(1) MCINTYRE FILM ADAPTATION COMING TO THEATERS. Moviegoers at last will be able to see the film based on the late Vonda McIntyre’s 1997 Nebula-winning novel The Moon and the Sun: “A Fantasy Blockbuster Shot In 2014 Is Finally Being Released” reports Looper. It arrives in theaters in January.
… However, one fantasy blockbuster’s release problems predate the worldwide pandemic by over half a decade. It’s a film that has been mysteriously missing ever since its production finished in 2014. That film was originally known as “The Moon and the Sun,” before it dropped off the radar ahead of its planned 2015 release date. The vanishing movie is based on the 1997 Nebula Award-winning novel of the same name by Vonda N. McIntyre (via Deadline). The family-friendly fantasy epic features Pierce Bronson in a lead role, and — had the film arrived on schedule — it would have been the realization of nearly two decades worth of effort to get the story to the big screen.
Obviously, “The Moon and the Sun” didn’t make its release date and lost the attention of both the media and moviegoers as it went into a lengthy post-production limbo. However, it seems that the film, which has been rebranded and renamed, is finally ready for a wide release and will be headed to theaters in early 2022. Here is everything fans need to know about “The King’s Daughter,” and why they’ve had to wait nearly six years to finally see it….
McIntyre got to see production shooting in France (“Vonda Visits Versailles”). A print reportedly was shown during her GoH slot at Sasquan in 2015.
(2) SAND THROUGH THE HOURGLASS. Alissa Wilkinson dissects “Dune’s expansive, enduring appeal” at Vox.
Harkonnens. Messiahs. Deadly, insect-like hunter-seekers. A secretive all-women order of spies, nuns, scientists, and theologians that’s bending history to its will. A spice harvested from an arid desert that enables space travel. ’Thopters. Interstellar war. Giant sand worms.
The world of Dune is a wild one, a tale spun by Frank Herbert in the tumultuous 1960s that mixes fear of authoritarian rule and environmental collapse with fascism, racism, and hallucinatory imagery. The 1965 novel, which eventually garnered widespread acclaim, was followed by a universe of sequels for its rabidly devoted fans. The trappings of its imagined, distant-future world feel wondrous, unfamiliar, and strange.
Or they would, if we hadn’t been steeped in Dune fever for so many years, even prior to the recent arrival of Denis Villeneuve’s extraordinary and resolutely abstruse film adaptation. Even the most Dune-averse person can hardly avoid the long tail of Herbert’s saga, whether they realize it or not.
The story has been referenced by pop stars like Lady Gaga, who made a sly nod to Dune in the “Telephone” music video, and Grimes, whose debut studio album, Geidi Primes, is a concept album based on Dune. Fatboy Slim’s song “Weapon of Choice,” the one with the music video starring Christopher Walken, is one big reference to the book (“Walk without rhythm / It won’t attract the worm”). Video games like Fallout and World of Warcraft contain references to Dune, as do plenty of TV shows from Scooby-Doo to Rick & Morty to SpongeBob SquarePants. There’s a crater on the moon officially named Dune, and some of the features on Saturn’s moon Titan have been named for planets from the series….
(3) A HOUSE DIVIDED. In the Washington Post, Michael Dirda offers his assessment of the book and film of DUNE and recalls his meeting with Frank Herbert in 1984. “’Dune’ has long divided the science fiction world. The new film won’t change that.”
… Unlike “Star Wars,” though, Villeneuve’s “Dune” isn’t a sparky, upbeat space opera. It’s more like a Wagnerian music-drama, a somber story built around intimations of doom and orchestrated with a soundtrack of pounding drums and high-pitched wailings and ululations. It is, however, packed with eye-popping visual spectacle, notably speedy little aircraft that resemble mechanical dragonflies and enormous space cruisers as sleek as any on the cover of an old issue of Thrilling Wonder Stories. Like Herbert’s book, the film is also deliberately majestic in its pacing and virtually without humor. Life is real, life is earnest and nobody has much fun. Instead, characters nobly pontificate or murmur gnomically about whether the young hero, Paul Atreides, is or isn’t the Kwisatz Haderach, the promised warrior prophet who will lead the tough and fiercely independent Fremen to victory over their brutal oppressors. Their cruelest enemy, the consummately evil Baron Harkonnen, symbolically dwells in darkness, surrounding himself with swirling smoke and completely hairless attendants. He is a grotesque vision of rampant, unbridled capitalism….
(4) DUNE VS. TATTOOINE. On This Day in Science Fiction delivers an assessment of this week’s cinematic history by comparing two sf epics with grit in “Stardate 10.22.2021.B: 2021’s ‘Dune’ Needed More Spice”.
… Paul means little to me. Luke? I get Luke. I want to be Luke. I’ll fly the Death Star trench with him, and I’ll gladly join him on Dagobah for secret Jedi training, or I’d even stand shoulder-to-shoulder in a blazing lightsaber battle with Emperor Palpatine if Luke asked me to.
But … Paul?
He’s Christlike … so what does he need me for?
Now, categorically, none of this lessens the strengths of what director Villeneuve accomplishes visually. Clearly, he’s immersed himself in these worlds, and he’s spared no investor’s expense to bring them to life on the screen. He’s taken the wide, open, endless desert seas of Arrakis and made them visual poetry – certainly real enough for fans of this franchise to enjoy again and again, much like Marvel fans flock to their superhero yarns for endless repeats. He’s given breath to the political machinations of a galaxy that really only existed before in Herbert’s series of books in such a way that I’m sure folks will be reminded of Peter Jackson’s The Lord Of The Rings and HBO’s Game Of Thrones adaptations. These ships and vehicles are unlike anything many have ever seen before, and I’m convinced these production designs will become influential in the years and decades ahead for other filmmakers who want to tackle similar challenges with the kind of scale employed here….
(5) A CHALLENGE FACED BY INTERNATIONAL WRITERS. Jason Sanford has posted a public Genre Grapevine column on his Patreon about the issues that international authors in Africa, parts of Asia and Latin America, etc… face to get paid for their work: “Genre Grapevine Special Report: A Truly Global SF/F Genre Must Recognize the Financial Barriers Faced by Many International Authors and Creatives”.
…3. A fear that many people in the U.S.A., Canada and Europe don’t understand the financial barriers faced by those in other countries and that the hassles of arranging payments could cause some international authors and creatives to not have their works considered for publication in the first place.
That last point is a critical one to emerge from my interviews with more than a dozen authors, artists and creative people in countries such as Colombia, Australia, India, Nigeria, Brazil, South Korea, and Mexico, all of whom have experienced issues with receiving payments.
None of the people I spoke with knew of a single technical solution to the problems they’ve encountered with receiving payments. Instead, they spoke of worries about how the editors, publishers, and clients they’ve worked with in the U.S.A., Canada and Europe perceive these difficulties in receiving payments. It’s likely even their fellow authors and creatives in the U.S.A., Canada and Europe don’t generally understand these concerns.
In fact, most of the people I interviewed asked to remain anonymous because they feared harm to their career if they spoke publicly about the issue….
(6) REMEMBERING TRAGIC ACCIDENT VICTIM. [Item by Cora Buhlert.] Everybody is talking about Alec Baldwin, but the Guardian has a profile/obituary of Halyna Hutchins, the cinematographer Baldwin accidentally shot. Some of the films she worked on were genre. Plus, I think she deserves to be remembered as more than just a footnote: “Halyna Hutchins profile: a talented and passionate cinematographer”.
Halyna Hutchins was a talented and passionate cinematographer who was clearly enjoying her job as director of photography on Alec Baldwin’s latest cowboy movie.
Over the past three weeks, she posted photos on her Instagram account from the film’s rugged set in the foothills of New Mexico. They included vivid sunsets and a cast and crew picture in which Hutchins is standing next to Baldwin against the backdrop a log cabin.
There is also a short video clip taken on Wednesday in which Hutchins – wearing a grey scarf and wide-brimmed hat – sets off on horseback with colleagues. “One of the perks of shooting a western is you get to ride horses on your day off,” she wrote….
(7) FRIGHTENING ADVICE. Will Maclean shares some tips in writing scary ghost stories: “How to write scary ghost stories” at Writers Online.
The first and most important thing to remember when writing a ghost story is the difference between scariness and creepiness. You will need to deploy both moods, so it’s well worth giving the matter some thought.
The part of us concerned with pure scariness is indescribably ancient, concerned only with fight or flight, with survival. As such, we are only truly, properly terrified when we’re confronted with those same primal terrors that threatened us a million years ago – being alone, being watched, being hunted or chased or otherwise pursued, with deadly intent… that small stock of evergreen human nightmares is where the pure, visceral scares will always come from….
(8) ANATOMY OF A SUBGENRE. [Item by Cora Buhlert.] Bill Ward has an article about the intersection of cosmic horror and sword and sorcery at Goodman Games, who are a remarkably good source of SFF related articles: “The Cosmic Horror of Sword & Sorcery”.
… The bones of sword & sorcery lie close to the skin, and one sure blade-stroke is enough to lay them bare for all to see. There is plot-driven pulp action there, at the core, but supporting that is a foundation of swashbuckling historical adventure, and expectations of encounters of the picaresque and the exotic kind. To be sure we can also see the unsentimentality of the hardboiled, the individualism of the American experience, and a surprising dose of literary realism for a genre concerned with fantastic monsters, haunted crypts, and vampiric blades….
(9) FOUNDATION REVIEW. Camestros Felapton weighs in on “Foundation Episode 6”. As he says, spoilers follow.
The show has been taking its time by introducing the background and a broader plot about the fall of the Galactic Empire. However, if the pace was slow it was still moving. Episode 6 was a case of the show spinning its wheels without really going anywhere. There are some good bits but what momentum the story had in the previous episodes got caught up in dithering. Spoilers follow….
(10) YAKKO, WAKKO AND DOT. Hulu dropped this trailer for season 2 of Animaniacs yesterday.
“We’re so meta the shark jumped us!”
(11) SAME MOTIVE AS EVER, GETTING PAID. The Digital Antiquarian’s article about “I Have No Mouth, and I Must Scream” begins with an expansive biography of author Harlan Ellison before turning to the game based on one of his stories.
… Ellison’s attitude toward computers in general was no more nuanced. Asked what he thought about computer entertainment in 1987, he pronounced the phrase “an oxymoron.” Thus it came as quite a surprise to everyone five years later when it was announced that Harlan Ellison had agreed to collaborate on a computer game.
The source of the announcement was a Southern California publisher and developer called Cyberdreams, which had been founded by Pat Ketchum and Rolf Klug in 1990. Ketchum was a grizzled veteran of the home-computer wars, having entered the market with the founding of his first software publisher DataSoft on June 12, 1980. After a couple of years of spinning their wheels, DataSoft found traction when they released a product called Text Wizard, for a time the most popular word processor for Atari’s 8-bit home-computer line. (Its teenage programmer had started on the path to making it when he began experimenting with ways to subtly expand margins and increase line spacings in order to make his two-page school papers look like three…)
(12) ANGEL OBIT. Legacy.com covers the career of the late “Jack Angel (1930–2021), voice actor in ‘Super Friends,’ ‘Transformers’” – who I remember listening to on KFI at the beginning of his career.
Angel got his start in the entertainment industry as a radio disc jockey in California. He worked in radio for almost 20 years before beginning his voice acting career on the popular Saturday morning cartoon “Super Friends.” Angel provided the voices of Hawkman, the Flash, and Super Samurai. He went on to perform in beloved cartoons including “The Smurfs,” “Scooby-Doo and Scrappy-Doo,” and “Spider-Man.” In 1985, Angel began voicing a number of characters for “The Transformers,” including Ramjet, Smokescreen, and Omega Supreme. He was the voice of Wetsuit in “G.I. Joe: A Real American Hero” and Dr. Zachary Darrett in “Pole Position” as well as providing a number of voices in “Voltron: Defender of the Universe.” Angel also worked in animated feature films, providing voices for many movies including “Beauty and the Beast,” “Aladdin,” “A Bug’s Life,” “The Iron Giant,” “Spirited Away,” and “Monsters Inc.” Angel was a U.S. Army veteran who served in Korea.
(13) MEDIA BIRTHDAY.
- 2006 – On this evening in 2006, Torchwood first aired on BBC Three before moving to BBC Two and finally to the level BBC One. A spin-off of Doctor Who which returned the previous year after a long hiatus, it was created by Russell T. Davies, the first Showrunner for the new Doctor Who. Its principal cast was John Barrowman, Eve Myles, Gareth David-Lloyd, Burn Gorman and Naoko Mori. Over five years, it would run for four series and forty-one episodes. I personally liked the first two series much better than the last two series. Audience reviewers at Rotten Tomatoes currently give it a most excellent seventy-four percent rating. Both BBC and Big Finish have continued the series in audio dramas.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born October 22, 1919 — Doris Lessing. The five novels collectively known as Canopus in Argos: Archives certainly established her genre creds. I personally would add her Cat Tales, three volumes of stories and nonfiction (Particularly Cats, Rufus the Survivor and The Old Age of El Magnifico) to your reading list. (Died 2013.)
- Born October 22, 1938 — Derek Jacobi, 83. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s played Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass. I’ll single out that he’s played Macbeth at Barbican Theatre in London as part of the Royal Shakespeare Theatre ensemble.
- Born October 22, 1938 — Christopher Lloyd, 83. He has starred as Commander Kruge in The Search for Spock, Emmett “Doc” Brown in the Back to the Future trilogy, Judge Doom in the most excellent Who Framed Roger Rabbit, and played a wonderful Uncle Fester in The Addams Family and the Addams Family Values. (Though I admit didn’t spot him in that makeup.) Let’s not forget that he was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Bigbooté, and he played Dr. Cletus Poffenberger in a recurring role on Tremors.
- Born October 22, 1939 — Suzy McKee Charnas, 82. I’d say The Holdfast Chronicles are her best work to date. “Boobs” won the Best Story Hugo at ConFiction. Her Beauty and the Opéra or The Phantom Beast novelette was a nominee at LoneStarCon 2. She’s also won the Otherwise, Mythopoeic Fantasy Award for Children’s Literature, Nebula, Gaylactic Spectrum, and Lambda Literary Awards. Any of you read her Sorcery Hall series?
- Born October 22, 1943 — Jim Baen. Editor of Galaxy and If for three years. In late 1999, he started Webscriptions, now called Baen Ebooks, which is considered to be the first profitable e-book service. He also was the editor of Destinies and New Destinies which I remember fondly. He was nominated for Best Editor Hugo five times between 1975 and 1981 but never won. At Nippon 2007, he’d be nominated for Best Editor, Long Form. (Died 2006.)
- Born October 22, 1952 — Jeff Goldblum, 69. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom and Independence Day: Resurgence), but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the Invasion of the Body Snatchers remake he was in. Well, I do really like Independence Day. Though not even genre adjacent, he’s got a nice run on Law and Order: Criminal Intent as Zack Nichols.
- Born October 22, 1954 — Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. No Hugos not even a short list nomination but he’s won quite a few BFAs and one WFA for The Facts of Life novel. (Died 2014.)
(15) TANANARIVE DUE PROFILE. “Afrofuturist and horror writer Tananarive Due: ‘Invite more Black creators to the table’”. So she tells interviewer Roxane Gay at Inverse.
RG: You have this seemingly idyllic upbringing with both of your parents, loving family, surrounded by books. How do you develop an interest in writing horror?
TD: That’s also my mother. She was a huge horror fan. It’s only in recent years really since her loss, ironically, which has been the biggest trauma of my life that I’m thinking, “Ah, I wonder if her love of horror had a lot to do with the trauma she suffered, first growing up under Jim Crow then being subjected to state violence as a civil rights activist?” That monster on a screen, whether it’s Frankenstein or the Wolf Man, can represent the real-life trauma you have to stand up to. And you watch characters stand up to it even when they don’t understand it, even when they don’t know how to fight it.
(16) VONNEGUT ON FILM. Thom Dunn gets us ready to “Watch the trailer for the new Kurt Vonnegut documentary ‘Unstuck In Time’” at Boing Boing.
The upcoming documentary Kurt Vonnegut: Unstuck In Time looks pretty interesting if you (like me) are a fan of the late author. Filmmaker Robert Weide first approached Vonnegut in 1988 to propose the idea of a documentary, and they filmed on and off until Vonnegut’s death in 2007. As a result, the movie not only documents Vonnegut’s life and career, but also the evolution of the relationship between the two men.
(17) SOURCES OF DUNE. Haris Durrani analyzes Herbert’s drawing on Islam in “The Muslimness of Dune: A Close Reading of ‘Appendix II: The Religion of Dune’” at Tor.com.
… I find the books’ engagement with Islam to transcend linguistic wordplay and obscure intertextuality. After all, Herbert was fascinated by linguistics and believed words shape substantive meaning. The use of “Voice” by the Bene Gesserit, an order of imperialist superhuman female breeders, is a prime example of this, as is the saga’s running obsession with symbols and myths. As these semiotic tools wield tremendous power within the Dune universe, Herbert’s references likewise generate a profound “Muslimness” that goes beyond mere orientalist aesthetics. (This is not to say that the Dune novels are not orientalist in other ways, which I have detailed elsewhere.) Dune does not cheaply plagiarize from Muslim histories, ideas, and practices, but actively engages with them….
(18) NOT THE EXPANSE. Astronomy Picture of the Day: “Lucy Launches to Eight Asteroids.”
(19) VERSATILE AARDVARK. Cat discovered recordings of six episodes of “Cerebus: The Radio Show” at the Internet Archive.
Comic book series created by Canadian cartoonist Dave Sim, which ran from December 1977 until March 2004. The title character of the 300-issue series is an anthropomorphic aardvark who takes on a number of roles throughout the series-barbarian, prime minister and Pope among them. The series stands out for its experimentation in form and content, and for the dexterity of its artwork, especially after background artist Gerhard joined with the 65th issue. As the series progressed, it increasingly became a platform for Sim’s controversial beliefs.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.]
“A Crewneck for Pete” on Vimeo, directed by Andy Mills, is about how you know it’s fall in New England, when the leaves turn and you drink cider straight from the jug. But where is Pete going to find a cozy crewneck sweatshirt?
[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Rob Thornton, Will R., Cora Buhlert, Jason Sanford, Michael J. Walsh, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]