Proposal: that there should be a permanent Hugo Tech Working Group. Guest Post by Doctor Science

Mini Hugo rocket carried into space and photgraphed by astronaut Kjell Lindgren in 2015.

By Doctor Science: This is a first draft. I don’t know all the arcane rituals for submitting something to the WSFS Business Meeting, but I hope to get to that in due course.


Proposal: that there should be a permanent Hugo Tech Working Group

This Working Group shall be answerable to the WSFS, either in the form of the Business Meeting, or in the form of some other committee or group.

The Hugo Tech Working Group (HTWG) doesn’t set rules for the Hugo Awards software, it actually does the work (hence the name). The HTWG is not a directly elected group, but it must report and be answerable to elected groups. The HTWG will include:

  • one or more “Gurus”: people who had a major role in writing the open-source software currently being used (hi Chris!)
  • one or more “Scribes”: responsible for documentation, manuals, and reports
  • 1 person from Worldcon N-1
  • at least 3 people from Worldcon N
  • 2 people from Worldcon N+1

where N is the current Worldcon.

The “Hugo Awards software” is whatever performs the following functions:

  1. validates that a given person has the right to nominate or vote. This is a function of the registration system, which is handled by Worldcon N
  2. accepts nominations
  3. canonicalizes nominations, i.e. makes names uniform
  4. calculates finalists
  5. accepts final ballots
  6. calculates winners

What problems am I trying to solve with this proposal?

One of the (many) shocking revelations in Chris Barkley’s interview with Dave McCarty was that the software McCarty wrote to determine the final ballot was erroneous, and he knew it: “The SQL query from from the data for the ballot counts in each category actually has a fucking flaw and it’s and it’s mistaken.”

I said, “Why is Dave talking about SQL? Is each Worldcon re-inventing the vote-counting wheel?”

Chris Rose/Chris_R/offby1, who’s worked on the software for numerous Worldcons, replied:

in my observation, convention committees all seem to have at least one person on them, in a position of authority, who wants to be the one to invent the software suite to rule them all that will solve all future fannish endeavours henceforth. I’ve seen it result in thousands of hours of volunteer software development in the short time I’ve been in this community, and I don’t foresee it [stopping].

Then Mary Robinette Kowal said she’d learned that McCarty had not only written his own Hugo Awards software, but it’s proprietary, he won’t show anyone else the code.

Unlike what we’ve had so far, the Hugo Awards software (HAS, hereafter) needs to have these characteristics:

transparency: HAS cannot be a black box. It has to be clear to qualified nerds (of which SFF fandom has a plethora) how the results are generated, at each step. This almost certainly means it has to be an open-source project. I understand that many major tech companies have vampiric employment contracts that make it impossible for their workers to contribute to open-source projects on their own time, but this shouldn’t be a limiting problem for the WSFS. We are literally Nerd Central, we can cast a net a little wider than the Usual Suspects and find people who aren’t hamstrung by their employers.

checkability: it must be possible for each step to be audited. It must be possible for a recount to take place, if necessary. This would mean coming up with some way to break the connection between a particular ballot and the person who cast it, something comparable to the separation of a mail-in paper ballot from its identifying envelope.

dependability: if HAS worked in year N, it should work in year N+1. Voters and conrunners should be able to treat HAS as a reliable utility, not a box of surprises.

flexability: it should be possible to make small modifications and extensions to HAS without starting over. This is another reason it probably has to be some variety of open-source project.
Every decade or two technical debt and technological change will probably mean that HAS will need to be re-done, but since the Working Group has a lifespan longer than that of a single Worldcon, the project will have a chance to be done rationally.


I’m making this proposal because I don’t have a horse in this race. I don’t have the technical experience to work on HAS, but I’ve been married to a guru-level database and software consultant for 35 years, I used to develop websites, I understand the desire to be the Mighty Wizard of HAS. But I can see that this desire to be perfect has been the enemy of the good, and at times even the functional.

So one big purpose of a Hugo Tech Working Group is to make HAS boring, to discourage people who have a Grand Vision while encouraging those who just like to do work that gets done. It makes it lower-stakes, maybe even reducing the load on the Worldcon tech team, so they can do a better job and yet still have time for fun, without massive burnout (a gal can dream).

Structurally, people have been talking about splitting WSFS Worldcon functions from Hugo Awards functions. The HTWG would be part of the Hugo Awards half, but mostly staffed by people from Worldcons.

My idea is that most of the HTWG staff are the tech people from current Worldcon N, the ones who set up the software, run it, do the hand-checking for canonicalization, and so forth. There’s one person from Worldcon N-1, whose job is to say “this is what we did last time that worked, this is what we tried that didn’t work.” There are also 2 people from Worldcon N+1, who are there to learn the ropes and to start setting up their instance of HAS.

The real working group part of the HTWG comes when HAS has to be modified. The Gurus are there to know the details of the code, what’s actually easy or difficult to do with this software, Worldcon N-1 person to talk about what changes would have helped most, Worldcon N+2 people to talk about problems they see on the horizon.

Mr Dr Science advises me that this is the sort of situation where holy wars can start, which I’m sure is part of why HAS has kept being changed in the past. I’m eager for advice on how to structure the HTWG to avoid holy wars and other purity contests, so that it keeps focused on: Does this work? Is it transparent, checkable, dependable? Does the HTWG need non-technical members or overseers, for instance?

I eagerly invite comments and suggestions, especially on how to structure this proposal for presentation at the Business Meeting in Glasgow. For instance: can it be presented as a stand-alone, or does it go as a subset of some larger Splitting-the-WSFS proposal? Is the position of Scribe necessary, to do the documentation, put together reports, etc?

Some objections that have already been raised:

When I first made this suggestion on File770, Nicholas Whyte said:

It is my firm belief that institutionalising tech solutions for WorldCons in a standing committee, as proposed above, will be disastrous. It will blur accountability and demotivate volunteers. … The “permanent Tech Team” already exists informally. The pool of knowledge is not wide but it is deep.

I’m not sure what about the HTWG he was objecting to, or if he was talking about something in the discussion more generally.

As proposed, the core of the HTWG is the tech subcommittee from Worldcon N. Yes, it constrains them, by saying “this is the software suite we’ve been using and that you’re going to have to use”, but it also helps them, bringing them in as soon as they win the bid, listening to their needs and suggestions, training them, and making them part of the Tech Team in a way that’s *not* informal and based on friendship networks. Informal networks are great if you’re not being covered by major news outlets, but we’ve passed that point.

Montréal in 2027 Worldcon Bid Announced

Palais des Congrès in Montréal

A committee led by Terry Fong has been formed to bring the 85th Worldcon to Montréal, Québec, Canada in 2027. Here is today’s press release:


The 67th Worldcon in 2009 in Montréal was the last Canadian Worldcon and Montrealers will be happy to see it return. We are bidding to bring the convention to the Palais des Congrès from September 2-6, 2027.

The bid is led by Terry Fong, a Montréal native and a veteran of several Worldcon organizing committees. The bid proposes to use the Palais des Congrès, the same venue that hosted the successful 67th Worldcon in 2009 as the main convention site.

Montréal is the largest city in Québec and the second-largest in Canada, with a population of over four million people. It is a bilingual and multicultural city, with French and English as the official languages, and a rich history and culture that reflects its diverse origins. Montréal is known for its festivals, arts, cuisine, nightlife, and attractions, such as Old Montreal, Notre-Dame Basilica, Mont-Royal Park, Olympic Stadium, and the Montréal Botanical Garden. Montréal is also a hub for science fiction and fantasy, with several authors, publishers, conventions, and fan groups based in the city. 

The vote for the 2027 Worldcon will be held at the 2025 Worldcon, in Seattle, WA, USA, which will be held from August 13-17, 2025.

The Montréal 2027 bid committee invites all interested parties to visit our website, follow us on social media, and support our bid. The bid committee will also be present at various conventions and events to promote the bid and answer questions. 

The bid will be at its first event at Boskone 61 in Boston, MA, USA, from February 9-11, 2024.

More information can be found on our website or by contacting us at [email protected].


There is one other announced bid for 2027 — WorldCon 2027 in Tel Aviv, Israel.

[Based on a press release.]

Pixel Scroll 1/29/24 I’m All Lost In The Pixel-Market, I Can No Longer Scroll Happily

(1) SIC SEMPER HEAVENLY TYRANT. [Item by Anne Marble.] Xiran Jay Zhao’s social media offers a window onto their problems with the publisher of their next book, Heavenly Tyrant. They began on January 24 with these messages:

Then today, Xiran Jay Zhao implied that their publisher threatened legal action over those X.com. posts

And later:

In response to some of these posts, horror & SFF writer Zachary Rosenberg suggested at this point, Xiran Jay Zhao should get a lawyer and stop posting to protect their interests.

The hardcover was published by Penguin Teen. (Wikipedia says that they signed with Penguin Teen Canada. I’m not sure if they had a separate U.S. edition.) The paperback is published by Tundra Books, an imprint of Tundra Book Group, which is part of Penguin Random House of Canada Limited. The author lives in Canada.

(2) LUKYANENKO ENDORSES PUTIN. Well, what else did you think the Chengdu Worldcon’s absent guest of honor was going to do? “Писатель Сергей Лукьяненко поддержал решение Владимира Путина участвовать в выборах” at Звездный Бульвар (Star Boulevard) — “Writer Sergei Lukyanenko supported Vladimir Putin’s decision to participate in the elections”.

The collection of signatures in support of Vladimir Putin’s participation in the presidential elections continues in Moscow. The famous Russian science fiction writer Sergei Lukyanenko spoke about his support for the candidacy of the current president in Moscow today in a conversation with journalists from the Moscow News Agency.

“I support Vladimir Putin’s decision (to nominate his candidacy for the presidency). I think that the changes in the country are visible to everyone who has lived at least more than 20 years,” he said….

(3) DON’T SAY WORLDCON. This odd phenomenon in Chinese social media was reported earlier today. Later it was learned the ban only affected one group.

(4) FURRY CON STAFF UPRISING. [Item by Patch P.] There’s turbulent convention organizing, and then there’s having staff resign in protest to force a leadership change: “Grassroots action: Leadership changes and weeding out hate at Garden State Fur The Weekend”. Dogpatch Press has the full story, which begins —

Garden State Fur The Weekend is an upcoming furry convention set for May 3-5, 2024 in New Brunswick, New Jersey. With their launch only months away, something unusual happened. GSFTW posted an official statement about opposing hate and Nazi-fur groups….

It was followed by an announcement of the con chair stepping down and a new one stepping up. It blames medical issues of the ex-chair, Dashing Fox. Dogpatch Press wishes good health to him. The story could end there, but unofficially, the change was forced by staff resignations. You’re seeing the aftermath of revolt behind the scenes, then getting back on track for launch. Yes, they stood up with the power of collective will to change the leadership for the better….

…Let’s not beat around the bush about why staff resigned to uproot the ex-chair: He actively associated with the Furry Raiders. They are a nazifur group who wither everything they touch. Their ties to alt-right hate groups and criminal schemes could fill a book….

(5) RABBIT TESTERS. Michael Grossberg opens a discussion of “Rabbit Test: Samantha Mill’s story, which swept this past year’s sf awards, has been hailed as libertarian (But that depends on your view of its central issue.)” on the Libertarian Futurist Society’s Prometheus Blog. One learns from his post there are people who classify themselves as Libertarians and do not agree with a woman’s freedom to choose to have an abortion. However, the post doesn’t explain whether that is on religious grounds, or why.

…That story is “Rabbit Test,” by Samantha Mills.

According to at least one veteran libertarian sf fan, Mill’s story fits the distinctive focus of the Prometheus Award.

“The well-written story has a strong individual-liberty theme,” said Fred Moulton, a now-retired former LFS leader and Prometheus judge.

But does it?…

…That’s been a hot-button issue even within the libertarian movement. Since libertarianism began to be popular in the 1960s and 1970s, most libertarians have supported a woman’s right to abortion (perhaps influenced partly by Ayn Rand, whose novels and essays helped spark the modern movement).

Yet, some libertarians have always disagreed, even while being consistently “pro-choice” on everything else that doesn’t violate the basic libertarian principles of non-aggression….

(6) GASTRONOMICAL AND OTHER BALONEY. In “Around the World in Eighty Lies”, The Walrus reveals an Atlas Obscura contributor’s mystifying pattern of fabricated facts.

THE STORY WAS CHARMING: a short article about soups, continually replenished for decades, secreted in jars across oceans. The soups, according to one source, were “older than Taylor Swift.” I devoured the article, published in December 2022 on Atlas Obscura, an online publication billed as “best-in-class journalism about hidden places, incredible history, scientific marvels, and gastronomical wonders,” and texted it to a few soup-obsessed friends. Then I forgot about it for months until the weather turned chilly and I pulled up the link again, only to notice the article had changed. An italicized editor’s note had been added to the top, which began: “This article has been retracted as it does not meet Atlas Obscura’s editorial standards.” The note went on to state that multiple details and interviews had been fabricated.

Intrigued, I did a Google search for the author, Blair Mastbaum. His social media profiles and Wikipedia page suggested an American writer in his mid-forties, very active on Instagram, where he posted captionless photos of his travels in Europe. Mastbaum had written ten other articles for Atlas Obscura, eight of which, it turned out, had similar retractions. Topics ranged widely: acoustic archeology, Hawaiian cultural appropriation, an obscure dialect of sign language. Mastbaum’s first retracted story had been published in January 2022; the last one more than a year later….

(7) ONE THUMB UP. [Item by Steven French.] For folks in Chicago, a “Science on Screen” series that includes Godzilla, Don’t Look Up, Contagio and War Games at Siskel Film Center from February 9-12.

It’s the end of the world as we know it…and, if we’re being honest, we could use some help in feeling fine. From pandemics to nuclear war, from planet-pulverizing meteors to a city-smashing monster, these films explore all the ways we’re risking destruction. Watch the films with experts from the Bulletin of the Atomic Scientists, keepers of the Doomsday Clock, to discuss the end times—and how we can avoid them. Presented in partnership with the University of Chicago Existential Risk Laboratory, the Japanese Cultural Center (JCC), and the DePaul Humanities Center. Additional speakers to be added.

(8) WHAT WHO’S FIGURES WERE. [Item by SF Concatenation’s Jonathan Cowie.] This month’s SFX magazine has the final low-down on Britain’s Doctor Who viewing figures which now includes 7-day catch-up views. (Remember, for comparison the US has five times the population of the UK.)

First up, The Goblin Song by Murray Gold reach number one on the iTunes chart on the day of its release and no12 in the official single sales chart that week and number six on the official singles download chart and number four on the official top 40.

Doctor Who ‘The Star Beast’ consolidated at 9.5 million viewers including catch-up. Overnights for ‘Wild Blue Yonder’ were 4.83 million with 7.14 million adding in 7-day catch-ups. ‘The Giggle’ obtained 4.62 million overnight and 6.85 million with 7-day catch-ups added in.  ‘The Church on Ruby Road’ was the most watched scripted show (which excludes things like the King’s address to the nation) on Christmas day with 4.73 million viewers which increases to 7.49 million with 7-day catch-ups added in.

(9) BRIAN LUMLEY (1937-2024). Horror Writers Association Lifetime Achievement Award winner Brian Lumley died January 2 his website has reported. He came to prominence in the 1970s writing in the Cthulhu Mythos featuring the new character Titus Crow, and in the 1980s began the best-selling Necroscope series, initially centered on character Harry Keogh, who can communicate with the spirits of the dead. His other series included The Primal Lands, Hero of Dreams, and Psychomech. He wrote around 60 books and many works of short fiction.

Lumley also had a 22-year career as a Royal Military Policeman. He is survived by his wife, Barbara Ann (Silky) Lumley, his daughter Julie and many grandchildren and great grandchildren.

Brian Lumley at 1992 World Horror Con. Photo by and (c) Andrew Porter.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 29, 1958 Jeph Loeb, 66. It’s not likely that you’ve heard of Jeph Loeb but you’ll definitely have heard of the work he first did as a comics writer and later film writer/producer. So let’s get started.

Loeb, a four-time Eisner Award winner, started out as comic writer, with his first work being on Challengers of the Unknown with Tim Sale.  Loved that series! 

They notably would somewhat later do Batman: Legends of the Dark Knight and Batman: The Long Halloween. The latter you’ll no doubt recognize. The former is a collection of really interesting stories. It is available from the usual suspects. 

Jeph Loeb

(As always I’m not listing everything, just what I’m interested in.)

They did a really great Catwoman series, Catwoman: When in Rome. I’ll do no spoilers as it’s a six-issue story extraordinary told. If you’ve got lots of money to spare, the absolute edition is, well, absolutely amazing.

At the end of the Nineties, he started a nearly three-year run on Superman with Ed McGuinness largely being the artist. It ended with the rather amazing Emperor Joker storyline. 

Of course this being the two major comic producers, Loeb and McGuinness soon got another a series going, Superman/Batman, and that in turn led to a new ongoing Supergirl series.

Now Marvel. 

He destroyed his hometown of Stamford, Connecticut in the first issue of the Civil War series. Oh poor Stamford.

His Fallen Son: The Death of Captain America series got coverage by the Associated Press and The Washington Post. Impressive. 

Film scripts he has, oh yes.

With Matthew Weisman,  he wrote the script for Teen Wolf, you might recognize for having a major role for Michael J. Fox. Completely different in tone was his next script with Weisman, Commando, the Arnold Schwarzenegger vehicle. And he did Teen Wolf Two as well, this time with Weisman and Tim Kring.

Somewhere in the vaults of Warner Bros is his Flash film script.  Now that would really interesting to read, wouldn’t it?

He wrote a script for an episode of Smallville, after which he became a supervising producer and has written many episodes since then. He had a three year contract extension to stay on the series but left when his son developed cancer. (The son sadly passed away.)

He was writer/producer on Lost during its second season. After leaving Lost, he was co-executive producer and writer on Heroes. Tim Sale’s art was prominently featured. 

Thirteen years ago, Marvel Entertainment appointed him to the position of Executive Vice President, Head of Television of its new Marvel Television. If you’ve watched a Marvel series since then be it Agent Carter or Marvel’s Agents of S.H.I.E.L.D., he’s listed as executive producer.

He left Marvel five years ago. 

(11) COMICS SECTION.

  • Loose Parts has its own peculiar idea about saving the Earth.
  • Candorville has a debate about whether to waste words on a genre topic.

(12) REINVENTING THE WHEEL, ER, GRID? “14 Years Later, a Classic Sci-Fi Franchise Is About to Take its Biggest Risk Yet” claims Inverse.

It’s time to get back on the grid. As of now, the third film in the Tron franchise — titled Tron: Ares, but styled as Tr3N — is officially filming. Fourteen years after the second film, Tron: Legacy, and 42 years after the 1982 classicTron will finally become the weirdest sci-fi trilogy of all time.

How should Tron-heads feel about all this? Will Tr3N fix everything or destroy all programs, now and forever? At this point, it feels like Tr3N will either be great or terrible, with no room for a middle ground. Here’s why….

… Whether the movie is great or horrible, the third Tron movie will have to tackle the paradox of Tron’s essential weirdness. As a concept, Tron was both ahead of its time and terribly shortsighted. In the first film, we got an entire virtual world populated by living, sentient Programs, who manifest as people; imagine The Matrix, but most characters are Agent Smith.

Because it came out in 1982, Tron used arcade game logic to imagine this alternate digital realm, which gave the film its beautifully minimalistic aesthetic. However, this vibe also made “The Grid” seem small and empty compared to the kinds of virtual worlds that have existed in science fiction ever since.

The limitations of Tron’s world-building were so obvious that Tron: Legacy explicitly states Kevin Flynn created a bigger and better second version of the Grid. Still, this Grid feels limited in the same way the first one did, simply because the world-building feels contingent on the real world mattering more than the Grid. The paradox at the heart of Tron is the struggle to make a virtual world matter more than the real world….

(13) BOMBS AWAY. “Dr Strangelove at 60: is this still the greatest big-screen satire?” asks the Guardian.

…The message of Fail Safe: human beings are fallible. The message of Dr Strangelove: human beings are idiots.

On balance, Kubrick’s message is more persuasive. Dr Strangelove remains the greatest of movie satires for a host of reasons, not least that it hews so closely to the real-life absurdities of the cold war, with two saber-rattling superpowers escalating an arms race that could only end in mutual annihilation. There’s absolutely no question, for example, that the top military and political brass have gamed out the catastrophic loss of life in a nuclear conflict, just as they do in the war room here. Perhaps they would even nod sagely at the distinction between 20 million people dead v 150 million people dead. All Kubrick and his co-writers, Terry Southern and Peter George, have to add is a wry punchline: “I’m not saying we wouldn’t get our hair mussed.”…

(14) SLIM NOT-SO-SHADY. [Item by Mike Kennedy.] When it first landed on the Moon a week or so ago, JAXA’s (Japan Aerospace Exploration Agency) first ever Moon lander was unable to generate solar power and quickly lost energy from the battery. Now, however, it appears that the solar panel was misoriented and SLIM (Smart Lander for Investigating Moon) is back online. “Japan’s SLIM probe regains power more than a week after moon landing” reports Reuters.

… SLIM lost the thrust of one of its two main engines shortly before the touchdown for unknown reasons and ended up drifting a few dozen metres away from the target. The lander safely stopped on a gentle slope but appeared toppled with an engine facing upward in a picture taken by a baseball-sized wheeled rover it deployed.

The probe’s solar panels faced westward due to the displacement and could not immediately generate power. JAXA manually unplugged SLIM’s dying battery 2 hours and 37 minutes after the touchdown as it completed the transmission of the lander’s data to the earth.

JAXA does not have a clear date when SLIM will end its operation on the moon, but the agency has previously said the lander was not designed to survive a lunar night. The next lunar night begins on Thursday.

(15) DON’TCHA JUST LOVE DYSTOPIAS….? [Item by SF Concatenation’s Jonathan Cowie.] Dystopias are great (provided you just read about them and not begin to live in them as we now seem we are about to….) Moid over at Media Death Cult has a dive into dystopic fiction.

(16) VIDEO OF THE DAY. “Barbie with a Cat” is a parody of the movie with Owlkitty.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Anne Marble, Daniel Dern, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Dream Foundry Announces Fund to Bring Palestinian Fans to WorldCon

Dream Foundry has announced a new initiative under its Con or Bust program to assist Palestinian creators and fans of speculative fiction in attending the World Science Fiction Convention through 2028.

Con or Bust was conceived as a program to provide greater access for creators and fans of color to science fiction conventions, events, and professional development opportunities. Thanks to the generosity of Farah Mendlesohn from the estate of, and in memory of her mother, Carole Goldman, Dream Foundry has been granted £40,000 to assist self-identified citizens of Palestine and members of the Palestinian diaspora to pay travel and membership expenses to five Worldcons beginning in 2024. Awards from the Goldman Fund will be in the form of direct cash grants.

Applications to the Goldman Fund for the 2024 WorldCon will open from July through September of 2023. For more information about Con or Bust, visit www.dreamfoundry.org/dreamfoundry.org/con-or-bust/

[Based on a press release.]

Why I Work on Worldcon: Guest Post by Sara Felix

By Sara Felix: There was a post a while ago on twitter that asked, “So what motivates y’all to continue entering bids to host Worldcons? Genuinely curious.”

And I responded with, ”I think there are some great bids out there like Glasgow 2024 that you can genuinely tell they are enthusiastic and want to put on a good show.  Working on Dublin was like that for me as well.  I am not saying they are perfect but the excitement is really important.”

But that is just the tip of the iceberg of what I wanted to say and the twitter format leaves a lot to be desired.  A few people have touched on a part of my answer in different ways but a lot of it boils down to, I volunteer because I want to make a difference and I want to do better.  I like being part of a group of people who are excited to put on a good show. 

And I think I have in my own ways but I always strive to do more.  And there is so much that can be done that hasn’t already.  Or it has been done but then forgotten and never to be picked up again.  FANAC and the work Joe Siclari and Edie Stern and others have done to showcase past events has opened my eyes to some amazing projects over the years at Worldcon and beyond.  And I would like to see some of those rich traditions intertwined with newer ideas added.

I know the question was why do you keep entering bids but I want to talk about why I volunteer for Worldcon and help with bidding. 

What have I done?

For me I think I have left some mark on Worldcon fandom.  With Colin Harris we created the Artist Showcase that has now been a staple at many Worldcons since Chicon 7.  I advocate for it on every con I am involved in.  As an artist and the president of ASFA (The Association of Science Fiction and Fantasy Artists) I am a promoter of artists and want to see them recognized and part of the community.  I want to see their work spotlighted as much as I can.  It saddens me that more artists can’t show at Worldcons due to the cost to attend and am always looking for ways to change that.

Sara Felix wearing one of her tiara designs.

For Dublin there was amazing art and artists that were featured.  To spotlight those artists we created  The Art and Artistry of Dublin 2019.  I have created art show panels for artists who can’t afford or don’t want a full panel of art, I provide fan art for conventions when seated or bidding as much as I can.  I want to help in any small way that is possible.

I was part of the Mexicanx Initiative and work to include the other Mexicanx in fan related activities and have supported the other initiatives like this on the Worldcons I have worked on.

I am trying to make my divisions more inclusive in the future so we have more voices present at the table.  There are plans in the beginning stages that hopefully come to fruition on future concoms I am a part of. 

These aren’t huge projects but hopefully they are things that people remember and help them to enjoy the event just a bit more. 

I run the Chesleys every year for ASFA.  Besides all the behind the scenes work I have also called for more diverse voices in the categories since I have been president.   I talk about it on panels at conventions and online and push artists to submit their work every year.  

So that answers the how I am involved, but why?

I love art.  I love science fiction.  I love the friends I have in the community.  I want to put on a good show.  I volunteer to have fun and try and get my friends involved that I enjoy working with. It doesn’t always work out like I plan but overall I am ultimately a perfectionist and want to do something that I am proud of and can talk about positively with my friends and family in and outside of fandom.  

And I know there are others out there like that.  I have worked with them before.  And I will continue to ask them to be on any teams I have in the future.  Or go to them for advice when I need a bit of help. 

I also like to see organizations do better.  I attend SMOFcon to talk to people about how things are run and how we can change current policies or methods and try to use the things I learn to help my teams.  My focus is on art and artists a lot of the time and I am always looking for new and innovative ways to help cons promote art and bring more artists. 

It is not all sunshine and rainbows…. fandom is hard.  There are personalities that I don’t always work well with and opinions that I don’t agree with.    I have worked on some very hard Worldcons in the past and now I know when I need to step away.   I don’t agree with the principle of “that is how we have always done it” and in fact I think there are some positions in Worldcon that would be better filled by a professional.  *cough*social media *cough*  The “this is how we have always done it attitude” is toxic for change and I get there are traditions we want to keep.  I believe that the past traditions are important and there can be change while still honoring them. 

I have learned to set limits for myself on volunteering as it has been made it very apparent that I can’t do everything that is asked of me.  This was a hard lesson to learn.  

A big red flag for me is when the convention doesn’t align with my ideas of what makes a good Worldcon. My biggest problem with working on Worldcons typically come down to bad communication and silo-ing of divisions.   

Let me just say…. I am not perfect.  I work on publications and design.  Have I misspelled names? Yep you betcha.  Have I put out the wrong materials?  Totally.  I make mistakes and so does my team sometimes.  But I try to make sure we don’t make the same mistakes over and over again.  

My first Worldcon was a phenomenal experience.  The second was not so much and I stopped going after that.   It took me 9 years to be involved again at Worldcon and that was because I was asked to volunteer.  My experiences going to the convention have been improved by the relationships I have with other volunteers over the years.  I am sure most people are aware that going to cons is so much better with friends and I have experienced that with other volunteers when you have worked on something 2+ years.  I know there are people I have worked with on past conventions that I talk to everyday or at least every week. 

Would I be on a bid team for a convention?

Yes definitely! I am now.  I love the people I work with and the enthusiasm they bring to the table and those are best bid teams.  And I hope I provide the same level of enthusiasm for things I work on with them. The best bids pay attention to the good and the bad of the conventions that came before and try to incorporate those learnings into their plans. They look to bring on like-minded staff.  If I was ever going to bid for a Worldcon this is what I want to do as well. (Not bidding to run a Worldcon, thanks :p)   

Pixel Scroll 12/28/20 This Irrepixel-Able, Trantor ‘Original’, This Mule-Produced Crime

(1) FRONT AND CENTER. Octavia Butler is on the cover of Huntington Frontiers, published by the Huntington Library in Pasadena. Read the cover article here: “A Handful of Earth, A Handful of Sky” by Lynell George.

When I last encountered Octavia E. Butler, it was 2004 and she was slated to deliver the keynote at the Black to the Future Festival in Seattle, Washington. Time has flattened or obscured some of the details of days spent reporting on panels, lectures, and post-event gatherings. I don’t remember the precise order of events of that opening evening, but I do recall some of Butler’s heartfelt words about finding and making community in this brief but special moment when we were assembled together. I sat, scribbling notes in my reporter’s notebook, making shapes of letters in the darkness of the auditorium. Her voice didn’t seem to need amplification—it was warm and deep and burnished with authority, as if she was not just leading things off, but leading a country….

(2) NOT OUT OF LEFT FIELD. First Fandom Experience solves three eofannish mysteries in “V is for Vincent, Vernon, Vytautas”. Learn more about a famous photo taken over the weekend of the First Worldcon in —

V is for Vincent

Below is one of early fandom’s most iconic images. On Independence Day, 1939, this carload of irascible youth from states far and wide ventured forth from the World Science Fiction Convention in New York to Coney Island. It’s a who’s-who of prominent First Fans: Madle and Agnew from Philadelphia, Korshak and Reinsberg from Chicago, Rocklynne from Ohio, and one very tanned Ray Bradbury from Los Angeles.

But among the who’s-who, there’s a “who’s that?” V. Kidwell. …

During the first Worldcon, fans took the opportunity to visit Coney Island where this foto-op took place: Front: Mark Reinsberg, Jack Agnew, Ross Rocklynne Top: V. Kidwell, Robert A. Madle, Erle Korshak, Ray Bradbury Coney Island, July 4, 1939)

(3) JAPANESE BOFFO BOX OFFICE. [Item by N.] “’Demon Slayer’ Overtakes ‘Spirited Away’ to Become Japan’s Biggest Box-Office Hit Ever”The Hollywood Reporter has the story. (Also it’s the fifth highest grossing film of the entire year, surpassing Sonic the Hedgehog, which is a coherent sentence I have just typed.)

Demon Slayer is based on a popular 2016 manga by Japanese artist Koyoharu Gotoge. But the property didn’t become a pop cultural phenomenon until it was adapted into an anime series for television. Produced by Tokyo-based studio Ufotable, the 26-episode series aired on Tokyo MX and other channels in 2019, but later became a sleeper smash hit when it re-aired on Netflix and Fuji TV. The popularity of the series reignited interest in the manga, making it a runaway bestseller. As of December, the Demon Slayer manga series has sold nearly 120 million copies.

When Ufotable’s big-screen adaptation of the series hit Japanese cinemas this fall, conditions were ripe for a box-office bonanza. Japanese cinemas nationwide had fully reopened nationwide after a brief period of COVID-19 shutdown in the spring. Since the Hollywood studios had postponed most of their releases until 2021, Demon Slayer had limited foreign competition and Japanese cinemas were highly motivated to wring as much earnings potential as possible for the local blockbuster. 

(4) WILL POWER. “Brain-controlled gaming exists, though ethical questions loom over the tech” reports the Washington Post.

As the University of Pittsburgh Medical Center shut its laboratories following the covid-19 outbreak, Nathan Copeland, a 33-year-old volunteer, collected the equipment that would grant him transformative abilities during lockdown. Paralyzed from the chest down with only limited arm movement, Copeland took home an advanced brain-computer interface, a device that allows him to control on-screen actions using only his mind.Copeland is part of cutting-edge research into brain-computer interfaces at the University of Pittsburgh, recently awarded over $8 million by the National Institutes of Health. The team’s experiments are a peek into a potential transhumanist future more commonly associated with cyberpunk movies “The Matrix” and “Ghost in the Shell.” Since 2015, Copeland has lived with a transistor-like chip, known as a multi-electrode array, surgically implanted directly into his brain. Copeland’s chip records the rapid-firing of cellular neurons — an almost inscrutably complex neurological signal — which is ferried over to a computer for what’s referred to as “decoding.” This signal is subsequently “translated” into the desired, seemingly telekinetic actions of its user.

To date, one of the team’s biggest successes has been decoding the complicated neural signals to allow Copeland to control a nimble robotic arm…. 

(5) JEDI CONSERVATION MOVEMENT. Musings on Mouse analyzes “Star Wars ‘nostalgia fatigue,’ and Marvel’s bankruptcy lesson”. BEWARE SPOILERS. I don’t think I included any below, however, definitely some in the linked article.

…Quality, some may argue, isn’t just representative of one episode or one movie, but the franchise as a whole. Case in point: The Mandalorian finale….

That, many critics argued in the days after the episode aired, is precisely the problem. As Matt Zoller Seitz wrote on Vulture, “the series succumbs to the dark side of parent company Disney’s quarterly earnings statements, which keeps dragging Star Wars back toward nostalgia-sploitation and knee-jerk intellectual-property maintenance.” Other fans rolled their eyes at the criticism, pointing out that Star Wars has always returned to the franchise’s most popular characters, most noticeably in the Expanded Universe’s novels, comics, and video games. 

Sound familiar? It should — it’s the exact same debate that popped up in 2017 after Rian Johnson’s The Last Jedi hit theaters. What is Star Wars? It’s an argument we’ve come back to with The Mandalorian’s second season finale. I’m not a critic, and this newsletter doesn’t exist to critique art. What I’m more acutely interested in is determining Star Wars’ future business. Let’s be clear: Star Wars is more than fine, but as Star Wars expands under Disney, there’s always room to figure out how to ensure it grows at a healthy rate instead of risking alienating parts of its consumer base every year.

(6) PUTTING THEIR STAMP ON THINGS. JSTOR Daily’s Livia Gershon points to the introduction of a new academic work that overviews “James Tiptree Jr. and Joanna Russ: Sci-Fi Pen Pals”.

At first glance, the classic science-fiction authors James Tiptree Jr. and Joanna Russ might not seem to have much in common. Behavioral psychologist Alice Bradley Sheldon began writing under “James Tiptree Jr.” in 1968, when she was in her fifties. She used the fictional male name and real knowledge of science and the military to infiltrate male-dominated science-fiction magazines. Russ, two decades younger, was an outspoken radical feminist, English professor, and critic. And yet, as Nicole Nyhan writes, the two writers exchanged hundreds of letters over fifteen years. Nyhan provides the introduction to a selection of writing from Tiptree’s side of the correspondence.

(7) MEDIA ANNIVERSARY.

  • 1970 — Fifty years ago at Heicon ’70 in Heidelberg, Germany, “Ship of Shadows” by Fritz Leiber wins the Hugo for Best Novella. (It would also be nominated for a Nebula.) It was published in F&SF in July, 1969 which as you can see was billed as a Special Fritz Leiber Issue. This was a bizarre story of Spar, a blind, half-deaf barman at the Bat Rack. We’ll say no more. The other finalists were “A Boy and His Dog” by Harlan Ellison, “We All Die Naked” by James Blish, “Dramatic Mission” by Anne McCaffrey and “To Jorslem” by Robert Silverberg.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 28, 1913 Charles Maxwell. He makes the Birthday List for being Virgil Earp in the “Spectre of the Gun”, a not terribly good Trek story.  He also appeared in My Favorite Martian in “An Old Friend of the Family” as the character Jakobar. His longest running genre role was as the Radio Announcer on Gilligan’s Island for which he was largely uncredited. Interestingly he had six appearances playing six different characters on the Fifties series Science Fiction Theatre. (Died 1993.) (CE) 
  • Born December 28, 1922 Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in such a way that the company is thought to be the creation of Stan Lee in way that DC isn’t thought if of having of having a single creator.  He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk,  Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure. And it’s hardly the full list.  I see he’s won Eisner and Kirby Awards but no sign of a Hugo. Is that correct? (Died 2018.) (CE) 
  • Born December 28, 1929 – Janet Lunn.  Three novels, two shorter stories, one anthology for us; much else.  Metcalf Award, Matt Cohen Award, Order of Ontario, Governor General’s Award, Order of Canada.  Quill & Quire obituary here.  (Died 2017) [JH]
  • Born December 28, 1932 Nichelle Nichols, 88. Uhura on Trek. She reprised her character in Star Trek: The Motion PictureStar Trek II: The Wrath of KhanStar Trek III: The Search for SpockStar Trek IV: The Voyage HomeStar Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares.  Other series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and as Captain Nyota Uhura In Star Trek: Of Gods and Men which may or may not be canon. (CE)
  • Born December 28, 1934 Maggie Smith, 86. First genre role was as Theis in Clash of the Titans though she’s better known as Minerva McGonagall In the Harry Potter film franchise. She also played Linnet Oldknow in From Time to Time  and voiced Miss Shepherd, I kid you not, in two animated Gnomes films. (CE) 
  • Born December 28, 1942 Eleanor Arnason, 78. She won the Otherwise Award and the Mythopoeic Award for A Woman of the Iron People and also won the Gaylactic Spectrum Award for Best Short Fiction for “Dapple”.  She’s a Wiscon Guest of Honor. I wholeheartedly recommend her Mammoths of the Great Plains story collection, which like almost all of her fiction, is available at the usual digital suspects. 
  • Born December 28, 1945 – George Zebrowski, age 75.  A score of novels (Macrolife particularly applauded), a hundred shorter stories, several with co-authors.  Clarion alumnus.  Edited Nebula Awards 20-22; four Synergy anthologies, half a dozen more e.g. Sentinels with Greg Benford in honor of Sir Arthur Clarke.  Three years editing the SFWA Bulletin (Science Fiction & Fantasy Writers of America) with Pamela Sargent and Ian Watson.  Nonfiction anthologies Beneath the Red Star (studies on international SF), Skylife (with Benford; space habitats), Talks with the Masters (Asimov, Bradbury, Clarke, Gunn).  Book reviews in The Magazine of Fantasy & Science Fiction.  Campbell Memorial Award.  “Never Forget the Writers Who Helped Build Yesterday’s Tomorrows” in SF Age.  [JH]
  • Born December 28, 1946 – Sheryl Birkhead, age 74.  Long-time fanartist and (it serves us right) veterinarian.  Here is a cover for Tightbeam.  Here is one for It Goes on the Shelf.  Here is one for Purrsonal Mewsings.  Here is one for The Reluctant Famulus.  Kaymar Award.  [JH]
  • Born December 28, 1952 – Ramona Wheeler, age 68.  Two novels, a score of shorter stories.  Essay “The Sailor of No Specific Ocean” in the Hal Clement memorial anthology Hal’s Worlds.  Here is her cover for her collection Have Starship, Will Travel.  Here is her cover for her collection Starship for Hire.  [JH]
  • Born December 28, 1963 – Robert Pasternak, age 57.  A dozen covers, two dozen interiors for us.  Interviewed in On Spec.  Aurora Award.  Here is Leslie Fiedler’s biography of Stapledon. Here is the May 93 Amazing.  Here is the Dec 00 Challenging Destiny.  Here is the Summer 13 On Spec.  Here is a review of a Jun – Jul 07 exhibition.  Here is an image from a Winnipeg Free Press interview.  Here is an ink-drawn face; see here.  [JH]
  • Born December 28, 1979 – D. Renée Bagby, age 41.  Eight novels for us, five dozen others (some under another name).  Air Force brat, now wife; born in the Netherlands, has also lived in Japan, six of the United States.  Has read The Cat in the HatPersuasionThe Iliad and The OdysseyThe Adventures of Huckleberry Finn.  “The voices start talking and I type what they say.” [JH]
  • Born December 28, 1981 Sienna Miller, 39. The Baroness in G.I. Joe: The Rise of Cobra. More interestingly, she’s Victoria in the flawed but still worth seeing Stardust. (Go listen to Gaiman reading it for the best take on it — brilliant that is!) And she’s Darcy in Kis VukA Fox’s Tale, a Hungarian-British animated tale that sounds quite charming.  (CE) 

(9) COMICS SECTION.

(10) A DISH BEST SERVED LOLD. [Item by Martin Morse Wooster.] In the Washington Post, Zachary Pincus-Roth discusses how a bunch of Millennial Disney musical fans came up with “Ratatouille: The Musical,” created songs, cosplayed characters from the imaginary musical (including enlisting their parents to play older characters) and even creating a fake cover of Playbill for the imaginary musical.  Disney Theatrical Productions stated “although we do not have development plans for this title, we love when our fans engage with Disney stories.” — “How TikTok and social media are changing Broadway fandom”.

(11) OBI BUT NO OBI-WAN. This happened last year, but it’s news to me… “Japanese theatre to stage kabuki version of Star Wars” in The Guardian.

The Star Wars franchise is about to breach the artistic final frontier with a one-off performance of a kabuki adaptation starring one of Japan’s most revered stage actors.

The classical Japanese theatre, which combines highly stylised movement and unusual vocalisation, will swap samurai swords for lightsabers and replace feudal warriors with the forces of light and darkness.

Star Wars Kabuki-Rennosuke and the Three Light Sabers, which are being staged in Tokyo, will combine plots from each of the franchise’s latest trilogy, substituting plots drawn from the days of feudal clan rivalry with drama from a galaxy far, far away.

Ichikawa Ebizo XI, Japan’s pre-eminent kabuki actor, will take to the stage as Kylo Ren, the conflicted son of Han Solo and Princess Leia, in front of 50 winners of an online lottery….

(12) UNFINISHED TOLKIEN. John M. Bowers asks “Did Tolkien Write The Lord of the Rings Because He Was Avoiding His Academic Work?” at Literary Hub. The trouble with this headline is that it’s not as if Tolkien didn’t procrastinate about working on his fiction, too.

…Already by 1932 he admitted to Chapman the weight of the Chaucerian incubus upon his conscience. His Gawain edition, “Chaucer as a Philologist,” and “The Monsters and the Critics” had all appeared before the Second World War. Set against this relatively slender résumé were undelivered assignments such as his Pearl edition, the book-length “Beowulf” and the Critics, and his EETS edition of Ancrene Wisse. If his own harsh remarks about George Gordon holding up their Chaucer edition did not quite qualify him as a “slanderer,” these complaints did de?ect blame from his role as an “idler” who failed to reduce his annotations to a publishable length. He would confess during a newspaper interview in 1968, “I have always been incapable of doing the job at hand.”

(13) AROUND AND AROUND. “Animation reveals invisible center of solar system that’s not the sun”Business Insider knows where it is. In a minute, you will too.

It’s common knowledge that the sun is the center of the solar system. Around it, the planets orbit — along with a thick belt of asteroids, some meteor fields, and a handful of far-traveling comets.

But that’s not the whole story.

“Instead, everything orbits the solar system center of mass,” James O’Donoghue, a planetary scientist at the Japanese space agency, JAXA, recently explained on Twitter. “Even the sun.”

That center of mass, called the barycenter, is the point of an object at which it can be balanced perfectly, with all its mass distributed evenly on all sides. In our solar system, that point rarely lines up with the center of the sun…

(14) THOUGHT OF THE DAY. From Mike Kennedy: “I just realized that the various dings, buzzes, and clicks our phones/watches play to get our attention are clearly intended to train us to understand R2-D2.”

(15) EMERGENCY HOLOGRAPHIC IP LAWYERS. CinemaBlend will explain “Why James Bond’s Studio Once Sent A ‘Very Stern Letter’ To Star Trek: Deep Space Nine’s Crew”.

Star Trek is a franchise that primarily deals in the world of sci-fi, but it’s not unheard of for the franchise to attempt parody other genres every so often. Such was the case in the Deep Space Nine episode “Our Man Bashir,” in which an accident in the Holosuite traps the crew in Bashir’s spy fantasy program. The episode is a fun nod to the genre of ’60s spy films but apparently was not well-received by James Bond studio MGM.

(16) VIDEO OF THE DAY. Mind Matters sets the frame for a DUST short in “Sci-Fi Saturday Film: The Robot Tries To Learn About Grief”.

An elderly woman, Sheila, whose daughter has been in a high-conflict zone in a military environment, learns to manage with a robot—ordered apparently off the internet, with a manual—that can learn to do homework and hang Christmas decorations.

It’s an agreeable story and good Christmas fare!

[Thanks to Mike Kennedy, JJ, Martin Morse Wooster, N., Cat Eldridge, John Hertz, Michael Toman, John King Tarpinian, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Dublin 2019 Gives Details Of Flight Plan With One Month To Liftoff

Dublin 2019 – An Irish Worldcon will have more than 700 separate program events over five days from 15 to 19 August, making it one of the summer’s largest arts gatherings of any kind.

More than 60 authors will give readings, including Elizabeth Bear, Marie Brennan, Pat Cadigan, Zen Cho, Aliette de Bodard, Guest of Honour Diane Duane, Joe Haldeman, Roz Kaveney, Mary Robinette Kowal, Peadar Ó Guilín, Mary Anne Mohanraj, Ada Palmer, Rebecca Roanhorse, V.E. Schwab, Catherynne Valente, John Scalzi, Charles Stross, Michael Swanwick, Adrian Tchaikovsky, and Jo Walton.

These writers and others will appear in more than 400 panel discussions whose topics range from Flann O’Brien’s The Third Policeman to the women of Marvel Comics. There will be sessions introducing Irish science fiction and fantasy (SFF), Northern Irish SFF, Afrofuturism, Japanese SF, steampunk, and grimdark (as in Game of Thrones), as well as works from emerging movements like hopepunk, silkpunk, solarpunk and dieselpunk.

Aspiring authors can learn about worldbuilding, writing and pitching their work from talks by Editor Guest of Honour Ginjer Buchanan and other editors and writers, including a panel discussion on working as a writer in Ireland. As would be expected for an event in Ireland, there will also be Irish language events.
 
“It’s impossible to list more than a small selection of the riches we will be offering,” said Chair James Bacon. “If anything here interests you, don’t hesitate to join because there is much more where they came from.”

Online sales will close August 1. More than 6600 people have already signed up as members, including more than 5200 attending members. More than 830 people will be attending Worldcon for the first time.

Space science 50 years after the first moon landing will discussed by programme participants including NASA astronaut Dr Jeanette Epps, Irish astronaut candidate Dr Norah Patten, and NASA physicist (and SF writer) Dr Geoffrey Landis. Professor Jocelyn Bell Burnell will discuss pulsars, which she first observed in 1967. Professor Bell Burnell will also explore the roles of empiricism and faith in conducting science with Brother Guy Consolmagno, director of the Vatican Observatory. A panel on lunar depictions in science fiction will feature Guest of Honor Ian McDonald, author of the Luna series.

Programming for children includes Irish myths and legends, a singalong session, a live role-playing game led by author Dave Rudden, and a space flight workshop with Dr Norah Patten. Adults who want to stretch their study muscles will find an academic track with five fully packed days including papers on colonialism and decolonization, visions of Ireland, YA literature, fandom studies, mythic heroes, Westeros, and Ursula K. Le Guin.

Approximately 40 musical performances will take place, including concerts from the Library Bards, Sassafras, the Doubleclicks, the Irish Video Game Orchestra, and Another Castle, as well as more than a dozen open singing circles and karaoke parties. Theatre will be represented by 14 performances involving 11 plays from playwrights including Rosaleen McDonagh.

Con-goers will be encouraged to live long and prosper through exercises for body and mind including yoga, a parkrun, morning “strolls with the stars,” Pokémon hunting, and gaming sessions with Guest of Honour Steve Jackson (Melee, Chaos Machine, Munchkin). Author John Scalzi will break out his Generation-X DJ skills to host a late-night ‘70s-‘80s-‘90s dance party on Saturday.

More events will be continuously announced through the @dublin2019 Facebook, @dublin 2019 Twitter and @dublin2019worldcon Instagram accounts up until the convention. Further information about the convention is available on the Dublin 2019 programme pages.

Dublin 2019 will be the 77th annual World Science Fiction Convention, the first to be held in Ireland and the eleventh in Europe. Regular Worldcon activities at Dublin 2019 include the 2019 Hugo Awards, the world’s leading awards for excellence in science fiction and fantasy, on Sunday night; the Retro Hugos honoring fiction published in 1944, on Thursday night; as well as the spectacular Masquerade costume display and competition on Saturday night.

[A Worldcon press release.]

Pixel Scroll 7/5/19 We Hold These Pixels To Be Self Scrolling, That All Filers Are Created Equal

(1) TUNING IN. The Doctor may use her time traveling skills to visit your TV set even sooner than the beginning of Season 12. Radio Times speculates that “Doctor Who could air an extra episode before the new series”.

RadioTimes.com understands that a plan is in the works to air a standalone Doctor Who special some time before series 12 hits screens, possibly in a festive slot like this year’s New Year’s Day Special or the Christmas specials that were released every year prior (from 2005 onwards).

However, it’s also possible that the proposed episode will bypass the festive period altogether, airing in a less competitive slot to give the Tardis team their best reintroduction this winter, and avoiding the usual holiday themes favoured by previous Doctor Who specials.

(2) ORDERS OF THE PURPLE SAGE. Just as French fries are merely a delivery vehicle for ketchup, File 770 exists to publicize where Scott Edelman goes to eat lunch. In Episode 99 of Eating the Fantastic, the meal is served at the Sagebrush Cantina in the company of comics legend Gerry Conway.

Gerry Conway

My first meal of the Nebula Awards weekend was with comics legend Gerry Conway, who I’ve known for at least 48 years, since 1971 — when I was a comics fan of 16, and he was 19, and yet already a comics pro with credits on Phantom StrangerKa-Zar, and Daredevil. Our paths back then crossed in the basement of the Times Square branch of Nathan’s (which, alas, no longer exists) where the late Phil Seuling had organized a standalone dealers room without any convention programming dubbed Nathan’s Con, which was a test run for his future Second Sunday mini-cons.

Gerry and I have a lot of history in those 48 years, including his time as Marvel’s editor-in-chief when I worked in the Bullpen — though his tenure was only six weeks long, two of those weeks my honeymoon — a tenure you’ll hear us talk about during the meal which follows. He’s the creator of The Punisher, Power Girl, and Firestorm, and wrote a lengthy and at one point controversial run on Spider-Man. But he’s also worked on such TV series as MatlockJake and the FatmanHercules: The Legendary JourneysLaw & Order, and many others.

At Gerry’s recommendation, our meal took place at the Sagebrush Cantina in Calabasas, California, where I invite you to take a seat and eavesdrop on our longest conversation in 40 years.

We discussed how the comics business has always been dying and what keeps saving it, why if he were in charge he’d shut down Marvel Comics for six months, what it’s like (and how it’s different) being both the youngest and oldest writer ever to script Spider-Man, the novel mistake he made during his summer at the Clarion Writers Workshop, why he’s lived a life in comics rather than science fiction, what caused Harlan Ellison to write an offensive letter to his mother, the one bad experience he ever had being edited in comics (it had to do with the Justice League), the convoluted way Superman vs. Spider-Man resulted in him writing for TV’s Father Dowling Mysteries, how exasperation caused him to quit his role as Marvel’s Editor-in-Chief (while I was out of the Bullpen on my honeymoon), how he’d have been treated if he’d killed off Gwen Stacy in today’s social media world, and much, much more.

(3) TALKING ABOUT A GAMES HUGO. Camestros Felapton starts a thoughtful discussion of Ira Alexandre’s motion in “Looking at the Hugo Game/Interactive Experience proposal”.

…I think accessibility to the works remains one of the biggest obstacles to this category working effectively, although the proposal makes substantial efforts to address this.

My other concern is the multiple vectors against which we’d need to judge works in this category. The proposal gives numerous examples of other game awards but I’m struck by the many ways game awards split their own categories….

(4) KOTLER’S PICKS. Paul Weimer hosts “6 Books with Steve Kotler” at Nerds of a Feather. I’m in the middle of reading the author’s latest —

6. And speaking of that, what’s your latest book, and why is it awesome?

My latest book is Last Tango in Cyberspace. It’s a novel that follows a protagonist named Lion Zorn. He’s an empathy tracker or em-tracker, a new kind of human with a much deeper ability to feel empathy than most. His talent lets him track cultural trends into the future, a form of empathetic prognostication, and a useful skill to certain kind of company. But when Arctic Pharmaceuticals hires him to em-track rumors of a new and extremely potent psychedelic—with potential medical uses—he ends up enmeshed in a world of startup religions, environmental terrorists and overlapping global conspiracies. It’s a thriller about the ramifications of accelerating technology, the evolution of empathy, and the hidden costs of consciousness-expansion. And it’s awesome because, well, it’s just a ton of mind-blowing fun.

(5) GROKKING JAPAN. In The Paris Review, Andrei Codrescu resurrects “The Many Lives of Lafcadio Hearn”, once among the best-known literary figures of his day.

…History is a fairy tale true to its telling. Lafcadio Hearn’s lives are a fairy tale true in various tellings, primarily his own, then those of his correspondents, and with greater uncertainty, those of his biographers. Hearn changed, as if magically, from one person into another, from a Greek islander into a British student, from a penniless London street ragamuffin into a respected American newspaper writer, from a journalist into a novelist, and, most astonishingly, from a stateless Western man into a loyal Japanese citizen. His sheer number of guises make him a creature of legend. Yet this life, as recorded both by himself and by others, grows more mysterious the more one examines it, for it is like the Japanese story of the Buddhist monk Kwashin Koji, in “Impressions of Japan,” who owned a painting so detailed it flowed with life. A samurai chieftain saw it and wanted to buy it, but the monk wouldn’t sell it, so the chieftain had him followed and murdered. But when the painting was brought to the chieftain and unrolled, there was nothing on it; it was blank. Hearn reported this story told to him by a Japanese monk to illustrate some aspect of the Buddhist doctrine of karma, but he might as well have been speaking about himself as Koji: the more “literary” the renderings of the original story, the less fresh and vivid it becomes, until it might literally disappear, like that legendary painting.

(6) VISIONARY. CNN discovers Simon Stålenhag — “Simon Stålenhag’s hauntingly beautiful retro sci-fi art”.

Simon Stålenhag’s paintings are a strange, irresistible mix of mundane scenes from the Swedish countryside and haunting scenarios involving abandoned robots, mysterious machinery and even dinosaurs.

They are the product of his childhood memories — growing up in suburban Stockholm and painting landscapes and wildlife — and his adulthood appreciation for sci-fi.

“I try to make art for my 12-year-old self,” he said in a phone interview. “I want to make stuff that would make my younger self see it and go, ‘I’m not supposed to look at this because it’s for adults, but I really want to anyway.'”

(7) UNSURPRISINGLY, THE IRS RECOGNIZES SATAN. The Burbank Leader generated some clicks with its overview: “The IRS gave nonprofit status to a satanic church. Will all hell break loose?”.

Earlier this year the Internal Revenue Service officially recognized the Satanic Temple as a church, meaning it has 501(c)(3) tax exempt status.

According to the church’s website, the Satanic Temple’s mission is “to encourage benevolence and empathy among all people, reject tyrannical authority, advocate practical common sense and justice, and be directed by the human conscience to undertake noble pursuits guided by the individual will.”

Yet perhaps because the group describes itself as a “nontheistic religious organization” and maintains an openness about taking political stances, the IRS decision has brought some controversy.

According to an article on Rewire.News, a pro-life petition online states, “This egregious decision runs counter to everything America stands for,” and a Catholic commentator argued that without God or a literal Satan, there is no “real religion.”

A letter to the editor from a self-identified atheist began:

I’m fine with the ruling, based on the finding that the Temple’s attributes — unique tenets, regular congregations and religious services — meet the IRS guidelines for a tax-exempt religious organization, i.e., a church. Neither God, gods nor Satan are required to be a “real religion” under these guidelines, contrary to the commentator quoted in this month’s question.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 5, 1904 Milburn Stone. Though you no doubt know him as Doc on Gunsmoke, he did have several genre roles including a German Sargent in The Invisible Agent, Captain Vickery in Sherlock Holmes Faces Death, Mr. Moore in The Spider Woman Strikes Back and Capt. Roth in Invaders from Mars. (Died 1980.)
  • Born July 5, 1929 Katherine Helmond. Among her roles was Mrs Ogre in Time Bandits and Mrs. Ida Lowry in Brazil. Now I’ll bet you can tell her scene in the latter… (Died 2019.)
  • Born July 5, 1941 Garry Kilworth, 78. The Ragthorn, a novella co-authored with Robert Holdstock, won the World Fantasy Award. It’s an excellent read and it makes me wish I’d read other fiction by him. Anyone familiar with his work? 
  • Born July 5, 1948 Nancy Springer, 71. May I recommend her Tales of Rowan Hood series of which her Rowan Hood: Outlaw Girl of Sherwood Forest is a most splendid revisionist telling of that legend? And her Enola Holmes Mysteries are a nice riffing off of the Holmsiean mythos.
  • Born July 5, 1957 Jody Lynn Nye, 62. She’s best known for collaborating with Asprin on the MythAdventures series  Since his death, she has continued that series and she is now also writing sequels to his Griffen McCandle series as well. 
  • Born July 5, 1963 Alma Alexander, 56. Author of three SF series including the Changer of Days which is rather good. I’m including her here for her AbductiCon novel which is is set in a Con and involves both what goes on at that Con and the aliens that are involved. 
  • Born July 5, 1964 Ronald Moore, 55. He‘s best known for his work on various Star Trek series, on the Battlestar Galactica reboot and on the Outlander series.  
  • Born July 5, 1972 Nia Roberts, 47. She appeared in two two Doctor Who episodes during the time of the Eleventh Doctor, “The Hungry Earth” and “Cold Blood”. But it’s an earlier role that gets her a Birthday citation just because it sounds so damn cool: Rowan Latimer in the “Curse of the Blood of the Lizard of Doom” episode of the Dr. Terrible’s House of Horrible whichspoofed shows such as Roald Dahl’s Tales of the Unexpected.

(9) GET MAD. If you want to see more of Alfred E. Newman’s gap-toothed smile, Doug Gilford’s MAD Cover Site is the place for you.

Look at every regular issue cover from the comic book days of 1952 to the present day! Issue contents included!

(10) COUNTING FANS AT WORLDCONS. The latest round of Hugo statistics led to a discussion on the SMOFs list about other Worldcon stats, where Rene Walling reminded readers about his compilations, published by James Gunn’s Ad Astra earlier in this decade:

Sweeping statements and generalizations are often made about the membership of early World Science Fiction Conventions (WSFC, or Worldcon) such as “only the same people came back every year” or “the attendance was all male.” Yet rarely is more than anecdotal evidence given to support these statements. The goal of this report is to provide some hard data on the membership of early Worldcons so that such statements can be based on more than anecdotal evidence.

…The number of members listed over the entire 1961-1980 time span totals 33,279 for the WSFC sources, which represents 81.66% of the total from the Long List (40,752). The total number of individual members is 17,136.

(11) IS BEST SERIES WORKING? At Nerds of a Feather, Joe Sherry precedes his discussion of the nominees in “Reading the Hugos: Series” with some meta comments about the category.

This is worth mentioning now because 2019 is the third year of the Best Series category and the second appearance of Seanan McGuire’s October Daye series because McGuire has published two additional novels (The Brightest Fell, Night and Silence) as well as some short fiction set in that universe. I wouldn’t be shocked to see McGuire’s InCryptid make a second appearance next year, and I also expect to see The Expanse to have its own second crack at the ballot, though with The Expanse I hope readers wait one more year for the ninth (and final?) volume to be published so that The Expanse can be considered as a completed work.

I’m curious what this says about the long term future and health of the category if we see some of the same series make repeat appearances. Of course, we can (and do) say the same thing about a number of “down the ballot” categories like Fanzine (we do appreciate being on the ballot for the third year in a row!), Semiprozine, and the Editor categories.

(12) IN A BAD PLACE. Steve J. Wright’s review of the finalists has reached “Hugo Category: Best Dramatic Presentation (Short Form)” – and there’s one he really doesn’t like.

We have two episodes of The Good Place, and I won’t complain about that either, because this is a popular vote and the show clearly has its fans…. I’m still not among them.  It seems to me that The Good Place is still trying to be several things at once, and is failing at all of them, and since the things it’s trying to be include “funny” and “though-provoking”, the result isn’t good. 

(13) HELICON AWARDS. Richard Paolinelli celebrated the Fourth of July by announcing the ten inaugural winners of the Helicon Awards on his YouTube channel. Sad Puppy Declan Finn won the Best Horror Novel category, which is probably more informative about where these awards are coming from than that Brandon Sanderson and Timothy Zahn also won.  

The 2019 Helicon Awards celebrates the best literary works of 2018 in Science Fiction, Fantasy, Military Sci-Fi/Fantasy, Alternate History, Media Tie-In, Horror and Anthology (SF/F/H).

Throughout the presentation Paolinelli keeps using the pronouns “we” and “our” without shedding very much light on who besides himself is behind these awards. The slides for the winners bear the  logo of his Science Fiction & Fantasy Creators Guild, opened last year with the ambition of rivalling SFWA. The Science Fiction & Fantasy Creators Guild closed group on Facebook is listed as having 275 members – you can’t see the content without joining, but FB displays a stat that it’s had 6 posts in the last 30 days. The SFFCGuild Twitter account hasn’t been active since February 2018.

Paolinelli’s blog claims sponsorship of the awards, but in the video he says not only won’t winners be receiving a trophy, he hasn’t even designed a certificate for them, though he might do that in a few weeks.

In addition to the 10 Helicon Awards, Paolinelli named “three individual honorees for the Mevil Dewey Innovation Award, Laura Ingalls Wilder Best New Author Award and the Frank Herbert Lifetime Achievement Award.”

So far as the first two awards are concerned, it’s likely that what did most to persuade Paolinelli to give them those names was the decision by two organizations this past year to drop the names from existing awards – in Wilder’s case (see Pixel Scroll 6/25/18 item #5), the US Association for Library Service to Children said it was “over racist views and language,” while the American Library Association dropped Dewey (see Pixel Scroll 6/27/19 Item #13) citing “a history of racism, anti-Semitism, and sexual harassment.”

(14) A FANNISH ANIMAL. “My Wild Time Living in a House Full of Wombats” is an article at The Daily Beast, where else?

What is a full night’s sleep?! I haven’t had one of those in a long time. I run Sleepy Burrow Wombat Sanctuary in Australia, which is the largest wombat sanctuary in the world. I’m up every three hours to do round-the-clock feedings for the baby wombats that have recently come into our care. Their first nights with us are always the most critical time where their survival is the most at risk. If being up all night is what it takes to pull them through, I will do it. Don’t feel too bad for me though. I wouldn’t trade the life I have for anything in the world. I have a wonderful family I built with the most supportive husband, who is my partner both in life and rescue. I’m a mother to two perfect daughters, a dog, and a house full of the cutest wombats you can imagine. As a family unit we have rescued over 1,300 wombats.

(15) NIGERIAN SFF. Adri Joy makes the book sound pretty interesting, though rates it only 6/10: “Microreview [book]: David Mogo, Godhunter by Suyi Davies Okungbowa” at Nerds of a Feather.

That main character, it will not surprise you to hear, is David Mogo, Godhunter. David lives in a version of Lagos which has been subjected to the Falling: a war which has caused thousands of Orisha to rain down on the city and take up residence. A half-god himself, David was abandoned by his mother and raised by a foster-father who also happens to be a wizard, wielding magical talents which David’s divinity keeps him from using in the same way. Instead, when we meet David he’s trying to throw himself into a bounty hunting existence with as much amoral abandon as possible, taking on a job from far more shady wizard Ajala for “roof money” while trying to suppress the sense that he should be acting with slightly more principle.

(16) SPONGING OFF FANS. That’s the allegation, anyway: “SpongeBob SquarePants fan claims Nickelodeon copied art”.

A fan has claimed Nickelodeon used his SpongeBob SquarePants artwork without his permission.

Matt Salvador, 17, says the art was featured in an advert for the show which was aired in June.

His artwork, uploaded online in 2016, is drawn in the style of a background used in a typical episode.

Various YouTube channels have uploaded the video, which the fan says shows the same artwork, but with his signature in the bottom-right corner removed.

(17) THINKING INSIDE THE BOX. Unlike Facebook or Google — “Why the BBC does not want to store your data”.

BBC audience members could soon be using all the data from their social media and online accounts to fine tune the content they listen to and view.

The BBC is developing a personal data store that analyses information from multiple sources to filter content.

Early prototypes of the BBC Box draw on profiles people have built up on Spotify, Instagram and the BBC iPlayer.

The BBC will not store data for users. Instead, preferences will be kept in the Box so they can be reused.

The project is seen as “disruptive” because individuals will decide what they use their data for themselves.

The Box is part of a larger European project seeking to give people more control over their data.

(18) STILL NOT READY. Let’s face it: “Biased and wrong? Facial recognition tech in the dock”.

Police and security forces around the world are testing out automated facial recognition systems as a way of identifying criminals and terrorists. But how accurate is the technology and how easily could it and the artificial intelligence (AI) it is powered by – become tools of oppression?

Imagine a suspected terrorist setting off on a suicide mission in a densely populated city centre. If he sets off the bomb, hundreds could die or be critically injured.

CCTV scanning faces in the crowd picks him up and automatically compares his features to photos on a database of known terrorists or “persons of interest” to the security services.

The system raises an alarm and rapid deployment anti-terrorist forces are despatched to the scene where they “neutralise” the suspect before he can trigger the explosives. Hundreds of lives are saved. Technology saves the day.

But what if the facial recognition (FR) tech was wrong? It wasn’t a terrorist, just someone unlucky enough to look similar. An innocent life would have been summarily snuffed out because we put too much faith in a fallible system.

What if that innocent person had been you?

This is just one of the ethical dilemmas posed by FR and the artificial intelligence underpinning it.

Training machines to “see” – to recognise and differentiate between objects and faces – is notoriously difficult. Computer vision, as it is sometimes called – not so long ago was struggling to tell the difference between a muffin and a chihuahua – a litmus test of this technology.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, rcade, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Hugo Voting: Let’s Look at the Record Yet Again

By Jo Van Ekeren:

I’ve spent the last couple of years exhuming statistics and ephemera about the Hugo Awards from various sources, including old Usenet posts on Google Groups, old fanzines, archived con websites, and various historical documents which have been scanned and made available online (and I give my thanks to those of you who have been making those archiving efforts, especially Joe Siclari, Edie Stern, Mark Olson, and Bill Burns).

I’ve managed to resurrect full or partial statistics for around 23 additional years beyond what was posted at TheHugoAwards.org. A few years have already been posted there, and I will be gradually rolling out the rest of them over the next few months as I get them formatted into readable documents.

This post is an expanded and updated version of earlier statistical analyses by George Flynn:
Hugo Voting: Let’s Look at the Record by George Flynn [1988]
Hugo Voting: Let’s Look at the Record (Again) by George Flynn [1999]

and of an update by Jed Hartman which pulled in some additional years and electronic vs. paper voting numbers:
Hugo stats: numbers of nominating ballots by Jed Hartman [2018]

I’ve updated it with Site Selection ballot numbers, Advance Membership numbers, and Hugo participation percentages for 2000-2019, plus Retro Hugo data, as well as showing the difference between the number of categories which were on the nominating ballot versus the number of categories which had sufficient participation to be on the final voting ballot.

I’ve got source citations for all of the numbers included here. A lot of the information came from documents on The Hugo Awards, Fancyclopedia 3, FANAC, eFanzines, the SMOFS Long List, old Usenet posts on Google Groups, and the Wayback Machine. If you have questions about where one of the numbers came from, you can message me here.

You are welcome to link to the full Google document — and certainly can make a backup of it if you wish — but please be aware that I expect it to continue to change as more bits of information become available.

Please do report to me any errors or omissions you might notice, either in the comments on this post, or by submitting a message here.

What does the most recent data about Hugo nominators and voters tell us?

  1. Tracking of the electronic vs. paper nominations and votes, at the turn of the century, was helpful in evaluating the amount of electronic uptake by Hugo voters. That hit 99% in 2011, and has remained there ever since. Now this comparison tracking is chiefly of interest in noting how many remaining members are either unable or unwilling to nominate and vote electronically.
  2. From 1989 through 2007, participation in the final ballot was consistently under 20% of the Advance membership (those eligible to participate in voting). In 2008, both overall membership numbers and Hugo participation began to rise steadily. It is likely that common acceptance and the ease of the ability to nominate and vote electronically contributed significantly to this. In addition, 2008 was the first year of the annual Hugo Voter Packet – containing finalist works which were not otherwise available for free – and this has also likely contributed to the rise of member numbers and of Hugo participation among members.
  3. The ratio of Supporting to Attending members has also steadily risen in the last 10 years, and while some of this can be attributed to the Puppy campaigns of 2015-2016 as well as to fans from the U.S. being unable to attend overseas Worldcons in London and Helsinki, it seems clear that access to a large number of free works in the Hugo Voter Packet is also a contributing factor. Percentage of eligible advance member participation in the Hugo Awards is now at an all-time high, at 40% to 50% of the eligible membership.
  4. Site Selection, which has remained a mail-in or on-site endeavour, has seen somewhat of a decline in participation in the last 10 years. This is likely due to having only one bid site in many of those years, but possibly also somewhat due to people who previously voted for both Hugos and Site Selection by mail in the past now only voting for the Hugos online. This is not likely to change unless and until it becomes common for bidcoms to be willing to have electronic voting for Site Selection.

Hugo Voting: Let's Look At The Record Again (1971-1999), by George Flynn



Over
seas



Year



Worldcon             



Location
[1]
# of
Cate
gories

Valid
Nominating
Ballots

Valid
Final
Ballots
[1]
# of
Cate
gories

Site-
Selection
Ballots

Advance
Member
Count
Final
Hugo
Vote
Ratio
197129 - Noreascon IBoston934373291,60045.8%
197230 - L.A.Con ILos Angeles927055092561,50036.7%
197331 - Torcon IIToronto, Canada11350708113752,20032.2%
197432 - Discon IIWashington DC12?930126452,60035.8%
O197533 - Aussiecon OneMelbourne, Australia12267600125281,88031.9%
197634 - MidAmeriConKansas City124861,595129933,60044.3%
197735 - SunConMiami Beach12500800128842,80028.6%
197836 - IguanaCon IIPhoenix135401,246131,1544,20029.7%
O197937 - Seacon '79Brighton, UK134671,160139204,12628.1%
198038 - Noreascon TwoBoston135631,788131,5495,44732.8%
198139 - Denvention TwoDenver124541,247121,6804,52927.5%
198240 - Chicon IVChicago126481,071121,1195,00021.4%
198341 - ConStellationBaltimore126601,322127295,50024.0%
198442 - L.A.con IILos Angeles135131,467131,3686,74021.8%
O198543 - Aussiecon TwoMelbourne, Australia13222443135272,19920.1%
198644 - ConFederationAtlanta135681,267131,863 (’88)
1,276 (’89)
5,400
[6]
23.5%
O198745 - Conspiracy '87Brighton, UK13567990131,3734,95320.0%
198846 - Nolacon IINew Orleans144181,178141,4554,72125.0%
198947 - Noreascon 3Boston13539980131,6366,10016.1%
O199048 - ConFictionThe Hague, Netherlands14291486141,0883,41814.2%
199149 - Chicon VChicago133521,048132,0865,12620.4%
199250 - MagiConOrlando14498902142,5095,29717.0%
199351 - ConFranciscoSan Francisco15397841141,2825,83414.4%
199452 - ConAdianWinnipeg, Canada14649491141,4394,38811.2%
O199553 - IntersectionGlasgow, Scotland14477744141,5544,90015.2%
199654 - L.A.con IIILos Angeles14442939141,0646,00015.7%
199755 - LoneStarCon 2San Antonio13429687131,4674,40015.6%
199856 - BucConeerBaltimore13471769132,1685,13115.0%
O199957 - Aussiecon ThreeMelbourne, Australia13425438138202,42518.1%

Hugo Voting: Let's Look At The Record Yet Again (2000-2020),
by Jed Hartman and Jo Van Ekeren
Over
seas
YearWorldcon             Location[1]
# of
Cate
gories
Valid Nominating Ballots
Valid Final Ballots
[1]
# of
Cate
gories
Site-
Selection
Ballots
Advance
Member
Count
Final
Hugo
Vote
Ratio
TotalElec%ElecTotalElec%Elec
2000
[2]
58 - Chicon 2000Chicago1340713031.9%1,07147544.4%131,6985,26220.4%
200159 - Millennium PhilconPhiladelphia1349517836.0%1,05028226.9%132,0945,01320.9%
2002
[3]
60 - ConJoséSan José1462637159.3%92469775.4%141,0344,42220.9%
2003
[4]
61 - Torcon 3Toronto, Canada1473877647861.6%141,4814,20418.5%
200462 - Noreascon 4Boston1456736664.6%1,093141,6865,61319.5%
O200563 - InteractionGlasgow, Scotland1554643679.9%68455280.7%15[7]4,16916.4%
200664 - L.A.con IVLos Angeles1553343481.4%71160084.4%141,5614,12817.2%
O2007
[5]
65 - Nippon2007Yokohama, Japan1540934083.1%589159024,69112.6%
200866 - Denvention 3Denver15483895158264,06222.0%
200967 - AnticipationMontréal, Canada167991,0741,04096.8%167633,81228.2%
O201068 - Aussiecon 4Melbourne, Australia168641,094165262,89837.8%
201169 - RenovationReno161,00699298.6%2,1002,08699.3%167604,68844.8%
201270 - Chicon 7Chicago171,1011,922179325,21836.8%
201371 - LoneStarCon 3San Antonio171,343132999.0%1,848171,3484,46841.4%
O201472 - Loncon 3London, UK171,923188998.2%3,5873,57199.6%177788,58041.8%
201573 - SasquanSpokane172,122211999.9%5,9505,91499.4%172,62510,32157.6%
201674 - MidAmeriCon IIKansas City174,032401599.6%3,130171,3216,17450.7%
O201775 - Worldcon 75Helsinki, Finland182,464245899.8%3,3193,31599.9%181,2277,67243.3%
201876 - Worldcon 76San José191,813179599.0%2,8282,81099.4%197266,39344.2%
O201977 - Dublin 2019Dublin, Ireland201,800179799.8%3,0973,08999.7%208806,000?51.6%
O202078 - CoNZealandWellington, New Zealand191,584158299.9%2,221221699.85195874,48649.5%

Hugo Voting: Let's Look At The Record for the Retro Hugos

Year
Held
Retro
Year
Worldcon             Location[1]
# of
Cate
gories
Valid Nominating Ballots
Valid Final Ballots
[1]
# of
Cate
gories
TotalElec%ElecTotalElec%Elec
1996194654 - L.A.con IIILos Angeles13111---605---10
2001195159 - Millennium PhilconPhiladelphia121304836.9%86215718.2%10
2004195462 - Noreascon 4Boston131319673.3%84110
2014193972 - Loncon 3London, UK1623322697.0%1,3071,29599.1%10
2016194174 - MidAmeriCon IIKansas City1648147598.8%86911
2018194376 - Worldcon 76San José1720419294.1%70368897.9%9
2019194477 - Dublin 2019Dublin, Ireland1821721498.6%83482699.0%11
2020194578 - CoNZealandWellington, New Zealand1812011797.5%52151699.0%12

No.Footnote Explanation
[1]Number of categories includes the Hugo Awards, the Astounding Award, the Lodestar/YA Award, and any other special categories or awards announced that year. Discrepancies between total nominating categories and total voting categories are the result of categories with insufficient nominations being dropped from the final ballot.
[2]Chicon 2000 received 1,101 Hugo ballots, of which 475 were electronic ballots and 626 were paper ballots. 30 ballots were invalid, which left 1,071 valid ballots. It is unclear how many of the 30 invalid ballots were paper vs. electronic.
[3]ConJosé received 940 Hugo ballots. There were 697 were electronic ballots, 226 paper ballots, and 17 fax ballots. 16 ballots were invalid, which left 924 valid ballots. It is unclear how many of the 16 invalid ballots were paper vs. electronic vs. fax.
[4]Torcon 3 received 805 Hugo ballots, of which 478 were electronic ballots and 327 were paper ballots. 29 ballots were invalid, which left 776 valid ballots. It is unclear how many of the 29 invalid ballots were paper vs. electronic.
[5]The number of final Hugo ballots for Nippon 2007 is unknown. The quoted figure is the number of Novel ballots / 80%, which is the average percentage of final ballots cast for Novel during that stretch of years.
[6]Site Selection went from 2 years to 3 years in advance
[7]Site Selection went from 3 years to 2 years in advance

Pixel Scroll 6/27/18 What Has It Got In Its Retro Packet?

(1) ANAHEIM EVENT GOES DOWN THE TUBER. With dreams of rivaling VidCon, YouTuber Tana Mongeau tried to stage her own event in Anaheim. How did that go? New York Magazine titled its coverage “A Mouth to Hell Opened This Weekend at Tanacon, a Fyre Festival for the YouTube Set”.

Tana Mongeau wanted to throw an alt-VidCon. Instead, she threw a Fyre Festival redux.

Mongeau is a YouTuber. She has 3.5 million followers and her name might sound vaguely familiar if you’re at all versed in the surprisingly engaging world of vegan YouTube drama. VidCon is an annual YouTube-centric convention organized by brothers and YouTube royals Hank and John Green. Tanacon is the event that Mongeau organized — and named after herself — last week in California.

Tanacon was inspired by Mongeau’s self-professed dislike of VidCon. In a video you can watch if you have an hour and eighteen minutes to kill, Mongeau explained she would not be attending VidCon this year, citing drama over not being designated a featured creator at the event. And so, Tanacon was born. And, in a way, so Tanacon died. The event was barely six hours into its first day when it was shut down by officials for overcrowding, sending thousand of teens — many who had been waiting hours outside in the sun — into a tizzy. A dehydrated tizzy we can now recount for you to gleefully relive from the relative comfort of wherever you’re presently posted up. (We can only assume it’s not still the parking lot of the Anaheim Marriott Suites.)…

…The fan horde did not take well to the event cancellation. “After the lady said it was canceled, everyone started screaming, complaining, and cussing her out,” 13-year-old Alyssa, who bought a VIP ticket and waited six hours to be turned away empty-handed, said. “Everyone ran to the registration tent and threw the merch … pop sockets, Tanacon bags, stickers, Tanacon condoms, badges. This led to everyone destroying everything.”

Mongeau eventually came outside to calm the crowd. This, reader, will you believe … also did not end well, as evidenced by clips of screaming fans, phones raised above their heads with cameras at the ready, running through the parking lot to spy their queen….

 

(2) AND A BAD TRACK RECORD GETS WORSE. Louisville’s Fandomfest, which unaccountably did not go out of business last year after the loss of more than half its celebrity guests and a last-minute move to an old Macy’s store, (“Louisville’s Fandom Fest Shambles On”), has failed its attempt to relaunch in 2018. Co-promoter Myra Daniels announced on Facebook yesterday they’re “rescheduling” Fandomfest 2018 and plan to divide it into two more affordable events.

Hey Guys!!!

We are rescheduling Fandomfest 2018 this year.

A number of reasons why.

When we picked the date last year it was a different date range then we normally pick. It was the date closest to the previous few years of Fandomfest. The Omni is a great hotel and we wanted to have it there this year.

Unfortunately several things happened. The date we chose made it very difficult to get vendors and bigger named celebs for that date because there were 6 other big conventions on that date.

So many of our normal vendors had already paid and booked other shows for that date. That made it difficult to procure vendors which helps to pay for everything.

Another reason is the pre-sale tickets were at a lower rate then ever. The guests we have chosen to bring in to the event weren’t a big enough pre-ticket purchase draw for the fans.

Putting these shows on costs money. A lot of money. The idea is to have an idea of the excitement for your guest list and the pre-sales are a huge way for us to gauge that in our plan.

We worked with the great people at The Omni to try and find another date there at their beautiful facility but they are completely booked all the way into 2019.

So we are excited to announce that we are working to reschedule and instead of bringing one show in the summer we are going to bring 2 events to better serve you guys. We know we hear all the time how expensive the shows are getting with the autograph prices and the photo op prices as well as admission. We think the time is right to have shows that don’t cost the fans as much money.

All of us love meeting our favorites from our Superhero Movies or favorite TV Shows out there but lets face it, it can get expensive.

Daniels says they’ll “be refunding the few ticket purchases and vendor booths” starting on June 30.

(3) STILL EARTHBOUND. It was an open secret that the launch of James Webb Space Telescope would be delayed again; now it’s just plain open. The schedule now calls for a launch on March 30, 2021. Once launched, the JWST will be inserted into a solar orbit at the Earth-Sun L2 point.

NASA says

The James Webb Space Telescope (sometimes called JWST or Webb) is an orbiting infrared observatory that will complement and extend the discoveries of the Hubble Space Telescope, with longer wavelength coverage and greatly improved sensitivity. The longer wavelengths enable Webb to look much closer to the beginning of time and to hunt for the unobserved formation of the first galaxies, as well as to look inside dust clouds where stars and planetary systems are forming today.

Quoting The Verge’s article “NASA’s next flagship space telescope is delayed again”:

NASA has again delayed the launch of its next-generation space observatory, known as the James Webb Space Telescope (JWST), the space agency announced today. The telescope now has a new launch date of March 30th, 2021. It’s the second delay to the program’s timeline this year, and the third in the last nine months.

“We’re all disappointed that the culmination of Webb and its launch is taking longer than expected, but we’re creating something new here. We’re dealing with cutting-edge technology to perform an unprecedented mission, and I know that our teams are working hard and will successfully overcome the challenges,” NASA administrator Jim Bridenstine said in a video statement. “In space we always have to look at the long term, and sometimes the complexities of our missions don’t come together as soon as we wish. But we learn, we move ahead, and ultimately we succeed.”

(4) TAKE NOTE. The Guardian answers the question:  “Who is Segun Akinola? The composer reinventing the Doctor Who theme”.

Segun Akinola has been announced as the sci-fi show’s new composer, and he’s in for a challenge almost as significant as hers: reinventing one of TV’s best-known theme tunes. The British-Nigerian musician’s unveiling continues the trend for bringing in fresh blood all around for the show’s new era. Composer Murray Gold worked on all 10 series of the revived show, winning acclaim for his blockbustery orchestral scores – despite many fans complaining they became invasive and overbearing.

Akinola, an alumnus of the Royal Birmingham Conservatoire and part of 2017’s Bafta Breakthrough Brit programme, could prove an altogether different prospect for a remodelled show. Could fans look forward to hearing something a little more pared down, modern and minimalist?

…Yet his latest challenge sets the bar high. Composing soundtracks for all 10 episodes of Whittaker’s debut series might provide the lion’s share of his workload – but he is also tasked with providing a ‘fresh take’ on the show’s theme music. That’s one of the most iconic elements of Doctor Who – just like the show itself, it’s always changing while remaining, broadly, the same.

Composed by Ron Grainer, the eerie, warping titles first emerged in 1963 in an arrangement now synonymous with Doctor Who’s renegade spirit….

(5) TRAVEL BAN CONSEQUENCES URGED. In the aftermath of the Supreme Court decision upholding Trump’s travel ban, several leading sff figures voiced a new resolve to deprive the United States of future Worldcons. Patrick Nielsen Hayden’s Twitter thread starts here. Adam Roberts carried on the theme in his Twitter thread, and Paul Cornell ratified it.

(6) CHRISTOPHER STASHEFF REMEMBERED. The daughter of the late Christopher Stasheff gave an interview about the author to the Champaign, IL News-Gazette.

A daughter of the prolific author who brought literary depth to the science fiction and fantasy genres with books like “The Warlock in Spite of Himself” said he used the people of Champaign as his muse.

“He gained inspiration from the people around him,” said Eleanore Stasheff, whose father, Christopher Stasheff, died June 10 at age 74.

“He always believed home is where the heart is, which is Champaign,” she said. “He found beauty anywhere we were at, but to him, people were more important than nature.”

(7) HEART OBIT. Frank Heart (1929-2018), a U.S. engineer who led the team that built the Interface Message Processor, heart of internet precursor ARPAnet, died on June 24 aged 89. The New York Times recalls his achievements: “Frank Heart, Who Linked Computers Before the Internet, Dies at 89”.

Data networking was so new that Mr. Heart and his team had no choice but to invent technology as they went. For example, the Arpanet sent data over ordinary phone lines. Human ears tolerate low levels of extraneous noise on a phone line, but computers can get tripped up by the smallest hiss or pop, producing transmission errors. Mr. Heart and his team devised a way for the I.M.P.s (pronounced imps) to detect and correct errors as they occurred.

(8) TODAY’S BIRTHDAYS

  • Born June 27 – Tobey Maguire, 43. Spider-Man films of course.
  • Born June 27 — J.J. Abrams, 52. Executive Producer of Alias, Lost: Missing Pieces, Star Trek, Lost, Fringe, Star Trek Into Darkness, Almost Human… Well you get the idea.
  • Born June 27 – Samuel George Claflin, 32. Performer, the Hunger Games film series, Pirates of the Caribbean: On Stranger Tides and Snow White and the Huntsman

(9) COMICS SECTION.

  • John King Tarpinian spotted a Return of the Jedi joke in Brewster Rockit.

(10) KING KONG V GODZILLA. At Galactic Journey, The Young Traveler gives a blow-by-blow account of monstrous showdown: “[June 26, 1963] Double or Nothing (King Kong vs. Godzilla (1962))”.

Though the epic monster fight was the main spectacle of the movie, it also managed to have a plot too. Well, sort of. The movie follows a dying Pharmaceuticals company whose executive is trying to get business by gaining traction on TV. Obviously the best way to get TV viewership is to send two of your employees to a small exotic island in search of giant monsters you can exploit. So that’s just what they do, discovering King Kong in the process. An awesome fight breaks out between King Kong and a giant octopus, for some reason, and after a much too long “exotic” dance sequence from the island’s “natives” King Kong drinks some special juice and falls asleep.

(11) READY FOR ITS CLOSE-UP. BBC reports “Japan’s Hayabusa 2 spacecraft reaches cosmic ‘diamond'”.

A Japanese spacecraft has arrived at its target – an asteroid shaped like a diamond or, according to some, a spinning top.

Hayabusa 2 has been travelling toward the space rock Ryugu since launching from the Tanegashima spaceport in 2014.

It is on a quest to study the object close-up and deliver rocks and soil from Ryugu to Earth.

It will use explosives to propel a projectile into Ryugu, digging out a fresh sample from beneath the surface.

(12) HISTORY ONLINE. Did you know the BBC once sold a home computer? “BBC releases computer history archive”.

A slice of computing history has been made public, giving people the opportunity to delve into an archive that inspired a generation of coders.

The Computer Literacy Project led to the introduction of the BBC Micro alongside programmes which introduced viewers to the principles of computing.

It included interviews with innovators such as Bill Gates and Steve Wozniak.

The BBC hopes the 1980s archive will encourage today’s youngsters to become involved in computing.

With the release of the archive, viewers can now search and browse all of the programmes from the project.

They will be able to:

  • watch any of the 267 programmes
  • explore clips by topic or text search
  • run 166 BBC Micro programmes that were used on-screen
  • find out the history of the Computer Literacy Project

(13)  DRAGON CON LOSES POC PARTICIPANT. Gerald L. Coleman, who withdrew as a ConCarolinas guest, has decided Dragon Con isn’t suitable either.

Here’s a little thread I just sent. I still haven’t heard back from Cisca Small after emailing her twice this month about whether #DragonCon intends to invite John Ringo. According to Ringo he’s been invited. If that’s true I’ll be withdrawing my participation as an Attending Professional. I don’t have the luxury of pacifying, appeasing, or normalizing these decisions with my presence. I’m sure a number of authors who aren’t people of color or women will find all kinds of justifications for why it’s ok to attend but still call themselves “allies”. Just know I don’t buy it. I understand though, selling a few copies of your books is more important than letting a Con know that who they invite says everything about who they are.

Coleman also wrote a Twitter thread, which starts here.

(14) MANIFESTUNG. The Daily Dot’s Michelle Jaworski shows that “‘The Last Jedi’ backlash ‘campaign’ demands to be taken seriously “.

More than six months after the theatrical release of The Last Jedi, just about every aspect of the backlash against it has already been argued and debated to death. But that hasn’t stopped old arguments appearing in new formats.

Last week, we saw an almost certainly fake campaign “raise” millions of dollars to remake a film that earned more than $1.3 billion at the box office. This week, we’re seeing a “manifesto” written by “We the fans of Star Wars” go viral several weeks after it was originally posted. The emergence of the post, which didn’t get that much traction when it was first posted, is almost solely so people can mock it.

The creators of the manifesto believe that “those in charge of a Franchise derives its power as a creative force from the consent of the fandom of that Franchise.” The creators take umbrage with the direction that Lucasfilm has gone since being purchased by Disney and the perceived “misguided political agenda” that it’s pursuing with the new films. It includes grievances against The Last Jedi and the newer films as a whole, characterizing the films as desecrating the legacies of characters we’ve known for decades. And they certainly have an issue with people assuming that they’re racist, sexist, or part of the alt-right for disliking a movie.

“To these ends, we pledge our merchandise, our honor, and our wallets,” the manifesto stated in its final line.

These Star Wars fans, you see, demand to be taken seriously.

For the historians among us, this June 3 Twitter thread contains both the manifesto and a flag (complete with explanation of all its symbolism).

(15) A FORK IN THE ROAD. NPR’s Jason Sheehan reviews Laura Anne Gilman’s novel: “‘Red Waters Rising’ Leads Old Friends Into New Trouble”.

In the Devil’s West trilogy, Laura Anne Gilman has given us an imagined history of the United States — one that feels nearly as true as facts, both crazier and more reasoned than our Old West reality. Silver On The Road defined that world. One where the Devil — the actual Devil, smelling warmly of whiskey and tobacco, dressed in a prim cardsharp’s suit — holds dominion over everything in the United States west of the Mississippi, and defends it and its people from the predation and influence of Washington, Spain, the French and all of the East. From a town called Flood, he makes his deals and sends his chosen out into the world — one of them being Isobel, a teenaged girl, raised at the Devil’s knee and then sent forth (along with her mentor, Gabriel) into the Territory as his Left Hand. She is the Devil’s cold eye, final word and, when necessary, his justice.

(16) LUKE CAGE. The Orlando Sentinel interviews “’Luke Cage’ showrunner on its controversial killing”.

Before Cheo Hodari Coker began plotting Season 2 of Netflix‘s “Luke Cage,” he had to address the elephant in the room.

Actually, it was more like a snake in the room. A Cottonmouth to be specific.

Coker, a director, writer and producer who can frequently be found on social media answering both positive and negative questions and comments from viewers of his works, had frequently seen comments online saying that the killing of Season 1 villain Cottonmouth (Mahershala Ali) was a huge mistake.

There was a method to Coker’s perceived madness. One reason he gleefully accepted working on “Luke Cage” in the first place was his love of superhero comics. Coker still remembers vividly how he felt the moment he read the 12th issue of “Alpha Flight” (published by Marvel Comics in 1983), when legendary comics scribe and artist John Byrne killed the character Guardian.

“When (Bryne) killed Guardian I was verklempt,” Coker told The Washington Post. “I wanted to bring that kind of thing to Marvel television. I wanted to kind of do what Hitchcock did with ‘Psycho,’ because it was a big deal to kill Janet Leigh. And so, that was the thing. Cottomouth in that structure was always going to die. Even though people liked him a lot.”

(17) NIGHTFLYERS. Syfy Wire was terrified: “Nightflyers: George R.R. Martin goes ‘Psycho’ in new teaser”.

In the latest intense and unnerving teaser for George R.R. Martin’s upcoming sci-fi/horror series, Nightflyers, a young girl seems to recite some sort of incantation while we’re treated (if that’s the right word) to brief flashes of the rest of the cast in tight, dark spaces looking concerned, being set on fire, being dragged across the floor by some unseen force, and running for their lives. It’s all pretty terrifying, to tell the truth.

 

[Thanks to Jim Meadows, Chip Hitchcock, Mike Kennedy, JJ, IanP, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Andrew Porter, Rev. Bob, Nickpheas, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]