Pixel Scroll 1/11/18 Agent 770, With A License To Scroll

(1) YOUNG PEOPLE. James Davis Nicoll asked the crew at Young People Read Old SFF their response to Octavia Butler’s “Bloodchild”. Two of the four readers said it was their first experience with the author. (The others didn’t say one way or the other.)

Octavia E. Butler was one of a small handful of African American SF authors back in the 1970s, an era when SF was often whiter than a crowd of naked albinos holding loaves of Wonder Bread in a snowstorm. Butler’s stories often focused on people doing their best from a position of profound weakness, striving despite slavery, apocalypse or worse. This example of her work won the 1984 Nebula Award for Best Novelette, the 1985 Hugo Award for Best Novelette, the 1985 Locus Award for Best Novelette and the 1985 Science Fiction Chronicle Award for Best Novelette.

Young People Read Old SFF also recently tackled “The Light of Other Days” by Bob Shaw. Some liked it, but Mikayla did not disappoint….

Bob Shaw was born in Northern Ireland. Over the course of the three decades of his career, he won three BSFA awards and was nominated for the Hugo, the Locus, the Campbell, and the Clarke.

The Light of Other Days is an atypical Shaw. It is a classic idea story, a story in which an author tries to show unexpected implications of some new development. Slow glass, a material in which the speed of light is so slow it takes decades for light to pass from one side to the other of a thin sheet, was one of the rare examples of an idea veteran editor John W. Campbell considered actually original at the time of publication. It was shortlisted for the Nebula Award for Best Short Story and for the Hugo Award for Best Short Story.

Of course, just because professionals and fans liked a story half a century ago is no guarantee modern readers will. Let’s see what they thought….

(2) HUNGARIAN BLOGGER. Bence Pintér recommends the new English-language blog of Balázs Farkas, a Hungarian author; especially his post on Black Mirror.

Black Mirror needs to reinvent itself. The sooner, the better.

Don’t get me wrong. The fourth season has cleverly written, beautifully directed episodes throughout, as usual. It’s still the prime science-fiction anthology, and one of the most relevant TV series, even if contemporary science-fiction writers and futurologists already explored most of its ideas. The problem is, the new season didn’t have any new ideas, at all…

Also recommended, his thoughts on the comedy in Get Out

Last year Get Out was nominated for a Golden Globe in the category of Best Motion Picture – Musical or Comedy. Many consider Get Out one of the best horror films of 2017. I was intrigued for months, but I rarely watch movies nowadays, but I decided to see Get Out for myself and see whether it’s a comedy or a horror. Well, I found out it’s neither, but can be interpreted as both, and it’s really fascinating to see why.

And on the short fiction of Aleister Crowley.

“Do what thou wilt shall be the whole of the Law.”

The interesting thing about Aleister Crowley is that he really believed this. We don’t consider him a fiction writer (at least not primarily), but he went and did it for a while, because he could do whatever and whenever. So he wrote fiction, but only between 1908 and 1922, that’s merely fifteen years from his prolific and incredibly versatile mind. This was an era when he approached the literary world as a critic and writer, although at first quite reluctantly (“I had an instinctive feeling against prose; I had not appreciated its possibilities,”  he wrote, later admitting that“the short story is one of the most delicate and powerful forms of expression”). He wasn’t only a writer, but he still made sure that his legacy includes a large collection of miscellaneous prose, now presented in a prestigious (and affordable) Wordsworth edition, titled The Drug and Other Stories.

(3) INSIDE THE SHELL. In The New Yorker, Teddy Wayne tells why “A Storm Trooper Reconsiders His Support for Snoke”.

…Except things started changing when Snoke passed that big tax bill. The very next day, we’re told our pensions are getting cut—which hardly matters, because Storm Troopers have a seventy-five-per-cent fatal occupational-injury rate. (Some from combat, but mostly guys falling into chasms off narrow ship walkways that for some reason don’t have guardrails.)

Sure, the galaxy’s health insurance wasn’t perfect, but at least I got a little subsidy from Vadercare. Snoke repeals the individual mandate and all these Storm Troopers, fresh out of the academy, thinking they’re invincible, go, “Awesome—I’m young and healthy, Han Solo’s dead, screw it.” My premiums suddenly shoot through the roof, so I’m going without it this year and hoping I don’t run into a freaking Jedi Knight. But how am I gonna pay for the infirmary visit when a trespassing Resistance fighter conks me on the head to steal my uniform and gain access to a ship’s inner sanctum, which now seems to happen every other year? And if my arm’s sliced off with a lightsabre, you think my Storm Trooper’s comp will cover the robotic prosthetic?

(4) A FAITHFUL 451. The Hollywood Reporter interviews co-writer, exec producer and director Ramin Bahrani, who assures them “HBO’s ‘Fahrenheit 451’ Will Stay True to Ray Bradbury’s Central Themes”.

Bahrani, who co-wrote the telepic alongside Amir Naderi and reteams with Shannon after he starred in their feature 99 Homes, confessed that he told his agent at one point that he should call HBO and refund the network’s money because he felt that he couldn’t finish the script. He spoke at length about the parallels between Bradbury’s 1953 work and what’s happening in the world today.

“I don’t want to focus so much on [Trump] because I don’t want to excuse the 30 to 40 years prior to that; he’s just an exaggeration of it now,” he said. “I don’t want us to forget what Bradbury said — that we asked for this. We elected [politicians] over many decades, we’re electing this thing in my pocket [pulls out his cellphone]. Between the technological advancements in the last 20 years and politics, Bradbury’s biggest concern about the erosion of culture is now.”

Bahrani said he never had the opportunity to meet with Bradbury before his death but did an extensive amount of research, watching and reading multiple interviews and more. “Bradbury’s novel was set in the future where he was predicting having screens on the wall that you could interact with. Social media and supercomputers like my phone are real now. [The film] is not set in the distant future like Bradbury’s novel but an alternate tomorrow where technology is here right now — like Amazon’s Alexa,” he said. “One of the things in the film is storing knowledge, books in DNA. This exists now. All your drives could be stored 100-fold in DNA. There was no reason to put it in the future; it’s just [set in] a strange tomorrow.”

(5) THE TOLL. Kameron Hurley, who I admire for her unflinchingly transparent posts about her life as a writer, tells a heartbreaking story about her experiences in 2017 — “The Year I Drowned My Emotions”.

Depression is a complex state of being. I know we want to try and pretend it’s easy. Just pop a pill, increase your meds, try new meds, find something that works! But there’s also depression caused by external forces, and that’s the sort of depression that you can paint over with pills, sure, but the root of it is still there, like painting over a crack in your wall.

I was already feeling overwhelmed and deflated in the months leading up to the election. I was struggling with the reality that I’d produced three books in a year but still had to function at a day job, and the relentless treadmill of publishing was still going, without the sort of reward I needed in order to maintain my sanity. I’ve talked before about how writing all those books and then promoting books and having a weird dude-bro day job (at the time) conspired to murder me. What we don’t acknowledge is that when you experience that kind of breakdown followed by grief and disappointment, you can’t just… get back up like nothing happened.

(6) HADLEY OBIT. At ComicMix, Glen Hauman reports “Cinamon Hadley, The Girl Who Was Death, Has Died”.

Cinamon Hadley, whose appearance inspired the look of Death in the Sandman comic series, passed away today according to Sandman co-creator Neil Gaiman.

The body-piercer and goth icon whose portrait was immortalized as the second eldest in a family of anthropomorphized forces called the Endless, Hadley was described as extremely tall, extraordinarily thin, with bone-white skin, impeccable make-up and thin, black hair.


  • Born January 11, 1937 — Felix Anthony Silla, known for his role as the costumed character of “Cousin Itt” on television’s The Addams Family.

(8) ADVENTURE OR COOKBOOK? Having seen the movie, this one has me a little worried – Star Wars: The Last Jedi: Chewie and the Porgs:

From Emmy award-winning writer Kevin Shinick comes a lovable tale of Chewbacca the Wookiee and the pesky porgs of Ahch-To Island. Featuring adorable illustrations by artist Fiona Hsieh.

(9) WATCHWORTHY. In “Consumption: 2017”, John Harden makes “a list of everything I watched in 2017 plus my very excellent and totally correct opinions on same.”

I make this list every year, for fun and as a reference. As always, it only reflects things seen for the first time. “POLTERGEIST on TV, 14th viewing” doesn’t make the list. Nor do films not viewed in their entirety, for example, Guy Ritchie’s THE MAN FROM U.N.C.L.E, which got ejected from the Blu-Ray player after 15 minutes. I’d never seen Henry Cavill in anything before but he seems to emit some kind of anti-charisma particle.

I didn’t bother making a numbered best-of list this year. But if I had, LOGAN would be at the top. It’s perfect. Damn you James Mangold, for making me cry at your Wolverine movie.

(10) SLOW DOWN, YOU MOVE TOO FAST. How fast is the universe expanding? “‘Serious gap’ in cosmic expansion rate hints at new physics”.

To calculate the Hubble Constant, Prof Riess and others use the “cosmic ladder” approach, which relies on known quantities – so-called “standard candles” – such as the brightness of certain types of supernova to calibrate distances across space.

However, a different approach uses a combination of the afterglow of the Big Bang, known as the Cosmic Microwave Background (CMB), as measured by the Planck spacecraft and a cosmological model known as Lambda-CDM.

The Hubble Constant obtained using these data is 66.9 kilometres per second per megaparsec. (A megaparsec is 3.26 million light-years, so it follows that cosmic expansion increases by 66.9km/second for every 3.26 million light-years we look further out into space).

The gap between the two is now at a confidence level of about 3.4 sigma. The sigma level describes the probability that a particular finding is not down to chance. For example, three sigma is often described as the equivalent of repeatedly tossing a coin and getting nine heads in a row.

A level of five sigma is usually considered the threshold for claiming a discovery.

However, Prof Riess said that at the three sigma level “this starts to get pretty serious I would say”.

(11) EYES IN THE SKY. “Finnish start-up ICEYE’s radical space radar solution” — swarms of small cheap satellites for continuous coverage.

Big things sometimes come in small packages. That’s the hope of Finnish start-up ICEYE, who are about to see their first satellite go into orbit.

The young company are making waves because they’re attempting what no-one has dared try before; indeed, what many people had previously said was impossible.

ICEYE aim to launch a constellation of sub-100kg radar micro-satellites that will circle the Earth, returning multiple pictures daily of any spot on the globe, whether it’s dark or light, good weather or bad.

The special capability of synthetic-aperture radar (SAR) satellites to sense the planet’s surface whatever the conditions is loved by government and the military, obviously – and they make sure they always have access to this kind of imagery.

But here’s the rub: the spacecraft that gather this sort of data have traditionally been big, power-hungry beasts.

(12) ANCIENT WINGS. BBC invites you to “Meet the butterflies from 200 million years ago”. They evolved nectar-suckers before there were flowers.

Newly discovered fossils show that moths and butterflies have been on the planet for at least 200 million years.

Scientists found fossilised butterfly scales the size of a speck of dust inside ancient rock from Germany.

The find pushes back the date for the origins of the Lepidoptera, one of the most prized and studied insect groups.

… “These finds push back the evolution of this group with proboscises – with a tongue – by about 70 million years,” said Dr van de Schootbrugge.

“Our finds show that the group that was supposed to co-evolve with flowers is actually much older.”

(13) REEL STINKERS. ComicMix’s Arthur Martinez-Tebbel looks back on the worst of the year in “Box Office Democracy: Bottom 6 Movies of 2017”. At the very bottom is —

  1. Valerian and the City of a Thousand Planets

If this was just about wasted potential, Valerian would easily be on the top of this list.  There are five worse movies this year but none of them have a fraction of the visual artistry displayed here by Luc Besson.  Valerian has some of the best design I’ve seen in a movie all year and two of the most inventive chase sequences maybe ever.  It also features a terrible script that meanders forever over trivial nothing and merrily skips past dense plot without a moment for inspection.  I loved watching the action but I never really understood why any of it was going on.  Toss on top some of the worst chemistry I’ve ever seen between an on-screen couple (and honestly maybe Dane DeHaan isn’t ready to be a leading man) and this is an unpleasant movie to watch at any volume above mute.

(14) BURROWER DOWN UNDER. Introducing Vulcanops jennyworthyae – “Giant bat: Remains of extinct burrowing bat found in New Zealand”

The fossilised remains of a giant burrowing bat that lived in New Zealand millions of years ago have been found on the country’s South Island.

The teeth and bones of the extinct bat were found to be three times the size of an average modern bat.

The bat, which weighed around 40g (1.41oz), not only flew but also scurried about on all fours looking for food.

The remains were recovered from ancient sediments near the town of St Bathans.

(15) ALTERED CARBON. Netflix has released Altered Carbon Official Trailer # 3.

In the distant future, human consciousness can be digitized and downloaded into different bodies. Brought back to life after 250 years by Laurens Bancroft (James Purefoy) the richest man on Earth, ex-Envoy soldier Takeshi Kovacs (Joel Kinnaman / Will Yun Lee) must solve Bancroft’s attempted murder for the chance to live again in a world he doesn’t recognize. Altered Carbon debuts exclusively on Netflix February 2nd, 2018.


(16) SCORCHED EARTH. The Official Trailer –

The planet has suffered an environmental collapse; the air became dangerous to breathe, the water became toxic, and billions of people died. Generations later, mankind has finally re-established a rudimentary society, in an attempt to pick up the pieces that continue to blister in the sun. Attica Gage (Gina Carano) is a bounty hunter with a chance at the bounty of a lifetime: to bring down the ruthless outlaw, Elijah Jackson. Gage infiltrates Jackson’s gang, and everything is going to plan until she meets a slave girl who reminds her of her dead sister. With her loyalty to only herself now tested, Gage learns that there might be more to life than just survival.


[Thanks to Michael J. Walsh, JJ, John King Tarpinian, Mark Hepworth, Martin Morse Wooster, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

57 thoughts on “Pixel Scroll 1/11/18 Agent 770, With A License To Scroll

  1. (3) INSIDE THE SHELL. Hehehe, okay, a little on the nose, but pretty amusing!

    (6) HADLEY OBIT. I must be the most ignorant Sandman & Gaiman fan ever; I didn’t know Death’s look was based on a specific person. RIP.

    Off to read a little more Forsaken Skies before sleepytime!

  2. 3) Needs something about deregulation and the absence of guardrails!

    15) Looking forward to this in a big way. Loved the books.

  3. (2) I think we currently carry an obsession with the new and original. The quality and impact of a creative work depends on many factors, and there is still lots of value in doing a good re-telling of an old story that is made to resonate with a new generation.

  4. Yay! Contributing editor!

    And all the talk about de-platforming is starting to germinate the seed of another Trigger Snowflake story. It is disturbing, I thought I was done with the lawman, square-jawed or not.

  5. I just realized that, of course, people would sneak in and moon the slow glass, so the purchaser would be enjoying the pastoral scenery when, suddenly, wham! Butt.

  6. 1) Given how profoundly that story affected me, back in the day, I can’t but approve of Nicoll’s choice here.

    12) So as the NPR story that also covered it asked– if they so predate flowers, what the heck did they evolve the proboscis FOR?

    13) :sigh: The leads in Valerian were only *part* of the problems with the film, but they were a significant one, to me.

  7. 13) I git a “rent a film for £0.99” offer, and used it on Valerian and…. I’m really happy I chose to not see it in the cinema, since I managed to get through about 45 minutes before going “nope, not a second more”.

  8. 13) My favorite problem with Valerian was that the script seemed to require a character (any character) to utter the lead male’s name every five minutes. Definite Razzie material there.

  9. 13) I saw it in the theater (matinee) and was not disappointed for my $5. While by no means “good”, it visually captured the 1970’s French SF aesthetic quite well.

  10. 16 – Aesthetically looks like some spin off of Into The Badlands which is pure cheesy fun so this is on my radar now. Plus I’ve been a fan of Carano since she was in American Gladiators and then her MMA career but I’m hoping her acting skills have gotten better since Haywire.

  11. Oh, don’t get me wrong, I found Valerian and the city of a thousand planets absolutely GORGEOUS, visually. But that was, for me, not enough, this time.

  12. Meredith Moment: GRRM’s Fevre Dream is now available for $2.99 from the usual channels.

  13. (10): Few things are as exciting as 3-sigma science – or as likely to turn out to be much ado about nothing.

  14. Good morning.

    Trying to figure out how to get back to a sane timeline.

    (1) Of course Mikayla rages over Light of Other Days. I’m impressed she recognizes that Bloodchild is doing something interesting, just not something she wants to read.

  15. @1: Mikayla isn’t the only shortsighted one (starting with her recommendation for an abortion, which was illegal when the story came out); I am amused at readers thinking a video screen, with its obvious artificiality even at today’s high resolutions, would substitute for photo-real window.

    @Leslie c: anyone mooning a slow-glass farm would (a) have to get to such a remote location and (b) risk an arseful of rock salt from the farmer’s shotgun. (Yes, those are lesser obstacles now; the story came out in 1966, and ISTM was set not-far in the future.)

    @Paul Weimer: if they so predate flowers, what the heck did they evolve the proboscis FOR? That’s like the question of how structures like wings evolved (e.g., instead of being “created”); now that we know about this unexpected thing, we can look again at that period (reviewing old finds, or adding puzzle pieces from new finds) to see what else we’ve missed. Paleontology may not have the excitement of practical implications, but ISTM that there’s a huge amount of basic info still to discover.

    @steve davidson: **snortle**

    recalling an old theme: here’s your jetpack (finally), but its inventor is afraid of heights. (The BBC has a lot of interesting stories from this year’s CES.)

  16. @Karl-Johan Norén

    (2) I think we currently carry an obsession with the new and original. The quality and impact of a creative work depends on many factors, and there is still lots of value in doing a good re-telling of an old story that is made to resonate with a new generation.

    Part of this is an occupational hazard of being a reviewer. You read so much stuff that if you aren’t careful you start putting great weight on anything that’s different. The trouble with rating things for originality is that a) it makes assumptions about what your readers have already read and b) it’s impossible to be wide-read enough to be sure any given story element is really original.

    One of my big goals as a reviewer at Rocket Stack Rank was to never use originality as a basis for judging a story. There are plenty of other reviewers who already do that.

  17. @Greg

    Or to slightly misquote Roger Ebert: “it’s not what a story is about, it’s how it’s about it”

  18. I’m pretty sure that I’d want to rage-quit any conversation that I ever had with Mikayla within 4 paragraphs.

    On a different note, are all the formatting buttons missing for everyone?

  19. Hampus Eckerman: Old people read young SF, then yells at clouds.

    I’ve been looking for a new feature to run here. This might not be it…

  20. Im not sure if you have to consider the laws when the story came out, if you decide if the story is for you (and I really loved the slow glass stories). Thats a reason why stories dont age well: change of environment.

    But a screen would hardly be a substitute. There has only recently an invention that was successful in simulating Raleigh scattering (ie blue sky) to a point of bein convincing. Real nature? Not anytime soon

    Fifth and the scroll of a thousand pixels: yes, great visuals, thin story, miscast leads and quite bad acting.
    Ghost in the shell: Again visually stunning, story mmh ok. But setting a story in Asia and having 3 asian characters with speaking roles? Not cool! (I disagree with everybody in internetland about Johansson though, i think having a White character with a japanese brain increases the alieness between her and her body. But all the other characters should have been japanese)

  21. “I’ve been looking for a new feature to run here. This might not be it…”

    The new feature should of course be Cats sleep on SF.

  22. Hampus Eckerman: The new feature should of course be Cats sleep on SF.

    OMG! We should try this out and see if it flies. Anybody want to send me pictures of their SJW credentials sleeping on SF? (Guess that means the photo needs to be shot in such a way that the title is evident.)

  23. (1) YOUNG PEOPLE.

    I read “Light of Other Days” only a few years ago, and while I loved the Slow Glass part of the story, my reaction to the narrator was very similar to Mikayla’s.

    It’s a horror story. Nf fbba nf uvf zbzragnel nccerpvngvba bs ure (pnhfrq ol gur ernyvmngvba bs gur bgure zna’f ybff) jrnef bss, gung jbzna’f yvsr jvgu uvz vf tbvat gb or lrnef bs uryy: ur’f tbvat gb unir gb trg n cnlvat wbo, naq ur jvyy gnxr uvf natre naq erfragzrag bhg ba ure naq gur puvyq ba na batbvat onfvf.

  24. @Darren – Mikayla’s definitely going into each story with a firm set of boundaries regarding what they can/will enjoy, and I’d be lying if I didn’t say it rubs me wrong, too. Seems antithetical to SFF, but then, most of their complaints have to do with the same things that annoy me in older SFF, just with the sensitivity knob turned up quite a bit higher (given I’m about twice Mikayla’s age, that’s not surprising).

  25. 1) YOUNG PEOPLE – I’m with Mikayla and JJ here. I liked the slow glass aspect of the story, but times have changed and what might have been a sympathetic character then is kind of a monster now.

    Cats Sleep on SF has the potential to be my new favorite thing, even if I only have dogs.

  26. @Cheryl S & @JJ – Hmm. V’q ernq vg zber nf n glcvpny byq-snfuvbarq zneevntr, jvgu obgu punenpgref orvat genccrq naq zvfrenoyr, naq fhofrdhragyl, anfgl, naq jvgu fbzr byq-snfuvbarq frkvfz ba gur aneengbe’f cneg guebja va sebz gur nhgube’f CbI. Lbhe ernqvatf ner cebonoyl zber npphengr.

  27. kathodus: most of their complaints have to do with the same things that annoy me in older SFF, just with the sensitivity knob turned up quite a bit higher

    That’s a pretty good description for me, as well.

    When I read A Fall of Moondust a couple of years ago, my ability to enjoy the story was hugely impaired by all the sexism and racism in it. If it hadn’t been a library book (and a rather dilapidated one, at that), it would have been thrown against the wall repeatedly.

    The first horror is that no one reading it at the time saw a problem with it — and the second horror is that there are a lot of people who, if they read it now, would still not see a problem with it. 😐

  28. I was thinking that Cats Sleep on SF would be an anthology like the Destroy SF books. Only the book would just be blank pages because the writers couldn’t finish their stories because there was a cat on/in front of the monitor or on the keyboard or their hands.

    Since your cat would sleep on the book, preventing you from reading it, it wouldn’t matter that much anyway.

  29. @Jack Lint: You could probably do a photo book of pictures writers have tweeted of their cats sitting on their keyboards. (You could quite possibly do one just from John Scalzi and Mary Robinette Kowal’s Twitter feeds.)

  30. I’m trying to recall how many SJW credentials got into the two Faces of books. I recall at least one or two in Faces of Fantasy.

    The sequel might be Cats Destroy SF Artwork. A New Yorker story on Edward Gorey described how his cats would walk across his drawings or maybe knock his ink onto them when he was working. I would guess this might be an occupational hazard.

  31. Hi Mike,
    Thank you for noticing and linking to my blog Random Blood Polka (item #9) and in the process making me aware of file770. Is there a way to subscribe so I’m notified of new posts? I don’t see the usual WordPress follow button.

    John Harden

  32. I think the title of the classic story is “Light of Other Days” (no initial “The”).

  33. John Harden: Below the “Leave a Reply” box, there are two check boxes – one for ” Notify me of follow-up comments by email” and the other “Notify me of new posts by email.”


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