LosCon 2023 Guests of Honor Peter S. Beagle, Echo Chernik, Elayne Pelz

Loscon 49 will gather writers and fans of all ages, with common interests in Fantasy, Science Fiction, Cosplay, Film, Art and Music over Thanksgiving weekend, November 24-26, 2023. The convention is hosted by the Los Angeles Science Fantasy Society (LASFS), the world’s oldest continuously active science fiction and fantasy club.

Author and screenwriter, Peter S. Beagle is the Writer Guest of Honor. Generations of readers have enjoyed his magic of unicorns, haunted cemeteries, lascivious trees and disgruntled gods. His best-known work is The Last Unicorn. In April 2023 The Way Home” was released, where he returns to that world with two novellas, “Two Hearts,” a Hugo Award winner originally published in 2006, and an original sequel “Sooz”.

Echo Chernik, the Artist Guest of Honor, is commercial artist and instructor of digital media, specializing in art nouveau-influenced poster design, advertisements, package design and book covers.

Los Angeles native Elayne Pelz is the Fan Guest of Honor and is active in a variety of convention roles, often found behind the registration table. She has worked at Worldcons, Loscon, Gallifrey One, Anime cons, SFWA Nebula Conference, and many more, as an essential staff member for decades.

Loscon is excited to partner with Nerd Mafia Group for a cosplay contest during the convention.

Loscon is hosted at the Los Angeles Airport Marriott, on Century Boulevard near Los Angeles International Airport. Weekend memberships and room reservations are currently available at discounted rates.

For updates, follow Loscon on Facebook, Twitter, and Instagram, and search for #Loscon.

Loscon 49: Nov 24-26, 2023 Los Angeles area’s longest-running Science Fiction Fan Convention. Marriott Los Angeles Airport Hotel 5855 W Century Blvd, Los Angeles, CA 90045.

[Based on a press release.]

Garth Spencer: What I Did On My Summer Vacation

[Reprinted by permission of the author.]

By Garth Spencer:

THE CANADIAN UNITY FAN FUND. The Canadian Unity Fan Fund was conceived to represent distant fan communities in Canada to other fan communities in Canada. In its forty-odd years of operation, CUFF has usually brought fan delegates from one side of the country to the other, wherever Canvention was held. (The Canadian SF and Fantasy Awards were hosted by one or another convention in a given year, until the national awards ceremony recently began appearing online, on a regular annual schedule.) Now, a delegate will receive funds to travel to an SF convention this year elsewhere in Canada.

I became the 2023 Canadian Unity Fan Fund delegate, which meant I was to attend Pemmi-Con, the 15th North American Science Fiction Convention, held in Winnipeg July 20th through 23rd, 2023.

Garth Spencer

“WHO IS THIS SHMOE?” I’m just this guy who got to be known in fandom for a while. I entered fandom about 1980 in a small club in Victoria. Since then I have been involved in producing a number of clubzines and personalzines; running fanzine rooms and producing program books for SF conventions; producing a Canadian fan newszine for a few years, and incidentally establishing for everyone what the Canadian SF and Fantasy Award was. These days, I take part in four APAs (Amateur Publishing Associations) – eAPA, Apaplexy, N’APA, and Stipple-Apa – and I am the official editor of eAPA. I also plan to revise my personal website as a fannish resource site, and to put together a volume of Canadian fanhistory.

PROLOGUE. In 2023: I volunteered to stand as a candidate for CUFF[1] (again[2]) in 2023, partly because I hadn’t heard of any other candidates, and partly out of a sense that various and diverse fandoms really deserve more mutual awareness. I thought I could at least try to see something of other fandoms, and tell some stories about fandom as I know it.

Fran Skene of Vancouver was the CUFF candidate in 2019, and then the COVID-19 pandemic  happened, so travel was restricted and she served as CUFF administrator for the next four years.

As it worked out, my bid gained 3 western supporters and 3 eastern supporters: Rose Wilson (BC), R. Graeme Cameron (BC), Kent Pollard (Saskatchewan), Cathy Palmer-Lister (Quebec), Lloyd Penney (Ontario), and Diane Walton (formerly of Alberta, now in Nova Scotia).

In order to raise funds for next year and beyond, I prepared a list, offering interesting and amusing fan publications for sale. These ranged from hardcopy editions of classic fanzines to hardcopy (and some digital) editions of current fanthologies. I was (and still am) prepared to accept payments in person, by cash, money order, or Paypal at: 6960 Doman Street, Vancouver, BC  V5S 3H7, or by Paypal at [email protected].

I included Confabulation, a collection of fannish fanwriting, “representing the most amusing fanwriting and faanfiction I could find, characteristic of fannish fandom … for benefit sales to CUFF, at $10 each,” I wrote. (I also offered chapbooks under my Stop Press imprint based on my extended fanarticles about worldbuilding, how to construct a language, conspiracy theories, crank theories, or micronations, at $5.00 to $7.50.)

Also, at Pemmi-Con, I was to moderate the popular Turkey Readings – readings of science fiction or fantasy so bad, no reputable publisher would issue them today – acted out by volunteers from the audience! Listeners then got to bid on whether to continue, or cease! We’ve got some real stinkers (not all written by John Norman or Lionel Fanthorpe)!

Somehow we also evolved the idea of a fanzine auction, which I think was suggested by Erin Underwood (a Pemmi-Con committee member?) in a Zoom meeting.

PREPARATIONS. I tend to build up anxiety about non-routine events and appearing on time, so I tend to overpack and overprepare. Still I foolishly did not bring the thumb drive I usually keep on my key ring.

Among other things, I made myself a handy-dandy pocket program, based on the advance schedule information received in Pemmi-Con Progress Report 2. This turned out to be relatively useful until Saturday, when I actually had events to attend, and program changes to deal with. (Strangely, the committee settled the program schedule within the week before the convention, and still there were program changes.)

Tuesday July 18, 2023:

As it worked out, getting to the Vancouver International Airport and checking in with Westjet and boarding all happened without incident. Checking in at the Delta (now aka the Marriott Bonvoy) was also trouble-free.

It was interesting to check out the look of downtown Winnipeg, in comparison with cities such as Victoria and Vancouver. Older architecture leaned towards drystone and brick construction, contrasting with the glass-and-steel buildings from more recent development. Which makes sense, given that Winnipeg is not given to earthquakes, as we are on the coast.

Finding the committee (Operations room) was a bit of a treasure hunt; signage in the hotel developed only gradually over the first few days, apart from the scrolling program schedule on the hotel video displays (which was very useful).

St. Mary’s Cathedral, directly across St. Mary’s Street from the Delta Hotel and the Elephant and Castle Pub.

Wednesday July 19, 2023:

Due to storm warnings on this day I stayed close to the hotel at first, until the evening’s Break the Ice” dinner at a nearby Old Spaghetti Factory. Eventually I tracked down Registration on the second floor. My own registration was delayed, partly due to some breakdown in communications. Amusingly, they had no record of my membership, and had to write me into the records on the spot – #1000, as it happened, which told me something about the attendance. (I was informed later that about a third of the registered members had not attended, mainly due to COVID-19 concerns.)

Strangely, the committee supplied no program books at the convention – they were conceived as souvenir books, to be mailed to members after the event. Instead, there were daily program sheets in table format, supplemented by a daily convention newsletter. Maps of the hotel’s internal layout were slow to appear.

There was a lot of meeting and greeting, of course, as congoers filtered in. There were R. Graeme Cameron, now from Nanaimo; Cliff Samuels and Eileen Capes from Calgary; John Bartley from Tualatin (near Portland); Cooki Lumsden; Stuart Cooper; Den Valdron, the Winnipeg writer; and Robert J. Sawyer, as well as Linda Ross-Mansfield, LeAmber Kensley, and Jannie Shea on the committee. My roommate John Bartley showed up this afternoon. Murray Moore talked to me about the art museum, which was heavy on Inuit art at the time.

I tagged along with Cliff Samuels and Eileen Capes to the “Break the Ice” dinner at The Forks Market. Unfortunately John Bartley, who was still recovering from flying coach, discovered he just couldn’t walk that far and begged off.

Much like Granville Island in Vancouver, this is a former railroad yard redeveloped with a wide variety of shops, produce stores, restaurants and cultural centres, including a youth theatre. The “Break the Ice” dinner for early Pemmi-Con attendees drew perhaps sixty people to The Old Spaghetti Factory. We made the acquaintance of Mark Sneed, a new writer who was attending his first SF convention, and had an interesting conversation covering  the background of the convention, the benefits of joining SFWA, and the several challenges we have encountered with varieties of English. (Mark Sneed has been an English teacher.)

Thursday, July 20, 2023:

This day I received my program participant materials, took pictures of the internal hotel maps, and rechecked the program.

Foolishly I missed the opening ceremonies on Thursday. I gather my name was called, at least to stand up and wave.

Much of my concern was focused on the CUFF auction and the Turkey Readings, neither of which I had conducted before. My anxiety was unfounded, partly because I could follow the good example of Sandra Bond’s auctioneering, and partly because there were other readers at the Turkey Readings.

Of interest is that Pemmi-Con panels generally ran for 75 minutes, with a 15-minute break between scheduled items. This seemed sensible and practical.

It developed that the consuite was in a room on the fourth floor – directly opposite the room I shared with John Bartley.

For whatever reasons, the dealers’ room, artshow, and fan tables were relegated to a room in the RBC Convention Centre, which was over ten minutes’ walk from the hotel via an elevated passage over a street. Thus I discovered there was a fan table for the Canadian SF and Fantasy Awards, with a display of its chronology and former awards; a fanzine table (empty); a display about me with blowups of my picture and bio (unexpected!); and a fan table and display for the Rotsler Award winners (I noticed the 1999 award went to Grant Canfield, and in 2008 to Taral Wayne). There were also displays promoting nuclear energy, and providing a history of nuclear engineering in Canada.

Given the function space available in the Delta hotel, this was neither necessary, nor advisable given the number of mobility-challenged attendees. Strange.

Room parties started on Thursday night, mostly on the fifth floor, representing Worldcons/bids from Seattle, Glasgow, and Minneapolis in ’73 (2073, now). Or, should I say, they were attempted at first on Thursday night. The hotel staff were apparently not briefed on room parties, and Shawn Marier from the Seattle Worldcon committee had to negotiate with them to raise their room occupancy limit from four to ten people at a time. Granted, the room parties were in rooms really too small for parties. This might be why the renewed Minneapolis in ‘73 bid sort of took over the consuite.

And there was much rejoicing.

Friday, July 21, 2023:

There was a so-this-is-your-first-convention panel, which was good, and it was scheduled for 1:00 p.m., which is as usual and is not so good. (I have suggested, on more than one occasion, that since most people arrive at conventions later than 1:00 p.m. Friday, maybe a later panel, a Web page, or a widely-distributed free pamphlet would serve the purpose better?)

Saturday, July 22, 2023:

In conversation, Murray Moore mentioned that the Canadian SF and Fantasy Association was looking for a secretary, and I offered to take up the role. Murray subsequently informed the CSFFA regulars that I would serve, and he emailed me the information about the CSFFA Zoom meeting for Tuesday after Pemmi-Con.

There were three panels that required my participation – the “Rebuilding Fannish Community” panel at 4:00 p.m. (originally “The Greying of Fandom”), the CUFF Auction at 5:30 (combined with the TAFF Auction), and the Turkey Readings at 10:00 p.m. (rescheduled from 2:30).

At 4:00 p.m., “Rebuilding Fannish Community” drew at least twenty people, and turned into a productive discussion. To my satisfaction, we got beyond the usual cliches frequently observed about ageing fannish fans, and younger fans in several specialized fandoms. (Until Friday, the members arriving at Pemmi-Con were generally over 50 years of age.) We considered the diminishing numbers of clubs, the marginalization of fanzine fandom, the efflorescence of online communities, the effect of costs and current incomes on conventions, and the divergence of fandoms.

In the end, the sense of the meeting seemed to be that it simply isn’t the job of elder fans to recreate the fan activities they knew. If we have any role, among contemporary fans, it comes down to getting out there, listening; asking a few questions; and, perhaps, offering a few parallels to similar events and issues from the past. If they are relevant. (Given the differences in today’s costs and incomes from the past, the expectations and interests of fans, and the very different expectations and demands of hotels, many stories are not so relevant now.)

At 5:30 p.m., the combined Fan Funds Auction drew four or five people, compared to the auctioneers (Sandra Bond and I). I followed Sandra’s lead and found the auction went fairly quickly. The audience were individually generous, and both fan funds made some modest money.

At 10:00 pm, the Turkey Readings drew eight or so people, and were amusing enough. Murray Moore, R. Graeme Cameron, and I took it in turn to read some bad 1970s sci-fi and fantasy, including R. Lionel Fanthorpe novels. Again, we made just a little money for CUFF. Tasia Papadatos from Ottawa commented that the selection of novels (other than Fanthorpe’s) weren’t really bad enough for the purpose. Perhaps in future years we have to seek out the real stinkers.

And so to parties. Saturday’s party scene was rather quieter than Friday’s; I was a bit disappointed.

Sunday, July 23, 2023:

Sunday was a fairly quiet day. I missed programming until four p.m. and the closing ceremonies, trying to start this trip report and, instead, ending up in an enjoyable consuite conversation, about Winnipeg and other convention stories.

The closing ceremonies, led by Tanya Huff, gave kudos to the Ghost of Honour, Lorna Toolis; to the convention committee, especially Jannie Shea (much enthusiastic clapping); and to the hotel staff, whose service was excellent.

And on Monday I had an uneventful flight home. (The cat was really glad to see me back.)


[1] The background to fandom, and the changes to fandom, should be summarized in a forthcoming fanhistory. I have found it to be a bigger job than I expected.
[2] At the end of this report is a link to CUFF trip reports online, including my own report on attending the 1999 Canvention in Fredericton, N.B. For more information about CUFF, follow this link.

Murder As You Like It Conreport

By Teresa Peschel: This year Murder As You Like It returned after a three-year hiatus. It’s a small, one-day mystery convention sponsored by the Mechanicsburg Mystery Bookshop, one of the few mystery-focused bookshops in the country. This convention was the ninth one.

Deb Beamer, the owner, is a long-time mystery fan. She hosts numerous authors along with a wide variety of programs. I’ve spoken there on 13 Poirots and 7 Miss Marples.

Fifteen authors participated: Nicole Asselin, R.G. Belsky, Matty Dalrymple, Annette Dashofy, John DeDakis, Peter W.J. Hayes, Sarah Ickes, Con Lehane, Liz Milliron, Sandy Nork, Tj O’Connor, Lissa Marie Redmond, Dennis Royer, Karen Shugart, and Greg Stone. Bill Peschel emceed the event.

The authors are a varied bunch with some very diverse backgrounds. R.G. Belsky in particular is someone you already know in a roundabout way: he worked for the New York Post and helped develop the most famous headline in the world: Headless Body Found in Topless Bar. The authors’ books range from cozies to police procedurals, historicals to thrillers, suspense to insurance fraud, soft-boiled and hardboiled.

There were three panels: “Why research is important”; “Cops, crimes, and the blurred lines”; and “Country vs. city crimes”.

The panels were interspersed with author roundabouts, where each author moved from table to table, giving about five minutes to chat with the mystery fans.

There was time to buy books and get them signed.

It’s a friendly group. It’s small enough you can talk to the authors and other fans but just large enough that you’ll run out of time before you talk to everyone, whetting your appetite for next year.

Photo from Filer Meetup at Pemmi-Con on 7/22

By Cath Jackel: Filers from Saskatoon, Chicago, Florida, and more met for coffee this morning.

Left to right in the back: Danny Sichel, Larry R, Cath Jackel, Tommy Kucera, Chris Gerrib
Front: Juan Sanmiguel, Heather Rose Jones, Kathryn Sullivan

(Everyone in the group gave permission to share this photo.)

There will be another Meetup on Sunday.

[Photo by Pat Russell.]

Buffalo NASFiC 2024 Announces Guests of Honor

The bid for Buffalo, NY – the only bid filed for the 2024 NASFiC – today was officially announced the winner of the site selection vote at a business meeting held during Pemmi-Con in Winnipeg. The WSFS Constitution provides for a NASFiC (North American Science Fiction Convention) to be held in years that the Worldcon is held outside North America, as it will be again next year.

Buffalo NASFiC 2024 will be held July 18-21 at the Hyatt Regency Buffalo and the Niagara Convention Center. The con will be chaired by Wayne Brown. Their website is here.

The convention’s Guests of Honor are:

ALAN DEAN FOSTER – AUTHOR GUEST OF HONOR

Alan Dean Foster

Alan Dean Foster’s writing career began when August Derleth bought a long Lovecraftian letter of Foster’s in 1968 and much to Foster’s surprise, published it as a short story in Derleth’s bi-annual magazine The Arkham Collector. Sales of short fiction to other magazines followed. His first attempt at a novel, The Tar-Aiym Krang, was bought by Betty Ballantine and published by Ballantine Books in 1972. It incorporates a number of suggestions from famed SF editor John W. Campbell.

Since then, Foster’s sometimes humorous, occasionally poignant, but always entertaining short fiction has appeared in all the major SF magazines as well as in original anthologies and several “Best of the Year” compendiums. His published oeurve includes more than 120 books.

NILAH MAGRUDER – YA/COMICS GUEST OF HONOR

Nilah Magruder

Nilah Magruder is based in Maryland. She is the author of M.F.K., a middle-grade graphic novel and winner of the Dwayne McDuffie Award for Diversity, HOW TO FIND A FOX, and WUTARYOO. She has published short stories in Fireside Magazine and the All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages anthology. Nilah has also written for Marvel Comics, illustrated children’s books for Disney-Hyperion, Scholastic, and Penguin, and works as a writer and storyboard artist in television animation. She is currently making graphic novels for middle-grade and young adult readers. When she is not working, Nilah is baking, gardening, and snuggling with her assortment of cats and dogs.

KAJA FOGLIO & PHIL FOGLIO – ARTIST GUESTS OF HONOR

Kaja Foglio is a Seattle-based writer, artist and publisher. She founded Studio Foglio, LLC in 1993 as a venue for her Magic the Gathering art prints, but quickly expanded into publishing. She co-writes the comic series Girl Genius with her husband Phil, and is the chief graphic designer and Web mistress for Studio Foglio and Airship Entertainment, and masterminded their stunningly successful transition to webcomic form. She won a Hugo award in 2009, 2010 and 2011 for Girl Genius along with her husband, Phil. You can read Girl Genius comics online at www.girlgenius.net.

Phil Foglio got his B.F.A. in Cartooning the same year he won the Hugo Award for Best Fan Artist back in 1977 and 1978 and is still waiting for the wealth and unlimited power he was told this would bring. In the meantime, he has made a career as a writer and artist because he liked the idea of commuting fifty feet to his office. Over the years he has worked in the fields of science fiction, comics, and gaming. His current project is the Hugo award winning comic book series Girl Genius, which he works on with his wife, Kaja. His hobbies include travel, gardening, and waiting.

TONY & SUFORD LEWIS – FAN GUESTS OF HONOR

Suford Lewis was active in LASFS and appeared in Westercon masquerades before going to Radcliffe in 1961 and joining MITSFS. Now in Boston, she is a founding member of the New England SF Association, has chaired Boskone, and was a member of TAPA. She is a computer scientist. Since 1968, she has been married to Tony Lewis, a physicist who is also a fan.

Tony Lewis is a longtime Boston fan who was born in Gotham City Hospital (he claims no relation to the Wayne family). He joined MITSFS in 1957 and was very active in the club while he earned a Ph.D. in Nuclear Physics from MIT, including serving as Librarian and Onseck. He was known as the Evil Dr. Lewis, a title he relished.

Buffalo Wins 2024 NASFiC Site Selection

The 2024 NASFiC Site Selection results were announced during the NASfiC Business Meeting held today in Winnipeg.

Buffalo, NY, the only filed bid, was voted the winner.

Martin Pyne, NASFiC Business Meeting Secretary, created the following table of voting statistics.


Write-ins receiving votes:

Grantville, WV
Kendall Park, NJ
Minneapolis in ‘73
Reno, NV
A bathroom full of boxes containing either top secret documents or Hugo Award voting results

“Precon” includes mailed ballots, eballots cast in advance of the convention, and hand-carried ballots.


Pyne reports that 142 ballots were paid for — 3 didn’t add their votes to the ballot box.

The 2024 Buffalo NASFiC website is here. Copies of their PR#0 are at the bottom of this post.

A video of today’s 2023 NASFiC Business Meeting is available on YouTube.

[Thanks to Martin Pyne for the story.]

2024 NASFiC Site Selection Opens

Pemmi-Con, this year’s NASFiC in Winnipeg, has posted the 2024 Site Selection ballot at their Site Selection page.

The only filed bid for the 2024 NASFiC is for Buffalo, NY. Their proposed dates are July 18-21, 2024. Details of their bid, including their organizing document and their facilities agreement with the Buffalo Niagara Convention Center and the Hyatt Regency Buffalo, can be found on the NASFiC Bids website or their bid webpage.

Other groups may file as write-in bids up until the close of at-convention voting, currently scheduled for Friday, July 21, 2023, 6 PM Central. To file a bid in advance of the convention, send it by email to [email protected].

Kevin Standlee provided the following explanation:

The 2024 NASFiC Site Selection ballot is posted with instructions on how to vote at the Pemmi-Con Site Selection page

Only members of Pemmi-Con can vote, although you can buy a membership before voting or by including a separate membership payment with a site selection ballot.

Ways to vote:

1. In person at Pemmi-Con, the 2023 NASFiC in Winnipeg. Voting will be open on Thursday, July 20 and Friday, July 21, 2023, and closes at 6 PM on July 21. Payment in person of the Advance Supporting Membership (voting) fee of CAD 40 / USD 30 can be in cash, cheque/check/money order, or by credit card. Credit card payments are processed in CAD.

2. Download  and print the 2024 NASFiC Site Selection ballot from the Site Selection page and send a completed ballot by postal mail to one of the addresses on the ballot. Postal ballots must be received by July 11. (Payment can be by CAD or USD checque/check/money order or by paying of a Voting Token online through the Pemmi-Con registration site.)

3. Download and print the 2024 NASFiC Site Selection ballot, purchase a Voting Token through the Pemmi-Con registration site, complete the ballot, scan/photograph it, and send the ballot to the Site Selection administration. Email ballots must be received by 4 PM on Friday, July 21.

4. Send a completed ballot with someone else to deliver to Site Selection in person in Winnipeg.

Eurocon 2025 Site Picked

The 2025 Eurocon will be Archipelacon 2 in Mariehamn, Åland. The dates are June 26-29, 2025.

Guests of Honor

  • Jeff VanderMeer
  • Ann VanderMeer
  • Mats Strandberg
  • Emmi Itäranta

Memberships:

Adult attending: 40€
Youth (26 or under by June 26, 2025): 20€
Child (12 or under by June 25, 2025): 5€

On social media:

2024. The 2024 Eurocon will be Erasmuscon, in Rotterdam, The Netherlands, from August 16-19, 2024.

Follow the con on social media:

Guests of Honor

  • Bo Balder
  • Jasper Fforde

BIDS FOR FUTURE EURCONS. The following bid announcements for upcoming Eurocons were made at Eurocon 2023.

  • 2026 Berlin, German (MetropolCon)
  • 2027 Lisbon, Portugal

Sci-FI London 2023 Report

By SF Concatenation’s Jonathan Cowie: Well, that was the Sci-Fi-London film fest done and dusted for another year. So now’s the time for the reckoning….

Many film fests assemble a small panel of experts to ascertain their fest’s “best film”.  They also ask the audience for their view.  Sci-Fi London (SFL) do it differently, while they too ask the audience, they do not assemble a panel of experts as, since the organizers themselves select the programme, they already know the films and are quite capable of deciding which is the best, thank you very much. So, no panel of experts for good old SFL.

Here then are the best feature films and best shorts as decided by the marvelous SFL folk and also best as determined by the cinematically literate SF fans who attend the festival and give it meaning.

The SFL Organiser Best Feature was Once Upon A Time In The Future: 2121. The Earth’s surface has become uninhabitable due to the climate crisis and famine. Family units exist in underground homes run by a strict authoritarian regime. Population numbers are closely controlled and the old must be euthanised to make way for new lives…

The SFL Audience Best Feature was The Bystanders. Ever wonder why the animal excreta happens to you despite your best efforts…? Well, it might just be the “bystanders” screwing with your life because they are bored…! Bystanders are invisible immortals supposed to act like guardian angels. Each Bystander is tasked with watching a human, but they have been recruited from the human world and are mostly bitter people with no friends; a bunch of misfits and loners…

Into this comes new recruit Pete. He is being shown the ropes by his world-weary tutor Frank, who is mostly irritated by their subjects, and for fun suggests they swap their charges.

This is a superb sci-fi satire of modern life. Imagine the 1954 Phil Dick short story “Adjustment Team”, that was made into the film the The Adjustment Bureau, as an Ealing comedy.

The SFL Organiser Best Short was Sylvie Made It.  Ever been rude to customer service? Let me tell you, working in a call centre is literally hell…

The Sci-Fi London people say: “This short film (23 minutes from Belgium) reminded us of the best Twilight Zone stories.  It cleverly sets up a world we can feel very familiar with, and taps into so many frustrations we have all experienced. A brilliant performance by Isabelle Anciaux, and tight direction (Adrien Orville), this is a wonderful short film.”

The SFL Audience Best Feature was a tie – I do love it when that happens as we get a double shout out – with the shorts Lost In The Sky and Dark Cell.

Sweden’s Lost In The Sky’s screening at the fest was its UK premiere. Just 12 minutes long, it concerns a rescue robot who dreams of becoming a hero, but in his search for survivors he makes a dark discovery, leaving him with a devastating choice…

The screening at SFL of France’s Dark Cell was also a UK premiere. This 25 minute long offering sees two convicts in an orbital prison doing what they usually do, which is not much. Then two panicked guards, armed to the teeth, burst into their cell…

I could not find a trailer for Lost In The Sky, but then it is difficult to trail a short-short. However, here is the one for Dark Cell.

You can find Sci-Fi London here. Its YouTube channel is here.