The 2019 Philip K. Dick Award was presented April 19 at
Norwescon 42 in SeaTac, Washington.
The winner is:
THEORY OF BASTARDS by Audrey Schulman (Europa
A Special Citation also was awarded to:
84K by Claire North (Orbit)
Philip K. Dick Award is presented annually with the support of the Philip K.
Dick Trust for distinguished science fiction published in paperback original
form in the United States during the previous calendar year.
The award is sponsored by the Philadelphia Science Fiction
Society and the Philip K. Dick Trust. The award ceremony is sponsored by the
Northwest Science Fiction Society.
The award judges were Madeline
Ashby, Brian Attebery, Christopher Brown, Rosemary Edghill, and Jason Hough
This latest episode of Eating the Fantastic — recorded at Mezcal Mexican restaurant in Owings Mills — quickly turns nostalgic, because guest Steve Stiles and I were the proverbial ships that passed in the night at mid-‘70s Marvel Comics. My first job there was as the associate editor for the company’s line of British reprint books, which was a department he only started working at the following year, once I’d already moved over to the Bullpen to work on the American originals.
Stiles may be best-known for the post-apocalyptic dinosaur-filled future of Xenozoic Tales, which he drew for eight years, but he’s also appeared in titles such as Death Rattle, Bizarre Sex, and Anarchy Comics for underground publishers like Kitchen Sink and Last Gasp. He’s also done kid-friendly work, though, like The Mighty Morphin Power Rangers and Royal Roy.
And so much more — like the fanzine art which has made him a 17-time nominee for the Hugo Award, with nominations spread over a 50-year period from 1967 to 2018, an award which he won in 2016.
We discussed what it was like to work at Marvel Comics in the mid-’70s, the ironic reason he no longer owns his Silver Age Marvels, the time he thought he’d gotten the gig to draw Dr. Strange (but really hadn’t), what it was like being taught by the great Burne Hogarth at the School of Visual Arts, his first professional art sale (and why it ended up hanging on Hugh Hefner’s wall), how his famed comic strip The Adventures Of Professor Thintwhistle And His Incredible Aether Flier was born, why he didn’t like being art-directed by Marie Severin, which current comics he keeps up with, what Robert Silverberg said to him when he won his first Hugo Award after 14 tries and 49 years, the phrase he most wants carved onto his gravestone, and much more.
‘Endgame’ will be goodbye to several characters, and as UCLA psychology professor Yalda Uhls notes: “Absolutely that can feel like real grief.”
“God, it seems like a thousand years ago,” Tony Stark (Robert Downey Jr.) says in the second trailer for Avengers: Endgame. “I fought my way out of that cave, became Iron Man…”
While it hasn’t quite been a thousand years, the final installment of the Marvel Cinematic Universe’s Infinity Saga represents an unprecedented moment in movie history, partly because some of the characters who have been a consistent presence in movie theaters since 2008 might retire, or even die.
And over time, those characters have started to feel like real friends to audiences.
In fantasy stories, like any stories, the stakes matter.
In 2012, writing for the now-defunct fan site SF Signal, Paul Weimer suggested a classification for such tales based on the relative size of what’s at stake, ranging from sagas in which only a city or smaller community is in peril to those where the whole universe hangs in the balance. Wherever a story lands on that scale, one thing remains crucial: The stakes have to feel real.
“Stakes are what the actions or inactions of the protagonist cause to happen, or fail to happen, depending on their success or failure,” Weimer wrote in “Stakes in Fantasy Novels: A Schemata of Classification.” “You can have multiple sets of stakes going on at one time, but you can look at a work of fantasy in terms the largest stakes, and use that to give an overall sense of the scale of the conflict in that book.”
Nollywood screenwriter and director Dimeji Ajibola recently released a 1-minute teaser of his upcoming dystopian movie, Ratnik. Impressed by the visual effects and dystopian locations, local publications waxed lyrical about the film. YNaija!called it “the dystopian action-thriller we deserve in 2019.” Ratnik deserves its early praise; it is an ambitious project and its visual effects are impressive.
For some, a sci-fi Nigerian movie is unheard of, but Ratnik is not the first time a Nollywood sci-fi film will generate this much buzz. Kajola—the last one that did—was an utter disappointment. The debut film of now Nollywood box office king, Niyi Akinmolayan, it was released in 2009 to much fanfare. Akinmolayan was tired of Nollywood filmmakers: “those yeye people that don’t know how to make cool stuff.” Young and naïve, he thought he would change Nollywood forever by making “the greatest Nigerian movie ever. It will be action/sci-fi with lots of effects and we are going to win an Oscar.”
(6) NOT DEAD YET. The Digital Antiquarian studies the
history of Activision in “An Unlikely Savior”.
Activision Blizzard is the largest game publisher in the Western world today, generating a staggering $7.5 billion in revenue every year. Along with the only slightly smaller behemoth Electronic Arts and a few Japanese competitors, Activision for all intents and purposes is the face of gaming as a mainstream, mass-media phenomenon. Even as the gaming intelligentsia looks askance at Activision for their unshakeable fixation on sequels and tried-and-true formulas, the general public just can’t seem to get enough Call of Duty, Guitar Hero, World of Warcraft, and Candy Crush Saga. Likewise, Bobby Kotick, who has sat in the CEO’s chair at Activision for over a quarter of a century now, is as hated by gamers of a certain progressive sensibility as he is loved by the investment community.
But Activision’s story could have — perhaps by all rights should have — gone very differently. When Kotick became CEO, the company was a shambling wreck that hadn’t been consistently profitable in almost a decade. Mismanagement combined with bad luck had driven it to the ragged edge of oblivion. What to a large degree saved Activision and made the world safe for World of Warcraft was, of all things, a defunct maker of text adventures which longtime readers of this ongoing history have gotten to know quite well. The fact that Infocom, the red-headed stepchild a previous Activision CEO had never wanted, is directly responsible for Activision’s continuing existence today is one of the strangest aspects of both companies’ stories….
1) The Cabinet of Dr. Caligari (1920) 2) Metropolis (1927) 3) Nosferatu (1922) 4) The Lost World (1925) 5) Häxan: Witchcraft Through the Ages (1922) 6) Aelita: Queen of Mars (1924) 7) A Trip to the Moon (1902) 8) The Phantom of the Opera (1925)
(8) FULL LID. Alasdair Stuart sends a link to The Full Lid with this introduction:
This week’s Full Lid features a look at the deeply fantastic zombie coming of age comedy musical Anna and the Apocalypse. Also this week, there’s a review of the first issue of the excellent new fantasy detective comic FairLady and a look at the first month of The SCP Archives, a new podcast bringing stories from the legendary wiki fiction experiment to life. The spotlight is James Davis Nicoll, there’s a photo of my word buckets and a short film from excellent Irish writer director Chris Brosnahan.
(9) NEW YORK SLICE. A
heartwarming story about George R.R. Martin. The thread begins here.
Geraldyn “Jerrie” M. Cobb, a noted aviation pioneer and fierce advocate for women flying into space, died March 18 at her home in Florida, her family has revealed. She was 88.
Cobb is perhaps most well-known for her participation in what became known as the “Mercury 13,” a group of 13 women who passed preliminary screening processes in 1960 and 1961 to determine their suitability as astronauts under the guidance of Dr. Randolph Lovelace. Cobb scored in the top 2 percent of all who had taken the battery of tests for candidates previously, including both women and men.
However, the privately funded effort was not officially sanctioned by NASA. A Netflix documentary about the experience, released in 2018, offered a clear verdict for why women were excluded from NASA in the space agency’s early days—”good old-fashioned prejudice,” as one of the participants said.
by Cat Eldridge.]
Born April 19, 1925 — Hugh O’Brian. His only meaningful genre involvement was being Harry Chamberlain in Rocketship X-M in which he was also the voice on the loudspeaker. He’d play the evil Hussein in Son of Ali Baba, and he was Richard Camalier in Doin’ Time on Planet Earth as well. He’d have one-offs appearances on shows such the Alfred Hitchcock Hour, and he had five different roles on Fantasy Island. (Died 2016.)
Born April 19, 1933 — W.R. Cole. Author of A Checklist of Science Fiction Anthologies, self-published In 1964. Ok, I’m including him today because I’m puzzled. SFE said of this that ‘Though it has now been superseded and updated by William Contento’s indexes of Anthologies, it is remembered as one the essential pioneering efforts in Bibliography undertaken by sf Fandom.’ Was this really the first time someone compiled an index of anthologies? I seem to remember earlier efforts though I can’t remember precisely who. (Died 2002.)
Born April 19, 1935 — Herman Zimmerman, 83. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, he in that era worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler.
Born April 19, 1936 — Tom Purdom, 83. There’s very little on him on the web, so I’ll let Michael Swanwick speak to him: ‘How highly do I regard Tom’s fiction? So highly that I wrote the introduction to the collection — and I hate writing introductions. They’re a lot of work. But these stories deserve enormous praise, so I was glad to do it.’ He’s written five novels and has either one or two collections of his stories.
Born April 19, 1946 — Tim Curry, 73. Dr. Frank-N-Furter in The Rocky Horror Picture Show of course is not his first genre appearance as he’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. (And yes, I adore RHPS.) And yes, I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island and in Rosencrantz and Guildenstern Are Dead as The Player.
Born April 19, 1952 — Mark Rogers. He’s probably best known for writing and illustrating the Adventures of Samurai Cat series. His debut fantasy novel Zorachus was followed by The Nightmare of God sequel. His novella “The Runestone” was adapted as a film of the same name. And his art is collected in Nothing But a Smile: The Pinup Art of Mark Rogers and The Art of Fantasy. (Died 2014.)
Born April 19, 1967 — Steven H Silver, 52. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine four times without winning. Ok, is that a record? He’s a longtime contributing editor to SF Site and has written that site’s news page since its beginning. Over twenty years ago, he founded the Sidewise Award for Alternate History and has served as a judge ever since. And he publishes his own fanzine, Argentus.
Born April 19, 1968 — Ashley Judd, 51. Best known genre wise for playing Natalie Prior in the Divergent film franchise. She was also Carly Harris-Thompson in the Tooth Fairy film, and was Ensign Robin Lefler in a few episodes of Next Gen. She played Beverly Paige on several episodes of Twin Peaks as well.
The source code of every Infocom text adventure game has been uploaded to code-sharing repository GitHub, allowing savvy programmers to examine and build upon some of the most beloved works of digital storytelling to date.
There are numerous repositories under the name historicalsource, each for a different game. Titles include, but are not limited to, The Hitchhiker’s Guide to the Galaxy, Planetfall, Shogun, and several Zork games—plus some more unusual inclusions like an incomplete version of Hitchhiker’s sequel The Restaurant at the End of the Universe, Infocom samplers, and an unreleased adaptation of James Cameron’s The Abyss.
[…] The games were written in the LISP-esque “Zork Implementation Language,” or ZIL, which you could be forgiven for not being intimately familiar with already. Fortunately, Scott also tweeted a link to a helpful manual for the language on archive.org.
(16) YTTERBIUM. A
fashion update from John Scalzi:
Sure, if you have the same color eyes as the Easter Bunny….
There is the possibility that the undead will win and destroy all life on Westeros, yes. But that is preferable to returning to life as chattel. If humanity has such a problem with extinction, maybe it shouldn’t have made life a living hell for so many.
There’s just one problem. The show that became famous for its willingness to kill off seemingly essential figures has grown less and less likely to do so. Even before Jon Snow came back from the dead, viewers had begun to develop a sense of which characters were essential to the series’ endgame, and thus impossible to kill off. You didn’t need Ramsay Bolton or even Littlefinger to tie up the story’s loose ends, but it’s impossible to imagine Dany or Jon getting axed for shock value. There was no chance the High Sparrow would dethrone Cersei for good or that Arya would fail the Faceless Men’s tests. The show’s core characters had acquired what fans call “plot armor,” which meant that any time the odds seemed truly hopeless, when they were backed against a wall and there seemed to be no way out, we knew the question wasn’t if they’d escape but only how.
Hunkered down in their hives and drunk on smoke, Notre Dame’s smallest official residents — some 180,000 bees — somehow managed to survive the inferno that consumed the cathedral’s ancient wooden roof.
Confounding officials who thought they had perished, the bees clung to life, protecting their queen.
“It’s a big day. I am so relieved. I saw satellite photos that showed the three hives didn’t burn,” Notre Dame beekeeper Nicolas Geant told The Associated Press on Friday.
“Instead of killing them, the CO2 (from smoke) makes them drunk, puts them to sleep,” he explained.
Geant has overseen the bees since 2013, when three hives were installed on the roof of the stone sacristy that joins the south end of the monument. The move was part of a Paris-wide initiative to boost declining bee numbers. Hives were also introduced above Paris’ gilded Opera.
(20) FELINE EFFECTS. Epic Cats presents a superpowered
Mike Kennedy, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, John
A Arkansawyer, Chip Hitchcock, Daniel Dern, Carl Slaughter, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Kip Williams.]
It’s now called “Glasgow 2024 – a bid for the 2024 World Science Fiction Convention.” Today the committee announced that the venue they’ve chosen for the 2024 UK Worldcon bid will be the Scottish Event Campus (SEC), Glasgow.
Previously known as the SECC, the Glasgow SEC has already hosted two Worldcons – Intersection in 1995, and Interaction in 2005. We are delighted that our new bid is once again based around this internationally-renowned venue, which has seen considerable growth in the last few years, including new onsite hotels and reworking and expansion of the spaces inside the convention centre. The SEC has recently announced a further £200 million development plan to support the growth of conventions around the campus.
Our bid team is a dedicated band of fans both international and local, experienced and new. Our working party and support team already contain previous Worldcon Chairs and Bid Chairs, who volunteer alongside newcomers. We draw our experiences from the many events that take place around the UK and beyond, and celebrate the huge enthusiasm to continue hosting Worldcon after the success of Loncon 3 (2014 – the event’s most recent visit to the UK), and ongoing passion for Dublin 2019, an Irish Worldcon (2019).
The bid Chair is Esther MacCallum-Stewart, who invites everyone attending Ytterbium, the British Eastercon, to join them on Sunday evening, April 21, at 7 p.m. to celebrate this announcement and meet the team.
They will start taking pre-supports when the bid launches officially at Dublin 2019 in August.
Quebec author Véronique Drouin is the winner of the Prix
jeunesse des univers parallèles 2019 (the Parallel Universe Youth Award) for
her fantastic novel Cassandra
Mittens and the Divine Touch (Éditions Québec Amérique).
Cassandra Mittens heroine of a story set in the late 19th century,
must discern the false
friends from the real ones surrounding her so that her divine touch (her
ability to read in the minds of people at the mere touch of the skin) serves
the good and fair.
The other two award finalists were:
Jocelyn Boisvert: Les Moustiques (Soulières Editor)
Gilles Côtes: 2099, the robotic brother (Éditions du Phoenix)
The winner was determined by the vote of 252 high
school students from 12 schools in different regions of Quebec.
Véronique Drouin was also a finalist in 2006 during the first year of the award.
“The shortlisting of AO3 does not mean that every work published on the site is a Hugo Award finalist,” clarified Kevin Standlee, a member of the Hugo Awards Marketing Committee, to Polygon. “By analogy, if a magazine is nominated for Best Semiprozine, it does not mean that every work and every author published during that year’s run of the magazine is a Hugo Award finalist.”
Whyte also emphasized that Archive of Our Own as a project met all the requirements of the Best Related Work category as far as the Hugo administrators were concerned.
“Archive of our Own as a project is on the Hugo final ballot,” Whyte wrote in an email. “A substantial number of voters supported it, and it is not really the role of the Hugo administrators to second-guess or interpret their intentions. Our job is to determine whether it qualifies under the rules. We considered the precedents in this and other categories very carefully, and found no good reason to disqualify it.”
Archive of Our Own is a platform for fanfiction, yes, but it is also an intricate system of archiving and hosting said fanfiction, as well as a space built up by fandom members for their very own. No “one part” of AO3 qualifies the site for the prize. The entirety — past, present, and promise to the future — makes it uniquely primed for the honor.
“So if the question is, which of that work is the nomination recognizing?” penned Naomi Novik on her Tumblr. “It’s recognizing all of it. You can’t separate one part of it from the other. The garden wouldn’t exist without all of it. And I am grateful for it all.”
As far as the most bonkers fan theories go in the Marvel Cinematic Universe, one clear-cut winner has emerged recently in predicting the climax (back end?) of the highly anticipated Avengers: Endgame.
That would be the premise coined “Thanus,” which posits that the Avengers will finally triumph over intergalactic, snapping super-baddie Thanos (Josh Brolin) when Ant-Man (Paul Rudd) uses his size-altering abilities to shrink down, enter the villain’s butthole and then expand, killing his target in what would essentially be the most volatile hemorrhoid ever.
(3) SNACK TIME. Ursula
Vernon is served a Tibetan delicacy. Thread starts here.
Followed by more culinary adventures. Thread starts here.
(4) KGB. Here are Ellen
Datlow’s photos from the April
17 KGB readings by Dale Bailey and Arkady Martine.
Theodore McCombs: What about Carmilla first attracted you to this project? What do you hope 2019’s readers will find in this 1872 vampire tale?
Carmen Maria Machado: The connection between narratives of vampires and narratives of women—especially queer women—are almost laughably obvious. Even without Carmilla, they would be linked. The hunger for blood, the presence of monthly blood, the influence and effects of the moon, the moon as a feminine celestial body, the moon as a source of madness, the mad woman, the mad lesbian—it goes on and on. It is somewhat surprising to me that we have ever imagined male vampires at all. But of course, that’s because we think of Dracula as the ur-text, the progenitor of the vampire in literature. Carmilla simply isn’t as well-known; I was as surprised as anyone to learn about it. But despite the fact that it’s a somewhat obscure text, its influence can be keenly felt. So I wanted modern readers to understand both Carmilla and Carmilla’s importance.
The novelist Don DeLillo wrote shortly after the attacks that 9/11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” It’s hard to deny that he was right. Several pop-culture phenomena sprang up in the years after 9/11, HBO’s Game of Thrones being one of the most important, but by no means operating in a vacuum. The runaway popularity of The Walking Dead and The Hunger Games in the 2000s also signaled a different sort of sensibility from Tolkien’s postwar years. The enemies were closer, and sometimes they were even friends — or had been. Nothing was entirely trustworthy, not family, not community, and certainly not the government. The anti-establishment cynicism of the ’60s and ’70s had been replaced by a cynicism about virtually everything, and certainly about all institutions. Priests and teachers were now seen as potential molesters. Presidents were no longer just wrong as far as their opponents were concerned — they were actual criminal enemies. George W. Bush was labeled a murderer and Barack Obama was called a fascist. Political and cultural media were weaponized.
It’s the typeface that greets you on your tax forms. It announces MBTA station stops. Its sans-serif letters glow in the night outside Target and CVS.
In the world of typography, Helvetica is as common as vanilla ice cream. The 62-year-old font is celebrated and loathed for its ubiquity. Now, it’s getting a face lift for the digital age.
The reboot — by Monotype, a Woburn [MA]-based firm that owns Helvetica and thousands of other fonts — has set off a new round of debate over a typeface that has not only divided font fanatics but also transcended the field of design.
Indeed, not many fonts are controversial enough to show up on Twitter’s trending topics. So when Mitch Goldstein saw the word “Helvetica” among the social network’s hottest discussions, he joked that it must be there for the same macabre reason that sees celebrity names suddenly pop up.
With the passing of Science Fiction Writers of America Grandmaster Gene Wolfe (1931-2019), literature has lost a unique writer who embraced fruitful paradox. He was at once traditionalist and rebel, metaphysician and realist, trickster and pontiff, experimentalist and conservative, the consummate professional and the most endearingly heart-on-his-sleeve fan. He married the pulp tropes of science fiction and fantasy and horror to the stringent esthetics and techniques and multivalent worldview of echt modernism to produce works which both camps felt did honor to their respective lineages. Readers of “The Death of Doctor Island” or The Fifth Head of Cerebrus could discover all the thematic density and narrative complexity they might seek in a work by Pynchon or Nabokov in tales fully alive as visionary works in SF. In 2014, writer Michael Swanwick, himself a master craftsman, dubbed Wolfe “the single greatest writer in the English language alive today.”…
Born April 18, 1884 — Frank R. Paul. Illustrator who graced the covers of Amazing Stories from May 1926 to June 1939, Science Wonder Stories and Air Wonder Stories from June 1929 to October 1940 and a number of others well past his death date. He also illustrated the cover of Gernsback’s Ralph 124C 41+: A Romance of the Year 2660 (Stratford Company, 1925), published first as a 1911–1912 serial in Modern Electrics. He was inducted into Science Fiction and Fantasy Hall of Fame in 2009. Stephen D. Korshak and Frank R. Paul’s From the Pen of Paul: The Fantastic Images of Frank R. Paul published in 2010 is the only work I found that looks at him. (Died 1963.)
Born April 18, 1938 – Superman. Age: damn if I know. Created by writer Jerry Siegel and artist Joe Shuster, the character first appeared in Action Comics #1 on April 18, 1938. Yes, it was cover-dated as June, 1938. This is generally thought of as the beginning of the Golden Age of Comics. (Died 1992. But he got better.)
Born April 18, 1945 — Karen Wynn Fonstad. She was a cartographer and academic who designed several atlases of literary worlds. Among her work are The Atlas of Middle-earth which is simply wonderful, and The Atlas of Pern which I’ve not seen. (Died 2005.)
Born April 18, 1946 — Janet Kagan. She wrote but three novels in her lifetime, Uhura’s Song, set in Trek universe, Hellspark and Mirabile which is a stitch-up of her Mirabile short stories. The Collected Kagan collects all of her short fiction not set in the Mirabile setting. Her story “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo. (Died 2008.)
Born April 18, 1953 — Rick Moranis, 66. Though now retired from acting, he was active genre-wise once upon a time in such properties as Ghostbusters, Little Shop of Horrors (the remake obviously), Honey, I Shrunk the Kids (which isn’t bad compared to the stinkers that followed in this franchise), The Flintstones and of course Spaceballs. For you next Christmas viewing delight, may I recommend Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys in which he voices The Toy Maker?
Born April 18 — Cheryl Morgan, born, as she put it to me today when I dared to ask her age, so long ago no one can remember. She is a Hugo award-winning critic and publisher now living in Britain. She is the owner of Wizard’s Tower Press and was running the Wizard’s Tower Books ebook store before she closed it due to changes in EU regulation. She was previously the editor of the Hugo award-winning Emerald City fanzine which I confess I read avidly. And she shares joint wins with the rest of the Clarkesworld team for Best Semiprozine in 2010 and 2011. Superb magazine that. Oh, and her personal blog which is great reading won a Hugo In 2009. Read it for the reviews, read it for the occasional snarky commentary. She is on the advisory board of Fafnir – Nordic Journal of Science Fiction and Fantasy Research.
Born April 18, 1965 — Stephen Player, 54. Some birthday honor folks are elusive. He came up via one of the sites JJ gave me but there is little about him on the web. What I did find is awesome as he’s deep in the Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the 25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh, but that’s just a mere wee taste of all he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally, he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money.
Born April 18, 1969 — Keith DeCandido, 50. Another writer whose makes his living writing largely works based on series. He’s done works set within the universes of Sleepy Hollow, Star Trek, Buffy, Spider-Man, X-Men, Doctor Who, Supernatural, Andromeda, Farscape, Spider-Man, X-Men, and Stargate SG-1. He has a fantasy series, Dragon Precinct, ongoing.
Born April 19, 1971 — David Tennant, 48. Eleventh Doctor and my favourite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly. He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.
We now know that Julian Assange’s cat, who lived with him in the Ecuadorian embassy for a time, is safe and being looked after, but we didn’t know this when I asked about it late last month. And I didn’t know that asking about it would result in the ‘Defend Assange Campaign’ getting in touch….
The highly anticipated film adaptation of Andrew Lloyd Webber’s musical Cats is making its way to theaters. The story is based on T.S. Eliot’s book of poems titled Old Possum’s Book of Practical Cats.
The live production-turned-movie follows a tribe of felines, known as the Jellicle Cats, as they attend the annual Jellicle Ball. During the ball, the tribe’s leader Old Deuteronomy chooses one cat to be reborn and return to a new life.
The Universal film features a star-studded cast that includes Jennifer Hudson, Idris Elba, Taylor Swift, Ian McKellen, Judi Dench, Rebel Wilson, James Corden, Jason Derulo and Steven McRae.
After considering a number of career choices I decided that ‘novelist’ was the best match to my temperament and experience. With both my schooling and military service behind me, I had a wealth of life experience to draw from and the natural wit of England’s upper classes running through my veins.
Here’s the deal: The Fourth of July-inspired sweets are the classic chocolate and creme combo we all know and love but with a twist. They’re filled with red and blue popping candies, so they will quite literally explode in your mouth—in a totally safe Pop Rocks kind of way, you know?
A Russian company called StartRocket says it’s going to launch a cluster of cubesats into space that will act as an “orbital billboard,” projecting enormous advertisements into the night sky like artificial constellations. And its first client, it says, will be PepsiCo — which will use the system to promote a “campaign against stereotypes and unjustified prejudices against gamers” on behalf of an energy drink called Adrenaline Rush.
Yeah, the project sounds like an elaborate prank. But Russian PepsiCo spokesperson Olga Mangova confirmed to Futurism that the collaboration is real.
“We believe in StartRocket potential,” she wrote in an email. “Orbital billboards are the revolution on the market of communications. That’s why on behalf of Adrenaline Rush — PepsiCo Russia energy non-alcoholic drink, which is brand innovator, and supports everything new, and non-standard — we agreed on this partnership.”
(17) RONDO. Steve
Vertlieb would be thrilled if you’d consider voting for his article:
It’s “Rondo Award” time again, and my work on “Dracula In The Seventies: Prints of Darkness” has been nominated by the “Rondo Award” committee for “Best Article of the Year.” Anyone can vote once for their favorites in this category, and voting continues through April 20th, 2019. I’ll go “bats” if you care to vote for my work. Winning a competitive “Rondo” would mean a great deal to me, and sublimely reward these sometimes fragile seventy three years. Simply send your selection (along with your name and e-mail address) to David Colton at email@example.com, and please accept my sincere thanks for your most gracious kindness.
Sometimes rare diseases can let scientists pioneer bold new ideas. That has been the case with a condition that strikes fewer than 100 babies a year in the United States. These infants are born without a functioning immune system.
The disease is called severe combined immunodeficiency, or SCID. “It was made famous in the mid ’70s when the ‘Bubble Boy’ was described in a documentary, and I think it captured the imagination of a lot of people,” says Matthew Porteus, a pediatrician at Stanford University.
David Vetter was the boy who spent most of his short life inside a plastic bubble to protect him from infection. He died at age 12 in 1984.
All babies born in the United States are now screened for this condition, and the best treatment today — a bone marrow transplant — succeeds more than 90 percent of the time. The disease remains a source of great interest to researchers.
“This is one of those diseases in which there’s probably more doctors and scientists studying the disease than patients who have the disease,” Porteus says.
In the 1990s, European scientists actually cured SCID in some patients, using a technique called gene therapy. This process involves removing defective blood cells from a patient, inserting a new gene with the help of a virus and then putting the cells back into the body. Those cells then build up the patient’s immune system.
At first, this treatment in the 1990s and early 2000s looked really promising.
“Of the 20 patients, they all had immune recovery,” says Donald Kohn, an immunologist at UCLA’s Broad Center of Regenerative Medicine and Stem Cell Research. “But, over time, five of them went on to develop a leukemia.”
Pennsylvania’s soon-to-be official amphibian has more than its fair share of nicknames: snot otter, mud devil, Allegheny alligator, devil dog, lasagna lizard.
In short, it’s not exactly a looker.
But the Eastern hellbender salamander was the overwhelming choice of lawmakers for amphibian representation in the state. On Tuesday, the state’s House of Representatives voted 191-6 on a bill that would name the aquatic creature its state amphibian. The Senate passed the bill in February.
The hellbender is a nocturnal salamander that can grow more than 2 feet long. The mud-colored creature, covered in a layer of mucus, breathes primarily through loose flaps of thick, wrinkled skin that look a little bit like lasagna noodles.
The hellbender is also a canary for environmental degradation.
A new species of giant mammal has been identified after researchers investigated bones that had been kept for decades in a Kenyan museum drawer.
The species, dubbed “Simbakubwa kutokaafrika” meaning “big African lion” in Swahili, roamed east Africa about 20 millions years ago.
But the huge creature was part of a now extinct group of mammals called hyaenodonts.
The discovery could help explain what happened to the group.
…”Based on its massive teeth, Simbakubwa was a specialised hyper-carnivore that was significantly larger than the modern lion and possibly larger than a polar bear,” researcher Matthew Borths is quoted by AFP news agency as saying.
(21) READY, AIM, MEOW. Here’s
a piece of technology some of you will want – the Catzooka – Cat Launcher!
Unlike traditional headphones, AirPods are the kind of things you can keep in your ears at all times, and many people do. Their sleek design and lack of wires make it easy to forget they’re resting in your head. And their status symbol shine doesn’t exactly scream “take me out.” This may be great for Apple and its bottom line, but it’s making life weird for people interacting with those wearing them. Are they listening to me? Are they listening to music? A podcast? Just hanging? It’s tough to know.
(23) VIDEO OF THE DAY. In “Cabin Pressure” on Vimeo,
Matthew Lee explains how to behave badly on airplanes!
Martin Morse Wooster, Ellen Datlow, Mike Kennedy, JJ, Mark Hepworth, Chip
Hitchcock, John King Tarpinian, Daniel Dern, Cat Eldridge, Carl Slaughter, Rob
Thornton, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Kip Williams.]
The Peabody Awards Board of Jurors announced the 2019 award winners in the Entertainment and Children’s & Youth categories on April 18.
Two genre programs were among them, The Good Place (Entertainment) and Steven Universe (Children’s & Youth). Click the link for the complete
list at Variety.
A Peabody nominee last year, Michael Schur’s fantasy-comedy about the afterlife keeps refusing to follow the formulas of broadcast network sitcoms, constantly renegotiating its format as our favorite contemporary morality play. The energies of Kristin Bell, Ted Danson, Jameela Jamil, and D’Arcy Carden, in particular, keep the show moving with virtuosity in every unexpected laboratory from the Good Place to the Bad Place, the afterlife to the Medium Place, and of course, to Earth.
On its surface, Rebecca Sugar’s animated series develops a complex mythology centering around the Crystal Gems—“polymorphic sentient rocks” who protect young Steven and his human friends from cosmic threats. But in this earnest fantasy epic and superhero saga, empathy is perhaps the most important superpower, something our real-world human society needs now more than ever.
The winners will be
celebrated at an event in New York on May 18.
The Prix Bob Morane is a French literary prize
named for a fictional adventurer created by Belgian writer Henri Vernes in
The selections were made by a jury of French professionals —
writers, journalists, critics, collection curators. The current members of the
award jury are, Marc Bailly, Christophe Corthouts, Cathy
Martin, Philippe Paygnard, Pascal J. Thomas, Isabelle Arnaud, Noé Gaillard, Éric Vial, L’équipe
Phenixweb, and Gabrielle Staelens,
Roman francophone / French novel
Estelle Faye : Les nuages de Magellan, Scrineo
Roman traduit / Translated novel
Ben H. Winters : Underground Airlines, ActuSF (translated by Éric
Nouvelles / Short Stories
Neil Gaiman : Signal d’alerte : Fictions
courtes et dérangements, [Trigger
Warning] Au diable Vauvert (translated by Patrick Marcel)
Also, Jennifer Delozier’s story “Dirge in D Minor” has been named the winner of the Women Hold Up Half the Sky Award presented by Artemis Journal & the Hollywood Chapter of the National Organization for Women (Hollywood NOW).
At LitFest Pasadena
on May 18, celebrity guests will read Delozier’s story and the five Roswell finalists’
stories, after which the first, second, and third place Roswell winners will be
So, what kind of Easter Eggs might we see appear on the screen? Gaiman chimed in and shared:
“Jack Whitehall plays Newton Pulsifer, and the first time you see him going off to do a job he’s about to be fired from, his tie is actually the fourth Doctor’s scarf — really small, as a tie.
You know he must be an enormous Doctor Who fan, because he only owns one tie”
There’s also a new teaser trailer for the show –
(2) SINGING GEEKS! “Batman! Spider-Man! Marvel! DC! The
Geeks are back this Sunday night in NYC!” The Off Broadway production of Geeks! The Musical! opens April 21 at St. Luke’s, 308 W 46th
Street in New York. The music is by LASFSian Ruth Judkowitz.
…The story takes place over several days at a Comic-Con, though it could be any large generic media-oriented SF con – the coincidence of running into somebody and the difficulty of finding them when you’re looking for them plays some role in the plot. It’s the story of three pairs of friends who come to the convention, one set specifically in hopes of selling the avant-garde comic they’re working on, the others to buy collectibles or to attend programming or just to people-watch. They interact, and romantic pairings, both straight and gay, ensue….
The material has been updated for the 2019 production.
(3) TYPECAST ON TWITCH. Half
a dozen sff and game writers will launch TypeCast RPG on Twitch this coming
April 23. The continuing role-playing game will stream live Tuesday nights from
The members of TypeCast RPG will adventure in a world they’ve collaboratively created named Vaeron. Throughout the sessions, the dungeon master and five game players will make use of the Dungeons and Dragons 5th edition rule system to take their characters through a dark and heroic world in which cities have been built on the backs of slumbering eldritch monsters, stone-age dangers lurk in the lands below, and sky-ships plunder both land and air!
The cast includes:
Dan Wells will serve as the Dungeon Master for the group.
Notable Works: I am Not a Serial Killer, the Partials series, the Writing Excuses podcast. Twitter – Facebook – Website
Charlie N. Holmberg will be playing Fleeda, a Stone Age human druid with complicated family problems.
Mari Murdock is Grisk, a half-orc rogue torn between profit and faith, and willing to switch allegiances for the right reward.
Notable Works: Legend of the Five Rings Contributor, RPG Writing, Whispers of Shadow and Steel. Twitter – Facebook – Website
Brian McClellan is Krustov, the necromancer cleric and atheist (yes, it’s that confusing).
Notable Works: The Powder Mage Trilogy, Gods of Blood and Powder, Uncanny Collateral. Twitter – Facebook – Website
After the livestream wraps up, video viewing will be available on YouTube, as well as a podcast intended to launch on Wednesday afternoons. Various bonus content such as interviews, industry discussions for both fiction writing and gaming, and guest stars will be part of the live stream and other formats!
Amazon Original Stories, an imprint of Amazon Publishing, announced today the forthcoming six-part science-fiction collection Forward, featuring original short stories from some of today’s most celebrated voices in fiction, including Blake Crouch, N. K. Jemisin, Veronica Roth, Amor Towles, Paul Tremblay, and Andy Weir. Forward will be available for free on September 17 th, 2019 to Prime and Kindle Unlimited customers. Readers can download the collection as a Kindle eBook or Audible audiobook.
Forward explores a central theme: the resounding effects of a pivotal technological moment. While each author started with this same prompt, readers will discover that each story unearths a unique corner of the sci-fi genre, ranging from intimate to epic, grounded to far future, hopeful to harrowing.
Andy Weir ( Artemis, The Martian ) imagines a high-tech Las Vegas casino heist; Paul Tremblay ( The Cabin at the End of the World ) immerses readers in a patient’s mysteriously slow healing process; Amor Towles ( A Gentleman in Moscow ) explores a fertility clinic’s god-like abilities to alter an unborn child’s life path; Veronica Roth (Divergent trilogy) spins a story of finding connection in the face of our world’s certain destruction; N.K. Jemisin (The Broken Earth series) subverts all expectations when an explorer returns to the ravaged Earth his ancestors fled; and Blake Crouch ( Dark Matter) follows a video game designer whose character Maxine unexpectedly “wakes up.”
(5) BLADE. Is this the
sword that Claire Ryan’s pen was mightier than? Authors thanked Claire Ryan for
her work helping to expose #CopyPasteCris. (A list of 40 plagiarized authors is posted at the
Isaac Asimov, one of the greatest science fiction writers of the 20th century, came to America as a family immigrant. In fact, he came as part of what some people, sometimes those not particularly in favor of immigrants, today call “chain migration.”
Alison Pill, Harry Treadaway and Isa Briones have jumped aboard as series regulars alongside Sir Patrick Stewart in the upcoming untitled “Star Trek” series.
They join previously announced cast members Santiago Cabrera, Michelle Hurd and Evan Evagora.
…Pill, who is represented by CAA and The Burstein Company, is best known for playing Maggie Jordan on Aaron Sorkin’s HBO series “The Newsroom.” Treadaway is known for playing Victor Frankenstein on “Penny Dreadful.” He is represented by Principal Entertainment LA. Briones, who recently starred in “American Crime Story: Versace,” is repped by Piper/Kaniecki/Marks Management.
On April 26 at 8 p.m., North Bergen will reprise the show, which was staged for only two performances in March. Those performances caused a tsunami of interest when a video posted the weekend of March 23 got some 3 million hits.
(10) TODAY’S BIRTHDAYS.
Born April 17, 1923 — Lloyd Biggle Jr. He was the founding Secretary-Treasurer of Science Fiction Writers of America and served as Chairman of its trustees for many years. Writing wise, his best-known series were the Jan Darzek and Effie Schlupe troubleshooting team, and the Cultural Survey. I find it interesting wrote his own Sherlock Holmes stories from the perspective of Edward Porter Jones, an assistant who began his association with Holmes as a Baker Street Irregular. There’re are two novels in this series, The Quallsford Inheritance and The Glendower Conspiracy. (Died 2002.)
Born April 17, 1923 — T. Bruce Yerke. He was active member of the Los Angeles Science Fantasy Society, serving as its secretary for many years, and is credited with getting Bradbury involved with the group. Myrtle R. Douglas, Forrest Ackerman and he edited Imagination!, the Retro Hugo Award-winning fanzine. (Died 1998.)
Born April 17, 1942 — David Bradley, 77. It’s his Who work that garners him a Birthday honour. He first showed up during the time of the Eleventh Doctor playing a complete Rat Bastard of a character named Solomon in the “Dinosaurs on a Spaceship” episode. But it was his second role on the series as the actor who was the First Doctor that made him worth noting. He portrayed William Hartnell in An Adventure in Space and Time and then played the role of the First Doctor in “The Doctor Falls” and “Twice Upon a Time”, both Twelfth Doctor stories. He is also known for playing Argus Filch in the Harry Potter film franchise, Walder Frey in Game of Thrones and Abraham Setrakian in The Strain.
Born April 17, 1959 — Sean Bean, 60. His current role that garners him recognition is his performance as Ned Stark in Game of Thrones, but he’s worked in our area of interest a long time. His first genre role was in GoldenEye as the the antagonist of Bond, Alec Trevelyan (Janus). Next he shows up as Boromir in the first of The Lord of the Rings films. He played Dr. Merrick in the horror SF film The Island and was James in horror flick The Dark which purports to be based off Welsh myth. Following in the horror vein, he’s Chris Da Silva in Silent Hill (which gets a sequel later in Silent Hill: Revelation) and in yet more horror is John Ryder in the remake of The Hitcher. (Was it so good that it yearned for a remake? I doubt it.) Black Death — yes more horror — and the character of Ulric ensued next. Finally something not of a horror nature in playing Zeus in Percy Jackson & the Olympians: The Lightning Thief happened. I’m going to forgo listing the subsequent horror films he’s in and just finally note that he’s in The Martian playingMitch Henderson.
Born April 17, 1972 — Jennifer Garner, 47. Back before there was the Marvel Cinematic Universe, there were Marvel Comic movies. Such was the case with Elektra Natchios and its lead character of Elektra Natchios. Don’t remember anything about the film anymore. She also had the same role in Daredevil.
Born April 17, 1973 — Cavan Scott, 46. To my thinking, there’s somewhat of an arbitrary line between fanfic and professional writing. (Ducks quickly.) which brings me to the world of fiction set in media universes where a lot of fanfic is set. This writer has apparently specialized in such writing to the extent that he has novels in the universes of Dr. Who (including the subgenre of Professor Bernice Summerfield), Blake’s 7, Judge Dredd, Skylanders Universe, The Tomorrow People, Star Wars and Warhammer Universe. Judge Dredd? Novels?
(11) SOMEONE BLEW THE BUGLE.
Do cats really have nine lives, or do they make up the other eight? The
question is inspired by the latest installment of Timothy the Talking Cat’s
autobiography — “Beyond
the Bounds of Genius: Chapter 3”
Chapter 3: Marine Sergeant Tim
…My first attempt failed as I had mistaken the Post Office for the Marines. In my defence “Royal Mail” and “Royal Marines” look very similar if you are reading a sign from cat height. Further confusion at the Salvation Army ended more violently as I attempted to attack a uniformed man with a trumpet in an attempt to show my martial temperament….
…Marsh’s quest began after The Theatre, an Elizabethan playhouse in East London’s Shoreditch, was discovered in 2008. The historian wondered where Shakespeare was living when his plays were performed there, which predated The Globe as the playwright’s workplace.
It had previously been identified that the Shakespeare lived in Central London near Liverpool Street Station, then known as the parish of St. Helens, after he was listed on taxpayer records in 1597/98, but the exact location was never identified….
Before leaving for Europe (hope you had a lovely time) you sent me a beautiful American Wildlife Calendar. I was enjoying the pictures – the timber wolf, the woodchuck, the bison – and the mottos, Job, Walt Whitman. Dostoievsky, Dante – when I was thunderstruck to see my name-my birthday month, April … subscribed to a howling idiocy: “The best thing about animals is that they don’t say much.” I never wrote that! I never thought that! I yelled for Isabel and pointed it out to her, the tears rolling down my face. “Isabel! Somebody’s played a cruel joke on me. WHEN DID I SAY SUCH A THING? Let’s move to Arkansas until the laughter dies down.”
“Don’t you remember that Mr. Antrobus says it in The Skin of Our Teeth when the Dinosaur is whining about the Ice Age.” “But l, I didn’t say it.” Then I thought of all the damaging things that could be brought up against me from that same play: The Child Welfare Calendar: “A child is a thing that only a parent can love” Thornton Wilder. The Anti-War Calendar: “God forgive me but I enjoyed the war; everybody’s at their best in wartime.” Thornton Wilder.
Executive Summary: Snake is a healer in a fractured post-apocalyptic world, travelling through various communities which live out relatively isolated existences in a world which appears to have gone through nuclear war. As you might guess from her name, the title, and almost every book cover Dreamsnake has been released with (except for a 1994 edition which decides to focus on the book’s stripey horse. There’s also… this.) this healing involves snakes: Mist, an albino cobra, and Sand, a rattlesnake, are both bred to synthesise various cures and vaccinations for illnesses, representing a combination of genetic engineering and on-the-spot biochemistry. The third snake is even more special: Grass is a dreamsnake, an extremely rare “offworlder” breed able to create hallucinations and pleasant dreams which are most often used to ease the pain of the dying.
There’s something in the dying (or at-least-super-old) Earth subgenre that has always resonated with me: a storyworld littered with weird and wondrous leftovers from times so far past that people are not quite sure what to make of them. In those stories, the massive weight of history hangs over the world and makes it alien in a very specific way….
The two stories from Beneath Ceaseless Skies’ first April issue feature young women separated from their families to learn some hard lessons from some rather kick ass older women. The pieces look at death and loss and war and where the characters fit into the larger tapestry of their communities, families, and worlds. They look at service, and sacrifice, and honor, and all the complicated ways those are used both against and to educate children, to prepare them for the roles they are expected to inhabit. These are two stories that carry some heavy darknesses, and yet tucked into them as well are narratives of care, healing, and hope. To the reviews!
The BBC Proms will blast into hyperspace this summer, with a series of interstellar concerts marking the 50th anniversary of the Moon landings.
Alongside classics like Holst’s The Planets, the season will include a Sci-Fi Prom, featuring scores from films such as Gravity and Alien: Covenant.
A CBeebies concert will take children on a journey to the Moon, including a close encounter with The Clangers.
And the season opens in July with a new piece inspired by the first Moon walk.
Zosha Di Castri’s Long Is The Journey, Short Is The Memory will be premiered on Friday 19 July, under the baton of Karina Canellakis – the first female conductor to oversee the First Night of the Proms.
Meanwhile, art-rock band Public Service Broadcasting will play their concept album Race For Space in a special late night Prom.
The record, which combines sparse electronic beats with archive audio recordings from the US-Soviet space race, will be presented in a new arrangement with the Multi-Story Orchestra.
Just when you think you’ve got your life sorted and you know what’s what with the world, Disney has to go and screw with all our heads and rename the original Star Wars movie.
Heading back to 1977, Star Wars: Episode IV – A New Hope was our first trip to that galaxy far, far away and made household names of Mark Hamill, Carrie Fisher, and Harrison Ford. Jump to 2019 and we’re on the cusp of J.J. Abrams’ Star Wars: Episode IX.
We’ve come a long way since A New Hope, but now, the House of Mouse is renaming George Lucas’ epic space opera. The movie is now called Star Wars: A New Hope, fitting with Disney’s current naming of the movies since Star Wars: The ForceAwakens in 2015.
(20) COMIC RELIEF. Philip Ball’s 2014 post “The Moment of Uncertainty” translated his interview on uncertainty, with Robert Crease, historian and philosopher of science at Stony Brook University. The interview appeared in the French publication La Recherche. Amid the serious scientific stuff is this little joke —
There’s even an entire genre of uncertainty principle jokes. A police officer pulls Heisenberg over and says, “Did you know that you were going 90 miles an hour?” Heisenberg says, “Thanks. Now I’m lost.”
JJ, Chip Hitchcock, Cat Eldridge, Michael Toman, John King Tarpinian, Mlex, Mike
Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Kip