Pixel Scroll 11/26/23 Three Little Muah’Dib’s From Dune Are We

(1) CITY TECH SF SYMPOSIUM. The Program and Registration for the 8th Annual City Tech Science Fiction Symposium on Science Fiction, Gender, and Sexuality will be held on Thursday, November 30, 2023 from 9:00 a.m.-5:00 p.m Eastern (GMT/UTC -5 hours) online via Zoom Webinar.

To participate in this free event, attendees will need to do these two things: (1) Signup for a free Zoom account here (if you don’t already have one), and (2) Register here to receive access instructions to the Zoom Webinar. Participants may register any time before or during the event!

For those who would like to watch the event without registering, you can join the YouTube Livestream here (click on the top-most video labeled “Live”).

One of the sessions will include these papers:

2:15-3:05pm:
Paper Session 4
Moderator -Leigh Gold
Omotoyosi Odukomaiya – Identity, Otherness and Alterity in Nnedi Okorafor’s Lagoon and Tade Thompson’s Rosewater
Nikki Paige Gallant – Romantic Disability Studies: The Female Cyborg in Samuel Taylor Coleridge’s “Christabel”
Jacob Adler – Speculative Fiction and the “Illusory Woman”
Jo Ann Oravec – You May Now Kiss the Robot: Human-Robot Marriages in Science Fiction Literature and Movies 

(2) TREASURED CHESTS. Adam Roberts begins by reminding readers how Robert E. Howard wrought the original Conan before dryly passing judgment on Robert Jordan’s continuation of the series and its infinite breast references. When Roberts says the “writing throughout is of the calibre one would expect from the author of The Wheel of Time” it is not meant as flattery. “Robert Jordan, ‘The Conan Chronicles: 2’ [‘Conan the Magnificent’ (1984); ‘Conan the Triumphant’ (1983); ‘Conan the Victorious’ (1984)”.

…Conan often swears by ‘Crom’, his god; but Crom is a much more Lovecraftian deity than (say) Thor or Ares:

“Conan’s gods were simple and understandable; Crom was their chief, and he lived on a great mountain, whence he sent forth dooms and death. It was useless to call on Crom, because he was a gloomy, savage god, and he hated weaklings. But he gave a man courage at birth, and the will and might to kill his enemies, which, in the Cimmerian’s mind, was all any god should be expected to do.” [Howard, ‘The Tower of the Elephant’ (1933)]

It is splendid, and it lifts the adventuring out of the banality wish-fulfilment. Going through the stories I was struck by how powerful and memorable they are.

+++

From, as they say, the sublime to the ridiculous. Having read Howard I was curious as to how his various continuers compared. They did not, constant reader, compare well….

(3) FACES SHOULD BE RED, NOT JUST THE PLANET. Ars Technica reviewer Chris Lee hears a discouraging word about colonizing Mars: “A City on Mars: Reality kills space settlement dreams”.

Let me start with the TLDR for A City on Mars. It is, essentially, 400 pages of “well, actually…,” but without the condescension, quite a bit of humor, and many, oh so many, details. Kelly and Zach Weinersmith started from the position of being space settlement enthusiasts. They thought they were going to write a light cheerleading book about how everything was going to be just awesome on Mars or the Moon or on a space station. Unfortunately for the Weinersmiths, they actually asked questions like “how would that work, exactly?” Apart from rocketry (e.g., the getting to space part), the answers were mostly optimistic handwaving combined with a kind of neo-manifest destiny ideology that might have given Andrew Jackson pause.

The Weinersmiths start with human biology and psychology, pass through technology, the law, and population viability and end with a kind of call to action. Under each of these sections, the Weinersmiths pose questions like: Can we thrive in space? reproduce in space? create habitats in space? The tour through all the things that aren’t actually known is shocking. No one has been conceived in low gravity, no fetuses have developed in low gravity, so we simply don’t know if there is a problem. Astronauts experience bone and muscle loss and no one knows how that plays out long term. Most importantly, do we really want to find this out by sending a few thousand people to Mars and hope it all just works out?

Then there are the problems of building a habitation and doing all the recycling. I was shocked to learn that no one really knows how to construct a long-term habitable settlement for either the Moon or Mars. Yes, there are lots of hand-wavy ideas about lava tubes and regolith shielding. But the details are just… not there. It reminds me of Europe’s dark days of depositing colonies on other people’s land. The stories of how unprepared the settlers were are sad, hilarious, and repetitive. And, now we learn that we are planning for at least one more sequel….

(4) NEGATORY GOOD BUDDY. Far Out Magazine found the tablets listing “Ayn Rand’s 13 commandments for making capitalist movies”. Every one starts with the word “Don’t”.

…An often-revered, equally maligned philosopher and unashamed champion of capitalism, Ayn Rand managed to weave her steadfast and forthcoming ideology into her works as an artistic writer. As a capitalist, Rand’s novels The Fountainhead and Atlas Shrugged mirrored her belief in individualism and the pursuit of material gain….

…When it came to creating pro-capitalist movies, Rand felt that there were specific criteria that directors and writers ought to stick to and in 1947, she wrote the ‘Screen Guide for Americans’, a pamphlet that was meant to heighten awareness in Hollywood studio producers of a growing pro-communist sentiment. 

“The purpose of the Communists in Hollywood,” she wrote, “Is not the production of political movies openly advocating Communism. Their purpose is to corrupt our moral premises by corrupting non-political movies — by introducing small, casual bits of propaganda into innocent stories — thus making people absorb the basic premises of Collectivism by indirection and implication.”…

The 13 commandments are at the link.

(5) WHO REMEMBERS. “’I made the Daily Mail incredibly angry’: stars share their Doctor Who moments – part five” in the Guardian.

Juno Dawson (writer of the Doctor Who: Redacted audio series, 2022 onwards)

When Tegan Jovanka leaves the Doctor, she tells him she can no longer witness the bodies piling up around them. “It’s stopped being fun, Doctor!”, she wails. I often apply that rule to my life, too. If it stops being fun, get out. Some 20 years later, Martha Jones chooses herself over a life of pining after the Doctor. She explains about her university friend’s unrequited love for their flatmate. Martha won’t repeat her pattern, and she gets out. It’s one of the most explicitly feminist moments in the show.”

(6) D.G. COMPTON (1930-2023). Sff writer D.G. Compton, winner of the 2021 Cordwainer Smith Rediscovery Award, died November 10 reports the Arrowhead SF Foundation.  

D.G. Compton

We received sad news today that David Guy Compton, who wrote as D. G. Compton, passed away this morning at the age of 93 where he had lived in Maine for many years. David was born in London, England in 1930 and moved to the US some years later.

We had the great pleasure of having David visit us in Milford for the Black Bear Film Festival the year DEATH WATCH, the 1979 Bertrand Tavernier film based on his book, THE CONTINIOUS KATHERINE MORTENHOE was featured on the main stage. It was a delightful and memorable weekend.

D. G. Compton was always writing, with his most recent novel, SO HERE’S OUR LEO, being published by Wildside Press in April of 2022. Besides THE CONTINIOUS KATHERINE MORTENHOE – an “author’s cut” of which was published by NYRB Classics in 2016 — his many wonderful titles include THE STEEL CROCODILE, FAREWELL EARTH’S BLISS, and SYNTHAJOY, as well as numerous crime novels written as Guy Compton and gothic romances as Frances Lynch. David was also an authority on stammering, writing a nonfiction book on the subject, STAMMERING: ITS NATURE, HISTORY, CAUSES AND CURES.

David was awarded the 2021 Cordwainer Smith Rediscovery Award and was also honored as the Science Fiction and Fantasy Writers Association’s Author Emeritus in 2007. He is survived by his step son, Toby Savage and many friends. We will greatly miss him.

The best way you can honor David Compton is to go read one of his books.

(7) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 26, 1919 Frederik Pohl. (Died 2013.) He’s one of those writers that I’ve always found I can depend upon for an excellent reading experience. So let’s take a look at him. Now keep in mind this is only about him as a writer, not as an editor.

Eighty-six years ago when he was just eighteen, “Elegy to a Dead Satellite: Luna”, a poem, was his published work in Amazing Stories in the October 1937 issue as Elton Andrews. His first piece of prose fiction was the first part of “Head Over Heels in Time” published in the Spaceways fanzine, February 1939.

Now let’s get to his novels. Looking him on ISFDB was interesting to say the least. I’ve reading him for around a half century now so naturally I didn’t remember everything that I’d read by him. 

I’ll confess that sometimes all I remember of a novels is the cover art but that then triggers enough to tell me if I liked it. And so it with Cuckoo series. Not bad at all they were. Speaking of their cover art, I’m particularly fond of the pulpish artwork for Wall Around A Star.

However the novels that defined him as a writer are those of the Heechee series. Yes, I’ve read the first three novels several times and enjoyed them immensely. Can we not talk about The Annals of the Heechee which I did read? Just once which was enough. 

And I’ve not read The Boy Who Would Live Forever, so opinions on it are hereby solicited. 

Gateway won a much deserved Hugo at IguanaCon II, as well as John W. Campbell Memorial Award and a Nebula.

Ahhh, Man Plus which was a nominated first a Hugo at SunCon, and won a Nebula. What an amazing novel it is. ISFDB lists a sequel, Mars Plus, which I had no idea existed until now. Who’s read it? 

The Space Merchants written with Cyril M. Kornbluth that first was published in Galaxy Science Fiction magazine as the serial Gravy Planet is truly great in a silly sort of way. It has a sequel, The Merchants’ War, I’ve managed to overlook all this time. There really is too much fiction out there. 

Let’s finish off with The Cool War which I think is one of his best novels — fascinating characters, near setting, great story.

No, I didn’t cover his short stories as there’s really no way to break them out and do them justice. If you like his short works, some of which have won Hugos, there’s been some thirty collections published so far. 

Bradbury and Pohl with the Red Planet. Photo by Terry Pace.

(8) COMICS SECTION.

(9) DISK JOCKEY. Far Out Magazine’s list of “The 10 best-selling DVDs of all time” is composed entirely of sf and fantasy films – though that’s not the common denominator that caught the writer’s eye.

…Understandably, the entire list is made up of children’s flicks, or, at the least, movies targeted at younger audiences, with Disney being behind half of the films on the list, including the three Pixar movies The Incredibles, Cars and Finding Nemo, which sold a grand total of 77,500,000 DVD copies. In addition, Disney was also behind the first two movies in the live-action Pirates of the Caribbean series, with the Johnny Depp-led films selling over 32 million copies. 

Elsewhere, there are two superhero movies on the list, one from Marvel and the other from DC. The 2008 Christopher Nolan film The Dark Knight sold 19,200,000 copies, just 300,000 under how many Sam Raimi and his team managed to shift for the Tobey Maguire-led Spider-Man film from 2002….

(10) ANIME EXPLORATIONS. Episode 14 of the Anime Explorations Podcast is up, and includes a Kumoricon 2023 Con Report. The podcast can be found here: “Anime Explorations Podcast: Episode 14: Tsukhime (2003)”.

(11) GONE WITH THE WIND. “‘We are heartbroken’: Coober Pedy loses its famous drive-in – but the opal town has plans for take two” reports the Guardian.

The closure of a drive-in rarely makes the news but Coober Pedy’s is no ordinary drive-in. Since it was built by volunteers in 1965 it has served as a meeting point for the remote opal mining community, itself immortalised on film in The Adventures of Priscilla, Queen of the Desert and Mad Max Beyond Thunderdome. For decades miners turned up in their utes, still filled with mining equipment and gelignite. As beer was sold at the drive-in, the operators had to ban patrons from bringing along explosives.

But curtains have now closed on South Australia’s last drive-in after furious winds reaching almost 120km/h ripped through the town on 15 November, leaving the screen in tatters. More than half the panels and the underlying structure were ripped away by the wind.

“We are heartbroken as a community,” states the drive-in’s website….

(12) NOT TUNED IN. “Christopher Nolan names the genre he doesn’t ‘really get’” in Far Out Magazine. (Whew, I was worried for a second he might say sff, which would have really been disturbing after five Nebula Award nominations and a win for Inception.)

Yet, while Nolan is a considerable fan of all types of cinema, there is one genre he has admitted that he doesn’t “really get”, confessing that he has little love for the humble movie musical.

“I don’t really get musicals,” he told Scott Holleran, “I always used to say that I would do anything except musicals. Having said which, now that I have kids, I’m re-appraising that. There are a lot of films that [I saw] as a kid that I didn’t really remember as musicals. Like Willy Wonka and the Chocolate Factory. I completely forgot that it was a musical. I watched it again a few weeks ago and I saw it in a different way. I think as a kid you just accept the groundwork of the film you’re seeing, you’re not judging it as a genre, and you’re much more open”…

(13) FIFTY YEARS OF ZINES. Gothamist reports on a new exhibit at the Brooklyn Museum called Copy Machine Manifestos: Artists Who Make Zines in “Zines are back: Brooklyn Museum exhibit looks at decades of artistry”.

…It includes more than 800 images from the world of zines from the 1970s to today, organized into categories like “The Punk Explosion” and “Critical Promiscuity.”…

…Zines actually began in the 1930s, in mimeograph form. They were the same: cheap, quick, ephemeral and usually self-made publications, but they were related to fan culture.

They started around science fiction fandom, then moved into comic book fandom, then ultimately, in the early ’70s, moved into rock fandom.

There are fan communities that are interested in certain comics or certain types of music.

Part of the ethos of these fanzines is that they’re very open to reader feedback and participation. They welcome correspondence, they welcome contributions, they welcome mentioning other types of zines….

(14) LOSCON FANZINE TABLE. Richard Man took these photos of the fanzine table at this weekend’s Loscon.

(15) VIDEO OF THE DAY. “Carrie Fisher Roasts George Lucas at AFI Life Achievement Award” in 2005. Four minutes in the fire and he’s well-done.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Steven French, Alexander Case, Richard Man, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/22/23 All Right, Mr. Pixelle, I’m Ready For My Scroll-Up

(1) LOSCON THIS WEEKEND. Loscon 49, a gathering of writers and fans of all ages, with common interests in Fantasy, Science Fiction, Cosplay, Film, Art and Music takes place this Thanksgiving weekend, November 24-26, at the Los Angeles Airport Marriott on Century Blvd.

Author and screenwriter Peter S. Beagle is the Writer Guest of Honor. Generations of readers have enjoyed his magic of unicorns, haunted cemeteries, lascivious trees and disgruntled gods. His best-known work is “The Last Unicorn”

Echo Chernik, the Artist Guest of Honor, is commercial artist and instructor of digital media, specializing in art nouveau-influenced design art and illustration.

Fan Guest of Honor is Elayne Pelz. She has worked at Worldcons, Loscon, Gallifrey One, Anime cons, SFWA Nebula Conference, and many more, as an essential staff member for decades.

Loscon will partner with Nerd Mafia Group for a cosplay contest on Saturday evening.

Submissions will be accepted for the Losconzine49 onsite, at a fan table stocked with paper and various writing implements. They will also take emailed submissions until Dec 3rd via [email protected] These will be compiled and shared electronically with all those who submit and an online post will be shared with the public.

Weekend passes are $75, day rate is $40. Parking with validation is $20 per day.

For more information, check out Loscon 49.

Peter S. Beagle. Photo by Krystal Rains.

(2) FOR YOUR EARS. Audible.com has posted 20 books on its list of The Best Audiobooks of 2023, two of them of genre interest. And there are additional lists of —

(3) YOUR FAVORITE BOOK MAY ALREADY HAVE WON – IT’S UP TO YOU. Christopher Ruz has a solution to the surfeit of literary awards – make it bigger! “Announcing the 2023 Rando Awards”.

The Randos are a highly prestigious* genre fiction award, judged by a team with over a century of combined experience** in fantasy, science fiction, horror, crime, and more. Founded by me, because I felt like it, the Randos is a way of sharing our love of genre fiction and recognising the authors who made our year great. Our judging panel of Randos will come together at the end of the year to decide on their favourite reads of 2023. Each winning author—one per judge—will be awarded a coveted Rando trophy***.

*this is a lie

**if you add up the time we’ve all spent reading then it’s probably a hundred years? Maybe?

***I mean, I’d covet them pretty hard

Can I Be a Judge?

Here’s the thing about the Randos: anyone can be a Rando, and find some way to recognise and appreciate their favourite authors. You can shoot me a message and join our team in time for the 2023 awards! All you need is to cover the costs of the trophy and international postage for your chosen winner. Or, you can find your own way to let your fave author know that you appreciated their work and that they enriched your life with their stories.

There are no downsides to sharing that love….

(4) TOO CLOSE TO HOME. Author Max Florschutz says his mother survived the mudslide in his hometown of Wrangell, Alaska but his father is still missing: “It’s All Gone”. Sad and alarming news.

Guys, I … I barely know how to write this. The last thirty-six hours have been a nightmare that is still ongoing.

If you’ve seen the news and heard a story about Wrangell Alaska, then you’ve heard part of what I’m about to tell you.

Monday night at 9 PM, a landslide hit my hometown. It was 450 feet across by the time it hit the highway, after it completely demolished my parent’s property and home (here’s a picture of the size of the slide).

It continued down across the highway and into the bay, destroying another home along the way before ending up in the bay.

My mother pulled herself from the wreckage of her home and walked to the search and rescue teams across a still-shifting mudslide.

My father is still missing, and just typing this hurts. Search and rescue teams are trying to get to what’s left of their home to locate him. We have no idea if he’s alive or dead. Everything that can be done is being done….

(5) INDOPANTHEOLOGY OPENS TO SUBMISSIONS. Oghenechovwe Donald Ekpeki has put out a call for “Indopantheology: Stories from the Spiritual Margins” at OD Ekpeki Presents. Deadline to submit is March 31, 2024. Full details at the link.

Do you have stories that go beyond the realms of the physical world? We, the editors, are asking for your spirit-fiction.

This volume will explore the theme of Indopantheology, analogous to the Afropantheology of Oghenechovwe Ekpeki’s Between Dystopias: The Road to Afropantheology, published October 2023 by OD Ekpeki Presents, as an installment of the Pantheology projects

For us, Indopantheology maps the realm of the spiritual imagination, comprising all soul-matters from the most worldly of dreams to the most numinous of visions. If that is what you wish to explore, then this call is for you. We want stories from the wilder thickets of the spiritual world, the old places, the cultures and peoples that have been looted, disrespected and forgotten.

We want tales of the vast borderlands between life and death, where dreamers walk and ghosts and gods converse. Too often it seems that, in our current age of bigotry, exploitation and violence, the ‘spiritual’ is wielded as a weapon, designed to shame and exclude anyone of whom the wielder does not approve. We want to showcase stories that stand against this trend, and that go beyond the traditional binaries into the slippery truths of the shadow realms.

While the focus of this volume will be on South Asia and its many spiritual streams that defy the categories of organised religion, we are willing to accept spirit-stories from anyone in the wider Indoasian world. Please note that there are volumes currently in progress for other geographical regions with relations to South Asia, such as Africa, the Caribbean, etc.

We see this as a decolonising project, since the spirit world has historically been hijacked and weaponised by oppressors of various hue. We believe that new storytelling can cure this wound. And we especially want stories from, and about, people who are on the various spectrums: gender, neurological, mental and physical….

(6) RED WOMBAT DEAL. Orbit Books has acquired T. Kingfisher’s Saint of Steel series and Swordheart. Four of these were self-published, and now will get tradpub reprints.

Helen Breitwieser at Cornerstone Literary Agency sold UK and Commonwealth rights in five of T. Kingfisher’s books to Nadia Saward, Commissioning Editor at Orbit. The ebooks of Paladin’s GracePaladin’s StrengthPaladin’s Hope and Swordheart are on sale now from Orbit, with Paladin’s Faith publishing in early December. Orbit will be redesigning the covers and will be releasing paperbacks of all five books in Spring 2025.

(7) VARIABLE GOALS. We’ve heard a thousand times about AUTHORS GETTING PAID, but publisher Steven Radecki tells readers of the SFWA Blog that’s not the only way to keep score: “The INDIE FILES: Measuring Your Success As an Author”.

During the more than a decade that I have been involved in indie publishing, I have worked with more than three hundred authors. One thing I have discovered is that, just as publishing is not a one-size-fits-all process, neither is how individual writers conceive of their success. Managing your own goals and expectations and why you have them can go a long way toward understanding your feelings of success as an indie author.

Just getting your work published is probably your primary goal—whether it be a short story, novella, or epic trilogy. Few writers, particularly newly published ones, give much advance thought to what happens after they achieve that goal: what it will mean to feel successful as an author once their work has been published.

Having clear goals helps you in the effective promotion of your work. Discussing your goals early in your relationship with your agent or publisher can help you determine whether you are the right fit for each other in helping you achieve your goals. Defining goals will also help you in your decision on whether to go the traditional publishing, small publishing, or self-publishing route.

Some of the ways you might measure your success as an author include:

  • income earned
  • number of books or stories sold
  • number of engaged readers
  • public displays of your work

(8) PLAINTIFF HITS STUMBLING BLOCK IN AI LAWSUIT. [Item by Nina Shepardson.] The Hollywood Reporter has a new article out on Sarah Silverman’s lawsuit against Meta alleging that its generative AI program infringes her copyright as an author. “Sarah Silverman Hits Stumbling Block in AI Lawsuit Against Meta”.

A judge has dismissed most of the claims in Silverman’s lawsuit. He called the claim that the AI model itself is an infringing derivative work “nonsensical.” He also found that Silverman didn’t provide sufficient evidence that the outputs of the model are “recasting, transforming, or adapting” her books. He said that, “To prevail on a theory that LLaMA’s outputs constitute derivative infringement, the plaintiffs would indeed need to allege and ultimately prove that the outputs ‘incorporate in some form a portion of’ the plaintiffs’ books.” Apparently, there’s a “test of substantial similarity” that’s used in copyright cases to determine whether a work is similar enough to the original to likely be infringing. It sounds like the judge doesn’t think Silverman has provided evidence that the outputs of Meta’s AI program are substantially similar to her original work.

(9) MEMORY LANE.

1987 [Written by Cat Eldridge.]

Emma Bull’s War for The Oaks is a lovely novel. So we take our Beginning from it this time.

Since some of you might because of your extreme poor fortune not have read it yet so I’ll talk not about it and spoil it for you. Well I’ll at least put SPOILER ALERT up if I do. 

War for The Oaks was first published by Ace in softcover in 1987 with the first cover art below by Pamela Patrick. The novel’s setting is based upon Minneapolis where she and her husband Will Shetterly were living at the time. 

The novel was, by Ace, printed once and declared out of print. It took Emma almost a decade-and-a-half to get back rights to the novel from Ace. Tor then printed a hardcover edition which never officially got released. It got released in a trade paper edition that had exactly the same cover. I like the Tor art by Jane Adele Regina as shown in the second cover image better than the Ace illustration as I think it captures the darker aspect of the novel. 

SPOILER ALERT FOR A MINUTE.

Eddi also plays songs written by herself – in actuality of course, written by the author, Emma Bull. Some of these (including “Wear My Face” and “For It All”) were performed by the band Cats Laughing (of which Emma Bull is a member), and are on their second album Another Way To Travel whose cover art is by Terri Windling of a hearse and the band in front of it.

When the trailer for War for The Oaks was filmed with funding meant first Will’s run for the Governorship of Minnesota, this music was supplemented by some by Boiled in Lead as well. In the trailer, Emma plays the Fairy Queen and a fine one she does make! 

That trailer is here. Don’t watch it if you’ve not read the novel. Really don’t or the Unseelie Queen will curse you. If you do and you were in Minneapolis in the large Eighties, let be note that a lot of the actors are from fandom. 

END OF SPOILER ALERTS

And now our Beginning…

Prologue

By day, the Nicollet Mall winds through Minneapolis like a paved canal. People flow between its banks, eddying at the doors of office towers and department stores. The big red-and-white city buses roar at every corner. On the many-globed lampposts, banners advertising a museum exhibit flap in the wind that the tallest buildings snatch out of the sky. The skyway system vaults the mall with its covered bridges of steel and glass, and they, too, are full of people, color, motion.

But late at night, there’s a change in the Nicollet Mall.

The street lamp globes hang like myriad moons, and light glows in the empty bus shelters like nebulae. Down through the silent business district the mall twists, the silver zipper in a patchwork coat of many dark colors. The sound of traffic from Hennepin Avenue, one block over, might be the grating of the World-Worm’s scales over stone.

Near the south end of the mall, in front of Orchestra Hall, Peavey Plaza beckons: a reflecting pool, and a cascade that descends from towering chrome cylinders to a sunken walk-in maze of stone blocks and pillars for which “fountain” is an inadequate name. In the moonlight, it is black and silver, gray and white, full of an elusive play of shape and contrast.

On that night, there were voices in Peavey Plaza. One was like the susurrus of the fountain itself, sometimes hissing, sometimes with the little-bell sound of a water drop striking. The other was deep and rough; if the concrete were an animal, it would have this voice.

“Tell me,” said the water voice, “what you have found.”

The deep voice replied. “There is a woman who will do, I think.”

When water hits a hot griddle, it sizzles; the water-voice sounded like that. “You are our eyes and legs in this, Dog. That should not interfere with your tongue. Tell me!”

A low, growling laugh, then: “She makes music, the kind that moves heart and body. In another time, we would have found her long before, for that alone. We grow fat and slow in this easy life,” the rough voice said, as if it meant to say something very different.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 22, 1918 Walter Kubilius. Quoting John Clute in SFE, “US editor and author involved in American Fandom from as early as 1932, when he was a founder member of the Edison Science Club; by the end of the 1930s, after serving on the committee that created the first Worldcon in 1939, he helped form the Futurians.”  He wrote a fair amount of short fiction but it’s never been collected as near as I can tell. (Died 1993.)
  • Born November 22, 1925 Arthur Richard Mather.  Australian cartoonist, illustrator, and novelist. He was the artist who and later wrote of one of Australia’s most successful comics series, Captain Atom. It was published from 1948 to 1954, with 64 issues. No relation to the by Charlton Comics character of that name who became the DC Comics character. After the Australian comics business declined in the Fifties, we become a writer and churned out seven works, all  thrillers and crime novels with elements of science fiction.  (Died 2017.)
  • Born November 22, 1938 William Kotzwinkle, 85. Fata Morgana might be his best novel though Doctor Rat which he won the World Fantasy Award for is in the running for that honor as well. Did you know Kotzwinkle wrote the novelization of the screenplay for E.T. the Extra-Terrestrial? And his short stories are quite excellent too.  The usual digital suspects are well stocked with his books now, a change from five years ago.
  • Born November 22, 1940 Terry Gilliam, 83. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don QuixoteTidelandThe Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his for the children’s series Do Not Adjust Your Set which had staff of Eric Idle, Terry Jones, and Michael Palin.  Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup.  He’s also co-directed a number of scenes.  Awards? Of course. Twelve Monkeys is the most decorated followed by Brazil with two and Time Bandits and The Fisher King which each have but one.  My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits.
  • Born November 22, 1949 John Grant. He’d make the Birthday list solely for being involved in the stellar Hugo Award winning Encyclopedia of Fantasy which also won a Mythopoeic Award.  And he did win another well-deserved Hugo Award for Best Related Work for The Chesley Awards for Science Fiction and Fantasy Art: A Retrospective.  Most of his short fiction has been set in the Lone Wolf universe, though I see that he did a Judge Dredd novel too. (Died 2020.)
  • Born November 22, 1957 Kim Yale. She was a writer whose first work was in the New America series, a spin-off of Truman’s Scout series. With Truman, she developed the Barbara Gordon Oracle character, created the superb Manhunter series, worked on Suicide Squad, and was an editor at D.C. where she oversaw such licenses as Star Trek: The Next Generation. Married to John Ostrander until 1993 when she died of breast cancer. For First Comics, she co-wrote much of Grimjack with her husband. (Died 1997.)

(11) COMICS SECTION.

  • Eek! shows someone big and green bringing a veggie to the Thanksgiving feast. No, not the jolly one.
  • Tom Gauld thinks about silencing the feedback.
  • Elsewhere, Tom Gauld teases scientists.

(12) DOCTOR WHO MEMORIES. “’John Hurt and I swapped wine tips’: stars share their best Doctor Who moments – part three” in the Guardian.

Ben Aaronovitch (writer of episodes featuring the Seventh Doctor, 1988-1989)

My first real memory of a complete story is The Green Death, and my favourite memory is of this large slug sneaking up on Jo Grant. I was literally watching it from behind the sofa. From working on the show, I remember that the anti-terrorist squad in Remembrance of the Daleks was scrambled to Waterloo station because we’d blown a great big hole in it. I used to have a photo of a group of Daleks with fire engines coming down and stopping and looking at the road blocked by a group of Daleks. God knows what they thought!

(13) COSMIC INSIGHT. Adam Roberts after reading the science news….

(14) VIDEO OF THE DAY. Ryan George is “Talking About The Apocalypse In 2023”. What, him worry?

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Nina Shepardson, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/15/23 I’m Still Big; It’s The Pixels That Got Small

(1) CHARTING THE DECLINE OF SFF MAGAZINES. Steve Davidson of Amazing Stories has shared a graph on Facebook showing decade-by-decade the number of sff magazine titles and issues since 1923. The numbers really drop off as they approach 2023, as you might guess. Now you can see it, too.

Steve followed up with a deep dive into the costs of producing a print magazine today, something both fascinating and sobering.   

(2) PREVIOUSLY UNSUSPECTED PRATCHETT. A Stroke of the Pen: The Lost Stories is a new collection of Terry Pratchett shorts. Where did they come from? Big Issue has the inside story: “Terry Pratchett: Remarkable way lost stories were found by fans”.

…Following the posthumous release of his final few novels, there could never again be a new Terry Pratchett book.

Until now.

A Stroke of the Pen: The Lost Stories, published this week, compiles short tales written by Pratchett for newspapers in the ’70s and early ’80s and not republished since. It’s not the first such collection – before he died, Pratchett himself approved several volumes of his early tales, originally published in the Bucks Free Press newspaper where he wrote children’s stories under the inherited nom-de-plume ‘Uncle Jim’. The Lost Stories are different, though – until last year, nobody knew they existed.

 “It always puzzled me why his inspiration for writing short stories dried up in the mid ’70s”, says Colin Smythe, Pratchett’s friend and publisher, who would become his literary agent when the Discworld novels found success in the ’80s. “It turns out it had not.”…

(3) REVIEW OF ‘THE LOST STORIES’. SF author Adam Roberts analyzed the collection for the Guardian: “A Stroke of the Pen by Terry Pratchett review – newly discovered early stories”.

…The best stories have sparks of originality that, the reader wishes, could have been kindled into greater length. The Fossil Beach starts from the premise that putting a fossilised seashell to your ear enables you to hear a prehistoric ocean, spinning a neat and funny little time-travel comedy from that notion. The collection’s final story, The Quest for the Keys, is the best as well as the longest. It opens in “Morpork” – not exactly the Discworld’s Ankh-Morpork, but a more thinly rendered “evil, ancient, foggy city” – where a disreputable wizard, Grubble the Utterly Untrustworthy, sends the none-too-bright warrior Kron on the titular quest. It rattles along, and is liable to remind the Pratchett fan of The Colour of Magic. But it only confirms what the collection as a whole says: that this is a writer on his way somewhere more interesting….

(4) COSTLY VANITY. Victoria Strauss warns “Vanity Radio and TV: Think Twice Before Paying for Interviews” at Writer Beware.

… What’s vanity radio/TV? In the “writer beware” context, it’s radio or television air time that you, the program guest, have to pay for. Such schemes have been around forever in various forms, aimed at experts and creatives of all kinds, from services that explicitly sell pay-to-play interviews, to show hosts that charge interview fees to defray the fees that they themselves have to pay their platforms.

The main selling point is the promise that your interview will be heard by a large and eager audience, giving wide exposure to you and your book (see the pitches screenshotted below).

In reality, though, vanity radio primarily means local AM/FM stations (not national radio), often in obscure time slots; or internet radio broadcasts and podcasts delivered via platforms like Blog Talk RadioSpreaker, and streaming services such as iHeart Radio. Internet radio listenership has steadily risen over the last decade and a half, but unless there are subscriber lists (as on YouTube, for instance), there’s usually no way to determine the audience for any given host or show–or to authenticate any listenership claims the show may make.

Ditto for vanity television: interviews may appear on local channels–again, often at times when viewership may be low–but are most often delivered via “sponsored content” internet stations such as The Spotlight Network, or proprietary online “channels” like Daily Spark TV, or “cable alternative” apps like TikiLIVE, which provide no reliable way of verifying audience.

Bottom line: lots of people may be tuning in…or no one at all. Which means that that the only benefit authors can be sure they’ll receive for their money is an audio or video clip they can post to their websites and social media accounts.

Whether that’s worth it when it costs $99 or $150 or $200 is debatable enough. But when the price tag is four figures?…

(5) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Crowdsourced spreadsheet of panel members

This Chinese-language online spreadsheet shows in red the members of panels/events, where those people or organizations have publicly posted about them.  The Weibo post announcing it indicates that it is open to submissions for the missing information – if anyone has info, if you post a comment here, it will be seen and added to that spreadsheet.  NB: the information may not be 100% correct due to late cancellations and the like.

CSFDB activities at the Worldcon

A weixin.qq.com post by the Chinese Science Fiction Database linked from the aforementioned Weibo post provides full details of their activities, including a panel whose members include Sanfeng (aka Feng Zhang) and Arthur Liu, both of whom have contributed posts or commented here at File 770.  The post states (via Google Translate):

Note: Translation and video recording will be provided for this event, and we will produce a Chinese and English subtitled version after the event.

I asked Arthur Liu, and he said those recordings and subtitles are something that the CSFDB team are providing off their own back.  It’s still unclear what exactly the con will be providing via official streams and the like.

34th Galaxy Awards shortlist

I’m not sure if this shortlist is new information, but it doesn’t look to have been previously covered on File 770.  Hugo Best Short Story finalists “On the Razor’s Edge” and “The White Cliff” both make an appearance, as do the western works Love, Death and Robots (an anthology of the adapted stories, I think), Ken Liu’s Good Hunting (I think this is a collection including the titular story), Stanislaw Lem’s The Star Diaries and a Roger Luckhurst non-fiction book.

The award ceremony is on Thursday 19th at the Sheraton across the lake from the Worldcon site.

Successful lottery applicants have been notified

My searches for relevant Xiaohongshu posts today were dominated by successful applicants to the lottery for the three ceremonies.  From this incredibly unscientific sample set, it seems like the Hugo ceremony was most popular, followed by the opening ceremony.  I only found one post showing attendance for the closing ceremony.

Another view of the Hugo rocket decoration

This Xiaohongshu post has a few images of the interior of the museum, including a wider angle view on the Hugo rocket that was in yesterday’s Scroll.  It doesn’t look that impressive at first glance, until you notice the tiny human figure under it…

Venue video

The Chengdu Worldcon committee has posted a video on Facebook with many interior views of the décor of the building where the con will be held.

(6) OVERSIGHT. Hugo Administrator Dave McCarty has arrived in Chengdu and on Facebook has shared photos of the view of the Chinese Science Fiction Museum from his hotel room window.

(7) WE HAVE LIFTOFF! And Chris Barkley took off for China this morning after sending us this photo message: “Well, it’s HAPPENING. Tell my fellow Filers that I will be safe and I’ll TRY to behave.” 

(8) ICONOCLASTS. Michael Cava tells Washington Post readers that “Art Spiegelman didn’t expect to become a book challenge warrior”. Much of the interview is in comics form – art and word balloons.

(9) SIMULTANEOUS TIMES.  Space Cowboy Books has launched Episode 68 of the Simultaneous Times podcast. Stories featured in this episode are:

  • “This is an Optimistic Science Fiction Story About the Future” by Marie Vibbert. Music by Fall Precauxions
  • “Space Radio” by Michael Butterworth. Music by Phog Masheeen
  • “Space Age Mermaid” by Tonya R. Moore. Music by Phog Masheeen.

And theme music by Dain Luscombe

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 15, 1911 James H. Schmitz. Writer of short fiction in a space opera setting, sold primarily to Galaxy Science Fiction and Astounding Science-Fiction. His “Lion Loose” was nominated for a Short Fiction Hugo at Chicon III, and The Witches of Karres was nominated for Best Novel at NyCon 3. Sources laud him for his intelligent female characters. His collections and novels are available at the usual suspects. (Died 1981.)
  • Born October 15, 1919 E.C. Tubb. A writer of at least one hundred forty novels and two hundred twenty short stories and novellas, he’s best remembered I think for the Dumarest Saga. His other long-running series was the Cap Kennedy stories. And his short story “Little Girl Lost” which was originally published in New Worlds magazine became a story on Night Gallery. He novelized a number of the Space: 1999 episodes. Somewhat surprisingly he’s never been nominated for or won any awards. (Died 2010.)
  • Born October 15, 1923 Italo Calvino. Writer and Journalist who was born in Cuba, but grew up in Italy. His works range widely across the literary spectrum, across realism, surrealism, and absurdism. As a genre writer he is best known for his “cosmicomics”, linked stories which explore fantastical speculations about subjects such as mathematics, evolution, and human perception. At the time of his death in 1985, he was the most-translated Italian author, and he was recognized with a World Fantasy Award for Life Achievement. (Died 1985.)
  • Born October 15, 1926 Ed McBain. Huh, I never knew he ventured beyond his mystery novels where he was best known for his 87th Precinct novels but he published approximately twenty-four genre stories and six SF novels between 1951 and 1971 under the names S. A. Lombino, Evan Hunter, Richard Marsten, D. A. Addams, and Ted Taine. ISFDB has a list and I can’t say I know any of them. Any of y’all read them? Some are distinctly pulpier in nature such as Find The Feathered Serpent. (Died 2005.)
  • Born October 15, 1935 Ray “Duggie” Fisher. Editor, Conrunner and Fan, who chaired the 1969 Worldcon in St. Louis, was on the committee for several other conventions, and was a founding member of the Poplar Bluff Science Fiction Club and the Ozark Science Fiction Association. His fanzine ODD was a finalist for a Best Fanzine Hugo. His contributions to fandom were, sadly, cut short by his death at age 52 due to complications of diabetes. (Died 1988) (JJ)
  • Born October 15, 1942 Lon Atkins. Editor, Conrunner, and Fan who chaired a DeepSouthCon and was editor of numerous fanzines and apazines, including eight years as co-editor of Rally! He was Fan Guest of Honor at a Westercon, and a recipient of Southern Fandom’s Rebel lifetime achievement award. He was also a ferocious Hearts player. (Died 2016.) (JJ)
  • Born October 15, 1954 Linnea Sinclair, 69. Merging romance, SF and paranormal into, well, damned if I know. She’s here solely because I’m really tickled by the use of her SJW credentials as Games of Command and the short story “Of Cats, Uh, Furzels and Kings” feature telepathic feline creatures called ‘Furzels’. Sinclair has stated that these are inspired by her two cats. 
  • Born October 15, 1968 Jack du Brul, 55. A writer of somewhat SF novels that EoSF says of “the Philip Mercer sequence featuring a geologist who – not entirely unlike Steven Spielberg’s similarly scholarly Indiana Jones – has physical gifts extending beyond the probable.” He also co-wrote, and continued after Clive Cusler passed on, The Oregon Files.

(11) COMICS SECTION.

(12) LEARNEDLEAGUE: SFF ONE-DAY SPECIAL. [Item by David Goldfarb] The LearnedLeague is in its off-season, which as usual means single-topic one-day quizzes. There was one recently about the cartoon Avatar: The Last Airbender. You can read its questions here.

(13) TRIBUTE TO B MOVIE MAKER. “Roger Corman at Beyond Fest: ‘I love making motion pictures’” in the Los Angeles Times.

Beyond Fest and the American Cinematheque saluted producer Roger Corman on [September 30] with a four-film marathon followed by a conversation with some of the directors who began their careers working for the now-legendary genre icon….

…“The vast majority of people can’t tell good from bad,” said [Amy Holden] Jones. “You get notes on cuts that don’t particularly make sense, to get reshoots that aren’t fixing what’s actually the problem. But mainly the executives can’t tell good from bad. And Roger knew it immediately.”

“I’ll never be working for anybody again who knows as much about movies as Roger did when I was starting out,” said Dante, who went on to make the “Gremlins” movies. “Unfortunately, the problem is that the more movies you make, and the more executives you meet, the more you realize that there are almost none who know as much about movies as you do. And so they are no help.

“In fact, they’re a hindrance and you spend a lot of time trying to please people who don’t know what they want,” added [Joe] Dante. “And if they did, they wouldn’t know how to express it anyway. So I think all of us feel that the best years of our creative lives were spent working for somebody who knew more than we did. And that was Roger.”

[Allan] Arkush pointed to Corman when he said, “The profound thing is, this is the only person to run a studio who knows how to make a movie.”…

(14) PARTY LIKE IT’S 1998. “Lost In Space Forever” – a skit with Jonathan Harris and Bill Mumy.

The end of this 1998 documentary features a short skit with Will, Dr. Smith and the Robot on the Jupiter 2.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Gareth Jelley, Jennifer Hawthorne, David Goldfarb, Steven French, Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/29/22 What Are Pixels? Ask The Scrollman As He Knows

(1) IS ENOUGH MONEY POURING IN? [Item by SF Concatenation’s Jonathan Cowie.] “Avatar: The Way Of Water passes $1bn at the global box office” the BBC reports. Arguably something the studio needed as Avatar: The Way of Water is apparently most expensive film made; Budget $350,000,000 (estimated). 

Remember, this is gross box office, director Cameron needs not just net box office but studio receipt, which means he needs US$2 billion to break even.

Avatar: The Way Of Water has made $1bn (£831m) at the global box office in just 14 days, becoming the fastest film to pass the milestone this year.

The long-delayed sequel has proved a hit with audiences despite wildly varying reviews.

It is one of only three films to surpass $1bn this year, after Top Gun: Maverick and Jurassic World Dominion….

Not seen it myself. Saw the first one. OK story with lots of meaningless but photogenic eye-candy. With a run time of over three hours, I’m not tempted, though I suspect this really needs to be seen on the big screen.

What do others think?

(2) CLARION WEST CALLING. The Clarion West Six-Week Summer Workshop is going virtual. Applications open January 4

Clarion West is returning to a fully virtual workshop in 2023. We will accept a class of 15 students to keep the workload and screen time manageable for all. Tuition is $3,200, and a scholarship section is included in our workshop application, which opens January 4.

The Workshop’s faculty members will be:

  • Week 1: Mary Anne Mohanraj & Benjamin Rosenbaum
  • Week 2: Cat Rambo
  • Week 3: Samit Basu
  • Week 4: Karen Lord
  • Weel 5: Arley Sorg
  • Week 6: N. K. Jemisin

Find full information in “Frequently Asked Questions about the Clarion West Summer Workshop”.

(3) CLAUSES, BUT NO SANTAS. David Steffen’s presentation “How to Read a Short Story Contract” is now available on Dream Foundry’s YouTube channel.

What is the purpose of short story contracts? What clauses do you want to see? What clauses do you want to avoid? What do you do if you see something in a contract that you don’t like?

(4) IT’S SHOW TIME. [Item by Soon Lee.] Adam Roberts does The Silmarillion to the tune of the Muppets Show theme, and others add verses. Thread starts here.

(5) CON OR BUST. Dream Foundry hit the target of raising $10,000 for Con or Bust before year end.

This year our fundraising efforts are focused on our Con or Bust program. If you are still unfamiliar, Con or Bust provides grants to fans and creators of colour who would otherwise be unable to attend industry events due to costs. Thanks to a very generous donation, we’ve met our goal of raising $10k before the end of the year, but we know we can do more! If we raise another $3,000 before the end of the year, that will ensure we can connect even more fans and creatives of color with community. Donate now to be a part of something truly special. If you’d like to learn more about Con or Bust, we have that information also here

(6) PLAY NICE. Let Jo Walton be your guide “In Search of Books in Which Nothing Bad Happens” at Tor.com. After a long search she eventually thinks of one. (This excerpt isn’t it – we wouldn’t want to steal the payoff.)

…Romance. Pretty much all genre romance is “everything is OK at the end” but bad things happen in the meantime. But some Georgette Heyer has plots that work because bad things seem about to happen and are averted—this is different from everything being all right in the end, the bad things never occur, they are no more than threats that pass over safely. Cotillion does this. Two people are separately rescued by the heroine from iffy situations that could potentially become terrible, but they don’t. I think this counts. (It’s funny too.) That makes me think of Jane Austen’s Northanger Abbey in which the worst thing that happens is somebody exaggerates and somebody else has to go home alone on a stagecoach…that’s really not very bad. Right up there with the bear who can’t go to sleep….

(7) DC FINALLY GETS SOME CREDIT. Drumroll, please! “The 2022 ComicBook.com Golden Issue Award for Best Comic Book Movie” goes to….

The Batman

Clocking in at nearly three hours with a pulse-pounding score, intense violence, and a plot inspired by some of DC’s best detective comics, The Batman is a true tour de force for the character. And while it includes echoes of the original Tim Burton franchise, takes influence from Christopher Nolan and Christian Bale’s trilogy, and even has a bit of the same flavor from Todd Philips’ Joker, The Batman stands out as a wholly unique cinematic entry featuring pop culture’s most unique crime fighter….

(7.5) BEAR REMEMBERED. The Guardian’s “Greg Bear obituary” appeared today and includes a long profile of his career. Plus a credited photo by Andrew Porter (an uncropped version of which appeared here).

The American science fiction writer Greg Bear, who has died aged 71 following heart surgery, was, as he put it “all over the map” as far as interests and subjects were concerned: genetics, starships, politics, artificial constructs and combat in space were among the themes explored in his 35 novels. The work he did to research them with thinkers and institutions made them remarkably prescient, not only scientifically – he is attributed with the first descriptions of nanotechnology – but also politically….

(8) MEMORY LANE.

2000 [By Cat Eldridge.] Kermit the Frog Landmark Statue at Henson Studio

Kermit the Frog as Charlie Chaplin in his role as The Little Tramp? Why not?

Let’s start with beginning of the press release the Muppet Studio folk put as they call this they Kermit the Frog Landmark Statue Unveiled at Front Gates of Henson Studio: “In a touching homage to both Jim Henson and Charlie Chaplin, today, The Jim Henson Company unveiled a stately 12 foot tall statue of Kermit the Frog dressed as Charlie Chaplin’s The Little Tramp, which was permanently mounted on the tower of the studio’s front gates. All who enter or pass by will be reminded that the two visionaries contributions to mankind are celebrated on these grounds.”

This twelve-foot-high statue was unveiled on the roof of the main building in July of 2000.

The reason why Kermit is dressed like Chaplin is that this is the original location of Charlie Chaplin Studios. The studio was built in 1917 by silent and sound film star Charlie Chaplin. Chaplin sold the studio in 1957 to Kling Studios and they produced the old Superman television series with George Reeves. And then it was owned by Red Skelton, and CBS who filmed the Perry Mason series. In February 1969 it was designated a Los Angeles Historic-Cultural Monument.

So did you know that in 2000, the Henson family sold the company to the German media company EM.TV & Merchandising AG, for a rather stunning six hundred and eighty million dollars which included the Sesame Street Workshop? I didn’t. 

Just three years after that German media company lost its behind on other concerns, the Henson family paid just over eighty million to get everything back. Nice, really nice.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 29, 1901 William H. Ritt. US cartoonist and author, whose best known strip, Brick Bradford, was SF. Two of the early Thirties strips, Brick Bradford and the City Beneath the Sea and Brick Bradford with Brocco the Mountain Buccaneer, became Big Little books. In 1947, Brick Bradford, a 15-chapter serial film starring Kane Richmond, was produced by Columbia Pictures. (Died 1972.)
  • Born December 29, 1912 Ward Hawkins.  Alternative universes! Lizard men as sidekicks! He wrote the Borg and Guss series (Red Flaming BurningSword of FireBlaze of Wrath and Torch of Fear) which as it features these I really would like to hear as audiobooks. Not that it’s likely as I see he’s not made it even to the usual suspects yet. (Died 1990.)
  • Born December 29, 1928 Bernard Cribbins. He has the odd distinction of first showing up on Doctor Who in the non-canon Daleks’ Invasion Earth 2150 A.D. film (with Peter Cushing as The Doctor.) He would make it into canon when he appeared as Wilfred Mott in the Tenth Doctor story, “Voyage of the Damned”, and he‘s a Tenth Doctor companion himself in “The End of Time”, the two-part 2009–10 Christmas and New Year special. (Died 2022.)
  • Born December 29, 1963 Dave McKean, 59. If you read nothing else involving him, do read the work done by him and Gaiman called The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance. Brilliant, violent, horrifying. Well, and Signal to Noise by them is worth chasing down as well. 
  • Born December 29, 1966 Alexandra Kamp, 56. Did you know one of Sax Rohmer’s novels was made into a film? I didn’t. Well, she was the lead in Sax Rohmer’s Sumuru which Michael Shanks also shows up in. She’s also in 2001: A Space Travesty with Leslie Nielsen, and Dracula 3000 with Caspar van Dien. Quality films neither will be mistaken for, each warranting a fifteen percent rating among audience reviewers at Rotten Tomatoes.
  • Born December 29, 1969 Ingrid Torrance, 53. A very busy performer who’s had one- offs in Poltergeist: The Legacy, The Sentinel, Viper, First Wave, The Outer Limits, Seven Days, Smallville, Stargate: SG-1, The 4400, Blade: The Series, Fringe, The Tomorrow People, and Supernatural.
  • Born December 29, 1972 Jude Law, 50. I think his first SF role was as Jerome Eugene Morrow in Gattaca followed by playing Gigolo Joe in A.I. with my fave role for him being the title role in Sky Captain and the World of Tomorrow. He was Lemony Snicket in Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy in Repo Men and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians.

(10) HELL RAISERS. It’s time to find out who Cora Buhlert has given “The 2022 Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents”. (Not to mention the “Retro Darth”!) There are so many possibilities…

It’s almost the end of the year, so it’s time to announce the winner of the coveted (not) 2022 Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents.

Let’s have a bit of background: I have been informally awarding the Darth Vader Parenthood Award since sometime in the 1980s with the earliest awards being retroactive. Over the years, the list of winners migrated from a handwritten page to various computer file formats, updated every year. Eventually, I decided to make the winners public on the Internet, because what’s an award without some publicity and a ceremony? The list of previous winners (in PDF format) up to 2017 may be found here, BTW, and the 2018 winner, the 2019 winnerthe 2020 winner and the 2021 winner were announced right here on this blog.

Warning: Spoilers for several things behind the cut!

Before we get to the main event, let’s start with the 2022 Retro Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents. I originally created the Retro Darth Vader Parenthood Award as an anaologue to the Retro Hugos in 2020 to honour terrible parents who either did their villainous parenting before the award was a thing or who were overlooked in the past for unfathomable reasons….

(11) A CHRISTMAS CARACOLE. About that story John Scalzi promised if Locus hit its $75K fundraising target? Well, he wrote it: “A Holiday Gift For You: ‘End of the Year PR Missives From Scrooge & Marley’” at Whatever.

… DECEMBER 24 1843

SCROOGE & MARLEY DECRY THE USE OF COAL FOR HEATING, PLEDGE TO “GO GREEN” IN ‘44

When you think of “Ecologically Friendly Companies,” you might not immediately think of Scrooge & Marley (established 1803), but perhaps you should. Co-founder Ebenezer Scrooge has gone on record decrying the use of coal, a carbon-intensive “legacy fuel” for the purposes of heating office buildings in London and elsewhere in Great Britain. “It’s expensive and not what we need for the future of our company,” he proclaimed. 

Scrooge has encouraged employees to seek other options, including personal insulation units composed of natural, sustainable fibers….

(12) CENTENARY SALUTE. “Stan Lee Documentary Coming to Disney+ in 2023” reports Variety.

Marvel Entertainment tweeted a 25-second video on Wednesday confirming the 2023 release of a Disney+ documentary on Stan Lee. The announcement aligns with what would have been the 100th birthday of the late comic creator….

(13) FOR YOUR HOARD. The Royal Mint will be “Celebrating the Life and Work of JRR Tolkien” with the issue of a £2 coin in 2023. The King is on the front, Tolkien is commemorated on the back.

…Tolkien passed away in 1973 although, 50 years later, the father of modern fantasy fiction still has a palpable influence on the genre. His trademark monogram, encircled by a runic pattern skilfully created by the artist David Lawrence (pictured below), will forever grace this commemorative UK £2 coin. ‘NOT ALL THOSE WHO WANDER ARE LOST’, a quote from the poem ‘The Riddle of Strider’, which features in Tolkien’s The Fellowship of the Ring, serves as the coin’s edge inscription….

(14) VIDEO OF THE DAY. [Item by Jennifer Hawthorne.] This library in Jamestown Township, Michigan, has been having serious trouble with politically-based attacks. (“Town votes to defund library after claims it was ‘grooming’ kids”LGBTQ Nation.)

One of their librarians finally had enough. (“Angry librarian tells off conservative Christians protesting library in righteous speech”LGBTQ Nation.)

Here’s a captioned video of her speech.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, PhilRM, Soon Lee, Jennifer Hawthorne, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 8/6/22 Ours Is Not To Pixel Why, Ours Is But To Scroll And Die

(1) THEY COULD HAVE BEEN CONTENDERS. Rich Horton has “Hugo Nomination Recommendations, 1959”, which he says is the next-to-last in the series.

…I have cited Jo Walton’s excellent Informal History of the Hugos before, and in that book you can find Jo’s comments on the short lists, her choices for the winners, and comments by a variety of people (myself included) discussing the stories and often offering additional possible nominees or winners. I’ll list Jo’s choices below, along with Richard Lupoff’s short fiction selection from What If, Volume 1. And for the years from 1960 on, I’ll leave the field to Jo! (After all, my thoughts are generally recorded in her book anyway.) I’ve decided to go ahead and make one additional post for stories from 1959, for two reasons: one, to round out the decade of the 1950s by story publication year, not just Worldcon year; and, two, because I was born in 1959….

(2) SUGGESTED INFLUENCES. Phil Christman has an “Interview With Adam Roberts” in his newsletter The Tourist.

…As a British Gen X-er, you were a child during an era of televised fantastika that strikes me (if maybe only me, and a handful of bloggers who use the word “hauntology” a lot) as uniquely rich. I’m thinking of the later Nigel Kneale, or of things like The Owl Service, Sapphire and Steele, and Children of the Stones, not to mention some of the stronger seasons of “Doctor Who,” and even “The Tomorrow People” (laughable as it often is). Was this an influence on you? I’m wondering partly because these shows do “haunted suburb” scenes really well, and that’s true of some of your work—though I suppose that could all just be the influence of Ballard. 

I read Owl Service, and indeed all of Alan Garner (my Dad was at Manchester Grammar School with Garner—I mean, he wasn’t a family friend or anything, but going back to visit relatives meant wandering around Alderley Edge and so on which added a frisson to my reading of Weirdstone of Brisingamen) … although I never saw the TV version. But I did watch Sapphire and SteeleTomorrow People—maybe if I rewatched that one I’d find it laughable, but I certainly didn’t at the time—and of course Doctor Who. But also US shows like The Time Tunnel and Star Trek. TOS Trek is intensely suburban, I think: the bridge of the USS Enterprise is a comfortable suburban living room with a big comfy chair for the ‘Dad’ to sit as he watches the universe come to him via his gigantic TV screen. So much of Trek is a manifestation of the comfortable life, surrounded by labour-saving devices, demure women to attend you like suburban wives and so on.

I never watched what are, now, some of the classic shows—the Patrick Goohan Prisoner series for instance was before my time, I only saw when I was properly grown up, by which time it was basically a period piece. But two shows nobody talks about any more made a big impact upon me: Greatorex’s 1990, and Terry Nation’s Survivors. I also remember the last of the Quatermass series, with John Mills as an elderly Quatermass: I hadn’t seen, and frankly had no idea about, the earlier Quatermass shows, but that 1979 drama worked strangely and powerfully upon my teenage imagination….

(3) INTERNATIONAL SHORT FICTION. InterNova edited by Michael K. Iwoleit is an international SF zine with fiction in English. It’s an offshoot of the German SF zine Nova. The current online issue is here: July 2022 – InterNova.

InterNova is intended be a showcase of contemporary SF writing in all those countries and regions that are generally neglected by the Anglo-American centered sf markets. American and British writers will not be excluded but the main intention is to feature stories and essays by writers who are rarely published outside of their home countries. We will try to be as international as possible, advancing our editorial work into countries and areas that are rarely associated with Science Fiction.

To make InterNova available for readers in as many countries as possible this e-zine is published in English which has become the lingua franca of the international SF community. It is planned, however, to later include some stories in the original languages, especially in Spanish, but also in French and German.

(4) WRITING VIDEO GAME MUSIC. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses video game music and interviews Austin Wintory, whose music for Journey earned him a BAFTA Award.  On August 1, the BBC Proms held their first concert devoted to video game music.

Wintory’s first step is to analyse the gameplay and map out the ‘spider web of possibilities’ of player behaviour.  In his score for Assassin’s Creed Syndicate, an open-world adventure game, he accommodated not only whether a player was fighting or exploring, but also which part of the Victorian London setting they were in, writing musical themes inspired by boroughs such as Whitechapel and Westminster which played as they crossed those particular rooftops.  There would be alternate versions of the score with additional instruments and vocal layers, depending on whether it was day or night on the in-game clock, whether the player had completed specific missions and even which of the game’s two protagonists they were controlling at the time.

What makes one game soundtrack rise above the rest in popularity?  It could be the nostalgia factor, or the marriage of a memorable gameplay moment with the perfect musical accompaniment.  Wintory suspects that it might be the undeniable appeal of a great melody.  “Humans are fundamentally melodic instruments,” he says. “We can’t strum a chord with our vocal cords or simulate a choir on our own.  We sing one note at the time, so it’s not a shock that the music we hold on to is the stuff we can sing back. Melody has always been the thing that united the classics.”

(5) THEY’VE GOT IT GOING ON. Episode 2 of the If This Goes On (Don’t Panic) podcast is “Priuses of the Apocolypse with Tobias Buckell”.

If This Goes On (Don’t Panic) is a podcast about hope and resistance in Science Fiction and Fantasy. Cohosts Alan Bailey, Cat Rambo, Diane Morrison, and Graeme Barber interview a diverse breadth of writers, editors, activists, gamers, and various other members of the Science Fiction and Fantasy community.

(6) CENSORSHIP PROCEEDINGS. Publishers Weekly reports on Virginia litigation that could affect the availability in the state of Gender Queer by Maia Kobabe and A Court of Mist and Fury by bestselling author Sarah J. Maas: “With Hearing Set, Court Urged to Dismiss Closely Watched Virginia Obscenity Lawsuits”.

A Virginia state judge has set an August 30 hearing to consider two lawsuits that, if successful, would cause two popular books to be pulled from bookshelves across the state, alleging they are “obscene” under an obscure state law.

First filed in May by lawyer and Republican Virginia assembly delegate Tim Anderson on behalf of plaintiff and Republican congressional candidate Tommy Altman, the suits allege that the graphic memoir Gender Queer by Maia Kobabe and A Court of Mist and Fury by bestselling author Sarah J. Maas—are “obscene for unrestricted viewing by minors.” On May 18, judge Pamela Baskervill (a retired judge hearing the case by designation after all the sitting judges in the circuit disqualified themselves) found there was “probable cause” and ordered the defendants to answer the charges.

While the two lawsuits have not been officially consolidated, the court will consider the fate of both cases at the single hearing, noting their “overlap.” According to a June 30 order, the hearing will focus on motions, which, if granted, “would result in dismissal of the suits.” Lawyers for the authors and publisher defendants as well as bookseller Barnes & Noble filed motions to dismiss the suits late last month. Reply briefs from the plaintiffs are due August 9, with final replies due from the defendants on August 16….

(7) LOCAL LIBRARY DEFUNDED. The Guardian reports Gender Queer is also under attack in a Michigan town: “US library defunded after refusing to censor LGBTQ authors: ‘We will not ban the books’”.

A small-town library is at risk of shutting down after residents of Jamestown, Michigan, voted to defund it rather than tolerate certain LGBTQ+-themed books.

Residents voted on Tuesday to block a renewal of funds tied to property taxes, Bridge Michigan reported.

The vote leaves the library with funds through the first quarter of next year. Once a reserve fund is used up, it would be forced to close, Larry Walton, the library board’s president, told Bridge Michigan – harming not just readers but the community at large. Beyond books, residents visit the library for its wifi, he said, and it houses the very room where the vote took place.

…The controversy in Jamestown began with a complaint about a memoir by a nonbinary writer, but it soon spiraled into a campaign against Patmos Library itself. After a parent complained about Gender Queer: a Memoir, by Maia Kobabe, a graphic novel about the author’s experience coming out as nonbinary, dozens showed up at library board meetings, demanding the institution drop the book. (The book, which includes depictions of sex, was in the adult section of the library.) Complaints began to target other books with LGBTQ+ themes.

(8) IT’S ALL IN YOUR HEAD. Nina Nasseth looks at how horror movies manipulate your brain. “This is Your Brain On Horror” at CrimeReads.

…When we look at what gives any good horror movie its true horror vibe, we end up with two distinct elements: terror and horror. We often use these terms interchangeably, but they are very different. Terror is where tension lives. It’s that awful, creepy-crawly feeling, the anxiety and anticipation that builds toward a horrifying event or realization— basically, it’s the heebie-jeebies. Horror is how we react once that event actually occurs. We can thank Ann Radcliffe, mother of Gothic literature, for those definitions….

(9) UHURA FILK. [Item by Jennifer Hawthorne.] With the sad news of Nichelle Nichols’ passing earlier this week, I kept thinking about this great filksong “Uhura” I heard decades ago by Joey Shoji, a Hawaiian-style love crooner for the Communications Officer of the Enterprise NCC-1701.  It occurred to me, belatedly, to see if the song had been uploaded to the Internet. Turns out, it has, although the quality is a little iffy. It’s the lead-in song in the following video.  I thought it might be a nice tribute.

(10) MEMORY LANE.  

1988 [By Cat Eldridge.] In 1988 during the American fall television season was hampered by a writers’ strike that prevented the writing of any new scripts. Producers, anxious to provide new series for viewers but with the prospect of a lengthy strike, went into the archives for previously written material. And the Powers That Be decided a new Mission Impossible series would be a good idea. 

Now the only actor from the original series that ran from 1966 to 1973 (and which is streaming on Paramount+ though this one is not, odd that) who would end being involved in his series would be Peter Graves who once again is playing Jim Phelps. That might be because the Powers That Be decided to film it in Australia and a lot of actors did decline to disrupt their live by relocating there. The first season was in Queensland before moving to Melbourne.

The only other regular cast member (of course completely unseen) to return for every episode was the voice of “The Tape” (in this series, “The Disc”) in the form of Bob Johnson. I’m assuming his bit was voiced back in the States.

The rest of the cast was of course mostly Australian. Nicholas Black, portrayed by Thaao Penghlis, was an actor, master of makeup/disguise, visual effects, voice impersonation, mimicry. He was there for all thirty episodes. Max Harte who played Tony Hamilton, an expert in strength, acting, role playing and marksmanship. 

Now we get a connection to the first series — Grant Collier, played by Phil Morris who’s the son of Greg Morris, was the computer expert here. And obviously he’s American. 

We had two women, who each did one season and were described as femme fatales in the press releases at the time. Terry Markwell played Casey Randall for the first season and Jane Badler played Shannon Reed, an ex-Secret Service agent, for the second season. She’s actually Australian-American and is best remembered for her role as Diana, the main antagonist on V.

So how were the stories? I liked them a lot. They were more sophisticated in their use of SFX than the earlier series was but that was to be expected, say in “The Devils” where they investigated a member of the English gentry, and involves various officials in Satanic rituals and human sacrifice for blackmail purposes: they are available to make the eyes of Phelps and one other member glow very convincingly and they leave burning cloven hoofs as they leave the room.

Some scripts are reworked ones that were done during the original series. Some like “The Banshee” were from what we could call the slush pile as they never got used. 

To my knowledge as I said, it’s not streaming anywhere, but it on DVD fir quite reasonable prices. I got mine off eBay.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 6, 1874 Charles Fort. Writer and researcher who specialized in anomalous phenomena. The term fortean is sometimes used to characterize such phenomena. No, not genre as such, but certainly an influence on many a writer. The Dover publication, The Complete Books of Charles Fort, that collects together The Book of The Damned and Lo!Wild Talents and New Lands has a foreword by Damon Knight. L. Sprague de Camp reviewed it in Astounding Science-Fiction in the August 1941 issue when it was originally published as The Books of Charles Fort. (Died 1932.)
  • Born August 6, 1877 John Ulrich Giesy. He was one of the early writers in the Sword and Planet genre, with his Jason Croft series. He collaborated with Junius B. Smith on many of his stories though not these which others would call them scientific romances. He wrote a large number of stories featuring the occult detective Abdul Omar aka Semi-Dual and those were written with Smith. I see Apple Books has at least all of the former and one of the latter available. Kindle just has the latter. (Died 1947.)
  • Born August 6, 1911 Lucille Ball. She became the first woman to run a major television studio, Desilu Productions, which is where Star Trek was produced. Her support of the series kept it from being terminated by the financial backers even after it went way over budget in the first pilot. (Died 1989.)
  • Born August 6, 1926 Janet Asimov. Wife of Isaac Asimov. Author of some half dozen novels and a fair amount of short fiction on her own, mostly as J.O. Jeppson; co-author with Isaac of the Norby Chronicles. Her memoir, Notes for a Memoir: On Isaac Asimov, Life, and Writing, came out sixteen years ago. (Died 2019.)
  • Born August 6, 1956 Ian R. MacLeod, 66. Another author I need to read more of. I’ve read the first two in what’s called the Aether Universe series, The Light Ages and The House of Storms, but there’s a number of novels I’m intrigued by including Song of Time and The Great Wheel. Anything else y’all would recommend I read? 
  • Born August 6, 1960 Leland Orser, 62. If you look closely, you’ll spot him in Escape from L.A. as Test Tube and in Independence Day in the dual roles of the Day Tech and a Medical Assistant.  He’s in Daredevil as Wesley Owen Welch, Kingpin’s right-hand man. And someone at Trek casting liked him as he was on Deep Space NineVoyager and Enterprise. All different roles. 
  • Born August 6, 1962 Michelle Yeoh, 60. Ok, I have to give her full name of Yang Berbahagia Tan Sri Dato’ Seri Michelle Yeoh Choo-Kheng. Her first meaningful genre roles was as Wai Lin in Tomorrow Never Dies and Yu Shu Lien in Crouching Tiger, Hidden Dragon. I actually remember her as Zi Yuan in The Mummy: Tomb of the Dragon Emperor, the first film of a since cancelled franchise. And then there’s her dual roles in the Trek universe where she’s Captain Philippa Georgiou and Emperor Philippa Georgiou. A deliciously twisted role. Roles? The forthcoming Section 31 series will involve one of them but I’m not sure which one… or maybe both… Michelle Yeoh is Evelyn Wang in Everything Everywhere All at Once, a role that Filers now are thinking about for their Hugo ballot. 

(12) COMICS SECTION.

  • Tom Gauld shows a proofreading machine. It works alarmingly like the File 770 comments section.

(13) POTTERING AROUND. Ranker’s Saim Cheeda presents “Things You Didn’t Know About Wizarding Professions”. First on the list:

1. Curse-Breakers Dig Up Gold And Magical Artifacts

The nature of Bill Weasley’s job isn’t too clear in the novels apart from his status as a curse-breaker for Gringotts Bank. Curse-breakers are specialized roles in which the witch or wizard needs to raid places like tombs and pyramids to find gold and magical artifacts for Gringotts to procure.

Curse-breakers make sure that the protective enchantments and curses around ancient locations are removed to ensure the safety of everyone involved. It’s a dangerous but thrilling job, and Bill Weasley’s distinguished O.W.L. and N.E.W.T. scores are the reason he managed to become a curse-breaker.

(14) A VISIT TO LA-LA-LAND. Ed Brubaker talks to CrimeReads about his graphic novel about Ethan Reckless. “Exploring a Reckless Vision of Los Angeles, with Ed Brubaker”.

…“One of my favorite things about comics, graphic novels, whatever you want to call them, is that it costs the same to do a period piece (or a sci-fi) as it does to do something that takes place in modern times. It’s just about research and trying to get it right. For the Reckless books, I’ve been trying to recreate my kind of ‘dream LA’ from my childhood,” Brubaker said. “I didn’t grow up in Los Angeles, but we visited it a lot in the 70s and 80s, and I was always Hollywood obsessed, because my uncle was a once-famous screenwriter—he wrote Crossfire, On the Beach, and The Wild One, among many others. So in making these books, I’m also trying to showcase forgotten or lost places in LA that meant something to me growing up. Like pieces of the LA punk scene, or cool old restaurants, or the way Venice used to feel—cheaper and more dangerous, but with lots more roller skaters.”…

(15) THEY STEPPED ON SUPERMAN’S CAPE. Last weekend’s box office had a leader you may not have heard about yet because it’s only been released in China so far: “Chinese sci-fi movie ‘Moon Man’ becomes biggest movie in the world after $129 million weekend”.

The Chinese sci-fi movie “Moon Man” outshined all others at the global box office over the weekend.

The film grossed $129 million over the weekend, according to Comscore, and that’s only from the Chinese market. DC’s animated movie “League of Super Pets,” which follows the adventures of Superman’s dog, lagged behind at $41 million internationally.

“Moon Man” follows the story of an astronaut stranded on the moon who believes he’s the last human alive after witnessing an asteroid crashing into Earth.

The film is directed by Zhang Chiyu (“Never Say Die”) and produced by the studio Mahua FunAge (“Hello Mrs Money”).

Before its premiere on July 29, “Moon Man” had over 1.4 million fans rating the movie as “want to see” on Chinese film tracking platforms. It has since gone on to score a 9.4 and 9.5 out of 10 on film sites Maoyan and Taopiaopiao, respectively, according to Variety.

(16) NEW EDITION OF GADALLAH FAVORITE. The Legend of Sarah by Alberta author Leslie Gadallah, a classic Canadian science fiction novel originally published as The Loremasters by Del Rey Books in 1988, is now available in a new, revised edition from Shadowpaw Press.

At fourteen, Sarah is an accomplished pickpocket who knows all the back streets and boltholes of the town of Monn. She steers clear of Brother Parker and his Church of True Faith, knows better than to enter the Inn of The Honest Keeper, and avoids the attentions of Butch, the Miller’s son, as best she can.

The one bright spot in Sarah’s day is listening to the storyteller’s tales of the magically easy lives of the Old People—and if,  as darkness falls, one of the wealthier listeners happens to be so intent on the storyteller’s voice that he becomes careless of his own purse, well, so much the better. Inspired by the storyteller’s narratives, Sarah often imagines her own life as the stuff of legend for some future troubadour.

But even such daydreams can’t prepare her for becoming embroiled with a witchy Phile—an agent of the devil, come in search of the Old People’s hidden secrets. How could Sarah have known that picking the wrong pocket would strand her in the middle of a power struggle among Brother Parker, the Governor, and the encroaching Phile spies?

Leslie Gadallah grew up in Alberta and is currently living in Lethbridge with her geriatric black cat, Spook. Educated as a chemist, she has worked in analytical, agricultural, biological, and clinical chemistry.  She has written popular science for newspapers and radio, has served as a technical editor, and is the author of four SF novels and a number of short stories.

The Legend of Sarah can be bought directly from the publisher or from most online bookstores. This handy URL provides links to multiple online sources:  https://books2read.com/thelegendofsarah

(17) THUMBS UP AND DOWN. [Item by Martin Morse Wooster.] This video where Patton Oswalt discusses his picks for the five best and five worst sf films for GQ dropped Wednesday. Independence Day is on the bottom. “Patton Oswalt Critiques Sci-Fi Films (Top 5 & Bottom 5)”.

(18) VIDEO OF THE DAY. Gizmodo declares “Weird Al’s ‘Scarif Beach Party’ Is a Star Wars Summer Bop”. It’s from LEGO Star Wars: Summer Vacation which premieres August 5 on Disney+.

We knew that “Weird Al” Yankovic wouldn’t just be appearing in the Lego Star Wars Summer Vacation special, but singing an entirely new song for it. And now that the special has arrived on Disney+ today, the full song has been released as well, and frankly? It rules.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Jennifer Hawthorne, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Arby’sMom.]

Pixel Scroll 5/25/22 Never Gonna File You Up, Never Gonna Scroll You Down

(1) THIS PRESENT CENTURY. The “TIME100: The Most Influential People of 2022” doesn’t include sff text writers, however, it features an array of performers and filmmakers with genre resumes like (Artists) Simu Liu, Andrew Garfield, Channing Tatum, (Innovators) Taika Waititi, (Titans) Michelle Yeoh, and (Icons) Keanu Reeves, Jon Batiste.

As usual, the list is about influence, and not all influential people are wonderful – Vladimir Putin is on it.

(2) WRITER’S (LUCITE) BLOCK. Sarah Pinsker has posted her award acceptance remarks: “’Where Oaken Hearts Do Gather’ won the Nebula!” The excerpt is part of the lead-up, the remarks are at the link.

….As someone who has now accepted three Nebulas and a Hugo (the Hugos were in person, but I had an asymptomatic positive Covid test that week and stayed home) from this chair in my library, I can say there’s something weird about accepting an award live online. I’m a performer; I know how to channel energy. And yet, when they say my name, and the adrenaline hits while I’m trying to find the buttons to hit “accept promotion to speaker” and also remember to turn on my camera and mic, and also try to keep the dogs from barking as they feed off my excitement, there’s nowhere for the excitement to go. I can’t see other faces, so my excitement bounces off the computer and hits me square, telling me I should speed up instead of take a breath.…

(3) TOUR DE FORCE. An interview with Emily St. John Mandel at Bookforum Magazine: “Marquee Moon – Emily St. John Mandel talks about her postapocalyptic novel, which features a moon colony, time travel, and a book tour”.

There are all these disparate elements, but structurally and thematically it really coheres. I’m thinking of that early scene where Edwin is at home and criticizes British colonialism in India, which is somewhat the catalyst for his banishment. That has really compelling parallels to the moon colonies later in the novel. It’s not a perfect mapping, because there’s a difference between colonizing an inhabited land versus colonizing an uninhabited world, but how did it feel to raise those moral and ethical questions?

I started thinking about the simulation hypothesis, which is a big part of this novel. It is what it sounds like, for anyone who’s unfamiliar—the idea that perhaps we are all living in a computer simulation. And you can find very intelligent people who strenuously argue either side of that hypothesis. I thought that maybe there’s an interesting parallel between that idea and the tragedy of colonization, in the sense that the people who colonized the so-called New World did so in the grip of a false narrative. In Canada, where I’m from, it was a narrative of empty land, the idea that this is an empty country that’s there for the taking. Of course, it wasn’t empty—people lived there. There was something about establishing a country under fundamentally false pretenses that really reminded me in a strange way of this theory that we’re all living in a simulation. For me, there was a stronger parallel between those two things than between colonizing Canada and India versus colonizing the moon. Just because, to your point, they feel like such different circumstances. Nobody lives on the moon, so it’s fine…. 

(4) THE CAUSE. Tolkien sainthood advocate Daniel Côté Davis tells readers of The European Conservative “Why Some Catholics Think J.R.R. Tolkien Could Be a Saint”. It’s a Catholic church process, and the rest of the article focuses even more strongly on those requirements than this excerpt:

… Tolkien’s discussion of the Sacraments was not limited to the Eucharist, and Catholics can also find spiritual fruit in praying on his comments on Christian marriage. The comments are particularly poignant in the context of his love of Edith his wife. This love, along with that for Christ, animated his daily life. His love for he was so deep that the story that he felt was the very centre of his legendarium is based on their love story. Though not as widely-known as The Lord of the Rings or The Hobbit, the tale of Beren and Luthien, told both in chapter 19 of The Silmarillion and in the recently-published Beren and Luthien. The tale mythopoetically expresses a love stronger than death, and Tolkien’s children decided to adorn their parents’ shared grave with the names Beren and Luthien. Whilst maintaining this reverential romanticism, Tolkien did not, however, shirk from teaching the reality of the necessity to found love on the will, and within a lifelong purgative struggle for virtue…

(5) WISCON. In “WisCon is back, and taking a hard look at itself”, local publication Tone Madison profiles the convention.

Back for its 45th year, WisCon will return to hosting an in-person convention at the Madison Concourse Hotel this Memorial Day Weekend (May 27 to May 30). A staple of the feminist science fiction and fantasy community since 1977, the entirely volunteer-run convention has served as a crucial space for critical and invigorating thought around issues of gender, sexuality, race, disability, and more for decades….

… While the global pandemic alone brought enough change to the convention-planning landscape, the con’s governing nonprofit, the Society for the Furtherance & Study of Fantasy & Science Fiction, or SF3 for short, also experienced a complete leadership turnover in the fall of 2021….

… To ensure that anti-racist work… continues on an institutional level, the con has also allocated a budget for creating a BIPOC outreach committee to create whatever programming the committee’s members see fit. 

“One of the things that we the board have really championed is putting our money where our mouth is,” [SF3 secretary Essay] Manaktola says. “We [as in] the people who are running a con that has been racist. You know, not necessarily under our guidance, and not any more racist than the ambient culture around us, and hopefully less.” Organizers are hopeful that within its first year, the outreach committee will be able to develop a skeleton for a formal BIPOC Mentorship Program to draw in more young readers and fans of color to the con….

(6) THE NEXT ROSE. “‘I’m in awe’: trans actor Yasmin Finney on joining Doctor Who” – a Guardian profile.  

…Finney’s character is called Rose, which was also the name of the companion famously played by Billie Piper in the mid-00s. The relevance of this is currently unknown. What we do know is that Finney was recently spotted filming scenes alongside David Tennant, AKA the Tenth Doctor, and Catherine Tate, AKA the Tenth Doctor’s companion, Donna Noble. In other words, there are more than enough cryptic developments to keep Whoniverse obsessives in a tizzy until the end product finally airs in 2023.

Finney squirms at the mere mention of Doctor Who – and what little she has to say about her casting only confuses matters further. “I didn’t know for a long time,” she says over Zoom, through curtains of sleek blond hair, “but I did know. I don’t want to give too much away.” My chances of gleaning anything meaningful seem practically zero. Was it mere coincidence that Davies’ mid-00s Doctor Who collaborator Euros Lyn also directed Heartstopper? “That was a huge coincidence!” exclaims Finney, before admitting that, actually, Lyn did recommend her to producers who were “looking for a trans girl”. But she doubts Lyn knew the precise nature of the project under discussion….

(7) SHORT SFF. Gizmodo’s Linda Codega answers the question “Which Science Fiction and Fantasy Magazines Deserve More Love?” basically by saying they all do.

…So why aren’t more science fiction and fantasy readers reading short stories? I often find myself recommending SFF magazines to friends who are keen, avid, and voracious readers of science fiction and fantasy. Even fewer than readers are subscribers. A relevant example is that of Lightspeed, which, according to Locus Magazine’s State of Magazines in 2021, had 29,851 average monthly visitors, with 2,209 subscribers overall. Nightmare magazine, from the same report, had 13,651 visitors and only 1,477 ebook subscribers….

(8) NEAR MISS. [Item by Michael Toman.] Pace Jetboy: “I can’t die. I haven’t seen ‘Don’t Look Up’ yet!” “Asteroid four times the size of the Empire State Building barreling toward Earth on May 27” at MSN.com.

An enormous asteroid four times the size of the Empire State Building will make a close approach to Earth on May 27, according to NASA’s Center for Near Earth Object Studies (CNEOS).

Fear not: the asteroid, named 7335 (1989 JA), will soundly miss our planet by about 2.5 million miles (4 million kilometers) — or nearly 10 times the average distance between Earth and the moon. Still, given the space rock’s enormous size (1.1. miles, or 1.8 km, in diameter) and relatively close proximity to Earth, NASA has classified the asteroid as “potentially hazardous,” meaning it could do enormous damage to our planet if its orbit ever changes and the rock impacts Earth….

(9) MEDIA BIRTHDAY.

1979 [By Cat Eldridge.] Forty-three years ago, the first and I’m going to argue only Alien film worth seeing premiered on this day. Alien was directed by Ridley Scott from a screenplay by Dan O’Bannon which in turn was based on a story by O’Bannon and Ronald Shusett. 

This was the first genre film by Ridley with his only previous film being The Duellists which is most excellent. (I should essay it.) Dan O’Bannon on the other hand was the writer of Dark Star, which had been directed and produced by John Carpenter and which had been co-written with him. He had also worked on Star Wars doing computer animation and graphic displays as well as miniature and optical effects unit. Shusett was the first to option Philip K. Dick’s “We Can Remember It for You Wholesale” short story that became Total Recall.

Digression: I did see it at the theatre. It was a fascinating experience. Horrifying but fascinating. Yes it very much deserved the Hugo did it win at Noreascon Two.

It cost very little to produce, around ten million, and made at least a hundred million. Because it was so successful, it spawned it a lot of films that included three sequels, AliensAlien 3 and Alien Resurrection. (A fifth film is being talked about with Weaver coming back.) The Predator crossovers produced Alien vs. Predator and Aliens vs. Predator: Requiem. And then there’s prequel series of Prometheus and Alien: CovenantAliens is the only one of these I’ve seen.

So what the critics think?

Well Derek Malcom of the Guardian said when it came out that “Yet it does so, oddly enough, with a story that is basically just a mixture of The Creature from the Black Lagoon and The Thing from Outer Space. A dozen other 50s-sounding titles spring to mind – well, 60s at any rate. The point is the added 70s proficiency. You won’t see anything very original anywhere in the film, other than in the actual making of it. There, no holds are barred. Scott, a recruit from advertising, where instant atmospherics has to be the order of the day, manipulates his audience in a far stronger fashion than he managed with The Duellists. His combination of space fiction and horror story is no great shakes as a work of art. Artifice, however, it has in profusion.”

And the staff of the TV Guide in their retrospective look at it liked it as well: “There’s nothing terribly complex or original about the movie, but it is distinguished by its clever and innovative use of B-movie staples in a hi-tech setting. Coming into his own as a director on his second  feature, Ridley Scott wrings every possible ounce of suspense and atmosphere out of the proceedings. Swiss artist-designer H.R. Giger supplied the distinctive ‘bio-mechanical’ concepts for the film, which help make the alien one of cinema’s scariest creations: a nightmare synthesis of humanoid  form, insect-like appendages, and mechanized structure that is all the more effective for not being seen too clearly for most of the film.  The non-star cast acquits itself well, bringing an appealing quality to their characters. One of them, Weaver’s Ripley, would develop into one of the genre’s most memorable heroines through the subsequent sequels.”

It gets a ninety four percent rating among audience reviewers at Rotten Tomatoes, not at all surprising to me. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 25, 1913 Carl Wessler. Animator during the Thirties working on Musical Memories and other theatrical cartoon shorts for the Fleischer Studios, and a comic book writer from the Forties though the Eighties for including Charlton Comics, DC, EC Comics, Harvey Comics and Marvel. He also worked for editor-in-chief Stan Lee at Marvel’s 1950s forerunner, Atlas Comics. (Died 1989.)
  • Born May 25, 1935 W. P. Kinsella. Best known I’d say for his novel Shoeless Joe which was adapted into the movie Field of Dreams, one of the few films that Kevin Costner is a decent actor in, ironic as the other is Bull Durham. Kinsella’s other genre novel’s The Iowa Baseball Confederacy and it’s rather less well-known than Shoeless Joe is but it’s excellent as well. He also edited Baseball Fantastic, an anthology of just what the title says. Given that he’s got eighteen collections of short stories listed on his wiki page, I’m reasonably sure his ISFDB page doesn’t come close to listing all his short stories. (Died 2016.)
  • Born May 25, 1939 Ian McKellen, 83. Best known for being Magneto in the X-Men films, and Gandalf in The Lord of the Rings and The Hobbit trilogies. I’m fairly sure his first genre role was as Dr. Faustus in an Edinburgh production of that play in the early Seventies. He also played Macbeth at the Royal Shakespeare Theatre during that period. He’d played Captain Hook in Peter Pan at The Royal National Theatre, and was the voice of the Demon in The Exorcist in the UK tour of that production. Of course, he was Dr. Reinhardt Lane in The Shadow, The Narrator in Stardust, Sherlock Holmes in Mr. Holmes, Cogsworth in Beauty and the Beast and finally he’s  the Gus the Theatre Cat in the best forgotten Cats
  • Born May 25, 1944 Frank Oz, 78. Actor, director (including The Dark Crystal, Little Shop of Horrors and the second version of The Stepford Wives), producer and puppeteer. His career began as a puppeteer, where he performed the Muppet characters of Animal, Fozzie Bear, Miss Piggy, and oh so patriotic Sam Eagle in The Muppet Show, and Cookie Monster, Bert, and Grover in Sesame Street. Genre wise, he’s also known for the role of Yoda in the Star Wars franchise though he no longer performing him. An interesting Trivia note: he’s in the Blues Brothers as a Corrections Officer, and is the Warden in Blues Brothers 2000.
  • Born May 25, 1949 Barry Windsor-Smith, 73. Illustrator and painter, mostly for Marvel Comics. Oh my, his work on Conan the Barbarian in the early Seventies was amazing, truly amazing! And then there was the original Weapon X story arc involving Wolverine which still ranks among the best stories told largely because of his artwork. And let’s not forget that he and writer Roy Thomas created Red Sonja as partially based on Howard’s characters Red Sonya of Rogatino and Dark Agnes de Chastillon. 
  • Born May 25, 1950 Kathryn Daugherty. Yes, another one who damn it died far too young. I’m going to let Mike do her justice, so just go read his appreciation of her here including her scoffing at the oversized “MagiCon” pocket program and the pineapple jelly beans she was responsible for. (Died 2012.)
  • Born May 25, 1966 Vera Nazarian, 56. To date, she has written ten novels including Dreams of the Compass Rose, what I’d called a mosaic novel structured as a series of interlinked stories similar in tone to The One Thousand and One Nights that reminds me more than a bit of Valente’s The Orphans Tales. She’s the publisher of Norilana Books which publishes such works as Catherynne M. Valente’s Guide to Folktales in Fragile Dialects, Marion Zimmer Bradley’s Sword and Sorceress anthologies,and Tabitha Lee’s Lee’s Sounds and Furies.  She has two Nebula nominations, one for her “The Story of Love” short story and another for her “The Duke in His Castle” novella. 

(11) COMICS SECTION.

  • Bizarro shows two monsters squaring off – one with an obvious weapon, and the other – it will come to you.  

(12) DOOM PATROL. “’One Of The Things They Definitely Are Is Queer’: An Interview With Rachel Pollack” in The Comics Journal.

To fast-forward, the story is that you took over writing Doom Patrol after meeting Tom Peyer at a party.

Tom and I both wrote introductions for the Omnibus volume. I wrote mine first and then I saw his and corrected mine. Because I did not remember all the details of how we met. I vaguely thought that Neil Gaiman, who I had met at a writers conference, had invited me to this event. It turned out that Neil was there, but we were both there because it was a reception for the Science Fiction Writers of America. He introduced me to Stuart Moore and I was gushing to Stuart about how much I liked Vertigo – it wasn’t even Vertigo yet – but particularly Grant Morrison’s Doom Patrol. That it was such an incredible brilliant thing. He said, well the editor is right here, which was Tom Peyer. So I was gushing to Tom and I said – and I wasn’t trying to get a job – “I’m not looking to write a monthly comic but if I ever was interested, Doom Patrol was the only thing I could imagine writing.” He said, “Actually, Grant’s leaving in a few months, why don’t you send me a sample script?” In his introduction he wrote that he was desperate to find somebody. I’m not sure why. But that’s why he responded to me. He sent me one or two of Grant’s scripts I could look at for reference. Neil sent me one of his scripts, I recall. Maybe I looked at an Alan Moore script, or maybe that was later. But I got a sense of how people do it and what I wanted to do. And the script that I sent him was the first story. He liked it enough that he said it should be my first issue. I wrote it based on what he told me [about how] Grant was going to end it, and where I would want to go with it. Basically I just had them move to Rhinebeck. [laughs] I thought, wouldn’t it be cool to move the cast who are weird super cool wild strange superheroes to some nice little village in upstate New York. [laughs]

Pollack also discusses working with editor Lou Stathis, somebody I met when he first got in fandom but only today did it occur to me to check if he has a Wikipedia entry – he does, and it’s quite a good one.

(13) 3 FREE MONTHS OF APPLE+ TV, [Item by Daniel Dern.] Good news, you can enjoy Ted Lasso. So-so news, you can watch Foundation. “Apple Subscriptions Are Free Right Now, so Go Watch Severance, Already” urges The Inventory.

… The idea of paying for yet another streaming service is exhausting, I get it. So how about this: How about you don’t pay for it?… 

The article sends you to a Best Buy site. The fine print says, “After free trial, plan automatically renews at $4.99/month until cancelled.”

(14) VARIABLE STAR. Jesse Hudson makes an interesting observation in his “Review of The This by Adam Roberts” at Speculiction.

Adam Roberts is that maddening sportsman who has trophies on the shelf to show he is a winner but doesn’t always show up to play. With an irregular training scheme and dynamic mentality, he instead depends on innate talent to win matches. Naturally, this results in inconsistency; he’s not always a threat for the podium. For the reader, this means they never know what they are going to get with Roberts—certainly one type of appeal. With 2022’s The This we get the chance to A) test the accuracy of Google’s search algorithm, and B) answer the question: has Roberts once again channeled his innate talent to make a run for the winner’s circle, or is it just another quiet bowing out in the group stage?…

(15) MINI-REVIEW OF DOCTOR STRANGE AND THE MULTIVERSE OF MADNESS [Item by SF Concatenation’s Jonathan Cowie.] Our local SF group has been to see Doctor Strange in the Multiverse of Madness. In case anyone has not yet seen it, here is a more-or-less-spoiler free mini-review.

Action and spectacle from start to finish, director Sam Raimi takes viewers on a relentless ride.  As Bond was once accused: ‘all this running around. It’s so exhausting.’ Best bits include the death of Picard and an appearance of the cybermen…. What’s not to like, if you have the stamina.

Also trailer here.

(16) PHONE HOME? The headline oversells the story, however, the information is of interest: “Astronomer may have detected the source of the famous extraterrestrial ‘Wow!’ signal” at MSN.com.

Astronomers may have found the source of the ‘Wow!’ signal, an enigmatic radio transmission from space that some believe could have originated from an alien world.

The signal – a 72 second-long radio burst that was 20 times stronger than its background emissions – was first detected in 1977, stopping at just over a minute because that is the longest duration that the Big Ear radio telescope was able to observe. Scientists believe it is likely that the signal would have lasted longer.

Drawing attention to the mysterious transmission on a printout, astronomer Jerry R. Ehman circled it and jotted down ‘Wow!’ next to it. Since then, it has become of primary interest in the search for extraterrestrial life, although it has never been heard since.

… Focusing on G- and K-type stars – which are very similar to our own Sun – Caballero identified one, known as 2MASS 19281982-2640123, which appears to be the most likely source of the signal – 1,800 light-years from Earth.

“Despite this star is located too far for sending any reply in the form of a radio or light transmission, it could be a great target to make observations searching for techno-signatures such as artificial light or satellite transits”, Caballero writes.

Out of the 66 stars identified, two other stars, with temperatures and brightness very similar to our Sun, were also highlighted as worth investigating, as well as 14 more with a potentially similar temperature but unknown brightness. Caballero suggests, though, that since all these stars are located in the same part of the sky, the entire area is an ideal source for techno-signatures and should be explored.

Caballero’s findings appeared May 6 in the International Journal of Astrobiology….

(17) DRAW A LINE THROUGH THEM. “The end of men: the controversial new wave of female utopias” is discussed by Sandra Newman in the Guardian.

All the men are gone. Usually this is conceived as the result of a plague. Less often, the cause is violence. Occasionally, the men don’t die and the sexes are just segregated in different geographical regions. Or men miraculously vanish without explanation.

Left to themselves, the women create a better society, without inequality or war. All goods are shared. All children are safe. The economy is sustainable and Earth is cherished. Without male biology standing in the way, utopia builds itself.

I’m describing a subgenre of science fiction, mostly written in the 1970s-90s. It was once so popular it was almost synonymous with feminist SF. In 1995, when the Otherwise Award, a literary prize for “works of science fiction or fantasy that expand or explore one’s understanding of gender”, gave five retrospective awards, four of the works were set in such worlds: Suzy McKee Charnas’s Motherlines and Walk to the End of the World, and Joanna Russ’s The Female Man and When It Changed. The fifth was Ursula K Le Guin’s The Left Hand of Darkness, about a world whose inhabitants are all of the same sex.

Recently there has been a revival of the genre in radically different form, with titles including Lauren Beukes’s 2020 novel Afterland, Christina Sweeney-Baird’s 2021 thriller The End of Men, and my own new release, The Men. I think the way that these contemporary novels diverge from their earlier counterparts tells us something useful about gender politics in the 21st century. Part of the story, too, is a growing opposition to the basic premise, a conflict in which my novel has been recently embroiled….

(18) YES, SEX REX EVERYTHING. “’Prehistoric Planet’ shows another side to fearsome predator Tyrannosaurus Rex: The tender lover” at MSN.com.

…Working with producer Jon Favreau and the team that created the photorealistic visual effects used in  films like “The Lion King,” the series shows the period’s now-extinct creatures as if a film crew was shooting them 66 million years ago. 

Famed British naturalist commentator David Attenborough adds to the natural history heft with his narration, illuminating the T-Rex courtship ritual. The scene begins with an older male T-Rex, injured after battling a Triceratops, meeting a female at a river bed.

The meeting could lead either to fight or fancy. But the male shows a courtship posture and  utters a low-frequency vocalization to the receptive female. This behavior, like many of the “Prehistoric Planet” dinosaur depictions, is derived from phylogenetic bracketing – studying the extinct dinosaur’s living family tree, from birds to crocodiles and alligators.

“We’ve got scientific reasons for being very confident for this behavior,” says Naish. “We discussed this behind the scenes in the most detailed way, preparing for this. So in terms of exactly what to show, we knew exactly what was happening. And it’s the first time people will see this type of behavior realistically, from a natural history background.”…

(19) VIDEO OF THE DAY. [Item by Jennifer Hawthorne.] So who DOES put all the arrows back in the slots…? Ryan George considers, “The Guys Who Set Up Ancient Booby Traps”.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Daniel Dern, SF Concatenation’s Jonathan Cowie, Jennifer Hawthorne, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 3/5/22 Who Had The Decaffinated Pixel With Extra Space Goo?

(1) HUGO NOMINATING DEADLINE IS MARCH 15. There are ten days left to submit a Hugo nominating ballot. Those eligible to vote are the members of DisCon III and members of Chicon 8 who registered by January 31, 2022. More information at the link.

(2) CROWDFUNDING WISDOM. Tansy Rayner Roberts sums up what she’s been “Tweeting about That Sanderson Kickstarter” in a free Patreon post. Many interesting insights. Here are a few of them.

…When Kickstarter (and book Kickstarter in particular) was just starting out, those of us looking to run projects were hungry for crowdfunding advice. A lot of it didn’t even apply to publishing, because we’ve always been seen as a tiny fraction of what crowdfunding is for.

And what advice we got, we used. What we learned, we shared. Here’s a really useful bit of Kickstarter advice that I, and Twelfth Planet Press, and other publishing-crowdfunding friends have often shared: you have to have a big ticket item at the top. Something cool & exclusive.

You don’t want to rely on one person shelling out $500 or $1000 for your little publishing Kickstarter, but you want to give them the option. Having something awesome and ambitious at the top end makes everyone excited about the project, EVEN IF IT NEVER FILLS UP.

Sanderson’s top tier is $500. (Last time I had a $500 tier on a Kickstarter I hand-made a quilt) It’s an all formats extravaganza — 4 hardcovers, ebooks, audiobooks, plus the 8 swag boxes. And over 10,000 people have pledged to it.  TEN THOUSAND.

This is where Sanderson’s Kickstarter is groundbreaking — not just in the numbers it’s attracted, but in the average pledge pulled in from those fans….

… Isn’t is cool that Kickstarter is newsworthy again??? Feels like forever since there’s been a huge positive creator success story, and that it’s a BOOK project makes it even better. In the 2 hours or so since I started this tweet thread, they made another million $. FOR BOOKS.

(3) HECK OFF. But if you’d prefer to shame Sanderson for his success, in the true postmodern sff way, Slate can direct you to those resources: “Brandon Sanderson Kickstarter criticism: why writers are upset about his record-setting campaign”.

… More recently, critics of the industry have demanded that publishers invest in more titles by authors of diverse identities. Since Sanderson’s Kickstarter made headlines, there’s been, unsurprisingly, some grousing on social media about whether such an already commercially successful author needs that kind of money….

(4) BEHIND THE SCREAMS. Ellen Datlow is a guest on Episode 13 of the Let the Cat In podcast, “Herman”, hosted by Canberra-based authors Kaaron Warren, Aaron Dries and J. Ashley-Smith.

The Cat gets technical as unparalleled horror editor Ellen Datlow joins the show from NYC, bringing behind-the-scenes insights into the conceptualising, compiling, editing and introduction of her (then) latest anthology, Screams From The Dark. While Joseph gets lost in a Borgesian labyrinth of shoes, Kaaron discovers the smells of the past, and Aaron takes a drubbing for his failure to correctly identify an alpaca. Ellen endorses cannibalism (of one’s own stories) and shares anecdotes from her time in Tehachapi Prison. The heart of a story is discussed, as are stories that never quite translate to the page. Also sparks, themes, and those horrible fuck ups, the Greek gods. While the viability of various shoes (and their stories) is considered, Jack the Jerk lurks on the couch.

(5) WHAT KIDS ARE READING ANNUAL REPORT. There’s a lot in the news about politicians’ efforts to control the shelves of school libraries. So if you wonder about what kids are reading, every year, the edtech company Renaissance Learning issues a comprehensive “What Kids Are Reading” report. Frank Catalano tweeted the 5th and 10th grade graphics from their results.

Go here to download the 52-page report: What Kids Are Reading–2022. Read the news release here: “Renaissance Shares Findings of World’s Largest Annual K–12 Reading Survey” (it doesn’t highlight the science fiction/fantasy titles).

…Each year, the WKAR report lists the most popular books at every grade level, and also provides new understanding of K–12 students’ reading practice. The report is uniquely illuminating because it draws from two Renaissance programs: Accelerated Reader, which records the books students are actually reading, not just buying or checking out from libraries, and myON, which provides students with instant access to thousands of digital titles for online or offline reading.

The 2022 report uses the data of 4.5 million students in 22,749 US schools who read 128 million books, revealing insights into students’ reading comprehension and the characteristics of what they choose to read, such as word count and text difficulty….

(6) LUNAR REAL ESTATE. The Guardian’s Arwa Mahdawi says “Privatising the moon may sound like a crazy idea but the sky’s no limit for avarice”.

…The real money, of course, is not in intergalactic billboards or short space trips: it’s in plundering space for resources. Apparently, the race to privatize the moon is on. Of course, many people who are starry-eyed about space mining would balk at the idea that they’re suffering from the avariceeffect: they’d argue that it’s all for the good of mankind. Take, for example, the forward-thinking folk at the Adam Smith Institute (ASI), an influential thinktank that champions free markets. To achieve peace and prosperity on Earth, we need to sell off pieces of space, “with a particular focus on plots of moon land”, the ASI recently declared in a paper.

What’s the logic behind this? Well, they reckon that, as long as you’re not too bothered by the fact that global inequality contributes to the death of one person every four seconds, per Oxfam, untrammeled capitalism has done the world a lot of good. “Property rights play a key role in boosting living standards, innovation and human dignity here on Earth,” Daniel Pryor, head of research at the Adam Smith Institute, says. “The same would be true if we applied this logic to space, which presents a unique opportunity to start afresh when designing effective rules of ownership.”

This ASI report, titled Space Invaders: Property Rights on the Moon, may seem a little out there but it is very on-brand for the UK-based thinktank….

The fact is, they’re way behind fandom. Get the lowdown from File 770’s 2008 post “Who Owns the Moon?”

…the Bay Area Elves’, Gnomes’ and Little Men’s Science Fiction, Chowder, and Marching Society…, in 1951, filed a claim for mining rights to 2,250 sq. mi. of the Moon. Their claim was widely reported in the media – even by Time magazine….

(7) SFF AND ROMANCE. Clarion West has made available the video of their “Fantastic Intersections: Speculative Fiction and Romance” Zoom panel held January 29.

From the sublime and magical to the stirring and steamy, storylines centering BIPOC and LGBTQIA+ characters are flourishing in the romance and speculative genres. Zen Cho, S. A. (Austin) Chant, C. L. Polk, KJ Charles, and L. Penelope tackle the nuance of building romance into the plot vs. romance as the plot, the role of the HEA or HFN in representation, and the future of the fantastic in romance in this panel moderated by Rashida J. Smith.

(8) UPCOMING CLARION WEST ONLINE CLASSES. There is still space for those interested in one of these classes coming up in the next two weeks. Register at the link.

Worldbuilding is not just an academic exercise separate from character development or plot; discover how your fictional world exerts pressure on your characters and creates opportunities for plot.

Like a god, you get to invent a world. Maybe several. But how do you make worlds that readers want to visit? How do you make worlds that readers never want to leave? Explore how to create unforgettable environments, creatures, and cultures.

Note: While the course is designed from a place of enjoyment of speculative fiction, the strategies discussed are also applicable across varied genres.

How to work and write with intention and purpose

 A one-hour and one-session free class teaching writers the importance of working intentionally on both their craft and career. We’ll cover what it means to work intentionally at something as nebulous as writing; how to connect with our own intentions periodically and during times of conflict; and how to work within the parameters of our intentions in a way that sustains us.

This class will be great for writers of all levels who want to connect with their writing, careers, and stories in a deeper way that aligns more with who they are, what they want, and how they wish to create.

(9) NESFA SHORT STORY CONTEST. The results of the NESFA Short Story Contest 2021-22 were announced at Boskone 59 in February.

  • Honorable Mention: Shira Hereld, of Pennsylvania for the story “What Feels Good”
  • Honorable Mention: Olga Werby of California for the story “Floaters”
  • Honorable Mention: Alex Evans, of France for the story “First Blood”
  • Honorable Mention: M.A. Florin, of Romania for the story “The Last Choice of Isabel”

NESFA’s Past Winners page explains, “based on the number and quality of contest entries, some years have no winners or no honorable mentions.” Contest administrator Steven Lee adds, “Alas, based on the Judging, this year none of the finalist stories were considered outstanding, unlike the last two years.  These four were judged ‘almost.’”

(10) MEDIA BIRTHDAY.

1954 [Item by Cat Eldridge] Sixty-eight years ago, Creature from the Black Lagoon first cast its horrifying visage upon us. It was produced by William Alland who had produced It Came from Outer Space the previous year and directed by Jack Arnold who had directed the same film. 

It was written by Harry Essex and Arthur Ross. Essex who (surprise) was the screenwriter for It Came from Outer Space. Ross, though, had nothing to do with it, but he did write Satan’s School for Girls which amazingly got remade twice, once as a Shannon Doherty vehicle. 

Creature has a large cast but I’m only really interested in three performers here. The first is Julia Adams who played Kay Lawrence who gets snatched by the Creature from the Black Lagoon aka GillmanAnd the other two are performers that you never saw. Ben Chapman was the Creature for all the on land scenes whereas Ricoh Browning did all the underwater scenes. Ricoh would return for the two sequels, but the Creature was played by Tom Hennesy for the on land scenes in the second film (which Clint Eastwood appears in), and played by Don Megowan for the on land scenes in the third. 

So how was the reception? The Hollywood Reporter review at the time said, “Creature From the Black Lagoon is a good piece of science-fiction of the beauty and the beast school, the beast in this case being a monstrous combination of man and fish. It makes for solid horror-thrill entertainment.”  

A review recently by Empire magazine was equally positive: “Directed by sometimes-inspired journeyman Jack Arnold (The Incredible Shrinking Man), this is one of the best-loved monster movies of the ‘50s.  Whereas many of its rivals drag until the monster shows up and turn ridiculous afterwards, this establishes an atmosphere of unease and magic in the early stretches, as the monster is glimpsed as a 3-D clutching hand accompanied by its memorable blaring theme tune.” The music was composed by Henry Mancini. 

I’ve no idea what the production costs were but the box office was one point three million, not bad for the early Fifties. 

It would spawn two sequels: the 3D Revenge of the Creature and The Creature Walks Among Us. Each of the sequels would return just over just a million at the box office.  Neither of the sequels is considered nearly as great as the first film was. 

The Creature Walks Among Us is considered to be the last film in the Universal Classic Monsters series.

It rates a healthy seventy-four percent rating among audience reviewers at Rotten Tomatoes. Neither of the sequels cracks thirty percent. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 5, 1907 Martti Löfberg. Finnish author who did some genre novels including Osiriksen Sormus and Viiden minuutin ikuisuu which were both time travel affairs, and his long running newspaper reporter Kid Barrow series has been favorably compared to Tintin. (Died 1969.)
  • Born March 5, 1936 Dean Stockwell. You’ll no doubt best remember him as Al the hologram on Quantum Leap. He had one-offs on Mission ImpossibleThe Night GalleryA Twist in The TaleOrson Welles’ Great Mysteries and The Twilght Zone. His first genre role was in I think The Boy with Green Hair, a 1948 film. It might be fantasy or not as there’s no explanation for the central thesis of the film. Anything I’ve overlooked? (Died 2021.)
  • Born March 5, 1942 Mike Resnick. Damn, losing him hurts. It’s worth noting that he has been nominated for thirty-seven Hugo Awards which is a record for writers and won five times. Somewhat ironically nothing I’ve really enjoyed by him has won those Hugos. The novels making my list are his John Justin Mallory detective novels, The Red Tape War (with Jack L. Chalker & George Alec Effinger, and, yes, it’s not genre, Cat on a Cold Tin Roof. True story: Kristine Kathryn Rusch tells me he’s responsible for her Spade / Paladin series. When I interview her, I intend to ask her why.  (Died 2020.)
  • Born March 5, 1952 Robin Hobb, 70. Whose full legal name is the lovely Margaret Astrid Lindholm Ogden hence her two pen names. (I think.)  I reasonably sure the first thing I read and enjoyed by her was Wizard of the Pigeons, but The Gypsy with Steven Brust which is now available from the usual suspects was equally enjoyable and had the added bonus of a Boiled in Lead soundtrack. Really it does and Jane Yolen financed it.
  • Born March 5, 1959 Howard V. Hendrix, 63. Empty Cities of the Full Moon is damn impressive as the Labyrinth Key duology. He’s done an amazing amount of quite excellent short fiction, the latest collection being The Girls With Kaleidoscope Eyes: Analog Stories for a Digital Age.
  • Born March 5, 1972 James Moran, 50. Here for his scriptwriting on Doctor Who where he wrote Tenth Doctor story, “The Fires of Pompeii”, Torchwood where he contributed two stories, “Sleeper” about a terrorist attacking on Cardiff whose filming got halted by a terrorist attack on Glasgow, and “Day Three” of  the Children of Earth series. He also wrote some of the episodes for Primeval.
  • Born March 5, 1975 Jolene Blalock, 47. Best known for playing  T’Pol on  Enterprise.  Genre wise, she’s also been in Jason and the Argonauts seriesas Medea, Stargate SG-1 as Ishta, Starship Troopers 3: Marauder as Captain Lola Beck and as the Legend of the Seeker as Sister Nicci.
  • Born March 5, 1989 Jake Lloyd, 33. He portrayed the young Anakin Skywalker in The Phantom Menace. Ok, every fan site I encounter was full of bile his performance. I’ve not seen the film, so tell why these fans were so upset at this actor? Was it because it was a child actor portraying this character? 

(12) RETURN TO THE VOID. [Item by David Doering.] As we zoom past $23 million on Brandon Sanderson’s campaign (!!), there’s more good news from Utah. The Covid-shuttered VR venture “The Void” is relaunching, hurrah! You may recall that their secret sauce was having Tracy Hickman as writer, making it far more engaging than other special effects ladened VR attempts. Let’s cheer them on as well. “VR Arcade Pioneer The VOID is Making a Comeback” at Road to VR.

… As reported by MIXED, it appears pioneering out-of-home VR destination The VOID is getting ready to reopen.

Before The Void closed up shop—or was rather summarily kicked out of its dozen-or-so locations after it defaulted on loans back at the beginning of the pandemic—it was a premiere mixed reality destination that promised a real taste of immersion. Starting back in 2015, it combined warehouse-scale VR and realistic 4D effects that brought to life some of the most well-known franchises worldwide: Ghostbusters, The Avengers, Star Wars, Jumanji, and more.

Due to COVID-19 safety measures, The Void suffered immediate losses in revenue which were further outstripped by its inability to secure additional funding. The company’s last video before its website went dark featured a pop-up in Westfield San Francisco Center… back in April 2020.

Then, nearly a year and a half later, a report by Protocol broke the news that The Void’s patents and trademarks has been acquired by Hyper Reality Partners, a company headed by Adrian Steckel, a previous investor and board member of The Void. At the time, it was reported that Hyper Reality Partners has already raised $20 million to get The Void back on its feet.

Now The Void’s website is back up, with its creators saying that it will include “upgraded VR technology,” and “a flexible platform designed to evolve with the latest in innovation.”

(13) A WHALE OF A SECOND CENTURY TALE. [Item by Martin Morse Wooster.] In this video, Austin McConnell explains that Lucian of Samosata invented the space opera in the second century AD.  He explains that back then Romans enjoyed reading travelogues about distant places and debates about philosophical topics, so he decided to make fun of both of them with this tale about a trip to the Moon, a battle between Moon people and Sun people with bonus fighters from the Milky Way and all sorts of creepy imaginary places, including the years Lucian purportedly spent inside a 180 mile-long whale! Of course he called his novel A True Story, and McConnell shows how truly weird this book is–but hey, it’s the first sf novel!

(14) NO, YOU BE ROBIN. Here’s something even more unbelievable. “Inside the never-made ‘Batman’ movie that nearly starred Bill Murray and Eddie Murphy as the Dynamic Duo” at Yahoo!

…But on one of the infinite earths out there in the DC Extended Universe, there’s a planet where Bill Murray and Eddie Murphy played Batman and Robin on the big screen.

Actually… that was very nearly this Earth. In the early 1980s, the late Ivan Reitman planned to cast the Saturday Night Live stars as the Dynamic Duo in a never-made Batman feature film. “I talked to Eddie Murphy about it, and Eddie wanted to play Batman,” Murray tells Yahoo Entertainment in a recent interview for the latest installment in our video series The Never-Weres. “That’s as far as that conversation went.” (Watch the video above.)

If Murphy wanted to be the Caped Crusader so badly, would Murray have willingly taken on the role of Robin? Holy negatory, Batman! “I don’t wanna be the Boy Wonder to anybody,” the Ghostbusters star says. “Maybe much earlier when I was a boy. But it was too late for that by the ’80s. Also, I couldn’t do the outfit. Eddie looks good in purple, and I look good in purple. In red and green, I look like one of Santa’s elves. There was just a lot of vanity involved in the production. It wasn’t gonna happen.”…

(15)  ADAM ROBERTS INTERVIEW. Curtis Brown Creative announces, “We are thrilled that our new six-week online course – Writing Science Fiction  is open for enrolment. The course features exclusive teaching videos, notes and tasks from Adam Roberts.” They follow up with a long Q&A. “Adam Roberts: ‘Science fiction isn’t about accurate prediction, it’s about the eloquence and wonder of our ideas, our imaginings’”

How much do real life technologies impact your fictional writing?

I feel we’ve reached a plateau in terms of the development of new technologies. Remember I’ve lived through the information revolution: I was born before computers were a thing, and now computers interpenetrate shape our lives absolutely. The changes between the 1960s and now have been immense. It’s interesting: the SF of the 1950s assumed the next big leap in human development would be space travel, colonising distant worlds: but they were wrong—the next big leap was computing. I often wonder what the next next big thing will be, and how far it will change our lives and our world. I’ll probably guess wrong: but that doesn’t matter. SF isn’t about accurate prediction, it’s about the eloquence and wonder of our ideas, our imaginings.

(16) BOOKSELLER CONVERGENCE. [Item by Cora Buhlert.] Waterstones, the only remaining UK bookstore chain (back when I was studying in London, there were three or four bookstore chains) has acquired Blackwell’s, the largest independent bookseller in the UK: “Waterstones acquires Blackwell’s, the UK’s biggest independent bookseller”. Blackwell’s is mainly known for its amazing selection of academic books, though they also have a good SFF section. At any rate, this is sad news, since I fear that Blackwell’s will now be selling more celebrity memoirs and fewer academic books.

…Along with Waterstones’ acquisition of the UK book chain Foyles in 2018, it marks a further contraction in the book retail market.

The acquisition will be viewed by some as a regrettable end to the family ownership of a cherished independent and academic bookseller. To others, it will be heralded as a turbo-boost for real-world bookshops in the battle for dominance with their online rival Amazon.

(17) SFF CRAFT. The Glasgow in 2024 Worldcon bid shares a cool craft project. Crochet the solar system. It’s a wheelchair spoke cover, but it would also make a nice pillow case or doily. “Crochet Solar System Wheelchair Spoke Cover”.

Today I’m sharing a pattern for a crochet wheelchair spoke cover I recently made!

I took a basic pattern for a doily, altered the dimensions slightly and included a sun at the centre. I didn’t want the middle of my crochet piece to be rubbing against the centre of the wheel, so I took rings from old keychains and crocheted around them.

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Dying Light 2″ Fandom Games says this video game is filled with parkour to “recreate the typical commute of the average Frenchman.” But the narrator notes that if you wanted to become fitter and more athletic like the characters in this game, “You wouldn’t be playing video games all day!”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Steven Lee, Errolwi, Cora Buhlert, Frank Catalano, David Doering, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 12/3/21 Galaxies In My Trousers Like A Scroll In My Pixel!

(1) INTRUDER ALERT. A week ago, Canadian sff writer Candas Jane Dorsey came home and discovered a break-in in progress. The police were called. All of what happened next is in this Facebook post.

Last Thursday we had a lovely dinner out with our friend Jane B., and came home to do some more work, and just as I was getting ready for bed I heard some thumping and then the alarm went off, saying there was an issue in the basement. Timothy went outside to look through the windows and there was indeed an intruder, who turned and pointed something black at him. Was it a gun? In Canada, that’s not common, though the police have been finding more guns among the criminals in town, so… Anyway, it looked like maybe…

Police were already being called, but adding the words “he might have a gun” rather sharpened the response time–and the scale of the response. Soon we were waiting up on the second floor while SWAT tactical vehicles and people with guns (I was going to say “guys with guns” but there was no way of knowing if they were guy-guys or generic-guys so I’m going with people, or police officers) and Colt Carbines and other people in squad cars and other people in unmarked white SUVs blocked streets and surrounded our house, and the police helicopter looked down on us with infrared scopes, and it was Uncle Tom Cobbley and all around here for the next nine hours, as the intruder hunkered down and refused to come out….

(2) DIAGRAM PRIZE WINNER. The Guardian reports Is Superman Circumcised? wins oddest book title of the year award”

The Diagram prize, which is run by The Bookseller magazine and voted for by the public, pitted six titles against each other this year, from Curves for the Mathematically Curious to Hats: A Very Unnatural History. Despite competition from second-placed The Life Cycle of Russian Things: From Fish Guts to Fabergé, Is Superman Circumcised? took 51% of the public vote to win the award. More than 11,000 people cast a vote in this year’s competition.

The title, which follows in the footsteps of former winners including How to Avoid Huge Ships and The Big Book of Lesbian Horse Stories, sees author Roy Schwartz explore the creation of the “Mensch of Steel” by Jewish immigrants Jerry Siegel and Joe Shuster. Schwartz argues that Superman’s origin story is based “on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves”, and that Krypton’s society is based on Jewish culture.

(3) FIVE BEST. Adam Roberts picks “Five of the best science fiction and fantasy books of 2021” in the Guardian. First on the list:

Far from the Light of Heaven
by Tade Thompson (Orbit)
Space is vast but spaceships are by nature claustrophobic: Thompson plays cannily on that contrast. Passengers aboard the starship Ragtime are in suspended animation on their way to the distant planet Bloodroot, but 30 people have been murdered in their sleep. Thompson’s tale is cleverly plotted and tensely told as the investigating captain must work against her own crew, bio-contagion, violent robots and a demonic AI to uncover the murderer’s identity. The book does more than the description “locked-room mystery in space” suggests: not only wrong-footing the reader as its mystery unfolds, but creating a series of believable, compelling worlds with some genuinely alien aliens.

(4) BEAR MEDICAL UPDATE. Elizabeth Bear posted a public “cancer stuff update” on her Livejournal.

Just wanted to check in and let you all know that things are finally moving again here. I got some good news on Monday, which is to say that my oncotype came back and there’s no indication that chemo will reduce the chances of a recurrence, so I am off the hook for that (and enormously relieved, honestly). And the Infamous Seroma has healed enough that unless there’s some kind of additional complication, I will FINALLY be having my radiation setup, CT, and simulation on Monday morning….

(5) PRIME TIME FOR KIWI SFF. The Aotearoa New Zealand Festival of the Arts, happening in Wellington next February/March, has numerous items of genre interest. SFFANZ News compiled this list of links:  

(6) NFT ABUSE OVERWHELMS ARTISTS. Artists are burdened by having to generate DMCA takedown notices to keep their work from being thieved by NFT creators.

(7) ASIMOV RARITIES. Heritage Auctions has a set of the Gnome Press edition of the Foundation Trilogy on the block right now (Lot #45145). These books were published in 1951-1953. The bidding is up to $6,250.

(8) FIRST FANDOM ANNUAL 2021. Now available is the fanhistory tribute volume Remembering Erle M. Korshak (1923-2021) edited by John L. Coker III and Jon D. Swartz.

This is a tribute to legendary SF enthusiast Erle Melvin Korshak, remembered as a renowned book-seller, conventioneer, art collector and publisher. In several conversations, Erle recalls the early days of fandom, the first two worldcons, publishing articles in fanzines and the pulps, and some friends he made along the way. A new article about the history of Shasta Publishers is accompanied by Erle’s reflections on his days as a pioneering specialty press book publisher.

Other highlights include appreciations by several of Erle’s long-time friends, a gallery of First Fandom photos and an 8-page bibliography prepared by SF historian Christopher M. O’Brien.

60 pages, limited ed. (50 #’d copies) Laser printed on 28# quality paper Photographs and interior illustrations Gloss covers, 81?2 x 11, saddle-stitched. To order, send a check for $35 payable to John L. Coker III (includes packing, USPS Priority Mail, insurance, and tracking) to John at 4813 Lighthouse Road, Orlando, FL – 32808.

(9) ELIGIBILITY, YOU KNOW. Tor.com would not want you to overlook “All of Tor.com’s Original Short Fiction Published in 2021” which is linked from this post.

Since launching in 2008, Tor.com’s short fiction program has been producing touching, funny, and thought-provoking stories, and this year was no different! In 2021, we published 15 original short stories, another 15 novelettes, plus one novella. These ran the gamut from hard science fiction to epic fantasy, from horror to dystopia, from fairy tales to space opera. We’ve rounded them all up below…

(10) RETELLINGS CONSIDERED. In the Rite Gud podcast, Raquel S. Benedict contends a popular story form has some shortcomings: “#Girlboss: The Problem With ‘Feminist’ Fairytale Adaptations”.

We like folklore, and we like feminism. So why not combine them? A lot of writers do. Feminist retellings of old fairy tales are very popular. We have girlboss Cinderella starting her own business, rebellious Belle teaching girls to read in Beauty and the Beast, Snow White leading an army into battle. And why not? What’s wrong with updating folklore for a more enlightened age? We all like to see strong women kicking ass, don’t we?

But sometimes, despite our good intentions, these updates lose something in translation.

(11) MEMORY LANE.

2007 [Item by Cat Eldridge.] Fourteen years ago, The Demon Barber of Fleet Street premiered. It was directed by Tim Burton. It is an adaptation of Stephen Sondheim and Hugh Wheeler’s Tony Award-winning 1979 musical of the same name. In turn it is obviously based off of the Victorian Penny dreadful Sweeney Todd, the Demon Barber of Fleet Street. It starred Johnny Depp, Helena Bonham Carter, Alan Rickman, Timothy Spall and Sacha Baron Cohen. Critics really like it with the Christian Science Monitor saying “A considerable achievement even if, on balance, it’s more of a Tim Burton phantasmagoria than a Sondheim fantasia.” And the Independent declared that “Relentlessly morose and courageously just, Tim Burton’s “Sweeney Todd” is a maniacal near masterpiece.” It was a box office success making two hundred million on a budget of fifty million. And audience reviewers at Rotten Tomatoes currently give it a superb eighty-one percent. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 3, 1918 Polly Freas. Fan and wife of SFF artist Frank Kelly Freas with whom she had three children; she was much loved in fandom. She and Kelly co-edited Wonderworks: Science Fiction and Fantasy Art by Michael Whalen, which was a Hugo finalist for Best Nonfiction Book. She was Guest of Honor at numerous conventions, and was given a Special Award by Southern Fandom. (Died 1987.)
  • Born December 3, 1922 Donald H. Tuck. Engineer, Writer, Editor, and Fan from Tasmania, Australia who discovered SF very young. By the time he was 18, he had co-edited three issues of the fanzine Profan, which included author bios and bibliographies. Considering the logistical difficulties of the time in terms of communication by snail mail – especially given the added difficulty due to WWII and the distance of Australia from the U.S. – his feat in amassing a huge collection, and a file of index cards with the details of hundreds of SFF works, was impressive. In 1954, he collected those index cards into A Handbook of Science Fiction and Fantasy, a 151-page bibliography of the field; in 1959 he released a greatly-expanded and updated version, at 396 pages. He was given a Worldcon Special Award for this work. He continued to refine this over the years, and in 1974 produced the first volume of The Encyclopedia of Science Fiction and Fantasy through 1968: Who’s Who, for surnames starting A to L, followed four years later by Volume 2, for M to Z, and was recognized for this work with a World Fantasy Special Award. The third volume, a bibliography to accompany the two-volume encyclopedia of authors, editors, and artists, won a Hugo Award. He was to be Guest of Honor at the first Australian Worldcon; when he couldn’t attend, a group of fans went to visit him at his home. In 1985, he was given Fandom’s Big Heart Award. (Died 2010.)
  • Born December 3, 1937 Morgan Llywelyn, 84. Writer and Equestrian born in the U.S. who, after missing out on the Olympic dressage team by a minuscule fraction of a percentage point, turned to researching her Irish roots, and began to write historical fantasy, fiction, and nonfiction based on Celtic history and traditions. After her husband’s untimely early death, she moved to Ireland and is now a citizen residing near Dublin. Her first genre novel, Lion of Ireland, was nominated for a Mythopoeic Award. Her short genre fiction has been published in the collection The Earth Is Made of Stardust.
  • Born December 3, 1949 Malcolm Edwards, 72. Writer, Editor, and Critic from England who is considered one of the field’s great editors. Early in his career, he joined the British Science Fiction Association, and served as editor of its journal Vector. He was extremely active in British fandom in the 60s and 70s, producing several fanzines, and was one of the co-founders of the semiprozine Interzone. In the 80s, he co-wrote several SFF nonfiction reference works. His work has influenced many fans’ reading: as SF editor for Gollancz, he launched the SF Masterworks series. He was Deputy CEO of the Orion Publishing Group until 2019. Although he is best known as an editor, his short story “After-Images” won a British Science Fiction Award, and has been included in five different anthologies. He was Guest of Honor at Worldcon in London in 2014.
  • Born December 3, 1958 Terri Windling, 63. Author of The Wood Wife, winner of the Mythopoeic Award for Novel of the Year. She has deservedly won has won nine World Fantasy Awards, the Mythopoeic Fantasy Award, and the Bram Stoker Award. The Armless Maiden collection was on the short-list for the then-named James Tiptree, Jr. Award. Along with Ellen Datlow, Windling edited sixteen volumes of the Year’s Best Fantasy and Horror  from 1986–2003. (Yes, the first volume is actually called Year’s Best Fantasy. I do have a full set here so I know that.) She is one of the core creative forces behind the mythic fiction emergence that began in the early Eighties through her work as an editor for the Ace and Tor Books fantasy lines, and they also edited a number of anthologies such as the superb Snow White, Blood Red series which collected the very best in contemporary fantasy. These are available at the usual suspects at very reasonable prices. I’m very fond of her work with Illustrator Wendy Froud, wife of Brian Froud, on the Old Oak Wood series about faeries living in the Old Oak Wood.  She interviewed one of them, Sneezlewort Rootmuster Rowanberry Boggs the Seventh, for Green Man here.
  • Born December 3, 1960 Daryl Hannah, 61. She made her genre debut in Brian De Palma’s The Fury, though she’s better known as Pris in Blade Runner. And she was the mermaid Madison in Splash. In a decidedly unfashionable role, she was Ayala in The Clan of The Cave Bear before being Mary Plunkett Brogan in High Spirits where she was nominated for a Golden Raspberry Award for Worst Supporting Actress. Was she really that bad in it? Her last genre role I think was in the Sense8 series as Angelica Turing, though she had a cameo as herself in this year’s Cosmic Radio.
  • Born December 3, 1968 Brendan Fraser, 53. The Mummy and The Mummy Returns are enough to get him Birthday Honors. (Let’s not mention the third Mummy film.) Though he’s been in Monkeybone based on Kaja Blackley’s graphic novel Dark TownSinbad: Beyond the Veil of MistsLooney Tunes: Back in ActionJourney to the Center of the EarthG.I. Joe: The Rise of Cobra and being Robotman on the Doom Patrol series that now airs on HBO Max.
  • Born December 3, 1985 Amanda Seyfried, 36. She play Ed Zoe, the lead Megan’s best friend in Solstice, a horror film. Another horror film, Jennifer’s Body, shortly thereafter, finds here playing Anita “Needy” Lesnicki. Red Riding Hood, yes, another horror film, had her cast has as Valerie. She plays Sylvia Weis, a role within In Time in a dystopian SF film next and voices Mary Katherine, Professor Bomba’s 17-year-old daughter in Epic which is at genre adjacent. She’s Mary in an animated Pan, a prequel to Peter Pan which sounds delightful. Lastly, she has a recurring role as Becky Burnett on Twin Peaks. And did we decide Veronica Mars was at least genre adjacent? If so, she has a recurring role as Mary on it. 

(13) COMICS SECTION.

  • Bizarro shows why you don’t let psychiatrists interview your favorite cartoon characters.

(14) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present N.K. Jemisin and David Leo Rice at the KGB Bar on Wednesday, December 15 at 7:00 p.m. EDT. (Proof of COVID-19 vaccination is required to enter the KGB Bar. Face masks required when not seated.)

N. K. Jemisin

N. K. Jemisin is a New York Times-bestselling author of speculative fiction short stories and novels. In 2018, she became the first author to win three Best Novel Hugos in a row, for the Broken Earth trilogy, currently in film development. She has also won a Nebula Award, two Locus Awards, and is a recipient of the MacArthur “Genius” Fellowship.

David Leo Rice

David Leo Rice is an author from Northampton, MA, currently living in NYC. His books include A Room in Dodge City, A Room in Dodge City: Vol. 2, Angel House, and Drifter: Stories. His novels The New House and A Room in Dodge City: Vol. 3 are forthcoming in 2022. He currently teaches at Parsons School of Design and FIT.

(15) MIGHT NEED A SPIN DOCTOR. Fantasy Literature’s reviewer Bill Capossere finds the series all too familiar: “The Wheel of Time: The wheel spins a little too slowly”.

…The show also isn’t helped, at least early on, by its characterization or its dialogue. The younger main characters have been aged up (if I’m remembering correctly — it’s been a long time), mostly it seems so they can have (undepicted) sex, which seems an odd reason. Otherwise, they feel at this point bland, unformed, and indistinguishable beyond their stock type (roguish irresponsible one, brooding pining one, grieving simmering one, bitter angry one, etc.). Honestly, they look and feel like they could have accidentally walked off the set of any CW show and into this one while the cameras were rolling. The older characters, Moiraine and the “gleeman” Thom fare better as characters, but Moiraine is saddled with a lot of expository and/or portentous monologuing (and not in a good, fun way)….

(16) COVID FRONT LINES. “Violence Against Australian Booksellers” is Shelf Awareness’ report about an incident that occurred when employees tried to get customer compliance with local Covid rules.

In Australia, the Dymocks bookstore on Collins St. in the CBD in Melbourne has been forced to hire security guards “after employees were attacked by customers refusing to follow Victoria’s Covid-19 rules, with one worker being pushed down an escalator,” the Age reported. The store’s owners said the move would cost hundreds of dollars a day, but safety of staff was paramount. The incidents are being investigated by police.

“We, as small business owners never thought that making our staff do this Covid marshaling checking would result in this kind of violence,” co-owner Melissa Traverso said, adding that just hours before one employee was assaulted, another staff member had been slapped by a woman who refused to give her personal details. The Age noted that “later on Friday, a third worker was tackled by an angry customer who did not provide a valid proof of vaccination, but managed to steady himself and avoid falling down the escalator.”…

(17) RO-MAN. [Item by Ben Bird Person.] Artist/illustrator Jacob Paik did this piece based on the 1953 movie Robot Monster:

(18) IT’S A THEORY. “Returned asteroid samples suggest missing source of Earth’s water: the solar wind”Daily Kos tells why.

One puzzle about Earth’s formation is that our planet shouldn’t have nearly as much water as it does.  Asteroids that formed closer to the Sun, such as those in the inner asteroid belt between Mars and Jupiter, have very little water, while those that formed farther out have much more.  So that implies that Earth, which formed even closer to the Sun than those asteroids, started out pretty dry and must have gotten its water from some far-out source.  But what could that source be?

Much of Earth’s water could very well have come from carbonaceous chondrite meteorites, flung to Earth from asteroids that formed far from the Sun, out around Jupiter/Saturn and beyond.  Those weren’t exposed to much heat when they formed, and so their volatile components like water could stay put.  Carbonaceous chondrite meteorites can contain up to 20% water. 

It would take a whole lot of hits by these kinds of meteorites to produce our oceans, but even if we grant that possibility, when you take them as a whole, their water doesn’t quite match Earth’s water in one important way: it’s too heavy.

“Heavy” water is not H2O but rather D2O.  Its hydrogen atoms are replaced by deuterium atoms.  A hydrogen atom is simply a proton and an electron, but a deuterium atom is that plus a neutron, so it’s heavier. 

On Earth we’ve got water with about 150 parts per million deuterium, but the average for those asteroids is more like 190.  So we seem to be missing a significant source of lighter water to make all of this add up.

Enter the solar wind!…

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Ben Bird Person, Olav Rokne, StephenfromOttawa, Daniel Dern, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Bonnie McDaniel.]

Pixel Scroll 8/15/21 The Filer Who Cried ‘Click’ At The Heart Of The Scroll

(1) KOREAN SF THRIVING. Abigail Nussbaum offers a “Quick Book Rec: Tower by Bae Myung-hoon” at Lawyers, Guns & Money.

…In late 2020 and early 2021, someone seems to have decided that it was Korean SF’s turn, with several major works receiving English-language editions (in particular, check out UK-based publisher Honford Star, who have put out handsome editions of several books). At the vacation house where I recently stayed with some friends, these books were available for reading, and today I’d like to talk about one them. Tower by Bae Myung-hoon was originally published in 2009 (the English translation is by Sung Ryu), and its concerns connect with conversations we’ve had on this blog about urbanism, vertical construction, and most importantly, the relationship between capital and citizens….

(2) PRIX AURORA. Aurora Awards voting is now open for members of the Canadian Science Fiction and Fantasy Association, who have until September 4 to complete their online ballots. See the list of nominees here.

(3) DRAGON AWARDS. And, of course, Dragon Awards voting has started and will continue until September 4. To vote, fans must first register on the Dragon Awards website: Register Here. Ballots are then emailed in batches every few days through August.

Fans have until Friday, September 3 at 11:59 p.m., Eastern, to register. Voting ends 24-hours later on Saturday, Septenber. 4 at 11:59 p.m., also Eastern.

Winners will be announced on Sept. 5 at Dragon Con

(4) ANIMATION HONOR. While researching an item today I discovered the Writers Guild has a page devoted to the award they gave Craig Miller last year: “Television Writer Craig Miller Named WGAW’s 2020 AWC Animation Writing Award Honoree”.

TV animation writer and WGAW Animation Writers Caucus Chair Craig Miller (The Smurfs, Curious George, Pocket Dragon Adventures) will receive the Writers Guild of America West’s 2020 Animation Writers Caucus Animation Writing Award at November 24’s virtual AWC awards ceremony.

Comic book writer and Miller collaborator Marv Wolfman will present the Guild’s AWC career achievement award to Miller in recognition of his distinguished career and contributions to the animation field….

(5) TRADPUB AT IT’S FINEST. Literary Hub shares “A Legendary Publishing House’s Most Infamous Rejection Letters”Animal Farm? No thanks. Lord of the Flies – came damn close to being rejected. Paddington Bear? Well, who wants to read about a poor, rudely-treated bear? (A 2019 article.)

T. S. Eliot rejects George Orwell, againAnimal Farm

T. S. Eliot to George Orwell Esq., 13 July 1944:

“I know that you wanted a quick decision about Animal Farm; but the minimum is two directors’ opinions, and that can’t be done under a week. But for the importance of speed, I should have asked the Chairman to look at it as well. But the other director is in agreement with me on the main points. We agree that it is a distinguished piece of writing; that the fable is very skilfully handled, and that the narrative keeps one’s interest on its own plane – and that is something very few authors have achieved since Gulliver.

“On the other hand, we have no conviction (and I am sure none of the other directors would have) that this is the right point of view from which to criticise the political situation at the present time.[. . .]

“I am very sorry, because whoever publishes this, will naturally have the opportunity of publishing your future work: and I have a regard for your work, because it is good writing of fundamental integrity.”

It is that last paragraph that particularly strikes me: in turning down Animal Farm—essentially because it was being rude about our Soviet allies—Eliot was also turning down the unwritten 1984.

(6) NICHELLE NICHOLS NEWS. Although only Los Angeles Times subscribers can read the article “Nichelle Nichols: Conservatorship battle of ‘Star Trek’ star”, this excerpt encompasses the current state of affairs.

A three-way fight over Nichols’ fate involves her only child, Kyle Johnson, who is also her conservator; her former manager Gilbert Bell; and a concerned friend, Angelique Fawcette.

In 2018, Johnson filed a petition for conservatorship, arguing that his mother’s dementia made her susceptible to exploitation. In 2019, Bell filed a lawsuit against Johnson, alleging attempts to remove him from Nichols’ guest home, where he has lived since 2010, and “aggressive and combative behavior.”

Bell says that while living in close proximity to Nichols, he helped to restore her career and financial well-being. According to Johnson, who filed a countersuit against Bell in 2020, Nichols’ home was the place where her former manager “exerted his undue influence and took control over Ms. Nichols’ assets and personal affairs,” misappropriating the star’s income as her health deteriorated and memory faded.

Fawcette, a producer and actress who met Nichols in 2012, entered the legal fight opposing Johnson’s conservatorship petition. Fawcette pushed for visitation rights to spend time with her friend, and she argued for Nichols to stay in Woodland Hills — a scenario that has looked increasingly improbable.

At 88, Nichols no longer occupies the house. Last year, Johnson moved her to New Mexico, where he and his wife live. Johnson declined The Times’ requests to speak with Nichols directly.

Against the backdrop of the #FreeBritney movement around Britney Spears raising public consciousness about conservatorships, Nichols’ former agent and friend have launched court battles to intervene, they said in interviews. Their fear: Nichols is being denied a chance to live out her remaining years as she wants….

(7) ACE DOUBLE IS A JOKER. At Galactic Journey Cora Buhlert reviews what’s on West German newsstands in August 1966, including a book she deems truly terrible, The Star Magicians by Lin Carter.  “[August 14, 1966] So Bad It’s Hilarious (The Star Magicians by Lin Carter/The Off-Worlders by John Baxter (Ace Double G-588))”.

(8) REDEEMING FEATURES. But Cora also sent this link, saying “Because Lin Carter was actually a good editor, even if he was a terrible writer, here is Filer Fraser Sherman’s appreciation for the Ballantine Adult Fantasy series of the 1970s, which Carter edited” – “Lin Carter and the Ballantines Changed My Life” at Atomic Junk Shop.

…Thanks to Carter and the Ballantines, I could read George MacDonald’s allegorical Lilith. Clark Ashton Smith’s stylized dark fantasy short stories, collected in Poseidonis, Xiccarph, Hyperborea and more. James Branch Cabell’s cynical tales of less-than-noble knights, with a healthy serving of sex. New authors such as Evangeline Walton, with her retelling of the Welsh Mabinogion and Saunders Anne Laubenthal’s remarkable Alabama Grail quest, Excalibur (some of the covers are in this old post of mine).

It would be a satisfying ending if I could say reading these books shaped my own fantasy-writing style, but I don’t think they did. I did try to write some Dunsanian stories when I started out, but like most writers who imitate a distinctive stylist, the results were … not good (I’m not even going to mention my efforts at imitating Lovecraft — crap, I just did). They did, however, do a marvelous job broadening my taste beyond Conan and Frodo Baggins….

(9) ONWARD AND DURWARD. Adam Roberts analyzes how J.R.R. Tolkien was influenced by Sir Walter Scott in “Black Riders: a Note on Scott and Tolkien” at Sibilant Fricative. For example, Roberts finds significant parallels between Tolkien’s work and Scott’s Quentin Durward, such as —

…Schwarz Reiters, Black Riders. It seems to me likely that Tolkien, reading Scott’s adventure story, retained a memory of this episode and reworked it for Fellowship of the Ring: not just men riding black horses, but black men riding black horses, at the behest of a terrible malevolent master, pursuing our heroes across a spacious, late medieval landscape of field, stream and woodland. 

One of Scott’s footnotes makes plain that the Schwarz Reiters were historical; but that seems to me only to reinforce the aptitude of the Tolkienian appropriation….

(10) SCHLUESSEL Q&A. Tanya Tynjala launches a new interview series at Amazing Stories: “Meet Edmund Schluessel (Scriptor in Fabula Program)”. See the video at the link.

Months ago I decided to make a program about foreign writers living in Finland, and finally here it is. The name is Scriptor in Fabula and is a different kind of interview.

Three of the writers included are science fiction and fantasy ones, so I decided is a good idea to present them also here, at Amazing Stories.

The first one is Edmund Schluessel a PhD physicist with PGCE teaching qualification that also writes good science fiction. But there is more: An avid socialist activist, he helped organize Finland’s largest demonstration against Donald Trump and Vladimir Putin in  Helsinki, Finland.

(11) UNA STUBBS (1937-2021). British actress Una Stubbs died August 12 at the age of 84. US viewers will mainly know her as Mrs. Hudson in Sherlock, but she had several genre roles as well. Here’s an obituary from The Guardian as well as a photo overview of her memorable roles.

(12) MEMORY LANE.

  • 1986 – Thirty-five years ago, the second version of The Fly premiered. This version was directed and co-written by David Cronenberg along with Charles Edward Pogue. It was based on “The Fly” by George Langelaan which first ran in the June 1957 issue of Playboy. The principal cast was Jeff Goldblum, Geena Davis and John Getz. Reception was universally positive for the film with the performance by Goldblum being singled out as the highlight of the film. It grossed over sixty million dollars at the box office against its nine million dollar budget becoming the largest commercial success of Cronenberg’s career. Audience reviewers at Rotten Tomatoes give it a rather excellent rating of eighty-three percent. It was nominated for a Hugo at Conspiracy ’87, the year Aliens won.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 15, 1917 John Joseph McGuire. Best remembered as a co-writer with H. Beam Piper of A Planet for TexansHunter PatrolCrisis in 2140 and The Return, all of which I’ve read and really liked. His solo fiction was a bare handful and I don’t think I’ve encountered it. The works with Piper are available from the usual digital suspects as is a novella of his called The Reason Prisoner. It’s listed as being public domain, so’s free there. (Died 1981.)
  • Born August 15, 1932 Robert L. Forward. Physicist and SF writer whose eleven novels I find are often quite great on ideas and quite thin on character development. Dragon’s Egg is fascinating as a first contact novel, and Saturn Rukh is another first contact novel that’s just as interesting. (Died 2002.)
  • Born August 15, 1933 Bjo Trimble, 88. Her intro to fandom was TASFiC, the 1952 Worldcon. She would be active in LASFS in the late 1950s onward and has been involved in more fanzines than I can comfortably list here. Of course, many of us know her from Trek especially the successful campaign for a third season. She’s responsible for the Star Trek Concordance, an amazing work even by today’s standards. And yes, I read it and loved it. She’s shows up (uncredited) as a crew member in the Recreation Deck scene in Star Trek: The Motion Picture. Bjo and her husband John Trimble were the Fan Guests of Honor at the 60th Worldcon, ConJose. She was nominated at Seacon for Best Fanzine for Shangri L’Affaires, and two years later at DisCon 1 for the same under the Best Amateur Magazine category. 
  • Born August 15, 1943 Barbara Bouchet, 78. Yes, I’ve a weakness for performers who’ve shown up on the original Trek. She plays Kelinda in “By Any Other Name”.  She also appeared in Casino Royale as Miss Moneypenny, and is Ava Vestok in Agent for H.A.R.M. which sounds like someone was rather unsuccessfully emulating The Man from U.N.C.L.E. It will be commented upon by Mystery Science Theater 3000.
  • Born August 15, 1945 Nigel Terry. His first role was John in  A Lion in Winter which is at least genre adjacent as it’s alternate history, with his first genre role being King Arthur in Excalibur. Now there’s a bloody telling of the Arthurian myth.  He’s General Cobb in the Tenth Doctor story, “The Doctor’s Daughter”, and on the Highlander series as Gabriel Piton in the “Eye of the Beholder” episode. He even played Harold Latimer in “The Greek Interpreter” on Sherlock Holmes. (Died 2015.)
  • Born August 15, 1952 Louise Marley, 69. Winner of two Endeavour Awards for The Glass Harmonica and The Child Goddess. Before becoming a writer, she was an opera singer with the Seattle Opera, and so her works often feature musical themes.
  • Born August 15, 1972 Matthew Wood, 49. He started out as, and still is, a sound engineer but he also became a voice actor with his best known role being that of General Grievous in The Revenge of the Sith and The Clone Wars. He often does both at the same time as on 2013 Star Trek Into Darkness where he was the lead sound editor and provided the ever so vague additional voices. If you’ve been watching The Mandalorian, he was Bib Fortuna in “The Rescue” episode. 
  • Born August 15, 1972 Ben Affleck, 49. Did you know his first genre role is in Buffy the Vampire Slayer? He’s a basketball player in it.  He’s Batman in Batman v Superman: Dawn of Justice and Justice League. IMDB claims he shows up in a uncredited spot in Suicide Squad as well. He’s reprising his role as Batman in forthcoming Flash.  He’s Matt Murdock / Daredevil in Daredevil which I have seen. He’s actually in Field of Dreams too as a fan on the stands in Fenway though he’s not credited. Can I nominate Shakespeare in Love as genre? If so, he’s Ned Alleyn in it.

(14) BURTON’S BATMAN IS BACK. In the Washington Post, David Betancourt discusses Batman 89, a six-issue miniseries designed to recreate the world of the 1989 Tim Burton movie, written by Sam Hamm (who wrote Burton’s film) and designed to include storylines that weren’t in Burton’s movie (such as having a Black Robin, because Robin wasn’t in the Burton film). “Tim Burton never got to make more Batman movies. ‘Batman 89’ is the next best thing”.

…[Artist Joe] Quinones ended up suggesting something that now seems obvious: Why not just ask the person who wrote those Batman movies?Veteran Hollywood writer Sam Hamm is that person.And the result is “Batman 89,” a newsix-issue monthly miniseries featuring a Batman inspired by the performance of Michael Keaton — and a nostalgic joyride for the many hardcore fans of Burton’s two iconic trips to Gotham City.

Quinones sent Hamm a direct message on Twitter and was surprised not only to get a response but to find out Hamm is a fan of his artwork.

Hamm was hesitant about returning to super-heroic tales.He’d written two Batman films (the first with Warren Skaaren, and he was replac

ed on the second by Daniel Waters) along with the first movie script for Alan Moore and Dave Gibbon’s legendary “Watchmen” comic. He’d even worked with Chris Columbus on a Fantastic Four movie that was never made.

“I had a long stretch where I just didn’t want to do comic book [stories]. I had been very much typed as the comic book guy,” Hamm said. Still, he added, “I thought about it for like a day, and I said, I think I can have some fun with this.”

Part of the fun for Hamm and Quinones would be exploring potential plotlines that were ripe for the taking but never used in the first two Batman films. Both agreed that classic Batman villain Two-Face should be this series’ main antagonist. Hamm had included Harvey Dent — played by Billy Dee Williams — in his “Batman” script with the intent of the character eventually transitioning into Two-Face. But Williams never returned to the role, and when Two-Face debuted in Schumacher’s “Batman Forever,” the character was played by Tommy Lee Jones….

(15) RECORD ATTEMPT. A few costumes shy of the Jurassic mark… “Mount Clemens event fails world record attempt for gathering of people dressed as dinosaurs” – see the news video at Flipboard.

A downtown Mount Clemens event Saturday sought to break the world record for the number of dinosaur costumes in one place. The record, which stands at 252, was too large to overcome. But that didn’t mean attendees didn’t have fun.

(16) CLIPPING SERVICE. [Item by Martin Morse Wooster.] This is from a humor piece by Hallie Cantor in the July 30, 2018 New Yorker in which Elon Musk is dealing wiith public relations executives.

MUSK:  “Guys, guys, guys, c’mon.  I’m a socialist in the manner of Iain Banks.”

P.R. EXECUTIVE 2:  “But Iain Banks was pro-union!”

(A large hole opens in the floor beneath Executive 2’s seat, and he disappears into a Hyperloop tube headed for O’Hare International Airport.”

(17) EAR CANDY. Cora Buhlert has a story called “We need to talk…” in episode 42 of the Simultaneous Times podcast presented by Space Cowboy Books.

(18) ON DC’S SHELF. GameSpot spins out the alternate Hollywood History that might have been: “9 Unmade DC Superhero Movies That We Never Got To See”.

…Unsurprisingly, there’s also a huge number of potential DC movies that have been announced or put into development that never made it to the screen. Some of these were new spins of the company’s biggest heroes, developed by big names like JJ Abrams, Joss Whedon, and Tim Burton. Others were attempts to make movies based on lesser-known figures that for various reasons never got as far as production. Some were literally a few weeks away from shooting, while others never made it past the script stage.

We’ve picked some of the highest-profile and most interesting examples of these. It’s fascinating to think of how the course of DC’s cinematic journey would’ve been affected had they made it to the screen–Nicolas Cage might have forever been associated with the role of Superman, while we might never have seen Christian Bale and Chris Nolan’s take on Batman. So here’s 9 big DC films that we’ll never see….

9. Justice League Dark

In terms of DC movies that seem like a perfect match of subject and director, it’s hard to think of a better one than Gullermo Del Toro’s Justice League Dark. The Pacific Rim and Shape of Water director was attached to a movie version of the supernatural superhero team for several years and recently confirmed that he wrote a full screenplay for the potential movie. But he left the project in 2015, and although Doug Liman (Edge of Tomorrow) was also briefly attached, it remains unmade.

However, while a full Justice League Dark movie doesn’t seem likely any time soon, that doesn’t mean we won’t see some of the characters. Last year it was reported that JJ Abrams is developing several Justice League Dark projects, with a John Constantine series and Zatanna movie both in the works.

(19) PETRI DISHES. In the Washington Post, Alexandra Petri says if Tucker Carlson enjoyed his trip to Hungary, he’s really looking forward to going to Mordor!” “Forget Hungary. Tucker Carlson is all about Mordor now”.

… I am honored to announce I will be speaking next week at the Mordor Summit in Barad-dur at the invitation of Dark Lord Sauron! This is the future of conservatism, and I’m excited to throw open the Overton Window and let in the nazguls.

It was wonderful to spend time in Hungary, a country Freedom House describes as “sliding into authoritarian rule” — but why stop there when I could be in a land Freedom House describes as “under authoritarian rule for two-and-a-half thousand years”? That’s two-and-a-half thousand times more aspirational! That’s 10 times longer than the United States has been a country at all, and hundreds of times longer than we’ve been deliberately sliding away from at least theoretically embracing representative democracy….

[Thanks to Martin Morse Wooster, JJ, Michael Toman, Cora Buhlert, Alan Baumler, Will R., John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/5/21 Guilty Pixels Got No Rhythm

(1) GO BACK AND TRI AGAIN. “HG Wells fans spot numerous errors on Royal Mint’s new £2 coin” — Adam Roberts and Stephen Baxter explained the gaffes to Guardian readers.

Observant fans of HG Wells have questioned how a new coin from the Royal Mint commemorating The War of the Worlds author could be released with multiple errors, including giving his “monstrous tripod” four legs.

The £2 coin is intended to mark 75 years since the death of Wells, and includes imagery inspired by The War of the Worlds and The Invisible Man.

…Science fiction novelist and professor of 19th-century literature Adam Roberts, who is author of a biography of Wells and vice president of the HG Wells Society, also criticised the depiction of the Invisible Man, shown in a top hat; in the book he arrives at Iping under a “wide-brimmed hat”.

“It’s nice to see Wells memorialised, but it would have been nicer for them to get things right,” Roberts said. “A tripod with four legs is hard to comprehend (tri: the clue is in the name), and Wells’s (distinctly ungentlemanly) invisible man, Griffin, never wore a top hat … I’d say Wells would be annoyed by this carelessness: he took immense pains to get things right in his own work – inviting translators of his book to stay with him to help the process and minimise errors and so on.”

Stephen Baxter, vice president of the Wells Society and author of The Massacre of Mankind, an official sequel to The War of the Worlds , said he thought Wells would have been “very flattered by the coin, but infuriated by that non-tripod! It’s not just the extra leg but the stiffness of it. In the book itself, he has a sideswipe at the ‘stiff, stilted tripods’ depicted in an early ‘pamphlet’ on the war – in fact he was talking about clumsy illustrations in the newspaper serialisation of the book, its first publication. ‘They were no more like the Martians I saw than a Dutch doll is like a human being.’ Take that!”

(2) BEWARE DOCTOR WHO SPOILER. For the rest of you – “Doctor Who star Jodie Whittaker quits after three years as Time Lord” reports Mirror Online (among other sources). Showrunner Chris Chibnall is to remain. (Here’s the Guardian link.)

Jodie Whittaker is quitting at the end of the next Doctor Who series, when she will regenerate into the 14th Time Lord.

The 38-year-old has told bosses she intends to stick to the traditional rule of leaving after three stints in the TARDIS, like the majority of her predecessors.

One insider said: “It’s all very hush-hush but it is known on set that Jodie is leaving and they are gearing up for a regeneration.

“Her departure is top secret but at some point over the coming months the arrival of the 14th Doctor will need to be filmed. It’s very exciting.”

Insiders claim Whittaker is keen to take on other roles.

(3) DAVID WEBER UPDATE. Posted by Regina Kirby on SouthernFandomClassic listserv and forwarded by Andrew Porter:

Here is the latest from David Weber’s Facebook on his condition:

They seem to have the temp totally under control now. BP is still a little ping-pongy, but trending MUCH lower. I think they’re still worried a bit about my heart (remembering I was scheduled for a heart cath last week before all this blew up) and about clotting. 

Still coughing up wet phlegm. Not as many blood draw sticks, thank goodness! Breathing is a lot better, at least when not moving. I’ve been limited to sort of shooting out half-dozen word bursts and then gasping for breath. I’m up to whole sentences (well, phrases) now between breaths. Soon as I move, the panting and dizziness starts in, but I think even that is better. Not sure if we’re completely through the antibiotics yet, but I do think everything they’ve pumped into me has helped a lot.

Then, tonight on David Weber the Author on Facebook:

I am now officially off the heart monitor!

Tah-DAH!

O2 absorption still too low and they’re still watching for clotting, but the situation is clearly improving.

(4) ERIC FLINT & COMPANY. Ring of Fire’s first Open House event of the new year will be held Saturday, January 9, beginning at 1:00 Central time.

 Join us for a discussion of the upcoming Colony High series with special guests Dr. David Brin and Steve Ruskin.

Use the Zoom link below to join in on the fun. We’ll see you there!

https://us02web.zoom.us/j/6057032055

(5) GONE VIRTUAL. The Popular Culture Association will take its annual conference online in 2021 – the vaccine rollout won’t be completed in time to save the day: “A Message From Our President”.

Happy 2021 to all PCA members! I wish you a brighter, better year. The PCA Governing Board met today and made the difficult decision to hold a fully virtual conference in June 2021. We have been monitoring the rollout of the vaccine and have determined that not enough of our members will be vaccinated in time to meet face to face in Boston or have a hybrid conference. We also learned, via a survey last month to our area chairs, that many academic institutions have withdrawn travel support for this year and that members overwhelmingly support going forward with a remote conference if we cannot meet in person. Thus, virtual is the way to go! 

(6) SFSFC LEADERSHIP ELECTION. At the November 2020 meeting of the Board of Directors of San Francisco Science Fiction Conventions, Inc. (SFSFC), Kevin Roche was elected President of the Board effective January 1. Says Roche, “Dave Gallaher, whose many years of hard work and service as SFSFC President are greatly appreciated, remains as a regular Director.”

Kevin Roche was Conference Chair of Worldcon 76 in San Jose.

(7) FREE READ. A Turtledove book is Arc Manor’s free ebook for January: Over The Wine-Dark Sea. A publisher’s note says “The cart will show the suggested price of $1.99. You may change it to any price including $0.00.”

The first book in the highly acclaimed ‘historicals’ by the Master of Alternate History, Harry Turtledove. 

?No one recreates historical settings like Turtledove who has that special knack for being both historically accurate and highly entertaining.

?Menedemos, the young dashing sea captain, and his helper, the scholarly Sostratos, are sea-traders from the Greek island of Rhodes. Fearless sailors, they will travel any distance to make a profit or to search for rich treasures.

?While they trade in fineries such as wine and silk (and even, to the chagrin of many, peacocks), they live in dangerous times with pirates, thieves and barbarians. As if avoiding death by the hands of these miscreants isn’t enough (particularly the barbarians from an obscure town called Rome), they are also caught between the political intrigues of Alexander’s former generals.

(8) ROBERTS OBIT. Actress Tanya Roberts died January 4 reports People.

Tanya Roberts died from a urinary tract infection, her representative tells PEOPLE. She was 65.

Roberts was first erroneously reported dead on Monday morning before her publicist corrected the news. She later died Monday night.

Her genre roles included the Bond movie A View To A Kill, films The Beastmaster, and Sheena.

(9) SMITH OBIT. Horror writer (among other things) Guy N. Smith died on Christmas Eve aged 81. Here is a touching tribute by Thomas McNulty: “Remembering Guy N. Smith”.

…While GNS is best known as a “horror writer,” his oeuvre includes much more; stories for young readers, thrillers and police procedurals, and several years writing for The Countryman’s Weekly. In fact, his output of countryside living articles and books is exemplary. Of this work I include Gamekeeping and Shooting for Amateurs (1976), Midland Gun Company: A Short History (2016), and Managing and Shooting Under Ten Acres (2017) as ideal representations. Guy Smith is much more than a horror writer, and yet the spooky tales have made him famous. Guy’s solitary Western, The Pony Riders, published in 1997 by Pinnacle, is widely considered a Western classic and among Guy’s best novels. 

GNS is to my way of thinking the embodiment of what a writer should be. His various interests, devotion to the countryside lifestyle, dedication to his craft, friendliness and generosity with his fans have distinguished him from all others. Of his novels, I offer five as the scariest books written, and I list them for readers to examine at their own risk: The Slime Beast (1975), The Sucking Pit (1975), Doomflight (1981) The Wood (1985) and The Island (1988)….

(10) MEDIA ANNIVERSARY.

  • January 5, 1974Starlost came to an end. It came on the the air on the air on September 22 of the previous year and was executive produced by William Davidson, Gerry Rochon, Douglas Trumbull and Jerome M. Zeitman. It was, as you know, written in part by Harlan Ellison (as Cordwainer Bird) though there were other writers as well — George Ghent, Norman Klenman and Martin Lager. Of Canadian production, it would last but one season of sixteen episodes. Though Ellison received a Writers Guild of America Award for Best Original Screenplay for the original script, this is not what was filmed, nor representative of the experience science advisor Ben Bova had with the series. It is generally considered one of the worst genre series of all time.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 5, 1914 George Reeves. Best known obviously for being Clark Kent and Superman in the Adventures of Superman which ran for six seasons. It was preceded by two films, Superman and the Mole Men and the now public domain Stamp Day for Superman. Reeves had one log running SFF series prior to this series, Adventures of Sir Galahad, a fifteen part serial in which he played the lead. This clip is the only English one I found of him in that role. Yes, he was just forty five when he apparently committed suicide. (Died 1959.) (CE) 
  • Born January 5, 1926 – Bob Abbett.  Fifty covers for us, thirty others.  Here is The Third “Galaxy” Reader.  Here is Dolphin Boy.  Here is A Fighting Man of Mars.  Later known for paintings of wildlife, fishing, dogs; see A Season for Painting.  (Died 2015) [JH]
  • Born January 5, 1928 – Raylyn Moore.  Newspaper reporter, teacher, poet, motorcyclist.  Co-founded Monterey Peninsula (California) Dickens Fellowship.  First woman to publish a story in Esquire.  A novel and thirty short stories for us, in The Magazine of Fantasy and Science Fiction, also EdgesOrbitShadows.  (Died 2005) [JH]
  • Born January 5, 1940 – Tom Digby, age 81.  It seems incongruous to consider the birth or death of this consummately yet mildly strange being.  Larry Niven put the best known theory in “What Can You Say About Chocolate-Covered Manhole Covers?”  While TD lived in Los Angeles he had a clock that ran backwards, a machine you could set to sound rhythms you invented, a sign that said in big letters Important not ice (as you’ll see in a moment, I can’t reproduce it properly) and when you went much closer you could read text beginning It’s important that you understand this sign is not ice.  Worked hard enough for LASFS to earn its Evans-Freehafer Award.  Later moved to San Francisco Bay.  For his songs, see here.  Fan Guest of Honor at Minicon 15, MileHiCon 13, and ConFrancisco the 51st Worldcon, for which you can see his Guest of Honor book here (revised 2014).  Here is his analemma page.  [JH]
  • Born January 5, 1940 Jennifer Westwood. Folklorist who I’m including on the Birthday Honors List (if the Queen can have such a list, I can too) for one of her works in particular, Albion: Guide to Legendary Britain as it has a genre connection that will take some explaining. Ever hear of the band from Minnesota called Boiled in Lead? Well they took their name from a local legend in that tome about a man that was wrapped in lead and plunged in a vat of scalding oil so that he now stands forever in a circle of stones. Among the genre folk that have had a role in the band are Emma Bull, Steven Brust, Adam Stemple, Jane Yolen and Will Shetterly. (Died 2008.) (CE) 
  • Born January 5, 1941 – Miyazaki Hayao, age 80.  (Personal name last, Japanese style.)  Author, animator, director, producer, manga artist, screenwriter.  Co-founded Studio Ghibli.  My Neighbor Totoro, the first Princess Mononoke story, the Nausicaä in the Valley of the Winds and Kiki’s Delivery Service picture books are available in English.  Academy Award for Spirited Away.  Nebula for Howl’s Moving Castle. Academy Honorary Award for contributions to animation and cinema.  Chesley and World Fantasy awards for life achievement.  SF Hall of Fame.  Person of Cultural Merit.  [JH]
  • Born January 5, 1943 – Awa Naoko.  (Personal name last.)  The Fox’s Window collects thirty of her stories in English.  Twoscore more.  Seven collections in Japanese.  Fantasy in a folktale style; later works sometimes said to be conscious of the world after her death.  Five Japanese awards.  (Died 1993) [JH]
  • Born January 5, 1959 Clancy Brown, 62. I first encountered him as the voice of Lex Luthor In the DC animated universe. All of voice roles are far too extensive too list here, but I’ll single out  as voicing as Savage Opress, Count Dooku’s new apprentice and Darth Maul’s brother, in Star Wars: The Clone Wars.  Very selected live roles include Rawhide in The Adventures of Buckaroo Banzai Across the 8th Dimension, The Kurgan In Highlander, Sheriff Gus Gilbert in Pet Sematary Two, Captain Byron Hadley in The Shawshank Redemption, Sgt. Charles Zim In Starship Troopers and, one of my best loved weird series, the truly strange Brother Justin Crowe in Carnivàle (CE)
  • Born January 5, 1966 Tananarive Due, 55. I’m particularly fond of her short fiction which you can find in her BFA winning Ghost Summer collection which also won the Carl Brandon Kindred Award. The Good House and The Between are novels are worth reading for having strong African-American characters. (CE) 
  • Born January 5, 1975 Bradley Cooper, 46. He’d be here just for voicing Rocket Raccoon in the MCU. In fact he is here just for that role. Mind you he’ll have voiced him five time by that Guardians of The Galaxy Vol 3 comes out, so I’d say he’s got him spot perfect. (CE) 
  • Born January 5, 1978 Seanan McGuire, 43. Ahhhh, one of my favorite writers. I just finished re-listening to her Sparrow Hill Road storieswhich was are excellent and earlier I’d read her InCryptid series, both of her Indexing books which are beyond amazing and, God what else?, the Wayward Children series which I’ve mixed feelings about. (CE)
  • Born January 5, 1989 – Heather Fawcett, age 32.  Four novels; The Language of Ghosts just published.  “Before becoming a writer I worked … as an archaeologist, a technical writer, and a backstage assistant for a Shakespearean theatre [she’s Canadian] company….  I have a Master’s degree in English Literature and briefly considered becoming a professor, before I realized it involved more than reading books, drinking excessive amounts of tea, and wearing colourful elbow patches.”  [JH]

(12) COMICS SECTION.

Versions of this have been floating around for over six months, I saw it for the first time today.

(13) BEYOND CLAY. Available at BBC Sounds, In The Studio’s episode“The Big Fix Up: A new, digital venture for Wallace and Gromit”

Wallace and Gromit – the eccentric inventor and his loyal dog – are one of Britain’s best-loved comedy duos. Created in plasticine clay by Nick Park of Aardman Animations, their stop motion adventures have won three Academy Awards and a BAFTA.

Now, Wallace and his faithful hound are heading into exciting new territory. The pair’s new business venture, Spick & Spanners, needs employees to help them ‘Fix Up’ the British city of Bristol. This interactive story, which takes place on smart phones and uses augmented and mixed reality, is a daring departure from their traditional claymation films. For the first time ever, fans can step directly into the world of Wallace and Gromit.

In The Studio goes behind-the-scenes of the production’s final stage, as the technical team grapple with bugs and the directors shoot final takes with their first ever real human character.

Eliza Lomas talks to Wallace and Gromit creator Nick Park about his own childhood dreams of being an inventor, and he opens up his sketchbooks to reveal some very recent, very silly Wallace and Gromit doodles.

(14) JEOPARDY! Andrew Porter watched tonight’s episode of Jeopardy! where the contestants whiffed on a pop culture landmark. (Porter adds this was one of the last episodes presided over by Alex Trebeck – three more to come.)

Category: Possession is 9/10

Answer: There is no Sigourney Weaver, only Zuul, & what a lovely singing voice Zuul must have in this 1984 movie.

Wrong question: What is Aliens?

No one got, What is Ghostbusters?

Incidentally, Ryan Reynolds appeared virtually on January 4’s Jeopardy!‘ for a clue related to his movie Free Guy, which will feature Alex Trebek’s last film cameo: “Ryan Reynolds says working with Alex Trebek ‘one last time’ for Jeopardy! clue was ‘heartbreaking’”.

(15) VIDEO OF THE DAY. “The Matrix — Never-Before-Seen Cold Open”. A Peacock extra on YouTube.

Watch an exclusive, never-before-seen cold open from The Office’s ninth season to celebrate The Office US coming to Peacock! In loving memory of Hugh Dane, Hank the security guard.

[Thanks to John King Tarpinian, Michael Toman, Martin Morse Wooster, Cat Eldridge, JJ, John Hertz, Mike Kennedy, Olav Rokne, Michael J. Walsh, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]