Pixel Scroll 12/18/23 Happiness Is A Scrolled Pixel

(1) CAN YOU DIG IT? “And the winner for San Jose BART’s boring machine name competition is…” The Mercury News tears open the envelope.

After more than 400 submissions and 1,175 votes on a name for San Jose BART’s tunnel boring machine, we have a winner — and it’s sure to make sci-fi fans giddy.

“Shai-Hulud” came in first place, with 229 votes, a nod to the sand worm creatures in the popular “Dune” novels and movies that many readers say resemble the boring machine that will carve a nearly five-mile tunnel underneath San Jose for the future BART extension. The Valley Transportation Authority purchased the $76 million dollar device in November from Germany and it will be shipped to the South Bay in pieces before being reassembled. Construction is set to begin in 2025.

…In second place is “Boris,” with 220 votes. In third: “Chewy” with 200 votes.

Here are the names that didn’t make it into the top three for BART’s project:

– Diggy McDigface – 127 votes

– Dionne Warwick (Grammy Award-winning singer of “Do You Know the Way to San Jose”) – 114 votes

– Boring McBoringface – 87 votes

– Janet Gray (San Jose’s first female mayor) – 86 votes

– Sarah Winchester (Designer and resident of San Jose’s Winchester Mystery House) – 64 votes

– Susan Hammer (San Jose’s second female mayor) – 26 votes

– Dianne Feinstein (Former California senator) – 22 votes

(2) COURT SQUELCHES FANFIC PUBLISHER’S SUIT AGAINST AMAZON, TOLKIEN ESTATE. The BBC tells what the court decided after “Lord of the Rings fan fiction writer sued for publishing own sequel”.

A fan fiction writer has been sued by the estate of JRR Tolkien for copyright after publishing his own sequel to The Lord of the Rings.

US-based author Demetrious Polychron published a book called The Fellowship of the King in 2022.

He dubbed it “the pitch-perfect sequel to The Lord of the Rings.”

The court ruled that Polychron must stop distributing copies of the book and destroy all physical and electronic copies.

In April 2023 Polychron attempted to sue the Tolkein estate and Amazon, claiming the TV series, Rings of Power, infringed the copyright in his book.

The case was dismissed after the judge ruled that Polychron’s own book was infringing on Amazon’s prequel that was released in September 2022.

Judge Steven V Wilson called the lawsuit “frivolous and unreasonably filed” and granted the permanent injunction, preventing him from selling his book and any other planned sequels, of which there were six….

Deadline’s story has additional details: “The Tolkien Estate & Amazon Win ‘Lord Of The Rings’ Lawsuits”.

The Tolkien Estate and Amazon have been victorious in their court battle with an author who first published a book titled The Fellowship of the King and then demanded $250M after claiming Prime Video had stolen the idea for its TV series.

In court documents issued by the District Court of California on December 14, both cases brought by Demetrious Polychron were thrown out by Judge Stephen V. Wilson, who ordered Polychron to pay the Tolkien Estate and Amazon’s legal fees totalling around $134,000 (read the Tolkien order here).

In 2017, the same year Warner Bros and the Tolkien Estate settled their five-year $80 million rights legal battle, Polychron registered a fan fiction sequel book titled The Fellowship of the King, which he claimed to be the  “the pitch-perfect sequel to The Lord of the Rings,” according to the Tolkien Estate lawyers. Rather incredibly, he then commenced a $250M lawsuit against the Tolkien Estate and Amazon in April of this year, claiming that Amazon’s TV series The Rings of Power infringed the copyright in his book.

Wilson’s judgment threw out the claims around the Amazon TV series and granted a permanent injunction, which prevents Polychron from ever distributing any further copies of The Fellowship of the King, his planned sequels to that book, or any other derivative work based on the books of JRR Tolkien. He is also required to destroy all physical and electronic copies of his book and to file a declaration, under penalty of perjury, that he has complied. The judge also turned down Polychron’s requests to have his legal fees paid by Amazon and the estate….

(3) SLF WANTS ART. The Speculative Literature Foundation has put out a call for its “Illustration of the Year 2024” seeking a piece of original artwork, ideally combining fantasy and science fiction themes, to be featured as its cover art (Illustration of the Year or Artwork) for 2024.  Full guidelines at the link.

The Speculative Literature Foundation (SLF) announces an open call for original artwork combining fantasy and science fiction themes to be featured as its 2024 Illustration of the Year.

The winning artist will receive $750.00 (USD) and will be announced, along with the selected artwork, on SLF’s website and social media and in a press release. The winning artwork will be displayed on the SLF’s website and social media accounts and used as a visual element of SLF’s marketing material and swag.

Submission Dates: The deadline for submissions has been extended to December 31, 2023. The winner will be announced in January 2024.

Submission Instructions: Email submissions to [email protected] with subject line: “YOUR NAME – Illustration of the Year 2024.” In the body of the email, please include your name, email address, phone number, name of your artwork (if any), and short bio.

For more information and complete criteria and terms, visit speculativeliterature.org/ioty .

(4) JAPAN SCIENCE FICTION AWARDS FINALISTS. The Science Fiction Writers of Japan have announced the finalists for the 44th Japan Science Fiction Awards. Names and titles from computer translation.

  • Mitsunori Yuki, “Absolute Cold” (Hayakawa Shobo)
  • Yuki Shinsendo, “Kaiju” (Hayakawa Shobo)
  • Fumio Takano, “Graf Zeppelin: That Summer Airship” (Hayakawa Shobo)
  • Toshiji Hase, “Protocol of Humanity” (Hayakawa Shobo)
  • Mikihiko Kunaga, “Our Monster” (Tokyo Sogensha)

(5) OUTCOME OF ACTIVISION SEXUAL HARASSMENT ALLEGATIONS. The New York Times analyzes “The Questions Raised by California’s Dropped Sexual Harassment Suit Against Activision”.

On Friday, the California state agency that accused the video game maker Activision Blizzard of fostering a culture of sexual harassment against women withdrew those allegations in a $54 million settlement with the company.

The California Civil Rights Department found that “no court or any independent investigation has substantiated any allegations” about “systemic or widespread sexual harassment at Activision Blizzard.”

As part of the settlement, however, Activision agreed to pay as much as $47 million to address accusations of pay disparity and discrimination. All female employees who worked at the company between 2015 to 2020 will be offered a kind of monetary relief; they will get paid based on a formula. The company maintains it has offered equitable pay.

It is a stunning reversal. In 2021, the state agency estimated that Activision’s liability was about $1 billion, according to The Wall Street Journal. How the state agency went from accusing Activision of fostering a culture in which female employees were “subjected to constant sexual harassment” to withdrawing those claims a couple of years later isn’t clear.

Was it enforcement zeal? This all started with an anonymous complaint in 2018. That letter was followed by a lawsuit from the Federal Equal Employment Opportunity Commission in 2021 and shortly later another from the California Civil Rights Department, which was then called the Department of Fair Employment Housing. The state agency objected to the settlement reached in the E.E.O.C. case. And then finally came a scathing Wall Street Journal story about accusations that the company didn’t handle sexual misconduct allegations properly.

The journalist Matt Taibbi wrote about this investigation: “Corporate regulation often begins with an investigation and ends with a devastating headline, but California flipped the script.”

The settlement leaves big questions unanswered. In a news release, the California Civil Rights Department declared victory, heralding the $54 million payout and stating that “California remains deeply committed to promoting and enforcing the civil rights of women in the workplace.” That the agency found no legal wrongdoing doesn’t mean it found no wrongdoing at all.

But the case utilized vast resources. The chief counsel at the agency was fired last year. And it all comes about a year after Microsoft, which presumably conducted its own due diligence, paid $69 billion to acquire the gaming company, whose shares took a hit after the allegations came to light.

(6) SPECTRAL DOGS. The first episode of Rhianna Pratchett’s BBC Radio 4 program Mythical Creatures is “Black Dogs”. Hear it at the link.

Fantasy writer Rhianna Pratchett takes us across an enchanted British Isles to discover mythical creatures that lurk in all corners of the land. She uncovers what they can tell us about our history, our world and our lives today.

In the first episode of the series, Rhianna is on the trail of Black Dogs. She visits Suffolk, to hear a tale of a hellhound that left its mark on the small town of Bungay. It’s one of many spectral black dogs that are said to stalk coastal paths and lonely crossroads. Rhianna explores why Black Dogs appear so often in folklore, and their psychological link to fear and negative emotions.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

1966 How the Grinch Stole Christmas! (the fuller name being Dr. Seuss’ How the Grinch Stole Christmas!) first aired fifty-seven years ago this night on CBS. It was directed and co-produced by Chuck Jones. Who of course did the stellar animation. 

Jones and Theodore Geisel (Dr. Seuss) had worked together on the Private Snafu training cartoons at Warner Bros. Cartoons during World War II. Jones’s considered Grinch the equal of Scrooge for Christmas villains. 

The show is based on the 1957 children’s book of the same name by Dr. Seuss, and tells the story of the pre-reform Grinch, who tries to ruin Christmas for the townsfolk of Whoville below his mountain hideaway. (Whoville which lives on the trunk of Horton.) Will Christmas be saved? Will the Grinch be getting a bigger heart? I’m assuming I don’t need any spoilers here.

Boris Karloff is the Grinch and the narrator, and Thurl Ravenscroft sings that song which you know all so well: “You’re a vile one, Mr. Grinch. You have termites in your smile! You have all the tender sweetness. Of a seasick crocodile, Mr. Grinch.” 

Additional casting here is June Foray as Cindy Lou Who, Dallas McKennon as Max and the MGM Studio Chorus as the ever so talented Citizens of Whoville. Damn I loved those voices.

And now I must go watch it again…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 18, 1946 Steven Spielberg, 77. One of my favorite directors ever. Not as risk-taking as say Terry Gilliam but definitely one who’s done a lot of work that I find pleasing and that in my book counts for a lot.

I’m going to do a rewatch of Columbo this winter, so I was delighted to discover that he directed the first non-pilot episode of the series, “Murder by the Book”. He is credited with giving us the mannerisms of the detective and the look of the series.

He got that gig for having worked with Rod Serling on The Night Gallery where in one episode he directed Joan Crawford, that being “Eyes”. What other episodes that he directed are unclear because as a new director credit may gone to more senior directors, so it is thought that “A Matter of Semantics” that featured Cesar Romero and was credited to Jack Laird might have been his work. 

His first major hit was Jaws which is not my fish and chips so I’ll pass by it here as we’re discussing what I like by him. 

He made up for Jaws with Close Encounters of the Third Kind which is simply brilliant, E.T. the Extra-Terrestrial which still makes me sniff, and two out of three of the Indiana Jones trilogy. 

No, I vehemently did not like the Indiana Jones and the Temple of Doom. I saw it once and that was more than enough, thank you. 

Now Jurassic Park is one of the best monster films ever. Why it was so excellent that it even won a Hugo at ConAdian! Who came and accepted that Hugo? 

There is a lot of lot films next in his career that I didn’t care for until we come to the extraordinary undertaking that is The Adventures of Tintin from the French strip by Hergé. A true treat in animation this was. 

(Digression for a moment. He was an Executive Producer or Producer on way too many undertakings to list here that I liked. Who Framed Roger RabbitGremlinsAnimaniacs (both series), Pinky and the BrainFreakazoid! — that’s just a few I like.) 

Then there’s Hook with Robin Williams as an adult Peter Pan, Julia Roberts as Tinker Bell and the Dustin Hoffman as Captain Hook. Need I say more. Well there is the crocodile…

I think I’ll finish with The BFG, his adaptation of Roald Dahl’s children’s book. Fantastic film that’s true to the book, no mean feat.

(9) COMICS SECTION.

(10) MAIL FROM RAY. Critic Dwight Garner throttles the new Ray Bradbury letter collection and its editor, Jonathan R. Eller, in a New York Times review: “What Wonders Do Ray Bradbury’s Letters Reveal?”

…There is no sugarcoating it: Bradbury’s letters are amazing in their dullness and sterility. If I had to sum up their tone and content in a sentence, it would be: “Thank you for your eight tons of sycophantic bloviating, here are 16 tons in return.” While reading “Remembrance” I began to dream about cutting off my fingers, like Brendan Gleeson in “The Banshees of Inisherin,” one by one, so I wouldn’t have to turn another page.

You can’t blame writers for the quality of their letters — unless they sought to have them published. Apparently, late in life, Bradbury did so. This collection was edited by Bradbury’s biographer, Jonathan R. Eller, who is also a co-founder of the Center for Ray Bradbury Studies at Indiana University.

His trilogy of Bradbury biographies is comprehensive and sympathetic, but here he’s done his subject no favors. I am going to resort to making a short list of this book’s drawbacks, to provide scaffolding for my inchoate feelings of distress.

A) The introduction doesn’t introduce Bradbury. The reader requires a certain amount of core information — a gloss of Bradbury’s childhood, education, career, prizes, family, homes, travel, the themes of his work — so as not to enter blind. The introduction is instead a summary of what is to come in the book. This is the least felicitous type of introduction, for the same reason that “as I will demonstrate later” are the worst five words in the English language, after “brace for a water landing.”

B) This book is oddly sorted. Bradbury’s letters are presented not in chronological order but grouped by theme and then, in sub-groupings, by correspondent, so that we are always pinging around in time, like Bill and Ted on their excellent adventure. A letter from 1965 will be followed by one from 2004, and then we are suddenly back in the 1950s. This prevents us from charting the development of Bradbury’s voice and of his inner resources. The hero of our narrative is lost in a maze.

C) Many letters not from Bradbury but to him are included. These are filler and might have been summarized. More to the point, they’re confusing. It’s easy to forget, in a book of Bradbury’s letters, that you are not currently reading Bradbury….

(11) TUNED UP. Neil Gaiman will be singing in the Sydney Opera House reports the Guardian: “’Like a gothy yoghurt starter’: how Neil Gaiman and an Australian string quartet fell in love”.

Neil Gaiman is well known for his melodic, dreamy voice, which has been put to use on everything from audiobooks to voicing the Simpsons’s cat Snowball. But Neil Gaiman the singer? When he’d occasionally perform live with his ex-wife, the musician Amanda Palmer, his voice was described by the New York Times, perhaps a little unkindly, as “a novelist’s version of singing”.

Next month Gaiman is bringing that voice to the Sydney Opera House, where he’ll be performing with the Australian string quartet FourPlay. How is he feeling about singing on one of the most prestigious stages in the world?

“Terrified. Absolutely terrified,” Gaiman sighs. “I’ve had to learn to trust FourPlay. I’m always reassured by the fact that Lara can actually sing.”

“I’ve been a singer for 30 years and I’m equally terrified, Neil!” interjects Lara Goodridge, one part of FourPlay along with Shenzo Gregorio and brothers Tim and Peter Hollo. “We are all vulnerable on stage together. But I think that’s a really lovely part of it – we’re there to catch each other. It’s exciting to be that alive.”…

(12) SHORE THING. [Item by Steven French.] From Viking longboats to satellites: “Shetland island to house UK’s first vertical rocket launch spaceport”.

For centuries, Unst has been famous for its richly varied wildlife, pristine beaches and unspoilt sea views. Now the remote Shetland island is leading Britain into space.

A former RAF base on a remote peninsula of the island has become the UK’s first licensed spaceport for vertical rocket launches. It will allow up to 30 satellites and other payloads to be launched into commercially valuable polar, sun-synchronous orbits, which are in high demand from satellite operators for communications and Earth observation.

The site, SaxaVord spaceport, was identified in a 2017 report as a place where rockets carrying the greatest payloads could be launched into space with the lowest risk to people on the ground, if the spacecraft failed and crashed back to Earth.

The island, which has about 650 inhabitants, is at the northernmost tip of the British Isles and was one of the first Viking outposts in the North Atlantic. Its location means that rockets lifting off from the site do not need to pass over populated areas, unlike those launched from other sites, which have to perform dog-leg manoeuvres, limiting the weight of the payload they can carry…

…Developing the spaceport, which includes three launch pads and a hangar for assembling rockets, has cost just under £30m so far. There are also plans to build a hotel and visitor centre at SaxaVord….

(13) FIRST ONE SHOE DROPS, THEN THE OTHER. The actor who played Kang lost in court, then lost his MCU role. Variety reports: “Jonathan Majors Guilty of Harassment and Assault”.

Jonathan Majors was convicted of assaulting his ex-girlfriend, Grace Jabbari. A Manhattan jury found the Marvel actor guilty on Monday of two misdemeanor counts of harassment and assault but acquitted him on two other counts. 

The six-person jury found Majors not guilty on one count of intentional assault in the third degree and one count of aggravated harassment in the second degree. Majors, wearing a dark gray suit and seated in the courtroom with his attorneys and current girlfriend Meagan Good, did not react when the verdict was read….

…Majors was arrested in March in New York City after he assaulted Jabbari in the backseat of a private vehicle. Jabbari, a 30-year-old choreographer who met Majors on the set of Marvel’s “Ant-Man and the Wasp: Quantumania,” testified she grabbed Majors’ phone after seeing a text message from another woman. Jabbari described that as Majors attempted to forcefully retrieve his phone from her, she felt “a hard blow” across her head that resulted in bruising, swelling and substantial pain….

Variety followed with news that “Jonathan Majors Dropped by Marvel Studios After Guilty Verdict”.

Marvel Studios has parted ways with Jonathan Majors — the actor cast to play Kang, the central antagonist in the Multiverse Saga of the Marvel Cinematic Universe — after he was convicted on Dec. 18 of two misdemeanor counts of harassment and assault of Grace Jabbari, his ex-girlfriend. A source close to the studio confirmed the decision to Variety.

In the verdict, Majors was also found not guilty of one count of intentional assault in the third degree and one count of aggravated harassment in the second degree….

(14) FAST EXPOSURE. “MIT camera can capture the speed of light” at Upworthy.

A new camera developed at MIT can photograph a trillion frames per second.

Compare that with a traditional movie camera which takes a mere 24. This new advancement in photographic technology has given scientists the ability to photograph the movement of the fastest thing in the Universe, light.

The actual event occurred in a nano second, but the camera has the ability to slow it down to twenty seconds.

For some perspective, according to New York Times writer, John Markoff, “If a bullet were tracked in the same fashion moving through the same fluid, the resulting movie would last three years.”…

(15) THE FINAL GIFT. What the kids want to find under the tree. Humor or horror? “Pongo” on Saturday Night Live.

(16) VIDEO OF THE DAY. Ryan George takes us inside “The Hunger Games: The Ballad of Songbirds and Snakes Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Kathy Sullivan, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 3/29/23 Pixelovid Inhibits The Virus From Cross-Posting

(1) CAT RAMBO MAKES APOLOGY ABOUT WORKSHOP VENUE. Amplifying yesterday’s announcement of The Wayward Wormhole workshop in Spain, Cat Rambo has written “An Apology to the F&SF Community, and Particularly to Those who Look to Me for Leadership” in respect to the 2023 location’s lack of accessibility.

So let me start out by saying I screwed up, and in a way that I should have known better than to do. The problem is that the Wayward Wormhole intensive writing workshop that I’m hosting is in one way absolutely not up to standard, and that is its lack of accessibility. This is particularly unacceptable given that I have called out inaccessible venues in the past….

… So I apologize to the community for setting a bad example. I apologize to my teachers for having involved them in this ethical lapse. And I apologize, abjectly, to my students for having let them down in this regard.

Given that I have already made a substantial down payment that is nonrefundable and which I can’t afford to lose, what are the material steps I can do to show I understand I fucked up and mean to make it right?

The amends Cat will make are identified in four points at the post.

(2) OOPS. Hell Gate NYC is reporting “Some Guy Bought the Flatiron Building and Didn’t Pay for It”. The winning bidder on the Flatiron Building in a public auction held earlier this month has failed to make the $19 million down payment.

…[Jacob] Garlick fell to his knees upon winning the auction and appeared to cry, but why was he crying? Because of the rush of adrenaline that can only come from doing something a 14-year-old version of you would find really cool? Because he fucked up and bid his way into a Coen brothers-esque scenario? (Per our own Adlan Jackson: It’s fine to cry at work, just don’t pretend it’s about the building.) Garlick’s LinkedIn profile says he is “passionate about building deep relationships,” but maybe a little less passionate about actually coughing up the money for the Flatiron building—which he notably did not post about buying even though he’s pretty active on the platform. 

We reached out to Garlick for comment, and until we hear from the man himself, I guess we’ll never know his true motives—or the true source of his apparent buyer’s remorse…. 

According to Spectrum News 1 the next person in line to buy the building may not exercise his right:

…Under the terms of the sale, set by a judge, the building could be offered to the second-highest bidder: Jeffrey Gural, who was part owner of the Flatiron Building heading into the auction.

Gural tapped out after making a $189.5 million bid. But Gural told NY1 he was not interested in the Flatiron Building at that price….

He previously told NY1 he thought the winning bidder offered too much money, as the historic building needs extensive and expensive repairs.

(3) BRANDON SANDERSON, ESQUIRE. [Item by PhilRM.] Adam Morgan’s Esquire profile “Welcome to Brandon Sanderson’s Fantasy Empire” apparently was originally intended to appear just a few hours after Jason Kehe’s hit piece in Wired. The author reached out to Kehe for comment before this piece was published today, but didn’t get much of a response.

“This is my dream,” Brandon Sanderson says.

We’re 30 feet beneath the surface of northern Utah, in a room that feels like a cross between a five-star hotel lobby and a Bond villain’s secret base. My ears popped on the way down. Sanderson points to the grand piano, the shelves filled with ammonite fossils, the high walls covered in wood and damask paneling, and his pièce de résistance: a cylindrical aquarium swirling with saltwater fish.

“George R. R. Martin bought an old movie theater. Jim Butcher bought a LARPing castle,” he says. “I built an underground supervillain lair.”

This is where Sanderson writes bestselling fantasy and science fiction novels. Many of them take place in an interconnected series of worlds called the Cosmere, his ink-and-paper equivalent of the Marvel Cinematic Universe. But instead of superheroes defending Earth, Sanderson’s warriors, thieves, scholars, and royals are spread across a richly detailed system of planets, from the ash-covered cities of Scadrial to the shattered plains of Roshar—a landscape directly inspired by the sandstone buttes and slot canyons of southeastern Utah.

It all started 25 years ago when Sanderson, a practicing Mormon, was an undergraduate student at Brigham Young University just 15 miles away in Provo. He took a part-time job working night shifts at the front desk of a nearby hotel, where he could write between midnight and 5:00 AM.

Over the next five years, while working at the hotel during and after his undergraduate years at BYU, he wrote 12 full-length novels that were all rejected by publishers. But one day in 2003, Moshe Feder, an editor at the Tor Books subsidiary of the publishing house Macmillan, discovered one of his manuscripts in the slush pile—and the fate of the Cosmere was sealed….

…Sanderson tells me he hasn’t heard from Kehe or anyone else at WIRED since the profile ran. “But I hope I can talk to [Kehe] again at some point,” he says. “Anytime I get criticism from anyone, my job is to listen.” Before we hang up, he compares this experience to something in the Cosmere. “One of the main themes of Mistborn is that it’s worth trusting people, even though they can hurt you,” he says. “It’s better to trust and be betrayed in real life, too.”

Over email, I ask Kehe a few questions as well. Why did he read so many of Sanderson’s books if he didn’t like the writing? Was he surprised by the responses to his story? Did the responses change his perspective on anything? Kehe writes back: “As I’ve said to others, the piece belongs to readers now. They get the last word.”…

(4) TUNE OF THE UNKNOWN. NPR’s Maureen Corrigan reviews Biography of X, an alternate history that may, or may not, be considered genre: “Everything she knew about her wife was false — a faux biography finds the ‘truth'”.

To those readers who prize “relatability,” Catherine Lacey’s latest novel may as well come wrapped in a barbed wire book jacket. There is almost nothing about Biography of X, as this novel is called, that welcomes a reader in — least of all, its enigmatic central character, a fierce female artist who died in 1996 and who called herself “X,” as well as a slew of other names. Think Cate Blanchett as Tár, except more narcicisstic and less chummy.

When the novel opens, X’s biography is in the early stages of being researched by her grieving widow, a woman called CM, who comes to realize that pretty much everything she thought she knew about her late wife was false. The fragmented biography of X that CM slowly assembles is shored up by footnotes and photographs, included here.

Real-life figures also trespass onto the pages of this biography to interact with X — who, I must remind you, is a made-up character. Among X’s friends are Patti Smith, the former Weather Underground radical Kathy Boudin, and the beloved New York School poet, Frank O’Hara.

As if this narrative weren’t splintered enough, Lacey’s novel is also a work of alternate history, in which we learn that post-World War II America divided into three sections: The liberal Northern Territory where Emma Goldman served as FDR’s chief of staff (don’t let the dates trip you up); the Southern Territory, labeled a “tyrannical theocracy,” and the off-the-grid “Western Territory.” A violent “Reunification” of the Northern and Southern Territories has taken place, but relations remain hostile…

(5) GAME OVER. “Rift Between Gaming Giants Shows Toll of China’s Economic Crackdown” – the New York Times has the story.

Last October, executives at the Chinese gaming company NetEase and the American video game developer Activision Blizzard joined a Zoom videoconference to discuss the future of their 14-year partnership to offer Activision’s games like World of Warcraft in China.

NetEase executives were worried about new laws imposed by the Chinese government and wanted to make changes to their longstanding contract with Activision to ensure they were in compliance.

But the companies left the call with drastically different interpretations of what had been said, according to four people familiar with the talks and a document viewed by The New York Times. What NetEase executives contended was a conciliatory gesture was seen as a threat by Activision executives. A month later, the companies broke off talks.

In January, more than three million Chinese players lost access to Activision’s iconic games when the partnership ended, and angry NetEase employees livestreamed the dismantling of a 32-foot sculpture of an ax from World of Warcraft that stood outside NetEase’s headquarters in Hangzhou, China.

The testy breakup, after months of talks, ended a relationship that had seemed to prove that global commerce could thrive despite deepening geopolitical rifts. A partnership that had been worth about $750 million in annual revenue, according to company filings and the video game research firm Niko Partners, had become another case study in the increasing difficulty of doing business in China….

… In late January, most of Activision’s games — including World of Warcraft, Diablo III and Overwatch — went dark in China. Chinese companies, including NetEase, released games that some analysts said bore close similarities to the shuttered Activision titles.

NetEase also made a recruiting pitch to former World of Warcraft players, hoping to get them to join Justice Online, a NetEase game in the same genre as World of Warcraft. Online, people posted photos of items from the Justice and Warcraft games that resembled each other.

NetEase said its games did not share similarities with Activision’s….

(6) AB FAN COLLAB. [Item by Mike Kennedy.] In a collaboration between Fermilab scientists and fashion students at the College of DuPage (both in the western part of greater Chicago), Spot now has some new duds. Or will have, once the scientists plus up a little on their tailoring skills.

The lab wanted to be able to send Spot into areas around their nuclear accelerator not “cool“ enough for humans (in a radiation sense) but provide for protection of the robot doggo from radioactive dust. The students said, “Challenge accepted.”

So, they found a way to modify human hazmat suits, including adding Velcro in strategic spots to keep the material from interfering with the sensors. They also had to be careful to size the garment so it wouldn’t get pinched in any of the bot’s joints. And, they found that off-the-shelf dog booties fit Spot’s feet quite well, completing the ensemble.

The students will deliver a pattern & instructions to the scientists designed to avoid difficult sewing tasks. For instance, if you’ve ever had to size an armhole and a matching sleeve then get them sewn together in anything like a working fashion, you know how hard that can be.  “A collaboration pairs Fermilab with fashion students” at Symmetry Magazine.

(7) MEMORY LANE.

1953[Compiled by Cat Eldridge.]

So let’s have the Beginning of the most iconic British spies, James Bond. 

Ian Fleming’s Casino Royale was published by Jonathan Cape In hardcover in 1953. Like all the Bond novels, it’s fairly short at two hundred and thirteen pages in this printing. 

It has been a Daily Express comic strip, a Fifties episode of the CBS television series Climax! with Barry Nelson as an American Bond, Jimmy Bond, the Sixties film version with David Niven playing him, and of course the film with Daniel Craig.

He originally named his spy James Secretan before he borrowed the name of James Bond, author of the well known ornithology guide, Birds of the West Indies. As for his looks, he said, “Bond reminds me rather of Hoagy Carmichael.” 

The cover below was devised by Fleming.

A first edition is worth at least seventeen thousand dollars. 

And now for our Beginning…

CHAPTER 1

THE SECRET AGENT

The scent and smoke and sweat of a casino are nauseating at three in the morning. Then the soul-erosion produced by high gambling—a compost of greed and fear and nervous tension—becomes unbearable and the senses awake and revolt from it.

James Bond suddenly knew that he was tired. He always knew when his body or his mind had had enough and he always acted on the knowledge. This helped him to avoid staleness and the sensual bluntness that breeds mistakes.

He shifted himself unobtrusively away from the roulette he had been playing and went to stand for a moment at the brass rail which surrounded breast-high the top table in the salle privée.

Le Chiffre was still playing and still, apparently, winning. There was an untidy pile of flecked hundred-mille plaques in front of him. In the shadow of his thick left arm there nestled a discreet stack of the big yellow ones worth half a million francs each.

Bond watched the curious, impressive profile for a time, and then he shrugged his shoulders to lighten his thoughts and moved away.

The barrier surrounding the caisse comes as high as your chin and the caissier, who is generally nothing more than a minor bank clerk, sits on a stool and dips into his piles of notes and plaques. These are ranged on shelves. They are on a level, behind the protecting barrier, with your groin. The caissier has a cosh and a gun to protect him, and to heave over the barrier and steal some notes and then vault back and get out of the casino through the passages and doors would be impossible. And the caissiers generally work in pairs.

Bond reflected on the problem as he collected the sheaf of hundred thousand and then the sheaves of ten thousand franc notes. With another part of his mind, he had a vision of tomorrow’s regular morning meeting of the casino committee.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 29, 1923 Geoffrey Ashe. British historian and lecturer, Arthurian expert. His first book, King Arthur’s Avalon: The Story of Glastonbury, was published sixty years ago. He wrote one novel, The Finger and the Moon, set at Allhallows, a college near Glastonbury Tor. Anyone here who’s read this novel? (Died 2022.)
  • Born March 29, 1943 Eric Idle, 80. Monty Python is genre, isn’t it? If not, I know that The Adventures of Baron MunchausenYellowbeardMonty Python and the Holy GrailQuest for CamelotShrek the Third and Nearly Departed, an updated version of Topper, which he had a hand in certainly are. And it turns out he’s written a witty SF novel, The Road to Mars: A Post-Modern Novel, which involves an Android, comedy and interplanetary travel.
  • Born March 29, 1955 Marina Sirtis, 68. Counselor Deanna Troi in the Trekverse. Waxwork II: Lost in Time as Gloria is her true genre film role followed shortly by a one-off on the The Return of Sherlock Holmes series as Lucrezia. And then there’s her mid Nineties voice acting as Demona on Gargoyles, possibly her best role to date. Skipping some one-offs on various genre series, her most recent appearance was on Picard where she and Riker are happily married.
  • Born March 29, 1956 Mary Gentle, 67. Her trilogy of Rats and GargoylesThe Architecture of Desire (an Otherwise nominee), and Left to His Own Devices, is a stunning work of alternate history with magic replacing science. Ash: A Secret History is superb, it won both a BSFA and a Sideways Award as well as being a finalist for a Clarke and a Campbell Memorial. 
  • Born March 29, 1957 Elizabeth Hand, 66. Not even going to attempt to summarize her brilliant career. I will say that my fav works by her are the Shirley Jackson Award-winning Wylding HallIllyria and Mortal Love. And let’s by no means overlook Waking the Moon which won both a Mythopoeic Award and an Otherwise Award. Her only Hugo nomination was at Renovation for her “The Maiden Flight of McCauley’s Bellerophon” novella. 
  • Born March 29, 1957 Yolande Palfrey. Yes, another Doctor Who performer. She was Janet in “Terror of the Vervoids”, a Sixth Doctor story. She was also in Dragonslayer as one of its victims, She was Veton in the “Pressure Point” episode of Blake’s 7 and she shows as Ellie on The Ghosts of Motley Hall series. She died far too young of a brain tumor. (Died 2011.)
  • Born March 29, 1968 Lucy Lawless, 55. Xena in Xena: Warrior Princess and Hercules: The Legendary Journeys, Cylon model Number Three D’Anna Biers on that Battlestar Galactica series. She also played Countess Palatine Ingrid von Marburg, the last of a line of Germanic witches on the Salem series. Her most recent genre role as Ruby Knowby, one of the Dark Ones, on the Ash vs Evil Dead series. Though not genre, she was Lucretia in Spartacus: Blood and Sand, its prequel Spartacus: Gods of the Arena and its sequel Spartacus: Vengeance.

(9) SUPER INHERITANCE. This is the benefit that comes when your parent doesn’t throw his comic books away: “Metro Detroit man uncovers one of the largest, most valuable comic book collections in the country” at CBS Detroit.

A Metro Detroit father kept a secret for 50 years, but now his son is on a journey to uncover the truth. And what he found is one of the largest and most valuable comic book collections in the country.

The story will be featured in an upcoming documentary called “Selling Superman.”

(10) JEOPARDY! [Item by David Goldfarb.] Monday’s episode had some SFF-related clues in the single Jeopardy round. Here they are, in the order they were selected:

Fantasy Sports, $600: Katniss & Peeta are about to eat poisonous berries when they learn they can’t both win this, but they get a reprieve.
Challenger Nicole Rudolph responded: What are the Hunger Games?

Number “One” Movies, $800: Steven Spielberg directed this 2018 movie about the hunt for an “Easter Egg” in a virtual reality called Oasis.
Nobody knew Ready Player One.

Fantasy Sports, $200: Ginny Weasley had a brilliant career in this sport, joining the Holyhead Harpies.
Challenger Kevin Manning said: What is quidditch?

Fantasy Sports, $1000: This author says in “Sirens of Titan” that the children of Mars “spent most of their time playing German batball”.

Another triple stumper: it was Kurt Vonnegut.

(11) NEXT STOP, BRONTO BURGERS? [Item by Mike Kennedy.] An Australian start up specializing in lab-cultured meat recently unveiled a mammoth meatball. Yes, as in made from woolly mammoth meat. (Though it was rather oversized, too.)

Well, it was mostly mammoth. They used available mammoth DNA sequences, but filled in the blanks with African elephant DNA, then stuffed that all into a sheep cell with the nucleus removed. (Paging, John Hammond…)

The company, Vow, is working on their first actual product cultured from Japanese quail. 

As for mammoth meatballs, don’t expect to find them in your grocers’ freezer aisle anytime soon—this was a one-off to get peoples attention and no one even tasted it. Presumably, it would be unwise to nibble on it now it’s likely home to extensive cultures of the bacterial sort. “Elephant in the dining room: Startup makes mammoth meatball” at AP News.

An Australian company on Tuesday lifted the glass cloche on a meatball made of lab-grown cultured meat using the genetic sequence from the long-extinct pachyderm, saying it was meant to fire up public debate about the hi-tech treat.

The launch in an Amsterdam science museum came just days before April 1 so there was an elephant in the room: Is this for real?

“This is not an April Fools joke,” said Tim Noakesmith, founder of Australian startup Vow. “This is a real innovation.”

Cultivated meat — also called cultured or cell-based meat — is made from animal cells. Livestock doesn’t need to be killed to produce it, which advocates say is better not just for the animals but also for the environment.

Vow used publicly available genetic information from the mammoth, filled missing parts with genetic data from its closest living relative, the African elephant, and inserted it into a sheep cell, Noakesmith said. Given the right conditions in a lab, the cells multiplied until there were enough to roll up into the meatball….

(12) WHO OWNS A MONSTER? Monday’s BBC Radio 4 arts programme Front Row had a substantive item halfway through on copyrighting Dungeons & Dragon monsters. Downloadable from here for a month, thereafter BBC Sounds.

Front Row examines the controversy surrounding Dungeons and Dragons, the world’s most popular table-top role playing game and now a Hollywood film, as fans protest against a clampdown on fan-made content. Professional Dungeons and Dragons player Kim Richards and Senior Lecturer in Intellectual Property Law, Dr. Hayleigh Bosher, join Tom Sutcliffe to discuss what this means for fans and copyright owners

(13) ASTEROID CITY. Wes Anderson’s latest. Looks like a STFnal slant?

Asteroid City takes place in a fictional American desert town circa 1955. Synopsis: The itinerary of a Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events.

(14) FAN VIDEO RELEASED. [Item by N.] The second episode of the animated webseries “A Fox in Space,” based on the Star Fox series of games, has been released after seven whole years of production, set a decade before the events of episode one. Indie animation at its finest, arguably space opera at its finest?

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cat Rambo, N., David Goldfarb, Anne Marble, SF Concatenation’s Jonathan Cowie, PhilRM, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 12/10/22 Pixel Was A Scrollin’ Stone

(1) LEARNEDLEAGUE. [Item by David Goldfarb.] After a long drought, we get our second and third in the space of two days!

LL95 match day 22 Q3: What 1898 novel, famous in its own right, is also famous for its presentation in the October 30, 1938 installment of the CBS radio series “Mercury Theater on the Air”?

Filers no doubt will readily identify this as The War of the Worlds, and LLamas knew it too, with an 83% get rate.

Same match day, question 5: “SDCIWC” is an initialism common to many players of the roleplaying game Dungeons & Dragons. Per the game’s original 1974 rules, the first four letters stand for Strength, Dexterity, Constitution, and Intelligence. What do either of the final two letters stand for?

This was Wisdom or Charisma. Get rate was 65%, with 6% of players giving the most common wrong answer “Courage”.

(2) FTC HANGS UP ON CALL OF DUTY. “F.T.C. Sues to Block Microsoft’s $69 Billion Acquisition of Activision” – the New York Times covers the government’s grounds for a suit.

The Federal Trade Commission, in one of the most aggressive actions taken by federal regulators in decades to check the power of the tech industry’s giants, on Thursday sued to block Microsoft’s $69 billion acquisition of the video game maker Activision Blizzard.

The F.T.C. said that the deal would harm consumers because Microsoft could use Activision’s blockbuster games like Call of Duty to lure gamers from rivals. The agency’s commissioners voted 3to 1 to approve filing the suit.

The decision is a blow to the expansion of Microsoft’s video game business, which has become its most important consumer unit and topped $16 billion in annual sales during the most recent fiscal year. For the F.T.C. chair, Lina Khan, a legal scholar who rocketed to fame after she wrote an article criticizing Amazon, the lawsuit will test whether her aggressive plan to rein in the power of Big Tech can survive in the courts….

(3) YOUNG WOLVES. Wolf Pack, the newest release by Edo van Belkom, is the inspiration behind a new TV series coming to Paramount+ on January 26, 2023.

Nothing gets between a wolf and its pack…

Most of the time, Noble, Argus, Harlan and Tora are like any other teenagers. Prowling the halls of their high school in search of new crushes and true friendships, all while trying to keep up their grades. Except these teens are anything but ordinary…

Discovered as wolf cubs in the wilderness of Redstone Forest, the pack knows their adoptive parents are the only humans they can trust with their shape-shifting secret. So whenever the siblings want to wolf around, they race to the forest to run—and relish their special bond. Until the terrible day a TV crew films their shocking transformation—and Tora is captured by a scientist determined to reveal her supernatural abilities to the world.

Now the brothers will do anything to get their sister back. Even if it means taking their powers to a whole new level by becoming werewolves for the very first time–something their parents warned them never to attempt. But once the teens go to the dark side, will they ever make it back to the only life they’ve ever known?

Available on Amazon.ca and Amazon.com.

Bram Stoker and Aurora Award-winner Edo van Belkom is the author of over 200 stories of horror, science fiction, fantasy, and mystery. As an editor, he has four anthologies to his credit that include two books for young adults, Be Afraid! (A Canadian Library Association Young Adult Book of the Year finalist) and Be Very Afraid! (An Aurora Award winner — Best Work in English).

(4) ARTIFICIAL STUDENT INTELLIGENCE. The Atlantic’s article “ChatGPT Will End High-School English” is mostly paywalled, but there’s the beginning:

Teenagers have always found ways around doing the hard work of actual learning. CliffsNotes date back to the 1950s, “No Fear Shakespeare” puts the playwright into modern English, YouTube offers literary analysis and historical explication from numerous amateurs and professionals, and so on. For as long as those shortcuts have existed, however, one big part of education has remained inescapable: writing. Barring outright plagiarism, students have always arrived at that moment when they’re on their own with a blank page, staring down a blinking cursor, the essay waiting to be written.

Now that might be about to change. The arrival of OpenAI’s ChatGPT, a program that generates sophisticated text in response to any prompt you can imagine, may signal the end of writing assignments altogether—and maybe even the end of writing as a gatekeeper, a metric for intelligence, a teachable skill.

If you’re looking for historical analogues, this would be like the printing press, the steam drill, and the light bulb having a baby, and that baby having access to the entire corpus of human knowledge and understanding. My life—and the lives of thousands of other teachers and professors, tutors and administrators—is about to drastically change….

(5) DEL TORO’S PINOCCHIO. Nicholas Barber’s review for the BBC “Pinocchio: The scariest children’s story ever written” includes spoilers. Like these in the very first paragraph:

Two major Pinocchio films premiered this year, but it isn’t too difficult to tell them apart. One of them is Robert Zemeckis’s live-action remake of the 1940 Walt Disney cartoon, with Tom Hanks as a cuddly Geppetto, and Joseph Gordon-Levitt providing the voice of Jiminy Cricket. The other, directed by Guillermo del Toro, has Geppetto’s flesh-and-blood son being killed by a World War Two bomb, Geppetto (David Bradley) carving a wooden boy in a drunken fury, and Mussolini’s fascists ruling over Italy. And then there are the deaths, plural, of the title character. “Pinocchio dies in our film three or four times,” del Toro tells BBC Culture, “and has a dialogue with Death, and Death teaches him that the only way you can really have a human existence is if you have death at the end of it. There are roughly 60 versions of Pinocchio on film, and I would bet hard money that that doesn’t exist in any of the other 60.”…

(6) GARY FRIEDKIN (1952-2022). Actor Gary Friedkin, who made his film debut as a four-foot-tall Munchkin in the 1981 comedy Under the Rainbow, died December 2 of Covid complications. His other genre appearances include, uncredited, in Blade Runner and as an Ewok in Return of the Jedi.

(7) MEMORY LANE.

1994 [By Cat Eldridge.] Dorothy L Sayers

Now we have a statue of a mystery writer which you will notice includes her SJW credential. 

The statue of Dorothy L Sayers and stands in Newland Street, Witham, opposite the Witham Library, and also opposite her house.

The statue was cast in bronze, about six and feet tall tall, by the Ardbronze Foundry and designed by John Doubleday, the sculptor who did the Sherlock Holmes sculptures we talked about in the Scroll last night. It was erected in 1994. 

An amusing note: several commenters online say that you can see that quite a few children and even adults like to pet Blitz, Sayer’s feline companion — he is now quite shiny on top!

A very, very not amusing note: it was privately funded through sale of much smaller statues as the British government didn’t think she was worthy of have a statue and wouldn’t fund it saying that she lacked literary worth. Fans of Ngaio Marsh need not apply. 

The plinth bears the inscription: Dorothy L. Sayers 1893 – 1957 and the name John Doubleday, Sculptor with the foundry name.

Witham Library holds a reference collection of all of her works, press-clippings, all of her reviews and letters in the Dorothy L Sayers Centre, which is jointly managed by Essex Libraries and the Dorothy L Sayers Society, and which is held in a specially outfitted room on the upper floor.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 10, 1815 Ada Lovelace. English mathematician and writer, principally known for her work on Charles Babbage’s proposed mechanical general-purpose computer, the Analytical Engine. Genre usage includes William Gibson and Bruce Sterling’s The Difference Engine and S.M. Stirling’s The Peshawar Lancers. (Died 1852.)
  • Born December 10, 1824 George MacDonald. Scottish author I think best known for Phantastes: A Faerie Romance for Men and Women and The Princess and The Goblin. His writings have been cited as a major literary influence by many notable authors including C. S. Lewis, J. R. R. Tolkien, G. K. Chesterton and Madeleine L’Engle to name but a few who mention him. The Waterboys titled their Room to Roam album after a passage in Phantastes. (Died 1905.)
  • Born December 10, 1903 Mary Norton. Author of The Borrowers which won the 1952 Carnegie Medal from the Library Association, recognizing the novel as the year’s outstanding children’s book by a British author. She would continue to write these novels for three decades with Hallmark turning it into a film in the early seventies. Her novels The Magic Bed Knob; or, How to Become a Witch in Ten Easy Lessons and Bonfires and Broomsticks would be adapted into the Disney film Bedknobs and Broomsticks in the same period. (Died 1992.)
  • Born December 10, 1907 Graves Gladney. An illustrator known for his cover paintings for Street & Smith pulp magazines, especially The Shadow. He produced all the covers from April 1939 to the end of 1941, and here’s one of his covers from June 1st, 1939. It’s worth noting that when he replaced The Shadow‘s cover artist George Rozen who did a more fantastical approach to the covers, Gladney depicted an actual scene that Walter Gibson had written in a story inside. (Died 1976.)
  • Born December 10, 1927 Anthony Coburn. Australian writer and producer who spent most of his career living and working in the U.K. He was closely involved in the earliest days of Who to the extent that it’s believed it was his idea for the Doctor’s travelling companion, Susan, to be The Doctor’s granddaughter.  He wrote four scripts for the show, of which only An Unearthly Child was used. (Died 1977.)
  • Born December 10, 1953 Janny Wurts, 69. Illustrator and writer.  She’s won three Chesley Awards, plus a HOMer Award for her Servant of the Empire novel. I strongly recommend the Empire trilogy that she co-authored with Raymond E. Feist, and her excellent That Way Lies Camelot collection was nominated for a BFA.
  • Born December 10, 1984 Helen Oyeyemi, 38. I like it when a Birthday results in my adding to my audiobook listening list. She’s resident in Prague now and her take on European folktales that surround her there is particularly sharp in Mr. Fox, which was nominated for an Otherwise Award, off that well known tale. And White is for Witching has all the makings of a damn fine haunted house story. Now one should not overlook her Icarus Girl, her first novel, which is fascinating. I’ve not encountered Gingerbread, her latest novel. 

(9) COMICS SECTION.

  • The Flying McCoys shows a 20th Century answer to a 19th predicament that may not end as well for Tiny Tim.
  • Tom Gauld gives season’s greetings to a UFO.
  • In another cartoon, Tom Gauld renders a brutal translation of a familiar academic conversation.

(10) IT ONCE WAS WET. Yesterday’s Science journal reports from Mars: “Organic geochemistry in Jezero crater”.

The Perseverance rover has investigated the floor of Jezero crater on Mars, finding that it consists of igneous rocks that were modified by reactions with liquid water (aqueous alteration). Scheller et al. used the rover to perform Raman and fluorescence spectroscopy of rocks at two locations within the crater. They identified the presence of organic molecules, including aromatics with one and two benzene rings. The presence of perchlorates allowed the authors to set a limit of more than 2 billion years for the last time water filled the crater. Carbonates and sulphates were also found. The results demonstrate that the rocks in Jezero crater contain a record of ancient organic geochemistry.

Primary research paper here.

(11) VIDEO OF THE DAY. How It Should Have Ended presents “How Black Adam Should Have Ended”.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, David Goldfarb, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/24/22 Gonna Scroll Them Pixels

(1) FAHRENHEIT – NEVER MIND. The Associated Press reports: “Burn-proof edition of ‘The Handmaid’s Tale’ up for auction”.

Margaret Atwood has imagined apocalyptic disaster, Dystopian government and an author faking her own death. But until recently she had spared herself the nightmare of trying to burn one of her own books.

With a flamethrower, no less.

She failed, and that was the point.

On Monday night, timed for PEN America’s annual gala, Atwood and Penguin Random House announced that a one-off, unburnable edition of “The Handmaid’s Tale” would be auctioned through Sotheby’s New York. They launched the initiative with a brief video that shows Atwood attempting in vain to incinerate her classic novel about a totalitarian patriarchy, the Republic of Gilead. Proceeds will be donated to PEN, which advocates for free expression around the world…

…The Gas Company’s principal owner, Doug Laxdal, told the AP that instead of paper, he and his colleagues used Cinefoil, a specially treated aluminum product. The 384-page text, which can be read like an ordinary novel, took more than two months to complete. The Gas Company needed days just to print out the manuscript; the Cinefoil sheets were so thin that some would fall through cracks in the printer and become damaged beyond repair. The manuscript was then sewed together by hand, using nickel copper wire….

(2) THE NEXT UNICORN. “Peter S. Beagle Returns to the World of The Last Unicorn With The Way Home reports Molly Templeton at Tor.com.

…The Way Home, according to a press release, “continues the story of beloved characters unicorn, Molly Grue, and Schmendrick the Magician from the point of view of a young girl named Sooz.” The two works included in the collection are Two Hearts, which won the Hugo and Nebula Awards for Best Novelette in 2006, and Sooz, which has not been previously published. It’s described as “a lyrical story of childhood left behind, dedicated to the love of Beagle’s life, who passed away before it could be published.”

The new edition of The Last Unicorn will be available in July; The Way Home publishes in spring 2023.

(3) THE LONG AND WINDING FILM. “‘Stranger Things’ Is Back, and the Duffer Brothers Made It Big” – and the New York Times knows just how big.

…During the two days I observed them, the Duffers, who continue to direct, write and oversee “Stranger Things,” had enough on their plates just getting things manageable. The pandemic had already caused significant delays, and the new season is five hours longer than any previous one. That was the main reason they had decided to release it in two chunks, Ross said. There was just so much material to get through. Demogorgons needed animating. Run times needed tightening.

“How long is the episode right now?” Ross asked their editor Dean Zimmerman about the episode on the screen. Zimmerman glanced my way.

“You want me to say it out loud?” he asked.

“Yeah.”

“Two and a half hours.”

With episodes like short movies (three of the first four are 75 minutes or more), one might worry that the Duffers have succumbed to excess. For now, they seem content to let the fans decide; Netflix has proved willing to support their expanding vision. Meanwhile, the tone is decidedly shifting this season (think “A Nightmare on Elm Street” and “Hellraiser”), and its young cast has been shaving for at least a few years. (Want to feel old? Caleb McLaughlin and Sadie Sink are 20.) Plenty can change in three years, including viewer attention. Will fans still flock to “Stranger Things”?

(4) TOMORROW THROUGH THE PAST. Jeff VanderMeer needs no predictive powers to speak about “The Annihilation of Florida: An Overlooked National Tragedy” in Current Affairs.

…In his 1944 book That Vanishing Eden: A Naturalist’s Florida, Thomas Barbour bemoaned the environmental damage caused by development to the Miami area and wrote, “Florida … must cease to be purely a region to be exploited and flung aside, having been sucked dry, or a recreation area visited by people who …  feel no sense of responsibility and have no desire to aid and improve the land.”

Even then, a dark vision of Florida’s future was clear.

Most of this harm has been inflicted in the service of unlimited and poorly planned growth, sparked by greed and short-term profit. This murder of the natural world has accelerated in the last decade to depths unheard of. The process has been deliberate, often systemic, and conducted from on-high to down-low, with special interests flooding the state with dark money, given to both state and local politicians in support of projects that bear no relationship to best management of natural resources. These projects typically reinforce income inequality and divert attention and money away from traditionally disadvantaged communities.1

Consider this: several football fields-worth of forest and other valuable habitat is cleared per day2 in Florida, with 26 percent of our canopy cut down in the past twenty years.  According to one study, an average of 25 percent of greenhouse gas emissions come from deforestation worldwide.

The ecocide happening here is comparable for our size to the destruction of the Amazon, but much less remarked upon. Few of the perpetrators understand how they hurt the quality of life for people living in Florida and hamstring any possibility of climate crisis resiliency. Prodevelopment flacks like to pull out the estimates of the millions who will continue to flock to Florida by 2030 or 2040 to justify rampant development. Even some Florida economists ignore the effects of the climate crisis in their projects for 2049, expecting continued economic growth. but these estimates are just a grim joke, and some of those regurgitating them know that. By 2050, the world likely will be grappling with the fallout from 1.5- to 2-degree temperature rise and it’s unlikely people will be flocking to a state quickly dissolving around all of its edges….

(5) WALDEN WITH AN ELECTRIC SOCKET. And if you need cheering up after that last excerpt – surprisingly, Kim Stanley Robinson is the one about to help you out. “Q&A with Sci-Fi Author Kim Stanley Robinson” in Sactown Magzine.

I hear birds singing in the background. Where are you right now?

I’m outside. My office is my front courtyard on the north side of the house. I’ve got a tarp slung up so that I can be in the shade all the time and see my laptop screen. I also work outside in the rain. I’ve got a waterproof power cord and it powers the laptop and sometimes a little heating pad like you use for your lower back that I throw over my feet. I work all the days of the year out here. In the cold, I wear my winter backpacking gear, including a down hood and [fingerless] wool gloves. I feel like I’m on a little backpacking trip.

My work life has turned into an outdoor adventure. I did this about 15-20 years ago, and it was a great move. I thought I was burning out on writing, but what I was really burning out on was staying indoors all day. When I moved out to this courtyard, the first day that it rained and I slung a tarp up, that was it for me. I have never written a single word of my novels indoors since. I’m looking at white-crowned sparrows now. That’s probably what you’re hearing. And the scrub jays, these are my office mates. I’ve got a couple bird feeders around in this courtyard, and because I’m just sitting here for hours every day, I’m just part of the landscape as far as they’re concerned. I’ve had a scrub jay land on my boot at the end of my footstool and just stare at me like, “Are you alive or dead?”

(6) ACTIVISM. “Workers at an Activision studio vote to unionize, a first for the gaming industry.” The New York Times has the details.

A group of workers at a video game studio that is part of Activision Blizzard has voted to form a union, a first for a major North American video game company.

The vote, which passed 19 to 3, affects 28 quality-assurance employees at Raven Software, the Wisconsin studio that helps to develop the popular Call of Duty game. The workers voted over the past several weeks, and the results were tallied by the National Labor Relations Board on Monday. Activision has one week to formally object if it finds grounds for complaint.

The new union, the Game Workers Alliance, is the culmination of months of labor organizing at Activision, which has faced increasing pressure from employees to improve working conditions after a lawsuit accused the company of having a sexist culture in which women were routinely harassed.

Organizing at Raven in particular increased in intensity in December, when quality-assurance, or Q.A., workers walked out to protest the ending of about a dozen workers’ contracts. The Communications Workers of America, a prominent tech, media and communications union, helped lead the unionization effort….

(7) BRING THE HAMMER.  The trailer for Marvel Studios’ Thor: Love and Thunder dropped today.

“Let me tell you the story of the space viking, Thor Odinson…”

(8) HE MORPHED THOSE CHECKS. The New York Times tells why “A former ‘Power Rangers’ actor is charged with helping steal millions in Covid relief funds.”

The actor who led a team of teenage superheroes on “Mighty Morphin Power Rangers” has been accused of helping steal millions of dollars from the government’s Paycheck Protection Program pandemic relief fund.

Jason Lawrence Geiger, 47, who played the Red Ranger under the stage name Austin St. John, and 17 others were charged with fraud this week in a Texas federal court over what prosecutors described as a conspiracy to illicitly obtain $3.5 million in P.P.P. loans.

Mr. Geiger and the others he is said to have worked in coordination with used a mix of genuine and sham businesses to obtain loans from the relief program, prosecutors said. According to court filings, they fabricated documents and made false claims about sales and payroll to obtain inflated loans, then spent the cash on jewelry, precious metals and cars.

Mr. Geiger received a loan of $225,754 in June 2020 for his company St. John Enterprises, which sells Power Rangers memorabilia, such as $60 autographed photos and $100 personalized video messages. Instead of using the money to pay workers — the relief program’s intended purpose — Mr. Geiger funneled most of the money to two of his co-defendants, prosecutors said in court filings….

(9) DENIS MEIKLE (1947-2022). In the Guardian, Jasper Sharp pays tribute to his late friend, film historian Denis Meikle.

…In 1996 Denis’s first book, A History of Horrors: The Rise and Fall of the House of Hammer, was published, after almost six years of writing and intensive research during which time he developed a close friendship with Michael Carreras, the head of the studio in its later years. It is considered the definitive history of Hammer Films.

This was followed by Jack the Ripper: The Murders and the Movies (2001), Vincent Price: The Art of Fear (2003), Johnny Depp: A Kind of Illusion (2004), The Ring Companion (2005) and Roman Polanski: Odd Man Out (2006).

With Jane, in 2007 he founded Hemlock Books, specialising in non-fiction publications on film, horror, mystery and the macabre and actor and director biographies, through which he edited and published the journals The Fantastic Fifties, The Sensational Sixties and The Age of Thrills (1930s and 40s), and published his final work, Mr Murder: The Life and Times of Tod Slaughter (2019), jointly researched with Kip Xool and Doug Young.

This recent Tod Slaughter biography encapsulates Denis’s approach to film writing perfectly: scholarly, fact-driven and intensively researched without being dry, and writerly and critical without thrusting his role as the writer to the fore….

(10) MEMORY LANE.

1964 [By Cat Eldridge.] This is the month that saw the publication of John D. MacDonald’s The Deep Blue Good-by, the first of the Travis McGee novels. (Warning: there’s nothing genre or genre adjacent here. So go away if that’s what you were expecting.) In my opinion, the Travis McGee novels are among the finest mystery series ever done.

I’m listening to them now because Audible dropped the price way, way down on each work. And it’s been at least twenty years since I read them all. So it’s an excellent time to re-experience them. The narrator, Robert Perkoff, is quite excellent, capturing the first person voice of Travis as well as I expect him to. 

This novel was only accepted by in 1964 by Fawcett Publications editor Knox Burger after MacDonald says in a later interview with Ed Gorman: “At the request of Knox Burger, then at Fawcett, I attempted a series character. I took three shots at it to get one book with a character I could stay with. That was in 1964. Once I had the first McGee book, The Deep Blue Good-by, they held it up until I had finished two more, Nightmare in Pink and A Purple Place for Dying, then released one a month for three months. That launched the series.” 

McGee is of an uncertain background, he’s ex-military, but that may be the Korean War or it might be just out of the very early Vietnam War, as MacDonald hints at both. He is a big man and knows how to fight, has a temper, but controls it.  He won the Busted Flush, his house boat, in a card game. Was it a honest game? Who knows? 

The novels really should be read in the order written as both McGee and the America that he’s part of change in a very chronological fashion. Travis has definite strong political opinions and I won’t say I always agree with them, but that’s the character. And no, I won’t say that this character is altogether pleasant as he isn’t as in this novel and in every novel in the series, he will do things that make me cringe. 

If you haven’t read The Deep Blue Good-by, go ahead and read it — if you like it, you’ll like the whole series. The Deep Blue Good-by is reasonably price at the usual suspects for six dollars.

A film version of The Deep Blue Good-by, directed by Oliver Stone, was optioned a decade ago. Christian Bale who is six feet tall to Travis McGee’s stated six feet four was going to the lead. The film was never developed. There’s one film based off a later novel in this series, Darker Than Amber starring Rod Taylor, and one, Travis McGee: The Empty Copper Sea that starred Sam Elliott but which moved McGee to sunny California. McDonald vetoed a television series in the Sixties on the grounds that if it was popular no one would read his novels. 

See? Not a single spoiler! 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 24, 1925 Carmine Infantino. Comics artist and editor, mostly for DC Comics, during the late 1950s known as the Silver Age of Comics. He created the Silver Age version of the Flash (with writer Robert Kanigher), Deadman with writer Arnold Drake and the Elongated Man (with John Broome). He also introduced Barbara Gordon as a new version of Batgirl. Infantino wrote or contributed to two books about his life and career: The Amazing World of Carmine Infantino (Vanguard Productions and Carmine Infantino: Penciler, Publisher, Provocateur. (Died 2013.)
  • Born May 24, 1945 Graham Williams. He produced three seasons of Doctor Who during Tom Baker’s era as the Fourth Doctor. He’d write a novelization of his story, The Nightmare Fair, developed as a Sixth Doctor story but never filmed when Colin Baker’s contract was terminated. He would die at home of an accidental gunshot wound. (Died 1990.)
  • Born May 24, 1952 Sybil Danning, 70. Her rise to fame began with her role in Roger Corman’s space opera cult classic, Battle Beyond the Stars which he billed as his Star Wars. (No kidding.) She went on to star in HerculesHowling II: Your Sister Is a Werewolf (which bears the charming alternative title of Howling II: Stirba – Werewolf Bitch), a faux trailer directed by Rob Zombie titled Werewolf Women of the SS for Quentin Tarantino’s Grindhouse (I couldn’t make this stuff up!), the Halloween remake and finally she as in a horror film called Virus X. Series. She appeared in recurring roles of the The Lair as a vampire out for revenge.
  • Born May 24, 1953 Alfred Molina, 69. His film debut was on Raiders of The Lost Ark as Satipo. He was an amazing Doctor Octopus on Spider-Man 2 and inSpider-Man: No Way Home, and he also provided the voice of the villain Ares on the outstanding 2009 animated  Wonder Woman. Oh, and he was a most excellent Hercule Poirot in the modern day version of Murder on the Orient Express. I know, not genre, but one of my favorite films no matter who’s playing the character. 
  • Born May 24, 1960 Doug Jones, 62. I first saw him as Abe Sapien on Hellboy, an amazing role indeed. To pick a few of my favorite roles by him, he’s in Pan’s Labyrinth as The Faun and The Pale Man (creepy film), a clown in Batman Returns, the Lead Gentleman in the “Hush” episode of Buffy and Commander Saru on Discovery
  • Born May 24, 1963 Michael Chabon, 59. Author of what I consider the single best fantasy novel about baseball, Summerland, which won a Mythopoeic Fantasy Award for Children’s Literature. His other two genre novels, Gentlemen of the Road and The Yiddish Policemen’s Union, winner of Best Novel at Denvention 3, are stellar works in themselves. He was Showrunner for the first season of Picard but was Executive Producer for the just concluded season.
  • Born May 24, 1965 John C. Reilly, 57. I honor him for just his performance as Amos Hart in Chicago but as that film is hardly genre I’d better go on and list genre appearances, shouldn’t I? (Chicago is streaming on Paramount +.) He’s Lefty in A Prairie Home Companion which we’ve established is genre followed by being Crepsley in Cirque du Freak: The Vampire’s Assistant and he shows up in the Guardians of the Galaxy as Corpsman Dey. He’s Hank Marlow in Kong: Skull Island. He was Dr. Watson in the film everyone wants to forget, Holmes & Watson. His last genre role that I’m aware of was playing Cap in the Moonbase 8 comedy series. 

(12) KAMALA KHAN. Marvel Studios’ Ms. Marvel starts streaming June 8 on Disney+.

Good is not a thing you are, it’s a thing you do.

(13) MADE (UP) MAN. [Item by Martin Morse Wooster.] I listened to this podcast that Leonard and Jessie Maltin did with Ron Perlman.  Perlman is of interest to us because nearly all of his work has been genre-related, beginning with his debut in Quest For Fire.  Perlman says he got his job in the first Beauty and the Beast because makeup artist Rick Baker said Perlman worked well with prosthetics.  Perlman also discusses his long-running collaboration with Guillermo del Toro; Perlman worked on del Toro’s first film, Cronos, and has collaborated with Del Toro on seven other projects, including the forthcoming Pinocchio.  Perlman also discusses what actors do during a daily four-hour stint in the makeup chair and his extensive voice work, including playing Optimus Prime in two Transformers movies. “Maltin on Movies: Ron Perlman”.

In his earliest screen appearances (remember Quest for Fire?) Ron Perlman was buried under a ton of makeup and prosthetics. That’s also how he became the Emmy-winning star of television’s Beauty and the Beast. Since then he’s shown his versatility, especially in his collaborations with the gifted filmmaker Guillermo del Toro like Hellboy and the forthcoming Pinocchio. His new film The Last Victim, casts him as a weary sheriff in the modern-day West. As Leonard and Jessie quickly discovered, Ron has the soul of a poet and the heart of a movie buff. Wait till you hear him singing the praises of Gary Cooper!

(14) I GUESS WE DO TALK ABOUT HIM. Tonight Andrew Porter witnessed another item that stumped Jeopardy! contestants.

Category: Bruno

Answer: “Sylvie and Bruno” was a dreamy 1889 children’s book by this Brit who was comfortable with fantasy worlds.

Wrong questions: “Who was Barrie?” and “Who was Tolkien?”

Right question: “Who was Lewis Carroll?”

(15) GENUINE TRIVIA. It doesn’t get much more obscure than this: “10 actors from The Andy Griffith Show who voiced major cartoon characters” at MeTV.

The Andy Griffith Show hired a sprawling cast to play all the quirky citizens of Mayberry. Many of those actors were skilled at performing in amusing voices. No wonder they tended to have careers in cartoons, too.

Many of the faces from Mayberry were notable animation voice-over artists. Here are some of our favorite that might surprise you.

1. Arlene Gorlonka

Speed Buggy was one of several successful Hanna-Barbera clones of its hit Scooby-Doo. Substitute the Great Dane with a talking anthropomorphic dune buggy and it’s essentially the same show. “Tinker” looked and acted a whole lot like Shaggy. And then there was Debbie, the Daphne, if you will. The mystery-solving teen was voiced by none other than Howard Sprague’s girlfriend, Millie!

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Morbius,” the Screen Junkies say that “Michael Morbius is a doctor living a serious challenge: being Jared Leto.”  Dr. Morbius chugs enough blood at blood banks that the narrator says it reminds him “of the time at camp when we found the Capri Suns.” Also Matt Smith (speaking of doctors) “acts with the freedom of someone who knows he’s in a train wreck.”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Christian Brunschen, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 3/30/22 Everybody In This Scroll Is Wearing A Pixel, And Don’t Kid Yourself

(1) GAME MAKER SETTLES HARASSMENT SUIT. “Activision Blizzard to pay $18 million to harassment victims” reports the LA Times. However, a number of other such suits remain active.

Activision Blizzard agreed to set up an $18-million fund for employees who experienced sexual harassment or discrimination, pregnancy discrimination or retaliation as part of a settlement with a federal employment agency Tuesday.

The consent decree, which a federal judge said she intended to sign after a hearing Tuesday, comes in response to a lawsuit filed against the Santa Monica video game company in September by the Equal Employment Opportunity Commission, which alleged that Activision employees were subject to “severe” and “pervasive” sexual harassment in the workplace.

Anyone who worked at the company after September 2016 and believes that they were subject to harassment, discrimination or retaliation will be eligible to apply for a share of the cash payout. The company officially denied all wrongdoing as part of the settlement, which also included requirements for regular audits overseen by the federal agency over the next three years, changes to workplace policies and anti-harassment training.

(2) MARK YOUR WESTEROS CALENDAR. TechRadar reports “Game of Thrones prequel House of the Dragon finally has a release date on HBO Max”.

Game of Thrones spin-off House of the Dragon has finally been given a release date on HBO Max – and fans don’t have long to wait for Westeros’ return.

The 10-episode series, based on George R. R. Martin’s 2018 novel Fire and Blood, will begin streaming in the US and other HBO Max territories on August 21. Those in the UK will be able to access episodes at the same time as their US counterparts (on the morning of August 22) on Sky Atlantic and Now TV.

House of the Dragon will tell the backstory of the Targaryen dynasty, with events taking place 200 years prior to the events of the original show. Fans were treated to an ominous teaser trailer for the series back in 2021, but we’d expect a full-length trailer to drop imminently, given the recent news confirming its release date….

(3) FLASHBACK TO 2000AD’S 40TH BASH. [Item by SF Concatenation’s Jonathan Cowie.] Alas, I could not make the 2017 event but one of my old college SF soc mates did a write up: “The 40th 2000AD anniversary event” at SF2 Concatenation.

PSIFA (my college SF society) has official permission from 2000AD (along with Cambridge U SF Soc) to have the Gronk as its mascot. We also visited its Command Module a couple of times back in the day (1979 and 1980) when it was based in London and had the 2000AD team as guests at one of our Shoestringcons, and Alan Grant as a guest of honour at one of our annual dinners. Indeed, at our college the SF soc was quite active as indicated by 2000AD being the second best-selling weekly (after New Scientist) at the college’s main campus Students Union shop.  So my links with 2000AD are somewhat historic. I must say, we never dreamed back then that it would last for the best part of half a century.  Indeed, I recall when some of us were chatting with them, that they themselves never thought the comic would last as evidenced by the fact they dubbed it with the then futuristic title 2000AD.  Well, we’re well past that milestone now…

The 40th anniversary celebratory bash cum one-day mini-con was very much a fan event with all the 2000AD Great & Good, script and art creator-droids present (there must been over 60 or so there), many with long queues for signings and sketches. And when the queues died off, you just wondered up for a chat. Tharg’s Nerve Centre and Pat Mills were particularly busy.

(4) HONEY, I’M HOME. “NASA astronaut Mark Vande Hei, Russian cosmonauts return safely to Earth”, and the Washington Post assesses how the two countries’ support teams cooperated.

Two Russian cosmonauts and a NASA astronaut landed in a remote area of Kazakhstan on Wednesday after undocking from the International Space Station and flying back to Earth in a historic mission that came amid mounting tensions over the war in Ukraine.

…The landing marks the end of a triumphant mission for Vande Hei, whose 355 days in space set a record for the longest single spaceflight for an American. His safe return, along with his Russian counterparts Pyotr Dubrov and Anton Shkaplerov, also serves as a powerful symbol of partnership amid heightened tensions between the United States and Russia over the war in Ukraine — strain that has surfaced persistent questions about whether the relationship in space can endure.

Ever since Russia’s bloody invasion of Ukraine began more than a month ago, NASA has steadfastly maintained that the station has been operating normally and that its relationship of more than 20 years with the Russian space agency has been unaffected by the turmoil on the ground.

NASA deployed a team of about 20 personnel to Kazakhstan to retrieve Vande Hei, who would be whisked away in a helicopter to a NASA aircraft at a nearby airstrip. He is scheduled to fly directly back to Houston to be reunited with friends and family. The Russian and American teams appeared to be working well together in the recovery effort, which they have done many times before over their long partnership in space.

NASA has said it cannot operate the station without the Russians, which provide the propulsion that allows the ISS to keep its orbit and maneuver when needed. Russia needs NASA, as well, as the space agency provides power to the Russian segment of the station….

(5) GARRY LEACH (1954-2022). Artist Garry Leach died March 26 at the age of 67. The 2000AD website has an extensive tribute.

A modest and unassuming talent, by the time of his first work for 2000 AD – inking Trevor Goring’s work on the Dan Dare story ‘The Doomsday Machine’ in 1978 – his confident brushwork was already unmissable and although appearances were sporadic – whether on high-tech superspy series M.A.C.H.1 or on one-episode Future Shocks, including working with future collaborator Alan Moore – his self-assured style brought a solidity to its pages.

…His greatest and most famous work was co-creating the new Marvelman with Alan Moore in 1981. A revival of the unauthorised and believed-abandoned British version of Captain Marvel from the 1950s, this series for Dez Skinn’s Warrior anthology was a stunning deconstruction of the superhero genre that presaged Moore’s better-known work on Watchmen.

Garry’s sharp-lined realism brought a languid, sinewy quality to Marvelman that befitted Moore’s intense psychological script…. 

… After a spell working in advertising, Garry returned to comics in the late 1990s as John McCrea’s inker on Hitman, and worked for other DC Comics titles such as Legion of SuperheroesMonarchy and Global Frequency. He also inked fellow 2000 AD artist Chris Weston on J. Michael Straczynski’s The Twelve for Marvel Comics and returned to 2000 AD in 2004 to produce covers for the Judge Dredd Megazine….

(6) MEMORY LANE.

1978 [Item by Cat Eldridge.] Forty-four years ago at IguanaCon II where Tim Kyger was the Chair and Harlan Ellison was the pro guest and Bill Bowers was the fan guest, Frederik Pohl’s Gateway wins the Hugo for Best Novel. 

The other nominated works for that year were The Forbidden Tower by Marion Zimmer Bradley, Lucifer’s Hammer by Larry Niven and Jerry Pournelle, Time Storm by Gordon R. Dickson and Dying of the Light by George R. R. Martin. 

It was serialised in the November and December 1976 issues of Galaxy prior to its hardcover publication by St. Martin’s Press. A short concluding chapter, cut before publication, was later published in the August 1977 issue of Galaxy. (Huh? Why was this done?) 

It would win damn near every other major Award there was as it garnered the John Campbell Memorial for Best Science Fiction Novel, the Locus Award for Best First Novel, the Nebula Award for Novel and even the Prix Pollo-your Award for Best Science Fiction Novel published in France. It was nominated for but did not win the Australian Ditmar Award. 

It of course the opening novel in the Heechee saga, with four sequels that followed. It is a most exceptional series.

I’m chuffed that Pohl was voted a Hugo for Best Fan Writer at Aussiecon 4. Who can tell what works got him this honor? 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 30, 1928 Chad Oliver. Writer of both Westerns and SF, a not uncommon pairing of occupations at the time he’s was active. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer, with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel, which I’d recommend as it reads a lot to similar what Heinlein would write. (Died 1993.)

Born March 30, 1930 John Astin, 92. He is best known for playing as Gomez Addams in Addams Family, reprising his role in the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like to single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode.

Born March 30, 1948 Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was “Serendipity: Do, Some Thoughts About Collaborative Writing”‘ which was published in the MagiCon Program. (Died 2010.)

Born March 30, 1950 Robbie Coltrane, 72. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. 

Born March 30, 1958 Maurice LaMarche, 64. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.

Born March 30, 1990 Cassie Scerbo, 22. She’s only here because in researching Birthdays for this date, one site listed her as being a member of the cast of Star Trek: Progeny, yet another Trek video fanfic. Though IMDB has a cast listed for it, that’s about all I could find on it. If I was betting a cask of Romulan ale, I’d wager this was one of the productions that Paramount got shut down before it actually was shot.

(8) COMICS SECTION.

  • Existential Comics pits Iron Man against the Villains of Society. (And don’t miss the alt text.)

(9) THOSE GREAT EXPECTATIONS. Sarah A. Hoyt explains her concept of a “contract with the reader,” and what it took for her to learn the importance of foreshadowing in “Just Sign on the Dotted Line” at Mad Genius Club.

… There was for instance the notable book whose description says that Mr. Bennet had improved the family fortunes, and so Lizzy and Darcy met on equal footing, which I stopped reading halfway through.

It wasn’t because our protagonists had not yet met. Yes, sure, the promise of any Jane Austen fanfic is that the couple will meet and have a happy ever after. I could have stayed with it, if they were having adventures leading up to “Everything between them changed in these ways.” It was that with that premise, the writer proceeded to give us exactly how Mr. Bennet improved family fortunes. To do her credit, she’d researched regency money and investment structures, and landowning, and how to improve land, and the price of cereals and….. Did I just fall asleep and drool on the table?

Yeah, after a first chapter that introduces the Bennet family, the author decided she’d suffered for her knowledge and we should too. When I got to the actual calculations pages, I gave up and hied to easier pastures. To be charitable, perhaps she’d been driven insane by the people who write regencies that assume that noblemen are businessmen, doctor is a revered status, and some dukes are accountants. It was still a major welshing on her contract with the reader.

Also in my own defense, my problems with foreshadowing were never as bad as the bad examples above. I just failed to establish the “range of the possible” in a book, and then had things happen that — to the reader — amounted to dropping an elephant from the ceiling onto the main character, with no warning….

(10) OCTOTHORPE. In episode 54 of the Octothorpe podcast, “John Coxon is dancing, Alison Scott is listening, and Liz Batty is Batman. We discuss the Chengdu Worldcon and the recent controversies they’re at the centre of, before moving onto discussing the FAAn Awards and books by Jo Walton and Naomi Novik.” Note: The episode was not yet loaded at the time this Scroll was posted.

A man with a beard wears a Necron-themed Christmas jumper, standing next to a Necron wearing an Octothorpe-themed Christmas jumper.

(11) ARTIFICIALLY INTELLIGENT STARGATE SCRIPT. Giant Freakin Robot announces “Richard Dean Anderson Joining The SG-1 Cast For New Stargate Episode”. (Subscription to The Companion is necessary to access the episode which is coming in May.)

When SG-1 entered its ninth season, Richard Dean Anderson ended his status as star and producer of the series. Instead, he opted to make several guest appearances. Now, much like his character, the former SG-1 star is being coaxed of retirement for a special reunion of the popular sci-fi show. According to Gate World, he is set to suit up Jack O’Neill for version 2.0 of Stargate A.I. The project, which was a table reading of a script written by artificial intelligence, was such a hit last November that The Companion has decided to give it another shot.

(12) FUTURE TRIAGE. In the Washington Post, Pranshu Verma says the US military is creating a program called In The Moment which would use AI to calculate military triage, while bioethicists debate whether it’s a good idea to let an algorithm determine who lives and who dies on the battlefield. “U.S. military wants AI to make battlefield medical decisions”.

…To that end, DARPA’s In the Moment program will create and evaluate algorithms that aid military decision-makers in two situations: small unit injuries, such as those faced by Special Operations units under fire, and mass casualty events, like the Kabul airport bombing. Later, they may develop algorithms to aid disaster relief situations such as earthquakes, agency officials said.

… Matt Turek, a program manager at DARPA in charge of shepherding the program, said the algorithms’ suggestions would model “highly trusted humans” who have expertise in triage.But they will be able to access information to make shrewd decisions in situations where even seasoned experts would be stumped.

For example, he said, AI could help identify all the resources a nearby hospital has — such as drug availability, blood supply and the availability of medical staff — to aid in decision-making.

“That wouldn’t fit within the brain of a single human decision-maker,” Turek added. “Computer algorithms may find solutions that humans can’t.”…

(13) THE NEED FOR SPEED. “Turing Award Won by Programmer Who Paved Way for Supercomputers”  — the New York Times has the story.

In the late 1970s, as a young researcher at Argonne National Laboratory outside Chicago, Jack Dongarra helped write computer code called Linpack.

Linpack offered a way to run complex mathematics on what we now call supercomputers. It became a vital tool for scientific labs as they stretched the boundaries of what a computer could do. That included predicting weather patterns, modeling economies and simulating nuclear explosions.

On Wednesday, the Association for Computing Machinery, the world’s largest society of computing professionals, said Dr. Dongarra, 71, would receive this year’s Turing Award for his work on fundamental concepts and code that allowed computer software to keep pace with the hardware inside the world’s most powerful machines. Given since 1966 and often called the Nobel Prize of computing, the Turing Award comes with a $1 million prize.

In the early 1990s, using the Linpack (short for linear algebra package) code, Dr. Dongarra and his collaborators also created a new kind of test that could measure the power of a supercomputer. They focused on how many calculations it could run with each passing second. This became the primary means of comparing the fastest machines on earth, grasping what they could do and understanding how they needed to change.

(14) CHIPS ON THE TABLE. With Love From Sweden has some big news about the country’s SJW credentials:  “Issue 66: The status of cats & scilla season”.

…Earlier this month riksdagen (the Swedish parliament) voted in favour of an amendment to the law on supervision of dogs and cats, which means that cats will soon have the same status as dogs. From January 1 2023, all cats in Sweden are to be registered and either chipped or tattooed – or the owners could face a fine. Cat shelters and other animal welfare organisations have advocated for this change for many years, to raise the status of the cat. According to the last count, there are approximately 1.159,000 cats in Sweden.

Since 2001, all dogs that live in Sweden need to be marked with an identity number and recorded in the dog register of the Swedish Board of Agriculture. The registered owner is responsible for the welfare and behaviour of the dog, and the same will go for cats. Many dogs were already id marked before 2001 and many cats are already id marked today….

(15) LONG TIME PASSING. “Hubble telescope detects most distant star ever seen, near cosmic dawn” – the Washington Post picks up the story from Nature.

A long time ago in a galaxy far, far away, there was a large and magnificently brilliant star that shined across the young, expanding universe. The starlight skewed blue. It was the cosmic morning, when everything in the universe was still new, raw, the galaxies still forming not long after the first stars had ignited and lit up the heavens.The light from that blue star traveled through space for billions of years, and then one day a few thin beams crashed into a polished mirror — the light bucket of the Hubble Space Telescope.

In a report published Wednesday in the journal Nature, a team of astronomers asserts that this is the most distant individual star ever seen. They describe it as 50 to 100 times more massive than our sun, and roughly 1 million times brighter, with its starlight having traveled 12.9 billion years to reach the telescope….

(16) EYE BEFORE AIYEE.The Sea Beast is a new animated feature from Netflix coming in July.

In an era when terrifying beasts roamed the seas, monster hunters were celebrated heroes – and none were more beloved than the great Jacob Holland. But when young Maisie Brumble stows away on his fabled ship, he’s saddled with an unexpected ally. Together they embark on an epic journey into uncharted waters and make history.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Spider-Man:  No Way Home,” the Screen Junkies say that Spider-Man. having played second fiddle to Iron Man, Iron Man’s personal assistant, and Iron Man’s astrologer, now has to play second fiddle to two other Spider-Men.  This “2 1/2 hour brain vacation” has “all the characters you loved” from the previous Spider-Man movies, “some of the characters you forgot about, and none of the characters Sony would like you to forget about.”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Jeffrey Smith, John A Arkansawyer, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Russell Letson.]

Pixel Scroll 9/28/21 He Left The Galactic Library To Riverworld City But He Gave All The Scrolls To Her

(1) FUTURE TENSE. The September 2021 entry in the Future Tense Fiction series is “The Wait,” by Andrea Chapela, translated by Emma Törzs—a story about disappearances, ubiquitous surveillance, and stultifying bureaucracy.

… When the bell chimes for the next appointment, you raise your eyes from the book you weren’t really reading in the first place. 347. You’re next. You shut the book, a poetry collection you brought intentionally because it lets you open any page and read a few verses before losing the thread and looking back up at the screen…..

It was published along with a response essay by biomedicine and genetics researcher Vivette García-Deister. “Who Wins When the State Appropriates Self-Defense Technologies Developed by Communities?”

… This registry was created in 2018, and it includes disappearances from all the recent violence associated with the nation’s drug cartel wars. But it also includes cases that date back to the “dirty war” of the 1960s, when repressive governments ruthlessly targeted and eliminated revolutionary groups that had taken up arms against the state and anyone else whom they considered political threats, all under the auspices of U.S. anti-communist foreign policy.

Regrettably, therefore, the setting of Andrea Chapela’s “The Wait”—a short story about a woman waiting indefinitely in a governmental office (the “National Institute of Citizen Registration and Geolocation”) for news about Víctor, her missing brother—is painfully familiar to many people in Mexico. And indeed, much like in “The Wait,” women are mainly the ones who do the inquiring of authorities or actually do the searching, sometimes as members of highly organized search collectives….

(2) ROSARIUM ZOOM. Bill Campbell and Rachelle Cruz discuss The Day The Klan Came To Town in a Facebook livestream on Tuesday, October 5 at 7:00 p.m. Pacific.

Join us for a Zoom talk with Bill Campbell, author and publisher at Rosarium Publishing. His latest work, The Day the Klan Came to Town, is a graphic novel based on historical events: The Ku Klux Klan attack on the Jewish, Catholic, Black, and southern and eastern European immigrant communities of Carnegie, Pennsylvania, in 1923, and how they rose up to send the Klan packing.

In dialog with Campbell will be Rachelle Cruz,Professor of Creative Writing in the Genre Fiction concentration at Western Colorado University, and author of Experiencing Comics: An Introduction to Reading, Discussing and Creating Comics.

This event is sponsored by the Orange Coast College Multicultural Center.

(3) LEARNING FROM THE BEST. The Speculative Literature Foundation has put up an index to its Deep Dives video series.

We like to think of Deep Dives as Khan Academy, but for creative writing. …

Each module is based on a clip from our featured interviews with masters of the field and concerns a specific aspect of the writers’ craft (plot, character-building, establishing a setting, how to get published, copyrighting, and so on). Right now we’re focused on posting individual modules, but as we continue to build this project we plan to create syllabi, study guides, and assignments for specific course structures (such as eco-literature for a science classroom, or a seminar on feminist dystopian fiction)…. 

(4) OH, THE INHUMANITY. [Item by Martin Morse Wooster.] In the September 21 Financial Times (behind a paywall). Isabella Kaminska, in a piece about whether homemade experimenters could genetically modify things at home for bad ends, interviewed Simon Wain-Hobson, a retired virologist who was the first to genetically sequence HIV.

Wain-Hobson “likens the scientific compulsion to tinker with fantasy novelist Terry Pratchett’s observation that ‘if you put a large switch in some cave somewhere with a sign on it saying “End of the world switch. Please do not touch,” the paint wouldn’t have time to dry.'”

(5) CLICKS FROM A DEAD MAN’S EYES. Alexandra Erin has a Twitter thread going about Asimov and the Foundation series’ lack of decent women characters.  Thread starts here.

In the thread there’s a link to a blog post by Justine Larbalestier that reprints some letters from a teenage Asimov on the subject of women in SF stories: “Letters”.

Dear Editor,

Three rousing cheers for Donald G. Turnbull of Toronto for his valiant attack on those favoring mush. When we want science-fiction, we don’t want swooning dames, and that goes double. You needn’t worry about Miss Evans, Donald, us he-men are for you and if she tries to slap you down, you’ve got an able (I hope) confederate and tried auxiliary right here in the person of yours truly. Come on, men, make yourself heard in favor of less love mixed with our science!

—Isaac Asimov, 174 Windsor Place, Brooklyn, N. Y.
Astounding Science Fiction September 1938 p. 161

Isaac Asimov was eighteen when this letter was published.

(6) GAMING COMPANY WILL SETTLE EEOC COMPLAINTS. “Activision Blizzard says it will pay $18 million to settle harassment claims”CNN has the story.

Activision Blizzard will pay $18 million to settle a lawsuit by a US government agency alleging harassment and discrimination, the firm said Monday.

The gaming company, which owns hugely popular titles such as “Call of Duty,” “World of Warcraft” and “Candy Crush,” announced it had reached a settlement agreement with the Equal Employment Opportunity Commission (EEOC) in response to a complaint the agency filed earlier in the day.

As part of the settlement agreement, which is subject to court approval, Activision Blizzard (ATVI) said it will create an $18 million fund “to compensate and make amends to eligible claimants.” Any remaining amount will either be donated to charities focused on harassment, gender equality and women in the video game industry, or will be used to create diversity and inclusion initiatives within the company, it added….

In a complaint filed earlier on Monday, the EEOC accused Activision Blizzard of subjecting female employees to sexual harassment, retaliating against them for complaining about harassment and paying female employees less than male employees. The company also “discriminated against employees due to their pregnancy,” the complaint alleged.

(7) DAY AFTER DAY. [Item by Martin Morse Wooster.] In the September 22 Financial Times, behind a paywall, Tom Faber discusses video games based on Groundhog Day-style time loops.

These (time loop fames) follow in the footsteps of modern classic Outer Wilds, in which players explore a tiny galaxy which resets every 22 minutes when the sun explodes, the minimalist Minit, where you have just 60 seconds to adventure before the game restarts, and the compelling ancient Roman mystery The Forgotten City, in which a whole city is doomed to repeat a day as punishment for its sins.  That’s not to mention the macabre Loop Hero. murder mystery loop The Sexy Brutale, Hamlet-inspired riiff Elsinore, and even a VR game based on the Groundhog Day Ip called Like Father Like Son. There are more every year.  What keeps drawing writers to this particular trope? And why do we never get bored witnessing the same scenes over and over?…

…Gamers have always been at home in loops; traditionally, game environments reset every time they are entered, with enemies respawning and treasure chests restocked with gold.   Game designers speak of the ‘gameday loop,’ the central repeated action which keeps players engaged. Games are the perfect medium to unpack the pleasure in the patterns of a repeated timeframe.  The loop becomes a puzzle that can be solved, while its cyclical nature suggests experimentation–try anything you like, because you can always reset and start again.

(8) VISION QUEST. The wait is almost over. Vox reports “The Webb Space Telescope is 100x as powerful as the Hubble. It will change astronomy”. It will be launched into orbit on December 18.

…The Webb was originally supposed to launch in 2010 and cost around $1 billion. Its price tag has since ballooned to $10 billion, and it’s way overdue. But the wait will be worth it, at least according to the scientists who expect new and revealing glimpses of our universe.

“We’re going right up to the edge of the observable universe with Webb,” says Caitlin Casey, an assistant professor of astronomy at the University of Texas at Austin. “And yeah, we’re excited to see what’s there.”

The Webb will surpass the Hubble in several ways. It will allow astronomers to look not only farther out in space but also further back in time: It will search for the first stars and galaxies of the universe. It will allow scientists to make careful studies of numerous exoplanets — planets that orbit stars other than our sun — and even embark on a search for signs of life there….

(9) REFLECTION IN A GOLDEN VISOR. NASA’s Astronomy Picture Of The Day for September 27, “Five Decade Old Lunar Selfie” turns around a well-known photo taken during the first Moon landing. See the picture here.

Here is one of the most famous pictures from the Moon — but digitally reversed. Apollo 11 landed on the moon in 1969 and soon thereafter many pictures were taken, including an iconic picture of Buzz Aldrin taken by Neil Armstrong. The original image captured not only the magnificent desolation of an unfamiliar world, but Armstrong himself reflected in Aldrin’s curved visor. Enter modern digital technology. In the featured image, the spherical distortion from Aldrin’s helmet has been reversed. The result is the famous picture — but now featuring Armstrong himself from Aldrin’s perspective. Even so, since Armstrong took the picture, the image is effectively a five-decade old lunar selfie. The original visor reflection is shown on the left, while Earth hangs in the lunar sky on the upper right. A foil-wrapped leg of the Eagle lander is prominently visible. 

(10) MEDIA BIRTHDAY.

  • 1996 – Twenty-five years ago on CBS, the Early Edition first aired on this evening. The premise was What If tomorrow’s newspaper arrived at your doorstep today? Our protagonist uses this knowledge to prevent terrible events every day.  It was created by Ian Abrams, Patrick Q. Page and Vik Rubenfeld. It was the first major series for all three of them.  It had a cast of Kyle Chandler, Shanésia Davis-Williams, Fisher Stevens, Kristy Swanson and Billie Worley. Set in Chicago, it was largely filmed there as well. It had a successful run of four seasons and ninety episodes. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 28, 1909 — Al Capp. Cartoonist responsible of course for the Li’l Abner strip. Is it genre? Of course. A decade ago, IDW announced Al Capp’s Li’l Abner: The Complete Dailies and Color Sundays as part of their ongoing The Library of American Comics series. The series would be a reprinting of the entire forty year history of Li’l Abner encompassing a projected twenty volumes. So far nine volumes have come out. (Died 1979.)
  • Born September 28, 1923 — William Windom. Commodore Matt Decker, commander of the doomed USS Constellation in “The Doomsday Machine” episode, one of the best Trek stories told. Norman Spinrad was the writer. Other genre appearances include being the President on Escape from the Planet of the Apes, The Major in “Five Characters in Search of an Exit” episode of Twilight Zone and Ben Victor in the “The Night of the Flying Pie Plate” story of The Wild Wild West. This is a sampling only! (Died 2012.)
  • Born September 28, 1935 — Ronald Lacey. He’s very best remembered as Gestapo agent Major Arnold Ernst Toht in Raiders of the Lost Ark. He’s actually in Indiana Jones and the Last Crusade as Heinrich Himmler though it’s an uncredited role.  One of his first genre appearances was as the Strange Young Man in The Avengers episode “The Joker”.  In that same period, he was the village idiot in The Fearless Vampire Killers which actually premiered as The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My NeckAnd he’s in The Adventures of Buckaroo Banzai Across the 8th Dimension as President Widmark. This is but a thin wafer of his genre roles so do feel free to add your favorite. (Died 1991.)
  • Born September 28, 1938 — Ron Ellik. A well-known sf fan who was a co-editor with Terry Carr of the Hugo winning fanzine, Fanac,  in the late Fifties. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans which was largely a concordance of characters and the like. Fancyclopedia 3 notes that “He also had some fiction published professionally, and co-authored a Man from U.N.C.L.E. novelization.” (ISFDB says it was The Cross of Gold Affair.) Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
  • Born September 28, 1950 — John Sayles, 71. I really hadn’t considered him a major player in genre films but he is. He’s writer and director The Brother from Another Planet and The Secret of Roan Inish; andhe wrote the scripts of PiranhaAlligatorBattle Beyond the StarsThe HowlingE.T. the Extra-TerrestrialThe Clan of the Cave Bear and The Spiderwick Chronicles.
  • Born September 28, 1963 — Greg Weisman, 58. Writer who’s best remembered for Gargoyles, Spectacular Spider-Man and Young Justice. He also produced Gargoyles from early on. He also scripted some of Men in Black: The Series and Roughnecks: Starship Troopers Chronicles. He also wrote the children’s novel World of Warcraft: Traveler, followed by a sequel, World of Warcraft: Traveler – The Spiral Path. Children’s novels in the Warcraft universe? Hmmm… 
  • Born September 28, 1982 — Tendai Huchu, 39. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the 2020 issue Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story. That issue of Shoreline of Infinity (Issue 18, Summer 2020) is available from the usual digital suspects. His newest novel, The Library of the Dead, is the first in Edinburgh Nights series.
  • Born September 28, 1986 — Laurie Penny, 35. They are the writer of one genre novella to date, Everything Belongs to the Future, published at Tor.com, and a generous number of genre short stories. They were a finalist for the Astounding Award for Best New Writer at Worldcon 75 won by Ada Palmer. “Vector at Nine Worlds: Laurie Penny”, an interview with them by Jo Walton is in Vector 288

(12) BEHIND THE MAGIC 8-BALL. Books by Lincoln Michel, S.B. Divya, and Tade Thompson are praised in this CrimeReads roundup by Molly Odintz: “They’ve Seen the Future And They Don’t Like It: The Year’s Best Scifi Noir (So Far)”.

The future is bleak, whether you’re at the bottom of an underwater sea-scraper, in a spaceship headed to a distant galaxy, or just searching for plastic in the polluted rivers of Scrappalachia. More tech leads to more debt, and AI is as likely to compete with humans as to help them. The denizens of the future are buried in the trash of today, and doomed by the politics of yesterday and tomorrow. And yet, as is the surprisingly hopeful message behind any dystopian novel, life continues. Life will always continue. And sometimes, life even finds a way to thrive….

(13) SPIKE THE CANON. The New York Times finds that “In ‘Star Wars: Visions,’ Lucasfilm and Anime Join Forces, and Go Rogue”.

What would happen if some of the most creative animation studios in Japan were let loose in a galaxy far, far away?

In the anime anthology series “Star Wars: Visions,” Jedi warriors battle enemies with faces like oni (a kind of Japanese demon), and straw-hatted droids inhabit feudal villages straight out of Akira Kurosawa’s classic samurai film “Yojimbo.” There are Sith villains and rabbit-girl hybrids, tea-sipping droids (OK, it’s really oil) and sake-sipping warriors. Lightsabers are lovingly squirreled away in traditional wrapping cloths called furoshiki and in red lacquer boxes.

And this being anime, there are over-the-top action sequences, stunning hand-painted backgrounds and computer-generated wonders. And of course, there’s plenty of “kawaii,” the distinctly Japanese form of cuteness….

(14) DISCH TRIBUTE. [Item by Ben Bird Person.] Artist Will Quinn did this piece based on the 1987 movie The Brave Little Toaster, an adaptation of Thomas M. Disch’s 1980 novel.

(15) SEE MOVIE RELICS. The Icons of Darkness exhibit, which represents itself to be the most extensive privately-owned collection of sci-fi, fantasy and horror film artifacts on earth, has now moved to its new home on the corner of Hollywood Blvd. and Highland in Hollywood.

From “Star Wars” to “Jurassic Park”, “Terminator” to “Harry Potter”, “Batman” to “Iron Man”, and so many more, the Icons of Darkness exhibition has something for everyone. You’ll see screen-used props, original costumes, life casts, production-made maquettes, makeup effects heads, and artifacts from some of Hollywood’s most famous sci-fi, fantasy, and horror classics. The exhibition will feature pieces from “Dracula”, “Frankenstein”, “The Wizard of Oz”, “Spider-Man”, “Edward Scissorhands”, “Silence of the Lambs”, “Lord of the Rings”, “Game of Thrones”, and more!

(16) GETTING CHIPPY. Gene Wolfe gets a one-line mention in “Julius Pringles gets a makeover to celebrate brands’ 30th birthday in the UK” at Bakery and Snacks. Which the site is programmed to stop me from excerpting. You bastards!

(17) A GRAND MACHINE. The New York Times is there when “Amazon announces Astro, a home robot that it swears is more than Alexa on wheels”.

“Customers don’t just want Alexa on wheels,” Dave Limp, the head of Amazon’s devices, said at a company event on Tuesday. Then he proceeded to introduce a technology-packed home robot that looked a lot like … Alexa on wheels.

At least four years in the making, the small robot, called Astro, has a large screen and cameras attached to a wheeled base that can navigate a home…

Of all the products it showed, Amazon was clearly most excited about Astro, which was shown as the finale. And from the start, the company tried to sort out the differences between Astro and Alexa, the company’s digital assistant. Amazon said Astro’s large eyes on the screen, and the different tones it emitted, helped give the machine a “unique persona.” (At a starting price of $1,000, Astro is also a lot more expensive than most Alexa-enabled devices.)

But the main uses Amazon presented seemed to mirror some of the abilities of its Alexa and related products, which already put voice and camera surveillance in different rooms of a house. It does move, though, and Mr. Limp said customers could send the robot to check on people and different pets — for example, raising a camera on a telescopic arm to see if the flame on a stove is still on….

(18) WILD PITCH. [Item by Martin Morse Wooster.] In ‘James Bond;  Die Another Day” on Screen Rant, Ryan George says that the last Pierce Brosnan Bond film features Bond escaping from a hospital by willing his mind into cardiac arrest,, a villain who becomes British, gets knighted, and builds a giant empire in 14 months, and characters who practice ‘dNA remodeling by enlarging your bone marrow” which the producer thinks has enough science words for him.

[Thanks to JJ, Cat Eldridge, Andrew Porter, John King Tarpinian, Jennifer Hawthorne, Joey Eschrich, Ben Bird Person, Steven H Silver, Michael Toman, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/19/19 There’s A Broken Heart For Every Pixel On The Internet

(1) THE OTHER SHOE DROPS. There are now two bids for the 2021 Westercon, with Phoenix, AZ having officially filed.

Bid Location: Phoenix, AZ

Venue: Hyatt Regency Phoenix

Dates: 2nd to 5th July, 2021, with a preview night on the 1st

Bid officers are: • Chair: Hal C. F. Astell • Treasurer: Stephanie Bannon

Phoenix makes it a race by challenging the bid for Tonopah, NV. Site selection voting is being conducted by Spikecon, which among other things is this year’s Westercon.

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to enjoy an enchilada with Steve Stiles in Episode 93 of his Eating the Fantastic podcast.

Steve Stiles

This latest episode of Eating the Fantastic — recorded at Mezcal Mexican restaurant in Owings Mills — quickly turns nostalgic, because guest Steve Stiles and I were the proverbial ships that passed in the night at mid-‘70s Marvel Comics. My first job there was as the associate editor for the company’s line of British reprint books, which was a department he only started working at the following year, once I’d already moved over to the Bullpen to work on the American originals.

Stiles may be best-known for the post-apocalyptic dinosaur-filled future of Xenozoic Tales, which he drew for eight years, but he’s also appeared in titles such as Death Rattle, Bizarre Sex, and Anarchy Comics for underground publishers like Kitchen Sink and Last Gasp. He’s also done kid-friendly work, though, like The Mighty Morphin Power Rangers and Royal Roy.

And so much more — like the fanzine art which has made him a 17-time nominee for the Hugo Award, with nominations spread over a 50-year period from 1967 to 2018, an award which he won in 2016.

We discussed what it was like to work at Marvel Comics in the mid-’70s, the ironic reason he no longer owns his Silver Age Marvels, the time he thought he’d gotten the gig to draw Dr. Strange (but really hadn’t), what it was like being taught by the great Burne Hogarth at the School of Visual Arts, his first professional art sale (and why it ended up hanging on Hugh Hefner’s wall), how his famed comic strip The Adventures Of Professor Thintwhistle And His Incredible Aether Flier was born, why he didn’t like being art-directed by Marie Severin, which current comics he keeps up with, what Robert Silverberg said to him when he won his first Hugo Award after 14 tries and 49 years, the phrase he most wants carved onto his gravestone, and much more.

(3) LEAVES AN EMPTY SPACE. The Hollywood Reporter says “Fans Are Already Mourning The Avengers”.

‘Endgame’ will be goodbye to several characters, and as UCLA psychology professor Yalda Uhls notes: “Absolutely that can feel like real grief.”

“God, it seems like a thousand years ago,” Tony Stark (Robert Downey Jr.) says in the second trailer for Avengers: Endgame. “I fought my way out of that cave, became Iron Man…”

While it hasn’t quite been a thousand years, the final installment of the Marvel Cinematic Universe’s Infinity Saga represents an unprecedented moment in movie history, partly because some of the characters who have been a consistent presence in movie theaters since 2008 might retire, or even die.

And over time, those characters have started to feel like real friends to audiences.

(4) SIGNAL BOOST. The Free Times of Columbia, SC led its piece about “What’s at Stake With the Stakes of Avengers: Endgame” with a juicy quote from Paul Weimer:

In fantasy stories, like any stories, the stakes matter.

In 2012, writing for the now-defunct fan site SF Signal, Paul Weimer suggested a classification for such tales based on the relative size of what’s at stake, ranging from sagas in which only a city or smaller community is in peril to those where the whole universe hangs in the balance. Wherever a story lands on that scale, one thing remains crucial: The stakes have to feel real.

“Stakes are what the actions or inactions of the protagonist cause to happen, or fail to happen, depending on their success or failure,” Weimer wrote in “Stakes in Fantasy Novels: A Schemata of Classification.” “You can have multiple sets of stakes going on at one time, but you can look at a work of fantasy in terms the largest stakes, and use that to give an overall sense of the scale of the conflict in that book.”

(5) OUT OF NOLLYWOOD. Okayafrica’s Daniel Okechukwu discusses “6 Films Showing How Sci-Fi Stories Can Be Relevant in Nollywood”  — “An introduction to a subgenre in Nigeria’s film industry that’s only getting started.”

Nollywood screenwriter and director Dimeji Ajibola recently released a 1-minute teaser of his upcoming dystopian movie, Ratnik. Impressed by the visual effects and dystopian locations, local publications waxed lyrical about the film. YNaija! called it “the dystopian action-thriller we deserve in 2019.” Ratnik deserves its early praise; it is an ambitious project and its visual effects are impressive.

For some, a sci-fi Nigerian movie is unheard of, but Ratnik is not the first time a Nollywood sci-fi film will generate this much buzz. Kajola—the last one that did—was an utter disappointment. The debut film of now Nollywood box office king, Niyi Akinmolayan, it was released in 2009 to much fanfare. Akinmolayan was tired of Nollywood filmmakers: “those yeye people that don’t know how to make cool stuff.” Young and naïve, he thought he would change Nollywood forever by making “the greatest Nigerian movie ever. It will be action/sci-fi with lots of effects and we are going to win an Oscar.”

(6) NOT DEAD YET. The Digital Antiquarian studies the history of Activision in “An Unlikely Savior”.

Activision Blizzard is the largest game publisher in the Western world today, generating a staggering $7.5 billion in revenue every year. Along with the only slightly smaller behemoth Electronic Arts and a few Japanese competitors, Activision for all intents and purposes is the face of gaming as a mainstream, mass-media phenomenon. Even as the gaming intelligentsia looks askance at Activision for their unshakeable fixation on sequels and tried-and-true formulas, the general public just can’t seem to get enough Call of Duty, Guitar Hero, World of Warcraft, and Candy Crush Saga. Likewise, Bobby Kotick, who has sat in the CEO’s chair at Activision for over a quarter of a century now, is as hated by gamers of a certain progressive sensibility as he is loved by the investment community.

But Activision’s story could have — perhaps by all rights should have — gone very differently. When Kotick became CEO, the company was a shambling wreck that hadn’t been consistently profitable in almost a decade. Mismanagement combined with bad luck had driven it to the ragged edge of oblivion. What to a large degree saved Activision and made the world safe for World of Warcraft was, of all things, a defunct maker of text adventures which longtime readers of this ongoing history have gotten to know quite well. The fact that Infocom, the red-headed stepchild a previous Activision CEO had never wanted, is directly responsible for Activision’s continuing existence today is one of the strangest aspects of both companies’ stories….

(7) UNSOUND ADVICE. io9/Gizmodo names “8 Silent Films Every Sci-Fi and Horror Fan Should See”. I don’t know, my reaction to this advice is about the same as Queen Elizabeth I’s opinion of taking a bath. The list is comprised of:

1) The Cabinet of Dr. Caligari (1920)
2) Metropolis (1927)
3) Nosferatu (1922)
4) The Lost World (1925)
5) Häxan: Witchcraft Through the Ages (1922)
6) Aelita: Queen of Mars (1924)
7) A Trip to the Moon (1902)
8) The Phantom of the Opera (1925)

(8) FULL LID. Alasdair Stuart sends a link to The Full Lid with this introduction:

This week’s Full Lid features a look at the deeply fantastic zombie coming of age comedy musical Anna and the Apocalypse. Also this week, there’s a review of the first issue of the excellent new fantasy detective comic FairLady and a look at the first month of The SCP Archives, a new podcast bringing stories from the legendary wiki fiction experiment to life. The spotlight is James Davis Nicoll, there’s a photo of my word buckets and a short film from excellent Irish writer director Chris Brosnahan.

(9) NEW YORK SLICE. A heartwarming story about George R.R. Martin. The thread begins here.

(10) COBB OBIT. History-making pilot Jerry Cobb died March 18. Ars Technica paid tribute: “Jerrie Cobb, one of the most gifted female pilots in history, has died”.

Geraldyn “Jerrie” M. Cobb, a noted aviation pioneer and fierce advocate for women flying into space, died March 18 at her home in Florida, her family has revealed. She was 88.

Cobb is perhaps most well-known for her participation in what became known as the “Mercury 13,” a group of 13 women who passed preliminary screening processes in 1960 and 1961 to determine their suitability as astronauts under the guidance of Dr. Randolph Lovelace. Cobb scored in the top 2 percent of all who had taken the battery of tests for candidates previously, including both women and men.

However, the privately funded effort was not officially sanctioned by NASA. A Netflix documentary about the experience, released in 2018, offered a clear verdict for why women were excluded from NASA in the space agency’s early days—”good old-fashioned prejudice,” as one of the participants said.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 19, 1925 Hugh O’Brian. His only meaningful genre involvement was being Harry Chamberlain in Rocketship X-M in which he was also the voice on the loudspeaker.  He’d play the evil Hussein in Son of Ali Baba, and he was Richard Camalier in Doin’ Time on Planet Earth as well. He’d have one-offs appearances on shows such the Alfred Hitchcock Hour, and he had five different roles on Fantasy Island. (Died 2016.)
  • Born April 19, 1933 W.R. Cole. Author of A Checklist of Science Fiction Anthologies, self-published In 1964. Ok, I’m including him today because I’m puzzled. SFE said of this that ‘Though it has now been superseded and updated by William Contento’s indexes of Anthologies, it is remembered as one the essential pioneering efforts in Bibliography undertaken by sf Fandom.’  Was this really the first time someone compiled an index of anthologies? I seem to remember earlier efforts though I can’t remember precisely who. (Died 2002.)
  • Born April 19, 1935 Herman Zimmerman, 83. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, he in that era worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler.
  • Born April 19, 1936 Tom Purdom, 83. There’s very little on him on the web, so I’ll let Michael Swanwick speak to him: ‘How highly do I regard Tom’s fiction?  So highly that I wrote the introduction to the collection — and I hate writing introductions.  They’re a lot of work.  But these stories deserve enormous praise, so I was glad to do it.’  He’s written five novels and has either one or two collections of his stories. 
  • Born April 19, 1946 Tim Curry, 73. Dr. Frank-N-Furter in The Rocky Horror Picture Show of course is not his first genre appearance as he’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. (And yes, I adore RHPS.) And yes, I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island and in Rosencrantz and Guildenstern Are Dead as The Player.
  • Born April 19, 1952 Mark Rogers. He’s probably best known for writing and illustrating the Adventures of Samurai Cat series. His debut fantasy novel Zorachus was followed by The Nightmare of God sequel. His novella “The Runestone” was adapted as a film of the same name. And his art is collected in Nothing But a Smile: The Pinup Art of Mark Rogers and The Art of Fantasy. (Died 2014.)
  • Born April 19, 1967 Steven H Silver, 52. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine four times without winning. Ok, is that a record? He’s a longtime contributing editor to SF Site and has written that site’s news page since its beginning. Over twenty years ago, he founded the Sidewise Award for Alternate History and has served as a judge ever since. And he publishes his own fanzine, Argentus.
  • Born April 19, 1968 Ashley Judd, 51. Best known genre wise for playing Natalie Prior in the Divergent film franchise. She was also Carly Harris-Thompson in the Tooth Fairy film, and was Ensign Robin Lefler in a few episodes of Next Gen. She played Beverly Paige on several episodes of Twin Peaks as well. 

(12) COMICS SECTION.

(13) AO3. Somebody’s not whispering quietly enough. Supporters of Jason Sanford’s Patreon can find out who.

This could be a clue — Sanford retweeted Interstellar Teahouse’s thread, which starts here.

(14) AO1. Ryan George imagines what it was like to be “The First Guy Ever To Write Fiction.”

(15) ANCIENT CODE. Ars Technica reports “You can now download the source code for all Infocom text adventure classics”.

The source code of every Infocom text adventure game has been uploaded to code-sharing repository GitHub, allowing savvy programmers to examine and build upon some of the most beloved works of digital storytelling to date.

There are numerous repositories under the name historicalsource, each for a different game. Titles include, but are not limited to, The Hitchhiker’s Guide to the GalaxyPlanetfallShogun, and several Zork games—plus some more unusual inclusions like an incomplete version of Hitchhiker’s sequel The Restaurant at the End of the Universe, Infocom samplers, and an unreleased adaptation of James Cameron’s The Abyss.

[…] The games were written in the LISP-esque “Zork Implementation Language,” or ZIL, which you could be forgiven for not being intimately familiar with already. Fortunately, Scott also tweeted a link to a helpful manual for the language on archive.org.

(16) YTTERBIUM. A fashion update from John Scalzi:

Sure, if you have the same color eyes as the Easter Bunny….

(17) A DIFFERENT POINT OF VIEW ABOUT GOT. Eneasz Brodski voices “Mad Respect for Cersei” at Death Is Bad.

There is the possibility that the undead will win and destroy all life on Westeros, yes. But that is preferable to returning to life as chattel. If humanity has such a problem with extinction, maybe it shouldn’t have made life a living hell for so many.

(18) SPOILER PREVENTION. Slate’s Sam Adams rejects the extinction outcome, as logical as it may be in “The One Death Game of Thrones Can’t Face”.

There’s just one problem. The show that became famous for its willingness to kill off seemingly essential figures has grown less and less likely to do so. Even before Jon Snow came back from the dead, viewers had begun to develop a sense of which characters were essential to the series’ endgame, and thus impossible to kill off. You didn’t need Ramsay Bolton or even Littlefinger to tie up the story’s loose ends, but it’s impossible to imagine Dany or Jon getting axed for shock value. There was no chance the High Sparrow would dethrone Cersei for good or that Arya would fail the Faceless Men’s tests. The show’s core characters had acquired what fans call “plot armor,” which meant that any time the odds seemed truly hopeless, when they were backed against a wall and there seemed to be no way out, we knew the question wasn’t if they’d escape but only how.

(19) BEES SURVIVE. FromSnopes, repeating an AP story: “Drunk on Smoke: Notre Dame’s Bees Survive Fire”.

Hunkered down in their hives and drunk on smoke, Notre Dame’s smallest official residents — some 180,000 bees — somehow managed to survive the inferno that consumed the cathedral’s ancient wooden roof.

Confounding officials who thought they had perished, the bees clung to life, protecting their queen.

“It’s a big day. I am so relieved. I saw satellite photos that showed the three hives didn’t burn,” Notre Dame beekeeper Nicolas Geant told The Associated Press on Friday.

“Instead of killing them, the CO2 (from smoke) makes them drunk, puts them to sleep,” he explained.

Geant has overseen the bees since 2013, when three hives were installed on the roof of the stone sacristy that joins the south end of the monument. The move was part of a Paris-wide initiative to boost declining bee numbers. Hives were also introduced above Paris’ gilded Opera.

(20) FELINE EFFECTS. Epic Cats presents a superpowered credential.

[Thanks to Mike Kennedy, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, John A Arkansawyer, Chip Hitchcock, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]