Corina Stark will be liveblogging today’s session (Saturday) of the World Science Fiction Society Business Meeting at Alex Acks’ website.
GRRM Signing signage
Brenda Clough, Walter Hunt
Panel: Writing for Children
Christine Taylor Butler, Amy McCulloch, Molly Ker Hawn, Delia Sherman
Panel: Makers of Fandom
Kees van Toorn, Mary Burns, Alison Scott, and Steve Davies
A transatlantic cable, hurrah!
Mary and Bill Burns at Bill’s Transatlantic Communications Cables slide show and talk.
And here, at the entrance to the Dealers Room….
… we have a DeLorean in search of 1.21 gigawatts of power.
By Daniel Dern: The opening press conference was great! Chair James Bacon, and guests Diane Duane, Ginjer Buchanan, Ian McDonald, Mary Burns, Bill Burns were introduced.
Sadly, there doesn’t appear to be any video — neither official nor any of us press folks. .(I’m sure that if we pressers had known/noticed there was no official videographer, we’d have held our phones etc. aloft throughout. Note to ConNZealand etc, these events are worth videoing.)
Happily, Chris Garcia has audio of the event, posted to his Journey Planet site “Dublin 2019: The Press Conference”.
Diane Duane and Ian McDonald expressed their joy at a Worldcon they could take their local bus (or other public transit) to.
The panelists talked about the importance of Ireland’s first Worldcon. Other topics included ‘how I got started in fandom,’ ‘Worldcons I’ve been to,’ and a few ‘worst con stories,’ like which was the con where the hotel fell into the sea.
With centuries of fannish history at the table, lots of great stories!
Roving photographer Daniel Dern found these shots of interest on Friday at Dublin 2019.
Panel, Writing Outside Western Expectations
Georgina Kamsika, Beth Meacham, Joey Yu, Regina Kanyu Wang
The rest of the gallery follows the jump.Continue reading
A cold truth surfaces…
The Dublin Convention Centre is too small for the size of this convention. By a lot. Thursday was chaos in the halls leading into the meeting rooms. Packed solid with people trying to exit rooms where panels had ended and others who were wanting to get into those same rooms for the next round of panels. Convention Centre staff became the traffic police in a mostly vain attempt to keep everybody moving.
By Friday the chaos had abated by a bit, but there have still been severe people flow problems. Overnight each floor of the Convention Centre was taped off into queue lanes, one for each meeting room. It’ll not quite an airport boarding lounge situation but very similar. And this created addition confusion until, finally, everybody started to figure it all out. But this system created lots of delays and there are usually lines of people waiting access for some rooms even after the scheduled panel starting time.
This has resulted in plenty of people with frayed tempers, from what I’ve observed, but no meltdowns. At least for now but there are still three days to go.
One other thing I observed— the traffic police are not to be messed with! More than one person was firmly directed to clear out of some area where queues would be forming. Don’t think anybody has dared to jump a line after seeing them in action!
Heicon Memories panel
Panel opened with round of applause for Silverberg when he stated that this is his 66th Worldcon. He has the record, I think.
Suzanne Tompkins, Ginjer Buchanan, Robert Silverberg, and Mary Burns.
Bill Burns and Geri Sullivan. Unsurprisingly, most everybody in the room not only knew about the site, they also were frequent visitors. And many of us even have Fanzines hosted by the site!
Keith Kato’s Chili Party
…was held in Oscar Wilde’s House. There was even a docent tour.
Three First Fandom awards were presented during Opening Ceremonies at Dublin 2019.
- First Fandom Hall of Fame Award: Ray Faraday Nelson
- First Fandom Posthumous Hall of Fame Award: Bob Shaw, James White and Walt Willis
- Sam Moskowitz Archive Award: Dr. Bradford Lyau
The First Fandom Hall of Fame Award (est . 1963) is presented annually to honor an individual’s lifetime of accomplishments in the field of science fiction. Geri Sullivan, the TAFF Delegate, announced the Ray Faraday Nelson as the award recipient and it was accepted on Nelson’s behalf by Chair James Bacon.
First Fandom Hall of Fame Award citation:
Because of his life-long genuine love of science fiction and his enthusiastic service to that community for decades, the members of First Fandom have elected Ray Faraday Nelson to the First Fandom Hall of Fame for 2019.
American SF author and cartoonist most famous for his 1963 short story “Eight O’Clock in the Morning,” which was later used by John Carpenter as basis for his 1988 film They Live. Nelson became an active member of fandom while a teen-ager. He began his career writing and creating cartoons for SF fanzines. Later, he wrote many professionally published short stories. Nelson collaborated with Philip K. Dick (a friend since childhood) on The Ganymede Takeover (published 1967). At the 1982 Philip K. Dick Awards, Nelson’s novel The Prometheus Man gained a Special Citation. Nelson professed his greatest claim to fame to be the creator (while still in high school) of the iconic propeller beanie as emblematic of science fiction fandom.
The First Fandom Posthumous Hall of Fame Award (est. 1994) is presented to honor the accomplishments of a worthy member of the SF community who did not receive that recognition during their lifetime. Geri Sullivan announced the selections of Bob Shaw, James White and Walt Willis to be inducted posthumously into the Hall of Fame.
First Fandom Posthumous Hall of Fame Award citation:
These three great Irish fans collaborated for decades and promoted genuine goodwill around the world. It is our privilege to honor their memory in the same year that the Worldcon is being held in Dublin.
Background information from the Wikipedia:
Well-known part of influential Irish SF Fandom, the Wheels of IF. Special guest, 1952 Worldcon, and recipient of travel funds raised by fans. This inspired the annual TransAtlantic Fan Fund (TAFF). Willis was awarded a 1958 Hugo Award as Outstanding Actifan. Nominated for best fan writer Hugo (1969) and for two Retro-Hugos in the same category (2001, 2004). Nominated in fanzine category (1957, 1959) for Hyphen. Received Fanzine Retro-Hugo nominations (2004) for Slant and Hyphen. He shared a Retro-Hugo for Slant with that fanzine’s art editor James White. Willis’ best known work is The Enchanted Duplicator (1954), co-written with Bob Shaw. Willis was Fan Guest of Honor at Magicon (the 1992 Worldcon). (d. 1999.)
Northern Irish author of science fiction novellas, short stories and novels who became a SF fan in 1941. With Walt Willis, he co-wrote two fanzines, Slant (1948–1953) and Hyphen (1952–1965). White’s first novel, The Secret Visitors was published in 1957. White was a long-time Council Member of the British SF Association and a Patron of the Irish SF Association. (d. 1999.)
Bob Shaw —
SF writer and fan from Northern Ireland. Hugo Award for Best Fan Writer (1979, 1980). His short story “Light of Other Days” was a Hugo Award nominee in 1967, as was his novel The Ragged Astronauts (in 1987). (d. 1996.)
The Sam Moskowitz Archive Award for attaining “Excellence in Collecting” was presented to Dr. Bradford Lyau by First Fandom International Vice-President Mr. Erle M. Korshak.
The Sam Moskowitz Archive Award citation:
Dr. Bradford Lyau is a genuine SF enthusiast. He has been an avid collector for more than fifty years and has assembled an archive of pulp magazines, books and vintage comic books. Through active correspondence, Brad developed friendships with many of his favorite writers. He knew Sam Moskowitz and visited Forry in the Ackermansion. Dr. Lyau has published numerous academic articles and scholarly books and has served over the years as a panelist and moderator at conventions throughout the world.
Information from BayCon 2016:
Dr. Bradford Lyau has been a life-long reader of SF, part of fandom for over forty years, and a panelist for over twenty-five years. He is a historian by training (BA, UC-Berkeley; MA, PhD, University of Chicago) and once taught at several universities in California and Europe. He presently works for a start-up company and is a political activist/consultant. He remains active in formal scholarship, publishing academic articles on American, British, French, and other European SF. He was an invited program participant in 1984 for the George Orwell Conference held in London, and in 1991 for the Utopian Conference held in Yverdon-les-Bain, Switzerland, as part of Switzerland’s 700th Anniversary celebration. One of his recent articles analyzed Cixin Liu’s recently translated novels, his first attempt to analyze SF from a non-Western culture. His book analyzing French SF, The Anticipation Novelists of 1950s French Science Fiction: Stepchildren of Voltaire, received very positive reviews from leading academic SF journals and is listed as a reference for further reading in the “France” entry in the Encyclopedia of Science Fiction.
[Thanks to John Coker III for the story.]
By Chris M. Barkley: After a brutal and taxing trans-Atlantic transit on Monday, my partner Juli and I were able to obtain our membership badges fairly easily Tuesday morning.
Yesterday was mainly spent getting used to our surroundings and the weather; the city could have been any busy port city in New England in tone save for the local traffic patterns were the opposite from what we Americans were used to and the skies were for the most part slightly chilly, overcast with partial, misty showers throughout the day.
At 10:20 a.m., Juli and I walked to the Convention Centre which was located less than a kilometer away from the gated apartment complex we were renting for the week.
My first panel was at 11 a.m. in a moderately sized room on the second floor of the Centre, “Crime and Punishment in the Age of Superheroes.” Since it was early in the morning on the first day, my expectations were quite low. I met my fellow panelists, UK fan Rachel Coleman and US novelist Dan Moren in the Green Room situated at the top floor of the building. In our initial greetings they reminded me that I was the moderator of the panel, which I had conveniently forgotten and was a momentary source of amusement. Our fourth member, the Hugo-nominated French author Aliette de Bodard was missing but we weren’t particularly worried that she might not show.
Imagine our surprise when we walked into our room and saw that it was nearly standing room only crowd! As we settled in, Ms. de Bodard came hustling in out of breath but quite able and willing to dive into our subject.
What followed was a lively session in which we discussed the degree superheroes might be legally liable for their activities, the rendition of super villains, how any super-powered person might be tried and imprisoned and what sort of punishment would be appropriate and what would be considered “cruel and unusual punishment”.
One of the more entertaining bits of discussion was comparing the relative degree of danger a person the psychological profile like Tony Stark or Bruce Wayne would be versus some like Peter Parker, who, at least at this point in the Marvel Cinematic Universe, is relatively altruistic.
As always with the panels I moderate, half the time was spent with the panel and the remaining time we took comments and questions from the audience.
We could have easily gone on for another hour. At the end of our time, the audience gave us a healthy round of applause and we were quite pleased with their participation.
My next panel, “Sports in Science Fiction and Fantasy” was scheduled for 2 p.m. We decided to cruise through the Dealer’s Room, which was rather smaller in comparison to the previous Worldcons I have attended but I was quite happy with the number of vendors and their wares.
Another early shopper was the well-known media mogul/mega best-selling author George R.R. Martin (pictured below), who was only slightly disguised (eschewing his usual fishing cap in favor of a Game of Thrones baseball cap) and enjoying himself immensely. He also took a moment to take me to task for proposing yet another Hugo Award category (In this case, the Best Translated Novel, which might be discussed at the Main Business Meeting if it is passed on from the Preliminary Business Meeting on Friday.)
“It’s getting to be too much,” Martin said. “I hope it doesn’t get to be like the Emmy Awards.”
“What do you mean,” I asked.
“Well, some of the awards are not going to be televised and are going to be given out before the show. I don’t want that to happen to the Hugos.”
I assured GRRM that I did not want that to happen either and that I personally did not have any plans to introduce any other changes at the moment. We then parted, he with a somewhat relieved look on his face. Have a Happy Worldcon, George…
I had to make a courtesy visit to the Press Office, where Daniel Dern presented me with a spare File 770 “Scum and Villainy” button and met the Area Head, the gracious and amiable Diana Ben-Aron, who presented me with a Press ribbon.
UK fan Neil Williamson was the moderator of “Sports in Science Fiction and Fantasy” along with novelist Fonda Lee, prolific writer Rick Wilber (author of many baseball and sports related short stories. I described myself as a lifelong baseball fan whose home is also that of the first professional baseball team, the Cincinnati Reds, celebrating this year the 150th Anniversary of the first team.
With that, I pulled out my black ESPN cap and offered a Euro to the first person who could tell me what the letter “E” stood for. A number of US fans in the audience were flummoxed by the challenge but a quick-thinking male European fan remembered that it stood for Entertainment Sports Programming Network. Hilarity ensued when I fumbled around and was unable to FIND the coin in my change purse. Anxious to move on, Neil produced a coin and paid off the winner. (Juli gave me a coin to reimburse Neil and I found the coin later and paid her back…)
Fonda Lee and Rick Wilber gave some excellent examples through their own works of how the portrayal of sports in fiction gave some insight into the societies they were writing about. Neil and I mostly mused on how the sports we love might change in the future. Again, the audience seemed to have had a good time and gave us all a round of applause.
From there we checked off the obligatory “American food experience in a foreign country” of the travel list with a lunch at Eddie Rocket’s, a disturbingly familiar place that served burgers, fries and milkshakes. (Picture)
The restaurant was adjacent to the Odeon Theater at The Point our next programming destination, where artist John Picacio was giving a slideshow overview of his works. The venue was rather unique because it took place in a mid-sized movie theater in the complex.
Mr. Picacio regaled the almost full house with stories of how he became artist, techniques and style tips for beginning artists and some fascinating stories of how George R.R. Martin roped him into doing the 2012 Game of Thrones calendar and how the images from this source were highly-referenced by the producers and casting directors in choosing actors for their roles.
The highlight of the day was the Opening Ceremonies which also presented the1944 Retro Hugo Awards. After some festive banter by our hosts Ellen Klages and Dave Rudden, we were treated to a short comi-tragic play and the introduction of the Guests of Honor, who also served as Hugo presenters.
Hilarity ensued through the evening as each successive presenter struggled to open the award envelopes, which were triple sealed by masking AND duct tape.
Well, not all of the presenters; Author Guest of Honor Diane Duane was undaunted because she was the only one who was carrying a knife, because, as she explained, “Knives ALWAYS work.” She declined to share the knife with any of the other presenters.
After that it was off to the parties, which were being held on the third level of the Centre. As crowded and festive as this gathering was, I can only wonder what Edie Stern, Joe Siclari and former Worldcon Chair Michael Walsh were intensely discussing near the escalators away from all the revelry…
The 1944 Retro-Hugo Award base (left) and 2019 Hugo Award base (right) are on display at Dublin 2019. Thanks to Rich Lynch for the photo.
The 1944 Retro Hugo base was designed by Eleanor Wheeler. She is an architectural and sculptural ceramicist who has created large scale art for public spaces including at the Market Square in Armagh and the Gasworks, the Mater Hospital and Drumglass Park in Belfast. She lives in County Down and has had numerous solo exhibitions, drawing on her travels locally as well as throughout Asia, Africa and Europe for inspiration.
The 2019 Hugo base was designed by Jim Fitzpatrick. Based in Dublin, he is famous for his Celtic art, in particular for his publications The Book of Conquests, The Silver Arm, The Children of Lir (with Michael Scott) and Erinsaga; and also for his album covers for Thin Lizzy and Sinéad O’Connor. Perhaps his best known work is his iconic 1968 portrait of Che Guevara.
Corina Stark did a fantastic job of notetaking in “WSFS Preliminary Business Meeting Liveblog”, which can be read on Alex Acks’ blog.
Once video of the meeting has been uploaded, it will be available at Worldcon Events on YouTube.
The agenda is available here. The references (e.g. “D7”) refer to items in it.
Short summary: The business meeting rejected the proposed Best Translated Novel Hugo by a motion to postpone indefinitely. Basically, everything else was assigned a debate time and will be taken up tomorrow.
Here are the highlights – see the full post for what the participants had to say, and details of the parliamentary maneuvering.
Last year’s Worldcon chair (Worldcon 76) Kevin Roche responded to a question about their financial report. “Kevin Roche reports they are still in litigation which reduces the pass-along funds, but he has brought three checks for Dublin, CoNZealand, and the 79th Worldcon. First four complaints dismissed with prejudice, defamation claim still pending…. Kent Bloom questions Roche about surplus to give a donation for preserving the Worldcon memorabilia. Roche will check his budget, but they anticipate prevailing in the lawsuit however it is a hope not a guarantee.”
The motion to add a Standing Rule giving the Committee of the Whole the ability to extend itself rather than repeat the labyrinthine maneuver from last year’s business meeting was passed, and (by a second vote) given immediate effect. The text of the rule is —
Rule 5.12: Committee of the Whole. The Committee of the Whole shall have the right to amend its duration without seeking permission from the Business Meeting by way of a motion to extend debate.
Motions to extend the Hugo eligibility Prospect and Worlds of Ursula K LeGuin both passed.
Debate times were set for ratification of business passed on from last year, to be considered on Saturday.
Debate times were set for new constitutional amendments D1-D6.
D7 – the “Five and Five” motion to cut back the number of Hugo finalists in a category to five – was challenged by a motion postpone indefinitely. . [See discussion of motion at File 770 in “Reform of Rollback?”] The motion to postpone indefinitely failed, for lack of a two-thirds majority, 46 in favor, 30 against. Debate time was set.
D8-D11 debate times set.
D12 – The proposal to add a Best Translated Novel Hugo was eliminated when the meeting voted in favor of a motion to postpone indefinitely.
D13 – The proposal to add a Best Game or Interactive Experience Hugo survived a motion to postpone indefinitely and debate time was set.
All the items for which debate time was set will come up for consideration at a subsequent business meeting session this weekend.