Pixel Scroll 9/14/17 I Grow Old, I Grow Old, I Shall Wear The Bacon On My Pixels Scrolled

(1) BEFORE THEY WERE BORN. In the latest Young People Read Old SFF, James Davis Nicoll finds out what the panelists feel about an original Hugo winner, Eric Frank Russell’s “Allamagoosa”.

Although British, Eric Frank Russell (January 6, 1905 – February 28, 1978) wrote primarily for the US market. He dabbled in a number of modes, including Fortean tales of the weird, low key anarchist adventures and satire. It’s the last mode that’s relevant to this story.

Eric Frank Russell’s 1955 “Allamagoosa” is significant for a number of reasons. It won the inaugural Hugo for Best Short Story1. It slots into an under-populated niche (comedic SF) and is notable, within that niche, for being genuinely funny. It belongs to a now largely extinct genre, military comedy, whose drama derives not from people shooting each other, but from the eternal struggle between individual and bureaucracy. Military takes on that struggle may be out of fashion, but civilian comedies on the same theme are too common to list. The context may be unfamiliar to my readers, but the struggle will be familiar.

(2) THE ORVILLE. Samuel R. Delany had a few things to say about The Orville, none of them good.

…Every situation and every image is a cliche. Nothing in the show aspires to be either original or to represent the best of the modern SF genre–or even the modern world.

You will never go broke underestimating the American public, is what this this makes me think of; but I wonder if someone has decided to extend it to gamble on the whole world as an extension of the this cynical view of the audience. It’s about on the level of the old Adam West and Burt Ward Batman and Robin show from the middle sixties. But is neither as original, entertaining, or thoughtful. If this show goes on to start getting great has-been actors to play cameo parts of the various villains, I won’t be surprised….

(3) CATCHING UP. Tor.com ran this Le Guin excerpt at the end of August: “’Introduction’ from Ursula K. Le Guin: The Hainish Novels & Stories, Volume Two

The novels and stories of the Hainish Descent were written in two periods separated by at least a decade. Everything in the first volume of this collected edition dates from the 1960s and ’70s, except one story from 1995; in the second volume, after one short novel from 1976, everything is from the 1990s. During the eighties I didn’t revisit the Hainish Universe at all (nor, until 1989, did I go back to Earthsea). When I became aware of this discontinuity, I wondered what kept me away from these literary realms I had invented, explored, established, and what brought me back to them.

That’s the sort of question interviewers and critics often ask and I usually dodge, uncomfortable with their assumption of rational choice guided by conscious decision. I may have intentions, as a writer, but they’re seldom that clear. Sometimes I find there is a certain tendency to my readings and thoughts, a general direction in which I am drawn—evidenced in a wish to learn more about certain subjects or fields (sleep and dream studies, satyagraha, medieval mining, DNA research, slavery, gender frequency, the Aeneid, the Inca). If this impulsion continues and gains energy, the subject matter of a story or novel may emerge from it. But it is an impulsion, not a decision. The decisions will be called for when the planning and writing begin.

(4) USING THE OLD BEAN. Daniel Dern suspects, “Yeah, this will only make sense to a limited audience, probably few under AARP age…” From a comment on io9’s “Game of Thrones’ Latest Attempt to Avoid Spoilers May Include Filming Multiple Endings” comes this photo of one of the leaked scenes….

(5) TURN UP THE VOLUMES. Nerds of a Feather brings us “6 Books with Jonathan Strahan”.

  1. What book are you currently reading? 

I’m currently reading the latest Tom Holt novel, The Management Style of the Supreme Beings, which is a lot of fun. It’s a satire on religion, and reminds me a lot of Jeremy Leven’s Satan, His Psychotherapy and Cure by the Unfortunate Dr. Kassler, J.S.P.S., which is a weird book I read years ago, and a bit of James Morrow’s Only Begotten Daughter, which I adore.

(6) EDUCATED GUESS. The Hugo Award Book Club, in “The runners-up for the 1953 Hugo Award”, ventures its opinion about what the shortlist might have looked like in the award’s first year, before there were rules instituting the now-familiar final ballot.

If there had been a nominating process, there’s no way to know for sure what might have been on it, but it’s possible to make a few informed guesses. At the time of the fourth convention progress report, Wilson “Bob” Tucker’s Long Loud Silence was second in the vote count. The story — a character-driven conflict in a post-apocalyptic U.S. — is notable for its bleakness. It’s hard to root for a protagonist whose goal of getting out of the ruined Eastern U.S. would mean spreading a plague. It is an excellent novel by one of the central figures of early fandom. For today’s SF fan, it’s surprising to think that both Long Loud Silence and The Demolished Man were ahead of the second volume of Asimov’s original Foundation Trilogy, Foundation and Empire. This is the high point in a series of novels that was named “Best All-Time Series” at the 1966 Hugos, and whose inferior sequel won the 1983 Hugo Award.

(7) TODAY IN HISTORY

  • September 14, 1986 The Adventures of the Galaxy Rangers animated series premiered on television.

(8) TODAY’S BIRTHDAY BOY

  • Born September 14, 1936 – Walter Koenig

(9) COMICS SECTION. John King Tarpinian finds not-terribly-hidden layers of comedic meaning in today’s Off the Mark.

(10) BUT DID YOU MISS IT? In The Atlantic, reviewer Lenika Cruz takes note of what these comics don’t have, as well as what they do have: “Marjorie Liu on the Road to Making Monstress”.

When the comic-book series Monstress introduces its haunted heroine, she has the look of someone just barely surviving. Maika Halfwolf is naked, missing part of an arm, wearing a metal collar, and being sold at a slave auction—a casualty in a bloody conflict between humans and Arcanics, a race of magical creatures. Of course, Maika is more than she seems. An Arcanic who looks human, she’s enraged by her mother’s death, her missing memories, and the atrocities she’s suffered. There’s also a strange, deadly power taking root in her body and mind—one she can neither understand nor control.

Written by Marjorie Liu and illustrated by Sana Takeda for Image Comics, Monstress is a sprawling epic fantasy that drops readers into the middle of a magic-filled alternate history. Described as a kind of “matriarchal Asia,” Maika’s universe is wracked by a race war and inhabited by violent witch-nuns, vicious deities, and innocent civilians—all of which is brought to life by Takeda’s exquisite manga-style, Art Deco–inspired art. Liu doesn’t ease her audience’s arrival into this intricately designed world by defining new terms or supplying a linear history of Maika’s life (the scale and complexity of the worldbuilding has earned Monstress comparisons to George R. R. Martin’s A Song of Ice and Fire books). Still, Liu and Takeda’s series differs from most genre fare, comics or otherwise, in at least one key way: There are almost no men or white characters.

(11) CAREER ARC. Bit parts and bad films: “Has Hollywood let Idris Elba down?” A Toronto International Film Festival video interview. Best quote: Dark Tower was “edited in a wood chipper.”

(12) HELLBOY CASTING. “Daniel Dae Kim thanks Ed Skrein after taking over Hellboy role” – the BBC has the story.

Daniel Dae Kim, who is known for shows like Hawaii Five-0 and Lost, will play Major Ben Daimio in the new film.

The character was Japanese-American in the original Hellboy comics.

Kim said he applauded his fellow actor Skrein “for championing the notion that Asian characters should be played by Asian or Asian American actors”.

(13) GEEKING OUT. SyFy continues celebrating its quarter-centennial by quizzing a celeb in “Geeky Q&A: Felicia Day”.

As part of SYFY 25 – where we’re looking back at everything amazing that’s happened in the world of sci-fi, fantasy, and horror over the last 25 years – we asked a bunch of famous people what sort of geeky stuff they like.

Here’s what the incredible Felicia Day had to tell us.

The one thing I geek out over the most is:

A new world I can escape into, whether video game, movie, TV show or book.

The first thing I remember geeking out over is:

Anne McCaffrey’s Dragonriders of Pern series.

(14) BODEGA BACKPEDALING. Bodega.com’s Paul McDonald tries to recover from internet outrage over yesterday’s business announcement in “So, about our name…”

What’s with our name?

In Spanish, “bodega” can mean grocery store, wine cellar, or pantry. In many major cities, it’s come to mean the mostly independently-run corner stores that populate the city and serve the community. Like NYC’s bodegas, we want to build a shopping experience that stands for convenience and ubiquity for people who don’t have easy access to a corner store.

Is it possible we didn’t fully understand what the reaction to the name would be?

Yes, clearly. The name Bodega sparked a wave of criticism on social media far beyond what we ever imagined. When we first came up with the idea to call the company Bodega we recognized that there was a risk of it being interpreted as misappropriation. We did some homework?—?speaking to New Yorkers, branding people, and even running some survey work asking about the name and any potential offense it might cause. But it’s clear that we may not have been asking the right questions of the right people.

Despite our best intentions and our admiration for traditional bodegas, we clearly hit a nerve this morning, we apologize.

(15) FELL OR JUMPED? But did Bodega.com make a mistake, or take a calculated misstep of the kind that’s typical of Jon Del Arroz’ playbook? The LA Times found backers of both analyses.

Short of promising a name change, McDonald wrote that the company will “commit to reviewing the feedback and understanding the reactions from today.”

McDonald and co-founder Ashwath Rajan received angel investments from executives at Facebook, Twitter, Dropbox and Google, and secured funding from a number of notable venture capital firms.

But on Twitter, at least one prominent tech investor criticized Bodega for its botched rollout. Spark Capital partner Nabeel Hyatt summed up Bodega’s issue as one of branding, saying it’s the “best example yet that framing your start-up properly matters.”

Andrea Belz, vice dean of technology innovation and entrepreneurship at the USC Viterbi School of Engineering, said it seemed like a case of a company going to market without fully understanding that market.

“I’m fairly certain that when you want to modernize an industry, you don’t want to start by offending people,” she said. In this case, launching their product with the implication that they’re going to replace the local corner store doesn’t particularly ingratiate them to their potential customers.

When a start-up is looking to solve a problem for which people already have a solution — in this case, nearby places to buy things — positioning is particularly important. Belz pointed to the Bodega co-founders’ former employer, Google, as an example of a company that displaced earlier search engines by positioning itself as sleeker and easier to use.

She said Bodega’s much-criticized rollout could dissuade people from trying out the product once it reaches their area.

But Jeff Scheinrock, who teaches entrepreneurship as faculty director of the Applied Management Research Program at the UCLA Anderson School of Management, said founders and investors must have known the name would get people talking.

“The name is controversial, and I think they got what they wanted out of that,” he said, pointing to the news coverage, including this report.

(16) GOT TO BE KIDDING. Grady Hendrix, who is promoting his new non-fiction book Paperbacks from Hell at the Film Noir Cinema on September 19, as part of the Miskatonic Institute of Horror Studies monthly lecture series, shares some provocative opinions with the Brooklyn Paper in “Horror stories: Author celebrates creepy covers and terrifying tales”.

“Horror didn’t exist in fiction until ‘Rosemary Baby.’ When that book came out it was quite honestly the first horror novel bestseller since the ’40s, and then the movie of course was also a big hit,” he said. “Then came ‘The Exorcist’ and that was a hit movie and both of those books were bestsellers for a long time.”

(17) CHEAP SHOT. The sommelier at Refinery 29 has a recommendation: “These Halloween Wines Are Only $10 So You Can Spend All Your Money On The Good Candy”.

Fortunately, you don’t have to skip out on being festive in order to avoid spending six hours waiting for JELL-O shots to chill, or splurge on super fancy bottles, either. That’s because Door Peninsula Winery is now offering a crazy budget-friendly alternative that simply screams Halloween. Enter: “Hallowine.”

 

(18) DRAFTING A CANDIDATE. Who needs to be governor when you’re already King? All the same, “Former Maine Gov. John Baldacci wants Stephen King to run for office: ‘You’ve got a winner there'”. The Washington Examiner has the story.

Stephen King fans are hoping they can get the author of the clown horror story It and 53 other novels to consider running for political office.

Among them are the state’s most recent former governor, two-term Democrat John Baldacci, who told the Washington Examiner, “Stephen would win any office he decided to run for in Maine.”

“I would be out there handing out fliers and putting on bumper stickers for him,” said Baldacci, who left office after eight years in 2011. “He’s been a big asset for the state of Maine and for a lot of people who look for common sense in the wilderness.”

There are clear opportunities in Democratic-leaning Maine. The pugnacious Republican Gov. Paul LePage, an ardent Trump supporter, is term-limited and will be replaced in an election next year while centrist GOP Sen. Susan Collins is up for re-election in 2020

(19) FAREWELL CASSINI. Movie of 13 years of Saturn pictures: “Saturn’s Strangest Sights, As Captured By A Doomed Spacecraft”.

(20) TRIP AROUND THE SUN. An extensive history of the Cassini mission told by the people who helped make it happen: “Our Saturn years”.

“I look back and think: ‘Gosh, I’ve worked on Cassini for almost an entire Saturn year.'”

(21) LIFE CATCHES UP WITH SF. Who said science fiction never predicts anything? (Nobody, actually, but it’s such a good hook….) — “At Bug-Eating Festival, Kids Crunch Down On The Food Of The Future”.

Chip Hitchcock sent the link with a footnote, “Filers may remember ‘chirpy chili’ in Pohl’s ‘Second-Hand Sky’, part of the fix-up Lives of the City.”

(22) VIDEO OF THE DAY. “The Secret Meaning of Stephen King’s IT” is a video by ScreenCrush that looks at the 2017 IT, the 1990s mini-series of IT, and lots of other horror movies to show their use of water and how water can be scary.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Andrew Porter and Daniel Dern for some of these stories. Title credit goes to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 8/18/17 And Though She Thought Mike Knew The Answer, Well He Knew But He Would Not Say

(1) THIS JOB IS NOT THAT EASY! Nicholas Whyte is back with “The Adminstrator’s Worldcon – part 2 of my 2017 Hugo memories”.

I almost didn’t make it to Worldcon 75. My taxi was 15 minutes late picking me up from home, and then encountered serious traffic en route to Zaventem airport. I was far too late to check my bag and brought it through security, where I almost came unstuck because of the Official Hugo Glue, which Dave McCarty had given me at Smofcon in December and I now needed to give back to him. (In fact we did not need it, as the artist who created the bases had engraved the winners’ plaques and attached them to the bases herself.) Five different security officials inspected the Official Hugo Glue Gun (which fortunately in Dutch is not a gun but a “lijmapparaat”, glue machine) before I was allowed to go on my way. The captain of my plane then scolded me, entirely fairly, for bringing “hand luggage” which was, in his words, “way too big”. But he did not throw me off, and I arrived in Helsinki.

Whyte includes a clear photo of the Hugo base by itself:

(2) ALL’S WELL. Yesterday’s Scroll quoted Renay’s tweets about the dismaying condition of Lady Business’ Hugo when it arrived. She told File 770 the problems were quickly resolved:

It turns out it was melted glue from where the felt was attached to the base (it’s hot here in Arkansas!). It’s been cleaned off with no problems and we’re looking into the proper type of glue to reattach the felt so disaster averted!! The bolt and washer were missing, too, but we’re going to pick a replacement up tomorrow. Nicholas Whyte from the Hugo team was super responsive. I’m also impressed everything arrived so fast. Those Worldcon 75 volunteers are ON IT.

(3) HUGO WINNER. The speech Ada Palmer was too overwhelmed to read at the Hugos is posted at her blog: “Campbell Award & Invisible Disability”.

Thank you very much. I have a speech here but I actually can’t see it. I can think of no higher honor than having a welcome like this to this community. This… we all work so hard on other worlds, on creating them, on reading them, and discussing them, and while we do so we’re also working equally hard on this world and making it the best world we possibly can. I have a list with me of people to thank, but I can’t read it. These tears are three quarters joy, but one quarter pain. This speech wasn’t supposed to be about invisible disability, but I’m afraid it really has to be now. I have been living with invisible disability for many years and… and there are very cruel people in the world for which reason I have been for more than ten years not public about this, and I’m terrified to be at this point, but at this point I have to. I also know that there are many many more kind and warm and wonderful people in this world who are part of the team and being excellent people, so, if anyone out there is living with disability or loves someone who has, please never let that make you give up doing what you want or working towards making life more good or making the world a more fabulous place.

(4) CONREPORT. Cora Buhlert shares her Worldcon experience in a short video, Cora’s Adventures at WorldCon 75 in Helsinki. Includes a shot of one of the File 770 meetups.

(5) CURBED ENTHUSIASM. Mark Ciocco weighs in on “Hugo Awards 2017: The Results”.

The 2017 Hugo Awards were announced on Friday, so it’s time for the requisite whining/celebration that peppers the steak of our blogging diet (that’s how food works, right?) Um, anyway, despite my formal participation in the awards process roughly coinciding with the Sad/Rabid Puppy era/debacle, this marks the fourth year wherein I’ve contributed to the results. This year’s awards were less directly impacted by those meddlesome puppies, but I feel like we’re still suffering through an indirect backlash and overcorrection. This isn’t exactly new, so let’s just get on with it. (For those who really want to geek out and see how instant-runoff voting works, the detailed final and nominating ballots are available.)

The Obelisk Gate by N.K. Jemisin takes the rocket for Best Novel, making Jemisin just the third author to have back-to-back wins in this category (joining the ranks of Orson Scott Card and Lois McMaster Bujold). She’s a good author, but damn, these books are not for me. Both were at the bottom of my ballot and while I can see why her novel won last year, this one is a little more baffling. It appears to have been a close race though, with All the Birds in the Sky only narrowly missing the win. I regret not putting it higher on my ballot, as it’s the only non-series finalist, and that’s something that’s becoming more and more of an issue… My preferred Ninefox Gambit came in third in the voting, which wound up being a theme for my first ranked works this year….

(6) PHOTO FINISH. Amal El-Mohtar coincidentally provides another clear photo of the Hugo base.

(7) WHAT THEATRICAL GENIUSES ARE READING. Broadway World delivers “Your 2017 Summer Reading List Courtesy of Lin-Manuel Miranda”, which includes a few genre works:

(8) WHAT YOUNG PEOPLE ARE READING. At Young People Read Old SFF, James Davis Nicoll has sicced the panel on “By the Waters of Babylon”. (Wow – I first read that in a junior high school textbook, when I was a Young People myself!)

The second story in Phase II of Young People Read Old SFF is Stephen Vincent Benét’s 1937’s“By The Waters of Babylon”. He’s more obscure than he once was now—dying at age 44 didn’t help him stay in the spotlight—but you may have encountered his The Devil and Daniel Webster or Benét’s upbeat toe-tapper, Nightmare, with Angels, quoted in part in John Brunner’s disco-era The Jagged Orbit…

(9) ROWELL REUNITES RUNAWAYS. Marvel is bringing back Nico, Karolina, Molly, Chase, Old Lace and even Gert.

This fall, best-selling YA writer Rainbow Rowell (Carry On, Eleanor and Park), superstar artist Kris Anka (All-New X-Men, Star-Lord) and Eisner-winning colorist Matt Wilson (The Mighty Thor, Black Widow)  team up to bring the universe’s pluckiest team of super heroes back to where they belong: in the pages of a Marvel comic book.

“As a Runaways fan, it’s been such a thrill for me to see these characters together again,” said writer Rainbow Rowell. “I can’t wait to let everyone else into the party.”

“For years I batted other editors and creators back from the Runaways,” said Executive Editor Nick Lowe. “I was the last Editor to edit them and they are precious to me, so I didn’t want just ANYBODY to bring them back. So when my new favorite writer (Rainbow’s Eleanor & Park slayed me in the best way) said they were her favorites, I knew I had half of the lightning I needed. Kris [Anka] was the other missing link for the PERFECT RUNAWAYS creative team and I’m so excited to share them with the world!”

(10) NO CAPTAIN SULU. Mr. Sci-Fi, Marc Scott Zicree, talks about an unproduced Trek series:

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

 

(11) TODAY IN HISTORY

  • August 18, 1947 – Hewlett-Packard Co. is incorporated, nine years after William Hewlett and David Packard sold their first oscillators from a garage in Palo Alto, where they had set up shop with $538 in capital. Moving from oscillators, the first of which they sold to Disney for the movie Fantasia, the Stanford graduates built one of the world’s largest electronics companies
  • August 18, 2001Stacy: Attack of the Schoolgirl Zombies premieres in Japan.

(12) TODAY’S BIRTHDAY BOY

  • Born August 18, 1925 – Brian Aldiss

COMICS SECTION. John King Tarpinian approves of the monkey business on Brevity.

(13) INFRINGEMENT SUIT. In January the Arthur C. Clarke estate, Penguin Random House and Simon & Schuster joined with the estates of Ernest Hemingway, Truman Capote, Jack Kerouac to sue Frederik Colting, Melissa Medina, and their publishing firm, Moppet Books, charging copyright infringement. They charged that KinderGuides seek “to capitalize on the [classic] Novels’ enduring fame and popularity,” describing the titles as “a transparent attempt to recast their unauthorized derivatives as ‘study guides’ intended for the elementary school set.”

Publishers Weekly has a progress report on the litigation in “Still No Opinion, but Judge’s Order Bans Distribution of ‘Infringing’ KinderGuides”.

Following a summary judgment ruling last month, a federal judge this week signed off on a permanent injunction immediately barring Moppet Books from distributing in the U.S. any versions of its KinderGuides series held to be infringing, until the works on which they are based enter the public domain. In addition, Moppet Books also agreed to destroy all current copies of the infringing works “in its possession or under its control” within 10 days.

Don’t expect the shredders to fire up quite yet, however. While the ban on distribution is effective immediately, the injunction includes an automatic stay on the destruction of existing stock, pending the “final outcome” of the appeal process.

…On July 28, Judge Jed Rakoff issued a summary judgment for the plaintiffs, rejecting Moppet Books’ claims that the works, created by founders Frederik Colting and Melissa Medina for the company’s KinderGuides series, were protected by fair use. The ruling came just days after oral arguments were presented in the case, and without an accompanying memorandum by Rakoff explaining his decision, which the judge said would come “in due course.”

…Meanwhile, despite the ongoing legal battle, Moppet Books is moving ahead with plans to launch a new line of books in October, including a collection of KinderGuides based on public domain works, and two original nonfiction works.

(14) WHAT’S THAT, ROCKY? The New York Times, in “When Dinosaurs Ruled the Earth”, reports that new fossil discoveries show prehistoric “squirrels” glided through forests at least 160 million years ago.

In a study published on Wednesday, a team of paleontologists added some particularly fascinating new creatures to the Mesozoic Menagerie. These mammals did not lurk in the shadows of dinosaurs.

Instead, they glided far overhead, avoiding predatory dinosaurs on the ground — essentially flying squirrels of the Jurassic Period, from an extinct branch of mammals that probably still laid eggs.

(15) BRADBURY DRAMATIZED. Broadway World says a one-man Bradbury play will be part of a stage festival in New York next month.

Bill Oberst Jr. brings his award-winning solo performance, “Ray Bradbury‘s Pillar Of Fire,” one of Bradbury’s darkest tales, to Theatre Row on Sunday, Sept. 17 at 6:00pm. The NYC debut is part of the United Solo Theatre Festival.

Ray Bradbury has something to say to us at this exact moment in time;” said Oberst, “that we are citizens of the cosmos first, that the way we imagine our future determines our future, and that the most dangerous minds are those which cannot imagine themselves to be wrong.”

Oberst’s one-act adaptation uses Ray Bradbury‘s poetic prose to tell the story of William Lantry, a 400-year-old corpse who rises from the grave in the year 2349 to find himself the last dead man on Earth. Filled with hatred for a future world where superstition, gothic literature and human burials are all banned, Lantry decides to create an army of the dead. Bradbury later called the novella “a rehearsal for Fahrenheit 451.” He also famously said, “I don’t predict the future, I try to prevent it.”

(16) OLD HOME WEEK. Andrew Porter used to live in part of the historic Henry Siegel mansion, whose story was chronicled in the Daytonian in Manhattan blog yesterday.

…This is where I first published ALGOL, DEGLER! and then S.F. WEEKLY. It’s where I lived while I worked on the 1967 Worldcon, NYCon 3. I had numerous fan gatherings there, and have photos of Ted White and Arnie Katz in my room. This block of East 82nd Street is also the direct approach to the Metropolitan Museum of Art, whose fabled entrance stairs are visible directly down at the end of the block.

He wrote a long, fascinating comment there, including this genre tidbit –

In later years, part of the basement housed a toy store accessed by a stairway from the bookstore above. The proprietor told me that some of the toy soldiers he sold came from the collection of Donald A. Wollheim, a well-known collector and once publisher of DAW Books. And one of the buyers was George R.R. Martin, whose “Game of Thrones” (HBO) is so popular.

…For many years there was also a bookstore. In early 2017, Crawford Doyle Booksellers, which claimed to be there for 21 years, closed. However, there’d been a bookstore there since at least the late 1950s. I know, because as a teenager, I had a job delivering Womrath Library rental books to posh apartments around the area.

(17) IN THE FLOW. The Hugo Award Book Club discusses John Scalzi’s latest novel in “Review: The Collapsing Empire”.

Given John Scalzi’s track record, high profile, and vocal fan base, it seems likely that The Collapsing Empire will be given a fair amount of consideration on many 2018 Hugo nominators’ lists.

Based on how fun this book is at times, that consideration is probably warranted. The novel is set in an interstellar empire tied together by limited faster-than-light traderoutes known as ‘the Flow.’ This empire — The Interdependency — has lasted for millennia because of the economic dependence of its member worlds to each other. The key protagonists are the new Empress of the Interdependency, and the son of a scientist on a distant world whose father has spent decades discovering that the flow is going to collapse. The overaching plot — which has some parallels to Asimov’s Foundation— is expertly constructed and well-paced. Although the characters all seemed to speak with a similar voice, their motivations were clear, and the conflicts felt natural.

(18) THROWING SHADE. Solar-powered California prepares for the eclipse:

“We’re doing a lot of coordination, a lot of preparation,” says Deane Lyon, a manager at the California Independent System Operator (ISO), which manages about 80 percent of the state’s electric grid. “It’s probably the most work this company has done to prepare for a three-hour event in our history.”

Solar power already comes with up and downs, in the form of clouds.

“So this was a particularly cloudy day,” says Jan Klube of Enphase, pulling up a graph showing the solar output from one California home. The Petaluma-based company monitors rooftop solar systems around the country day in and day out.

To show how a single cloud can make a difference, he points to the afternoon hours, when the output dips by about a third. “You see the big drop, so there’s a cloud coming and going,” he explains. “That’s why you see the zigzag.”

If your solar panels are in the path of totality during the eclipse, “it will go all the way to zero,” he says.

California isn’t squarely in the path, but the moon’s partial shadow will obscure 90 percent of the sun in the north, down to nearly 60 percent in the south. That’s more than enough to cause some anxiety for the people who have to keep California’s lights on.

(19) THE DARK SIDE. Scientists to study whether nature really goes crazy during an eclipse: “Will The Eclipse Make Crops And Animals Flip Out? Scientists Ask (Really)”.

With the help of elementary school students, University of Missouri biology professor Candi Galen is putting out microphones near beehives, in gardens and in a pumpkin patch to record buzzing activity.

“I don’t think it is really known the cues that bees use or don’t use when they are foraging that tell them to jump ship and go back their hives or stay put,” Galen says. “Bees depend upon the environment to regulate their temperature, and that may suggest that if indeed it does cool off a few degrees as the eclipse progresses, then they would get less active because they would be at a lower temperature physiologically.”

Researchers are also working with nearby cattle ranchers and even fishermen to monitor fish activity, Reinbott says.

(20) DNA EDITING. An NPR report is allowed to go “Inside The Lab Where Scientists Are Editing DNA In Human Embryos”.

Critics, however, pounced on the news. They fear editing DNA in human embryos is unsafe, unnecessary and could open the door to “designer babies” and possibly someday to genetically enhanced people who are considered superior by society.

As the debate raged last week, I asked Mitalipov if I could visit his lab to see the next round of his experiments. He wants to confirm his initial results and determine whether the method can be used to repair other mutations.

He agreed to a visit, and on Monday, I became the first journalist to see these scientists cross a line that, until recently, had been taboo.

Chip Hitchcock adds a historical note: “Readers of antique SF may remember Heinlein’s elaborate description of deductive sorting of ova in Beyond This Horizon; another infodump bites the dust.”

(21) PUNISHER. The Verge invites everyone to watch The Punisher teaser trailer:

The Defenders hits Netflix today, and with it comes a look at Marvel’s upcoming show The Punisher. Frank Castle was introduced in season 2 of Daredevil. He’s played by Jon Bernthal, who will reprise his role as the gun-toting Army vet out for revenge.

Various rips of the trailer are popping up all over YouTube…

 

(22) SAY HELLO. Amazon Prime video will stream The Tick on August 25.

From creator Ben Edlund comes the hero you’ve been waiting for. In a world where heroes and villains have existed for decades, a mild-mannered accountant named Arthur has his life turned upside down when he runs into a mysterious blue superhero, The Tick, who insists that Arthur become the brains to his brawn in a crime-fighting duo. Will Arthur resist the call of Destiny or join the fight?

 

[Thanks to Cat Eldridge, John King Tarpinian, Hampus Eckerman, JJ, James Davis Nicoll, Karl-Johan Norén, Carl Slaughter, Chip Hitchcock, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 8/4/17 Is This A File Which I See Before Me, The Pixel Toward My Hand?

(1) THE YOUTH ARE BACK. James Davis Nicoll kicks off Phase II of Young People Review Old SFF with a 1909 tale.

In the hope of selecting more accessible works, I crowd-sourced my selections and now provide my readers with more (well, any) background information on the pieces.

The first Phase II story comes from an author not generally thought of as an SFF author. E. M. Forster is perhaps best known for mainstream works like Howard’s End, A Passage to India and A Room with a View. Forster did write fantastic fiction, however. 1909’s “The Machine Stops” is the one Sfnal work of his many who rarely venture outside SF have read, thanks to all the genre anthologies that featured it. Set in a wired world not too dissimilar to our own, it hides its age well. Or so it seems to me.

(2) MUSICAL INTERLUDE. The band Clppng, whose album Splendor & Misery is a Best Dramatic: Short Form Hugo nominee, will perform in Helsinki at Worldcon 75.

(3) INSIDE LOOK. Dominic Parisien tells Black Gate readers “The Strategy Behind Disabled Stories: The What, Why, and How (but Mostly How) of Disabled People Destroy Science Fiction”.

When I started writing this article my face was spotted with burst blood cells. Earlier in the day I’d had one of my violent convulsive episodes. I was exhausted and aching but I meant to write, because it felt appropriate, topical. I’m here, after all, to write about Uncanny Magazine’s Disabled People Destroy Science Fiction issue.

But I couldn’t muster the energy for more than a few lines. I lacked the spoons.

The project description goes like this: Disabled People Destroy Science Fiction is a continuation of the Destroy series in which we, disabled members of the science fiction community, will put ourselves where we belong: at the center of the story. Often, disabled people are an afterthought, a punchline, or simply forgotten in the face of new horizons, scientific discovery, or magical invention. We intend to destroy ableism and bring forth voices, narratives, and truths most important to disabled writers, editors, and creators with this special issue.

My colleagues will have guest posts and blog posts going up across a number of venues, and many of them will focus on the importance of representation, of disabled people placing ourselves at the centre of the narrative, of telling our own stories. For my part, I want to discuss the creative process for our project.

(4) ONGOING ACCESS PROBLEMS. Nicola Griffith has issued “An open letter to all writing programmes, workshops, and retreats”.

Everything you do—classes, retreats, workshops—should be accessible. Many of you are not.

I’ve heard all your excuses: But we love the quaint/rustic/boho vibe, and that will be ruined if we have to change! But we can’t have our woods/private chef/coziness if we move to an accessible space! But it’s important we give the students an inexpensive experience, and access costs money!

I have no sympathy for your excuses. To disabled writers like me it does not matter how beautiful/cosy/inexpensive your traditional/sorority/in-the-woods space is because we can’t access it. If we can’t visit, to teach or write, then it’s not beautiful or welcoming or inexpensive, it is a fenced enclosure with a huge red sign on the gate saying CRIPPLES KEEP OUT.

(5) BOMBS AWAY. Ann Hornaday’s story in the Washington Post, “Are movie reviews just more ‘fake news’? Some studios want you to think so.”, covers about Sony’s effort to suppress reviews for The Emoji Movie, which only got a score of 8 percent on Rotten Tomatoes and is sinking at the box office.  She notes that efforts by studios to produce “critic-proof” films have led to John Carter, The Mummy, Battleship, and other “high-profile bombs.”

“What other wide release with a [Tomatometer] score under 8 percent has opened north of $20 million? I don’t think there is one,” said Josh Greenstein, president of worldwide marketing and distribution at Sony, when McClintock interviewed him. He sounded as proud as a farmer who had just sold a poke full of pigs to an unsuspecting butcher.

Greenstein may not have taken into full account the hair-tearing desperation of parents eager to distract kids whose last PG-rated animated movie was “Despicable Me 3” in late June. And he might find that his enthusiasm has dropped just as vertiginously as “The Emoji Movie’s” box office numbers, which by Monday had already plunged by more than 50 percent, indicating cataclysmic word of mouth. No matter: Sony’s following a similar playbook this week with another late-screener, “The Dark Tower,” hoping to beat discouraging reviews to the punch with the brand names of Stephen King, Idris Elba and Matthew McConaughey. (As of this writing, with 20 critics reporting, the sci-fi fantasy had earned a 20 percent approval rating on Rotten Tomatoes, along with a prominent green splat.)

(6) DOES ALL MEAN ‘ALL’? Variety’s Gene Maddaus, in “Judge Allows Lawsuit Claiming James Bond Box Set Was Incomplete”, says a judge in the state of Washington has ruled that Mary L. Johnson’s lawsuit against MGM can proceed to a jury trial.  Johnson said MGM violated the state of Washington’s Consumer Protection Act because she ordered a “Complete James Bond” boxed set from Amazon for $106 and didn’t get the 1967 Casino Royale or Never Say Never Again.

In his opinion, Martinez declined to dismiss the claim at this stage, and said a jury would have to decide whether the term was misleading.

“A jury must determine whether a reasonable person would expect ‘Casino Royale’ and ‘Never Say Never Again’ to be included in a complete set of James Bond films,” Martinez wrote. “From the Defendants’ perspective, this claim will have to ‘Die Another Day.’”

(7) THE BIG BUCKS. Forbes has updated their annual guesstimates about what the top authors earned for the 12 months ending May 31, 2017. With new books, a play and more movies, J.K. Rowling returns to the top of their list –

  1. JK Rowling $95 million
  2. James Patterson $87 million
  3. Jeff Kinney $21 million
  4. Dan Brown $20 million
  5. Stephen King $15 million
  6. John Grisham $14 million
  7. Nora Roberts $14 million
  8. Paula Hawkins $13 million
  9. EL James $11.5 million
  10. Danielle Steel $11 million
  11. Rick Riordan $11million

(8) GOODREADS. It’s the heart of the awards season, so no wonder the Goodreads Blog has decided to celebrate this as “Science Fiction & Fantasy Week”.

  • Readers’ Top 50 Sci-Fi Novels From Ender to the hapless Arthur Dent, to returning to beloved worlds created by Ursula K. Le Guin, Isaac Asimov, Octavia Butler, and many more.

The bar needed to be high. Every book on our list has at least a 4.0 average rating from Goodreads members. Unfortunately, this means that dinosaur king himself Michael Crichton failed to make the cut, along with other big names in the genre like Kim Stanley Robinson, William Gibson, and H.G. Wells. But while some classics may be missing, recent favorites from Emily St. John Mandel, Nnedi Okorafor, and Pierce Brown round out the list.

  • Readers’ Top 50 Fantasy Novels Go there and back again with novels full of legends, heroes, myths, and magic. From J. R. R. Tolkien to George R.R. Martin, these epic fantasies await readers.

These titles were chosen based on reader reviews, so every single book had to meet at least a 4.0 average rating from the Goodreads community. Then, for good measure, we looked at how many ratings each book has received. We also decided to select the first book in a series (although it’s worth noting that the entirety of J.R.R. Tolkien‘s The Lord of the Rings as well as George R.R. Martin‘s A Song of Ice and Fire have the rare distinction of being above a 4.0 rating).

Our hunt for the best YA sci-fi books on Goodreads reflects this partiality to the post-apocalypse. We set the bar high, only including books with at least a 4.0 average rating. The result? A sometimes grim, always thrilling peek into the future—where young women and men have the power to change their fates.

As we searched for the best YA fantasy on Goodreads, we stuck to books with at least a 4.0 average rating. This meant that popular titles with big film adaptations like Twilight, Eragon, and The Golden Compass missed the cut. While The Boy Who Lived made it in, surprising no one, the list is dominated by powerful girls with no time for evil royals or rampaging monsters.

(9) TODAY IN HISTORY

  • August 4, 1932 — Victor Halperin’s White Zombie is released theatrically.

(10) THE COMIC SECTION. Chip Hitchcock calls it “today’s cultural acknowledgment” – Pooch Cafe.

(11) EATING THE FANTASTIC. Scott Edelman invites you to “Share shawarma with Brooke Bolander in Episode 44 of Eating the Fantastic”.

Brooke Bolander

Brooke Bolander was on Nebula ballot that weekend in the short story category for “Our Talons Can Crush Galaxies,” and is also on the current Hugo Awards ballot for that same story, one of the most talked-about tales of 2016. Her fiction, which has appeared in Lightspeed, Strange Horizons, Nightmare, Uncanny, and other venues, has been honored by nominations for the Locus and the Theodore Sturgeon awards as well. The Only Harmless Great Thing will be published by Tor in 2018.

We discussed how she ended up as a writer rather than a paleontologist, why the videogame Ecco the Dolphin terrified her but taught her to love science fiction, her early days writing fan fiction, how anger over the electrocution of Topsy the elephant and the deaths of the “radium girls” inspired her newest novella, why she avoids rereading her own writing, what broke the writers block that had gripped her for several years, and more.

(12) V’GER. “As the Voyager mission is winding down, so, too, are the careers of the aging explorers who expanded our sense of home in the galaxy.” The New York Times has the story: “The Loyal Engineers Steering NASA’s Voyager Probes Across the Universe”. (May be behind a payroll, though I didn’t have any trouble gaining access, by feeding the URL through a Google search.)

A fleet of JPL trucks made the trip under armored guard to the same destination. Their cargo was unwrapped inside the hangar high bay, a gleaming silo stocked with tool racks and ladder trucks. Engineers began to assemble the various pieces. Gradually, two identical spacecraft took shape. They were dubbed Voyager I and II, and their mission was to make the first color photographs and close-up measurements of Jupiter, Saturn and their moons. Then, if all went well, they might press onward — into uncharted territory.

It took six months, working in shifts around the clock, for the NASA crew to reassemble and test the spacecraft. As the first launch date, Aug. 20, drew near, they folded the camera and instrument boom down against the spacecraft’s spindly body like a bird’s wing; gingerly they pushed it, satellite dish first, up inside a metal capsule hanging from the high bay ceiling. Once ‘‘mated,’’ the capsule and its cargo — a probe no bigger than a Volkswagen Beetle that, along with its twin, had nevertheless taken 1,500 engineers five years and more than $200 million to build — were towed to the launchpad.

(13) KING/KELLEY. Reason.com’s Glenn Garvin, in “Mr. Mercedes and Comrade Detective Breathe Life into Cop Genre Shows”, reviews Mr. Mercedes, an adaptation of a Stephen King novel available on DirecTV.  He says seeing Kelley “work with the characters devised by King is a religious experience, even if the church is Out Lady of Psychos and Degenerates.”

Even the bit players in Mr. Mercedes cannot be left unwatched for a moment; you never know when something querulous quirky or malificently malign is about to erupt.

But Kelley and his director Jack Bender (who worked on Lost as well as another King television adaptation, Under the Dome) are equally adept at the action sequences. The staging of the parking lot mayhem is a marvel of underlit suggestion and squishy sound effects that leverages a Grand Guignol impression from gore that’s actually rather petit. That’s the only thing small about Mr. Mercedes; this is big-time entertainment.

(14) ADAPTIVE LIFEFORM. PJ Media picked “The 5 Best Stephen King Book Adaptations”. Dann Todd notes, “As always, these things are pretty subjective.  This author leaves out The Green Mile.  Relative to the rest of the list I think it could supplant It as a film adaptation.”

(15) ARMENIA’S BESTSELLERS. What are the best-selling books in Yerevan, Armenia? Once a week Armenpress publishes the top 10. Would you believe that Ray Bradbury’s Fahrenheit 451 is #7, and Dandelion Wine is #10?

(16) THE LAMPREY STRATEGY. Brian Niemeier celebrates his Dragon Award nomination the way every true culture warrior does – by spending half his wordage insulting John Scalzi — “2017 Dragon Award FInalist The Secret Kings”. Because when your award-nominated novel has been out for eight months and has accumulated only 12 Goodreads ratings, trying to pick a fight with somebody people have heard of makes a certain nutty kind of sense.

(17) THE RIGHT WAY TO HACK. In “Why can’t films and TV accurately portray hackers?”, Mr. Robot’s Kor Adana explains how the show does it, and why others get it wrong.

Why does Hollywood get hacking so wrong?

There’s an easy explanation for this trend. Most writers, directors, and producers believe that it’s impossible to portray real hacking on screen and still have it be entertaining. (That’s why you see the cheesy game-like graphics, skulls, and expository messages on screen.) I couldn’t disagree more with this mindset.

If a scene needs flashy or inaccurate graphics on a computer in order to increase the drama or explain a plot point, there’s an issue with the writing. On Mr Robot, we work hard to ensure that the stakes of the scene and the character motivations are clear even if you have no idea how the technology works. If you do understand the technology, you have the added bonus of recognising real vulnerabilities, real desktop environments, and authentic dialogue that fits the context of the hack.

Back in the Eighties, the TV detective show Riptide used to make me laugh, as their hacker character regularly broke into IRS systems to get information that, in real life, they didn’t maintain.

(18) GENRE BENDING. Martha Wells wrote an article on eight works that blend science and magic minus typical fantasy tropes for the Barnes and Noble SF/F blog — “8 Books That Blend Science and Magic, Minus the Fantasy Tropes”. Her list includes novels (or novellas) from N.K. Jemisin, Sharon Shinn, J.Y. Yang, Kate Elliott, J. Kathleen Cheney, Emily Foster, Aliette de Bodard, and Kai Ashante Wilson.

Fantasy tropes can be great—that’s why they become tropes. But sometimes you want to read something you feel like you’ve never read before. I love secondary world fantasy books in which standard and well-known tropes are either in short supply, or have been transformed into something new and special by wildly original worldbuilding. I’ve always loved books that combine SF-nal technology and magic (I’ve done it in my own Books of the Raksura, in which technology is usually both biological and magical, and in the Ile Rien series, in which the magic often has mechanical components), and the one thing the eight books below have in common is that each uses different forms of technology combined with magic to build a fresh, fabulous fantasy world.

The Broken Earth trilogy, by N.K. Jemisin These are probably the first recent books that come to mind when someone mentions magical manipulation of science—it’s a key part of this brilliantly original setting. The Orogenes have a hereditary ability to manipulate energy in a world that has been destroyed over and over again. The main character deals with devastating losses as she explores the extent of her abilities and tries to uncover the deliberately erased history that may explain why all this is happening.

(19) NOT ENOUGH SPOONS. Milky Shot by Roy Kafri on Vimeo is a strange film about what happens when a giant alien spoon comes to Earth and tries to steal the world’s spoons!

[Thanks to Rob Thornton, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, Scott Edelman, James Davis Nicoll, Andrew Porter, Darrah Chavey, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day GSLamb.]

Pixel Scroll 6/1/17 SCROLLS NIX HIX PIXELS

(1) IT BURNS. At Young People Read Old SFF, curator James Davis Nicoll has them reading Connie Willis’ “Fire Watch”.

As we’ve seen, past popularity means nothing to the young people of today, who insist on judging stories on their merits and not the warm feeling their grandparents may have had reading a now-venerable story. What did the Young People think of this classic story?

Mikayla definitely does not have a warm feeling.

I found the narrator’s reaction to communism ridiculous. As far as I can tell, the narrator is more upset by the idea of communism than by the Nazis actively bombing the city. The idea that someone so removed from these events would have such a personal hatred of communism, despite coming from the far future, makes this story feel very American and very dated.

(2) THE (BRAIN) IMITATION GAME. IEEE Spectrum has a special issue this month on the topic of current attempts to model the human brain: “Special Report: Can We Copy the Brain?” About half the articles are free to nonsubscribers.

Gregory N. Hullender says the key takeaways are:

  • Artificial Neural Network software does have useful applications, but it has little in common with real brain tissue.
  • Special hardware meant to model the brain has been developed but does not yet have any useful applications.
  • Current brain simulations only simulate a fraction of a brain, and they run thousands of times slower than real brains do.
  • Modelling 1 mm^3 of a rat’s brain is considered an ambitious undertaking.
  • There is considerable debate as to whether we understand how the brain works at all.

I liked this quote from “Neuromorphic Chips Are Destined for Deep Learning — or Obscurity”

“It has often been noted that progress in aviation was made only after inventors stopped trying to copy the flapping wings of birds and instead discovered — and then harnessed — basic forces, such as thrust and lift. The knock against neuromorphic computing is that it’s stuck at the level of mimicking flapping wings, an accusation the neuromorphics side obviously rejects. Depending on who is right, the field will either take flight and soar over the chasm, or drop into obscurity.”

The article “Can We Quantify Machine Consciousness” makes some exciting claims about “Integrated Information Theory” (IIT). It’s less exciting when you realize that the authors are the inventors of the IIT concept and not everyone agrees with them.

(3) THE LONG HAUL. “Bias, She Wrote: The Gender Balance of The New York Times Best Seller list” — a statistical study of women writers based on analysis over time of the prestigious list. (Lots of graphs.)

Almost every category started out as heavily male-dominated, and many have stayed that way. These categories align with stereotypes about male interests: fantasy and science fiction, spy and political fiction, suspense fiction, and adventure fiction, have all been consistently male-dominated since their introduction to the list. A best-selling female fantasy/sci-fi author today is just as rare as a best-selling female literary author in the 1950s.

Then, there are the genres that have flipped. The horror/paranormal genre is now almost at gender parity, owing no small thanks to paranormal romance novels. Mystery is the most balanced genre over time, which shouldn’t be surprising given the genre’s history. The 1920s and 30s are known as the “Golden Age of Detective Fiction,” and were dominated by a quartet of female authors known as the Queens of Crime: Agatha Christie, Dorothy L. Sayers, Ngaio Marsh and Margery Allingham.

Best-selling romance novels were mostly written by men in the 1950s, but in the 1960s women took over. By the 1980s, female authors solidly dominated the genre, probably because female writers had a natural advantage writing for mostly female readers about mostly female experiences of love and sex.

(4) SENSELESS DECISION. Io9 says Netflix has whacked fan favorite Sense8:

After a mere two seasons of streaming on Netflix, the Wachowskis’ Sense8 has been cancelled, according to Netflix VP of original content Cindy Holland.

(5) CARRIE FISHER ESTATE. The Carrie Fisher and Debbie Reynolds Personal Property Auction will be held by Profiles in History on September 23. The catalog is not yet available online. Hardcover copies of this celebrity artifact can be pre-ordered.

Highlights from the upcoming auction include:

  • Carrie Fisher’s life size “Princess Leia” with blaster statue in a vintage wooden phone booth. This is the figure that was featured by Fisher in her in her HBO special Wishful Drinking and the documentary Bright Lights: Starring Carrie Fisher and Debbie Reynolds. Pictured left.
  • Debbie Reynolds’ screen used “Kathy Seldon” lavender silk chiffon dress from the “You Were Meant For Me” musical sequence in Singin’ in the Rain. Pictured right.
  • Carrie Fisher’s on-set chair with personalized chair back that is embroidered “Star Wars: The Saga Continues” used on Return of the Jedi. Pictured at bottom.
  • Debbie Reynolds’ screen used “Annie” two piece stage costume from Annie Get Your Gun.
  • Carrie Fisher’s life size C-3PO with electronic lighting elements. Pictured below.
  • Carrie Fisher’s life sized bronze, limited edition Yoda statue by Lawrence A. Noble.
  • Carrie Fisher’s vintage original 1978 Kenner Star Wars Princess Leia action figure, still in it’s original packaging.
  • Debbie Reynolds’ personal, rare, vintage original half sheet movie poster for Singin’ in the Rain signed by Debbie and inscribed to her by Gene Kelly and Donald O’Connor

(6) IT’S COMPELLING. The seventh issue of Compelling Science Fiction is now live. Editor Joe Stech lists the highlights —

I’m proud to present another five compelling stories by some amazing authors! The issue begins with the lengthily-titled “What’s a Few Years When You Get Money and Friends in High Places?” by R R Angell, a story about a bodybuilder who is offered a large sum of money to swap his body with a wealthy man (via head transplant). I was pleasantly surprised at the positive vibe the story manages to convey despite the trials of the protagonist (8400 words). The second story in our line-up, Michèle Laframboise’s “Thinking Inside the Box,” is an outlandish story about an alien race that requires constant environmental change in order to maintain psychological health (6400 words). Our third story, “Cogito Ergo Sum” by Mike Adamson, focuses on a conversation with an android about what it means to be human. It’s a well-known theme in science fiction, but I thought this story was executed particularly well (6950 words). Next we have “Integration” by John Eckelkamp, a very short story about a nascent AI getting its first taste of elementary school (1800 words). Our final story is an underwater tale, “Fathom the Ocean, Deep and Still” by David Bruns. The story is about a living bio-engineered city (6020 words).

(7) WHAT AN EDITOR DOES. Uncanny Magazine’s Lynne M. Thomas answers Katrina J.E. Milton’s questions in The Midweek:

Milton: Have you always loved science fiction?

Thomas: I’ve always loved to read, but I didn’t grow up reading much science fiction. I read mostly classics and some romance until I branched out more during college. My husband avidly read sci-fi and fantasy for years, though. Now I curate a science fiction and fantasy collection as one of 42 special collections at NIU. I need to know what’s happening in the field, so it’s crucial to know what is getting attention, and when to purchase books and add to the collection. … One of my favorite books has always been “A Wrinkle in Time.” I didn’t really think of it as science fiction at the time, but I re-read the book more or less annually. Meg Murry has always been a character I’ve really connected with. Being intelligent and kind were marked as more important than makeup and being pretty in that book, which was a powerful message to an awkward 11-year-old version of me.

(8) HUGO READING. Peter J. Enyeart has ranked his “2017 Hugo picks: Novellas”. Here’s what he has to say about his two top choices.

2. The Ballad of Black Tom by Victor LaValle The story of a young black Lovecraftian con man in 1920s New York. This is actually a retelling of “The Horror at Red Hook” and, in the spirit of “Shoggoths in Bloom,” is kind of a reinterpretation or even reclaiming of Lovecraft for those groups of humans (which seemed to include anyone not a male WASP) that Lovecraft despised. I found it absorbing and fun. It is interesting how many writers just can’t stop themselves from writing Cthulhu Mythos stories, despite the myriad reasons to dislike Lovecraft. (I was obsessed with him in high school, myself.) I suppose it’s because there’s a lot of breadth and depth there, and also the opportunity for a critical dialogue. Writing Lovecraft fan fiction seems respectable, even, and I certainly seem to enjoy reading it. Speaking of which…

1. The Dream-Quest of Vellitt Boe by Kij Johnson When one of her students leaves with a man from the waking world, a professor in Ulthar sets out after her. Well, this has a lot going for it that immediately makes me favorably inclined: (1) I’ve always adored this corner of the Mythos and thought it criminally underappreciated; (2) I’m a sucker for quest stories involving travel to varied and strange locales; and (3) I adore Kij Johnson. You never know what you’re going to get when you start in to one of her stories, but you do know you’re in sure hands. And this is no exception. If the LaValle piece is a reclamation of the Mythos for non-whites, this reclaims it for women. I enjoyed every word (and it’s littered with so many lovely ones, like gems in a magic cave). It also has a great ending, which is frequently the difference between a good story and a great one. The best of “escapist” literature gives you something to take back with you to the “real” world, a fresh view as if you’re questing through it yourself [3]. This is the best of escapist literature. Give it awards!

(9) TOUTED FOR NEXT YEAR’S HUGOS. The Hugo Award Book Club observes that Gregory Benford has never been shortlisted for the award’s Best Novel category (despite his Timescape having been so well-regarded it won the 1981 Nebula). They think “The Berlin Project (2017) Gregory Benford” might earn him a place on next year’s ballot.

There are reasons to believe his latest novel may be his best shot yet at finally adding that Best Novel Hugo to his list of accolades.

This book is Benford’s first novel as sole author in more than a decade, and it’s a departure for him. But in many ways, the Berlin Project feels like the novel that Benford was born to write.

His knowledge of the people he’s writing about shines through, and they feel like fully rounded human beings, in a way that some of the protagonists in his previous novels have not. These are people that Benford knows, and he writes about them with evident affection. While the science is front and centre (not unusual in a Benford novel), the characters do not take a backseat. The first 350 pages are a taught, meticulously researched alternate history that delves into the nitty-gritty technical details of the race to build an atomic bomb. It’s a believable departure from the real history. One small decision made differently that makes sense, and everything flows from that departure point….

(10) WONDERFEFE. The Washington Post’s Michael Cavna interviewed Wonder Woman director Patty Jenkins, who talks about sexism in the film industry and how women should make sure their voices are heard: “Wonder Woman has been a warrior, a secretary and a sexpot. What version did the movie use?”

For Jenkins, fortunately, there was no wavering. She was determined to bring to the big screen the fierce-but-compassionate type of Wonder Woman she first saw on the ‘70s small screen.

“All these years, there’s been talk about Wonder Woman, and the thing I was very firm and steadfast about was: I only wanted to be involved in this if I can have a chance to bring back the Wonder Woman that I love,” Jenkins tells The Washington Post’s Comic Riffs. “I’m not interested in an alt-Wonder Woman; I’m not interested a new Wonder Woman. I’m interested in the Wonder Woman that I grew up with.

What Jenkins saw in TV’s bicentennial Wonder Woman was something close to the initial ideal of creator William Moulton Marston.

“It’s been interesting that she was created as such an idealized woman who is incredibly powerful who yet has everything about being a woman at her side,” Jenkins continues. “And it’s been funny: Lynda [Carter] was so that in the ‘70s with her Wonder Woman.”

(11) MORE MENTING, LESS DRINKING. Brenda W. Clough shares brief “SFWA Nebula Conference 2017” report at Book View Cafe.

I signed up to be a mentor, and was assigned not one but two mentees (the evolution of language here is especially notable; not only did I have mentees but we discussed our menting, as in “How did your menting go, did you ever catch up with your mentee?”). I got together with first one and then the other, and essentially tried to cram in tons of professional advice and answer all their questions. I also brought some pussyhats, because Grandmaster Jane Yolen demanded one, and we were photographed, hopefully for Locus.

(12) LOOSED A FATEFUL LIGHTNING. Abigail Nussbaum has eight books to cover in “Recent Reading Roundup 43”, among them a Civil War ghost story and this Hugo nominee —

Too Like the Lightning by Ada Palmer – It’s interesting that in the space of a single year, Tor published two debut novels about non-dystopian, non-corporatist future societies in which the boundaries of national and ethnic identity have been replaced by global affinity groups, to which people assign themselves according to their interests and philosophy. For all my reservations about its technothriller plot, I have to say that I prefer Malka Older’s Infomocracy to Palmer’s Too Like the Lightning, largely because I find the world in that book more interesting, and more believable as a place where people like me might possibly live.

(13) THE HOUSE GROUSE. It’s bigger than your average bear — “Microsoft founder Paul Allen reveals world’s biggest-ever plane” .

Microsoft co-founder Paul Allen has shown off the “Stratolaunch”, a colossal aircraft he hopes can soon help to hoist satellites into low earth orbit.

Allen’s company of the same name has been working on the craft since 2011, with the help of Scaled Composites.

The result of their efforts is 238 feet long, 50 feet tall and has a wingspan of 385 feet [Allen likes Imperial measurements — Ed]. The wingspan is the largest ever built, topping even Howard Hughes’ “Spruce Goose” aka the “Hughes H-4 Hercules.”

The Stratolaunch needs that colossal wing, and six engines typically used for the Boeing 747, because Allen wants it to carry up to 550,000 pounds of payload. His plan calls for the plane to “take off from a runway and fly to the approximate cruising altitude of a commercial airliner before releasing a satellite-bearing launch vehicle.”

(14) ADS THAT SUBTRACT. Marketing puts their foot in it: “Chloe Moretz ‘appalled and angry’ over body-shaming Snow White animated film advert”

Chloe Moretz said she hadn’t seen the marketing and has apologised to fans.

Plus-size model Tess Holliday tweeted a photo of the billboard poster and tagged the actress in her post, saying it was basically body-shaming.

(15) LASSO THE STARS. BBC gives Wonder Woman 4 stars out of 5.

In Wonder Woman’s reimagining of the princess myth, Diana, Princess of the Amazons, leaps through the air deflecting bullets with her bracelets. She enters a formal reception with a sword tucked into the back of her evening dress. But she differs from conventional princesses and superheroes in an even more pointed way — one that speaks to today’s fraught global politics. While Batman is motivated by vengeance for his parents’deaths and Superman is dedicated to saving those in peril, Wonder Woman wants nothing less than world peace. All this in a crisply executed action movie with an engaging narrative, and, in Diana (Gal Gadot), as swift and strong a heroine as anyone could have wished for.

(16) THE BALLAD OF TOLKIEN. J.R.R. Tolkien’s work, later adapted into a piece of The Silmarillion, now published in its original form: “JRR Tolkien book Beren and Lúthien published after 100 years”

Beren and Lúthien has been described as a “very personal story” that the Oxford professor thought up after returning from the Battle of the Somme.

It was edited by his son Christopher Tolkien and contains versions of a tale that became part of The Silmarillion.

The book features illustrations by Alan Lee, who won an Academy Award for his work on Peter Jackson’s film trilogy.

(17) INSIDE BASEBALL. A post for SciFiNow.UK, “Raven Strategem author Yoon Ha Lee on how his spaceships became bags of holding”, jokes about the reason before revealing a disability has something to do with it.

Bags of Holding…in SPAAACE!

When I first realized I had to deal with starship layouts in the hexarchate, I had two choices. I could either sit down (probably with my long-suffering husband) and make a loving diagram of a ship and its layout, and refer to it assiduously every time I had someone go from point A to point B. Or I could say, “Screw it,” and not deal with the problem.

Dear reader, as you have no doubt figured out already, I went with the second option.

(18) EVEN DEEPER INSIDE BASEBALL. Hmmm…

(19) THE CURE. Cream by David Firth is a short animated film on YouTube about what happens when a miraculous product that solves all medical problems is introduced and the violent reaction against it.

[Thanks to Stephen Burridge, James Davis Nicoll, Gregory N. Hullender, Chip Hitchcock, Cat Eldridge, JJ, Martin Morse Wooster, Aaron Pound, Dann, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 5/3/17 As The Pixel Is Bent, So Grows The Scroll

(1) DUBLIN IN 2019. Life is short. Bid is long. “Reflections From the Bid Chair: James Bacon”. He tells about the genesis of the Irish Worldcon.

Even at this early stage, people at home and far afield were willing to spend time and effort on the concept of a Worldcon in Ireland. Prepared to keep a secret. By Octocon the same year, it was clear that a bid would be viable, and a moment I will never forget was when Gareth Kavanagh with a level of seriousness that was impressive, asked for videos to be halted, recording devices turned off, and at the closing ceremony in front of a large chunk of Irish fandom, I asked the room to keep a secret. Even with site visits, with huge levels of engagement and public gatherings, no one spoke. No one publicised it, hundreds were now so committed to the idea of a Worldcon in Ireland, but they kept it quiet.

Five years after that meeting in the CCD, it is now 100 days until the vote in Helsinki.

There is a lot of work going on right now, and there will be a lot more in the next 100 days.  Thanks to work by so many people we are where we are, looking at a place where we could be a seated Worldcon.

(2) KEEP ‘EM COMING. James Davis Nicoll has another request for the next round of Young People Read Old SFF:

MY current Young People suggested it might be an idea to toss in a handful of modern stories — let’s say post 2000 — so they can see where the field is. Also open to suggestions on that.

(3) I KNOW THAT NAME. T. Kingfisher’s highly-awaited new collection Jackalope Wives And Other Stories is available. Feel free to buy it under a pseudonym of your own.

From award-winning author T. Kingfisher comes a collection of short stories, including “Jackalope Wives,” “The Tomato Thief,” “Pocosin,” and many others. By turns funny, lyrical, angry and beautiful, this anthology includes two all-new stories, “Origin Story” and “Let Pass The Horses Black,” appearing for the first time in print.

(4) EISNER CORRECTION. Yesterday’s Eisner Awards list has been updated with a new nominee.

Following the announcement of the nominees on May 2, the IDW Publishing/DC Comics anthology Love is Love has since been added in the “Best Anthology” category. Eisner Awards organizer Jackie Estrada said that the book was originally overlooked due to Amazon listing it as a January 2017 release, despite being on-sale with comic book retailers on December 28, 2016 – just inside the cut-off for these awards, which are for 2016 releases. The original list of nominees below has been amended to include Love is Love.

I have made the change to the File 770 post “2017 Eisner Award Nominees”.

(5) CASSINI TAKES A DIVE. These images from NASA’s Cassini spacecraft show the view as the spacecraft swooped over Saturn during the first of its Grand Finale dives between the planet and its rings on April 26.

As the movie frames were captured, the Cassini spacecraft’s altitude above the clouds dropped from 45,000 to 4,200 miles (72,400 to 6,700 kilometers). As this occurred, the smallest resolvable features in the atmosphere changed from 5.4 miles (8.7 kilometers) per pixel to 0.5 mile (810 meters) per pixel.

“The images from the first pass were great, but we were conservative with the camera settings. We plan to make updates to our observations for a similar opportunity on June 28 that we think will result in even better views,” said Andrew Ingersoll, a member of the Cassini imaging team based at Caltech in Pasadena, California.

 

(6) LUCKY FOR US. Flyover Fandom has the first part of an interview with Walter Jon Williams, who never planned to become a science fiction writer.

DAF: You brought up the Maijstral series which was the first series of science fiction you converted to ebooks. What is it that brought you to science fiction? Because you first started with historical fiction right?

WJW: Yes, I started with historical fiction. I started writing it because I was qualified for it, and secondly there was a historical fiction boom in the late 70s.  I wrote five books of a projected ten-book series, and then the boom turned into a bust and I had no work. So I madly started sending off proposals in all directions for books that I thought I might be able to write: literary novels, mysteries, historicals with a different approach, and then there was this old science fiction proposal that had been bumping around for a few years. And the science fiction proposal was the one that sold.

I honestly hadn’t intended to become a science fiction writer, but it turned out lucky that I did—  the response I got to all my other proposals is that they were just too weird. You hardly ever hear that as a criticism in science fiction.

(7) POLISHED PROS. Nerdlacquer is offering nail polish colors named for SF authors (apparently inspired by color schemes for their book covers). Here’s screen full of samples to look at. So, you can wear Abercrombie, Scalzi, Corey, Leckie, Le Guin, Jemisin. Or, if you don’t like authors, Ithaqua, Azathoth, Cthulhu, General Effing Leia, Kylo, etc.

File 770 covered this in May 2016, but with John Scalzi tweeting images of his polished nails this week, a reminder is timely.

(8) FATAL PERSONAL PRODUCT. The Book Smugglers have released the second title in their Novella Initiative – and you can buy it or try to win a free copy here — “Reenu-You: Michele Tracy Berger on Inspirations & Influences (& Giveaway)”

What if a hair product harbored a deadly virus?

Reenu-You, a sci-fi thriller novella from newcomer Michele Tracy Berger, opens on a summer morning in 1990s New York City. Five women of color wake up with disfiguring purple lesions all over their bodies. Though doctors dismiss it as skin rash, caused perhaps by a new hair product known as Reenu-You, hysteria grows as this unknown disease spreads throughout the city.

At the center of a looming epidemic, these women begin to develop strange powers while medical providers face charges of conspiracy, cover-up and coercion from minority communities as this new malady begins to kill.

Inspired by a true story of company negligence and reminiscent of the early AIDS crisis, ?Reenu-You tackles important ideas about hair, identity, and minority women. Berger also explores friendship and the hidden strength of unlikely heroines forced to confront their deepest fears to save themselves—and their city.

(9) ALSO APPEARING. Who can you see at Worldcon 75? The con has posted a list of program participants with nearly 150 names.

The following are just some of the people who we expect to appear at Worldcon 75. This may include appearing on panels, holding signing sessions, participating in literary beers and Kaffeeklatsches, or taking part in Strolling with the Stars. We will publish more detailed information in the programme guide shortly before the convention.

(10) TODAY’S DAY

Paranormal Day

How to Celebrate Paranormal Day There are lots of fun and interesting ways to spend this day. If you’re a fan of scary movies, you’re in loads of luck because ghosts, unidentifiable monsters and aliens are among the most popular horror movie topics in existence. In fact, there is even a movie you may have heard of titled Paranormal Activity about a couple witnessing increasingly disturbing paranormal occurrences in their house. You may have never thought a sheet could be scary, but you may well change your mind after and evening spent watching this movie in the dark!

(11) ANOTHER TV OPTION. “Hulu launches Live TV beta”SixColors’ Dan Moren has the story.

As anticipated, streaming site Hulu has officially launched its Live TV service—albeit with a “beta” tag hung on it because, you know, it’s a web service and that’s just the way those things are done—offering a large slate of channels for one $40-per-month price tag….

But one place where Hulu has set itself apart from its competitors is by bundling in access to its extensive library of on-demand shows. When you sign up for the Live TV plan, you essentially get the Hulu service—which costs $8/month on its own—for free.

Sadly, it’s not the commercial-free plan; you’ll still get ads unless, it seems, you pony up the additional $4 monthly fee to go without them. (And even if you do, you won’t be able to skip commercials in the Live TV content; for DVR shows, you’ll need to pay extra for the “Enhanced DVR” plan which also includes more storage.)

(12) GETTING CONNECTED. Doug Ellis at Black Gate explains “Why You Should Go to Conventions”, especially if you’re an art collector. Not all con art shows are what they once were, however, there’s another big reason to go:

In thinking about it further, I think that my answer was unintentionally deficient in one regard, tied in to conventions. While conventions are often a great place at which to find art, perhaps even more importantly, they’re an incredible place to meet dealers, artists and fellow art collectors and make friends. A network of collecting friends is invaluable if you want to collect; I think that’s likely true no matter what it is that you collect. At least I’ve found that to be true when it comes to collecting pulps – my first collecting passion – as well as illustration art. I’ve probably bought or traded for dozens of pieces of art (and bought thousands of pulps), not at conventions, but through friends that I made at conventions.

(13) THE CREATORS. The Society of Illustrators in New York will have “Drew Friedman’s Heroes of the Comics” artwork on exhibit from May 2-June 3.

 

Drew Friedman’s two recent books Heroes of the Comics and More Heroes of the Comics, published by Fantagraphics books, depicted the great early comic book creators who entered into the dawn of the business between 1935–1955, a milestone in the early history of comic books. The Museum of Illustration at the Society of Illustrators is proud to present 100 original, meticulous color illustrations from Friedman’s two books.

Among the colorful subjects are comics pioneer Max (M.C.) Gaines, the creators of Superman Jerry Siegel & Joe Shuster, and Superman publishers Harry Donenfled and Jack Liebowitz, and comic book legends including Batman creators Bob Kane and Bill Finger, Will Eisner, (the subject of a large concurrent exhibition also at SI celebrating his 100th birthday), Jack Kirby, Martin Goodman, Harvey Kurtzman, Stan Lee, Wally Wood, William M. Gaines, C.C. Beck, Joe Kubert, Jack Cole, Steve Ditko, Al Jaffee, Carl Barks, Jules Feiffer, James Warren, and many more. Also included in the gallery will be several early female creators including Marie Severin and author Patricia Highsmith who began her career writing for comics, and several African American creators, among them Matt Baker, Alvin Hollingsworth  and Orrin C. Evans. The greats and the near greats, many long forgotten with the passage of time but who deserve recognition for their work, now revived in Friedman’s two books and this exhibition.

(14) KEEP CALM. ScreenRant sends word that “Guillermo Del Toro’s The Shape of Water Receives an R Rating”. Why is that news, you wonder, because when did Del Toro ever make a G-rated movie? Well, that track record seems to be creating issues with the picture he’s making this time.

Del Toro announced on his Twitter account on Tuesday that the Motion Picture Association of America has officially given The Shape of Water an R rating. Perhaps to quell concerns about the movie venturing into horror territory, del Toro later clarified on Twitter that The Shape of Water is not a horror movie but a “bit of a fairy tale” and a “fable set in early 1960’s America.”

(15) OKAY, DON’T KEEP CALM. Terence Eden is plenty pissed-off about “Amazon Alexa and Solar Panels”. People who write software will probably enjoy his rant the most, but even I understand this part —

This isn’t AI. Voice interfaces are the command line. But you don’t get tab-to-complete.

Amazon allow you to test your code by typing rather than speaking. I spent a frustrating 10 minutes trying to work out why my example code didn’t work. Want to know why? I was typing “favourite” rather than the American spelling. Big Data my shiny metal arse.

(16) A DIFFERENT VELDT. WWF Hungary–Paper World, on Vimeo, is an animation in which pieces of paper turn into large animals, and was done for the Hungarian branch of the World Wildlife Fund.

[Thanks to John King Tarpinian, Steven H Silver, Martin Morse Wooster, Cat Eldridge, JJ, Andrew Porter, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day clack.]

Pixel Scroll 4/20/17 How Many Books Must A Pixel Scroll Down Before You Can Call Him A Fan?

(1) WORD SCULPTOR. Steve Barnes tells about his day’s writing and shares a chunk of his draft (read it at the link).

Shhhhh. I’m working on the Niven/Pournelle/Barnes collaboration today, before switching over to the pilot script. My current style of working is laying out rough text and “wireframe” and then polishing with endless drafts, embracing hacking and slashing. First drafts are like dragging a block of marble up from the quarry. Subsequent drafts are chipping away everything that doesn’t resemble an elephant. Then finally…the polishing. I’m still chipping. If I write enough, eventually a crumb of something emotional and valid will peek through, and polishing it is like….hmmm…like striking a spark. Then carefully adding tender and fanning a flame, letting that flame spread through the rest of the book. It might be ugly at first, but it’s warm. Or better, HOT. I thought I’d share the first tiny fragment from the book, which I’ve referred to as “The Cthulhu War” but might actually be called “Starborn and Godsons”.

(2) A SONG OF FLOUR AND FIRE. Camestros Felapton’s cat writes GRRM a letter – “Dear Mister Martin from Timothy T Cat”.

Dear Mister Martin,

Or can I call you George or Are-Are? You may remember me from my previous letters what I wrote you – specifically my lengthy inquiry as to whether Sue Perkins was a Stark or a Lannister or what? Camestros has since explained that I have been habitually confusing the BBC’s  ‘Great British Bake Off” with HBO’s “Games of Thrones”. This revelation has certainly cleared up many a query I had about where the story was going. Although I am still puzzled by the distinction between baking powder and baking soda – don’t worry! I understand a great writer like yourself has to have his secrets, so I’ll wait to find that out in the final episode…

That out of the way, Timothy launches into his business proposition….

(3) CULINARY PLEONASM. More restaurant hate from Jay Rayner in The Guardian — “I am sick of half-hearted desserts. Bring me a proper pudding”.

Oh sure, restaurants appear to offer desserts. But where once it would have been a list of tarts and mille-feuille, of savarins and delices, of things requiring proper pastry work, now there are just unstable creamy things on a plate. It’s an endless parade of panna cottas and half-arsed mousses. The kitchen will throw on a bit of granola or a fragment of meringue to make it look like a dessert, but that doesn’t alter the fact. It’s not. It’s a squirt from an udder, set to a wobble courtesy of a boiled down cow’s foot. It’s a failure of ambition

(4) WHO WAS THAT MASKED PERSON? Young People Read Old SFF is back, and this time James Davis Nicoll has assigned the panel James Tiptree Jr.’s “Houston, Houston, Do You Read?” Evidently James let them discover some things for themselves.

Lisa: …Once I figured out what was going on, I enjoyed the story – pieces of information were revealed throughout, and the story continued twisting and turning until I finally figured out what the story was about – a future world without men. We got to hear about worlds without men in When It Changed, A Rose for Ecclesiastes, to an extent, in the dolphin story (except the women were smart dolphins). As with A Rose for Ecclesiastes, this is a man-free story written by a man. Does the author’s gender change how the manless women carry on?

After finishing the story (which seemed to have a lot more contempt for men than most men would have), I googled “Does James Tiptree Hate Women?” The results of my google search provided me with the final twist I experienced in reading Houston, Houston. This twist was twisty enough that it made me laugh out loud at my computer in surprise. It turns out that James Tiptree is actually a pseudonym for Alice Bradley Sheldon – who is, in fact, female. Well of course she was.

(5) NAME THAT BOOK. Stump the Bookseller is a site for people who vaguely remember novels that appeared when they were kids. If you look at it you will see that most of the half-remembered books are YA sf and fantasy. Here’s their most recent request. Do you recognize it? Four people agreed on the answer in comments.

There was a book that I read in the early 1970s about a girl (A) whose family took in another girl (B), I can’t remember why. Girl B turned out to have powers that she used against Girl A. I remember two scenes. Girl A was going to the prom or a big dance with her boyfriend and was going to make her own dress. Girl B made Girl A buy a pattern and color for a dress that was unbecoming to Girl A. Also, Girl B made Girl A sick right before the dance so Girl B went with Girl A’s boyfriend. I don’t remember how Girl A got rid of Girl B, but the book ends with Girl A saying whenever she reads a story in the newspaper about a wife dying, or an accident with 3 people where the woman dies, that she wonders if it is Girl B is still out there up to her old tricks.

(6) BE FREE. Teacher and author Tracy Townsend writes a series of tweets about a little-considered benefit of free online fiction. It begins here:

(7) MOMENT OF TRUTH. In “10 Questions with Hugo Award Winner Laura J. Mixon” interviewer Ryan Schneider mostly asks about her writing, and her new book Glass Houses, but he does throw a couple of curveballs –

5.Should the question mark in the above question be inside or outside the quotes?

Outside, dammit! sayeth the engineer. The writer in me shrugs; whatever—I’m in it for the fun and glory and adventure. Just be consistent with that punctuation stuff and use it to tell a great story, and I’m yours.

6.What’s your stance on the Oxford Comma?

Pro. I’ll fight you.

(8) BEEN HERE, DONE THAT. Here are four NASA astronauts who believed in alien visitation. Leroy Gordon Cooper was one of them.

But even before he underwent the life-changing experience of becoming the first man to sleep in space, he claimed to have seen UFOs flying over Germany in 1951.

The spaceman also said he saw flying saucers spying on a secret air base where experimental American aircraft were being tested.

“I believe that these extraterrestrial vehicles and their crews are visiting this planet from other planets, which are a little more technically advanced than we are on Earth,” he told the UN in 1984.

“We may first have to show them that we have learned how to resolve our problems by peaceful means rather than warfare, before we are accepted as fully qualified universal team members.

“Their acceptance will have tremendous possibilities of advancing our world in all areas.”

(9) KUMMING OBIT. Waldemar Kumming (1924-2017) died on April 5, age 92, according to Wolf von Witting. He was best known as the editor of Munich Roundup, a photo-filled zine about European fanac. He won a European SF Award for his services to fandom in 1984, and the Big Heart Award in 2005.

(10) MITCHELL OBIT. SF Site News reports Vicki Mitchell Gustafson, who wrote as V.E. Mitchell died on April 13, six days before her 67th birthday. Vicki was the widow of art historian Jon Gustafson, who died 12 years earlier, to the day. (Jon was a columnist for my old fanzine, Scientifriction.)

(11) IF YOU’RE LUCKY. Five days left to enter the Wrongthink Sci-Fi Giveaway being run at Robert Kroese’s BadNovelist site.

The Wrongthink Sci-Fi Giveaway is about showcasing authors who have been marginalized by the gatekeepers of the sci-fi publishing industry for the sin of not complying with progressive social justice dogma. From Sarah Hoyt, who was accused of racism and ”internalized misogyny” for her association with the Sad Puppies campaign to reform the Hugo Awards, to Nick Cole, who lost a publishing contract for daring to write a story about an artificially intelligent computer who is troubled by abortion, these authors have faced smear campaigns, boycotts and blacklisting for failing to toe the progressive line.

Just for entering, you’ll get:

Brother, Frank by Michael Bunker
The Red King by Nick Cole
Darkship Thieves by Sarah A. Hoyt
The Yanthus Prime Job by Robert Kroese
The Darkness by W.J. Lundy
Nethereal by Brian Niemeier
Freehold by Michael Z. Williamson

Three lucky winners will also receive:

Wick by Michael Bunker
Ctrl+Alt+Revolt by Nick Cole
Darkship Revenge by Sarah A. Hoyt
Starship Grifters by Robert Kroese
The Shadows by W.J. Lundy
Souldancer by Brian Niemeier
Better to Beg Forgiveness by Michael Z. Williamson

Books will be provided as downloadable files, in both ebook and mobi (Kindle) formats.

(12) I, THE JURY. Aurealis Awards judge Elizabeth Fitzgerald tells what it was like.

The problem with my reckoning was that there was an embedded assumption that the award books would arrive at a regular pace. I really should have known better. The award opened for entries mid June and books trickled in until the first small rush arrived at the end of September. However, most of the entries arrived en masse in December.

To complicate matters, I suffered a bout of eye strain in November and continued to struggle with it through December. In the end, I recovered thanks to some eye drops and the inclusion of frequent breaks in my schedule. I made up for lost time by averaging a book a day throughout January and February. I didn’t watch any TV or do much of anything other than read. Now, you know I love reading, but two months and more of that started to get a bit much, even for me.

It improved my reading skills, though. I got faster. I found that 20 pages was usually long enough to judge the quality of the writing. I did a lot of skimming. And I got more comfortable with not finishing books. Prior to being a judge, I could count the number of books I’d DNFed on one hand.

I got to know my postman and the delivery guys very well. Books would show up randomly on my doorstep. It was like Christmas. And then, when it was actually Christmas, all the Aurealis books made a good disguise. My sweetheart busted me with the copy of Ninefox Gambit I’d ordered as his Christmas present. So, I told him it was another book for judging and let him take a look at it before putting it in the pile of judging books. I quietly snuck it out a couple of weeks later and wrapped it up.

(13) BOUTIQUE SERIES. Not that anybody uses the word “boutique” anymore. Recode tells why “Neil Gaiman’s ‘American Gods’ couldn’t be made into a TV show until TV changed”.

…The CEO of Starz, Chris Albrecht, previously oversaw the rise of prestige TV as CEO of HBO, including “The Sopranos,” “Deadwood” and “The Wire.”

Shows like those proved that TV didn’t have to be made for the biggest audience possible.

“When you make something like ‘American Gods,’ you go, ‘This is not going to be to everybody’s taste,’” Gaiman said. “But you’re also not going to make it more to anybody’s taste by making it less like the thing that it is. You just kind of have to lean into it.”

Later entries in the prestige TV genre, like Netflix’s “House of Cards” and Amazon’s “Transparent,” changed how people watch TV, making it normal to binge an entire show in one sitting. Gaiman noted that cheapskates who don’t yet have Starz could wait until the end of the eight-episode season, sign up for a free trial and binge away.

(14) JORDAN TV. Variety reports Sony Pictures is at work on a Wheel of Time series.

The long-gestating “Wheel of Time” TV series adaptation is moving forward with Sony Pictures Television.

The series will be based on the high fantasy novels written by Robert Jordan, the pen name of James O. Rigney Jr. There are 14 novels in total, beginning with “The Eye of the World” in 1990 and concluding with “A Memory of Light,” which was finished by Brandon Sanderson after Jordan’s death in 2007. They follow the quest to find the Dragon Reborn, who it is said will help unite forces to combat The Dark One.

Sony will produce along with Red Eagle Entertainment and Radar Pictures. Rafe Judkins is attached to write and executive produce. Judkins previously worked on shows such as ABC’s “Agents of SHIELD,” the Netflix series “Hemlock Grove,” and the NBC series “Chuck.” Red Eagle partners Rick Selvage and Larry Mondragon will executive produce along with Radar’s Ted Field and Mike Weber. Darren Lemke will also executive produce, with Jordan’s widow Harriet McDougal serving as consulting producer.

(15) SFF GEOGRAPHY. Here are “11 Famous Movie Locations You Can Actually Visit” from Harry Potter, Star Wars, Close Encounters of the Third Kind and more.

3 / 11

The Martian

Another earthly landscape stands in for an alien one in this 2015 Matt Damon film. Wadi Rum, or “The Valley of the Moon,” in Jordan is a close match for the red planet. The region also makes a cameo in Red Planet, Last Days on Mars, Lawrence of Arabia and Prometheus.

(16) WHACKS MUSEUM. Medieval peasants had their own ways of discouraging zombies.

Where else to learn about medieval zombies than in the Journal of Archaeological Science: Reports‘ latest study, (and everyone’s favorite new beach read), “A multidisciplinary study of a burnt and mutilated assemblage of human remains from a deserted Mediaeval village in England.” What a title.

If the click-baity title wasn’t evidence enough, it’s a pretty macabre read, leavened with just the right touch of osteology, radiometric dating, and strontium isotope analyses. But the upshot is that some villagers in the 11th to 13th centuries who lived near modern-day Wharram Percy in northern Yorkshire were apparently scared of zombies. So they made sure the dead would stay dead with some extra handiwork, deliberately mutilating the bodies after death.

(17) DRAMATIC PRESENTATION. Apparently this episode of Fargo featured Gloria (Carrie Coon) picking up a rocket trophy to use as a weapon. Several people thought it was a Hugo. (The linked article describes the episode, however, it doesn’t mention the trophy.)

It’s not a Hugo or an International Fantasy Award. No Hugo ever had that shape, or was designed with that kind of gap between the fins and the base. It’s an interesting puzzle. These days you can order a lot of different 3-D rocket awards online, maybe it’s one of those.

(18) SPEAKING OF. A striptease during language lessons?

….A leading adult entertainment webcam platform, unveiled “Language Lessons,” the first adult language-learning service that combines beautiful cam models with the latest translation technologies to make learning a foreign language fun and sensual. Now, in addition to camming with their favorite model in a private chatroom, fans can engage in casual conversation with them, learning an assortment of languages including Spanish, French, Romanian and English.

Daniel Dern commented – “(Obviously) (to me, a grey/white hair), I immediately thought of this classic sf story (rot13’d here to give Filers a chance to see if they can guess)…”

“Naq Znqyl Grnpu,” ol Yyblq Ovttyr, We.

Diplomat John Quincy Adams said the best way to learn a foreign language was with the help of a mistress – though he made clear he had only availed himself of the second or third best ways.

(19) MORE MARVEL. The official trailer for “Marvel’s Cloak & Dagger,” coming to Freeform in 2018.

[Thanks to Wolf von Witting, Carl Slaughter, Cat Eldridge, Daniel Dern, Steven H Silver, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day JohanP, who’s probably in the wind by now.]

Pixel Scroll 3/16/17 Let’s Go Scrollin’ In Pixel Land

(1) YOUNG PEOPLE READ OLD SFF. The panel is getting younger. “This week actual high schooler (for about two more months) Raya joins the crew, says James Davis Nicoll. “Like most of the others, she’s familiar with recent genre but not the older material.”

Her first assignment: Joan D. Vinge’s “A View From A Height.”.

1978’s Hugo Nominee “A View From a Height” first appeared in the June 1978 issue of Analog. It was selected for Terry Carr’s The Best Science Fiction of the Year, #8, Gardner Dozois’ Best Science Fiction Stories of the Year: Eighth Annual Collection, Pamela Sargent’s Women of Wonder, the Classic Years: Science Fiction by Women from the 1940s to the 1970s, as well as other collections and anthologies. The theme of irreversible life decisions cast into doubt by new revelations seemed to me one that would have aged well. Let’s see if I was right.

(2) ORWELL PRIZE. The Orwell Prize for Books 2017 Longlist consists almost entirely of nonfiction, with one exception of genre interest —

The Power by Naomi Alderman (Viking)

It starts with teenage girls. At 14 or 15, the age when in our present world girls are waking to an awareness of their own sexuality tangled up in all the ways society will seek to stifle or exploit it, Alderman has them come alive to the thrill of pure power: the ability to hurt or even kill by releasing electrical jolts from their fingertips. “Something’s happening. The blood is pounding in her ears. A prickling feeling is spreading along her back, over her shoulders, along her collarbone. It’s saying: you can do it. It’s saying: you’re strong.”

The shortlist will be announced on May 15, and the winner on June 8.

(3) MAKING MUSIC. Sammy Cahn (“Come Fly With Me,” “Three Coins in the Fountain”) used to tell people he got his inspiration when the check arrived. Disney songwriter Alan Menken says he needs a little more.

“Where does it start and where does it end, and what’s the title and what song might it remind us of? …” Menken asks. “A million questions and only then will I sit and … start to play the piano.”

Menken’s musical chops were developed off-Broadway. He and lyricist Howard Ashman’s success with the 1982 comedy rock horror musical Little Shop of Horrors got Hollywood’s attention.

But when he first started working at Disney animation, he had some reservations. “I can’t tell you how many people said to me: Ugh, man, take a powder. Nobody takes animated musicals seriously,” he recalls.

Menken and Ashman’s first musical film — The Little Mermaid animation in 1989 — was a life saver for Disney. It lifted the studio out of a slump, and led to more big hits.

(4) UNSPOKEN MEETS UNSPEAKABLE. About a currently-running horror movie:

The new film, Get Out, defies easy classification. Though it has funny moments, it’s primarily a horror film, with racial anxiety at its center. Writer-director Jordan Peele tells Fresh Air‘s Terry Gross that he thinks of Get Out as a “social thriller.”

The movie tells the story of a young black man named Chris whose white girlfriend, Rose, takes him to meet her parents for the first time — without first telling them he’s black. Rose’s parents go out of their way to show Chris how open minded they are, but there’s something suspicious in the liberal facade they present. The film takes several twists and turns (which we won’t spoil here) as Chris figures out what is going on.

Peele wanted the audience, regardless of race, to see the subtle racism through Chris’ eyes. “It was very important to me to just get the entire audience in touch in some way with the fears inherent [in] being black in this country,” Peele says. “Part of being black in this country, and I presume being any minority, is constantly being told that … we’re seeing racism where there just isn’t racism.”

(5) DOPPLEGANGERS. NPR’s “Movie Twins? Weirdly Similar Films That Came Out Within Months Of Each Other” cites many genre examples.

The new movie Life, which opens March 24, is about astronauts who discover an alien life form and live to regret it. You could say exactly the same thing about Alien: Covenant, which was originally scheduled to open the following Friday — until someone realized that was a recipe for box-office disaster. Alien: Covenant will now open in early May, and that close call, crazy as it is, isn’t uncommon in Hollywood.

Rival studios often stare each other down, refusing to blink, in showdowns that didn’t need to happen. In 1998, Earth-snuffing asteroids were blown up in the nick of time by nuclear warheads not once, but twice: with much electronic beeping and enormous special effects in Armageddon, and slightly higher beeping and enormous special effects in Deep Impact. That same year, animated insects skittered onto movie screens in both Antz and A Bug’s Life — and all of that just one year after dueling lava flows erupted in Dante’s Peak and Volcano.

(6) ON THE CAMPAIGN TRAIL. Congressional candidate Brianna Wu was interviewed in New York Times Magazine.

Do you really think Democrats need to take pages from the Trump playbook? I would say we need to speak with our hearts more. The typical Democratic way of talking about, say, wealth inequality is to bring out Robert Reich, who will give a cute academic presentation. But at the core, wealth inequality is about people’s dreams for their families and their children. It’s friends my age who are dying to have a child and don’t know if they can afford to do that. The Democratic Party tends to have this hypereducated ruling-class mentality, and we need to realize that’s not making us connect with a lot of voters.

Considering the internet culture leading up to the election, some have said 2016 was a banner year for internet trolls. Do you think that’s accurate? Absolutely. I’ve rarely talked about Obama’s share of the blame for the rise of the alt-right and Gamergate. I had two separate calls with the White House, and they were telling me they had some ideas they were putting together to address Gamergate without needing to go through Congress, and nothing came of it. And what happened is a lot of people learned that there are no consequences to harassing women. If I play Grand Theft Auto and I decide to blow up a police helicopter, there are going to be consequences to that; eventually I’m going to go to jail and maybe pay 100 virtual dollars. We don’t even have that…..

In the aftermath of Gamergate, you said that you and the other women who were harassed “did everything right, and the system failed us.” Now you’re saying you want to be a part of that system. Do you think you can make changes inside of it? To me, the only way to get further gains on these issues is for more women to be represented in Congress. I don’t even care if it was a higher percentage of Republican women: I genuinely believe that if that number were closer to 50-50, we wouldn’t have ludicrous policies like the Hyde Amendment going through and devastating women’s access to reproductive health care. I want women out there to look at how incredibly unqualified Trump is and then ask themselves: “What on earth is holding you back? Do you think you don’t measure up with Donald Trump in the White House?”

(7) CHARACTERIZATION. Marko Kloos, whose Angles of Attack won two Rampant Manticore awards, explains how the novel came to have a gay Russian space marine.

Truth be told, when I wrote Dmitry, I didn’t know he was gay until I got to the scene in ANGLES OF ATTACK where Dmitry and young master Andrew have a drink together and show each other pictures of their main squeezes, as soldiers do when they have downtime and some alcohol in front of them. I’m not the kind of writer who claims that my characters have their own will—they do what I tell them to, goddammit, because I’m the master of their universe—but that was a moment where a character revealed a little detail that I hadn’t intentionally sketched out, but that felt natural and proper. Dmitry pulled out the picture of his spouse, and my brain just went, “He has a husband. Huh, Of course he does.”

So no, I don’t sit down with a character creation sheet and a checklist for Maximum Diversity(tm) and threw in a gay character to advance an agenda, score Social Justice Warrior brownie points, or engage in virtue-signaling. Dmitry is gay because he is, and with all the crap these soldiers have to deal with in their alien-besieged dystopia, I found it appropriate that at the very least, showing someone else a picture of your same-sex spouse is not worthy of special commentary above and beyond “Nice picture” in that version of the future.

(8) CHOOSING THE POWER. Abigail Nussbaum shares the Best Novel and Campbell Award categories on her Hugo nominating ballot. The first of her four novel picks is –

  • The Power by Naomi Alderman (review) – As I’ve said, this feels more like a Clarke award book than a Hugo award one, but nevertheless Alderman’s chilling, Handmaid’s Tale-esque story about a world in which women suddenly develop the ability to shoot bolts of electricity from their bodies, upending the world’s balance of violent potential, is one of the most interesting and thought-provoking works of science fiction I’ve read in some time.  What’s most interesting about The Power is that while it is undeniably a book about gender and the role that violence plays in maintaining gender roles, that’s not its main interest.  What Alderman is doing with her premise is using it to discuss the role that violence and the use of force play in organizing our society, even when we pretend to be beyond them.  That feels like a vital issue at this point in time.

(9) SIR POT. Mashable reports that Sir Patrick Stewart has announced that he has used medical marijuana for several years to help with his arthritis.  Stewart made this announcement to support an Oxford University proposal calling for more research into marijuana’s medical benefits. The piece is called “Patrick Stewart reveals that he uses medical marijuana every day”.

But Stewart isn’t rolling up a joint or hitting the bong, he says he typically uses sprays, ointments and edibles.

“I purchased an ointment, spray and edibles. The ointment, while providing some relief from the discomfort, was too greasy to use during daytime and so I only use it at night.”

Patrick went on to describe how he uses his medicine, later adding that he can now make a fist with his hand, which was impossible for him to do before using cannabis.

As the Captain might say, “Make it grow!”

(10) NEW PIXAR MOVIE. Coco, a Disney-Pixar movie, opens in US theatres in 3D on November 22.

(11) EYE-SEARING. Starz new American Gods trailer is violent and gory. Beware!

[Thanks to Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories.Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]

Pixel Scroll 3/2/17 Doing The Trilogy Backwards

(1) RECURSIVE NEWS. The Large Hadron Collider gets a pixel tracker.

Officials said the replacement of a key component inside the CMS experiment represented the first major upgrade to the LHC – the world’s biggest machine.

Engineers have been carefully installing the new “pixel tracker” in CMS in a complex and delicate procedure on Thursday 100m underground….

More than 1,200 “dipole” magnets steer the beam around a 27km-long circular tunnel under the French-Swiss border. At certain points around the ring, the beams cross, allowing collisions to take place. Large experiments like CMS and Atlas then record the outcomes of these encounters, generating more than 10 million gigabytes of data every year.

The CMS (Compact Muon Solenoid) pixel tracker is designed to disentangle and reconstruct the paths of particles emerging from the collision wreckage.

“It’s like substituting a 66 megapixel camera with a 124 megapixel camera,” Austin Ball, technical co-ordinator for the CMS experiment, told BBC News.

In simple terms, the pixel detector takes images of particles which are superimposed on top of one another, and then need to be separated.

(2) COLLECTING THE CURE. A bidder paid top dollar for a moldy piece of history.

The mold in question — which actually outpaced early expectations to be sold for a whopping $14,617, according to The Associated Press — is a capsule of the original Penicillium chrysogenum Alexander Fleming was working with when he discovered the antibiotic penicillin. Encased in a glass disc, inscribed with the words “the mould that first made Penicillin,” and signed by Fleming himself, the little sample comes from the collection of Fleming’s niece, Mary Anne Johnston.

(3) GOLD RUSS. James Davis Nicoll has the panelists reading “When It Changed” by Joanna Russ at Young People Read Old SFF.

With this story we enter the 1970s, the last decade in the Young People project . I knew which story I wanted to begin the decade with: Joanna Russ’ 1972 Nebula-winner “When It Changed”. Noted author and critic Russ’s story is a reply to such classics as Poul Anderson’s Virgin Planet, stories in which planets populated entirely by women are granted that most precious of treasures, a man and his unsolicited advice. Russ was not always entirely pleased by the status quo. Subtle hints of her displeasure can be detected in this classic first contact tale.

Of course, we live in a modern era of complete equality between the sexes. Who knows if this story can speak to younger people? Let’s find out!

Here’s one participant’s verdict –

….I’d still be willing to suggest that “When It Changed” is the most relevant of all the stories we’ve read so far in this project. I’m sure this is a very hard to believe statement, especially when you compare the story to some of the others we’ve read (i.e. dolphin-people and doomsday don’t-let-the-sun-set cultists), but I’m willing to say it and stand by it, for a few reasons….

(4) DEALING WITH IT. Kristine Kathryn Rusch’s “Business Musings: Writing with Chronic Health Problems” deals with something I’m sure many writers are doing after seeing people’s comments here.

It wasn’t until I got a Fitbit on a lark that exercise became do-not-miss for me. Why? Because I can hit my 10,000 steps even when I’m sick. I shuffle around the house like the walking dead, determined to hit that magic number, because I’m anal, and because finishing my steps every day before midnight is something I can control.

The knee injury got in the way. I made my doctor give me a schedule and benchmarks so that I wouldn’t start up again too soon, but also so that I would start as soon as I could. He thought I was nuts, but he did it. And I followed it, even though I didn’t want to. (I wanted to hobble around the house to hit that magic 10,000 steps.) Even with an injured knee, I got 3,000-4,000 steps per day (using crutches), because I really can’t sit down for very long.

It drives me crazy.

So why am I telling you all of this? This is a writing blog, right?

Because dozens of you have asked me, both privately and in comments, how I write with a chronic health condition.

There really is a trick to the writing while chronically ill. But the trick is personal, and it’s tailored to each individual person.

So, more personal stories—and then tips.

(5) MoPOP. Nominations for next year’s inductees to the Science Fiction Hall of Fame are being taken from the public through April 16.

We’ve opened up our Hall of Fame nominations to the public so that you can choose the creations (e.g. a movie, video game, book, comic/graphic novel, superhero, etc.) and creators (e.g. director, actor, writer, animator, composer, etc.) that have most inspired you!

MoPOP also says the public will be able to vote for the selected finalists later this year, although it’s unclear what impact that vote will have. The website says —

Founded in 1996, the Hall of Fame was relocated from the Gunn Center for the Study of Science Fiction at the University of Kansas to its permanent home at MoPOP in 2004. Nominations are accepted from the public and the final inductees are chosen by a committee of industry experts.

A public was invited to vote was taken on last year’s nominees, too, but as it says above, selected experts chose the inductees.

(6) NEBULA NOMINEE. Brooke Bolander, who calls this “sputtering,” writes a pretty good thank-you: “Nebula Finalist Frenzy, or: IT HAPPENED AGAIN WTF BBQ”.

Our Talons Can Crush Galaxies,” my thousand-word rage bark published in Uncanny Magazine, is a finalist for the Best Short Story Nebula. Again, to everyone who put it on their ballot: holy shit, thank you so goddamned much. I was helping clean up after a family funeral when I got the call, so to say that I needed that good news is a grave and frankly insulting understatement to the gift you all handed me. I didn’t expect to get on the ballot last year. I figured it was probably the last time I’d be within six city blocks of a ballot for a long, long time, if ever. Is being a finalist again so soon intimidating? You’d better fuckin’ believe it, buster. Is trying to figure out how I am going to follow this up absolutely bowel-twistingly terrifying, the fear that I’ll never write anything else worthwhile once again lurking at the edges of my internal narrative like a shadow beneath a 1 AM streetlamp? DING DING DING.

(7) SURVIVOR. Pat Cadigan is deeply reflective in this installment of “Still Making Cancer My Bitch”.

…At the same time, however, it’s a little spooky to think that, had my cancer followed its standard course––had I not gotten so extremely lucky––I wouldn’t be here now. And the two friends I lost were supposed to be living their lives as usual. John Lennon once pointed out that life is what happens while you’re making other plans. Truer words were never spoken.

A few days ago, I had started writing a post about survivor guilt. There have been a few posts I found very difficult and uncomfortable to write but this one was impossible. I have seldom written nonfiction; it’s really not my metier. I did write two nonfiction books in the late 1990s, one about the making of Lost In Space and another a year later about the making of The Mummy; they were assignments I lucked into and I think they turned out pretty well, if I do say so myself. But I digress.

Survivor guilt is one of those things easier felt than explained––easier done than said, if you will. You can’t write about it without sounding like you’re fishing for comfort: Please forgive me for still being alive. You know people are going to tell you that you have nothing to feel guilty about. Except for the few whom you secretly suspect don’t forgive you.

Personally, I’ve always thought of survivor guilt as something suffered by people who have been through terrible catastrophes––natural disasters, mass transit crashes, explosions, wars. These people have been through extreme trauma and injury themselves. So claiming I have survivor guilt sounds self-aggrandising. The truth is, I’ve never been in pain and thanks to my family and my ongoing support system of friends far and wide, I’ve never felt alone or like I had no one to talk to.

What I’m feeling is more like survivor embarrassment. It’s like this: you find out you’re terminal, and you make a big deal out of it, because what the hell, it is a big deal, to you anyway. Then, holy guacamole! Things take a completely unexpected swerve and it turns out you’re not as terminal as they thought. You’re not exactly well, not in remission, but you’re stable and you’re not leaving any time soon unless someone drops a house on you. (And even then, it would probably depend on the house.)

(8) BEAR NECESSITIES. Worldcon 75 has received a 5000 € grant from Art Promotion Centre Finland. If you read Finnish, you can find out the details in the organization’s press release.

(9) ROCK SOLID EVIDENCE. “Oldest fossil ever found on Earth shows organisms thrived 4.2bn years ago”. The Telegraph has the story.

Oldest fossil ever found on Earth shows organisms thrived 4.2bn years ago

It’s life, but not as we know it. The oldest fossil ever discovered on Earth shows that organisms were thriving 4.2 billion years ago, hundreds of millions of years earlier than previously thought.

The microscopic bacteria, which were smaller than the width of a human hair, were found in rock formations in Quebec, Canada, but would have lived in hot vents in the 140F (60C) oceans which covered the early planet.

The discovery is the strongest evidence yet that similar organisms could also have evolved on Mars, which at the time still had oceans and an atmosphere, and was being bombarded by comets which probably brought the building blocks of life to Earth.

….Space expert Dr Dan Brown of Nottingham Trent University added: “The discovery is exciting since it demonstrates how quickly life can form if the conditions are right on a planet or moon.

“This makes it clear to me that as soon as we find conditions on an exoplanet that would favour life as we know it, the probability of finding some form of life on that planet is very high. However, we are not talking about little green aliens but about microorganisms.

(10) ABSTRACT THINKING. Click here for the table of contents of the March issue of Science Fiction Studies which brings us, among other headscratchers, Thomas Strychacz’ “The Political Economy of Potato Farming in Andy Weir’s The Martian” —

Abstract. This essay examines the diverse political-economic registers of Andy Weir’s The Martian (2011) in terms of its symbolic response to the material and ideological crises of the Great Recession. The 2008 financial collapse in the US led to millions losing their homes and posed a serious challenge to the legitimacy of mainstream economic principles. Published at the height of the crisis, and concerning itself with the monumental challenge of bringing just one person home, the novel writes contested economic discourses into cultural fable. On Mars, Mark Watney’s potato farming evokes the paradigmatic neoclassical economic figure of homo economicus, the self-interested, maximizing agent who constantly prioritizes competing choices in order to allocate scarce resources rationally. NASA’s Earth, conversely, is a fantastic world of “unlimited funding” where, overturning two centuries of (neo)classical economic principle, “every human being has a basic instinct to help each other out” (Weir 368-69). The novel’s confused attempts to reconcile homo economicus with a workable concept of the common good can be historicized. Other prominent documents of the recessionary era—the US government’s official Report on the Financial Crisis and Occupy Wall Street’s Declaration among them—manifest the same yearning to restore a vanishing sense of commonwealth.

(11) REVENGE OF THE SON OF THE RETURN OF THE SHADOW CLARKE. Two more shortlists from Shadow Clarke jurors.

One of the things I wanted to do with my shortlist was to explore the idea of the Arthur C. Clarke Award as an institution that challenges the near-monopoly that genre publishing has over not only the field’s annual hype cycle but also over the construction of literary excellence. Traditionally, the Clarke Award has filled this role by smuggling a few choice mainstream titles over the ghetto walls but what if those disruptive tendencies were allowed to manifest themselves more fully? What if the Clarke Award came to represent genre publishing industry’s systematic failure to drive the genre forwards?

In order to come up with a deliberately counter-cultural shortlist, I made several passes through the submissions list in order to rule things out before making more positive choices about the things I wanted to read and write about:

…Second pass: Genre publishing has slowly developed a near-monopoly on the means through which individual works acquire a word-of-mouth buzz. This monopoly is partly a result of publishers and authors developing direct relationships with reviewers and partly a result of critics and reviewers losing influence in the age of Goodreads and Amazon reviews. With most of genre culture’s systems of recommendation skewed in favour of genre imprints and established genre authors, I chose to prioritise works that were either produced outside of conventional genre culture or which have been marginalised by genre publishing and forced towards smaller publishing venues….

…The task of compiling a shortlist is slightly different for the shadow Clarke juror, because there is more scope to set a personal agenda. What do I want my shortlist to be? This question came into sharp focus when I looked at the list of submissions, and realised that I wouldn’t want to shortlist any of the books that I’d already read.

So I have had to fall back on books that I would like to read. On that basis, I decided to orient my shortlist around the idea of discovery, focusing primarily on authors I hadn’t read much before, and taking note of a few strong recommendations from trusted sources….

Mark-kitteh sent the links along with these comments: “I did a spot of tallying up:

  • The Underground Railroad — Colson Whitehead 5
  • Central Station — Lavie Tidhar 4
  • A Field Guide to Reality?— Joanna Kavenna 4
  • The Many Selves of Katherine North?—?Emma Geen 3
  • The Power — Naomi Alderman 3
  • The Gradual?— Christopher Priest 3

“Which conveniently makes a potential shortlist of 6. It’s unlikely to be the final result, but the jurors seem to have more to agree on than to disagree.

“They are followed by another 7 chosen by two jurors, plus 10 singletons with a lone champion. Nick Hubble has the honour of being the only juror with at least one other agreeing with all his choices.”

(12) TRIVIAL TRIVIA

Monopoly Board Games produced after September 2008 come with $20,580 in play money. Standard editions produced before that came with $15,140.

(13) TODAY’S DAY

Today is Dr. Seuss Day, a full twenty-four hours to make a mess with the Cat in the Hat, dance around with the Fox in Sox, hear a Who with Horton, count the red and blue fish, help the Grinch see the error of his ways, and listen to Sam I Am’s friend complain about his dish of green eggs and ham, the ungrateful hairball!

(14) TODAY’S BIRTHDAY BOY

(15) EARLY BARR. At Galactic Journey, Victoria Silverwolf has an eye for talent — “[March 1,1962] Hearts and Flowers (April 1962 Fantastic)”:

Appropriately, The April 1962 issue of Fantastic is full of romance, along with the sense of wonder demanded by readers of speculative fiction.

Before we get to the mushy stuff, however, Judith Merril offers us a mysterious look at The Shrine of Temptation.  George Barr’s beautiful cover art appears to have inspired this ambiguous tale of good, evil, and strange rituals.  Barr’s work has appeared in a handful of fanzines for a few years, but I believe this is his first professional publication.  Based on the quality of this painting, I believe the young artist has a fine career ahead of him.

(16) IT’S MERVEILLEUX. At The New York Review of Science Fiction: “Brian Stableford: Madme De Villaneuve and the Origins of the Fantasy Novel”

The first concerted attempt to define and characterize a genre of fantasy fiction was made by Charles-Joseph Mayer between 1785 and 1789 when he published the 41 exemplary volumes of Le Cabinet des fées, ou Collection choisie des contes de fées et autres contes merveilleux [The Cabinet of the Fairies, or, Selected Collection of Fairy Tales and Other Marvelous Tales] in parallel with Charles Garnier’s Voyages imaginaires, songes, visions et romans cabalistiques [Imaginary Voyages, Dreams, Visions, and Cabalistic Fiction]. The latter is now regarded as most significant for the volumes containing imaginary voyages that can be affiliated in retrospect to the nascent genre of roman scientifique [scientific fiction] but, as the full title illustrates, it contains a good deal of material that would nowadays be considered to belong to the fantasy genre, and some of the items, such as Madame Roumier-Robert’s “Les Ondins, conte moral” (1768; tr. as “The Water-Sprites”) would have been perfectly at home in Mayer’s collection. It was, however, Mayer’s assembly that identified the two principal strands of the genre of the merveilleux as the mock folktales that became fashionable in the literary salons of the late seventeenth and early eighteenth centuries in association with the court of Louis XIV and tales written in imitation of Antoine Galland’s collection of Les Mille-et-une nuits (1707–19), which claimed to be translations of Arabian folklore, although many of the inclusions are drastically rewritten from the original manuscripts or wholly invented by Galland.

(17) PULLMAN. In “Paradise regained: ‘His Dark Materials’ is even better than I remembered”, the Financial Times’ Nilanjana Roy uses the forthcoming publication of The Book of Dust to discuss how she read Philip Pullman’s His Dark Materials trilogy ten years ago and how much she enjoyed these books. (The article is behind a paywall; the link is to a Google cache which can be read after taking a survey.)

The first in the trilogy is the most memorably dazzling, a classic quest story where the young Lyra travels to the north, befriending armoured bears and witch-queens. She has a daemon, Pantalaimon — most people in her world do, the daemon being an animal who is the external manifestation of a person’s inner spirit — and that is what I remembered most about the trilogy. When His Dark Materials came out, most of my friends abandoned their dignity and played games of Guess His Daemon? assigning slinking jackals or brown marmorated stink bug daemons to those they didn’t like.

(18) IT PAYS NOT TO BE IGNORANT. BoingBoing tells about the Norwegian news site that makes readers pass a test proving they read the post before commenting on it.

The team at NRKbeta attributes the civil tenor of its comments to a feature it introduced last month. On some stories, potential commenters are now required to answer three basic multiple-choice questions about the article before they’re allowed to post a comment. (For instance, in the digital surveillance story: “What does DGF stand for?”)

(19) THE CULTURE WARS.  Yes, it’s Buzzfeed – perhaps someday you’ll forgive me. “This Far-Right Tweet About ‘The Future That Liberals Want’ Backfired Into A Huge Meme”. A lot of tweets have been gathered in this post – here are three examples, the tweet that started everything, one of the pushback, and a third from the bizarre spinoffs.

(Buzzfeed says the photo was originally posted on @subwaycreatures, where it was used to “showcase the beauty of New York’s diversity.”)

Finally:

[Thanks to John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, JJ, and Mark-kitteh for some of these stories. Title inspiration credit goes to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 2/16/17 This Scroll Is Spelt Raymond Luxury Pixel, But It’s Pronounced ‘Godstalker Manfile’

(1) TINGLE ON TV. SORT OF. I’m told Chuck Tingle appeared live via remote camera on Comedy Central’s @Midnight last night and that the video is “definitely NSFW.” And that Tingle was disguised (face covered) each time he appeared. I haven’t had a chance to watch the show yet, I’d better mention…

(2) TRAD V. INDIE. Jim C. Hines isn’t trying to referee the debate about which business model works best for writers. However, people selling their work in a variety of ways shared their income data with him and he has compiled it in “2016 Novelist Income Results, Part 2: The Large/Small/Indie Breakdown”.

Indie authors still have the largest median income, which was predicted by only 19% of the folks in our informal Twitter Poll. The large press authors once again take the highest average. (I think this is mostly because of one large press author whose income was significantly higher than any others.)

(3) BEST IN SF ROMANCE. Veronica Scott lists the nominees for the 2017 SFR Galaxy Awards at Amazing Stories.

First a word about the awards themselves – a panel of well-regarded scifi romance book bloggers and reviewers make the selections, with each judge naming five or six novels, graphic novels or anthologies that they found memorable during the preceding year. The formal description of the awards’ intent, as taken from the website: “The theme of the SFR Galaxy Awards is inclusiveness. Instead of giving an award to a single book, this event will recognize the worth of multiple books and/or the standout elements they contain. The basic philosophy behind this approach is to help connect readers with books.”

Although the awards are serious, each judge gives their reasons for selecting the books, as indicated a bit light heartedly in the title of their short essays…

(4) A KIND WORD. James Davis Nicoll sets Ursula K. Le Guin’s “The Rule of Names” before the panel at Young People Read Old SFF. And this time butter wouldn’t melt in their mouths….

(5) WHY CLARION. Nancy Jane Moore rhapsodizes about her experience as “A Tricoastal Woman: Clarion West 1997” at Book View Café.

There are lots of reasons to go to Clarion West or Clarion. Yes, you will learn a lot about writing. Yes, you will get to know writers and editors. And yes, the intensity of the workshop will push you to do your best work. I’m glad for all those things.

But what really made me happy was living in a community of writers for six weeks. There is nothing like pacing the hall at two in the morning, trying to figure out how to fix a scene, and finding that someone else is also up struggling with a story.

By the end of the workshop, I wanted to figure out how to live permanently in a community of writers. I’d gladly have spent the rest of my life at Clarion West. Well, OK, with a bit less intensity, because I couldn’t have kept up with the lack of sleep and exercise much longer.

Alas, I have never figured out how to do it, though I still have fantasies about getting together to buy an apartment building with a bunch of other writers. Hell, I’d probably even be willing to live in a dorm room with the bathroom up the hall as I did at Clarion West.

(6) TODAY IN HISTORY

  • February 16, 1923 — In Thebes, Egypt, English archaeologist Howard Carter enters the sealed burial chamber of the ancient Egyptian ruler.

(7) TODAY’S BIRTHDAY BOYS

  • Born February 16, 1953 – Mike Glyer
  • Born February 16, 1957 LeVar Burton

(8) MOVING ON. There’s a difference between being interested in the Hugos and feeling a sense of stewardship about them. I still feel that we’re seeing through the completion of unfinished business. On the other hand, Abigail Nussbaum, in “The 2017 Hugo Awards: Why Hugo?”, explains why she feels the award doesn’t command the same level of interest for her as last year.

The issue, therefore, is this: it’s not just that the Hugos are trivial, but that the Hugos are solved.  If last year and the year before, we had a strong argument for seeing participation in the Hugos as an important and even progressive act, this year it seems largely meaningless, precisely because the difference between the best-case and worst-case outcomes is so small.  Let’s say the Rabid Puppies come back for a third try this year, and manage to get their trash on a lot of ballots.  So what?  They’ll just get knocked down in the voting phase again, and the only people it’ll really matter to will be the ones who lost out on a nomination–and I say that as someone who did lose out on a Hugo nomination, twice, as a result of the Rabid Puppies’ actions.  Given the current state of the world, lousy Hugo nominations are pretty far down my list of things to get upset over.  And on the other hand, if the Puppies have given up (or, more realistically, moved on to greener pastures, of which there sadly seems to be an abundance), I think we all know by now that the result will not be some progressive, radical-lefty shortlist.  The Hugo will go back to what it has always been, a middle-of-the-road award that tends to reward nostalgia and its own inner circle.  Yes, there has been progress, and especially in the shadow of the Puppies and their interference–2015 best novel winner Cixin Liu was the first POC to win in that category, and 2016 winner N.K. Jemisin was the first African American.  But on the other hand, look at the “first”s in that last sentence, consider that they happened a decade and a half into the 21st century, and then tell me that this is something to crow about.

After having said all this, you’re probably now expecting me to make some huge turnaround, to explain to you why the Hugos still matter, and why it’s still important to talk about them and nominate for them.  But the thing is, I can’t….

(9) GET TO KNOW YOUR GUFFERS. Voting on the Get Up-and-over Fan Fund (GUFF) delegate to Worldcon 75 contiues until April 1.’ The candidates’ platforms and general information about voting is here. The online ballot is here. Voting is open to all interested fans, regardless of nationality.

Elizabeth Fitzgerald is interviewing the candidates online — Donna Maree Hanson, Sam Hawke, Belle McQuattie, and the tandem of Alexandra Pierce and Alisa Krasnostein. Her first two interviews are up —

You’re currently working on a PhD focused on feminism in romance. How have you found this has impacted on your SFF writing?

The PhD studies so far have benefited my writing. Part of the study involves reading widely–French philosophers, feminist theory, queer theory–and I find that all mind-expanding. I’m not free to write as much as I’d like but I find with a bit of discipline (say an hour a day, at least) I can do both the PhD and write. I take a writing day once a week too. I don’t think you can study romance without touching on feminism and gender, and that is interesting to say the least. As I’m undertaking a creative writing PhD, l will be writing a novel. That novel is going to be an SF novel, post-human, focussing on gender equality and romance too. To write that novel I have to read SF dealing with that topic as well as straight romance, which is part of my research. Lots of reading. I read Left Hand of Darkness aloud to myself so I could experience it at a deeper level. So it’s a journey that I can bend to include both sides of my interests in genre.

What are you most looking forward to about Worldcon 75?

Is it cheating to say everything? I’m really looking forward to talking to fans and learning more about other areas of SFF that I don’t get exposure to normally, especially because I don’t know much about European SFF. I’m really excited to explore Finland and see another part of the world. I’m also a super huge fan of moose, and I’m hoping to see some … from a very safe distance.

(10) FAKE KNEWS. NakedSecurity tells how everyone, including members of Congress, can spot a fake twitter account. Personally, I don’t think the problem is that they are that hard to spot, but that want to believe the messages and don’t stop to ask the question.

When was it created?

As the Washington Post notes, the fake Flynn account was created a day after the authentic @GenFlynn went offline. Suspicious timing, eh? The creation date can be helpful in spotting bogus accounts, particularly when they’re created at the same time as major news breaks about whatever parodied/spoofed person they’re based on.

(11) ZETA OVER BUT NOT OUT. Mothership Zeta announced plans to go on hiatus four months ago, and the new issue of the magazine confirms that it will be the last issue for now. Here’s a quote from Mur Lafferty’s editorial.

The discussion you hear from nearly every short fiction publication is the worry about money. We are an experiment from Escape Artists, the awesome publisher of free audio fiction; we knew we were taking a risk with creating an ezine that you had to pay for.

We’re fiercely dedicated to paying our authors, our nonfic writers, our artists, and our editorial team. We did our best with the budget we had, but once the money ran out, we had to take a hard look at ourselves. So we are taking some time to figure out a new way of delivering this publication.

We have no current plans to shutter the magazine for good. We are going to take the next few months and look at our options. We may come back with a crowdfunding effort through Patreon, Kickstarter, or IndieGogo. We may come up with other solutions. But we all believe in this magazine, and believe that the world needs satisfying, fun science fiction now more than ever. We want to bring that to you.

[Thanks to Mike Kennedy, Mark-kitteh, David K.M.Klaus, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 2/2/17 If You Give A Kzin A Kazoo…

(1) LOOKING FOR SHADOWS. Leah Schnelbach’s “Groundhog Day Breaks the Rules of Every Genre” is a masterpiece about one of my favorite movies. (It first appeared on Tor.com in 2014.)

Groundhog Day succeeds as a film because of the way it plays with, subverts, and outright mocks the tropes of each of the genres it flirts with. While some people would call it a time travel movie, or a movie about small town America, or the most spiritual film of all time, or a rom-com, it is by breaking the rules of each of those types of films that it ultimately transcends genre entirely.

(2) SHARKNADO 5. Not sure why Syfy and studio The Asylum picked Groundhog Day to announce there will be a fifth Sharknado movie, unless it’s to wink at the fact they’re doing the same thing over and over again:

The original 2013 “Sharknado” introduced the concept of a shark-laden twister via one bearing down on Los Angeles. In “Sharknado 2: The Second One,” New York City was the target of the disaster, and in “Sharknado 3: Oh Hell No!” a mega-sharknado made its way down the East Coast from Washington, D.C. to Florida. In the most recent installment, the very-close-to-copyright-infringement-titled “Sharknado: The 4th Awakens,” the shark-infested storms went national. The film ended with the Eiffel Tower ripping away from Paris and crashing down on Niagara Falls, setting the stage for the fifth edition of America’s answer to the sprawling sagas of the ancient world.

In “Sharknado 5,” with much of North America lying in ruins, the rest of the world braces for a global sharknado. Fin Shepard (Ziering) and his family must put a stop to this disaster before Earth is obliterated.

(3) TODAY’S SCROLL TITLE. On the other hand, Daniel Dern hopes you will add iterations of your own to his faux children’s book for Filers.

If You Give A Kzin A Kazoo…

whose text perhaps goes…

… he’ll <blatt> and leap.

If a Kzin <blatt>s and leaps,
he’ll rip you from gehenna to duodenum. [1]

If a Kzin rips you from gehenna to duodenum,
well, that’s the end of the story as far as you’re concerned,
unless you’ve got either an autodoc [2] nearby, or have Wolverine-class mutant healing factor.

[1] per Don Marquis, Archie & Mehitabel — Mehitabel on Marriage, IIRC.

[2] and health care insurance that will cover you 🙁

Probably if you put all that in, Filers will contribute a few dozen more verses.

(4) BOMBS AWAY. Before telling the “Five Things I Learned Writing Exo”, Fonda Lee confesses that Exo began life as a failed NanNoWriMo novel. (A guest post at Terrible Minds.)

This is how it went: I wrote 35,000 words by November 20th or so, and stalled out. It wasn’t working. At all. I read the manuscript from the beginning and hated all of it with the nauseous loathing that writers feel when looking at their own disgusting word messes. I had a shiny story idea in my head but it was emerging as dog vomit. So I quit. I failed NaNoWriMo hard.

I trashed everything I’d written and started again. I wrote a new draft over several months, and then rewrote 50% of that one. And did it again. After the book sold, I did another major revision with my editor. I was relieved and excited by how it was getter better and better, but part of me was also surprised and disheartened. I mean, Zeroboxer was picking up accolades and awards, and whoa, I got to go to the Nebula Awards as a finalist and dance on stage, so why the hell was it so hard to write another book?! This whole writing thing ought to be easier now, right?

Wrong. In talking (griping, whining, crying) to wiser authors, I learned there was wide agreement that the second book is often a complete bitch to write. A very loud voice in your head is telling you that because you’re now a Published Author, you should be writing better and faster, plus doing author promotion stuff with an effortless grin.

(5) REMEMBERING PAN. J. M. Barrie was one of several authors who put science-related observation into fantasies. The BBC tells you about it: “What Peter Pan teaches us about memory and consciousness”.

In this way, the stories appear to follow a tradition of great cross-pollination between the arts and the sciences – particularly in children’s literature. Charles Kingsley’s The Water-Babies was written, in part, as a response to Darwin’s theory of evolution, while Alice’s Adventures in Wonderland were a playful exploration of mathematics and logic. Even some of Hans Christian Andersen’s tales were inspired by new scientific and technological developments – such as the invention of the home microscope.

(6) A LARGER-THAN-EXPECTED COLLISION. The Large Hadron Collider didn’t end the world, as some cranks feared, but it did end this creature: “World’s Most Destructive Stone Marten Goes On Display In The Netherlands”

On Nov. 20, 2016, the animal hopped over a fence at the $7 billion Large Hadron Collider in Switzerland, touched a transformer and was electrocuted by 18,000 volts.

The marten died instantly. The collider, which accelerates particles to near the speed of light to study the fiery origins of the universe, lost power and shut down.

“There must have been a big flame,” said Kees Moeliker, the director of the Natural History Museum in Rotterdam and the man behind its Dead Animal Tales exhibit, where the preserved marten is now displayed.

“It was scorched. When you’re not really careful with candles and your hair, like that,” he explained. “Every hair of this creature was kind of burned and the whiskers, they were burned to the bare minimum and especially the feet, the legs, they were cooked. They were darker, like roasted.”

“It really had a bad, bad encounter with this electricity.”

Chip Hitchcock adds, “Marten furs were once sufficiently tradable that Croatia’s currency, the kuna, takes its name from the Croatian word for the beast.“

(7) YOUNG PEOPLE READ OLD SFF. James Davis Nicoll turns the panel loose on Roger Zelazny’s “A Rose for Ecclesiastes”.

I selected 1963’s A Rose for Ecclesiastes for a few reasons. The least important is because I only recently read it myself (the story kept coming up in the context of a grand review project of mine and I got tired of admitting over and over again that I had not read it.). Another is its historical significance: this is one of the last SF stories written before space probes showed us what Mars was really like. The final reason is this story was nominated for a Hugo and I am hopeful that the virtues the readers saw a half century ago are still there.

Let’s find out!

(8) THE FOUNDER. Selected writings by Hugo Gernsback have been compiled in The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction, edited by Grant Wythoff. The book was published in November by the University of Minnesota Press.

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies.

…The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

Bruce Sterling gives the book a powerful endorsement:

Grant Wythoff’s splendid work of scholarship dispels the dank, historic mists of a literary subculture with starkly factual archival research. An amazing vista of electronic media struggle is revealed here, every bit as colorful and cranky as Hugo Gernsback’s pulp magazines—even the illustrations and footnotes are fascinating. I’m truly grateful for this work and will never think of American science fiction in the same way again.

(9) SARAH PRINCE. The family obituary for Sarah Prince, who died last month, appeared in the Plattsburgh (NY) Press-Republican.

Sarah Symonds Prince (born July 11, 1954) died unexpectedly of congestive heart failure in late January in her Keene Valley home. A long time resident and well-loved community member, she was active in the Keene Valley Congregational Church choir and hand bell choir, the town community garden program; she was a former member of the Keene Valley Volunteer Fire Department.

Sarah was an avid photographer and a ceramic artist, and a freelance graphic designer. She was an influential member of the science fiction fan community and publisher (in the 1980s/90s) of her own fanzine. Sarah enjoyed going to interesting places whether around the corner or halfway around the world. She loved the many dogs and cats that were constant companions in her life.

Born in Salem, Mass., Sarah was the third child of David Chandler Prince Jr. and Augusta Alger Prince. She grew up in Cincinnati, Ohio, where she graduated from Walnut Hills High School. Sarah’s love of Keene Valley, N.Y., follows family ties that date back four generations as regular summer visitors.

Sarah graduated from the Ohio State University with a BFA degree. She trained in print layout and typesetting and worked in typesetting, layout and graphic arts for several publications, including Adirondack Life from 1990-93, a job which brought her to live full-time in Keene Valley. A deep curiosity about technology and a sustainable world led Sarah to Clinton Community College to study computer technology and earn an Environmental Science AA degree in May 2016.

Sarah lived with disability from mental illness and substance abuse for many years. She worked to raise awareness and understanding of the challenges faced by herself and others. She positively touched many who were also struggling.

Sarah is survived by her mother, Augusta Prince of Hanover, N.H.; four siblings, Timothy Prince, Catharine Roth, Charlotte Hitchcock, and Virginia Prince; seven nieces and nephews; and six grand nieces and nephews.

Donations in her memory can be made to North Country SPCA or the Keene Valley Library. Arrangements have been entrusted to Heald Funeral Home, 7521 Court Street, Plattsburgh, N.Y. To light a memorial candle or leave an online condolence please visit http://www.healdfuneralhomeinc.com

(10) TODAY IN HISTORY

  • February 2, 1882 – James Joyce is born .

And that reminds John King Tarpinian of a story:

Sylvia Beach, owner of the bookstore Shakespeare and Co. in Paris, published the novel herself in 1922, but it was banned in the United Kingdom and in the United States until 1933.  Every July Ray Bradbury and his family would vacation in France.  Ray would always visit Shakespeare and Company.  The bookshop would make sure they had a book that Ray wanted, such as first editions of Jules Verne.

(11) CREEPTASTIC. Dread Central reports “Zak Bagan’s Haunted Museum to feature ‘one of the most dangerous paranormal possessions in the world’” — Peggy the Doll.

Excited about visiting Zak Bagans’ Haunted Museum when it opens? Of course you are! This latest story though… this latest addition to Zak’s house of madness? Well, it’s going to be up to you whether or not you take your chances and take a look.

Zak has just informed us exclusively that he’s now in possession of the infamous “Peggy the Doll,” which he obtained from its previous owner, Jayne Harris from England. Featured on an episode of his series “Deadly Possessions,” Peggy is not for the faint of heart. It’s said you can be affected by Peggy by just looking at her… in person or in photos. As a result “Deadly Possessions” aired the episode with a disclaimer for viewers: a first for both the show and the paranormal in general.

(12) BUNK. Jason Sanford muses about “An alternate history of alternative histories”:

Ironically, the last book my grandfather read was edited by Poul Anderson, one of our genre’s early authors of alternate histories. Anderson’s Time Patrol stories, where valiant time travelers ensure history stays on its “correct” timeline, are an integral and fun part of SF’s long tradition of time travel fiction focused on keeping history pure. He also wrote a famous series of alternate history fantasies called Operation Chaos, originally published by The Magazine of Fantasy and Science Fiction in the 1950s. In these stories World War II was fought between completely different countries with magical creatures such as werewolves and witches.

Of course, Anderson’s stories of time travelers keeping the timeline pure and correct seem a little simplistic today, just as historical narratives today are far more complex than they were decades ago. I think this is partly because most historians now recognize how imprecisely history is recorded. History as it is written can even be called the original version of the alternate history genre, where the story we’re told deviates from what really happened.

After all, history is written by the victors, as the cliche states. Which means much of what happened in the past is left out or altered before history is recorded. And even the victors don’t name all the victors and don’t celebrate all their victories and deeds.

Theodore Sturgeon famously said that “ninety percent of everything is crap.” This applies equally to history as we know it — including the history of the alternate history genre.

(13) WHITE FLIGHT. Andrew Russell and Lee Vinsel, in “Whitey on Mars”, ask if Elon Musk’s Martian proposals are part of a dream by rich and powerful people to further isolate themselves from the masses. (The title references Gil Scott-Heron’s 1970 “Whitey on the Moon.”)

Musk insists that humans in fact ‘need’ to go to Mars. The Mars mission, he argues, is the best way for humanity to become what he calls a ‘space-faring civilisation and a multi-planetary species’. This otherworldly venture, he says, is necessary to mitigate the ‘existential threat’ from artificial intelligence (AI) that might wipe out human life on Earth. Musk’s existential concerns, and his look to other worlds for solutions, are not unique among the elite of the technology world. Others have expressed what might best be understood as a quasi-philosophical paranoia that our Universe is really just a simulation inside a giant computer.

Musk himself has fallen under the sway of the Oxford philosopher Nick Bostrom, who put forward the simulation theory in 2003. Bostrom has also argued that addressing ‘existential risks’ such as AI should be a global priority. The idea that Google’s CEO Larry Page might create artificially intelligent robots that will destroy humanity reportedly keeps Musk up at night. ‘I’m really worried about this,’ Musk told his biographer. ‘He could produce something evil by accident.’

These subjects could provide some teachable moments in certain kinds of philosophy classes. They are, obviously, compelling plot devices for Hollywood movies. They do not, however, bear any relationship to the kinds of existential risks that humans face now, or have ever faced, at least so far in history. But Musk has no connection to ordinary people and ordinary lives. For his 30th birthday, Musk rented an English castle, where he and 20 guests played hide-and-seek until 6am the following day. Compare this situation with the stories recounted in Matthew Desmond’s book Evicted (2016), where an entire housing industry has arisen in the US to profit from the poverty of some families, who often move from home to home with little hope of ever catching up, let alone getting ahead.

(14) COMIC SECTION. Martin Morse Wooster says, “I think today’s Prickly City expresses the dreams of many Filers.”

(15) ANOTHER COUNTRY HEARD FROM. When the next Doctor Who is chosen, one party thinks someone besides a human deserves consideration: “New Doctor Who should be a Dalek, say Daleks”, at The Daily Mash.

The Skaro natives have petitioned the BBC for ‘better representation’ from a show which has historically ‘erased and demonised’ their proud race.

The Supreme Dalek said: “It’s not the 1960s anymore. These narratives about heroic Gallifreyans saving humanoids from extermination are outdated and offensive.

“My son is an eight-year-old New Paradigm Dalek and his eyestalk droops whenever he turns on his favourite show to see that yet again, the Daleks are the baddies.…

(16) WHEN ROBOTS LAY DOWN ON THE JOB. Fynbospress told Mad Genius Club readers about running into a wall while using Word:

Interesting quirk I learned recently on MS Word. Say you have a MilSF novel, and you haven’t added the last names, planets, etc. to the customized dictionary (So they all show as a spelling error). As you’re reading through, it pops up a window saying “there are too many spelling errors in this document to show.” And promptly cuts out the red spelling and blue grammar lines.

(17) INFERNO. JJ says, quite rightly, this photo of the West Kamokuna Skylight in Hawaii resembles sculpture of bodies being sucked into hell.

If lava has the right viscosity, it can travel across a landscape via channels. The lava either forms the channels itself or uses a preexisting one. Along the same vein, lava tubes are essentially channels that reside underground and also allow lava to move quickly. Tubes form one of two ways. A lava channel can form an arc above it that chills and crystallizes, or an insulated pahoehoe flow can have lava still running through it while outer layers freeze. Lava tubes, by their nature, are buried. However, skylights form when the lava tube collapses in a specific area and allow one to see the flow inside the tube. Tubes can collapse completely and become channels, drain out, or get blocked up.

(18) FROM BC TO DC. CinemaBlend thinks the critical success of the DC Extended Universe hinges on the forthcoming Wonder Woman movie.

While Batman v Superman: Dawn Of Justice struggled to please critics, most agreed that Gal Gadot’s performance as Wonder Woman was one of its few shining lights. It’s hoped that the opportunity to explore the character even more, as well as take a peak at her origin story, will help to propel the DC Extended Universe forward, especially considering all of its recent troubles regarding both its releases and the films it has in development.

 

💛 💛 💛 #wonderwoman @WonderWomanFilm

A post shared by Gal Gadot (@gal_gadot) on

(19) I’M OUT. It may look like a chocolate chip thumbscrew, but it’s Dunking Buddy!

why_cookie_tray_medium

What if there was an easier, cleaner, more enjoyable way to enjoy dunking cookies in milk. Well the world is finally in luck, and based on the response so far, it couldn’t have come sooner! Two cookie dunking lovers, like so many others out there, took it upon themselves and created a cookie dunking device that does just that!

[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, Moshe Feder, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]