(1) MARVEL FIRES CHUCK WENDIG FROM STAR WARS PROJECTS. Chuck Wendig is off the Shadow of Vader comic books team announced just a week ago at New York Comic Con, and off an as-yet-unannounced Star Wars book. This is the reason he was given —
Today I got the call. I’m fired. Because of the negativity and vulgarity that my tweets bring. Seriously, that’s what Mark, the editor said. It was too much politics, too much vulgarity, too much negativity on my part.
The thread starts here.
(I hesitate to talk about this, because honestly, it gives the Worst Possible People a win, something they’ve wanted for a while. But I also feel like I’ve long held to honesty and forthrightness, and I don’t feel like lying when people realize I’m not on these books anymore.)
— Chuck Wendig (@ChuckWendig) October 12, 2018
The text of his Twitter thread also appears in a post on his blog, “In Which I Am Fired From Marvel”.
I know it hands Comicsgate a big win. It will embolden them. But they won — I’m out of Marvel and, I guess for now, at least, out of any kind of Star Wars. Do your victory lap, I guess. (Just please leave me out of it.) (All that being said, a lot of wonderful people still work inside those institutions and storyworlds, and I hope you’ll continue to support them and the stories they’re telling.) To conclude: this is really quite chilling. And it breaks my heart. I am very sad, and worried for the country I live in, and the world, and for creative people all around. Courage to you all. I have a dire fear this is going to get a whole lot worse before it gets better.
P.S. Vote in November like your life depends on it. Because it just might.
A site that publicizes Vox Day and Jon Del Arroz projects, Bounding Into Comics, cited a half-dozen recent examples from Wendig’s social media they thought supported Wendig’s firing and concluded —
…Wendig can claim that he’s a victim all he wants. It’s simply not true.
One thing appears to be clear. Disney might ignore the behavior of a number of Marvel Comics professionals, but Star Wars is a whole other beast. It appears Disney doesn’t want their multi-billion dollar investment to be harmed by a novelist and comic book writer.
There also appears to be a line that Disney will draw when it comes to who they employ. We’ve recently seen them fire James Gunn for his Tweets about pedophiles and child rape, and now Chuck Wendig has been fired after calling for calling Disney consumers white supremacists, racists, and rapists. Not to mention he called for violence against Trump supporters…
At the other end of the response spectrum is Kate Gardner’s post for The Mary Sue:
…It does hand Comicsgate a big win. It hands people who want to see their media homogenized and reduced down to the same white cishet male stories a massive win. Worse, it sends a message that if you want to work for a big title, keep your mouth shut and don’t talk about politics, even though at this point in the game silence is nearly complicity.
All art is political, and apparently people being angry that politics in certain works are progressive matters more than artists actually standing up for what’s right.
This is frightening. I won’t call it censorship, but it’s pretty close. It’s a big message saying keep your mouth shut and take the abuse, because apparently defending yourself (and others around you) is as bad as being a troll. It’s “vulgar.” It’s not “civil.” Marvel has known about Wendig’s politics since 2015 at the very earliest, but suddenly there’s a problem with him being his usual self and using his platform for good?
(2) ON BROADWAY. Peter Marks in the Washington Post has a profile (“A Perfect Pitch To Land Gig For Beetlejuice”) of Australian composer Eddie Perfect (his real name!) who wrote the score for the musical adaptation of Beetlejuice opening in Washington next month and who also wrote the songs for the forthcoming Broadway version of King Kong.
Perfect has been a popular recording artist and comic songwriter in Australia. He ventured into musical comedy a decade ago with his satirical bio-musical “Shane Warne: The Musical,” based on a onetime Australian star cricketer. Though he has been eager to break into theater here, a musical about a former captain of the Australian national team playing something called “limited overs cricket” was never a safe bet to get him noticed. When he learned that “Beetlejuice” was on a wide search for a composer, he saw his opening.
(3) THE RIGHT NUMBER. Bill contributed this magic square:
203, 184, 178, 205
172, 211, 197, 190
207, 180, 182, 201
188, 195, 213, 174
Each column and row adds to 770. Each diagonal. The center 4 squares. Each corner of 4 squares. The blocks of 4 squares on the center of the top and bottom, and on the center of left and right sides. There are 52 ways to get to the magic sum.
(4) STAFFORD OBIT. Greg Stafford of Runequest and Call of Cthulhu fame died October 11 reports Michael O’Brien on the Chaosium Inc. blog. (For more detail about Stafford’s career, see his Wikipedia entry.)
The shock and grief the Chaosium family felt at the news of the passing of our beloved and revered company founder, Greg Stafford, cannot be measured. Greg died yesterday in his sweat lodge at his home in Arcata, CA. Mercifully, his passing was painless and quick. He died as he lived, on a spiritual quest of enlightenment.
As one of the greatest game designers of all time; winner of too many awards to count; and a friend, mentor, guide, and inspiration to generations of gamers, “the Grand Shaman of Gaming” influenced the universe of tabletop gaming beyond measure.
Greg founded The Chaosium in 1975, and from the outset (to quote his own words) “was never content to imitate, but instead published games that were original in their style of play, content and design”. Under his leadership, the company quickly became renowned for its originality and creativity, and was responsible for introducing numerous things to the hobby that are standards today.
… For now, we leave you with the words of the Myth maker himself, speaking at the 2018 ENnies Awards ceremony, his last public engagement….
(5) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born October 12, 1875 — Aleister Crowley. Genre writer? You decide. But I’ve no doubt that he had a great influence upon the genre as I’m betting many of you can note works in which he figures. One of the earliest such cases is Land of Mist, by Sir Arthur Conan Doyle (1926.
- Born October 12, 1916 – Lock Martin. He’s had three genre roles but only one’s a doozy — the seven-foot tall Gort in The Day in The Earth Stood Still. The others are in The Invaders from Mars (1953) and The Incredible Shrinking Man (1957) in which apparently he only appears in deleted scenes.
- Born October 12, 1904 – Lester Dent. Pulp writer who is best known as the creator and main author of the Doc Savage series. The 159 novels written over 16 years were credited to the house name Kenneth Robeson used by Street & Smith as the author of this character and later The Avenger.
- Born October 12 – Storm Constantine, 56. Writer with her longest running series being the Wraeththu Universe which has at least four separate series within all of which are known for their themes of alternative sexuality and gender. She has also written a number of non-fiction (I think) works such as Sekhem Heka: A Natural Healing and Self Development System and The Grimoire of Deharan Magick: Kaimana.
- Born October 12 – Hugh Jackman, 50. Though much, much better known for his work in Wolverine in the X-Men film franchise, I’m more fond of him for his voice work as Bunny in the Rise of the Guardians film which is based on the William Joyce Guardians series. He’s also appeared in Van Helsing, The Prestige and Pan.
(6) COMICS SECTION.
- You should mosey around John Atkinson’s “Writers’ Block” at Wrong Hands.
- This celebrity couple in Off the Mark probably won’t make it to a second date.
(7) THE BAR’S MY DESTINATION. Elon Musk has confirmed “Teslaquilla” is a thing reports TechCrunch.
Elon Musk confirmed Friday in a tweet that the Tesla-branded tequila called “Teslaquilla”—the bottle of liquor that co-starred in his April Fool’s Day joke about the automaker filing for bankruptcy — is “coming soon.”
Visual approximation pic.twitter.com/sMn3Pv476Y
— Elon Musk (@elonmusk) October 12, 2018
(8) FIRST MAN. In The New Yorker, Richard Brody analyzes the culture wars influencing a film director’s choices: “‘First Man,’ Reviewed: Damien Chazelle’s Neil Armstrong Bio-Pic Is an Accidental Right-Wing Fetish Object”.
The one scene that embodies the sixties onscreen is, to my mind, among the most contemptible scenes in recent movies. It takes place midway through the action, when Congress begins to question the value of the space program. Neil is dispatched to represent NASA in a meeting at the White House, where senators fret about “taxpayer dollars,” and while there he is summoned to the phone and informed of the deaths of three astronauts in an Apollo test. The point is clear: that the astronauts are risking their lives while Congress is counting beans and playing politics.
But Chazelle takes that notion even further a few minutes later in the film, when, racked with unspeakable grief over the deaths of his colleagues, Neil drives off to be alone. “Half the country” may oppose the moon mission, but here Chazelle offers a peculiar, tendentious, and self-revealing cinematic interpretation of that phrase in the form of a montage. It shows Kurt Vonnegut, appearing in a black-and-white television clip, saying that the government would do better to spend the money on such things as making New York City “habitable.” There’s an archival clip of chanting protesters, featuring, prominently, a sign saying “¡Ayuda al Pueblo!” and footage, staged for the movie, of Leon Bridges performing Gil Scott-Heron’s 1970 song “Whitey on the Moon.”
With this sequence, Chazelle openly mocks people who thought that the moon money was spent foolishly—those pesky intellectuals, blacks, and Hispanics who go on TV or into the street demanding “gimme” while the likes of Neil and his exclusively white, male colleagues uncomplainingly put their lives on the line to accomplish historic things in the interest of “mankind.” In its explicit content, and by artful omission, “First Man” subscribes to the misbegotten political premise that America used to be greater—and that the liberating and equalizing activism of the sixties ignored, dismissed, and even undermined that greatness.
(9) DOWNHILL ALL THE WAY. It arrived on Earth without the assistance of astronauts — “For Sale! Certified Lunar Meteorite — Weight 12 Pounds — Mileage 250,000”.
A Boston-based online auction house began accepting bids Thursday on a rare lunar meteorite at $50,000. But the firm estimates it could go for $500,000 or more when bidding closes on Oct. 18, according to the item’s posting.
There are a few reasons why this meteorite might command such a large price.
First, at about 12 pounds, the lunar rock is very large….
BBC was first with the story here, but NPR notes how we know it’s a moon rock rather than a random meteorite:
Bidders should be aware the specimen is considered a lunar feldspathic breccia in geological terms and contains absolutely no cheese.
(10) RESCUE ROBOT. In a BBC video, “Humanoid ‘rescue robot’ learns parkour”. Chip Hitchcock sent the link with a note, “Video. obnoxious music, and bizarre comments at the end, but the first several seconds are stunning.” You’ve been warned.
Atlas, the robot developed by tech firm Boston Dynamics, has learned the art of parkour.
The humanoid has been taught several skills during its development, including how to run, jump over objects and perform backflips.
The latest development shows the robot leap up on to 40cm (15.7in) high blocks without slowing down.
The company has suggested Atlas may one day be used in search and rescue operations, although critics fear it will be used for other purposes by the military.
(11) WHO’S HUMAN? Admit it. You lay awake at night wondering about the ending of The Thing.
[Thanks to Cat Eldridge, ULTRAGOTHA, Eric Franklin, Trey Palmer, Carl Slaughter, Chip Hitchcock, John King Tarpinian, JJ, Mike Kennedy, James Davis Nicoll, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day StephenfromOttawa.]