(1) THE BARGAIN BIN. NASA’s trash is their cash: “NASA flight suits bought for $1.20 could fetch thousands”.
A pair of Florida college students browsing the racks at a thrift shop ended up paying $1.20 for a stack of NASA flight suits that experts said could be worth more than $5,000.
Talia Rappa and Skyer Ashworth said they were shopping at a thrift store in Titusville when they came across the five blue NASA flight suits and a white “control suit” under some sweaters in a plastic bin.
… The American Space Museum said the names and flight dates on the suits’ labels match the time frame of the 1983-1985 shuttle missions flown by astronauts George “Pinky” Nelson, Robert A. Parker and Charles D. Walker.
(2) CROWDFUNDING VOL. 2 OF THE DELANY JOURNALS. Kenneth James is editing the personal journals of Samuel R. Delany in a multivolume series for Wesleyan University Press. The first volume, In Search of Silence, with Delany’s journals from the 1960s, came out earlier this year and received positive reviews in The New Republic (“Samuel R. Delany’s Life of Contradictions”), The Gay & Lesbian Review, and at the Barnes & Noble Sci-Fi & Fantasy Blog by SF critic Paul Di Filippo. (The G & L Review article is unfortunately behind a paywall).
James has just launched a crowdfunding campaign at Indiegogo — Autumnal City: The Journals of Samuel R. Delany — to fund the completion of next volume.
The next volume, which I’m working on now and which is entitled Autumnal City, collects Delany’s personal journals from the ’70s — during which time Delany wrote some of his most groundbreaking work, including Dhalgren, Trouble on Triton, and Tales of Neveryon. During this time he also did substantial preliminary work for the novel Stars in My Pocket Like Grains of Sand.
…The goal of this campaign is to raise $30,000 to support the remaining year’s worth of work needed to complete the second volume. This funding will cover three areas: expenses associated with the project (travel to the archives, travel to interview subjects, office expenses, and so on), expenses associated with this campaign (fees and percentages, cost and shipping of rewards, and so on), and personal expenses. Funds raised in this campaign will not support Wesleyan University Press, but rather will go directly to me, in support of my scholarly labor. In academic publishing, an author’s income comes not from book advances or sales, but rather from a university paycheck – or, if the author is an independent scholar (as I am), from some other source. For this project, you will be that source.
(3) ELLISON BIO. As for Paul Di Filippo, today at Locus Online he reviews A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff.
Chapter two takes our hero through high school, through SF fandom, and into the professional world of editing Rogue magazine, among other accomplishments. Segaloff shows that he, as biographer, is willing to skip around in time thematically when the narrative demands. Thus, hearing of Ellison’s first marriage, we also get an immediate foretaste of those to come. And in fact, as we shall soon see, Segaloff will abandon strict chronology at a certain point, in favor of totally thematic chapters, out of which the linear factual events of Ellison’s later life can be readily assembled.
(4) ALL RISE. Walter Jon Williams alerts the media to “Stand By for Greatness”.
So while I was in Finland, Orbit reverted the rights to all three of the Dagmar Shaw books.
I’ll try to make those available as soon as I can. I can hardly do a worse job of promoting them than the original publisher.
(5) KEEP FIVE IN MIND. Victor Milán knows the magic number – “Five Classic Works of SFF by Authors We Must Not Forget” at Tor.com. Here’s one of his picks:
Jirel of Joiry by C. L. Moore
Catherine Lucille Moore (1911-1987) had to use her gender-neutral initials to get published in the 1930s. That didn’t stop her creating the fledgling genre of sword and sorcery’s first female protagonist in Jirel of Joiry. As brave, capable, and arrogant as any man, yet far from invulnerable, Jirel was more than just a red-haired, female Conan. While her adventures were clearly influenced by Robert E. Howard, as well as by Moore’s and Howard’s literary acquaintance H. P. Lovecraft, they focus less on her sword-swinging than her spirit and furious determination. A curious blend of compassion and cruelty, she’s a pious Catholic who’ll risk damnation to gain the means to overcome her foe—then brave the very Hell she sent him to, to free his soul from eternal suffering.
And you’ll never catch Jirel in a mail bikini. She wears the same practical armor as any other warrior of her unspecified Medieval period would.
Moore’s writing is brisk, strongly sensory, and evocative of settings Earthly and alien, though flavored with a few too many adjectives for the modern palate. She had a long and successful career with Jirel and the space opera adventures of Northwest Smith, then writing in collaboration with her husband, Henry Kuttner. Jirel of Joiry is a collection of most of the Jirel tales.
(5) SECOND FIFTH. Moments after posting this Scroll I learned, via Paul Weimer, that Deadline is reporting N.K. Jemisin’s ‘The Fifth Season’ Book To Be Developed As TV Series At TNT.
N.K. Jemisin’s Hugo Award-winning sci-fi fantasy novel The Fifth Season is getting the drama series treatment at TNT. The project is in early development at the cable network with Leigh Dana Jackson (24: Legacy, Sleepy Hollow) set to pen the adaptation and Imperative Entertainment’s (All the Money in the World) Dan Friedkin, Tim Kring and Justin Levy serving as executive producers.
Jackson brought the novel, the first in a three-book series, to Imperative, which secured the rights before the The Fifth Season‘s Hugo nomination. Jemisin went on to become the first black writer to win the Hugo Award for best novel. She followed that up last week by winning the prestigious science fiction award for the second consecutive year for the second book in the series, The Obelisk Gate. The third book was published Tuesday
(6) THE RECYCLE OF LIFE. NPR’s “All Tech Considered” asks, “Ashes to Ashes, Dust to … Interactive Biodegradable Funerary Urns?”
Earlier this summer, a modest little startup in Barcelona, Spain, unveiled its newest product — a biodegradable, Internet-connected funeral urn that turns the ashes of departed loved ones into an indoor tree. Just mix the cremains with soil and seedlings, and the digital-age urn will automatically water and care for your memorial sapling, sending constant updates to an app on your smartphone.
At first glance, the concept seems gimmicky — evidently, we’re running out of ideas for smart appliances. But the Bios Incube system can also be seen as the latest example of a gradual transformation in modern culture.
Technology is fundamentally changing how we deal with death and its attendant issues of funerals, memorials and human remains. Much of this change is for the good. Some developments are a little spooky. But one thing is for sure: You can do a lot of cool things with ashes these days.
(7) TODAY’S BIRTHDAY GIRL
- Born August 16, 1991 — Evanna Lynch (actress; plays Luna Lovegood in Harry Potter films)
(8) TODAY’S BIRTHDAY BOYS
- Born August 16, 1884 – Hugo Gernsback
- Born August 16, 1930 – Robert Culp. Fans probably know him best from The Outer Limits‘ episode “Demon With A Glass Hand,” written by Harlan Ellison.
(9) FROM HELL. New York City’s Miskatonic Institute of Horror Studies relaunches in September with “Paperbacks from Hell”. The event takes place Tuesday, September 19 from 7-9:30 p.m. at Film Noir Cinema (122 Meserole Ave., Greenpoint, Brooklyn, NY). Admission $12 advance / $15 door.
In the early ’70s, three books changed horror forever: “Rosemary’s Baby,” “The Exorcist,” and “The Other.” The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to flood supermarket and drugstore shelves throughout the ’70s and ’80s, before “Silence of the Lambs” slit the genre’s throat in the early ’90s.
Fresh off last year’s one-man show, SUMMERLAND LOST, Grady Hendrix delivers a mind-melting oral history of this wild and woolly world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, and killer fetuses, featuring hair-raising readings, a William W. Johnstone quote-off, and more tales of terrifying tots, tricycles, clowns, puppets, and heavy metal bands than should be strictly legal. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of… the Paperbacks from Hell!
Following Grady’s illustrated presentation will be a live round table discussion and Q+A with several artists who painted the book covers under discussion, including Jill Bauman, Lisa Falkenstern, and Thomas Hallman.
(10) BRADBURY BY ATWOOD. Yesterday the Paris Review posted Margaret Atwood’s “Voyage to the Otherworld: A New Eulogy for Ray Bradbury” with the outro –
This original essay by Margaret Atwood was composed specifically for the re-release of Sam Weller’s interview book companion to his authorized biography of Ray Bradbury. Listen to the Echoes: The Ray Bradbury Interviews, in a new hardcover deluxe edition, will be released this October by Hat & Beard Press in Los Angeles.
….He ducked classification and genre corrals as much as he could: as far as he was concerned he was a tale teller, a writer of fiction, and as far as he was concerned, the tales and the fiction did not need to have labels.
The term science fiction made him nervous: he did not want to? be shut up in a box. And he, in his turn, made science-fiction purists nervous, as well he might. Mars in his hands, for instance, is not a place described with scientific accuracy, or even much consistency, but a state of mind; he recycles it for whatever he needs at the moment. Spaceships are not miracles of technology but psychic conveyances, serving the same purpose as Dorothy’s whirlwind-borne house in The Wonderful Wizard of Oz, or the trance of the traditional shaman: they get you to the 0therworld.
(11) CAN’T MAKE THIS STUFF UP. John Scalzi’s latest op-ed for the LA Times: “During Trump’s present, it’s hard to write the future, says science fiction writer John Scalzi”.
The thing is, science fiction has its setting in the future, but the people writing it and reading it live now, and the stories they’re writing and reading reflect the hopes and fears of whatever age the story is written in. There’s a reason science fiction literature of the late ’60s and early ’70s was about overpopulation, why in the ’80s cyberpunk reflected the uncertainty about the accelerating computerization of our world, and why much of the best science fiction of the last decade, from Paolo Bacigalupi’s “The Windup Girl” to N.K. Jemisin’s “The Fifth Season,” is rooted in ecological disaster. Science fiction sees the world today and speculates out from there.
The secret, however, is to come at it from an angle. There’s a thin line between using contemporary themes to extrapolate from and entertain readers, and stepping up on a soapbox and using a political agenda to cudgel people. The least successful science fiction to me is the stuff that takes today’s political catfights and dumps it uncut into the deep future, hundreds if not thousands of years in the future. To have characters in far-flung times prattling on about issues clearly specific to our time would be like writing a novel where people in 2017 are having knock-down, drag-out fights about the Alien and Sedition Acts or the Boer War. Better that science fiction breathes life into today’s anxieties and aspirations in more clever and possibly subtler ways.
His article made me remember the experience of reading Doonesbury during the Watergate hearings, when cartoonist Garry Trudeau found it practically impossible to think up wilder stuff than was coming out in the daily news.
(12) RETRIEVAL. Beyond Skyline shows promise.
A tough-as-nails detective embarks on a relentless pursuit to free his son from a nightmarish alien warship.
(13) ONE OF THE FIRST OF ITS KIND. The BBC says “‘Frankenstein dinosaur’ mystery solved”.
Matthew Baron, a PhD student at Cambridge University, told BBC News that his assessment indicated that the Frankenstein dinosaur was one of the very first ornithischians, a group that included familiar beasts such as the horned Triceratops, and Stegosaurus which sported an array of bony plates along its back.
“We had absolutely no idea how the ornithischian body plan started to develop because they look so different to all the other dinosaurs. They have so many unusual features,” the Cambridge scientist said.
“In the 130 years since the ornithischian group was first recognised, we have never had any concept of how the first ones could have looked until now.”
(14) BE ON THE LOOKOUT. Connecting to a past discussion of chocolate in various climates: “Truck With 20 Tons Of Nutella And Chocolate Vanishes; Police Hunt For Semi’s Sweets”.
“Anyone offered large quantities [of chocolate] via unconventional channels should report it to the police immediately.”
We trust you’ll abide by those instructions from law enforcement in Germany, where more than 20 tons of chocolate treats have gone missing after thieves stole a refrigerated trailer packed with Nutella, Kinder Surprise eggs and other sweets.
(15) REQUEST FROM TYRION. Gina Ippolito of Yahoo!, in “Peter Dinklage Urges ‘Game of Thrones’ Fans To Stop Buying Huskies Just because They Look Like Direwolves”, says that Dinklage and PETA are combining to urge people not to buy huskies if they can’t handle big dogs just because they want a “direwolf” at home.
“Please, please, if you’re going to bring a dog into your family, make sure that you’re prepared for such a tremendous responsibility and remember to always, always, adopt from a shelter,” Dinklage said in an official statement.
So if Game of Thrones has you itching for a Ghost, Nymeria, Summer, Shaggydog, Lady, or Grey Wind of your own, but you’re not sure you can commit to taking care of a live one, maybe consider an adorable stuffed animal instead?
(16) THOR INTERNATIONAL TRAILER #2. I’ve always been a strong believer that movie trailers are much better with Japanese subtitles.
(17) GODZILLA: MONSTER PLANET. The drawback with TOHO’s own trailer for this animated Godzilla picture is that it doesn’t need subtitles.
[Thanks to Paul Weimer, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Mark-kitteh, Andrew Porter, and Kenneth James for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]