(1) SPIDER-MAN: NO WAY HOME TRAILER. Initially shown this week in theaters with Ghostbusters: Afterlife – now everyone can see it.  

For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero’s identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange’s help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who’ve ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.

(2) NEEDS MORE INGREDIENTS. Lise Andreasen got a look at this headline and replied:

Maybe it's a bit more complicated than that headline? Like, there's Frankenstein?
@file_770 https://t.co/NB7yLXwVjs

— Lise (?????????Massachusetts-havet) Andreasen (@lise_andreasen) November 21, 2021

With Jules Verne and the publisher Hugo Gernsback, H.G. Wells invented the genre of science fiction. https://t.co/x126fHhDYo

— New York Times Books (@nytimesbooks) November 20, 2021

(3) RADICAL SCIENCE FICTION. Joachim Boaz posted the introduction to PM Press’s Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985 (2021),edited by Andrew Nette and Iain McIntyre on his website Science Fiction and Other Suspect Ruminations!  “The Introduction to Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, ed. Andrew Nette and Iain McIntyre (2021)”.

Boaz’ review says:

…It is a must buy for any SF fan of the era interested in exploring the larger world behind the texts. Considering the focus of my website and most of my reading adventures over the last decade, I can unabashedly proclaim myself a fan of the New Wave SF movement–and this edited volume is the perfect compliment to my collection and interests….

The first paragraph of the authors’ introduction begins –

The “long sixties,” an era which began in the late 1950s and extended into the 1970s, has become shorthand for a period of trenchant social change, most explicitly demonstrated through a host of liberatory and resistance movements focused on class, racial, gender, sexual, and other inequalities. These were as much about cultural expression and social recognition as economic redistribution and formal politics. While the degree to which often youthful insurgents achieved their goals varied greatly, the global challenge they presented was a major shock to the status quo.,,,

(4) BEAGLE ADAPTATION REMEMBERED. “Why The Last Unicorn Is the Best Animated Movie You’ve Never Seen” – Paste Magazine’s Lacy Baugher Milas makes her case.

Though the animated film The Last Unicorn will turn 40 years old in 2022, it’s still largely considered a cult classic. The sort of movie that a certain kind of nerdy Gen-Xer or elder millennial will enthusiastically yell about with strangers whenever it happens to come up in casual conversation, but that most average moviegoers almost completely missed out on. Part of the reason for that is that 1980s animated films were generally more interested in making money than being art, and the Disney renaissance spearheaded by critical and commercial hit The Little Mermaid was still several years off.

But it’s also because The Last Unicorn is simply unlike anything else that existed at the time. From the stacked voice cast that included everyone from Mia Farrow and Alan Arkin to Angela Lansbury and Christopher Lee, to the earnestly twee soundtrack by the band America and its general refusal to fit into neat narrative boxes, it is a film that consistently makes surprising and unexpected choices of the deeply risky sort we still don’t often see today.

(5) ON BOARD THE BEBOP. [Item by Martin Morse Wooster.] In the Washington Post, Christina Lee uses the example of Cowboy Bebop to explain that different races often see anime characters as being of their own race. “Netflix’s ‘Cowboy Bebop’ reignites a debate: Is Jet Black a Black anime character?”

Actor Mustafa Shakir sounds starry-eyed when he explains why he said yes to playing Jet Black, one of the central characters of Netflix’s new “Cowboy Bebop.” Shakir had become a devotee of the anime show, which originally aired in Japan in the late ’90s and then helped launch Cartoon Network’s Adult Swim programming block in the fall of 2001. “My thought was, this is like a gateway drug into anime,” he says, which was the case for many U.S. viewers who had yet to understand that not all anime is kiddie fare.Shakir, best known for playing Bushmaster on “Luke Cage,” was particularly intrigued by the way this anime paid loving tribute to American jazz, most explicitly through the character of Jet, an ex-cop and the paternal leader of an interstellar bounty-hunting crew, who named his spaceship — what else? — the Bebop.

But translating “Cowboy Bebop” to live action and satisfying the sky-high fan expectations around this beloved space-western was an imposing endeavor. The most persistent question on set was, “Is this Bebop-y enough?” (“That’s a real term, you know?” Shakir deadpans.) …“Cowboy Bebop” adds yet another layer to that debate: What happens when a production studio tries to assign race to a pop culture artifact where race is hinted at but not always made explicit? The race and appearance of all the main characters have been debated on Twitter, Reddit and TikTok, but incensed online commentators went as far as smearing Shakir’s casting as “blackwashing” — a play on “whitewashing” and an accusation often lobbed at Black anime fandom in cosplay and fan art.

The original “Cowboy Bebop” does feature explicitly dark-skinned characters the Netflix version made sure to include. And in the accompanying art book, “The Jazz Messengers,” series creator Shinichiro Watanabe said that when developing the anime, he “paid a lot of attention to skin color.” But the original anime never mentions or discusses race; it stands to reason that in a near future where Earth was all but obliterated, its ideas about race would have vanished along with it.

(6) SFF IN TRANSLATION. “How Do You Say ‘Quidditch’ in Yiddish?” – Tablet Magazine has “The inside story of how ‘Harry Potter’ was translated into Yiddish.” (From 2020.)

… This tension has proved productive for Viswanath and his sisters, all of whom are involved today in various Yiddish projects—which is how Arun came to the idea of translating Harry Potter. What better way to pass on the legacy of Yiddish to another generation, he thought, than to translate one of the most popular works of children’s literature of all time? Seized with this inspiration, Viswanath began spending evenings away from his job at a tech startup translating the first book of the series, not knowing if he’d ever be permitted to publish it.

As it turned out, though, he wasn’t the only one.

When Rowling’s agent Blair connected Viswanath with Olniansky, the Swedish publisher found himself with what he described as “a pleasant problem”: He’d already been contacted by another Yiddish translator who had also begun translating the first Harry Potter novel. Given the significance of the project, Olniansky did not feel qualified to personally decide between the manuscripts, and so he submitted samples of both translations to two expert reviewers—Jean Hessel, the Swedish government’s official for Yiddish at the Swedish Institute for Language and Folklore, and Mikhoel Felsenbaum, the noted Yiddish postmodern novelist living in Israel.

“Both of them picked Arun’s translation,” Olniansky told me, “so that’s the way we went.”…

(7) LOST AND FAUN. The Lesser-Known Writers blog introduces us to “Arthur MacArthur”:

…He published very little. One short story is known, “Told in the Mid-Watch,” in Sea Stories Magazine, 20 December 1922. (He claimed he gave up short story writing because it was too restrictive.) And he published only one novel, After the Afternoon (New York: D. Appleton-Century, [October] 1941), though  it was retitled Aphrodite’s Lover and given a racy cover when it was reprinted in paperback in 1953. 

After the Afternoon tells the story of the faun Lykos in Crete, who, after a tryst with Aphrodite, becomes a human being, endowed with immortality and able to enter the human body, male or female, of his choice. He passes through various incarnations, one at the bizarre court of an Egyptian king…. 

(8) REMEMBERING THE FOUNDER. The other day members celebrated the birthday of Science Fiction and Fantasy Poetry Association founder Suzette Haden Elgin (1936-2015) by giving a reading of her poetry.

Poems by Suzette Haden Elgin read by SFPA board members Rocky Road to Hoe – read by Richard Magahiz No Contact – Read by Diane Severson Mori As for the Universal Translator – read by Jean-Paul L. Garnier

(9) RYAN OBIT. Voice actor and past ASIFA president Will Ryan died November 19 at the age of 72 reports Deadline. Ryan had a vast resume of genre credits, beginning with the pteranodon Petrie from Universal’s animated classic, The Land Before Time.

He’d go on to amass more than 100 screen credits in his nearly four-decade career…

Ryan voiced Willie the Giant for The Walt Disney Company in numerous projects over a 35-year period, last doing so in 2020. He voiced Peg-Leg Pete in the Oscar-nominated animated short Mickey’s Christmas Carol, reprising the role 30 years later in the Mickey Mouse short, Get a Horse!, which was also nominated for an Oscar. He also voiced the latter character, among others, in the beloved Disney Afternoon series DuckTales, and portrayed several, including a herd of Ogres, in Adventure of the Gummi Bears, which was the first animated series from Walt Disney Television. Ryan also had the opportunity to portray Tigger and Rabbit, and to provide the singing voice of Eeyore, for the long-running Disney Channel series Welcome to Pooh Corner, which aired twice a day for 17 years.

Throughout his career, Ryan also lent his voice to such classic animated films as The Little Mermaid, An American Tail, Thumbelina and A Troll in Central Park, along with multiple G.I. Joe series, the 1986 animated series Teen Wolf, The Adventures of Teddy Ruxpin, Courage the Cowardly Dog, Family Guy and many more projects.

He also “wrote over 100 songs for Disney and the Jim Henson Company, seeing his songs get recorded by Mickey, Donald, Goofy and the gang; Winnie the Pooh, Tigger, Piglet and the gang; The Cat-In-The-Hat, Horton the Elephant, the Grinch and the gang; the Pointer Sisters, the Saguaro Sisters, Patti LaBelle, and more.”

(10) MEDIA BIRTHDAY.

1973 — Forty-eight years ago, the film that launched the Westworld franchise premiered. Westworld was created by Michael Crichton wrote the screenplay and directed the film. It was produced by Paul N. Lazarus III. It starred Yul Brynner, Richard Benjamin and James Brolin in the three primary roles. You may have noticed Majel Barrett as Miss Carrie, The Madame of the Westworld bordello. 

Reception by critics was generally superb with Variety saying it had “superbly intelligent serio-comic story values.”  And the Los Angeles Times called it “a clever sci-fi fantasy.” The New York Times which I swear doesn’t like SF films was the lone dissenting major newspaper as regards this film.  Box office was great making almost eight million against a budget of just a million and a quarter. Audience reviewers at Rotten Tomatoes give it an excellent rating of seventy percent. It was nominated for a Hugo at DisCon II, the year Sleeper won.

It was followed by a sequel, Futureworld which got nominated for a Hugo at Suncon, and a really short-lived CBS series, Beyond Westworld (five episodes). The HBO Westworld TV series is now in its third season with a fourth in production. The present series has not been nominated for a Hugo yet. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

• Born November 21, 1851 — T. O’Conor Sloane. Editor of the first science fiction magazine, Amazing Stories, from 1929 to 1938. And earlier on, Scientific American, from 1886 to 1896. (Died 1940.)
• Born November 21, 1924 — Christopher Tolkien. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR and his father invited him  to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. I’ll leave to this august group to discuss their merit as I’ve got mixed feelings on them. (Died 2020.) 
• Born November 21, 1942 — Al Matthews. Performer, best known for his appearance as Gunnery Sergeant Apone in Aliens. Other genre films were Omen III: The Final Conflict, The Sender, Superman III, The Fifth Element and Tomorrow Never Dies.  He stated on his website that he was the first black Marine in the 1st Marine Division in Vietnam to be meritoriously promoted to the rank of sergeant, quite an honor indeed. (Died 2018.)
• Born November 21, 1944 — Harold Ramis. Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
• Born November 21, 1945 — Vincent Di Fate, 76. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once at Seacon ‘79; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
• Born November 21, 1953 — Lisa Goldstein, 68. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo nominee at Nolacon II and Nebula finalist as well, and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. The quite excellent Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog which is one of the better ones I’ve read: https://lisa-goldstein.dreamwidth.org/
• Born November 21, 1965 — Björk, 56. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic things. And I’ve got boots of her band somewhere around here I’m sure. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.
• Born November 21, 1982 — Ryan Carnes, 39. He was in two Tenth Doctor stories, “Daleks in Manhattan” and “Evolution of the Daleks” in which he played Laszlo. He played Kit Walker / The Phantom in the miniseries of the same name which I’ve never even heard of until now, and has the lead as Chris Norton in Beyond the Sky, an alien abductee film. 

(12) COMICS SECTION.

• In the Bleachers shows some golfers who don’t seem to have their priorities in order.
• Tom Gauld on supply chain problems faced by the magical realism industry.

My cartoon for yesterday’s @GdnSaturday / @GuardianBooks #supplychainissues pic.twitter.com/ERiFPmf1Pv

— Tom Gauld (@tomgauld) November 21, 2021

(13) BABY YODA ON SNL. Last night on Saturday Night Live Baby Yoda showed off his new tattoos and talked about all the fun he was going to have in the Macy’s Thanksgiving Day Parade.

(14) ATTENTION MAMMOTH ENTHUSIASTS. Beth Shapiro, evolutionary biologist, will do a live presentation: “Nat Geo Live: How to Clone a Mammoth” on The Broad Stage in Los Angeles on January 27-28, 2022. Tickets are available at the link.

Could extinct species, like mammoths and passenger pigeons, be brought back to life? National Geographic Emerging Explorer Beth Shapiro is one of the scientists investigating this intriguing possibility. From deciding which species should be restored to anticipating how revived populations might be overseen in the wild,the technical challenges and ethical considerations of de-extinction are substantial. Join Shapiro for a vivid exploration into the extraordinary cutting-edge—and controversial—science that is being used today to resurrect the past.

(15) HOWDY STRANGER. In the Washington Post, Ashley Spencer profiles Finn Wolfhard, who is interviewed because of his performance in Ghostbusters:  Afterlife but became “one of the most recognizable young actors in the world: for his work on “Stranger Things.” “Finn Wolfhard, star of ‘Ghostbusters: Afterlife,’ doesn’t really want to be famous”.

… Talking to Wolfhard now, the candidness remains. His answers, even the ones that hint of rehearsed, PR-approved sound bites, lack the disquietingly poised delivery that many young stars learn to perfect. Instead, Wolfhard uses “like” with reckless teenage abandon and meanders off course with details and anecdotes that excite him. There’s a lengthy tale about a tipsy Rami Malek imparting advice at a 2016 Critics Choice Awards after-party — “Did you really have fun tonight?” the older star implored of Wolfhard. “Because if you’re doing any of this stuff and you’re not having fun, you need to stop it immediately” — and an apologetic f-bomb as Wolfhard marveled at how “crazy” it is that he will potentially be the same age in “Stranger Things 5” as his older co-stars Natalia Dyer and Charlie Heaton were when they started the show.

Wolfhard shares “a lot” of scenes with Heaton in “Stranger Things 4,” which was delayed by covid and is finally due to arrive next summer, and said they became “incredibly close” during filming. In fact, he found a new appreciation for most of his castmates over the chaotic past two years. “When you start a show that young, there’s drama and there’s rivalries because it’s like school. And then you become older, and you stop caring,” he said. “I think it’s actually such an incredible thing to come back to each other and be like, ‘Wow, I really understand you. We’re all going through this thing together. I love you.’?”…

(16) BEST CAPTURE. [Item by Martin Morse Wooster.] This video from the Royal Ocean Film Society argues that Spielberg’s 2011 The Adventures of Tintin was the best of the motion capture animated films of 2005-10 and the only one still worth watching today.

(17) VIDEO OF THE DAY. Tex Avery predicts the Internet in his 1949 cartoon “The Home of Tomorrow.”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Ben Bird Person, Lise Andreasen, Joel Zakem, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]