(1) 2020 DONATION. Literary Hub reports “Namwali Serpell will donate Clarke Prize money to those protesting Breonna Taylor’s murder.”

Within an hour of hearing that she had won the Arthur C. Clarke Award, a top honor given to science fiction published in the UK, Namwali Serpell also heard the news that the police officers who killed Breonna Taylor would not be charged for her murder.

“I received these two pieces of news about being a black woman in 2020 and it felt like a kind of whiplash, but it’s a feeling I’ve grown used to,” she told the BBC. “So I’ve been trying to figure out how to acknowledge both the honor that this award grants to my novel and the feeling that the political revolution I’m describing in the novel is yet to come.”

She decided to donate her prize money, £2,020.00, to the Louisville Community Bail Fund, with the goal of helping those who have been detained while protesting Breonna Taylor’s death….

(2) THE WHOLE TRUTH. Ross Showalter says “Writing Fantasy Lets Me Show the Whole Truth of Disability” at Electric Lit.

…I tried to find a replacement for a show I’d outgrown. I wanted to find representation, something that could comfort and validate me as I move through a world that doesn’t accommodate me. I couldn’t find anything that reflected my real experience.

What I found instead was horror and fantasy.

Instead of real-world dramas like Switched at Birth, I started watching darker fare like Hannibal and Teen Wolf. Even though I couldn’t relate specifically to lycanthropy or hyper-empathy that borders on telepathy, I related with the emotional arcs these shows presented; both shows follow their protagonist trying to find their place in a world that either persecuted them or paid them little attention. I found myself rapt at the way they presented identity and community. Both Hannibal’s blood-soaked surrealism and Teen Wolf’s paranormal fantasy hit harder—and felt more relevant to my experience—than any realistic portrayal of deafness I found.

(3) RHIANNA ON RADIO. Today’s BBC Radio 4 Women’s Hour has an interview with Rhianna Pratchett, the fantasy games designer and author, about her work, her latest book and includes a bit on her life with dad.. Rhianna’s interview is about 35 minutes in. The program can be downloaded as an .mp3

(4) KGB. The Fantastic Fiction at KGB readings on October 21 with Joe Hill and Laird Barron will be livestreamed on YouTube at 7 p.m. Eastern. Link forthcoming.

Joe Hill

Joe Hill is the #1 New York Times bestselling author of Full Throttle, Strange Weather, and The Fireman, among others. Much of his work has been adapted or is in development for film and TV. His third novel NOS4A2 was the basis for the AMC program of the same name, while his comic Locke & Key — co-created with artist Gabriel Rodriguez — is now a hit series for Netflix. The fall sees the release of five graphic novels under his Hill House Comics imprint with DC, including his own Basketful of Heads and Plunge.

Laird Barron

Laird Barron spent his early years in Alaska. He is the author of several books, including The Beautiful Thing That Awaits Us All, Swift to Chase, and Worse Angels. His work has also appeared in many magazines and anthologies. Barron currently resides in the Rondout Valley writing stories about the evil that men do.

(5) SNOWBALL EFFECT. A lesson in keeping the work working for you, “The Big Idea: Jane Yolen” at Whatever.

… And sometimes magic happens. A poem turns into a picture book. A short story turns into a novel. A novel or a picture book turn into films or tv shows. The magic is not the turning, it is in the money! As my late agent said, “It can’t be reprinted unless it’s printed.” Which made me understand why sometimes you can sell an 8-line poem for a hundred dollars and someone pays $10,000 to reprint it. This actually happened to me. Once. But once is enough for a story and a moral lesson.

But if you write a lot of short stuff…it can become BIG. And what was a small idea (a scary story in Asimov’s magazine, another two or three in various Datlow anthologies, or Greenberg anthologies, or…And suddenly you have a Big Idea—a collection. 

(6) NOT THE END. “On Reengaging with Franz Kafka’s Astonishing Worlds” as encouraged by LitHub.

…Unofficial and incomplete texts are nothing new to readers of Franz Kafka; the problems of textual authority haunt nearly all his work. Kafka’s aesthetic practice cultivates a resistance to finality and what Judith Butler calls a “poetics of non-arrival.” The bulk of the literary output he left to posterity, as Michael Hofmann notes, “ends” rather than “finishes.” More crucially, all of Kafka’s novels, and a considerable haul of his short stories, beast fables, and aphorisms, owe their existence to Max Brod’s refusal to honor his best friend’s wish and burn all the manuscripts in his possession (unlike Kafka’s last lover Dora Dymant, who destroyed those in her keeping). The material in The Lost Writings is no more fringe or “lost” than any other unfinished text like The Castle, The Trial, Amerika, “The Great Wall of China,” “Investigations of a Dog,” or “The Burrow,” since Kafka’s publication history has been determined by the accidents of editorial preferences and decisions over the last century.

Regardless, Kafka, along with his editorial and translational collaborators, is one of our most prolific contemporary writers… 

(7) C.S. LEWIS READINGS. On the Marion E. Wade Center blog David C. Downing writes about the availability of “The ‘Lost’ C. S. Lewis Tapes on the Ransom Trilogy and Chaucer” to listeners.

The only thing better than reading C.S. Lewis’s novels would be listening to Lewis himself read from his novels. It is now possible to hear Lewis reading from both Perelandra (1943) and That Hideous Strength (1945). Additionally, Lewis fans can listen to him reading the famous opening section of Chaucer’s Canterbury Tales in resonant Middle English.

The Marion E. Wade Center, in partnership with the Rabbit Room, is releasing all three segments of “The Lost Lewis Tapes” to the public. Excerpts of the tapes, along with in-depth analysis of the Ransom trilogy, are available for free on the Wade Center Podcast. All three segments (45-minutes in total) are now available in the Rabbit Room store.

These tracks were first recorded at Lewis’s home, the Kilns, in August 1960. After Joy Davidman Lewis passed away in July 1960, her former husband, Bill Gresham, traveled to Oxford to see his two sons, David, 16, and Douglas, 14, as well as to meet Lewis face to face. Gresham brought a portable tape recorder with him and apparently asked Lewis if he would do some readings….

(8) SAFETY FIRST. The mask makes a good point.

(9) MEDIA ANNIVERSARY.

October 1920 — The Belgian detective Hercule Poirot  first appeared in Agatha Christie’s first novel, The Mysterious Affair at Styles, which was published by John Lane in hardback though the first true publication was as a weekly serial in The Times which included the maps of the house and other illustrations included in the book. This novel would be one of the first ten books published by Penguin Books when it began publishing in 1935. If you need a genre connection, David Suchet who played the most popular Poirot showed up in the Twelfth Doctor story, “The Landlord”, and Agatha Christie herself is portrayed in the Tenth Doctor story, “The Unicorn and The Wasp”.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

• Born October 2, 1885 – Ruth Bryan Owen.  Pioneer filmmaker, first woman U.S. ambassador (to Denmark; appointed by F.D. Roosevelt).  Collected Scandinavian fairy tales, The Castle in the Silver Wood.  Many adventures at home and abroad.  Wikipedia entry here.  (Died 1954) [JH]
• Born October 2, 1906 – Willy Ley.  Early student of rocket science.  Gifted author of science-fact articles, two Hugos for them.  Fled Nazi Germany 1935.  Rockets (1944); The Conquest of Space (1949, with Chesley Bonestell).  Science column in Galaxy 1951-1969.  Rockets, Missiles, and Space Travel (1957).  Regular participant at SF cons; sole Guest of Honor at Philcon II the 11th Worldcon.  One novel; four shorter stories under another name.  Much more in and out of our field.  (Died 1969) [JH]
• Born October 2, 1909 – Alex Raymond.  Outstanding pro artist for us with Flash Gordon.  After combat service in the U.S. Marines, drew the also excellent Rip Kirby (detective fiction; won a Reuben).  Eisner Hall of Fame, Soc. Illustrators Hall of Fame.  (Died 1956) [JH]
• Born October 2, 1911 — Jack Finney. Author of many novels but only a limited number of genre, to wit The Body Snatchers, Time and Again and From Time to Time. He would publish About Time, a short story collection which hah the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. (Died 1995.) (CE) 
• Born October 2, 1944 — Vernor Vinge, 76. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the last eighteen years’ worth of his work remain uncollected as far as I can tell. (CE) 
• Born October 2, 1947 – Ann Broomhead, F.N., 73.  Chaired two Boskones (22 & 51), co-chaired two (12 & 33).  Edited Reynolds, Deep Navigation.  Co-edited (with Tim Szczesuil) Bellairs, Magic Mirrors; Dozois and others, Strange Days; Stross, Scratch Monkey.  Fellow of NESFA (New England SF Ass’n; service award).  [JH]
• Born October 2, 1948 — Avery Brooks, 71. Obviously he’s got his Birthday write-up for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk which are aren’t even genre adjacent. He retired from video after DS9 but is an active tenured theater professor at Rutgers. (CE)
• Born October 2, 1968 – Range Murata, 52.  Animé, manga, video games.  Seiun for Best Artist of the Year, 2006.  Character designer on Last Exile, see here.  A 2015 interview (in English) here.  [JH]
• Born October 2, 1953 — Walter Jon Williams, 67. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that SF or fantasy, as well as his Hardwired series. I’m am surprised how few Awards that he’s won, just three with two Nebulas,  both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”.  (CE) 
• Born October 2, 1972 — Graham Sleight, 48. He’s The Managing Editor of the third edition of the Encyclopedia of Science Fiction which won the Hugo for Best Related Work at Chicon 7. He’s also a critic whose work can be found in Locus, Strange Horizons, The New York Review Of Science Fiction, and Vector. And he’s a Whovian who edited The Unsilent Library, a book of writings about the Russell Davies era of the show, and The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who. (CE) 
• Born October 2, 1974 — Michelle Krusiec, 46. She was the eighteen-year-old Molly O’Brien in DS9’s “Time’s Orphan’s”. She had a recurring role as Nadine Park on the fourth season of Fringe, and appeared as Wu Mei on Community which we’ve agreed is almost genre, if not genre. She showed up on Supergirl as Natalie Hawkings in “Parasite Lost”. (CE) 
• Born October 2, 1981 – Leah Wilson, 39.  Currently Editor-in-Chief for BenBella Books’ Smart Pop.  Here is an interview about Through the Wardrobe (i.e. C.S. Lewis’ Narnia) from Ben Bella’s Teen Libris.  Here is Boarding the “Enterprise”.  [JH]

(11) COMICS SECTION.

• Off The Mark has a genre take on mask wearing.
• And xkcd has a brilliant chart comparing the effectiveness of various masks.

(12) QUINO MOURNED. Harrison Smith in the Washington Post has an obituary for Argentinian cartoonist Quino, who died on September 30 at age 88.  Quino’s strip “Mafalda,” which ran between 1964-1973, was a strip in the Peanuts style with sharp criticism of poverty, injustice, and political repression.

…When Mafalda spots workmen trying to locate a gas leaks, she asks: “Are you searching for our national roots?” In another sequence, Mafalda’s pet turtle is revealed to have an unusual name, Bureaucracy. When a friend asks why she gave it that name, Mafalda replies that she needs to come back the next day for more information. She can’t say exactly when.

“In Argentina I had to censor myself, because when I started to draw in Buenos Aires they clearly told me ‘no military, no religion, no sex,’ ” Quino once said, according to the Agence France-Presse. “And then I talked about all that, but in another way.”

(13) KEEPING TRACK. The Digital Antiquarian revisits the triumph of Chris Sawyer’s Transport Tycoon. (I sure spent plenty of hours playing it.)

…So, while he was waiting for his better-known colleagues to send him the next chunks of their own games for conversion to MS-DOS, Sawyer began to tinker. By the time Elite II was wrapping up, he had an ugly but working demo of an enhanced version of Railroad Tycoon which did indeed shift the viewpoint from vertically overhead to isometric. “I decided to devote all my time to the game for a few months and see what developed,” he says. He convinced a talented free-lance artist named Simon Foster, who was already an established name in commercial graphics but was looking to break into games, to provide illustrations, even as he made the bold decision to step up to cutting-edge SVGA graphics, at more than twice the resolution of standard VGA. At the end of that few months, he was more convinced than ever that he had a winner on his hands: “Even people who didn’t normally play computer games would sit for hours on end, totally engrossed in building railway lines, routing trains, and making as much profit as possible.” He soon made his train simulator into an all-encompassing transportation simulator, adding trucks and buses, ships and ferries, airplanes and even helicopters.

(14) CHILD SIGHTING. Michael Clair, in “Baby Yoda is a Braves fan” on mlb.com, says that Baby Yoda made an appearance in Atlanta during the Red-Braves playoff series, accompanied by Braves mascot Blooper cosplaying as “The Mandabloopian.”

(15) SPARTACUS’ CITYSCAPE. Hollywood’s Academy Museum will showcase one of cinema’s most impressive examples of matte painting: a detailed portrayal of ancient Rome, used in Stanley Kubrick’s Spartacus (1960): “Preserving a Vanishing Art: Peter Ellenshaw’s Spartacus Matte Painting”.

…Matte paintings are everywhere in movies. Picture the vast, secret government warehouse that closes Raiders of the Lost Ark (1981), or the image of the Statue of Liberty, half-buried in sand at the end of Planet of the Apes (1968). Or the view of London and the River Thames that unfolds behind Mary Poppins as she rises, umbrella in hand.

This detailed portrayal of ancient Rome, used in Stanley Kubrick’s Spartacus (1960), was painted with oils on glass by Peter Ellenshaw. Using Ellenshaw’s painting, the director framed groups of actors moving about the faux Roman city, which includes details of the Parthenon, Temple of Athena, and other well-known buildings. Black blobs on the painting indicate where the director inserted these actions into his film.

…Ellenshaw’s son, Harrison, who enjoyed his own career as a matte painter, estimates the Spartacus piece took his father eight to ten hours, spread over several weeks. “He would work on more than one at a time,” he remembers. “The schedule was based on making the deadline for the final negative cut in time to make enough prints for the film’s release.”

Now more than 60 years old, Ellenshaw’s Spartacus painting needed some conservation before going on display. Before replacing a yellowing varnish layer with a new, UV-protecting one, Kathryn Harada, an L.A.-based paintings conservator, worked to repair cracks in the glass and paint. When conservators discovered that Ellenshaw himself had retouched the painting, years ago, they chose to preserve his efforts….

(16) OUT OF THE PARK. Yahoo! News sets the frame as “Jeff Goldblum Recreates Sensual ‘Jurassic Park’ Scene With Sam Neill”.

…Just a couple days ago, Jeff Goldblum promised that he’d recreate one of his scenes from “Jurassic Park” if 1,000 people would “register to vote, or check your registration status, or request a mail-in ballot.” On Friday, his character, Dr. Ian Malcolm, was back.

“That was fast!” Goldblum wrote on Instagram, posting a video recreating his famous “chaos theory” scene from the 1993 movie. In the original moment, he dropped water gently on Laura Dern’s hand. In the recreation, he’s got a different scene partner.

View this post on Instagram

A post shared by Jeff Goldblum (@jeffgoldblum)

(17) MORE NEEDLES FOR YOUR TREE. Grandma’s Gift Shop pulls together some of the year’s dominant themes in their 2020 Commemorative Christmas Tree Ornament.

(18) VIDEO OF THE DAY. “William Shatner feat. Pat Travers ‘I Put A Spell On You'” on YouTube is an animated film by Balazs Grof of a track from Shat’s new blues album featuring Shatner’s take on the classic Screamin’ Jay Hawkins song.

[Thanks to John King Tarpinian, Dann, Martin Morse Wooster, Mike Kennedy, Michael Toman, JJ, John Hertz, Cat Eldridge, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]