Black Panther claimed three Oscars at tonight’s 91st Academy Awards ceremony, for Production Design, Original Score, and Costume Design. First Man took the Visual Effects category. Spider-Man: Into the Spider-Verse was named the Best Animated Feature.
Panther made history as the first superhero film to ever be
nominated for Best Picture when the nominees
for the 91st Oscars were announced today. Black Panther also picked up six other nominations including production
design, original score, original song, and costume design.
The traditionally genre-heavy Visual Effects category recognized “Avengers: Infinity War,” “Christopher Robin,” “First Man,”
“Ready Player One,” and “Solo: A Star Wars Story” with nominations.
“Mary Poppins Returns” picked up several nominations, including Original
Score and Original Song.
Academy Awards ceremony will air February 24.
is the full list of 2019 Oscar nominations:
“A Star Is Born”
Bradley Cooper, “A Star Is Born”
Willem Dafoe, “At Eternity’s Gate”
Rami Malek, “Bohemian Rhapsody”
Viggo Mortensen, “Green Book”
Glenn Close, “The Wife”
Olivia Colman, “The Favourite”
Lady Gaga, “A Star Is Born”
Melissa McCarthy, “Can You Ever Forgive Me?”
Ali, “Green Book”
Adam Driver, “BlacKkKlansman”
Sam Elliott, “A Star Is Born”
Richard E. Grant, “Can You Ever Forgive Me?”
Sam Rockwell, “Vice”
Amy Adams, “Vice”
Marina de Tavira, “Roma”
Regina King, “If Beale Street Could Talk”
Emma Stone, “The Favourite”
Rachel Weisz, “The Favourite”
Pawel Pawlikowski, “Cold War”
Yorgos Lanthimos, “The Favourite”
Alfonso Cuarón, “Roma”
Adam McKay, “Vice”
2,” Brad Bird
“Isle of Dogs,” Wes Anderson
“Mirai,” Mamoru Hosoda
“Ralph Breaks the Internet,” Rich Moore, Phil Johnston
“Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney
Behaviour,” Alison Snowden, David Fine
“Bao,” Domee Shi
“Late Afternoon,” Louise Bagnall
“One Small Step,” Andrew Chesworth, Bobby Pontillas
“Weekends,” Trevor Jimenez
Ballad of Buster Scruggs,” Joel Coen , Ethan Coen
“BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee
“Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty
“If Beale Street Could Talk,” Barry Jenkins
“A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters
Favourite,” Deborah Davis, Tony McNamara
“First Reformed,” Paul Schrader
“Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly
“Roma,” Alfonso Cuarón
“Vice,” Adam McKay
War,” Lukasz Zal
“The Favourite,” Robbie Ryan
“Never Look Away,” Caleb Deschanel
“Roma,” Alfonso Cuarón
“A Star Is Born,” Matthew Libatique
Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi
“Hale County This Morning, This Evening,” RaMell Ross
“Minding the Gap,” Bing Liu
“Of Fathers and Sons,” Talal Derki
“RBG,” Betsy West, Julie Cohen
Documentary Short Subject:
Sheep,” Ed Perkins
“End Game,” Rob Epstein, Jeffrey Friedman
“Lifeboat,” Skye Fitzgerald
“A Night at the Garden,” Marshall Curry
“Period. End of Sentence.,” Rayka Zehtabchi
Live Action Short Film:
“Detainment,” Vincent Lambe
“Fauve,” Jeremy Comte
“Marguerite,” Marianne Farley
“Mother,” Rodrigo Sorogoyen
“Skin,” Guy Nattiv
Barry Alexander Brown
“Bohemian Rhapsody,” John Ottman
“Green Book,” Patrick J. Don Vito
“The Favourite,” Yorgos Mavropsaridis
“Vice,” Hank Corwin
Panther,” Benjamin A. Burtt, Steve Boeddeker
“Bohemian Rhapsody,” John Warhurst
“First Man,” Ai-Ling Lee, Mildred Iatrou Morgan
“A Quiet Place,” Ethan Van der Ryn, Erik Aadahl
“Roma,” Sergio Diaz, Skip Lievsay
“A Star Is Born”
Panther,” Hannah Beachler
“First Man,” Nathan Crowley, Kathy Lucas
“The Favourite,” Fiona Crombie, Alice Felton
“Mary Poppins Returns,” John Myhre, Gordon Sim
“Roma,” Eugenio Caballero, Bárbara Enr??quez
“BlacKkKlansman,” Terence Blanchard
“Black Panther,” Ludwig Goransson
“If Beale Street Could Talk,” Nicholas Britell
“Isle of Dogs,” Alexandre Desplat
“Mary Poppins Returns,” Marc Shaiman, Scott Wittman
“All The Stars” from “Black Panther” by Kendrick
“I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson
“The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman,
“Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando,
Andrew Wyatt and Benjamin Rice
“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”
by David Rawlings and Gillian Welch
Makeup and Hair:
“Mary Queen of Scots”
“The Ballad of Buster Scruggs,” Mary Zophres
“Black Panther,” Ruth E. Carter
“The Favourite,” Sandy Powell
“Mary Poppins Returns,” Sandy Powell
“Mary Queen of Scots,” Alexandra Byrne
“Avengers: Infinity War”
“Ready Player One”
“Solo: A Star Wars Story”
(1) NO ESCAPE CLAUS. John Scalzi reveals that when it comes to who’s been naughty and who’s been nice, litigation can play a role: “An Interview With Santa’s Lawyer”. There also are some surprising revelations about elvish labor law:
If elves don’t qualify as human under the law, what are they?
Under Canadian law, they’re technically animals.
Yes. Just like reindeer. And technically, under Canadian law, Santa’s Workshop qualifies as a federally inspected farm, the oversight of which is handled by Canadian Food Inspection Agency.
So, technically, Santa’s elves have as many rights as veal.
There is nothing more daunting right now in the current franchise-obsessed box office marketplace than launching an original piece of sci-fi/fantasy. This weekend, we’re seeing the Peter Jackson-produced,$110M+ Mortal Enginesa casualty of its own ambition to create a brand new world on screen, with a disastrous opening of $7.5M and a running worldwide total of $42.3M.
Welcome to the third annual linked collation of annuals or “year’s bests.” As the contents of the Afsharirad, BASFF,Clarke, Datlow, Guran, Horton, Shearman/Kelly, and Strahan science fiction, fantasy, and horror annuals are announced, they will be combined into one master list with links to the stories which are available online. Hopefully, you’ll enjoy some of them and that will help you decide which annual or annuals, if any, to purchase.
On the second floor of Toronto’s Royal Ontario Museum, the skeleton of an older, ganglier cousin of Tyrannosaurusrex stands tall. But if the creature were alive today, it might be limping. More than 70 million years ago, this Gorgosauruswould have been an apex predator in what are now the badlands of Montana and western Canada. Apex doesn’t mean invincible, though. The animal’s right shin is a mess of broken bone that healed over in life.
What broke the poor tyrannosaur’s leg? Short of hopping in a time machine, researchers can’t be sure. But elsewhere in the same museum, visitors can get a glimpse of one of the best—and most exquisite—suspects in this Cretaceous cold case.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 17, 1945 – Ernie Hudson, 73. Best known for his roles as Winston Zeddemore in the original Ghostbusters films, and as Sergeant Darryl Albrecht in The Crow. I’m reasonably sure his first SF role was as Washington in Spacehunter: Adventures in the Forbidden Zone, a few years before the first Ghostbusters film. Depending on how flexible your definition of genre is, he’s been in a fair number of films including Leviathan, Shark Attack, Hood of Horror, Dragonball Evolution, voice work in Ultraman Zero: The Revenge of Belial, and, look there’s a DC animated movie in his resume!, Lucius Fox in Batman: Bad Blood.
Born December 17, 1944 — Jack L. Chalker. I really, really enjoyed his Well World series, and I remember reading quite a bit of his other fiction down the years. I find it impressive that he attended every Worldcon from except one, from 1965 until 2004. One of our truly great members of the SF community. (Died 2005.)
Born December 17, 1953 – Bill Pullman, 64. First SF role was as Lone Starr in Space Balls, a film I’ll freely admit I watched but once which was more than enough. He next appears in The Serpent and the Rainbow which is damn weird before playing the lead in the even weirder Brain Dead. Now we come to Independence Day and I must say I love his character and the film a lot. Post-Independence Day, he went weird again showing up in Lake Placid which is a lot of fun and also voiced Captain Joseph Korso in the animated Titan A.E. film. Which at least in part was written by Joss Whedon. He reprises his Thomas J. Whitmore character in Independence Day: Resurgence.
Born December 17, 1975 – Milla Jovovich, 43. First genre appearence as Leeloo de Sabat in The Fifth Element, a film which still gets a WTF? from me when I watch it. She was also Alice in the Resident Evil franchise which is five films strong and running so far. I see she shows up as Miliday de Winter in a Three Musketeers I never heard of, and plays Nimue, The Blood Queen in the forthcoming Hellboy.
(8) COMICS SECTION.
Paging Col. Mustard. Col. Mustard please report immediately to Brewster Rockit aboard the R.U. Sirius.
So what did @AGuyInChair want? Why, a pair of tickets to the Avengers: Endgame premiere naturally. Apparently not having scored those, the two sites have since been re-redirected to “a video of Santa Claus (possibly the user himself?)addressing ‘that naughty boy’ [Marvel Studios president] Kevin Feige to trade the websites for those two golden tickets to Avengers: Endgame.”
Apart from maybe the Bible (the Satan parts, anyway), no work of literature has inspired more metal bands than J.R.R. Tolkien’s The Lord of the Rings. Middle-Earth has been the setting for all of the Austrian black metal duo Summoning’s albums, and their synth-driven, often minimalist songs truly sound like they could be echoing from an Uruk-hai cave. With Doom We Come is another superb entry in the band’s rock-solid discography. Guitarist Protector’s lo-fi tone is still straight out of the ’90s Second Wave, and he and bandmate Silenius have never sounded better as vocal foils for one another. Closing track “With Doom I Come” repurposes a verse of Tolkien’s poem Beren and Lúthien to create what’s arguably the catchiest vocal hook in Summoning’s career.
A curious cat named Baloo was mistakenly shipped more than 700 miles away from his home in Nova Scotia, Canada after crawling into a parcel destined for Alberta.
The tabby’s owner, Jacqueline Lake, told CTV News that the mischievous,1-year-old cat had secretly sneaked into the bottom of a package containing tire rims. The day after the parcel had been sent, Lake began searching for the missing family pet.
“We knocked door-to-door, we searched the woods, we searched under decks, in garages, under steps … he was gone,” she said.
Baloo was later discovered by a delivery driver in Montreal, 17-hours into his cross-country road trip.
A local SPCA shelter managed to track down the feline stowaway’s owners using the parcel’s tracking code.
Baloo returned to his family, safe and sound, on Saturday evening.
A Louisiana woman’s unusual Christmas decorations have inadvertently ignited a beef on her street—because they’ve apparently got her boring-ass neighbors worried that she’s a member of a “demonic cult.”
Author Diana Rowland just wanted to celebrate the spirit of the holiday season by, naturally, setting up a bunch of inflatable dragons on her front yard. Of course, dragons are an appropriate and welcome addition to a lawn at any time of the year, bringing a nice Khaleesi vibe to an otherwise routine patch of grass—but one neighbor wasn’t having it.
[…] “Your dragon display is only marginally acceptable at Halloween,” the note reads. “It is totally inappropriate at Christmas. It makes your neighbors wonder if you are involved in a demonic cult.”
[…] Thankfully, Rowland apparently did consider the true meaning of Christmas, and came to the conclusion that it meant “add more dragons to your lawn and give them halos for good measure,” because that’s exactly what she did
(13) LATE LOGGING IN. Just in time for Christmas Mike Kennedy discovered this… From 2016, but it’s news to me!
Do you need a Yule Log video to help lift everyone’s spirit when gathered for the family Christmas? Maybe this isn’t it. WarnerBros. Home Entertainment had helpfully(?) provided a 5-hour video of the “Eye of Sauron Yule Log” on YouTube, complete with the crackling noise one would expect from a nice(?) fire. There’s even a surprise(?) ending.
Pixel scroll, pixel scroll, pixel scroll rock Pixel scrolls swing and pixel scrolls ring Scrolling and linking up bushels of fan Then the pixel hop had began
Pixel scroll, pixel scroll, pixel scroll rock Pixel scrolls rhyme in pixel scroll time Cosplaying and straying in pixel scroll land To the sounds of the pixel scroll band
What a bright time, it’s the right time To web surf the night away Pixel scroll time is a swell time To get caught up in a fandom array Giddy-up pixel horse, pick up your feet Scroll around the clock Mix and a-mingle in the pixeling feet That’s the pixel scroll, That’s the pixel scroll, That’s the pixel scroll, rock
[Thanks to Rob Thornton, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
(1) FIGHT TO THE FINISH. Unbound Worlds, the Penguin Random House website for sff fans, is running Cage Match 2018: Creature Feature, a March Madness-style original fiction bracket tournament.
For the first time, Cage Match will feature an all non-human bracket of 32 characters — monsters, murderbots, mythological beings, and more from SF/F books — in battles to the death written by acclaimed authors.Contributors include Liana Brooks, C.A. Higgins, Seanan McGuire, Tina Connolly, and many others. Below are links to a couple of Round One matches.
Seanan McGuire’s (Tricks For Free) battle between Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It and Shelob, a venomous spider from J.R.R. Tolkien’s The Lord of the Rings. Read it here.
Michael Poore’s (Reincarnation Blues) account of Deep Thought, the supernatural computer from Douglas Adams’s The Hitchhiker’s Guide to the Galaxy vs. Lovelace/Sidra, a sentient computer from Becky Chambers The Long Way To a Small Angry Planet. Read it here.
Some of the other creatures from classic and contemporary science fiction and fantasy are:
Cthulhu, a massive, octopoid god-being from the works of H.P. Lovecraft.
Drogon, the largest and most aggressive of Daenerys Targaryen’s dragons from A Song of Fire and Ice by George R.R. Martin.
Iorek Byrnison, an armor-clad polar bear warrior from Phillip Pullman’s The Golden Compass.
Murderbot, a self-aware robot that hates humans from Martha Wells’s The Murderbot Diaries.
Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It.
War, a supernatural horseman of the apocalypse from Good Omens by Terry Pratchett and Neil Gaiman.
Ray Bradbury Live (forever) has them all. It’s a smart show; alternatively funny, sppoky and biting; a mix of Epcot ride, Planetarium show and dream.
The Show: Like Mark Twain Tonight, or The Bell of Amherst. But with dinosaurs.
Ray Bradbury Live (forever) is licensed for performance by the Ray Bradbury Estate, with script approval by the family.
Bill is doing the first staged reading in NYC at Theatre Row on April 12th at 7 p.m. It’s not the full production, just a reading, but it will give an idea of the piece. Jeff Farley is doing the prosthetic make-up for the actual show when it opens. The plan is to debut Off-Broadway in 2019 and then tour it nationally (and maybe overseas, too.) This first reading is the first baby step.
As a reminiscence, here is a promotional graphic from Bill’s 2015 Bradbury-themed performance in LA:
The one hotel in the world where you really don’t want to stay got a high-profile commercial on the Oscars telecast tonight—38 years after it first terrified people on the big screen.
The Overlook Hotel, which was the setting for Stanley Kubrick’s 1980 horror movie The Shining (based on Stephen King’s 1977 novel of the same name), was the ostensible advertiser behind the 30-second spot—which invited you to enjoy a “quiet, remote family getaway” at the “newly renovated” property, where “there’s a surprise around every corner.”
… A few seconds at the very end of the ad reveal the true advertiser—the Academy Museum of Motion Pictures, a new museumdedicated to the art and science of movies that will be opened in Los Angeles in 2019 by the Academy of Motion Picture Arts & Sciences (which runs the Oscars).
Intersectionality is a powerful idea conveyed in an overcomplicated word. But Star Wars is a great way to understand it better.
…From what we see, Rebel X-Wing pilots are predominantly male, blue collar guys with security / technical backgrounds. In contrast the alliance diplomatic corps lead by Mon Mothma and Leia seem to be mostly women with liberal arts / humanities educations. These two groups probably see the rebellion very differently, and have to continually negotiate to find a good working relationship.
The Mon Calamari cruisers can take on multiple Imperial star destroyers at once, but were only converted for military function after the Mon Calamari were targetted and nearly wiped out by Imperial forces. No doubt Admiral Ackbar feels his people are the real leaders of the rebellion, and as allies the humans, who basically caused all these problems with their history of colonialism, should damn well shut up and take orders.
Who knows what the Bothans want from the whole thing, but many of them died to recover those plans, so they probably expect a cut of any political settlement when the Republic is re-established.
In real life we have a word for the problems of factionalism faced by Liberal political alliances.
(5) SEE STOKERCON. Ellen Datlow shared her photos of StokerCon 2018 on Flickr. Posing for the camera here are Craig Engler and the electrifying Scott Edelman.
Jim Meadows sent the link together with his commentary:
The whole thing got my attention, because I can remember watching “Let Me Hear You Whisper”, the Paul Zindel play that Zindel’s family says was unauthorized source material for The Shape of Water. The Time article mentions a 1990 TV movie (actually an episode in an artsy drama series on the A&E cable channel, according to IMDB). My memory is of an earlier production, in 1969, on the NET Playhouse series that ran on public television throughout the mid and late ’60s. My memories were reinforced a few years later when I found the play published in a 1970s Roger Elwood anthology, Six Science Fiction Plays.
I have not seen The Shape of Water, but the common points seem to include: a female janitor striking up a relationship with an intelligent aquatic creature housed in a research facility, with ensuing conflict between hard-headed scientists and the more romantic janitor. In Let Me Hear You Whisper, the creature was a talking dolphin, which I remember being a thing in SF back then. But unlike The Shape of Water, there was no physical relationship, just compassion on the janitor’s part for the dolphin’s plight. From the Time article, I gather there are other points of both similarity and difference.
The interesting question that makes this story more than One More Thing in the news is that of what counts as plagiarism. In science fiction, and, I suspect, other genres, there are countless stories that are essentially about the same thing. When is plagiarism, in the legal sense, involved? How many stories about, for instance, traveling to the moon for the first time, are actually very similar? Or telepathy? Or nuclear holocaust? If the plot-line goes in a different direction, or if certain basic elements are changed — a biped “river god” instead of a dolphin, for instance —- does that cancel out the charge of plagiarism? Among all these stories, how many cases exist that would meet legal grounds for a plagiarism charge? What is the precedent in these cases? Perhaps most importantly in a real-world sense, who could win a lawsuit?
Perhaps a lot of people could, but those lawsuits are never filed because most cases do not involve celebrated, money-making movies, but obscure stories in low-circulation magazines.
…So far I have visited more than 100 conventions in Poland. Their size ranged from less than 50 members to over 40 000 members. Among them were manga and anime cons, SF&F cons, some of them were multigenre and some were focused solely on gaming or on a particular franchise. I would like to pack all of those experiences with me. This way I can share pictures, memories and talk about the general Polish approach to conrunning and congoing….
(8) TODAY IN HISTORY
March 5, 1954 — The Creature from the Black Lagoon premiered.
…In this particular story, Plug Malone has hit it big at the races and when word gets out about his good fortune, he finds himself facing a huge number of fortune-hunting women looking for a husband. The story, both stylistically and in its depiction of men and women, is very much a throwback to the period in which [Damon] Runyon was writing his Broadway stories.
The story sets Malone’s desire not to get married against the various citizens of Broadway stating that as soon as he has money, women will want to marry him, turning the first line of Pride and Prejudice askew….
(10) COMICS SECTION.
Chip Hitchcock says it’s obvious Rose is Rose follows our new regular feature about cats.
The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate, and increase the amount of fiction we bring to you. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.
Who we are:
Co-Editor and Publisher Sean Wallace is the founder, publisher, and managing editor of Prime Books….
Co-Editor Mexican by birth, Canadian by inclination, Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music, magic and Mexico City, was listed as one of the best novels of the year …She was nominated for a World Fantasy Award for her work on the anthology She Walks in Shadows and is the guest-editor for Nightmare Magazine’s POC Destroy Horror. She edits The Jewish Mexican Literary Review together with award-winning author Lavie Tidhar.
Kate Baker is the podcast director and non-fiction editor for Clarkesworld Magazine. She has been very privileged to narrate over 250 short stories/poems by some of the biggest names in science fiction and fantasy. …She is currently working as the Operations Manager for the Science Fiction and Fantasy Writers of America.
Glittership is back after a short delay with new 2018 content! Woo! First up is an original story, a reprint, and a poem, all of which are gloriously queer. The fiction is set in the “real” world with a heavy emphasis on death and with people generally occupying space bordering both the living and the dead. Especially for queer people who are in a state of constant danger, it’s a precarious space, but it can also be a powerful one that allows them to face the larger world and its mysteries more directly. These are rather wrenching pieces, and the the poetry doesn’t let up, looking at shapeshifting and portrayal and it’s just wonderful work all around that I should get to reviewing!
(13) EXACTLY. I confess to having a problem with all awards that use the eligibility year instead of the award year in their titles, not just the Nebulas.
I think this is @SFWA's fault, to be honest. I've been working on Nebula stuff during that time, and it's the 2017 Nebulas (awarded in 2018.)
Thomas D. Clareson Award for distinguished service: Veronica Hollinger
Mary Kay Bray Award for best essay, interview, or extended review to appear in the SFRA Review: Hugh C. O’Connell for his review of Jack Fennell’s Irish Science Fiction
Pilgrim Award for lifetime contribution to SF and Fantasy scholarship: Carl Freedman
Pioneer Award for best critical essay-length work of the year: Thomas Strychacz for “The Political Economy of Potato Farming in Andy Weir’s The Martian” in Science Fiction Studies
Student Paper Award for outstanding scholarly essay read at the annual SFRA conference: Josh Pearson, for “New Weird Frankenworlds: Speaking and Laboring Worlds in Cisco’s Internet of Everything.”
Honorable mention for student paper goes to Kylie Kornsnack for “Towards a Time Travel Aesthetic: Writing-between-worlds in Okorafor, Butler, and Baledosingh.”
Also, in January, SFRA named Dr. Emily Cox the winner of the Support a New Scholar Award.
[Via Locus Online and SF Site News.]
(16) MOTH MAN. Neil Gaiman has participated in a few Moth storytelling events. Moth participants relate true events from their lives before a theater audience. Here is a list of his stories that are currently available via The Moth’s website.
(17) I’M BAAACK. Disney dropped the teaser trailer for Mary Poppins Returns.
[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Jim Meadows, Rich Lynch, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Dann Todd, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
Producing photorealistic digital humans, animals and other types of creatures has been a one of the holy grails for computer scientists and digital artists since the nascent days of the CGI technology revolution. More recently, in the last 10-15 years, many filmmakers have made significant strides toward achieving the goal — some more convincingly than others — of bringing believable photoreal human and lifelike digital characters to the screen.
From the first full-length photorealistic animated film, Hironobu Sakaguchi’s Final Fantasy: The Spirits Within (2001) to Peter Jackson’s ground-breaking Lord of the Rings trilogy (2001-2003), Robert Zemeckis’ innovative but not hugely popular Polar Express (2004) and Beowulf (2007), David Fincher’s mesmerizing The Curious Case of Benjamin Button (2008), various wildly popular Marvel movies starting with Iron Man (2008), and of course, seminal films like James Cameron’s Avatar (2009) and Rupert Wyatt’s Rise of the Planet of the Apes (2011), filmmakers have continually raised the bar, and stakes, with a series of increasingly complex digital characters that don’t just wow audiences with their stunning visuals, but capture people’s hearts with their believably emotional performances. The growing list of such digital performances is a testament to the unending audience appetite for visually engaging storytelling produced by a new generation of talented filmmakers more and more adept at embracing and making use of sophisticated production technology.
… According to Edlund, when you consider digital characters such as Caesar, you must also consider the team responsible for animating the performance. “Well, [the Academy is] studying this whole issue,” he says. “I know Andy Serkis thinks that he was the first one to use motion-capture and all that, and he’s a talented guy. But the thing is, Andy Serkis’s performances are also tweaked by animators, and so rather than giving Andy Serkis the entire award…if he were to be nominated and voted in, you’d have to split the award with the animators. So, it’s a very difficult thing. There’s always a serendipity about performance. There are things not on the page of the script that happen within the performance of the actor. When you animate, everything is intellectual, everything is being created. So, this is the valley that animators have to cross.”
(2) ALL FAME IS FLEETING. It’s time again for Young People Read Old SFF. James Davis Nicoll has turned them loose on Hall of Fame short story “It’s A Good Life” by Jerome Bixby.
Jerome Bixby was one of those reliable, unremarkable mid-listers the field used to support in decades past. In general, his work was a decent way to pass a half hour but not often memorable. “It’s a Good Life” is the exception, selected for the Hall of Fame, adapted to TV and the silver screen and referenced in a number of other works. Of course, the story’s heyday was in the distance past, in a now half-forgotten era of slide-rules and black & white television. How will it read to my Young Readers?
This groundswell of action also includes fan communities. One such organization is .Gallifrey Stands, a coalition who announced their Who Against Guns campaign on Monday. According to organizers, the campaign is “an initiative to encourage Doctor Who fans to take action against gun violence.”
To that end, the group has organized a massive charity podcasting effort: 40 Doctor Who fans, which include professional Doctor Who writers and artists, will record an exclusive commentary to the 1969 Classic Who story “The War Games.” The 11-episode podcast will only be released to listeners who make a donation of $10 or more to an organization committed to ending gun violence. Supporters then forward their receipt to the group, and the commentary will be made available for download on March 12th.
Doctor Who showrunner and writer Steven Moffat is joining the effort to raise money for gun violence prevention charities–but only if fans donate a total of $7000 by March 12. If they do, Moffat will provide a special commentary on episode 10 of “The War Games.”
…He joins a growing roster of professional Doctor Who scribes that have signed on to Who Against Guns, lending their thoughts to a commentary which includes Paul Cornell (“Human Nature”, “Family of Blood”) Jamie Mathieson (“Oxygen”, “Flatline”), Andrew Smith (“Full Circle”), and Peter Harness (“The Zygon Invasion”, “Kill The Moon”).
Comic professionals have also lent their efforts to the campaign. Titan Comic artists Rachael Stott (Doctor Who: The Thirteenth Doctor), and Simon Fraser (Doctor Who: The Eleventh Doctor) are among those commentating, as are a number of Doctor Who podcasters.
Krause Publications, which for years published both Comics Buyer’s Guide and Comics Retailer, is closing its Iola, Wis., office in March, moving the remaining personnel to a larger city. But as my fellow former employee Maggie Thompson learned last week, the file copies of most of the magazines were to be discarded, as well as a significant portion of the library materials.
For Comics Buyer’s Guide — read my history of the magazine here — this took in a huge number of issues. More than 5,000 copies, between two and ten each of every issue from #482 in 1983 to #1699 in 2013. This amounted to 105 cases weighing more than two tons — all destined for destruction.
The company donated the materials to Maggie and me to place, but the caveat was that we only had 72 hours to find homes for them all — and while Maggie sent the CBG bound copies to Columbia University, the file copies were still a very large problem.
Discworld is a massive series written by Pratchett — who died in 2015 — which spans 41 books, dozens of characters, and a variety of smaller, thematic sub-series within the larger work. This show will reportedly be a six-episode series, with a current working title The Watch. That implies that it’ll be based off one of the most popular subsets of the overall series, featuring the Ankh-Morpork City Watch, which grows from a ramshackle group of a couple officers trying to get by to a full-fledged city police force over the course of the series.
Today we celebrate the birthday of Dr. Seuss with a little bit of history you might not have known… So pull up a chair and prepare for the story of how Dr. Seuss made his way into our wonderfully weird world of beer.
Who Knew? Dr. Seuss Could Brew?
Whether it’s the childhood memories of his books or you’re watching the new films today, Dr. Seuss’s tales are “too good to miss.” Theodor Seuss Geisel was born on March 2, 1904 in Springfield, MA. Remember those famous illustrations he made for Narragansett Beer back in the day? The most famous being the tray shown above. Antique collectors date these works around the 1940?s. He did other illustrations that appeared in print ads and coasters like this one.
One of the most interesting facts was that both his father, Theodor Robert Geisel, and grandfather Geisel were brewers. In fact, his German immigrant grandfather owned the Kalmbach and Geisel Brewery, or “Come Back and Guzzle” as the locals called it, in Springfield. In 1894 it was renamed the Highland Brewery and five years later it became part of the Springfield Breweries.
(7) LE GUIN OVERVIEW. John Crowley, in “The Whole Household of Man”, reviews the Library of America edition of Ursula K. Le Guin’s The Hainish Novels and Stories for Harper’s Magazine.
In the science fiction of Ursula K. Le Guin, who died last month at the age of eighty-eight, planets circle suns other than ours, yet have landscapes and skies and seas not so unlike ours and natives who are mostly not very different from us. A single, tremendous idea made her imagined realms effectively strange, even while binding them all together as realms of the human. This is what she conceived: Some hundreds of thousands of terrestrial years ago, an advanced society on an Earth-like planet called Hain discovered the principle of near-light-speed travel, and with this advance they began to explore their galaxy. They sought planets where, whatever the differences from their home, beings like themselves could live and thrive, and there they planted colonies. Over the course of cosmic time, nine planets (among them our Earth, called Terra) were populated by Hainish people. Some of the populations are different in body and all different to some degree in culture; they come to have histories reaching back to time out of mind, and ways of doing and understanding things that are also ancient—but they are our own relations, brought and adapted to their worlds by our common ancestor. For every way we differ there is a way in which we are alike.
Le Guin’s parents were both famed ethnographers—her father, Alfred Kroeber, documented the life of Ishi, called “the last wild Indian in California”; her mother, Theodora, wrote Ishi in Two Worlds, a popular telling of his story. Le Guin became in her fiction not one ethnographer or historian but many. She deploys a force of investigators throughout the Hainish-populated parts of the galaxy to rediscover colonies founded millennia before, who observe and collect and draw conclusions that sometimes turn out to be inconsistent with one another—just as human ethnography and ethnographers do.
For the last six months, a red-tailed hawk has made its home in the ramparts of the Washington National Cathedral. And now, it officially has a name: Millennium Falcon.
(9) MONSTROUS GOOD STORY. Edmonton Hugo’s Book Club argues that Emil Ferris’ recent graphic novel My Favourite Thing Is Monsters should be strongly considered for nomination for this year’s Best Graphic Story Hugo. They compare the art to that of luminaries like Robert Crumb and Maurice Sendak, and suggest that this artwork elevates is above other contenders for comic book awards this year: “Best Graphic Story 2017 – My Favourite Thing Is Monsters”.
My Favorite Thing Is Monsters is the first graphic novel from Chicago-born illustrator and toy designer Emil Ferris. It may be the most significant and worthwhile graphic presentation to be published in the past decade.
Told in the form of a diary written by a 10-year-old girl in late-‘60s Chicago, My Favorite Thing Is Monsters is a love-letter to classic horror movies, to science fiction fandom, and to Forrest J. Ackerman’s Famous Monsters Of Filmland.
Ferris weaves a variety of narratives through the work, as the young protagonist Karen Reyes investigates the murder of her mysterious neighbor Anka Silverberg. Reyes’ isolation and alienation are expressed through her transformation (possibly only in her imagination) into a werewolf-style monster.
Robotics have long been used to manufacture mass-produced, flat-pack furniture but MIT’s work could pave the way for robots to create custom furniture for specific purposes and spaces.
The robots will cut the wood correctly, adding the holes needed to assemble it, and carry the component parts around the room.
Compared to existing machines used by carpenters, AutoSaw is considerably cheaper and more mobile. As well as Roomba, the project uses two robots from German firm Kuka – though the particular model utilised by MIT’s team has since been discontinued.
When Amber Yang watched the film Gravity – which features a cataclysmic collision which destroys the International Space Station – it gave her an idea.
She knew that hundreds and thousands of miles above Earth, pieces of wreckage were whizzing around our planet – some of them big enough to cause billions of dollars worth of damage to precious satellites and spacecraft.
So Yang, bored by her schoolwork, decided to try and find a way of tracking it, and ensuring cosmic debris doesn’t become a danger to the next generation of humans venturing into space.
Introduction – Donna Scott
Blinders – Tyler Keevil
In the Night of the Comet (2017) – Adam Roberts
The Walls of Tithonium Chasma – Tim Major
3.8 Missions – Katie Gray
Over You – Jaine Fenn
The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself – Matt Dovey
Uniquo – Aliya Whiteley
Looking for Laika – Laura Mauro
A Good Citizen – Anne Charnock
Mercury Teardrops – Jeff Noon
The Nightingales in Plàtres – Natalia Theodoridou
The Road to the Sea – Lavie Tidhar
When I Close My Eyes – Chris Barnham
Targets – Eric Brown
London Calling – Philip A. Suggars
The Last Word – Ken MacLeod
After the Atrocity – Ian Creasey
Voicemail – Karen McCreedy
Green Boughs Will Cover Thee – Sarah Byrne
Airless – N.J. Ramsden
Product Recall – Robert Bagnall
The Endling Market – E. J. Swift
About the Authors
(14) SPACE MUSIC. Broken Bells’s “The Ghost Inside” is a music video that has spaceships and other sf imagery in it.
[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Tim Walters, Mark Hepworth, James Davis Nicoll, Martin Morse Wooster, Cat Eldridge, Andrew Porter, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Beatty told the audience that they had read the wrong envelope, saying that he saw that Emma Stone won for La La Land, who was actually the winner for best actress. Dunaway had read the winner before Beatty could stop her.
“I opened the envelope and it said ‘Emma Stone, La La Land.’ That’s why I took such a long look at Faye, and at you. I wasn’t trying to be funny,” Beatty assured everyone, after admitting to the mistake and explaining that they had the wrong envelope
Fans immediately took to Facebook telling their friends it reminded them of the big mistake made during the Hugo ceremonies at Magicon in 1992.
As I wrote in my Worldcon report:
…The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen….
The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.
As [convention chair] Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.
Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering Magicon’s Hugo to the Lynches.
Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude [when she received the Big Heart Award], which permanently endeared him to women who commented about it later.
Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.
When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.
When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….” Yelled the audience, “That’s ‘Thing’!”
…People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.
The 1992 drama reminded everyone of what happened to Gene Wolfe at the 1971 Nebulas because it was a well-known story, having been retold by Harlan Ellison in Again, Dangerous Visions. A few years ago I pulled together people’s accounts of that night —
However, nothing can rival Isaac Asimov’s ghastly mistake at the 1971 Nebula Awards ceremony. Nor has any other gaffe worked out better for the injured party in the long run.
On Saturday, April 3, 1971 the leading science fiction professionals were seated around banquet tables in New York’s Les Champs Restaurant watching Asimov hand out the Nebulas.
Asimov had been pressed into service at the last minute. While that was not a problem for anyone who loved an audience as much as the Good Doctor, it meant that he had little time to study the handwritten list of results. In those days the emcee was not only given the names of the winners, but the names of the runners-up, which he also announced.
When Asimov came to the Short Story category his eyes slipped over “No Award” and he read the first real name on the list — which was Gene Wolfe, author of “The Island of Doctor Death and Other Stories.”
As Wolfe stood up a SFWA officer promptly whispered a correction to Asimov. Asimov went pale and announced he’d made an error. There was “No Award” in the Short Story category. Wolfe sat back down.
Eyewitness Harlan Ellison (writing in Again Dangerous Visions) says everyone felt awful –
Around him everyone felt the rollercoaster nausea of stomachs dropping out of backsides. Had it been me, I would have fainted or screamed or punched Norbert Slepyan of Scribner’s, who was sitting next to me. Gene Wolfe just smiled faintly and tried to make us all feel at ease by a shrug and a gentle nod of his head.
Fortunately, the mistake was eventually redeemed. As the author explained:
A month or so after the banquet I was talking to Joe Hensley, and he joked that I should write “The Death of Doctor Island,” saying that everyone felt so sorry for me that it was sure to win. I thought about that when I got home and decided to try, turning things inside out to achieve a different story.
He did, and his novella “The Death of Doctor Island” won a Nebula in 1974.
While we now know how Asimov made his mistake, we probably don’t have the full and complete explanation for the Oscar mixup because Beatty’s on-camera explanation is being disputed.
Backstage, Stone claimed she had the card that announced her as best actress win “the entire time.”
“I don’t mean to start stuff,” she said. “But whatever story that was … I had that card. I’m not sure what happened.”