Shades Of Magic: The Steel Prince – The Rebel Army – the epic finale of The Steel Prince graphic novel trilogy by New York Times bestselling author V.E. Schwab is on sale today from Titan Comics.
In the months following his defeat and unmasking by Prince Maxim Maresh at the climax of the Night of Knives Tournament, Rowan, its architect and Antari magician, has forcefully taken command of a ragtag pirate fleet known as the Rebel Army.
Through a campaign of pillaging and conscription of Arnes’ coastal towns, Rowan has grown the Rebel Army into a force powerful enough to usurp a prince and destroy an empire.
Now, all that stands between the fall of the House of Maresh and the sacking of Red London is Maxim and his garrison, unless the young headstrong prince can win the hearts and minds of the inhabitants of Verose and convince them to join him in one final stand against the most powerful magician he has ever faced.
Ed Kramer, who earlier this year took a plea bargain on charges of computer trespass and testified against his former co-defendant, Gwinnett County Superior Court Judge Kathryn Schrader, has sued one of the judge’s electoral challengers over a campaign flyer labeling him a “convicted sex offender.”
Eliminated judicial candidate Christa Kirk is the defendant in Kramer’s suit. Her campaign distributed a flyer showing photos of Kramer and Schrader under a heading of “Indicted,” and said Schrader’s case involves “a convicted sex offender.”
Kramer’s lawsuit contends this is a libel because when he was in court on three counts of child molestation in 2013 he entered an Alford plea — which allowed him to maintain his innocence while accepting guilt for the charges. And as Law.com explains in “Gwinnett Judge Races Sparks Libel Lawsuit by Incumbent’s Former Co-Defendant”, if the sentence is completed with no further offenses, no conviction is entered on the defendant’s record. “[Kramer], who has always maintained his innocence, was sentenced under this First Offender statute in 2013 and has been, and is still, serving a First Offender sentence,” his lawsuit says. “Consequently, [he] is not ‘convicted’ and has never been ‘convicted’.”
Kramer is, however, listed as a “sexually dangerous predator” in the Georgia Bureau of Investigation Sexual Offender Registry.
The lawsuit argues that the flyer harmed Kramer in the following ways:
While [Kramer] has suffered economic loss in the form of missed business opportunities and has been exposed to public hatred, contempt and ridicule, he has also suffered grave prejudice in a jurisdiction where he has pending criminal matters that may go to trial.
This act by Defendants was not only a violation of civil rights, defamatory, and libelous, it was a highly unethical act in the pursuit of a seat on the Gwinnett County Superior Court bench.
The suit asks for an order “enjoining defendants from making defamatory and libelous statements against [Kramer] and to redress the defamatory and libelous statement already made, including the disclosure of any and all parties who received the defamatory and libelous statement.”
The suit also seeks unspecified monetary and punitive damages.
Kramer is a co-founder of Dragon Con, but has not been a co-owner since 2013.
There’s still time to host a fan table or fan party at the first ever Virtual Worldcon, and we encourage you to apply- but don’t delay, as the registration deadline is 15th July at midnight NZT. This is to give our tech team time to make the plans they need to.
Fan tables will happen on Discord, and fan parties will be hosted via Zoom.
… The theme that has emerged from the Hugo-voter’s collective intelligence this year is fan writers as connections between worlds. The most apparent aspect of that in James’s work is his Young People Read Old SFF project (http://youngpeoplereadoldsff.com/) which puts classic science fiction stories in front of young people (or sometimes current science fiction in front of old people). As a project it is a fascinating example of how ‘fan writing’ exceed simple definition. The posts show how reading is a conversation with texts and with others reading those texts. James’s role is to facilitate the process but by doing so the whole project turns the process of review into a deeper form of literary criticism.
(3) VIRTUAL MILEHICON. Denver’s MileHiCon 52 has joined the ranks of virtual conventions.
Because we are going Virtual, we will not be able to provide all of the types of programs that we have had in the past. The art show, vendors room, and Authors Row will be available but in a totally different format. Panel discussions, presentations, readings and demonstrations will still be offered. There may also be some totally new types of programming. We will be announcing more information about the program schedule at later dates. Scroll down form more information.
(4) DIVE, DIVE! In “Subplots: What Are They Good For?” Kay Kenyon and Cat Rambo discuss subplots and how to use them. Kenyon will be teaching the “Mapping the Labyrinth: Plotting Your Novel” class on August 2 online at the Rambo Academy for Wayward Writers. Registration and scholarship info at the link.
An outline is one of your best tools for writing a novel, but how do you figure what happens, when, where, and to whom? How do you deal with plots when they go astray and how do you weave multiple plotlines together? With series, what can you leave for future books — and how do you set events up for those books?
… For most of “Starship Troopers,” humanity, in every possible facet, gets its ass kicked. A culture that reveres and communicates exclusively through violence—a culture very much like one that responds to peaceful protests with indiscriminate police brutality, or whose pandemic strategy is to “dominate” an unreasoning virus—keeps running up against its own self-imposed limitations. Once again, the present has caught up to Verhoeven’s acid vision of the future. It’s not a realization that anyone in the film can articulate, or seemingly even process, but the failure is plain: their society has left itself a single solution to every problem, and it doesn’t work….
…But the best monsters in the book aren’t human but rather the megasized fauna of Hella (an old South Park joke carried to its logical conclusion, much like Niven’s Mt. Lookitthat). This is the most joyous part of the story, really evocative of the grand old space opera traditions.
But it also explores territory that, if not exactly new to science fiction, certainly isn’t commonplace, either….
(7) DANIELS OBIT. [Item by Danny Sichel.] Country singer Charlie Daniels — who wrote “The Devil Went Down to Georgia”, which one could very easily argue is a fantasy short story — has died at the age of 83.
There’s also an argument to be made that, golden fiddle or no, Jonny lost his soul the second he agreed to participate in the contest.
…Mr. Morricone scored many popular films of the past 40 years: Édouard Molinaro’s “La Cage aux Folles” (1978), Mr. Carpenter’s “The Thing” (1982), Mr. De Palma’s “The Untouchables” (1987), Roman Polanski’s “Frantic” (1988), Giuseppe Tornatore’s “Cinema Paradiso” (1988), Wolfgang Petersen’s “In the Line of Fire” (1993), and Mr. Tarantino’s “The Hateful Eight” (2015).
In 2016, Mr. Morricone won his first competitive Academy Award for his score for “The Hateful Eight,” an American western mystery thriller for which he also won a Golden Globe. In a career showered with honors, he had previously won an Oscar for lifetime achievement (2007) and was nominated for five other Academy Awards, and had won two Golden Globes, four Grammys and dozens of international awards.
(9) MEDIA ANNIVERSARY.
July 1976 — Gordon R. Dickson’s The Dragon and the George was published by the Science Fiction Book Club. It originally appeared in The Magazine of Fantasy and Science Fiction, the September 1957 issue, as the novella “St. Dragon and the George”. It would be the first in a series that would eventually reach nine titles. The Dragon and the George would win the BFA George August Derleth Fantasy Award, and was loosely adapted into the 1982 animated The Flight of Dragons, a Rankin/Bass production.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 6, 1755 – John Flaxman. Sculptor and draftsman (he wrote draughtsman); began by working for Wedgwood. We can claim his illustrations of Homer, Hesiod, Aeschylus, Dante; some of his sculpture. For our purposes we needn’t care whether angels, or the Greek gods, exist or in what sense: portrayal of them by human beings is fantastic. Here is Homer invoking the Muse. Here is Sleep escaping from the wrath of Jupiter (I wish JF had said Zeus, but he didn’t). Here is Apollo with four Muses. Here is the Archangel Michael overpowering Satan. (Died 1826) [JH]
Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit. After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.) (CE)
Born July 6, 1927 – Rick Sneary. We liked what we thought his idiosyncratic spelling, and preserved it; few knew, few imagined, he was largely self-taught and wished we’d correct it. One of his fanzines was Gripes & Growns – see? President of the N3F (Nat’l Fantasy Fan Fed’n), chaired its board of directors; President of FAPA (Fantasy Amateur Press Ass’n) – by mail. Locally, co-founded the Petards, who took turns as Hoist; the Outlanders, who could not always attend LASFS (L.A. Science Fantasy Soc.) meetings. Living in South Gate, he did much for the South Gate in ’58 Worldcon bid; it won; physically it had to be in Los Angeles, but by proclamation of both mayors was technically in South Gate; at the end he carried a sign “South Gate Again in 2010”; this came to pass, see File 770 153 p. 20 (PDF). He won the LASFS Evans-Freehafer service award, wretched health and all. Afterward June & Len Moffatt and I co-edited the memorial fanzine Button-Tack. His name rhymed with very. (Died 1990) [JH]
Born July 6, 1935 – Ditmar, 85. Full name Martin James Ditmar Jenssen. Outstanding and distinctive fanartist, most often seen on covers of Bruce Gillespie zines because BG has the tech to do him justice; see here (The Metaphysical Review), here (Scratch Pad), here (SF Commentary). Others too, like this (PDF). The Australian SF Awards are named Ditmars after him. Won the Rotsler Award. [JH]
Born July 6, 1945 – Rodney Matthews, 75. Illustrator and conceptual designer, famous for record album covers (130 of them), calendars, jigsaw puzzles, snowboards, T-shirts. Lavender Castle, a children’s animation series. Computer games. Lyrics and drums for a Christmas CD. A Michael Moorcock calendar and two of his own. Two RM Portfolios. Five dozen book & magazine covers, six dozen interiors: here is one for Vortex; here is Rocannon’s World (in Serbo-Croatian); here is his vision of Alice in Wonderland. [JH]
Born July 6, 1945 — Burt Ward, 75. Robin in that Batman series. He reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes , and two recent films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. The latter are the last work done by Adam West before his death. (CE)
Born July 6, 1951 — Rick Sternbach, 69. Best-known for his work in the Trek verse starting with ST: TMP where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 and Voyager. He also pretty much designed every starship during that time from the Cardassian and Klingon to the Voyager itself. He would win the Best Professional Artist Hugo at SunCon and IguanaCon II. (CE)
Born July 6, 1946 — Sylvester Stallone, 74. Although I think Stallone made a far-less-than-perfect Dredd, I think the look and feel of the first film was spot which was something the second film, which had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect. (CE)
Born July 6, 1966 – Beth Harbison, 54. Writes fiction and cookbooks; twoscore all told. Shoe Addicts Anonymous was a New York Times Best-Seller. If I Could Turn Back Time and Every Time You Go Away are ours. The title Met the Wrong Man, Gave Him the Wrong Finger should give us all, as the French say, furiously to think. [JH]
Born July 6, 1978 – Tamera & Tia Mowry, 42. Identical twins. Together four Twintuition novels for us; two television shows, Sister, Sister (both women won the NAACP Image Award, three Nickelodeon Kids’ Choice Awards, Nickelodeon Hall of Fame) and Tia & Tamera. Tamera, the elder (two minutes apart), won a Daytime Emmy and two NAACP Image Awards as a talk-show host on The Real; two films and two dozen other TV shows. Tia has done eight films, thirty other TV shows; is the head coach of the Entertainment Basketball League celebrity team. [JH]
Born July 6, 1980 — Eva Green, 40. First crosses our paths in Casino Royale as Vesper Lynd followed by Serafina Pekkala in The Golden Compass, and then Angelique Bouchard Collins in Dark Shadows. Ava Lord in Sin City: A Dame to Kill For (weird films those definitely are) with a decided move sideways into being Miss Alma Peregrine for Miss Peregrine’s Home for Peculiar Children. And she was Colette Marchant in Dumbo. She’s got two series roles to her credit, Morgan Pendragon in Camelot and Vanessa Ives in Penny Dreadful. (CE)
Conducted during the COVID-19 pandemic, this study (n = 310) tested whether past and current engagement with thematically relevant media fictions, including horror and pandemic films, was associated with greater preparedness for and psychological resilience toward the pandemic. Since morbid curiosity has previously been associated with horror
At a number of Worldcons and other science fiction conventions, John Hertz has organized a discussion of science fiction classics.
By his definition, “A classic is a story which survives its time which, after the currents change which might have buoyed it, is seen to be valuable in itself.” He explicitly is not interested in the idea of a classic as needing to be either influential or popular. To be fair that definition may not be his personal definition, but it was the guiding principle for the discussion at sasquan in 2015.
This list is for the books that were discussed at Worldcons and other science fiction conventions as picked by John Hertz. If a book that is from that list is missing on this one, please add it. Otherwise books that can’t be substantiated as being part of that process will be removed
…Equitable casting “is being demanded to the point where people are giving up their jobs they’ve had for 20 years,” Baker says. “In a sense, I think it’s a great thing to have opportunity for diversity to come into place and be the norm. Why? Because it reflects the world. The world isn’t just one-sided.”
Baker co-founded the Society of Voice Arts and Sciences as a means of training, mentoring and advocating for her peers. Diversity and inclusion, mentioned in the organization’s mission statement, are central to what Baker refers to as her “journey of a lifetime.” White people continue to run the industry, she says. It’s always been cost-effective to hire actors like Mel Blanc, nicknamed “The Man of a Thousand Voices,” to play multiple characters. The overarching goal isn’t to take away from these talented white actors, but to ensure that equally equipped people of color have a substantial “piece of the pie.”
…Rest assured that, no, Big Boy has not done anything wrong, or been canceled for bad behavior. Rather, the switch to a female face is a pre-planned promotional move tied to an on-trend new menu item.
“We are rolling out a brand-new chicken sandwich,” Frank Alessandrini, Big Boy’s director of training, said according to Michigan’s WOOD TV, based in the company’s home state. “Dolly has been with Big Boy since as far as we can go back with our comic books […] we decided that she’s going to be the star of this sandwich as Big Boy was the star of his double decker sandwich.”
What happens when an African grey parrot goes head-to-head with 21 Harvard students in a test measuring a type of visual memory? Put simply: The parrot moves to the head of the class.
Harvard researchers compared how 21 human adults and 21 6- to 8-year-old children stacked up against an African grey parrot named Griffin in a complex version of the classic shell game.
It worked like this: Tiny colored pom-poms were covered with cups and then shuffled, so participants had to track which object was under which cup. The experimenter then showed them a pom-pom that matched one of the same color hidden under one of the cups and asked them to point at the cup. (Griffin, of course, used his beak to point.) The participants were tested on tracking two, three, and four different-colored pom-poms. The position of the cups were swapped zero to four times for each of those combinations. Griffin and the students did 120 trials; the children did 36.
The game tests the brain’s ability to retain memory of items that are no longer in view, and then updating when faced with new information, like a change in location. This cognitive system is known as visual working memory and is the one of the foundations for intelligent behavior.
So how did the parrot fare? Griffin outperformed the 6- to 8-year-olds across all levels on average, and he performed either as well as or slightly better than the 21 Harvard undergraduates on 12 of the 14 of trial types.
That’s not bad at all for a so-called bird brain.
(18) TRIVIAL TRIVIA. Uh, yeah, that sounds logical.
(19) VIDEO OF THE DAY. On the off chance that you have 22 minutes to spare, you might also appreciate the opportunity to see excerpts from a 1977 interview with Philip K. Dick in Metz, France.
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Michael Toman, John Hertz, Danny SIchel, Todd Mason, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
Award-winning author Dr. Charles E. Gannon is a Distinguished Professor of English and a Fulbright Senior Specialist. A recipient of five Fulbright Fellowships and Travel Grants and is a Nebula finalist, his book Rumors of War and Infernal Machines won a 2006 American Library Association Choice Award. His latest sci-fi novel, Marque of Caine, is the fifth book in his Caine Riordan series. It has been two years since Caine was relieved of his command for following both his orders and his conscience. Now he’s finally received the message he’s been waiting for: a summons to visit the ancient and enigmatic Dornaani; the same Dornaani that still have his mortally wounded love, Elena Corcoran. As clues and new threats push Caine’s quest beyond the edge of known space, he discovers that the Dornaani empire is in decline, meaning his beloved Elena is now only half the mission…
Signed bookplates are available for books purchased through the shop. Indicate the request in the comment field at checkout. All bookplate orders are due July 13, and will be are arriving separately from the books free of charge.
As the 2020 Literary Guest of Honor for Dragon Con, I fully support this decision on the part of the convention. As much as I would have loved to see everyone in Atlanta this year, it’s just not feasible or practicable.
After many months of hand-wringing, sleepless nights, and more Zoom meetings than we can count, we have decided that Dragon Con 2020 event will not be held in person. Trust us, we are just as bummed as you are, but know we did not make this decision lightly. Above all else, we want to thank you, our fans, our partners, the ACVB, and the city of Atlanta for the support you have given us over these past few months.
Their Update Q&A includes this strangely defensive exchange between the committee and….themselves?
Finally! Took you long enough to cancel.
First off, rude. Secondly, not a question. We are so heartbroken that we cannot, in good faith, host a 2020 event. We truly did everything possible to remain positive and exhaust all options – some extremely creative in nature – understanding that a large part of our fan base and key partners truly needed an event to enjoy after the year we have all had. Along the way, we have said that if we did not feel that we could host a Dragon Con quality convention that also kept our fans and community safe, we would make the hard and necessary decision that we announced today. We are looking forward to 2021 when we can all meet again in person.
Part of our intense work on exploring all options was out of respect for our partners, who are going through an unprecedented and painful time with many key people being displaced indefinitely. These people are a major part of the Dragon Con family. If you are local to Atlanta please go out and support our beloved hotels and businesses when it is safe to do so. After all, who doesn’t need a drink at their favorite bar or night away from home at this point?
This year’s convention, scheduled for September 3-7, was originally projected to attract some 90,000 people to downtown Atlanta.
… Cora has been doing the hard working of promoting self-published and small press SF&F for years. While sections of fandom have been trying to reframe publishing mode as some kind of partisan ideological battle, Cora has been writing, publishing and promoting indie sci-fi consistently and in a way designed to enhance science fiction writing….
Long before the coronavirus pandemic, tabletop board games were having something of a renaissance, with popular games like The Settlers of Catan and Ticket to Ride becoming mainstream additions to family game nights.
Then, COVID-19 hit and, as Quartz reported, it changed how many hobbyist board game creators approached the industry. But for many people who suddenly found themselves stuck at home under lockdown, the pandemic also spurred newfound interest in strategy games that require creativity and concentration. Board game hobbyists had more time to spend learning about new games coming out, while newbies to the scene were discovering a world beyond classics like Monopoly and Clue.
Then, on March 30, the board game Frosthaven — the dungeon crawling, highly-anticipated sequel to the hit game Gloomhaven — surpassed its funding goal of $500,000 on Kickstarter in mere hours. Today, it is the most-funded board game on the site ever, with nearly $13 million pledged toward funding the game’s development. Only two projects have ever crowdsourced more funding on the site.
Frosthaven’s success seemed to exemplify a shift that has been happening in the tabletop gaming community for years: toward games that are not only focused on strategy and adventure, but also a new type of funding model where fans have more say than ever in which games move from the idea stage to their living rooms. And hobbyist tabletop games are a different breed of entertainment altogether.
“You have mass market games, which are Monopoly and everything that you find at Target or Toys “R” Us, and you have hobbyist games, which you typically find at your FLGS — your friendly local gaming store,” said Cree Wilson, the programming and tabletop gaming manager for Comicpalooza. “Then there’s this blurry line of stuff in between, which I’ve heard sometimes called entertainment gaming, and it’s games selling tens of thousands, maybe hundreds of thousands of copies, but isn’t selling millions yet.”
For many of these smaller games, funding from fans has proved essential. Hasbro, the company that makes games like Monopoly and Connect 4, earns hundreds of millions each year through everything from game sales and licensing deals to its TV and film business. But funding models are far different for newer or smaller game makers. These makers have become part of one of the country’s most popular quarantine hobbies, but they’ve done so through a mini-economy that relies on crowdfunding sites like Kickstarter.
… “A few weeks ago, my friend and colleague Brent Spiner tweeted a hilarious musical spoof of himself that inspired me to do something in my characteristically more sophisticated manner, as an homage,” Picardo says in a statement about his new video. “My good friend James Marlowe (The Marlowe-Pugnetti Company) directed a crack mini-crew. Legendary event planner and TV personality Edward Perotti does a great cameo.”
And by popular demand, the Brent Spiner video he is reacting to:
The Covid-19 pandemic all but halted Hollywood. Production on most movies and television shows (except for a handful of animated programs) became too risky, and ceased. It’s only in the last few weeks that organizations like SAG-AFTRA and the Directors Guild of America have begun publishing guidelines for how cast and crew members might safely return to work. In this lull, however, studios are still cobbling together their stockpiled footage and releasing tantalizing trailers for upcoming projects. The most recent to ricochet around the internet? A first look at Apple TV+’s adaptation of Isaac Asimov’s beloved Foundation series.
Even if you’ve never read the Asimov novels, which were first published in the 1950s, every science fiction fan has felt their influence, especially in genre classics like Star Wars. Much of the plot concerns the fall of a certain Galactic Empire (ahem), and a desperate, surprisingly math-heavy attempt to save human civilization from a vast, bleak dark age. Apple’s adaptation, which is due to hit the tech giant’s streaming platform sometime in 2021, features stars like Jared Harris (Chernobyl) and Lee Pace (Halt and Catch Fire) and, based on the first teaser, looks epic. One of the people behind that epic-ness is Leigh Dana Jackson, Foundation’s co-executive producer. He can’t talk much about his new show yet, but WIRED still picked his brain about Asimov, Covid-19, and genre fiction’s unique capacity to capture revolution.
(6) TRIVIAL TRIVIA.
Published fifty-nine years ago as a novel by Ace Books, Fritz Leiber’s The Big Time started out as a two-part serial in Galaxy Magazine‘s March and April 1958 issues. It would win the Hugo Award for Best Novel or Novelette at Solacon. In general, it was well-received with Algis Budrys liking it but noting it was more of a play than an actual novel. In 2012, it was selected for inclusion in the Library of America’s two-volume compilation American Science Fiction: Nine Classic Novels of the 1950s. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 5, 1878 – Howard Brown. A hundred covers for us, forty interiors; only a small part of his prodigious work. Cover artist for Scientific American 1913-1931. Argosy, Radio News, Science and Invention. Main cover artist for Astounding while Tremaine was editor. Also Startling and Thrilling Wonder. Here is the January 1934 Astounding. Here is the November 1938. Here is the May 1940 Startling. Here is an interior for At the Mountains of Madness (April 1934 Astounding). Here is HB’s cover for the April 1934 Astounding and a more detailed biography. (Died 1945) [JH]
Born July 5, 1935 – John Schoenherr. Two hundred covers, seven hundred interiors. Here is Starship Troopers. Here is The Tomorrow People. Here is the August 1980 Analog. Here is the March 1965 Analog with the beginning of Dune that made JS famous for illustrating this story. Here is an interior for Children of Dune. Here is his cover for Jane Yolen’s Owl Moon (1987) for which JS won the Caldecott Medal. See also “The Role of the Artist in Science Fiction” (with Kelly Freas, Jack Gaughan, Eddie Jones, Karel Thole), Noreascon I Proceedings (29th Worldcon). Here is Kurt Snavely’s treatment of JS. Here is Ian Schoenherr’s. Hugo for Best Pro Artist, 1965. Guest of Honor at Boskone 14, Lunacon 25. SF Hall of Fame. (Died 2010) [JH]
Born July 5, 1941 — Garry Kilworth, 79. The Ragthorn, a novella co-authored with Robert Holdstock, which won the World Fantasy Award. It’s an excellent read and it makes me wish I’d read other fiction by him. Anyone familiar with his work? (CE)
Born July 5, 1944 – Cathy Hill, 76. Known in particular for drawing raccoons – cartoon raccoons. Here is “Raccoons on the Moon”; here is “The Lisping Asteroid”, which was used for the cover of The “Rowrbrazzle” Sampler. The raccoons even got involved with Cerebus the Aardvark; and CH published Mad Raccoons. Here is an index of her comic-book work. She’s done more, in and out of our field: here is Locus 52 from its fanzine days, with her logograph (note that her puzzled aliens get it wrong); here is her cover for the 1979 printing of The Blue World; here is her cover for the original Keep Watching the Skies! (note propeller beanie). Here is a dinosaur she drew for Don Glut. Her oil paintings will have to wait for another time. [JH]
Born July 5, 1948 — William Hootkins. One of these rare performers who showed up playing secondary roles in a number of major film franchises. He was the Rebel pilot Jek Tono Porkins in Star Wars, he played Munson in the Flash Gordon film, he was Major Eaton, one of the two officers who gave Indy his orders in Raiders of The Lost Ark, and he was Lt Eckhardt in the 1989 Batman. (Died 2005.) (CE)
Born July 5, 1957 — Jody Lynn Nye, 63. She’s best-known for collaborating with Robert Asprin on the ever so excellent MythAdventures series. Since his death, she has continued that series and she is now also writing sequels to his Griffen McCandle series as well. She’s got a space opera series, The Imperium, out now which sounds intriguing. (CE)
Born July 5, 1958 — Nancy Springer, 62. May I recommend her Tales of Rowan Hood series of which her Rowan Hood: Outlaw Girl of Sherwood Forest is a most splendid revisionist telling of that legend? And her Enola Holmes Mysteries are a nice riffing off of the Holmsiean mythos. (CE)
Born July 5, 1963 — Alma Alexander, 57. Sixteen novels, a dozen shorter stories, for us; more outside our field. The Secrets of Jin-Shei has been translated into fourteen languages; three sequels. God of the Unmage has Nikola Tesla. Of writing The Second Star, just released a few days ago, she says “dream fragments … wash up tantalizingly as flotsam and jetsam on the shores of coming awake. One such fragment lay glittering on that shore one morning – a single sentence … a soul is like a starfish”; this proves to bear on interstellar travel. She likes coffee, cherries, and sonnets. [JH]
Born July 5, 1964 — Ronald D. Moore, 56. Screenwriter and producer who’s best-remembered for his work on Star Trek: The Next Generation where he fleshed out the Klingon race and culture, on the rebooted Battlestar Galactica, and Outlander. He’s the creator and writer of For All Mankind. (CE)
Born July 5, 1985 – Meagan Spooner, 35. Ten novels (five with Amy Kaufman). Shadowlark had a Booklist starred review; Hunted, a Kirkus starred review. These Broken Stars (with AK) was a New York Times Best-Seller and won an Aurealis Award. Here’s how she ranks some books I know: Euripedes, Electra, The Phoenician Women, The Bacchae (4.21); Wilde, The Importance of Being Earnest (4.18); Austen, Persuasion (4.14); Rostand, Cyrano de Bergerac (4.07); Adams, Watership Down (4.06). She plays guitar, video games, and with her cat. [JH]
For those of you who saw this Sunday’s strip, I know you can see that I have decided to retire Stone Soup. I can’t imagine turning the strip, which is so personal to me, over to anyone else, and my syndicate is not planning on running reruns. The last Stone Soup strip will appear on July 26, when I will officially jump off the funny pages.
Disney has long been an outfit fueled by nostalgia…But Disney’s little secret is that such nostalgia cannot stand on its own–it needs to be continually fed and reinforced. New Star Wars offerings drive longing for the ’70s, a Beauty And The Beast remake powers nostalgia for the 1990s. Marvel movies draft off pleasant feelings of a childhood of comic books (and, 12 years into their run, of themselves). Disney is a constant interplat between past and present, a continuous bicycle chain between the pieces we once loved and the current releases we see to remind us of them.
And that chain has now been severed.
‘What Disney really needs to do, what they rely on, is creating new nostalgia; they can’t just let the old kind stand for itself,’ Spiegel said. ‘Because, at some point, the umpteenth time you watch Frozen is the last time you watch Frozen.’
The American launch company that flies its rockets out of New Zealand has lost its latest mission.
Rocket Lab said its Electron vehicle failed late in its ascent from Mahia Peninsula on North Island.
All satellite payloads are assumed to have been destroyed.
These included imaging spacecraft from Canon Electronics of Japan and Planet Labs Inc of California, as well as a technology demonstration platform from a UK start-up called In-Space Missions.
Rocket Lab CEO Peter Beck apologised to his customers.
“I am incredibly sorry that we failed to deliver our customers’ satellites today. Rest assured we will find the issue, correct it and be back on the pad soon,” he said on Twitter
Rocket Lab has made everyone in the space sector sit up since it debuted its Electron vehicle in 2017. It’s at the head of a wave of new outfits that want to operate compact rockets to service the emerging market for small satellites.
Saturday’s lift-off from New Zealand was the Electron’s 13th outing to date. All prior launches had been a complete success, bar the very first which failed to reach its intended orbit.
Julian Bass loves Spider-Man, a trait you can easily glean by scrolling through the videos he posts to his TikTok and Twitter accounts.
“I just think Spider-Man is so fun. It’s so inspiring to me,” Bass told NPR’s Weekend Edition. “Everything, every little aspect that you could possibly think of about Spider-Man is something that I’m aware of, that I know of.”
In one now-viral video, the 20-year-old theater major at Georgia State University morphs into his favorite heroes using his own special-effects — first a Jedi wielding a blue lightsaber, then Ben 10, before his final transition into Spider-Man. He asked his followers to retweet the video “enough times that Disney calls.” Twenty million views later, Disney wasn’t the only one he heard from.
At first, he said his video gained “some small traction with my immediate circle.”
“And then the verified profiles started commenting,” he said. “The first one for me was The Lonely Island. And then I started seeing Josh Gad, Matthew Cherry. I saw Mark Hamill liked it. I mean if Mark Hamill likes it, I’m a Jedi now.”
Bass said these aren’t just retweets — he’s also getting messages from “bigwigs” such as Marvel co-president Louis D’Esposito and people from HBO Max.
Several more overseas productions will join James Cameron’s Avatar sequels and Jane Campion’s The Power of the Dog Netflix film in New Zealand in the coming months.
New Zealand’s Ministry of Business, Innovation, and Employment has announced that Amazon’s The Lord of the Rings series, Netflix seriesCowboy Bebop andSweet Tooth, Peter Farrelly’s film Greatest Beer Run Ever starring Viggo Mortensen, and Power Rangers Beast Morphers series have been granted border exemptions.
A total of 206 foreign-based cast and crew from those productions, along with 35 family members, will be allowed to enter New Zealand in the next six months, according to MBIE manager immigration policy Sian Roguski, quoted by New Zealand’s Stuff. Additionally, 10 more Avatar crew – in addition to the 31 already in New Zealand – had been granted border exemptions. All new arrivals will be subject to self-quarantine….
(15) BLOWN UP, SIR! In “Independence Day Pitch Meeting” on ScreenRant, Ryan George explains that the film’s aliens are very considerate by blowing up monuments that can be put in the trailer.
[Thanks to Daniel Dern, JJ, Cat Eldridge, Errolwi, Chip Hitchcock, John King Tarpinian, John Hertz, Mike Kennedy, Michael Toman, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Façade work is nearing completion on the Virgin Hotel at 1225 Broadway in NoMad. Designed by Stantec and developed by Lam Group, the 38-story, 476-foot-tall structure will yield 300,000 square feet with 460 hotel rooms. Sir Richard Branson of Virgin Group will be in charge of managing the property, which is the first Virgin Hotel in New York City.
Perhaps the most exciting skyscraper project proposed for New York last year is 350 Park Avenue, a nearly 1,500-foot-tall skyscraper from Vornado Realty Trust and Rudin Management. After YIMBY broke the news on Vornado’s expected 2027 completion date for the tower back in February, we stopped by the site to check on the status of its current occupant. Located between East 51st and East 52nd Streets, a total of two edifices would need to be demolished to make way for the development.
What is the July Short Story Challenge, you ask? Well, in July 2015, Dean Wesley Smith announced that he was planning to write a brand new short story every day during the month of July. The original post seems to be gone now, but the Wayback Machine has a copy here. At the time, several people announced that they would play along, so I decided to give it a try as well. And then I did it again the following year. And the next. And the next. If you want to read my post-mortems of the previous July short story challenges, here are the posts for 2015, 2016, 2017, 2018 and 2019.
Because I’ve already done the July short story challenge five years in a row now and always found the experience very rewarding, I’m aiming for a repeat this year. Though for now, I’m only committing to doing this for a week, which is already half over. If things are going well, I’ll keep going, though I’m not sure if I can do the entire July this year, because Worldcon is at the end of the month and that will eat up my time and attention.
(2) TRAILER TIME. The Old Guard on Netflix is a film about immortal mercenaries starring Charlize Theron.
Led by a warrior named Andy (Charlize Theron), a covert group of tight-knit mercenaries with a mysterious inability to die have fought to protect the mortal world for centuries. But when the team is recruited to take on an emergency mission and their extraordinary abilities are suddenly exposed, it’s up to Andy and Nile (Kiki Layne), the newest soldier to join their ranks, to help the group eliminate the threat of those who seek to replicate and monetize their power by any means necessary.
…Hosokawa noted how listeners used the devices to tame the unpredictability of urban spaces, with all of their unexpected intrusions and loud noises. Wearing headphones functioned both as a personal “Do Not Disturb” sign and an alternate soundtrack to the cacophony of the city. This was a new form of human experience, engaged disengagement, a technological shield from the world and an antidote to ennui. Whenever nerves frayed or boredom crept in, one could just hit Play and fast-forward life a little. One of the first Westerners to grasp the import of this new human capacity was the author William Gibson, a pioneer of the genre of science fiction called cyberpunk, who wrote years later that “the Sony Walkman has done more to change human perception than any virtual reality gadget.”
(5) TRIVIAL TRIVIA.
Extract from John F. Kennedy’s Remarks at a Dinner Honoring Nobel Prize Winners of the Western Hemisphere — April 29, 1962:
I think this is the most extraordinary collection of talent, of human knowledge, that has ever been gathered together at the White House, with the possible exception of when Thomas Jefferson dined alone.
Jefferson died on this day in 1826. (So did John Adams.)
(6) MEDIA BIRTHDAY.
July 1970 — Fifty years ago, Roger Zelazny’s Nine Princes in Amber was published by Doubleday. It’s quite rare to find a copy these days because most of the copies were accidentally pulped by the publisher in error when the order went out to destroy remaining copies of Zelazny’s older book Creatures of Light and Darkness. It was the first novel in his Amber series. It was nominated for a Mythopoeic Fantasy Award but lost out to Mary Stewart’s A Crystal Cave. A comic adaptation was done by Terry Bisson, and a TV adaptation is supposed being produced by the creators of the Walking Dead series.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 4, 1878 – Frank Papé. Five dozen covers, a hundred interiors, more outside our field; an Arabian Nights, an Odyssey, a Pilgrim’s Progress, a collection of the Psalms, a Robin Hood, a Robinson Crusoe, a Sigurd and Gudrun; Cabell, Cervantes, Anatole France, Rabelais, Sabatini, Shakespeare, Spenser, Suetonius; an Indian and a Russian Story Book; Golden, Ruby, Diamond Fairy Books; Uncle Ray’s Corner (Ramon Coffman). Here is a Penguin Island. Here is a Silver Stallion. Here is a moment from Alfred Clark’s As It Is in Heaven. Here is Christian conquering Apollyon. Here is Falcon the Hunter from The Russian Story Book. (Died 1972) [JH]
Born July 4, 1883 – Rube Goldberg. A top cartoonist and not only for The Inventions of Professor Lucifer Gorgonzola Butts (1914-1964); in 1915 his salary at the New York Evening Mail was $50,000 a year (go ahead, do the calculation); several comic strips including Mike and Ike (They Look Alike); 1948 Pulitzer Prize for this editorial cartoon. First President of the Nat’l Cartoonists Society, namesake of the Reuben Award. Here is his postage stamp. Here is a Website. We should’ve had a 100th Birthday exhibit at the 41st Worldcon but I didn’t think of it and neither did you. (Died 1970) [JH]
Born July 4, 1901 — Guy Endore. American novelist and screenwriter whose 1933 The Werewolf of Paris novel holds the same position in werewolf literature that Dracula does for vampire literature. It was filmed as The Curse of The Werewolf for which he wrote the screenplay. Stableford also praises his horror story, “The Day of the Dragon”. He worked on the screenplay for Mark of the Vampire starring Bella Lugosi. (Died 1970.) (CE)
Born July 4, 1904 — William Meader. A long history in genre video starting with When Worlds Collide and The War of The Worlds. All of his appearances were uncredited as was the case in Earth vs. the Flying Saucers and The Absent Minded Professor, and even his appearances on Star Trek, The Twilight Zone, Get Smart!, Batman, Wild, Wild West and even Munster, Come Home! (Died 1979.) (CE)
Born July 4, 1941 – Howard Frank, Ph.D. Director of the Information Technology Office at DARPA (Defense Adv. Research Pjts. Agency, U.S. Dept. of Defense), then Dean of the School of Business at U. Maryland. Internet Hall of Fame. Moskowitz Archive Award. The Frank Collection; Great Fantasy Art Themes from the Frank Collection (both with Jane Frank). (Died 2017) [JH]
Born July 4, 1947 – Ann Layman Chancellor. Costumer, filksinger, graphic artist. Phi Beta Kappa (Classics), College of William & Mary; M.F.A., Boston University School of Theater Arts. Assistant Professor of Design at U. Iowa, then U. New Orleans, then State U. N.Y. at Oneonta. Parade Artist, New Orleans Mardi Gras; Ass’t Costume Dir., Guthrie Theater (Minneapolis); full-body costumes, heads, hardware, motion systems, Sesame Street. Art Director, Kalki (Cabell Society) 1971-1984. Fan Guest of Honor at DeepSouthCon 24. Drew the Lady of Cups (no, not the Queen) for the Fantasy Showcase Tarot Deck. Costumes, Creatures, and Characters for the 38th Worldcon. Here she is as Maleficent (shown with Cortlandt Hull’s Ming) at the 29th. Here she is as Black Orchid at the 37th. Substantial artwork for the 46th. Here is a minor adventure with her at the 51st. (Died 1998) [JH]
Born July 4, 1949 — Peter Crowther, 71. He is the founder (with Simon Conway) of PS Publishing where he’s editor now. He edited a series of genre anthologies that DAW published. And he’s written a number of horror novels of which I’d say After Happily Ever and By Wizard Oak are good introductions to him. He’s also done a lot of short fiction but I see he’s really available in digital form for much of short fiction or novels at the usual digital suspects. (CE)
Born July 4, 1958 – Lynn Gold, 62. Active fan in the San Francisco Bay area, and more widely as a filksinger. With Lee & Barry Gold (no relation) published The Golden Gait Songbook for ConFrancisco the 51st Worldcon. Co-founded FanFare Music, the non-profit parent of Consonance; chaired Consonance 2001 and 2003-2004, Toastmistress at Consonance 2011; Interfilk Guest (traveling-filker fund) at NEFilk 10 (Northeast Filk Convention). Guest of Honor at LepreCon 25, Loscon 28. [JH]
Born July 4, 1967 — Christopher McKitterick, 53. Director of the Center for the Study of Science Fiction, a program at the University of Kansas that supports an annual series of awards, lectures, classes, workshops, the Campbell Conference, and AboutSF, a resource for teachers and readers of science fiction. He’s also a juror for and Chair of the John W. Campbell Memorial Award for Best Science Fiction Novel from 2002 onward. And yes, he does write genre fiction with one novel to date, Transcendence, more than a double handful of stories, and being an academic, critical essays such as “John W. Campbell: The Man Who Invented Modern Fantasy and the Golden Age of Science Fiction” which was published in Steven H. Silver’s Hugo nominated Argentus. (CE)
Born July 4, 1977 — David Petersen, 43. Writer and illustrator of the brilliant Mouse Guard series. If you haven’t read it, do so — it’s that good. He published a few years back The Art of The Mouse Guard 2005 – 2015 which though expensive is stunning as a look at his series. It almost got developed as a film but got axed due to corporate politics. IDW published The Wind in The Willows with over sixty of his illustrations several years back. (CE)
Born July 4, 1983 – Milena Wójtowicz, 37. A talkative optimist, a devoted lover of dogs, statistical yearbooks, books, Internet comics, and Christmas lights.Six novels, three dozen shorter stories, a dozen translations. Among her characters are beautiful princesses, insidious dragons, neglected dogs, but even princesses have no influence on the roles the author will write for them. Here is the cover for Wrota (Polish, “gate”). [JH]
Born July 4, 1989 — Emily Coutts , 41. She plays the role of helmsman Keyla Detmer on Discovery. She’s also her mirror universe counterpart, who is the first officer of that universe’s Shenzhou. (I like the series and am definitely looking forward to it when it jump a thousand years into the future next season!) She was in one episode of the SF series Dark Matter and in Crimson Peak, a horror film but that’s it for genre appearances. (CE)
(8) COMICS SECTION.
Today’s Breaking Cat News is the culmination of an entire week of strips about different genre fandoms.
…The whole episode, titled “The One Where We’re Trapped on TV,” is a campy delight with fun twists on major TV shows, but the Star Trek parody in particular is pretty special. Sara and Ava play the roles of Kirk and Spock, respectively, and the series goes so far as to have them kiss on the bridge.
It’s a significant moment for a few reasons. First, it’s just plain delightful to see all the K/S (the original ship name for Kirk and Spock) sexual tension play out on screen. Second, having queer characters assume the roles of characters who have long been queered by fandom affirms how viewers have read the original characters for decades. And perhaps the coolest part of all is that in so doing, Legends pretty clearly nods to one of the roots of queer fanfic: slash.
(10) SERLING INTERVIEWED BY GUNN. “Interview With Rod Serling (1970)” on YouTube is an interview with Rod Serling about sf on television that James Gunn did for the Center for the Study of Science FIction at the University of Kansas in 1970.
(11) VIDEO OF THE DAY.[Item by Martin Morse Wooster.] “Horror Europa With Mark Gatiss” on YouTube is a 2012 BBC documentary that is a sequel to “A History of Horror.” The documentary is devoted to a discussion of great German, Belgian, French, Spanish, and Italian horror films and includes interviews with directors Dario Argento and Guillermo Del Toro and a visit to the Slovakian castle where Nosferatu was filmed.
[Thanks to Martin Morse Wooster, Jerry Kaufman, John King Tarpinian, Mike Kennedy, Andrew Porter, JJ. Cat Eldridge, John Hertz, Michael Toman, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus, who found something July Fourthish in yesterday’s item about BionicSwifts.]
An Independent Opinion of Science Fiction: A Declaration
By Chris M. Barkley:
I have thought it my duty to exhibit things as they are, not as they might be.
-Alexander Hamilton, from a letter written on August 13, 1782
As a frequent user of Facebook, one of my daily (and habitual) delights has been posting fantasy and sf items of interest to many, MANY pages. (And YES, some of those items have been cribbed from this very website).
One of my favorite pages is simply titled Science Fiction, a private group with nearly 68,300 members. The page was established in February 2008 and describes itself as: “Science Fiction in all forms: Movies, books, t.v. shows, comics, video games and other media. Discussions of science and technology of the future in fiction.”
It is clearly stated in the Group Rules of the Forum that:
1) Be polite, courteous, friendly. Be Polite. No disrespecting each other (even via pm’s) 2) Stay on target. Posts must be Science Fiction (or close to it) in nature. Discussions & comments must be about Scifi. 3) No irl politics & religion. Polite discussion of politics & religion must be in the context of specific usage in a specific scifi I.P. No discussions of real world politics or religions are allowed here.
During my time as a member, I’ve had some general disagreements with others that all fan groups have experienced since the Big Bang. familiar with some members but it was all amiable and non-confrontational. That is, until recently…
Over the past two weeks I posted four items on the Science Fiction page which have drawn a LOT of attention:
Almost immediately, several commentators, all of them white, accused me of racism. The primary reason seemed to be that I, an African American, was openly calling attention to black authors. Why wasn’t I promoting white writers? That MUST be racist. This was a peculiar bit of illogical thinking to me since NO ONE seemed to be objecting to memes and images about white actors, writers and authors that anyone (including myself) were posting on a regular basis everyday.
In the former, I was chastised for posting about the birthday of a celebrated Black woman sf writer because, well, she’s Black and dead. What? In the latter, AGAIN, I was called to task for “just promoting” Black writers. Who the hell was I to do THAT?
Lastly, there was this Instagram post of several reimagined illustrations of a Black Wonder Woman (titled Nubia By Render Goddess), which in turn was posted on The Secret Society of Black Superheroes Facebook Page:
Again, there was a constant barrage from white commenters, who either made disparaging remarks about the images, the darkness of her skin that were overtly racist or adamant claims that Wonder Woman could be either Lynda Carter or Gal Gadot but NEVER A PERSON OF COLOR.
When I joined the Science Fiction page, it was my expressed goal to offer opinions and observations about science fiction that go beyond “what are you watching”, “what game are you excited about” and “who has the faster/cooler spaceship.” My intent was to offer an opportunity to think outside the perimeters of the culture the people were familiar with and expand people’s awareness of the larger universe of possibilities that sf literature, art and film has to offer. Because, it is generally thought, sf is supposed to be ‘fun”. Well, the moment people say something derogatory about someone’s race or gender, BOOM, you just made it VERY political
There has been a lot of support for my postings, from like-minded fans and people of color. But, as it has become readily apparent to me that there are a number of members who seriously object to discussing or considering diversity and instead have decided to reply with some rather defensive and disparaging comments on these posts.
To those members of Science Fiction forum, I have a very simple message for you: You’re WRONG. HOW WRONG? Let me quote one of our greatest fictional Presidents (and THANK YOU VERY MUCH, Aaron Sorkin), Josiah Bartlet: “No. No ‘however’. Just be wrong. Just stand there in your wrongness and be wrong and get used to it.”
Furthermore, I was very heartened by the force of those who rose in defense of my posts. The message was very clear to the detractors: your time is up. It’s over. Collectively, we will no longer “bend the knee” and passively accept your boorish stances and hate speech.
Yes, you have a right to your opinions, as incredibly uninformed and crude as they are. But as an enlightened and educated person, I and other like-minded fans don’t have to stand it.When I post a link celebrating a great author of color, it is not an invitation to say, “Why are you posting THAT? I don’t see race and it’s an insulting to me to inject the subject onto a discussion on science fiction.”
Well, when someone claims something isn’t about race or ethnicity, it’s definitely about race and ethnicity. When I see those comments, I honestly have to question their credentials to be fans of science fiction (or fantasy, for that matter).
I once attended a 2007 guest lecture given by actor and social activist Edward James Olmos (who is either Lt. Castillo or Commander Adama, depending on how old or actor savvy you are). The title of his talk was “We’re All In The Same Gang”, a meditation on how America has treated ethnic minorities over the centuries and how we can come together as a nation in these divided times. The capstone quote I remember the most was “There is only ONE race; The HUMAN race.” And he is correct, every single human that has ever lived can be traced back to a single area of land that eventually broke off and is currently the continent of Africa.
So since it is a scientific fact that we are ALL of African descent, is being colorblind to one’s race an acceptable attitude? Not in my opinion. And that was not the point of Mr. Olmos’ quote. Yes, we’re all in the same gang but as of today, not all of the gang are being treated or respected as equal. When white people, well-meaning or otherwise say that damning phrase, it is not true by any stretch of the imagination.
White people In America are, on the whole, are apt to be by default, given more of the benefit of doubt in social situations and more financial, educational and social opportunities than people of color. There’s that term, “white privilege”, that you keep hearing about. That’s what it is; an (almost) imperceptible program of racist bias running in the background of our everyday lives.
When most white people walk out their front doors, they can be relatively assured that barring some unfortunate circumstance, they’ll be home after work and catch that new episode of House Hunters on HGTV. However, I step outside my door, I am marked by the color of my skin. I can’t even walk into Target, Kroger or WalMart without having at least one set of eyes lasered in one me, assessing my six-foot frame as to whether or not I’ll be shoplifting or robbing the place. (And the fact that I’m wearing a mask against being infected by COVID-19 only adds to their anxiety.)
And while we all strive to live, work and survive together in these difficult times, there are a number of white people who conveniently forget or have chosen to ignore America’s unreconciled racist past. And to this very day, America, as a nation, has NEVER come to terms with its racist past or its untenable, unsustainable present.
That the Native Americans had their lands stolen wholesale to be plundered and that Africans were trafficked as human chattel starting four hundred and one years ago by and for white settlers from Europe. You cannot wash away or forget that much racism, terrorism, theft and genocide without acknowledging these heinous wrongs.
The lack of representation by people of color in every facet of life has been in the forefront of our swiftly evolving culture over the past generation. And the white people who have repressed their feelings about this for decades are clearly nervous by the tenor of the terrible comments my posts have garnered.
The racists CLAIM to like science fiction but only if it is populated with the safe, comforting presence of white actors portraying Luke, Leia and Han or Kirk Spock and McCoy. And if, perchance, aliens land or AI’s gain full sentience, what would happen? I firmly believe that they would be among the first to grab the nearest weapon, start firing first and asking questions late. Because if you can’t handle the thought of people of color writing popular novels, or Latinx leads on television or Asian folks in sf movies, you sure as hell aren’t the sort of material the human race needs to be picked for anyone’s “first contact” team. And when they act out their racial insecurities in this fashion, they do a big disservice to other sf fans who celebrate and welcome diversity. These racists try and hold themselves up as paragons of virtue, and talk about “saving” science fiction from those despicable liberals and progressive snobs.
Congratulations; you may like Star Trek, but your posts have proven that you are incapable of understanding the meaning and underlying philosophy behind what Gene Roddenberry, and those who followed in his wake, were actually espousing. That sf is more than cool spaceships jumping into hyperspace, blowing up planets or battling alien invaders intent on wiping out humanity. That’s only a very small part of what sf is actually about.
What is a good definition of science fiction? The best quote I ever read came from my friend, the late SFWA Grandmaster Frederik Pohl: “Science Fiction is the very literature of change.” SF also concerns itself with the wonder, terrors and fears of the human, or alien, condition. It is an adventure into the soul of existence, that we may, if we’re lucky, get to know the unknowable with a judicious application of wisdom, compassion, empathy and experience.
Change is unavoidable. Change is inevitable. Change is happening, whether you like it not.
In the distant past, societal change, such as democracy, the Civil Rights Movement, artistic and scientific advances were incredibly glacial. Sometimes centuries would pass before anything meaningful would happen to change the human condition. But not in this day and in this age. Changes today can occur faster and with more meaningful impact than ever before. On May 25th, a Black man was murdered in the streets of Minneapolis and died right before our eyes. A month later, millions of people from all over the world, of all races, genders and political persuasions were shouting his name in those same streets, calling out for justice and to hold the responsible parties of systemic racism to be held to account for their tyranny.
We all know the name of George Floyd because he died horribly and became a martyr on the altar of racial injustice and intolerance. But you have seen what has happened in the wake of his death. Change is coming.
In fact, some change has already been felt on the Science Fiction page: more than a dozen people have been removed from the group for gross violations of the page’s policies by the administrators of the page. I have no doubt that the administrators of the Science Fiction page were shocked by these wretched and volatile comments. These removals weren’t done because of “political correctness”, they were done because “free speech” is not a license to be irresponsible or cruel. They were vile. They were indecent by any measure of the word. Because the freedom to post comes with responsibilities and consequences as well.
To my fellow page members, I say this: Continue to post what you like and what you love about sf. Whether it be online, in bookstores, in the streets, at parties or at conventions, we all should welcome diverse political, scientific and philosophical viewpoints and debates. But irrational hate speech, insensitivity towards the racial identity, gender or sexual preferences of others is not welcome, now, or ever.
“I have decided to stick with love. Hate is too great a burden to bear.” – Martin Luther King, Jr.