2017 WSFA Small Press Award Finalists

The Washington Science Fiction Association (WSFA) has announced the finalists for the 2017 WSFA Small Press Award:

  • “Foxfire, Foxfire,” by Yoon Ha Lee, published in Beneath Ceaseless Skies, ed. by Scott H. Andrews, (March 2016);
  • “Jupiter or Bust,” by Brad R. Torgersen, published in Orson Scott Card’s Intergalactic Medicine Show, ed. by Scott Roberts, (March/ April 2016);
  • “The Mytilenian Delay,” by Neil James Hudson, in Hyperpowers, ed. by Bascombe James, published by Third Flatiron Publishing (May 2016);
  • “Only Their Shining Beauty Was Left,” by Fran Wilde, published in Shimmer Magazine, ed. by E. Catherine Tobler, (September 2016);
  • “Radio Silence,” by Walter H. Hunt in Alien Artifacts, ed. by Joshua Palmatier and Patricia Bray, published by Zombies Need Brains, (2016);
  • “A Salvaging of Ghosts,” by Aliette de Bodard, published in Beneath Ceaseless Skies, ed. by Scott H. Andrews, (March 2016);
  • “The Tomato Thief,” by Ursula Vernon, published in Apex Magazine, ed. by Jason Sizemore, (January 2016);
  • “Vengence Sewn With A Fey Cord,” by Christine Lucas, published in The Future Fire, ed. by Djibril al-Ayad, (April 2016);
  • “The Witch’s Knives,” by Margaret Ronald, published in Strange Horizons, ed. by Niall Harrison, Jane Crowley, Kate Dollarhyde, Lila Garrott, Catherine Krahe, An Owomoyela, and Vajra Chandrasekera, (October 2016).

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2016). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association and will be presented at Capclave, held this year on October 6-8, 2017 in Gaithersburg, Maryland.

2016 WSFA Small Press Award

smallpress-shoemaker“Today I Am Paul” by Martin L. Shoemaker, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (August 2015), is the winner of the 2016 WSFA Small Press Award given by the Washington Science Fiction Association. The award was announced at Capclave on October 8.

Neil Clarke, publisher of Clarkesworld Magazine, accepted on behalf of Shoemaker.

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year. Members of the Washington Science Fiction Association select the winner. All voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

2016 WSFA Small Press Award Finalists

wsfa LOGOThe Washington Science Fiction Association (WSFA) announced the finalists for the 2016 WSFA Small Press Award for Short Fiction on August 9:

  • “The Art of Deception,” by Stephanie Burgis in Insert Title Here, ed. by Tehani Wessely, published by Fablecroft Publishing, (April 2015);
  • “Burn Her,” by Tanith Lee in Dancing Through The Fire, ed. by Ian Randal Strock, published by Fantastic Books (September 2015);
  • “Cat Pictures Please,” by Naomi Kritzer, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (January 2015);
  • “The Empress in Her Glory,” by Robert Reed, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (April 2015);
  • “The Haunting of Apollo A7LB,” by Hannu Rajaniemi in Hannu Rajaniemi: Collected Fiction published by Tachyon Publications, (May 2015);
  • “Headspace,” by Beth Cato in Cats In Space, ed. by Elektra Hammond, published by Paper Golem LLC, (December 2015);
  • “Leashing the Muse,” by Larry Hodges, published in Space and Time Magazine, ed. by Hildy Silverman, (May 2015);
  • “Leftovers,” by Leona Wisoker in Cats In Space, ed. by Elektra Hammond, published by Paper Golem LLC, (December 2015);
  • “Today I Am Paul,” by Martin L. Shoemaker, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (August 2015).

The award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction.  The award showcases the best original short fiction published by small presses in the previous year (2015). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the hWashington Science Fiction Associaton and will be presented at their annual convention, Capclave, held this year on October 7-9, 2016 in Gaithersburg, Maryland.

Pixel Scroll 5/2/16 Ancillary Mary Sue

(1) COSTUMES ON TRIAL. The Hollywood Reporter says “Supreme Court to Hear Fight Over Cheerleader Uniforms”, an issue that some argue can affect fans doing cosplay.

On Monday, the U.S. Supreme Court agreed to hear a case that is nominally about cheerleader uniforms, but could have some impact on Hollywood merchandising as well.

The eight black-robed justices will be reviewing an opinion handed down last August from the 6th Circuit Court of Appeals that allowed Varsity Brand to pursue copyright claims over similar cheerleader uniforms made by Star Athletica. The ruling held that the stripes, chevrons and color blocks incorporated into these uniforms were purely aesthetic.

…An amicus brief from Public Knowledge in this cheerleader costume case also spoke of the many people who cosplay at comic conventions.

“The multitude of contradictory separability tests that currently stand means that a costume replica may be non-infringing at a San Diego convention but infringing in New York,” stated that brief. “The situation is absurd, abstruse, and – owing to the historical lack of copyright protection for any article of clothing – functionally obfuscated from the people whom it stands to impact most.”

(2) TODAY IN FICTIONAL HISTORY

  • MAY 2 — ANNIVERSARY OF THE BATTLE OF HOGWARTS. With the help of the Harry Potter Wikia we salute the Unidentified fallen fifty:

They moved Voldemort’s body and laid it in a chamber off the Hall, away from the bodies of Fred, Tonks, Lupin, Colin Creevey, and fifty others who died fighting him.

—Description of the post-Battle

The unidentified fallen fifty of the Battle of Hogwarts (d. 2 May, 1998) were the unknown people who were killed fighting Lord Voldemort and his Death Eaters in the final conflict of the Second Wizarding War. They did not die in vain as their cause had been won after their deaths. At the end of the battle, all of the bodies were placed together in the Great Hall.

(3) FROM PKD TO PHD. Be the Professor of Future Crimes! University College of London is hiring. I am not making this up.

The nature of the crime and security problems we face has transformed in recent years and continues to change rapidly. Most obviously, the digital revolution has created new challenges in the form of cybercrime and other cybersecurity threats, while developments such as the Dark Web and the Internet of Things are exposing new problems. But the issue is wider than digital technologies: developments, for example, in nanotechnology, robotics and cybernetics are creating new opportunities that can be exploited for criminal and terrorist purposes. And nor do the new threats solely involve technological developments: social changes associated with population growth, changing migration patterns, and climate change all have the potential to drive crime and insecurity in as yet largely unforeseen ways.

(4) AWESOME. Jim C. Hines launches a new series of posts with SF/F Being Awesome: Books for Kids.

For close to 20 years, Balticon and the Baltimore Science Fiction Society have been raising money to provide books to kids — particularly kids who might not otherwise be able to afford them — and to school libraries as well.

I spoke with Kelly Pierce, who’s been coordinating the Bobby Gear Memorial Charity Auction at Balticon since about 2002. The auction raises the bulk of the money for Books for Kids each year….

Since it all began, Balticon and BSFS has probably raised around $50,000 to provide books to libraries and kids in need, with the bulk of that money comes from the annual auction….

For more information:

(5) DROPPING THE PILOT. io9’s new editor Rob Bricken previews the future in “io9’s Mission Isn’t Over”.

Hello, I’m Rob Bricken. Some of you may know me as the guy who writes the FAQs, or the guy who hates everything, or a deluded SJW, or perhaps the person who will shortly be turning io9 into a garbage fire. I would like to present myself as something else—the new editor of io9.

Yes, I have been given the monumental, terrifying task of taking over here, a job that I can promise you I did not have designs on. Like all of you, I would have been content with Charlie Jane Anders running io9 until the heat death of the universe. As I told her as she said goodbye, she is io9. Always was. Always will be.

But as Charlie Jane herself wrote, io9 has a mission

(6) FLASH FICTION. Cat Rambo answers the question “Why Write Flash Fiction?” on Medium. She defines flash fiction, then gives writers reasons to try it.

At any rate, writing flash fiction is both a useful and productive exercise for writers. Anything that makes us practice writing is surely a good thing, and sitting down to write a flash piece fulfills that. Beyond that, it’s very satisfying to rise from the desk knowing you’ve written something in its entirety, as opposed to the tiresome nature of a novel, which swallows hours and hours of writing while swelling as slowly as ice accreting on a glacier.

You can use flash to try out new techniques. One of the exercises I often use in class draws on a piece I heard Gra Linnaea read at World Fantasy Con, written all in future tense, which I read to the class before challenging them to write their own pieces in future tense. Another draws on Randy Henderson’s most excellent THE MOST EPICLY AWESOMEST STORY! EVER!!, which I use to challenge the class to think about bad writing vs. good.

Many new writers are hungry for publications, and writing flash is a good strategy for garnering some. Flash markets, by their nature, consume a lot of pieces, and where a market that publishes one story each month is buying only that one story, a flash market is buying a much larger number. One of my favorites is Daily Science Fiction, which mails me a story every weekday. Every Day Fiction, as another example, runs a flash piece each day. The shorter a piece is, the easier it is on an editor’s budget.

(Cat Rambo’s full-length short story “Left Behind” was published in the May issue of Clarkesworld, which you can read online, or you hear read to you by Kate Baker.)

(7) RHINO RUNNER. Jim Mowatt has written about his transcendent experience running the London Marathon run for Save The Rhino.

“That last mile is absolutely amazing” she said, “and when you turn to go down the Mall it’s the most incredible experience that you could imagine.” I did try to imagine it and reckoned it would be akin to some of the feelings that I have previously experienced when I have finished a particularly gruelling run. The actuality was was nothing like that. It was a massive emotional assault on a astounding scale.

I shuffled along the Embankment in a world of pain and then turned right at the Palace of Westminster. Then I ran along Birdcage Walk curving around toward the Mall and Buckingham Palace. All the while the noise grew louder and louder until it became completely unbearable. There was a kind of mass hysteria going on all around me. I’d got a shop to print Jim on the Save The Rhino tee shirt so people could shout out my name and, in a way, join in with my run. What felt like thousands of people were shouting my name. Faces were looming out of the crowd telling me that I was awesome or amazing or incredible. It was absolutely terrifying but quite exciting too. My mind couldn’t cope with this assault and tried to shut down to get me through. I went with it for a while but realised that this was a very special moment and I had to savour it. I forced myself to engage again. I could hear everyone shouting and screaming, all caught up in this amazing event. I zoned in and out as we progressed further down the Mall trying not to break down and cry with the massive waves of emotion rolling over and around me. At the final turn I saw the finish line and focussed in on that, lurching forward until I crossed the mat with arms held aloft….

(8) IT’S ALWAYS NEWS TO SOMEONE. I have not previously reported the announcement made last November by BSFS and WSFA that the 2018 World Fantasy  Convention will be held in Baltimore. Nor does Google show that it has been picked up anywhere else. Let this be a placeholder ‘til more information comes out.

The Baltimore Science Fiction Society (bsfs.org) and Washington Science Fiction Association (wsfa.org) shall be hosting the 2018 World Fantasy Convention on November 1 – 4, 2018 at the Renaissance Baltimore Harborplace Hotel (the location for next year’s 50th anniversary Balticon (balticon.org)). Many of us who were involved with the management of WFC 2014 are working on this exciting new project.

(9) AUTOBIOGRAPHY OF A CAT. Ursula K. Le Guin serves as amanuensis for “My Life So Far, by Pard” at Book View Café.

In the first place there were Mother and Sister and me with a mother and an aunty human who had a lot of kittens. Some tom humans came around now and then and either paid no attention to anybody but the queens, or were dangerous to kittens, pretty much like real toms. Mother and Sister and I kept out of their way and had no worries except sometimes the younger kitten humans, who will pull your tail as soon as their eyes are open. And some of the bigger ones played too rough, or tried to hug. Hugging, even when well meant, is horrible.

Life was often quite exciting in the first place, and we were happy together. I am hardly ever sad, but sometimes when I am going to sleep I hear purring around me that is not mine, and it seems that Mother and Sister and I are all curled up like one warm cat. And then I am happier than usual.

The kibbles there were all of one species, but there were plenty of them, except when there weren’t any of them. When the bowl had been empty for a while and then the kibbles were turned loose in it, Sister and I did a lot of growling and shoving to see who could get more first, but it wasn’t serious, it just made hunting and killing the kibbles more exciting….

(10) GRRM’S ANSWER. George R.R. Martin cleans off some of the mud that’s been hurled his way in “A Response To John C. Wright”.

…All that being said, I do not know why Wright seems to believe that by purchasing and publishing one of his stories seven years ago, I am therefore somehow required to like everything that he writes subsequently, to the extent that I would feel it Hugo worthy.

It should be pointed out that “Guyal the Curator” was not itself nominated for a Hugo (there being no Puppies around in 2009 to push it). None of the stories from SONGS OF THE DYING EARTH were Hugo finalists, truth be told. Do I think some were worthy of that honor? Sure I do. I cannot pretend to be objective, I’m proud of the anthologies I edit and the stories I publish. Do I think that all the stories in SONGS OF THE DYING EARTH (or ROGUES, or OLD MARS, or OLD VENUS, or LOWBALL, or any of my anthologies) are Hugo-worthy? Of course not. In a normal year, the Hugo finalists are supposed to represent the five best stories of the year in that word length. Was “Guyal the Curator” one of the five best short stories (actually, it might have been a novelette, after so long I do not recall the word length) of 2009? No. It was a good story, not a great story. The Hugo Awards demand greatness. It was an entertaining Vance tribute, but it was not a patch on real Vance, on “The Last Castle” or “The Dragon Masters” or “Guyal of Sfere.” And truth be told, it was not even one of the five best stories in SONGS OF THE DYING EARTH. A good story, yes, I’ll say that again. But there were better in the book. (And how not? We had an amazing lineup of contributors).

Which brings us back to Puppygate, and last year’s Hugo ballot.

I read every word in every story in the anthologies I edit, as I’ve said. I did not read every word in every story on last year’s Hugo ballot, no (or on any Hugo ballot, for that matter). I start every story and give them a few pages. If they grab me, I keep reading. If they bore me or offend me, or fail to interest me for whatever reason, I put them aside. Mr. Wright seems convinced that I did not read his stories on last year’s ballot. He’s half-right: I did not read all of them. But I started all of them (there were five), finished some, set others aside. The same as I do with any story I read; no special treatment.

I did not find any of them Hugo-worthy. Not one of them was as good as “Guyal the Curator,” in my opinion. No doubt others liked them better.

(11) THE POWER OF FIVE. Does the title of John Scalzi’s post show that he’s tuned to our wavelength? That’s my story, and I’m sticking to it — “Two New Books in 2016 That Have Me In Them. Well, Three. Actually, Five”.

So, to recap:

  • The Books That Changed My Life — already out.
  • Mash Up — out June 7.
  • Black Tide Rising — also out June 7.
  • The Dispatcher — scheduled for this year in audio.
  • Secret SubPress Project — also scheduled for this year (I think!).

And the mass market paperback of The End of All Things, out May 31st.

(12) MORE THOUGHTS. Mark Ciocco at Kaedrin comments: “The 2016 Hugo Awards: Initial Thoughts”.

Fortunately, at least part of the Puppy success this year was driven by the inclusion of works from mainstream authors on the lists. The Rabids had folks like Neal Stephenson , Neil Gaiman, Alastair Reynolds , and Lois McMaster Bujold on their slate, which, well, these are all people who don’t need any help getting nominated. In addition to those names, the Sads even included the likes of Ann Leckie, John Scalzi, Nnedi Okorafor, Naomi Novik, and Cat Valente, most of whom don’t seem to exactly fit the puppy mold if they aren’t actively hostile towards each other. I am, of course, not the first to mention this, but it does seem to have the effect of softening the impact such that the scortched-earth No Award response feels less likely this year. There are some who are calling these mainstream choices “shields” and coming up with elaborate conspiracy theories about their inclusion, but who knows? I mean, yeah, I could dig through the muck and try to figure out what the Rabid intentions really are, but jeeze, who wants to get into their head? I like a lot of these authors and hell, I even nominated some of them (completely independent of recommendation lists or slates, imagine that!). Of course, this has been my approach all along, but others, even strident opposition, seem to be getting on board that train.

(13) FLASH ROMANCE. The BBC reports there has been a preemptive protest about casting the movie version of The Flash — “Superhero fans rally to keep The Flash’s love interest black”.

The announcement that DC Comics and Warner Bros are to put comic book character The Flash on the big screen in two forthcoming movies was good news for many. There is already a successful TV series based on the character, and fans were expecting more of the same.

But some were alarmed by the suggestion that one of the supporting characters might undergo a transformation for the cinema version. Although full details of the film’s cast are yet to be announced, one blog reported “industry rumours” that the race of one of the characters may be changed.

The report suggests that a white actress, Imogen Poots, could be cast as Iris West Allen – a part played in the successful TV version by black actress Candice Patton.

Although the rumour remains unconfirmed, some fans began accusing Warner Bros of “whitewashing”, using the hashtag “Keep Iris Black”. The phrase has now appeared more than 7,000 times.

(14) HALLOWEEN AUCTION. Mark V. Ledenbach’s auction of vintage Halloween stuff runs through May 8. He is also blogging about some of the items, such as a tin noisemaker that went for $117.

This tin litho noisemaker, made by an unknown manufacturer during the 1930s, is very cleverly designed. I have my suspicions that it was made by Bugle Toy of Providence, Rhode Island, but they were disciplined about marking their tin litho items and this tin item has no mark. It has their characteristic clever design. Take a close look at it to see the almost Art Deco integration of four orange cat faces bordered by two bats and two owls.

Tin as a genre has been ice cold for years now. This was an aggressive ending price. Does this presage an upward movement for tin litho items?

(15) IN THEIR OWN WORDS. From the May issue of Smithsonian magazine, “An Oral History of ‘Star Trek’”.

The trail-blazing sci-fi series debuted 50 years ago and has taken countless fans where none had gone before…

In the teleplay for the first pilot, “The Cage,” starring Jeffrey Hunter as Capt. Christopher Pike, Roddenberry described the establishing shot in detail: “Obviously not a primitive ‘rocket ship’ but rather a true space vessel, suggesting unique arrangements and exciting capabilities. As CAMERA ZOOMS IN we first see tiny lettering ‘NCC 1701- U.S.S. ENTERPRISE.’”

Walter M. “Matt” Jefferies (production designer, “Star Trek”) I had collected a huge amount of design material from NASA and the defense industry which was used as an example of designs to avoid. We pinned all that material up on the wall and said, “That we will not do.” And also everything we could find on “Buck Rogers” and “Flash Gordon” and said, “That we will not do.” Through a process of elimination, we came to the final design of the Enterprise.

Gene Roddenberry I’d been an Army bomber pilot and fascinated by the Navy and particularly the story of the Enterprise, which at Midway really turned the tide in the whole war in our favor. I’d always been proud of that ship and wanted to use the name.

Roddenberry’s attention to detail even extended to the ship’s computer at a time when computers were punch card–operated behemoths that filled entire rooms. In a memo on July 24, 1964, to production designer Pato Guzman, Roddenberry suggested, “More and more I see the need for some sort of interesting electronic computing machine designed into the USS Enterprise, perhaps on the bridge itself. It will be an information device out of which the crew can quickly extract information on the registry of other space vessels, spaceflight plans for other ships, information on individuals and planets and civilizations.”

Gene Roddenberry The ship’s transporters—which let the crew “beam” from place to place—really came out of a production need. I realized with this huge spaceship, I would blow the whole budget of the show just in landing the thing on a planet. And secondly, it would take a long time to get into our stories, so the transporter idea was conceived so we could get our people down to the planet fast and easy, and get our story going by Page 2.

Howard A. Anderson (visual effects artist, “Star Trek”) For the transporter effect, we added another element: a glitter effect in the dematerialization and rematerialization. We used aluminum dust falling through a beam of high-intensity light.

[Thanks to John King Tarpinian, Will R., and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Doug Hoylman (1943-2015)

Doug Hoylman.

Doug Hoylman.

Doug Hoylman’s six championships in the American Crossword Puzzle Tournament are the exclusive focus of his Washington Post obituary, however, the longtime sf fan, who died on November 2, once was an active fanzine editor.

He grew up in the small town of Kalispell, Montana. He earned a B.A. in mathematics from the Massachusetts Institute of Technology in 1964, and went on to earn a Ph.D. in mathematics from the University of Arizona in 1969.

God comics HoylmanHoylman would have been a freshman at M.I.T. when he and Al Kuhfeld, another M.I.T. student, published God Comics #3: The World’s Most Blasphemous Comic Fanzine, with contents that included a Justice League parody called the “God Squad” featuring Thor, Mercury, Mary, Poseidon and Ball. The cover shows Batman removing his mask to reveal Wonder Woman.

Later, while editing the M.I.T. Science Fiction Society’s Twilight Zine, Hoylman advocated a viewpoint that so sharply contrasted with his contemporaries’ he is quoted in Peter Justin Kizilos-Clift’s 2009 dissertation “Humanizing the Cold War Campus: The Battle for Hearts and Minds at MIT, 1945-1965” –

While most science fiction readers were still men, more women were becoming readers, writers, and fans, and were being welcomed as equal participants into the MIT Science Fiction Society and the vast universe of science fiction. “Coeds are welcome in the society,” wrote Twilight Zine editor Doug Hoylman in November 1962, “in fact we have a disproportionate number of them. Our vicepresident and our treasurer are coeds. The views held by V—D— [Voodoo, the notoriously anti-feminist MIT humor magazine] and other forces of evil regarding Tech Coeds are not subscribed to by the Society.”

The first sf convention Hoylman attended was Pacificon II, the 1964 Worldcon in San Francisco.

He moved to the Washington area about 1970 and worked at Geico Insurance until the 1990s.

I’m missing some connecting history, but he was involved with NESFA closely enough to have been designated part of the club’s faux Fanzine Review Board in 1972, whose responsibilities were recorded in his apazine —

The Fanzine Control Act of 1971 is a little-known part of the Phase 2 economic program designed to fight fanzine inflation. Fanzines are important to the economy, particularly as regards the manufacturers of duplicating equipment and the United States Postal Service, and it is in the public interest to see that fanzines do not become so inflated that their publishers are unable to maintain them (the recent collapse of Science Fiction Review is a case in point).

The job of the Fanzine Review Board is to see to it that the President’s guidelines are enforced (these include a maximum permissible increase in number of pages of 5.5% per annum; any editor going from mimeograph to offset must have FRB approval).

The Board consists of five fans, five pros, and five large contributors to the Republican Party….

Hoylman also wrote a Holmes pastiche for the NESFA genzine Proper Boskonian, “Moriarty and the Binomial Theorem.”

When Minneapa was founded in the early 1970s he became a member, and was in the famous 1974 Minneapa group photo (as was Al Kuhfeld).

Wheile living in the DC area, he participated in the Washington Science Fiction Association. Google shows he was an active host of area gaming groups in his last years.

His dominance in crossword tournaments began with his 1988 championship, followed by others in 1992, 1994, 1996, 1997 and 2000. He also had three second-place finishes and three third-place finishes.

I hope File 770 readers who knew Doug Hoylman will add their memories about him in comments.

Medical Fundraiser for John Madigan

John Madigan

John Madigan

John and Candy Madigan are the longtime hosts of the Washington Science Fiction Association’s 3rd Friday meetings. John has been battling brain cancer for the past year. His treatments have been expensive and clinical trials are not covered by insurance.

Friends are rallying support for John by raising funds through a Youcaring appeal. All money received will go toward paying down the medical bills and helping with household needs during this difficult time.

[Thanks to Michael J. Walsh for the story.]

WSFA Press Publishes Valentine Novella

Dream_Houses_Cover-115x160Genevieve Valentine’s “first-ever novella,” Dream Houses, is being published by the Washington Science Fiction Association Press – and will be available first to members of Capclave, October 10-12, in Gaithersburg MD where Valentine is one of guests of honor.

She says this will be a limited print edition, the first 250 of which will be signed.

Pre-orders are being taken by the Press for the Trade Hardcover edition (only). Books will be shipped no earlier than October 13. The cost is $25.

What is this story about? Here’s the hook —

It takes a certain type to crew a ship that drops you seven years at a time into the Deep. Kite-class cargo ships like Menkalinan get burned-out veterans, techs who’ve been warned off-planet, medics who weren’t much good on the ground. The Gliese-D run isn’t quite the end of the line, but it’s getting there. No cachet, no rewards, no future; their trading posts get Kites full of cargo that the crew never ask questions about, because if it’s headed for Gliese-D, it’s probably something nobody wanted.

A year into the Deep, Amadis Reyes wakes up. Menkalinan is sounding the alarm; something’s wrong. The rest of the crew are dead.

[Thanks to Michael J. Walsh for the story.]

2013 WSFA Small Press Award

The 2013 Washington Science Fiction Association Small Press Award for Short Fiction was given to “Good Hunting” by Ken Liu.

The story was published in Strange Horizons, edited by Brit Mandelo, An Owomoyela, and Julia Rios (October 2013).

Presented at Capclave last weekend, the award consists of certificates for both the author and publisher, and a trophy and $250 for the author. Accepting the award for Ken Liu was Jamie Todd Rubin.

The award-winner was selected by blind voting — all voting done with the identity of the author hidden so that the final choice is based solely on the quality of the story.

2013 WSFA Small Press Award Finalists

The Washington Science Fiction Association has announced the finalists for the 2013 WSFA Small Press Award for Short Fiction:

  • “Astrophilia” by Carrie Vaughn, published in Clarkesworld Magazine, edited by Neil Clarke (July 2012).
  • “The Bookmaking Habits of Select Species” by Ken Liu, published in Lightspeed Magazine, edited by John Joseph Adams (August 2012).
  • “Bottled Spirits” by Pamela K. Kinney, published in Buzzy Mag, edited by Laura Anne Gilman (June, 2012).
  • “Coca Xocolatl” by Lawrence M. Schoen, published in ReDeus: Divine Tales, edited by Robert Greenberger and Aaron Rosenberg (Crazy Eight Press 2012).
  • “Good Hunting” by Ken Liu, published in Strange Horizons, edited by Brit Mandelo (October 2012).
  • “Mornington Ride” by Jason Nahrung, published in Epilogue, edited by Tehani Wessely (Fablecroft Publishing June 2012).
  • “The Six Million Dollar Mermaid” by Hildy Silverman, published in Mermaids 13: Tales from the Sea, edited by John L. French (Padwolf Publishing Inc. December 2012)

The award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction.

All voting is done with the identity of the author and publisher hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association and will be presented at their annual convention, Capclave, held this year on October 11-13 in Gaithersburg, Maryland.

[Via Locus Online.]

Robert Briggs (1930-2013)

Robert Briggs, who was present when the Washington Science Fiction Association “formed in a coal cellar”, died February 5 in Sarasota, FL.

He was one of seven DC fans who met at the Philadelphia Worldcon in 1947 and decided to start the Washington Science Fiction Society. Another founder, Franklin Kerkhof, recalls:

We progressed fairly well; we attracted some new and valuable members: Willy Ley attended a couple of meetings and once we had both Mr. Ley and Seabury Quinn. Then disaster threatened. Russell Swanson, who had been acting president, was discharged from the Army and left Ft. Myer for his home in Haddam, Connecticut sometime in December 1947.

Fortunately, Louis E. Garner, Jr., an energetic newcomer with a flair for organization, attended one meeting then came to the next full of plans and with the rough draft of a new constitution. The group changed its name to WSFA and elected officers. Briggs became WSFA’s first vice-president.   

The group soon decided to start a convention and Briggs chaired the first three Disclaves — 1950, 1951, and 1953 (they skipped 1952).

In recent years Briggs’ fan activity has been limited to membership in SAPS, an amateur press association, which he rejoined in 1978 after having briefly been a member in the early 1950s.

Wally Weber learned of Briggs’ death from Lutheran Services in Sarasota.

[Thanks to Robert Lichtman for the story.]