(1) TINGLE ON TV. SORT OF. I’m told Chuck Tingle appeared live via remote camera on Comedy Central’s @Midnight last night and that the video is “definitely NSFW.” And that Tingle was disguised (face covered) each time he appeared. I haven’t had a chance to watch the show yet, I’d better mention…
(2) TRAD V. INDIE. Jim C. Hines isn’t trying to referee the debate about which business model works best for writers. However, people selling their work in a variety of ways shared their income data with him and he has compiled it in “2016 Novelist Income Results, Part 2: The Large/Small/Indie Breakdown”.
Indie authors still have the largest median income, which was predicted by only 19% of the folks in our informal Twitter Poll. The large press authors once again take the highest average. (I think this is mostly because of one large press author whose income was significantly higher than any others.)
(3) BEST IN SF ROMANCE. Veronica Scott lists the nominees for the 2017 SFR Galaxy Awards at Amazing Stories.
First a word about the awards themselves – a panel of well-regarded scifi romance book bloggers and reviewers make the selections, with each judge naming five or six novels, graphic novels or anthologies that they found memorable during the preceding year. The formal description of the awards’ intent, as taken from the website: “The theme of the SFR Galaxy Awards is inclusiveness. Instead of giving an award to a single book, this event will recognize the worth of multiple books and/or the standout elements they contain. The basic philosophy behind this approach is to help connect readers with books.”
Although the awards are serious, each judge gives their reasons for selecting the books, as indicated a bit light heartedly in the title of their short essays…
(4) A KIND WORD. James Davis Nicoll sets Ursula K. Le Guin’s “The Rule of Names” before the panel at Young People Read Old SFF. And this time butter wouldn’t melt in their mouths….
(5) WHY CLARION. Nancy Jane Moore rhapsodizes about her experience as “A Tricoastal Woman: Clarion West 1997” at Book View Café.
There are lots of reasons to go to Clarion West or Clarion. Yes, you will learn a lot about writing. Yes, you will get to know writers and editors. And yes, the intensity of the workshop will push you to do your best work. I’m glad for all those things.
But what really made me happy was living in a community of writers for six weeks. There is nothing like pacing the hall at two in the morning, trying to figure out how to fix a scene, and finding that someone else is also up struggling with a story.
By the end of the workshop, I wanted to figure out how to live permanently in a community of writers. I’d gladly have spent the rest of my life at Clarion West. Well, OK, with a bit less intensity, because I couldn’t have kept up with the lack of sleep and exercise much longer.
Alas, I have never figured out how to do it, though I still have fantasies about getting together to buy an apartment building with a bunch of other writers. Hell, I’d probably even be willing to live in a dorm room with the bathroom up the hall as I did at Clarion West.
(6) TODAY IN HISTORY
- February 16, 1923 — In Thebes, Egypt, English archaeologist Howard Carter enters the sealed burial chamber of the ancient Egyptian ruler.
(7) TODAY’S BIRTHDAY BOYS
- Born February 16, 1953 – Mike Glyer
- Born February 16, 1957 – LeVar Burton
(8) MOVING ON. There’s a difference between being interested in the Hugos and feeling a sense of stewardship about them. I still feel that we’re seeing through the completion of unfinished business. On the other hand, Abigail Nussbaum, in “The 2017 Hugo Awards: Why Hugo?”, explains why she feels the award doesn’t command the same level of interest for her as last year.
The issue, therefore, is this: it’s not just that the Hugos are trivial, but that the Hugos are solved. If last year and the year before, we had a strong argument for seeing participation in the Hugos as an important and even progressive act, this year it seems largely meaningless, precisely because the difference between the best-case and worst-case outcomes is so small. Let’s say the Rabid Puppies come back for a third try this year, and manage to get their trash on a lot of ballots. So what? They’ll just get knocked down in the voting phase again, and the only people it’ll really matter to will be the ones who lost out on a nomination–and I say that as someone who did lose out on a Hugo nomination, twice, as a result of the Rabid Puppies’ actions. Given the current state of the world, lousy Hugo nominations are pretty far down my list of things to get upset over. And on the other hand, if the Puppies have given up (or, more realistically, moved on to greener pastures, of which there sadly seems to be an abundance), I think we all know by now that the result will not be some progressive, radical-lefty shortlist. The Hugo will go back to what it has always been, a middle-of-the-road award that tends to reward nostalgia and its own inner circle. Yes, there has been progress, and especially in the shadow of the Puppies and their interference–2015 best novel winner Cixin Liu was the first POC to win in that category, and 2016 winner N.K. Jemisin was the first African American. But on the other hand, look at the “first”s in that last sentence, consider that they happened a decade and a half into the 21st century, and then tell me that this is something to crow about.
After having said all this, you’re probably now expecting me to make some huge turnaround, to explain to you why the Hugos still matter, and why it’s still important to talk about them and nominate for them. But the thing is, I can’t….
(9) GET TO KNOW YOUR GUFFERS. Voting on the Get Up-and-over Fan Fund (GUFF) delegate to Worldcon 75 contiues until April 1.’ The candidates’ platforms and general information about voting is here. The online ballot is here. Voting is open to all interested fans, regardless of nationality.
Elizabeth Fitzgerald is interviewing the candidates online — Donna Maree Hanson, Sam Hawke, Belle McQuattie, and the tandem of Alexandra Pierce and Alisa Krasnostein. Her first two interviews are up —
You’re currently working on a PhD focused on feminism in romance. How have you found this has impacted on your SFF writing?
The PhD studies so far have benefited my writing. Part of the study involves reading widely–French philosophers, feminist theory, queer theory–and I find that all mind-expanding. I’m not free to write as much as I’d like but I find with a bit of discipline (say an hour a day, at least) I can do both the PhD and write. I take a writing day once a week too. I don’t think you can study romance without touching on feminism and gender, and that is interesting to say the least. As I’m undertaking a creative writing PhD, l will be writing a novel. That novel is going to be an SF novel, post-human, focussing on gender equality and romance too. To write that novel I have to read SF dealing with that topic as well as straight romance, which is part of my research. Lots of reading. I read Left Hand of Darkness aloud to myself so I could experience it at a deeper level. So it’s a journey that I can bend to include both sides of my interests in genre.
What are you most looking forward to about Worldcon 75?
Is it cheating to say everything? I’m really looking forward to talking to fans and learning more about other areas of SFF that I don’t get exposure to normally, especially because I don’t know much about European SFF. I’m really excited to explore Finland and see another part of the world. I’m also a super huge fan of moose, and I’m hoping to see some … from a very safe distance.
(10) FAKE KNEWS. NakedSecurity tells how everyone, including members of Congress, can spot a fake twitter account. Personally, I don’t think the problem is that they are that hard to spot, but that want to believe the messages and don’t stop to ask the question.
When was it created?
As the Washington Post notes, the fake Flynn account was created a day after the authentic @GenFlynn went offline. Suspicious timing, eh? The creation date can be helpful in spotting bogus accounts, particularly when they’re created at the same time as major news breaks about whatever parodied/spoofed person they’re based on.
(11) ZETA OVER BUT NOT OUT. Mothership Zeta announced plans to go on hiatus four months ago, and the new issue of the magazine confirms that it will be the last issue for now. Here’s a quote from Mur Lafferty’s editorial.
The discussion you hear from nearly every short fiction publication is the worry about money. We are an experiment from Escape Artists, the awesome publisher of free audio fiction; we knew we were taking a risk with creating an ezine that you had to pay for.
We’re fiercely dedicated to paying our authors, our nonfic writers, our artists, and our editorial team. We did our best with the budget we had, but once the money ran out, we had to take a hard look at ourselves. So we are taking some time to figure out a new way of delivering this publication.
We have no current plans to shutter the magazine for good. We are going to take the next few months and look at our options. We may come back with a crowdfunding effort through Patreon, Kickstarter, or IndieGogo. We may come up with other solutions. But we all believe in this magazine, and believe that the world needs satisfying, fun science fiction now more than ever. We want to bring that to you.
[Thanks to Mike Kennedy, Mark-kitteh, David K.M.Klaus, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]