(1) WHERE THE DEER AND ANTELOPE PLAY. BBC’s report “Grand Theft Auto deer causes chaos in game world” includes a video clip.
More than 200,000 people have tuned in to watch the deer via a video stream on the Twitch site.
The project uses a modified version of GTA V that let Mr Watanabe change the player to look like a deer. The animal wanders around the virtual 100 square miles of the San Andreas world in which the game is set.
“The most difficult thing during the creation of the project was simply teaching myself to modify GTA V,” Mr Watanabe told the BBC. “There is an incredibly active modding community and I figured out how to programme the mod through a lot of forum searches and trial and error.
“The biggest difficulty was getting it stable enough to run for 12-14 hours at a time without crashing,” he said.
He made the deer impervious to harm so it can keep on wandering despite being regularly shot at, beaten up, run over by cars and trucks, shelled by tanks and falling off buildings.
The trouble it has caused on military bases, beaches and on city streets led, at one point, to it having a four star wanted rating.
The deer regularly teleports to a new position on the game map so it does not get stuck in one part and to make sure it samples the games’s many different environments and meets lots of its artificial inhabitants.
(2) JEDI EVANGELISM. Darren Garrison wanted to be sure I knew about “Jedism in the Wisconsin State Capitol”. I enjoy running Jedi religious stories more when the concept hasn’t been appropriated for the culture wars.
Around Easter every year, the Capitol rotunda becomes cluttered with numerous religious displays, mostly of a Christian nature. This year’s the rotunda features a large wooden cross, several Christian posters promoting Jesus’ death, and pro-life displays, among many others. This time, the Atheists, Humanists, and Agnostics at the University of Wisconsin-Madison (AHA) have added a Jedism poster to the mix.
The poster, designed by AHA, is based on a modern, newer religion called Jedism. Its followers worship Jedis such as Obi-Wan Kenobi, from the Star Wars movies. Their poster reads “One Man Died for All”, referring to the Jedi, Obi-Wan Kenobi. The poster displays a portrait of Obi-Wan Kenobi as a Jedi, but is oftentimes confused as a portrait of Jesus. Their poster asks the following questions with respective answers: “Who is this man?” “Obi-Wan Kenobi”, “Why is it important that we remember him?” “To escape the death star”, and “How does his death help us?” “Because he comes back as a ghost at times and it can be quite surprising”.
(3) ORIGIN STORY. Andrew Liptak praises “The Innovative Jim Baen” at Kirkus Reviews.
Baen returned to Ace Books in 1977, where he began working with publisher Tom Doherty. Doherty had grown up reading Galaxy, and “I had kept reading both of those magazines,” He recalled, “I thought [Baen] was doing an exceptional job, and brought in him to head up our science fiction [program].”
At Ace, Baen continued his streak of discovering new and interesting authors. “He brought in a number of strong authors,” Doherty recalled. His time at Ace was short-lived, however: Doherty decided to venture out into the publishing world on his own, setting up Tor Books. Baen, along with Harriet McDougal, joined Tor Books, where he continued his work under Doherty editing science fiction
Baen followed “the same pattern that had revived Ace,” Drake wrote in his remembrance, “a focus on story and a mix of established authors with first-timers whom Jim thought just might have what it took. It worked again.”
In 1983, rival publisher Simon & Schuster began having some problems with their paperback division, Pocket Books. Their own SF imprint, Timescape Books, run by David G. Hartwell, wasn’t doing well, and was being closed down. They reached out to Baen, asking him if he’d like to run the imprint.
Doherty remembered that Baen wasn’t keen on joining Simon & Schuster: “Look, Jim doesn’t want to join a big corporation,” he told Ron Busch, Simon & Schuster’s president of mass-market publishing. “But he’s always dreamed of having his own company. How about we create a company which you will distribute. We’ll take the risk and make what we can as a small publisher, and you’ll make a full distribution profit on our books?” Busch agreed to the deal: he would get his science fiction line.
Baen formed his own publishing house, Baen Books, with Doherty as a partner, and began to publish his particular brand of science fiction.
(4) KEN LIU INTERVIEW. Derek Kunsken has “The Paper Menagerie and Other Stories: An Interview with Hugo, Nebula and World Fantasy Award-Winner Ken Liu” at Black Gate.
You play with a lot of myths. Good Hunting and The Litigation Master and the Monkey King pull in Chinese myth. The Waves weaves the creation myths of different cultures into the narrative. State Change creates its own mythology of souls and famous people. What are your favorite myths? When writers use myth, do they only borrow that cultural and thematic gravitas, or do you think that writers today can bring to the table a new way of looking at older myths?
All cultures are founded on myths, and modern life hasn’t changed that at all. It’s important to remember that living myths are not static, but evolving, living tales we craft.
Our sense of what it means to be American, for example, depends on contesting and re-interpreting the foundational myths of America—our “Founding Fathers,” our original sins of slavery and conquest, our exceptionalism, our self-image as the city on the hill, the crucibles of the wars that gave us birth, the gods and heroes who laid down our republican institutions and democratic ideals like the bones and sinew of a giant upon whose body we make our home.
Or look at the myths that animate Silicon Valley: the idea that a single person, armed with a keyboard (and perhaps a soldiering iron), can transform the world with code; the belief that all problems can be reduced down to a matter of optimization, disintermediation, and “disruption”; the heroes and gods who founded the tech colossi that bestride the land while we scurry between their feet — some of us yearning to join them in a giant battle mecha of our own and others wishing to bring them down like the rebels on Hoth.
(5) COVERS UP. John Scalzi answers readers’ questions about writing at Whatever.
Listhertel: There’s an adage not to judge a book by its cover, but we all know people do. I know authors get little to no say in the cover art, but do you have any preferences? Painting versus digital, people versus objects, a consistent look versus variety? Are there any of your covers you particularly love or hate (including foreign editions)?
The book cover of mine I like least is the one on The Book of the Dumb, but inasmuch as BotD sold over 150,000 copies, meaning that the cover art worked for the book, this might tell you why authors are not generally given refusal rights on their covers. Cover art is advertising, both to booksellers and to readers, and that has to be understood. I’m at a point where if I really hate a cover, I’ll be listened to, but I also know what I don’t know, so I rarely complain. But it also helps that, particularly with Tor, the art director knows her gig, and they do great covers. I would probably complain about oversexualized covers, or characters not looking on the cover they way they’re described in the book, but in neither case has this happened to me.
(6) TODAY IN HISTORY
- March 26, 1969 — Rod Steiger stars as Carl, The Illustrated Man.
(7) TWO SPACEMEN. From George Takei:
Crossed paths Thursday with Buzz Aldrin, the second man to walk on the Moon, at Salt Lake Comic Con Fan Experience, where I am appearing Friday and Saturday. Buzz walked on the moon 47 years ago, back in 1969. Isn’t it time someone set foot on Mars?
(8) MORE FROM SALT LAKE. “Doctors and River reunite to celebrate the infinite possibilities of ‘Doctor Who’” in the Salt Lake Tribune.
Actors from “Doctor Who,” including Alex Kingston, left, Peter Davison, Sylvester McCoy and Matt Smith fielded fan questions and discussed the popular show among the Salt Lake Comic Con’s FanX 2016 at the Salt Palace Convention Center on Friday….
Even a fleeting moment is going to follow Smith for the rest of his life. A fan in Friday’s audience asked Smith if he would do the Drunk Giraffe. The Drunk Giraffe is a dance move Smith’s iteration of The Doctor does, during which he throws his arms over his head and waves them around like noodles of spaghetti.
Fans count the moment — which takes up just 3 seconds of screen time — as a favorite of Smith’s run. Smith, to uproarious cheering, obliged.
“For the rest of my life, I’m going to have to do that,” Smith said. Kingston joked that McCoy and Davison should join him; alas, it wasn’t meant to be.
(9) NEEDS MORE KATSU. BBC Magazine remembers “The octopus that ruled London” at the Crystal Palace in 1871. Several stfnal references.
“It would have been a bit like a freak show for the Victorians,” says Carey Duckhouse, curator of the Brighton Sea Life Centre, as the aquarium is known today. “They would have featured models of ships in the cases for the octopus to grab hold of. They would probably have loved that, as they enjoy playing.”
One possible visitor to Crystal Palace aquarium was the writer HG Wells, who was just five years old when it opened and lived in Bromley, four miles away. Several octopus-like creatures appear in his stories.
In his 1894 essay The Extinction of Man, Wells pondered a “new and larger variety” that might “acquire a preferential taste for human nutriment”. Could it, he asked, start “picking the sailors off a stranded ship” and eventually “batten on” visitors to the seaside?
More famously, the invading Martians in Wells’s War of the Worlds have tentacle-like arms.
(10) UPSIDE DOWN IS UPRIGHT FINANCIALLY. The Upside Down: Inverted Tropes in Storytelling Kickstarter appeal has successfully funded. A total of $23,206 was raised from 1,399 backers.
The anthology, edited by Monica Valentinelli and Jaym Gates, is an anthology of short stories and poems that highlights the long-standing tradition of writers who identify tropes and cliches in science fiction, fantasy, and horror and twist them into something new and interesting.
(11) SANS SHERLOCK. “WonderCon 2016: HOUDINI & DOYLE Screening and Q&A” at SciFi4Me.com.
During this year’s WonderCon, there was a preview screening of the first episode of the new Fox show Houdini & Doyle, “The Maggie’s Redress”, followed by a short Q&A with Michael Weston, who plays Harry Houdini, and executive producers David Shore, David Ticher, and David Hoselton.
The series follows the two men in 1901 as they go about investigating cases that involve supposed paranormal events. Houdini, riding high on his celebrity as a magician, is the doubter, wanting to bring reason and expose those who would take advantage of people who are looking for comfort from the great beyond. Doyle, on the other hand, has just killed off Holmes and is trying to get out of that shadow, and is the believer, wanting proof that there is something more to this life beyond death. We will be recapping the series when it premieres.
(12) GRAPHIC PREFERENCES. Barry Deutsch completed review of “2015 Science Fiction and Fantasy Graphic Novel Recommendations, Part 3: Crossed + One Hundred, and, Stand Still, Stay Silent”.
….Moore returns to the reinvention game with Crossed + One Hundred, a new graphic novel set in Garth Ennis’ awful Crossed universe. Crossed was Ennis’ attempt to make the zombie genre more disturbing and violent: the premise is that most of humanity population gets infected with a mysterious disease that turns them into torturing, murdering, rape-happy idiots. In many ways Crossed is the comics equivalent of the Saw movies; cheap, gratuitous, and compelling…..
(13) VOLTRON WILL RETURN. Engadget has the story and a gallery of images — “Here’s your first look at Netflix’s ‘Voltron’ series”.
As Netflix expands its suite of original programming it’s going to the nostalgia well once again. The good news here is that instead of another sitcom spinoff like Fuller House, we’re getting Voltron: Legendary Defender. Today at Wondercon 2016 its partner Dreamworks Animation showed off a teaser trailer and some artwork that confirm everything at least looks right to children of the 80s.
(14) BACK TO BASIC. The video “How to Send an ‘E mail’–Database–1984” is an excerpt from a 1984 episode of the ITV series Database where viewers learned how to send emails. Major retro future action is obtained where they get onto the net through a phone modem with a dial on the telephone… (Yes, I’ve done that, and I have the white beard to prove it…)
[Thanks to John King Tarpinian, Martin Morse Wooster, Darren Garrison, JJ, and Barry Deutsch for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]