The new season of Doctor Who begins airing October 7.
The official trailer is here! “I’m the Doctor, when people need help, I never refuse.”
The new season of Doctor Who begins airing October 7.
The official trailer is here! “I’m the Doctor, when people need help, I never refuse.”
The Science Fiction and Fantasy Poetry Association announced the 2018 Dwarf Stars winner and other top finishers on September 16.
3rd Place (tie)
The award recognizes the best speculative poem of 1–10 lines published in the previous year, and is designed to honor excellent scifaiku, tanka, cinquains, and other types of short poems that tend to be overshadowed in SFPA’s Rhysling Award competition.
Also in contrast to the annual Rhysling Anthology, Dwarf Stars is an edited anthology. SFPA encourages poets, poetry readers, and editors are also encouraged to submit or suggest eligible poems to the Dwarf Stars editor. This year’s anthology is edited by Deborah P. Kolodji. The winner was determined by a vote of the members of the Science Fiction & Fantasy Poetry Association.
[Via Locus Online.]
(1) THE DOCTOR IS IN. Stylist got the Thirteenth Doctor to revisit social media about her casting: “Watch: Jodie Whittaker brilliantly responds to Twitter trolls”.
Although the announcement regarding Whittaker being cast in the role was met with many sexist comments last year, the reaction, on the whole, has been a positive one.
“We live in a very unique time, people upload every moment to the internet so you can see the excitement and, in some instances, the fear people have,” Whittaker said, in reference to reading reactions online. “But when you see those videos, from all different ages of all different people from all different worlds about a show – and I hadn’t even done it yet – that’s ace because, if they’re accepting me into their family, what we want to do is make that family bigger.”
Which is why Whittaker popped into the Stylist office to look back on the Twitter reactions from a year ago – the good and the bad.
When Jodie Whittaker's role on @bbcdoctorwho was announced, the internet had something to say about it. Here's her reaction to some of the best (and worst) responses… @bbcpress pic.twitter.com/ScMRlh37Ty
— Stylist Magazine (@StylistMagazine) September 19, 2018
(2) FISH TICKS. Ian Sales (brilliantly) nitpicks the science in the movie Meg in the service of a greater truth about sff storytelling — “The megalodon in the room”.
…And yet… this is, I hear you say, completely irrelevant. It’s a film about a giant fucking prehistoric shark. Which reached lengths of 18 metres (bigger in the this film). Why cavil about submarines and submersibles and depths and pressures when the film is about a giant fucking prehistoric shark? All those facts quoted above, they mean nothing because it’s a film about a giant fucking prehistoric shark!
This is where we part company – myself, that is, and my imaginary critic(s) – because the megalodon, as the title of this post indicates, that’s the central conceit. The story is its scaffolding. Science fiction tropes work the same way. They’re either bolstered by the plot, or by exposition, or by the entire corpus of science fiction. Such as FTL. Or AI. Complete nonsense, both of them. But no one quibbles when they appear in a science fiction because the scaffolding for them has been built up over a century or more of genre publishing…
In every science fiction, we have a megalodon in the room. Sometimes it’s the central conceit, sometimes it’s what we have to tastefully ignore in order for the conceit not to destroy the reading experience. But that science fiction, that conceit, is embedded in a world, either of the author’s invention or recognisably the reader’s own….
(3) ROANHORSE. Paul Weimer’s “Microreview [book]: Trail of Lightning, by Rebecca Roanhorse” at Nerds of a Feather makes me want to read the book —
…That’s where Maggie Hoskie comes in. She’s been trained as a monster hunter by the very best, but she is new to fighting monsters on her own. And it is in the fighting monsters on her own that she is drawn into a plot that will not only gain her a partner, but also uncover a threat to the entire world inside the walls and the people who live there. Can Maggie protect herself, and those around her, when she must also restain an even greater monster–herself? And just what DID happen to her old mentor, anyhow?
This is the central question at the heart of Rebecca Roanhorse’s debut novel, Trail of Lightning.
There is plenty to love in Trail of Lighting, and Maggie as a main character is front and center the heart of the novel and she makes the novel sing….
(4) OKORAFOR AT EMMYS. As The Root sees it, “She Got That Glow: Writer Nnedi Okorafor Gets the Escort of a Lifetime to the 2018 Emmys”.
When you’re an emerging name in the realm of fantasy and science-fiction writing and your first novel is being adapted into a series by award-winning premium network HBO, there are few things better than being invited to the Emmys.
That is, of course, unless your escort for the evening is none other than network darling and best-selling author George R.R. Martin, whose Game of Thrones once again nailed the Outstanding Drama Series award (its 47th Emmy) at this year’s ceremony—oh, and did we mention that Martin is executive producing your series, too?
This is exactly the dream writer Nnedi Okorafor was living on Monday night as she attended the Emmys alongside Martin, whom she says brought her with him for all of his red carpet interviews to promote the upcoming Who Fears Death, a post-apocalyptic coming-of-age story of a young North African woman, based on the Chibok, Nigeria schoolgirls who were kidnapped by terrorist group Boko Haram in 2014….
(5) LOOKING FOR HELP. Olav Rokne and a couple friends at the Hugo Awards Book Club started discussing about film adaptations of Hugo-shortlisted works. He says, “In the ensuing debate, we started compiling a list of various films and TV shows, which ended up being the seed for a blog post on the subject” — “Hollywood has a mixed history adapting Hugo-shortlisted works”. For instance —
Flowers For Algernon is probably the Hugo-winning work that has been adapted most often. On top of various stage productions, there were four movies including one that won an Academy Award, a Tony-nominated musical, and a video game. Several of these adaptations — such as the 1968 movie Charly — seem to have been produced with an understanding of what made the original resonate with audiences.
Rokne hopes Filers will do more than just read the post: “Reason I’m sending this to you, is that I know that there are probably works that are missing from this list. We deliberately excluded Retro Hugo shortlists from the list, as well as adaptations of graphic stories. So this is just prose works from contemporaneous Hugo shortlists that have been adapted. Do you think you, or anyone in your File 770 community would know of movies or TV shows that my friends and I missed from this list?”
(6) STAR WARS MILITARY PAPERWORK. Angry Staff Officer shows what it would look like “If the Hoth Crash was an Air Force Investigation”.
…The mishap aircraft was assigned to Rogue Squadron, assigned to the defenses of Hoth. The mishap crew consisted of a mishap pilot and mishap gunner, both assigned to Rogue Squadron. It was determined that the mishap gunner died instantly, and the mishap pilot was able to escape the Hoth system in an unassigned X-Wing.
The board president found clear and convincing evidence that the cause of the mishap was due to the pilot failing heed sound crew resource management (CRM) principles and ignoring repeated warnings from the mishap gunner regarding failed mission essential systems. Furthermore, the board found other causal factors relating to poor maintenance standards and practices, and contributing factors relating to unsound tactics, techniques, and procedures (TTPs)….
(7) QUIS CUSTODIET? BBC reports “IBM launches tool aimed at detecting AI bias”.
IBM is launching a tool which will analyse how and why algorithms make decisions in real time.
The Fairness 360 Kit will also scan for signs of bias and recommend adjustments.
There is increasing concern that algorithms used by both tech giants and other firms are not always fair in their decision-making.
For example, in the past, image recognition systems have failed to identify non-white faces.
However, as they increasingly make automated decisions about a wide variety of issues such as policing, insurance and what information people see online, the implications of their recommendations become broader.
(8) GARBAGE COLLECTION. In space, no one can hear you clean — “RemoveDebris: UK satellite nets ‘space junk'”.
The short sequence shows a small, shoebox-sized object tumbling end over end about 6-8m in front of the University of Surrey spacecraft.
Suddenly, a bright web, fired from the satellite, comes into view. It extends outwards and smothers the box.
“It worked just as we hoped it would,” said Prof Guglielmo Aglietti, director of the Surrey Space Centre.
“The target was spinning like you would expect an uncooperative piece of junk to behave, but you can see clearly that the net captures it, and we’re very happy with the way the experiment went.”
(9) THE INSIDE STORY. BBC explores “Captain Marvel: Why Brie Larson’s Carol Danvers is a Marvel game-changer”.
Captain Marvel is the hero that Samuel L. Jackson, as Shield boss Nick Fury, called for help at the end of Avengers: Infinity War.
She’s super strong, can fly, survive in space and project energy (among other things) making Carol Danvers to The Avengers what Superman is to Justice League: the big hitter.
“She’s more powerful than, possibly, all The Avengers combined,” says Claire Lim, a huge comic book fan and a presenter for BBC’s The Social.
“It’s important they’re actually putting a female front and centre as a superhero powerful enough to beat this threat.”
(10) BBC RADIO 4. SF Concatenation’s Jonathan Cowie sends links to a pair of BBC radio highlights —
Frankenstein, the tale of a scientist who creates a creature that ultimately destroyed him, has been a popular subject for films for many years. But the religious content of the original novel written by Mary Shelley is lost on the big screen. Her story centres on the scientist, Victor Frankenstein, who plays God. His creation identifies first with Adam and then with Satan in Paradise Lost. He has admirable human qualities but is deprived of love and affection and becomes brutalised. Joining Ernie Rea to discuss Mary Shelley’s Frankenstein are Andrew Smith, Professor of Nineteenth Century English Literature at the University of Sheffield; Marie Mulvey-Roberts, Professor of English Literature at the University of the West of England; and Dr James Castell, Lecturer in English Literature at Cardiff University.
“Imagine a puddle waking up one morning and thinking, this is an interesting world I find myself in – fits me rather neatly, don’t you think?”
Douglas Noel Adams wasn’t even fifty when he died in 2001, but his imagination had already roamed far. He created The Hitchhiker’s Guide to the Galaxy, the Meaning of Liff and several episodes of Doctor Who, plus the Dirk Gently character and Last Chance to See.
Nominating him is his co-writer on Last Chance to See, the zoologist Mark Carwardine. Mark’s role, Adams said later, was to be the one who knew what he was talking about. “My role was to be an extremely ignorant non-zoologist to whom everything that happened would come as a complete surprise.”
Joining Mark Carwardine and Matthew Parris in the bar where this was recorded is Douglas Adam’s biographer, Jem Roberts. With archive of Stephen Fry, John Lloyd, Naomi Alderman, Griff Rhys Jones and Geoffrey Perkins.
(11) TODAY IN HISTORY
(12) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Ok, it’s going to hard briefly sum up his amazing genre career so but let me note he was a member of the Futurians and a reviewer as well as a writer until F&SF refused to run a run of his. Novels of his I’ll single out are Hell’s Pavement, The Observers and Special Delivery but don’t think I’m overlooking his brilliant short stories.
The Encyclopedia of Science Fiction notes that ‘In 1995, he was granted the SFWA Grand Master Award – which from 2002 became formally known, in his honour, as the Damon Knight Grand Master Award. He was posthumously inducted into the Science Fiction Hall of Fame in 2003.’
Only winner as you know of three Hugo Awards for Best Novel in a row which got the Puppies pissed which allows me to congratulate her for getting Beale kicked out of SFWA. Oh and also won myriad Nebula, Locus, Sense of Gender and even an Romantic Times Award.
Damn she’s good.
So, I'd been planning to have a nice quiet low-key inward-turning birthday this year, but Facebook or something tattled on me, so pic.twitter.com/bRMgMlK8lP
— N. K. Jemisin (@nkjemisin) September 19, 2018
(13) COMICS SECTION.
(14) ALL HALLOW’S EVE HEDONISM. Looking for an exotic and expensive Halloween event in LA? How about an evening of food, booze and drama for $300/night as the “Disco Dining Club & Grim Wreather Present: The Flowering Of The Strange Orchid“, H.G. Wells’ botanical horror short story, set in a Victorian greenhouse on the grounds of the 1906 Rives Mansion in the Pico-Union neighborhood of Los Angeles.
A 3-night, botanical horror dinner party.
This 50-person an evening dinner party will take place Friday October 26th, Saturday October 27th, and Sunday October 28th.
Exploring the symbiotic relationship between man and flower, The Flowering Of The Strange Orchid’s uniquely decadent interpretation of Halloween dares to elevate the Fall season. This is your favorite holiday exaggerated with all the opulence, grandeur and hedonism of any Disco Dining Club soiree.
(15) BRANDON SANDERSON IS ONE ANSWER. Last night on Jeopardy! there were a couple of sff-related answers during Double Jeopardy in the “I Got Your Book” category — Show #7822 – Tuesday, September 18, 2018. Do you know the right questions?
(16) NOT THAT HOT. Spacefaring Kitten is not all lit up about the latest adaptation of Bradbury’s classic: “Microreview [Film]: Fahrenheit 451” at Nerds of a Feather.
…Of course, there’s only so much the film can do, given its source material. Fahrenheit 451 is ultimately making a philosophical armchair argument, and transforming that into high-adrenaline political action was never an easy task. For anybody living in 2018, banning fiction as a way to lessen tensions between different worldviews is as nonsensical a proposition as it gets, because practically all other imaginable kinds of human interactions (social media, journalism etc) are much more effective in polarizing societies around the world today. Perhaps this would have been an interesting theme to look into in the movie adaptation, and quite possibly something that Bradbury would be thinking about if he was writing Fahrenheit 451 today….
What were you watching, eating, and listening to when you were working on A Blade So Black?
Coffee. Always coffee. And sometimes red bull. If I went to a cafe, I’d get a chai latte and pumpkin something. Maybe pumpkin bread or a muffin, or a scone during that season. As far as watching, lots of TNT reruns, and Frozen. My nephew was in love with Frozen. When it came to listening to stuff, for the most part, I listened to a particular playlist. Before Spotify, it was a watchlist of music videos on YouTube. Now, well, we got Spotify. I think you can still find both lists if you search A Blade So Black on either platform.
(18) FINDING THE LATEST SF IN THE FIFTIES. Doctor Strangemind’s Kim Huett says about “On the Newsstand”, “This particular post is mostly by a fellow by the name of Dave Mason and goes into great detail about magazine distribution and promotion in the fifties. I can assure you the topic is far less dry than you’re assuming. Trust me on this one.”
…Poor Joe Fan! All he wants is to buy the latest issues of Astounding, Galaxy, and if he’s feeling particularly sophisticated, F&SF. Unfortunately for Joe the delivery of his favourite reading material was a cooperative effort. In order for Joe to set eyes upon any magazine the delivery process required not just a publisher but a printer, distributor, and retailer as well. Which wouldn’t be so bad if it wasn’t for the fact that none these businesses cared about Joe’s reading preferences. In particular Joe’s druggist had little incentive to sell that one extra copy of any title. Even today the average retailer of magazines has hundreds of magazines in stock, and really, so long as all these titles as a group sell a decent number between them each month what does it matter to the business if a particular title sells 6 copies or only 5?
(19) CHIBNALL UNDER THE MICROSCOPE. Seems a little early to be debunking the new Doctor Who showrunner. Nevertheless! NitPix delves into Chris Chibnall’s resume, discovers he has written only four Doctor Who episodes and hasn’t written a Doctor Who episode in 5 years. Then they analyze those four episodes and are decidedly unimpressed. (Because who ever wanted to watch a YouTube video by somebody who is impressed by their subject?)
(20) PROSPECT. The trailer and poster for Prospect (a DUST film) are out (VitalThrills.com: “Prospect Trailer and Poster Preview the Sci-Fi Film”). The film, starring Pedro Pascal, Sophie Thatcher, Jay Duplass, Andre Royo, Sheila Vand, and Anwan Glover, will have a theatrical release on November 2 and will come to the DUST site some time in 2019.
A teenage girl and her father travel to a remote alien moon, aiming to strike it rich. They’ve secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon’s toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive. Forced to contend not only with the forest’s other ruthless inhabitants, but with her own father’s greed-addled judgment, the girl finds she must carve her own path to escape.
[Thanks to JJ, Mark Hepworth, Lenore Jones, Mike Kennedy, Chip Hitchcock, Cat Eldridge, John King Tarpinian, Martin Morse Wooster, Brian Z., Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day, the frighteningly imaginative Niall McAuley.]
Brian J. White, founding editor of Fireside Magazine, today pursued Goodreads’ deletion of FIYAH’s Series listing in two different forums on Goodreads. (He screencapped the entire interaction.) Thread starts here.
And there was heightened concern after Anathema Magazine, a “spec fic mag of work by queer POC/Indigenous/Aboriginals,” reported Goodreads has deleted its entry, too.
This is possibly related to our lack of ISSNs, yes. & hey, ISSNs are great cataloguing tools, true. BUT -> pic.twitter.com/f8O5Cw1ZkA
— Anathema Magazine (@anathemaspec) September 19, 2018
The discussion surfaced the Goodreads Librarian who deleted Anathema and some issues of FIYAH. A couple of excerpts (note, unfortunately I can’t make WordPress display only the selected tweet, so these come in pairs) —
— Brian J. White (@talkwordy) September 19, 2018
Further response from the librarian who did the deleting. pic.twitter.com/0nKKYKCSRs
— Brian J. White (@talkwordy) September 19, 2018
Responses by Goodreads participants have focused on (1) Goodreads has a policy against listing publications which lack ASIN/ISBN numbers, and (2) denying that the enforcement could be anything besides business as usual, let alone an individual or institutional expression of racism.
Here are links to the discussions –
An important element of the controversy has been that Goodreads deleted these particular spec fic magazines while leaving intact the listings for many others. Neil Clarke of Clarkesworld, in a twitter thread that can be reached via Carrie Cuinn, describes his own encounters with Goodreads librarians, what rules were invoked then, and how decisions were made. Some of his tweets say —
By the way, they also appear to take ASIN. They load data from Amazon, so that's likely how most of the magazines mentioned were added.
— clarkesworld (@clarkesworld) September 19, 2018
That's the true comparative then. Now the question is whether or not they'll strike that too or restore what they've deleted. Always thought it weird that this "rule" was not programmed into their system. Suggests it's not as much of a rule as some say.
— clarkesworld (@clarkesworld) September 19, 2018
Never really understood their hangup on this issue though. Specifically odd when you see they allow "short stories published online" and then disallow "Short stories only published in an anthology or magazine."
— clarkesworld (@clarkesworld) September 19, 2018
Did some more digging. Found a recent thread about issues of another magazine and Clarkesworld came up. Since we have the print edition with ISBN, issues survived, but some of the editions linked to those issues went away. pic.twitter.com/A0RuTAPQrz
— clarkesworld (@clarkesworld) September 19, 2018
— clarkesworld (@clarkesworld) September 19, 2018
Due to the attention now being paid, a reader contacted Brian J. White to say that an issue of his Fireside Magazine was (at some point) deleted by Goodreads –
I still can’t get over that the ONLY issue of @FiresideFiction that has been removed from @goodreads like all @fiyahlitmag was had a story called “The Secret Lives of the Nine Negro Teeth of George Washington", by Phenderson Djéli Clark, and this cover: pic.twitter.com/pOsEcnmHN9
— Jeff Xilon (@JXilon) September 19, 2018
Responses to Goodreads’ actions also include —
Bridget of SF Bluestocking wrote a thread which says in part:
Short thread. So listen. I added the first couple issues of @fiyahlitmag to @goodreads myself, because it's a great and important publication and I wanted everyone who follows my reviews to see it, and it wasn't there when I went to add it to my currently reading list.
— Bridget McHatesNazis (@SFBluestocking) September 19, 2018
This is why no one is ever going to convince me that the removal of @fiyahlitmag from @goodreads wasn't an act of malicious, targeted racism, committed with the intent to silence a black publication and exclude them from mainstream structures commonly used to market their work.
— Bridget McHatesNazis (@SFBluestocking) September 19, 2018
Escape Artists says they will be taking down Mothership Zeta’s Goodreads listing in protest:
The selective enforcement action of @goodreads appears racially motivated and we won't be a part of it. We're taking down all @EditorZeta volumes until @fiyahlitmag is reinstated and receives a public apology.
— Escape Artists Inc. (@EAPodcasts) September 19, 2018
[Thanks to JJ and Mark Hepworth for the story.]
(1) BIGFOOT’S POLITICAL OPINIONS. Registration is required to read Adweek’s article “Bigfoot Tries to Get Footage of an Elusive Congressman in This Enjoyably Odd Political Ad”. Fortunately, the commercial itself is available at YouTube.
Congressional hopeful Dean Phillips, a Democrat running in Minnesota, says Republican incumbent Erik Paulsen is so detached from his home district, he’s practically impossible to find.
(2) STORMY WEATHER. Mur Lafferty’s Hugo win (with Matt Wallace) for Ditch Diggers was not completely washed out by Hurricane Florence, but the news did get bumped to fifth place in her latest post at The Murverse Mothership (where you can also see a photo of her wearing a chicken hat at the Hugo Losers Party).
Florence: We are fine. Hurricane Florence hit North Carolina and South Carolina last weekend, and wandered slowly through the state, dumping lots and lots of rain. The flooding was catastrophic. Oddly enough, when we thought our area would get hit with the eye, the storm turned and moved south of us, then turned north. We got wind, rain, Fiona’s school lost a big tree, but our area is largely unscathed. We did have some excitement yesterday when the last tail end of the storm whipped around and smacked us, letting Durham get a taste of the flooding and tornadoes that the rest of the state has suffered, but that didn’t last too long. If you can give to hurricane relief to help the eastern part of the state, please do.
(3) OBSERVATIONS ABOUT SF IN FRENCH. Matthew Rettino reports on “Congrès Boréal 2018: Differences between Anglophone and Francophone SF” at Archaeologies of the Weird, including the panel “L’imaginaire a-t-il une langue? Différence culturelle dans l’imaginaire anglophone et francophone” (“Does the imagination have a language? Cultural differences in the anglophone and francophone imaginary.”)
…One interesting idea that arose: language does not inherently carry the values of a society. Rather, culture does. The different traumas and schisms that define a society do have a much greater influence on national literature. For example, Cixin Liu’s Three Body Problem, remarked one of the panelists, is marked by the impact of the Cultural Revolution in China. This echoes how French SF is marked by the policy of laïcité (state secularism), the origins of which go back to the French Revolution. There did seem to be truth to this observation, given how French-language SF is in a sense more “secular” in its embrace of violent and sexual themes that would religious people shiver. On the other hand, anglophone SF retains a more “puritanical” attitude in the literature it produces and censors, particularly in the United States.
This being said, certain attitudes to the French language itself do influence French SF. Patrick Senecal pointed out later in the discussion that French-language editors have a tendency to homogenize the different registers of the language, leading to less linguistic diversity. When editing dialogue, French publishers often edit out regional dialect in favour of “le Français internationale.” The result is a banal, grammatically correct French, where all characters sound the same. These editing decisions do not accommodate the regional French spoken in certain regions of Québec, for example, which leads to a more monovocal (as opposed to polyvocal) body of literature. This is not just unappealing; it’s unrealistic and unrepresentative of how French is actually spoken. As Senecal quipped, “Il n’y a personne qui parle comme Radio Canada!”
(4) BELGIAN INFLUENCE ON SPACE PROGRAM. “Elon Musk Says SpaceX’s BFR Design Is Inspired by Tintin Comics” — Inverse has the story.
Elon Musk unveiled a new design for SpaceX’s BFR rocket on Thursday, and he’s taking inspiration from a famous series of Belgian comics. The CEO confirmed on Twitter that the new design “intentionally” bears resemblance to the vehicles depicted in The Adventures of Tintin, the whimsical series that depicts Tintin and his friends embarking on far-flung trips to find new stories.
…The redesign shared with the moon announcement bears similarities to rockets as featured in Hergé’s comic series. The 1950 comic Destination Moon shows a red-and-yellow checkered rocket with three giant fins on the base, elevating the rocket above the ground, which Tintin and his friends use to visit the moon and explore a secret government project.
(5) THE ACADEMY. At Quills, Fretful Porpentine’s new discourse is: “On the performativity of ‘What have you been reading lately?’” Here’s the kind of thing college professors are supposed to say when asked what they have been reading:
– If you are a humanities professor, you say something that is clearly pleasure-reading, but at least vaguely cerebral. Witty mysteries about British academics are good, or the sort of science fiction that doesn’t have aliens on the cover.
– If you work in tech support, you are allowed to read the kind of books with aliens on the cover.
(6) YOU ARE HERE. A new version of a reference frame for the universe is being released (Gizmodo: “Where Are We in Space? Astronomers Update Their Celestial Frame of Reference”). The third International Celestial Reference Frame is based with (0,0,0) at the center of mass of the Solar System, with the axes fixed in relation to a number of distant quasars.
“Nitty-gritty stuff like this is super important when you’re sitting on an Earth moving 70,000 mph around a star that is moving 450,000 mph around a galaxy center,” Grant Tremblay, astrophysicist at the Harvard-Smithsonian Center for Astrophysics, told Gizmodo.
…The ICRF-3 […] places the center of the reference frame at the Solar System’s center of mass, and is oriented based on the position of distant bright radio sources called quasars. Those measurements were made using Very Long Baseline Interferometry (VLBI), essentially a method of using the entire Earth as a telescope, collecting data from multiple radio telescopes and combining them to get the highest-resolution image possible.
This most recent frame derives from measurements of 4,536 quasars, all between 100 million and 10 billion light-years away. […] The most recent edition also takes the motion of our own Milky Way galaxy into account for the first time, according to a press release from the Helmholtz Centre Potsdam.
(7) MEXICANX INITIATIVE. The second installment of Hector Gonzalez’ report — “My Road to Worldcon 76. Part 2: Who the hell is John Picacio?”
I even remember the first conversation I had with my dad about being a Mexicanx recipient. He was initially wary, doubting a stranger on the internet would give away something like that. I explained the situation and mentioned John’s name. “¡Si! ¡John es un monstruo de la ciencia ficción!” Translation note: If I tried to literally translate what my dad meant to say, it would sound as if John was a monster. My dad meant it more as “He is HUGE in the science fiction world.” Bottom line, he knew more about John than me.
(8) TODAY IN HISTORY
(9) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
(10) W76 PANEL RESOURCES. Bogi Takács has released notes prepared for use when appearing on two panels at Worldcon 76.
I promised the writeups of my notes for Worldcon 2018 panels! The first one is for Queer Joy. I am honestly not sure which of these works I actually mentioned on the panel, these were my advance notes and I just tidied them up and hyperlinked them.
[At the post are lists of works under each of these categories — ]
- Presents oppression / discrimination and/or suffering, but also joy:
- Recent-ish anthologies with related material (not all stories might be related):
- More grim SFF which is still queer-inclusive and queer people are not persecuted in-universe:
These are my advance notes, but I also mentioned on the panel how queer families seem to be non-multigenerational in SFF, and we had a fairly lengthy discussion about that. So I tried to add which of the works buckle that trend.
(11) IN A HOLE IN THE GROUND THERE LIVED A WRITER. The latest Brandon Sanderson newsletter talks about constructing his office – which is epic, just like his books. (See photos at the link.)
I always like to include something about my life in these newsletters—something unrelated to the books. So today, I thought I’d post some updates on my office, which we’re building in the empty lot beside my house.
I’m building it underground, because…well, what else would you expect from a fantasy novelist? It’s been an interesting process, since the city really has no idea what to do with someone like me. I call it my Underground Supervillain Lair, something that the suburbs in Utah really aren’t that equipped to deal with. But, after some work, we’ve gotten permissions. Peter has been taking pictures of it.
First, we dug out a huge pit. I don’t go halfway on underground lairs—so we’re doing 20-foot ceilings. The kids had a wonderful time digging in this hole, and I’m convinced they’d have loved it if we never put anything in it.
(12) PUNCH-CARD-PUNK. Mary Robinette Kowal is writing two new lady astronaut novels. Andrew Liptak interviews the author for The Verge: “Return to an alternate history space race with two new Lady Astronaut novels”
After signing a six-figure deal with Tor Books, author Mary Robinette Kowal will expand to her Lady Astronaut series over the next several years with two new novels, The Relentless Moon and The Derivative Base, as well as a standalone sci-fi murder mystery novel, The Spare Man. The new Lady Astronaut titles will join this summer’s fantastic The Calculating Stars and The Fated Sky, which followed pilot and mathematician Elma York through an alternate history 1950s space race aimed at sending humanity to off-world colonies after an extinction-level asteroid strike on Earth. The Relentless Moon is expected to drop in 2020, with The Spare Man to follow in 2021, and The Derivative Base in 2022.
Both novels are set in the “punch-card-punk” world that Kowal established in her 2013 novelette, “The Lady Astronaut of Mars.” The Calculating Stars begins in 1953, as the asteroid lands off of Washington, DC, devastating the US East Coast. York and her colleagues quickly realize that the incident has started a chain reaction that will change the climate of the Earth in decades, making it inhospitable to human life. In response, a coalition of nations forms the International Aerospace Coalition (IAC), which works to first reach space, and then figure out how to live there.
(13) WHEN PERFECTION ISN’T ALL IT’S CRACKED UP TO BE. James Davis Nicoll discusses “Six Stories That Find the Drama in Utopian Settings” at Tor.com.
Tanith Lee’s classic duology Don’t Bite the Sun and Drinking Sapphire Wine is set on a desert world hostile to unprotected life. Not that this matters, because all of its human inhabitants live in one of three domed cities: Four BEE, Four BAA, and Four BOO. Within those cities, virtually every need and desire is met. Even death is only a momentary inconvenience before one is incarnated in a new designer body.
The nameless protagonist, offered material paradise, commits the unforgivable sin of realizing that while the options offered are pleasant, none of them are meaningful. That realization is the border between life in paradise and life in a cossetted hell. Unfortunately for our hero, the Powers That Be in the three cities are determined to maintain the status quo of their cozy societies, keeping them just as they are…which means crushing (by any means necessary) any pesky aspirations for personal fulfillment.
(14) YOUNG VETERAN ACTOR. Sandie Angulo Chen in the Washington Post interviews seventh-grader Owen Vaccaro, star of The House With a Clock in Its Walls, about how he became an actor and what it was like to work on the film: “Sports didn’t interest Owen Vaccaro, but a theater class sparked a passion for acting”
Soon, the theater classes led to his first auditions, which eventually landed him his first film gig, “A Product of Me,” at age 7. In the years since, Owen has been in eight more movies, most notably acting opposite A-list stars Will Ferrell and Mark Wahlberg in the comedies “Daddy’s Home” and “Daddy’s Home 2.”
(15) BACK LOOKING FOR SUNSPOTS. In a September 16 press release (“AURA Statement about the Status of the Sunspot Solar Observatory at Sacramento Peak, New Mexico”), the sponsoring organizations (Association of Universities for Research in Astronomy and the National Science Foundation) have released some information on the mysterious closure of the Sunspot Solar Observatory.
On September 6th, the Association of Universities for Research in Astronomy (AURA) and the National Science Foundation (NSF) made the decision to temporarily vacate the Sunspot Solar Observatory at Sacramento Peak, New Mexico as a precautionary measure while addressing a security issue. The facility closed down in an orderly fashion and is now re-opening. The residents that vacated their homes will be returning to the site, and all employees will return to work this week.
AURA has been cooperating with an on-going law enforcement investigation of criminal activity that occurred at Sacramento Peak. During this time, we became concerned that a suspect in the investigation potentially posed a threat to the safety of local staff and residents. For this reason, AURA temporarily vacated the facility and ceased science activities at this location.
The decision to vacate was based on the logistical challenges associated with protecting personnel at such a remote location, and the need for expeditious response to the potential threat. AURA determined that moving the small number of on-site staff and residents off the mountain was the most prudent and effective action to ensure their safety.
In light of recent developments in the investigation, we have determined there is no risk to staff, and Sunspot Solar Observatory is transitioning back to regular operations as of September 17th. Given the significant amount of publicity the temporary closure has generated, and the consequent expectation of an unusual number of visitors to the site, we are temporarily engaging a security service while the facility returns to a normal working environment.
We recognize that the lack of communications while the facility was vacated was concerning and frustrating for some. However, our desire to provide additional information had to be balanced against the risk that, if spread at the time, the news would alert the suspect and impede the law enforcement investigation. That was a risk we could not take.
(16) CAN’T SAY THAT. Ryan George discovers “Being a Motivational Speaker in the MCU Sucks.”
[Thanks to JJ, David K.M. Klaus, Mike Kennedy, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Michael J. Walsh, Alan Baumler, Andrew Liptak, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
FIYAH Executive Editor Justina Ireland discovered Goodreads has deleted the Series entry for her magazine:
So, every single issue of FIYAH magazine was removed from @Goodreads, ostensibly because MAGAZINE, but Uncanny, Clarksworld, Fireside, and many others still remain.
Wonder what the difference could be? https://t.co/YlffKVIOZJ
— Justina Ireland (@justinaireland) September 18, 2018
FIYAH Magazine of Black Speculative Fiction is a quarterly literary magazine.
An attempt to discuss the decision in the Goodreads Librarians Group was answered with “a literary magazine is not a series by GR standards,” which apparently is Goodreads’ policy. However, that did not explain why FIYAH’s Series entry was singled out for enforcement while entries for many other genre magazine Series remain undisturbed. Put pretty much any spec fic magazine in the search bar, and they’re all on Goodreads: Clarkesworld, Lightspeed, Nightmare, Asimov’s, Analog, F&SF, Uncanny, Apex, Beneath Ceaseless Skies, Strange Horizons, Fireside Magazine, Shimmer, Interzone, Forever Magazine, even all four issues of the new Pulphouse and the single issue of the new Amazing Stories.
When someone raised the challenge in the Goodreads Librarians Group that the decision to delete FIYAH might be motivated by racism, a Librarian Moderator closed the thread to further comments.
The FIYAH Series entry can still be seen via a Google cache file (while that lasts.) Here’s a screencap — click for larger image.
The entire Goodreads Librarians Group comment thread is screencapped in this tweet (click through to see all three pages of images).
Ok @goodreads, this that bullshit. To close a thread because you don’t want to even CONSIDER the possibility of racism at play, or allow any discussion thereof, is in and of itself racist. Y’all need to come correct. pic.twitter.com/JyljwXfcN7
— Elle says Pre-order A BLADE SO BLACK. Treat yoself (@ElleOnWords) September 18, 2018
Justina Ireland is understandably angry —
And I have to be honest, I'm pissed. Folks want to tell us the system is fair at every single turn, that we're misinterpreting the data, but this is the kind of shit Black people have to deal with even if they try to do for self.
— Justina Ireland (@justinaireland) September 18, 2018
These are the genre winners of the 70th annual primetime Emmys. (A complete list is here.)
Writing for a Limited Series, Movie or Dramatic Special
USS Callister (Black Mirror)
Written by William Bridges and Charlie Brooker
Supporting Actor in a Drama Series
Peter Dinklage, Game of Thrones
Supporting Actress in a Drama Series
Thandie Newton, Westworld
Game of Thrones
— AVATAR (@4Uscarf) September 18, 2018
— ESSENCE (@Essence) September 18, 2018
(1) MEET THE PASSENGER. Musk’s moonbound ticket buyer was introduced on a SpaceX webcast this evening. “Here’s What Elon Musk Is Charging Tourists to Fly Around the Moon”.
One thing is almost certain: the unknown passenger is ridiculously wealthy. The price for a single seat on the 100-person rocket intended to explore the moon is estimated to cost in excess of $35 million. For the inaugural passenger, it’s a massive price to pay for an adventure with no definite launch date yet.
SpaceX says Japanese billionaire Yusaku Maezawa will be first private passenger on a solo rocket trip around the moon. https://t.co/hI4IPMXGeI
— The Associated Press (@AP) September 18, 2018
Lasting about a week, the journey will come as close as 125 miles to the Moon’s surface before completing lunar transit and returning back to Earth. pic.twitter.com/1P4HSHxaNU
— SpaceX (@SpaceX) September 18, 2018
(2) A MODEST PROPOSAL. The Washington Examiner has a series of suggestions on how the new Picard-led Trek series could please the audience (“Capt. Jean-Luc Picard is back! Here’s how to keep ‘Star Trek’ fans happy“).
- Pay homage to “Star Trek IV” by having Picard visit modern-day San Francisco.
- Reveal that every “Star Trek” movie after 1996 was actually just an elaborate Holodeck simulation.
- Limit the amount of mysterious energy beings to 3 per season, tops.
- Have Picard finally make Q shut up for, like, 20 seconds.
- Bring back Whoopi Goldberg. Then continue the time-honored “Next Generation” tradition of having Guinan solve everything.
- Actually, you know what? Picard’s back. The entire series could just be episodes of Patrick Stewart wailing on the Ressikan flute and we’d still be happy.
(3) PROTAG TIP. Ann Leckie tells readers a way to learn something about themselves.
Consider why it is that certain sorts of decisions and action are Acceptably Protagonisty and other sorts aren't. Might that line up with existing biases and oppressions? Maybe? Worth a thought.
— Ann Leckie ? (@ann_leckie) September 15, 2018
(4) TIPTREE ON STAGE. The Woman Who Went to Space as a Man runs at Los Angeles’ Son of Semele venue from October 17-November 17.
MEET THE CAST OF THE WOMAN WHO WENT TO SPACE AS A MAN!
Part fact, part fever dream, The Woman Who Went to Space as a Man opens with Alice B. Sheldon – better known to sci-fi aficionados as author James Tiptree, Jr. – contemplating suicide. #lathtr #newplay #scifi pic.twitter.com/7RlM3TAEf1
— Son of Semele (@SonofSemele) September 11, 2018
Part fact, part fever dream, this captivating new work opens with Alice B. Sheldon – better known to sci-fi aficionados as author James Tiptree, Jr. – contemplating suicide. Dodging in and out of reality, the play investigates gender, longing and creativity as self-exploration through one of the Science Fiction world’s greatest literary tricksters. Directed by Maureen Huskey; music by Yuval Ron.
Broadway World profiled the play in May:
The Woman Who Went to Space as a Man – Part fact, part fever dream, and part musical, this captivating new work opens with Alice B. Sheldon – better known to sci-fi aficionados as author James Tiptree, Jr. – contemplating suicide. Dodging in and out of reality, the play, with a bold musical score from award-winning world music artist Yuval Ron, investigates gender, longing and creativity as self-exploration through one of Science Fiction world’s greatest literary tricksters. Sheldon was most notable for breaking down the barriers between writing perceived as inherently ‘male’ or ‘female’. It was not publicly known until 1977 that Tiptree was, in fact, a woman. Inspired by the biography ‘James Tiptree, Jr.: The Double Life of Alice B. Sheldon‘ by Julie Phillips along with ‘With Delicate Mad Hands’ by James Tiptree, Jr., Maureen Huskey wrote and directs the first production of The Woman Who Went to Space as a Man, opening October 27 and running through November 17, at Son of Semele Theater in Los Angeles.
…The Woman Who Went to Space as a Man takes imaginary license whereby Sheldon is visited by an unexpected stranger – an extraterrestrial “star caller” from one of Tiptree’s stories – who leads her on an episodic, emotional journey through the shadows of her past where, despite her life’s accomplishments, buried pain and unmet desires reside. She encounters her younger selves, her repressed lesbian love, a domineering mother, and the incarnation of her male alter-ego: James Tiptree, Jr. The play locates unexpected links between gender orientation, creative expression and mental health, and shows how science fiction became the answer to Sheldon’s struggles as a woman
Son of Semele Theater 3301 Beverly Blvd. Los Angeles Los Angeles California 90004.
(5) MEXICANX ANTHOLOGY. A reader asked how to get a copy of Una realidad más amplia: Historias desde la periferia bicultural, the anthology showcasing a sampling of MexicanX talent which was funded by a Kickstarter.
Julia Rios says —
There are no print copies available because it was a very limited print run, but we will be releasing the ebook for free to the general public. The ebook will go out to backers first, and they’ll have it for a few weeks before the public gets it, but my understanding is that all of this should be happening pretty soon!
(6) NOT YOUR TYPICAL SF WRITER. Kat Hooper reviews YouTuber Hank Green’s sf novel An Absolutely Remarkable Thing at Fantasy Literature.
An Absolutely Remarkable Thing (2018) is a delightful science fiction story with diverse characters and a fun and clever mystery to solve. The entire world is involved in trying to find clues and piece them together to figure out what the Carls want from us. On the surface, the book appears to be about our relationship with these aliens, but it’s really about our relationships with each other….
(7) HISTORY OUT LOUD. Thanks to Fanac.org you can listen to these speeches from L.A.con II, the 1984 Worldcon, by guests of honor Gordon R. Dickson and Dick Eney.
L.A.con II, the 42nd World Science Fiction Convention, was held in Anaheim, CA in 1984. Introduced by Jerry Pournelle, here are the Guest of Honor speeches by Fan Guest Dick Eney and Professional Guest Gordon R. Dickson. Dick talks about his life “after” fandom, with fascinating anecdotes about foreign service. Gordy tells the story of his life and his writing. If you enjoy Gordy’s Childe saga, here’s an opportunity to hear about its origins. The end of Gordy’s talk feels chillingly appropriate for today. Thanks to the Southern California Institute for Fan Interests (SCIFI) for this recording.
(8) A PAINFUL JOURNEY BACK IN TIME. This post leads with a news bulletin from 1963 about the horrific church bombing in Birmingham, Alabama, before Galactic Journey’s Traveler seeks solace in a new issue of F&SF: “[September 17, 1963] Places of refuge (October 1963 Fantasy and Science Fiction)”.
Deluge, by Zenna Henderson
(poetic sting by Jeanette Nichols)
Now we come to the part I was most looking forward to, the return of Zenna Henderson’s The People. This episode of the saga is chronologically the first, showing what caused a family of humanoid espers to depart from Home and take refuge in the ruralities of America.
(9) TODAY IN HISTORY
(10) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
She also has appeared in a lot of films, only a few as starring roles. In 1989, she would get a Raspberry for Elvira, Mistress of the Dark which scored a 47% with critics at Rotten Tomato, proving neither group was the target audience.
Everything from films, action figures, trading cards, pinball machines, Halloween decor, model kits, calendars, perfume and comic books to high end statues has followed down the decades. She is genre, mostly on the comic side of things.
Now who’s birthday did I miss?
Steven H Silver’s answer would be Irene Radford, judging by today’s entry in his birthday series: “Birthday Reviews: Irene Radford’s ‘Little Red in the ‘Hood’”
…Radford has published numerous series, many of them through DAW Books, including the Dragon Nimbus, Stargods, Tess Noncoiré, and Merlin’s Descendants. She is one of the founders of Book View Café, a cooperative publisher. She has also collaborated with Bob Brown and as an editor with Deborah J. Ross, Laura Ann Gilman, Maya Kaathryn Bohnhoff, and Brenda Clough….
(11) COMICS SECTION.
Tolkien teaches Intro to Fiction pic.twitter.com/viWgivFdSH
— The Clarke Award (@ClarkeAward) September 17, 2018
(12) STAR WARS COMICS. Marvel will run all-new stories from all three Star Wars trilogies, starting in December. Here’s the promo art —
For more information, be sure to check out the Disney-Lucasfilm Publishing panel at New York Comic Con on Friday, October 5th at 3pm E.T. in Room 1A10!
(13) SEAT DANCING. Washington Post dance critic Sarah L. Kaufman interviews Fortnite players who tell her that in order to be really good at Fortnite you have to practice your virtual dance moves and good Fortnite players are good virtual dancers — “The dances in ‘Fortnite’ have become nearly as contagious as the game”.
In our increasingly impatient, data-driven society, where matters of style and aesthetics are largely seen as a waste, art for art’s sake is thriving in an unusual place — the massively popular video game “Fortnite: Battle Royale.”
The goal in “Fortnite,” as in most multiplayer shooter games, is to blow your enemies to shreds. It follows a typical “battle royale” format, where 100 players brawl until there’s only one survivor. Though it costs nothing to play, “Fortnite” is raking in higher monthly sales — $126 million, for example, in February — than its nearest competition, “PlayerUnknown’s Battlegrounds.” How does “Fortnite” do this? By getting players to buy “skins” — avatar costumes — and avatar dances.
(14) STRANGE HORIZONS. Charles Payseur keeps an eye on the latest short sff in “Quick Sips – Strange Horizons 09/03/2018 & 09/10/2018″.
Strange Horizons opens September with two new short stories and poems. And the feel of these pieces very much faces the bleak and desolate for me. People who are struggling against a world that seems like a hostile waste, where they can’t find connection, where those people they care about don’t seem to stick around, don’t seem to really understand. Where they are pulled by ghosts, of those they have lost and by the ghosts of their past selves, toward ends that mean destruction or worse. It’s a rather rending month of short SFF, so let’s steel ourselves and get to the reviews!
(15) LEGO LOTR. A post from 2013 but it’s news to me — “Mind-Blowing LEGO Recreation of LOTR’s Helm’s Deep Battle”.
We’ve all seen some incredible LEGO builds before, but this one, by Rich-K & Big J, takes the cake as one of the most impressive pop culture recreations of all time! About 150,000 LEGO bricks and 1,700 mini-figures were used to recreate the Helm’s Deep battle scene from Peter Jackson’s The Lord of the Rings. It took the duo about four months to construct the 160 pound, ping-pong table size creation.
Look closely and you’ll notice the small details like the catapults, ladders and towering walls.
(16) A LEAF FROM THE LIFE OF TOLKIEN. Not only Tolkien, but Dostoevsky and General Maximus from Gladiator weigh in on this lesson: “Life Echoes in Eternity: On J.R.R. Tolkien’s ‘Leaf by Niggle’” in Crisis Magazine.
…It was thoughts of this kind that inspired Tolkien’s doctrine of sub-creation; the artist creates because he is an imago Dei, and that of which he is an image (God) also creates. The artist’s creation has some sort of being in eternity, because God knows the artist’s work. In eternity, though, it is perfected, for God knows what it was intended to be, and what it ought to have been….
(17) FLAG. Mikayla Burns, in “‘First Man’ author, Auburn professor speaks on controversy surrounding upcoming film” in the Auburn Plainsman, interviews Auburn emeritus professor James. R. Hansen, whose biography First Man is the basis for the movie. Hansen says the controversy surrounding the flag on the moon scene is overblown and that he has a lot of respect for Ryan Gosling’s performance as Neil Armstrong.
Hansen understands why people could receive word of the omission and think it is odd, but he said there was a lot of thought put into that decision. When viewers see the movie, they will understand the decision, Hansen said.
“I lived and breathed the production of this movie, and I understand why (it was omitted),” Hansen said. “But people just hear this one thing, and they don’t understand why it was done the way it was done and how other elements of the movie are unbelievably patriotic and American.”
(18) HOMAGE TO HARRY. At Yesterday’s Papers, “A Crowded Life in Comics – Harry Hershfield”.
On the walls were inscribed photos of Hershfield with Einstein; Hershfield with Chaplin; Hershfield with FDR; etc. One day, talking about old comics as we were, he picked up the phone and called Sylvan Byck, Comics Editor at King Features Syndicate. “I’ve got a young boy here who likes the old timers, believe it or not,” he explained. “Can you send him some old drawings?”
A week later in the mail I received a package with vintage original artwork by Herriman, Segar, Swinnerton, Opper, Jimmy Murphy, Chic Young, McManus, Alex Raymond, Westover, TAD, Hershfield himself, and others. Can someone hum, “Those Were the Days, My Friends”?
(19) ANOTHER DISSATISFIED CUSTOMER. The good news is that people are still watching the recording of the Hugo ceremony. The bad news is….
There has been no musical numbers so far. Only a guy joking that they will do this quickly so they can all return to drinking sooner.
— ?Tomb Svalborg? (@tombness) September 17, 2018
(20) OXFORD. Amy Pay regales Lonely Planet readers about “Literary Oxford – a book lover’s guide to the city of dreaming spires”.
As the home of a world-renowned university, Oxford is famous as being a place for readers, writers and thinkers. It’s little wonder then that the city has spawned some of the biggest names in literature and has inspired many famous works of fiction. From JRR Tolkien and Philip Pullman to CS Lewis and Lewis Carroll, Oxford has long been the stomping ground of the literary elite, with footsteps left for visitors to trace.
(21) WHEN PUNDAY FALLS ON MONDAY. John Scalzi’s puns, quoted in yesterday’s Scroll, set off a pun epidemic in comments – and also produced this verse from regular Filer — and this really is his handle — Peer.
Now I feel pressure inside the mountain
I feel pressure, burning the peers
And I feel pressure, hollowing souls
And I feel pressure, filing the peer
And I hope you remember thee
Oh, should my pixels scroll
Then surely I’ll do the same
Confined in ticked boxes
We got too close to the Baen
Calling out Ray hold fast and we will
Watch the books burn on and on the martian side
Dandelion comes upon the wine
(With pressure from Ed Sheeran)
(22) SECRET AGENT REX. Would you buy a home from a dinosaur? Yahoo has a feature (“Jurassic Lark: Real estate agent dresses as 7-foot dinosaur to sell homes”) about a Nebraska real estate agent who dresses as a T. rex to push properties. The shower brush must really help with those short arms…
This real estate agent really had a Jurassic lark attempting to sell one of her most recent properties — by dressing in a 7-foot dinosaur costume. Realtor Bambi Chase dressed as the comedic T. rex for the home’s showcase shots, peeking out of the family abode’s shower, cooking up a storm in the kitchen and drinking a glass of wine in the garden. Chase, who works for Nebraska Realty, said she had seen a number of T. rex-costume gimmicks floating around the internet and decided such an approach would be perfect for the real estate market.
[Thanks to Martin Morse Wooster, John King Tarpinian, JJ, Mike Kennedy, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Mary Poppins Returns is filled with fascinating casting decisions. Go ahead, tell me you drew a line for Lin-Manuel Miranda’s career from Hamilton to
Bert Jack. Arrives in theaters December 19.
In Disney’s “Mary Poppins Returns,” an all new original musical and sequel, Mary Poppins is back to help the next generation of the Banks family find the joy and wonder missing in their lives following a personal loss. Emily Blunt stars as the practically-perfect nanny with unique magical skills who can turn any ordinary task into an unforgettable, fantastic adventure and Lin-Manuel Miranda plays her friend Jack, an optimistic street lamplighter who helps bring light—and life—to the streets of London.