Pixel Scroll 4/18/21 We Were Somewhere Around Scrollstow On The Edge Of Fandom When The Files Began To Take Hold

(1) HISTORY-MAKING NOVELETTES. At the SF Award Database, Mark Kelly has released his list of the Top 100 Novelettes in sff history, with the first 20 annotated: “Top SF/F/H Novelettes”.

On top: “Nightfall” by Isaac Asimov (1941). Here’s the link to his “Short Fiction Ranking Introduction and Methodology”.

Kelly posted the “Top SF/F/H Short Stories” a few months ago. “Bears Discover Fire” by Terry Bisson headed that list. Pages for other categories are in process.

(2) YOUR NEW FAVORITE PROF. N.K. Jemisin has joined the ranks of Master Class instructors.

(3) ESSENCE OF WONDER. Essence of Wonder with Gadi Evron is hosting a two-part panels on “Exploring Chinese Science Fiction Multi-dimensionally: Fiction, Translation, Fandom, Industry, and More” on Saturday, April 24 at 3 p.m. Eastern. Register at the link.

Join us for two panels on Chinese science fiction explored from multiple outlooks, from the fiction itself, through the translation and the fans, and all the way to the industry. The show is co-hosted by Regina Kanyu Wang and Yen Ooi, with our panelists: Chen Qiufan, Fend Chang, Emily Xueni Jin, Christine Ni, Angus Stewart, and Guangzhao Lyu. More details below.

There will be a segment on Asia and another on Europe.

(4) KICKS IN SIXTY-SIX. [Item by Martin Morse Wooster.] Isaac Asimov, in his autobiography In Joy Still Felt, discusses how he was master of ceremonies at the 1966 Worldcon.  He was also nominated for a special Hugo for “Best All-Time Novel Series,” where he competed against The Lord Of The Rings and series by Edgar Rice Burroughs, Robert A. Heinlein, and E.E. Smith.  Hugos then were given at a banquet.

I felt Tolkien was certain to win, and fairly so, and that Heinlein, Smith, and Burroughs all had enough devotees among the young fans attending the convention (and who did the voting) to give each a good shot at second place.  Foundation, I felt, would finish in last place, and I grieved at being the sacrificial lamb.  I was reconciled at losing, but hoped against hope that Burroughs or Smith would place fifth.  I would be delighted to place fourth.

When it came to hand out that award, however, the organizer of the convention hastily whispered to me that Harlan (Ellison) wanted to handle the novel item and said, in a shamefaced manner, ‘We had better let him. You know Harlan.’

I certainly knew that Harlan was capable of making a giant-size fuss if he didn’t have his way, and I didn’t want him spoiling the banquet, so with what grace I could muster I gave way.

Harlan came dancing up, made a few rapid remarks that had everyone laughing, and then announced the nominees and omitted the Foundation series.

I called out from my seat, in real outrage, ‘Hey, Harlan, at least mention the Foundation series.’

Harlan didn’t hear me, or at least he made no sign that he had.  He reached for the envelope, tore it open, waited the inevitable heartbeat for the sake of suspense, and said, ‘And the winner:  Isaac Asimov for the Foundation series.’

I thought it was Harlan’s idea of a joke and sat there without moving and rather annoyed until everyone started laughing, and I gather I really won.  And there were Gertrude and the children beaming, and everyone still laughing and applauding, and I got up to accept my Hugo, thoroughly and utterly speechless.

I don’t think the organizers of the convention thought anyone would take the award away from Tolkien, and it was the first indication I had, the first really convincing indication, since the first of the Foundation series appeared twenty-four years before, that the series was so popular. In fact, I realized that just as ‘Nightfall’ was the most highly regarded piece among the shorter lengths, The Foundation Trilogy was the most highly-regarded science-fiction item among the longer lengths.

(5) BOMBS, BOOKS, AND BOWIE. [Item by rcade.] The chemical/biological/radiological/nukes/explosives expert and electronic musician Andy Oppenheimer is tacking on a new job title — science fiction author.

Oppenheimer, who has written the indie novels Fields of Orion: An Odyssey and Fields of Orion: The Mission, describes the books and upcoming sequels in a guest post on the SFF book database Risingshadow. “Guest post by Andy Oppenheimer”.

In the two decades before I started writing science fiction, I wrote and lectured about defence, weapons of mass destruction (nuclear, bio, chemical), and counter-terrorism. Before that, I worked in publishing – starting with a job at an American futuristic science magazine, Omni, which also published science fiction. I went to the big conventions in the USA and here in Britain, and met many famous authors.

I wonder if I should have started writing sci-fi back then. But during my time at Omni I was more involved in the London nightclub scene as a DJ and part-time synth-pop singer.

He calls David Bowie, who he used to cosplay at nightclubs and science fiction cons, a major influence on both his music and fiction. Oppenheimer told Altvenger Magazine how he was hired by Omni in 1978: “Thin White Nuke by Andy Oppenheimer”.

When I ask my boss why I got the job over others with science degrees, he says: “You looked and acted the part for a futuristic magazine – and the others were boring.”

He later became a specialist on nuclear, biological and chemical weapons for the publication Jane’s Terrorism and Security Monitor. There’s no word on whether he looked the part.

(6) NO TRICKLE-DOWN. “Winter Soldier Creator Ed Brubaker on Lack of MCU Profits” at The Mary Sue.

The global success of the Marvel Cinematic Universe has earned Marvel and Disney billions of dollars over the past decade. But does any of that money trickle down to the writers and artists who created these beloved characters and stories? Not much, according to writer Ed Brubaker. Brubaker discussed his relationship with the MCU during an appearance on Kevin Smith and Marc Bernardin’s Fatman Beyond podcast, where he delved into his history with Marvel.

Brubaker, along with artist Steve Epting, resurrected the character of Bucky Barnes and transformed him into the Winter Soldier in 2004. What followed was a highly successful comics run that garnered Brubaker multiple Eisner awards and nominations for Captain America…. 

Brubaker highlighted the salary discrepancy for comics creators and artists by noting that he earned more money for his cameo performance in The Winter Soldier than for his creation of the character itself. “It’s ridiculous that like being a co-creator of The Winter Soldier … I should not have to be worried about providing for my wife if I die. Like right now, I don’t live a high life … I do well … it started to feel like this kind of hurts a little bit. To be overlooked this way. I know that they’ve made deals with other people that have had less input on what they do. And I just kind of felt like, it just sucks,” Brubaker told Smith and Bernardin….

(7) YOU’LL WANT TO SHELL OUT. Let Kotaku encourage you to “Drink Up This Ghost In The Shell Japanese Booze”.

Joining the likes of other geeky sake comes a line of Ghost in the Shell-themed stuff. Kanpai!

Previously, there has been Pac-Man, Yakzua, and Final Fantasy branded sake. Now, three bottles, each with characters from Ghost in the Shell, will be released in Japan.

According to Kurand (via Grape and PR Times), there is a light and dry-tasting Motoko Kusanagi branded release from Arinokawa Sake Brewery….

(8) FLETCHER OBIT. Costume designer Robert Fletcher, who worked on the original four Star Trek films, died April 5 at age 98. The Wrap has details: “Robert Fletcher, ‘Star Trek’ Film Costume Designer, Dies at 98”.

…Robert “Bob” Fletcher worked as a costume designer for over six decades, crafting the iconic look of the Klingons and the Vulcans in the original “Star Trek” movies, starting with “Star Trek: The Motion Picture” in 1979. His last feature film was “Star Trek IV: The Voyage Home” in 1986, and he’s credited with imagining the “monster maroon” Starfleet uniforms worn by William Shatner and company….

(9) MEDIA BIRTHDAY.

  • April 18, 1938 –Superman first appeared in Action Comics #1, a comic book published on April 18, 1938 by National Allied Publications even though the cover said June. The character was created by writer Jerry Siegel and artist Joe Shuster. This was actually an anthology, and contained eleven features with the Superman feature being the first thirteen inside pages. Five years ago, a pristine copy  of this comic sold for a record $3,207,852 on an eBay auction. It was one of two hundred thousand that were printed. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 18, 1884 – Frank Paul.  After FP had been contributing to Gernsback’s Electrical Experimenter awhile, G recruited him to help start Amazing; FP did every cover 1926-1929.  Then Air WonderScience WonderScientific DetectiveWonderFantasticScience Fiction; eventually Amazing again.  Here is Ralph 124C41+.  Here is the Aug 27 Amazing.  Here is the Clevention Program Book (13th Worldcon).  Here is the Dec 57 Satellite.  Two hundred twenty covers, fourteen hundred forty interiors.  Guest of Honor at the first Worldcon.  Two posthumous artbooks.  (Died 1963) [JH]
  • Born April 18, 1907 – Gertrude Carr.  Charter member of the Nameless Ones.  Correspondent of TrumpetVega, and like that; member of various apas e.g. FAPASAPSN’APA.  Active in Star Trek fandom during its first decades.  See here.  (Died 2005) [JH]
  • Born April 18, 1952 – Martin Hoare.  Physicist and beer connoisseur.  Co-chaired Eastercon 35 and 53, a suitable numerical coincidence.  Doc Weir Award (service).  Regularly attended U.S. Worldcons during the long run of Dave Langford’s Best-Fanwriter Hugos, gleefully announced telephoning with the news at 3 a.m. DL’s time.  (Died 2019) [JH]
  • Born April 18, 1946 Janet Kagan. “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo at ConFrancisco. She has but two novels, one being Uhura’s Song, a Trek novel, and quite a bit short fiction which is out in The Complete Kagan from Bean Books and is available from the usual digital suspects. (Died 2008.) (CE)
  • Born April 18, 1965 Stephen Player, 56. Some birthday honor folks are elusive. He came up via one of the sites JJ gave me but little is on him on the web. What I did find is awesome as he’s deep in the Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the 25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh, but that’s just a mere wee taste of he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money. (CE)
  • Born April 18, 1965 – Stephen Player, age 56.  Thirty covers, a dozen interiors.  Here is an Oxford ed’n of Do Androids Dream of Electric Sheep?  Associated with Terry Pratchett; here is The Discworld Mapphere is The Illustrated “Wee Free Men”.  Website.  [JH]
  • Born April 18, 1969 Keith R. A. DeCandido, 52. I found him with working in these genre media franchises: such as Supernatural, AndromedaFarscapeFireflyAliensStar Trek In its various permutations, Buffy the Vampire SlayerDoctor WhoSpider-ManX-MenHerculesThorSleepy Hollow,and Stargate SG-1. (He has also written works that were not media tie-ins.) (CE) 
  • Born April 18, 1971 David Tennant, 50. Eleventh Doctor and my favorite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly.  He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe. (CE) 
  • Born April 18, 1973 Cora Buhlert, 48. With Jessica Rydill, she edits the Speculative Fiction Showcase, a most excellent site. She has a generous handful of short fiction professionally published, and she’s was a finalist again for the Best Fan Writer Hugo this year. I’ve got her Paris Green: A Helen Shepherd Mystery in my reading list. (CE) 
  • Born April 18, 1994 – Alexandra Adornetto, age 27.  Eight novels.  Her first was published when she was 13; “The shadow represents individuality and colour and a person’s spirit, really.”  Won a State public-speaking competition.  Commuted between Australia and Ole Miss.  Besides writing, likes “old-style country music, theology, singing.”  [JH]
  • Born April 18 – Cheryl Morgan.  Her Emerald City won a Best-Fanzine Hugo (I contributed to it); CM later won Best Fanwriter, joined in earning two Best-Semiprozine Hugos while at Clarkesworld, now edits Salon Futura,owns Wizard’s Tower Press.  Guest of Honor at Eurocon 34.  I’d call her an idiosyncratic critic but around here that wouldn’t indicate she was unusual.  [JH]

(11) COMICS SECTION.

  • Get Fuzzy has a lot of funny-horrible puns mashing up Star Wars and Canada. 
  • Bizarro does justice to superhero cuisine.

(12) BAUM’S AWAY.PBS’ American Experience series premieres American Oz: The True Wizard Behind The Curtain on April 19.

Explore the life and times of author L. Frank Baum, the creator of one of the most beloved, enduring and classic American narratives. By 1900, when The Wonderful Wizard of Oz was published, Baum was 44 years old and had spent much of his life in restless pursuit of success. With mixed results he dove into a string of jobs  — chicken breeder, actor, marketer of petroleum products, shopkeeper, newspaperman and traveling salesman — Baum continued to reinvent himself, reflecting a uniquely American brand of confidence, imagination and innovation. During his travels to the Great Plains and on to Chicago during the American frontier’s final days, he witnessed a nation coming to terms with the economic uncertainty of the Gilded Age. But he never lost his childlike sense of wonder and eventually crafted his observations into a magical tale of survival, adventure and self-discovery, reinterpreted through the generations in films, books and musicals.

(13) THE EARTH IS FLAT, HOW BOW DAT. [Item by rcade.] If you’re looking for the kind of definitive proof that only a random Internet search can provide, Getty Images has a series titled “Flat Earth from Space.” Here’s a lovely shot of the Antarctica-ringed planet we call home perched on its stabilizing stalactite: “Flat Earth From Space Stock Photo”

The images are by iStock contributor Cokada from Rio de Janeiro, Brazil, who has a portfolio of more than 8,800 images that include a lot of science fictional elements. “Cokada Stock Image and Video Portfolio”.

(14) IN SPACE, NO ONE CAN COMPLAIN TO OSHA. The Guardian is inspired by Stowaway to survey the field: “Sitting in a tin can: why sci-fi films are finally telling astronaut life like it is”

Anybody who fancies watching a new science fiction film this month can count their lucky stars. A Netflix drama, Stowaway, features Anna Kendrick, Toni Collette and Daniel Dae Kim as a trio of astronauts who are on their way to Mars when they discover that an unfortunate launch-plan engineer, Shamier Anderson, is still onboard. The trouble is, there is only enough oxygen for three of them. American viewers can also see Voyagers (due for release in Britain in July), in which 30 hormonal starship passengers are preparing to colonise another world. The trouble is, something goes wrong on their mission, too, and the trip turns into an interplanetary Lord of the Flies. The moral of both stories is that you should probably push “astronaut” a few slots down your list of dream jobs. But if you’ve caught any other science fiction films recently, it’s bound to be quite far down the list, anyway.

Again and again over the past decade, cinema has warned us that venturing beyond the Earth’s atmosphere is uncomfortable, dangerous, exhaustingly difficult, frequently tedious, and almost certain to involve interplanetary angst and asphyxiation…. 

(15) FRANKENSTEIN’S DROID. This happened at an auction in 2017, but it’s news to me. An “R2-D2 unit from ‘Star Wars’ sells for $2.75 million” reported CNN, the prop assembled from genuine bits and pieces.

A complete R2-D2 unit sold for $2.75 million Wednesday at a California auction, according to the Los Angeles-area auction house Profiles in History.

Luke Skywalker’s 43-inch tall sidekick was assembled from components from the original “Star Wars” trilogy as well as “Star Wars: Episode I – The Phantom Menace” and “Star Wars: Episode II: Attack of the Clones,” according to the auction catalog. The films were made between 1977 and 2002.

Unfortunately, this R2-D2 won’t interact with you. “No internal mechanics or workings are present,” the auction house said.

The droid is constructed of aluminum, steel and fiberglass, and is believed to be the only complete R2-D2 unit in the public domain, according to Profiles in History’s auction catalog. The auction house called it “one of the most instantly recognizable pieces of pop culture in existence.”

The dome in the droid dates to the original 1977 film when it was used by actor Kenny Baker.

The auction catalog said R2-D2 units were upgraded as more films were made, with older components being retired….

(16) TRAILER TIME. The WB dropped a trailer for the animated Batman: The Long Halloween, Part One.

(17) VIDEO OF THE DAY. “Star Trek:  First Contact 25th Anniversary/First Contact Day” on YouTube is a panel sponsored by Paramount Plus for the 25th anniversary of Star Trek:  First Contact that was moderated by Wil Wheaton and included Sir Patrick Stewart, Brent Spiner, Alice Krige, and Jonathan Frakes, who starred in the film and directed it,  Topics included Krige’s preparation for her work as the Borg Queen, how Spiner felt his work as Data changed with the introduction of the emotion chip, and why Frakes as a director became known as “Two-Takes Frakes,”

[Thanks to Hampus Eckerman, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, Andrew Porter, John King Tarpinian, Bonnie McDaniel, Michael Toman, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/17/21 Parsley Scrolls Are Filed In Thyme

(1) CLI-FI COMPETITION UPDATE. Grist’s “Imagine 2200” contest has received over 1,100 entries. They will be judged by authors Adrienne Maree Brown, Morgan Jerkins, and Kiese Laymon. These short stories “envision the next 180 years of equitable climate progress.” First prize is $3,000, second prize $2,000, and third prize $1,000. Nine additional finalists will receive $300.

(2) RAISED EYEBROW. I’m shocked, I tell you. WIRED reports“Turns Out, Spock Is Kinda Bad at Logic”.

Julia Galef, host of the Rationally Speaking podcast and co-founder of the Center for Applied Rationality, is not impressed with the hyper-rational Vulcans on Star Trek.

“Spock is held up as this exemplar of logic and reason and rationality, but he’s set up, in my opinion, as almost a weak caricature—a straw man—of reason and rationality, because he keeps making all these dumb mistakes,” Galef says in Episode 462 of the Geek’s Guide to the Galaxy podcast. “That’s the show’s way of proving that, ‘Aha! Logic and reason and rationality aren’t actually all that great.’”

In the franchise, Spock makes confident predictions based on his superior Vulcan mind. Galef was curious to see exactly how often these predictions pan out. “I went through all of the Star Trek episodes and movies—all of the transcripts that I could find—and searched for any instance in which Spock is using the words ‘odds,’ ‘probability,’ ‘chance,’ ‘definitely,’ ‘probably,’ etc.,” she says. “I catalogued all instances in which Spock made a prediction and that prediction either came true or didn’t.”

The results, which appear in Galef’s new book The Scout Mindset, are devastating…. 

(3) MISTAKES WERE MADE, SHORTS WERE FRIED. Why do copies of this 1940 fanzine have a bit clipped out of one page? First Fandom Experience knows: “The Hole Story: Fake News and Parenting in Early Fandom”. John W. Campbell, Jr. is somehow at the bottom of it all! Scans of all the relevant zines and a complete historical narrative are at the FFE site.

… Campbell also kept an eye on leading fanzines. Fantascience Digest received a threatening letter from Street & Smith and promptly printed a polite retraction….

The Maine Scientifiction Association had also printed the offending story and had to hit the brakes!  

It appears that the MSA was in the midst of mailing issues of the January 1940 issue of the Bulletin when they became aware of the transgressionWhat to do with the fanzines they’d already printed? With an impoverished treasury, we believe the club elected to salvage the run by clipping out the offending article.

(4) YOU ARE NUMBER SIX FIVE THOUSAND. The site of many Lunacons, Star Trek conventions, comics conventions, the 1967 Worldcon, even Nebula banquets is about to get flattened: “So Long to the Hotel Pennsylvania” in Curbed.

…Eight years ago, Roth said that he was planning to renovate and turn it into something great, but we live in a different economic climate now, and the empty air above that giant site at 401 Seventh is apparently just too tempting to resist. A 1,270-foot tower, bearing the not-at-all-phallic name of PENN15, is its likely replacement.

There is inevitably, when a building of this age is about to come down, someone who wants to landmark it. Frankly, the Hotel Pennsylvania is a building that could be made handsome and appealing again, but it’s just not quite significant enough to fight over. Architecturally, it is like a lot of early-20th-century midsize hotels and office buildings around the city, only larger; it is surely a better-quality example from its period, designed by McKim, Mead & White, but it’s bulky enough that it already takes up a big bite of light and air, so you can’t make much of a case regarding scale. Even if you’re a hardcore preservationist, your energies might be better spent elsewhere….

Fancyclopedia’s entry focuses on the fanhistory made there when it was known as the New York Statler Hilton Hotel, and traces the names it went by:

It was opened in 1919 as the Hotel Pennsylvania of “PEnnsylvania 6-5000” fame and renamed the Hotel Statler in 1948. In 1954, Hilton bought it and renamed it the Statler Hilton, which is how it was known when its history crossed with fandom’s. Starting in the early 80s it went through various owners and names: The New York Statler, the New York Penta, and finally back to Hotel Pennsylvania….

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 17, 1923 Lloyd Biggle Jr. He was the founding Secretary-Treasurer of Science Fiction Writers of America and served as Chairman of its trustees for many years. Writing-wise, his best known series were the Jan Darzek and Effie Schlupe troubleshooting team, and the Cultural Survey. His “Monument” story published in Analog was a finalist at Chicon III for a Short Story Hugo. I find it interesting that he wrote his own Sherlock Holmes stories from the perspective of Edward Porter Jones, an assistant who began his association with Holmes as a Baker Street Irregular. There’re are two novels in this series, The Quallsford Inheritance and The Glendower Conspiracy. (Died 2002.) (CE)
  • Born April 17, 1923 – T. Bruce Yerke.  Joined LASFS (Los Angeles Science Fantasy Society) in 1937, for a while its “perennial secretary”.  Recruited Ray Bradbury.  First editor of Imagination! which won the Best Fanzine of 1939 Retrospective Hugo.  Thought one of the best fanwriters of the 1940s.  Memoirs of a Superfluous Fan began 1944, never finished, reprinted 1991; see it and fandom of those days here (PDF).  More here.  (Died 1998) [JH]
  • Born April 17, 1924 – Gerard van Straaten.  Four dozen covers, as many interiors, for Dutch SF, like this; particularly the series Euro-5, about which Alex van Oostenrijk of Independent Software in Mozambique has written, with color images, in English, here. (Died 2011) [JH]
  • Born April 17, 1942 David Bradley, 79. It’s his Doctor Who work that garners him a birthday honor.  He first showed up during the time of the Eleventh Doctor playing a complete Rat Bastard of a character named Solomon in the “Dinosaurs on a Spaceship” episode. But it was his second role on the series as actor who was the First Doctor that makes him really worth noting. He portrayed William Hartnell in An Adventure in Space and Time, then played the role of the First Doctor again in “The Doctor Falls” and “Twice Upon a Time”, both Twelfth Doctor stories.  He is also known for playing Argus Filch in the Harry Potter film franchise, Walder Frey in Game of Thrones and Abraham Setrakian in The Strain. (CE) 
  • Born April 17, 1949 – Martyn Godfrey.  Five novels, one shorter story for us; three dozen all told; millions of books sold.  Bilson Award for historical fiction.  After his death the Young Alberta Book Society began an award in his name (2021 deadline extended to June 25th), see here.  (Died 2000) [JH]
  • Born April 17, 1958 – Carolyn Clink, age 63.  Five dozen poems in e.g. Canadian GingerImaginariumOn SpecStar*Line; two collections.  One Aurora Award.  Edited Tesseracts 6 with husband Robert Sawyer; here is her photo of him for Foundation 80.  [JH]
  • Born April 17, 1959 Sean Bean, 62. His current role that garners him recognition is his performance as Ned Stark in Game of Thrones, but he’s been in our area interest a long time.  His first genre role was in GoldenEye as the the antagonist of Bond, Alec Trevelyan (Janus).  Next he shows up as  Boromir in the first of The Lord of the Rings films. He played Dr. Merrick in the horror SF film The Island and was James in horror flick The Dark high purports to be based off Welsh myth. Following in the horror vein, he’s Chris Da Silva in Silent Hill (which gets a sequel later in Silent Hill: Revelation) and in yet more horror is John Ryder in the remake of the The Hitcher. (Was it so good that it yearned for a remake? I doubt it.) Black Death — yes more horror — and the character of Ulric ensued next. Finally something not of a horror nature in playing Zeus in Percy Jackson & the Olympians: The Lightning Thief happened. I’m going to forgo listing the subsequent horror films he’s in and just finally note that he’s in The Martian playingMitch Henderson. (CE)
  • Born April 17, 1971 – François Roca, age 50.  Four covers for Michael Hoeye’s tales of a watchmaker mouse – thus titles like The Sands of Time and Time Stops for No Mouse.  [JH]
  • Born April 17, 1972 Jennifer Garner, 49. Back before there was the Marvel Cinematic Universe, there were Marvel Comic movies which have not been retconned into the MCU reality. Such was the case with Elektra and its lead character of Elektra Natchios. Don’t remember anything about the film anymore. She also had the same role in Daredevil which was at best an OK film though I’m fond of the Kingpin character. (CE)
  • Born April 17, 1973 Cavan Scott, 48. To my thinking, there’s somewhat of an arbitrary line between fanfic and professional writing. (Ducks quickly.) Which bring me to the world of fiction set in media universes where a lot of fanfic is set. This writer has apparently specialized in such writing to the extent that he has novels in the universes of Doctor Who (including the full blown subgenre of Professor Bernice Summerfield), Blake’s 7, Judge Dredd, Skylanders Universe, The Tomorrow People, Star Wars and Warhammer Universe. Judge Dredd?  Novels? Who knew? (CE)
  • Born April 17, 1985 Rooney Mara, 36. She first shows up as Mary Lambert in Urban Legends: Bloody Mary, a slasher film, followed by being Nancy Holbrook in the remake of A Nightmare on Elm Street, and then Tiger Lily in Pan, a prequel to Peter Pan. Since then, she’s been M in A Ghost Story, and lastly is Molly Cahill in Nightmare Alley. (CE) 
  • Born April 17, 1991 – Ryn Katryn, age 30.  Two short stories (under another name), several hundred covers for us; other fields too.  Here is One Little Spell.  Here is Dim Glows the Horizon.  Here is Ashes of Chadanar.  Here is Humble Beginnings (showing Far Reach Space station).  [JH]

(6) NOT VERY NICE. ScreenRant nominates them as “The 10 Most Powerful Sci-Fi Villains Ever, Ranked”. Checking in at number 10 —

10 The Daleks (Doctor Who)

The Doctor’s oldest and most powerful opponents, the Daleks didn’t start out as intimidating as they would become. At the start, they were confined to their city on their home planet Skaro and were reliant on static electricity to stay alive.

From there, however, they overcame all their early deficiencies and spread out to create a Dalek Empire across space and time, to the point where even the god-like Time Lords were no match for them. If it wasn’t for their many terrible masterplans, their penchant for in-fighting, and how helpless they are against the Doctor, they would have subjugated the universe.

(7) WHEN IN THE FUTURE. At GeekTyrant, “The Sci-Fi Timeline Infographic Shows Us When Popular Sci-Fi Films and Games Take Place”.

We’re all used to seeing movies and games set in the future, but often the date can seem a bit abstract.

We’ve brought together some of our favourites to show yo the timeline and where they all fit. There were some surprises!

See for yourself, and decide if the writers got it right!

(8) DIVERSITY ONE OF THE GOALS. “NASA Picks SpaceX to Land Next Americans on Moon” says the NASA press release.

NASA is getting ready to send astronauts to explore more of the Moon as part of the Artemis program, and the agency has selected SpaceX to continue development of the first commercial human lander that will safely carry the next two American astronauts to the lunar surface. At least one of those astronauts will make history as the first woman on the Moon. Another goal of the Artemis program includes landing the first person of color on the lunar surface.

The agency’s powerful Space Launch System rocket will launch four astronauts aboard the Orion spacecraft for their multi-day journey to lunar orbit. There, two crew members will transfer to the SpaceX human landing system (HLS) for the final leg of their journey to the surface of the Moon. After approximately a week exploring the surface, they will board the lander for their short trip back to orbit where they will return to Orion and their colleagues before heading back to Earth.

The firm-fixed price, milestone-based contract total award value is $2.89 billion.

(9) THE MARTIAN HOP. “NASA to Attempt First Controlled Flight on Mars As Soon As Monday” says the space agency.

NASA is targeting no earlier than Monday, April 19, for the first flight of its Ingenuity Mars Helicopter at approximately 3:30 a.m. EDT (12:30 a.m. PDT).

Data from the first flight will return to Earth a few hours following the autonomous flight. A livestream will begin at 6:15 a.m. EDT (3:15 a.m. PDT), as the helicopter team prepares to receive the data downlink in the Space Flight Operations Facility at NASA’s Jet Propulsion Laboratory (JPL). Watch on NASA Television, the agency appwebsite, and social media platforms, including YouTube and Facebook.

If the flight takes place April 19, a postflight briefing will be held at 2 p.m. EDT (11 a.m. PDT).

(10) TYRANNOSAURUS CENSUS. The Conversation wants to know “How many ‘Tyrannosaurus rex’ walked the Earth?”

During 2.4 million years of existence on Earth, a total of 2.5 billion Tyrannosaurus rex ever lived, and 20,000 individual animals would have been alive at any moment, according to a new calculation method we described in a paper published on April 15, 2021 in the journal Science.

To estimate population, our team of paleontologists and scientists had to combine the extraordinarily comprehensive existing research on T. rex with an ecological principle that connects population density to body size.

From microscopic growth patterns in bones, researchers inferred that T. rex first mated at around 15 years old. With growth records, scientists can also generate survivorship curves – an estimate of a T. rex‘s chances of living to a given age. Using these two numbers, our team estimated that T. rex generations took 19 years. Finally, T. rex existed as a species for 1.2 to 3.6 million years. With all of this information, we calculate that T. rex existed for 66,000 to 188,000 generations….

(11) VIDEO OF THE DAY. Redshirts Always Die invites fans to “Watch: DeForest Kelley read his poem for Star Trek’s 25th anniversary”. Starts at 4:23.

DeForest Kelley appeared at a Creation Entertainment convention in 1994, and the audience had the pleasure of listening to him read his final hilarious and poignant ode to the show, cast, Gene Roddenberry, and others who’d made the show possible. Kelley provided tongue-in-cheek updates on the actors’ lives in his Southern drawl. He even throws in a few snide comments here and there that make the poem that much better. (Especially when he’s talking about a certain green-blooded individual)

[Thanks to JJ, Mike Kennedy, Alan Baumler, Martin Morse Wooster, John Hertz, Andrew Porter, John King Tarpinian, Michael Toman, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day HelenS.]

Pixel Scroll 4/16/21 I Am Just A Filer, Though My Pixel’s Seldom Scrolled

(1) CONTRACT GUIDES NOW OPEN ACCESS. The Authors Guild has released its Model Book Contract to the public for the first time. They have also produced a separate Literary Translation Model Contract for U.S. translators and literary agents.

“We updated the Model Trade Book Contract last year right before the COVID-19 pandemic hit. We never could have predicted just how deleterious the crisis would be on working writers, with 71.4 percent of authors reporting losing, on average, 49 percent of their regular pre-pandemic income, based on our latest member survey,” said Mary Rasenberger, CEO of the Authors Guild. “Given this situation, we have been exploring various ways to help ease the lives and careers of professional writers, which is why the Authors Guild Council recently voted to remove the Model Trade Book Contract from behind our member paywall and make it freely accessible for all writers, publishers and anyone interested in book contracts. We hope that publishers will look to its terms in creating their own or adopt it, and we want authors around the globe to have access to it so they can understand what terms and issues they should be aware of before signing any book deal.”

(2) THEY’RE BACK. “Wakandans Featurette/Marvel Studio’s The Falcon and The Winter Soldier” on YouTube is a trailer from Disney+ that announces that Wakandans have shown up in The Falcon And The Winter Soldier.

(3) SPFBO. Mark Lawrence has announced that he will be starting the next Self-Published Fantasy Blog-Off on June 1st.  They need another blogger/reviewer.

(4) FINALS EXAM. Cora Buhlert has 2,000 well-chosen words to share on the subject: “Some Thoughts on the 2021 Hugo Finalists”.

… When the Best Series Hugo was proposed, the argument was that a lot of popular and long-running series are overlooked by the Hugos – or the Nebulas for that matter – because the individual novels don’t stand alone very well and the whole is greater than the sum of its parts.

However in practice, such series, no matter how popular, are rarely nominated. Particularly The Dresden Files by Jim Butcher is notable by its absence, even though the Best Series Hugo seems tailor-made for this series.

Instead, the Best Series ballot tends to consist of trilogies by authors Hugo voters like and where individual volumes have often made the ballot before as well as of works set in the same wold that form a series if you squint really hard. I guess most Hugo voters simply aren’t series readers.

That said, the actual Best Series ballot looks pretty good this year. The Murderbot Diaries by Martha Wells is a hugely popular series where prettty much every installment has either been a finalist or would have been, if Martha Wells hadn’t withdrawn two Murderbot novellas from consideration in 2019. It’s also a great series….

(5) HAVE YOU RED IT TOO? The Heinlein Society has a good reason for suggesting that you watch this trailer and note what books the kids are reading at about 28 seconds.

(6) IT’S JUST TAKING A KIP. Meanwhile, back at the Red Planet, NASA’s InSight lander is “in crisis”: “NASA’s InSight Mars Lander to Hibernate so Batteries Don’t Die” at Business Insider.

… Unlike other sites where NASA has sent rovers and landers — including the landing spot of the new Perseverance rover and its Mars helicopter — powerful gusts of wind have not been sweeping Elysium Planitia. These winds, called “cleaning events,” are needed to blow the red Martian dust off the solar panels of NASA’s robots. Without their help, a thick layer of dust has accumulated on InSight, and it’s struggling to absorb sunlight.InSight’s solar panels were producing just 27% of their energy capacity in February, when winter was arriving in Elysium Planitia. So NASA decided to start incrementally turning off different instruments on the lander. Soon the robot will go into “hibernation mode,” shutting down all functions that aren’t necessary for its survival.

By pausing its scientific operations, the lander should be able to save enough power to keep its systems warm through the frigid Martian nights, when temperatures can drop to negative-130 degrees Fahrenheit.

“The amount of power available over the next few months will really be driven by the weather,” Chuck Scott, InSight’s project manager, said in a statement.

InSight is still in good condition — it’s even using its robotic arm — but an out-of-season storm could cause a power failure. If the lander’s batteries die, it might never recover.

“We would be hopeful that we’d be able to bring it back to life, especially if it’s not asleep or dead for a long period of time,” Bruce Banerdt, InSight’s principal investigator, told Insider. “But that would be a dicey situation.”

(7) THE HOLE NINE YARDS. Let James Davis Nicoll tell you about “Five Books That Use Wormholes to Plug Plot Holes” at Tor.com. First on the list –

Starman Jones by Robert Heinlein (1953)

This novel long predates the heyday of wormholes; it doesn’t even use the phrase. But it uses spacetime anomalies, which are just like wormholes. With one exception: they don’t just have an entrance and an exit. They can take you all sorts of interesting places if you enter the anomaly with the wrong approach vector. A small error calculating the vector and a hapless ship could find itself light-millennia off-course, with no clear idea how to get home. No prizes for guessing if this happens to the Asgard, the very ship on which the eponymous Starman Jones is serving. Nor is this worst that will happen to the unfortunate castaways.

(8) MCCRORY OBIT. Actress Helen McCrory, OBE, (1968-2021) died April 16 reports GEEKchocolate.

We are hugely saddened to hear of the death of the wonderful Helen McCrory, known to us as Rosanna Calvierri’s in Doctor Who’s Vampires of Venice, but with a resume which stretched from Interview with the Vampire, Charlotte Gray, The Count of Monte Cristo, Skyfall, The Woman in Black: Angel of Death, a recurring role in Harry Potter as Narcissa Malfoy, and a long stint as Polly Grey on Peaky Blinders, as well as two appearances as Cherie Blair in The Queen and The Special Relationship.

(9) FELIX SILLIA OBIT. The actor who played Cousin Itt on The Addams Family, Felix Sillia, has died at the age of 84 reports SYFY Wire.

In addition to playing Cousin Itt, Silla’s other best-known roles include playing the robot Twiki / Odee-x on Buck Rogers in the 25th Century, and an evil miniature “Hitler” in 1975’s The Black Bird. He also had smaller parts in much-loved movies, such as playing an Ewok on Star Wars: Return of the Jedi and Dink in Spaceballs. He also worked as a stuntman on E.T. the Extra-TerrestrialPoltergeistIndiana Jones and the Temple of DoomHoward the Duck, and Batman Returns.

(10) MEDIA BIRTHDAY.

  • April 16, 1955 –On this day in 1955, Science Fiction Theatre aired “Time Is Just A Place” as the second episode of the first season.  It’s from Jack Finey’s “Such Interesting Neighbors” (published in Collier’s, 1951) which would later form the basis of the March 20, 1987 adaptation of the story under its original title for Amazing Stories. The story is that neighbors are increasingly suspicious of the inventions of Mr. Heller, who claims to be an inventor, who uses a robotic vacuum cleaner and a flashlight that beams x-rays. It starred Don DeFore, Warren Stevens and Marie Windsor.  You can watch it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 16, 1891 – Dorothy Lathrop.  Illustrator and author.  Historically a lot of good fantasy has been written for children; folks who appreciate fantasy know to look there.  DL illustrated twoscore books, writing nine herself, also nonfiction.  Rachel Field’s Hitty, illustrated by DL, won RF a Newbery Medal; DL’s illustrations for Helen Fish’s Animals of the Bible won DL a Caldecott Medal.  Here is DL’s cover for an ed’n of The Little Mermaid.  Here is a dandelion soldier.  Here is an interior for Mopsa the Fairy.  This is from DL’s Fairy Circus.  Here is Across the Night Sky.  Here is a 2011 appreciation with another score of pictures.  (Died 1980) [JH]
  • Born April 16, 1921 Peter Ustinov. He had a number of genre appearances such as being in Blackbeard’s Ghost as Captain Blackbeard, in the animated Robin Hood by voicing both  Prince John and King Richard, as simply The Old Man In Logan’s Run, Truck Driver In The Great Muppet Caper, and in Alice in Wonderland as The Walrus. He wrote The Old Man and Mr. Smith: A Fable which is clearly genre. Genre adjacent (well sort of), he played Hercule Poirot twice. (Died 2004.) (CE) 
  • Born April 16, 1922 Kingsley Amis. So have you read The Green Man? I’m still not convinced that anything actually happened, or that rather everything including the hauntings were really in Maurice Allington’s decayed brain. I’m not seeing that he did much else for genre work other outside of The Anti-Death League and The Alteration but he did write Colonel Sun: A James Bond Adventure under the pseudonym of Robert Markham and his New Maps of Hell: A Survey of Science Fiction which was published in the late Fifties sounds fascinating as he shares his views on the genre and makes some predictions as there’ll never be a SF series on the boob tube despite there already being some. (Died 1995.) (CE) 
  • Born April 16, 1922 John Christopher. Author of The Tripods, an alien invasion series which was adapted into both an excellent radio and a superb television series. He wrote a lot of genre fiction including the Fireball series in which Rome never fell, and The Death of Grass which I mention because it was one of the many YA post-apocalyptic novels that he wrote in the Fifties and Sixties that sold extremely well in the U.K. The film version would be nominated for a Hugo finishing sixth in the balloting at Noreascon I, a year where No Award was given. (Died 2012.) (CE) 
  • Born April 16, 1953 – J. Neil Schulman.  Four novels, half a dozen shorter stories; collection Nasty, Brutish, and Short Stories (speaking of Hobbes’ Leviathan, I used to joke that the tiger should have been Calvin, and the boy Hobbes because he was nasty, brutish, and short); “Profiles in Silver” for The Twilight Zone; two Prometheus Awards.  I can’t remember ever agreeing with him, but I miss him.  (Died 2019) [JH]
  • Born April 16, 1954 Ellen Barkin, 65. Usually I don’t do a birthday listing for just a few genre appearances but I make an exception for those performers who appeared in The Adventures of Buckaroo Banzai Across the 8th Dimension. Barking played Penny Priddy in that film and that was her only genre appearance other than playing Kathleen in the Into The West film about Irish Travellers and a very special horse named Tír na nÓg. (CE)
  • Born April 16, 1962 Kathryn Cramer, 59. Writer, editor, and literary critic. She co-founded The New York Review of Science Fiction in 1988 with David G. Hartwell and others, and was its co-editor until 1991 and again since 1996. She edited with her husband David G. Hartwell Year’s Best Fantasy one through nine and Year’s Best SF seven through seventeen with him as well.  They did a number of anthologies of which I’ll single out The Hard SF Renaissance and The Space Opera Renaissance as particularly superb. She has a most excellent website — Kathryncramer.com. (CE)
  • Born April 16, 1970 – Brandon McKinney, age 51.  Here is a fine cover for John Whitman’s novelization Star Wars.  Here is a cover for JW’s Phantom Menace.  Interiors for both.  Here is Batman, here is Robin.  Here is Spider-Man.  Here is Bruce Lee in The Dragon Rises.  Also Elfquest; see here.  [JH]
  • Born April 16, 1975 Sean Maher, 46. Doctor Simon Tam In the Firefly verse. And Dick Grayson (Nightwing) in a staggering number of  animated DAC films, to wit  Son of BatmanBatman vs. Robin,,Batman: Bad Blood, Justice League vs. Teen TitansTeen Titans: The Judas Contract and Batman: Hush. He showed up on Arrow as Shrapnel in the “Blast Radius” and “Suicide Squad” episodes. (CE)
  • Born April 16, 1978 – Amy Ruttan, age 43.  Four novels for us; two dozen others.  “Half the fun of writing historicals and being swept away in a different time period is the research….  let someone else you trust have a look over your work.  You’ll be surprised what you as an author won’t pick out.”  [JH]
  • Born April 16, 1983 – Thomas Olde Heuvelt, age 38.  Too little (say I) of his work has been translated from Dutch into English.  “The Day the World Turned Upside Down” was and won a Hugo, which may be some encouragement.  Six novels, sixteen shorter stories; one novel, five shorter stories in English so far.  Three Paul Harland prizes.  [JH]
  • Born April 16, 1990 – Kusano Gengen, age 31.  (Personal name last, Japanese style.)  Only three stories yet translated into English; one is “Last and First Idol” – yes, alluding to Olaf Stapledon – which won a Seiun, and is the lead story in a 2018 collection with the other two.  KG drew a thousand words from Jonathan Clements, of which I’ll quote a few about “Idol”: “Described by one of the Hayakawa Sci-Fi Contest [which “Idol” won – JH] panelists as ‘stupid’, and by an employee of his own publisher as ‘abysmal’, Kusano’s work of recursive SF provocatively combines the breathless, vapid prose of a teenage school story with the portentous, epic concerns of Space Opera, turning each into a wry commentary on the pomposity of the other.”  Meanwhile Kusano-san went off to Hokkaidô University for a Ph.D.  [JH]

(12) COMICS SECTION.

(13) IMAGINARY PAPERS ON YOUR DOORSTEP. The Arizona State University Center for Science and the Imagination today published the 6th issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.  

This issue features writing from media scholar Lisa Yin Han, experimental philosopher Jonathon Keats, and learning sciences researcher Ruth Wylie.

Here is a link for subscribing to future issues.

 (14) ZOOMING THROUGH FANHISTORY. Fanac.org has scheduled three more FanHistory Project Zoom Sessions. To attend, send an RSVP to fanac@fanac.org in order to receive a link. 

  • April 17, Saturday – 2pm EDT, 11AM PDT, 7PM London –  Early Star Trek Fandom, with Ruth Berman and Devra Langsam.  

Stories and anecdotes from Ruth and Devra about their entry into fandom, about the origins of Star Trek fandom, and how they came to publish T-Negative and  Spockanallia. For those of us that came into fandom later, here’s a chance to hear how Star Trek was received in general fandom, how Trek fandom got started, who the BNFs were and what they were they like.  How did the first Trek fanzines and Trek conventions affect fandom, and how did Trek fandom grow  and become its own thing. 

  • April 27, Tuesday – 4pm EDT, 1pm PDT,  9PM London. An Interview with Erle Korshak by Joe Siclari. 

Erle Korshak is one of our remaining FIrst Fans (inducted into the First Fandom Hall of Fame in 1996) and a Guest of Honor at Chicon 8 (2022 Worldcon). Erle was an organizer of the first Chicon,  the 1940 Worldcon, and was one of the Worldcon auctioneers for many years. He started Shasta Publishers, one of the first successful specialty SF publishers.  He was also involved with early SF movies. In this session, fan historian Joe Siclari  will interview Erle and his son Steve about early fandom, early conventions (including Worldcons), Shasta, and both Erle and Steve’s continuing interest in illustration art. Note: this is a midweek session. 

  • May 22, Saturday – 2pm EDT, 11AM PDT, 7PM London – An Interview with Bjo and John Trimble. 

Bjo and John Trimble have had an enormous impact on fandom from the 1950s onward. They’ve pubbed their ish, and some of the zines are available on FANAC.org. Bjo created the convention art show as we know it today (pre-pandemic) with Project Art Show, and published PAS-tell to share info with interested fans everywhere. In LASFS,  Bjo had a large role in reviving a flagging LASFS in the late 50s. Her most famous contribution was the successful Save Star Trek campaign which resulted in a 3rd year of the original series. Bjo was one of the organziers of Los Angeles fandom’s film making endeavors.  John is a co-founder of the LASFS clubzine, De Profundis and an editor of Shangri-L’Affaires. Bjo and John were Fan Guests of Honor at ConJose (2002), and were nominated twice for Best Fanzine Hugos. Bjo was nominated for Best Fan Artist Hugo. In this interview, expect stories and anecdotes of Los Angeles fandom, how the art show came to be, Save Star Trek and more. 

(15) BEAMING INTO YOUR HOME. Stay tuned as Galactic Journey boldly goes through 1966!

(16) BIG BUCKS. Smaug’s dead, so they can’t borrow it from him.“Amazon’s ‘Lord of the Rings’ Costs $465 Million for Just Season 1” says The Hollywood Reporter.

Amazon Studios’ The Lord of the Rings television show is going to cost all the gold in the Lonely Mountain.

The Hollywood Reporter has confirmed that Amazon will spend roughly NZ$650 million — $465 million in U.S. dollars — for just the first season of the show.

That’s far above previous reported estimates that pegged the fantasy drama as costing an already record-breaking $500 million for multiple seasons of the show.

“What I can tell you is Amazon is going to spend about $650 million in season one alone,” Stuart Nash, New Zealand minister for economic development and tourism, told Morning Report“This is fantastic, it really is … this will be the largest television series ever made.”

The figures were released as part of as part of the New Zealand government’s Official Information Act and initially reported by the New Zealand outlet Stuff. The documents also confirmed the studio’s plan to film potentially five seasons in New Zealand — as well as possible, as-yet-unannounced spinoff series.

By comparison, HBO’s Game of Thrones cost roughly $100 million to produce per season, with its per-episode cost starting at around $6 million for season one and eventually rising to around $15 million per episode in season eight….

(17) THE TRAIN TO NOWHERE. Mashable’s reviewer Belen Edwards says “’Infinity Train’ Season 4 is a strong end to a show that deserved more”.

… However, part of the beauty of Infinity Train has always been its conciseness. The animated series takes on an anthology format. Each season follows a different passenger on the titular train, where each car holds a new world. Passengers are assigned a glowing green number that goes down as they learn more lessons and work to resolve the problems in their life. When their numbers reach zero, they can exit the train. Each season is only 10 episodes long, and at 11 minutes each they pack in an astounding amount of character development and heart. …

(18) KING OF THE MOVIES. There will be an online “Dollar Baby film festival” hosted by Vancouver’s Baker Street Cinema of unreleased Stephen King movies from April 23-25. Full details at the link.  

Hosted by Canadian film production company Barker Street Cinema, the virtual festival, called STEPHEN KING RULES, will screen 25 submissions by filmmakers from all over the world, many of which have never been seen by a global audience before.

Since 1977, the Master of Horror – Stephen King – has allowed emerging filmmakers to adapt his previously unproduced short stories into films that may help launch their careers through what is called the Dollar Baby Deal. Barker Street’s STEPHEN KING RULES Dollar Baby Film Festival will showcase an exciting line-up of these independent movies, including interviews and panel discussions with the filmmakers themselves….

[Thanks to Andrew Porter, JJ, Cat Eldridge, Dann, John Hertz, John King Tarpinian, N., Mike Kennedy, Michael Toman, Cora Buhlert, James Davis Nicoll, Bill, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day MixMat and Cliff with an assist from Jack Lint and Anna Nimmhaus.]

Pixel Scroll 4/14/21 The Abacus Stares Back

(1) IN TWEETS, NO ONE CAN HEAR YOU EXPLAIN YOURSELF. Charlie Warzel’s article “It’s Not Cancel Culture — It’s A Platform Failure” at Galaxy Brain analyzes a problematic Twitter feature (illustrated by a topic that was mentioned in item #1 of Pixel Scroll 4/6/21.)

We Need To Get Rid Of Twitter Trending Topics

On April 6, Elle Hunt was in a pub in New Zealand, where life has basically returned to pre-pandemic normal. She was, by her account, two wines deep, having a light hearted argument with her friends about film genres. Half serious, but committed to the bit, she tweeted this:

A few minutes later, in response to a harmless reply, she tweeted her rationale and closed her phone:

Even if you don’t know the story, you probably have a sense of what happened next….

The whole affair is a perfect example of context collapse, which generally occurs when a surfeit of different audiences occupy the same space, and a piece of information intended for one audience finds its way to another — usually an uncharitable one — which then reads said information in the worst possible faith (You can read about the origins here from scholar danah boyd).

In this case, the collapse was substantially amplified by Twitter’s Trending widget, which took an anodyne opinion by a verified Twitter user and displayed it to millions of random people as if it was some kind of significant pop cultural event. “My imagined audience when I tweeted this was, ‘oh, we’re all at the bar and having this low stakes debate,” she told me recently. “In retrospect, that was totally naive to think anyone would have taken it that way.”

The point of Twitter’s Trending Topics is ostensibly to surface significant news and Twitter commentary and invite others to ‘join the conversation.’ Left unsaid, of course, is that ‘the conversation’ at scale is complete garbage — an incomprehensible number of voices lecturing past each other. It didn’t matter how Hunt had intended the argument — whether it was cheeky fun or part of a high-minded indictment of the sci-fi horror industrial complex — it was amplified by others as ammunition to make whatever convenient point that interested parties wanted to make….

(2) YOUR OINKAGE MAY VARY. J.K. Rowling’s children’s book The Christmas Pig will be published October 12 the author’s website announced yesterday.

The Christmas Pig is a heartwarming, page-turning adventure about one child’s love for his most treasured toy, and how far he will go to find it.  It’s a standalone story, unrelated to any of J.K. Rowling’s previous work, and is suitable for children 8+: a tale for the whole family to fall in love with.

“Jack loves his childhood toy, Dur Pig.  DP has always been there for him, through good and bad.  Until one Christmas Eve something terrible happens – DP is lost.  But Christmas Eve is a night for miracles and lost causes, a night when all things can come to life – even toys…  And Jack’s newest toy – the Christmas Pig (DP’s annoying replacement) – has a daring plan:  Together they’ll embark on a magical journey to seek something lost, and to save the best friend Jack has ever known…”

(3) WIKIPEDIA HAILS VONDA MCINTYRE WORK. [Item by rcade.] The featured article on the Wikipedia homepage today is about the SFF writer Vonda McIntyre’s novel Dreamsnake:

Dreamsnake is a 1978 science fiction novel by American writer Vonda N. McIntyre. It is an expansion of her Nebula Award-winning 1973 novelette “Of Mist, and Grass, and Sand”. The main character, Snake, is a healer who uses genetically modified serpents to cure sickness in the aftermath of a nuclear holocaust on Earth. The titular “dreamsnake” is an alien serpent whose venom gives dying people pleasant dreams. The novel follows Snake as she seeks to replace her dead dreamsnake. The book is an example of second-wave feminism in science fiction. McIntyre subverted gendered narratives, including by placing a woman at the center of a heroic quest. Dreamsnake also explored social structures and sexuality from a feminist perspective, and examined themes of healing and cross-cultural interaction. The novel won the 1978 Nebula Award, the 1979 Hugo Award, and the 1979 Locus Poll Award. Snake’s strength and self-sufficiency were noted by commentators, while McIntyre’s writing and the book’s themes also received praise.

Hat tip to Kelly Robson for being the first to notice this on Twitter.

The article notes that Dreamsnake wasn’t finished getting award recognition after the Nebula/Hugo/Locus triple win in the late 1970s. It made the shortlist of the Retrospective James Tiptree award in 1995.

In describing the novel’s theme and structure, the article credits one element that’s particularly relevant today:

Gender expectations are also subverted through the character of Merideth, whose gender is never disclosed, as McIntyre entirely avoids using gender pronouns, thereby creating a “feminist construct” that suggests a person’s character and abilities are more important than their gender.

Wikipedians created the article in 2006 and have edited it 521 times since then, including 35 times today. Because contentiousness is part of the site’s DNA, there’s already a new argument on the internal talk page about whether it’s too long.

The article can be cleaned up by removing non-core fragments and listing the main themes. It reads as PHD dissertation by a gushing fan and would benefit from shortening to the main parts.

(4) JOY STILL FELT. Seanan McGuire gives six tips about “How To Be A Hugo Nominee And Come Out Of It Happy About the Honor” in a superb Twitter thread that starts here

(5) CREATING WORLDS. “Building Beyond… an ongoing series of conversations about how much fun worldbuilding can be” continues in Sarah Gailey’s newsletter with Rick Innis and Shana DuBois joining in to play: “Building Beyond: An Ocean of Resistance”. Gailey winds it up by challenging readers –

What comes after the message on the beaches in your story? What demands are being made? Are they possible to fulfill?

Do whatever you want with these questions. You can write something down in the comments or on social media or in a notebook nobody will ever see. You can draw or paint or sit down a friend and talk their ear off about your ideas. You can stare at the horizon and imagine, letting the infinite landscape of your mind unfold just a little farther than it did yesterday. No matter what you do, take pride in the knowledge that you’re creating something that has never existed before. You’re building a little corner of a whole new world.

That’s amazing.

(6) KGB. The Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Bruce McAllister and Nalo Hopkinson via livestream on Wednesday, April 21 at 7 p.m. EDT. Check the KGB site for the link.

(7) REV. BOB. Chattanoogan.com ran an obituary article about Rev. Bob today: “Hood, Robert Lewis”.

Robert Lewis Hood of Hixson, Tennessee passed away peacefully in his home on Wednesday, April 7, 2021 at the age of 50.

He was born on October 29, 1970, the only child of Janet Hood. He graduated from Chattanooga’s McCallie School in 1988 and attended Tennessee Tech University.

Robert loved computers long before they became popular. He quickly moved from playing computer games to modifying them. It wasn’t long before he transitioned to coding. His lifelong love of computers led him to a career in website design.

A kind and compassionate spirit, Robert used his wit on and offline. He had a knack of making people smile and a gift of making people feel cared for. Robert, who was known among his friends as “Bob” or “Rev. Bob,” loved science fiction books, including author Robert A. Heinlein, an American author who emphasized scientific accuracy in his writings. In recent years, Robert channeled his love of books into editing ebooks by various authors, including science fiction and nonfiction author David Brin among others.

Among his friends, Robert was known for being an unapologetic liberal and for his ability to express ideas succinctly and with a touch of humor. He was sharp, quick and gentle, and will be remembered by many as a loyal, caring friend with an easy smile and frequently, a glint of mischief in his eyes. 

…Robert’s loved ones will hold a celebration of life memorial in his honor on Saturday, April 17, at 11 a.m. at Vandergriff Park, 1414 Gadd Road, Hixson, Tn. 37343. This is going to be a casual gathering for anyone to be able to share their thoughts.

In lieu of flowers, please make a donation to the Epilepsy Foundation or the American Heart Association….

(8) TODAY IN HISTORY.

A mass sighting of celestial phenomena or unidentified flying objects (UFO) occurred in 1561 above Nuremberg (then a Free Imperial City of the Holy Roman Empire). The phenomenon has been interpreted by some modern UFO enthusiasts as an aerial battle of extraterrestrial origin. This view is mostly dismissed by skeptics, some referencing Carl Jung‘s mid-twentieth century writings about the subject while others find the phenomenon is likely to be a sun dog.

broadsheet news article printed in April 1561 describes a mass sighting of celestial phenomena….

The broadsheet describes objects of various shapes including crosses, globes, two lunar crescents, a black spear and tubular objects from which several smaller, round objects emerged and darted around the sky at dawn.

(9) MEDIA BIRTHDAY.

  • April 14, 2010 — On this day in the United States in 2010, The Extraordinary Adventures of Adèle Blanc-Sec (in French, Aventures extraordinaires d’Adèle Blanc-Sec) premiered. It was directed by Luc Besson from his own screenplay. It was by Virginie Besson-Silla, his wife.  It starred Louise Bourgoin, Mathieu Amalric, Philippe Nahon, Gilles Lellouche and Jean-Paul Rouve. It was narrated by Bernard Lanneau. It is rather loosely based upon “Adèle and the Beast” and “Mummies on Parade” by Jacques Tardi. Critics world-wide loved it, and the box office was very good, but the audience reviewers at Rotten Tomatoes give it a oddly muted fifty four percent rating though the critical rating there is eighty five percent. Be advised the Shout Factory! DVD is a censored PG rating version but the Blu-Ray is uncensored. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 14, 1879 – James Branch Cabell.  (“Tell the rabble my name is Cabell.”)  Two dozen novels, a hundred shorter stories, poems, nonfiction.  A score of volumes comprise the Biography of the Life of Manuel.  What has helplessly been called C’s droll style can be seen in e.g. the related titles SmirtSmithSmire; a New York judge said of Jurgen, seventh in the Biography, “it is doubtful if the book could be read or understood at all by more than a very limited number of readers”; an admirer has applauded C’s “engagingly haughty use of SF tropes”.  (Died 1958) [JH]
  • Born April 14, 1924 – Leland Sapiro.  Lived all over North America, Canadian provinces, California, Florida, Louisiana, Texas.  Did enough for LASFS (Los Angeles Science Fantasy Soc.) to earn its Evans-Freehafer service award.  Noted for Riverside Quarterly, which in our great tradition of fans and pros mixing it up drew James Blish, Redd Boggs, A.J. Budrys – Ursula LeGuin – Sandra Miesel – Arthur Thomson – Roger Zelazny.  See it here. (Died 2013) [JH]
  • Born April 14, 1925 Rod Steiger. Carl in The Illustrated Man which is specifically based on three stories by Bradbury from that collection: “The Veldt,” “The Long Rain,” and “The Last Night of the World.” Great film. Genre wise, he also was Father Delaney in The Amityville Horror, showed up as Charlie on the short-lived Wolf Lake series, played Dr. Phillip Lloyd in horror film The Kindred, was Pa in the really chilling American Gothic, played General Decker in Tim Burton’s Mars Attacks (really, really weird film), Dr. Abraham Van Helsing in Modern Vampires and Peter on “The Evil Within” episode of Tales of Tomorrow series. (Died 2002.) (CE) 
  • Born April 14, 1929 Gerry Anderson. English television and film producer, director, writer and when need be voice artist.  Thunderbirds which ran for thirty two episodes was I think the finest of his puppet based shows though Captain Scarlet and the Mysterons, Fireball XL5 and Stingray are definitely also worth seeing. Later on, he would move into live productions with Space: 1999 being the last production under the partnership of Gerry and Sylvia Anderson before their divorce. (Died 2012.) (CE)
  • Born April 14, 1933 – Boris Strugatsky.  With and then without his brother Arkady (1925-1991) wrote substantial Russian SF.  Reminiscent of an old jest (“Where were you born?”  ”St. Petersburg.”  “Where were you brought up?”  “Petrograd.” “Where do you live?” “Leningrad.”  “Where do you hope to die?”  “St. Petersburg”) B was born at Leningrad and died at St. Petersburg.  Of more than a dozen novels, plus novellas, novelettes, short stories, plays, by A & B together, three by A alone, two by B after A left, probably the best-known in English is Roadside Picnic; subtler, I think, is Hard to Be a God.  (Died 2012) [JH]
  • Born April 14,1935 Jack McDevitt, 86. If you read nothing else by him, read Time Travelers Never Die as it’s a great riff on the paradoxes of time travel. If you’ve got quite a bit of time, his Alex Benedict space opera series is a fresh approach to conflict between two alien races. He won the Robert A. Heinlein Award six years ago. (CE) 
  • Born April 14, 1954 Bruce Sterling, 67. Islands in the Net is I think is his finest work as it’s where his characters are best developed and the near future setting is quietly impressive. (It won a Campbell Memorial Award.) Admittedly I’m also fond of The Difference Engine which he co-wrote with Gibson which is neither of these things. He edited Mirrorshades: A Cyberpunk Anthology which is still the finest volume of cyberpunk stories that’s been published to date. He’s won two Best Novelette Hugos, one for “Bicycle Repairman” at LoneStarCon 2, and one at AussieCon Three for “Taklamakan”. (CE)
  • Born April 14, 1958 Peter Capaldi, 63. Twelfth Doctor. Not going to rank as high as the Thirteenth, Tenth Doctor or the Seventh Doctor on my list of favorite Doctors, let alone the Fourth Doctor who remains My Doctor, but I thought he did a decent enough take on the role. His first genre appearance was as Angus Flint in the decidedly weird Lair of the White Worm, very loosely based on the Bram Stoker novel of the same name. He pops up in World War Z as a W.H.O. Doctor before voicing Mr. Curry in Paddington, the story of Paddington Bear. He also voices Rabbit in Christopher Robin. On the boob tube, he’s been The Angel Islington in Neverwhere. (Almost remade by Jim Henson but not quite.) He was in Iain Banks’ The Crow Road as Rory McHoan (Not genre but worth noting). He played Gordon Fleming in two episodes of Sea of Souls series. Before being the Twelfth Doctor, he was on Torchwood as John Frobisher. He is a magnificent Cardinal Richelieu in The Musketeers series running on BBC. And he’s involved in the current animated Watership Down series as the voice of Kehaar. (CE) 
  • Born April 14, 1958 – Frances Dorer, age 63.  Half a dozen novels with her mother Nancy Dorer, some under a joint pen name.  Here is one with a Bruce Pennington cover. [JH]
  • Born April 14, 1967 – Steven desJardins, age 54.  In his own words, “Aspiring Hungarian translator.  World traveller.  Vegetarian.  D.C. native.  Have ankylosing spondylitis.”  He has been active for decades in WSFA (Washington, District of Columbia, SF Ass’n), in fanzines, and more widely in person when occasion served, e.g. co-sponsoring two of the remedial motions passed at the Sasquan (73rd Worldcon) Business Meeting.  For a 1995 sample of his fanwriting see here (note to WSFA Journal on World Fantasy Con).  [JH]
  • Born April 14, 1969 – Rebecca Shelley, age 52.  Half a dozen novels, four shorter stories for us; twoscore books all told.  “‘Stop whining and keep typing.  I know what I’m doing,’ my subconscious answers.”  Has read The Phantom Tollbooth, two by Jane Austen, LolitaMoby-DickThe Hunt for “Red October”The Adventures of Huckleberry Finn.  [JH]
  • Born April 14, 1982 Rachel Swirsky, 39. Her “The Lady Who Plucked Red Flowers Beneath the Queen’s Window” novella (lovely title that)  won a Nebula Award, and her short story, “If You Were a Dinosaur, My Love” would do the same a short while later. Very impressive indeed. I’ve read her “Eros, Philia, Agape” which is wonderful and “Portrait of Lisane de Patagnia” which is strange and well, go read it. (CE)

(11) BELATED BIRTHDAY.

  • April 13, 1967 Rogers Cadenhead,54. This Filer is a computer book author and web publisher who served once as chairman of the RSS Advisory Board, a group that publishes the RSS 2.0 specification. He’s still a member of the Board. Very, very impressive. He also gained infamy for claiming drudge.com before a certain muckraker could, and still holds on to it. (CE)

(12) COMICS SECTION.

  • Sheldon – Daniel Dern asks, does the style remind you of Vaughan Bode? E.g., his Cheech Wizard comics? (There should be a line over the “e” in Bode but WordPress won’t cooperate.)

(13) CALL TO RECAST T’CHALLA. A YouTube video called “The #RecastTChalla Petition To Honor Chadwick Boseman as Black Panther” describes a big petition drive to have the MCU cast someone else as Black Panther eventually rather than killing off the character in the next Black Panther movie.

The petition is hosted at Change.org: “Recast T’Challa To Honor Chadwick Boseman In the Black Panther Franchise”:

In August of 2020, the world mourned the death of Chadwick Boseman. To many, he was known for his on-screen role of Black Panther in the Marvel Universe. While his character of T’Challa was adored by fans, there have been rumors that Marvel will kill off his character in the new movie and for good. 

This is a call for the President of Marvel Studios Kevin Feige, Co-President Louis D’Esposito, and Writer/Director Ryan Coogler to reconsider their decision, and recast the role of “T’Challa” in the Black Panther franchise. If Marvel Studios removes T’Challa, it would be at the expense of the audiences (especially Black boys and men) who saw themselves in him. That also includes the millions of fans who were inspired by the character as well. 

By not recasting, it could stifle the opportunity for one of the most popular, leading Black superheroes to add on to their legacy. The #1 way to kill a legend, is to stop telling their story. 

(14) APOLOGY BY SIMPSONS ACTOR. In the Washington Post, Bethonie Butler says Hank Azaria has apologized for voicing Apu for 30 years on The Simpsons and says he will work with the “anti-racist Soul Focused Group” on issues affecting racism in entertainment. “Hank Azaria apologizes for playing Apu on ‘The Simpsons’ for three decades”.

…Initially, Azaria said he didn’t want to “knee-jerk respond to what could have been … 17 hipsters in a microbrewery in Brooklyn.” But he realized he needed to educate himself: “I talked to a lot of Indian people. I talked to a lot of people who knew a lot about racism in this country,” Azaria said. “I took seminars. I read.”

One conversation that particularly resonated with Azaria took place at his son’s school, where the actor spoke with a group of Indian students. One 17-year-old approached Azaria with tears in his eyes. “He’s never even seen ‘The Simpsons’ … but knows what Apu means,” Azaria explained. “It’s practically a slur at this point. All he knows is this is how his people are thought of and represented to many people in this country.”

The student asked Azaria to pass a message along to his industry colleagues: “Will you please tell the writers in Hollywood that what they do and what they come up with really matters in people’s lives, like it has consequences?”

(15) NOT READY TO SAY GOODBYE. James Davis Nicoll forwarded the YouTube link below with the note:The context is that popular Canadian sitcom Kim’s Convenience was cancelled very abruptly. Bitter Asian Dude is Paul Sun-Hyung Lee, one of the lead actors. I thought the issue of having something suddenly cancelled and how people react to it might be interesting to your readers. (ObSF: he’s acted in SF shows, and he defended Hench in Canada Reads.)”

The context is very different than the previous item — even the Canadian Prime Minister complimented the program’s diversity:

…Meanwhile, the airing of the final episode was commemorated with social media posts from members of the cast, celeb fans such as “Schitt’s Creek” star Dan Levy — and even a tweet from Canadian Prime Minister Justin Trudeau.

“For years, @KimsConvenience has celebrated diversity and championed inclusion,” wrote Trudeau to accompany a video of “Kim’s Convenience” star Simu Liu discussing the importance of diversity in film and television, both in front of and behind the camera.

“Although the show ends tonight, and we have to say ‘okay, see you’ to @SimuLiu and the entire Kim family one last time, let’s continue to #SeekMore representation in the stories on our screens,” he added.

Here is the “Post KC final episode livestream with Paul Sun-Hyung Lee”.

(16) ERR TAXI. [Item by Daniel Dern.] Another hard-to-verify tech prediction. Hopefully, if they’re wrong (by a noticeable amount/%) they’ll issue a follow-up release…

Date: Wed, 14 Apr 2021 12:52:08 +0000 (UTC)

Subject: Private equity/eVTOL research: Private equity and VC professionals predict huge growth in the eVTOL market

Please see attached a press release on new research with senior private equity and venture capital professionals, revealing 71% expect there to be more than 160,000 commercial air taxis operating around the world by 2050.    Some 17% anticipate there will be over 200,000.

The research was commissioned by Horizon Aircraft, the advanced aerospace engineering company that has developed the Cavorite X5, the world’s first eVTOL (Electric Vertical Take-off and Landing) that can fly the majority of its mission exactly like a normal aircraft. …

“However, investors should be warned that there are over 400 eVTOL concepts around the world being developed, and the vast majority of these will never become commercially viable.  They either won’t meet the requirements needed to secure insurance, or because of their design and operational costs and challenges, they may be too expensive to run.”

(17) SF CONCATENATION. [Item by Jonathan Cowie.] SF² Concatenation has its latest seasonal edition now up of science and SF news, articles and reviews.

Its seasonal news page includes listings of forthcoming SF as well as fantasy books from several British publishers. Such multi-publisher forthcoming book listings are rare, and though from British publishers, most will also be available in N. America. The seasonal edition consists of:

v31(2) 2021.4.15 — New Columns & Articles for the Summer 2021

v31(2) 2021.4.15 — Science Fiction & Fantasy Book Reviews

v31(2) 2021.4.15 — Non-Fiction SF & Science Fact Book Reviews

[Thanks to Greg Hullender, Will R., John King Tarpinian, Martin Morse Wooster, JJ, Daniel Dern, Cat Eldridge, Hampus Eckerman, James Davis Nicoll, Michael Toman, John Hertz, Andrew Porter, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/13/21 The Fan Who Scrolled Tropes To Gnoles

(1) F&SF. The Magazine of Fantasy & Science Fiction’s May/June 2021 cover art is by David A. Hardy. Thanks to Publisher Gordon Van Gelder for the advance look.

(2) VICTORY LAP. “Charlie Jane Anders On New Book Victories Greater Than Death is a Nerdist Q&A with the author.

Charlie Jane Anders has long been a vocal presence within the sci-fi fandom at large. Her prose writing has earned her multiple Hugo Awards as well as a Nebula award for her novel All The Birds In The Sky. With her upcoming book, Victories Greater Than Death, Anders kicks off a planned trilogy within the YA space. A tale reminiscent of the big flashy space opera adventures she grew up adoring. Nerdist recently had the chance to speak with Anders about her newest work….

A common theme in your novels is characters moving towards a destiny that they’re only vaguely aware of.  Is there something about this particular trope that you feel drawn to explore?

Yes! One of my obsessions as a writer is the “quest that people don’t necessarily know is a quest.” I hate writing characters who just go where the plot needs them to go, because I start to get bored if the characters don’t have a more personal stake in what’s going on. I just feel like this is more real and grounded. We usually don’t know where all of our searching is going to end up, until we get there.

I also feel like a quest needs to be spiritual as much as logistical, so I try to write characters who are searching for fulfillment as much as trying to accomplish a plot-driven goal. I read a ton of medieval texts like Piers Plowman and Pilgrim’s Progress back in college, and they left me with an enduring love for the quest for “what does it mean to be a good person?”

(3) NOT JUST A LABEL. In the Washington Post, Charlie Jane Anders has an op-ed where she discusses her own experiences as a transgender person and says that some bills (like North Carolina’s)”subject young people to extraordinary scrutiny and intervention when they need time to explore their interests and personalities.” “We should celebrate trans kids, not crack down on them”.

…Figuring out your own gender identity is hard work, requiring large amounts of self-awareness and vulnerability. Your gender isn’t just a label: It’s a matter of how your inner conception of yourself meets everyone else’s perceptions.

My own experience of finding myself as a transgender person involved a lot of false starts and soul-searching, as I tried to reconcile the person I’d been told I was with everything I felt inside. Often, it may appear that trans kids and adults emerge fully formed, like Athena from the brow of Zeus, when in reality we’ve spent endless hours trying to make sense of our selves. The moment we reveal the end result of our self-discovery to the world, we face microaggressions, outright hostility and discrimination.

For anyone, of any age, this can feel like riding a unicycle across a muddy field while bystanders shout unhelpful advice….

(4) THE ART OF VILLAINY. And we complete our Charlie Jane Anders trifecta with “Six Sinister Secrets to Creating a Truly Scary Villain”, a guest post at Stone Soup.

We’re facing a real shortage of pants-wetting villains in pop culture these days. I’ve gotten used to seeing a lot of villains, especially in movies and TV shows, who feel like a bit of an afterthought, or just a nasty copy of the hero. Or else they’re so sympathetic that they end up becoming more of an anti-hero, and usually get redeemed.

Villains should be able to commit almost any sin – except for the cardinal sin of being forgettable. Every time they show up, we should get scared and excited, because some shit is about to go down.

When I set out to write Victories Greater Than Death, my young adult space opera novel about heroic queer teens who save all the worlds, I really wanted to include an old-school, capital-v Villain. For my previous novels, I had tried to keep the morality of all my characters ambiguous, so that everybody got to make terrible decisions but also be pretty decent at times. But when it came to writing a swash-buckling, trash-talking adventure story with space battles and narrow escapes, I was determined to cook up a really monstrous baddie, like the ones who unnerved me when I was a kid.

(5) ALMOST AN ALT-HIST DOCUMENTARY. The Space Review’s Dwayne A. Day compliments an ambitious series: “It is very cold in space: Season 2 of ‘For All Mankind’”.

…So often, Hollywood demonstrates only a thin understanding of the subject matter of the shows it produces. Real doctors, lawyers, police officers, theologians, scientists, psychologists, teachers, engineers, and astronauts watch programs about their professions and scoff at how little they get right. TV writers quite often seem to get their knowledge of complex subjects from Wikipedia. But “For All Mankind” is different. It is almost as if the show has dropped its cameras into the time period (the late 1960s and early 1970s in season one, 1983 in season two) and filmed what actually happened, even though it didn’t… but could have.

The show’s strengths go beyond its level of verisimilitude. This is one of the few shows on television that is about something, that has questions to ask and answers to pose and ideas to explore. The show’s second season is mostly successful at doing that, although it stumbles a bit at the finish line….

(6) JACOBS OBIT. In the Washington Post, Michael Cavna remembers Frank Jacobs, who died on April 5 at 92.  His song parodies inspired Weird Al Yankovic, who is interviewed in the piece, and earned him the name of MAD’s “Poet Lauridiot.” “Remembering Frank Jacobs, the ‘poet lauridiot’ of Mad magazine who inspired comics like ‘Weird Al’ Yankovic”.

…He was best known for cutting lyrics set to standards from the great American songbook — including such tuneful spoofs as “East Side Story,” “Flawrence of Arabia” and “Keep On Trekin’ ” — and his musical parodies were even at the center of a landmark copyright-law case.

Music publishers and named plaintiff Irving Berlin sued Mad over a 1961 special edition that featured more than 50 parody lyrics to such songs as Berlin’s “A Pretty Girl Is Like a Melody,” which Jacobs turned into “Louella Schwartz Describes Her Malady.” In 1964, the U.S. Court of Appeals for the 2nd Circuit ruled in Mad’s favor, with Circuit Court Judge Irving Kaufman writing in his decision: “We doubt that even so eminent a composer as plaintiff Irving Berlin should be permitted to claim a property interest in iambic pentameter.”

Jacobs began writing for Mad in 1957, crafting early pieces such as “Why I Left the Army and Became a Civilian,” which humorously contrasted the discipline of military life with the demands of being an everyday married commuter. He also liked to spoof other cartoons, including in works such as “Obituaries for Comic Strip Characters” and “If the Characters in ‘Peanuts’ Aged Like Ordinary People”; the latter spoof was published in 1972, when Mad was at its pop cultural peak, reaching millions of readers each month.

“What is really amazing to me today is that there still are people who can sing all the words to some of his parodies,” says his son, Alex Jacobs….

(7) FRANCES OBIT. In “Myra Frances obituary”, The Guardian pays tribute to an actor with a notable genre resume who died April 13.

The actor Myra Frances, who has died aged 78 of cancer, broke a British screen taboo when she and Alison Steadman shared television’s first lesbian kiss in 1974. 

… her other standout screen role, as the selfish, self-obsessed Anne Tranter in the first series of Survivors (1975), a post-apocalyptic drama devised by Terry Nation, best known as the creator of the Daleks in Doctor Who.

Tranter, who has enjoyed a privileged upbringing, is one of less than 1% of the world’s population not wiped out by a plague, and Frances gives an intensely powerful portrayal of her as a screen villain, dumping her disabled partner and refusing to help others, having regard for only her self-preservation – the qualities of a true survivor.

The drama ran for a further two series with regularly changing characters, and in 1979 Frances appeared in another cult screen hit, Doctor Who. In The Creature From the Pit adventure, she played Lady Adrasta, doomed ruler of Chloris, who controls the valuable metals on her verdant planet of foggy forests until her people turn against her.

(8) HUGHES OBIT. [Item by Cora Buhlert.] Guardian journalist and TV critic Sarah Hughes, who did their episode-by-episode reviews of Game of Thrones among others, has died of cancer at the aged only 48. I was shocked to read this, because I had seen her final article, a review of an episode of the UK crime drama Line of Duty, only a day before her death, so she was literally still reviewing TV episodes on her deathbed. There’s also a lovely tribute by a fellow Guardian journalist: “’My TV bellwether, my wonderful friend’: a tribute to Sarah Hughes”.

…Over the past 10 years, Sarah Hughes cultivated the most wonderful and witty community for fans of the cultural juggernaut Game of Thrones. Readers flocked to her weekly recaps to share in her great love and knowledge of television. With boundless energy and absolutely no spoilers, she gave telly addicts a home and she always made them feel loved and listened to.

I had the honour of editing my TV bellwether, my wonderful friend, who died of cancer on Monday after outliving by years the prognosis doctors dared to give her. I put her longevity down to her passion for life, telly, trashy books, Tottenham Hotspur and Cheltenham races – plus, of course, the depth of her love for her husband, Kris, and their two children, Ruby and Oisín….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 13, 1893 – Harold Sheldon, Ph.D.  Physics professor, Prentice-Hall science editor, pioneer in conduction of electricity through crystals (basis of electronic integrated circuits) and ultra-high-frequency radio.  Third Ph.D. member of the American Interplanetary Society.  Introduction to Lasser’s The Conquest of Space.  Television (1929!).  Space, Time & Relativity.  Light Waves and Their Uses.  Okay, okay, these weren’t fiction.  (Died 1964) [JH]
  • Born April 13, 1931 Beverley Cross. English screenwriter responsible for an amazing trio of films, to wit namely Jason And The ArgonautsSinbad And The Eye Of The Tiger and Clash Of The Titans. He also wrote the screenplay for The Long Ships which is at genre adjacent. (Died 1998.) (CE) 
  • Born April 13, 1937 Terry Carr. Well-known and loved fan, author, editor, and writing instructor. I usually don’t list awards both won and nominated for but his are damned impressive so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death and all proceeds went to his widow. (Died 1987.) (CE) 
  • Born April 13, 1941 – John Foyster.  Mainspring of the 7th Australian SF Con; Fan Guest of Honour at 8th, 12th, 20th.  Instigated Aussiecon I the 33rd Worldcon.  Co-founded DUFF (Down Under Fan Fund).  First GUFF (Get Up and over Fan Fund northbound, Going Under Fan Fund south) delegate, report Stranger in Stranger Lands.  Australian SF Review.  Australian Fan History 1953-1966.  Journal of Omphalistic Epistemology (with Bruce Gillespie).  Contributor & correspondent, ChungaIzzardNY Rev SFSF CommentarySF ReviewVision of Tomorrow.  Chandler Award.  Three Ditmars.  More here.   (Died 2003) [JH]
  • Born April 13, 1949 – Teddy Harvia, age 72.  Four Hugos as Best Fanartist.  Fan Guest of Honor at Minicon 25, DeepSouthCon 35, ArmadilloCon 23, Loscon 30, ConQuesT 38; Special Guest (with wife Diana Thayer), Boskone 36 (Boskone has no Fan Guest of Honor; the Special Guest need not be a fan).  Rebel Award.  Rotsler Award.  See my note here.  [JH]
  • Born April 13, 1951 Peter Davison, 70. The Fifth Doctor and one that I came to be very fond of unlike the one that followed him. And he put a lot of gravitas into the voice of Mole he did for The Wind in the Willows animated special Mole’s Christmas. For twenty years now, he has reprised his role as the Fifth Doctor in myriad Doctor Who audio dramas for Big Finish. (CE)
  • Born April 13, 1953 – Helen Hollick, age 68. Eight novels, two shorter stories.  Historical fiction “not to include Merlin…. no magic…. no Holy Grail quest…. not a fantasy” about Arthur, Harold II, Emma of Normandy; also “pirate-based nautical adventures … part fantasy … intended for adult reading.”  Website.  [JH]
  • Born April 13, 1954 Michael Cassutt, 67. Producer, screenwriter, and author. His notable TV work includes work for the animated Dungeons & DragonsMax HeadroomThe Outer LimitsBeauty and The BeastSeaQuestFarscape and The Twilight Zone. He’s also written a number of genre works including the Heaven’s Shadow series that was co-written with David S. Goyer. (VE) 
  • Born April 13, 1950 Ron Perlman, 71. Hellboy in a total of five films including three animated films (Hellboy: Sword of StormsHellboy: Blood and Iron and the Redcap short). He’s got a very long association with the genre as his very first film was Quest for Fire in which he was Amoukar. The Ice Pirates and being Zeno was followed quickly By being Captain Soames in Sleepwalkers and Angel  De La Guardia in the Mexican horror film Cronos.  Several years later, I see he’s Boltar in Prince Valiant, followed by the hard SF of being Johnher in Alien Resurrection and Reman Viceroy in Star Trek: Nemesis. And I should note he was in Fantastic Beasts and Where to Find Them as Gnarlack, a goblin gangster if I read the Cliff notes to that correctly. No, I’m not forgetting about his most amazing role of all, Vincent in Beauty and The Beast. (Having not rewatched for fear of the Suck Fairy having come down hard on it.) At the time, I thought it was the most awesome practical makeup I’d ever seen. And the costume just made look him even still more amazing.  (CE) 
  • Born April 13, 1967 – Mayra Calvani, age 54.  Some work under Zoe Kalo may have to be sought that way; three novels as MC, five as ZK.  Also MC nonfiction e.g. anthology Latina Authors and Their Muses (Int’l Latina Book Award).  [JH]
  • Born April 13, 1985 – Karsten Knight, age 36.  Six novels, three shorter stories. “Favorite song: ‘The Very Thought of You’ by Billie Holiday…. I performed as a beatboxer in various a cappella groups for almost a decade.” [JH]

(10) SOLE MAN. “’Rocky Horror’ played to an empty theater for 54 weeks. Now, audiences return to Portland’s longest-running movie”OregonLive interviews the audience. Almost every one of him.

Some things are constants in a chaotic world: Death, taxes and “The Rocky Horror Picture Show,” which has played at Portland’s Clinton Street Theater every Saturday night for 43 years.

So, on March 15, 2020, when the theater was forced to close due to coronavirus restrictions, one man was determined not to break the streak.

For the next 54 Saturdays, Nathan Williams came to an empty theater to screen the film, sometimes with a friend, sometimes by himself.

“I watched it alone. I watched it during the snowstorm,” said Williams, who serves as emcee for the theater’s “Rocky” nights. “I was in a position to keep a flame burning, to keep a torch lit.

“I’m just a guy holding a torch for the city of Portland, for all the weirdos, for all the people who don’t have a safe place to call home, we’re home.”

Lani Jo Leigh, owner of Clinton Street Theater since 2012, said it was important for the community to know that the theater was still waiting for them…

(11) SPACE ON THE SHELVES. Delish reports “Lucky Charms Galactic Is Coming To Cereal Aisles Soon”.

…Announcing the release of Lucky Charms Galactic, General Mills is clearly keeping the cereal game on lock as well as keeping cereal lovers on their toes. Delivering an intergalactic twist on the beloved Lucky Charms brand, the new limited-edition offering still hosts the traditional frosted toasted oat cereal with marshmallow pieces that we love, but now includes three additional new magic charms. How lucky are we?!

The new charms—which are said to have “special powers”—include two colorful planet charms that can duplicate and a rocket charm that has the power to race through space…. 

(12) LAST IN SPACE. UPI brings you into the picture as “Astronaut breaks Guinness record for longest time between spacewalks”.

A Japanese astronaut was awarded a Guinness World Record when he took two spacewalks 15 years and 214 days apart.

Soichi Noguchi, an astronaut with the Japan Aerospace Exploration Agency, went for a spacewalk March 5 as part of the ISS Expedition 64, a record-breaking amount of time after his Aug. 3, 2005, spacewalk.

(13) TODAY’S THING TO WORRY ABOUT. AI cats are already a thing – The Verge worries that “Soon, the internet will make its own cat photos and then it won’t need us”.

These are computer-generated images from This Cat Does Not Exist, and folks: I think we are in trouble.

I understand this is going to sound crackpot, but hear me out. What if our computers are already smarter than us, and the only reason they’re pretending they aren’t is so we’ll continue feeding them their favorite thing, photos of our cats? I understand that in isolation this sounds ridiculous, but I don’t think it’s any sillier than the Singularity.

Under this theory, Skynet has already happened, but Skynet is benign because one of the first things we taught it was that cats were cute. And Skynet doesn’t have cats. We do. This is our major structural advantage: we can feed the internet fresh cat photos. It’s why the internet — thus far, anyway — has remained willing to continue human life as we know it: for our cats…

(14) VIDEO OF THE DAY. In “Honest Game Trailers: Monster Hunter Rise” on YouTube, Fandom Games says this game is “another entry in the turning monsters into fashion accessories genre” which should appeal to gamers who enjoy “whacking dinosaurs with comically oversize weapons.”

[Thanks to Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Gordon Van Gelder, Dann, JJ, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]

Pixel Scroll 4/12/21 No Matter Where You Scroll, There You Pixel

(1) MUIR’S PROGRESS. Bence Pintér conducted a “Q&A with Tamsyn Muir” for the Hungarian magazine Spekulatív Zóna. (You can find the Hungarian version of the interview here.)

The Locked Tomb Trilogy seems like a pretty hard one to pitch to a publisher. How have you pitched it?

I never really pitched the trilogy as a trilogy. I pitched Gideon as more or less a murder mystery, because to me that’s still its most fundamental DNA: it’s the classic And Then There Were None set-up, a group of people in an isolated location start getting killed off one by one. I think I said it was a locked-room murder mystery with necromancers. But I was also deeply confused about a lot of things and thought it might be a Young Adult book, because I understood ‘young adult’ as a tag to mean ‘older teenagers would enjoy it’ and I firmly believed that older teenagers would enjoy Gideon! Someone I showed the story to at an early stage had to break it to me gently that this was not a Young Adult book, and never would be without very major re-writing and taking out 90% of the swearwords….

You signed a six-figure deal with Tordotcom Publishing. What will you work on after finishing Alecto the Ninth?

Lots of stuff. Next up is a novella about a gunslinger in a near-future dystopia, which is going to be a massive relief to write as it contains neither swords nor bones, thank God. Then I’ve got to start on the next full-length novel, which will probably have some swords and some bones but not at anywhere near the concentration Locked Tomb did, and will leaven the mixture by also having some motorbikes. And at some point I need to fit in the sequel to Princess Floralinda and the Forty-Flight Tower, my novella from last year, which I’ve decided I’m not quite done with. Now if I could just get an extra four or five months added in to the year, maybe in summer when the weather’s OK, that would be fantastic.

(2) PRO TIPS. Odyssey Writing Workshop interviews Guest Lecturer Sheree Renée Thomas, now editing F&SF.

Congratulations on recently becoming editor of The Magazine of Fantasy & Science Fiction! What are the most common problems in the manuscript submissions you receive?

I just revised our submission guidelines to address that, because after reading 2,400 stories our first month in January, I noticed some patterns, particularly for people who have submitted work to the magazine in the past, and they probably don’t know that they’re doing some of these things.

The main thing I revised our submission guidelines to address is pacing. If you spend a long time setting up your story, or throat clearing, or giving us a long narrative exposition before we even get to the characters we’re supposed to be following and experiencing, you’re going to lose your readers’ interest right off the bat. One of the things people can do when they go back and look at the story is see if they started in the right place. As a writer, it’s not always easy to know that immediately. Sometimes we have to write the thing in order to know the thing; we have to write that first scene to get to the other one.

The other thing that a lot of writers do give us too much information that’s not naturally integrated into the storytelling, and so that becomes a little wearisome to read and hard to follow. People are not telling the story from the POV of the character who has the most to lose in the situation.

I don’t want to read about misogyny, whether it’s conscious or not in the story. I don’t particularly care for rape stories where rape is just a plot device and it’s not handled in a human way, where you don’t have the characters respond to it in a way that humans might. And F&SF is not the best market for super erotic work.

(3) TV DINNER. ASU’s Center for Science and the Imagination’s Science Fiction TV Dinner series is going virtual for 2020-2021, and they’ll  Zoom the next event on Tuesday, April 27 at 6 p.m. Pacific time. It features The Mailbox, a short film about time travel and Chinatowns. They’ll be talking with the director, Louis Yin, a writer and filmmaker based in Beijing, and Diane Wong, a professor at Rutgers University who studies the Asian diaspora and the urban immigrant experience. The event is free, and open to everyone. Register at the link.

We’re shifting the format slightly, presenting Science Fiction TV Small Bites: short films from talented creators that invite us to explore a range of possible futures.

…Each Small Bite event will also feature an exclusive segment on cuisine and cooking by Corey S. Pressman, an author, educator, anthropologist, visual artist, and member of CSI’s Imaginary College.

We would like to thank Storycom for their support and collaboration on this event. Storycom is the first professional story commercialization agency in China, and is dedicated to bringing excellent Chinese SF stories to domestic and global audiences in various formats. Storycom also presents The Shimmer Program to introduce new audiences to Chinese SF. Learn more at https://twitter.com/ShimmerProgram.

(4) ACE ON THE CASE. [Item by Martin Morse Wooster.] In the April 7 Financial Times, Tom Faber looks at video games that combine the supernatural with detective stories.

…The first detective games I loved were the Ace Attorney trilogy, in which you play Phoenix Wright, an impossibly earnest lawyer who solves a trio of outlandish murders.  The tone is decidedly zany, with anime-style graphics and supernatural story beats. But the sharp characterisation makes them deeply affecting.  Each complex case is split into two parts:  the first has you talking to witnesses and gathering evidence from the crime scene, while the second takes you to court, where you cross-examine witnesses and poke holes in testimony…

…Perhaps the secret ingredient to a successful detective game is allowing players freedom to find the solution by themselves.  These qualities re best exemplified in last year’s indie hit Paradise Killer, which sets its supernatural mystery across an open world, allowing you to investigate at your own pace.  The game never tells you where to go next and you can set the final trial at any point, no matter how much evidence you’ve gathered.  Newcomers may be alarmed by the game’s high-concept fantasy, which tells of a group of social elites constructing a utopia by sacrificing the working classes to resurrect a pantheon of vanished gods.  Yet once you find your footing, the story resolves into a fantastically imaginative, richly compelling narrative with a superb soundtrack to boot.

(5) WHAT YOU CAN LEARN FROM CONFUSION. Ian Moore’s “ConFusion: Eastercon 2021” report at Secret Panda offers a lot of coverage of the panel programming.

… Many of the academic presenters at ConFusion seemed to be from creative writing rather than literary criticism programmes, which changed the focus somewhat: when they were examining a particular theme within science fiction, it was with a view to ultimately creating something in that area themselves, with several then presenting us with some of their own creative work in progress.

I enjoyed Hester Parr’s presentation on fanfic, though at times it did tend towards more of a stirring defence of fan fiction than an academic analysis of it. Particularly interesting was the discussion of how some fanfic writers use their writing to work out things about themselves and the revelation that the My Fair Lady musical is closer to the original Pygmalion myth than the George Bernard Shaw play it is adapted from. I did find myself thinking about whether there is a difference between something like Margaret Atwood’s The Penelopiad and other retellings of myths or sequels to others’ work by novelists on the one hand and fan fiction proper on the other hand. Part of Parr’s argument seemed to be that there is not really a difference, with the human tendency to retell and adapt stories meaning that fanfic is a universal thing with its origins in the mists of time. I have the nagging sense though that there is something different between a novel written by a professional writer and something a hobbyist has posted to an online fanfic platform. To me the fannishness of fanfic is what distinguishes it from non-fan writing drawing on pre-existing stories, though further investigation may be required here….

(6) GAGARIN AND THE POTATO FIELD. Sixty years ago today Yuri Gagarin became the first man in space. Here’s the CNN story:

…Khrushchev’s answer came 60 years ago, on April 12, 1961, when Soviet cosmonaut Yuri Gagarin circled the Earth aboard a spacecraft called Vostok 1. After parachuting from the craft near the Russian village of Smelovka, Gagarin landed a hero — and a major embarrassment for the United States, already stung by the Soviet first-in-the-race launch of the Sputnik 1 satellite four years earlier….

And what goes up must come down – however unexpectedly that might be if you happen to be standing where they land.

(7) JOURNEY INTO SPACE. And the Journey Planet team bids everyone a Happy Cosmonautics Day. Ann Gry co-edited their “Russian Space – ” theme issue which came out in December.

Cover by Sara Felix

This unique issue of Journey Planet comes in two languages in parallel text, Russian and English. With bi-lingual text on every page we look at the Science, Engineering, Science Fiction, Films, Comics and poetry that the theme of Russian Space has to offer.

Muscovite Co-Editor Ann Gry (Anna Gryaznova) was committed to ensure the issue was as accessible as possible to the readers, interested in the subject and spent a tremendous amount of time working on translations as well as seeking out new voices, and hearing from voices who may be very new to Journey Planet readers. This issue is a curated glimpse into the creative realms mostly inaccessible due to the language barrier and is an attempt to give an idea of how space theme connects us all.

You can find the issue here:

(8) WE’LL MEET AGAIN. James Davis Nicoll extols “Five Stories Built Around the Threat of Nuclear Blackmail” to Tor.com readers. Not all of them are grim:

The Mouse that Roared by Leonard Wibberley (1955)

The tiny principality of Grand Fenwick had no intention of blackmailing the world with atomic doom. Faced with economic calamity (Americans had successfully copied Grand Fenwick’s principal export, Pinot Grand Fenwick wine), they came up with a simple but brilliant plan: declare war on the United States of America, lose, capitulate, and then wait for US to expend billions of dollars rebuilding Grand Fenwick (shades of the Marshall Plan). Since Grand Fenwick had not upgraded its military toolkit since the Hundred Years War, there was no way this cunning scheme could go wrong. Or so it seemed.

The handful of men-at-arms dispatched to New York City find a city abandoned thanks to a Cold War-era Civil Defense exercise. Hunting for someone to whom they might surrender, they stumble across Dr. Kokintz and his Q-bomb demonstration model. Both Kokintz and his device are carried off to Grand Fenwick, whereupon the astounded Grand Fenwickians discover to their alarm that they are now in possession of a weapon that could, if detonated, depopulate a continent. Still, having the eyes of the world on them has possibilities…provided nobody jostles the delicate Q-bomb.

(9) HAND MADE. The Dwrayger Dungeon makes a post from clips from a 1939 short in “13: PARAMOUNT Presents POPULAR SCIENCE”. See how a Popeye cartoon was made in the days of hand-painted animation cels.

Today we go behind the scenes of the making of the Popeye cartoon “Aladdin And His Wonderful Lamp” at the Fleischer Studios in Miami….

Here are the guys working on the storyboards for their upcoming Popeye cartoon. I swear, there are like 500 drawings pinned up on the wall….

(10) MEDIA BIRTHDAY.

  • April 12, 1940 — On this day in 1940, Black Friday premiered. It was directed by Arthur Lubinfrom from a screenplay by Curt Siodmak (who won a Retro Hugo last year for Frankenstein Meets the Wolf Man) and Eric Taylor. Though Boris Karloff and Béla Lugosi were co-billed, Lugosi only has a rather small part in the film and does not appear on screen with Karloff.  Universal had cast Lugosi as the Doctor and Karloff as the Professor, but Karloff insisted on playing the Doctor. So Lugosi was given the minor role of a rival gangster, while Stanley Ridges was brought in to play the Professor. Reception was mixed with some critics loving the double billing, but the NYT noted that “Lugosi’s terrifying talents are wasted”.  Over at Rotten Tomatoes, the audience reviewers give it a rating of forty nine percent.  It is in the the public domain now, so you can watch it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 12, 1884Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late 1920s early 1930s. He’s one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.) (CE) 
  • Born April 12, 1908 – Janie Lamb.  Edited the N3F (Nat’l Fantasy Fan Fed’n) National Fantasy Fan and Tightbeam.  Inspiring spark of Southern Fandom (southern U.S., not e.g. the Republic of South Africa, or London, or Spain despite Roses from the South, these other regions not typically so calling themselves); chaired DeepSouthCon 7.  Kaymar and Rebel service awards.  (Died 1981) [JH]
  • Born April 12, 1915Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’  He published thirteen novels and some one hundred fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. (Died 2000.) (CE) 
  • Born April 12, 1921Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement award from the World Fantasy Awards Administration. I’ve not read her novels, so which would you recommend? Novel wise, she’s reasonably well stocked at the usual suspects but her collections are largely not there. (Died 2019.) (CE) 
  • Born April 12, 1936Charles Napier. Adam in Star Trek’s “The Way to Eden”. He had one-offs, and this is not a complete list, on Mission ImpossibleThe Incredible HulkKnight Rider, Tales of The Golden MonkeyThe Incredible Hulk ReturnsLois & Clark: The New Adventures of SupermanDeep Space Nine and voiced Agent Zed in the animated Men in Black series. (Died 2011.) (CE) 
  • Born April 12, 1947 – Tom Clancy.  Regardless of whether Jack Ryan becomes President, and the author’s politics which as it happens I never liked much, I defiantly assert The Hunt for “Red October” – TC’s first novel! he’d been an insurance salesman! Deborah Grosvenor had to persuade the Naval Inst. to publish it! – is SF, and good SF too.  (Died 2013) [JH]
  • Born April 12, 1952 – Pierre Stolze, Ph.D., age 69.  Dissertation at École Normale Supérieure on SF.  Seven novels, a score of shorter stories.  Will Francophone translators kindly address this man’s work?  [JH]
  • Born April 12, 1958 – Elizabeth Klein-Lebbink, age 63.  Canadian living in Los Angeles.  Active particularly with Art Shows; board member of the Southern Calif. Inst. for Fan Interests (yes, that’s what the initials spell, pronounced skiffy).  Her high-tech expertise permitted the annual Rotsler Award display at Worldcons to rise above the personal handicraft of one man in a propeller beanie, however helped by volunteers (hello, Murray), and thus reach Dublin (77th Worldcon) and Wellington (78th Worldcon, virtual-only).  [JH]
  • Born April 12, 1968 – Marah Searle-Kovacevic, age 53.  Head of Exhibits at Noreascon 4 the 62nd Worldcon, credited by con chair with extra help at N4’s elaborate and successful First Night, see this detailed report.  Chaired SFContario 4-5.  Was assigned as head of Social Media for Westercon LXXIII.  [JH]
  • Born April 12, 1969 – Mike Jansen, age 52.  Ran Babel Publications for ten years with Roelof Goudriaan (hello, Roelof).  Three novels, fourscore shorter stories, a dozen poems, many available in English e.g. collection Ophelia in My Arms.  Website in eight languages including Arabic, Chinese, English. [JH]
  • Born April 12, 1979Jennifer Morrison, 42. Emma Swan in the Once Upon a Time series, and Winona Kirk, mother of James T. Kirk in Star Trek and Star Trek Into Darkness. She also paid her horror dues in Urban Legends: Final Cut as Amy Mayfield, the student videographer whose film goes terribly wrong. I’m intrigued to see that she’s the voice actor for the role of Selina Kyle / Catwoman in the Batman: Hush, a film that needs a R rating to be told properly and indeed did so. (CE) 

(12) COMICS SECTION.

  • Macanudo reveals the ancestry of a certain popular character from The Mandalorian.

(13) THE ARRIVAL OF THE FUTURE. Eric Diaz analyzes “How the Year 1986 Changed Comic Books Forever” at Yahoo! Life. Here’s the first pair of reasons:

… Let’s get this double-whammy out of the way. 1986 saw the release of Alan Moore and Dave Gibbons’ Watchmen, and Frank Miller’s Batman: The Dark Knight Returns. So much has been said about both of these comics already. Although much about them is different, each is a deconstruction of the superhero concept; and each elevated the medium to new levels of respectability.

Yes, their success has sown definite downsides. Too many creators take the wrong lessons from their popularity, veering “dark and edgy” for the sake of it. But this aside, both of these remain towering achievements in comic book storytelling…. 

(14) WONDER WOMAN WRITER REMEMBERED. In the Washington Post, Michael Cavna interviews Mark Evanier and author/editor Anina Bennett about Joye Hummel Murchison Kelly’s appearance at the 2018 Comic-Con and how she enjoyed the recognition she got for her Wonder Woman work when she was 94. “She was the ‘secret’ Wonder Woman writer in the 1940s. Here’s how she finally got her due at 94”.

…“In all my years of Comic-Conning, I can’t recall another moment when the audience was so eager to give someone a long, loving ovation,” Evanier said Wednesday, “and the recipient was so delightfully surprised to be at an event like that receiving one.

“Joye told me it was the best weekend of her life, and I thought, ‘Imagine having the best weekend of your life when you’re 94!’”

(15) BIRD IS THE WORD. Jeff VanderMeer, in his essay “Hummingbirds and the Ecstatic Moment” for Orion Magazine, explains how birds provided comfort to him when he was sick in bed with asthma as a child and why birds play a crucial role in Hummingbird Salamander.

…I am not going to complain about my childhood—it was worse than some and better than many. But it was a sickly time for me. Transplanted to the Fiji Islands from Pennsylvania when my parents joined the Peace Corps, I discovered I was allergic to many flowering trees and also developed acute asthma. The practical effect of this meant that some mornings I would wake to birdsong hardly able to breathe or open my eyes.

Yet we lived in the cliché of a tropical paradise, a nature-rich country in which nothing separated you from the outdoors. An island nation that knew the limits of its resources and thus, at that time, treasured them.

At recess at school, in our drab gray uniforms, we would run across the road to the black sand beach at low tide and look for mudskippers, or walk along the edge of the reef, searching for starfish. I would stare into the alien eye of a sea turtle as my mother captured the detail in her biological illustrations. We would pile into a boat so my father could go to an outer island and observe the damage to coconut trees from rhinoceros beetles, for his research. Along the way, I would keep a birding journal and identify what I saw using a black-and-white stapled booklet showing the local Fijian species.

There could be no greater contrast between the beauty of that place and the realities of my condition…. 

(16) RESNICK ON SALE. There’s a Bundle of Holding with a flock of novels by Mike Resnick. It’s available for the next 21 days.

Adventurer! This Mike Resnick Bundle presents space opera and alternate-history fantasy ebook novels by Mike Resnick published by Pyr BooksMike Resnick (1942-2020) wrote more than 70 wide-ranging science fiction novels and hundreds of short stories that won many awards. This all-new fiction offer gives you DRM-free ebooks (in both ePub and Kindle formats) of a dozen Resnick novels: the four Weird West steampunk fantasies, the three Dead Enders adventures of interstellar espionage, and the five Starship military space operas. These three series showcase Resnick’s gift for fast pacing, engaging characters, snappy dialogue, and headlong action.

For just US$6.95 you get all three novels in our Mike Resnick Sampler (retail value $58) as DRM-free ebooks. Each of these novels — The Buntline Special, The Fortress in Orion, and Starship: Mutiny — launched a series.

And, if you pay more than the threshold price of $25.36, you’ll also get our Complete Collection with all the later books in each series — nine more novels worth an additional $180…

(17) DON’T DO IT. From an interview in The Guardian: “String theorist Michio Kaku: ‘Reaching out to aliens is a terrible idea’”.

You believe that within a century we will make contact with an alien civilisation. Are you worried about what they may entail?

Soon we’ll have the Webb telescope up in orbit and we’ll have thousands of planets to look at, and that’s why I think the chances are quite high that we may make contact with an alien civilisation. There are some colleagues of mine that believe we should reach out to them. I think that’s a terrible idea. We all know what happened to Montezuma when he met Cortés in Mexico so many hundreds of years ago. Now, personally, I think that aliens out there would be friendly but we can’t gamble on it. So I think we will make contact but we should do it very carefully.

(18) IT’S A THEORY. “Prehistoric cavemen starved themselves of oxygen to induce hallucinations and inspire their ancient paintings, study finds”Yahoo! News has the story.

Prehistoric cave dwellers living in Europe purposefully starved themselves of oxygen to hallucinate while creating their decorative wall paintings, a groundbreaking new study has found.

Researchers have been questioning for years why so many of the world’s oldest paintings were located in often pitch-black tunnel systems, far away from cave entrances.

But a recent study by Tel Aviv University now reveals that the location was deliberate because it induced oxygen deprivation and caused cavemen to experience a state called hypoxia.

Hypoxia can bring about symptoms including shortness of breath, headaches, confusion, and rapid heartbeat, which can lead to feelings of euphoria, near-death experiences, and out-of-body sensations. The team of researchers believes it would have been “very similar to when you are taking drugs”, the Times reported.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Alien:  Covenant Pitch Meeting” on YouTube, both the producer and the screenwriter agree that the film’s plot is so ridiculous that the screenwriter says “the movie falls apart if any character stops being dumb” and the producer asks, “do all the characters have brain damage, or what’s up?”

[Thanks to Hampus Eckerman, rcade, John King Tarpinian, Joey Eschrich, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, Rich Horton, James Davis Nicoll, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Contrarius.]

Pixel Scroll 4/11/21 On The Scroll I’d Rather Be In Philadelphia

(1) JOCO VIRTUAL CRUISE IN PROGRESS. [Item by Todd Mason.] The Jonathan Coulton Cruise, an annual “fringe”/”geek” cultural floating convention, is this year providing a free online version of the (essentially) convention… “JoCo Virtual Cruise 2021”. It started April 10 and runs through April 14.

A worldwide pandemic may have prevented the physical sailing of JoCo Cruise 2021 from happening, but the spirit of JoCo Cruise SHALL NOT BE DENIED OR CONTAINED. As such, we at The Home Office have uploaded our collective consciousness to the cloud, and JoCo Cruise is going to ride the ones and zeros as JoCo Virtual Cruise 2021.

Concerts, panels, gaming, Shadow Cruise (attendee-run) events, dance parties, a Fancy Pants Parade—all the things you love about JoCo Cruise, packed together and streamed over the Netterwebs for your socially-distanced convenience!

(2) HOOFING THROUGH HISTORY. Jason W. Ellis has posted “Notes on A Science Fiction Walking Tour in New York City”.

Looking ahead to the New York City of Print NEH Summer Institute, I wanted to collect some notes and resources together for Science-Fiction-focused locations around the city, including the original Manhattan-based offices for the magazines Amazing Stories and Astounding Science-Fiction, and home and business locations in Brooklyn of importance to the SF writer Isaac Asimov….

(3) HATE CRIMES IN CAMBRIDGE. [Item by rcade.] The SFF writer/editor Cecilia Tan tweeted Saturday evening that she had just witnessed an assault outside a Cambridge, Massachusetts, bookstore. Thread starts here.

I’m in line to enter the bookstore and there is an Asian American couple in front of me. A white guy in tights wearing a mask goes to walk between us and he just outright punches the Asian guy in the ribs as he goes by!

The Asian guy grabbed his arm and yelled what the hell is wrong with you? The white guy pulled away yelling “what the hell you think is wrong with me?” And then walked away quickly before I could get my phone out to take a photo.

The incident occurred outside Porter Square Books. Tan said the store has security cameras it will be checking for potential footage to provide police.

Tan was walking home from the bookstore when she encountered another hate crime in Porter Square. The Judy Jetson hair salon had a boarded-up window with the words, “You can break our window but you can’t break our Pride.”

The salon’s Instagram feed revealed Friday that someone threw a brick through a window displaying a Pride flag. The salon stated, “Our support for the LGBTQ community will never be silenced.”

(4) HELPING VARLEY. A new post at John Varley’s blog, “Recovering”, announces a GoFundMe to sustain him after his quadruple bypass:

… When I had the heart attack and quadruple by-pass surgery, Spider [Robinson] came to the rescue again. He asked his good friend, Steph Herman, to co-ordinate a fundraising project to help cover costs of rehab, rent and bills which were barely being covered by social security and diminishing royalties.

The “Help John Varley survive his Quadruple Bypass” appeal has raised $27,020 of its $30,000 goal in the first week. When the fund hit the $25K mark Varley and his partner Lee Emmett wrote:

…If he had raised a tenth that much I would still have been stunned. There have been some donations from old friends (and thank you all for that; you know who you are), but the bulk has come from people I don’t know, have never met, and probably will never meet. (Though I would love to.)

To think that my stories have moved so many people … well, it literally chokes me up. After all, I’m just a guy sitting here in the dark, trying to think up stuff that might amuse people … and perhaps a little more if I’m lucky and it all comes together. Being a writer of short stories and novels is a lonely profession. There are no story conferences, no meetings in the writers’ room to hash out the details. There’s just me and this damn blank screen.

Over the years I have had a certain amount of “fan” mail, and it has all been greatly appreciated. But nothing like this. In the end, all I can say is thank you…. 

(5) DIGNITY, ALWAYS DIGNITY. In his autobiography In Joy Still Felt, Isaac Asimov discussed Discon I (1963). He explained that at the last-minute chair George Scithers asked him to replace Theodore Sturgeon as master of ceremonies at the Hugo Awards, also at the last minute.  Asimov explains that he really wanted a Hugo and thought being MC meant he wouldn’t get one.

Finally, there was only one Hugo left to be awarded, and it was labeled ‘Dramatic Award.’  I didn’t think anyone would be interested in that because it would be go to some movie or TV show with no one involved who was personally known to anybody, so I let the audience wait while I launched into a short speech of not-so-mock annoyance.

‘You know why I’ve never had a Hugo?’ I said, waving my fist in the air.  ‘It’s because I’m Jewish, that’s why.  It’s because of anti-Semitic prejudice in high places,  It’s because you’re all a bunch of Nazis.’  Naturally, this got a big laugh, and I opened the envelope and found that the ‘Dramatic Award’ typed on it had been put there as a blind.

The final Hugo, of course was for me.  I started reading, ‘For putting the science in science fiction, Is—‘ and stopped cold.

There wasn’t any question I was surprised.  The day never existed when I could fake that look of stunned astonishment on my face,  The audience roared; it roared for ten minutes.  When everyone died down and I caught my breath, George handed me my Hugo and I said, ‘You’ve ruined my shtick, damn it.’  (I tried to feign indignation, but I was smiling all over.  I was delighted.)

Apparently Ted Sturgeon had been chosen master of ceremonies because they wanted to give me a Hugo, and apparently he had been kept away by family difficulties.

I said, ‘Then why did you ask me to be master of ceremonies, George?  There were plenty of other choices.’

‘Oh well,’ said George, ‘we thought it would be funnier that way, but I have to admit no one ever dreamed you would lead up to it so beautifully.’

I said, ‘Don’t you think it would look peculiar to have me give a Hugo to myself?’

‘Sure,’ said George, ‘but the committee decided you were the only writer in science fiction who could give himself a Hugo without being embarrassed,’

“Wiseguy,’ I said–but he was probably right.

(6) MASLOW’S FOUNDATION. Horror Writers Association members have been passing around the link to “Maslow’s pyramid of code review” (2015) since it was tweeted by Space & Time’s Leonard Speiser. Originally aimed at writers of computer code, Angela Yuriko Smith’s reinterpretation for fiction authors is here: “Maslow’s Pyramid Of Code—Writer Mod”.

…The layers are correct, secure, readable, elegant with the pinnacle of accomplishment as altruist. I have printed this pyramid and have pinned it to my wall so I can evaluate my own manuscripts with it. It’s beautiful, simple and it makes sense. You can see Dein’s original post referring to Maslow’s Pyramid of code here. Here’s my modified version for writers and poets:

Any piece of writing should be:

  1. Correct: does the written work do what it’s supposed to? Has it been edited and formatted? Have the redundancies been weeded out? Is it as correct as possible? Have run on sentences and passive voice been eradicated?
  2. Secure: does the written work have vulnerabilities? Is it stored in the cloud, or backed up on your computer? Do you need a hard copy? Do you save on an external drive?
  3. Readable: is the written work easy to read and comprehend? Are there plot holes and lapses in logic? Does the dialogue feel natural? Is the world believable? Can the reader follow along and understand what you wish to communicate?
  4. Elegant: does the written work leverage well-known patterns? Does it make use of balanced syntax? Is there texture, rhythm and a variety of adjectives? Does the piece flow, bringing the reader along for the ride or must they struggle to stay afloat in the text? Is there a compelling start and satisfying end?
  5. Altruist: does the written work leave the humanities better than what they were? Does it inspire other writers to improve their work as well? Is it cleaning up unneeded bias, improving diversity, introducing better writing through worn out trope refactoring? Does it have a purpose beyond ego, whether this is to teach, enlighten or entertain?

(7) SLF NEEDS JURORS. The Speculative Literature Foundation is calling for volunteer jurors to help read applications for the Older Writers Grant.

Ideally, we’re looking for people who are well read in speculative fiction, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work.

Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.

Finally, we’re offering a tiny honorarium of $25 — it’s not much, but enough to buy a nice dinner as a reward for your labors!

If interested, please send a brief note to L.D. Lewis (lekesha@speculativeliterature.org) with the subject line: JUROR.

(8) MEDIA BIRTHDAY.

  • April 11, 1986 –On this day in 1986, The Toxic Avenger was released nationally two years after it premiered in New York City. It directed by Michael Herz and Lloyd Kaufman (who is credited here as Samuel Weil) as written by Kaufman and Joe Ritter. It was the first installment of The Toxic Avenger franchise which would encompass three more films, a Marvel Comics series and a short lived children’s animated series. Mitch Kessler was the Toxic Avenger with his voice  provided by Kenneth Kessler. Critics at the time ranged in their opinions from disgusted to delighted with the mainstream ones decidedly not liking it; it currently holds an excellent approval rating of sixty three percent  among audience reviewers at Rotten Tomatoes. Kaufman and Herz are currently attached to a reboot with Peter Dinklage in the lead role.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 11, 1883 – Camille Marbo.  Won the Prix Femina, later served on its jury, then its president.  Commander of the Legion of Honor.  Medal of French Gratitude for war work. With her husband mathematician Émile Borel, founded La revue du mois (“Review of the month”), scientific & literary.  Friend of Marie Curie.  Three times president of the Société des gens de lettres.  Of her forty books, novels, monographs, memoirs, I know of only one translated into English, The Man Who Survived; it is ours and a masterwork.  (Died 1969) [JH]
  • Born April 11, 1892 – William Timlin.  The Ship That Sailed to Mars (hello, David Levine) really does have to be enough for us, because WT never finished The Building of a Fairy City.  Luckily The Ship is superb.  You can get it on paper if you look hard – even the 1977 Easton Press ed’n is plenty rare – but quick and cheap for Kindle in English, Spanish, Japanese.  The Wayback Machine’s has a hint of WT’s calligraphy.  Here is the ship’s arrival.  Here is the finished palace of the princess.  Here is another moment.  This is from The Building.  (Died 1943) [JH]
  • Born April 11, 1920Peter O’Donnell. Best remembered as the creator of Modesty Blaise of whom EoSF says her “agility and supple strength are sufficiently exceptional for her to be understood as a Superhero.” O’Donnell also wrote the screenplay of The Vengeance of She based on H. Rider Haggard’s Ayesha: The Return of She novel. (Died 2010.) (CE) 
  • Born April 11, 1941 – Gene Szafran.  Fourscore covers.  Here is Double Star.  Here is Down in the Black Gang.  Here is To Ride Pegasus.  Here is Bridge of Ashes.  Here is Beyond the Beyond.  (Died 2011) [JH]
  • Born April 11, 1949 Melanie Tem. She was the wife of genre author Steve Rasnic Tem. A prolific writer of both novels and short stories, she considered herself a dark fantasy writer, not a horror writer. Bryant, King and Simmonds all praised her writing. If I had to make recommends, I’d say start with Blood MoonWitch-Light (co-written with Nancy Holder) and Daughters done with her husband. ”The Man on the Ceiling” won her a World Fantasy Award.  She died of cancer which recurred after she’d been in remission. (Died 2015.) (CE) 
  • Born April 11, 1953Byron Preiss. Writer, editor and publisher. He founded and served as president of Byron Preiss Visual Publications, and later of ibooks Inc. If I remember correctly, ibooks was the last publisher for Zelazny for most of his books. Any idea what happened to those rights after ibooks went into receivership?  The only book I can find him writing is the children’s novel Dragonworld which is co-authored with Michael Reaves who was involved in including Gargoyles and Batman: The Animated Series. (Died 2005.) (CE) 
  • Born April 11, 1951 – James Patrick Kelly, age 70.  Five novels, a hundred shorter stories, a dozen poems.  Two Hugos, one Nebula.  “On the Net” in Asimov’s, and for twenty years a story there every June.  Interviewed in ClarkesworldLightspeedStrange Horizons.  His Website says “I’ve left some things for you here.  Take whatever you want.  Remember me.”  [JH]
  • Born April 11, 1955Julie Czerneda, 66. She won the Prix Aurora Award for her Company of Others novel. She also received one for Short Form in English for her “Left Foot on A Blind Man” Story, both early in her career.  She has a long running series, The Clan Chronicles which is as sprawling as anything Martin conceived. (CE) 
  • Born April 11, 1957 – Marina Fitch, age 64.  Three novels (alas, Let Us Prey is lost in the German Laßt uns jagen), a dozen shorter stories.  Loves rubber-stamp art, bicycling, Celtic harp & harmonica duets with her husband.  [JH]
  • Born April 11, 1963Greg Keyes, 58. Best known for The Age of Unreason tetralogy, a steampunk and magical affair featuring Benjamin Franklin and Isaac Newton. He also wrote The Psi Corps Trilogy and has done a lot of other media tie-in fiction including Pacific RimStar WarsPlanet of The ApesIndependence Day and Pacific Rim. His Age of Unreason series (Newton’s CannonA Calculus of AngelsEmpire of Unreason and The Shadows of God) was nominated for a Sidewise Award.  (CE) 
  • Born April 11, 1973 – Jon Evans, age 48. Two novels for us (Arthur Ellis Award, Foreword Book of the Year), four others; travel to a hundred countries; software engineering.  Writes for The Times of IndiaThe Globe and Mail, The WalrusTechCrunch.  Founding director of the GitHub Archive Program.  [JH]
  • Born April 11, 1974Tricia Helfer, 47. She is best known for playing the Cylon model Number Six the rebooted Battlestar Galactica series and voicing Sarah Kerrigan in StarCraft II gaming franchise. She played Charlotte Richards aka the Goddess of All Creation on Lucifer. She also voiced Boodikka in Green Lantern: First Flight, and had one-offs in SupernaturalWarehouse 13, the unsold 17th Precinct pilot, a recurring voice role in The Spectacular Spider-ManChuckHuman TargetTron: UprisingThe Librarians and apparently played Dracula once in Van Helsing. (CE) 

(10) COMICS SECTION.

  • Get Fuzzy plays with movie titles in what Daniel Dern assures is “fan-type-humor.” It would certainly fit in here.
  • “Off the Mark” shows what the term “superspreader” brings to the Mark Parisi’s mind.

(11) ALL ABOARD. Now that there will be an in-person Worldcon this year, there will be a Traincon from Chicago to the Worldcon and back announced “Conductor” Bill Thomasson. A Traincon 6 Facebook group is hosting discussions and providing an alternative source of updates.

DisCon III will take place in Washington, DC, from Wednesday, December 15, through Sunday, December 19. This news is very recent and I won’t be looking at the details of Traincon organization until after Amtrak resumes regular service next month, but I wanted to give you a heads up. My tentative plan, if the timing works, is to maximize the rail experience by taking the Cardinal in one direction and the Capitol Limited in the other. I am also contemplating the possibility of giving us a full free day in DC to check out all the wonderful tourist attractions in that city (or to assist the con with load-in/load-out if that is your thing). I would be interested in hearing whether you would prefer that free day before or after the con.

As usual, the group ticket discount will depend on how many people sign up, but I don’t yet know the details of how Amtrak will be handling group reservations in 2021. Meanwhile, I’m looking forward to a really great trip and to a great Worldcon. Hope to see
you there!

(12) SHE BITES. BoingBoing has scoured the internet for these examples of “The Profound Eldritch Horror Of Dolly Parton’s ‘Jolene’”.

There are apparently a bunch of different, totally unconnected people who have made their own Lovecraftian versions of “Jolene.” 

(13) SERCON. [Item by Martin Morse Wooster.] Time to say something about Perry Middlemiss’ zine The Alien Review which showed up on eFanzines last week. It’s a new zine edited by Perry Middlemiss that…wait for it…DISCUSSES AND REVIEWS SCIENCE FICTION. Is that legal?

The first issue has reviews (Piranesi, The Ministry For The Future, a batch of 2020 novellas, and sff award winners from 2019) along with other pieces, including a reprint of a Leigh Edmonds article from 1971.

(14) DOGWHISTLE. Dammit, these books won’t slate themselves. Three-time Dragon Award finalist Declan Finn tries to fire up his colleagues in “Enter: the Dragons”.

Last year for the Dragon awards, many people in my circles hated the finalists.

And trust me, I mean it when I say that they hated the finalists. There was one caveat to that, but that’s all I recall.

My response was simple

“DUH! Why do you think I try to have this discussion EVERY MONTH FOR HALF THE YEAR? YOU THINK I LIKE THIS? IF I WANTED IT FOR MYSELF, I’D ONLY TALK ABOUT MYSELF.” [Insert sound of hair pulling and rage]

Ahem.

(15) YOU SPIN ME ROUND. Smithsonian says get your Ingenuity merch now! Mars Ingenuity Collection.

Celebrate the Ingenuity helicopter making history as the first powered flight on another planet — Mars!

(16) KEEPING AN EYE ON THINGS.  In the Washington Post, Christian Davenport notes how companies such as SpaceX and OneWeb are flooding space with satellites “no bigger than a shoe box” and how these small satellites are improving communications and aiding the reporting on climate change. “Satellites becoming smaller, less expensive in revolution of space business”.

The avalanche was a stunning disaster, 247 million cubic feet of glacial ice and snow hurtling down the Tibetan mountain range at 185 mph. Nine people and scores of animals were killed in an event that startled scientists around the world.

As they researched why the avalanche occurred with such force, a team of researchers studying climate change pored over images taken in the days and weeks before and saw ominous cracks had begun to form in the ice and snow. Then, scanning photos of a nearby glacier, they noticed similar crevasses forming, touching off a scramble to warn local authorities that it was also about to come crashing down.The images of the glaciers in 2016 came from a constellation of satellites no bigger than a shoe box, in orbit 280 miles up. Operated by San Francisco-based company Planet, the satellites, called Doves, weigh just over 10 pounds each and fly in “flocks” that today include 175 satellites. If one fails, the company replaces it, and as better batteries, solar arrays and cameras become available, the company updates its satellites the way Apple unveils a new iPhone….

(17) YOU ARE VERY QUALIFIED. Mind Matters introduces another DUST short in “Sci-fi Saturday: When “The Workplace” Is Anything But”.

This sci-fi short will appeal to many who have had a job at the corner of Rat and Race and sense that’s a blessing compared to the alternative. It starts with a woman reassuring herself, “I AM the boss,” and cuts to her interviewing a job candidate who seems off-putting at first but appears qualified — and then things get weird.

Don’t miss the scene where the new employee is shown around the office as if he had spent all his life in the wilderness and had never been in a conventional 21st century office before. And then the awful truth begins to dawn…

(18) VIDEO OF THE DAY. “Star Trek Spinoff” on Saturday Night Live explains what happens when cadets from “small, exclusive Starfleet Academy” show up on the bridge during a crisis.

[Thanks to rcade, John King Tarpinian, Todd Mason, Daniel Dern, Rob Thornton, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day rcade.]

Pixel Scroll 4/10/21 Scrollier Than Thou

(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)

(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to  “Spend Memorial Day weekend at the Concourse Hotel”.

As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021

… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….

(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.

… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.

When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.

Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….

…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)

It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.

As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.

This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.

All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.

… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.

Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…

(4) INSIDE BASEBALL. Kevin Standlee views with alarm: “DisCon III Moves to December — and Ignores the WSFS Constitution”.

…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”

I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.

The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safeWSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….

… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….

(5) READ ALL ABOUT IT. The New York Times takes readers “Inside the Fight for the Future of The Wall Street Journal”, in the process showing what journalists believe is the way to attract today’s audience.

… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….

… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.

In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.

The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”

The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the new publisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.

…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.

But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…

(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New SunsEverfairStories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.

From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.

(7) AUTHOR’S LIBRARY GOING UNDER THE HAMMER. “L’Engle Library up for auction to benefit three organizations” announces the Madeleine L’Engle website. The books will be sold in lots on April 8, 13, 20, 22, and 27, but bidding opens early.

… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.

(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.

The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.

The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.

Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.

(9) MEMORY LANE.

  • On a day in 1986 Star Trek IV: The Voyage Home premiered.  It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and  fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 10, 1936 – David Hardy, age 85.  Astronomical and SF artist.  European Vice President of the Int’l Ass’n of Astronomical Artists.  Artbooks e.g. Visions of SpaceHardyware50 Years in Space: what we thought then, what we know now.  Two hundred fifty covers, a hundred interiors.  Here is the Jun 74 Amazing.  Here is King David’s Spaceship.  Here is Understanding Space and Time (note that the piano is a Bösendorfer).  Here is the Apr 2010 Analog.  [JH]
  • Born April 10, 1940 Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better?  He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE) 
  • Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016).  Four hundred twenty covers, two hundred interiors.  Three Hugos.  Twelve BSFA (British SF Ass’n) Awards.  Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here.  Artbooks e.g. LightshipTransluminalThe Art of Jim Burns.  Each in The Durdane Trilogy used a segment of this, e.g. The Asutra.  Here is Interzone 11.  Here is the Jul 94 Asimov’s.  Here is The Wanderer.  Here is Dozois’ 34th Year’s Best Science Fiction.  Here is Dark Angels Rising.  [JH]
  • Born April 10, 1951 – Ross Pavlac.  Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon.  Fan Guest of Honor at Torque 2.  Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apa Myriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called.  Chaired Windycon XXIV from his deathbed.  See these appreciations.  (Died 1997) [JH]
  • Born April 10, 1953 David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”.  And yes, he has won other Hugos, too numerous to recount here. (CE) 
  • Born April 10, 1955 Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
  • Born April 10, 1957 John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing.  I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE) 
  • Born April 10, 1959 – Ruth Lichtwardt, age 62.  Hugo Adm’r for Anticipation the 67th Worldcon.  Chaired MidAmeriCon II the 74th; her reflections as Chair here.  Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference.  Co-chaired ConQuest 49.  Drinks Guinness.  [JH]
  • Born April 10, 1975 – Merrie Haskell, age 46.  Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313.  Interviewed in Lightspeed.  Schneider Book Award.  “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome….  I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?”  [JH]
  • Born April 10, 1978 Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum ThiefThe Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating.  (CE) 
  • Born April 10, 1984 – Rachel Carter, age 37.  Three novels for us.  Nonfiction in e.g. The New Republic.  Teaches fiction-writing, also a freelance editor.  [JH]
  • Born April 10, 1992 Daisy Ridley, 29. Obviously she played the role of Rey in The Force AwakensThe Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)

(11) THE GREAT (PRICE) LEAP FORWARD. “Comics are only getting more expensive. How high is too high?” asks Mike Avila at SYFY Wire.

…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.

However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.

We may be approaching that point.

One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….

(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.

(13) TRADECRAFT. Francis Hamit was a guest on the Spies Like Us podcast to discuss “Pine Gap (2018) Part One”. (The trailer for the Netflix series is at the link: Pine Gap: Season 1).

2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama.  Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us.  ALSO!!!!  It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit.  Really excited about this one.

Hamit says: “This was a very positive experience for me.  Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show.  Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far.  Each is an hour long and they usually do two part, one hour each, in depth discussions.  I was on as a topic expert on SIGINT.”

(14) AMONG THE NEVERS. The New York Times’ Mark Hale tells why he found it hard to get into the show: “Review: ‘The Nevers,’ From HBO and (Formerly) Joss Whedon”.

One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.

And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.

Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…

(15) WHAT’S UP, DOCK. AP News is there when “American, Russians dock at International Space Station”.

A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].

NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.

They docked at the station after a two-orbit journey that lasted just over three hours.

It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.

(16) KING PONG. SYFY Wire tells how “Elon Musk’s Neuralink gets monkey to play Pong with its mind”. (The video is here.) “The darn monkey probably gets higher scores than I ever did,” says John King Tarpinian.

By today’s standards, Pong doesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…

The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)

In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)

(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.

[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]

Pixel Scroll 4/9/21 I Have Heard the Pixels Scrolling, Each to Each

(1) WHEN THE DOORS OPEN, WHO WILL COME IN? The Los Angeles Times interviewed people who rely on convention business to measure the distance between reopening and recovery. “California reopening: When will huge conventions come back?”

The San Diego Convention Center hosted about 135,000 visitors two years ago for Comic-Con, the four-day celebration of comic books and pop culture.

…But even when state restrictions lift, experts acknowledge, it may be a year or more before California convention centers host the kind of mega-crowds that flocked to Comic-Con, NAMM and E3 in past years.

“We anticipate that shows will be smaller starting off and getting back up to speed hopefully next year,” said Ellen Schwartz, general manager of the Los Angeles Convention Center. “As we get into the last quarter of this calendar year and start the new year, we’re hopeful that the business will come back to closer to where it was before the pandemic.”

Among the reasons for the smaller events: State officials say COVID-19 protocols for large-scale indoor events will still require testing or vaccination verifications, which could exclude some would-be attendees. The state has yet to release details of those requirements.

Also, surveys show that many business travelers still don’t feel safe meeting face to face indoors with thousands of strangers. Some elements of future events are likely to be conducted via streaming video, accommodating virus-cautious attendees who want to stay home.

The Centers for Disease Control and Prevention still recommends against attending large indoor gatherings, saying they increase the risk of spreading COVID-19.

Rachel “Kiko” Guntermann, a professional costume maker who previously attended five or six conventions a year, including Comic-Con, said she would not feel safe returning to a large convention even though she has been fully vaccinated against COVID-19.

“Conventions were a center of my life for a while, and now the idea of being in a vendor hall with that many people makes me want to dry heave,” she said….

(2) FRANKENSTAMP AND FRIENDS. A set of Classic Science Fiction stamps will be issued by Great Britain’s Royal Mail on April 15. Preorders are being taken now.

A collection of six Special Stamps celebrating the imagination and artistic legacy of classic science fiction.

The issue coincides with the 75th anniversary of the death of HG Wells and the 70th anniversary of the publication of The Day of the Triffids.

Each stamp features a unique interpretation by a different artist illustrating a seminal work by a classic British science fiction author

Two First Class, two £1.70 and two £2.55 stamps presented as three horizontal se-tenant pairs.

Click for larger images.

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to grab a slice of pizza with Nebula Award-winning writer A. T. Greenblatt in episode 142 of his Eating the Fantastic podcast.

A.T. Greenblatt

A. T. Greenblatt’s short fiction has appeared in Strange HorizonsUncannyBeneath Ceaseless SkiesClarkesworldFiresideLightspeed, and other magazines. She won the 2019 Nebula Award for Best Short Story for “Give the Family My Love,” and is also on the current Nebula Awards ballot for her novelette “Burn or The Episodic Life of Sam Wells as a Super.” She was also a Nebula finalist for 2018. She has also been a Theodore Sturgeon Award finalist as well as a Parsec Award finalist. She is a graduate of the Viable Paradise and Clarion West workshops, and has been an editorial assistant at the flash fiction magazines Every Day Fiction and Flash Fiction Online.

We discussed the writing workshop-induced panic which caused her to begin writing her latest Nebula Award-nominated story, how the Viable Paradise workshop helped kick her writing up a notch, why she prefers Batman to Superman, the importance of revisions, critique groups, and community, what’s to be learned from rereading one’s older work, why she’s a total pantser, her love of Roald Dahl, something she wishes she’d known earlier about the endings of stories, how much of writing is being able to keep secrets and not explode, and much more.

(4) 2021 SFPA POETRY CONTEST AND JUDGE ANNOUNCED. The 2021 Science Fiction & Fantasy Poetry Association (SFPA) Speculative Poetry Contest will be open for entries from June 1 through August 31, with Sheree Renée Thomas serving as guest judge of the contest. Full guidelines here.

Sheree Renée Thomas is an award-winning fiction writer, poet, and editor. Her work is inspired by myth and folklore, natural science and Mississippi Delta conjure. Nine Bar Blues: Stories from an Ancient Future (Third Man Books) is her first all prose collection. She is also the author of two multigenre/hybrid collections, Sleeping Under the Tree of LIfe and Shotgun Lullabies (Aqueduct Press) and edited the World Fantasy-winning groundbreaking black speculative fiction Dark Matter anthologies (Hachette/Grand Central). 

Sheree is the associate editor of the historic Black arts literary journal, Obsidian: Literature & the Arts in the African Diaspora and editor of The Magazine of Fantasy & Science Fiction.

The 2021 SFPA Speculative Poetry Contest is open to all poets, including non-SFPA-members. Prizes will be awarded for best unpublished poem in three categories: Dwarf (poems 1–10 lines [prose poems 0–100 words]); Short (11–49 lines [prose poems 101–499 words]); Long (50 lines and more [prose 500 words and up]). Line count does not include title or stanza breaks. All sub-genres of speculative poetry allowed in any form.

Prizes in each category (Dwarf, Short, Long) will be $150 First Prize, $75 Second Prize, $25 Third Prize. Publication on the SFPA website for first through third places. Winners will be announced and posted on the site October 1.

(5) IN EXTREMIS. The new This Is Horror podcast features Wrath James White talking about Extreme Horror, Uncomfortable Writing, and The Resurrectionist.

Wrath James White is a former World Class Heavyweight Kickboxer, a professional Kickboxing and Mixed Martial Arts trainer, distance runner, performance artist, and former street brawler, who is now known for creating some of the most disturbing works of fiction in print. His books include The ResurrectionistSucculent Prey, and The Teratologist with Edward Lee.

(6) PLUCKED OFF THE SLUSHPILE. [Item by rcade.] Though many novelists would tell the story of how they first became published as a heroic triumph of talent and perseverance over rejection and adversity, the science fiction author Stephen Palmer credits something else entirely in a new interview with SFFWorld: “Interview with Stephen Palmer”.

My route to publication was the one too few people talk about – pure chance. Random luck is a far larger player in getting published than most people realize, partly because writers don’t want to believe they have little or no agency in their own success, and partly because the odds against success are so huge nobody wants to face them. I was plucked off the slush pile because I sent in the right novel at the right time. Tim Holman remembered it when he and Colin Murray were seeking new British writers, and he contacted me. But it could have been so different. In December 1993 me and my then wife were about to move house, and for reasons too unpleasant to detail here we weren’t going to leave a forwarding address. A few days before we departed a letter popped through the letterbox. It was from Tim Holman, writing back to me a full year after I’d sent him an extract of Memory Seed, telling me he wanted to read more. If I’d moved a week earlier I might not be an author now…

 Palmer’s debut novel Memory Seed is being  republished by Infinity Plus. He got the rights back from Orbit for that book and Glass nine years ago but the original files were lost. He bought copies, removed the pages and did the OCR scanning himself.

(7) DO YOU REMEMBER LOVE? Maybe not, it’s been awhile! But now Forbes’ Ollie Barder reports:  “The Decades Long Rights Battle Over ‘Macross’ And ‘Robotech’ Has Finally Been Resolved”.

This has been one of the longest running legal battles in anime and I never thought I would see it resolved in my lifetime….

As to the details of what this agreement entails, this is what the official press statement has to say:

“Tokyo based BIGWEST CO.,LTD. and Los Angeles based Harmony Gold U.S.A. announced an agreement regarding the worldwide rights for the legendary Macross and Robotech franchises. This expansive agreement signed by both companies on March 1, 2021, ends two decades of disagreements and will allow Bigwest and Harmony Gold to chart a new path that will unlock the great potential of both the Macross and Robotech franchises worldwide. The landmark agreement immediately permits worldwide distribution of most of the Macross films and television sequels worldwide, and also confirms that Bigwest will not oppose the Japanese release of an anticipated upcoming live-action Robotech film. The agreement also recognizes Harmony Gold’s longstanding exclusive license with Tatsunoko for the use of the 41 Macross characters and mecha in the Robotech television series and related merchandise throughout the world excluding Japan. Moving forward, both parties will cooperate on distribution regarding future Macross and Robotech projects for the benefit of both franchises.”

(8) PUTTING THE EVIDENCE TOGETHER. “French police on trail of international gang of Lego looters”The Guardian has the story.

French police say they are building a case against an international gang of toy thieves specialising in stealing Lego – and they have warned specialist shops and even parents to be aware of a global trade in the bricks.

The alert comes after officers arrested three people – a woman and two men – in the process of stealing boxes of Lego from a toy shop in Yvelines, outside Paris, last June. Under questioning, the suspects, all from Poland, reportedly admitted they were part of a team specialising in stealing Lego sought by collectors.

“The Lego community isn’t just made up of children,” one investigator told Le Parisien newspaper. “There are numerous adults who play with it; there are swaps and sales on the internet. We’ve also had people complaining their homes have been broken into and Lego stolen.”

Van Ijken cited a Cafe Corner Lego set that cost €150 when it was released to shops in 2007 selling in its original box for €2,500 last year.

Lego looting appears to be a global business, according to reports in the US, Canada and Australia, where numerous thefts have been reported over the last five years. In 2005, San Diego police arrested a group of women found to have €200,000 worth of Lego.

(9) THE UNKINDEST CUT. [Item by rcade.] The acclaimed weird fiction author Jeff VanderMeer is sickened by the actions of one of his new neighbors in Tallahassee, Florida:

Someone bought a house a few streets down and just cut down 30 mature pine trees — in the spring. I wonder if they know there’s little they could do in their lives to make up for the wildlife they just slaughtered. I know we’ll be getting survivors in the yard for weeks to come.

I’m planting two sycamores and some river birch, mayhaw next week and then also seeking out some of the pine saplings to protect them. We have 8 mature pines in the yard and not a damn one is getting cut down. …

Developers are trying to eat this city alive and we have, purportedly 55% canopy, although I imagine it’s a lower percentage after the predation of the past few years.

A Florida law enacted in 2019 made it much harder for cities and counties to stop property owners from removing trees. Tallahassee and the surrounding county have 78 miles of roads shaded by oak, hickory, sweet gum and pine trees and the city’s tree canopy coverage is among the largest in the U.S.

Noted for elements of ecofiction in his works, VanderMeer has filled his Twitter feed with photos of area trees and wildlife.

(10) NEW BOOK: HUMMINGBIRD SALAMANDER. Carmen Maria Machado has done a Q&A with Jeff VanderMeer for Interview: “Can Author Jeff VanderMeer Save Us from Extinction?”

[From the Introduction] A scroll through Jeff VanderMeer’s Twitter account yields all manner of birds, flowers, trees, bird feeders, backyard wildlife, and the occasional portrait of his housecat, Neo. By and large, it seems such joyous, benevolent content that it’s surprising it comes from the same hands as one of the most subversive, experimental, apocalyptic, and politically daring fiction writers at work in America today. 

…Another of his passions involves his ongoing project of “rewilding” his half-acre yard on the edge of Tallahassee. In order to combat natural-habitat destruction, VanderMeer has reintroduced native plants and trees to encourage the return of local wildlife. The fruits of VanderMeer’s tweets spring directly from the myriad animals, insects, organisms, and flowering flora that have returned to his homegrown micro nature-preserve. (“Right now, during migration season,” he reports, “we have about 300 yellow-rumped warblers in the yard and another 400 pine siskins, along with ruby-crowned kinglets, Baltimore orioles, orange-crowned warblers, hermit thrushes, cedar waxwings, etc.”) Will VanderMeer save our planet? Can it even be saved at this point? These are the real mysteries of our era…. 

MACHADO: It’s a bit like watching this pandemic unfold. We’re botching it all up, and you can’t help but feel like it doesn’t have to be this way. Do you think you’re a cynic about wildlife and the climate crisis?

VANDERMEER: I think that fixing the climate crisis should be more ingrained in our discussions and it’s not. Even in fiction, I see a lot of green-tech solutions that are totally divorced from actually dealing with what’s going on in the landscape. The other day I saw that Elon Musk had gone from chastising the oil industry to being like, “We need to mine for our SpaceX platform so that we have energy for our rockets.” Those are the kinds of things that get to me. One reason I push so hard for wildlife and for habitat is that I just don’t think we can make it through without them. We can’t just green-tech our way into some kind of solution. We have to change how we actually interact. And I do think we can all make small changes in how we do things that can really help us. In that way, I’m not cynical. People ask about hope all the time, which in a very absurdist way cracks me up because there’s always this question of, “Is it too late?” And it’s like,

“Well, what are you going to do if it’s too late? You really have no choice but to try to do the best things possible to get out of this.” Next cheery question!

(11) ROSWELL AWARD. The Roswell Award and Women Hold Up Half the Sky – Virtual Celebrity Readings & Awards will happen on Saturday, May 22 at 11 a.m. Pacific.  The Roswell Award finalist judge is Wesley Chu.

We received some truly incredible stories from 60 different countries this season.

Make sure to save the date for May 22 if you want to experience exciting new sci-fi stories, chat with competition participants from around the world, and hear our celebrity guest readers!

(12) HUMMEL OBIT. The Washington Post has an obituary for Joye Hummel by Harrison Smith.  Hummel was hired by William Moulton Marston as a secretary and then went on to write Wonder Woman scripts until 1947.  Historians credit her as being the first woman to write scripts for Wonder Woman. She died April 5. “Joye Hummel, first woman hired to write Wonder Woman comics, dies at 97”.

In March 1944, shortly before Joye Hummel graduated from the Katharine Gibbs secretarial school in Manhattan, she was invited to meet with one of her instructors, a charismatic psychologist who had been impressed by her essays on a take-home test.

Over tea at the Harvard Club, professor William Moulton Marston offered her a job — not in the classroom or psych lab, but in the office of his 43rd Street art studio. He wanted Ms. Hummel to help him write scripts for Wonder Woman, the Amazonian superhero he had created three years earlier and endowed with a magic lasso, indestructible bracelets, an eye-catching red bustier and a feminist sensibility.Ms. Hummel, then 19, had never read Wonder Woman; she had never even read a comic book. But Marston needed an assistant. His character, brought to life on the page by artist H.G. Peter, was appearing in four comic books and was about to star in a syndicated newspaper strip. He was looking for someone young who could write slang and who, perhaps most importantly, shared his philosophy and vision for the character. “You understand that I want women to feel they have the right to go out, to study, to find something they love to do and get out in the world and do it,” Ms. Hummel recalled his saying. She was “astonished and delighted” by the job offer, according to historian Jill Lepore’s book, “The Secret History of Wonder Woman,” and soon began writing for the comic. “I always did have a big imagination,” she said.

Ms. Hummel worked as a Wonder Woman ghostwriter for the next three years, long before any woman was publicly credited as a writer for the series. As invisible to readers as Wonder Woman’s transparent jet plane, she was increasingly recognized after Lepore interviewed her in 2014. Four years later, she received the Bill Finger Award, given to overlooked or underappreciated comic book writers at the Eisner Awards….

(13) MEDIA BIRTHDAY.

  • April 9, 1955 — On this date in 1955, Science Fiction Theatre first aired in syndication. It was produced by Ivan Tors and Maurice Ziv.  It ran for seventy eight episodes over two years and was hosted by Truman Bradley who was the announcer for Red Skelton’s program. The first episode “Beyond” had the story of a test pilot travelling at much faster than the speed of sound who bails out and tells his superiors that another craft was about to collide with his. It starred William Lundigan, Ellen Drew and Bruce Bennett. You can watch it here.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 9, 1906 – Victor Vasarely.  Grandfather of op art, like this, and this (Supernovae, 1961).  Here is The Space Merchants using some of VV’s Folklore Planetario for the cover.  (Died 1997) [JH]
  • Born April 9, 1911 George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s ended when Campbell’s wife left him for Smith whom she married. Later stories were on Thrilling Wonder StoriesGalaxySuper Science Stories and Fantastic to name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.) (CE) 
  • Born April 9, 1913 George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet.  You can see “The Birth of The Galaxy” which he scripted for the first show here as it is in the public domain. (Died 1975.) (CE) 
  • Born April 9, 1915 – Charles Burbee.  One of our best fanwriters, of the brilliant but biting type (if you like that, as well as admiring it, you can change but to and).  Fanzine, Burblings; co-edited Shangri L’Affaires awhile.  Fan Guest of Honor at Westercon 27.  You can see The Incompleat Burbee here (part 1) and here (part 2).  Burbeeisms still circulate, like AKICIF (All Knowledge Is Contained In Fanzines) – sometimes without his mocking tone, a neglect he would have mocked.  (Died 1996)  [JH]
  • Born April 9, 1937 – Barrington Bayley.  A dozen novels, fourscore shorter stories, some under other names (“Michael Barrington” for work with Michael Moorcock).  Two collections.  Interviewed in InterzoneVector; on the cover of V223 for a Mark Greener article.  (Died 2008) [JH]
  • Born April 9, 1937 Marty Krofft, 84. Along with Sid, his brother, are a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea MonstersLand of the Lost and Electra Woman and Dyna Girl. (CE) 
  • Born April 9, 1949 Stephen Hickman, 72. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Art Work at ConAndian in 1994. (CE) 
  • Born April 9, 1954 Dennis Quaid, 67. I’m reasonably sure that he first genre role was in  Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it. (CE) 
  • Born April 9, 1972 Neve McIntosh, 49. During time of the Eleventh Doctor, She plays Alaya and Restac, two  Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter.  She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She’s Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, who together form a private investigator team. Big Finish gave them their own line of audio adventures. (CE) 
  • Born April 9, 1980 – Jill Hathaway, age 41.  Two novels.  Teaches high-school English, bless her.  Has read Cat’s Cradle, Tender Is the NightNative Son.  [JH]
  • Born April 9, 1981 – Vincent Chong, age 40.  Two hundred twenty covers, sixty interiors.  Artbook Altered Visions.  Here is Shine.  Here is the Gollancz ed’n of Dangerous Visions.  Here is G’s Left Hand of Darkness.  Here is Ghost Story.  [JH]
  • Born April 9, 1990 – Megan Bannen, age 31.  Two novels, one just last year.  “An avid coffee drinker and mediocre ukulele player…. in her spare time, she collects graduate degrees from Kansas colleges and universities.”  Or so she says.  [JH]

(15) COMICS SECTION.

(16) PRINCE PHILIP RIP. The Cartoon Museum in London noted the passing of its Patron HRH Prince Philip, the Duke of Edinburgh.

Prince Philip, the Duke of Edinburgh has been Patron of The Cartoon Museum in London for over 20 years. In 1949 he and the young Princess Elizabeth attended the Royal Society of Arts and listened to a speech by the great British cartoonist H. M. Bateman, calling for a national museum of cartoons.

He has given the museum continuous support and with his great love of humour he admired the genre of British cartooning. In 1994 he opened the museum’s exhibition on Giles, who drew for the Daily and Sunday Express from 1943 – 1991. The Duke of Edinburgh owned several Giles cartoons in his private collection; Giles was his favourite cartoonist – he admired his social observations, gentle humour, and depictions of the Royal Family.

The monarchy have been a persistent (and easy) target of cartoonists and caricaturists for 300 years, from Gillray and Beerbohm to Scarfe, Bell, Rowson and Peter Brookes – but the Duke of Edinburgh could always see the funny side in any situation, and took humorous depictions of himself in his stride. In 2002 Prince Philip opened an exhibition of cartoons on the Kings and Queens (300 Years of Cartoons about the Monarchy), and in 2006 he opened London’s first museum of cartoons.

The Cartoon Museum, its Trustees, Staff, and the cartooning community are saddened to hear Prince Philip has passed away, and send their deepest condolences to H. M. The Queen and his family.

(17) TO BOLDLY GO…WHO KNOWS WHERE? SYFY Wire reports  “New ‘Star Trek’ film set for summer 2023, as studios shuffle several releases”. Just don’t ask what it will be about.

Star Trek is bolding coming back to the big screen… two years from now. Paramount Pictures confirmed Friday that a brand-new Trek film will hit theaters on June 8, 2023. While the project is currently untitled and plot details are non-existent, we suspect this is the movie currently being written by The Walking Dead alum, Kalinda Vasquez.

(18) SANDMAN CROSSOVER. There’s a Q&A with the authors in “Joe Hill, Gabriel Rodriguez preview their Locke & Key Sandman crossover” at Entertainment Weekly.

…Written and illustrated by the Locke & Key creative team of writer Joe Hill and artist Gabriel Rodriguez, with the blessing of The Sandman co-creator Neil GaimanHell and Gone is set in 1927, during the opening sequence of The Sandman in which Morpheus, the King of Dreams, is held captive by the human sorcerer Roderick Burgess. Mary Locke, an ancestor of the Locke children who populate the main Locke & Key story, reaches out to Burgess to see if his occult society can help her save her brother’s soul from hell…. 

GABRIEL RODRIGUEZ: I started buying Sandman from the newspaper stand near my house once they started selling the Spanish edition here in Chile. They started publishing from the eighth issue, in which they introduce Death, and from then on they did the entire run. I remember reading that very first issue and was immediately hooked by the storytelling. And then when we get into the Doll’s House story line, I immediately realized it was going to be something really big and cool, and I ended up collecting the entire series. At the time I was reading Sandman, I was just daydreaming about eventually making a comic book myself, but living in such a small country where we don’t have a huge publishing industry, especially back then, it felt impossible.

(19) UNSOUND EFFECTS. “2021 Oscar-Nominated Short: “Yes-People'” on YouTube is an Icelandic animated film, directed by Gisli Darri Hallsdottir, that is an nominee for best short animated film, and is presented by The New Yorker.

“Yes-People” follows several Icelanders as they navigate minor daily conflicts—on their way to work, or to school, or while grocery shopping.

(20) PETRIFIED DINO GIZZARDS. Megafauna swallowed bigger stones than their avian descendants: “These Rocks Made a 1,000-Mile Trek. Did Dinosaurs Carry Them?”

The gastroliths were found in Jurassic-aged mudstones in a rock formation called the Morisson. A rainbow of pinks and reds, the Morisson formation brims with dinosaur fossils, including those of sauropods, such as Barosaurus and Diplodocus, as well as meat-eaters such as Allosaurus.

But the rocks, which are similar to gastroliths dug up elsewhere, were found on their own without any dinosaur remnants. To get a clue as to how they had ended up in modern-day Wyoming, the team crushed the rocks to retrieve and date the zircon crystals contained inside, a bit like studying ancient fingerprints.

“What we found was that the zircon ages inside these gastroliths have distinct age spectra that matched what the ages were in the rocks in southern Wisconsin,” said Malone, now a doctoral student studying geology at the University of Texas at Austin. “We used that to hypothesize that these rocks were ingested somewhere in southern Wisconsin and then transported to Wyoming in the belly of a dinosaur.

“There hasn’t really been a study like this before that suggests long-distance dinosaur migration using this technique, so it was a really exciting moment for us.”

(21) FOSSILIZED STINK. Or maybe dinos were shying rocks at this creature to get rid of the smell? “Beast of five teeth: Chilean scientists unearth skunk that walked among dinosaurs” at Yahoo!

A fossil of a skunk-like mammal that lived during the age of dinosaurs has been discovered in Chilean Patagonia, adding further proof to recent evidence that mammals roamed that part of South America a lot earlier than previously thought.

A part of the creature’s fossilized jawbone with five teeth attached were discovered close to the famous Torres del Paine national park.

Christened Orretherium tzen, meaning ‘Beast of Five Teeth’ in an amalgam of Greek and a local indigenous language, the animal is thought to have lived between 72 and 74 million years ago during the Upper Cretaceous period, at the end of the Mesozoic era, and been a herbivore…

(22) JUST IN TIME. The sixth season of DC’s Legends of Tomorrow premieres Sunday, May 2.

The Legends continue their new mission to protect the timeline from temporal aberrations – unusual changes to history that spawn potentially catastrophic consequences. When Nate, the grandson of J.S.A. member Commander Steel, unexpectedly finds himself with powers, he must overcome his own insecurities and find the hero within himself. Ultimately, the Legends will clash with foes both past and present, to save the world from a mysterious new threat.

[Thanks to John King Tarpinian, Michael J. Walsh, Frank Olynyk, Martin Morse Wooster, JJ, rcade, Daniel Dern, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, James Bacon, Scott Edelman, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender, with an assist from rcade.]

Pixel Scroll 4/8/21 Illinois Pixels! I Hate Illinois Pixels.

(1) AMAZING STORIES ON HIATUS. Steve Davidson’s Amazing Stories issued a press release announcing that “A major licensing agreement using the Amazing Stories name has been terminated owing to non-payment.” As a result, the magazine won’t be coming out. (The website will remain active.)

… Due to the failure to pay and due to the many other costs directly related to this contract, Experimenter Publisher is currently no longer able to maintain the publishing schedule of Amazing Stories magazine, and that publication has been placed in hiatus pending the resolution of these issues…

The licensee is not named, although curiously the press release criticizes another company, Disney, by name. (Disney isn’t the licensee. And you don’t need to tell me in comments who you think it is – I know who it is. The point is this press release announces litigation yet refuses to speak the target’s name out loud.)  

The Amazing Stories’ Patreon page is slightly more forthcoming than the press release.

We licensed a major corporation several years ago and factored licensing fees into our budget.  Unfortunately, those fees have not been received, which places us behind the 8-ball.

Our licensee has been formally notified of numerous breeches of our contract and our intention to terminate that contract.  Service was sent to the contractually designated addresses and we have received no response, not even an acknowledgement of our notice to them.

This strongly suggests that they are planning on waiting to see what we are going to do and then will use their enormous budget and other assets to continue to ignore the fact that they no longer have the rights to use the name, or, perhaps even more problematic, sue us in order to remove us from the picture.

We can not afford to defend ourselves from such an unjustified action at this point in time.  Further, the current state of limbo discourages any other studio from working with the property, preventing us from developing other potential revenue sources.

Perhaps “encouraging” us to go away was the plan all along – but given the lack of communication, we doubt we’ll ever know the real reasons behind why they have chosen not to honor their contractual obligations.

What we DO know is, fighting this fight has put us in a deep hole and if the licensee decides to fight (likely), we’ll be in an even deeper hole.

We need your help to keep this dream alive.

(2) VANDERMEER’S LATEST. Paul Di Filippo reviews “’Hummingbird Salamander,’ by Jeff VanderMeer for the Washington Post.

… Now from this daring and ever-shifting author comes “Hummingbird Salamander,” a volume more naturalistic, more like a traditional thriller than its predecessors, but one that also features hooks into the literary novel of paranoid conspiracy, a genre best exemplified by Thomas Pynchon’s “The Crying of Lot 49.” In fact, our doughty and frankly terrifying heroine, “Jane Smith,” might be the Oedipa Maas the 21st century needs.

(3) THAT DIDN’T TAKE LONG. Joel Hodgson is running a Kickstarter — “Let’s Make More MST3K & Build THE GIZMOPLEX!” Did people think that was a good idea? Yes! In the first 24 hours they’ve raised $2,162,492 of their $2,000,000 goal. The reasons for returning to crowdfunding the series include —

In the not-too-distant past – about 6 years ago, November 2015 AD – we ran a Kickstarter to BRING BACK MST3K after 15 years in hibernation.

It was a little bit stressful, and a lot of work, but I’ve gotta tell you… the whole experience went better than we had ever hoped:

  • Thanks to you, our campaign broke a bunch of Kickstarter records.
  • Over 48,000 of you took up the cause… and together, we raised over $6 million.
  • With your help, we got picked up on Netflix and made 20 new episodes!

And you know, you can’t ever please everybody, but it seems like most of you were pretty happy with ’em…. and the critics were too: 

Also, having those new episodes on Netflix, along with a lot of our “classic” episodes, helped a lot of folks discover Mystery Science Theater for the first time. So, if you weren’t there to help #BringBackMST3K… Welcome! We’re glad you’re here to help  #MakeMoreMST3K.

Anyway: as you know, nothing good lasts forever.  Sometime in late 2019, during our third live tour, we got word: even though Netflix liked how our new episodes came out, they wouldn’t be renewing us for a third new season….

2. It’s time to try something new.

  • If enough of you want more MST3K, maybe we don’t need anyone to renew us.
  • From now on, we want you to decide how long MST3K keeps going.
  • We don’t need a network to “let us” make more MST3K. We can make it for you. 
  • When we do, you should be the first ones to see it.

(4) A LAND OF MARVELS. “Avengers Campus at Disneyland Resort Set to Open and Recruit Super Heroes June 4”Disney Parks Blog has a preview.

Super Heroes Assemble! As we’ve all been anticipating, I’m pleased to share that Avengers Campus – an entirely new land dedicated to discovering, recruiting and training the next generation of Super Heroes – will open June 4, 2021 at the Disneyland Resort!

…The first key area is the Worldwide Engineering Brigade – also known as WEB. It brings together bright innovators like Peter Parker who have been assembled by Tony Stark to invent new technologies and equip everyday people to become Super Heroes like the Avengers. WEB will house the new WEB SLINGERS: A Spider-Man Adventure, the first Disney ride-through attraction to feature the iconic friendly neighborhood Spider-Man!

We previously shared that Tom Holland will reprise his role as Spider-Man in the new family-friendly attraction, which invites you to put your web-slinging skills to the test and experience what it’s like to have powers alongside Spider-Man – a feat accomplished with innovative technology adapted specifically for this attraction, perfect for up-and-coming recruits of all ages.

The second anchor attraction looms high above the land, Guardians of the Galaxy – Mission: BREAKOUT!, a fan-favorite that opened in 2017….

(5) FEARS FOR WHAT AILS YOU. [Item by Martin Morse Wooster.] In“Scary Times Call for Scary Reads” on CrimeReads, Jennifer MacMahon says that scary books are what you should be reading during the pandemic.

Recently, I was talking with a friend who was excited to hear I had a new book coming out soon. “But is it scary?” she asked apprehensively. I told her a little about it: a woman returns to her old family home after her sister drowns in the spring fed pool—oh, and the pool is rumored to be bottomless and her sister believed there was something lurking in the water. So yeah, it’s a little creepy. My friend apologized and said that she just couldn’t read unsettling books because of how unsettling the world is right now. I would argue (and did!) that that is exactly when we need these books the most; they take us to dark places and help us explore our fears from the relative safety of our favorite reading spot…

(6) DON’T ASK. “Yahoo Answers, a Haven for the Confused, Is Shutting Down” reports the New York Times.

At times on Yahoo Answers, the people asking questions of strangers lunged for the hallucinatory limits of human curiosity: What would a heaven for elephants be like? Should scientists give octopi bones?

It helped people identify their sense of self: Why do people with baguettes think they are better than me? Is being popular in high school a good skill I can use in a job interview?

It sought explanations for the unexplainable: Smoke coming from my belly button? Why is everything at my grandma’s house moist?

And it gave air to gaps in knowledge and admissions that perhaps had nowhere else to go: What does a hug feel like?

Yahoo, which is owned by Verizon Media, will be shutting down the question-and-answer service and deleting its archives on May 4, erasing a corner of the internet that will be widely remembered for its — to be charitable — less-than-enriching contributions to human knowledge since its arrival in 2005.

Less charitably, BuzzFeed News this week called it “one of the dumbest places on the internet.” Vulture said it was “populated entirely with Batman villains, aliens pretending to be human, and that one weird neighbor you’d rather climb down your fire escape in a blizzard than get caught in a conversation with.”

There is plenty of evidence for that position. People asked: Can you milk Gushers to make fruit juice? Can I cook raw chicken in the Michael wave? I forgot when my job interview is? What animal is Sonic the hedgehog? IS THIS YAHOO EMAIL SUPPORT?

Most famously, in a question that launched a meme, a confused soul who had learned little about reproductive science or spelling asked: How is babby formed?

It was never known how many of the questions were based in earnest ignorance and curiosity, and how much was intentional trolling. Answering required no expertise, and often displayed little of it.

But the site clearly was seen by some people, including children, as a comfortable space to ask the questions — sometimes important ones — they’d never dare to ask friends, families and teachers….

(7) ZOOMING INTO FANHISTORY. [Item by Joe Siclari.] The Fanac Fan History Project has three more Zoom Programs coming up over the next two months.

April 17, Saturday – 2pm EDT, 11AM PDT, 7PM London –  Early Star Trek Fandom, with Ruth Berman and Devra Langsam.  Stories and anecdotes from Ruth and Devra about their entry into fandom, about the origins of Star Trek fandom, and how they came to publish T-Negative and Spockanallia. For those of us that came into fandom later, here’s a chance to hear how Star Trek was received in general fandom, how Trek fandom got started, who the BNFs were and what they were they like.  How did the first Trek fanzines and Trek conventions affect fandom, and how did Trek fandom grow  and become its own thing. RSVP to fanac@fanac.org.

April 27, Tuesday – 4pm EDT, 1pm PDT,  9PM London. An Interview with Erle Korshak by Joe Siclari. Erle Korshak is one of our remaining FIrst Fans (inducted into the First Fandom Hall of Fame in 1996) and a Guest of Honor at Chicon 8 (2022 Worldcon). Erle was an organizer of the first Chicon,  the 1940 Worldcon, and was one of the Worldcon auctioneers for many years. He started Shasta Publishers, one of the first successful specialty SF publishers.  He was also involved with early SF movies. In this session, fan historian Joe Siclari  will interview Erle and his son Steve about early fandom, early conventions (including Worldcons), Shasta, and both Erle and Steve’s continuing interest in illustration art. Note: this is a midweek session. RSVP to fanac@fanac.org.

May 22, Saturday – 2pm EDT, 11AM PDT, 7PM London – An Interview with Bjo and John Trimble. Bjo and John Trimble have had an enormous impact on fandom from the 1950s onward. They’ve pubbed their ish, and some of the zines are available on FANAC.org. Bjo created the convention art show as we know it today (pre-pandemic) with Project Art Show, and published PAS-tell to share info with interested fans everywhere. In LASFS,  Bjo had a large role in reviving a flagging LASFS in the late 50s. Her most famous contribution was the successful Save Star Trek campaign which resulted in a 3rd year of the original series. Bjo was one of the organziers of Los Angeles fandom’s film making endeavors.  John is a co-founder of the LASFS clubzine, De Profundis and an editor of Shangri-L’Affaires. Bjo and John were Fan Guests of Honor at ConJose (2002), and were nominated twice for Best Fanzine Hugos. Bjo was nominated for the Best Fan Artist Hugo. In this interview, expect stories and anecdotes of Los Angeles fandom, how the art show came to be, Save Star Trek and much more.  RSVP to fanac@fanac.org.

(8) SPEAKING OF MATH. Although James Davis Nicoll is aTor.com blogging machine, after he ran the numbers he realized, “I still won’t hit 1000 tor essays until 2032 or 2033….” Whichever number this is, the title is: “Five SF Stories That Embrace the Scientifically Improbable Reactionless Drive”.

… The rocket equation is vexatious for SF authors for a couple of reasons: 1) It’s math. 2) It imposes enormous constraints on the sort of stories the sort of author who cares about math can tell.   Drives that produce thrust without emitting mass are therefore very attractive.  Small surprise that persons with an enthusiasm for space travel and a weakness for crank science leap on each iteration of the reactionless drive as it bubbles up in the zeitgeist.

One such crank was John W. Campbell, Jr., the notorious editor of Astounding/Analog (for whom a dwindling number of awards are named). Because of his position and because authors, forever addicted to luxuries like clothing, food, and shelter, wanted to sell stories to Campbell, Campbell’s love of reactionless drives like the Dean Drive created an environment in which stories featuring such drives could flourish, at Analog and elsewhere….

(9) BONANNO OBIT. Author Margaret Wander Bonanno (1950-2021) has died reports Keith R.A. DeCandido. She wrote seven Star Trek novels, several science fiction novels set in her own worlds, including The Others, a collaborative novel with Nichelle Nichols, a biography, and other works. Her novel Preternatural was a New York Times Notable Book for 1997.[

DeCandido’s tribute “Margaret Wander Bonanno, RIP” says in part:

…We remained friends over the years, and when she came back to writing Trek fiction in the 2000s, I got to work with her a few times: I served as the line editor on her Christopher Pike novel Burning Dreams, I was the continuity editor on her Lost Era novel Catalyst of Sorrows, and best of all, I commissioned her to write the conclusion to the Mere Anarchy eBook series that celebrated Trek‘s 40th anniversary in 2006. Margaret did a superb job with the conclusion of this miniseries, which was entitled Its Hour Come Round, and which included one of my favorite scenes in any work of Trek fiction, a conversation between Raya elMora (one of the recurring characters in Mere Anarchy) and Klingon Chancellor Azetbur (from Star Trek VI: The Undiscovered Country)….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • April 8, 1887 Hope Mirrlees. She is best known for the 1926 Lud-in-the-Mist, a fantasy novel apparently beloved by many. (I’m not one of them.) In 1970, an American reprint was published without the author’s permission, as part of the Ballantine Adult Fantasy series. (Died 1978.) (CE) 
  • Born April 8, 1907 – Vincent Napoli.  Four covers, two hundred forty interiors for us; WPA (Works Progress Adm’n) muralist, e.g. this.  Here is an interior for “Time and Time Again” – H. Beam Piper, Apr 47 Astounding.  Here is one for “The Earth Men” – R. Bradbury, Aug 48 Thrilling Wonder Stories.  Here is one for ”Dark o’ the Moon” – S. Quinn, Jul 49 Weird Tales.  (Died 1981) [JH]
  • Born April 8, 1912 –Ted Carnell.  Fan Guest of Honor at Cinvention the 7th Worldcon, brought by the Big Pond Fund.  Chaired Loncon I the 15th Worldcon.  Guest of Honour at Eastercon 11.  Developed a pro career, editing New Worlds, Science FantasySF AdventuresNew Writing in SF; five dozen author profiles.  First Fandom Hall of Fame.  (Died 1972) [JH]
  • Born April 8, 1933 – Cele Goldsmith.  Edited Amazing and Fantastic – both at once – living up to those names.  Special Committee Award form Chicon III the 20th Worldcon.  Amazing memoir years later in the Mar 83 issue.  Andrew Porter’s appreciation here.  Mike Ashley’s here.  (Died 2002) [JH]
  • Born April 8, 1939 – Trina Hyman. Twoscore covers, a score of interiors for us; illustrated a hundred fifty books all told, e.g. A Room Made of Windows.  Here is Peter Pan.  Here is the Aug 88 F & SF.  Here is The Serpent Slayer.  Caldecott Medal, Boston Globe – Horn Book and Golden Kite Awards.  (Died 2004) [JH]
  • April 8, 1942 Douglas Trumbull, 79. Let’s call him a genius and leave it at that. He contributed to, or was fully responsible for, the special photographic effects of Close Encounters of the Third Kind2001: A Space Odyssey, Star Trek: The Motion Picture and Blade Runner, and directed the movies Silent Running and Brainstorm. And Trumbull was executive producer for Starlost. (CE) 
  • April 8, 1967 Cecilia Tan, 54. Editor, writer and founder of Circlet Press, which she says is the first press devoted to erotic genre fiction. It has published well over a hundred digital book to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She has two series, Magic University and The Prince’s Boy. (CE) 
  • Born April 8, 1968 – Alex Toader, age 53.  (Romanian name, “toe-AH-derr”.)  Here is The Day Dreamer.  Here is the Predator drop ship (Predators, N. Antal dir. 2010).  Here is a Terra-to-Mars spaceport.  Here is Tractor Beams Engaged.  [JH]
  • April 8, 1974 Nnedi Okorafor, 47. Who Fears Death won a World Fantasy Award for Best Novel.  Lagoon which is an Africanfuturism or Africanjujuism novel (her terms) was followed by her amazing Binti trilogy. Binti which led it off that trilogy won both a Nebula Award and a Hugo Award for best novella. Several of her works have been adapted for video, both in Africa and in North America. (CE) 
  • Born April 8, 1978 – Natasha Rhodes, age 43.  Eight novels, one shorter story.  Motion pictures too, some of the novels are tie-ins.  Interview here; among much else she says “There were a lot of male sulky faces and pouty lips when women’s rights came in and became the norm rather than the exception.” [JH]
  • April 8, 1980 Katee Sackhoff, 41. Being noted here  for playing Lieutenant Kara “Starbuck” Thrace on the rebooted Battlestar Galactica though I must confess I’ve only seen in her excellent role as Deputy Sheriff Victoria “Vic” Moretti on Longmire. She also played Amunet Black, a recurring character who showed up on the fourth season of The Flash. To my pleasant surprise, I see her on Star Wars: The Clone Wars in a recurring role voicing Bo-Katan Kryze. (CE)
  • April 8, 1981 Taylor Kitsch, 40. You’ll possibly remember him  as the lead in John Carter which I swear was originally titled John Carter of Mars. He also played Gambit in X-Men Origins: Wolverine, and was Lieutenant Commander Alex Hopper in Battleship which was based off the board game but had absolutely nothing to with that game. (CE)

(11) COMICS SECTION.

(12) ANSIBLE LINKS. David Langford, in the wake of hosting of Alison Scott’s Eastercon bid speech and Farah Mendlesohn’s ConFusion polemic, has added two more items of interest to the Ansible site:

Alison’s brief Doc Weir Award acceptance speech.

And, Jerry Kaufman’s presentation speech for the “FAAn Award for Lifetime Achievement”, virtually presented to Langford during the recent FAAn Awards ceremony.

… When I share the least fragment of this person’s extensive contributions to fanzines, science fiction, and fan culture, you’ll know immediately who I am talking about. But let’s pretend we don’t. He discovered science fiction at an early age in Wales (how green was his Soylent), and found fandom at the Oxford University SF Group…. 

(13) MARS WAVES HELO. Space.com’s opinion is “These selfies of NASA’s Mars helicopter with the Perseverance rover are just amazing”.

Seán Doran created this mosaic of Perseverance and the Ingenuity helicopter together using 62 images captured by the rover on its 46th Martian sol.

And also – “Perseverance snaps headshots on Mars in latest pics”.

Perseverance’s SHERLOC WATSON camera captured imagery of the Mast ‘head’ of the rover on April 6, 2021 (Sol 45). The imagery is combined with Martian wind audio captured by Perseverance on Sol 4.

(14) AN UNUSED SCROLL TITLE. [Item by Daniel Dern.] As someone who didn’t watch TNG as it happened, only random in returns over the decades since, and who finds Q annoying at best, my thought is, potential title-wise:

Q? Feh

(15) SACRE BLEU! Andrew Porter was tuned into tonight’s episode of Jeopardy! and witnessed this:

Category: Books by the number

Answer: Jules Verne’s first novel was “Cinq Semaines en Ballon”, or this long “In a Balloon”

Wrong question: What is 80 days?

Right question: What is five weeks?

John King Tarpinian, meanwhile, was pleased the show had a Bradbury reference, and sent this screenshot.

(16) HERE’S A CLUE. In “The 100 Best, Worst, and Strangest Sherlock Holmes Portrayals of All-Time, Ranked” on CrimeReads, Olivia Rutligiano ranks 100 actors (99 humans and one dog) who have portrayed Sherlock Holmes.  She includes characters who think they’re Sherlock Holmes, so Data and Stewie from Family Guy are here.  The actors include two who played Doctor Who and three from various versions of Star Trek.

…What are the criteria we’re using to rank these portrayals? Fidelity to the source text? Creativeness of the interpretations? Resemblance to Sidney Paget’s illustrations? Quality of acting? Kind of. Simply put, portrayals are ranked in their ability to present a Holmes who makes sense as a derivation of the original character while exploring, interrogating, and expanding the character’s qualities in a thoughtful and meaningful way. And of course, yes, the quality of the performance itself matters.

The dog ranks ahead of Data! And the new number two is —

2. Basil Rathbone, The Hound of the Baskervilles (1939), etc.

The consummate actor Basil Rathbone, besides having my favorite name ever, is often considered to be the gold-standard for Holmes portrayals, having played Holmes in fourteen films in the 1930s and 40s. For many out there, he is *the* Holmes, and this is more than fair. Rathbone’s Holmes is an interesting take… very logical, though not wry, but also very vigorous. While he’s certainly very affable, there is little whimsy, nothing too nonconformist about him. It’s truly marvelous to behold (though more marvelous is how he never once turns around to flick Nigel Bruce’s idiot Watson on the head).

(17) VIDEOS OF THE DAY. “Leonard Nimoy As Sherlock Holmes:  The Interior Motive (1976) Full Version” on YouTube is a 1976 episode of the PBS show “The Universe and I” in which Leonard Nimoy, as Sherlock Holmes, provides a science lesson about the nature of the earth’s core.

And here’s a clip featuring Peter Capaldi’s performance as Holmes — because you can never have enough Peter Capaldi.

[Thanks to Mike Kennedy, Daniel Dern, Michael Toman, John King Tarpinian, Joe Siclari, James Davis Nicoll, Martin Morse Wooster, JJ, Cat Eldridge, Ben Bird Person, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]