon Hamm, Neil Patrick Harris, January LaVoy, Saskia Maarleveld, Carol Monda, Daniel José Older, and Marc Thompson.

All participating authors have generously forgone any compensation for their stories. Instead, their proceeds will be donated to First Book—a leading nonprofit that provides new books, learning materials, and other essentials to educators and organizations serving children in need. To further celebrate the launch of this book and both companies’ longstanding relationships with First Book, Penguin Random House has donated $100,000 to First Book, and Disney/Lucasfilm has donated 100,000 children’s books—valued at $1,000,000—to support First Book and their mission of providing equal access to quality education. Over the past sixteen years, Disney and Penguin Random House combined have donated more than eighty-eight million books to First Book.

And the contributors have been hyping the book with designer pull quotes.

(7) TODAY IN HISTORY

  • September 17, 1978 — The original Battlestar Galactica premiered on television on this date.

(8) COMICS SECTION.

(9) PAY TO PLAY. Gabino Iglesias, in “Submission Fees are Classist as Fuck”, delivers an invigorating rant, but it’s just as full of holes as the cases he’s criticizing.

  1. “It’s really about gatekeeping”

If you don’t want to read bad fiction/nonfiction/poetry, don’t edit a book/magazine/blog/journal. Bad writing is to the writing game what dirty teeth are to dentistry; it will happen all the time, the only that varies is the level of awfulness. Submission guidelines, genre specifications, and word counts should help you do your precious gatekeeping. If you need to rely on charging writers $30 to enter your chapbook contest in order to keep what you think are bad writers away, know these two things: having money has absolutely nothing to do with having writing chops and your fees, not to mention your bland gatekeeping excuse, are nothing but classism in action. I’ve also heard that charging writers is just a way to “reduce the workload for overworked editors.” Get the fuck outta here with that. You’re sitting in front a computer because you want to, not working in the mines. Don’t want to edit? Don’t be an editor. There’s a ton of jobs out there that need to get done that don’t involve the arduous task of having to deal with a huge slush pile.

(10) TALK ABOUT YOUR WORK. The Kingsman “funny dinner” movie clip —

(11) OUTRAGED. Lou Antonelli issued a strong challenge to Chris Barkley’s column posted yesterday at Amazing Stories, in particular the part where he was named:

“Their views vastly contrast with The Rabid Puppies, primarily represented by Theodore Beale (aka Vox Day), John C. Wright and Lou Antonelli, they are unabashedly and enthusiastically racist in their worldview and their fiction. They believe a white male hegemony over all peoples of color, women and the LGBTQ community is the best course for the human race AND any aliens we may encounter, to put it mildly.”

Ok, I don’t know what kind of stupid bullshit rumors have wafted through Mr. Barkley’s empty cranium, but it is specious to lump me in with Vox Day and John C. Wright. Plus to claim I am “unabashedly and enthusiastically racist” in my worldview is simply libelous. I dare this hatemonger to point to anything I have ever said or did that was racist – because I’m not. As the first generation non-white child of an illegal immigrant, I have always felt revulsion towards ethnic and racial prejudice – I have been on the receiving end, believe me….

…Just to make my position on racism clear, I’m a Christian. God made man – all men: White, Black, Brown, Yellow, Red, whatever. A racist is God-defiant. He’s putting himself above God by saying God made a mistake. A racist does the Devil’s work.

(12) DANIEL JOSE OLDER NOVEL REVIEWED. Amal El-Mohtar reviews Older’s Shadowhouse Fall for NPR: “In ‘Shadowhouse Fall,’ Magical Threats Map Real-World Peril”.

Everything I loved about Shadowshaper is found in Shadowhouse Fall, but sharper and fiercer, pushed harder and farther. The love and loyalty Sierra and her friends feel for each other is all the more affecting for being forged in fire: They walk through metal detectors into school every morning, endure and resist casual assaults on their personhood and bodies in relentless routine. As with Shadowshaper, the parts I loved best were the characters, the exuberance of these people’s voices, the intimacy and honesty of their interactions. I loved seeing more of Sierra’s relationship with her best friend Bennie, more of Izzy and Tee’s romance, more of Juan and Pulpo’s devotion to each other. All of these relationships are complex and full of friction, and the sparks they give off illuminate important facets of the story.

(13) DOESN’T PASS GAS. A new type of space drive? “Will This ‘Impossible’ Motor Take People to Other Planets?”

When NASA one day sends humans to Mars, the journey could take six to nine months each way. But there’s a highly-experimental device being developed that could help get us there in less than half that time — if it really works.

A small lab at NASA is creating a motor to propel ships through space much faster than today’s conventional rockets can. Decades from now, a trip to Mars might take mere weeks, without burning any fuel. The only problem? The motor seems to violate the laws of physics.

To power a spacecraft, a propellant is ejected out of the rocket’s end, because you can’t accelerate forward without pushing back against something. But NASA’s alternative gadget, called an EM drive, would generate thrust without the need to belch exhaust. And dropping the weight from fuel could make ships much lighter and space travel more efficient.

(14) SPACE SNAPPERS. The BBC has “In pictures: Astronomy Photographer of the Year 2017”, with the winning picture and many runners-up:

The winning images from this year’s competition have now been announced, with Artem Mironov’s vibrant clouds of dust and gas in the Rho Ophiuchi Cloud Complex scooping first place.

(15) IG NOBELS. SJW Credentials studied: “Ig Nobels Awarded For Research Into Big Ears, Feline Fluidity”.

Can a cat be both a liquid and a solid? Does contact with a crocodile influence a person’s willingness to gamble? And do old men really have big ears?

Those are just a few of the questions studied by scientists who received Ig Nobel Prizes at Harvard University on Thursday, at the less-than-prestigious ceremony put on by the otherwise-august institution for the past 27 years.

“Each winner has done something that makes people laugh, then think,” said Marc Abrahams, who founded the awards in 1991 and writes for the decidedly non-peer-reviewed journal Annals of Improbable Research.

The complete list of winners is available from Improbable.com.

(16) MAKES THEM WONDER. The Columbian believes “Jenkins the future of DC movies, but not the way you think”.

Jenkins will lead WB/DC into a future where story comes first, not multimovie connectivity. Yes, the potential of “Justice League” movies is exciting, but every single DC film doesn’t have to be a two-hour commercial for the super-team’s gathering. “Wonder Woman” taking place in the past — far away from Batman, Superman, Doomsday and horrible Daily Planet story-budget meetings (why is Clark Kent going from the city beat to covering football?) — was the best thing that could have happened to DC. It showed that singular stories and a strong supporting cast are more important than movie-universe building.

Jenkins also showed the power of having DC Entertainment president Geoff Johns, formerly one of DC Comics’ top comic-book writers who now spends most of his time on the movies, at her side. As the new president, “Wonder Woman” was the first DCEU movie where Johns could provide his superhero storytelling skills in a more authoritative way.

(17) VIDEO OF THE DAY. “Auto Nom” by Foam Studio is a silly story about all the fun a yellow Mercedes-Benz has in the city.

[Thanks to Rich Lynch, Carl Slaughter, Chip Hitchcock, Cat Eldridge, JJ, Hampus Eckerman, Martin Morse Wooster, ULTRAGOTHA, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 9/3/17 The Alpha Ralpha Boulevard Of Broken Dreams

(1) WESTEROS IN FERMENT. John King Tarpinian found these vintage wines languishing on the shelf at Pier One Imports.

(2) THE BEST WINE YET. You’ll find the rest of Ted Gioia’s essay on Dandelion Wine at Conceptual Fiction.

These efforts reached their culmination in Bradbury’s ambitions for a big “Waukegan novel,” which he sent to his publisher at the end of 1956.   Years later, the writer’s wife Maggie would mention that Dandelion Wine was Bradbury’s favorite among his books—although the author himself was more coy.  “They are all my children.  You can’t pick favorites when it comes to children.”   But if you have any doubts about how closely Bradbury identifies with this work you need merely look at is protagonist Douglas Spaulding, whose very name makes clear that he is the author’s alter ego:  Bradbury’s middle name is Douglas, and his great-grandmother’s maiden name was Spaulding.   Here in Green Town, Illinois—the stand-in for Waukegan—we follow in this boy’s path during the summer of 1928.

(3) HOPS TO IT. Woodbridge, Virginia’s Heroic Ale Works has all of their beers branded as superhero characters.  They brewed Escape Velocity Ale for the Escape Velocity convention sponsored by the Museum fo Science Fiction, which was held in Washington between September 1-3. See all the beer labels at the link.

You’ve tasted the beers, now get to know the stories behind the characters in the brand new, original ‘Heroic Aleworks Presents’ comics created by the owners of Heroic Aleworks, featuring artwork by talented artists from around the world.

(4) DEL TORO. Deadline, in “Guillermo Del Toro’s ‘The Shape Of Water’ Shines Bright In Lido Embrace – Venice”, says the director’s new SFF movie received an enthusiastic response at an Italian festival:

Guillermo del Toro gave the Venice Film Festival press corps a giant hug this morning, while also tugging — hard — at heartstrings. The press is hugging back. The filmmaker’s lyrical period fairy tale The Shape Of Water was met with sustained applause (and a fair amount of tears) as the lights rose in the Sala Darsena earlier today. Reviews that have followed are glowing, and this afternoon’s press conference was slightly delayed when reporters wouldn’t stop hooting and hollering as the filmmaker and his cast took their spots on the dais.

(5) THE SHARKE BITES. Megan AM summarized her experience as a Shadow Clarke juror in “SFatigued”. A good friend sent me the link, asking for my help in identifying who she’s talking about here. Thanks, pal!

In my mind, it was the American commentary that became the strangest and most unexpected turn of events. Suddenly, people from different corners of the USian SF blogosphere–people who admitted they never cared about or even paid attention to the Clarke Award before–suddenly had a lot to say and feel about open criticism aimed at what is becoming a corporatized award process– it appearing to be an industry award, rather than the critical award it was originally intended to be– all things they knew nothing about and took no time to comprehend. These people had a lot to say, not because they cared about the Clarke, but because… they could sense that some Sharke criticism might be aimed at their faves. And rightly so.

These people had a lot to say because they are not stupid. They are intelligent people who know exactly why something that should have nothing to do with them might feel a little bit threatening: They know their faves are not actually amazing, that they are actually inherently problematic, superficial, simplistic, dumbed down, and NOT award worthy. They know it because it is just that apparent. (And hardly worth the word count the Sharke jury spent on those books). They did not want to face it. Because they need it to feel safe. (And I get that. I really do. This is, after all, an important social sphere for many people.)

But the USian defensiveness was palpable. The stale, conservative watering hole for Hollywood Tonight-style SF news updates chronicled the Sharke process while its commenters huffed and puffed and said, “not gonna even waste my breaf on it” (but still did). Massively successful workshop authors who don’t seem to read much more than other massively successful workshop authors unloaded words about how readers like me will never appreciate the art of their simplicity (and then back-patted each other for how comforting and original they all are). (Comforting AND original! In the same sentence!) The young, white, feminist LGBTQ contingent–MY PEOPLE, goddammit–missed the big picture, as usual, because they benefit from the back-scratching, because they’re afraid to demand more of publishers and writers (because they’re afraid to demand more of themselves).

(6) SF IN POLAND. Marcin Klak, the Fandom Rover, in his Polcon report, tells who won the Janusz A. Zajdel Award:

Janusz A. Zajdel Award

The ceremony of this most prestigious Polish SF award was very simple this year. It did not include any artistic performances and was in fact just an announcement of the winners. Still, as each year, it was a very important part of the con. The results are as follows:

Best Novel

Krzysztof Piskorski — Czterdziesci i cztery (Forty and four)

Best Short Story

Lukasz Orbitowski and Michal Cetnarowski — Wywiad z Boruta (Interview with Boruta devil)

(7) FUR AND FEATHERS OVERRATED? The Guardian reports an Interesting study on the use of anthropomorphic animals in children’s books — “Children’s books with humans have greater moral impact than animals, study finds”.

Forget the morals that millennia of children have learned from the Hare and the Tortoise and the Fox and the Crow: Aesop would have had a greater effect with his fables if he’d put the stories into the mouths of human characters, at least according to new research from the University of Toronto’s Ontario Institute for Studies in Education (OISE).

In the Canadian study, researchers read one of three stories to almost 100 children between four and six years old: Mary Packard’s Little Raccoon Learns to Share, in which anthropomorphic animals learn that sharing makes you feel good; a version of the story in which the animal illustrations were replaced with human characters; or a control book about seeds.

(8) TODAY’S DAY

Pet Rock Day

Launched in the 1970s by advertising executive Gary Dahl, the pet rock was an antithesis to those living pets in need of regular care. It did, however, come with a mean “attack” mode. For a mere $3.95 people could adopt their very own rock, supplied on a bed of hay in an well-ventilated box. Like all things, pet rocks are more expensive these days, but you could always catch a wild one for free – just remember that undomesticated rocks may be more difficult to handle.

(9) TODAY IN HISTORY

  • September 3, 1976 — Viking 2 lander touched down on Mars at Utopia Planitia.

(10) COMICS SECTION. John King Tarpinian found today’s Close To Home is a moving experience.

(11) DRAGON CON ART SHOW. The Daily Dragon tells us the winners of the “2017 Dragon Con Art Show Awards”.

(12) WONDER OF THE WORLD. The Daily Dragon also covered “Life, Lust, and Laughs with John Barrowman”.

From his sparkling, shining star–filled entrance to his final innuendo, John Barrowman had the 7PM capacity crowd in the Hilton Grand Ballroom alternately in stitches and in awe. No one was safe from his star power.  His costume designers from Elhoffer Design were the first to feel his special brand of love, being unwittingly pulled on stage to celebrate his Wonder Woman outfit, complete with sparkling cape, tiara, and booty shorts. Their designs for Barrowman never cease to shock and amaze.

(13) DRAGON AWARDS CLIPPINGS. Here are miscellaneous reports and reactions to today’s Dragon Awards announcement.

More than 8,000 fans cast ballots for Dragon Award winners among 88 properties in 15 categories covering the full range of fiction, comics, television, movies, video gaming and tabletop gaming.  Winners were announced on Sept. 3 at Dragon Con, which runs September 1 to September 4, 2017 in Atlanta.

In all seriousness, congrats to Cory Doctorow on his win for “Walkaway”. The sequel to “A Place Outside The Wild” — “A Place Called Hope” — should be out in six weeks or so, and then I’ll be starting work on the follow-up to “Fade”, “Night’s Black Agents.”

Congratulations to the administrators of the Dragon Awards. In just two short years, you have ascended to the pinnacle and I feel you’ve only just got started. There may not be one of those incredible Dragon Awards sitting on my mantle (yet) but I am honored and humbled by the fact that I am, and will always be, a Dragon Award Finalist.

If I was the Dragon Award organisers I’d be happy with the results. Mainly safe choices that avoided rewarding poor behaviour.

First, I’d like to congratulate all of the nominees for the Dragon Awards. I had friends, both from cyberspace and meatspace, on the ballot. I’m sorry they didn’t win.

And now, I have a confession to make.

I didn’t vote this year. I didn’t vote for the Gemmells either.  Before anyone starts screaming about hypocrisy and double standards, I had a very good reason for not voting.

I didn’t read any of the nominees.

I’m not going to vote on a ballot when I haven’t read at least some of the titles under consideration.

  • John Scalzi had this to say:

  • Annalee Flower Horne condemned the proceedings out of hand, as did Lady Business’ Renay, and D. Franklin.

  • Here are assorted other tweets:

(14) KAYLON IN COSTUME. At ScreenRant, “Mark Jackson Says The Orville Is For ‘Disgruntled Star Trek Fans’”.

Seth McFarlane’s new TV show The Orville is about to hit TV screens with a stellar cast including Scott Grimes, Victor Garber, Adrianne Palicki and British actor Mark Jackson. …

So how did you film your scenes? Did you pull an Andy Serkis in a motion capture suit?

No it was me in that suit, and Seth specifically wanted that. When he was doing the Ted films, he was there giving the lines and he wanted that for this show too. I have never done anything like that before, it brings its own challenges, but to get it right you have to be in the suit and match what they’re doing. What was nice about the show is that it has a retro feel, which kind of harks back to the original Star Trek with the colors and innocence. I think Isaac is classic but not like C-3PO, even though at first I thought maybe he could be like that. He’s very fluid, he’s an efficient machine rather than being rigid.

How is Seth to work with? Is it anything like you have experienced before?

He has a real respect for acting and the craft of acting, he’s a man of many talent who is very supportive. It’s very funny when you meet such a comedic genius because you think they’re going to be really funny all the time, and then you feel like you have to be funny too, and it escalates into this shit show of funniness, but he’s not like that. He’s very bright, which can be quite intimidating, and knows exactly what he wants for the show, so is good at articulating that. We actually had a wrap party a few days ago at Seth’s house up in Beverly Hills, which is obviously fantastic, but the man knows how to throw parties. He turned his entire garden, I think he’s renovating at the moment so he could, into a spaceship bar, it was extraordinary. All of the waiting staff were done up like aliens in full prosethetics and there was a full ice sculpture of a spaceship as you walked in. That was very Hollywood, I feel.

(15) UP ABOVE THE WORLD SO HIGH. She’s back — “Record-breaking U.S. astronaut and crew back on Earth”.

NASA astronaut Peggy Whitson and two crewmates made a parachute touchdown in Kazakhstan on Saturday, capping a career-total 665 days in orbit, a U.S. record.

Whitson, 57, ended an extended stay of more than nine months aboard the International Space Station, a $100 billion research laboratory that flies about 250 miles (400 km) above Earth.

”I feel great,” the biochemist said during an inflight interview on Monday. “I love working up here. It’s one of the most gratifying jobs I’ve ever had.”

During her third mission aboard the station, Whitson spent much of her time on experiments, including studies of cancerous lung tissue and bone cells. She also completed four spacewalks, adding to her six previous outings, to set a record for the most time spent spacewalking by a woman.

(16) NO WONDER. Professor Marston and the Wonder Women is a biopic about the creator of the comic and his marital relationship. In theaters October 13.

Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive’s feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston’s children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman’s creation.

 

(17) GET OUT OF JAIL FLEE. Infinity Chamber will be released September 15.

A man trapped in an automated prison must outsmart a computer in order to escape and try and find his way back to the outside world that may already be wiped out

 

[Thanks to John King Tarpinian, Martin Morse Wooster, Carl Slaughter, JJ, David Langford, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]