(1) TAKEDOWN. The New York Post tells how “Accountant embezzled $3.4M from famed literary agency”.
A Manhattan accountant cooked the books at a prestigious literary agency that represents top writers, including “Fight Club” author Chuck Palahniuk, bilking its clients of millions and leaving the company on the brink of bankruptcy, according to legal papers.
Darin Webb, 47, faces 20 years in jail on wire-fraud charges for embezzling $3.4 million from storied Manhattan agency Donadio & Olson, according to a recently unsealed federal criminal complaint.
Although the agency, which also represents the estates of “Godfather” writer Mario Puzo and radio legend Studs Terkel, was not named in court papers, a lawyer representing the firm confirmed to The Post that Donadio & Olson was the subject of the alleged theft.
…The stolen money — allegedly lifted between January 2011 and March of this year — was earmarked for author royalties and advances, the complaint says.
But the theft could be exponentially more, a source told The Post, noting that a forensic accountant is combing through Donadio & Olson’s books all the way back to 2001, Webb’s first year at the agency.
He allegedly fessed up to the theft in March in a videotaped interview with company executives and their attorneys at the agency’s Chelsea office, saying he filed monthly financial reports that “contained false and fraudulent representations in order to accomplish the theft and evade detection,” the complaint states.
Webb was arrested May 15 by the FBI and is out on $200,000 bail.
The Guardian reports on a celebrity victim: “Chuck Palahniuk ‘close to broke’ as agent’s accountant faces fraud charges”.
Palahniuk – one of many starry authors represented by the firm, including the estates of Mario Puzo and Studs Terkel – said his income had dwindled for several years. He had blamed multiple factors, including piracy and problems at his publisher, for the decline in earnings.
More recently, Palahniuk said, “the trickle of my income stopped” and payments for titles including Fight Club 2 “never seemed to arrive”. He wondered if the money had been stolen, but told himself he “had to be crazy” – until the news broke.
“All the royalties and advance monies and film-option payments that had accumulated in my author’s account in New York, or had been delayed somewhere in the banking pipeline, [were] gone. Poof. I can’t even guess how much income. Someone confessed on video he’d been stealing. I wasn’t crazy,” wrote Palahniuk in a statement on his website.
The novelist said that “this chain of events leaves me close to broke”, but that he had found himself to be “rich … with friends and readers who’ve rushed to my rescue”.
“On the minus side, the legal process will be long and offers an iffy reward. On the plus side, I’m not crazy. Nor am I alone,” added the author.
(2) WISCON. Sophygurl, a Tumblr blogger, was present at a controversial WisCon panel and has written an account of what she heard: “WisCon 42 panel The Desire for Killable Bodies in SFF”. The post begins –
This is going to serve as my panel write-up for this panel, but it also a copy of what I wrote as a report to the Safety team about the panel. I am posting this on DreamWidth and Tumblr and will be linking to Twitter and Facebook. Please feel free to link elsewhere. This should all be public knowledge, imo.
For anyone who doesn’t know – this panel included a panelist who ended up talking about the importance of sympathizing with Nazis. This is obviously not the kind of thing you expect to find at an intersectional feminist convention. It was upsetting and disturbing. Most of the panel was actually very interesting and even funny, and I appreciated what the other two panelists had to say. I even appreciated *some* of what the panelist in question had to say. All of this was overshadowed by the awful things she said, however.
(3) BRANDON SANDERSON WARNS FANX. Utah author Brandon Sanderson has raised his voice against “Harassment at FanX”. (For background, see “FanX Salt Lake Comic Convention Sharply Criticized for Handling of Anti-harassment Complaint”.)
I don’t normally discuss charged issues on my social media, but I do find harassment at science fiction conventions a topic that is very important to discuss. It is also very relevant to my fans, as conventions are often how they interact with me.
Recently, Salt Lake City’s biggest media convention (FanX, formerly called Salt Lake Comic Con) has made some troubling missteps. First, it grossly mishandled harassment claims—then it doubled down on its mistakes, bungling interactions with voices that have called for reform.
Some authors I respect deeply have composed an open letter to FanX, calling for them to do better—and I have co-signed it. Many of these authors have spoken better about this specific issue than I can, and I encourage you all to read what they have said. I believe that conventions like these (alongside the smaller literary conventions that were so instrumental in my road to publication) are important parts of our community—and it is essential that they provide a place where victims are not silenced and harassment is not tolerated.
For now, I am still scheduled to appear at FanX this fall. My team and I have been evaluating whether or not this is a position we can still take—and it will greatly depend on how FanX responds to this letter in the next few weeks. I will keep you informed of our decision—and if I do decide to bow out of FanX, I will try to schedule some replacement signings instead.
(4) OPEN LETTER. The “Open Letter to FanX” that Sanderson refers to calls on the convention to do the following thigs:
One: In a public statement, and without disclosing her name, apologize to the victim who filed the sexual harassment report for disclosing their private report to the media without their knowledge or consent. Admit that the victim’s trust was violated, and promise future attendees who may report incidents that they will never undergo the same scrutiny or mishandling. Assure everyone that all reports will be heard, evaluated, and confidential. Keep the victims’ names confidential at all times.
Two: Hire a professional with experience writing, implementing, and upholding sexual harassment policies. Clarify the consequences for breaking the policy and reiterate that those consequences will be upheld. Removal and banishment from the conference should be among those ramifications.
Three: Address harassment complaints quickly. The past complaint was filed in October, and the complaint was not investigated until January. This shows a lack of concern and a reluctance to address the situation, as well as disregard for the seriousness of the issue.
Four: Recognize that trust is earned not through words, policies, and statements, but by a proven track record of implementation and action over time.
It’s signed by Robison Wells, Shannon Hale, Bree Despain, Emily R. King, Ally Condie, and Dean Hale, and co-signed by Brandon Sanderson, Maureen Johnson, Dan Wells, Howard Tayler, Annette Lyon, Mette Harrison, J. R. Johansson, Jessica Day George, Courtney Alameda, Lindsey Leavitt, and Sarah M. Eden.
(5) BOMB DISPOSAL. The Washington Post’s Steven Zeitchik, in “How Disney could get Star Wars back on track”, says the relative failure of Solo at the box office shows that Disney will have to take steps to make Star Wars films more appealing, including spacing them out more, making them edgier, and not releasing Star Wars films in May or June.
Fewer movies. Five months is not a long time for Star Wars to be away. Certainly it’s not the year that stretched between the previous three movies, or the 10 years between the last of the George Lucas movies and “The Force Awakens” in 2015. With Marvel that seems to help — releases in quick succession enhance one another. But with Star Wars, seen less as the rapid-fire sequel, novelty and absence may be the key to the game. Disney could do better by going back to the 12-month spacing — or even longer.
Why it’s tricky: This sounds good to fans. The problem is it doesn’t sound good to Wall Street or Disney financial executives. Star Wars movies are such juggernauts that Disney wants to cash in whenever it can. Waiting that long doesn’t help in that bid. Disney and Lucasfilm are encountering a major paradox here. Modern Hollywood says when you have successes you should replicate them early and often. But making Star Wars movies early and often may make them less successful.
(6) SOLO ACT. Guess who’s writing the tie-in? “’Solo: A Star Wars Story’ Novelization Coming In September 4th, Written By Mur Lafferty”.
The Solo novelization is continuing the trend that The Last Jedi novelization started of being released several months after the film. Previously the novelizations have been released closer to the films theatrical releases. The original and prequel novelizations were released before the films, while The Force Awakens and Rogue One adaptations were released as e-books the same day as the film and as hardcovers shortly thereafter.
(7) SFWA STUFF. Security protocols may have been breached….
I feel you are overly careless with the @SFWA Top Sekrit Plans for Total World Domination.
— ??????? ???? ????? ??? (@Catrambo) May 29, 2018
(8) BIG BOX STORE. Adweek reports “Amazon Is Driving Around a Jurassic-Sized Box, and You Can Ask Alexa What’s Inside”. (Registration required to read full article.)
The last time we noticed Amazon driving around a giant box, the mysterious delivery turned out to be a Nissan Versa. But this time, perhaps it’s something a bit more … carnivorous?
(9) COMICS SECTION.
- Chip Hitchcock thinks those penguin prognosticators might be right about what’s coming: Arctic Circle Cartoons.
- Not sure whether I should thank Chip for also making sure I didn’t miss a horrible pop-culture pun at Bliss.
(10) THE DIRECTOR VANISHES. Comics shop owner Cliff Biggers showed this photo to his Facebook friends.
UPS employees like Alfred Hitchcock so much that they opened our package, tore open the action figure packaging, stole the figure, and then re-taped the box and sent it to us.
(11) LISTEN UP. The Parsec Awards Steering Committee is accepting nominations for the 2018 Parsec Awards through June 15 – submit nominations here.
Any material released between May 1, 2017 and April 30, 2018 is eligible for the 2018 awards. Material released needs to be free for download and released via a mechanism that allows for subscriptions. Thus, YouTube, Facebook, etc.. series are eligible.
If you are a podcaster or author, please feel free to nominate your own podcast or story. It is one way we know that your contact information filled is correct.
(12) KEEPING SCORE AT HOME. Seanan McGuire, in the area for ConCarolinas this weekend, took time to rate Ursula Vernon’s cats. Start the thread here —
CAT #1: Smoky. Bluepoint Siamese. Loves love. Does not like to be picked up. Practically perfect in every way. A+.
— Seanan McGuire (@seananmcguire) May 30, 2018
(13) THE LAW & ANN LECKIE. A little known fact (in some quarters).
Every now and then I stumble across someone saying something like "OMG Ann Leckie's twitter is SO ANNOYING she's always saying X and talking about Y" and I think to myself "Wow they really shouldn't have made that law where unfollowing me was punishable by death."
— Ann Leckie ? (@ann_leckie) May 25, 2018
(14) SPEAKING OF WHOM. Joe Sherry launches his Nerds of a Feather post series with “Reading the Hugos: Novel”:
Provenance: This is a novel which took a while to settle out from under the weight of unfair expectations that I placed on it. Once it did, I was able to engage more fully with Leckie’s story of truth, lies, and cultural identity. Provenance is a strong novel in its own right, and in the end, I appreciated Leckie’s light touch in how she connected it to the larger Ancillary universe.
It’s just that when we look back on Leckie’s career in twenty years, I suspect Provenance will be viewed as minor Leckie. It’s good, please don’t take this the wrong way, but the Ancillary trilogy was a major accomplishment and Provenance is “just” a very good book. I appreciated how Provenance pushed me to think about historical documents and relics, how their perception of importance could override the truth they should represent. There’s great stuff to chew on here
(15) SOLO REVIEW. And Nerds of a Feather contributor Dean E. S. Richard sounds relieved as much as anything in “Review: Solo: A Star Wars Story”.
The good news: it doesn’t suck! I mean, there’s some forgettable stuff, and Han Solo isn’t, like, Han Solo, but if you’re willing to watch it for the sake of itself and not expect Harrison Ford, it’s fine. It tries a little too hard for quips, and his against-odds/I-don’t-actually-have-a-plan moments come across a little forced, but, again, we’re measuring this against complete disaster, so I’ll take it.
(16) SIPS OF CEASELESS. Charles Payseur comments in “Quick Sips – Beneath Ceaseless Skies #252” —
Competition can bring out the worst in people, but as this issue of Beneath Ceaseless Skies proves, it can also bring out the best. Both stories this issue are about races, and magical ones at that, featuring women who find themselves squaring off against their lovers (former or current) for the chance to win a great prize. In both stories, though, the actual prize might not matter as much as the competition itself, as the thrill of the race. Because when these characters are faced with what they’d do if they won, the results are…interesting. It’s a wonderfully fun pair of stories, expertly paired, and I’ll stop yammering on in introduction and just get to the reviews!
(17) THE ORIGINS DEBACLE GOES ANOTHER ROUND. According to Larry Correia, who was dropped as a GoH of Origins Game Fair two weeks ago, “Origins sent out yet ANOTHER message about me, and my response” [Internet Archive link].
At Monster Hunter Nation he cites this as the text of Origins’ Executive Director John Ward’s message to educate vendors about the social media uproar following the “disinvitation.”
Good afternoon Exhibitors,
We are a few weeks away from Origins and the anticipation is building!
Things are looking great for this year’s show. The Exhibit Hall is officially sold out and badges are currently trending 15% above pre-registration numbers from 2017.
We have taken a brief hiatus from social media but are fully prepared to continue promoting the show and its exhibitors starting this week. Before we begin communicating through social, there are a few things we wanted to bring to your attention.
Some individuals have rallied online with plans to harass companies exhibiting at the show—this is in response to the disinviting of Larry Correia as a guest at Origins.
To provide you with some background: our original decision to invite Larry as a guest at Origins was simple—he’s a successful author, has been a guest at other conventions in previous years, and any one that knows him knows that he is big into gaming.
Unfortunately, we were not aware of Mr. Correia’s online presence and following. Upon further research we found an abundance of confrontational discourse and polarizing behavior online.
We have nothing against Larry as a person or as a professional, but we have seen the drama that follows him, and we do not want that at Origins.
As an exhibitor at Origins, we wanted you to be aware of the general MO of the group we are explaining:
Company pages are inundated with comments and negative rankings
Employers and publishers are contacted
Messages with keywords regarding to the show are targeted
Time has passed, and things have calmed down, but we should all still be aware of these potential behaviors. If you receive any threats or libel regarding you or your company, please send them to John Ward.
Thank you for your support. Good luck with the final preparations for the show!
Correia explains that he actually believes vendors should be left alone. Except for the ones that deserve what’s happening to them, that is.
My only comments during this entire debacle concerning the vendors was that they should be left alone. The vendors are just small businessmen trying to have a good sales weekend, and they have nothing to do with the incompetence of John Ward. I’ve specifically gone out of my way to say that to my fans on multiple occasions.
The only vendors I’ve seen animosity directed at were the ones who specifically went out of their way to virtue signal on Twitter about how booting me for having the wrong opinions was So Brave. And that’s a short and very specific list who did that usual social media thing where they decided to throw punches, and then cry about getting punched back afterwards.
But hey, toss that out there. The important thing is that everyone knows Origins is the real victim here.
(18) GAME LOSES STEAM. Who thought this was a good idea? “School shooting game Active Shooter pulled by Steam”.
A game pitched as a “school shooting simulation” has been ditched from Steam’s online store ahead of release.
The title had been criticised by parents of real-life school shooting victims, and an online petition opposing its launch had attracted more than 180,000 signatures.
Steam’s owner, Valve, said it had dropped the game because its developer had a history of bad behaviour.
But the individual named has denied involvement.
Active Shooter came to prominence after the BBC revealed that an anti-gun violence charity had described it as “appalling” last week.
CNN subsequently reported that the families of two students killed in February’s high school attack in Parkland, Florida had described the game as being “despicable” and “horrific”.
(19) LE GUIN FILM. I’ve linked to the trailer before, but here’s a new Bustle post about the project: “This Ursula K. Le Guin Documentary Reveals How Much The Author Struggled To Write Women In Sci-Fi”.
Worlds of Ursula K. Le Guin, a new documentary by Arwen Curry about the life and legacy of the late author, explores Le Guin’s long career as a pioneer in speculative fiction, including the role of feminism in her work and the struggles she faced teaching herself how to write women into her novels. In the film, which Curry worked on with the author for 10 years, Le Guin admits that “from my own cultural upbringing, I couldn’t go down deep and come up with a woman wizard.” According to the author, she had been “a woman pretending to think like a man,” a behavior she had to unlearn before she could create some of her best work.
As Le Guin tells Curry in the film:
“I had to rethink my entire approach to writing fiction … it was important to think about privilege and power and domination, in terms of gender, which was something science fiction and fantasy had not done. All I changed is the point of view. All of a sudden we are seeing Earthsea … from the point of view of the powerless.”
(20) BIG HERO 6 THE SERIES. Coming to a Disney Channel near you. (Which means not very close to me, but maybe to you.)
Hiro, Baymax and the Big Hero 6 team are back and ready to save San Fransokyo! Big Hero 6 The Series premieres Saturday, June 9 at 9A on Disney Channel. The adventure continues for 14-year-old tech genius Hiro and his compassionate, cutting-edge robot Baymax. If dealing with the academic pressure of being the new kid at the prestigious San Fransokyo Institute of Technology weren’t enough, it’s off campus where things really get tricky. Hiro and Baymax, along with their friends Wasabi, Honey Lemon, Go Go and Fred, unite to form the legendary superhero team Big Hero 6, protecting their city from a colorful array of scientifically-enhanced villains intent on creating chaos and mayhem!
(21) EXPANSE. Already linked in comments, but let the Scroll Record reflect: “It’s official: Amazon has saved The Expanse”. The Verge story says —
It’s official: The Expanse has been saved. After the Syfy Channel canceled The Expanse earlier this month, Alcon Entertainment has confirmed that Amazon will pick up the show for a fourth season, after after outcry from the show’s fans.
[Thanks to John King Tarpinian, JJ, Andrew Porter, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, IanP, and Mike Kennedy for some of these stories, Title credit goes to File 770 contributing editor of the day Paul Weimer.]