(1) C. E. Murphy is “home from Octocon” with several good stories.
I brought about eight pounds of fudge to the con, and passed it out to the attendees of the Golden Blasters film festival on Friday night. Probably the best two bits of that were saying to people, “If you’re allergic to anything except gluten you can’t eat this, but it’s gluten-free,” and having one woman LIGHT UP when she was told it was gluten-free and safe for her to eat. (Eggs, dairy, corn, nuts: basically all those things go into my fudge unless I’m making Special Batches.) The other best bit was handing a box of vanilla-and-cranberry fudge over to my friend (and guest of honour!) Maura McHugh, who doesn’t like chocolate and who put on an expression of Noble Acceptance of Not Getting Fudge when I came through waving the batch of chocolate fudge. But I was prepared for her, and she shrieked and leapt up and hugged me. 🙂
(2) A six-part Frankenstein horror series starring Game of Thrones actor Sean Bean has been acquired by A&E for broadcast in the U.S., according to Variety.
The Frankenstein Chronicles was created by British production house ITV, and features six hour-long episodes set in 1827 London. Bean plays inspector John Marlott, on a search for a murderer who leaves behind a trail of mutilated body parts which have been assembled into complete human forms.
Set in 19th century London, the show will include plenty of gas lamps, horses, and opium — a bust of an opium den is reportedly how Bean’s character stumbles upon the trail of Dr. Frankenstein, and or his monster, in the first place.
But does Sean Bean survive the first season?
(3) The other day I ran a news item about Dean Wesley Smith, and in his latest post, “Writing workshops: caveat emptor”, Brad R. Torgersen says how much he learned at the Rusch/Smith workshop he attended.
One of the best things my wife and I ever did, was pony up some cash for my first writing workshop. Having endured years and years of rejection letters, by 2008 I was hoping to bust out of a serious slump. My wife asked the question, “What else can we do?” I’d never done workshops before. They were too expensive, and they required too much time away from work and home — especially the king of all science fiction and fantasy workshops, Clarion. But it was precisely because I’d never done a workshop before, that my wife and I determined to get me to one. She asked me which workshop looked best, for a “get your feet wet” event, and I chose the weekend-long Kris and Dean Show being put on in Lincoln City, Oregon, at the eclectic Anchor Inn — by Kristine Kathryn Rusch and Dean Wesley Smith. This was June of 2009. It turned out to be something of a watershed event, for me as an aspiring professional. In two delightfully exhausting days, Kris and Dean ran the table: from matters of craft, to matters of publishing, as well as self-promotion, book-keeping, personal writerly habits, known pitfalls, and of course myths and conventional (false) wisdoms.
I walked away feeling like I’d learned more in one weekend than in all the many hundreds of hours I’d spent reading “How to write books” books.
Torgersen, noting that most people need to be cost-conscious, offers practical advice about how a beginning writer can decide what workshops will meet his or her needs.
(4) Where better to make revelations about Gotham than at this weekend’s New York Comic Con?
Paul Reubens, the actor best known for his iconic role as Pee-Wee Herman, will play The Penguin/Oswald Cobblepot’s father in “Gotham” season two, star Robin Lord Taylor revealed during the show’s panel at New York Comic Con.
“He will be showing up very soon,” Taylor teased, before letting his fan enthusiasm out. “Pee-Wee Herman is playing my dad! What the hell? Oh my god!”
Fittingly, Reubens has already played the role of the Batman villain’s father before — he appeared as Tucker Cobblepot in 1992’s “Batman Returns.”
(5) Another George R.R. Martin work has been optioned for television – “Cinemax Orders SKIN TRADE Script”.
I am very excited to announce the Cinemax (HBO’s sister company) has optioned the television rights to “The Skin Trade,” the offbeat “werewolf noir” novella I penned back in the late 80s. The deal is closed, and Cinemax has ordered the pilot script. This being Hollywood, of course, you never know where things will end… but if they like the script, we’ll shoot a pilot, and if they like that, hey, who knows, maybe we’ll get a series on the air. Which would be very cool. I have always thought there was a TV series (or maybe a feature film) in Willie Flambeaux and Randi Wade….
“The Skin Trade” has had a storied, and complex, publishing history. It was originally written for NIGHT VISION 5, the fifth volume of the prestigious annual horror anthology from the late lamented small press Dark Harvest, where it appeared together with original contributions from Dan Simmons and Stephen King, some stellar company. The novella was very well received, and went on to win that year’s World Fantasy Award.
More recently, the novella was purchased by Mike the Pike Productions, who played a big part in taking the project to Cinemax. To handle the adaptation, script the pilot, and produce the show (should we get a greenlight), we’ve tapped a terrific talented young scriptwriter named KALINDA VAZQUEZ, whose previous credits include work on PRISON BREAK and ONCE UPON A TIME….
(6) Europa SF profiles Science Fiction Studies Special issue On Italian Science Fiction.
Here is the direct link — Science Fiction Studies #126 – Volume 42, Part 2 – July 2015, SPECIAL ISSUE ON ITALIAN SCIENCE FICTION, Edited by Umberto Rossi, Arielle Saiber, and Salvatore Proietti.
(7) Science fiction writer Patrick S. Tomlinson is quoted in the recent Washington Post article “Most gun owners support restrictions. Why aren’t their voices heard?”
Once again, their voices are missing from the debate.
Gun owners who favor tighter restrictions on firearms say they are in the same position after the mass shooting in Oregon as they have been following other rampages — shut out of the argument.
The pattern, they say, is frustrating and familiar: The what-should-be-done discussion pits anti-gun groups against the National Rifle Association and its allies, who are adamantly opposed to any new restrictions on weapons…..
“There’s this perception that people are neatly divided into folks who want an M1A1 Abrams battle tank to drive to work and those who want to melt every last gun and bullet into doorstops,” said Patrick Tomlinson, a science-fiction writer and gun owner in Milwaukee who favors universal background checks and longer waiting periods for gun purchases. “There seems to be no middle there, but I know there is. I’m in it.”
Tomlinson has two novels out with a third on the way, and his short fiction has appeared in anthologies.
(8) Slate blogger Marissa Visci answers the question, “What Does It Mean When a Book is Stamped With the Words ‘Author’s Preferred Text’?”
Sifting through Slate’s mailroom recently, we found a new edition of Neil Gaiman’s first novel, Neverwhere, with three words printed beneath the title on its glossy cover: “author’s preferred text.” It’s not the first time those words have graced a Gaiman cover—you’ll also find them on the 10th-anniversary edition of American Gods. So we wondered: What does this mean? What is an “author’s preferred text?” And what makes one text more preferred than other texts?
It turns out that the “author’s preferred text” is the director’s cut of the literary world, only far less ubiquitous. The definition is, in part, pretty self-explanatory: It’s the version of a particular work that the writer prefers, editorial interference be damned. The phenomenon is not limited to Gaiman, though he may be its most frequent practioner. Stephen King released a mammoth new edition of The Stand, subtitled Complete and Uncut, in 1990, in which he not only restored gargantuan passages that had been cut in the editing process, but moved the story’s time period ahead by a decade….
For Gaiman, the “author’s preferred text” is, in part, a way of restoring some of the text that was lost in translation during its Americanization. One thing that the new edition reinstates is some of the humor that Gaiman claims was eliminated from the initial U.S. version, as he wrote in his intro:
My editor at Avon Books, Jennifer Hershey, was a terrific and perceptive editor; our major disagreement was the jokes. She didn’t like them and was convinced that American readers would not be able to cope with jokes in a book that wasn’t meant solely to be funny.
(9) And Neil Gaiman will be appearing on stage, unencumbered by editors, at the Richard and Karen Carpenter Center in Long Beach on November 14. Details here.
The bestselling and award-winning author—whose notable works include the comic book series The Sandman as well as novels Coraline, Stardust, American Gods, The Graveyard Book, and extends to screenplays, song lyrics, poetry, journalism and multimedia—appears for one inspiring evening!
(10) Efforts to restore an old B-29 to flightworthiness continue to pay off.
Doc is a B-29 Superfortress and one of 1,644 manufactured in Wichita during World War II. Since 1987 when Tony Mazzolini found Doc on sitting and rotting away in the Mojave Desert, plans have been in the works to restore the historic warbird to flying status to serve as a flying museum.
They now have all four engines running.
(11) Honest Trailers – Aladdin has been created to commemorate the movie’s 25th anniversary.
[Thanks to Martin Morse Wooster, David K.M. Klaus, Roger Tener, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]