Pixel Scroll 4/29/21 Who Am I To Scroll Against The Wind?

(1) ALT-FACTS. The Hugo Book Club Blog contends “Alternate facts make bad alternate history”.

… Even one of the better Alternate History works written by a very conservative author, Another Girl, Another Planet by Lou Antonelli, only really works when it avoids history altogether. When it is a big outer space adventure, it’s relatively engaging. But the version of history depicted in the novel involves weird depictions of Barack Obama as a feckless Marxist ideologue; not so much a counterfactual as a motivated smear job….

(2) NETFLIX TRAILER. Sweet Tooth is “a post-apocalyptic fairytale about a hybrid deer-boy and a wandering loner who embark on an extraordinary adventure.” All episodes of Sweet Tooth premiere on June 4, only on Netflix.

(3) #FINISHINFINITYTRAIN TRENDING WORLDWIDE. There’s an avalanche of tweets from people calling for a studio to finish the Infinity Train series.

Rose has an entire thread that starts here.

Fan art, too!

(4) THREE’S COMPANY. Kevin Standlee has some extended comments about the new Winnipeg bid and the rules governing whether it should appear on the published site selection ballot in “And Then There Were Three” on his Livejournal.

…Speaking theoretically, there are probably only about six cities in Canada that have the facilities to host a Worldcon. Two of them are in the east (Toronto and Montréal), and they’re both within 800 km of DC, which makes them ineligible to file (even as a write-in bid) under WSFS Constitution Section 4.7. (I’ve not looked at Ottawa or Quebec City’s facilities; if they have enough, then there might be eight potential sites rather than six. Also, any city I name includes anything in that city’s general area.) There’s little point in bidding for a site that’s ineligible in all but the most highly-unlikely scenarios — even more unlikely than the combination of circumstances that crashed the site selection at the 2011 Westercon, because Westercon’s rules are subtly different from Worldcon’s, and anyway, it seems unlikely to me that the existing bids would drive away so many supporters that None of the Above would win.

There are two plausible sites in western Canada (Vancouver and Calgary), but they have a somewhat less obvious political flaw, in that they’re less than 800 km from Seattle, which is bidding for 2025, The 2025 Worldcon will be selected at the 2023 Worldcon. A Worldcon selected for one of those cities would automatically disqualify Seattle’s bid. Bidding is hard enough without borrowing trouble by creating a group (Seattle’s supporters) that automatically would be biased against voting for you.

That leaves only two significant sites: Edmonton and Winnipeg. CanSMOF selected Winnipeg’s proposal, but I’m sure that Edmonton (and Calgary, and Vancouver) would make good places for a Worldcon someday….

(5) ELLISON WONDERLAND. Dread Central eavesdropped on Mick Garris’ podcast and learned “How Clive Barker Found Inspiration in Harlan Ellison’s House”.

…“[Harlan] had such an incredible collection of fantastic paintings,” Barker says on a new episode of Post Mortem with Mick Garris. “They were classics—covers of Weird Tales and all that wonderful ’30s, ’40s, and ’50s stuff.” 

Garris recalls his own visit to “Ellison Wonderland” just as fondly. He didn’t, however, get a look inside Ellison’s bomb shelter, as Barker did when he was there. (“I do know that you had to go through a hobbit door to get into it,” Garris says.)

“Behind [the door] was a locked room which he said would survive three atom bombs,” Barker says. “This is all very Harlan, right? Maybe if that’s true, then you’re just saying ‘Hello’ to the cockroaches when you get out! But it was an incredible room, because in there, he had the books that he’d collected over the years that he would want to survive the apocalypse. I don’t have a bomb-proof room, but I’ve got those books, too—the books that I feel bespeak our culture.”

(6) EASY MONTHLY PAYMENTS. Vox’s Terry Nguyen dissects the changing attitude in favor of multiple subscriptions to creators and entertainment streams: “Netflix, Amazon Prime, and Disney+: Why we might never reach subscription fatigue”.

…A self-described avid budgeter, Mason currently spends about $120 per month on 11 subscriptions, from streaming services to Substacks and artist Patreon accounts — up from last year’s average of $94 per month.

Quarantine and the demise of digital media were driving factors in Mason’s decision to support more independent artists and writers. The pandemic is partly responsible for facilitating a subscription boom over the past year, but it’s also contributed to the growth of the creator economy, as more people make things from home. “I’m 32 with no kids, no student loans, and no plans to buy a house again,” Mason, the editorial director for the New York Times’s Games team, said. “I’m very much someone who will pay an artist for a thing that they’ve made.”

The monthly $5, $10, and $15 credit-line charges add up, though. When the subscription business model was pioneered by news publishers in the 17th century, there was little competition. Within the past two decades, all sorts of businesses have begun clamoring for a slice of the subscriber pie, from consumer product startups and retailers like Dollar Shave Club to media organizations and internet personalities.

A few major players have become so integral to people’s buying or streaming patterns, like Netflix or Amazon Prime, that consumers approach them almost as a sort of utility….

(7) MEDIA BIRTHDAY.

  • April 29, 2005 –On this day in 2005, The Hitchhiker’s Guide to the Galaxy film premiered in the USA after premiering a day earlier in the U.K. it was based loosely off the series by Douglas Adams, and it was directed by Garth Jennings with production by a not insignificant multitude of individuals. The screenplay was credited to Douglas Adams and Karey Kirkpatrick which is a neat trick indeed given that he’d died some years before. It had a rather stellar cast of Martin Freeman, Sam Rockwell, Mos Def, Zooey Deschanel, Bill Nighy, Alan Rickman, Anna Chancellor and John Malkovich. Critics mostly liked it and it scores an excellent sixty five percent rating among audience reviewers at Rotten Tomatoes. It did not figure in the Hugo nominations the following year. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 29, 1880 – Lillian Jones.  Her one novel I know of is the first (1916) Utopia published in America by a black woman.  A century later came Karen Kossie-Chernyshev ed., Recovering “Five Generations Hence” (2013) with the text, annotations, and essays.  Here is a note from the Southwestern Historical Quarterly.  (Died 1965) [JH]
  • Born April 29, 1908 Jack Williamson. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. What did y’all like by him? (Died 2006.) (CE) 
  • Born April 29, 1919 – Elmer Perdue.  One story in Stirring.  Founding member of the N3F (Nat’l Fantasy Fan Fed’n).  Long before aluminum cans and even Country Club malt liquor – ahem – he could crush a tomato-juice can in one hand.  Active in FAPA (Fantasy Amateur Press Ass’n). Fan Guest of Honor at Quakecon.  More here.  (Died 1989) [JH]
  • Born April 29, 1924 – Paul S. Newman.  A novel and a shorter story; beyond that, or besides, or something, Guinness World Record for most prolific comic-book writer: 4,100 stories, 36,000 pages.  Comic-book version of Yellow Submarine.  Tom Corbett, Space cadet.  (Died 1999) [JH]
  • Born April 29, 1943 Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God, his first novel, I remember that novel as being a rather decent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made it into the digital realm yet. (Died 1986.) (CE) 
  • Born April 29, 1946 Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.) (CE) 
  • Born April 29, 1955 Kate Mulgrew, 66. Captain Kathryn Janeway on Star Trek: Voyager and she’ll be voicing that role again on the animated Star Trek: Prodigy.  Other genre roles include voicing Red Claw on Batman: The Animated Series, the recurring role of Jane Lattimer on Warehouse 13 and Clytemnestra in Iphigenia 2.0 at the Signature Theatre Company. Finally she voiced Titania in a recurring role on Gargoyles. (CE) 
  • Born April 29, 1956 – Alexander Jablokov, age 65.  Six novels, four dozen shorter stories.  Contributor to NY Review of SF.  John Clute says AJ’s first novel has darkly suave competence, the most recent is exuberantly gonzo.  AJ innocently says “In my work, I like good prose, interesting details, and as much humor as I can comfortably fit in.” [JH]
  • Born April 29, 1960 Robert J. Sawyer, 61. Hominids which is quite excellent won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive.  And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name.  Interesting series that ended far too soon. (CE) 
  • Born April 29, 1969 – Julia Knight, age 52.  Eight novels, a couple of shorter stories.  Has read The Great GatsbyGone with the WindTales of the Dying Earth. “When not writing [likes] motorbikes, watching wrestling or rugby….  incapable of being serious for more than five min –” oops.  [JH]
  • Born April 29, 1970 Uma Thurman, 51. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film alongside Time Bandits), Maid Marian in the Robin Hood film that starred Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin. (CE) 
  • Born April 29, 1976 – Micol Ostrow, age 45.  Five novels, one shorter story for us, also a book (with Steven Brezenoff) classified as nonfiction being The Quotable Slayer i.e. Buffy.  Fifty books all told.  Earlier, ten years a children’s-book editor.  “I live and work in Brooklyn, NY, alongside my Emmy Award – winning husband and our two daughters.  It’s pretty much the best.”  [JH]

(9) VISIT TO THE COMIC SHOP. [Item by Daniel Dern.] Marvel (and, I presume, DC) are seriously younger-izing some of their characters/stories… I took a pic of the back of the book, because IMHO it’s funnier in context of other titles.

(10) FANTASTIC COLORS. WIRED explains “How Pixar Uses Hyper-Colors to Hack Your Brain”: “But at Pixar the virtual cameras can see an infinitude of light and color.”

… In a way, every filmmaker is really just playing with moving light and color on surfaces. That’s the whole ball game, a filmic given. But Pixar takes it further, or perhaps just does it more self-consciously and systematically. Its emotionally weighty, computer-generated animated films deploy precisely calibrated color and light to convey narrative and emotion—from the near-total absence of green in WALL-E (until postapocalyptic robots find the last plant on Earth) to the luminous orange marigolds that symbolize Miguel’s trip to the magical Land of the Dead in Coco through the contrast between the cool blue luminosity of the afterlife with the warm, snuggly sepia of New York City in last year’s Soul.

In fact, almost every Pixar movie works within a specific color palette, a story-specific gamut that filmmakers like Feinberg pull from and use to plan the look of each scene, a road map known as the color script. But Coco complicated that process. When its story moves to the Land of the Dead, it cranks up all the dials, colorwise. Those scenes look made out of neon, like a bio-organic version of Tokyo’s Shinjuku District at night. “When it came time to do the color script, it was like, ‘The Land of the Dead has every color. All of it takes place at night, so we can’t use time of day to elicit emotion. There is no weather in the Land of the Dead, so we can’t use weather to elicit emotion.’ Those are three pretty typical things we use to support the story,” Feinberg says….

(11) OCTOTHORPE. In Episode 30 of the Octothorpe podcast “Try to Always Use Chaps in a Gender-Neutral Way”, “John Coxon can’t make a poll, Alison Scott knows the religious forms, and Liz Batty has one more games thing (sorry). We chat about Swancon, DisCon III, FIYAHCON and the Hugo Awards.”

(12) GOOD CAT. “Kid’s Science Fair Project Answers the Eternal Question: ‘Do Cat Butts Really Touch All the Surfaces in Your Home?’” at Popsugar. Highly scientific answer at the link.

…For his homeschool science fair project, Kaeden [Griffin] tackled one of the most perplexing questions stumping pet owners: “Does your cat’s butthole really touch all the surfaces in your home?”

Kaeden, like many others out there, assumed that if his cat sits on a surface, then their “butthole will also touch said surface,” and to test his hypothesis, he and his mom, Kerry, applied nontoxic lipstick (bright red lipstick, in fact!) to the buttholes of their two well-behaved cats. The cats were then given a series of commands — including sit, wait, lie down, and jump up — and were compensated with praise and treats. The lipstick was removed with a baby wipe once they collected the necessary data, which took place in less than 10 minutes….

(13) BAD DOG. Or so the narrative goes. “The NYPD is sending its controversial robot dog back to the pound”The Verge has the story.

The New York Police Department has canceled its trial of a robot dog made by US firm Boston Dynamics after receiving fierce criticism regarding the “dystopian” technology.

“The contract has been terminated and the dog will be returned,” a spokesperson for the NYPD told the New York PostJohn Miller, the department’s deputy commissioner for intelligence and counterterrorism, told The New York Times that the machine was “a casualty of politics, bad information and cheap sound bytes.” Said Miller: “People had figured out the catchphrases and the language to somehow make this evil.”

The NYPD began leasing the machine nicknamed Digidog last year. “This dog is going to save lives, protect people, and protect officers and that’s our goal,” said the NYPD’s Frank Digiacomo in an interview with ABC7. The robot was deployed roughly half a dozen times during its tenure, mostly acting as a mobile camera in potentially hostile environments…

(14) SPACE AS SEEN FROM THE BOTTOM OF A LAKE. A high-tech project is“Hunting ghost particles beneath the world’s deepest lake” says DT Next.

A neutrino-spotting telescope beneath the frozen Lake Baikal in Russia is close to delivering scientific results after four decades of setbacks. A glass orb, the size of a beach ball, plops into a hole in the ice and descends on a metal cable toward the bottom of the world’s deepest lake.

Then another, and another. These light-detecting orbs come to rest suspended in the pitch-dark depths down as far as 4,000 feet below the surface. The cable carrying them holds 36 such orbs, spaced 50 feet apart. There are 64 such cables, held in place by anchors and buoys, two miles off the southern coast of this lake in Siberia with a bottom that is more than a mile down.

This is a telescope, the largest of its kind in the Northern Hemisphere, built to explore black holes, distant galaxies and the remnants of exploded stars. It does so by searching for neutrinos, cosmic particles so tiny that many trillions pass through each of us every second. If only we could learn to read the messages they bear, scientists believe, we could chart the universe, and its history, in ways we cannot yet fully fathom.

“You should never miss the chance to ask nature any question,” said Grigori V. Domogatski, 80, a Russian physicist who has led the quest to build this underwater telescope for 40 years. After a pause, he added: “You never know what answer you will get.” It is still under construction, but the telescope that Dr. Domogatski and other scientists have long dreamed of is closer than ever to delivering results. This hunt for neutrinos from the far reaches of the cosmos, spanning eras in geopolitics and in astrophysics, sheds light on how Russia has managed to preserve some of the scientific prowess that characterised the Soviet Union.

The Lake Baikal venture is not the only effort to hunt for neutrinos in the world’s most remote places. Dozens of instruments seek the particles in specialised laboratories all over the planet. But the new Russian project will be an important complement to the work of IceCube, the world’s largest neutrino telescope, an American-led, $279 million project that encompasses about a quarter of a cubic mile of ice in Antarctica….

(15) THE GOTHA OF DELIVERY DRONES. In the Washington Post, Dalvin Brown reports on a new drone by the German company Wingcopter that can deliver three packages on one flight whereas existing delivery drones can only deliver one package at a time. “Wingcopter is mass producing ‘triple-drop’ drones to deliver more packages, faster”.

… “Today, in order to deploy three packages at one time, companies would have to buy or lease three drones,” Plümmer said. “Price-wise, you’re not going to want to have three of them when you can have one. And no one wants thousands of drones flying above their heads.”

The start-up’s new device is central to its broader vision of providing drones to firms seeking ways to distribute hot meals, groceries, medical supplies or other lightweight goods. It was created to “power logistical highways in the sky,” Plümmer said.

The company says the eight-rotor air vehicle is capable of level-four autonomy, which means it is mostly autonomous but requires a human for some tasks.

It has a 5.8-foot wingspan and measures under 4.5 feet from nose to tail…. 

(16) AVOIDING THE END. The original attempt to stop global warming! “Did Vikings Host Ragnarök Rituals at Surtshellir?” in Smithsonian Magazine.

…The team’s findings, published in the Journal of Archaeological Science, show that the eruption that formed the cave, known as Surtshellir, occurred in the late ninth century A.D., soon after the first Viking settlement of Iceland.

Per the paper, this incident was probably the first major volcanic eruption witnessed by people in northern Europe since the end of the last Ice Age more than 10,000 years prior. The explosion covered about 90 square miles of fertile land in volcanic rock.

“[T]he impacts of this eruption must have been unsettling, posing existential challenges for Iceland’s newly arrived settlers,” write the authors in the study.

According to Owen Jarus of Live Science, the Vikings entered the newly formed cave soon after the lava cooled. They constructed the boat structure, placing ritual offerings inside and burning the bones of animals, including sheep, goats, cattle, horses and pigs. Historical records show that the Vikings associated the cave with Surtr, a giant responsible for battling the gods during Ragnarök and bringing about the end of the world in Norse mythology….

(17) BOOK TRAILER. An appetizer to get you interested in Einstein – The Fantastic Journey of a Mouse Through Time and Space by Torben Kuhlmann. More about the book as well as a sneak peek here.  

Time is relative! Award-winning, illustrator Torben Kuhlmann’s brilliant new book bends time and imagination! When an inventive mouse misses the biggest cheese festival the world has ever seen, he’s determined to turn back the clock. But what is time, and can it be influenced? With the help of a mouse clockmaker, a lot of inventiveness, and the notes of a certain famous Swiss physicist he succeeds in traveling back in time. But when he misses his goal by eighty years, the only one who can help is an employee of the Swiss Patent Office, who turned our concept of space and time upside down….

Suppose Albert Einstein’s famous theories first came into being through an encounter with a little mouse.

[Thanks to Rob Thornton, Mike Kennedy, JJ, Martin Morse Wooster, N., Hampus Eckerman, Daniel Dern, Andrew Porter, Cat Eldridge, John Hertz, James Davis Nicoll, Olav Rokne, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

61 thoughts on “Pixel Scroll 4/29/21 Who Am I To Scroll Against The Wind?

  1. BER is indeed up and running. I’m failing to think of another European country where the capital and largest city is not also the home of the busiest airport. It really is a bit of an anomaly.

  2. @ Nicole – wow! It’s impressive that he sat like that. We’ve taught Crowley that the question ‘have you been a good girl’ means ‘come and get some treats :).

    Many years ago I had a cat called Twinkle who, when she heard me coming home from work, would come to greet my on the driveway, pretty much everyday. I’d stop, open the door, and she would jump into the car and I’d drive up the rest of the way.

  3. @Cora: For some reason though, in the States Heidelberg gets all the press for the dramatic fencing stories

  4. Andrew (not Werdna) says For some reason though, in the States Heidelberg gets all the press for the dramatic fencing stories

    If memory serves me right, fencing at Heidelberg figures into The Number of The Beast.

  5. bill says And likewise in Glory Road.

    Really? It’s been decades since I last read that novel. It’s a novel that’s both great and not so great.

  6. @Doug
    That’s the legacy of forty years of being a divided city, the same forty years where air travel became commonplace. West Berlin didn’t have the space to build a big and busy airport, hence Tegel and Tempelhof always were small and Frankfurt became West Germany’s busiest airport. Though the never realised 1970s plans to abandon the Hamburg, Bremen and Hannover airports in favour of a large joint North German airport might have given Frankfurt a run for its money.

    East Berlin did have the space (and Schöneberg), but little air traffic and nowhere to go. And even today, former East Germany is undersupplied with airports, since they have only BER and Halle-Leipzig, which fairly big, but not very busy to the point that they could easily close the airport for several days to film Captain America: Civil War there.

    The post-unification dallying about building what eventually became BER and then the many construction delays did the rest. Honestly, with both the Elbphilharmonie and BER now finished, I wonder which perpetually unfinished construction project we’re going to joke about now. Stuttgart 21? The Gorch Fock refurbishing?

  7. If memory serves me right, fencing at Heidelberg figures into The Number of The Beast.

    And likewise in Glory Road.

    Also, in passing, Madwand by Roger Zelazny.

  8. @Cat Eldridge

    bill says And likewise in Glory Road.

    Really? It’s been decades since I last read that novel. It’s a novel that’s both great and not so great.

    Oscar arranges to get discharged from the Army near Heidelberg, with the intention of using his GI Benefits to go to school there (and get a Heidelberg scar, thinking it will impress the ladies). But he meets Star, and things work out different.

  9. bill says Oscar arranges to get discharged from the Army near Heidelberg, with the intention of using his GI Benefits to go to school there (and get a Heidelberg scar, thinking it will impress the ladies). But he meets Star, and things work out different.

    Interesting. I wonder why Heinlein got fascinated by duelling and having his characters have duelling scars. He certainly didn’t get that from his Naval duty.

  10. He was a competition fencer while at the Naval Academy (as sort of semi-autobiographically told in “The Man Who Was Too Lazy to Fail” in Time Enough for Love.)

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