(1) A CLASSIC. Deadline reports Clifford D. Simak’s novel Way Station, a 1964 Hugo winner, will be developed for Netflix: “Matt Reeves’ 6th & Idaho To Turn Sci-Fi Tale ‘Way Station’ Into Netflix Movie”. In years gone by this was my #1 favorite sf book!

Here’s the logline on Way Station: For more than 100 years Enoch Wallace has been the keeper of a Way Station on Earth for intergalactic alien travelers as they teleport across the universe. But the gifts of knowledge and immortality that his intergalactic guests have bestowed upon him are proving to be a nightmarish burden, for they have opened Enoch’s eyes to humanity’s impending destruction. Still, one final hope remains for the human race.

(2) GRRM WILL CO-AUTHOR GOT TV PREQUEL. “‘Game of Thrones’: Second Prequel in the Works at HBO” – The Hollywood Reporter has the story.

A second Game of Thrones prequel is in the works at HBO.

Sources confirm to The Hollywood Reporter that the premium cable network is near a deal for a pilot order for a prequel set 300 years before the events of the flagship series that tracks the beginnings and the end of House Targaryen. Ryan Condal (Colony) and Game of Thrones author George R.R. Martin will pen the script for the drama, which is based on Martin’s book Fire & Blood.

(3) COPING WITH CHANGE. M.L. Clark provides a deeply thoughtful analysis of the conversation about award names in “Letting Go of Our “Heroes”: Ongoing Humanist Training and the (Ex-)James Tiptree, Jr. Award” at Another White Atheist in Colombia.

…I asked myself three questions, then, to challenge my knee-jerk defense of the status quo–and I’d encourage you to employ similar the next time a group decision focussed on harm-reduction finds you, initially, “on” or “on the other side of” the fence.

1. To whom are you listening in this debate?

In the wake of my defensiveness, I had to make a concerted effort to read counterpoints to my perspective. Lots of them. And as I did, I took note of the times when I felt the greatest urgency to seek out both-sides-ism, to return to the security of others whose initial reactions were the same as mine: folks reluctant to change the name of this award, to own up to the pain Sheldon’s story has left in the hearts of many living human beings.

Critically, too, I didn’t then seek out those arguments when I wanted to–because what need did I have of them? They’d be sheer preaching to the choir, like the reading of apologetics for some Christians when faced with doubts. But I did note the contexts in which I most wanted to dive for shelter… and those contexts? They were usually when someone said something that challenged me to reason from empathy, to recognize the humanity of other people marginalized by Sheldon’s prominence at potential cost to the value of her disabled husband’s life. At those points most of all, I felt the urge to hide behind the presumption of neutrality, in superficial phrasing like, Well, no one can say for sure what happened that night! 

Which, sure, is true… but then why was I still automatically favouring one interpretation–the more convenient interpretation–over another that people were actively telling me did harm to their sense of full and safe inclusion in SF?

(4) EX-MEN. Cian Maher helps Polygon readers remember “That time the X-Men’s humanity was put on trial in a real court of law”. Because the Toy Biz company could get a lower tariff rate if the figurines were deemed nonhuman.

…Toy Biz’s motion acknowledged that the X-Men “manifest human characteristics at varying degrees,” but argued that most are more of a mixed bag of human and non-human aspects. For example, the document specifically calls out Wolverine (rude!) for having “long, sharplooking [sic] claws grafted onto his hands that come out from under his skin along with wolf-like hair and ears.”

Don’t body-shame Wolverine! He tries very hard!

Judge Barzilay’s official ruling, in which Toy Biz prevailed, states “the action figure playthings at issue here are not properly classifiable as ‘dolls’ under the HTSUS by virtue of various non-human characteristics they exhibit.”

(5) THESE THINGS HAVE TO BE DONE CAREFULLY… Vance K offers advice to parents in “Let’s Frighten Children! Vincent Price & Scooby-Doo” at Nerds of a Feather.

You’re a parent. You love horror. But horror is scary. So how to share this love of horror with your young, innocent, in-love-with-the-world child?

…For me and my family, the first step to introducing horror was to introduce the language of scares without, really, the fear. It’s hard to be a little kid. You are tiny, and surrounded by giants. Nothing makes sense, and every outcome is uncertain. Mom’s leaving…Will she come back?! How long is an hour?! It’s unknowable. And worse, there might actually be a monster under the bed. Or in the closet — you just don’t know.

This is where Vincent Price and Scooby-Doo came in handy. It’s pretty unlikely any kid is going to be legitimately frightened by an episode of Scooby-Doo. And yet, there are ghosts, goblins, witches, vampires, werewolves, creepers, and more, all running about. I’m actually not a huge Scooby fan, but I found the Cartoon Network Scooby-Doo Mystery Incorporated series to be excellent. I watched a big chunk of it with my kids, who were five and seven at the time. They loved it, and still do. We re-watch episodes regularly. In a world where asking a kid who has grown up with an iPhone to watch Bela Lugosi’s Dracula seems like a bridge too far, this is a show that is fast-paced, conversant in horror tropes, dabbles in grotesque/frightening imagery, and is funny, smart, and good. It’s also a show that prominently features Vincent Van Ghoul, who is a not-at-all-disguised representation of Vincent Price.

(6) ALA ADDRESSES MACMILLAN CEO. Publishers Weekly covers an American Library Association press conference where “Librarians Launch National Campaign to Oppose Macmillan’s Library E-book Embargo”.

…So far, that action includes two rather modest initiatives, unveiled on Wednesday. One is an online petition (eBooksForAll.org) urging Sargent and Macmillan to reconsider the publisher’s recently announced embargo. The other is a new online book club, in partnership with OverDrive. The “Libraries Transform Book Pick” will offer library users unlimited access to a selected e-book for two weeks, with no holds list and no waiting. The first pick is Kassandra Montag’s debut novel After the Flood (HarperCollins), which will be available for unlimited e-book checkouts at public libraries from October 7-21.

(7) WORDS OF A FEATHER. Paul Di Filippo’s F&SF column “Plumage from Pegasus” tells all about a collaboration by two of the genre’s founders that was largely unknown ‘til a couple of years ago: Flora Columbia: Goddess of a New Age, by Jules Verne and H. G. Wells.

In the year 1901, with the publication of his ninth novel, The First Men in the Moon, H. G. Wells, then a thirty-five-year-old wunderkind, cemented his reputation as the leading purveyor of “scientific romances.” The acclaim accorded to this British upstart, however, did not sit well with the aging lion of the nascent genre, Jules Verne—then an ailing seventy-three and just a few years away from his own death. Verne did not care for Wells’s less-stringent approach to scientific speculation, nor for his wilder imagination. In fact, Verne was so perturbed that he gave vent to his famous direct criticism of the novel: “I sent my characters to the moon with gunpowder, a thing one may see every day. Where does M. Wells find his cavorite? Let him show it to me!”

So much is a matter of historical record. But what came next remained secret until just recently.

Both irked and disappointed by the jab from this venerable figure who had done so much to pioneer imaginative literature and whose respect he would have relished, Wells did a daring thing. On a mission both conciliatory and confrontational, he journeyed to France to confront the Master. In Amiens, at 44 Boulevard de Longueville, he was received with a wary hospitality. But after some awkward conversation over a lunch of calvados and choucroute garnie, the two writers found a shared footing in their mutual love of “science fiction,” a term they would not even have recognized. And then, impulsively, they decided to seal their tentative new friendship in a manner befitting their shared passion.

They would collaborate on a short novel….

(8) COLLINS OBIT. Charles Collins (1935-2019) died August 26 at the age of 83. He worked as a Publisher’s Representative, eventually becoming co-owner of Como Sales Company. Also, with Donald M. Grant, he co-founded Centaur Press, later renamed Centaur Books, a small press active from 1969 through 1981.

It was primarily a paperback publisher, though one of its more successful titles was reissued in hardcover. It was notable for reviving pulp adventure and fantasy works of the early twentieth century for its “Time-Lost Series.”

Authors whose works were returned to print include Robert E. Howard, Arthur O. Friel, Talbot Mundy, H. Warner Munn, and William Hope Hodgson. In the sole anthology it issued, the press also premiered a new work by Lin Carter. In later years it also published longer works by contemporary authors, including Carter, Galad Elflandsson, and Robb Walsh. Its books featured cover art by Jeff Jones, Virgil Finlay, Frank Brunner, Stephen Fabian, Randy Broecker, and David Wenzel.

The family obituary is here. Collins’ own history of Como Sales Company is here.

(9) TODAY IN HISTORY.

• September 13, 1969 – CBS introduced Scooby Doo, Where Are You? 50 years ago this week: Quoting the Wikipedia —

The first episode of Scooby-Doo, Where Are You! “What a Night for a Knight” debuted on the CBS network Saturday, September 13, 1969. The original voice cast featured veteran voice actor Don Messick as Scooby-Doo, radio DJ Casey Kasem (later host of radio’s syndicated American Top 40) as Shaggy, actor Frank Welker (later a veteran voice actor in his own right) as Fred, actress Nicole Jaffe as Velma, and musician Indira Stefanianna as Daphne.^[15] Scooby’s speech patterns closely resembled an earlier cartoon dog, Astro from The Jetsons (1962–63), also voiced by Messick.^[2] Seventeen episodes of Scooby-Doo Where are You! were produced in 1969–70.

• September 13, 1974  — Planet of the Apes debuted as a weekly television series with the  “Escape from Tomorrow” episode. Roddy McDowall was once again Galen. Due to really poor rating, CBS canceled the series after 14 episodes. 
• September 13, 1999 — On this day, in the timeline inhabited by the crew of Space: 1999, the events told in the “Breakaway” premier episode happened.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

• Born September 13, 1898 — Arthur J. Burks. He  sold his first stories to Weird Tales in 1924. He became one of the “million-word-a-year” men in the pulp magazines by dint of his tremendous output. He wrote in the neighborhood of eight hundred stories for the pulps. Both iBooks and Kindle have some of his fiction available for free if you care to see how this pulp writer reads. (Died 1974.)
• Born September 13, 1926 — Roald Dahl. Did you know he wrote the screenplay for You Only Live Twice? Or that he hosted and wrote for a sf and horror television anthology series called Way Out which aired before The Twilight Zone for a season? He also hosted the UK Roald Dahl’s Tales of the Unexpected.  My favorite Dahl work is The BFG. What’s yours? (Died 1990.)
• Born September 13, 1931 — Barbara Bain, 86. She’s most remembered for co-starring in the original Mission: Impossible television series in the 1960s as Cinnamon Carter, and Space: 1999 as Doctor Helena Russell. I will confess that I never watched the latter. Her first genre role was as Alma in the “KAOS in CONTROL” episode of Get Smart! 
• Born September 13, 1932 — Dick Eney. Most notably, in 1959 he published Fancyclopedia 2, an over two hundred page encyclopedia of all things fandom. He worked on committees for Discon I, Discon II, and Constellation and was the Fan Guest of Honor at L.A.Con II, the 1984 Worldcon. He served as OE of FAPA and SAPS and was a member of The Cult and the Washington in ’77 Worldcon bid. He was toastmaster at Conterpoint 1993. (Died 2006.)
• Born September 13, 1936 — Richard Sapir. Pulp writer in spirit if not in actuality. Among his many works is The Destroyer series of novels that he co-created with Warren Murphy. (Murphy would write them by himself after death of Sapir starting with the seventy-first novel until the series concluded with ninety-sixth novel.)  And the main character in them is Remo Williams who you’ll no doubt recognize from  Remo Williams: The Adventure Begins where Fred Ward played Remo which I’ve watched but remember nothing of thirty years on. (Died 1987.)
• Born September 13, 1939 — Richard Kiel. He’s definitely  best remembered  for being the steely mouthed Jaws n The Spy Who Loved Me and Moonraker. Now let’s see what other SFF films he’s been in… His very last genre work was voicing Vlad in the animated Tangled with first his being The Salorite in The Phantom Planet. He was Eegah in the low budget horror film Eegah,  a giant House of the Damned, Dr. Kolos in The Human Duplicators, Psychiatric Hospital Patient in Brainstorm, Bolob in the Italian L’umanoide, internationally released as The Humanoid, and he reprised his Jaws character in Inspector Gadget. Series wise, he’s shown up in The Man from U.N.C.L.E., Twilight Zone,  Kolchak: The Night Stalker, The Wild Wild West (where he working in a recurring role with Michael Dunn as Dr. Miguelito Loveless), I Dream of Jeannie, Gilligan’s Island, Land of The Lost and Superboy. (Died 2014.)

• Born September 13, 1944 — Jacqueline Bisset, 75. I never pass up a Bond performance and so she’s got on the Birthday Honors by being Giovanna Goodthighs in Casino Royale even though that might have been one of the dumbest character names ever. As near as I can tell, until she shows up in as Charlotte Burton in the “Love the Lie” episode of Counterpart that’s her entire encounter with genre acting.
• Born September 13, 1947 — Mike Grell, 72. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth .
• Born September 13, 1961 — Tom Holt, 59. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, truly into Wagner, you’ll love Expecting Someone Taller; if not, skip it. 
• Born September 13, 1969 — Bob Eggleton, 50. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork,  Primal Darkness: The Gothic & Horror Art of Bob Eggleton  which he put together in 2010 and was published by Cartouche Press.

(11) ROLLING ON THE RIVER. Kelly Lasiter recommends a book at Fantasy Literature: “Mapping Winter: A character and a world that will stick with me”.

Mapping Winter (2019) is Marta Randall’s reworking of her 1983 novel, The Sword of Winter. (Randall talks more about the story behind the book here.) Its release as Mapping Winter was followed shortly by the all-new sequel The River South, with the two novels making up the RIDERS GUILD series. It’s a secondary-world fantasy, but without magic; I was about two-thirds of the way through the book when I realized, “Huh, I don’t think there’s been any magic!” What it does have is a nation poised between feudalism and industrialization.

(12) SCHOOL DAZE. James Davis Nicoll rings up our magic number: “Five SFF Stories About Surviving the Dangers of Boarding School” at Tor.com.

Kazuma Kamachi’s ongoing series of short novels and their associated manga and anime (A Certain Magical Index, A Certain Scientific Railgun, A Certain Scientific Accelerator, etc.) is set in Academy City. The city is home to over two million students, most of whom have some degree of reality-breaking Esper power. Some can control electromagnetism; some can keep objects at a constant temperature. Imagine the Xavier School for the Gifted with the population of Paris, France. Unlike the leadership of Xavier’s school, however, the people running Academy City are ambitious people entirely unfamiliar with the concepts of consent or ethics….

(13) ABOUT THAT DEAD HORSE. Good point – after all, how many people would watch a channel that mostly runs commercials?

Watching a bro-vateer claim they've been throttled by Twitter and wondering if maybe their traffic drop might actually be related to 90% of their stream being BUY MY BOOK and the other 10% sneering at people.
Just a thought of the top of my head. Who knows?

— Cat Rambo (@Catrambo) September 12, 2019

(14) YOU’VE GOT MAIL. Paul Weimer says people who like a character-focused story will love it: “Microreview: This Is How You Lose The Time War, by Amal El-Mohtar and Max Gladstone” at Nerds of a Feather.

…In a world of twitter, and direct messages, and texts, and instant social media, long form letters are a delightful retro technology and form. Epistolary novels and stories, never the most common of forms even when letters were dominant as a means of communication, are exceedingly distinctive just by their format in this day and age. It’s a bold choice by the authors to have the two agents, Red (from a technological end state utopia) and Blue (from a biological super consciousness utopia) to start their correspondence and to have their letters (which take increasingly unusual forms as described in the narrative) be the backbone of the action. Every chapter has one of the principals in action, and a letter from the other principals, giving a harmonic balance for the reader as far as perspective. But it is within the letters themselves that the novella truly sings and shows its power.

(15) BOG STANDARD. Nina Shepardson reviews Ghost Wall by Sarah Moss at Outside of a Dog.

The theme of Sarah Moss’s latest novel, Ghost Wall, can be summed up by a William Faulkner quote: “The past is never dead. It isn’t even really past.” Sylvie’s father plans an unusual vacation for their family: joining a local college professor’s project to spend a couple of weeks living the way British people did in the Bronze Age. This involves some of the physical discomforts you would expect, such as foraging for food in the summer heat and living in huts. But things take a darker turn as Sylvie’s father’s fascination with the period deepens into obsession. And not all the hazards of the era were natural ones; there’s evidence that a nearby bog was a site of human sacrifice….

(16) ALASDAIR STUART. It’s Full Lid o’clock!

The Full Lid 13th September 2019 – Full Lid'o'clock! Featuring #doramovie! @thecrawlmovie and DC taking us back to the future with @BRIANMBENDIS and co's excellent Millennium! https://t.co/rIR1Bkoktp pic.twitter.com/hNVRdvD1X3

— @AlasdairStuart (@AlasdairStuart) September 13, 2019

(17) THE MESSAGE. Joseph Hurtgen has just released his second sff novel with a theme chosen for reasons he explains in “Why I Wrote an Anti-Gun, Anti-Trump, Environmental Science Fiction Novel “. “This novel is an exercise in hoping our democracy outlasts this election cycle, hoping our generation doesn’t destroy the planet, and hoping that we could rise above greed to make our nation safe for our children. What better place to do all this hoping than in the pages of science fiction?”

The book follows William Tecumseh Sherman as he time travels around America’s history, talking to presidents that like their guns and aren’t interested in instituting environmental protections. 

I realize that it’s a bit of stretch that Sherman would get involved politically. Sherman once said if he was elected, he wouldn’t serve. But isn’t that precisely the kind of leader America needs? Someone disinterested in leadership wouldn’t likely have ulterior motives for holding a position of power: no Putins to please, no buildings to build in Moscow or the Middle East.

But the reality of American politics is that those willing to profit from power are rewarded for it. In 2019, the emoluments clause might as well be struck from the record. It clearly isn’t taken seriously. But emoluments are only the tip of the ugly iceberg.

(18) “THE SCREAM”. “Comedy Wildlife Photography Awards 2019: Here are the finalists” — minimal text, great photos.

Terrified otters, frightened fish and shy bears – here are some of the finalists of the Comedy Wildlife Photography Awards 2019https://t.co/h4CkVv058B

— BBC News (UK) (@BBCNews) September 13, 2019

(19) THEATER AS GAME. “Variant 31: ‘Pushing the boundaries’ of immersive theatre”.

It’s being promoted as the biggest live immersive game yet. Variant 31 is theatre – there are 150 real-life performers involved. But its creator is hoping it will bring in video gamers – and people who like jumping out of aircraft.

If you heard reports of reanimated cadavers roaming at will beneath New Oxford Street you might suppose London had been having a particularly bad day for public transport.

But producer Dalton M Dale is proud to stand in a slightly musty former shop basement and talk of the malevolent band of marauding zombies he’s adding to the growing world of immersive theatre.

He’s from North Carolina but in 2017 he came to London after a few years working on immersive shows in New York.

“London is the place to push the envelope of what immersive storytelling can do: the point about Variant 31 is that as you move through our really large site you get actively involved in the story. That’s instead of standing at a slight distance and observing and admiring, which has often been the case with even the best immersive experiences.”

…”You start at Patient Intake at Toxico Technologies,” Dale explains. “Toxico 25 years ago has manufactured strange and nefarious materials for chemical warfare. You are given a piece of wrist technology which at key points across 35 floors will allow you to do various things: you can alter the lighting and open hidden passages and even change the weather.

“Creatures emerge as you move through. From the moment you step into this world the hunt is on and someone wants to catch you. Oh, and always bear in mind: the only way to kill a zombie is to aim for the head.

Players score points by killing the creatures and at the end of the experience there will be just one winner from your group. “We claim this is the first truly immersive experience: it’s not spoon-fed like some other shows. Your presence matters and genuinely changes what goes on.”

(20) DATA SAVED BY DEFNESTRATION. BBC tells how “Russian activist saves data from police with drone”.

A Russian activist used a drone to get his data out of his high-rise flat when police came to search it.

Sergey Boyko says he sent hard drives to a friend by drone when police banged at his door at 10:00 local time, to avoid them getting hold of the data.

The search was part of a nationwide crackdown on the opposition.

Around 200 raids have been carried out in the past few days after the ruling party suffered major losses in local elections in Moscow.

A YouTube video taken (in Russian) by a female companion shows Mr Boyko, who lives in the Siberian city of Novosibirsk, releasing a drone from his flat in a tall apartment block as police wait to be let in.

Mr Boyko heads the local branch of the movement of opposition leader Alexei Navalny, who campaigned for voters to defeat candidates of the United Russia party using tactical voting in Sunday’s city council election.

The activists say the raids are a form of revenge by the authorities for the setbacks.

(21) VIDEO OF THE DAY. In A Month of Type on Vimeo, Mr Kaplin animates the alphabet.

[Thanks to Mike Kennedy, JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Cat Eldridge, Joseph Hurtgen, IanP, and Andrew Porter for some of these stories. Title credit goes to File 770 contrbuting editor of the day Matthew Johnson.]